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2559 results for "man" in 57 films — see also Man | lover | male | person | staff | work

Film	Theme name	Instance	Tags
All This, and Heaven Too (1940)	The Duke (Quasi Mysterioso)	0:14:49 - Henriette hears the Duke and Duchess arguing	arriving \| butler \| common-chord modulation \| deceptive resolution \| duchess \| duke \| establish setting \| interrupting \| leading lady \| leading man \| mysterious \| room \| tense
All This, and Heaven Too (1940)	The Duchess (Agitato)	0:22:02 - The Duchess argues with the Duke	agitated \| arguing \| chromatic scale \| chromatic sequence \| distressed \| duchess \| duke \| establish character \| leading lady \| leading man \| mode mixture \| room
All This, and Heaven Too (1940)	Underscoring (Agitated)	0:22:23 - The Duke rebukes the Duchess	agitated \| arguing \| chromatic parallelism \| chromatic scale \| distressed \| dominant 7th chord \| duchess \| duke \| establish character \| leading lady \| leading man \| room
All This, and Heaven Too (1940)	Rushing	0:22:31 - The Duchess rushes after the Duke	agitated \| arguing \| augmented triad \| distressed \| duchess \| duke \| establish character \| leading lady \| leading man \| mickey-mousing \| rising \| room \| rushing \| turn figure
All This, and Heaven Too (1940)	Pleading	0:22:41 - The Duchess pleads with the Duke to stay	acceleration \| agitated \| arguing \| chromatic sequence \| distressed \| duchess \| duke \| establish character \| fragmentation \| leading lady \| leading man \| parallelism \| pleading \| room
All This, and Heaven Too (1940)	Desperation (Furioso)	0:22:53 - The Duchess curses the Duke	agitated \| arguing \| dissonant bass \| distressed \| duchess \| duke \| establish character \| leading lady \| leading man \| parallelism \| pleading \| priest \| room \| tense
All This, and Heaven Too (1940)	Henriette (Fairy Tale)	0:23:50 - Henriette reads a fairy tale	book \| calm \| child \| countermelody \| delicate \| duke \| establish character \| fairy tale \| governess \| leading lady \| leading man \| magical \| pleasant \| room \| storytelling
All This, and Heaven Too (1940)	Illness	0:26:16 - The Duke asks about Raynald	advance plot \| delicate \| duke \| gentle \| governess \| leading lady \| leading man \| parallelism \| room \| worrying
All This, and Heaven Too (1940)	Underscoring (Tense)	0:30:19 - Henriette dresses Raynald	9th chord \| advance plot \| arguing \| caring \| child \| duke \| governess \| illness \| leading lady \| leading man \| room \| sequence \| tense \| underscoring
All This, and Heaven Too (1940)	Underscoring (Gentle)	0:30:34 - Henriette puts Raynald in bed	advance plot \| arguing \| caring \| child \| chromatic sequence \| duke \| gentle \| governess \| illness \| leading lady \| leading man \| mode mixture \| room \| tense \| underscoring
All This, and Heaven Too (1940)	Romance	0:30:48 - Henriette talks with the Duke	added-note chord \| advance plot \| arguing \| child \| duke \| governess \| illness \| leading lady \| leading man \| romantic \| room \| sequence
All This, and Heaven Too (1940)	Henriette (Andante)	0:31:04 - The Duke apologizes to Henriette	9th chord \| 64 chord \| advance plot \| apologizing \| child \| conversing \| duke \| foreign key modulation \| governess \| illness \| leading lady \| leading man \| romantic \| room
All This, and Heaven Too (1940)	The Duke (Tranquillo)	0:31:41 - The doctor treats Raynald	advance plot \| caring \| child \| conversing \| doctor \| duke \| gentle \| governess \| illness \| leading lady \| leading man \| room \| somber
All This, and Heaven Too (1940)	The Sick Room	0:32:12 - The doctor talks to the Duke	64 chord \| advance plot \| child \| chromatic sequence \| conversing \| doctor \| duke \| fragmentation \| gentle \| governess \| illness \| leading lady \| leading man \| pedal tone \| room
All This, and Heaven Too (1940)	Raynald	0:32:53 - Henriette helps Raynald	advance plot \| caring \| child \| common-chord modulation \| conversing \| delicate \| duke \| gentle \| governess \| illness \| leading lady \| leading man \| room \| sweet
All This, and Heaven Too (1940)	Counting	0:33:30 - Henriette counts tangerine slices	advance plot \| calm \| child \| chromatic sequence \| conversing \| counting \| distracting \| duke \| governess \| illness \| leading lady \| leading man \| pc set \| room \| tense \| wedge \| zoom in
All This, and Heaven Too (1940)	Henriette (Molto Tranquillo 2)	0:34:17 - Henriette comforts Raynald	advance plot \| augmented sixth chord \| child \| comforting \| common-chord modulation \| conversing \| dark \| delicate \| duke \| gentle \| governess \| illness \| leading lady \| leading man \| mode mixture \| parallel 63s \| room \| suspension
All This, and Heaven Too (1940)	Raynald (Dark)	0:34:52 - Raynald talks with Henriette	advance plot \| child \| comforting \| conversing \| dark \| death \| duke \| foreign key modulation \| governess \| illness \| leading lady \| leading man \| room
All This, and Heaven Too (1940)	Lullaby	0:35:08 - Henriette sings a lullaby	advance plot \| calm \| caring \| child \| duke \| gentle \| governess \| illness \| leading lady \| leading man \| lullaby \| room \| scored source music \| singing
All This, and Heaven Too (1940)	Raynald (Lullaby)	0:35:24 - Henriette talks to the Duke	advance plot \| calm \| caring \| child \| conversing \| duke \| gentle \| governess \| illness \| leading lady \| leading man \| lullaby \| mode mixture \| room
All This, and Heaven Too (1940)	Lullaby	0:35:39 - Henriette sings a lullaby	advance plot \| calm \| caring \| child \| duke \| gentle \| governess \| illness \| leading lady \| leading man \| lullaby \| room \| scored source music \| singing
All This, and Heaven Too (1940)	Henriette (Very Emotional)	0:35:57 - The Duke thanks Henriette	advance plot \| calm \| child \| common-chord modulation \| conversing \| duke \| gentle \| governess \| illness \| leading lady \| leading man \| mode mixture \| parallel 63s \| room
All This, and Heaven Too (1940)	Lullaby (Morendo)	0:36:25 - Henriette sings a lullaby	advance plot \| calm \| caring \| child \| chromatic mediant \| duke \| gentle \| governess \| illness \| leading lady \| leading man \| room \| singing
All This, and Heaven Too (1940)	The Prayer	0:36:36 - The Abbe prays for Raynald	child \| common-chord modulation \| duke \| governess \| hymn-like \| illness \| leading lady \| leading man \| parallelism \| praying \| priest \| religious scene \| room \| sequence \| somber
All This, and Heaven Too (1940)	Underscoring (Tense)	0:37:37 - They rise from prayer	added-note chord \| child \| chromatic scale \| chromatic wedge \| conversing \| deceptive resolution \| duchess \| duke \| governess \| illness \| leading lady \| leading man \| leaving \| priest \| religious scene \| room \| somber \| tense
All This, and Heaven Too (1940)	Raynald (Adagio)	0:38:26 - The doctor takes Raynald's pulse	9th chord \| advance plot \| caring \| child \| chromatic scale \| conversing \| doctor \| duke \| governess \| governess \| illness \| leading lady \| leading man \| room \| solemn
All This, and Heaven Too (1940)	Raynald (Triste)	0:39:16 - The Duke talks to Henriette	64 chord \| advance plot \| child \| conversing \| duke \| governess \| illness \| leading lady \| leading man \| room \| somber
All This, and Heaven Too (1940)	Raynald (Andante)	0:41:36 - Henriette and the Duke by Raynald's bedside	9th chord \| 64 chord \| augmented sixth chord \| child \| chromatic sequence \| conversing \| duke \| governess \| hopeful \| illness \| illness scene \| leading lady \| leading man \| parallelism \| room \| solemn \| somber
All This, and Heaven Too (1940)	Henriette (Ethereal)	0:42:36 - Henriette asks to open the window	9th chord \| bright \| child \| conversing \| duke \| foreign key modulation \| governess \| half-diminished 7th chord \| hopeful \| illness \| illness scene \| leading lady \| leading man \| room \| sequence \| timid
All This, and Heaven Too (1940)	Raynald (Ethereal)	0:43:04 - Raynald by the window	64 chord \| child \| conversing \| duke \| governess \| hopeful \| illness \| illness scene \| leading lady \| leading man \| pedal tone \| room
All This, and Heaven Too (1940)	Rushing 2	0:43:14 - The Duchess rushes into the room	arguing \| child \| duchess \| duke \| governess \| half-diminished 7th chord \| hurried \| illness \| illness scene \| leading lady \| leading man \| mickey-mousing \| room \| rushing
All This, and Heaven Too (1940)	Desperation (Furioso)	0:43:28 - The Duchess rushes out of the room	angry \| child \| despair \| dissonant bass \| duchess \| duke \| governess \| hurrying \| illness \| illness scene \| leading lady \| leading man \| leaving \| room
All This, and Heaven Too (1940)	Desperation (Calming)	0:43:35 - Henriette closes the window	calm \| caring \| child \| dark \| dissonant bass \| duke \| fragmentation \| governess \| hopeful \| illness \| illness scene \| leading lady \| leading man \| room
All This, and Heaven Too (1940)	Raynald (Tranquillo)	0:43:53 - Henriette puts Raynald in bed	calm \| caring \| child \| duke \| gentle \| governess \| illness \| illness scene \| leading lady \| leading man \| pedal tone \| room
All This, and Heaven Too (1940)	Henriette (Appassionato)	0:44:08 - Raynald plays outside	64 chord \| added-note chord \| advance plot \| child \| common-tone diminished 7th \| conversing \| courtyard \| duke \| foreign key modulation \| governess \| happy \| leading lady \| leading man \| passionate \| playing
All This, and Heaven Too (1940)	Raynald (Mysterioso)	0:44:22 - Raynald talks with Henriette	advance plot \| child \| conversing \| courtyard \| deceptive resolution \| duke \| governess \| happy \| leading lady \| leading man \| mysterious
All This, and Heaven Too (1940)	Henriette (Very Emotional)	0:49:01 - The Duke looks at Henriette	advance plot \| child \| chromatic scale \| common-chord modulation \| common-tone diminished 7th \| conversing \| delicate \| duke \| gentle \| governess \| leading lady \| leading man \| looking \| romance \| romantic \| room
All This, and Heaven Too (1940)	Armide	0:49:21 - The opera house	arriving \| audience \| child \| concert scene \| conversing \| duke \| governess \| leading lady \| leading man \| opera \| regal \| source music \| theater \| upbeat \| watching
All This, and Heaven Too (1940)	La Parisienne (The King)	0:50:33 - The king enters	arriving \| audience \| bowing \| child \| concert scene \| duke \| governess \| king \| leading lady \| leading man \| not by Steiner \| patriotic tune \| regal \| source music \| theater \| watching
All This, and Heaven Too (1940)	Plainte de Cloris	0:51:08 - They listen to the musical prologue	audience \| calm \| child \| classical music \| concert scene \| conversing \| duke \| governess \| leading lady \| leading man \| listening \| passionate \| source music \| theater
All This, and Heaven Too (1940)	Air pour La Jeunesse	0:51:43 - A montage of people applauding	audience \| child \| classical music \| concert scene \| dramatic \| duke \| governess \| leading lady \| leading man \| listening \| source music \| theater \| watching
All This, and Heaven Too (1940)	Fanfan la Tulipe	0:51:48 - Henriette plays the harpsichord	advance plot \| child \| dancing \| duke \| folk music \| governess \| leading lady \| leading man \| on-screen music \| playing \| room \| upbeat
All This, and Heaven Too (1940)	Louise	0:52:39 - Louise hugs her father	added-note chord \| advance plot \| appoggiatura \| child \| conversing \| duke \| excited \| governess \| happy \| hugging \| leading lady \| leading man \| mode mixture \| room
All This, and Heaven Too (1940)	The Duke (Lohengrin)	0:52:53 - The Duke gives Louise his rose	advance plot \| calm \| child \| conversing \| countermelody \| duke \| fragmentation \| governess \| hugging \| kind \| leading lady \| leading man \| room \| sequence
All This, and Heaven Too (1940)	The Duchess (Arguing)	1:00:32 - Henriette leaves	added-note chord \| arguing \| conflict \| dramatic \| duchess \| duke \| governess \| leading lady \| leading man \| linear chromaticism \| listening \| romantic \| room \| serious \| trouble
All This, and Heaven Too (1940)	Underscoring (Dramatic)	1:01:03 - Henriette packs her things	arguing \| conflict \| dramatic \| duke \| governess \| leading lady \| leading man \| room \| trouble
All This, and Heaven Too (1940)	Desperation (Very Emotional)	1:01:26 - Henriette talks to the Duke	arguing \| chromatic sequence \| conflict \| dramatic \| duke \| governess \| leading lady \| leading man \| room \| trouble
All This, and Heaven Too (1940)	Pleading (Extended)	1:01:39 - The Duke responds to Henriette	9th chord \| arguing \| chromatic sequence \| conflict \| dramatic \| duke \| governess \| leading lady \| leading man \| room \| trouble
All This, and Heaven Too (1940)	Desperation (Very Emotional)	1:02:00 - The Duke talks to Henriette	arguing \| chromatic scale \| chromatic sequence \| conflict \| dissonant bass \| dramatic \| duke \| governess \| leading lady \| leading man \| room \| trouble
All This, and Heaven Too (1940)	Henriette (Emotional)	1:02:28 - The Duke talks to Henriette	chromatic sequence \| conflict \| conversing \| duke \| governess \| leading lady \| leading man \| mode mixture \| romance \| romantic \| room
All This, and Heaven Too (1940)	Henriette (Sweepingly)	1:02:57 - Henriette with tears in her eyes	added-note chord \| augmented sixth chord \| chromatic mediant \| conflict \| conversing \| deceptive resolution \| duke \| foreign key modulation \| governess \| leading lady \| leading man \| mode mixture \| pedal tone \| romance \| romantic \| room
All This, and Heaven Too (1940)	Valse	1:03:32 - Montage of newspaper clippings	added-note chord \| ballroom \| cheerful \| crowd \| dancing \| double exposure \| duchess \| duke \| leading lady \| leading man \| mode mixture \| montage \| upbeat \| waltz
All This, and Heaven Too (1940)	Invitation from the King	1:03:46 - Invitation from the King	11th chord \| ballroom \| bold \| double exposure \| duchess \| duke \| fanfare \| leading lady \| leading man \| montage \| pedal tone \| walking
All This, and Heaven Too (1940)	Ascending	1:03:57 - The Duke and Duchess ascend	ascending \| ballroom \| chromatic sequence \| double exposure \| duchess \| duke \| leading lady \| leading man \| mickey-mousing \| montage \| stairs \| tense
All This, and Heaven Too (1940)	The Duchess (Tutti)	1:04:02 - A concert program	ballroom \| bold \| carriage \| duchess \| duke \| fanfare \| leading lady \| leading man \| montage \| riding \| romantic \| sequential modulation
All This, and Heaven Too (1940)	Invitation to the Dance	1:04:19 - People waltzing	advance plot \| ballroom \| child \| classical music \| crowd \| dancing \| duchess \| duke \| leading lady \| leading man \| simulated source music \| upbeat \| waltz
All This, and Heaven Too (1940)	The Duchess (Expressivo)	1:10:42 - The Duke complains to Henriette	abrupt \| advance plot \| angry \| chromatic parallelism \| complaining \| duke \| governess \| leading lady \| leading man \| room \| sequential modulation
All This, and Heaven Too (1940)	Henriette (Transition)	1:10:55 - The Duke talks to Henriette	advance plot \| calm \| common-tone diminished 7th \| conversing \| duke \| enharmonic modulation \| governess \| leading lady \| leading man \| room
All This, and Heaven Too (1940)	Henriette (Rubato)	1:11:14 - The Duke talks to Henriette	9th chord \| added-note chord \| advance plot \| calm \| conversing \| duke \| governess \| leading lady \| leading man \| mode mixture \| peaceful \| room
All This, and Heaven Too (1940)	Henriette + Falling Snow	1:12:16 - The Duke talks to Henriette	advance plot \| augmented triad \| chromatic parallelism \| combination of themes \| conversing \| duke \| governess \| leading lady \| leading man \| mickey-mousing \| mode mixture \| room \| snow \| snow globe \| snowing \| uneasy
All This, and Heaven Too (1940)	Falling Snow	1:12:39 - Henriette watches the falling snow	64 chord \| advance plot \| chromatic parallelism \| chromatic scale \| chromatic sequence \| conversing \| dissonant bass \| duke \| governess \| leading lady \| leading man \| mickey-mousing \| pedal tone \| point-of-view shot \| room \| snow \| snow globe \| snowing \| uneasy
All This, and Heaven Too (1940)	Underscoring (Dramatic)	1:13:19 - Henriette watches the falling snow	advance plot \| arriving \| butler \| dissonant bass \| dramatic \| duchess \| duke \| leading lady \| leading man \| outside \| panning shot \| pc set \| point-of-view shot \| room \| sigh gesture \| underscoring \| watching
All This, and Heaven Too (1940)	The Duchess (Con Moto)	1:13:45 - Henriette watches the Duke and Duchess	advance plot \| dramatic \| duchess \| duke \| leading lady \| leading man \| leaving \| painful \| point-of-view shot \| room \| sequential modulation \| watching
All This, and Heaven Too (1940)	Desperation (Dark)	1:13:56 - Henriette watches the Duke leaving	9th chord \| advance plot \| altered dominant \| dark \| dissonant bass \| duke \| leading man \| leaving \| parallelism \| point-of-view shot \| room \| watching
All This, and Heaven Too (1940)	Henriette (Agitato)	1:14:39 - The Duke paces anxiously	9th chord \| advance plot \| agitated \| conflicted \| dissonant bass \| duke \| half-diminished 7th chord \| leading man \| pacing \| pondering \| room \| turbulent
All This, and Heaven Too (1940)	The Duchess (The Letter)	1:14:48 - A letter is pushed under the door	9th chord \| advance plot \| agitated \| chromatic parallelism \| conflicted \| deceptive resolution \| duke \| fragmentation \| leading man \| letter \| pacing \| pondering \| room \| turbulent
All This, and Heaven Too (1940)	Rushing	1:19:33 - The Duchess rushes forward	angry \| arguing \| augmented triad \| compound melody \| conflict \| desperate \| duchess \| duke \| hurried \| leading lady \| leading man \| room \| rushing \| turn figure
All This, and Heaven Too (1940)	Pleading (Extended 2)	1:19:43 - The Duchess pleads with the Duke	9th chord \| acceleration \| arguing \| chromatic sequence \| conflict \| desperate \| duchess \| duke \| fragmentation \| leading lady \| leading man \| parallelism \| room
All This, and Heaven Too (1940)	Desperation (Very Emotional)	1:20:06 - The Duchess threatens the Duke	arguing \| augmented triad \| chromatic scale \| chromatic sequence \| conflict \| desperate \| dissonant bass \| duchess \| duke \| leading lady \| leading man \| room \| tense \| threatening
All This, and Heaven Too (1940)	Desperation (Sempre Accelerando	1:20:39 - The Duke and Duchess argue	acceleration \| arguing \| augmented triad \| chromatic scale \| chromatic sequence \| conflict \| desperate \| dissonant bass \| duchess \| duke \| leading lady \| leading man \| panning shot \| pc set \| room \| screaming \| tense \| threatening
All This, and Heaven Too (1940)	The Duchess (Calm)	1:22:05 - Henriette asks about the Duchess	calm \| conflict \| conversing \| dissonant bass \| duchess \| duke \| foreign key modulation \| leading lady \| leading man \| room
All This, and Heaven Too (1940)	Henriette (Slowly)	1:22:19 - The Duke bids farewell to Henriette	64 chord \| calm \| conflict \| conversing \| deceptive resolution \| duchess \| duke \| gentle \| leading lady \| leading man \| mode mixture \| room \| sigh gesture
All This, and Heaven Too (1940)	Loti's Song	1:24:31 - Apples roasting on a fire	9th chord \| child \| chromatic mediant \| chromatic parallelism \| chromatic scale \| cooking \| create suspense \| dissonant bass \| forest \| governess \| leading lady \| linear chromaticism \| old man \| pedal tone \| scary \| scored source music \| singer \| singing \| split-third chord \| spooky
All This, and Heaven Too (1940)	Creeping	1:25:02 - A stranger approaches	child \| chromatic parallelism \| create suspense \| creeping \| diminished 7th chord \| duke \| forest \| governess \| leading lady \| leading man \| mickey-mousing \| retardation \| scary \| sneaking \| spooky
All This, and Heaven Too (1940)	Spring Time	1:25:18 - The Duke talks with his children	64 chord \| advance plot \| cheerful \| child \| chromatic sequence \| common-tone diminished 7th \| duke \| forest \| governess \| leading lady \| leading man \| pedal tone \| recognizing \| relief
All This, and Heaven Too (1940)	Underscoring (Gentle)	1:25:28 - Henriette smiles at the Duke	advance plot \| child \| chromatic sequence \| conversing \| duke \| foreign key modulation \| forest \| gentle \| governess \| leading lady \| leading man \| Neapolitan \| tender \| underscoring
All This, and Heaven Too (1940)	Henriette (All Hallows Eve)	1:25:46 - The Duke talks with Henriette	64 chord \| advance plot \| conversing \| deceptive resolution \| duke \| forest \| gentle \| governess \| leading lady \| leading man \| mode mixture \| spooky \| sweet \| tender \| whole-tone chord
All This, and Heaven Too (1940)	Underscoring (Tender)	1:26:48 - The Duke talks with the servants	11th chord \| 13th chord \| 64 chord \| added-note chord \| advance plot \| arriving \| common-tone diminished 7th \| conversing \| duke \| gentle \| governess \| leading lady \| leading man \| light \| pentatonic \| room \| servant
All This, and Heaven Too (1940)	Grazioso	1:27:26 - Madame Gauthier talks about the children	9th chord \| 64 chord \| added-note chord \| advance plot \| cheerful \| conversing \| duke \| governess \| leading lady \| leading man \| room \| servant
All This, and Heaven Too (1940)	Raynald	1:27:35 - Madame Gauthier talks about Raynald	64 chord \| advance plot \| cheerful \| chromatic sequence \| conversing \| deceptive resolution \| duke \| governess \| leading lady \| leading man \| room \| servant
All This, and Heaven Too (1940)	Underscoring (Gentle)	1:27:58 - The Duke talks to Henriette by the fireplace	advance plot \| conversing \| duke \| gentle \| governess \| leading lady \| leading man \| pedal tone \| room
All This, and Heaven Too (1940)	Heaven Theme	1:28:16 - Henriette tells the Duke about herself	added-note chord \| common-chord modulation \| duke \| falling in love scene \| gentle \| governess \| leading lady \| leading man \| room \| storytelling
All This, and Heaven Too (1940)	Triste	1:28:51 - Henriette talks about a mystery	duke \| falling in love scene \| governess \| leading lady \| leading man \| pedal tone \| room \| sigh gesture \| somber \| storytelling
All This, and Heaven Too (1940)	Henriette (Very Romantic)	1:29:07 - Henriette talks with the Duke	9th chord \| altered dominant \| augmented triad \| conversing \| duke \| falling in love scene \| gentle \| governess \| leading lady \| leading man \| pedal tone \| romantic \| room \| sweet
All This, and Heaven Too (1940)	Spring Time	1:30:22 - A carriage approaches the palace	64 chord \| arriving \| bright \| carriage \| chattering \| cheerful \| child \| duke \| foreign key modulation \| governess \| happy \| leading lady \| leading man \| Neapolitan \| palace \| pedal tone \| riding \| transition
All This, and Heaven Too (1940)	Raynald (Mysterioso 2)	1:30:33 - The carriage arrives	arriving \| bright \| carriage \| chattering \| child \| duke \| governess \| happy \| leading lady \| leading man \| palace \| riding \| sequential modulation \| transition
All This, and Heaven Too (1940)	Spring Time	1:30:41 - The children get out of the carriage	64 chord \| bright \| cheerful \| child \| chromatic sequence \| conversing \| duke \| governess \| happy \| leading lady \| leading man \| Neapolitan \| palace \| pentatonic \| transition
All This, and Heaven Too (1940)	Raynald (Mysterioso 3)	1:30:51 - The children talk to Henriette	9th chord \| bright \| child \| chromatic parallelism \| conversing \| duke \| governess \| leading lady \| leading man \| palace \| surprise \| tense \| transition
All This, and Heaven Too (1940)	Spring Time (Ominous)	1:31:04 - The children enter the palace	9th chord \| 64 chord \| augmented sixth chord \| bright \| cheerful \| child \| common-chord modulation \| conversing \| deceptive resolution \| diminished third chord \| duke \| governess \| leading lady \| leading man \| mode mixture \| ominous \| palace \| surprise \| transition
All This, and Heaven Too (1940)	Henriette (Ominous)	1:31:15 - Henriette talks to the Duke	9th chord \| 64 chord \| added-note chord \| conversing \| duke \| foreign key modulation \| governess \| hopeful \| leading lady \| leading man \| love scene \| ominous \| palace \| reassuring
All This, and Heaven Too (1940)	Henriette (Molto Expressivo)	1:31:48 - The Duke talks to Henriette	chromatic mediant \| chromatic parallelism \| conversing \| duke \| governess \| leading lady \| leading man \| love scene \| mode mixture \| Neapolitan \| palace \| pedal tone \| reassuring \| romantic \| sigh gesture \| stinger \| tender
All This, and Heaven Too (1940)	Underscoring (Somber)	1:37:35 - Henriette talks with the Duke	chromatic scale \| conversing \| duke \| governess \| leading lady \| leading man \| love scene \| room \| somber \| underscoring
All This, and Heaven Too (1940)	Expressivo	1:38:15 - Henriette talks with the Duke	chromatic mediant \| conversing \| desperate \| duke \| foreign key modulation \| governess \| leading lady \| leading man \| love scene \| romantic \| room \| sequential modulation
All This, and Heaven Too (1940)	The Duchess (Tender)	1:38:39 - Henriette talks with the Duke	chromatic mediant \| conversing \| duke \| foreign key modulation \| gentle \| governess \| leading lady \| leading man \| love scene \| room \| sequential modulation \| tender
All This, and Heaven Too (1940)	Desperation (Ethereal)	1:38:54 - Henriette talks with the Duke	conversing \| duke \| ethereal \| governess \| leading lady \| leading man \| love scene \| parallelism \| room
All This, and Heaven Too (1940)	Henriette (Sehr Delicatessen)	1:39:12 - Henriette talks with the Duke	calm \| conversing \| duke \| gentle \| governess \| leading lady \| leading man \| love scene \| room \| sweet \| tender
All This, and Heaven Too (1940)	Henriette (Romantic)	1:39:53 - The Duke reads the locket inscription	9th chord \| chromatic mediant \| conversing \| crying \| crying gesture \| duke \| foreign key modulation \| gentle \| governess \| leading lady \| leading man \| love scene \| mode mixture \| romantic \| room \| sigh gesture \| tender
All This, and Heaven Too (1940)	Henriette	1:45:41 - A carriage arrives	arriving \| carriage \| child \| duke \| grand \| leading man \| pleasant \| street \| transition \| traveling
All This, and Heaven Too (1940)	Henriette (Tristan)	1:46:15 - Henriette greets the children	9th chord \| arriving \| child \| duke \| fragmentation \| grand \| greeting \| leading lady \| leading man \| pump-up modulation \| reunion scene \| romantic \| room
All This, and Heaven Too (1940)	Henriette (Meno)	1:46:24 - Henriette talks with the children	arriving \| calm \| child \| duke \| greeting \| leading lady \| leading man \| mode mixture \| Neapolitan \| reunion scene \| room
All This, and Heaven Too (1940)	Henriette (Calm)	1:46:38 - Henriette talks with the Duke	calm \| child \| conversing \| duke \| gentle \| leading lady \| leading man \| reunion scene \| room \| uneasy
All This, and Heaven Too (1940)	Gossip 2	1:47:20 - Henriette sees her landlady gossiping	9th chord \| chromatic parallelism \| dissonant bass \| duke \| gossiper \| gossiping \| harsh \| landlady \| leading man \| minor second \| reunion scene \| room \| tense \| watching
All This, and Heaven Too (1940)	Henriette (Gossiping) + Spring Time (Gossiping)	1:47:25 - Henriette's landlady talks to the Duke	awkward \| child \| combination of themes \| common-tone diminished 7th \| diminished 7th chord \| duke \| gossiper \| gossiping \| landlady \| leading lady \| leading man \| mysterious \| parallelism \| pedal tone \| reunion scene \| room \| somber \| tense \| watching
All This, and Heaven Too (1940)	Henriette (Tense)	1:47:51 - The Duke argues with Henriette	arguing \| conflict \| diminished 7th chord \| duke \| fragmentation \| leading lady \| leading man \| pedal tone \| room \| tense
All This, and Heaven Too (1940)	The Duchess (Tense)	1:48:04 - Henriette talks with the Duke	arguing \| conflict \| duke \| leading lady \| leading man \| room \| sequential modulation \| tense
All This, and Heaven Too (1940)	Desperation (Tense)	1:48:14 - The Duke talks with Henriette	chromatic parallelism \| chromatic sequence \| conflict \| conversing \| dissonant bass \| duke \| leading lady \| leading man \| room \| tense
All This, and Heaven Too (1940)	Screwissimo	1:48:47 - The Duke goes mad	chromatic scale \| conflict \| conversing \| creepy \| disturbing \| duke \| leading lady \| leading man \| madness \| ominous \| room \| whole-tone chord
All This, and Heaven Too (1940)	Desperation (Slow)	1:48:58 - The Duke leaves	chromatic scale \| conflict \| dissonant bass \| duke \| leading lady \| leading man \| leaving \| ominous \| room \| tense
All This, and Heaven Too (1940)	The Murder	1:51:56 - The Duke advances towards the Duchess	approaching \| blur \| chromatic scale \| climax \| dark \| diminished 7th chord \| duchess \| duke \| leading lady \| leading man \| menacing \| murder \| murdering \| murder scene \| ominous \| pc set \| room \| strangling
All This, and Heaven Too (1940)	Henriette (Noble)	2:13:19 - Henriette comes into the Duke's room	arriving \| dark \| death scene \| detective \| duke \| dying \| hopeful \| leading lady \| leading man \| mode mixture \| noble \| prisoner \| room \| soldier \| suspect
All This, and Heaven Too (1940)	Dying	2:13:46 - The Duke in his death bed	chromatic scale \| conversing \| death bed \| death scene \| detective \| dissonant bass \| duke \| dying \| leading lady \| leading man \| prisoner \| questioning \| room \| sad \| soldier \| suspect
All This, and Heaven Too (1940)	Henriette (Duet)	2:14:06 - A close-up on Henriette	appoggiatura \| chromatic parallelism \| conversing \| death bed \| death scene \| deceptive resolution \| detective \| duke \| dying \| leading lady \| leading man \| mode mixture \| prisoner \| questioning \| room \| sad \| soldier \| suspect \| tender
All This, and Heaven Too (1940)	Henriette (Funereal)	2:14:27 - Henriette leaves the Duke	conversing \| death bed \| death scene \| detective \| duke \| dying \| funeral march \| leading lady \| leading man \| Neapolitan \| parallelism \| pedal tone \| prisoner \| questioning \| room \| sad \| sigh gesture \| soldier \| suspect
All This, and Heaven Too (1940)	Dying (Molto Expressivo)	2:14:46 - The Duke talks to Pierre	caretaker \| chromatic parallelism \| confessing \| conversing \| death bed \| death scene \| diminished 7th chord \| duke \| dying \| leading man \| love \| pedal tone \| room \| sigh gesture \| somber
All This, and Heaven Too (1940)	Henriette (Confession of Love)	2:15:34 - The Duke confesses his love	added-note chord \| caretaker \| chromatic mediant \| common-tone modulation \| confessing \| conversing \| death bed \| death scene \| duke \| dying \| foreign key modulation \| leading man \| love \| mode mixture \| room \| somber
The Amazing Dr. Clitterhouse (1938)	Una Voce Poco Fa	0:00:54 - A woman plays the piano	calm \| leading man \| listening \| on-screen music \| party \| pianist \| room \| singer \| singing \| sneaking \| source music \| stealing \| thief
The Amazing Dr. Clitterhouse (1938)	The Last Rose of Summer	0:03:14 - A woman sings	calm \| doctor \| folk song \| Irish \| leading man \| listening \| on-screen music \| party \| pianist \| room \| singer \| singing \| sneaking \| source music \| stealing \| thief
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor	0:20:05 - Dr. Clitterhouse enters Hotel Sequin	42 chord \| advance plot \| chromatic parallelism \| dark \| dissonant bass \| doctor \| half-diminished 7th chord \| leading man \| lobby \| mysterious \| quartal chord \| sign \| thief \| walking
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor (Meeting)	0:21:30 - Dr. Clitterhouse is taken upstairs	64 chord \| advance plot \| chromatic parallelism \| conversing \| doctor \| fragmentation \| gangster \| leading man \| lobby \| mysterious \| pedal tone \| sequence \| thief
The Amazing Dr. Clitterhouse (1938)	Eine kleine Nachtmusik	0:35:00 - Phonograph plays Mozart record	advance plot \| doctor \| gangster \| leading man \| Mozart \| neutral \| plotting \| record player \| room \| source music \| thief
The Amazing Dr. Clitterhouse (1938)	Eine kleine Nachtmusik	0:41:57 - Phonograph plays Mozart record	advance plot \| doctor \| gangster \| leading man \| moll \| Mozart \| neutral \| plotting \| record player \| room \| source music \| thief
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor (Comical)	0:46:08 - Doctor examines a criminal	64 chord \| chromatic parallelism \| comical \| criminal \| doctor \| examining \| fragmentation \| gangster \| leading man \| pedal tone \| robbery \| rooftop \| sequence \| thief \| underscoring
The Amazing Dr. Clitterhouse (1938)	Underscoring (Tense)	0:47:04 - Doctor talks with the criminals	augmented major 7th chord \| chromatic parallelism \| criminal \| dissonant bass \| doctor \| examining \| gangster \| leading man \| ostinato \| pc set \| robbery \| rooftop \| tense \| thief \| underscoring \| walking \| working
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor (Examination)	0:47:16 - The doctor writes in his notebook	criminal \| dissonant bass \| doctor \| examining \| gangster \| leading man \| robbery \| rooftop \| subtle \| thief \| underscoring
The Amazing Dr. Clitterhouse (1938)	How Dry I Am (Nervous)	0:47:20 - Criminals talking	64 chord \| conversing \| criminal \| doctor \| gangster \| leading man \| nervous \| parallelism \| pedal tone \| robbery \| rooftop \| source music \| thief
The Amazing Dr. Clitterhouse (1938)	Spiraling down	0:47:38 - Doctor goes down the stairs	9th chord \| criminal \| descending \| diminished 7th chord \| doctor \| gangster \| leading man \| mickey-mousing \| mysterious \| robbery \| spiraling \| store \| tense \| thief \| walking
The Amazing Dr. Clitterhouse (1938)	Underscoring (Dramatic)	0:47:48 - Rocks opens the safe	breaking in \| criminal \| diminished 7th chord \| doctor \| dramatic \| enharmonic modulation \| gangster \| leading man \| lock \| opening \| robbery \| safe \| safe-cracking \| stinger \| store \| tense \| thief \| underscoring \| unlocking \| vault \| wedge
The Amazing Dr. Clitterhouse (1938)	Flashlight	0:48:20 - Doctor shines flashlight on Rocks	anger \| annoyance \| criminal \| doctor \| flashlight \| gangster \| leading man \| mickey-mousing \| ominous \| robbery \| shining \| store \| tense \| thief \| whole-tone chord
The Amazing Dr. Clitterhouse (1938)	Rocks (Annoyed)	0:48:25 - Rocks is annoyed by flashlight	anger \| angry \| annoyance \| criminal \| doctor \| flashlight \| gangster \| leading man \| ominous \| robbery \| shining \| store \| tense \| thief \| tritone \| whole-tone chord
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor (Giving Orders)	0:48:32 - Doctor gives orders to the criminals	64 chord \| anger \| annoyance \| chromatic parallelism \| commanding \| criminal \| doctor \| fragmentation \| gangster \| leading man \| ordering \| pedal tone \| robbery \| sequence \| store \| tense \| thief
The Amazing Dr. Clitterhouse (1938)	Rocks (Double Cross)	0:48:56 - Rocks thinks of a double-cross	antagonist \| chromatic parallelism \| criminal \| diminished 7th chord \| doctor \| double-cross \| dramatic \| gangster \| leading man \| murderer \| murdering \| plotting \| robbery \| sinister \| store \| thief \| trapping
The Amazing Dr. Clitterhouse (1938)	Locked in vault	0:49:06 - Dr. Clitterhouse locked in safe	anxious \| chromatic parallelism \| chromatic scale \| criminal \| doctor \| double-cross \| dramatic \| gangster \| leading man \| murderer \| murdering \| panicking \| polychord \| pounding \| robbery \| safe \| store \| tense \| thief \| trapping \| vault \| yelling
The Amazing Dr. Clitterhouse (1938)	The Motor	0:49:21 - Rocks starts the refrigeration motor	antagonist \| anxious \| criminal \| diminished 7th chord \| doctor \| double-cross \| dramatic \| gangster \| gauge \| leading man \| lowering \| machine \| mickey-mousing \| motor \| murderer \| murdering \| ostinato \| panicking \| pedal tone \| pounding \| robbery \| spinning \| store \| temperature \| tense \| thief \| trapping \| whirling \| yelling
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor + The Motor	0:49:36 - Dr. Clitterhouse in safe	anxious \| combination of themes \| criminal \| doctor \| double-cross \| dramatic \| gangster \| gauge \| leading man \| machine \| motor \| murderer \| murdering \| ostinato \| panicking \| pedal tone \| robbery \| spinning \| store \| tense \| thief \| trapping \| whirling
The Amazing Dr. Clitterhouse (1938)	The Motor (Getting Colder)	0:49:43 - The vault gets colder	anxious \| chromatic scale \| criminal \| dissonant bass \| doctor \| double-cross \| dramatic \| gangster \| gauge \| leading man \| lowering \| machine \| motor \| murderer \| murdering \| ostinato \| panicking \| pedal tone \| pounding \| robbery \| spinning \| store \| temperature \| tense \| thief \| trapping \| whirling \| yelling
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor + The Motor	0:50:11 - Butch comes back	anxious \| combination of themes \| criminal \| doctor \| double-cross \| dramatic \| gangster \| hurrying \| leading man \| motor \| murderer \| ostinato \| robbery \| store \| temperature \| tense \| thief
The Amazing Dr. Clitterhouse (1938)	Rocks (Sneaking) + The Motor	0:50:14 - Rocks sneaks around in the dark	antagonist \| anxious \| combination of themes \| criminal \| diminished 7th chord \| doctor \| double-cross \| dramatic \| gangster \| leading man \| motor \| murderer \| ostinato \| robbery \| sneaking \| store \| temperature \| tense \| thief
The Amazing Dr. Clitterhouse (1938)	I Wanna Go Back to Bali	0:53:48 - Gangsters meet in an apartment	advance plot \| conversing \| criminal \| dance music \| doctor \| gangster \| hero \| leading man \| lying \| playful \| radio \| room \| thief
The Amazing Dr. Clitterhouse (1938)	Doctor Leaves	0:57:38 - Dr. Clitterhouse leaves	advance plot \| doctor \| door \| exiting \| gangster \| hero \| leading lady \| leading man \| leaving \| linear chromaticism \| opening \| room \| tense \| wedge \| whole-tone chord
The Amazing Dr. Clitterhouse (1938)	Underscoring (Mysterious)	0:57:58 - Dr. Clitterhouse talks with Jo	conversing \| doctor \| gangster \| leading lady \| leading man \| love scene \| mysterious \| room \| tense
The Amazing Dr. Clitterhouse (1938)	Jo	0:58:18 - Dr. Clitterhouse talks with Jo	13th chord \| added-note chord \| altered dominant \| chromatic mediant \| conversing \| doctor \| foreign key modulation \| gangster \| leading lady \| leading man \| love scene \| room \| sequence \| tender
The Amazing Dr. Clitterhouse (1938)	The Poison Victim	1:07:50 - Rocks is poisoned	dissonant \| doctor \| gangster \| leading lady \| leading man \| murder \| murderer \| murdering \| murder scene \| mysterious \| office \| parallel fifths \| poison \| poisoning \| quartal chord \| tense \| tone cluster \| tritone
The Amazing Dr. Clitterhouse (1938)	Poison	1:08:46 - Rocks feels the effect of the poison	blur \| chromatic parallelism \| diminution \| doctor \| dreaming \| drugs \| ethereal \| gangster \| layering \| leading lady \| leading man \| murder \| murderer \| murdering \| murder scene \| office \| oscillation \| ostinato \| pc set \| poison \| poisoning \| polychord \| stinger \| tone cluster
The Amazing Dr. Clitterhouse (1938)	Rocks struggles and falls	1:09:52 - Rocks tries to get up, then collapses	chromatic parallelism \| chromatic scale \| death \| doctor \| down \| drugs \| dying \| falling \| gangster \| leading lady \| leading man \| murder \| murderer \| murder scene \| office \| oscillation \| poison \| rising \| split-third chord \| struggling \| tense \| up
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor (Funebre)	1:10:07 - Dr. Clitterhouse talks with Jo	9th chord \| chromatic parallelism \| dark \| death \| doctor \| gangster \| leading lady \| leading man \| murder \| murderer \| murder scene \| office \| pleading \| realizing \| tense
The Amazing Dr. Clitterhouse (1938)	Cauldron 1 (End title)	1:26:33 - The End	beaker \| bubbling \| chromatic mediant \| chromatic scale \| closing credits \| doctor \| end title \| foreign key modulation \| leading man \| mode mixture \| ominous \| plagal cadence
Angels With Dirty Faces (1938)	The Gangster (Fingerprints)	0:06:17 - Montage of juvenile detention and prison life	digging \| dramatic \| establish character \| fingerprints \| foreign key modulation \| headline \| leading man \| main title \| marching \| montage \| mug shot \| newspaper \| prison \| prisoner \| reformatory \| sequence \| serious \| working
Angels With Dirty Faces (1938)	Bootlegging	0:06:46 - Bootlegging liquor	alcohol \| boat \| dock \| establish character \| gangster \| leading man \| mickey-mousing \| montage \| sneaking \| sneaky
Angels With Dirty Faces (1938)	Running and shooting	0:06:52 - Police chase gangsters and Rocky shoots	agent \| augmented triad \| chasing \| dissonant bass \| dominant 7th chord \| dramatic \| establish character \| gangster \| gun \| gunshot \| leading man \| mickey-mousing \| montage \| newspaper \| quartal chord \| running \| shooting \| street \| zoom out
Angels With Dirty Faces (1938)	Roulette	0:07:01 - Roulette wheel spins	club \| double exposure \| establish character \| frantic \| gambling \| gangster \| leading man \| mickey-mousing \| montage \| parallelism \| pedal tone \| sequence \| spinning
Angels With Dirty Faces (1938)	Night Club Music	0:07:05 - Rocky gambles in a nightclub	altered dominant \| club \| dancing \| double exposure \| drinking \| establish character \| frantic \| gambling \| gangster \| leading man \| mickey-mousing \| montage \| pouring
Angels With Dirty Faces (1938)	Underscoring (Mysterious)	0:07:26 - Rocky talks with his lawyer	advance plot \| conversing \| dark \| dissonant bass \| gangster \| lawyer \| leading man \| mysterious \| prison \| prisoner \| underscoring
Angels With Dirty Faces (1938)	Sanctus	0:09:13 - Church interior with boys singing in a choir loft	boys choir \| church \| conducting \| gangster \| leading man \| music scene \| nun \| on-screen music \| organ \| priest \| religious \| serious \| singer \| singing \| solemn \| source music
Angels With Dirty Faces (1938)	In My Merry Oldsmobile	0:12:55 - Rocky and Jerry singing	cheerful \| church \| gangster \| hymn \| laughing \| leading man \| music scene \| on-screen music \| popular music \| priest \| singing \| source music
Angels With Dirty Faces (1938)	When a Prince of a Fella Meets a Cinderella	0:16:49 - Rocky goes to a night club	advance plot \| cheerful \| conversing \| gambling \| gangster \| lawyer \| leading man \| night club \| parallel double period \| popular music \| source music
Angels With Dirty Faces (1938)	Monday Morning	0:18:15 - Rocky talks to Frazier in his office	advance plot \| cheerful \| conversing \| gangster \| lawyer \| leading man \| popular music \| room \| source music
Angels With Dirty Faces (1938)	So Help Me (If I Don't Love You)	0:19:36 - Rocky leaves the nightclub	advance plot \| conversing \| gangster \| lawyer \| leading man \| popular music \| room \| sentimental \| source music
Angels With Dirty Faces (1938)	Rocky and Laury (Not In Film 1)	NIF - not in film	added-note chord \| altered dominant \| augmented sixth chord \| common-chord modulation \| conversing \| cut from film \| establish character \| following \| gangster \| leading lady \| leading man \| mode mixture \| street \| walking
Angels With Dirty Faces (1938)	Rocky and Laury (Not In Film 2)	NIF - not in film	added-note chord \| altered dominant \| augmented sixth chord \| chromatic scale \| conversing \| cut from film \| establish character \| following \| gangster \| leading lady \| leading man \| street \| walking
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	NIF - not in film	chromatic parallelism \| chromatic scale \| chromatic sequence \| conflict \| cut from film \| diminished 7th chord \| dissonant bass \| evading \| following \| gangster \| leading man \| linear chromaticism \| setup \| shop \| street \| underscoring \| walking
Angels With Dirty Faces (1938)	Underscoring (Tense)	0:39:58 - Rocky in the drug store	conflict \| conversing \| gangster \| leading man \| ominous \| setup \| shop \| telephone \| tritone \| underscoring
Angels With Dirty Faces (1938)	Pushing forward	0:40:26 - Man pulls a gun on the cashier	advancing \| chromatic parallelism \| chromatic scale \| conflict \| dominant 7th chord \| gangster \| gun \| leading man \| mickey-mousing \| ominous \| pedal tone \| pushing \| shop
Angels With Dirty Faces (1938)	Backing up	0:40:37 - Rocky pulls a gun on the man following him	backing up \| conflict \| gangster \| gun \| leading man \| mickey-mousing \| ominous \| sequence \| shop
Angels With Dirty Faces (1938)	Closes door	0:40:48 - Rocky shuts the phone booth door	closing \| conflict \| door \| gangster \| leading man \| mickey-mousing \| shop \| tense
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	0:40:50 - Gangsters shoot their own man in phone booth	chromatic sequence \| conflict \| death \| diminished 7th chord \| falling \| gangster \| gun \| gunshot \| half-diminished 7th chord \| leading man \| mickey-mousing \| murderer \| polychord \| shooting \| shop \| sneaking \| tense \| voice-exchange
Angels With Dirty Faces (1938)	Sneaking away	0:41:02 - Rocky sneaks away	conflict \| diminished 7th chord \| gangster \| leading man \| mickey-mousing \| shop \| sneaking \| tense
Angels With Dirty Faces (1938)	Stickup	0:42:30 - Rocky points a gun at Frazier	64 chord \| advance plot \| assaulting \| dramatic \| gangster \| garage \| grabbing \| lawyer \| leading man \| mickey-mousing
Angels With Dirty Faces (1938)	The Gangster (Elevator Music)	0:42:40 - Elevator goes up	advance plot \| chromatic parallelism \| elevator \| gangster \| half-diminished 7th chord \| lawyer \| leading man \| mickey-mousing \| rising \| room \| tense
Angels With Dirty Faces (1938)	From Me to You	0:58:56 - Boys in pool hall	betting \| develop character \| gambling \| gang \| leading man \| playful \| playing \| pool \| pool hall \| priest \| ragtime \| source music \| teenager
Angels With Dirty Faces (1938)	Underscoring (Romantic)	1:01:43 - Rocky and Laury talk	altered dominant \| conversing \| dissonant bass \| gangster \| leading lady \| leading man \| linear chromaticism \| love scene \| romantic \| room \| underscoring
Angels With Dirty Faces (1938)	Rocky and Laury (Sentimental)	1:01:59 - Rocky and Laury talk	added-note chord \| altered dominant \| conversing \| gangster \| leading lady \| leading man \| love scene \| parallel period \| romantic \| room
Angels With Dirty Faces (1938)	Foxtrot	1:02:20 - Rocky and Laury look out the window	added-note chord \| altered dominant \| common-tone diminished 7th \| dreaming \| foxtrot \| gangster \| hoping \| leading lady \| leading man \| looking \| love scene \| mode mixture \| romantic \| room
Angels With Dirty Faces (1938)	Saving Myself For You (I've Been)	1:02:30 - Rocky and Laury at a night club	AABA structure \| advance plot \| cheerful \| club \| drinking \| gambling \| gangster \| lawyer \| leading lady \| leading man \| on-screen music \| source music
Angels With Dirty Faces (1938)	The Cartoon	1:04:49 - Jerry looks at newspaper cartoon of Rocky	9th chord \| advance plot \| cartoon \| chromatic parallelism \| comical \| leading man \| priest \| reading \| room
Angels With Dirty Faces (1938)	The Cook	1:05:06 - The cook hands a package to Jerry	advance plot \| comical \| conversing \| cook \| Irish \| leading man \| parallel fifths \| priest \| room
Angels With Dirty Faces (1938)	Sanctus (Mysterioso)	1:05:33 - Jerry looks at note from Rocky	advance plot \| charity \| classical music \| common-chord modulation \| friendship \| leading man \| letter \| mode mixture \| money \| mysterious \| pedal tone \| priest \| room \| sacred \| source to score \| thinking
Angels With Dirty Faces (1938)	Underscoring (Mysterious)	1:05:58 - Jerry goes to meet Rocky	advance plot \| arriving \| gangster \| leading man \| mickey-mousing \| mysterious \| pedal tone \| priest \| room \| underscoring \| waiting
Angels With Dirty Faces (1938)	Underscoring (Mysterious)	1:09:33 - Jerry leaves	42 chord \| gangster \| leading man \| leaving \| money \| montage \| mysterious \| priest \| room \| turning point
Angels With Dirty Faces (1938)	Tossing money	1:09:33 - Jerry throws Rocky's money on the table	42 chord \| gangster \| leading man \| mickey-mousing \| money \| mysterious \| priest \| room \| tossing \| turning point
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	1:09:49 - Jerry talks to newspaper editor	conversing \| diminution \| leading man \| montage \| montage \| newspaper editor \| newspaper office \| parallelism \| priest \| sign \| tense
Angels With Dirty Faces (1938)	Newspaper Editor	1:10:09 - A newspaper editor accepts Jerry's story	accepting \| conversing \| heroic \| leading man \| montage \| montage \| newspaper editor \| newspaper office \| priest \| secondary dominant
Angels With Dirty Faces (1938)	Pleading	1:11:08 - Laury pleads for Rocky	9th chord \| advance plot \| appoggiatura \| circle of fifths \| common-chord modulation \| crying \| leading lady \| leading man \| love interest \| pleading \| priest \| room \| somber
Angels With Dirty Faces (1938)	Jerry	1:11:35 - Jerry talks to Laury	9th chord \| advance plot \| deceptive resolution \| foreign key modulation \| leading lady \| leading man \| love interest \| memory \| pleading \| priest \| room \| tender
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	1:16:29 - Rocky shoots Mac and Frazier	agitated \| attacking \| casino \| chaos \| chasing \| chromatic parallelism \| chromatic scale \| climbing \| conflict \| crowd \| death \| dissonant bass \| dramatic \| dying \| escaping \| falling \| fighting \| gangster \| gun \| gunshot \| half-diminished 7th chord \| hurrying \| jumping \| landing \| lawyer \| leading man \| mickey-mousing \| pedal tone \| police \| rooftop \| room \| running \| sequence \| shooting \| sneaking \| sneaky \| street \| tone cluster \| underscoring
Angels With Dirty Faces (1938)	Mac gets shot	1:16:35 - Mac gets shot and dies	agitated \| chromatic parallelism \| chromatic scale \| conflict \| death \| dramatic \| dying \| falling \| gangster \| gun \| gunshot \| lawyer \| leading man \| mickey-mousing \| room \| shooting
Angels With Dirty Faces (1938)	Frazier gets shot	1:16:56 - Frazier gets shot and dies	agitated \| casino \| chromatic scale \| conflict \| death \| dramatic \| dying \| falling \| gangster \| gun \| gunshot \| lawyer \| leading man \| mickey-mousing \| shooting
Angels With Dirty Faces (1938)	Going down a ladder	1:17:32 - Rocky goes down an escape ladder	agitated \| chromatic scale \| climbing \| conflict \| descending \| down \| dramatic \| escaping \| gangster \| hurrying \| ladder \| leading man \| mickey-mousing \| street
Angels With Dirty Faces (1938)	Going up a ladder	1:17:41 - Rocky climbs up an escape ladder	agitated \| ascending \| chromatic parallelism \| climbing \| conflict \| dramatic \| gangster \| ladder \| leading man \| mickey-mousing \| pedal tone \| sequence \| street \| up
Angels With Dirty Faces (1938)	Running on wall	1:17:55 - Rocky runs on wall	agitated \| chromatic scale \| conflict \| dramatic \| gangster \| half-diminished 7th chord \| leading man \| mickey-mousing \| rooftop \| running \| sequence
Angels With Dirty Faces (1938)	Breaking in	1:18:11 - Rocky enters the building	conflict \| down \| gangster \| jumping \| landing \| leading man \| mickey-mousing \| room \| sneaking \| sneaky
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	1:19:00 - Rocky is trapped in a building	42 chord \| agitated \| chromatic parallelism \| chromatic scale \| conflict \| dissonant bass \| dramatic \| escaping \| fleeing \| gangster \| half-diminished 7th chord \| leading man \| major 7th chord \| police \| running \| sequence \| stairwell \| tone cluster \| underscoring
Angels With Dirty Faces (1938)	Going down stairs	1:19:05 - Rocky runs down the stairs	agitated \| chromatic scale \| conflict \| down \| dramatic \| gangster \| half-diminished 7th chord \| leading man \| mickey-mousing \| running \| stairs \| stairwell
Angels With Dirty Faces (1938)	Going up stairs	1:19:27 - Rocky runs up the stairs	agitated \| chromatic parallelism \| chromatic scale \| conflict \| dissonant bass \| dramatic \| gangster \| leading man \| major 7th chord \| mickey-mousing \| running \| sequence \| stairs \| stairwell \| up
Angels With Dirty Faces (1938)	Tear Gas	1:19:48 - Tear gas spreads throughout the room	agitated \| breaking \| breaking \| breathing \| building \| chromatic parallelism \| chromatic scale \| conflict \| dissonant bass \| dramatic \| gangster \| gun \| gunshot \| hurrying \| leading man \| mickey-mousing \| pedal tone \| police \| quartal chord \| running \| shooting \| smoke \| street \| tear gas \| throwing \| window
Angels With Dirty Faces (1938)	Machine Gun	1:20:24 - Policeman shoots at Rocky with machine gun	agitated \| building \| chromatic parallelism \| conflict \| death \| dramatic \| falling \| gangster \| gun \| gunshot \| hiding \| leading man \| police \| polychord \| shooting \| street \| underscoring
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	1:20:39 - Policemen shoot tear gas in through the window	agitated \| appoggiatura \| building \| conflict \| dramatic \| gangster \| gun \| gunshot \| leading man \| mickey-mousing \| police \| shooting \| street \| tone cluster \| underscoring
Angels With Dirty Faces (1938)	Launching tear gas	1:20:51 - Policemen shoot tear gas in through the window	agitated \| building \| conflict \| dramatic \| gangster \| gun \| gunshot \| launching \| leading man \| mickey-mousing \| police \| shooting \| street \| tear gas \| tone cluster
Angels With Dirty Faces (1938)	Pleading (Extended)	1:21:00 - Jerry arrives on the scene	9th chord \| appoggiatura \| arriving \| chromatic sequence \| circle of fifths \| concerned \| conflict \| crowd \| gun \| gunshot \| hurried \| hurrying \| leading lady \| leading man \| love interest \| polychord \| priest \| pushing \| street \| yearning
Angels With Dirty Faces (1938)	Jerry + Tear Gas	1:21:14 - Rocky staggers through tear gas and Jerry arrives	agitated \| arriving \| building \| chromatic parallelism \| combination of themes \| conflict \| dissonant bass \| dramatic \| gangster \| heroic \| hurrying \| leading man \| mickey-mousing \| priest \| quartal chord \| smoke \| staggering \| street \| tear gas
Angels With Dirty Faces (1938)	Jerry (Pleading)	1:21:26 - Jerry talks to the cops	building \| conflict \| deceptive resolution \| heroic \| hopeful \| leading man \| pleading \| priest \| street
Angels With Dirty Faces (1938)	Tear Gas (Desperate)	1:21:40 - Rocky tries to hold off the cops	agitated \| building \| chromatic parallelism \| chromatic scale \| conflict \| dissonant bass \| dramatic \| gangster \| gun \| gunshot \| leading man \| mickey-mousing \| pedal tone \| police \| priest \| quartal chord \| shooting \| smoke \| staggering \| street \| tear gas
Angels With Dirty Faces (1938)	Jerry (Maestoso)	1:22:13 - Jerry enters the building	building \| conflict \| entering \| foreign key modulation \| heroic \| hopeful \| leading man \| pedal tone \| priest \| street \| walking
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	1:23:10 - Jerry and Rocky confront one another	42 chord \| agitated \| arguing \| building \| conflict \| dramatic \| entering \| gangster \| leading man \| priest \| underscoring \| wedge \| yelling
Angels With Dirty Faces (1938)	Jerry (Agitato)	1:23:21 - Jerry and Rocky talk	agitated \| arguing \| building \| conflict \| diminished 7th chord \| gangster \| leading man \| pedal tone \| priest
Angels With Dirty Faces (1938)	Jerry (Slowly)	1:23:44 - Jerry goes to the window	building \| conflict \| coughing \| gangster \| leading man \| menacing \| priest \| smoke \| tear gas \| walking
Angels With Dirty Faces (1938)	The Gangster (Triste)	1:23:57 - Rocky uses Jerry as a hostage	9th chord \| building \| chromatic parallelism \| conflict \| coughing \| dark \| double-cross \| foreign key modulation \| fragmentation \| gangster \| hostage \| leading man \| linear chromaticism \| major 7th chord \| menacing \| polychord \| priest \| smoke \| somber \| street \| tear gas \| walking
Angels With Dirty Faces (1938)	Jerry (Hostage)	1:25:07 - Rocky pushes Jerry	augmented sixth chord \| conflict \| double-cross \| gangster \| hostage \| leading man \| mysterious \| priest \| pushing \| street \| tense
Angels With Dirty Faces (1938)	Rocky runs	1:25:13 - Rocky makes a run for it	agitated \| chromatic scale \| conflict \| falling \| gangster \| gun \| gunshot \| hostage \| leading man \| octatonic \| priest \| running \| sequence \| shooting \| street \| whole-tone chord
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	1:25:20 - Rocky throws his gun	capturing \| chromatic scale \| conflict \| dissonant bass \| dramatic \| gangster \| gun \| leading man \| police \| sequence \| street \| throwing \| underscoring
Angels With Dirty Faces (1938)	The Gangster (Captured)	1:25:31 - Rocky is captured	capturing \| conflict \| gangster \| leading man \| police \| somber \| street \| taunting
Angels With Dirty Faces (1938)	Jerry (Somber)	1:31:04 - Rocky leaves his cell for his execution	altered dominant \| climax \| conversing \| gangster \| gentle \| leading man \| pc set \| priest \| prison \| reverse picardy \| stinger \| tone cluster
Angels With Dirty Faces (1938)	Jerry (Upset)	1:31:40 - Jerry follows Rocky out of his cell	agitated \| climax \| conversing \| gangster \| leading man \| police \| priest \| prison
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	1:31:44 - Rocky punches a guard	agitated \| chromatic parallelism \| chromatic scale \| chromatic wedge \| climax \| fighting \| gangster \| half-diminished 7th chord \| leading man \| police \| priest \| prison \| punching \| tense \| underscoring
Angels With Dirty Faces (1938)	The Gangster (Funebre)	1:31:55 - Rocky is taken away	64 chord \| climax \| gangster \| leading man \| police \| priest \| prison \| pushing \| somber
Angels With Dirty Faces (1938)	Funebre	1:32:03 - Jerry and Rocky walk down the hall	climax \| dirge \| execution chamber \| gangster \| leading man \| marching \| police \| priest \| prison \| somber \| tense \| walking
Angels With Dirty Faces (1938)	Jerry (Goodbye)	1:33:12 - Jerry says goodbye to Rocky	added-note chord \| climax \| conversing \| dissonant bass \| execution chamber \| gangster \| leading man \| priest \| prison \| serious \| sigh gesture \| somber
Angels With Dirty Faces (1938)	Funebre (Sigh)	1:33:19 - Rocky heads towards electric chair	added-note chord \| climax \| dirge \| execution chamber \| gangster \| leading man \| marching \| priest \| prison \| sigh gesture \| somber \| tense \| walking
Angels With Dirty Faces (1938)	Underscoring (Tense)	1:33:36 - Rocky pleads for his life	begging \| climax \| cowardice \| crowd \| crying \| death \| execution \| execution chamber \| gangster \| leading man \| pleading \| police \| priest \| prison \| shadow \| tense \| tone cluster \| underscoring \| wailing
Angels With Dirty Faces (1938)	Sanctus (Mournful)	1:34:12 - Jerry cries after Rocky dies	added-note chord \| climax \| crying \| death \| dissonant bass \| execution chamber \| leading man \| mourning \| pedal tone \| priest \| prison \| redemption \| reverse picardy \| sacred \| somber
Angels With Dirty Faces (1938)	Jerry (Triste)	1:35:23 - Jerry visits the boys	conversing \| death \| foreign key modulation \| leading man \| pedal tone \| picardy third \| priest \| resolution \| room \| somber \| teenager
Angels With Dirty Faces (1938)	Sanctus (Maestoso)	1:36:06 - Jerry and the boys walk up the stairs	angelic \| ascending \| chromatic mediant \| foreign key modulation \| leading man \| priest \| resolution \| room \| stairs \| teenager \| The End \| transcendence \| triumphant \| up
Are These Our Children? (1931)	Dreams B	0:01:33 - Two young people in love	common-chord modulation \| common-tone diminished 7th \| conductor score \| conversing \| establish character \| gentle \| leading lady \| leading man \| lovers \| love scene \| snuggling \| street
Are These Our Children? (1931)	Dreams	0:02:11 - Eddie and Mary talk	11th chord \| AABA structure \| comment on score \| conductor score \| establish character \| gentle \| leading lady \| leading man \| leaving \| lovers \| love scene \| mode mixture \| street \| waiting
Are These Our Children? (1931)	Dreams (Whistling)	0:03:29 - Eddie walks home	cheerful \| establish character \| gentle \| leading man \| love scene \| on-screen music \| score to source \| source and scoring overlap \| source music \| street \| transcribed by ear \| walking \| whistling
Are These Our Children? (1931)	Dreams (Whistling 2)	0:03:59 - Eddie walks home	advance plot \| cheerful \| leading man \| on-screen music \| source music \| street \| transcribed by ear \| walking \| whistling
Are These Our Children? (1931)	Dreams (Marcia Maestoso)	0:08:58 - Eddie dreams	applauding \| common-chord modulation \| double exposure \| dreaming \| dream sequence \| fragmentation \| leading man \| meter change \| montage \| reciting \| thematic transformation \| transcribed by ear \| triumphant
Are These Our Children? (1931)	Dreams (Comical)	0:09:17 - Eddie's dream ends abruptly	comical \| double exposure \| dream sequence \| explosion \| laughing \| leading man \| montage \| student \| transcribed by ear
Are These Our Children? (1931)	Hold That Tiger	0:13:15 - Young people dancing	advance plot \| cheerful \| conversing \| dance hall \| friend \| leading man \| on-screen music \| source music
Are These Our Children? (1931)	Makes You Forget Your Troubles	0:17:38 - Young people talking at a dance	advance plot \| cheerful \| conversing \| dance hall \| leading man \| love interest \| on-screen music \| seductive \| singing \| source music
Are These Our Children? (1931)	Makes You Forget Your Troubles (Whistling)	0:18:46 - Eddie whistles on his way home	cheerful \| leading man \| on-screen music \| source music \| street \| transcribed by ear \| transition \| walking \| whistling
Are These Our Children? (1931)	Makes You Forget Your Troubles (Eddie Sings)	0:19:13 - Eddie sings to himself	cheerful \| leading man \| on-screen music \| singing \| source music \| street \| transcribed by ear \| transition \| walking
Are These Our Children? (1931)	Makes You Forget Your Troubles (Eddie Sings)	0:19:30 - Eddie arrives home	advance plot \| arriving \| cheerful \| leading man \| on-screen music \| room \| singing \| source music \| transcribed by ear
Are These Our Children? (1931)	Makes You Forget Your Troubles (Eddie Sings)	0:20:44 - Eddie eats	advance plot \| cheerful \| eating \| humming \| leading man \| on-screen music \| room \| source music \| transcribed by ear
Are These Our Children? (1931)	Makes You Forget Your Troubles (Dream Sequence)	0:20:51 - Eddie dreams	advance plot \| augmented sixth chord \| cheerful \| double exposure \| dreaming \| dream sequence \| eating \| fragmentation \| frantic \| half-diminished 7th chord \| humming \| leading man \| room \| scored source music \| sequence \| source music
Are These Our Children? (1931)	Dreams (Whole Tone)	0:21:11 - A view of the city	dreaming \| leading man \| montage \| pedal tone \| room \| somber \| whole-tone scale
Are These Our Children? (1931)	Makes You Forget Your Troubles (Whistling)	0:23:11 - Eddie walks away	advance plot \| cheerful \| leading man \| on-screen music \| source music \| street \| transcribed by ear \| walking \| whistling
Are These Our Children? (1931)	Introduction	0:24:14 - Boys in the washroom	advance plot \| conversing \| dance hall \| friend \| leading man \| mysterious \| transcribed by ear
Are These Our Children? (1931)	Dreams (Washroom Sequence)	0:24:25 - Eddie talks with his friends	advance plot \| chromatic parallelism \| common-tone diminished 7th \| conversing \| dance hall \| friend \| leading man \| score to source \| somber \| source music \| transcribed by ear
Are These Our Children? (1931)	Moonbeams	0:25:39 - Eddie dances with Flo	added-note chord \| altered dominant \| common-tone diminished 7th \| dance hall \| dance scene \| dancing \| leading man \| love interest \| mode mixture \| on-screen music \| parallel double period \| romantic \| source music \| waltz
Are These Our Children? (1931)	Moonbeams (Dream Sequence)	0:27:23 - Eddie takes Flo home	added-note chord \| advance plot \| double exposure \| dream sequence \| entering \| friend \| hectic \| kissing \| leading man \| mode mixture \| romantic \| source to score \| street \| transcribed by ear \| waltz
Are These Our Children? (1931)	Makes You Forget Your Troubles (Moderato)	0:27:59 - Eddie walks outside	cheerful \| leading man \| leaving \| source to score \| street \| transition
Are These Our Children? (1931)	Makes You Forget Your Troubles (Whistling)	0:28:36 - Eddie arrives home	cheerful \| leading man \| on-screen music \| source music \| street \| transition \| walking \| whistling
Are These Our Children? (1931)	Dreams (Montage)	0:29:57 - Eddie drinks	angry \| diminished 7th chord \| double exposure \| dreaming \| dream sequence \| drinking \| fragmentation \| gun \| hectic \| leading man \| montage \| pedal tone \| room \| sequence
Are These Our Children? (1931)	Makes You Forget Your Troubles (Listesso Tempo)	0:30:13 - Eddie commits a crime	angry \| chromatic scale \| double exposure \| dreaming \| dream sequence \| fragmentation \| hectic \| leading man \| montage \| room
Are These Our Children? (1931)	Moonbeams (Flashback)	0:30:18 - Eddie dances with Flo	dance hall \| dancing \| double exposure \| dream sequence \| flashback \| hectic \| leading man \| love interest \| montage \| room \| waltz
Are These Our Children? (1931)	Underscoring (Dark)	0:30:25 - Eddie attacks boy	arguing \| clock \| dark \| diminished 7th chord \| double exposure \| dream sequence \| fighting \| kissing \| leading man \| love interest \| mickey-mousing \| montage \| ominous \| pedal tone \| stinger \| ticking
Are These Our Children? (1931)	Humming	0:31:57 - Heinie hums	advance plot \| calm \| humming \| old man \| room \| source music
Are These Our Children? (1931)	Makes You Forget Your Troubles (Flo Sings)	0:32:32 - Flo sings	advance plot \| cheerful \| leading man \| love interest \| singing \| source music \| train \| train \| traveling
Are These Our Children? (1931)	Makes You Forget Your Troubles (Eddie Sings)	0:40:40 - The boys leave the scene of the crime	friend \| leading man \| murderer \| murder scene \| nervous \| singing \| source music \| street \| walking
Are These Our Children? (1931)	St. James Infirmary	0:41:24 - Young people lounging around	advance plot \| Dixieland \| friend \| lazy \| leading man \| lounging \| love interest \| murderer \| radio \| room \| source music
Are These Our Children? (1931)	St. James Infirmary	0:42:08 - Young people talking	advance plot \| conversing \| Dixieland \| friend \| lazy \| leading man \| love interest \| murderer \| radio \| room \| source music
Are These Our Children? (1931)	Hey! Hey!	0:50:14 - Eddie and Flo dance	9th chord \| AABA structure \| altered dominant \| augmented sixth chord \| cheerful \| dance hall \| dance scene \| dancing \| friend \| leading man \| love interest \| murderer \| on-screen music \| source music
Are These Our Children? (1931)	Makes You Forget Your Troubles	0:50:55 - Young people dancing	AABA structure \| arguing \| augmented sixth chord \| cheerful \| common-tone diminished 7th \| dance hall \| dance scene \| dancing \| friend \| leading man \| love interest \| murderer \| on-screen music \| source music
Are These Our Children? (1931)	Stars and Stripes Forever	0:52:14 - Young people cavorting in the street	advance plot \| cheerful \| dancing \| drunk \| friend \| leading man \| love interest \| murderer \| on-screen music \| singing \| source music \| street
Are These Our Children? (1931)	Makes You Forget Your Troubles	0:53:07 - Drunken young people	advance plot \| cheerful \| dancing \| drunk \| friend \| hallway \| leading man \| love interest \| murderer \| on-screen music \| singing \| source music
Are These Our Children? (1931)	Dreams (Risoluto 2)	0:53:55 - Newspaper headlines	advance plot \| arresting \| dark \| detective \| double exposure \| fragmentation \| friend \| headline \| leading man \| love interest \| murderer \| newspaper \| ominous \| room \| sequential modulation \| spinning \| thematic transformation \| underscoring
Are These Our Children? (1931)	Dreams (Eddie’s Prayer)	1:22:14 - Eddie behind bars	added-note chord \| climax \| crying \| dramatic \| jail \| leading man \| murderer \| praying \| prisoner \| religious \| sacred
Arsenic and Old Lace (1944)	Underscoring (Comical)	0:02:20 - Mortimer hides from the reporters	chromatic parallelism \| chromatic wedge \| comical \| disguise \| establish character \| hiding \| leading lady \| leading man \| looking \| marriage \| office \| reporter \| underscoring \| whole-tone chord
Arsenic and Old Lace (1944)	Here Comes the Bride (Modulating)	0:03:34 - Hiding in a telephone booth	added-note chord \| arguing \| bystander \| conversing \| deceptive resolution \| establish character \| familiar tune \| fragmentation \| leading lady \| leading man \| marriage \| office \| pump-up modulation \| running \| rushed \| rushing \| self-borrowing \| sequence
Arsenic and Old Lace (1944)	Hanging up	0:03:53 - Mortimer hangs up the phone	bystander \| diminished 7th chord \| establish character \| hanging up \| leading lady \| leading man \| marriage \| mickey-mousing \| office \| rushed
Arsenic and Old Lace (1944)	The Old Maid	0:04:17 - Mortimer talks to Elaine	added-note chord \| arguing \| conversing \| enharmonic modulation \| establish character \| kissing \| leading lady \| leading man \| marriage \| mode mixture \| office \| parallel period \| pedal tone \| romantic \| self-borrowing
Arsenic and Old Lace (1944)	Here Comes the Bride (Modulating)	0:04:54 - Mortimer and Elaine rush off	establish character \| familiar tune \| foreign key modulation \| leading lady \| leading man \| marriage \| office \| rushed \| rushing \| self-borrowing \| sequence
Arsenic and Old Lace (1944)	Here Comes the Bride (Chinese)	0:05:00 - Chinese girl turns around	Chinese \| establish character \| exotic \| familiar tune \| leading lady \| leading man \| marriage \| office \| open fifth \| smiling \| stereotype \| winking
Arsenic and Old Lace (1944)	Here Comes the Bride (Comical)	0:05:05 - Goofy man turns around	9th chord \| comical \| common-tone diminished 7th \| establish character \| familiar tune \| leading lady \| leading man \| marriage \| office \| smiling \| winking
Arsenic and Old Lace (1944)	Rondo Alla Turca	0:06:25 - Teddy plays the harpsichord	aunt \| brother \| classical music \| conversing \| crazy person \| establish character \| harpsichord \| leading lady \| old man \| on-screen music \| playing \| room \| source music \| upbeat \| victim
Arsenic and Old Lace (1944)	Happy Land (Lento)	0:09:11 - Reverend talks about the Brewster sisters	added-note chord \| aunt \| brother \| calm \| conversing \| crazy person \| establish character \| familiar tune \| gentle \| kindness \| leading lady \| old man \| room \| victim
Arsenic and Old Lace (1944)	Here Comes the Bride (Full)	0:14:00 - Elaine appears in the window	aunt \| bride \| cheerful \| chromatic mediant \| common-chord modulation \| conversing \| crazy person \| familiar tune \| greeting \| groom \| leading lady \| leading man \| love \| love scene \| on-screen music \| pleasant \| room \| score to source \| source music \| street \| whistling
Arsenic and Old Lace (1944)	Here Comes the Bride (Modulating)	0:14:10 - Mortimer calls to Elaine	added-note chord \| aunt \| bride \| cemetery \| conversing \| deceptive resolution \| driver \| familiar tune \| flirting \| fragmentation \| groom \| hurrying \| leading lady \| leading man \| love \| love scene \| pump-up modulation \| rushed \| rushing \| sequence \| source to score \| street
Arsenic and Old Lace (1944)	Here Comes the Bride (Religioso)	0:14:41 - Mortimer and Elaine in the cemetery	64 chord \| bride \| calm \| cemetery \| conversing \| familiar tune \| flirting \| groom \| hymn-like \| leading lady \| leading man \| love \| love scene \| religious \| suspension
Arsenic and Old Lace (1944)	Chasing	0:14:48 - Mortimer chases Elaine around a tree	bride \| cemetery \| chasing \| comical \| flirting \| groom \| leading lady \| leading man \| love \| love scene \| mickey-mousing \| secondary dominant
Arsenic and Old Lace (1944)	Underscoring (Mysterious)	0:14:51 - Mortimer flirts with Elaine	bride \| cemetery \| conversing \| flirting \| groom \| leading lady \| leading man \| love \| love scene \| mysterious \| underscoring \| whole-tone chord
Arsenic and Old Lace (1944)	Here Comes the Bride (Appassionato)	0:15:02 - The aunts peek out of the window	64 chord \| aunt \| bride \| cemetery \| chromatic mediant \| conversing \| familiar tune \| flirting \| groom \| inversion \| kissing \| leading lady \| leading man \| love \| love scene \| peeking \| romantic
Arsenic and Old Lace (1944)	Here Comes the Bride (Church Bells)	0:15:17 - Mortimer follows Elaine	64 chord \| bride \| cemetery \| chromatic mediant \| conversing \| familiar tune \| flirting \| foreign key modulation \| groom \| leading lady \| leading man \| love \| love scene \| parallelism \| romantic
Arsenic and Old Lace (1944)	Here Comes the Bride (Appassionato)	0:15:25 - Mortimer and Elaine kiss	64 chord \| bride \| cemetery \| conversing \| familiar tune \| groom \| inversion \| kissing \| leading lady \| leading man \| love \| love scene \| romantic
Arsenic and Old Lace (1944)	Here Comes the Bride (Modulating)	0:15:36 - Mortimer and Elaine talk	added-note chord \| bride \| cemetery \| conversing \| familiar tune \| flirting \| fragmentation \| groom \| hurried \| leading lady \| leading man \| love \| love scene \| pump-up modulation \| romantic \| sequence
Arsenic and Old Lace (1944)	Here Comes the Bride (Appassionato)	0:16:10 - Mortimer and Elaine kiss	64 chord \| bride \| cemetery \| embracing \| familiar tune \| groom \| inversion \| kissing \| leading lady \| leading man \| love \| love scene \| romantic
Arsenic and Old Lace (1944)	Here Comes the Bride (Church Bells)	0:16:22 - Mortimer and Elaine talk	64 chord \| bride \| cemetery \| chromatic mediant \| conversing \| familiar tune \| flirting \| foreign key modulation \| groom \| leading lady \| leading man \| love \| love scene \| parallelism \| romantic
Arsenic and Old Lace (1944)	Chasing	0:16:31 - Elaine runs off	bride \| groom \| hurrying \| leading lady \| leading man \| light \| love \| love scene \| running \| secondary dominant \| street
Arsenic and Old Lace (1944)	Here Comes the Bride	0:16:37 - Elaine whistles	bride \| cheerful \| familiar tune \| groom \| leading lady \| leading man \| love \| love scene \| on-screen music \| source music \| street \| whistling
Arsenic and Old Lace (1944)	Here Comes the Bride	0:17:02 - Mortimer whistles	aunt \| cheerful \| familiar tune \| groom \| leading lady \| leading man \| love \| love scene \| on-screen music \| room \| source music \| whistling
Arsenic and Old Lace (1944)	Break the News to Mother	0:18:44 - Teddy sings	advance plot \| aunt \| brother \| cheerful \| crazy person \| familiar tune \| groom \| leading lady \| leading man \| on-screen music \| room \| singing \| source music \| war song
Arsenic and Old Lace (1944)	Jonathan	0:18:54 - Jonathan Brewster's picture is shown	advance plot \| aunt \| conversing \| diminished 7th chord \| groom \| leading lady \| leading man \| ominous \| pc set \| picture \| room \| sinister \| stinger
Arsenic and Old Lace (1944)	Here Comes the Bride	0:19:52 - Mortimer at the window seat	advance plot \| familiar tune \| groom \| leading man \| on-screen music \| room \| source music \| upbeat \| whistling
Arsenic and Old Lace (1944)	Happy Land	0:20:06 - Abby sings	advance plot \| aunt \| cheerful \| familiar tune \| groom \| leading lady \| leading man \| on-screen music \| room \| score to source \| sequence \| singing \| source music
Arsenic and Old Lace (1944)	Jonathan	0:23:14 - Mortimer reacts to the reveal	calling \| conversing \| dialing \| diminished 7th chord \| groom \| leading man \| ominous \| pc set \| quartal chord \| reveal \| room \| sinister \| stinger \| telephone effect \| thinking \| turning point
Arsenic and Old Lace (1944)	Here Comes the Bride (Elaine Whistles)	0:23:44 - Elaine whistles out of her window	agitated \| bride \| cheerful \| chromatic scale \| dark \| diminished 7th chord \| familiar tune \| groom \| leading lady \| leading man \| on-screen music \| room \| scored source music \| source music \| turning point \| whistling
Arsenic and Old Lace (1944)	Here Comes the Bride (Running)	0:23:58 - Mortimer runs to the door	9th chord \| 13th chord \| aunt \| bride \| child \| chromatic scale \| crazy person \| dark \| familiar tune \| groom \| Halloween \| intervallic expansion \| leading lady \| leading man \| murderer \| room \| running \| rushing \| source music \| source to score \| trick-or-treating \| turning point
Arsenic and Old Lace (1944)	Happy Land	0:24:16 - Abby, Martha, and Mortimer in the kitchen	advance plot \| aunt \| cheerful \| child \| crazy person \| familiar tune \| groom \| leading lady \| leading man \| murderer \| on-screen music \| room \| singing \| source music
Arsenic and Old Lace (1944)	Here Comes the Bride	0:26:22 - Elaine whistles on the phone	advance plot \| bride \| cheerful \| familiar tune \| groom \| leading lady \| leading man \| on-screen music \| room \| source music \| telephone \| whistling
Arsenic and Old Lace (1944)	Break the News to Mother	0:29:30 - Mortimer listens to Teddy sing	advance plot \| brother \| cheerful \| crazy person \| familiar tune \| groom \| leading man \| on-screen music \| room \| singing \| source music
Arsenic and Old Lace (1944)	Here Comes the Bride	0:31:04 - Elaine whistles in Mortimer's ear	advance plot \| bride \| cheerful \| familiar tune \| groom \| leading lady \| leading man \| on-screen music \| room \| source music \| whistling
Arsenic and Old Lace (1944)	Jonathan 2	0:40:30 - Jonathan enters the house	arriving \| chromatic scale \| chromatic wedge \| close-up \| criminal \| dark \| dissonant bass \| establish character \| leading man \| observing \| ominous \| pc set \| room \| walking \| zoom in
Arsenic and Old Lace (1944)	Scar	0:40:54 - The scar on Jonathan's face	close-up \| criminal \| dark \| establish character \| horn flare \| leading man \| observing \| ominous \| pc set \| polychord \| room \| scar
Arsenic and Old Lace (1944)	Home Sweet Home (Ominous)	0:41:03 - Jonathan looks around the house	added-note chord \| augmented triad \| brother \| conversing \| crazy person \| criminal \| dark \| dissonant bass \| distortion \| doctor \| establish character \| familiar tune \| leading man \| observing \| ominous \| room
Arsenic and Old Lace (1944)	Scar (Misterioso)	0:41:31 - They see the food	brother \| conversing \| crazy person \| criminal \| doctor \| establish character \| leading man \| mysterious \| observing \| pc set \| polychord \| room
Arsenic and Old Lace (1944)	Home Sweet Home (Expressivo) + Scar	0:41:42 - Abby talks to Jonathan	altered dominant \| augmented triad \| aunt \| brother \| combination of themes \| conversing \| convincing \| crazy person \| criminal \| distortion \| doctor \| establish character \| expressive \| familiar tune \| leading lady \| leading man \| murderer \| mysterious \| ominous \| room
Arsenic and Old Lace (1944)	Underscoring (Tense)	0:42:08 - Jonathan talks to the aunts	aunt \| brother \| conversing \| crazy person \| criminal \| doctor \| establish character \| leading lady \| leading man \| murderer \| mysterious \| parallelism \| room \| tense \| underscoring
Arsenic and Old Lace (1944)	Scar (Face)	0:42:29 - Jonathan talks about his scar	augmented triad \| aunt \| brother \| chromatic parallelism \| conversing \| crazy person \| criminal \| doctor \| establish character \| fragmentation \| leading lady \| leading man \| murderer \| mysterious \| pc set \| polychord \| room \| scar \| tense
Arsenic and Old Lace (1944)	Mysterioso Pizzicato	0:42:41 - Martha talks about scary movies	aunt \| brother \| conversing \| crazy person \| criminal \| dissonant bass \| doctor \| establish character \| familiar tune \| leading lady \| leading man \| murderer \| mysterious \| room \| scar \| silent film music
Arsenic and Old Lace (1944)	Underscoring (Tense)	0:42:56 - Jonathan glares at Dr. Einstein	aunt \| brother \| conversing \| crazy person \| criminal \| diminished 7th chord \| doctor \| establish character \| leading lady \| leading man \| murderer \| oscillation \| room \| scar \| tense
Arsenic and Old Lace (1944)	Jonathan 2	0:43:08 - Jonathan talks about the operation	aunt \| brother \| chromatic scale \| chromatic wedge \| crazy person \| criminal \| dark \| dissonant bass \| doctor \| establish character \| grabbing \| leading lady \| leading man \| murderer \| ominous \| pc set \| room \| struggling \| threatening
Arsenic and Old Lace (1944)	Scar	0:43:20 - Dr. Einstein talks to the aunts	aunt \| brother \| conversing \| crazy person \| criminal \| dark \| doctor \| establish character \| leading lady \| leading man \| murderer \| ominous \| pc set \| polychord \| room
Arsenic and Old Lace (1944)	Home Sweet Home (Ominous)	0:43:28 - Dr. Einstein talks to the aunts	added-note chord \| altered dominant \| aunt \| brother \| conversing \| crazy person \| criminal \| distortion \| doctor \| establish character \| familiar tune \| leading lady \| leading man \| murderer \| room \| split-fifth chord \| tense
Arsenic and Old Lace (1944)	Home Sweet Home (Tranquillo)	0:43:40 - Jonathan sits down	augmented triad \| aunt \| brother \| calm \| chromatic parallelism \| conversing \| crazy person \| criminal \| direct modulation \| distortion \| doctor \| establish character \| familiar tune \| leading lady \| leading man \| murderer \| pedal tone \| room
Arsenic and Old Lace (1944)	The Aunts (Frightened)	0:44:00 - The aunts go into the kitchen	augmentation \| aunt \| brother \| conversing \| crazy person \| criminal \| doctor \| establish character \| fear \| foreign key modulation \| fragmentation \| leading lady \| leading man \| murderer \| mysterious \| Neapolitan \| ominous \| parallel 63s \| pedal tone \| room \| walking \| watching
Arsenic and Old Lace (1944)	The Aunts (Frightened)	0:45:22 - The aunts peek through the kitchen window	aunt \| brother \| conversing \| crazy person \| criminal \| doctor \| establish character \| face \| fear \| leading lady \| leading man \| murderer \| mysterious \| Neapolitan \| ominous \| parallel 63s \| pedal tone \| room \| snooping \| watching
Arsenic and Old Lace (1944)	Scar	0:45:29 - Dr. Einstein describes how he will fix Jonathan's face	aunt \| brother \| conversing \| crazy person \| criminal \| dark \| doctor \| establish character \| face \| leading lady \| leading man \| murderer \| ominous \| pc set \| planning \| polychord \| room \| wipe
Arsenic and Old Lace (1944)	Jonathan 2	0:49:12 - Jonathan threatens the aunts	advance plot \| aunt \| brother \| chromatic scale \| chromatic wedge \| crazy person \| criminal \| dark \| dissonant bass \| doctor \| fear \| leading lady \| leading man \| murderer \| ominous \| pc set \| room \| threatening
Arsenic and Old Lace (1944)	Scar	0:49:36 - Dr. Einstein calls to Jonathan	advance plot \| aunt \| brother \| crazy person \| criminal \| dark \| doctor \| fear \| leading lady \| leading man \| murderer \| ominous \| pc set \| polychord \| room \| threatening
Arsenic and Old Lace (1944)	Underscoring (Tense)	0:49:45 - Jonathan follows Dr. Einstein	advance plot \| altered dominant \| brother \| conversing \| crazy person \| criminal \| digging \| dissonant bass \| doctor \| familiar tune \| leading man \| march \| murderer \| on-screen music \| patriotic tune \| pc set \| plotting \| room \| source and scoring overlap \| tense \| tone cluster \| whistling
Arsenic and Old Lace (1944)	When Johnny Comes Marching Home	0:49:45 - Dr. Einstein spies on Teddy	advance plot \| brother \| crazy person \| criminal \| dark \| digging \| doctor \| familiar tune \| leading man \| march \| murderer \| on-screen music \| patriotic tune \| room \| source and scoring overlap \| tense \| whistling
Arsenic and Old Lace (1944)	Scar (Dark)	0:50:14 - Jonathan and Dr. Einstein watch Teddy dig	advance plot \| brother \| conversing \| crazy person \| criminal \| dark \| digging \| dissonant bass \| doctor \| familiar tune \| leading man \| march \| murderer \| on-screen music \| patriotic tune \| room \| source and scoring overlap \| watching \| whistling
Arsenic and Old Lace (1944)	The Aunts (Frightened)	0:50:20 - Jonathan and Dr. Einstein talk	advance plot \| brother \| crazy person \| criminal \| digging \| doctor \| familiar tune \| leading man \| march \| murderer \| Neapolitan \| on-screen music \| parallel 63s \| patriotic tune \| pedal tone \| plotting \| room \| source and scoring overlap \| tense \| whistling
Arsenic and Old Lace (1944)	Stinger	0:52:41 - Jonathan suddenly appears at the window	advance plot \| aunt \| brother \| crazy person \| dramatic \| harsh \| leading lady \| leading man \| murderer \| opening \| room \| stinger \| surprise \| whole-tone chord \| window
Arsenic and Old Lace (1944)	Jonathan 2	0:52:48 - Jonathan comes in the window	advance plot \| aunt \| brother \| chromatic scale \| chromatic wedge \| crazy person \| dark \| darkness \| dissonant bass \| doctor \| intimidating \| leading lady \| leading man \| murderer \| ominous \| pc set \| room \| staring \| tense
Arsenic and Old Lace (1944)	Jonathan (Fragmented)	0:53:35 - Jonathan and the doctor go up the stairs	advance plot \| aunt \| brother \| conversing \| crazy person \| dark \| darkness \| doctor \| fragmentation \| intimidating \| leading lady \| leading man \| murderer \| ominous \| pc set \| room \| tense
Arsenic and Old Lace (1944)	The Aunts	0:53:55 - Aunt Abby goes to the front door	advance plot \| aunt \| brother \| calm \| crazy person \| darkness \| harmonic sequence \| leading lady \| leading man \| murderer \| room \| silhouette \| staring \| upbeat \| walking
Arsenic and Old Lace (1944)	Underscoring (Mysterious)	0:54:01 - Aunt Abby goes up the stairs	advance plot \| aunt \| brother \| crazy person \| darkness \| intimidating \| leading lady \| leading man \| murderer \| mysterious \| room \| silhouette \| staring \| underscoring
Arsenic and Old Lace (1944)	The Aunts (Molto Misterioso)	0:54:12 - Aunt Abby faces Jonathan	advance plot \| aunt \| brother \| crazy person \| darkness \| foreign key modulation \| fragmentation \| intimidating \| leading lady \| leading man \| murderer \| mysterious \| parallel 63s \| pedal tone \| room \| staring \| walking
Arsenic and Old Lace (1944)	Underscoring (Tense)	0:54:30 - Jonathan goes up the stairs	advance plot \| brother \| crazy person \| darkness \| leading man \| murderer \| mysterious \| room \| sneaking \| tense \| tone cluster \| underscoring \| walking
Arsenic and Old Lace (1944)	Underscoring (Dark)	0:56:27 - Einstein looks around in the dark	advance plot \| brother \| crazy person \| dark \| darkness \| descending \| doctor \| leading man \| match \| murderer \| plotting \| room \| sneaking \| underscoring
Arsenic and Old Lace (1944)	Blows out match	0:56:48 - Einstein blows out the match	advance plot \| blowing \| brother \| crazy person \| darkness \| doctor \| extinguishing \| leading man \| match \| mickey-mousing \| murderer \| room \| tense \| whole-tone scale
Arsenic and Old Lace (1944)	Jonathan 2 (Dark)	0:57:04 - Jonathan exits	advance plot \| brother \| chromatic scale \| chromatic wedge \| conversing \| crazy person \| dark \| darkness \| dissonant bass \| doctor \| falling \| leading man \| murderer \| mysterious \| pc set \| polychord \| room \| stinger
Arsenic and Old Lace (1944)	Underscoring (Tense)	0:58:10 - Someone knocks at the door	advance plot \| brother \| chromatic scale \| conversing \| corpse \| crazy person \| darkness \| doctor \| knocking \| leading man \| murderer \| pc set \| room \| sequence \| sneaking \| tense \| underscoring
Arsenic and Old Lace (1944)	Scar (Tense)	0:58:39 - Close-up on Dr. Einstein's face	advance plot \| bride \| brother \| calling \| close-up \| crazy person \| darkness \| doctor \| entering \| fear \| fragmentation \| leading lady \| leading man \| murderer \| polychord \| room \| sneaking \| tense
Arsenic and Old Lace (1944)	Jonathan 2	0:58:55 - Jonathan emerges from the shadows	advance plot \| bride \| brother \| chromatic scale \| chromatic wedge \| conversing \| crazy person \| darkness \| dissonant bass \| doctor \| fear \| leading lady \| leading man \| murderer \| pc set \| questioning \| room \| sinister
Arsenic and Old Lace (1944)	Jonathan 2 (Ominous)	1:00:36 - Jonathan backs Elaine into a corner	advance plot \| anger \| augmented triad \| bride \| brother \| chromatic scale \| crazy person \| dissonant bass \| doctor \| fear \| hurting \| leading lady \| leading man \| murderer \| ominous \| polychord \| questioning \| room \| stinger \| tense \| threatening
Arsenic and Old Lace (1944)	Underscoring (Dramatic)	1:01:21 - They take Elaine into the cellar	9th chord \| aunt \| bride \| brother \| chromatic scale \| conflict \| crazy person \| darkness \| diminished 7th chord \| doctor \| dramatic \| fear \| fighting \| gagging \| harmonic sequence \| leading lady \| leading man \| metric dissonance \| murderer \| oscillation \| room \| running \| self-borrowing \| struggling \| suspenseful \| underscoring
Arsenic and Old Lace (1944)	Organ Stinger	1:01:40 - Aunts emerge in black upstairs	arguing \| aunt \| brother \| conflict \| crazy person \| leading lady \| leading man \| murderer \| ominous \| room \| stinger
Arsenic and Old Lace (1944)	The Aunts (Frightened)	1:01:49 - Aunts talk to Jonathan	arguing \| aunt \| brother \| conflict \| crazy person \| fear \| fragmentation \| leading lady \| leading man \| murderer \| Neapolitan \| parallel 63s \| pedal tone \| room \| tense
Arsenic and Old Lace (1944)	Happy Land	1:19:56 - Mortimer with the taxi driver	aunt \| brother \| calm \| conversing \| crazy person \| doctor \| driver \| funeral \| groom \| hymn \| leading lady \| leading man \| murderer \| on-screen music \| score to source \| singing \| source music \| street
Arsenic and Old Lace (1944)	Happy Land	1:22:17 - Mortimer talks with Elaine through her window	aunt \| bride \| calm \| conversing \| crazy person \| doctor \| funeral \| groom \| hymn \| leading lady \| leading man \| murderer \| singing \| street
Arsenic and Old Lace (1944)	Symphony No. 5: I	1:27:02 - Teddy plays the bugle	advance plot \| crazy person \| familiar tune \| groom \| leading man \| playing \| room \| singing \| startled
Arsenic and Old Lace (1944)	Molto Agitato	1:29:57 - Jonathan ties Mortimer to a chair	9th chord \| brother \| captive \| chromatic parallelism \| conflict \| crazy person \| diminished 7th chord \| doctor \| dramatic \| fear \| gagging \| leading man \| mickey-mousing \| murderer \| room \| stinger \| tying \| victim
Arsenic and Old Lace (1944)	The Victim	1:30:11 - Mortimer tied up in a chair	brother \| captive \| conflict \| crazy person \| doctor \| fear \| leading man \| murderer \| ominous \| parallel fifths \| quartal chord \| room \| tense \| tone cluster \| torturing \| tritone \| victim
Arsenic and Old Lace (1944)	Knives	1:31:05 - Mortimer looks at the knives	acceleration \| brother \| captive \| chromatic parallelism \| close-up \| conflict \| crazy person \| diminution \| doctor \| fear \| layering \| leading man \| murderer \| ominous \| oscillation \| ostinato \| pc set \| polychord \| room \| tense \| tone cluster \| torturing \| victim
Arsenic and Old Lace (1944)	Panic	1:31:48 - Einstein agrees to do the torture	alcohol \| brother \| captive \| chromatic parallelism \| chromatic scale \| conflict \| crazy person \| doctor \| dramatic \| fear \| leading man \| murderer \| oscillation \| panicked \| panicking \| polychord \| room \| sequence \| split-third chord \| tense \| torturing \| victim
Arsenic and Old Lace (1944)	Scar (Fast)	1:32:11 - Einstein finds some wine	alcohol \| brother \| captive \| conflict \| crazy person \| doctor \| dramatic \| fear \| hurrying \| leading man \| murderer \| panicking \| polychord \| room \| tense \| torturing \| victim
Arsenic and Old Lace (1944)	How Dry I Am (Mysterious)	1:32:25 - Einstein and Jonathan start to drink the wine	alcohol \| brother \| captive \| conflict \| crazy person \| doctor \| drinking \| familiar tune \| fear \| leading man \| murderer \| mysterious \| polychord \| room \| victim \| whole-tone chord
Arsenic and Old Lace (1944)	Underscoring (Tense)	1:32:35 - They toast to Mortimer	alcohol \| brother \| captive \| clinking \| conflict \| crazy person \| doctor \| fear \| glass effect \| leading man \| murderer \| mysterious \| pc set \| polychord \| room \| tense \| toasting \| underscoring \| victim
Arsenic and Old Lace (1944)	Bugle Call	1:32:56 - Teddy plays the bugle	brother \| bugle \| bugle call \| captive \| conflict \| crazy person \| doctor \| dramatic \| fear \| leading man \| murderer \| on-screen music \| playing \| room \| source music \| victim
Arsenic and Old Lace (1944)	Bugle Call	1:49:14 - Mortimer blows the bugle	bugle \| bugle call \| climax \| dramatic \| leading man \| on-screen music \| playing \| room \| source music
Arsenic and Old Lace (1944)	Happy Land	1:50:41 - Mortimer sings	bugle call \| climax \| leading man \| on-screen music \| room \| singing \| source music \| upbeat
Arsenic and Old Lace (1944)	Happy Land (The End)	1:57:05 - Mortimer carries Elaine away	altered dominant \| bride \| countermelody \| driver \| end title sequence \| familiar tune \| groom \| kissing \| leading lady \| leading man \| resolution \| street \| The End \| upbeat
Beyond the Forest (1949)	Underscoring (Mysterious)	0:05:09 - A fish in a stream	countryside \| doctor \| establish setting \| fish \| fishing \| flashback \| leading man \| mysterious \| underscoring \| voice-over
Beyond the Forest (1949)	Lewis (Moderato Expressivo)	0:06:23 - Fishing in a stream	calm \| canoe \| doctor \| establish character \| friend \| lake \| leading lady \| leading man \| rowing \| wife
Beyond the Forest (1949)	Lewis	0:10:42 - The doctor in a canoe	calm \| canoe \| departing \| doctor \| establish character \| friend \| lake \| leading lady \| leading man \| noble \| rowing \| wife
Beyond the Forest (1949)	Loyalton 2 (Andante)	0:22:47 - Lewis helps a patient	advance plot \| doctor \| gentle \| healing \| helping \| leading man \| patient \| room \| sickness \| somber \| tender
Beyond the Forest (1949)	Underscoring (Gentle)	0:23:29 - Lewis arrives home	advance plot \| arriving \| doctor \| gentle \| leading man \| room \| tender \| underscoring
Beyond the Forest (1949)	Lewis (Triste)	0:23:53 - Lewis at home	advance plot \| arriving \| doctor \| leading man \| room \| tender \| tense
Beyond the Forest (1949)	Rosa (Slower)	0:39:05 - Rosa in bed	advance plot \| calm \| contemplating \| dark \| leading lady \| leading man \| panning shot \| restlessness \| room \| smoking \| wife
Beyond the Forest (1949)	Sawmill (Agitato)	0:39:25 - Fire from the sawmill	advance plot \| agitated \| bedroom \| factory \| fire \| leading lady \| leading man \| restlessness \| wife \| yelling
Beyond the Forest (1949)	Rosa (Molto Misterioso)	0:41:50 - Rosa smokes in bed	advance plot \| bedroom \| contemplating \| leading lady \| leading man \| mysterious \| smoking \| wife
Beyond the Forest (1949)	Lewis (Moderato Quasi Rubato)	0:42:23 - Lewis talks to some men	advance plot \| calm \| conversing \| doctor \| leading man \| room \| somber \| source and scoring overlap \| street \| townsfolk \| walking \| warm
Beyond the Forest (1949)	Chicago	0:43:37 - Rosa sews	advance plot \| arriving \| familiar tune \| leading lady \| leading man \| on-screen music \| popular tune \| room \| score to source \| sewing \| singing \| source and scoring overlap \| source music \| upbeat \| wife
Beyond the Forest (1949)	Chicago (Agitato Molto Marcato)	0:55:48 - Rosa runs through the streets	agitated \| crazy person \| crying \| familiar tune \| laughing \| leading lady \| mad scene \| manic \| popular tune \| running \| rushing \| scaring \| stranger \| street \| tense
Beyond the Forest (1949)	Rosa (Molto Tranquillo)	0:57:36 - Lewis opens the door	arriving \| calm \| dark \| doctor \| leading lady \| leading man \| reunion scene \| room \| wife
Beyond the Forest (1949)	Lewis (Tender)	0:58:28 - Lewis takes care of Rosa	calm \| conversing \| doctor \| kissing \| leading lady \| leading man \| reunion scene \| room \| tender \| wife
Beyond the Forest (1949)	Whisper While You’re Waltzing	1:01:34 - People at a party	conversing \| crowd \| dance scene \| doctor \| eating \| folk music \| gentle \| leading lady \| leading man \| on-screen music \| party \| playing \| room \| source music \| waltz \| wife
Beyond the Forest (1949)	For He’s a Jolly Good Fellow	1:02:12 - Folk musicians	arriving \| cake \| cheerful \| conversing \| crowd \| dance scene \| doctor \| familiar tune \| leading lady \| leading man \| love interest \| musician \| on-screen music \| party \| playing \| room \| singing \| source music \| tuning \| wife \| wind
Beyond the Forest (1949)	The Arkansas Traveler	1:02:55 - Folk musicians	crowd \| dancer \| dance scene \| dancing \| doctor \| folk music \| leading lady \| leading man \| love interest \| musician \| on-screen music \| party \| playing \| room \| singing \| source music \| square dance caller \| square dance music \| upbeat \| wife
Beyond the Forest (1949)	Portland Fancy	1:03:11 - People dancing	crowd \| dancer \| dance scene \| dancing \| doctor \| folk music \| leading lady \| leading man \| love interest \| musician \| on-screen music \| party \| playing \| room \| singing \| source music \| square dance caller \| square dance music \| upbeat \| wife
Beyond the Forest (1949)	Devil’s Dream	1:03:26 - People dancing	crowd \| dancer \| dance scene \| dancing \| doctor \| folk music \| leading lady \| leading man \| love interest \| musician \| on-screen music \| party \| playing \| room \| singing \| source music \| square dance caller \| square dance music \| upbeat \| wife
Beyond the Forest (1949)	Little Brown Jug	1:03:57 - People dancing	crowd \| dancer \| dance scene \| dancing \| doctor \| folk music \| leading lady \| leading man \| love interest \| musician \| on-screen music \| party \| playing \| room \| singing \| source music \| square dance caller \| square dance music \| upbeat \| wife
Beyond the Forest (1949)	Varsovienne	1:04:52 - Moose talks with Mr. Latimer	conversing \| dance scene \| folk music \| friend \| friend \| leading lady \| leading man \| love interest \| on-screen music \| party \| plotting \| proposal \| room \| sneaking \| source music \| square dance music \| upbeat
Beyond the Forest (1949)	Rosa (Misterioso)	1:09:23 - Rosa looks through the binoculars	anger \| binoculars \| forest \| friend \| hunting \| husband \| leading lady \| leading man \| looking \| murder scene \| mysterious \| ominous \| tense \| victim
Beyond the Forest (1949)	Chicago (Ominous)	1:10:01 - Rosa puts down the binoculars	aiming \| anger \| dark \| familiar tune \| forest \| friend \| husband \| leading lady \| leading man \| murder scene \| ominous \| popular tune \| victim
Beyond the Forest (1949)	Rosa (Ominous)	1:10:14 - Rosa aims her gun	aiming \| anger \| dark \| forest \| friend \| harsh \| husband \| leading lady \| leading man \| murder scene \| ominous \| stinger \| victim
Beyond the Forest (1949)	Chicago (Con Moto)	1:11:06 - Rosa is relieved at the verdict	calm \| conversing \| courtroom \| courtroom scene \| expressive \| familiar tune \| hope \| hopeful \| husband \| leading lady \| leading man \| love interest \| murderer \| popular tune \| smiling \| verdict
Beyond the Forest (1949)	Rosa (Sulking)	1:12:32 - Rosa and Lewis at the funeral	funeral \| graveyard \| husband \| leading lady \| leading man \| love interest \| murderer \| rain \| solemn \| sulking \| victim \| watching
Beyond the Forest (1949)	Rosa (Heavy)	1:12:58 - Rosa and Lewis drive away	arriving \| departing \| dramatic \| funeral \| husband \| leading lady \| leading man \| murderer \| room \| somber \| transition \| victim
Beyond the Forest (1949)	Lewis (Crescendo)	1:13:15 - Rosa and Lewis at home	arriving \| calm \| conversing \| dark \| dramatic \| husband \| leading lady \| leading man \| murderer \| room \| transition \| victim \| yelling
Beyond the Forest (1949)	Rosa (On the Run)	1:17:21 - Rosa approaches a bus	advance plot \| bus \| disguise \| doctor \| leading lady \| leading man \| murderer \| mysterious \| office \| patient \| runaway \| running away \| sneaking \| street \| watching
Beyond the Forest (1949)	Rosa (Sombre)	1:17:53 - Lewis talks to a patient	advance plot \| conversing \| doctor \| leading man \| mysterious \| office \| patient \| working
Beyond the Forest (1949)	Rosa (Cello Solo)	1:18:09 - Rosa sitting in a chair	advance plot \| disguise \| leading lady \| leading man \| murderer \| mysterious \| office \| sitting
Beyond the Forest (1949)	The Cliff	1:19:13 - Rosa looks out of the car window	action scene \| car \| car \| cliff \| contemplating \| descending \| driving \| leading lady \| leading man \| murderer \| tense
Beyond the Forest (1949)	Chicago (Dark)	1:19:25 - Rosa sitting in a car	action scene \| car \| car \| cliff \| conversing \| descending \| driving \| familiar tune \| leading lady \| leading man \| murderer \| ominous \| popular tune
Beyond the Forest (1949)	The Cliff (Car Stops)	1:19:36 - Rosa sitting in a car	action scene \| car \| car \| cliff \| conversing \| descending \| driving \| leading lady \| leading man \| murderer \| tense
Beyond the Forest (1949)	Hurrying (Fleeing)	1:19:50 - Rosa leaps out of the car	action scene \| canyon \| car \| cliff \| fleeing \| leading lady \| leading man \| murderer \| runaway \| running \| rushed
Beyond the Forest (1949)	Rosa (Broadly)	1:19:57 - Rosa rolls down a hill	action scene \| canyon \| dark \| dramatic \| falling \| jumping \| leading lady \| leading man \| murderer \| runaway \| tense
Beyond the Forest (1949)	Lewis (Triste 2)	1:24:09 - Lewis walks inside	arriving \| calm \| doctor \| fever \| illness scene \| leading lady \| leading man \| murderer \| room \| sickness \| solemn \| street \| waiting \| walking
Beyond the Forest (1949)	Stinger	1:31:51 - Rosa dead	arriving \| climax \| dark \| death \| doctor \| husband \| leading lady \| leading man \| mad scene \| murderer \| solemn \| stinger \| train \| train station \| walking
Beyond the Forest (1949)	Rosa	1:32:10 - Lewis arrives	arriving \| checking \| climax \| dark \| death \| doctor \| dramatic \| husband \| leading lady \| leading man \| mad scene \| murderer \| reacting \| tender \| train \| train station
The Big Sleep (1946)	Transition	0:00:08 - Shadows of the main characters	bold \| half-diminished 7th chord \| leading lady \| leading man \| opening title sequence \| silhouette \| smoke \| smoking \| starring list \| transition \| voice-exchange
The Big Sleep (1946)	The Big Sleep	0:00:13 - Starring actors and main title	9th chord \| ABA structure \| cast list \| chromatic mediant \| chromatic sequence \| dark \| heavy \| leading lady \| leading man \| Neapolitan \| opening title sequence \| silhouette \| smoke \| smoking \| starring list
The Big Sleep (1946)	Underscoring (Tense)	0:01:01 - Sign for the Sternwood mansion	arriving \| butler \| establish character \| leading man \| mansion \| private eye \| room \| tense \| underscoring
The Big Sleep (1946)	Walking	0:01:26 - Carmen walks down the stairs	arriving \| daughter \| deceptive resolution \| descending \| establish character \| femme fatale \| leading man \| mysterious \| parallelism \| pedal tone \| private eye \| room \| walking
The Big Sleep (1946)	Flirtation	0:01:42 - Carmen flirts with Marlowe	chromatic parallelism \| chromatic scale \| comical \| daughter \| establish character \| femme fatale \| flirting \| half-diminished 7th chord \| leading man \| private eye \| room
The Big Sleep (1946)	Marlowe	0:02:01 - Marlowe gives Carmen a fake name	added-note chord \| comical \| common-tone dominant 7th \| daughter \| establish character \| femme fatale \| flirting \| leading man \| private eye \| room
The Big Sleep (1946)	Marlowe (Sly)	0:02:12 - Marlowe and Carmen talk	daughter \| establish character \| femme fatale \| flirting \| leading man \| mysterious \| private eye \| room
The Big Sleep (1946)	Carmen falls	0:02:20 - Carmen falls into Marlowe's arms	daughter \| diminished 7th chord \| establish character \| falling \| femme fatale \| flirting \| leading man \| mickey-mousing \| playful \| private eye \| room \| whole-tone chord
The Big Sleep (1946)	Carmen	0:02:21 - Carmen in Marlowe's arms	daughter \| establish character \| femme fatale \| flirting \| half-diminished 7th chord \| leading man \| mysterious \| oscillation \| private eye \| room \| whole-tone chord
The Big Sleep (1946)	Sternwood	0:02:31 - Carmen walks away	9th chord \| added-note chord \| altered dominant \| bluesy \| daughter \| establish character \| femme fatale \| leading man \| Neapolitan \| private eye \| retardation \| room \| seductive \| walking
The Big Sleep (1946)	Underscoring (Tense)	0:02:45 - Marlowe goes to meet Sternwood	9th chord \| altered dominant \| butler \| chromatic scale \| establish character \| leading man \| private eye \| room \| tense \| underscoring \| walking
The Big Sleep (1946)	Walking	0:13:02 - Marlowe leaves the mansion	butler \| leading man \| mysterious \| parallelism \| pedal tone \| private eye \| room \| transition \| walking
The Big Sleep (1946)	Chevalier Audubon	0:13:14 - Marlowe writes on note card	advance plot \| heroic \| leading man \| library \| private eye \| researching \| writing
The Big Sleep (1946)	Marlowe (Molto Misterioso)	0:13:20 - Marlowe goes to talk to librarian	advance plot \| leading man \| library \| mysterious \| pedal tone \| private eye \| researching \| writing
The Big Sleep (1946)	Walking	0:13:39 - Marlowe walks down the street	advance plot \| calm \| investigating \| leading man \| parallelism \| pedal tone \| private eye \| street \| walking
The Big Sleep (1946)	Marlowe (Grazioso)	0:13:46 - Marlowe puts on a disguise	added-note chord \| advance plot \| disguise \| disguising \| half-diminished 7th chord \| leading man \| mysterious \| private eye \| street
The Big Sleep (1946)	Walking (Extended)	0:15:03 - Marlowe walks across the street	advance plot \| calm \| chromatic sequence \| foreign key modulation \| fragmentation \| investigating \| leading man \| parallelism \| pedal tone \| private eye \| street \| walking
The Big Sleep (1946)	Waiting	0:18:15 - Marlowe talks to lady in bookstore	added-note chord \| altered dominant \| book shop \| chromatic scale \| conversing \| leading man \| love interest \| love scene \| mode mixture \| mysterious \| oscillation \| private eye \| romantic
The Big Sleep (1946)	Marlowe (Agitato)	0:19:05 - Marlowe gets in his car	added-note chord \| car \| following \| leading man \| mysterious \| private eye \| rain \| street \| tense \| transition
The Big Sleep (1946)	Car	0:19:13 - Car arrives at Geiger's house	car \| driving \| leading man \| mysterious \| private eye \| rain \| street \| tense \| transition
The Big Sleep (1946)	Marlowe (Misterioso)	0:19:40 - Marlowe pulls up in his car	arriving \| car \| half-diminished 7th chord \| investigating \| leading man \| mysterious \| private eye \| rain \| street \| tense \| transition
The Big Sleep (1946)	Marlowe 2	0:19:47 - Marlowe spies on the house	car \| chromatic scale \| investigating \| investigation scene \| leading man \| mysterious \| private eye \| rain \| street \| tense \| waiting
The Big Sleep (1946)	Marlowe (Molto Misterioso)	0:20:17 - Marlowe gets out to see the second car	car \| investigating \| investigation scene \| leading man \| mysterious \| pedal tone \| private eye \| rain \| street \| tense \| walking
The Big Sleep (1946)	Carmen	0:20:39 - Marlowe sees Carmen's name on the car registration	car \| half-diminished 7th chord \| investigating \| investigation scene \| leading man \| mysterious \| name on screen \| oscillation \| private eye \| rain \| street \| tense \| whole-tone chord
The Big Sleep (1946)	Action	0:21:04 - Marlowe runs to the house	action scene \| antagonist \| chromatic parallelism \| chromatic scale \| chromatic sequence \| chromatic wedge \| diminished 7th chord \| dramatic \| hurrying \| leading man \| pc set \| private eye \| running \| street \| tense \| underscoring
The Big Sleep (1946)	Marlowe (Heroic)	0:21:28 - Marlowe enters the house	9th chord \| action scene \| breaking in \| heroic \| inversion \| leading man \| private eye \| running \| street
The Big Sleep (1946)	Underscoring (Mysterious)	0:23:44 - Marlowe investigates the crime scene	chromatic scale \| investigating \| investigation scene \| leading man \| mysterious \| private eye \| room \| underscoring
The Big Sleep (1946)	Marlowe (Augmented)	0:23:56 - Marlowe investigates the crime scene	altered dominant \| augmentation \| investigating \| investigation scene \| leading man \| mickey-mousing \| mysterious \| private eye \| room \| snapping \| thinking
The Big Sleep (1946)	Underscoring (Mysterious)	0:24:05 - Marlowe advances	chromatic scale \| investigating \| investigation scene \| leading man \| mickey-mousing \| mysterious \| private eye \| room \| searching \| whole-tone chord
The Big Sleep (1946)	Underscoring (Mysterious)	NIF - not in film	added-note chord \| alternation \| deleted scene \| deleted scene \| half-diminished 7th chord \| investigating \| investigation \| leading man \| mickey-mousing \| mysterious \| private eye \| room \| searching \| underscoring \| whole-tone chord
The Big Sleep (1946)	Turns light on	NIF - not in film	deleted scene \| deleted scene \| investigating \| investigation \| leading man \| light \| light switch \| mickey-mousing \| mysterious \| private eye \| room \| searching \| turning on \| whole-tone chord
The Big Sleep (1946)	Turns light on	NIF - not in film	deleted scene \| deleted scene \| investigating \| investigation \| leading man \| light \| light switch \| mickey-mousing \| mysterious \| private eye \| room \| searching \| turning on \| whole-tone chord
The Big Sleep (1946)	Water running	NIF - not in film	deleted scene \| deleted scene \| faucet \| flowing \| half-diminished 7th chord \| investigating \| investigation \| leading man \| mickey-mousing \| mysterious \| oscillation \| private eye \| room \| searching \| water
The Big Sleep (1946)	Walking	NIF - not in film	deleted scene \| deleted scene \| investigating \| investigation \| leading man \| mysterious \| parallelism \| pedal tone \| private eye \| room \| searching \| tense
The Big Sleep (1946)	Underscoring (Tense)	NIF - not in film	deleted scene \| deleted scene \| investigating \| investigation \| leading man \| mysterious \| private eye \| room \| searching \| tense
The Big Sleep (1946)	Carmen (Clues)	NIF - not in film	clue \| deleted scene \| deleted scene \| half-diminished 7th chord \| investigating \| investigation \| key \| leading man \| mysterious \| oscillation \| private eye \| room \| searching \| tense \| whole-tone chord
The Big Sleep (1946)	Walking (Extended)	NIF - not in film	deleted scene \| deleted scene \| foreign key modulation \| investigating \| investigation \| leading man \| mysterious \| parallelism \| pedal tone \| private eye \| room \| searching \| tense \| walking
The Big Sleep (1946)	Marlowe (Investigating)	NIF - not in film	added-note chord \| deleted scene \| deleted scene \| dramatic \| investigating \| investigation \| leading man \| private eye \| room \| searching \| sequential modulation \| tense
The Big Sleep (1946)	Underscoring (Dramatic)	NIF - not in film	deleted scene \| deleted scene \| diminished 7th chord \| dramatic \| investigating \| investigation \| leading man \| private eye \| room \| searching \| tense
The Big Sleep (1946)	Underscoring (Mysterious)	0:24:09 - Marlowe searches for clues	investigating \| investigation scene \| leading man \| mysterious \| pc set \| private eye \| room \| searching \| secret code \| whole-tone chord
The Big Sleep (1946)	Turning page	0:24:20 - Marlowe turns the page in the code book	chromatic scale \| clue \| investigating \| investigation scene \| leading man \| mysterious \| private eye \| room \| searching \| secret code \| turning \| whole-tone chord
The Big Sleep (1946)	Carmen (Foreboding)	0:24:22 - Marlowe sees the name Sternwood in a code book	added-note chord \| clue \| foreboding \| investigating \| investigation scene \| leading man \| name on screen \| private eye \| room \| searching \| secret code
The Big Sleep (1946)	Marlowe (Thinking)	0:24:26 - Marlowe tries to solve the mystery	added-note chord \| chromatic parallelism \| chromatic scale \| clue \| investigating \| investigation scene \| leading man \| mysterious \| private eye \| room \| secret code \| thinking
The Big Sleep (1946)	Marlowe (Risoluto)	0:24:39 - Marlowe searches for clues	added-note chord \| chromatic parallelism \| fragmentation \| investigating \| investigation scene \| leading man \| private eye \| resolved \| room \| searching
The Big Sleep (1946)	Underscoring (Dramatic)	0:24:57 - Dead body on the floor	corpse \| death \| dramatic \| femme fatale \| investigating \| investigation scene \| leading man \| private eye \| room \| searching \| stinger \| tense \| underscoring
The Big Sleep (1946)	Carmen (Drugged)	NIF - not in film	deleted scene \| femme fatale \| helping \| investigation \| leading man \| mysterious \| oscillation \| ostinato \| private eye \| room \| tense \| tritone oscillation \| whole-tone chord
The Big Sleep (1946)	Turns light off	NIF - not in film	deleted scene \| femme fatale \| investigation \| leading man \| light \| light switch \| mysterious \| private eye \| room \| tense \| turning off \| whole-tone chord
The Big Sleep (1946)	Walking (The Car)	NIF - not in film	car \| deleted scene \| driving \| femme fatale \| foreign key modulation \| leading man \| parallelism \| pedal tone \| private eye \| room \| sequential modulation \| tense \| transition
The Big Sleep (1946)	Carmen	NIF - not in film	arriving \| butler \| chromatic mediant \| deleted scene \| femme fatale \| leading man \| private eye \| room \| tense \| transition
The Big Sleep (1946)	Marlowe (Molto Misterioso)	0:25:05 - Marlowe arrives at Carmen's house	arriving \| butler \| departing \| dissonant bass \| femme fatale \| inserted scene \| leading man \| not in score \| private eye \| reused recording \| room \| tense \| transition
The Big Sleep (1946)	Walking	0:25:22 - Vivian walks down the hall	advance plot \| butler \| calm \| inserted scene \| leading lady \| leading man \| not in score \| parallelism \| pedal tone \| private eye \| reused recording \| room \| walking
The Big Sleep (1946)	Marlowe (Grazioso)	0:25:28 - Marlowe asks Vivian to help with Carmen	added-note chord \| advance plot \| butler \| conversing \| femme fatale \| half-diminished 7th chord \| inserted scene \| leading lady \| leading man \| mysterious \| not in score \| private eye \| reused recording \| room
The Big Sleep (1946)	Hurrying	0:27:25 - Marlowe goes back to Geiger's house	chromatic sequence \| half-diminished 7th chord \| investigating \| investigation scene \| leading man \| mysterious \| parallelism \| private eye \| street \| walking
The Big Sleep (1946)	Marlowe (Misterioso)	0:27:44 - Marlowe returns to the scene of the crime	arriving \| investigating \| investigation scene \| leading man \| mysterious \| private eye \| room
The Big Sleep (1946)	Marlowe 2 (Blood Stain)	0:27:54 - Marlowe discovers that the body is missing	11th chord \| chromatic scale \| investigating \| investigation scene \| leading man \| private eye \| room \| tense
The Big Sleep (1946)	Marlowe (Sneaking)	0:28:16 - Marlowe investigates the crime scene	dark \| dissonant bass \| investigating \| investigation scene \| leading man \| mysterious \| private eye \| room \| sneaking \| tritone
The Big Sleep (1946)	Marlowe (Major)	0:28:47 - Marlowe's name on his apartment door	arriving \| leading man \| mode mixture \| mysterious \| name on screen \| noble \| private eye \| room \| sequential modulation \| transition
The Big Sleep (1946)	Entering	NIF - not in film	arriving \| augmented sixth chord \| deleted scene \| entering \| gentle \| leading man \| not in score \| parallel 63s \| parallelism \| private eye \| room \| transition \| walking
The Big Sleep (1946)	Marlowe (Melancholy)	NIF - not in film	added-note chord \| arriving \| deleted scene \| leading man \| melancholy \| not in score \| private eye \| room \| transition
The Big Sleep (1946)	Underscoring (Tense)	0:28:58 - Marlowe tries to crack the code	leading man \| pc set \| private eye \| researching \| room \| tense \| threat \| transition \| tritone \| writing
The Big Sleep (1946)	Walking	0:32:10 - Marlowe walks to his office	advance plot \| arriving \| calm \| leading lady \| leading man \| parallelism \| pedal tone \| private eye \| room \| walking
The Big Sleep (1946)	Marlowe (Grazioso)	0:32:29 - Marlowe talks with Vivian	advance plot \| conversing \| half-diminished 7th chord \| leading lady \| leading man \| mysterious \| private eye \| room
The Big Sleep (1946)	Marlowe (Ear Music)	0:38:26 - Marlowe talks with Agnes	arguing \| book shop \| chromatic scale \| fragmentation \| investigation scene \| leading man \| private eye \| secretary \| tense \| whole-tone chord
The Big Sleep (1946)	Hurrying	0:38:45 - Marlowe walks to a cab	car \| car \| driver \| hurrying \| investigation scene \| leading man \| mysterious \| private eye \| taxi \| tense \| walking
The Big Sleep (1946)	Marlowe (Taxi)	0:39:05 - Marlowe talks to the lady cab driver	9th chord \| car \| car \| chromatic scale \| driver \| driving \| following \| investigation scene \| leading man \| mysterious \| private eye \| taxi \| tense
The Big Sleep (1946)	Station Wagon	0:39:16 - Marlowe follows a station wagon	car \| car \| driver \| driving \| following \| investigation scene \| leading man \| mysterious \| private eye \| taxi \| tense
The Big Sleep (1946)	Walking 2	0:39:25 - Marlowe walks to the house	half-diminished 7th chord \| investigating \| investigation scene \| leading man \| mysterious \| pc set \| private eye \| street \| tense \| walking
The Big Sleep (1946)	Hurrying	0:39:41 - Marlowe walks back to the cab	fragmentation \| hurrying \| investigation scene \| leading man \| mysterious \| parallelism \| private eye \| sequence \| street \| tense \| walking
The Big Sleep (1946)	Girl Driver	0:39:53 - Marlowe pays the lady cab driver	bluesy \| chromatic parallelism \| chromatic sequence \| flirting \| investigation scene \| leading man \| love interest \| private eye \| seductive \| street
The Big Sleep (1946)	Marlowe (Ear Music)	0:46:52 - Marlowe thinks	advance plot \| chromatic scale \| fragmentation \| leading man \| mysterious \| private eye \| room \| tense \| thinking \| whole-tone chord
The Big Sleep (1946)	Marlowe (Decisive)	0:47:04 - Marlowe walks out the door	added-note chord \| advance plot \| bold \| decisive \| leading man \| leaving \| pedal tone \| private eye \| room
The Big Sleep (1946)	Marlowe 2 (Waiting)	0:47:11 - Marlowe waits in his car	9th chord \| car \| driving \| investigation scene \| leading man \| mysterious \| private eye \| tense \| waiting
The Big Sleep (1946)	Car	0:47:32 - Another car arrives	arriving \| driving \| investigation scene \| leading man \| mysterious \| ostinato \| private eye \| street \| tense \| waiting
The Big Sleep (1946)	Running	0:47:40 - Vivian enters the apartment building	chromatic parallelism \| dissonant bass \| hurrying \| investigating \| investigation scene \| leading lady \| leading man \| mysterious \| private eye \| street \| tense \| walking
The Big Sleep (1946)	Marlowe (Determined)	0:47:56 - Marlowe enters the apartment building	arriving \| ascending \| bold \| common-chord modulation \| determined \| fragmentation \| heroic \| investigating \| investigation scene \| leading lady \| leading man \| parallel 63s \| parallelism \| private eye \| sequence \| stairs \| street \| walking
The Big Sleep (1946)	Underscoring (Mysterious)	0:48:15 - Marlowe talks to Joe Brody	blackmailer \| chromatic parallelism \| conversing \| criminal \| gun \| investigation scene \| leading man \| mysterious \| private eye \| room \| suspect \| underscoring
The Big Sleep (1946)	Marlowe (Augmented)	0:48:55 - Joe pulls a gun on Marlowe	altered dominant \| augmentation \| blackmailer \| conversing \| criminal \| gun \| investigation scene \| leading man \| mysterious \| private eye \| room \| suspect
The Big Sleep (1946)	Underscoring (Tense)	0:51:31 - Joe reacts to the doorbell ringing	blackmailer \| chromatic parallelism \| conflict \| conversing \| criminal \| doorbell \| gun \| leading lady \| leading man \| mysterious \| pc set \| private eye \| room \| suspect \| tense \| tone cluster \| underscoring \| whole-tone chord
The Big Sleep (1946)	Sternwood (Threatening)	0:51:52 - Carmen enters holding a gun on Brody	blackmailer \| blue note \| conflict \| criminal \| dark \| dissonant bass \| femme fatale \| gun \| leading lady \| leading man \| private eye \| room \| sinister \| stinger \| suspect \| threatening \| whole-tone chord
The Big Sleep (1946)	Underscoring (Dramatic)	0:52:02 - Marlowe pushes Agnes	blackmailer \| chromatic parallelism \| chromatic scale \| conflict \| criminal \| diminished 7th chord \| dramatic \| falling \| femme fatale \| gun \| leading lady \| leading man \| private eye \| room \| suspect \| tense \| tripping \| underscoring
The Big Sleep (1946)	Carmen (Misterioso)	0:52:18 - Joe gives the picture to Marlowe	blackmail \| blackmailer \| conflict \| conversing \| criminal \| evidence \| femme fatale \| half-diminished 7th chord \| leading lady \| leading man \| mysterious \| private eye \| room \| suspect \| whole-tone chord
The Big Sleep (1946)	Sternwood (Extended)	0:52:29 - Carmen asks for her picture back	9th chord \| altered dominant \| blackmail \| chromatic parallelism \| conflict \| diminished 7th chord \| evidence \| femme fatale \| flirting \| leading lady \| leading man \| mysterious \| pc set \| private eye \| room \| seductive \| whole-tone chord
The Big Sleep (1946)	Carmen (Violent)	0:52:58 - Vivian and Carmen leave	blackmailer \| conflict \| criminal \| dissonant bass \| femme fatale \| leading lady \| leading man \| leaving \| mysterious \| private eye \| room \| suspect \| whole-tone \| whole-tone chord
The Big Sleep (1946)	Slapping	0:53:02 - Carmen slaps Joe with her purse	blackmailer \| conflict \| criminal \| dissonant bass \| femme fatale \| leading lady \| leading man \| mickey-mousing \| private eye \| room \| slamming \| slapping \| suspect \| tense \| violence \| whole-tone chord
The Big Sleep (1946)	Running out	0:56:36 - Marlowe runs after the killer	assassin \| chase scene \| chasing \| chromatic scale \| combination of themes \| dramatic \| gun \| gunshot \| leading man \| mickey-mousing \| murder \| murderer \| private eye \| room \| running \| stairs \| stinger
The Big Sleep (1946)	Down the Stairs + The Chase + Marlowe (Action)	0:56:39 - Marlowe chases the killer	assassin \| chase scene \| chasing \| chromatic parallelism \| chromatic scale \| descending \| dissonant bass \| dramatic \| gun \| gunshot \| heroic \| layering \| leading man \| murderer \| private eye \| room \| running \| stairs \| tense
The Big Sleep (1946)	Underscoring (Dramatic)	0:56:54 - Killer shoots at Marlowe	assassin \| chase scene \| chasing \| chromatic scale \| dramatic \| leading man \| murderer \| pc set \| private eye \| running \| shooting \| street \| tense \| underscoring \| whole-tone \| whole-tone chord \| whole-tone scale
The Big Sleep (1946)	Marlowe (Action)	0:57:01 - Marlowe runs to his car	64 chord \| assassin \| augmented sixth chord \| chase scene \| chasing \| common-tone diminished 7th \| dramatic \| fragmentation \| heroic \| leading man \| murderer \| private eye \| running \| sequential modulation \| street \| tense
The Big Sleep (1946)	The Pursuit	0:57:09 - Marlowe pursues killer in his car	assassin \| car \| chase scene \| chasing \| chromatic scale \| dissonant bass \| driving \| gun \| hiding \| leading man \| murderer \| ostinato \| private eye \| pursuing \| street \| syncopation \| tense
The Big Sleep (1946)	Marlowe (Sinister)	0:58:24 - Marlowe takes Carol to Geiger's house	arriving \| assassin \| conflict \| dark \| gun \| leading man \| murderer \| private eye \| punching \| sinister \| stinger \| street \| whole-tone chord
The Big Sleep (1946)	Marlowe (Misterioso)	0:59:14 - Marlowe ties up Carol	assassin \| corpse \| dark \| half-diminished 7th chord \| investigating \| investigation scene \| leading man \| murderer \| mysterious \| pc set \| private eye \| room \| rope \| stinger \| tying up
The Big Sleep (1946)	Marlowe (Ear Business)	0:59:42 - Marlowe pulls on his ear	added-note chord \| corpse \| fragmentation \| investigating \| investigation scene \| leading man \| mysterious \| private eye \| room \| thinking
The Big Sleep (1946)	Marlowe 2 (Dialing)	0:59:47 - Marlowe walks to the phone	calling \| chromatic scale \| corpse \| dialing \| half-diminished 7th chord \| investigating \| investigation scene \| leading man \| mysterious \| private eye \| room \| spinning \| tense
The Big Sleep (1946)	Vivian + Marlowe (Ear Business)	NIF - not in film	advance plot \| altered dominant \| combination of themes \| conversing \| cut from film \| deleted scene \| deleted scene \| leading lady \| leading man \| love interest \| mysterious \| private eye \| romantic \| room \| thinking \| whole-tone
The Big Sleep (1946)	Marlowe (Phone Call)	NIF - not in film	advance plot \| bold \| calling \| cut from film \| deleted scene \| deleted scene \| dialing \| leading man \| phone \| private eye \| room \| sequence \| tense \| whole-tone chord
The Big Sleep (1946)	Carmen	NIF - not in film	advance plot \| burning \| calling \| cut from film \| deleted scene \| deleted scene \| half-diminished 7th chord \| leading man \| mysterious \| phone \| private eye \| room \| tense \| whole-tone chord
The Big Sleep (1946)	Carmen (Clues)	NIF - not in film	advance plot \| calling \| cut from film \| deleted scene \| deleted scene \| leading man \| mysterious \| phone \| private eye \| room \| tense \| whole-tone chord
The Big Sleep (1946)	I Guess I'll Have to Change My Plan	1:00:50 - Vivian enters a restaurant	ABACA structure \| arriving \| club \| conversing \| falling in love scene \| leading lady \| leading man \| love interest \| pleasant \| private eye \| source music
The Big Sleep (1946)	The Blue Room	1:02:15 - Vivan pays Marlowe	AABA structure \| club \| conversing \| falling in love scene \| leading lady \| leading man \| love interest \| pleasant \| private eye \| source music
The Big Sleep (1946)	You Go to My Head	1:04:25 - Vivian and Marlowe talk in a restaurant	club \| conversing \| falling in love scene \| leading lady \| leading man \| love interest \| pleasant \| private eye \| source music
The Big Sleep (1946)	And Her Tears Flowed Like Wine	1:05:55 - Marlowe arrives at Mars's place	advance plot \| arriving \| club \| leading lady \| leading man \| love interest \| musician \| on-screen music \| playing \| private eye \| singer \| singing \| source music \| upbeat
The Big Sleep (1946)	Wotta Life	1:08:09 - Marlowe talks to Mars	12-bar blues \| advance plot \| club \| criminal \| investigating \| leading man \| private eye \| source music \| suspect \| upbeat
The Big Sleep (1946)	I'm in a Jam With Baby	1:10:53 - Marlowe talks to people at the party	advance plot \| club \| gambler \| gambling \| leading lady \| leading man \| love interest \| private eye \| source music \| upbeat
The Big Sleep (1946)	Liza (All the Clouds'll Roll Away)	1:12:27 - Marlowe leaves the gambling joint	AABA structure \| conflict \| criminal \| investigating \| leading lady \| leading man \| love interest \| private eye \| source music \| street \| upbeat
The Big Sleep (1946)	What Are You Doin' the Rest of Your Life	1:14:35 - Marlowe and Vivian leave	conflict \| conversing \| leading lady \| leading man \| love interest \| parallel double period \| private eye \| source music \| street \| upbeat
The Big Sleep (1946)	Driving	1:14:54 - Marlowe and Vivian in the car	augmented sixth chord \| car \| car \| driving \| leading lady \| leading man \| love interest \| love scene \| mickey-mousing \| oscillation \| ostinato \| private eye \| tense
The Big Sleep (1946)	Vivian	1:15:22 - Marlowe and Vivian talk	9th chord \| 13th chord \| AABA structure \| added-note chord \| altered dominant \| car \| chromatic mediant \| chromatic parallelism \| common-tone dominant 7th \| conversing \| foreign key modulation \| kissing \| leading lady \| leading man \| love \| love interest \| love scene \| Neapolitan \| private eye \| romantic \| suspension
The Big Sleep (1946)	Questions	1:16:16 - Marlowe and Vivian argue	angry \| car \| chromatic parallelism \| chromatic scale \| conversing \| leading lady \| leading man \| love interest \| love scene \| private eye \| tense
The Big Sleep (1946)	Sternwood (Tense)	1:16:26 - Marlowe asks about Eddie Mars	accusing \| car \| fragmentation \| half-diminished 7th chord \| leading lady \| leading man \| love interest \| love scene \| private eye \| tense \| whole-tone chord
The Big Sleep (1946)	Underscoring (Tense)	1:16:43 - Marlowe and Vivian argue	accusing \| car \| chromatic parallelism \| half-diminished 7th chord \| leading lady \| leading man \| love interest \| love scene \| pedal tone \| private eye \| tense \| underscoring
The Big Sleep (1946)	Marlowe (Not in Film)	NIF - not in film	9th chord \| 11th chord \| advance plot \| conversing \| cut from film \| femme fatale \| leading man \| private eye \| room
The Big Sleep (1946)	Drops hat	NIF - not in film	9th chord \| advance plot \| cut from film \| dropping \| femme fatale \| hat \| leading man \| mickey-mousing \| private eye \| room
The Big Sleep (1946)	Sternwood (Extended)	NIF - not in film	added-note chord \| advance plot \| altered dominant \| chromatic scale \| conversing \| cut from film \| femme fatale \| leading man \| private eye \| room \| whole-tone chord
The Big Sleep (1946)	Underscoring (Tense)	NIF - not in film	advance plot \| chromatic parallelism \| conversing \| cut from film \| diminished 7th chord \| femme fatale \| leading man \| oscillation \| private eye \| room \| tritone \| underscoring \| whole-tone chord
The Big Sleep (1946)	You!	NIF - not in film	advance plot \| chromatic scale \| conversing \| cut from film \| femme fatale \| fragmentation \| leading man \| private eye \| room \| tone cluster
The Big Sleep (1946)	Marlowe (Major)	NIF - not in film	advance plot \| chromatic parallelism \| conversing \| cut from film \| femme fatale \| leading man \| mode mixture \| pc set \| private eye \| room
The Big Sleep (1946)	Bites hand	NIF - not in film	advance plot \| biting \| chromatic parallelism \| cut from film \| femme fatale \| leading man \| mickey-mousing \| pc set \| private eye \| room \| stinger
The Big Sleep (1946)	Carmen (Not in Film)	NIF - not in film	advance plot \| conversing \| cut from film \| femme fatale \| leading man \| oscillation \| private eye \| room \| whole-tone chord
The Big Sleep (1946)	Marlowe (Thinking)	1:20:49 - Marlowe sits in a diner	11th chord \| added-note chord \| advance plot \| café \| chromatic parallelism \| fragmentation \| leading man \| mysterious \| private eye \| tense \| thinking
The Big Sleep (1946)	Coin in phone	1:21:04 - Marlowe puts a coin in the phone	advance plot \| café \| coin \| diminished 7th chord \| dropping \| leading man \| mickey-mousing \| mysterious \| phone call \| private eye \| telephone
The Big Sleep (1946)	Phone dialing	1:21:07 - Marlowe dials a phone number	11th chord \| advance plot \| café \| dialing \| leading man \| mickey-mousing \| mysterious \| ostinato \| phone call \| private eye \| telephone \| tense
The Big Sleep (1946)	Underscoring (Mysterious)	1:21:19 - Marlowe speaks on the phone	advance plot \| café \| chromatic scale \| conversing \| leading man \| mysterious \| pc set \| phone call \| private eye \| tense \| underscoring
The Big Sleep (1946)	Marlowe (Mysterious Organ)	1:21:42 - Marlowe speaks to waitress	advance plot \| café \| conversing \| leading lady \| leading man \| love interest \| mysterious \| pc set \| phone call \| private eye \| tense
The Big Sleep (1946)	Underscoring (Mysterious)	1:21:57 - Marlowe speaks with Vivian on the phone	advance plot \| café \| chromatic parallelism \| conversing \| leading lady \| leading man \| linear chromaticism \| love interest \| mysterious \| phone call \| private eye \| stinger \| tense \| underscoring
The Big Sleep (1946)	Walking (Interrupted)	1:22:27 - Marlowe walks down the street	investigating \| investigation scene \| leading man \| parallelism \| pedal tone \| private eye \| street \| tense \| walking
The Big Sleep (1946)	Marlowe (Investigating)	1:22:38 - Marlowe looks at car registration	added-note chord \| investigating \| investigation scene \| leading man \| mysterious \| private eye \| punching \| sequence \| street \| tense
The Big Sleep (1946)	Jones	1:23:24 - Jones enters	advance plot \| chromatic parallelism \| leading man \| mysterious \| parallelism \| pedal tone \| private eye \| street \| tense \| walking
The Big Sleep (1946)	Marlowe (Beaten)	1:23:35 - Jones helps Marlowe up	advance plot \| chromatic parallelism \| dazed \| half-diminished 7th chord \| leading man \| lifting \| mickey-mousing \| pain \| private eye \| rising \| street \| whole-tone chord \| whole-tone scale
The Big Sleep (1946)	Marlowe (Dazed)	1:23:48 - Marlowe recovers	advance plot \| conversing \| dazed \| leading man \| pain \| private eye \| street \| whole-tone chord
The Big Sleep (1946)	Recovering	1:24:06 - Jones helps Marlowe up	advance plot \| augmented triad \| conversing \| impressionism \| leading man \| mysterious \| pain \| private eye \| street \| whole-tone chord \| whole-tone scale
The Big Sleep (1946)	Marlowe (Sostenuto)	1:24:25 - Marlowe cleans up	advance plot \| half-diminished 7th chord \| leading man \| pain \| private eye \| recovering \| room \| somber \| tender \| weary
The Big Sleep (1946)	Walking (Hesitant)	1:26:55 - Marlowe walks into a building	fragmentation \| hallway \| investigation scene \| leading man \| neutral \| pain \| parallelism \| pedal tone \| private eye \| sequential modulation \| walking
The Big Sleep (1946)	Jones (Eavesdropping)	1:27:22 - Marlowe hears Jones talking to someone	chromatic parallelism \| eavesdropping \| hallway \| investigation scene \| leading man \| mysterious \| parallelism \| pedal tone \| private eye \| sneaking \| tense
The Big Sleep (1946)	Glass drops	1:29:49 - Jones drops his glass	breaking \| death \| death scene \| dropping \| glass \| leading man \| mickey-mousing \| murder \| mysterious \| pc set \| poison \| private eye \| room \| victim \| violent
The Big Sleep (1946)	Jones falls	1:29:50 - Jones falls and dies	chromatic parallelism \| death \| death scene \| dying \| falling \| leading man \| major 7th chord \| mickey-mousing \| murder \| mysterious \| pc set \| poison \| private eye \| room \| victim \| violent
The Big Sleep (1946)	Underscoring (Tense)	1:30:01 - Marlowe investigates the crime scene	dark \| death \| death scene \| dying \| leading man \| murder \| private eye \| room \| tense \| underscoring \| victim
The Big Sleep (1946)	Marlowe (Risoluto)	1:30:12 - Marlowe makes a phone call	added-note chord \| bold \| conversing \| death scene \| fragmentation \| leading man \| phone call \| private eye \| room \| victim
The Big Sleep (1946)	Underscoring (Tense)	1:30:24 - Marlowe makes a phone call	conversing \| death scene \| leading man \| pc set \| phone call \| private eye \| room \| tense \| underscoring \| victim \| whole-tone chord
The Big Sleep (1946)	Wrong Address	1:30:46 - Marlowe ends the phone call	9th chord \| altered dominant \| chromatic parallelism \| conversing \| death \| death scene \| half-diminished 7th chord \| leading man \| phone call \| private eye \| room \| somber \| victim
The Big Sleep (1946)	Jones (Dolce)	1:31:04 - Marlowe sits down on the couch	chromatic parallelism \| death \| death scene \| leading man \| mourning \| parallelism \| pedal tone \| private eye \| room \| somber \| victim
The Big Sleep (1946)	Marlowe (Molto Misterioso)	1:31:23 - Marlowe gets up to answer the phone	added-note chord \| conversing \| death scene \| informer \| leading man \| mysterious \| pedal tone \| phone call \| private eye \| room
The Big Sleep (1946)	Underscoring (Tense)	1:31:48 - Marlowe talks to Agnes on the phone	conversing \| death scene \| informer \| leading man \| pc set \| phone call \| private eye \| room \| tense \| underscoring
The Big Sleep (1946)	Jones (Triste)	1:32:02 - Marlowe leaves the office	death scene \| informer \| leading man \| mourning \| mysterious \| parallelism \| pedal tone \| private eye \| room \| somber
The Big Sleep (1946)	Door slam	1:33:12 - Marlowe closes the car door	closing \| half-diminished 7th chord \| hurried \| informer \| leading man \| mickey-mousing \| private eye \| slamming \| street \| tense \| traveling scene
The Big Sleep (1946)	Hurrying (Car)	1:33:13 - Marlowe drives in a car	added-note chord \| car \| driving \| hurried \| leading man \| parallelism \| private eye \| sequential modulation \| street \| tense \| traveling scene
The Big Sleep (1946)	Underscoring (Tense)	1:33:20 - Marlowe backs the car up	car \| driving \| leading man \| private eye \| street \| tense \| traveling scene \| underscoring
The Big Sleep (1946)	Hurrying (Car)	1:33:25 - Marlowe continues driving	added-note chord \| car \| driving \| fragmentation \| hurried \| leading man \| parallelism \| picardy third \| private eye \| sequential modulation \| street \| tense \| traveling scene
The Big Sleep (1946)	Marlowe (Dramatic)	1:33:37 - Marlowe looks at sign	9th chord \| altered dominant \| car \| dramatic \| investigating \| leading man \| private eye \| street \| tense \| traveling scene
The Big Sleep (1946)	Hurrying (Car)	1:33:50 - Marlowe drives off the road	car \| chromatic scale \| driving \| fragmentation \| hurried \| leading man \| private eye \| sequence \| street \| tense \| traveling scene
The Big Sleep (1946)	He skids	1:33:53 - Marlowe's car skids to a stop	car \| chromatic scale \| leading man \| mickey-mousing \| private eye \| skidding \| street \| tense \| traveling scene
The Big Sleep (1946)	Underscoring (Tense)	1:35:26 - Marlowe talks to two thugs	conflict \| criminal \| investigating \| leading man \| lying \| murderer \| pc set \| private eye \| shop \| tense \| underscoring
The Big Sleep (1946)	Jones (Suspenseful)	1:35:47 - Marlowe talks to two thugs	conflict \| criminal \| dark \| diminution \| investigating \| leading man \| lying \| murderer \| mysterious \| parallelism \| pedal tone \| private eye \| shop \| suspenseful
The Big Sleep (1946)	Marlowe (Ear Music)	1:36:04 - Marlowe talks to two thugs	conflict \| criminal \| danger \| fragmentation \| investigating \| leading man \| lying \| murderer \| mysterious \| private eye \| shop \| tense \| whole-tone chord
The Big Sleep (1946)	Marlowe (Gets Hit)	1:36:20 - The thug punches Marlowe	chromatic scale \| conflict \| criminal \| danger \| dramatic \| leading man \| mickey-mousing \| murderer \| private eye \| punching \| shop \| whole-tone chord
The Big Sleep (1946)	Marlowe (Whole Tone)	1:39:25 - Marlowe talks to Vivian	captive \| conversing \| leading lady \| leading man \| love interest \| love scene \| mysterious \| private eye \| room \| tense \| whole-tone \| whole-tone chord \| whole-tone scale
The Big Sleep (1946)	Marlowe (Phone Call)	1:39:39 - Marlowe talks to Vivian	captive \| conversing \| leading lady \| leading man \| love interest \| love scene \| mysterious \| private eye \| room \| sequence \| tense \| whole-tone chord
The Big Sleep (1946)	Carmen	1:39:52 - Marlowe talks to Vivian	captive \| conversing \| half-diminished 7th chord \| leading lady \| leading man \| love interest \| love scene \| musical clue \| music reveals thoughts \| mysterious \| private eye \| room \| whole-tone chord
The Big Sleep (1946)	Vivian	1:40:03 - Marlowe and Vivian kiss	9th chord \| 13th chord \| AABA structure \| added-note chord \| altered dominant \| captive \| chromatic mediant \| chromatic parallelism \| common-tone dominant 7th \| foreign key modulation \| freeing \| kissing \| leading lady \| leading man \| love interest \| love scene \| Neapolitan \| private eye \| romantic \| room \| suspension
The Big Sleep (1946)	Questions	1:40:44 - Vivian tries to free Marlowe	captive \| chromatic parallelism \| freeing \| leading lady \| leading man \| love interest \| love scene \| private eye \| room \| tense
The Big Sleep (1946)	Marlowe (Misterioso)	1:41:01 - Marlowe plans his escape	action scene \| leading lady \| leading man \| love interest \| mysterious \| planning \| private eye \| room \| tense
The Big Sleep (1946)	Marlowe 2	1:41:18 - Marlowe goes outside	action scene \| chromatic scale \| escaping \| leading lady \| leading man \| love interest \| mysterious \| private eye \| room \| screaming \| tense
The Big Sleep (1946)	Underscoring (Dramatic)	1:41:36 - Marlowe runs to his car	9th chord \| action scene \| criminal \| diminution \| dramatic \| fragmentation \| leading lady \| leading man \| linear chromaticism \| love interest \| outside \| private eye \| running \| underscoring \| whole-tone chord
The Big Sleep (1946)	Marlowe (Hiding)	1:41:50 - Marlowe crouches behind a car	action scene \| criminal \| hiding \| leading man \| mysterious \| outside \| private eye
The Big Sleep (1946)	Marlowe (Shoots)	1:42:07 - Marlowe shoots off to the side	action scene \| gun \| gunshot \| leading man \| outside \| private eye \| shooting \| tense
The Big Sleep (1946)	Marlowe (Echo)	1:42:20 - Canino shoots at Marlowe	action scene \| criminal \| gun \| gunshot \| half-diminished 7th chord \| hiding \| leading man \| outside \| private eye \| shooting \| tense
The Big Sleep (1946)	Hostage + Marlowe (Fragment)	1:42:34 - Canino brings Vivian out as a hostage	64 chord \| action scene \| criminal \| hostage \| leading lady \| leading man \| love interest \| ostinato \| ostinato \| outside \| private eye \| tense \| tritone oscillation \| walking
The Big Sleep (1946)	Underscoring (Dramatic)	1:43:17 - Canino shoots	action scene \| criminal \| dramatic \| gun \| gunshot \| hostage \| leading lady \| leading man \| love interest \| outside \| private eye \| shooting \| underscoring
The Big Sleep (1946)	Marlowe rises	1:43:19 - Marlowe rises	action scene \| criminal \| dramatic \| hostage \| leading lady \| leading man \| love interest \| outside \| pc set \| private eye \| rising
The Big Sleep (1946)	Canino's Death	1:43:22 - Canino is shot	action scene \| chromatic parallelism \| criminal \| death \| dramatic \| dying \| falling \| gun \| gunshot \| hostage \| leading lady \| leading man \| love interest \| mirroring \| outside \| pc set \| private eye \| retrograde \| stumbling \| tense
The Big Sleep (1946)	Underscoring (Tense)	1:43:35 - Marlowe gets the keys to the handcuffs	action scene \| chromatic parallelism \| criminal \| death \| escaping \| gun \| hostage \| leading lady \| leading man \| love interest \| outside \| pc set \| private eye \| tense \| underscoring \| whole-tone \| whole-tone chord
The Big Sleep (1946)	Marlowe (Escaping)	1:43:48 - Vivian takes off the handcuffs	action scene \| distortion \| escaping \| leading lady \| leading man \| love interest \| mysterious \| outside \| private eye \| tense
The Big Sleep (1946)	Driving 2	1:43:54 - Marlowe and Vivian drive away	car \| conversing \| driving \| leading lady \| leading man \| love interest \| love scene \| ostinato \| pc set \| private eye \| sequence \| tense
The Big Sleep (1946)	Driving 2 + Vivian	1:44:16 - Vivian tells Marlowe she loves him	9th chord \| 13th chord \| car \| chromatic parallelism \| conversing \| driving \| leading lady \| leading man \| love \| love interest \| love scene \| ostinato \| private eye \| romantic \| suspension \| tense
The Big Sleep (1946)	Driving 2	1:44:32 - Vivian and Marlowe talk in the car	car \| conversing \| driving \| leading lady \| leading man \| love interest \| love scene \| ostinato \| private eye \| sequence \| tense
The Big Sleep (1946)	Driving 2 + Vivian	1:44:44 - Vivian and Marlowe talk in the car	car \| conversing \| driving \| leading lady \| leading man \| love \| love interest \| love scene \| ostinato \| private eye \| romantic \| tense \| whole-tone chord
The Big Sleep (1946)	Driving 2	1:44:51 - Vivian and Marlowe talk in the car	car \| conversing \| driving \| leading lady \| leading man \| love interest \| love scene \| ostinato \| pc set \| private eye \| tense \| whole-tone chord
The Big Sleep (1946)	Driving 2 + Carmen	1:45:06 - Marlowe talks about Carmen	car \| conversing \| driving \| leading lady \| leading man \| love interest \| love scene \| ostinato \| private eye \| tense \| whole-tone chord
The Big Sleep (1946)	Driving 2 + Vivian	1:45:21 - Marlowe tells Vivian he loves her	9th chord \| 13th chord \| arriving \| car \| chromatic parallelism \| conversing \| driving \| leading lady \| leading man \| love \| love interest \| love scene \| ostinato \| private eye \| romantic \| suspension \| tense
The Big Sleep (1946)	Marlowe (Bold)	1:45:44 - Marlowe and Vivian get out of the car	bold \| chromatic scale \| heroic \| leading lady \| leading man \| love interest \| outside \| private eye \| transition \| walking
The Big Sleep (1946)	Walking (Extended)	1:45:45 - Marlowe and Vivian walk up to house	fragmentation \| leading lady \| leading man \| love interest \| outside \| parallelism \| pedal tone \| private eye \| sequential modulation \| tense \| transition \| walking
The Big Sleep (1946)	Hangs up phone	1:47:07 - Marlowe hangs up the phone	climax \| hanging up \| leading lady \| leading man \| love interest \| mickey-mousing \| mysterious \| private eye \| room
The Big Sleep (1946)	Hurrying	1:47:07 - Marlowe and Vivian make a plan	chromatic sequence \| climax \| fragmentation \| hurrying \| leading lady \| leading man \| love interest \| parallelism \| planning \| private eye \| room \| tense
The Big Sleep (1946)	Marlowe (Misterioso)	1:47:26 - Marlowe drops a bullet	climax \| fear \| leading lady \| leading man \| love interest \| mysterious \| private eye \| room \| shaking \| tense
The Big Sleep (1946)	Marlowe 2	1:47:31 - Car pulls up outside	chromatic scale \| climax \| fear \| leading lady \| leading man \| love interest \| mysterious \| private eye \| room \| shaking \| tense \| tritone
The Big Sleep (1946)	Carmen (Drugged)	1:48:08 - Marlowe watches men outside	climax \| criminal \| fear \| leading lady \| leading man \| love interest \| mysterious \| ominous \| planning \| private eye \| room \| tense \| waiting
The Big Sleep (1946)	Marlowe (Danger)	1:48:32 - Men approach the house	climax \| fear \| hiding \| leading man \| mysterious \| ominous \| pc set \| planning \| private eye \| room \| tense \| tone cluster \| underscoring \| waiting
The Big Sleep (1946)	Marlowe (Misterioso)	1:48:55 - Marlowe sneaks up behind Mars	climax \| criminal \| fear \| hiding \| leading man \| mysterious \| private eye \| room \| sneaking \| tense
The Big Sleep (1946)	Marlowe 2	1:49:05 - Marlowe holds a gun on Mars	climax \| criminal \| fear \| leading man \| mysterious \| ominous \| private eye \| room \| sneaking \| tense
The Big Sleep (1946)	Mars Dies	1:51:43 - Mars falls dead to the ground	criminal \| death \| dying \| falling \| leading lady \| leading man \| love interest \| mysterious \| ominous \| private eye \| resolution \| room \| stinger \| tense \| underscoring
The Big Sleep (1946)	Marlowe (Risoluto)	1:52:01 - Marlowe walks to the phone	added-note chord \| bold \| death \| fragmentation \| leading lady \| leading man \| love interest \| mysterious \| plotting \| private eye \| resolution \| room \| tense
The Big Sleep (1946)	Carmen (Tense)	1:52:28 - Marlowe talks on the phone	conversing \| leading lady \| leading man \| love interest \| lying \| mysterious \| oscillation \| pedal tone \| phone call \| private eye \| resolution \| room \| tense \| uneasy \| whole-tone chord
The Big Sleep (1946)	Vivian	1:52:48 - Marlowe talks to Vivian	9th chord \| 13th chord \| chromatic parallelism \| conversing \| leading lady \| leading man \| love \| love interest \| Neapolitan \| private eye \| resolution \| romantic \| room
The Big Sleep (1946)	Vivian (Expressivo)	1:53:20 - Marlowe pulls Vivian close	9th chord \| 13th chord \| chromatic parallelism \| conversing \| foreign key modulation \| leading lady \| leading man \| love \| love interest \| private eye \| resolution \| romantic \| room \| suspension
The Breaking Point (1950)	Fishermen	0:07:40 - Ship leaving the harbor	boat \| boat \| boating \| calm \| common-tone diminished 7th \| departing \| fisherman \| fishing \| floozy \| leading lady \| leading man \| montage \| not by Steiner \| sailor \| tense \| transcribed by ear \| upbeat
The Breaking Point (1950)	Flor de Lis	0:08:17 - A ship sailing	art song \| boat \| boat \| boating \| conversing \| establish setting \| flirting \| floozy \| leading lady \| leading man \| not by Steiner \| sailor \| upbeat \| working
The Breaking Point (1950)	En Mi Canto de Amor	0:08:57 - A dock at night	arriving \| art song \| boat \| conversing \| docking \| establish setting \| flirting \| floozy \| harbor \| leading lady \| leading man \| not by Steiner \| sailor \| source music \| upbeat \| working
The Breaking Point (1950)	La Adelita	0:09:56 - A Mexican village at night	arriving \| bar \| bartender \| conversing \| establish setting \| folk music \| leading man \| musician \| on-screen music \| performing \| sailor \| salesperson \| selling \| source music \| street \| upbeat \| working
The Breaking Point (1950)	Carmen, Carmela	0:11:11 - Harry talks to Duncan in a bar	AABA structure \| bar \| conversing \| criminal \| establish setting \| floozy \| folk music \| gambling \| leading lady \| leading man \| musician \| on-screen music \| performing \| pleasant \| sailor \| serenading \| singing \| source music
The Breaking Point (1950)	La Golondrina	0:12:21 - Harry sits down with Leona in the bar	advance plot \| bar \| calm \| conversing \| fisherman \| flirting \| floozy \| folk music \| leading lady \| leading man \| sailor \| source music
The Breaking Point (1950)	Mi Mariposa	0:15:21 - Harry talks to the bartender	advance plot \| arguing \| art song \| bar \| bartender \| calm \| conversing \| leading man \| on-screen music \| sailor \| source music
The Breaking Point (1950)	Eres Mujer	0:15:56 - Harry talks to Duncan	AABA structure \| advance plot \| bar \| calm \| conversing \| criminal \| leading man \| on-screen music \| performing \| sailor \| source music \| tango \| whispering
The Breaking Point (1950)	En Mi Canto de Amor	0:21:43 - Harry talks to Duncan	advance plot \| bar \| conversing \| criminal \| leading man \| planning \| pleasant \| sailor \| source music
The Breaking Point (1950)	Make Love With a Guitar	0:33:28 - Harry arrives home	advance plot \| arriving \| calm \| child \| conversing \| leading man \| musician \| neighbor \| on-screen music \| room \| sailor \| source music \| street \| wife \| yard
The Breaking Point (1950)	Please Don't Talk About Me When I'm Gone	0:39:07 - Harry arrives at a bar	AABA structure \| advance plot \| bar \| bartender \| criminal \| dancing \| floozy \| jukebox \| leading lady \| leading man \| on-screen music \| sailor \| singing \| source music \| upbeat
The Breaking Point (1950)	Ask Me No Questions	0:40:46 - Harry talks to Duncan	advance plot \| arguing \| bar \| bartender \| conversing \| criminal \| floozy \| jukebox \| leading lady \| leading man \| mellow \| sailor \| source music
The Breaking Point (1950)	On an Ordinary Morning	0:43:33 - Leona and Harry sit together in a bar	advance plot \| bar \| conversing \| floozy \| jukebox \| leading lady \| leading man \| mellow \| sailor \| source music \| wife
The Breaking Point (1950)	Make Love With a Guitar	0:46:27 - A boy plays the accordion	advance plot \| calm \| child \| conversing \| drunk \| leading lady \| leading man \| neighbor \| on-screen music \| sailor \| source music \| street \| walking \| wife
The Breaking Point (1950)	Humming	0:54:33 - Wesley and Harry work on the boat	arriving \| calm \| criminal \| friend \| harbor \| humming \| leading man \| on-screen music \| sailor \| source music \| transition \| walking \| working
The Breaking Point (1950)	I Guess I'll Have to Change My Plan	1:00:26 - Harry in a restaurant	ABACA structure \| advance plot \| bartender \| conversing \| floozy \| leading lady \| leading man \| mellow \| restaurant \| sailor \| source music
The Breaking Point (1950)	You Missed the Boat	1:02:56 - Duncan talks to Harry in the restaurant	advance plot \| conversing \| criminal \| floozy \| leading lady \| leading man \| mellow \| restaurant \| sailor \| source music
The Breaking Point (1950)	Don't Take Your Love From Me	1:05:42 - Harry arrives at Leona's apartment	ABAC structure \| advance plot \| conversing \| floozy \| leading lady \| leading man \| mellow \| room \| sailor \| source music
The Breaking Point (1950)	The Breaking Point (Ethereal)	1:34:41 - Harry recognizes Lucy	9th chord \| boat \| climax \| comforting \| conversing \| crying \| ethereal \| leading lady \| leading man \| mixed meter \| mode mixture \| sailor \| sweet \| wife
The Breaking Point (1950)	The Breaking Point (Cellos)	1:35:14 - Harry talks with Lucy	boat \| climax \| comforting \| conversing \| crying \| ethereal \| foreign key modulation \| leading lady \| leading man \| mixed meter \| sailor \| sweet \| wife
The Breaking Point (1950)	Calm	1:35:38 - Lucy leaves	augmented triad \| boat \| climax \| comforting \| conversing \| crying \| ethereal \| leading lady \| leading man \| pedal tone \| sailor \| sweet \| wife
The Breaking Point (1950)	The Breaking Point (Triste)	1:35:50 - Harry is carried out on a stretcher	carrying \| child \| climax \| crowd \| crying \| deceptive resolution \| doctor \| harbor \| leading lady \| leading man \| sailor \| somber \| watching \| wife
The Breaking Point (1950)	Leona	1:36:26 - Leona watches	9th chord \| 11th chord \| 13th chord \| augmented sixth chord \| child \| chromatic parallelism \| climax \| crowd \| crying \| doctor \| harbor \| leading lady \| leading man \| sailor \| somber \| watching \| wife
His Greatest Gamble (1934)	Bavardage	0:01:10 - The beach	AABA structure \| beach \| casino \| establish character \| establish place \| establish setting \| gambler \| gambling \| leading man \| luggage \| pleasant \| roulette wheel \| transcribed by ear \| upbeat
His Greatest Gamble (1934)	Morning Glory Waltz (Tender)	0:02:35 - Philip in the casino	casino \| child \| conversing \| establish character \| gentle \| leading man \| leaving \| transcribed by ear \| waltz
His Greatest Gamble (1934)	Home Sweet Home	0:03:14 - Philip and Alice go home	child \| establish character \| gentle \| humming \| leading man \| on-screen music \| room \| sleeping \| source music
His Greatest Gamble (1934)	The Chase 1	0:29:26 - Philip escapes from prison	augmented triad \| dark \| escaping \| frantic \| leading man \| montage \| montage \| prisoner \| sequence \| train \| transcribed by ear \| traveling \| whole-tone scale
His Greatest Gamble (1934)	The Chase 2	0:29:44 - Montage of Philip's escape	boat \| dark \| frantic \| leading man \| montage \| montage \| parallelism \| prisoner \| transcribed by ear \| traveling
His Greatest Gamble (1934)	Russian Waltz	0:30:05 - Philip arrives at Florence's home	9th chord \| arriving \| calm \| chromatic sequence \| common-tone diminished 7th \| establish setting \| fugitive \| leading man \| mansion \| mode mixture \| on-screen music \| piano \| playing \| pleasant \| source music \| waltz \| wandering
His Greatest Gamble (1934)	Nocturne in E-flat Major	0:36:29 - Philip looks for Alice	advance plot \| calm \| conversing \| daughter \| fugitive \| leading lady \| leading man \| mansion \| nocturne \| pleasant \| searching \| source music \| wandering
His Greatest Gamble (1934)	Waltz in C-sharp Minor	0:40:28 - Philip talks with Alice and Florence	advance plot \| conversing \| daughter \| ex-wife \| fugitive \| leading lady \| leading man \| mansion \| serious \| source music \| waltz
His Greatest Gamble (1934)	Blue Ridge Moon	0:53:16 - Philip talks with Alice	advance plot \| conversing \| daughter \| gentle \| leading lady \| love interest \| mansion \| popular music \| radio \| sentimental \| source music \| waltz
His Greatest Gamble (1934)	Morning Glory Waltz (Radio)	0:57:06 - Philip talks with Alice	9th chord \| advance plot \| conversing \| daughter \| fugitive \| gentle \| leading lady \| leading man \| mansion \| mode mixture \| radio \| score to source \| sentimental \| source music \| transcribed by ear \| walking
His Greatest Gamble (1934)	Morning Glory Waltz (The End)	1:10:18 - Philip leaves	detective \| end title sequence \| fugitive \| leading man \| leaving \| mode mixture \| secondary dominant \| transcribed by ear \| triumphant \| waltz
City for Conquest (1940)	Train	0:01:09 - An elevated train approaches	added-note chord \| bridge \| busy \| city \| hurried \| mickey-mousing \| old man \| ostinato \| police \| pump-up modulation \| train \| transition \| traveling
City for Conquest (1940)	Tone Poem B + Train	0:01:19 - Sign for the Williamsburg Bridge	9th chord \| added-note chord \| bridge \| busy \| chromatic parallelism \| city \| combination of themes \| countermelody \| hurried \| Mixolydian mode \| old man \| police \| train \| transition \| traveling
City for Conquest (1940)	Sidewalks of New York (Soliloquy)	0:01:33 - A cop tells a man to keep moving	9th chord \| 13th chord \| bridge \| chromatic parallelism \| city \| conversing \| establish place \| establish setting \| old man \| police \| soliloquy \| uneasy
City for Conquest (1940)	Sidewalks of New York (City Struck)	0:02:03 - Old-timer talks with cop	9th chord \| bridge \| chromatic scale \| city \| conversing \| establish setting \| excited \| old man \| police \| soliloquy
City for Conquest (1940)	Sidewalks of New York (Montage)	0:02:18 - A montage of New York City scenes	added-note chord \| boat \| bridge \| car \| chromatic parallelism \| city \| conversing \| Dutch angle \| establish setting \| excited \| fragmentation \| montage \| old man \| panning shot \| police \| pump-up modulation \| soliloquy \| train
City for Conquest (1940)	Sidewalks of New York (Snake)	0:02:35 - A montage of New York City scenes	13th chord \| 64 chord \| altered dominant \| bridge \| chromatic sequence \| city \| conversing \| countermelody \| double exposure \| Dutch angle \| establish setting \| foreign key modulation \| fragmentation \| grand \| montage \| old man \| police \| snake effect \| soliloquy
City for Conquest (1940)	Sidewalks of New York (Soliloquy)	0:02:50 - Old-timer talks with cop	9th chord \| 13th chord \| arguing \| bluesy \| bridge \| chromatic parallelism \| city \| establish setting \| old man \| police \| sentimental \| soliloquy
City for Conquest (1940)	Sidewalks of New York (Cop Grabs Bum)	0:03:06 - Cop pushes old-timer	9th chord \| arguing \| bridge \| chromatic parallelism \| chromatic scale \| city \| comical \| establish setting \| mickey-mousing \| old man \| police \| pushing \| rushing \| tense
City for Conquest (1940)	Sidewalks of New York	0:03:10 - A New York street corner	AABA structure \| child \| conversing \| crowd \| dancing \| old man \| on-screen music \| organ grinder \| playing \| pleasant \| score to source \| source music \| street \| street organ \| thief \| transition \| upbeat \| walking
City for Conquest (1940)	Sidewalks of New York (Soliloquy 2)	0:05:44 - Old-timer talks to a stone carver	9th chord \| 13th chord \| bluesy \| child \| chromatic parallelism \| conversing \| establish character \| fragmentation \| love \| old man \| romantic \| sentimental \| soliloquy \| street \| worker
City for Conquest (1940)	Sidewalks of New York (Waltz Grazioso)	0:06:09 - Two children playing	9th chord \| child \| conversing \| establish character \| foreign key modulation \| love \| Neapolitan \| old man \| romantic \| sentimental \| soliloquy \| street \| waltz
City for Conquest (1940)	Scales	0:09:16 - Danny and Peggy go upstairs	arguing \| conversing \| establish character \| leading lady \| leading man \| mother \| on-screen music \| piano \| room \| source music \| tedious \| transcribed by ear
City for Conquest (1940)	Tone Poem A	0:10:50 - Eddie plays the piano	brother \| composer \| conversing \| establish character \| leading man \| musician \| piano \| playing \| romantic \| room \| score to source \| source music \| transcribed by ear
City for Conquest (1940)	Tone Poem A (Very Broad)	0:12:16 - Eddie plays the piano	13th chord \| brother \| chromatic parallelism \| chromatic scale \| composer \| conversing \| describing \| dissonant bass \| establish character \| explaining \| leading man \| musician \| name of film \| pentatonic \| piano \| playing \| romantic \| room \| source music \| transcribed by ear
City for Conquest (1940)	Tone Poem A (Unattainable Stars)	0:12:37 - Eddie plays the piano	brother \| chromatic parallelism \| composer \| conversing \| describing \| establish character \| explaining \| leading man \| musician \| piano \| playing \| romantic \| room \| somber \| source music \| transcribed by ear
City for Conquest (1940)	Tone Poem A	0:13:03 - Eddie plays the piano	9th chord \| 11th chord \| 13th chord \| brother \| common-chord modulation \| composer \| conversing \| deceptive resolution \| establish character \| leading man \| musician \| piano \| playing \| romantic \| room \| source music \| transcribed by ear
City for Conquest (1940)	My Old Kentucky Home	0:16:04 - Mickey sings to himself	advance plot \| boxer \| calm \| conversing \| folk music \| leading man \| locker room \| manager \| singing \| source music
City for Conquest (1940)	Lullaby of Broadway	0:17:00 - A sign for Rose Gardens Casino	boxer \| conversing \| crowd \| dance band \| dance hall \| dancer \| dance scene \| dancing \| leading lady \| leading man \| on-screen music \| playing \| popular music \| source music \| upbeat
City for Conquest (1940)	Latin For Manhattan	0:18:29 - Peggy and Danny sit down	AABA structure \| blue note \| boxer \| conversing \| crowd \| dance band \| dance hall \| dancer \| dance scene \| dancing \| leading lady \| leading man \| on-screen music \| playing \| popular music \| source music \| upbeat
City for Conquest (1940)	The Continental	0:19:53 - Peggy dances with Murray	AABA structure \| boxer \| conversing \| crowd \| dance band \| dance hall \| dancer \| dance scene \| dancing \| friend \| leading lady \| leading man \| on-screen music \| phrase extension \| playing \| popular music \| source music \| upbeat
City for Conquest (1940)	Jalousie	0:20:39 - Danny sitting at a table	ABAC structure \| boxer \| crowd \| dance band \| dance hall \| dancer \| dance scene \| dancing \| friend \| leading lady \| leading man \| on-screen music \| popular music \| source music \| upbeat
City for Conquest (1940)	I'm Just Wild About Harry	0:23:07 - Close-up of Lily	ABAC structure \| award \| boxer \| conversing \| crowd \| dance band \| dance hall \| dancer \| dance scene \| friend \| leading lady \| leading man \| on-screen music \| popular music \| source music \| upbeat
City for Conquest (1940)	Tone Poem A	0:27:25 - Eddie composes at the piano	advance plot \| brother \| composer \| composing \| leading man \| musician \| on-screen music \| parallelism \| piano \| playing \| romantic \| room \| source music \| transcribed by ear
City for Conquest (1940)	Tone Poem A	0:27:40 - Eddie plays the piano	13th chord \| advance plot \| brother \| composer \| composing \| leading man \| musician \| on-screen music \| piano \| playing \| romantic \| room \| source music \| transcribed by ear
City for Conquest (1940)	Tone Poem A	0:27:59 - Eddie plays the piano	9th chord \| 13th chord \| advance plot \| brother \| composer \| composing \| deceptive resolution \| enharmonic respelling \| leading man \| musician \| on-screen music \| piano \| playing \| romantic \| room \| source music \| transcribed by ear
City for Conquest (1940)	Tone Poem A (Grazioso)	0:30:04 - Danny shaves	altered dominant \| common-chord modulation \| conversing \| delicate \| fragmentation \| gentle \| leading lady \| leading man \| love scene \| room \| shaving
City for Conquest (1940)	Tone Poem A (Dolce)	0:30:28 - Peggy talks to Danny	9th chord \| 11th chord \| arguing \| chromatic parallelism \| common-chord modulation \| conversing \| flirting \| gentle \| leading lady \| leading man \| love scene \| playful \| room \| shaving
City for Conquest (1940)	Peggy pokes Danny	0:30:47 - Peggy pokes Danny	11th chord \| flirting \| leading lady \| leading man \| love scene \| mickey-mousing \| playful \| room \| shaving \| teasing
City for Conquest (1940)	Only Fooling	0:30:54 - Peggy cleans Danny's face	arguing \| common-tone modulation \| conversing \| diminished 7th chord \| flirting \| leading lady \| leading man \| love scene \| parallelism \| playful \| room \| shaving
City for Conquest (1940)	Tone Poem A (Expressivo)	0:31:00 - Peggy apologizes to Danny	9th chord \| added-note chord \| appoggiatura \| chromatic mediant \| common-tone diminished 7th \| conversing \| foreign key modulation \| kiss \| kissing \| leading lady \| leading man \| love scene \| parallelism \| romantic \| room
City for Conquest (1940)	Tranquillo	0:31:35 - Peggy and Danny on a boat	9th chord \| boat \| conversing \| delicate \| gentle \| leading lady \| leading man \| love scene
City for Conquest (1940)	Tone Poem A (Waltz)	0:31:48 - Peggy and Danny talk about the future	9th chord \| 13th chord \| added-note chord \| boat \| calm \| common-chord modulation \| conversing \| deceptive resolution \| foreign key modulation \| leading lady \| leading man \| love scene \| mode mixture \| romantic
City for Conquest (1940)	Shadow Waltz (Dark)	0:33:22 - Peggy talks with Danny	boat \| chromatic sequence \| conversing \| dark \| leading lady \| leading man \| love scene \| major 7th chord \| octatonic \| somber
City for Conquest (1940)	I'm Just Wild About Harry (Foxtrot)	0:33:35 - Peggy starts to leave	9th chord \| added-note chord \| boat \| calm \| chromatic mediant \| conversing \| gentle \| leading lady \| leading man \| love scene
City for Conquest (1940)	Tone Poem A (Dolcissimo)	0:34:02 - Danny talks with Peggy	9th chord \| added-note chord \| boat \| common-tone diminished 7th \| conversing \| gentle \| kissing \| leading lady \| leading man \| love scene \| romantic
City for Conquest (1940)	Tone Poem Train Whistle	0:34:28 - Danny on the train	added-note chord \| blaring \| hurried \| leading man \| mickey-mousing \| montage \| ostinato \| pc set \| rushing \| train \| train \| traveling
City for Conquest (1940)	Liberty Day	0:39:41 - Old timer talks to worker	boxer \| boxing ring \| celebrating \| contrasting double period \| conversing \| crowd \| fanfare \| leading man \| manager \| montage \| parallel double period \| source music \| upbeat
City for Conquest (1940)	Negra Consentida	0:41:21 - The Carleton Plaza Towers	advance plot \| arriving \| boxer \| dance band \| dancer \| dancing \| leading man \| musician \| on-screen music \| parallel double period \| party \| playing \| source music \| upbeat
City for Conquest (1940)	Tone Poem A	0:42:10 - Eddie plays the piano	9th chord \| 11th chord \| 13th chord \| advance plot \| boxer \| brother \| common-chord modulation \| composer \| conversing \| crowd \| deceptive resolution \| leading man \| musician \| on-screen music \| party \| piano \| playing \| romantic \| source music \| transcribed by ear
City for Conquest (1940)	Tone Poem A (Stride Piano)	0:43:27 - Eddie plays the piano	9th chord \| 11th chord \| 13th chord \| added-note chord \| advance plot \| augmented sixth chord \| boxer \| brother \| chord substitution \| common-tone diminished 7th \| composer \| conversing \| crowd \| foreign key modulation \| leading man \| mode mixture \| musician \| on-screen music \| parallelism \| party \| piano \| playing \| ragtime \| source music \| syncopation \| upbeat
City for Conquest (1940)	In the Evening	0:45:08 - Peggy in her dressing room	arguing \| boxer \| conflict \| conversing \| crying \| dancer \| dressing room \| leading lady \| leading man \| parallel double period \| punching \| source music \| upbeat
City for Conquest (1940)	A Girl Like You	0:46:49 - Danny in Peggy's dressing room	boxer \| conflict \| crying \| dancer \| dressing room \| leading lady \| leading man \| leaving \| parallel double period \| source music \| upbeat
City for Conquest (1940)	Peggy runs	0:47:31 - Peggy runs down the stairs	boxer \| chromatic parallelism \| chromatic sequence \| dancer \| descending \| leading lady \| leading man \| love scene \| mickey-mousing \| running \| source and scoring overlap \| street \| tense
City for Conquest (1940)	Tone Poem A (Romantic)	0:47:41 - Peggy talks with Danny	boxer \| conversing \| dancer \| leading lady \| leading man \| love scene \| street \| tense
City for Conquest (1940)	Tone Poem A (Simplice)	0:48:06 - Danny talks to Peggy	9th chord \| 13th chord \| boxer \| dancer \| embracing \| kissing \| leading lady \| leading man \| love scene \| romantic \| street
City for Conquest (1940)	Tone Poem A (Walking)	0:48:32 - Danny and Peggy walk down the street	11th chord \| boxer \| chromatic sequence \| conversing \| dancer \| leading lady \| leading man \| love scene \| romantic \| street \| walking
City for Conquest (1940)	Tone Poem A (Molto Expressivo)	0:48:44 - Danny talks with Peggy	9th chord \| 64 chord \| appoggiatura \| boxer \| countermelody \| dancer \| embracing \| kissing \| leading lady \| leading man \| love scene \| plagal cadence \| romantic \| sequence \| street
City for Conquest (1940)	Corn Pickin'	0:53:35 - People dancing the jitterbug	AABA structure \| advance plot \| boxer \| club \| crowd \| dance band \| dancer \| dancing \| leading lady \| leading man \| on-screen music \| source music \| upbeat
City for Conquest (1940)	Japanese Sandman	0:54:33 - Danny and Peggy at the dance	advance plot \| boxer \| club \| crowd \| dance band \| dancer \| dancing \| leading lady \| leading man \| on-screen music \| source music \| upbeat
City for Conquest (1940)	Underscoring (Gentle)	0:55:19 - A taxi approaches	11th chord \| appoggiatura \| arriving \| farewell scene \| gentle \| leading lady \| leading man \| source and scoring overlap \| street \| taxi \| underscoring
City for Conquest (1940)	Tone Poem A (Farewell)	0:55:31 - Peggy bids farewell to Danny	9th chord \| appoggiatura \| augmented sixth chord \| conversing \| crying \| embracing \| enharmonic respelling \| farewell scene \| leading lady \| leading man \| leaving \| mode mixture \| plagal cadence \| romantic \| sentimental \| street
City for Conquest (1940)	Miramar	1:00:44 - Danny prepares for a fight	advance plot \| boxer \| conversing \| leading man \| locker room \| manager \| march \| parallel double period \| preparing \| source music \| upbeat
City for Conquest (1940)	Mysterioso	1:13:36 - Googi leaves	augmented triad \| chromatic parallelism \| criminal \| gangster \| leaving \| locker room \| manager \| murder scene \| mysterious \| parallelism \| whole-tone
City for Conquest (1940)	Googi (The Car)	1:13:38 - Googi in the car	car \| car \| conversing \| criminal \| diminished 7th chord \| dissonant bass \| driving \| gangster \| manager \| murder scene \| ominous \| tense \| trill
City for Conquest (1940)	Tone Poem A (Ominous)	1:14:02 - Googi talks with the boxing managers	9th chord \| arguing \| car \| car \| criminal \| dissonant bass \| driving \| fragmentation \| gangster \| manager \| murder scene \| ominous \| tense
City for Conquest (1940)	Shooting and dying	1:14:23 - Googi shoots Dutch	car \| car \| criminal \| dramatic \| dying \| gangster \| gun \| manager \| mickey-mousing \| murder \| murderer \| murdering \| murder scene \| shooting \| stinger \| tense
City for Conquest (1940)	Googi (The Car)	1:14:32 - Googi threatens Cobb	car \| car \| criminal \| diminished 7th chord \| dissonant bass \| driving \| gangster \| manager \| murder \| murderer \| murder scene \| ominous \| tense \| threatening \| trill
City for Conquest (1940)	Googi (Hysterical)	1:14:42 - Cobb pleads for mercy	augmented triad \| begging \| car \| car \| chromatic sequence \| criminal \| driving \| equal division of octave \| gangster \| manager \| murder \| murderer \| murder scene \| ominous \| tense
City for Conquest (1940)	Underscoring (Tense)	1:14:48 - Googi threatens Cobb	car \| car \| chromatic parallelism \| chromatic scale \| criminal \| dissonant bass \| driving \| gangster \| manager \| murder \| murderer \| murder scene \| ominous \| tense \| threatening
City for Conquest (1940)	Slap	1:14:53 - Googi slaps Cobb	car \| car \| chromatic parallelism \| criminal \| gangster \| manager \| mickey-mousing \| murder \| murderer \| murder scene \| ominous \| pc set \| slapping \| tense
City for Conquest (1940)	Tone Poem A (Very Rough)	1:15:00 - The car pulls to a stop	arriving \| car \| criminal \| dark \| dock \| driving \| gangster \| manager \| murderer \| murder scene \| threatening \| tritone \| whole-tone chord
City for Conquest (1940)	Googi (Dead Man)	1:15:09 - They pull out the dead man	car \| chromatic scale \| conversing \| corpse \| criminal \| disposing \| dock \| gangster \| manager \| murderer \| murder scene \| ominous \| ostinato \| tense \| whole-tone chord \| working
City for Conquest (1940)	Gun falls	1:15:13 - A gun falls to the ground	car \| corpse \| criminal \| dock \| dropping \| gangster \| gun \| manager \| mickey-mousing \| murderer \| murder scene \| ominous \| tense
City for Conquest (1940)	Googi (Molto Mysterioso e Screwyoso)	1:15:19 - Cobb sees the gun	car \| chromatic parallelism \| conversing \| corpse \| criminal \| disposing \| dissonant bass \| dock \| fragmentation \| gangster \| half-diminished 7th chord \| manager \| murderer \| murder scene \| ominous \| ostinato \| tense \| tritone oscillation \| working
City for Conquest (1940)	Kicks body	1:15:22 - Googi kicks the body into the water	chromatic scale \| corpse \| criminal \| dock \| dropping \| gangster \| kicking \| manager \| mickey-mousing \| murderer \| murder scene \| ominous \| tense
City for Conquest (1940)	Throws gun away	1:15:30 - Googi throws a gun in the water	criminal \| dock \| gangster \| gun \| manager \| mickey-mousing \| murderer \| murder scene \| ominous \| tense \| throwing
City for Conquest (1940)	Googi dies	1:15:34 - Googi is shot	chromatic parallelism \| criminal \| dock \| dying \| falling \| gangster \| gun \| gunshot \| half-diminished 7th chord \| manager \| mickey-mousing \| murderer \| murdering \| murder scene \| ominous \| shooting \| slumping \| tense
City for Conquest (1940)	Tone Poem A (Death)	1:15:39 - Googi dies	criminal \| diminished 7th chord \| dissonant bass \| dock \| dying \| falling \| gangster \| gun \| gunshot \| manager \| murderer \| murdering \| murder scene \| ominous \| shooting \| slumping \| tense
City for Conquest (1940)	Where Were You When the Moon Came Out	1:19:38 - Danny resting in bed	advance plot \| blur \| brother \| composer \| dancing \| leading man \| listening \| musician \| on-screen music \| parallel double period \| playing \| room \| singer \| singing \| source music \| upbeat \| victim
City for Conquest (1940)	Where Were You When the Moon Came Out (Sad)	1:20:48 - Eddie plays the piano	advance plot \| altered dominant \| blur \| brother \| composer \| leading man \| musician \| on-screen music \| playing \| room \| sentimental \| source music \| victim \| watching
City for Conquest (1940)	Tone Poem A (The Song of the City)	1:23:05 - Eddie plays the piano	9th chord \| 13th chord \| advance plot \| brother \| common-chord modulation \| composer \| diminished 7th chord \| leading man \| listening \| musician \| on-screen music \| playing \| romantic \| room \| source music \| transcribed by ear \| victim
City for Conquest (1940)	Powder My Back	1:23:34 - A burlesque marquee	advance plot \| conversing \| dancer \| dancing \| leading lady \| manager \| on-screen music \| phrase extension \| singer \| singing \| source music \| stage \| upbeat
City for Conquest (1940)	Tone Poem A (Very Broad)	1:34:24 - Peggy reacts to the music	9th chord \| 13th chord \| audience \| bold \| Carnegie Hall \| chromatic parallelism \| chromatic scale \| chromatic sequence \| concert \| concert hall \| concert scene \| conducting \| conductor \| deceptive resolution \| dissonant bass \| dramatic \| Gershwinesque \| leading lady \| leading man \| listening \| musician \| newspaper \| newspaper stand \| on-screen music \| orchestra \| playing \| radio \| romantic \| source music \| street \| watching \| zoom out
City for Conquest (1940)	Tone Poem B	1:35:43 - Danny listens to the radio	9th chord \| added-note chord \| audience \| Carnegie Hall \| concert \| concert hall \| concert scene \| conducting \| conductor \| excited \| Gershwinesque \| leading man \| listening \| Mixolydian mode \| musician \| newspaper \| newspaper stand \| on-screen music \| orchestra \| playing \| pump-up modulation \| radio \| source music \| street \| watching
City for Conquest (1940)	Tone Poem Train Whistle	1:35:50 - Danny listens to the radio	added-note chord \| bold \| concert \| concert scene \| dissonant bass \| excited \| fragmentation \| Gershwinesque \| leading man \| listening \| on-screen music \| pc set \| pump-up modulation \| radio \| source music \| street
City for Conquest (1940)	Tone Poem A (Grandioso)	1:36:11 - Audience enjoying the performance	9th chord \| 13th chord \| altered dominant \| audience \| bold \| Carnegie Hall \| concert \| concert hall \| concert scene \| conducting \| conductor \| deceptive resolution \| double exposure \| dramatic \| Gershwinesque \| leading lady \| leading man \| listening \| musician \| on-screen music \| orchestra \| playing \| romantic \| sentimental \| smiling \| source music \| watching
City for Conquest (1940)	Tone Poem A (Tutti 2)	1:36:41 - Danny's figure appears in the concert hall	9th chord \| 13th chord \| AABA structure \| added-note chord \| audience \| bold \| Carnegie Hall \| concert \| concert hall \| concert scene \| conducting \| conductor \| crying \| deceptive resolution \| double exposure \| dramatic \| Gershwinesque \| leading man \| listening \| mode mixture \| musician \| on-screen music \| orchestra \| playing \| romantic \| sentimental \| smiling \| source music \| watching \| zoom out
City for Conquest (1940)	Tone Poem A (Beoootiful)	1:40:11 - Danny working at his newsstand	9th chord \| 11th chord \| blur \| conversing \| dissonant bass \| ethereal \| gentle \| into focus \| leading lady \| leading man \| love scene \| reunion \| reuniting \| shimmery \| squinting \| street \| tone cluster \| victim \| whole-tone chord
City for Conquest (1940)	Tone Poem A (Chorus)	1:41:14 - Danny talks with Peggy	9th chord \| 11th chord \| 13th chord \| chromatic sequence \| conversing \| crying \| ethereal \| foreign key modulation \| gentle \| leading lady \| leading man \| love interest \| love scene \| optimistic \| reunion \| reuniting \| romantic \| shimmery \| street \| suspension \| victim
City for Conquest (1940)	Sidewalks of New York (Soliloquy)	1:42:56 - Old timer talks to himself	altered dominant \| chromatic parallelism \| conversing \| countermelody \| old man \| resolution \| sentimental \| soliloquy
City for Conquest (1940)	Sidewalks of New York (Snake)	1:43:16 - Old timer talks to himself	64 chord \| conversing \| gentle \| old man \| resolution \| romantic \| soliloquy
City for Conquest (1940)	Sidewalks of New York (The End)	1:43:24 - The End	64 chord \| bold \| conversing \| end title sequence \| grand \| old man \| plagal cadence \| soliloquy \| The End
Crime School (1938)	Sue (Minor)	0:20:38 - Judge sentences boys to the reformatory	augmented sixth chord \| chromatic parallelism \| courthouse \| crying \| dissonant bass \| gang \| heroine \| judge \| leading lady \| leading man \| sister \| somber \| stinger \| teenager \| trial
Crime School (1938)	Reform School Drill	0:33:18 - Reform school boys exercise outside	comedy \| cut from film \| deceptive resolution \| exercising \| exercising music \| foreign key modulation \| gang \| jogging \| leading man \| polychord \| reformatory \| split-third chord \| teenager \| upbeat \| warden
Crime School (1938)	Reform School Drill	0:34:09 - Reform school boys exercise outside	comedy \| deceptive resolution \| exercising \| exercising music \| foreign key modulation \| gang \| jogging \| leading man \| polychord \| reformatory \| teenager \| upbeat \| warden
Crime School (1938)	Reform School Drill (Coda)	0:35:01 - Reform school boys exercise outside	comedy \| exercising \| gang \| jogging \| leading man \| reformatory \| teenager \| upbeat \| warden
Crime School (1938)	Underscoring (Gentle)	0:35:46 - Mark visits Frankie in the sick room	advance plot \| caring \| conversing \| dark \| hospital \| leading man \| reformatory \| teenager \| tender \| underscoring \| warden
Crime School (1938)	Marks	0:36:14 - Mark looks at the whip marks on Frankie's back	advance plot \| dark \| hospital \| leading man \| looking \| reformatory \| teenager \| violence \| warden \| wounded
Crime School (1938)	The Warden (Punishment)	0:36:22 - Warden defends his punishment	advance plot \| chromatic wedge \| conversing \| dark \| evil \| hospital \| leading man \| reformatory \| teenager \| warden \| whole-tone chord
Crime School (1938)	Underscoring (Subtle)	0:37:09 - Transition to cafeteria	advance plot \| conversing \| hospital \| leading man \| reformatory \| somber \| teenager \| underscoring \| warden
Crime School (1938)	The Discus Thrower	0:48:52 - Spike announces his "work of art"	announcing \| comedy \| fun \| gang \| hero \| interruption \| leading man \| reformatory \| showman \| teenager
Crime School (1938)	Underscoring (Gentle)	0:49:10 - Mark comes into the room	comedy \| conversing \| gang \| gentle \| hero \| leading man \| paint \| parallelism \| reformatory \| teenager \| underscoring
Crime School (1938)	Spots	0:49:20 - Squirt has spots on his pajamas	9th chord \| chromatic parallelism \| comedy \| comical \| conversing \| gang \| hero \| leading man \| mickey-mousing \| paint \| reformatory \| spots \| teenager \| tense
Crime School (1938)	Unveiling the statue	0:49:31 - Mark takes the veil off of the statue	64 chord \| chromatic parallelism \| chromatic wedge \| comedy \| gang \| hero \| leading man \| mickey-mousing \| reformatory \| teenager \| tense \| uncovering \| unveiling
Crime School (1938)	Marble statue	0:49:40 - Fats talks to Mark	comedy \| comical \| gang \| hero \| leading man \| mickey-mousing \| reformatory \| statue \| teasing \| teenager
Crime School (1938)	Underscoring (Gentle)	0:49:47 - Mark talks about making this room their home	comedy \| deceptive resolution \| gang \| gentle \| hero \| leading man \| leaving \| pedal tone \| reformatory \| teasing \| teenager \| underscoring \| whole-tone chord
Crime School (1938)	The Warden (Office)	0:51:05 - The guard enters to talk to Mark	comedy \| dramatic \| hero \| leading man \| marching \| police \| reformatory \| walking
Crime School (1938)	Laughing	0:51:11 - Mark laughs at the guard covered with paint	comedy \| comical \| hero \| laughing \| leading man \| mickey-mousing \| police \| reformatory
Crime School (1938)	Underscoring (Dramatic)	0:56:50 - Mark goes to rescue Squirt	action scene \| altered dominant \| boiler room \| chromatic parallelism \| dissonant bass \| dramatic \| hero \| leading man \| linear chromaticism \| reformatory \| rushing \| saving \| teenager \| tense \| underscoring
Crime School (1938)	Going down	0:57:05 - Mark descends into the boiler room	action scene \| descending \| dramatic \| hero \| leading man \| mickey-mousing \| reformatory \| stairs \| teenager \| tense
Crime School (1938)	Temperature rising 2	0:57:12 - The temperature gauge rises	action scene \| altered dominant \| boiler room \| chromatic parallelism \| danger \| dramatic \| gauge \| heat \| hero \| leading man \| mickey-mousing \| reformatory \| rising \| teenager \| temperature \| tense
Crime School (1938)	Explosion	0:57:21 - Mark pulls Squirt out of the boiler room	action scene \| ascending \| boiler room \| destruction \| dissonant bass \| dramatic \| exploding \| explosion \| hero \| leading man \| mickey-mousing \| reformatory \| rising \| stairs \| teenager \| tense \| tone cluster
Crime School (1938)	Mark Saves Boy	0:57:29 - Mark carries Squirt up the stairs	action scene \| ascending \| authentic cadence \| dissonant bass \| hero \| heroic \| leading man \| mickey-mousing \| reformatory \| rising \| stairs \| teenager \| walking
Crime School (1938)	Sue (Hospital)	0:57:38 - The doctor takes care of Squirt in the hospital	advance plot \| calm \| conversing \| doctor \| hero \| hospital \| leading man \| nurse \| peaceful \| reformatory \| teenager \| treating
Crime School (1938)	Sue (Grazioso)	1:13:10 - Sue and Mark talk in the kitchen	cheerful \| conflict \| conversing \| cooking \| happy \| hero \| heroine \| kitchen \| leading lady \| leading man \| mode mixture \| secondary dominant
Crime School (1938)	Sue (Grazioso Mysterioso)	1:13:38 - Frankie confronts Sue and Mark	cheerful \| common-tone diminished 7th \| conflict \| conversing \| deceptive resolution \| dining \| gun \| happy \| hero \| heroine \| leading lady \| leading man \| room \| stick up \| stinger \| teenager \| tone cluster \| whole-tone chord
Crime School (1938)	Underscoring (Tense)	1:14:26 - Mark talks to policeman	chromatic scale \| conflict \| deceptive resolution \| gun \| hero \| heroine \| hiding \| knocking \| leading lady \| leading man \| lying \| mode mixture \| pedal tone \| police \| room \| teenager \| tense \| underscoring
Crime School (1938)	Lights on	1:15:26 - Sue turns the lights on	conflict \| hero \| heroine \| leading lady \| leading man \| light \| mickey-mousing \| room \| tense \| turning on
Crime School (1938)	Underscoring (Dramatic)	1:15:31 - Frankie fights Spike	agitated \| arguing \| chromatic scale \| conflict \| dissonant bass \| fighting \| gang \| hero \| leading man \| sequence \| street \| teenager \| underscoring
Crime School (1938)	Resolution	1:22:31 - Sue enters the room	42 chord \| antagonist \| calm \| chromatic parallelism \| chromatic scale \| comical \| conversing \| hero \| leading man \| reformatory \| resolution \| resolution \| tense \| tritone
They Made Me a Criminal (1939)	So Help Me (If I Don't Love You)	0:05:54 - Johnnie and Goldie relaxing	drinking \| floozy \| jaunty \| kissing \| leading man \| murder scene \| popular song \| radio \| room \| source music
They Made Me a Criminal (1939)	When a Prince of a Fella Meets a Cinderella	0:06:23 - Johnnie talks to his manager	dancing \| drinking \| floozy \| jaunty \| laughing \| leading man \| murder scene \| parallel double period \| partying \| radio \| room \| source music
They Made Me a Criminal (1939)	Saving Myself For You (I've Been)	0:08:02 - Johnnie at a party	AABA structure \| attacking \| conversing \| drinking \| fighting \| floozy \| jaunty \| leading man \| murder \| murdering \| murder scene \| partying \| radio \| room \| source music \| violence
They Made Me a Criminal (1939)	The Awakening	0:14:48 - Johnnie wakes up	advance plot \| chromatic scale \| confusion \| deceptive resolution \| leading man \| metric modulation \| mysterious \| octatonic chord \| octatonic scale \| pc set \| room \| waking \| whole-tone chord
They Made Me a Criminal (1939)	Reading	0:15:29 - Johnnie reads a newspaper	advance plot \| chromatic scale \| dissonant bass \| leading man \| newspaper \| reading \| room \| tense \| whole-tone chord
They Made Me a Criminal (1939)	Underscoring (Dramatic)	0:16:01 - Johnnie rushes inside	advance plot \| chromatic scale \| dramatic \| leading man \| minor-major 7th chord \| newspaper \| room \| rushing \| underscoring
They Made Me a Criminal (1939)	Underscoring (Somber)	0:22:16 - Close-up on Johnnie	advance plot \| leading man \| money \| realizing \| room \| somber \| stinger \| underscoring
They Made Me a Criminal (1939)	Traveling	0:22:25 - Johnnie becomes a fugitive	9th chord \| added-note chord \| altered dominant \| countryside \| double exposure \| dramatic \| leading man \| map \| mickey-mousing \| money \| montage \| montage \| purchasing \| street \| traveling \| walking
They Made Me a Criminal (1939)	Train	0:22:47 - A rushing train and a map	dramatic \| leading man \| mickey-mousing \| montage \| montage \| motoric \| polychord \| train \| train \| traveling \| whistle
They Made Me a Criminal (1939)	The Fugitive (Traveling)	0:22:51 - Johnnie's plodding feet	chromatic scale \| chromatic wedge \| countryside \| desert \| dissonant bass \| dramatic \| leading man \| linear chromaticism \| map \| mickey-mousing \| money \| montage \| montage \| traveling \| walking \| whole-tone \| whole-tone chord
They Made Me a Criminal (1939)	The Fugitive (Triste)	0:23:12 - Johnnie at a diner	9th chord \| advance plot \| diner \| leading man \| money \| somber \| thinking \| underscoring
They Made Me a Criminal (1939)	Drops money	0:23:19 - Johnnie drops his money	advance plot \| diner \| dropping \| leading man \| mickey-mousing \| money \| somber
They Made Me a Criminal (1939)	Underscoring (Mysterious)	0:23:21 - Men at the diner stand up	added-note chord \| advance plot \| diner \| dissonant bass \| fighting \| half-diminished 7th chord \| leading man \| linear chromaticism \| money \| mysterious \| sitting \| sneaking \| underscoring \| whole-tone chord
They Made Me a Criminal (1939)	Steps on money	0:23:30 - A man steps on Johnnie's money	advance plot \| diner \| half-diminished 7th chord \| leading man \| mickey-mousing \| money \| mysterious \| stepping
They Made Me a Criminal (1939)	Jumps off train	0:24:21 - Johnnie jumps off the moving train	advance plot \| diminished 7th chord \| dissonant bass \| dramatic \| escaping \| jumping \| leading man \| mickey-mousing \| train \| train
They Made Me a Criminal (1939)	The Fugitive	0:24:29 - Johnnie walks	9th chord \| advance plot \| altered dominant \| desert \| foreign key modulation \| leading man \| Neapolitan \| tired \| traveling \| walking \| wandering
They Made Me a Criminal (1939)	The Fugitive (Looking Around)	0:25:11 - The young man sees Johnnie	9th chord \| deceptive resolution \| establish character \| foreign key modulation \| leading lady \| leading man \| ranch \| teenager \| tired \| walking
They Made Me a Criminal (1939)	The Fugitive (Arriving)	0:25:42 - Johnnie arrives at the ranch	9th chord \| arriving \| establish character \| foreign key modulation \| leading lady \| leading man \| ranch \| teenager \| tired
They Made Me a Criminal (1939)	The Fugitive (Fainting)	0:26:32 - Johnnie stumbles and faints	9th chord \| dark \| deceptive resolution \| dissonant bass \| establish character \| fainting \| falling \| foreign key modulation \| leading man \| ranch \| tired \| tragic \| walking
They Made Me a Criminal (1939)	Underscoring (Tender)	0:26:58 - Peggy helps Johnnie	9th chord \| 64 chord \| heroine \| leading lady \| leading man \| lovers meet \| mode mixture \| nursing \| room \| tender \| underscoring
They Made Me a Criminal (1939)	The Fugitive (Recovering)	0:27:13 - Peggy takes care of Johnnie	9th chord \| foreign key modulation \| heroine \| leading lady \| leading man \| lovers meet \| nursing \| recovering \| romance \| room \| sweet \| waking
They Made Me a Criminal (1939)	Peggy (Dolce)	0:28:20 - Peggy talks to Johnnie	9th chord \| 11th chord \| 13th chord \| deceptive resolution \| foreign key modulation \| heroine \| kissing \| leading lady \| leading man \| lovers meet \| nursing \| recovering \| romance \| room \| sweet \| tender
They Made Me a Criminal (1939)	Underscoring (Tense)	0:28:51 - The sheriff comes in	conflict \| dark \| diminished 7th chord \| entering \| fear \| leading man \| room \| sheriff \| surprise \| tense \| underscoring
They Made Me a Criminal (1939)	The Fugitive (Excitedly)	0:29:07 - Johnnie talks to the sheriff	anxiety \| anxious \| conflict \| leading man \| linear chromaticism \| lying \| room \| sheriff
They Made Me a Criminal (1939)	The Fugitive (Relieved)	0:29:25 - Johnnie listens to the sheriff	altered dominant \| conflict \| conversing \| leading man \| peaceful \| room \| tranquil
They Made Me a Criminal (1939)	The Fugitive (Leaving)	0:29:45 - Johnnie prepares to leaves	conflict \| foreign key modulation \| leading man \| ranch \| room \| sneaking \| yearning
They Made Me a Criminal (1939)	Jumps out of window	0:30:00 - Johnnie jumps out of the window	conflict \| jumping \| leading man \| mickey-mousing \| ranch \| window
They Made Me a Criminal (1939)	Underscoring (Dramatic)	0:30:01 - Johnnie sneaks away	64 chord \| conflict \| dramatic \| leading man \| mysterious \| ranch \| sneaking
They Made Me a Criminal (1939)	The Fugitive (Apology)	0:48:31 - Johnnie and Peggy talk	9th chord \| conversing \| hero \| leading lady \| leading man \| love scene \| romantic \| room \| secondary dominant \| tender
They Made Me a Criminal (1939)	Peggy (Delicatissimo)	0:49:16 - Johnnie and Peggy kiss	9th chord \| 11th chord \| 13th chord \| hero \| kissing \| leading lady \| leading man \| love scene \| romantic \| room
They Made Me a Criminal (1939)	On the Make	0:49:40 - Johnnie and Peggy drive in a car	ABAB structure \| added-note chord \| altered dominant \| car \| car \| cheerful \| conversing \| driving \| hero \| leading lady \| leading man \| linear chromaticism \| love scene \| mode mixture \| phrase extension \| romantic \| traveling
They Made Me a Criminal (1939)	On the Make (Extended)	0:53:21 - Johnnie and Peggy drive in a car	ABAB structure \| added-note chord \| advance plot \| altered dominant \| car \| car \| cheerful \| conversing \| driving \| hero \| kissing \| leading lady \| leading man \| linear chromaticism \| mode mixture \| phrase extension \| romantic \| traveling
They Made Me a Criminal (1939)	By a Waterfall	0:55:35 - A shower sign	advance plot \| cheerful \| comical \| hero \| leading man \| on-screen music \| popular music \| ranch \| showering \| singing \| source music \| teenager \| whistling
They Made Me a Criminal (1939)	Underscoring (Dramatic)	0:56:17 - Johnnie sees his picture in the paper	angry \| arguing \| chromatic parallelism \| dissonant bass \| dramatic \| fighting \| half-diminished 7th chord \| hero \| leading man \| mickey-mousing \| photograph \| ranch \| teenager \| tense \| turning point \| underscoring
They Made Me a Criminal (1939)	The Arena	1:01:22 - A fight poster	advance plot \| augmented sixth chord \| dark \| detective \| fanfare \| leading man \| light \| polytonality \| poster \| street \| thinking
They Made Me a Criminal (1939)	Marcia Grotesque	1:01:48 - Johnnie talks to another boxer	advance plot \| altered dominant \| comical \| conversing \| hero \| leading man \| march \| mode mixture \| room
They Made Me a Criminal (1939)	Underscoring (Tense)	1:02:14 - Johnnie overhears the detective	advance plot \| chromatic scale \| detective \| dissonant bass \| hiding \| leading man \| ominous \| room \| tense \| underscoring
They Made Me a Criminal (1939)	The Fugitive (Hiding)	1:02:31 - Detective buys tickets to Johnnie's match	advance plot \| detective \| hiding \| leading man \| pedal tone \| room \| suspenseful \| tense
They Made Me a Criminal (1939)	The Fugitive (Ashamed)	1:03:55 - Johnnie tells them he can't fight	9th chord \| conflict \| dark \| foreign key modulation \| harmonic sequence \| leading lady \| leading man \| lying \| room \| somber \| teenager
They Made Me a Criminal (1939)	On the Make (Dolce)	1:05:13 - Peggy talks to Johnnie	added-note chord \| altered dominant \| arguing \| conflict \| leading lady \| leading man \| linear chromaticism \| lying \| room \| tender
They Made Me a Criminal (1939)	Underscoring (Tense)	1:05:52 - Johnny talks to Peggy	conflict \| dramatic \| half-diminished 7th chord \| harmonic sequence \| leading lady \| leading man \| lying \| room \| tense \| underscoring
They Made Me a Criminal (1939)	On the Make (Heartbreak)	1:06:05 - Johnny talks to Peggy	9th chord \| arguing \| conflict \| dissonant bass \| dramatic \| leading lady \| leading man \| room \| slamming \| somber \| tense
They Made Me a Criminal (1939)	On the Make (Crying)	1:06:29 - Peggy cries after Johnnie leaves	11th chord \| conflict \| crying \| leading lady \| leading man \| room \| somber
They Made Me a Criminal (1939)	The Fugitive (Let Down)	1:06:51 - The boys talk about Johnnie	added-note chord \| arguing \| conflict \| criticizing \| foreign key modulation \| leading man \| room \| somber \| teenager
They Made Me a Criminal (1939)	The Fugitive (Going Away)	1:07:38 - Tommy talks to Johnnie	conflict \| leading man \| lonely \| packing \| room \| somber \| teenager \| thinking
They Made Me a Criminal (1939)	On the Make (Tenderly)	1:07:57 - Tommy talks to Johnnie	9th chord \| ABAB structure \| altered dominant \| arguing \| chromatic mediant \| conversing \| direct modulation \| foreign key modulation \| hero \| leading man \| room \| tender \| turning point
They Made Me a Criminal (1939)	On the Make (Lohenblueish)	1:09:07 - Johnnie decides that he will stay	added-note chord \| augmentation \| chromatic mediant \| direct modulation \| foreign key modulation \| hero \| hopeful \| hopeless \| leading man \| linear chromaticism \| passionate \| room \| thinking \| turning point \| zoom in
They Made Me a Criminal (1939)	The Fugitive (Religioso)	1:09:41 - Johnnie looks at a picture	9th chord \| hero \| leading man \| Neapolitan \| room \| tender \| thinking \| turning point
They Made Me a Criminal (1939)	Inspiration	1:09:53 - Johnnie has an inspiration	boxing \| foreign key modulation \| gentle \| hero \| idea \| inspiration \| leading man \| pedal tone \| pump-up modulation \| room \| shadow \| thinking \| turning point
They Made Me a Criminal (1939)	The Whip	1:10:16 - People at the carnival	arena \| boxer \| cheerful \| entering \| excited \| fighting \| hero \| leading man \| march \| sitting \| source music \| sport scene \| teenager
They Made Me a Criminal (1939)	World's Record	1:13:45 - Boxers prepare for the fight	arena \| boxer \| cheerful \| conversing \| excited \| hero \| leading man \| march \| parallel double period \| source music \| sport scene
They Made Me a Criminal (1939)	Spirit of Independence	1:14:53 - Johnnie marches into the ring	arena \| cheerful \| excited \| hero \| leading lady \| leading man \| march \| preparing \| source music \| sport scene \| teenager
They Made Me a Criminal (1939)	Peggy (Waiting)	1:24:39 - The detective talks to Johnnie	chromatic scale \| climax \| dark \| detective \| diminished 7th chord \| dissonant \| dissonant bass \| leading lady \| leading man \| lying \| ominous \| room \| waiting
They Made Me a Criminal (1939)	Lying	1:25:16 - Johnnie lies to Peggy about where he's going	added-note chord \| augmented sixth chord \| climax \| common-chord modulation \| detective \| dissonant bass \| foreign key modulation \| leading lady \| leading man \| lying \| minor-major 7th chord \| room \| turbulent
They Made Me a Criminal (1939)	On the Make (Appassionato)	1:25:51 - Peggy wants to go with Johnnie	9th chord \| altered dominant \| climax \| detective \| embracing \| kissing \| leading lady \| leading man \| leaving \| linear chromaticism \| mode mixture \| pedal tone \| romantic \| room \| sentimental \| sigh gesture \| tender
They Made Me a Criminal (1939)	The Fugitive (Ending)	1:30:23 - A train rushes away	detective \| foreign key modulation \| leading man \| mode mixture \| optimistic \| passionate \| plagal cadence \| resolution \| resolution \| running \| teenager \| train station \| triumphant
They Made Me a Criminal (1939)	Running	1:30:35 - Johnnie runs to Tommy	leading man \| mickey-mousing \| optimistic \| passionate \| resolution \| resolution \| running \| teenager \| train station \| triumphant
Deep Valley (1947)	Homestead (Moderato 2)	0:18:58 - A truck arrives	arriving \| bright \| calm \| car \| crew \| driving \| leading man \| lovers meet \| street
Deep Valley (1947)	Homestead (Walking)	0:19:15 - Jeff arrives at the farm	bright \| crew \| leading man \| lovers meet \| street \| walking
Deep Valley (1947)	Libby 2 (Slowly)	0:19:39 - Jeff talks with Libby	arguing \| crew \| dog \| father \| leading lady \| leading man \| lovers meet \| street \| tense
Deep Valley (1947)	Running	0:20:26 - Libby runs to Joe	convict \| dog \| leading lady \| leading man \| lovers meet \| running \| street \| tense
Deep Valley (1947)	Love Theme	0:20:35 - Libby meets Barry	convict \| leading lady \| leading man \| lovers meet \| meeting \| romantic \| street
Deep Valley (1947)	Underscoring (Tense)	0:22:23 - Barry pumps water	boss \| conflict \| convict \| father \| guard \| leading lady \| leading man \| mocking \| pumping \| street \| tense \| underscoring
Deep Valley (1947)	Turns, Hits, and Falls	0:22:28 - Barry hits the guard	boss \| conflict \| convict \| dramatic \| falling \| father \| guard \| leading lady \| leading man \| mickey-mousing \| punching \| stinger \| street \| turning \| violence
Deep Valley (1947)	Barry	0:22:35 - Barry threatens the guard	angry \| arguing \| boss \| conflict \| convict \| dramatic \| father \| guard \| leading lady \| leading man \| street \| threatening \| yelling
Deep Valley (1947)	Law (Subtle)	0:22:45 - Barry looks at the guard	arguing \| boss \| conflict \| convict \| father \| guard \| leading lady \| leading man \| street \| tense \| underscoring
Deep Valley (1947)	Love Theme (Molto Expressivo)	0:23:07 - Libby watches them take Barry	boss \| conflict \| convict \| crying \| father \| guard \| leading lady \| leading man \| somber \| street \| watching
Deep Valley (1947)	Law	0:23:19 - Guard taking Barry to a shed	arriving \| conflict \| construction site \| convict \| dark \| guard \| leading man \| march \| stinger \| walking
Deep Valley (1947)	Barry (Misterioso)	0:28:31 - Libby talks with Jeff	advance plot \| boss \| conversing \| dark \| leading lady \| leading man \| mysterious \| room \| somber
Deep Valley (1947)	Homestead (Morendo)	0:29:17 - Jeff talks with Libby	advance plot \| boss \| conversing \| leading lady \| leading man \| room \| somber
Deep Valley (1947)	Libby 3	0:29:40 - Close-up on Libby	advance plot \| boss \| conversing \| dance-like \| hesitant \| leading lady \| leading man \| room
Deep Valley (1947)	Libby (Stormy)	0:29:58 - Libby pulls away from Jeff's grasp	advance plot \| boss \| dark \| leading lady \| leading man \| leaving \| lightning \| room \| running \| storm \| thunder
Deep Valley (1947)	Libby 3	0:30:31 - Libby watches the storm	advance plot \| arriving \| boss \| hesitant \| leading lady \| leading man \| leaving \| lightning \| room \| storm \| thunder \| watching
Deep Valley (1947)	Underscoring (Tense)	0:40:24 - Barry in the woods	advance plot \| convict \| forest \| fugitive \| leading man \| searching \| tense \| underscoring
Deep Valley (1947)	Barry (Hiding)	0:40:45 - Barry hides	advance plot \| convict \| forest \| fugitive \| leading man \| mysterious \| rushing \| tense
Deep Valley (1947)	Woods	0:40:58 - Libby swimming	advance plot \| cheerful \| convict \| dog \| forest \| fugitive \| leading lady \| leading man \| searching \| swimming \| upbeat
Deep Valley (1947)	Woods (Misterioso)	0:41:27 - Barry goes to the cabin	advance plot \| convict \| forest \| fugitive \| leading man \| mysterious \| searching
Deep Valley (1947)	Barry (Dark)	0:41:38 - Barry explores the cabin	advance plot \| cabin \| convict \| fugitive \| leading man \| mysterious \| searching \| tense
Deep Valley (1947)	Woods	0:42:41 - Libby arrives at the cabin	advance plot \| arriving \| cabin \| cheerful \| convict \| dog \| fugitive \| leading lady \| leading man \| upbeat
Deep Valley (1947)	Barry (Ferroce)	0:42:50 - Libby sees Barry	advance plot \| cabin \| convict \| dark \| dog \| fierce \| fugitive \| leading lady \| leading man \| threatening
Deep Valley (1947)	Barry (Slowly)	0:45:50 - Barry watches Libby	cabin \| convict \| dog \| falling in love scene \| fugitive \| leading lady \| leading man \| uneasy \| watching
Deep Valley (1947)	Joe (Calm)	0:46:14 - Joe comes in	cabin \| calm \| convict \| dog \| falling in love scene \| fugitive \| leading lady \| leading man \| watching
Deep Valley (1947)	Love Theme (Full)	0:46:30 - Barry and Libby by the lake	calm \| conversing \| convict \| falling in love scene \| forest \| fugitive \| laughing \| leading lady \| leading man \| working
Deep Valley (1947)	Love Theme (Memory)	0:46:53 - Barry and Libby by the lake	conversing \| convict \| falling in love scene \| forest \| fugitive \| leading lady \| leading man \| memory \| uneasy
Deep Valley (1947)	Breeze	0:48:03 - Libby talks to Barry	conversing \| convict \| ethereal \| falling in love scene \| forest \| fugitive \| leading lady \| leading man \| listening \| magical \| wind \| wind effect
Deep Valley (1947)	Breeze + Love Theme	0:48:14 - Barry talks to Libby	combination of themes \| conversing \| convict \| ethereal \| falling in love scene \| forest \| fugitive \| leading lady \| leading man \| listening \| magical \| wind \| wind effect
Deep Valley (1947)	Barry (Drunk)	0:50:00 - Barry talks to Libby	convict \| drunk \| falling in love scene \| forest \| fugitive \| leading lady \| leading man \| story \| storytelling \| tense
Deep Valley (1947)	Barry	0:50:33 - Barry talks to Libby	agitated \| convict \| falling in love scene \| forest \| fugitive \| leading lady \| leading man \| story \| storytelling
Deep Valley (1947)	Barry (Drunk)	0:51:00 - Barry talks to Libby	convict \| drunk \| falling in love scene \| forest \| fugitive \| leading lady \| leading man \| story \| storytelling \| tense
Deep Valley (1947)	Barry (Dolce)	0:51:17 - Barry talks to Libby	convict \| falling in love scene \| forest \| fugitive \| leading lady \| leading man \| story \| storytelling \| sweet
Deep Valley (1947)	Kiss	0:51:58 - Barry kisses Libby	convict \| dog \| embracing \| exciting \| falling in love scene \| forest \| fugitive \| kissing \| leading lady \| leading man \| love interest \| mickey-mousing \| staring
Deep Valley (1947)	Deep Valley	0:52:10 - Barry kisses Libby again	convict \| dog \| embracing \| falling in love scene \| forest \| fugitive \| gentle \| kissing \| leading lady \| leading man \| love interest \| romantic \| staring
Deep Valley (1947)	Deep Valley (Misterioso)	0:54:57 - Libby starts to leave	cabin \| calm \| conversing \| convict \| dog \| fugitive \| leading lady \| leading man \| love interest \| love scene \| planning
Deep Valley (1947)	Barry (Tense)	0:55:38 - Barry unloads his gun	cabin \| convict \| destroying \| fugitive \| leading lady \| leading man \| love interest \| love scene \| mysterious \| tense
Deep Valley (1947)	Deep Valley (Appassionato)	0:55:51 - Barry and Libby embrace	cabin \| cheerful \| convict \| embracing \| fugitive \| kissing \| leading lady \| leading man \| love interest \| love scene \| romantic
Deep Valley (1947)	Deep Valley (Sostenuto)	0:56:17 - Libby turns to leave	cabin \| convict \| dog \| fugitive \| gentle \| leading lady \| leading man \| leaving \| love interest \| love scene
Deep Valley (1947)	Law (Molto Misterioso)	0:57:01 - Men hunting for Barry	forest \| manhunt \| mysterious \| police \| searching \| tense \| transition
Deep Valley (1947)	Law (Misterioso)	1:02:41 - Libby looks out the window	advance plot \| father \| leading lady \| manhunt \| mysterious \| police \| room \| searching \| street \| tense
Deep Valley (1947)	Barry (Molto Misterioso) + Love Theme	1:06:04 - Sheriff drinks coffee	action scene \| convict \| drinking \| forest \| fugitive \| leading lady \| leading man \| love interest \| mysterious \| police \| room \| somber \| walking
Deep Valley (1947)	Law (Slowly)	1:06:18 - Lawmen advance	action scene \| convict \| forest \| fugitive \| leading man \| love interest \| manhunt \| police \| searching \| serious \| walking
Deep Valley (1947)	Underscoring (Dramatic)	1:06:48 - Barry reacts to gunshots	action scene \| cabin \| convict \| dramatic \| forest \| fugitive \| gunfight \| hiding \| leading man \| loading \| love interest \| manhunt \| police \| shooting \| stinger \| tense \| underscoring
Deep Valley (1947)	Law	1:07:20 - Barry tries to escape	action scene \| cabin \| convict \| dramatic \| fugitive \| hiding \| leading man \| love interest \| manhunt \| police \| retreating \| shooting \| tense
Deep Valley (1947)	Barry	1:07:25 - Barry climbs out of a hole	action scene \| cabin \| climbing \| convict \| dramatic \| escaping \| fugitive \| leading man \| love interest \| manhunt \| police \| tense
Deep Valley (1947)	Jumping down	1:07:32 - Barry jumps off the roof	action scene \| cabin \| convict \| dramatic \| fugitive \| jumping \| leading man \| love interest \| manhunt \| mickey-mousing \| police \| tense
Deep Valley (1947)	Law	1:07:34 - Lawmen pursue after Barry	action scene \| chasing \| convict \| dramatic \| escaping \| fanfare \| forest \| fugitive \| leading man \| love interest \| manhunt \| police \| running \| tense
Deep Valley (1947)	Libby 3	1:08:56 - Jeff talks with Libby	advance plot \| conversing \| hesitant \| leading lady \| leading man \| room
Deep Valley (1947)	Libby (Stormy)	1:09:20 - Jeff talks with Libby	advance plot \| conversing \| hesitant \| leading lady \| leading man \| room \| tense
Deep Valley (1947)	Underscoring (Tense)	1:09:40 - Jeff talks with Libby	advance plot \| conversing \| leading lady \| leading man \| room \| stinger \| tense \| underscoring
Deep Valley (1947)	Libby (Triste)	1:10:09 - Libby reacts to the news	escape \| leading lady \| leading man \| reacting \| room \| somber
Deep Valley (1947)	Underscoring (Tense)	1:10:50 - Libby looks out the window	convict \| escape \| fugitive \| leading lady \| leading man \| looking \| love interest \| room \| searching \| tense \| underscoring \| yard
Deep Valley (1947)	Deep Valley	1:11:53 - Libby and Barry embrace	convict \| escape \| fugitive \| joyous \| leading lady \| leading man \| love interest \| reuniting \| yard
Deep Valley (1947)	Wind	1:12:11 - Libby listens carefully	afraid \| convict \| escape \| fear \| fugitive \| leading lady \| leading man \| love interest \| mickey-mousing \| wind \| wind effect \| worrying \| yard
Deep Valley (1947)	Sneaking	1:12:20 - Barry and Libby run to the shed	convict \| escape \| fugitive \| leading lady \| leading man \| love interest \| sneaking \| sneaking effect \| tense \| yard
Deep Valley (1947)	Barry (Tense 2)	1:15:38 - Barry drops his gun	advance plot \| barn \| conversing \| convict \| fugitive \| leading lady \| leading man \| love interest \| tense
Deep Valley (1947)	Barry (Tender)	1:15:59 - Barry apologizes to Libby	advance plot \| apologizing \| barn \| convict \| embracing \| fugitive \| leading lady \| leading man \| love interest \| tender
Deep Valley (1947)	Deep Valley (Kiss)	1:16:19 - Barry kisses Libby	advance plot \| barn \| convict \| crying \| embracing \| fugitive \| kissing \| leading lady \| leading man \| love interest \| tender
Deep Valley (1947)	Deep Valley (Sostenuto)	1:16:37 - Libby talks with Barry	advance plot \| barn \| calm \| conversing \| convict \| fugitive \| hopeful \| leading lady \| leading man \| love interest
Deep Valley (1947)	Underscoring (Tense)	1:17:04 - Barry picks up the gun	advance plot \| barn \| conversing \| convict \| fugitive \| leading lady \| leading man \| love interest \| tense \| underscoring
Deep Valley (1947)	Deep Valley (Dolce)	1:17:25 - Barry talks with Libby	advance plot \| barn \| conversing \| convict \| fugitive \| gentle \| leading lady \| leading man \| love interest \| tender
Deep Valley (1947)	Underscoring (Dramatic)	1:17:55 - Barry hears a noise	advance plot \| barn \| convict \| dramatic \| fugitive \| leading lady \| leading man \| love interest \| sneaking \| stinger \| tense \| walking
Deep Valley (1947)	My Bonnie Lies Over the Ocean	1:21:19 - Barry listens at the door	advance plot \| barn \| cheerful \| convict \| father \| fugitive \| leading man \| love interest \| singing
Deep Valley (1947)	Deep Valley (Misterioso)	1:23:23 - Barry looks at Libby	advance plot \| barn \| calm \| convict \| embracing \| fugitive \| kissing \| leading lady \| leading man \| love interest \| mysterious
Deep Valley (1947)	Underscoring (Dramatic)	1:23:43 - Barry hears a noise	advance plot \| barn \| convict \| dramatic \| fugitive \| leading lady \| leading man \| love interest \| rushing \| tense \| worrying
Deep Valley (1947)	Homestead (Walking)	1:23:47 - Cliff on the porch	advance plot \| arriving \| calm \| convict \| father \| fugitive \| leading lady \| leading man \| love interest \| porch
Deep Valley (1947)	Joe (Running)	1:23:58 - Barry talks to Libby	advance plot \| barn \| calm \| conversing \| convict \| fugitive \| leading lady \| leading man \| love interest
Deep Valley (1947)	Underscoring (Tense)	1:24:11 - Libby talks to Barry	advance plot \| barn \| convict \| fugitive \| leading lady \| leading man \| love interest \| tense \| worrying
Deep Valley (1947)	Libby (Sneaking)	1:24:14 - Libby talks to Barry	advance plot \| barn \| convict \| fugitive \| leading lady \| leading man \| love interest \| tense \| worrying \| worrying effect
Deep Valley (1947)	Deep Valley	1:24:39 - Libby talks to Barry	advance plot \| barn \| calm \| convict \| fugitive \| hopeful \| hoping \| leading lady \| leading man \| love interest
Deep Valley (1947)	Barry (Misterioso)	1:25:16 - Barry shaving	advance plot \| arriving \| convict \| fugitive \| leading lady \| leading man \| love interest \| mysterious \| street
Deep Valley (1947)	Barry (Misterioso)	1:27:15 - Libby talks to Barry	agitated \| barn \| conflict \| convict \| dark \| father \| fugitive \| leading lady \| leading man \| love interest \| mysterious \| searching \| worrying
Deep Valley (1947)	Underscoring (Tense)	1:28:00 - Barry prepares to attack	barn \| conflict \| convict \| dark \| fugitive \| leading lady \| leading man \| love interest \| stinger \| tense \| waiting
Deep Valley (1947)	Deep Valley (Slowly)	1:28:11 - Libby climbs the ladder	barn \| conflict \| convict \| descending \| fugitive \| leading lady \| leading man \| love interest \| tense \| uneasy
Deep Valley (1947)	Libby 3 (Tense)	1:28:28 - Libby comes down the ladder	barn \| conflict \| conversing \| convict \| father \| fugitive \| leading lady \| leading man \| love interest \| tense \| uneasy \| walking
Deep Valley (1947)	Running (Extended)	1:29:26 - Libby runs to the barn	advance plot \| barn \| convict \| father \| fugitive \| hesitating \| leading lady \| leading man \| love interest \| mickey-mousing \| running \| tense \| uneasy \| yard
Deep Valley (1947)	Barry (Very Slowly)	1:30:02 - Libby climbs the ladder	advance plot \| arriving \| barn \| climbing \| convict \| fugitive \| leading lady \| leading man \| love interest \| somber \| uneasy \| walking
Deep Valley (1947)	Libby (Somber) + Barry (Somber)	1:30:26 - Libby talks to Barry	advance plot \| barn \| combination of themes \| comforting \| convict \| fugitive \| leading lady \| leading man \| love interest \| somber
Deep Valley (1947)	Deep Valley (Quasi Appassionato)	1:30:51 - Barry looks at Libby	advance plot \| barn \| comforting \| conflicted \| convict \| fugitive \| hopeful \| leading lady \| leading man \| love interest
Deep Valley (1947)	Barry (Drunk)	1:31:10 - Barry talks to Libby	advance plot \| anxious \| anxious effect \| barn \| conversing \| convict \| fugitive \| leading lady \| leading man \| love interest \| worried \| worrying
Deep Valley (1947)	Deep Valley (Delicato)	1:31:30 - Barry embraces Libby	advance plot \| barn \| comforting \| convict \| fugitive \| hopeful \| leading lady \| leading man \| love interest \| street \| tense
Deep Valley (1947)	Libby 2 (Molto Expressivo)	1:33:40 - Ellie walks to the barn	advance plot \| barn \| convict \| eavesdropping \| fugitive \| leading lady \| leading man \| love interest \| mother \| sneaking \| tense \| walking \| yard
Deep Valley (1947)	Libby 2 (Misterioso)	1:34:15 - Ellie climbs the ladder	advance plot \| barn \| climbing \| convict \| eavesdropping \| fugitive \| leading lady \| leading man \| love interest \| mother \| mysterious \| sneaking \| tense
Deep Valley (1947)	Rushing away	1:36:01 - Libby rushes out of the barn	barn \| climax \| convict \| descending \| dramatic \| fugitive \| leading lady \| leading man \| love interest \| mother \| rushing \| rushing effect \| tense
Deep Valley (1947)	Libby 2 (Frantic)	1:36:05 - Ellie calls after Libby	barn \| begging \| climax \| convict \| frantic \| fugitive \| leading lady \| leading man \| love interest \| mother \| pleading \| tense
Deep Valley (1947)	Libby (Running)	1:36:13 - Libby and Barry run out of the barn	barn \| begging \| climax \| convict \| father \| frantic \| fugitive \| leading lady \| leading man \| love interest \| mother \| pleading \| running \| rushing \| tense \| yard
Deep Valley (1947)	Libby (Stormy)	1:36:26 - Cliff looks for Ellie	barn \| climax \| convict \| crying \| dark \| father \| fugitive \| hiding \| leading lady \| leading man \| love interest \| mother \| running \| rushing \| sneaking \| tense \| yard
Deep Valley (1947)	Barry (Drunk)	1:36:39 - Barry steals a car	arguing \| car \| climax \| convict \| dark \| fighting \| fugitive \| leading lady \| leading man \| love interest \| running \| rushing \| street \| tense \| yelling
Deep Valley (1947)	Barry	1:36:57 - Jeff hits Barry	arguing \| attacking \| car \| climax \| convict \| dark \| fighting \| fugitive \| leading lady \| leading man \| love interest \| punching \| street \| tense \| yelling
Deep Valley (1947)	Barry (Running)	1:37:23 - Libby chases Barry	arguing \| car \| chasing \| climax \| convict \| crying \| dramatic \| driving \| fleeing \| fugitive \| leading lady \| leading man \| love interest \| running \| street
Deep Valley (1947)	Molto Expressivo	1:37:28 - Barry pushes Libby away	arguing \| car \| chasing \| climax \| convict \| crying \| dramatic \| driving \| falling \| fleeing \| fugitive \| leading lady \| leading man \| love interest \| running \| street
Deep Valley (1947)	Deep Valley (Climactic)	1:37:35 - Libby on the ground	car \| chasing \| climax \| convict \| crying \| dramatic \| driving \| fleeing \| fugitive \| leading lady \| leading man \| love interest \| street
Deep Valley (1947)	Car Crash	1:37:49 - Barry's car runs off the road	car \| climax \| convict \| crashing \| dramatic \| driving \| falling \| fleeing \| fugitive \| leading man \| love interest \| mickey-mousing \| street \| swerving
Deep Valley (1947)	Underscoring (Dramatic)	1:37:57 - Jeff gets up and looks around	car \| climax \| climbing \| convict \| dramatic \| fleeing \| fugitive \| leading man \| love interest \| mickey-mousing \| police \| searching \| street \| transcribed by ear \| underscoring
Deep Valley (1947)	Fleeing	1:38:08 - Barry makes a run for it	chasing \| climax \| convict \| dramatic \| fleeing \| forest \| fugitive \| leading lady \| leading man \| love interest \| mickey-mousing \| police \| running \| shooting \| transcribed by ear
Deep Valley (1947)	Barry (Not in Score)	1:38:32 - The posse chases after Barry	chasing \| climax \| convict \| dramatic \| fleeing \| forest \| fugitive \| leading man \| love interest \| police \| running \| shooting \| tense \| transcribed by ear
Deep Valley (1947)	Underscoring (Tense)	1:38:41 - Barry is shot	climax \| convict \| dramatic \| falling \| forest \| fugitive \| injury \| leading man \| love interest \| police \| stinger \| tense \| underscoring
Deep Valley (1947)	Law	1:38:44 - The posse chases after Barry	chasing \| climax \| convict \| dramatic \| fleeing \| forest \| fugitive \| injury \| leading man \| love interest \| police \| running \| tense
Deep Valley (1947)	Barry is shot	1:38:57 - Barry is shot	climax \| convict \| dramatic \| falling \| forest \| fugitive \| injury \| leading man \| love interest \| mickey-mousing \| police \| shooting
Deep Valley (1947)	Law (Searching)	1:39:05 - The posse closes in on Barry	chasing \| climax \| convict \| dramatic \| forest \| fugitive \| hiding \| injury \| leading man \| love interest \| police \| searching
Deep Valley (1947)	Underscoring (Tense)	1:39:09 - Barry hides	climax \| convict \| forest \| fugitive \| hiding \| injury \| leading man \| love interest \| police \| searching \| tense \| underscoring
Deep Valley (1947)	Law (Subtle)	1:39:20 - The posse searches for Barry	climax \| convict \| forest \| fugitive \| hiding \| injury \| leading man \| love interest \| police \| searching \| tense
Deep Valley (1947)	Law	1:39:28 - Barry crawls on the ground	climax \| convict \| forest \| fugitive \| hiding \| injury \| leading man \| love interest \| police \| searching \| tense
Deep Valley (1947)	Barry (Dark 2)	1:39:35 - Barry hides	climax \| convict \| forest \| fugitive \| hiding \| injury \| leading man \| love interest \| mysterious \| police \| tense
Deep Valley (1947)	Underscoring (Dramatic)	1:40:00 - Barry hides	climax \| convict \| forest \| fugitive \| hiding \| injury \| leading man \| love interest \| mysterious \| police \| searching \| tense
Deep Valley (1947)	Law (Misterioso)	1:40:10 - Barry hides	climax \| convict \| forest \| fugitive \| hiding \| injury \| leading man \| love interest \| mysterious \| searching \| tense
Deep Valley (1947)	Barry (Misterioso 2)	1:40:17 - Barry runs	climax \| convict \| forest \| fugitive \| hiding \| injury \| leading man \| love interest \| somber \| stumbling \| tense
Deep Valley (1947)	Barry (Triste)	1:40:30 - Barry at the creek	climax \| convict \| forest \| fugitive \| hiding \| injury \| leading man \| love interest \| somber
Deep Valley (1947)	Molto Expressivo	1:40:35 - Barry at the creek	climax \| convict \| forest \| fugitive \| hiding \| injury \| leading man \| love interest \| somber
Deep Valley (1947)	Sunrise	1:40:46 - The sun rises	climax \| convict \| dramatic \| forest \| fugitive \| hiding \| injury \| leading man \| love interest \| sunrise effect
Deep Valley (1947)	Barry (Dolce)	1:41:24 - Libby finds Barry	convict \| death scene \| finding \| forest \| fugitive \| gentle \| leading lady \| leading man \| love interest \| resolution \| searching
Deep Valley (1947)	Deep Valley (Delicato 2)	1:41:39 - Libby goes to Barry	comforting \| convict \| crying \| death scene \| delicate \| dying \| forest \| fugitive \| gentle \| leading lady \| leading man \| love interest \| resolution \| reuniting \| tender
Deep Valley (1947)	Deep Valley (Dying)	1:42:30 - Barry talks to Libby	comforting \| convict \| crying \| death scene \| delicate \| dying \| forest \| fugitive \| gentle \| leading lady \| leading man \| love interest \| resolution \| reuniting \| tender
Deep Valley (1947)	Passing away	1:43:19 - Barry dies	convict \| death \| death scene \| delicate \| dying \| forest \| fugitive \| gentle \| leading lady \| leading man \| love interest \| mickey-mousing \| resolution \| tender
Deep Valley (1947)	Breeze	1:43:22 - Libby looks at Barry	convict \| crying \| death \| death scene \| ethereal \| forest \| fugitive \| leading lady \| leading man \| love interest \| magical \| resolution \| wind effect
Deep Valley (1947)	Breeze + Love Theme	1:43:32 - Libby embraces Barry	combination of themes \| convict \| crying \| death \| death scene \| ethereal \| forest \| fugitive \| leading lady \| leading man \| love interest \| magical \| resolution \| wind effect
Deep Valley (1947)	Libby 3 + Law	1:44:32 - Jeff talks to Libby	calm \| combination of themes \| conversing \| dog \| forest \| leading lady \| leading man \| peaceful \| resolution
Deep Valley (1947)	Deep Valley (Appassionato)	1:44:57 - Libby looks off into the distance	dog \| forest \| leading lady \| leading man \| passionate \| resolution \| watching
Deep Valley (1947)	Deep Valley (Sostenuto)	1:45:05 - Jeff and Libby on the cliffside	dog \| forest \| leading lady \| leading man \| passionate \| resolution \| walking
Dust Be My Destiny (1939)	Mysterioso	0:02:00 - Warden talks to Joe	conversing \| drone \| establish character \| leading man \| mysterious \| parallelism \| polytonality \| prison \| prisoner \| warden
Dust Be My Destiny (1939)	Dust Be My Destiny (Injustice)	0:02:29 - Joe reacts to the warden	9th chord \| 64 chord \| agitated \| chromatic parallelism \| conversing \| dramatic \| establish character \| injustice \| leading man \| prison \| prisoner \| warden
Dust Be My Destiny (1939)	Marching	0:10:10 - Inmates marching	establish location \| leading man \| march \| marching \| parallelism \| pedal tone \| prison \| prisoner \| somber
Dust Be My Destiny (1939)	Charlie	0:10:58 - Charlie talks to inmates	conversing \| dark \| drunk \| establish character \| leading man \| polychord \| prison \| prisoner \| warden
Dust Be My Destiny (1939)	Hiccough	0:11:35 - Charlie hiccups	comical \| drunk \| establish character \| hiccuping \| leading man \| mickey-mousing \| prison \| prisoner \| warden
Dust Be My Destiny (1939)	Cow	0:11:39 - Man calls Charlie a cow	comical \| cow \| drunk \| establish character \| leading man \| mickey-mousing \| mooing \| prison \| prisoner \| stinger \| warden
Dust Be My Destiny (1939)	Charlie (Extended)	0:11:41 - Charlie talks to inmates	chromatic parallelism \| dark \| drunk \| establish character \| leading man \| prison \| prisoner \| sequence \| slapping \| stinger \| warden
Dust Be My Destiny (1939)	Comedy fall	0:13:08 - Joe falls over while milking the cow	barn \| chromatic parallelism \| chromatic scale \| comical \| falling \| leading lady \| leading man \| lovers meet \| mickey-mousing \| prisoner
Dust Be My Destiny (1939)	Underscoring (Humorous)	0:13:13 - Joe talks to the cow	barn \| chromatic parallelism \| comical \| conversing \| cow \| diminished triad \| dissonant bass \| leading man \| lovers meet \| prisoner \| underscoring
Dust Be My Destiny (1939)	Dust Be My Destiny (Playful)	0:13:38 - Mabel talks to Joe	barn \| comical \| common-tone diminished 7th \| cow \| laughing \| leading lady \| leading man \| lovers meet \| playful \| prisoner \| romantic
Dust Be My Destiny (1939)	Joe fights cow	0:13:56 - Joe fights cow (off-screen)	augmented triad \| barn \| chromatic parallelism \| chromatic scale \| comical \| cow \| diminished 7th chord \| fighting \| leading lady \| leading man \| lovers meet \| mickey-mousing \| prisoner
Dust Be My Destiny (1939)	Dust Be My Destiny (Laughing)	0:14:07 - Mabel laughs at Joe	barn \| chromatic parallelism \| comical \| diminished 7th chord \| laughing \| leading lady \| leading man \| lovers meet \| prisoner
Dust Be My Destiny (1939)	Laughing	0:14:10 - Mabel laughs at Joe	barn \| chromatic parallelism \| comical \| diminished 7th chord \| laughing \| leading lady \| leading man \| lovers meet \| mickey-mousing \| prisoner
Dust Be My Destiny (1939)	Dust Be My Destiny (Agitated)	0:14:22 - Joe argues with Mabel	agitated \| arguing \| barn \| fragmentation \| leading lady \| leading man \| lovers meet \| prisoner \| sequence
Dust Be My Destiny (1939)	Underscoring (Tense)	0:14:40 - Charlie enters	barn \| leading lady \| leading man \| lovers meet \| prisoner \| stinger \| tense \| underscoring \| villain \| warden
Dust Be My Destiny (1939)	Dust Be My Destiny (Tense)	0:14:53 - Joe talks to Charlie	barn \| dark \| dissonant \| leading lady \| leading man \| lovers meet \| prisoner \| tense \| tritone \| villain \| warden
Dust Be My Destiny (1939)	Train whistle	0:17:18 - A distant train whistle sounds	advance plot \| dissonant \| leading man \| mickey-mousing \| pc set \| prison \| train whistle
Dust Be My Destiny (1939)	Escape Plan	0:17:23 - Joe talks with the boys	advance plot \| leading man \| pc set \| prison \| quotation \| sincere
Dust Be My Destiny (1939)	Dust Be My Destiny (Expectant)	0:18:08 - Mabel leaves	advance plot \| expectant \| gentle \| guard \| hopeful \| leading lady \| leading man \| pedal tone \| prison \| prisoner \| sweet
Dust Be My Destiny (1939)	Dust Be My Destiny (Denied)	0:18:23 - Mabel talks to Joe	conflict \| deceptive resolution \| denial \| expectant \| gentle \| guard \| hopeful \| leading lady \| leading man \| prison \| prisoner \| stinger \| sweet
Dust Be My Destiny (1939)	Underscoring (Romantic)	0:21:46 - Mabel talks with Joe	barn \| leading lady \| leading man \| love scene \| pedal tone \| romantic \| underscoring
Dust Be My Destiny (1939)	Dust Be My Destiny (In Love)	0:22:04 - Mabel and Joe talk	9th chord \| added-note chord \| barn \| common-tone diminished 7th \| leading lady \| leading man \| love scene \| mode mixture \| romantic \| secondary dominant
Dust Be My Destiny (1939)	Dust Be My Destiny (Pensive)	0:23:08 - Joe tells Mabel about his dreams	11th chord \| barn \| chromatic mediant \| dreaming \| foreign key modulation \| leading lady \| leading man \| love scene \| mode mixture \| pensive
Dust Be My Destiny (1939)	Dust Be My Destiny (Expressivo)	0:23:38 - Joe and Mabel talk	9th chord \| added-note chord \| augmented sixth chord \| barn \| common-tone diminished 7th \| leading lady \| leading man \| love scene \| mode mixture \| romantic \| secondary dominant \| sequence
Dust Be My Destiny (1939)	Dust Be My Destiny (Ethereal)	0:24:50 - Joe tells Mabel he loves her	barn \| common-tone diminished 7th \| deceptive resolution \| inversion \| kissing \| leading lady \| leading man \| love scene \| romantic
Dust Be My Destiny (1939)	Underscoring (Dark)	0:25:03 - Charlie interrupts the lovers	barn \| chromatic scale \| conflict \| dark \| diminished 7th chord \| hexatonic scale \| leading lady \| leading man \| underscoring \| villain \| warden
Dust Be My Destiny (1939)	Underscoring (Dramatic)	0:25:23 - Charlie grabs Mabel's arm	barn \| chromatic scale \| conflict \| diminished 7th chord \| dramatic \| leading lady \| leading man \| underscoring \| villain \| warden
Dust Be My Destiny (1939)	Dust Be My Destiny (Fight)	0:25:41 - Charlie and Joe fight	42 chord \| barn \| chromatic parallelism \| chromatic scale \| chromatic wedge \| conflict \| dramatic \| fighting \| leading lady \| leading man \| linear chromaticism \| mickey-mousing \| octatonic scale \| punching \| villain \| warden \| whole-tone scale
Dust Be My Destiny (1939)	Dust Be My Destiny (Running Away)	0:25:55 - Joe and Mabel run	64 chord \| barn \| conflict \| diminution \| dramatic \| leading lady \| leading man \| running \| sequence
Dust Be My Destiny (1939)	Running	0:26:05 - Joe and Mabel run	9th chord \| barn \| conflict \| dramatic \| leading lady \| leading man \| mickey-mousing \| octatonic \| running
Dust Be My Destiny (1939)	Turning around	0:26:13 - Joe and Mabel turn around	64 chord \| barn \| death \| dramatic \| leading lady \| leading man \| mickey-mousing \| prisoner \| turning
Dust Be My Destiny (1939)	Dust Be My Destiny (Fateful Decision)	0:26:17 - Joe and Mabel decide to run away together	barn \| confused \| deceptive resolution \| fragmentation \| hopeful \| leading lady \| leading man \| mode mixture \| runaway \| turning point
Dust Be My Destiny (1939)	Running away	0:26:45 - Joe and Mabel run away	barn \| conflict \| diminished 7th chord \| dramatic \| leading lady \| leading man \| mickey-mousing \| pedal tone \| runaway \| running
Dust Be My Destiny (1939)	Arriving	0:26:52 - Joe and Mabel settle into their new situation	9th chord \| arriving \| calm \| dramatic \| freedom \| leading lady \| leading man \| runaway \| settling down \| street \| traveling \| traveling scene \| truck
Dust Be My Destiny (1939)	Dust Be My Destiny (In Love)	0:27:22 - Joe and Mabel talk	9th chord \| added-note chord \| advance plot \| common-tone diminished 7th \| freedom \| gentle \| leading lady \| leading man \| mode mixture \| runaway \| secondary dominant \| street \| walking
Dust Be My Destiny (1939)	Dust Be My Destiny (Milkman)	0:27:38 - Joe and Mabel talk to the milkman	advance plot \| comical \| glass \| leading lady \| leading man \| milk \| milkman \| pizzicato \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (A Hotel)	0:28:47 - Joe mentions going to a hotel	advance plot \| altered dominant \| concerned \| leading lady \| leading man \| street
Dust Be My Destiny (1939)	Here Comes the Bride (Modulating)	0:29:02 - Joe and Mabel run to the courthouse	added-note chord \| deceptive resolution \| excited \| familiar tune \| foreign key modulation \| fragmentation \| leading lady \| leading man \| love scene \| marriage \| pump-up modulation \| romance \| romantic \| running \| sequence \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Waiting)	0:29:38 - Joe and Mabel talk about getting married	added-note chord \| augmented sixth chord \| chromatic mediant \| common-tone diminished 7th \| foreign key modulation \| leading lady \| leading man \| love scene \| romantic \| street \| waiting
Dust Be My Destiny (1939)	Dust Be My Destiny (Running Up and Down)	0:30:12 - Man runs up the courthouse steps	64 chord \| chromatic parallelism \| chromatic scale \| courthouse \| down \| frantic \| leading lady \| leading man \| love scene \| mickey-mousing \| mode mixture \| producer \| running \| stairs \| street \| up
Dust Be My Destiny (1939)	Here Comes the Bride (Triple)	0:30:31 - Man talks to Joe and Mabel	9th chord \| 64 chord \| chromatic parallelism \| courthouse \| familiar tune \| leading lady \| leading man \| love scene \| marriage \| producer \| pump-up modulation \| romantic \| sequence \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Got Each Other)	0:30:49 - Mabel proclaims her love for Joe	courthouse \| leading lady \| leading man \| love scene \| producer \| romantic \| street
Dust Be My Destiny (1939)	Fairy Music	0:30:58 - Man takes their luggage	64 chord \| courthouse \| happy \| leading lady \| leading man \| love scene \| producer \| pump-up modulation \| romantic \| street
Dust Be My Destiny (1939)	Here Comes the Bride	0:31:19 - Crowd sings and claps at a wedding	crowd \| happy \| leading lady \| leading man \| marriage \| on-screen music \| source music \| theater \| wedding
Dust Be My Destiny (1939)	Here Comes the Bride	0:32:48 - Joe kisses Mabel	crowd \| happy \| leading lady \| leading man \| marriage \| on-screen music \| pianist \| source music \| theater \| wedding
Dust Be My Destiny (1939)	In a Moment of Weakness	0:33:37 - Mabel looks at her wedding ring	develop character \| happy \| leading lady \| leading man \| radio \| source music \| theater
Dust Be My Destiny (1939)	Radio Fanfare	0:34:20 - Mabel talks to Joe	chromatic mediant \| develop character \| happy \| leading lady \| leading man \| radio \| source music \| theater
Dust Be My Destiny (1939)	Fleeing	0:34:56 - Joe and Mabel flee	alley \| chromatic scale \| danger \| down \| escape \| fearful \| fleeing \| leading lady \| leading man \| linear chromaticism \| mickey-mousing \| police \| runaway \| running \| street \| suspenseful
Dust Be My Destiny (1939)	Agitato Risoluto	0:35:11 - Joe and Mabel hide under the stairs	agitated \| alley \| chromatic parallelism \| concerned \| danger \| escape \| hiding \| leading lady \| leading man \| pedal tone \| runaway \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Injustice)	0:35:25 - Joe and Mabel talk in the alley	9th chord \| alley \| chromatic parallelism \| escape \| fearful \| leading lady \| leading man \| runaway \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Fear and Devotion)	0:35:50 - Joe and Mabel decide to stick together	alley \| common-tone diminished 7th \| devotion \| dramatic \| escape \| fear \| fragmentation \| leading lady \| leading man \| love \| mode mixture \| obsessive \| runaway \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Travel Montage)	0:36:28 - A speeding train	added-note chord \| foreign key modulation \| frantic \| hitch-hiking \| leading lady \| leading man \| linear chromaticism \| map \| montage \| pc set \| runaway \| sign \| train \| train \| train whistle \| traveling \| traveling scene \| truck \| walking
Dust Be My Destiny (1939)	Dust Be My Destiny (Wandering)	0:37:16 - Joe and Mabel walk down the road	car \| car horn \| diminished 7th chord \| leading lady \| leading man \| montage \| oscillation \| runaway \| street \| tired \| traveling scene \| walking
Dust Be My Destiny (1939)	Dust Be My Destiny (Weary)	0:37:38 - They rest by the side of the road	chromatic parallelism \| conflict \| leading lady \| leading man \| resting \| runaway \| street \| tired
Dust Be My Destiny (1939)	Underscoring (Dramatic)	0:38:00 - Joe and Mabel argue	9th chord \| arguing \| conflict \| dissonant bass \| dramatic \| leading lady \| leading man \| runaway \| street \| underscoring
Dust Be My Destiny (1939)	Dust Be My Destiny	0:38:38 - Joe and Mabel part	common-tone diminished 7th \| conflict \| leading lady \| leading man \| leaving \| runaway \| somber \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Parting Ways)	0:38:56 - Joe and Mabel part	altered dominant \| common-tone diminished 7th \| conflict \| dark \| leading lady \| leading man \| leaving \| mode mixture \| pedal tone \| runaway \| somber \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Running)	0:39:33 - Mabel runs across the street	conflict \| leading lady \| leading man \| mickey-mousing \| runaway \| running \| somber \| street \| truck
Dust Be My Destiny (1939)	Dust Be My Destiny (Regret)	0:39:53 - Joe walks away sadly	conflict \| dark \| leading lady \| leading man \| parallelism \| pedal tone \| runaway \| somber \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Reunited)	0:40:03 - Joe runs to Mabel	64 chord \| altered dominant \| foreign key modulation \| joyful \| leading lady \| leading man \| mickey-mousing \| pump-up modulation \| resolution \| runaway \| running \| street
Dust Be My Destiny (1939)	The Poster	0:40:39 - Joe and Mabel see a sign for the train	chromatic sequence \| comedy \| comical \| laughing \| leading lady \| leading man \| runaway \| sign \| street
Dust Be My Destiny (1939)	My Wild Irish Rose	0:40:51 - Joe and Mabel in Nick's Diner	accompanied source music \| altered dominant \| common-chord modulation \| diner \| establish character \| familiar tune \| friend \| happy \| leading lady \| leading man \| mode mixture \| parallel double period \| popular song \| radio \| shopkeeper \| singing \| source music \| ternary form
Dust Be My Destiny (1939)	Dust Be My Destiny (Irish Rose)	0:42:25 - They go to work in the kitchen	diner \| establish character \| friend \| happy \| leading lady \| leading man \| score to source \| shopkeeper
Dust Be My Destiny (1939)	Dust Be My Destiny (Delicatessen)	0:43:38 - Mabel and Nick talk	common-tone diminished 7th \| develop character \| diner \| friend \| gentle \| leading lady \| leading man \| secondary dominant \| shopkeeper
Dust Be My Destiny (1939)	Dust Be My Destiny (In Love)	0:43:51 - Mabel and Nick talk	9th chord \| develop character \| diner \| friend \| gentle \| leading lady \| leading man \| shopkeeper
Dust Be My Destiny (1939)	Dust Be My Destiny (Delicatessen)	0:44:01 - Mabel and Nick talk	common-tone diminished 7th \| develop character \| diner \| friend \| gentle \| leading lady \| leading man \| secondary dominant \| shopkeeper
Dust Be My Destiny (1939)	My Wild Irish Rose (Waltz)	0:44:17 - Mabel and Nick talk	develop character \| diner \| familiar tune \| friend \| gentle \| leading lady \| leading man \| on-screen music \| pedal tone \| popular song \| shopkeeper \| singing \| source music
Dust Be My Destiny (1939)	Dust Be My Destiny (Calm)	0:44:32 - Mabel and Nick talk	added-note chord \| altered dominant \| develop character \| diner \| friend \| gentle \| leading lady \| leading man \| shopkeeper
Dust Be My Destiny (1939)	Whistling	0:45:44 - Joe whistles as he walks	64 chord \| cheerful \| chromatic mediant \| deceptive resolution \| foreign key modulation \| leading man \| on-screen music \| scored source music \| source music \| street \| traveling scene \| whistling
Dust Be My Destiny (1939)	Whistling (Suspenseful)	0:46:25 - Mabel looks out the window	anxious \| cheerful \| concerned \| create suspense \| harmonic sequence \| leading lady \| leading man \| on-screen music \| police \| polytonality \| room \| scored source music \| source music \| whistling
Dust Be My Destiny (1939)	Underscoring (Dramatic)	0:46:42 - Mabel yells to Joe	chromatic scale \| create suspense \| diminished 7th chord \| dissonant bass \| dramatic \| escaping \| gun \| gunshot \| leading lady \| leading man \| police \| room \| runaway \| running \| street \| underscoring \| yelling
Dust Be My Destiny (1939)	Joe runs and falls	0:46:50 - Joe runs and falls	chromatic scale \| create suspense \| diminished 7th chord \| dissonant bass \| dramatic \| falling \| leading lady \| leading man \| mickey-mousing \| police \| runaway \| running \| stinger \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Hiding)	0:47:35 - Nick talks with Joe	42 chord \| advance plot \| anxious \| diminished 7th chord \| diner \| fragmentation \| friend \| hiding \| leading man \| money \| runaway \| shopkeeper \| suspense
Dust Be My Destiny (1939)	Underscoring (Tense)	0:47:58 - Joe walks to the jail	64 chord \| friend \| jail \| jail break \| leading man \| runaway \| shopkeeper \| tense \| underscoring \| walking
Dust Be My Destiny (1939)	Dust Be My Destiny (Sordini)	0:48:21 - Joe talks to the jailer	chromatic parallelism \| jail \| jail break \| leading man \| major triad \| mysterious \| pedal tone \| tense \| warden
Dust Be My Destiny (1939)	Underscoring (Tense)	0:48:34 - Joe talks to the jailer	jail \| jail break \| leading man \| pedal tone \| tense \| underscoring \| warden
Dust Be My Destiny (1939)	Dust Be My Destiny (Trickery)	0:48:45 - Joe talks to the jailer	distortion \| friend \| half-diminished 7th chord \| jail \| jail break \| leading man \| parallelism \| passerby \| shopkeeper \| tense \| warden
Dust Be My Destiny (1939)	Underscoring (Tense)	0:49:05 - Joe enters the jail	64 chord \| jail \| jail break \| leading man \| tense \| underscoring \| warden
Dust Be My Destiny (1939)	Dust Be My Destiny (Jail Break)	0:49:16 - Mabel looks up and sees Joe	chromatic wedge \| dissonant bass \| jail \| jail break \| leading lady \| leading man \| linear chromaticism \| tense \| warden
Dust Be My Destiny (1939)	Dust Be My Destiny (Stick Up)	0:50:12 - Joe pulls out a gun	gun \| half-diminished 7th chord \| jail \| jail break \| leading lady \| leading man \| tense \| warden
Dust Be My Destiny (1939)	Dust Be My Destiny (The Escape)	0:50:26 - Joe and Mabel leave the jail	64 chord \| chromatic parallelism \| dark \| escaping \| foreign key modulation \| friend \| hopeful \| jail \| jail break \| leading lady \| leading man \| shopkeeper
Dust Be My Destiny (1939)	Dust Be My Destiny (Grandioso)	0:50:50 - Joe and Mabel outside	42 chord \| 64 chord \| deceptive resolution \| escaping \| friend \| heroic \| jail break \| leading lady \| leading man \| pedal tone \| shopkeeper \| street \| triumphant
Dust Be My Destiny (1939)	Stinger	0:51:01 - They see approaching headlights	42 chord \| danger \| friend \| jail break \| leading lady \| leading man \| ominous \| shopkeeper \| siren \| stinger \| street
Dust Be My Destiny (1939)	Speeding car	0:51:08 - The car speeds off	car \| chromatic scale \| diminished 7th chord \| dramatic \| escape \| friend \| leading lady \| leading man \| mickey-mousing \| shopkeeper \| street \| traveling
Dust Be My Destiny (1939)	Dust Be My Destiny (Thankful)	0:51:24 - Joe, Mabel, and Nick talk in the car	augmented sixth chord \| escape \| friend \| leading lady \| leading man \| shopkeeper \| thankful \| train station
Dust Be My Destiny (1939)	My Wild Irish Rose (Goodbye)	0:51:35 - Joe and Mabel say goodbye to Nick	9th chord \| escape \| familiar tune \| foreign key modulation \| friend \| leading lady \| leading man \| linear chromaticism \| mode mixture \| popular song \| shopkeeper \| tender \| train station
Dust Be My Destiny (1939)	My Wild Irish Rose (Grandioso)	0:52:06 - Joe and Mabel leave on a train	9th chord \| 64 chord \| calm \| escape \| familiar tune \| friend \| leading lady \| leading man \| popular song \| shopkeeper \| sweet \| tender \| train station \| triumphant
Dust Be My Destiny (1939)	Dust Be My Destiny (Radio)	0:52:28 - Mabel in an apartment	conflict \| leading lady \| leading man \| popular song \| radio \| room \| score to source \| somber \| source music
Dust Be My Destiny (1939)	Dust Be My Destiny (Arguing)	0:55:00 - Mabel confronts Joe	agitated \| arguing \| conflict \| dark \| leading lady \| leading man \| parallelism \| pc set \| pleading \| room
Dust Be My Destiny (1939)	Patrol	0:55:50 - Cop checks on a shop	clock \| crime scene \| criminal \| leading man \| police \| shopkeeper \| street \| tense
Dust Be My Destiny (1939)	Dust Be My Destiny (Sehr Ominous)	0:56:14 - Joe walks towards the shop	9th chord \| chromatic parallelism \| crime scene \| criminal \| leading man \| mysterious \| sequence \| shop \| shopkeeper \| street \| walking
Dust Be My Destiny (1939)	Cantor	0:56:34 - Joe talks to a Jewish shopkeeper	9th chord \| crime scene \| criminal \| Gypsy minor scale \| Jewish \| kind \| leading man \| shop \| shopkeeper
Dust Be My Destiny (1939)	Dust Be My Destiny (Transformation)	0:57:38 - Joe comes back to the apartment	dissonant bass \| foreign key modulation \| leading lady \| leading man \| linear chromaticism \| love scene \| mysterious \| room \| triumphant
Dust Be My Destiny (1939)	Dust Be My Destiny (Reunited)	0:58:04 - Joe embraces Mabel	9th chord \| 64 chord \| added-note chord \| embracing \| foreign key modulation \| leading lady \| leading man \| love scene \| romantic \| room \| triumphant
Dust Be My Destiny (1939)	Underscoring (Dramatic)	0:59:15 - A bank alarm sounds	42 chord \| 64 chord \| action scene \| bank \| chromatic parallelism \| chromatic scale \| chromatic wedge \| crowd \| dramatic \| leading man \| photographer \| robbery \| shopkeeper \| street \| tone cluster \| underscoring
Dust Be My Destiny (1939)	Alarm	0:59:15 - Alarm sounds	action scene \| alarm \| bank \| crowd \| dramatic \| leading man \| mickey-mousing \| photographer \| robbery \| shopkeeper \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Heroic)	0:59:42 - Joe takes pictures of the robbery	42 chord \| action scene \| bank \| chromatic scale \| criminal \| crowd \| dramatic \| fragmentation \| gangster \| leading man \| photographer \| retrograde \| shopkeeper \| street
Dust Be My Destiny (1939)	Underscoring (Dramatic)	0:59:53 - Police arrive at the scene	64 chord \| action scene \| bank \| chromatic scale \| crowd \| dramatic \| leading man \| police \| street \| underscoring
Dust Be My Destiny (1939)	Buzzing	1:01:05 - Men working in the dark room	64 chord \| action scene \| added-note chord \| buzzy \| chromatic parallelism \| dark room \| enharmonic modulation \| exciting \| foreign key modulation \| leading man \| mode mixture \| Neapolitan \| newspaper \| newspaper editor \| parallelism \| photographer \| photography \| pump-up modulation \| Rimsky-Korsakov \| working
Dust Be My Destiny (1939)	Dust Be My Destiny (Mysterioso)	1:05:26 - Joe talks to Mike	advance plot \| chromatic parallelism \| chromatic sequence \| dark \| leading man \| linear chromaticism \| newspaper editor \| office \| ominous \| somber
Dust Be My Destiny (1939)	Dust Be My Destiny (Relief)	1:06:54 - Mike talks with Joe	advance plot \| hopeful \| leading man \| mode mixture \| newspaper editor \| office \| relieved
Dust Be My Destiny (1939)	Dust Be My Destiny (Dolceeessimo)	1:08:53 - Joe and Mabel talk	advance plot \| chromatic mediant \| foreign key modulation \| hopeful \| intervallic expansion \| leading lady \| leading man \| peaceful \| room
Dust Be My Destiny (1939)	Underscoring (Dramatic)	1:10:32 - Joe runs after the car	augmented triad \| chromatic parallelism \| chromatic scale \| conflict \| dramatic \| gangster \| half-diminished 7th chord \| hero \| leading man \| mickey-mousing \| newspaper editor \| running \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Brave)	1:10:38 - Joe jumps onto the car	action scene \| augmented triad \| car \| chromatic parallelism \| dramatic \| fighting \| gangster \| hero \| leading man \| newspaper editor \| street \| whole-tone chord
Dust Be My Destiny (1939)	Dust Be My Destiny (Heroic)	1:10:32 - Joe heroically wrestles away the steering wheel	action scene \| chromatic scale \| dramatic \| fighting \| fragmentation \| gangster \| hero \| leading man \| newspaper editor \| retrograde \| street
Dust Be My Destiny (1939)	Car crash	1:10:55 - Gangsters crash the car	action scene \| car \| chromatic scale \| crashing \| dramatic \| gangster \| hero \| leading man \| mickey-mousing \| newspaper editor \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Reunited)	1:11:25 - Mabel embraces Joe after she meets him	64 chord \| advance plot \| doctor \| embracing \| happy \| hero \| hospital \| leading lady \| leading man \| nurse
Dust Be My Destiny (1939)	Dust Be My Destiny (Simply)	1:11:50 - Mabel and Joe talk	advance plot \| doctor \| hero \| hospital \| leading lady \| leading man \| nurse \| peaceful
Dust Be My Destiny (1939)	Dust Be My Destiny (Leaving Hospital)	1:11:57 - Mabel and Joe start to leave	11th chord \| advance plot \| hero \| hospital \| leading lady \| leading man \| peaceful \| pedal tone \| photographer \| reporter
Dust Be My Destiny (1939)	Dust Be My Destiny (Appassionato)	1:12:09 - Mabel and Joe hide from the reporters	conflict \| countermelody \| hero \| hiding \| hospital \| leading lady \| leading man \| passionate \| underscoring
Dust Be My Destiny (1939)	Dust Be My Destiny (Cornered)	1:12:21 - Mabel and Joe decide what to do	9th chord \| conflict \| hero \| hospital \| inversion \| leading lady \| leading man \| pedal tone \| tense
Dust Be My Destiny (1939)	Dust Be My Destiny (Hiding)	1:12:42 - Mabel talks with Joe about surrendering	42 chord \| conflict \| diminished 7th chord \| fragmentation \| hero \| hospital \| leading lady \| leading man \| tense
Dust Be My Destiny (1939)	Dust Be My Destiny (Disagreement)	1:12:59 - Mabel and Joe argue	bright \| conflict \| dark \| foreign key modulation \| hero \| hospital \| leading lady \| leading man
Dust Be My Destiny (1939)	Dust Be My Destiny (Appassionatissimo)	1:13:14 - Joe makes a run for it	chromatic parallelism \| chromatic scale \| climax \| conflict \| diminished 7th chord \| dissonant bass \| escaping \| hospital \| intervallic expansion \| leading lady \| leading man \| runaway \| sequence \| tense
Dust Be My Destiny (1939)	Dust Be My Destiny (Tragico)	1:13:35 - Mabel turns Joe in to the police	confession \| conflict \| dark \| hospital \| leading lady \| leading man \| parallelism \| pedal tone \| suspect \| tragic
Dust Be My Destiny (1939)	Dust Be My Destiny (Delicate)	1:22:18 - Mabel rises to testify for Joe	courtroom \| crowd \| delicate \| judge \| jury \| leading lady \| leading man \| sequence \| somber \| suspect \| trial
Dust Be My Destiny (1939)	Dust Be My Destiny (Religioso)	1:22:41 - Mabel testifies for Joe	11th chord \| chromatic parallelism \| common-tone diminished 7th \| courtroom \| crowd \| diminished 7th chord \| gentle \| judge \| jury \| leading lady \| leading man \| loving \| mode mixture \| parallel double period \| plagal cadence \| sincere \| suspect \| tender \| trial
Dust Be My Destiny (1939)	Dust Be My Destiny (Travel Montage)	1:26:04 - Train approaches the screen	added-note chord \| foreign key modulation \| happy \| leading lady \| leading man \| pc set \| resolution \| train \| train \| traveling
Dust Be My Destiny (1939)	Dust Be My Destiny (Train)	1:26:17 - Joe and Mabel on the train	11th chord \| added-note chord \| happy \| leading lady \| leading man \| resolution \| sequence \| train \| train \| traveling
Dust Be My Destiny (1939)	Dust Be My Destiny (Hanging Hats)	1:26:31 - Joe and Mabel toss their hats	11th chord \| chromatic mediant \| foreign key modulation \| happy \| hat \| hook \| leading lady \| leading man \| mickey-mousing \| resolution \| throwing \| train \| traveling \| whistle effect
Dust Be My Destiny (1939)	Dust Be My Destiny (The End)	1:26:45 - "The End"	closing credits \| end title sequence \| foreign key modulation \| happy \| leading lady \| leading man \| The End \| train \| traveling
Each Dawn I Die (1939)	Underscoring (Mysterious)	0:04:28 - Frank leaves the newspaper office	close-up \| conflict \| diminished 7th chord \| gangster \| hero \| leading man \| mysterious \| reading \| reporter \| street \| underscoring \| watching
Each Dawn I Die (1939)	Underscoring (Dramatic)	0:04:55 - Frank is pushed into a car	car \| chromatic scale \| conflict \| diminished 7th chord \| dissonant bass \| dramatic \| fragmentation \| gangster \| gun \| hero \| kidnapping \| leading man \| pushing \| reporter \| street \| underscoring \| violence
Each Dawn I Die (1939)	Underscoring (Dramatic)	0:05:24 - Frank is framed for drunk driving	9th chord \| attacking \| car \| conflict \| diminished 7th chord \| dramatic \| gangster \| hero \| leading man \| minor second \| murder \| pushing \| reporter \| setup \| street \| underscoring \| violence
Each Dawn I Die (1939)	Hits with bottle	0:05:26 - A bottle of alcohol is broken	9th chord \| bottle \| breaking \| conflict \| dramatic \| gangster \| hero \| leading man \| mickey-mousing \| reporter \| street \| violence
Each Dawn I Die (1939)	Car Crash	0:05:40 - Two cars crash	car \| car crash \| chromatic scale \| conflict \| crashing \| explosion \| frantic \| hero \| leading man \| metric dissonance \| minor second \| reporter \| street \| tone cluster
Each Dawn I Die (1939)	Confusion	0:05:43 - Frank sits confused in car after crash	accusing \| car \| car crash \| chromatic parallelism \| chromatic scale \| conflict \| confused \| crowd \| dissonant bass \| fire \| glass \| half-diminished 7th chord \| hero \| injury \| leading man \| reporter \| running \| street \| yelling
Each Dawn I Die (1939)	Underscoring (Dramatic)	0:06:06 - Crowd accuses Frank of murder	9th chord \| accusing \| car crash \| conflict \| crowd \| dissonant bass \| dramatic \| hero \| injury \| leading man \| linear chromaticism \| police \| reporter \| sequence \| shaking \| street \| underscoring \| yelling
Each Dawn I Die (1939)	Verdict	0:08:19 - The verdict is delivered	banging \| courtroom \| courtroom scene \| gavel \| hero \| judge \| justice \| lawyer \| leading man \| noble \| parallelism \| reporter \| verdict
Each Dawn I Die (1939)	Frank	0:08:23 - Frank and Joyce embrace	appoggiatura \| courtroom \| courtroom scene \| embracing \| girlfriend \| handcuffs \| hero \| leading man \| mother \| reporter \| reverse picardy \| tender
Each Dawn I Die (1939)	Calendar Pages	0:59:53 - Pages falling from a calendar	calendar \| chromatic parallelism \| diminished 7th chord \| falling \| leading man \| mickey-mousing \| montage \| montage \| mysterious \| prisoner \| sequence
Each Dawn I Die (1939)	Clock ticking	1:03:50 - Prisoners waiting	anxious \| clock \| leading man \| mickey-mousing \| montage \| montage \| polychord \| prisoner \| ticking \| waiting
Each Dawn I Die (1939)	Frank (Parole Denied)	1:07:58 - Frank's parole is denied	9th chord \| common-tone diminished 7th \| dark \| despair \| foreign key modulation \| half-diminished 7th chord \| hopeful \| leading man \| letter \| prison \| prisoner \| reading \| sigh gesture \| solemn \| turning point
Each Dawn I Die (1939)	Frank (Released)	1:28:49 - Frank is released	9th chord \| altered dominant \| artwork in score \| conclusion \| embracing \| friend \| gentle \| goodbye \| leading lady \| leading man \| Neapolitan \| passionate \| peaceful
Each Dawn I Die (1939)	Freedom	1:30:31 - Frank leaves the prison	artwork in score \| chromatic mediant \| conclusion \| dissonant bass \| freedom \| hopeful \| leading lady \| leading man \| optimistic \| peaceful \| The End \| walking
Flamingo Road (1949)	If I Could Be With You	0:07:53 - Field hears music playing	carny \| conversing \| establish character \| leading lady \| leading man \| on-screen music \| parallel period \| police \| radio \| room \| sentimental \| singer \| singing \| source music
Flamingo Road (1949)	Lane (Moderato Grazioso)	NIF - not in film	conversing \| cut from film \| cut from film \| leading lady \| leading man \| lovers meet \| picardy third \| police \| room
Flamingo Road (1949)	Underscoring (Lyrical)	NIF - not in film	9th chord \| altered dominant \| conversing \| cut from film \| cut from film \| leading lady \| leading man \| lovers meet \| police \| room \| underscoring
Flamingo Road (1949)	Lane (Poco Con Moto)	NIF - not in film	conversing \| cut from film \| cut from film \| deceptive resolution \| leading lady \| leading man \| lovers meet \| parallelism \| police \| room
Flamingo Road (1949)	Arabian Riff (Not in Film)	NIF - not in film	conversing \| cut from film \| cut from film \| deceptive resolution \| leading lady \| leading man \| lovers meet \| pedal tone \| police \| room \| source to score
Flamingo Road (1949)	Underscoring (Lyrical)	NIF - not in film	chromatic parallelism \| conversing \| cut from film \| cut from film \| leading lady \| leading man \| lovers meet \| police \| room \| underscoring
Flamingo Road (1949)	Lane	NIF - not in film	conversing \| cut from film \| cut from film \| leading lady \| leading man \| lovers meet \| mode mixture \| police \| room
Flamingo Road (1949)	If I Could Be With You (Timidly)	NIF - not in film	chromatic parallelism \| conversing \| cut from film \| cut from film \| leading lady \| leading man \| lovers meet \| police \| room \| source to score
Flamingo Road (1949)	If I Could Be With You (Lightly)	NIF - not in film	altered dominant \| common-tone diminished 7th \| cut from film \| cut from film \| flirting \| leading lady \| leading man \| lovers meet \| pedal tone \| police \| room
Flamingo Road (1949)	Lane (Not in Film)	NIF - not in film	conversing \| cut from film \| cut from film \| foreign key modulation \| leading lady \| leading man \| lovers meet \| mode mixture \| police \| room
Flamingo Road (1949)	Traveling	NIF - not in film	added-note chord \| chromatic mediant \| common-tone diminished 7th \| cut from film \| cut from film \| deceptive resolution \| leading lady \| leading man \| lovers meet \| pedal tone \| police \| room
Flamingo Road (1949)	Put 'Em in a Box, Tie 'Em with a Ribbon, and Throw 'Em in the Deep Blue Sea	0:12:05 - The Eagle Cafe	AABA structure \| advance plot \| conversing \| leading lady \| leading man \| police \| popular music \| restaurant \| source music \| upbeat
Flamingo Road (1949)	Can't We Be Friends	0:13:38 - Lane and Field at the cafe	AABA structure \| advance plot \| conversing \| leading lady \| leading man \| police \| popular music \| restaurant \| sentimental \| source music
Flamingo Road (1949)	Lane (Sentimentale)	NIF - not in film	9th chord \| chromatic parallelism \| conversing \| cut from film \| cut from film \| falling in love scene \| leading lady \| leading man \| police
Flamingo Road (1949)	Lane (Molto Expressivo)	NIF - not in film	11th chord \| conversing \| cut from film \| cut from film \| falling in love scene \| leading lady \| leading man \| police
Flamingo Road (1949)	If I Could Be With You (Dolce)	0:17:22 - Lane and Field talk	conversing \| falling in love scene \| leading lady \| leading man \| love interest \| pedal tone \| police \| porch \| sentimental \| source to score
Flamingo Road (1949)	Goodnight	0:17:45 - Lane and Field talk	blue note \| conversing \| falling in love scene \| leading lady \| leading man \| love interest \| peaceful \| pedal tone \| police \| porch
Flamingo Road (1949)	Lane (Dolce)	0:17:58 - Lane flirts with Field	falling in love scene \| flirting \| leading lady \| leading man \| love interest \| pedal tone \| playful \| police \| porch \| sweet
Flamingo Road (1949)	If I Could Be With You (Ethereal)	0:18:06 - Lane watches Field drive away	common-tone diminished 7th \| falling in love scene \| leading lady \| leading man \| leaving \| love interest \| pedal tone \| police \| porch \| sentimental \| source to score
Flamingo Road (1949)	Cheatin' on Me	0:19:12 - Lane works at the café	AABA structure \| advance plot \| café \| leading lady \| leading man \| leaving \| police \| source music \| upbeat \| waitress \| working
Flamingo Road (1949)	South American Way	0:22:08 - Field and Titus arrive at Lute Mae's Tavern	advance plot \| club \| dancer \| dancing \| gambling \| leading man \| musician \| on-screen music \| playing \| police \| politician \| sheriff \| source music \| upbeat \| waitress
Flamingo Road (1949)	It Had to Be You	0:23:44 - Politicians gamble and talk	ABAC structure \| advance plot \| club \| gambling \| leading man \| police \| politician \| sentimental \| sheriff \| source music \| waitress
Flamingo Road (1949)	Somebody Loves Me	0:25:19 - Politicians plot	AABA structure \| advance plot \| club \| leading man \| plotting \| police \| politician \| sentimental \| sheriff \| source music
Flamingo Road (1949)	If I Could Be With You	0:26:58 - People gamble and dance	club \| dancer \| dance scene \| dancing \| fighting \| gambling \| leading lady \| leading man \| musician \| on-screen music \| playing \| police \| sentimental \| sheriff \| singer \| singing \| source music
Flamingo Road (1949)	Driving	NIF - not in film	car \| cut from film \| driving \| foreign key modulation \| leading lady \| leading man \| love interest \| love scene
Flamingo Road (1949)	Tranquillo	0:29:07 - Lane and Field talk at the lakeside	appoggiatura \| conversing \| lake \| leading lady \| leading man \| love interest \| love scene \| romance \| yearning
Flamingo Road (1949)	If I Could Be With You (Tenderly)	0:29:32 - Lane and Field prepare to leave	11th chord \| 13th chord \| altered dominant \| common-tone diminished 7th \| kissing \| lake \| leading lady \| leading man \| love interest \| love scene \| romance \| romantic \| secondary dominant \| source to score
Flamingo Road (1949)	Lane (Ethereal)	0:30:02 - Lane and Field kiss in the moonlight	added-note chord \| augmentation \| kissing \| lake \| leading lady \| leading man \| love interest \| love scene \| pedal tone \| romance \| romantic
Flamingo Road (1949)	Titus 2 (Extended)	0:30:27 - Field overhears people talking about Titus	advance plot \| chromatic sequence \| dark \| leading man \| mysterious \| newspaper \| parallelism \| reading \| self-borrowing \| street \| townsfolk
Flamingo Road (1949)	Titus (Inverted)	0:33:27 - Field arrives at the café	arriving \| breakup \| café \| inversion \| leading man \| ominous \| self-borrowing \| sheriff \| telephone \| worker
Flamingo Road (1949)	Titus 2	0:33:41 - Field sits down	breakup \| café \| conversing \| dark \| leading lady \| leading man \| mysterious \| self-borrowing \| waitress
Flamingo Road (1949)	Titus (Dark)	0:33:56 - Field talks to Lane	breaking up \| breakup \| café \| dark \| leading lady \| leading man \| mysterious \| self-borrowing \| waitress
Flamingo Road (1949)	Titus 2 (Triste)	0:34:10 - Field tells Lane he is getting married	breaking up \| breakup \| café \| chromatic sequence \| dark \| leading lady \| leading man \| major 7th chord \| mysterious \| self-borrowing \| somber \| waitress
Flamingo Road (1949)	Underscoring (Tense)	0:34:30 - Lane responds to Field	breaking up \| breakup \| café \| leading lady \| leading man \| mysterious \| tense \| underscoring \| waitress
Flamingo Road (1949)	Titus 2 (Pete Lies)	0:40:11 - Field asks why Lane was fired	advance plot \| café \| conversing \| employer \| leading man \| mysterious \| politician \| self-borrowing
Flamingo Road (1949)	If I Could Be With You (Somber)	0:40:31 - Field talks to Lane's co-worker	9th chord \| 11th chord \| advance plot \| café \| common-tone diminished 7th \| conversing \| coworker \| deceptive resolution \| diminished 7th chord \| leading man \| linear chromaticism \| politician \| reverse picardy \| sigh gesture \| somber
Flamingo Road (1949)	Train	0:42:28 - A rushing train	dark \| dramatic \| fiancée \| leading man \| montage \| montage \| ostinato \| train \| train \| traveling
Flamingo Road (1949)	Train + Titus (Rising)	0:42:43 - Field and Annabelle in a train car	combination of themes \| dark \| dramatic \| fiancée \| leading man \| montage \| montage \| ostinato \| self-borrowing \| sequence \| train \| train \| traveling
Flamingo Road (1949)	Drinking whiskey	0:49:50 - Dan drinks	chromatic parallelism \| comical \| distressed \| drinking \| leading lady \| leading man \| love interest \| lovers meet \| mickey-mousing \| politician \| quintal chord \| room
Flamingo Road (1949)	Lane (Lento)	0:50:04 - Dan meets Lane	added-note chord \| conversing \| countermelody \| gentle \| graceful \| leading lady \| leading man \| love interest \| lovers meet \| politician \| room
Flamingo Road (1949)	Lane (Chromatic)	0:50:24 - Lane ties Dan's tie	9th chord \| chromatic parallelism \| conversing \| dark \| gentle \| leading lady \| leading man \| love interest \| lovers meet \| politician \| room
Flamingo Road (1949)	Titus 2 (Agitato)	0:50:41 - Lane ties Dan's tie	chromatic parallelism \| conversing \| leading lady \| leading man \| love interest \| lovers meet \| mysterious \| politician \| room \| self-borrowing
Flamingo Road (1949)	Indigestion	0:50:48 - Lane complains of a hangover	chromatic parallelism \| chromatic scale \| comical \| distressed \| grumbling \| leading lady \| leading man \| love interest \| lovers meet \| politician \| room
Flamingo Road (1949)	Lane	0:50:59 - Lane gives Dan his money	conversing \| delicate \| gentle \| leading lady \| leading man \| love interest \| lovers meet \| mode mixture \| pleasant \| politician \| room
Flamingo Road (1949)	If I Could Be With You (Misterioso)	0:51:15 - Lane asks Dan about Field	chromatic parallelism \| conversing \| diminished 7th chord \| leading lady \| leading man \| love interest \| lovers meet \| politician \| room \| uneasy
Flamingo Road (1949)	Molto Grazioso	0:51:40 - Dan notices Lane	conversing \| delicate \| flirting \| leading lady \| leading man \| love interest \| lovers meet \| politician \| room
Flamingo Road (1949)	Lute Mae (Quasi Blues)	0:51:46 - Dan flirts with Lane	13th chord \| added-note chord \| conversing \| countermelody \| flirting \| flirty \| leading lady \| leading man \| love interest \| lovers meet \| politician \| room \| self-borrowing \| sultry \| thematic transference
Flamingo Road (1949)	Slide whistle	0:53:00 - Dan surprises Lute Mae	comical \| employer \| leading lady \| leading man \| love interest \| mickey-mousing \| politician \| room \| surprising \| transition
Flamingo Road (1949)	Lute Mae (Driving)	0:53:02 - Lane drives Dan to the construction site	13th chord \| added-note chord \| arriving \| car \| car \| comical \| common-chord modulation \| driving \| leading lady \| leading man \| love interest \| politician \| rushed \| self-borrowing \| transition \| traveling
Flamingo Road (1949)	Lane (Bell-like)	0:54:43 - Lane gives Dan some change	fragmentation \| gentle \| giving \| leading lady \| leading man \| love interest \| love scene \| politician \| porch \| receiving \| sweet
Flamingo Road (1949)	Flamingo Road (Bluesy)	0:55:00 - Dan buys some cold drinks	9th chord \| altered dominant \| bluesy \| flirting \| foreshadowing \| leading lady \| leading man \| love interest \| love scene \| mode mixture \| parallelism \| politician \| porch \| self-borrowing
Flamingo Road (1949)	Flamingo Road (Romantic)	0:55:41 - Dan kisses Lane	embracing \| foreign key modulation \| foreshadowing \| kissing \| leading lady \| leading man \| love interest \| love scene \| mode mixture \| parallelism \| politician \| porch \| romantic \| self-borrowing
Flamingo Road (1949)	Through a Thousand Dreams	0:56:41 - The Olympic City hotel	club \| conversing \| dance scene \| dancing \| dining \| leading lady \| leading man \| love interest \| on-screen music \| politician \| sentimental \| sheriff \| source music \| wife
Flamingo Road (1949)	Don't Take Your Love From Me	0:58:50 - Dan and Lane sit at a table	ABAC structure \| club \| conversing \| dance scene \| leading lady \| leading man \| love interest \| on-screen music \| politician \| sentimental \| sheriff \| source music \| wife
Flamingo Road (1949)	If I Could Be With You	0:59:52 - A woman sings with the dance band	club \| conversing \| dance scene \| dancing \| dining \| leading lady \| leading man \| love interest \| on-screen music \| politician \| sentimental \| sheriff \| singer \| singing \| source music \| wife
Flamingo Road (1949)	I Guess I'll Have to Change My Plan	1:01:40 - Lane and Dan talk at their table	club \| conversing \| dance scene \| leading lady \| leading man \| love interest \| politician \| sentimental \| sheriff \| source music \| wife
Flamingo Road (1949)	Flamingo Road (Expressivo)	1:02:07 - The gate to 32 Flamingo Road	11th chord \| added-note chord \| arriving \| gentle \| husband \| leading man \| self-borrowing \| sign \| street \| transition
Flamingo Road (1949)	Lute Mae (Tenderly)	1:03:37 - Dan is grateful for Lane's gift to him	13th chord \| added-note chord \| advance plot \| comical \| common-chord modulation \| conversing \| embracing \| happy \| husband \| leading lady \| leading man \| maid \| room \| self-borrowing \| tender \| wife
Flamingo Road (1949)	Flamingo Road (Tenderly)	1:03:58 - Dan and Lane have tea	advance plot \| conversing \| gentle \| husband \| leading lady \| leading man \| mode mixture \| room \| self-borrowing \| serving \| tea \| wife
Flamingo Road (1949)	Flamingo Road (Tense)	1:04:16 - Titus enters the room	advance plot \| combination of themes \| conversing \| leading lady \| leading man \| politician \| room \| self-borrowing \| sheriff \| tense \| whole-tone scale
Flamingo Road (1949)	Flamingo Road (Misterioso)	1:04:33 - Titus talks to Dan	advance plot \| combination of themes \| conversing \| distortion \| fragmentation \| leading lady \| leading man \| mysterious \| politician \| room \| self-borrowing \| sequence \| sheriff
Flamingo Road (1949)	Titus	1:04:55 - Titus insults Lane	advance plot \| dark \| leading lady \| leading man \| ominous \| politician \| room \| self-borrowing \| sheriff \| threatening
Flamingo Road (1949)	Titus	1:06:35 - Titus leaves	advance plot \| dark \| leading man \| leaving \| ominous \| politician \| room \| self-borrowing \| sheriff
Flamingo Road (1949)	Titus 2 (Slowly)	1:06:43 - Dan talks to Lane about Titus	advance plot \| chromatic parallelism \| leading lady \| leading man \| lying \| room \| self-borrowing \| tense
Flamingo Road (1949)	Lute Mae (Tenderly)	1:07:55 - Dan kisses Lane	13th chord \| added-note chord \| bluesy \| husband \| kissing \| leading lady \| leading man \| love scene \| room \| self-borrowing \| tender \| wife
Flamingo Road (1949)	Titus (Tutti)	1:08:05 - Titus and Field arrive at the construction site	arriving \| dark \| dominant 7th chord \| half-diminished 7th chord \| leading man \| ominous \| politician \| self-borrowing \| sheriff \| street \| transition
Flamingo Road (1949)	Agitato (Angry)	1:09:25 - Titus leaves	advance plot \| agitated \| angry \| chromatic parallelism \| chromatic scale \| chromatic wedge \| leading man \| leaving \| politician \| polychord \| sheriff \| street \| tense
Flamingo Road (1949)	Titus + Titus 2	1:09:43 - Titus bullies Field	advance plot \| bullying \| chromatic parallelism \| combination of themes \| commanding \| dark \| leading man \| ominous \| ostinato \| politician \| self-borrowing \| sheriff \| street
Flamingo Road (1949)	Titus (Menacing)	1:09:59 - Titus and Field leave	advance plot \| bullying \| commanding \| dark \| leading man \| menacing \| ominous \| politician \| self-borrowing \| sheriff \| street
Flamingo Road (1949)	Underscoring (Tense)	1:11:26 - Field drinks	alcohol \| arriving \| bullying \| conflict \| dramatic \| drinking \| leading man \| linear chromaticism \| politician \| room \| sheriff \| underscoring
Flamingo Road (1949)	Titus (Ominous)	1:11:44 - Titus argues with Field	arguing \| bullying \| conflict \| drinking \| leading man \| mysterious \| politician \| room \| self-borrowing \| sheriff \| tense
Flamingo Road (1949)	Underscoring (Tense)	1:11:51 - Titus argues with Field	arguing \| bullying \| conflict \| drinking \| leading man \| politician \| room \| sheriff \| tense \| underscoring
Flamingo Road (1949)	The Sheriff	1:12:01 - Titus stands and walks	arguing \| bullying \| chromatic parallelism \| conflict \| dark \| leading man \| mickey-mousing \| ominous \| politician \| room \| self-borrowing \| sheriff \| standing
Flamingo Road (1949)	Throwing whiskey and glass	1:12:08 - Titus throws whiskey in Field's face	alcohol \| breaking \| bullying \| conflict \| dramatic \| glass \| leading man \| mickey-mousing \| politician \| room \| sheriff \| slamming \| splashing \| throwing \| tone cluster \| whole-tone scale
Flamingo Road (1949)	Titus (Violent)	1:12:11 - Titus and Field argue	arguing \| bullying \| conflict \| dark \| leading man \| ominous \| politician \| room \| self-borrowing \| sheriff \| violent
Flamingo Road (1949)	Underscoring (Dramatic)	1:12:17 - Titus grabs Field and pushes him	bullying \| conflict \| dramatic \| leading man \| politician \| pushing \| room \| sheriff \| throwing \| underscoring \| violent
Flamingo Road (1949)	Anger	1:12:20 - Titus and Field face off	angry \| arguing \| bullying \| chromatic parallelism \| chromatic wedge \| conflict \| leading man \| pc set \| politician \| room \| self-borrowing \| sheriff \| tense
Flamingo Road (1949)	Rising Anger	1:12:26 - Titus throws open the door	angry \| arguing \| bullying \| chromatic parallelism \| conflict \| diminished 7th chord \| leading man \| politician \| room \| self-borrowing \| sheriff
Flamingo Road (1949)	Underscoring (Dramatic)	1:12:32 - Titus throws Field out the door	augmented triad \| bullying \| chromatic parallelism \| conflict \| dark \| dramatic \| leading man \| politician \| polychord \| pushing \| room \| sheriff \| throwing \| underscoring
Flamingo Road (1949)	Breaking door	1:12:39 - Titus breaks the glass door	breaking \| bullying \| conflict \| door \| dramatic \| leading man \| mickey-mousing \| politician \| polychord \| room \| sheriff \| smashing \| window
Flamingo Road (1949)	Titus (Ostinato)	1:17:09 - Dan looks at some papers	brooding \| conflict \| dark \| hopeful \| husband \| leading lady \| leading man \| ominous \| politician \| room \| self-borrowing \| wife
Flamingo Road (1949)	Lane (Tragic)	1:18:10 - Lane talks to Dan about Titus	angry \| anxious \| conflict \| conversing \| husband \| leading lady \| leading man \| ostinato \| politician \| room \| tragic \| wife
Flamingo Road (1949)	If I Could Be With You (Tragic)	1:18:35 - Lane tells Dan about Field	confessing \| conflict \| diminished 7th chord \| husband \| leading lady \| leading man \| love \| politician \| room \| tragic \| wife
Flamingo Road (1949)	Flamingo Road (Agitato)	1:18:50 - Dan gets upset with Lane	9th chord \| accusing \| angry \| augmented sixth chord \| conflict \| fragmentation \| husband \| leading lady \| leading man \| politician \| quartal chord \| room \| self-borrowing \| wife
Flamingo Road (1949)	Appassionato	1:19:10 - Dan argues with Lane	arguing \| chromatic parallelism \| conflict \| diminished 7th chord \| harmonic sequence \| husband \| leading lady \| leading man \| passionate \| politician \| room \| wife \| yearning
Flamingo Road (1949)	Flamingo Road (Molto Expressivo)	1:19:32 - Dan leaves	conflict \| husband \| leading lady \| leading man \| leaving \| politician \| room \| self-borrowing \| tragic \| wife
Flamingo Road (1949)	Flamingo Road (Triste)	1:19:43 - Lane watches Dan leave	altered dominant \| conflict \| husband \| leading lady \| leading man \| politician \| room \| self-borrowing \| somber \| waiting \| wife
Flamingo Road (1949)	Somber Phone Call	1:19:54 - Dan calls Lane from the station	calling \| conflict \| half-diminished 7th chord \| husband \| leading lady \| leading man \| politician \| somber \| tone cluster \| train station \| wife
Flamingo Road (1949)	Titus (Triste 2)	1:20:10 - Dan and Lane talk on the phone	calling \| conflict \| husband \| leading lady \| leading man \| politician \| room \| somber \| train station \| wife
Flamingo Road (1949)	Lane (Descending the Staircase)	1:21:31 - Lane descends the stairs	advance plot \| delicate \| descending \| leading lady \| leading man \| love interest \| mickey-mousing \| mysterious \| parallelism \| room \| walking
Flamingo Road (1949)	If I Could Be With You (Triste)	1:22:18 - Field enters the house	death scene \| diminished 7th chord \| drunk \| drunk \| foreign key modulation \| leading lady \| leading man \| love interest \| room \| somber \| stumbling
Flamingo Road (1949)	Underscoring (Somber)	1:22:33 - Field stumbles through the house	chromatic parallelism \| conversing \| death scene \| drunk \| drunk \| leading lady \| leading man \| love interest \| room \| somber \| underscoring
Flamingo Road (1949)	If I Could Be With You (Drunk)	1:22:58 - Field and Lane talk about their past love	arguing \| chromatic parallelism \| death scene \| diminished 7th chord \| drunk \| leading lady \| leading man \| love interest \| room \| somber
Flamingo Road (1949)	Titus (Ostinato 2)	1:23:34 - Field and Lane talk about Titus and Dan	arguing \| dark \| death scene \| dramatic \| leading lady \| leading man \| love interest \| ominous \| ostinato \| room \| self-borrowing
Flamingo Road (1949)	Flamingo Road (Andante)	1:24:05 - Lane goes to get a drink for Field	altered dominant \| chromatic parallelism \| dark \| death scene \| gentle \| gunshot \| hopeful \| leading lady \| leading man \| love interest \| mode mixture \| room \| self-borrowing \| suicide \| walking \| warm
Flamingo Road (1949)	If I Could Be With You (Dead)	1:24:41 - Lane sees Field has committed suicide	augmentation \| death scene \| discovering \| gunshot \| leading lady \| leading man \| love interest \| reacting \| room \| suicide \| surprise \| tragic \| violent
Flamingo Road (1949)	If I Could Be With You (Maestoso)	1:26:31 - Dan reads a telegram about Field's death	advance plot \| chromatic parallelism \| diminished 7th chord \| lawyer \| leading man \| linear chromaticism \| politician \| reading \| suicide \| telegram \| tragic \| train \| violent
Flamingo Road (1949)	Flamingo Road (Appassionato)	1:32:54 - Dan visits Lane in prison	crying \| embracing \| foreign key modulation \| husband \| joyous \| kissing \| leading lady \| leading man \| pedal tone \| prison \| resolution \| reuniting \| self-borrowing \| wife
Flamingo Road (1949)	Flamingo Road (Dolce)	1:33:08 - Dan and Lane embrace	crying \| dark \| embracing \| husband \| kissing \| leading lady \| leading man \| mode mixture \| peaceful \| prison \| resolution \| reuniting \| self-borrowing \| wife
Flamingo Road (1949)	Lute Mae (Delicato)	1:33:28 - Lane smiles as Dan	13th chord \| added-note chord \| crying \| delicate \| husband \| kissing \| leading lady \| leading man \| prison \| resolution \| reuniting \| romance \| self-borrowing \| sentimental \| wife
Flamingo Road (1949)	If I Could Be With You (Ecstatic)	1:33:37 - Lane walks away	added-note chord \| altered dominant \| artwork in score \| chromatic parallelism \| friend \| husband \| joyous \| leading lady \| leading man \| leaving \| prison \| resolution \| reuniting \| romance \| secondary dominant \| The End \| thematic transference \| triumphant \| wife
Hell on Frisco Bay (1955)	Prison Gate	0:01:25 - Prison sign	conductor score \| dark \| establish character \| friend \| gate \| leading lady \| leading man \| leaving \| opening \| prison \| serious \| street \| walking
Hell on Frisco Bay (1955)	Hell on Frisco Bay (Excited)	0:02:01 - Marcia embraces Steve	conductor score \| embracing \| establish character \| friend \| gate \| gentle \| leading lady \| leading man \| prison \| street
Hell on Frisco Bay (1955)	Underscoring (Dark)	0:02:12 - Steve mentions a divorce	conductor score \| conversing \| dark \| detective \| establish character \| friend \| gate \| leading lady \| leading man \| prison \| street \| underscoring
Hell on Frisco Bay (1955)	Hell on Frisco Bay (Somber)	0:02:29 - Steve talks to Marcia	bus \| conductor score \| conversing \| departing \| detective \| establish character \| friend \| leading man \| reacting \| somber \| street \| underscoring
Hell on Frisco Bay (1955)	Menace	0:04:31 - Steve gets off the bus	dark \| departing \| detective \| dock \| establish setting \| friend \| leading man \| menacing \| transcribed by ear \| worker
Hell on Frisco Bay (1955)	Steve (Investigating)	0:04:44 - Fishermen on the dock	detective \| dock \| establish setting \| hopeful \| leading man \| noble \| transcribed by ear \| wandering \| worker
Hell on Frisco Bay (1955)	Menace (Boats)	0:05:06 - Steve sees some boats	dark \| detective \| dock \| establish setting \| leading man \| transcribed by ear \| wandering
Hell on Frisco Bay (1955)	Menace 2 (Boats)	0:05:12 - Steve looks at the boats	brash \| dark \| detective \| dock \| establish setting \| leading man \| transcribed by ear \| wandering
Hell on Frisco Bay (1955)	Steve (Wandering)	0:05:25 - Steve wanders the dock	detective \| dock \| entering \| establish setting \| hopeful \| leading man \| mysterious \| noble \| transcribed by ear \| worker
Hell on Frisco Bay (1955)	Steve (Moderato)	0:11:11 - Steve arrives at a door	advance plot \| arriving \| conductor score \| detective \| gangster \| leading man \| old man \| pleasant \| porch \| walking
Hell on Frisco Bay (1955)	Stinger	0:13:04 - Steve yells at Fiaschetti	advance plot \| angry \| conductor score \| conversing \| detective \| gangster \| leading man \| old man \| porch \| stinger \| yelling
Hell on Frisco Bay (1955) <

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