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2540 results for "man" in 53 films — see also Man | lover | male | person | staff | work

Film	Theme name	Instance	Tags
All This, and Heaven Too (1940)	The Duke (Quasi Mysterioso)	0:14:49 - Henriette hears the Duke and Duchess arguing	arriving \| butler \| common-chord modulation \| deceptive resolution \| duchess \| duke \| establish setting \| interrupting \| leading lady \| leading man \| mysterious \| room \| tense
All This, and Heaven Too (1940)	The Duchess (Agitato)	0:22:02 - The Duchess argues with the Duke	agitated \| arguing \| chromatic scale \| chromatic sequence \| distressed \| duchess \| duke \| establish character \| leading lady \| leading man \| mode mixture \| room
All This, and Heaven Too (1940)	Underscoring (Agitated)	0:22:23 - The Duke rebukes the Duchess	agitated \| arguing \| chromatic parallelism \| chromatic scale \| distressed \| dominant 7th chord \| duchess \| duke \| establish character \| leading lady \| leading man \| room
All This, and Heaven Too (1940)	Rushing	0:22:31 - The Duchess rushes after the Duke	agitated \| arguing \| augmented triad \| distressed \| duchess \| duke \| establish character \| leading lady \| leading man \| mickey-mousing \| rising \| room \| rushing \| turn figure
All This, and Heaven Too (1940)	Pleading	0:22:41 - The Duchess pleads with the Duke to stay	acceleration \| agitated \| arguing \| chromatic sequence \| distressed \| duchess \| duke \| establish character \| fragmentation \| leading lady \| leading man \| parallelism \| pleading \| room
All This, and Heaven Too (1940)	Desperation (Furioso)	0:22:53 - The Duchess curses the Duke	agitated \| arguing \| dissonant bass \| distressed \| duchess \| duke \| establish character \| leading lady \| leading man \| parallelism \| pleading \| priest \| room \| tense
All This, and Heaven Too (1940)	Henriette (Fairy Tale)	0:23:50 - Henriette reads a fairy tale	book \| calm \| child \| countermelody \| delicate \| duke \| establish character \| fairy tale \| governess \| leading lady \| leading man \| magical \| pleasant \| room \| storytelling
All This, and Heaven Too (1940)	Illness	0:26:16 - The Duke asks about Raynald	advance plot \| delicate \| duke \| gentle \| governess \| leading lady \| leading man \| parallelism \| room \| worrying
All This, and Heaven Too (1940)	Underscoring (Tense)	0:30:19 - Henriette dresses Raynald	9th chord \| advance plot \| arguing \| caring \| child \| duke \| governess \| illness \| leading lady \| leading man \| room \| sequence \| tense \| underscoring
All This, and Heaven Too (1940)	Underscoring (Gentle)	0:30:34 - Henriette puts Raynald in bed	advance plot \| arguing \| caring \| child \| chromatic sequence \| duke \| gentle \| governess \| illness \| leading lady \| leading man \| mode mixture \| room \| tense \| underscoring
All This, and Heaven Too (1940)	Romance	0:30:48 - Henriette talks with the Duke	added-note chord \| advance plot \| arguing \| child \| duke \| governess \| illness \| leading lady \| leading man \| romantic \| room \| sequence
All This, and Heaven Too (1940)	Henriette (Andante)	0:31:04 - The Duke apologizes to Henriette	9th chord \| 64 chord \| advance plot \| apologizing \| child \| conversing \| duke \| foreign key modulation \| governess \| illness \| leading lady \| leading man \| romantic \| room
All This, and Heaven Too (1940)	The Duke (Tranquillo)	0:31:41 - The doctor treats Raynald	advance plot \| caring \| child \| conversing \| doctor \| duke \| gentle \| governess \| illness \| leading lady \| leading man \| room \| somber
All This, and Heaven Too (1940)	The Sick Room	0:32:12 - The doctor talks to the Duke	64 chord \| advance plot \| child \| chromatic sequence \| conversing \| doctor \| duke \| fragmentation \| gentle \| governess \| illness \| leading lady \| leading man \| pedal tone \| room
All This, and Heaven Too (1940)	Raynald	0:32:53 - Henriette helps Raynald	advance plot \| caring \| child \| common-chord modulation \| conversing \| delicate \| duke \| gentle \| governess \| illness \| leading lady \| leading man \| room \| sweet
All This, and Heaven Too (1940)	Counting	0:33:30 - Henriette counts tangerine slices	advance plot \| calm \| child \| chromatic sequence \| conversing \| counting \| distracting \| duke \| governess \| illness \| leading lady \| leading man \| pc set \| room \| tense \| wedge \| zoom in
All This, and Heaven Too (1940)	Henriette (Molto Tranquillo 2)	0:34:17 - Henriette comforts Raynald	advance plot \| augmented sixth chord \| child \| comforting \| common-chord modulation \| conversing \| dark \| delicate \| duke \| gentle \| governess \| illness \| leading lady \| leading man \| mode mixture \| parallel 63s \| room \| suspension
All This, and Heaven Too (1940)	Raynald (Dark)	0:34:52 - Raynald talks with Henriette	advance plot \| child \| comforting \| conversing \| dark \| death \| duke \| foreign key modulation \| governess \| illness \| leading lady \| leading man \| room
All This, and Heaven Too (1940)	Lullaby	0:35:08 - Henriette sings a lullaby	advance plot \| calm \| caring \| child \| duke \| gentle \| governess \| illness \| leading lady \| leading man \| lullaby \| room \| scored source music \| singing
All This, and Heaven Too (1940)	Raynald (Lullaby)	0:35:24 - Henriette talks to the Duke	advance plot \| calm \| caring \| child \| conversing \| duke \| gentle \| governess \| illness \| leading lady \| leading man \| lullaby \| mode mixture \| room
All This, and Heaven Too (1940)	Lullaby	0:35:39 - Henriette sings a lullaby	advance plot \| calm \| caring \| child \| duke \| gentle \| governess \| illness \| leading lady \| leading man \| lullaby \| room \| scored source music \| singing
All This, and Heaven Too (1940)	Henriette (Very Emotional)	0:35:57 - The Duke thanks Henriette	advance plot \| calm \| child \| common-chord modulation \| conversing \| duke \| gentle \| governess \| illness \| leading lady \| leading man \| mode mixture \| parallel 63s \| room
All This, and Heaven Too (1940)	Lullaby (Morendo)	0:36:25 - Henriette sings a lullaby	advance plot \| calm \| caring \| child \| chromatic mediant \| duke \| gentle \| governess \| illness \| leading lady \| leading man \| room \| singing
All This, and Heaven Too (1940)	The Prayer	0:36:36 - The Abbe prays for Raynald	child \| common-chord modulation \| duke \| governess \| hymn-like \| illness \| leading lady \| leading man \| parallelism \| praying \| priest \| religious scene \| room \| sequence \| somber
All This, and Heaven Too (1940)	Underscoring (Tense)	0:37:37 - They rise from prayer	added-note chord \| child \| chromatic scale \| chromatic wedge \| conversing \| deceptive resolution \| duchess \| duke \| governess \| illness \| leading lady \| leading man \| leaving \| priest \| religious scene \| room \| somber \| tense
All This, and Heaven Too (1940)	Raynald (Adagio)	0:38:26 - The doctor takes Raynald's pulse	9th chord \| advance plot \| caring \| child \| chromatic scale \| conversing \| doctor \| duke \| governess \| governess \| illness \| leading lady \| leading man \| room \| solemn
All This, and Heaven Too (1940)	Raynald (Triste)	0:39:16 - The Duke talks to Henriette	64 chord \| advance plot \| child \| conversing \| duke \| governess \| illness \| leading lady \| leading man \| room \| somber
All This, and Heaven Too (1940)	Raynald (Andante)	0:41:36 - Henriette and the Duke by Raynald's bedside	9th chord \| 64 chord \| augmented sixth chord \| child \| chromatic sequence \| conversing \| duke \| governess \| hopeful \| illness \| illness scene \| leading lady \| leading man \| parallelism \| room \| solemn \| somber
All This, and Heaven Too (1940)	Henriette (Ethereal)	0:42:36 - Henriette asks to open the window	9th chord \| bright \| child \| conversing \| duke \| foreign key modulation \| governess \| half-diminished 7th chord \| hopeful \| illness \| illness scene \| leading lady \| leading man \| room \| sequence \| timid
All This, and Heaven Too (1940)	Raynald (Ethereal)	0:43:04 - Raynald by the window	64 chord \| child \| conversing \| duke \| governess \| hopeful \| illness \| illness scene \| leading lady \| leading man \| pedal tone \| room
All This, and Heaven Too (1940)	Rushing 2	0:43:14 - The Duchess rushes into the room	arguing \| child \| duchess \| duke \| governess \| half-diminished 7th chord \| hurried \| illness \| illness scene \| leading lady \| leading man \| mickey-mousing \| room \| rushing
All This, and Heaven Too (1940)	Desperation (Furioso)	0:43:28 - The Duchess rushes out of the room	angry \| child \| despair \| dissonant bass \| duchess \| duke \| governess \| hurrying \| illness \| illness scene \| leading lady \| leading man \| leaving \| room
All This, and Heaven Too (1940)	Desperation (Calming)	0:43:35 - Henriette closes the window	calm \| caring \| child \| dark \| dissonant bass \| duke \| fragmentation \| governess \| hopeful \| illness \| illness scene \| leading lady \| leading man \| room
All This, and Heaven Too (1940)	Raynald (Tranquillo)	0:43:53 - Henriette puts Raynald in bed	calm \| caring \| child \| duke \| gentle \| governess \| illness \| illness scene \| leading lady \| leading man \| pedal tone \| room
All This, and Heaven Too (1940)	Henriette (Appassionato)	0:44:08 - Raynald plays outside	64 chord \| added-note chord \| advance plot \| child \| common-tone diminished 7th \| conversing \| courtyard \| duke \| foreign key modulation \| governess \| happy \| leading lady \| leading man \| passionate \| playing
All This, and Heaven Too (1940)	Raynald (Mysterioso)	0:44:22 - Raynald talks with Henriette	advance plot \| child \| conversing \| courtyard \| deceptive resolution \| duke \| governess \| happy \| leading lady \| leading man \| mysterious
All This, and Heaven Too (1940)	Henriette (Very Emotional)	0:49:01 - The Duke looks at Henriette	advance plot \| child \| chromatic scale \| common-chord modulation \| common-tone diminished 7th \| conversing \| delicate \| duke \| gentle \| governess \| leading lady \| leading man \| looking \| romance \| romantic \| room
All This, and Heaven Too (1940)	Armide	0:49:21 - The opera house	arriving \| audience \| child \| concert scene \| conversing \| duke \| governess \| leading lady \| leading man \| opera \| regal \| source music \| theater \| upbeat \| watching
All This, and Heaven Too (1940)	La Parisienne (The King)	0:50:33 - The king enters	arriving \| audience \| bowing \| child \| concert scene \| duke \| governess \| king \| leading lady \| leading man \| not by Steiner \| patriotic tune \| regal \| source music \| theater \| watching
All This, and Heaven Too (1940)	Plainte de Cloris	0:51:08 - They listen to the musical prologue	audience \| calm \| child \| classical music \| concert scene \| conversing \| duke \| governess \| leading lady \| leading man \| listening \| passionate \| source music \| theater
All This, and Heaven Too (1940)	Air pour La Jeunesse	0:51:43 - A montage of people applauding	audience \| child \| classical music \| concert scene \| dramatic \| duke \| governess \| leading lady \| leading man \| listening \| source music \| theater \| watching
All This, and Heaven Too (1940)	Fanfan la Tulipe	0:51:48 - Henriette plays the harpsichord	advance plot \| child \| dancing \| duke \| folk music \| governess \| leading lady \| leading man \| on-screen music \| playing \| room \| upbeat
All This, and Heaven Too (1940)	Louise	0:52:39 - Louise hugs her father	added-note chord \| advance plot \| appoggiatura \| child \| conversing \| duke \| excited \| governess \| happy \| hugging \| leading lady \| leading man \| mode mixture \| room
All This, and Heaven Too (1940)	The Duke (Lohengrin)	0:52:53 - The Duke gives Louise his rose	advance plot \| calm \| child \| conversing \| countermelody \| duke \| fragmentation \| governess \| hugging \| kind \| leading lady \| leading man \| room \| sequence
All This, and Heaven Too (1940)	The Duchess (Arguing)	1:00:32 - Henriette leaves	added-note chord \| arguing \| conflict \| dramatic \| duchess \| duke \| governess \| leading lady \| leading man \| linear chromaticism \| listening \| romantic \| room \| serious \| trouble
All This, and Heaven Too (1940)	Underscoring (Dramatic)	1:01:03 - Henriette packs her things	arguing \| conflict \| dramatic \| duke \| governess \| leading lady \| leading man \| room \| trouble
All This, and Heaven Too (1940)	Desperation (Very Emotional)	1:01:26 - Henriette talks to the Duke	arguing \| chromatic sequence \| conflict \| dramatic \| duke \| governess \| leading lady \| leading man \| room \| trouble
All This, and Heaven Too (1940)	Pleading (Extended)	1:01:39 - The Duke responds to Henriette	9th chord \| arguing \| chromatic sequence \| conflict \| dramatic \| duke \| governess \| leading lady \| leading man \| room \| trouble
All This, and Heaven Too (1940)	Desperation (Very Emotional)	1:02:00 - The Duke talks to Henriette	arguing \| chromatic scale \| chromatic sequence \| conflict \| dissonant bass \| dramatic \| duke \| governess \| leading lady \| leading man \| room \| trouble
All This, and Heaven Too (1940)	Henriette (Emotional)	1:02:28 - The Duke talks to Henriette	chromatic sequence \| conflict \| conversing \| duke \| governess \| leading lady \| leading man \| mode mixture \| romance \| romantic \| room
All This, and Heaven Too (1940)	Henriette (Sweepingly)	1:02:57 - Henriette with tears in her eyes	added-note chord \| augmented sixth chord \| chromatic mediant \| conflict \| conversing \| deceptive resolution \| duke \| foreign key modulation \| governess \| leading lady \| leading man \| mode mixture \| pedal tone \| romance \| romantic \| room
All This, and Heaven Too (1940)	Valse	1:03:32 - Montage of newspaper clippings	added-note chord \| ballroom \| cheerful \| crowd \| dancing \| double exposure \| duchess \| duke \| leading lady \| leading man \| mode mixture \| montage \| upbeat \| waltz
All This, and Heaven Too (1940)	Invitation from the King	1:03:46 - Invitation from the King	11th chord \| ballroom \| bold \| double exposure \| duchess \| duke \| fanfare \| leading lady \| leading man \| montage \| pedal tone \| walking
All This, and Heaven Too (1940)	Ascending	1:03:57 - The Duke and Duchess ascend	ascending \| ballroom \| chromatic sequence \| double exposure \| duchess \| duke \| leading lady \| leading man \| mickey-mousing \| montage \| stairs \| tense
All This, and Heaven Too (1940)	The Duchess (Tutti)	1:04:02 - A concert program	ballroom \| bold \| carriage \| duchess \| duke \| fanfare \| leading lady \| leading man \| montage \| riding \| romantic \| sequential modulation
All This, and Heaven Too (1940)	Invitation to the Dance	1:04:19 - People waltzing	advance plot \| ballroom \| child \| classical music \| crowd \| dancing \| duchess \| duke \| leading lady \| leading man \| simulated source music \| upbeat \| waltz
All This, and Heaven Too (1940)	The Duchess (Expressivo)	1:10:42 - The Duke complains to Henriette	abrupt \| advance plot \| angry \| chromatic parallelism \| complaining \| duke \| governess \| leading lady \| leading man \| room \| sequential modulation
All This, and Heaven Too (1940)	Henriette (Transition)	1:10:55 - The Duke talks to Henriette	advance plot \| calm \| common-tone diminished 7th \| conversing \| duke \| enharmonic modulation \| governess \| leading lady \| leading man \| room
All This, and Heaven Too (1940)	Henriette (Rubato)	1:11:14 - The Duke talks to Henriette	9th chord \| added-note chord \| advance plot \| calm \| conversing \| duke \| governess \| leading lady \| leading man \| mode mixture \| peaceful \| room
All This, and Heaven Too (1940)	Henriette + Falling Snow	1:12:16 - The Duke talks to Henriette	advance plot \| augmented triad \| chromatic parallelism \| combination of themes \| conversing \| duke \| governess \| leading lady \| leading man \| mickey-mousing \| mode mixture \| room \| snow \| snow globe \| snowing \| uneasy
All This, and Heaven Too (1940)	Falling Snow	1:12:39 - Henriette watches the falling snow	64 chord \| advance plot \| chromatic parallelism \| chromatic scale \| chromatic sequence \| conversing \| dissonant bass \| duke \| governess \| leading lady \| leading man \| mickey-mousing \| pedal tone \| point-of-view shot \| room \| snow \| snow globe \| snowing \| uneasy
All This, and Heaven Too (1940)	Underscoring (Dramatic)	1:13:19 - Henriette watches the falling snow	advance plot \| arriving \| butler \| dissonant bass \| dramatic \| duchess \| duke \| leading lady \| leading man \| outside \| panning shot \| pc set \| point-of-view shot \| room \| sigh gesture \| underscoring \| watching
All This, and Heaven Too (1940)	The Duchess (Con Moto)	1:13:45 - Henriette watches the Duke and Duchess	advance plot \| dramatic \| duchess \| duke \| leading lady \| leading man \| leaving \| painful \| point-of-view shot \| room \| sequential modulation \| watching
All This, and Heaven Too (1940)	Desperation (Dark)	1:13:56 - Henriette watches the Duke leaving	9th chord \| advance plot \| altered dominant \| dark \| dissonant bass \| duke \| leading man \| leaving \| parallelism \| point-of-view shot \| room \| watching
All This, and Heaven Too (1940)	Henriette (Agitato)	1:14:39 - The Duke paces anxiously	9th chord \| advance plot \| agitated \| conflicted \| dissonant bass \| duke \| half-diminished 7th chord \| leading man \| pacing \| pondering \| room \| turbulent
All This, and Heaven Too (1940)	The Duchess (The Letter)	1:14:48 - A letter is pushed under the door	9th chord \| advance plot \| agitated \| chromatic parallelism \| conflicted \| deceptive resolution \| duke \| fragmentation \| leading man \| letter \| pacing \| pondering \| room \| turbulent
All This, and Heaven Too (1940)	Rushing	1:19:33 - The Duchess rushes forward	angry \| arguing \| augmented triad \| compound melody \| conflict \| desperate \| duchess \| duke \| hurried \| leading lady \| leading man \| room \| rushing \| turn figure
All This, and Heaven Too (1940)	Pleading (Extended 2)	1:19:43 - The Duchess pleads with the Duke	9th chord \| acceleration \| arguing \| chromatic sequence \| conflict \| desperate \| duchess \| duke \| fragmentation \| leading lady \| leading man \| parallelism \| room
All This, and Heaven Too (1940)	Desperation (Very Emotional)	1:20:06 - The Duchess threatens the Duke	arguing \| augmented triad \| chromatic scale \| chromatic sequence \| conflict \| desperate \| dissonant bass \| duchess \| duke \| leading lady \| leading man \| room \| tense \| threatening
All This, and Heaven Too (1940)	Desperation (Sempre Accelerando	1:20:39 - The Duke and Duchess argue	acceleration \| arguing \| augmented triad \| chromatic scale \| chromatic sequence \| conflict \| desperate \| dissonant bass \| duchess \| duke \| leading lady \| leading man \| panning shot \| pc set \| room \| screaming \| tense \| threatening
All This, and Heaven Too (1940)	The Duchess (Calm)	1:22:05 - Henriette asks about the Duchess	calm \| conflict \| conversing \| dissonant bass \| duchess \| duke \| foreign key modulation \| leading lady \| leading man \| room
All This, and Heaven Too (1940)	Henriette (Slowly)	1:22:19 - The Duke bids farewell to Henriette	64 chord \| calm \| conflict \| conversing \| deceptive resolution \| duchess \| duke \| gentle \| leading lady \| leading man \| mode mixture \| room \| sigh gesture
All This, and Heaven Too (1940)	Loti's Song	1:24:31 - Apples roasting on a fire	9th chord \| child \| chromatic mediant \| chromatic parallelism \| chromatic scale \| cooking \| create suspense \| dissonant bass \| forest \| governess \| leading lady \| linear chromaticism \| old man \| pedal tone \| scary \| scored source music \| singer \| singing \| split-third chord \| spooky
All This, and Heaven Too (1940)	Creeping	1:25:02 - A stranger approaches	child \| chromatic parallelism \| create suspense \| creeping \| diminished 7th chord \| duke \| forest \| governess \| leading lady \| leading man \| mickey-mousing \| retardation \| scary \| sneaking \| spooky
All This, and Heaven Too (1940)	Spring Time	1:25:18 - The Duke talks with his children	64 chord \| advance plot \| cheerful \| child \| chromatic sequence \| common-tone diminished 7th \| duke \| forest \| governess \| leading lady \| leading man \| pedal tone \| recognizing \| relief
All This, and Heaven Too (1940)	Underscoring (Gentle)	1:25:28 - Henriette smiles at the Duke	advance plot \| child \| chromatic sequence \| conversing \| duke \| foreign key modulation \| forest \| gentle \| governess \| leading lady \| leading man \| Neapolitan \| tender \| underscoring
All This, and Heaven Too (1940)	Henriette (All Hallows Eve)	1:25:46 - The Duke talks with Henriette	64 chord \| advance plot \| conversing \| deceptive resolution \| duke \| forest \| gentle \| governess \| leading lady \| leading man \| mode mixture \| spooky \| sweet \| tender \| whole-tone chord
All This, and Heaven Too (1940)	Underscoring (Tender)	1:26:48 - The Duke talks with the servants	11th chord \| 13th chord \| 64 chord \| added-note chord \| advance plot \| arriving \| common-tone diminished 7th \| conversing \| duke \| gentle \| governess \| leading lady \| leading man \| light \| pentatonic \| room \| servant
All This, and Heaven Too (1940)	Grazioso	1:27:26 - Madame Gauthier talks about the children	9th chord \| 64 chord \| added-note chord \| advance plot \| cheerful \| conversing \| duke \| governess \| leading lady \| leading man \| room \| servant
All This, and Heaven Too (1940)	Raynald	1:27:35 - Madame Gauthier talks about Raynald	64 chord \| advance plot \| cheerful \| chromatic sequence \| conversing \| deceptive resolution \| duke \| governess \| leading lady \| leading man \| room \| servant
All This, and Heaven Too (1940)	Underscoring (Gentle)	1:27:58 - The Duke talks to Henriette by the fireplace	advance plot \| conversing \| duke \| gentle \| governess \| leading lady \| leading man \| pedal tone \| room
All This, and Heaven Too (1940)	Heaven Theme	1:28:16 - Henriette tells the Duke about herself	added-note chord \| common-chord modulation \| duke \| falling in love scene \| gentle \| governess \| leading lady \| leading man \| room \| storytelling
All This, and Heaven Too (1940)	Triste	1:28:51 - Henriette talks about a mystery	duke \| falling in love scene \| governess \| leading lady \| leading man \| pedal tone \| room \| sigh gesture \| somber \| storytelling
All This, and Heaven Too (1940)	Henriette (Very Romantic)	1:29:07 - Henriette talks with the Duke	9th chord \| altered dominant \| augmented triad \| conversing \| duke \| falling in love scene \| gentle \| governess \| leading lady \| leading man \| pedal tone \| romantic \| room \| sweet
All This, and Heaven Too (1940)	Spring Time	1:30:22 - A carriage approaches the palace	64 chord \| arriving \| bright \| carriage \| chattering \| cheerful \| child \| duke \| foreign key modulation \| governess \| happy \| leading lady \| leading man \| Neapolitan \| palace \| pedal tone \| riding \| transition
All This, and Heaven Too (1940)	Raynald (Mysterioso 2)	1:30:33 - The carriage arrives	arriving \| bright \| carriage \| chattering \| child \| duke \| governess \| happy \| leading lady \| leading man \| palace \| riding \| sequential modulation \| transition
All This, and Heaven Too (1940)	Spring Time	1:30:41 - The children get out of the carriage	64 chord \| bright \| cheerful \| child \| chromatic sequence \| conversing \| duke \| governess \| happy \| leading lady \| leading man \| Neapolitan \| palace \| pentatonic \| transition
All This, and Heaven Too (1940)	Raynald (Mysterioso 3)	1:30:51 - The children talk to Henriette	9th chord \| bright \| child \| chromatic parallelism \| conversing \| duke \| governess \| leading lady \| leading man \| palace \| surprise \| tense \| transition
All This, and Heaven Too (1940)	Spring Time (Ominous)	1:31:04 - The children enter the palace	9th chord \| 64 chord \| augmented sixth chord \| bright \| cheerful \| child \| common-chord modulation \| conversing \| deceptive resolution \| diminished third chord \| duke \| governess \| leading lady \| leading man \| mode mixture \| ominous \| palace \| surprise \| transition
All This, and Heaven Too (1940)	Henriette (Ominous)	1:31:15 - Henriette talks to the Duke	9th chord \| 64 chord \| added-note chord \| conversing \| duke \| foreign key modulation \| governess \| hopeful \| leading lady \| leading man \| love scene \| ominous \| palace \| reassuring
All This, and Heaven Too (1940)	Henriette (Molto Expressivo)	1:31:48 - The Duke talks to Henriette	chromatic mediant \| chromatic parallelism \| conversing \| duke \| governess \| leading lady \| leading man \| love scene \| mode mixture \| Neapolitan \| palace \| pedal tone \| reassuring \| romantic \| sigh gesture \| stinger \| tender
All This, and Heaven Too (1940)	Underscoring (Somber)	1:37:35 - Henriette talks with the Duke	chromatic scale \| conversing \| duke \| governess \| leading lady \| leading man \| love scene \| room \| somber \| underscoring
All This, and Heaven Too (1940)	Expressivo	1:38:15 - Henriette talks with the Duke	chromatic mediant \| conversing \| desperate \| duke \| foreign key modulation \| governess \| leading lady \| leading man \| love scene \| romantic \| room \| sequential modulation
All This, and Heaven Too (1940)	The Duchess (Tender)	1:38:39 - Henriette talks with the Duke	chromatic mediant \| conversing \| duke \| foreign key modulation \| gentle \| governess \| leading lady \| leading man \| love scene \| room \| sequential modulation \| tender
All This, and Heaven Too (1940)	Desperation (Ethereal)	1:38:54 - Henriette talks with the Duke	conversing \| duke \| ethereal \| governess \| leading lady \| leading man \| love scene \| parallelism \| room
All This, and Heaven Too (1940)	Henriette (Sehr Delicatessen)	1:39:12 - Henriette talks with the Duke	calm \| conversing \| duke \| gentle \| governess \| leading lady \| leading man \| love scene \| room \| sweet \| tender
All This, and Heaven Too (1940)	Henriette (Romantic)	1:39:53 - The Duke reads the locket inscription	9th chord \| chromatic mediant \| conversing \| crying \| crying gesture \| duke \| foreign key modulation \| gentle \| governess \| leading lady \| leading man \| love scene \| mode mixture \| romantic \| room \| sigh gesture \| tender
All This, and Heaven Too (1940)	Henriette	1:45:41 - A carriage arrives	arriving \| carriage \| child \| duke \| grand \| leading man \| pleasant \| street \| transition \| traveling
All This, and Heaven Too (1940)	Henriette (Tristan)	1:46:15 - Henriette greets the children	9th chord \| arriving \| child \| duke \| fragmentation \| grand \| greeting \| leading lady \| leading man \| pump-up modulation \| reunion scene \| romantic \| room
All This, and Heaven Too (1940)	Henriette (Meno)	1:46:24 - Henriette talks with the children	arriving \| calm \| child \| duke \| greeting \| leading lady \| leading man \| mode mixture \| Neapolitan \| reunion scene \| room
All This, and Heaven Too (1940)	Henriette (Calm)	1:46:38 - Henriette talks with the Duke	calm \| child \| conversing \| duke \| gentle \| leading lady \| leading man \| reunion scene \| room \| uneasy
All This, and Heaven Too (1940)	Gossip 2	1:47:20 - Henriette sees her landlady gossiping	9th chord \| chromatic parallelism \| dissonant bass \| duke \| gossiper \| gossiping \| harsh \| landlady \| leading man \| minor second \| reunion scene \| room \| tense \| watching
All This, and Heaven Too (1940)	Henriette (Gossiping) + Spring Time (Gossiping)	1:47:25 - Henriette's landlady talks to the Duke	awkward \| child \| combination of themes \| common-tone diminished 7th \| diminished 7th chord \| duke \| gossiper \| gossiping \| landlady \| leading lady \| leading man \| mysterious \| parallelism \| pedal tone \| reunion scene \| room \| somber \| tense \| watching
All This, and Heaven Too (1940)	Henriette (Tense)	1:47:51 - The Duke argues with Henriette	arguing \| conflict \| diminished 7th chord \| duke \| fragmentation \| leading lady \| leading man \| pedal tone \| room \| tense
All This, and Heaven Too (1940)	The Duchess (Tense)	1:48:04 - Henriette talks with the Duke	arguing \| conflict \| duke \| leading lady \| leading man \| room \| sequential modulation \| tense
All This, and Heaven Too (1940)	Desperation (Tense)	1:48:14 - The Duke talks with Henriette	chromatic parallelism \| chromatic sequence \| conflict \| conversing \| dissonant bass \| duke \| leading lady \| leading man \| room \| tense
All This, and Heaven Too (1940)	Screwissimo	1:48:47 - The Duke goes mad	chromatic scale \| conflict \| conversing \| creepy \| disturbing \| duke \| leading lady \| leading man \| madness \| ominous \| room \| whole-tone chord
All This, and Heaven Too (1940)	Desperation (Slow)	1:48:58 - The Duke leaves	chromatic scale \| conflict \| dissonant bass \| duke \| leading lady \| leading man \| leaving \| ominous \| room \| tense
All This, and Heaven Too (1940)	The Murder	1:51:56 - The Duke advances towards the Duchess	approaching \| blur \| chromatic scale \| climax \| dark \| diminished 7th chord \| duchess \| duke \| leading lady \| leading man \| menacing \| murder \| murdering \| murder scene \| ominous \| pc set \| room \| strangling
All This, and Heaven Too (1940)	Henriette (Noble)	2:13:19 - Henriette comes into the Duke's room	arriving \| dark \| death scene \| detective \| duke \| dying \| hopeful \| leading lady \| leading man \| mode mixture \| noble \| prisoner \| room \| soldier \| suspect
All This, and Heaven Too (1940)	Dying	2:13:46 - The Duke in his death bed	chromatic scale \| conversing \| death bed \| death scene \| detective \| dissonant bass \| duke \| dying \| leading lady \| leading man \| prisoner \| questioning \| room \| sad \| soldier \| suspect
All This, and Heaven Too (1940)	Henriette (Duet)	2:14:06 - A close-up on Henriette	appoggiatura \| chromatic parallelism \| conversing \| death bed \| death scene \| deceptive resolution \| detective \| duke \| dying \| leading lady \| leading man \| mode mixture \| prisoner \| questioning \| room \| sad \| soldier \| suspect \| tender
All This, and Heaven Too (1940)	Henriette (Funereal)	2:14:27 - Henriette leaves the Duke	conversing \| death bed \| death scene \| detective \| duke \| dying \| funeral march \| leading lady \| leading man \| Neapolitan \| parallelism \| pedal tone \| prisoner \| questioning \| room \| sad \| sigh gesture \| soldier \| suspect
All This, and Heaven Too (1940)	Dying (Molto Expressivo)	2:14:46 - The Duke talks to Pierre	caretaker \| chromatic parallelism \| confessing \| conversing \| death bed \| death scene \| diminished 7th chord \| duke \| dying \| leading man \| love \| pedal tone \| room \| sigh gesture \| somber
All This, and Heaven Too (1940)	Henriette (Confession of Love)	2:15:34 - The Duke confesses his love	added-note chord \| caretaker \| chromatic mediant \| common-tone modulation \| confessing \| conversing \| death bed \| death scene \| duke \| dying \| foreign key modulation \| leading man \| love \| mode mixture \| room \| somber
The Amazing Dr. Clitterhouse (1938)	Una Voce Poco Fa	0:00:54 - A woman plays the piano	calm \| leading man \| listening \| on-screen music \| party \| pianist \| room \| singer \| singing \| sneaking \| source music \| stealing \| thief
The Amazing Dr. Clitterhouse (1938)	The Last Rose of Summer	0:03:14 - A woman sings	calm \| doctor \| folk song \| Irish \| leading man \| listening \| on-screen music \| party \| pianist \| room \| singer \| singing \| sneaking \| source music \| stealing \| thief
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor	0:20:05 - Dr. Clitterhouse enters Hotel Sequin	42 chord \| advance plot \| chromatic parallelism \| dark \| dissonant bass \| doctor \| half-diminished 7th chord \| leading man \| lobby \| mysterious \| quartal chord \| sign \| thief \| walking
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor (Meeting)	0:21:30 - Dr. Clitterhouse is taken upstairs	64 chord \| advance plot \| chromatic parallelism \| conversing \| doctor \| fragmentation \| gangster \| leading man \| lobby \| mysterious \| pedal tone \| sequence \| thief
The Amazing Dr. Clitterhouse (1938)	Eine kleine Nachtmusik	0:35:00 - Phonograph plays Mozart record	advance plot \| doctor \| gangster \| leading man \| Mozart \| neutral \| plotting \| record player \| room \| source music \| thief
The Amazing Dr. Clitterhouse (1938)	Eine kleine Nachtmusik	0:41:57 - Phonograph plays Mozart record	advance plot \| doctor \| gangster \| leading man \| moll \| Mozart \| neutral \| plotting \| record player \| room \| source music \| thief
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor (Comical)	0:46:08 - Doctor examines a criminal	64 chord \| chromatic parallelism \| comical \| criminal \| doctor \| examining \| fragmentation \| gangster \| leading man \| pedal tone \| robbery \| rooftop \| sequence \| thief \| underscoring
The Amazing Dr. Clitterhouse (1938)	Underscoring (Tense)	0:47:04 - Doctor talks with the criminals	augmented major 7th chord \| chromatic parallelism \| criminal \| dissonant bass \| doctor \| examining \| gangster \| leading man \| ostinato \| pc set \| robbery \| rooftop \| tense \| thief \| underscoring \| walking \| working
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor (Examination)	0:47:16 - The doctor writes in his notebook	criminal \| dissonant bass \| doctor \| examining \| gangster \| leading man \| robbery \| rooftop \| subtle \| thief \| underscoring
The Amazing Dr. Clitterhouse (1938)	How Dry I Am (Nervous)	0:47:20 - Criminals talking	64 chord \| conversing \| criminal \| doctor \| gangster \| leading man \| nervous \| parallelism \| pedal tone \| robbery \| rooftop \| source music \| thief
The Amazing Dr. Clitterhouse (1938)	Spiraling down	0:47:38 - Doctor goes down the stairs	9th chord \| criminal \| descending \| diminished 7th chord \| doctor \| gangster \| leading man \| mickey-mousing \| mysterious \| robbery \| spiraling \| store \| tense \| thief \| walking
The Amazing Dr. Clitterhouse (1938)	Underscoring (Dramatic)	0:47:48 - Rocks opens the safe	breaking in \| criminal \| diminished 7th chord \| doctor \| dramatic \| enharmonic modulation \| gangster \| leading man \| lock \| opening \| robbery \| safe \| safe-cracking \| stinger \| store \| tense \| thief \| underscoring \| unlocking \| vault \| wedge
The Amazing Dr. Clitterhouse (1938)	Flashlight	0:48:20 - Doctor shines flashlight on Rocks	anger \| annoyance \| criminal \| doctor \| flashlight \| gangster \| leading man \| mickey-mousing \| ominous \| robbery \| shining \| store \| tense \| thief \| whole-tone chord
The Amazing Dr. Clitterhouse (1938)	Rocks (Annoyed)	0:48:25 - Rocks is annoyed by flashlight	anger \| angry \| annoyance \| criminal \| doctor \| flashlight \| gangster \| leading man \| ominous \| robbery \| shining \| store \| tense \| thief \| tritone \| whole-tone chord
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor (Giving Orders)	0:48:32 - Doctor gives orders to the criminals	64 chord \| anger \| annoyance \| chromatic parallelism \| commanding \| criminal \| doctor \| fragmentation \| gangster \| leading man \| ordering \| pedal tone \| robbery \| sequence \| store \| tense \| thief
The Amazing Dr. Clitterhouse (1938)	Rocks (Double Cross)	0:48:56 - Rocks thinks of a double-cross	antagonist \| chromatic parallelism \| criminal \| diminished 7th chord \| doctor \| double-cross \| dramatic \| gangster \| leading man \| murderer \| murdering \| plotting \| robbery \| sinister \| store \| thief \| trapping
The Amazing Dr. Clitterhouse (1938)	Locked in vault	0:49:06 - Dr. Clitterhouse locked in safe	anxious \| chromatic parallelism \| chromatic scale \| criminal \| doctor \| double-cross \| dramatic \| gangster \| leading man \| murderer \| murdering \| panicking \| polychord \| pounding \| robbery \| safe \| store \| tense \| thief \| trapping \| vault \| yelling
The Amazing Dr. Clitterhouse (1938)	The Motor	0:49:21 - Rocks starts the refrigeration motor	antagonist \| anxious \| criminal \| diminished 7th chord \| doctor \| double-cross \| dramatic \| gangster \| gauge \| leading man \| lowering \| machine \| mickey-mousing \| motor \| murderer \| murdering \| ostinato \| panicking \| pedal tone \| pounding \| robbery \| spinning \| store \| temperature \| tense \| thief \| trapping \| whirling \| yelling
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor + The Motor	0:49:36 - Dr. Clitterhouse in safe	anxious \| combination of themes \| criminal \| doctor \| double-cross \| dramatic \| gangster \| gauge \| leading man \| machine \| motor \| murderer \| murdering \| ostinato \| panicking \| pedal tone \| robbery \| spinning \| store \| tense \| thief \| trapping \| whirling
The Amazing Dr. Clitterhouse (1938)	The Motor (Getting Colder)	0:49:43 - The vault gets colder	anxious \| chromatic scale \| criminal \| dissonant bass \| doctor \| double-cross \| dramatic \| gangster \| gauge \| leading man \| lowering \| machine \| motor \| murderer \| murdering \| ostinato \| panicking \| pedal tone \| pounding \| robbery \| spinning \| store \| temperature \| tense \| thief \| trapping \| whirling \| yelling
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor + The Motor	0:50:11 - Butch comes back	anxious \| combination of themes \| criminal \| doctor \| double-cross \| dramatic \| gangster \| hurrying \| leading man \| motor \| murderer \| ostinato \| robbery \| store \| temperature \| tense \| thief
The Amazing Dr. Clitterhouse (1938)	Rocks (Sneaking) + The Motor	0:50:14 - Rocks sneaks around in the dark	antagonist \| anxious \| combination of themes \| criminal \| diminished 7th chord \| doctor \| double-cross \| dramatic \| gangster \| leading man \| motor \| murderer \| ostinato \| robbery \| sneaking \| store \| temperature \| tense \| thief
The Amazing Dr. Clitterhouse (1938)	I Wanna Go Back to Bali	0:53:48 - Gangsters meet in an apartment	advance plot \| conversing \| criminal \| dance music \| doctor \| gangster \| hero \| leading man \| lying \| playful \| radio \| room \| thief
The Amazing Dr. Clitterhouse (1938)	Doctor Leaves	0:57:38 - Dr. Clitterhouse leaves	advance plot \| doctor \| door \| exiting \| gangster \| hero \| leading lady \| leading man \| leaving \| linear chromaticism \| opening \| room \| tense \| wedge \| whole-tone chord
The Amazing Dr. Clitterhouse (1938)	Underscoring (Mysterious)	0:57:58 - Dr. Clitterhouse talks with Jo	conversing \| doctor \| gangster \| leading lady \| leading man \| love scene \| mysterious \| room \| tense
The Amazing Dr. Clitterhouse (1938)	Jo	0:58:18 - Dr. Clitterhouse talks with Jo	13th chord \| added-note chord \| altered dominant \| chromatic mediant \| conversing \| doctor \| foreign key modulation \| gangster \| leading lady \| leading man \| love scene \| room \| sequence \| tender
The Amazing Dr. Clitterhouse (1938)	The Poison Victim	1:07:50 - Rocks is poisoned	dissonant \| doctor \| gangster \| leading lady \| leading man \| murder \| murderer \| murdering \| murder scene \| mysterious \| office \| parallel fifths \| poison \| poisoning \| quartal chord \| tense \| tone cluster \| tritone
The Amazing Dr. Clitterhouse (1938)	Poison	1:08:46 - Rocks feels the effect of the poison	blur \| chromatic parallelism \| diminution \| doctor \| dreaming \| drugs \| ethereal \| gangster \| layering \| leading lady \| leading man \| murder \| murderer \| murdering \| murder scene \| office \| oscillation \| ostinato \| pc set \| poison \| poisoning \| polychord \| stinger \| tone cluster
The Amazing Dr. Clitterhouse (1938)	Rocks struggles and falls	1:09:52 - Rocks tries to get up, then collapses	chromatic parallelism \| chromatic scale \| death \| doctor \| down \| drugs \| dying \| falling \| gangster \| leading lady \| leading man \| murder \| murderer \| murder scene \| office \| oscillation \| poison \| rising \| split-third chord \| struggling \| tense \| up
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor (Funebre)	1:10:07 - Dr. Clitterhouse talks with Jo	9th chord \| chromatic parallelism \| dark \| death \| doctor \| gangster \| leading lady \| leading man \| murder \| murderer \| murder scene \| office \| pleading \| realizing \| tense
The Amazing Dr. Clitterhouse (1938)	Cauldron 1 (End title)	1:26:33 - The End	beaker \| bubbling \| chromatic mediant \| chromatic scale \| closing credits \| doctor \| end title \| foreign key modulation \| leading man \| mode mixture \| ominous \| plagal cadence
Angels With Dirty Faces (1938)	The Gangster (Fingerprints)	0:06:17 - Montage of juvenile detention and prison life	digging \| dramatic \| establish character \| fingerprints \| foreign key modulation \| headline \| leading man \| main title \| marching \| montage \| mug shot \| newspaper \| prison \| prisoner \| reformatory \| sequence \| serious \| working
Angels With Dirty Faces (1938)	Bootlegging	0:06:46 - Bootlegging liquor	alcohol \| boat \| dock \| establish character \| gangster \| leading man \| mickey-mousing \| montage \| sneaking \| sneaky
Angels With Dirty Faces (1938)	Running and shooting	0:06:52 - Police chase gangsters and Rocky shoots	agent \| augmented triad \| chasing \| dissonant bass \| dominant 7th chord \| dramatic \| establish character \| gangster \| gun \| gunshot \| leading man \| mickey-mousing \| montage \| newspaper \| quartal chord \| running \| shooting \| street \| zoom out
Angels With Dirty Faces (1938)	Roulette	0:07:01 - Roulette wheel spins	club \| double exposure \| establish character \| frantic \| gambling \| gangster \| leading man \| mickey-mousing \| montage \| parallelism \| pedal tone \| sequence \| spinning
Angels With Dirty Faces (1938)	Night Club Music	0:07:05 - Rocky gambles in a nightclub	altered dominant \| club \| dancing \| double exposure \| drinking \| establish character \| frantic \| gambling \| gangster \| leading man \| mickey-mousing \| montage \| pouring
Angels With Dirty Faces (1938)	Underscoring (Mysterious)	0:07:26 - Rocky talks with his lawyer	advance plot \| conversing \| dark \| dissonant bass \| gangster \| lawyer \| leading man \| mysterious \| prison \| prisoner \| underscoring
Angels With Dirty Faces (1938)	Sanctus	0:09:13 - Church interior with boys singing in a choir loft	boys choir \| church \| conducting \| gangster \| leading man \| music scene \| nun \| on-screen music \| organ \| priest \| religious \| serious \| singer \| singing \| solemn \| source music
Angels With Dirty Faces (1938)	In My Merry Oldsmobile	0:12:55 - Rocky and Jerry singing	cheerful \| church \| gangster \| hymn \| laughing \| leading man \| music scene \| on-screen music \| popular music \| priest \| singing \| source music
Angels With Dirty Faces (1938)	When a Prince of a Fella Meets a Cinderella	0:16:49 - Rocky goes to a night club	advance plot \| cheerful \| conversing \| gambling \| gangster \| lawyer \| leading man \| night club \| parallel double period \| popular music \| source music
Angels With Dirty Faces (1938)	Monday Morning	0:18:15 - Rocky talks to Frazier in his office	advance plot \| cheerful \| conversing \| gangster \| lawyer \| leading man \| popular music \| room \| source music
Angels With Dirty Faces (1938)	So Help Me (If I Don't Love You)	0:19:36 - Rocky leaves the nightclub	advance plot \| conversing \| gangster \| lawyer \| leading man \| popular music \| room \| sentimental \| source music
Angels With Dirty Faces (1938)	Rocky and Laury (Not In Film 1)	NIF - not in film	added-note chord \| altered dominant \| augmented sixth chord \| common-chord modulation \| conversing \| cut from film \| establish character \| following \| gangster \| leading lady \| leading man \| mode mixture \| street \| walking
Angels With Dirty Faces (1938)	Rocky and Laury (Not In Film 2)	NIF - not in film	added-note chord \| altered dominant \| augmented sixth chord \| chromatic scale \| conversing \| cut from film \| establish character \| following \| gangster \| leading lady \| leading man \| street \| walking
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	NIF - not in film	chromatic parallelism \| chromatic scale \| chromatic sequence \| conflict \| cut from film \| diminished 7th chord \| dissonant bass \| evading \| following \| gangster \| leading man \| linear chromaticism \| setup \| shop \| street \| underscoring \| walking
Angels With Dirty Faces (1938)	Underscoring (Tense)	0:39:58 - Rocky in the drug store	conflict \| conversing \| gangster \| leading man \| ominous \| setup \| shop \| telephone \| tritone \| underscoring
Angels With Dirty Faces (1938)	Pushing forward	0:40:26 - Man pulls a gun on the cashier	advancing \| chromatic parallelism \| chromatic scale \| conflict \| dominant 7th chord \| gangster \| gun \| leading man \| mickey-mousing \| ominous \| pedal tone \| pushing \| shop
Angels With Dirty Faces (1938)	Backing up	0:40:37 - Rocky pulls a gun on the man following him	backing up \| conflict \| gangster \| gun \| leading man \| mickey-mousing \| ominous \| sequence \| shop
Angels With Dirty Faces (1938)	Closes door	0:40:48 - Rocky shuts the phone booth door	closing \| conflict \| door \| gangster \| leading man \| mickey-mousing \| shop \| tense
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	0:40:50 - Gangsters shoot their own man in phone booth	chromatic sequence \| conflict \| death \| diminished 7th chord \| falling \| gangster \| gun \| gunshot \| half-diminished 7th chord \| leading man \| mickey-mousing \| murderer \| polychord \| shooting \| shop \| sneaking \| tense \| voice-exchange
Angels With Dirty Faces (1938)	Sneaking away	0:41:02 - Rocky sneaks away	conflict \| diminished 7th chord \| gangster \| leading man \| mickey-mousing \| shop \| sneaking \| tense
Angels With Dirty Faces (1938)	Stickup	0:42:30 - Rocky points a gun at Frazier	64 chord \| advance plot \| assaulting \| dramatic \| gangster \| garage \| grabbing \| lawyer \| leading man \| mickey-mousing
Angels With Dirty Faces (1938)	The Gangster (Elevator Music)	0:42:40 - Elevator goes up	advance plot \| chromatic parallelism \| elevator \| gangster \| half-diminished 7th chord \| lawyer \| leading man \| mickey-mousing \| rising \| room \| tense
Angels With Dirty Faces (1938)	From Me to You	0:58:56 - Boys in pool hall	betting \| develop character \| gambling \| gang \| leading man \| playful \| playing \| pool \| pool hall \| priest \| ragtime \| source music \| teenager
Angels With Dirty Faces (1938)	Underscoring (Romantic)	1:01:43 - Rocky and Laury talk	altered dominant \| conversing \| dissonant bass \| gangster \| leading lady \| leading man \| linear chromaticism \| love scene \| romantic \| room \| underscoring
Angels With Dirty Faces (1938)	Rocky and Laury (Sentimental)	1:01:59 - Rocky and Laury talk	added-note chord \| altered dominant \| conversing \| gangster \| leading lady \| leading man \| love scene \| parallel period \| romantic \| room
Angels With Dirty Faces (1938)	Foxtrot	1:02:20 - Rocky and Laury look out the window	added-note chord \| altered dominant \| common-tone diminished 7th \| dreaming \| foxtrot \| gangster \| hoping \| leading lady \| leading man \| looking \| love scene \| mode mixture \| romantic \| room
Angels With Dirty Faces (1938)	Saving Myself For You (I've Been)	1:02:30 - Rocky and Laury at a night club	AABA structure \| advance plot \| cheerful \| club \| drinking \| gambling \| gangster \| lawyer \| leading lady \| leading man \| on-screen music \| source music
Angels With Dirty Faces (1938)	The Cartoon	1:04:49 - Jerry looks at newspaper cartoon of Rocky	9th chord \| advance plot \| cartoon \| chromatic parallelism \| comical \| leading man \| priest \| reading \| room
Angels With Dirty Faces (1938)	The Cook	1:05:06 - The cook hands a package to Jerry	advance plot \| comical \| conversing \| cook \| Irish \| leading man \| parallel fifths \| priest \| room
Angels With Dirty Faces (1938)	Sanctus (Mysterioso)	1:05:33 - Jerry looks at note from Rocky	advance plot \| charity \| classical music \| common-chord modulation \| friendship \| leading man \| letter \| mode mixture \| money \| mysterious \| pedal tone \| priest \| room \| sacred \| source to score \| thinking
Angels With Dirty Faces (1938)	Underscoring (Mysterious)	1:05:58 - Jerry goes to meet Rocky	advance plot \| arriving \| gangster \| leading man \| mickey-mousing \| mysterious \| pedal tone \| priest \| room \| underscoring \| waiting
Angels With Dirty Faces (1938)	Underscoring (Mysterious)	1:09:33 - Jerry leaves	42 chord \| gangster \| leading man \| leaving \| money \| montage \| mysterious \| priest \| room \| turning point
Angels With Dirty Faces (1938)	Tossing money	1:09:33 - Jerry throws Rocky's money on the table	42 chord \| gangster \| leading man \| mickey-mousing \| money \| mysterious \| priest \| room \| tossing \| turning point
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	1:09:49 - Jerry talks to newspaper editor	conversing \| diminution \| leading man \| montage \| montage \| newspaper editor \| newspaper office \| parallelism \| priest \| sign \| tense
Angels With Dirty Faces (1938)	Newspaper Editor	1:10:09 - A newspaper editor accepts Jerry's story	accepting \| conversing \| heroic \| leading man \| montage \| montage \| newspaper editor \| newspaper office \| priest \| secondary dominant
Angels With Dirty Faces (1938)	Pleading	1:11:08 - Laury pleads for Rocky	9th chord \| advance plot \| appoggiatura \| circle of fifths \| common-chord modulation \| crying \| leading lady \| leading man \| love interest \| pleading \| priest \| room \| somber
Angels With Dirty Faces (1938)	Jerry	1:11:35 - Jerry talks to Laury	9th chord \| advance plot \| deceptive resolution \| foreign key modulation \| leading lady \| leading man \| love interest \| memory \| pleading \| priest \| room \| tender
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	1:16:29 - Rocky shoots Mac and Frazier	agitated \| attacking \| casino \| chaos \| chasing \| chromatic parallelism \| chromatic scale \| climbing \| conflict \| crowd \| death \| dissonant bass \| dramatic \| dying \| escaping \| falling \| fighting \| gangster \| gun \| gunshot \| half-diminished 7th chord \| hurrying \| jumping \| landing \| lawyer \| leading man \| mickey-mousing \| pedal tone \| police \| rooftop \| room \| running \| sequence \| shooting \| sneaking \| sneaky \| street \| tone cluster \| underscoring
Angels With Dirty Faces (1938)	Mac gets shot	1:16:35 - Mac gets shot and dies	agitated \| chromatic parallelism \| chromatic scale \| conflict \| death \| dramatic \| dying \| falling \| gangster \| gun \| gunshot \| lawyer \| leading man \| mickey-mousing \| room \| shooting
Angels With Dirty Faces (1938)	Frazier gets shot	1:16:56 - Frazier gets shot and dies	agitated \| casino \| chromatic scale \| conflict \| death \| dramatic \| dying \| falling \| gangster \| gun \| gunshot \| lawyer \| leading man \| mickey-mousing \| shooting
Angels With Dirty Faces (1938)	Going down a ladder	1:17:32 - Rocky goes down an escape ladder	agitated \| chromatic scale \| climbing \| conflict \| descending \| down \| dramatic \| escaping \| gangster \| hurrying \| ladder \| leading man \| mickey-mousing \| street
Angels With Dirty Faces (1938)	Going up a ladder	1:17:41 - Rocky climbs up an escape ladder	agitated \| ascending \| chromatic parallelism \| climbing \| conflict \| dramatic \| gangster \| ladder \| leading man \| mickey-mousing \| pedal tone \| sequence \| street \| up
Angels With Dirty Faces (1938)	Running on wall	1:17:55 - Rocky runs on wall	agitated \| chromatic scale \| conflict \| dramatic \| gangster \| half-diminished 7th chord \| leading man \| mickey-mousing \| rooftop \| running \| sequence
Angels With Dirty Faces (1938)	Breaking in	1:18:11 - Rocky enters the building	conflict \| down \| gangster \| jumping \| landing \| leading man \| mickey-mousing \| room \| sneaking \| sneaky
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	1:19:00 - Rocky is trapped in a building	42 chord \| agitated \| chromatic parallelism \| chromatic scale \| conflict \| dissonant bass \| dramatic \| escaping \| fleeing \| gangster \| half-diminished 7th chord \| leading man \| major 7th chord \| police \| running \| sequence \| stairwell \| tone cluster \| underscoring
Angels With Dirty Faces (1938)	Going down stairs	1:19:05 - Rocky runs down the stairs	agitated \| chromatic scale \| conflict \| down \| dramatic \| gangster \| half-diminished 7th chord \| leading man \| mickey-mousing \| running \| stairs \| stairwell
Angels With Dirty Faces (1938)	Going up stairs	1:19:27 - Rocky runs up the stairs	agitated \| chromatic parallelism \| chromatic scale \| conflict \| dissonant bass \| dramatic \| gangster \| leading man \| major 7th chord \| mickey-mousing \| running \| sequence \| stairs \| stairwell \| up
Angels With Dirty Faces (1938)	Tear Gas	1:19:48 - Tear gas spreads throughout the room	agitated \| breaking \| breaking \| breathing \| building \| chromatic parallelism \| chromatic scale \| conflict \| dissonant bass \| dramatic \| gangster \| gun \| gunshot \| hurrying \| leading man \| mickey-mousing \| pedal tone \| police \| quartal chord \| running \| shooting \| smoke \| street \| tear gas \| throwing \| window
Angels With Dirty Faces (1938)	Machine Gun	1:20:24 - Policeman shoots at Rocky with machine gun	agitated \| building \| chromatic parallelism \| conflict \| death \| dramatic \| falling \| gangster \| gun \| gunshot \| hiding \| leading man \| police \| polychord \| shooting \| street \| underscoring
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	1:20:39 - Policemen shoot tear gas in through the window	agitated \| appoggiatura \| building \| conflict \| dramatic \| gangster \| gun \| gunshot \| leading man \| mickey-mousing \| police \| shooting \| street \| tone cluster \| underscoring
Angels With Dirty Faces (1938)	Launching tear gas	1:20:51 - Policemen shoot tear gas in through the window	agitated \| building \| conflict \| dramatic \| gangster \| gun \| gunshot \| launching \| leading man \| mickey-mousing \| police \| shooting \| street \| tear gas \| tone cluster
Angels With Dirty Faces (1938)	Pleading (Extended)	1:21:00 - Jerry arrives on the scene	9th chord \| appoggiatura \| arriving \| chromatic sequence \| circle of fifths \| concerned \| conflict \| crowd \| gun \| gunshot \| hurried \| hurrying \| leading lady \| leading man \| love interest \| polychord \| priest \| pushing \| street \| yearning
Angels With Dirty Faces (1938)	Jerry + Tear Gas	1:21:14 - Rocky staggers through tear gas and Jerry arrives	agitated \| arriving \| building \| chromatic parallelism \| combination of themes \| conflict \| dissonant bass \| dramatic \| gangster \| heroic \| hurrying \| leading man \| mickey-mousing \| priest \| quartal chord \| smoke \| staggering \| street \| tear gas
Angels With Dirty Faces (1938)	Jerry (Pleading)	1:21:26 - Jerry talks to the cops	building \| conflict \| deceptive resolution \| heroic \| hopeful \| leading man \| pleading \| priest \| street
Angels With Dirty Faces (1938)	Tear Gas (Desperate)	1:21:40 - Rocky tries to hold off the cops	agitated \| building \| chromatic parallelism \| chromatic scale \| conflict \| dissonant bass \| dramatic \| gangster \| gun \| gunshot \| leading man \| mickey-mousing \| pedal tone \| police \| priest \| quartal chord \| shooting \| smoke \| staggering \| street \| tear gas
Angels With Dirty Faces (1938)	Jerry (Maestoso)	1:22:13 - Jerry enters the building	building \| conflict \| entering \| foreign key modulation \| heroic \| hopeful \| leading man \| pedal tone \| priest \| street \| walking
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	1:23:10 - Jerry and Rocky confront one another	42 chord \| agitated \| arguing \| building \| conflict \| dramatic \| entering \| gangster \| leading man \| priest \| underscoring \| wedge \| yelling
Angels With Dirty Faces (1938)	Jerry (Agitato)	1:23:21 - Jerry and Rocky talk	agitated \| arguing \| building \| conflict \| diminished 7th chord \| gangster \| leading man \| pedal tone \| priest
Angels With Dirty Faces (1938)	Jerry (Slowly)	1:23:44 - Jerry goes to the window	building \| conflict \| coughing \| gangster \| leading man \| menacing \| priest \| smoke \| tear gas \| walking
Angels With Dirty Faces (1938)	The Gangster (Triste)	1:23:57 - Rocky uses Jerry as a hostage	9th chord \| building \| chromatic parallelism \| conflict \| coughing \| dark \| double-cross \| foreign key modulation \| fragmentation \| gangster \| hostage \| leading man \| linear chromaticism \| major 7th chord \| menacing \| polychord \| priest \| smoke \| somber \| street \| tear gas \| walking
Angels With Dirty Faces (1938)	Jerry (Hostage)	1:25:07 - Rocky pushes Jerry	augmented sixth chord \| conflict \| double-cross \| gangster \| hostage \| leading man \| mysterious \| priest \| pushing \| street \| tense
Angels With Dirty Faces (1938)	Rocky runs	1:25:13 - Rocky makes a run for it	agitated \| chromatic scale \| conflict \| falling \| gangster \| gun \| gunshot \| hostage \| leading man \| octatonic \| priest \| running \| sequence \| shooting \| street \| whole-tone chord
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	1:25:20 - Rocky throws his gun	capturing \| chromatic scale \| conflict \| dissonant bass \| dramatic \| gangster \| gun \| leading man \| police \| sequence \| street \| throwing \| underscoring
Angels With Dirty Faces (1938)	The Gangster (Captured)	1:25:31 - Rocky is captured	capturing \| conflict \| gangster \| leading man \| police \| somber \| street \| taunting
Angels With Dirty Faces (1938)	Jerry (Somber)	1:31:04 - Rocky leaves his cell for his execution	altered dominant \| climax \| conversing \| gangster \| gentle \| leading man \| pc set \| priest \| prison \| reverse picardy \| stinger \| tone cluster
Angels With Dirty Faces (1938)	Jerry (Upset)	1:31:40 - Jerry follows Rocky out of his cell	agitated \| climax \| conversing \| gangster \| leading man \| police \| priest \| prison
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	1:31:44 - Rocky punches a guard	agitated \| chromatic parallelism \| chromatic scale \| chromatic wedge \| climax \| fighting \| gangster \| half-diminished 7th chord \| leading man \| police \| priest \| prison \| punching \| tense \| underscoring
Angels With Dirty Faces (1938)	The Gangster (Funebre)	1:31:55 - Rocky is taken away	64 chord \| climax \| gangster \| leading man \| police \| priest \| prison \| pushing \| somber
Angels With Dirty Faces (1938)	Funebre	1:32:03 - Jerry and Rocky walk down the hall	climax \| dirge \| execution chamber \| gangster \| leading man \| marching \| police \| priest \| prison \| somber \| tense \| walking
Angels With Dirty Faces (1938)	Jerry (Goodbye)	1:33:12 - Jerry says goodbye to Rocky	added-note chord \| climax \| conversing \| dissonant bass \| execution chamber \| gangster \| leading man \| priest \| prison \| serious \| sigh gesture \| somber
Angels With Dirty Faces (1938)	Funebre (Sigh)	1:33:19 - Rocky heads towards electric chair	added-note chord \| climax \| dirge \| execution chamber \| gangster \| leading man \| marching \| priest \| prison \| sigh gesture \| somber \| tense \| walking
Angels With Dirty Faces (1938)	Underscoring (Tense)	1:33:36 - Rocky pleads for his life	begging \| climax \| cowardice \| crowd \| crying \| death \| execution \| execution chamber \| gangster \| leading man \| pleading \| police \| priest \| prison \| shadow \| tense \| tone cluster \| underscoring \| wailing
Angels With Dirty Faces (1938)	Sanctus (Mournful)	1:34:12 - Jerry cries after Rocky dies	added-note chord \| climax \| crying \| death \| dissonant bass \| execution chamber \| leading man \| mourning \| pedal tone \| priest \| prison \| redemption \| reverse picardy \| sacred \| somber
Angels With Dirty Faces (1938)	Jerry (Triste)	1:35:23 - Jerry visits the boys	conversing \| death \| foreign key modulation \| leading man \| pedal tone \| picardy third \| priest \| resolution \| room \| somber \| teenager
Angels With Dirty Faces (1938)	Sanctus (Maestoso)	1:36:06 - Jerry and the boys walk up the stairs	angelic \| ascending \| chromatic mediant \| foreign key modulation \| leading man \| priest \| resolution \| room \| stairs \| teenager \| The End \| transcendence \| triumphant \| up
Are These Our Children? (1931)	Dreams B	0:01:33 - Two young people in love	common-chord modulation \| common-tone diminished 7th \| conductor score \| conversing \| establish character \| gentle \| leading lady \| leading man \| lovers \| love scene \| snuggling \| street
Are These Our Children? (1931)	Dreams	0:02:11 - Eddie and Mary talk	11th chord \| AABA structure \| conductor score \| establish character \| gentle \| leading lady \| leading man \| leaving \| lovers \| love scene \| mode mixture \| street \| waiting
Are These Our Children? (1931)	Dreams (Whistling)	0:03:29 - Eddie walks home	cheerful \| establish character \| gentle \| leading man \| love scene \| on-screen music \| score to source \| source and scoring overlap \| source music \| street \| transcribed by ear \| walking \| whistling
Are These Our Children? (1931)	Dreams (Whistling 2)	0:03:59 - Eddie walks home	advance plot \| cheerful \| leading man \| on-screen music \| source music \| street \| transcribed by ear \| walking \| whistling
Are These Our Children? (1931)	Dreams (Marcia Maestoso)	0:08:58 - Eddie dreams	applauding \| common-chord modulation \| double exposure \| dreaming \| dream sequence \| fragmentation \| leading man \| meter change \| montage \| reciting \| thematic transformation \| transcribed by ear \| triumphant
Are These Our Children? (1931)	Dreams (Comical)	0:09:17 - Eddie's dream ends abruptly	comical \| double exposure \| dream sequence \| explosion \| laughing \| leading man \| montage \| student \| transcribed by ear
Are These Our Children? (1931)	Hold That Tiger	0:13:15 - Young people dancing	advance plot \| cheerful \| conversing \| dance hall \| friend \| leading man \| on-screen music \| source music
Are These Our Children? (1931)	Makes You Forget Your Troubles	0:17:38 - Young people talking at a dance	advance plot \| cheerful \| conversing \| dance hall \| leading man \| love interest \| on-screen music \| seductive \| singing \| source music
Are These Our Children? (1931)	Makes You Forget Your Troubles (Whistling)	0:18:46 - Eddie whistles on his way home	cheerful \| leading man \| on-screen music \| source music \| street \| transcribed by ear \| transition \| walking \| whistling
Are These Our Children? (1931)	Makes You Forget Your Troubles (Eddie Sings)	0:19:13 - Eddie sings to himself	cheerful \| leading man \| on-screen music \| singing \| source music \| street \| transcribed by ear \| transition \| walking
Are These Our Children? (1931)	Makes You Forget Your Troubles (Eddie Sings)	0:19:30 - Eddie arrives home	advance plot \| arriving \| cheerful \| leading man \| on-screen music \| room \| singing \| source music \| transcribed by ear
Are These Our Children? (1931)	Makes You Forget Your Troubles (Eddie Sings)	0:20:44 - Eddie eats	advance plot \| cheerful \| eating \| humming \| leading man \| on-screen music \| room \| source music \| transcribed by ear
Are These Our Children? (1931)	Makes You Forget Your Troubles (Dream Sequence)	0:20:51 - Eddie dreams	advance plot \| augmented sixth chord \| cheerful \| double exposure \| dreaming \| dream sequence \| eating \| fragmentation \| frantic \| half-diminished 7th chord \| humming \| leading man \| room \| scored source music \| sequence \| source music
Are These Our Children? (1931)	Dreams (Whole Tone)	0:21:11 - A view of the city	dreaming \| leading man \| montage \| pedal tone \| room \| somber \| whole-tone scale
Are These Our Children? (1931)	Makes You Forget Your Troubles (Whistling)	0:23:11 - Eddie walks away	advance plot \| cheerful \| leading man \| on-screen music \| source music \| street \| transcribed by ear \| walking \| whistling
Are These Our Children? (1931)	Introduction	0:24:14 - Boys in the washroom	advance plot \| conversing \| dance hall \| friend \| leading man \| mysterious \| transcribed by ear
Are These Our Children? (1931)	Dreams (Washroom Sequence)	0:24:25 - Eddie talks with his friends	advance plot \| chromatic parallelism \| common-tone diminished 7th \| conversing \| dance hall \| friend \| leading man \| score to source \| somber \| source music \| transcribed by ear
Are These Our Children? (1931)	Moonbeams	0:25:39 - Eddie dances with Flo	added-note chord \| altered dominant \| common-tone diminished 7th \| dance hall \| dance scene \| dancing \| leading man \| love interest \| mode mixture \| on-screen music \| parallel double period \| romantic \| source music \| waltz
Are These Our Children? (1931)	Moonbeams (Dream Sequence)	0:27:23 - Eddie takes Flo home	added-note chord \| advance plot \| double exposure \| dream sequence \| entering \| friend \| hectic \| kissing \| leading man \| mode mixture \| romantic \| source to score \| street \| transcribed by ear \| waltz
Are These Our Children? (1931)	Makes You Forget Your Troubles (Moderato)	0:27:59 - Eddie walks outside	cheerful \| leading man \| leaving \| source to score \| street \| transition
Are These Our Children? (1931)	Makes You Forget Your Troubles (Whistling)	0:28:36 - Eddie arrives home	cheerful \| leading man \| on-screen music \| source music \| street \| transition \| walking \| whistling
Are These Our Children? (1931)	Dreams (Montage)	0:29:57 - Eddie drinks	angry \| diminished 7th chord \| double exposure \| dreaming \| dream sequence \| drinking \| fragmentation \| gun \| hectic \| leading man \| montage \| pedal tone \| room \| sequence
Are These Our Children? (1931)	Makes You Forget Your Troubles (Listesso Tempo)	0:30:13 - Eddie commits a crime	angry \| chromatic scale \| double exposure \| dreaming \| dream sequence \| fragmentation \| hectic \| leading man \| montage \| room
Are These Our Children? (1931)	Moonbeams (Flashback)	0:30:18 - Eddie dances with Flo	dance hall \| dancing \| double exposure \| dream sequence \| flashback \| hectic \| leading man \| love interest \| montage \| room \| waltz
Are These Our Children? (1931)	Underscoring (Dark)	0:30:25 - Eddie attacks boy	arguing \| clock \| dark \| diminished 7th chord \| double exposure \| dream sequence \| fighting \| kissing \| leading man \| love interest \| mickey-mousing \| montage \| ominous \| pedal tone \| stinger \| ticking
Are These Our Children? (1931)	Humming	0:31:57 - Heinie hums	advance plot \| calm \| humming \| old man \| room \| source music
Are These Our Children? (1931)	Makes You Forget Your Troubles (Flo Sings)	0:32:32 - Flo sings	advance plot \| cheerful \| leading man \| love interest \| singing \| source music \| train \| train \| traveling
Are These Our Children? (1931)	Makes You Forget Your Troubles (Eddie Sings)	0:40:40 - The boys leave the scene of the crime	friend \| leading man \| murderer \| murder scene \| nervous \| singing \| source music \| street \| walking
Are These Our Children? (1931)	St. James Infirmary	0:41:24 - Young people lounging around	advance plot \| Dixieland \| friend \| lazy \| leading man \| lounging \| love interest \| murderer \| radio \| room \| source music
Are These Our Children? (1931)	St. James Infirmary	0:42:08 - Young people talking	advance plot \| conversing \| Dixieland \| friend \| lazy \| leading man \| love interest \| murderer \| radio \| room \| source music
Are These Our Children? (1931)	Hey! Hey!	0:50:14 - Eddie and Flo dance	9th chord \| AABA structure \| altered dominant \| augmented sixth chord \| cheerful \| dance hall \| dance scene \| dancing \| friend \| leading man \| love interest \| murderer \| on-screen music \| source music
Are These Our Children? (1931)	Makes You Forget Your Troubles	0:50:55 - Young people dancing	AABA structure \| arguing \| augmented sixth chord \| cheerful \| common-tone diminished 7th \| dance hall \| dance scene \| dancing \| friend \| leading man \| love interest \| murderer \| on-screen music \| source music
Are These Our Children? (1931)	Stars and Stripes Forever	0:52:14 - Young people cavorting in the street	advance plot \| cheerful \| dancing \| drunk \| friend \| leading man \| love interest \| murderer \| on-screen music \| singing \| source music \| street
Are These Our Children? (1931)	Makes You Forget Your Troubles	0:53:07 - Drunken young people	advance plot \| cheerful \| dancing \| drunk \| friend \| hallway \| leading man \| love interest \| murderer \| on-screen music \| singing \| source music
Are These Our Children? (1931)	Dreams (Risoluto 2)	0:53:55 - Newspaper headlines	advance plot \| arresting \| dark \| detective \| double exposure \| fragmentation \| friend \| headline \| leading man \| love interest \| murderer \| newspaper \| ominous \| room \| sequential modulation \| spinning \| thematic transformation \| underscoring
Are These Our Children? (1931)	Dreams (Eddie’s Prayer)	1:22:14 - Eddie behind bars	added-note chord \| climax \| crying \| dramatic \| jail \| leading man \| murderer \| praying \| prisoner \| religious \| sacred
Arsenic and Old Lace (1944)	Underscoring (Comical)	0:02:20 - Mortimer hides from the reporters	chromatic parallelism \| chromatic wedge \| comical \| disguise \| establish character \| hiding \| leading lady \| leading man \| looking \| marriage \| office \| reporter \| underscoring \| whole-tone chord
Arsenic and Old Lace (1944)	Here Comes the Bride (Modulating)	0:03:34 - Hiding in a telephone booth	added-note chord \| arguing \| bystander \| conversing \| deceptive resolution \| establish character \| familiar tune \| fragmentation \| leading lady \| leading man \| marriage \| office \| pump-up modulation \| running \| rushed \| rushing \| self-borrowing \| sequence
Arsenic and Old Lace (1944)	Hanging up	0:03:53 - Mortimer hangs up the phone	bystander \| diminished 7th chord \| establish character \| hanging up \| leading lady \| leading man \| marriage \| mickey-mousing \| office \| rushed
Arsenic and Old Lace (1944)	The Old Maid	0:04:17 - Mortimer talks to Elaine	added-note chord \| arguing \| conversing \| enharmonic modulation \| establish character \| kissing \| leading lady \| leading man \| marriage \| mode mixture \| office \| parallel period \| pedal tone \| romantic \| self-borrowing
Arsenic and Old Lace (1944)	Here Comes the Bride (Modulating)	0:04:54 - Mortimer and Elaine rush off	establish character \| familiar tune \| foreign key modulation \| leading lady \| leading man \| marriage \| office \| rushed \| rushing \| self-borrowing \| sequence
Arsenic and Old Lace (1944)	Here Comes the Bride (Chinese)	0:05:00 - Chinese girl turns around	Chinese \| establish character \| exotic \| familiar tune \| leading lady \| leading man \| marriage \| office \| open fifth \| smiling \| stereotype \| winking
Arsenic and Old Lace (1944)	Here Comes the Bride (Comical)	0:05:05 - Goofy man turns around	9th chord \| comical \| common-tone diminished 7th \| establish character \| familiar tune \| leading lady \| leading man \| marriage \| office \| smiling \| winking
Arsenic and Old Lace (1944)	Rondo Alla Turca	0:06:25 - Teddy plays the harpsichord	aunt \| brother \| classical music \| conversing \| crazy person \| establish character \| harpsichord \| leading lady \| old man \| on-screen music \| playing \| room \| source music \| upbeat \| victim
Arsenic and Old Lace (1944)	Happy Land (Lento)	0:09:11 - Reverend talks about the Brewster sisters	added-note chord \| aunt \| brother \| calm \| conversing \| crazy person \| establish character \| familiar tune \| gentle \| kindness \| leading lady \| old man \| room \| victim
Arsenic and Old Lace (1944)	Here Comes the Bride (Full)	0:14:00 - Elaine appears in the window	aunt \| bride \| cheerful \| chromatic mediant \| common-chord modulation \| conversing \| crazy person \| familiar tune \| greeting \| groom \| leading lady \| leading man \| love \| love scene \| on-screen music \| pleasant \| room \| score to source \| source music \| street \| whistling
Arsenic and Old Lace (1944)	Here Comes the Bride (Modulating)	0:14:10 - Mortimer calls to Elaine	added-note chord \| aunt \| bride \| cemetery \| conversing \| deceptive resolution \| driver \| familiar tune \| flirting \| fragmentation \| groom \| hurrying \| leading lady \| leading man \| love \| love scene \| pump-up modulation \| rushed \| rushing \| sequence \| source to score \| street
Arsenic and Old Lace (1944)	Here Comes the Bride (Religioso)	0:14:41 - Mortimer and Elaine in the cemetery	64 chord \| bride \| calm \| cemetery \| conversing \| familiar tune \| flirting \| groom \| hymn-like \| leading lady \| leading man \| love \| love scene \| religious \| suspension
Arsenic and Old Lace (1944)	Chasing	0:14:48 - Mortimer chases Elaine around a tree	bride \| cemetery \| chasing \| comical \| flirting \| groom \| leading lady \| leading man \| love \| love scene \| mickey-mousing \| secondary dominant
Arsenic and Old Lace (1944)	Underscoring (Mysterious)	0:14:51 - Mortimer flirts with Elaine	bride \| cemetery \| conversing \| flirting \| groom \| leading lady \| leading man \| love \| love scene \| mysterious \| underscoring \| whole-tone chord
Arsenic and Old Lace (1944)	Here Comes the Bride (Appassionato)	0:15:02 - The aunts peek out of the window	64 chord \| aunt \| bride \| cemetery \| chromatic mediant \| conversing \| familiar tune \| flirting \| groom \| inversion \| kissing \| leading lady \| leading man \| love \| love scene \| peeking \| romantic
Arsenic and Old Lace (1944)	Here Comes the Bride (Church Bells)	0:15:17 - Mortimer follows Elaine	64 chord \| bride \| cemetery \| chromatic mediant \| conversing \| familiar tune \| flirting \| foreign key modulation \| groom \| leading lady \| leading man \| love \| love scene \| parallelism \| romantic
Arsenic and Old Lace (1944)	Here Comes the Bride (Appassionato)	0:15:25 - Mortimer and Elaine kiss	64 chord \| bride \| cemetery \| conversing \| familiar tune \| groom \| inversion \| kissing \| leading lady \| leading man \| love \| love scene \| romantic
Arsenic and Old Lace (1944)	Here Comes the Bride (Modulating)	0:15:36 - Mortimer and Elaine talk	added-note chord \| bride \| cemetery \| conversing \| familiar tune \| flirting \| fragmentation \| groom \| hurried \| leading lady \| leading man \| love \| love scene \| pump-up modulation \| romantic \| sequence
Arsenic and Old Lace (1944)	Here Comes the Bride (Appassionato)	0:16:10 - Mortimer and Elaine kiss	64 chord \| bride \| cemetery \| embracing \| familiar tune \| groom \| inversion \| kissing \| leading lady \| leading man \| love \| love scene \| romantic
Arsenic and Old Lace (1944)	Here Comes the Bride (Church Bells)	0:16:22 - Mortimer and Elaine talk	64 chord \| bride \| cemetery \| chromatic mediant \| conversing \| familiar tune \| flirting \| foreign key modulation \| groom \| leading lady \| leading man \| love \| love scene \| parallelism \| romantic
Arsenic and Old Lace (1944)	Chasing	0:16:31 - Elaine runs off	bride \| groom \| hurrying \| leading lady \| leading man \| light \| love \| love scene \| running \| secondary dominant \| street
Arsenic and Old Lace (1944)	Here Comes the Bride	0:16:37 - Elaine whistles	bride \| cheerful \| familiar tune \| groom \| leading lady \| leading man \| love \| love scene \| on-screen music \| source music \| street \| whistling
Arsenic and Old Lace (1944)	Here Comes the Bride	0:17:02 - Mortimer whistles	aunt \| cheerful \| familiar tune \| groom \| leading lady \| leading man \| love \| love scene \| on-screen music \| room \| source music \| whistling
Arsenic and Old Lace (1944)	Break the News to Mother	0:18:44 - Teddy sings	advance plot \| aunt \| brother \| cheerful \| crazy person \| familiar tune \| groom \| leading lady \| leading man \| on-screen music \| room \| singing \| source music \| war song
Arsenic and Old Lace (1944)	Jonathan	0:18:54 - Jonathan Brewster's picture is shown	advance plot \| aunt \| conversing \| diminished 7th chord \| groom \| leading lady \| leading man \| ominous \| pc set \| picture \| room \| sinister \| stinger
Arsenic and Old Lace (1944)	Here Comes the Bride	0:19:52 - Mortimer at the window seat	advance plot \| familiar tune \| groom \| leading man \| on-screen music \| room \| source music \| upbeat \| whistling
Arsenic and Old Lace (1944)	Happy Land	0:20:06 - Abby sings	advance plot \| aunt \| cheerful \| familiar tune \| groom \| leading lady \| leading man \| on-screen music \| room \| score to source \| sequence \| singing \| source music
Arsenic and Old Lace (1944)	Jonathan	0:23:14 - Mortimer reacts to the reveal	calling \| conversing \| dialing \| diminished 7th chord \| groom \| leading man \| ominous \| pc set \| quartal chord \| reveal \| room \| sinister \| stinger \| telephone effect \| thinking \| turning point
Arsenic and Old Lace (1944)	Here Comes the Bride (Elaine Whistles)	0:23:44 - Elaine whistles out of her window	agitated \| bride \| cheerful \| chromatic scale \| dark \| diminished 7th chord \| familiar tune \| groom \| leading lady \| leading man \| on-screen music \| room \| scored source music \| source music \| turning point \| whistling
Arsenic and Old Lace (1944)	Here Comes the Bride (Running)	0:23:58 - Mortimer runs to the door	9th chord \| 13th chord \| aunt \| bride \| child \| chromatic scale \| crazy person \| dark \| familiar tune \| groom \| Halloween \| intervallic expansion \| leading lady \| leading man \| murderer \| room \| running \| rushing \| source music \| source to score \| trick-or-treating \| turning point
Arsenic and Old Lace (1944)	Happy Land	0:24:16 - Abby, Martha, and Mortimer in the kitchen	advance plot \| aunt \| cheerful \| child \| crazy person \| familiar tune \| groom \| leading lady \| leading man \| murderer \| on-screen music \| room \| singing \| source music
Arsenic and Old Lace (1944)	Here Comes the Bride	0:26:22 - Elaine whistles on the phone	advance plot \| bride \| cheerful \| familiar tune \| groom \| leading lady \| leading man \| on-screen music \| room \| source music \| telephone \| whistling
Arsenic and Old Lace (1944)	Break the News to Mother	0:29:30 - Mortimer listens to Teddy sing	advance plot \| brother \| cheerful \| crazy person \| familiar tune \| groom \| leading man \| on-screen music \| room \| singing \| source music
Arsenic and Old Lace (1944)	Here Comes the Bride	0:31:04 - Elaine whistles in Mortimer's ear	advance plot \| bride \| cheerful \| familiar tune \| groom \| leading lady \| leading man \| on-screen music \| room \| source music \| whistling
Arsenic and Old Lace (1944)	Jonathan 2	0:40:30 - Jonathan enters the house	arriving \| chromatic scale \| chromatic wedge \| close-up \| criminal \| dark \| dissonant bass \| establish character \| leading man \| observing \| ominous \| pc set \| room \| walking \| zoom in
Arsenic and Old Lace (1944)	Scar	0:40:54 - The scar on Jonathan's face	close-up \| criminal \| dark \| establish character \| horn flare \| leading man \| observing \| ominous \| pc set \| polychord \| room \| scar
Arsenic and Old Lace (1944)	Home Sweet Home (Ominous)	0:41:03 - Jonathan looks around the house	added-note chord \| augmented triad \| brother \| conversing \| crazy person \| criminal \| dark \| dissonant bass \| distortion \| doctor \| establish character \| familiar tune \| leading man \| observing \| ominous \| room
Arsenic and Old Lace (1944)	Scar (Misterioso)	0:41:31 - They see the food	brother \| conversing \| crazy person \| criminal \| doctor \| establish character \| leading man \| mysterious \| observing \| pc set \| polychord \| room
Arsenic and Old Lace (1944)	Home Sweet Home (Expressivo) + Scar	0:41:42 - Abby talks to Jonathan	altered dominant \| augmented triad \| aunt \| brother \| combination of themes \| conversing \| convincing \| crazy person \| criminal \| distortion \| doctor \| establish character \| expressive \| familiar tune \| leading lady \| leading man \| murderer \| mysterious \| ominous \| room
Arsenic and Old Lace (1944)	Underscoring (Tense)	0:42:08 - Jonathan talks to the aunts	aunt \| brother \| conversing \| crazy person \| criminal \| doctor \| establish character \| leading lady \| leading man \| murderer \| mysterious \| parallelism \| room \| tense \| underscoring
Arsenic and Old Lace (1944)	Scar (Face)	0:42:29 - Jonathan talks about his scar	augmented triad \| aunt \| brother \| chromatic parallelism \| conversing \| crazy person \| criminal \| doctor \| establish character \| fragmentation \| leading lady \| leading man \| murderer \| mysterious \| pc set \| polychord \| room \| scar \| tense
Arsenic and Old Lace (1944)	Mysterioso Pizzicato	0:42:41 - Martha talks about scary movies	aunt \| brother \| conversing \| crazy person \| criminal \| dissonant bass \| doctor \| establish character \| familiar tune \| leading lady \| leading man \| murderer \| mysterious \| room \| scar \| silent film music
Arsenic and Old Lace (1944)	Underscoring (Tense)	0:42:56 - Jonathan glares at Dr. Einstein	aunt \| brother \| conversing \| crazy person \| criminal \| diminished 7th chord \| doctor \| establish character \| leading lady \| leading man \| murderer \| oscillation \| room \| scar \| tense
Arsenic and Old Lace (1944)	Jonathan 2	0:43:08 - Jonathan talks about the operation	aunt \| brother \| chromatic scale \| chromatic wedge \| crazy person \| criminal \| dark \| dissonant bass \| doctor \| establish character \| grabbing \| leading lady \| leading man \| murderer \| ominous \| pc set \| room \| struggling \| threatening
Arsenic and Old Lace (1944)	Scar	0:43:20 - Dr. Einstein talks to the aunts	aunt \| brother \| conversing \| crazy person \| criminal \| dark \| doctor \| establish character \| leading lady \| leading man \| murderer \| ominous \| pc set \| polychord \| room
Arsenic and Old Lace (1944)	Home Sweet Home (Ominous)	0:43:28 - Dr. Einstein talks to the aunts	added-note chord \| altered dominant \| aunt \| brother \| conversing \| crazy person \| criminal \| distortion \| doctor \| establish character \| familiar tune \| leading lady \| leading man \| murderer \| room \| split-fifth chord \| tense
Arsenic and Old Lace (1944)	Home Sweet Home (Tranquillo)	0:43:40 - Jonathan sits down	augmented triad \| aunt \| brother \| calm \| chromatic parallelism \| conversing \| crazy person \| criminal \| direct modulation \| distortion \| doctor \| establish character \| familiar tune \| leading lady \| leading man \| murderer \| pedal tone \| room
Arsenic and Old Lace (1944)	The Aunts (Frightened)	0:44:00 - The aunts go into the kitchen	augmentation \| aunt \| brother \| conversing \| crazy person \| criminal \| doctor \| establish character \| fear \| foreign key modulation \| fragmentation \| leading lady \| leading man \| murderer \| mysterious \| Neapolitan \| ominous \| parallel 63s \| pedal tone \| room \| walking \| watching
Arsenic and Old Lace (1944)	The Aunts (Frightened)	0:45:22 - The aunts peek through the kitchen window	aunt \| brother \| conversing \| crazy person \| criminal \| doctor \| establish character \| face \| fear \| leading lady \| leading man \| murderer \| mysterious \| Neapolitan \| ominous \| parallel 63s \| pedal tone \| room \| snooping \| watching
Arsenic and Old Lace (1944)	Scar	0:45:29 - Dr. Einstein describes how he will fix Jonathan's face	aunt \| brother \| conversing \| crazy person \| criminal \| dark \| doctor \| establish character \| face \| leading lady \| leading man \| murderer \| ominous \| pc set \| planning \| polychord \| room \| wipe
Arsenic and Old Lace (1944)	Jonathan 2	0:49:12 - Jonathan threatens the aunts	advance plot \| aunt \| brother \| chromatic scale \| chromatic wedge \| crazy person \| criminal \| dark \| dissonant bass \| doctor \| fear \| leading lady \| leading man \| murderer \| ominous \| pc set \| room \| threatening
Arsenic and Old Lace (1944)	Scar	0:49:36 - Dr. Einstein calls to Jonathan	advance plot \| aunt \| brother \| crazy person \| criminal \| dark \| doctor \| fear \| leading lady \| leading man \| murderer \| ominous \| pc set \| polychord \| room \| threatening
Arsenic and Old Lace (1944)	Underscoring (Tense)	0:49:45 - Jonathan follows Dr. Einstein	advance plot \| altered dominant \| brother \| conversing \| crazy person \| criminal \| digging \| dissonant bass \| doctor \| familiar tune \| leading man \| march \| murderer \| on-screen music \| patriotic tune \| pc set \| plotting \| room \| source and scoring overlap \| tense \| tone cluster \| whistling
Arsenic and Old Lace (1944)	When Johnny Comes Marching Home	0:49:45 - Dr. Einstein spies on Teddy	advance plot \| brother \| crazy person \| criminal \| dark \| digging \| doctor \| familiar tune \| leading man \| march \| murderer \| on-screen music \| patriotic tune \| room \| source and scoring overlap \| tense \| whistling
Arsenic and Old Lace (1944)	Scar (Dark)	0:50:14 - Jonathan and Dr. Einstein watch Teddy dig	advance plot \| brother \| conversing \| crazy person \| criminal \| dark \| digging \| dissonant bass \| doctor \| familiar tune \| leading man \| march \| murderer \| on-screen music \| patriotic tune \| room \| source and scoring overlap \| watching \| whistling
Arsenic and Old Lace (1944)	The Aunts (Frightened)	0:50:20 - Jonathan and Dr. Einstein talk	advance plot \| brother \| crazy person \| criminal \| digging \| doctor \| familiar tune \| leading man \| march \| murderer \| Neapolitan \| on-screen music \| parallel 63s \| patriotic tune \| pedal tone \| plotting \| room \| source and scoring overlap \| tense \| whistling
Arsenic and Old Lace (1944)	Stinger	0:52:41 - Jonathan suddenly appears at the window	advance plot \| aunt \| brother \| crazy person \| dramatic \| harsh \| leading lady \| leading man \| murderer \| opening \| room \| stinger \| surprise \| whole-tone chord \| window
Arsenic and Old Lace (1944)	Jonathan 2	0:52:48 - Jonathan comes in the window	advance plot \| aunt \| brother \| chromatic scale \| chromatic wedge \| crazy person \| dark \| darkness \| dissonant bass \| doctor \| intimidating \| leading lady \| leading man \| murderer \| ominous \| pc set \| room \| staring \| tense
Arsenic and Old Lace (1944)	Jonathan (Fragmented)	0:53:35 - Jonathan and the doctor go up the stairs	advance plot \| aunt \| brother \| conversing \| crazy person \| dark \| darkness \| doctor \| fragmentation \| intimidating \| leading lady \| leading man \| murderer \| ominous \| pc set \| room \| tense
Arsenic and Old Lace (1944)	The Aunts	0:53:55 - Aunt Abby goes to the front door	advance plot \| aunt \| brother \| calm \| crazy person \| darkness \| harmonic sequence \| leading lady \| leading man \| murderer \| room \| silhouette \| staring \| upbeat \| walking
Arsenic and Old Lace (1944)	Underscoring (Mysterious)	0:54:01 - Aunt Abby goes up the stairs	advance plot \| aunt \| brother \| crazy person \| darkness \| intimidating \| leading lady \| leading man \| murderer \| mysterious \| room \| silhouette \| staring \| underscoring
Arsenic and Old Lace (1944)	The Aunts (Molto Misterioso)	0:54:12 - Aunt Abby faces Jonathan	advance plot \| aunt \| brother \| crazy person \| darkness \| foreign key modulation \| fragmentation \| intimidating \| leading lady \| leading man \| murderer \| mysterious \| parallel 63s \| pedal tone \| room \| staring \| walking
Arsenic and Old Lace (1944)	Underscoring (Tense)	0:54:30 - Jonathan goes up the stairs	advance plot \| brother \| crazy person \| darkness \| leading man \| murderer \| mysterious \| room \| sneaking \| tense \| tone cluster \| underscoring \| walking
Arsenic and Old Lace (1944)	Underscoring (Dark)	0:56:27 - Einstein looks around in the dark	advance plot \| brother \| crazy person \| dark \| darkness \| descending \| doctor \| leading man \| match \| murderer \| plotting \| room \| sneaking \| underscoring
Arsenic and Old Lace (1944)	Blows out match	0:56:48 - Einstein blows out the match	advance plot \| blowing \| brother \| crazy person \| darkness \| doctor \| extinguishing \| leading man \| match \| mickey-mousing \| murderer \| room \| tense \| whole-tone scale
Arsenic and Old Lace (1944)	Jonathan 2 (Dark)	0:57:04 - Jonathan exits	advance plot \| brother \| chromatic scale \| chromatic wedge \| conversing \| crazy person \| dark \| darkness \| dissonant bass \| doctor \| falling \| leading man \| murderer \| mysterious \| pc set \| polychord \| room \| stinger
Arsenic and Old Lace (1944)	Underscoring (Tense)	0:58:10 - Someone knocks at the door	advance plot \| brother \| chromatic scale \| conversing \| corpse \| crazy person \| darkness \| doctor \| knocking \| leading man \| murderer \| pc set \| room \| sequence \| sneaking \| tense \| underscoring
Arsenic and Old Lace (1944)	Scar (Tense)	0:58:39 - Close-up on Dr. Einstein's face	advance plot \| bride \| brother \| calling \| close-up \| crazy person \| darkness \| doctor \| entering \| fear \| fragmentation \| leading lady \| leading man \| murderer \| polychord \| room \| sneaking \| tense
Arsenic and Old Lace (1944)	Jonathan 2	0:58:55 - Jonathan emerges from the shadows	advance plot \| bride \| brother \| chromatic scale \| chromatic wedge \| conversing \| crazy person \| darkness \| dissonant bass \| doctor \| fear \| leading lady \| leading man \| murderer \| pc set \| questioning \| room \| sinister
Arsenic and Old Lace (1944)	Jonathan 2 (Ominous)	1:00:36 - Jonathan backs Elaine into a corner	advance plot \| anger \| augmented triad \| bride \| brother \| chromatic scale \| crazy person \| dissonant bass \| doctor \| fear \| hurting \| leading lady \| leading man \| murderer \| ominous \| polychord \| questioning \| room \| stinger \| tense \| threatening
Arsenic and Old Lace (1944)	Underscoring (Dramatic)	1:01:21 - They take Elaine into the cellar	9th chord \| aunt \| bride \| brother \| chromatic scale \| conflict \| crazy person \| darkness \| diminished 7th chord \| doctor \| dramatic \| fear \| fighting \| gagging \| harmonic sequence \| leading lady \| leading man \| metric dissonance \| murderer \| oscillation \| room \| running \| self-borrowing \| struggling \| suspenseful \| underscoring
Arsenic and Old Lace (1944)	Organ Stinger	1:01:40 - Aunts emerge in black upstairs	arguing \| aunt \| brother \| conflict \| crazy person \| leading lady \| leading man \| murderer \| ominous \| room \| stinger
Arsenic and Old Lace (1944)	The Aunts (Frightened)	1:01:49 - Aunts talk to Jonathan	arguing \| aunt \| brother \| conflict \| crazy person \| fear \| fragmentation \| leading lady \| leading man \| murderer \| Neapolitan \| parallel 63s \| pedal tone \| room \| tense
Arsenic and Old Lace (1944)	Happy Land	1:19:56 - Mortimer with the taxi driver	aunt \| brother \| calm \| conversing \| crazy person \| doctor \| driver \| funeral \| groom \| hymn \| leading lady \| leading man \| murderer \| on-screen music \| score to source \| singing \| source music \| street
Arsenic and Old Lace (1944)	Happy Land	1:22:17 - Mortimer talks with Elaine through her window	aunt \| bride \| calm \| conversing \| crazy person \| doctor \| funeral \| groom \| hymn \| leading lady \| leading man \| murderer \| singing \| street
Arsenic and Old Lace (1944)	Symphony No. 5: I	1:27:02 - Teddy plays the bugle	advance plot \| crazy person \| familiar tune \| groom \| leading man \| playing \| room \| singing \| startled
Arsenic and Old Lace (1944)	Molto Agitato	1:29:57 - Jonathan ties Mortimer to a chair	9th chord \| brother \| captive \| chromatic parallelism \| conflict \| crazy person \| diminished 7th chord \| doctor \| dramatic \| fear \| gagging \| leading man \| mickey-mousing \| murderer \| room \| stinger \| tying \| victim
Arsenic and Old Lace (1944)	The Victim	1:30:11 - Mortimer tied up in a chair	brother \| captive \| conflict \| crazy person \| doctor \| fear \| leading man \| murderer \| ominous \| parallel fifths \| quartal chord \| room \| tense \| tone cluster \| torturing \| tritone \| victim
Arsenic and Old Lace (1944)	Knives	1:31:05 - Mortimer looks at the knives	acceleration \| brother \| captive \| chromatic parallelism \| close-up \| conflict \| crazy person \| diminution \| doctor \| fear \| layering \| leading man \| murderer \| ominous \| oscillation \| ostinato \| pc set \| polychord \| room \| tense \| tone cluster \| torturing \| victim
Arsenic and Old Lace (1944)	Panic	1:31:48 - Einstein agrees to do the torture	alcohol \| brother \| captive \| chromatic parallelism \| chromatic scale \| conflict \| crazy person \| doctor \| dramatic \| fear \| leading man \| murderer \| oscillation \| panicked \| panicking \| polychord \| room \| sequence \| split-third chord \| tense \| torturing \| victim
Arsenic and Old Lace (1944)	Scar (Fast)	1:32:11 - Einstein finds some wine	alcohol \| brother \| captive \| conflict \| crazy person \| doctor \| dramatic \| fear \| hurrying \| leading man \| murderer \| panicking \| polychord \| room \| tense \| torturing \| victim
Arsenic and Old Lace (1944)	How Dry I Am (Mysterious)	1:32:25 - Einstein and Jonathan start to drink the wine	alcohol \| brother \| captive \| conflict \| crazy person \| doctor \| drinking \| familiar tune \| fear \| leading man \| murderer \| mysterious \| polychord \| room \| victim \| whole-tone chord
Arsenic and Old Lace (1944)	Underscoring (Tense)	1:32:35 - They toast to Mortimer	alcohol \| brother \| captive \| clinking \| conflict \| crazy person \| doctor \| fear \| glass effect \| leading man \| murderer \| mysterious \| pc set \| polychord \| room \| tense \| toasting \| underscoring \| victim
Arsenic and Old Lace (1944)	Bugle Call	1:32:56 - Teddy plays the bugle	brother \| bugle \| bugle call \| captive \| conflict \| crazy person \| doctor \| dramatic \| fear \| leading man \| murderer \| on-screen music \| playing \| room \| source music \| victim
Arsenic and Old Lace (1944)	Bugle Call	1:49:14 - Mortimer blows the bugle	bugle \| bugle call \| climax \| dramatic \| leading man \| on-screen music \| playing \| room \| source music
Arsenic and Old Lace (1944)	Happy Land	1:50:41 - Mortimer sings	bugle call \| climax \| leading man \| on-screen music \| room \| singing \| source music \| upbeat
Arsenic and Old Lace (1944)	Happy Land (The End)	1:57:05 - Mortimer carries Elaine away	altered dominant \| bride \| countermelody \| driver \| end title sequence \| familiar tune \| groom \| kissing \| leading lady \| leading man \| resolution \| street \| The End \| upbeat
Beyond the Forest (1949)	Underscoring (Mysterious)	0:05:09 - A fish in a stream	countryside \| doctor \| establish setting \| fish \| fishing \| flashback \| leading man \| mysterious \| underscoring \| voice-over
Beyond the Forest (1949)	Lewis (Moderato Expressivo)	0:06:23 - Fishing in a stream	calm \| canoe \| doctor \| establish character \| friend \| lake \| leading lady \| leading man \| rowing \| wife
Beyond the Forest (1949)	Lewis	0:10:42 - The doctor in a canoe	calm \| canoe \| departing \| doctor \| establish character \| friend \| lake \| leading lady \| leading man \| noble \| rowing \| wife
Beyond the Forest (1949)	Loyalton 2 (Andante)	0:22:47 - Lewis helps a patient	advance plot \| doctor \| gentle \| healing \| helping \| leading man \| patient \| room \| sickness \| somber \| tender
Beyond the Forest (1949)	Underscoring (Gentle)	0:23:29 - Lewis arrives home	advance plot \| arriving \| doctor \| gentle \| leading man \| room \| tender \| underscoring
Beyond the Forest (1949)	Lewis (Triste)	0:23:53 - Lewis at home	advance plot \| arriving \| doctor \| leading man \| room \| tender \| tense
Beyond the Forest (1949)	Rosa (Slower)	0:39:05 - Rosa in bed	advance plot \| calm \| contemplating \| dark \| leading lady \| leading man \| panning shot \| restlessness \| room \| smoking \| wife
Beyond the Forest (1949)	Sawmill (Agitato)	0:39:25 - Fire from the sawmill	advance plot \| agitated \| bedroom \| factory \| fire \| leading lady \| leading man \| restlessness \| wife \| yelling
Beyond the Forest (1949)	Rosa (Molto Misterioso)	0:41:50 - Rosa smokes in bed	advance plot \| bedroom \| contemplating \| leading lady \| leading man \| mysterious \| smoking \| wife
Beyond the Forest (1949)	Lewis (Moderato Quasi Rubato)	0:42:23 - Lewis talks to some men	advance plot \| calm \| conversing \| doctor \| leading man \| room \| somber \| source and scoring overlap \| street \| townsfolk \| walking \| warm
Beyond the Forest (1949)	Chicago	0:43:37 - Rosa sews	advance plot \| arriving \| familiar tune \| leading lady \| leading man \| on-screen music \| popular tune \| room \| score to source \| sewing \| singing \| source and scoring overlap \| source music \| upbeat \| wife
Beyond the Forest (1949)	Chicago (Agitato Molto Marcato)	0:55:48 - Rosa runs through the streets	agitated \| crazy person \| crying \| familiar tune \| laughing \| leading lady \| mad scene \| manic \| popular tune \| running \| rushing \| scaring \| stranger \| street \| tense
Beyond the Forest (1949)	Rosa (Molto Tranquillo)	0:57:36 - Lewis opens the door	arriving \| calm \| dark \| doctor \| leading lady \| leading man \| reunion scene \| room \| wife
Beyond the Forest (1949)	Lewis (Tender)	0:58:28 - Lewis takes care of Rosa	calm \| conversing \| doctor \| kissing \| leading lady \| leading man \| reunion scene \| room \| tender \| wife
Beyond the Forest (1949)	Whisper While You’re Waltzing	1:01:34 - People at a party	conversing \| crowd \| dance scene \| doctor \| eating \| folk music \| gentle \| leading lady \| leading man \| on-screen music \| party \| playing \| room \| source music \| waltz \| wife
Beyond the Forest (1949)	For He’s a Jolly Good Fellow	1:02:12 - Folk musicians	arriving \| cake \| cheerful \| conversing \| crowd \| dance scene \| doctor \| familiar tune \| leading lady \| leading man \| love interest \| musician \| on-screen music \| party \| playing \| room \| singing \| source music \| tuning \| wife \| wind
Beyond the Forest (1949)	The Arkansas Traveler	1:02:55 - Folk musicians	crowd \| dancer \| dance scene \| dancing \| doctor \| folk music \| leading lady \| leading man \| love interest \| musician \| on-screen music \| party \| playing \| room \| singing \| source music \| square dance caller \| square dance music \| upbeat \| wife
Beyond the Forest (1949)	Portland Fancy	1:03:11 - People dancing	crowd \| dancer \| dance scene \| dancing \| doctor \| folk music \| leading lady \| leading man \| love interest \| musician \| on-screen music \| party \| playing \| room \| singing \| source music \| square dance caller \| square dance music \| upbeat \| wife
Beyond the Forest (1949)	Devil’s Dream	1:03:26 - People dancing	crowd \| dancer \| dance scene \| dancing \| doctor \| folk music \| leading lady \| leading man \| love interest \| musician \| on-screen music \| party \| playing \| room \| singing \| source music \| square dance caller \| square dance music \| upbeat \| wife
Beyond the Forest (1949)	Little Brown Jug	1:03:57 - People dancing	crowd \| dancer \| dance scene \| dancing \| doctor \| folk music \| leading lady \| leading man \| love interest \| musician \| on-screen music \| party \| playing \| room \| singing \| source music \| square dance caller \| square dance music \| upbeat \| wife
Beyond the Forest (1949)	Varsovienne	1:04:52 - Moose talks with Mr. Latimer	conversing \| dance scene \| folk music \| friend \| friend \| leading lady \| leading man \| love interest \| on-screen music \| party \| plotting \| proposal \| room \| sneaking \| source music \| square dance music \| upbeat
Beyond the Forest (1949)	Rosa (Misterioso)	1:09:23 - Rosa looks through the binoculars	anger \| binoculars \| forest \| friend \| hunting \| husband \| leading lady \| leading man \| looking \| murder scene \| mysterious \| ominous \| tense \| victim
Beyond the Forest (1949)	Chicago (Ominous)	1:10:01 - Rosa puts down the binoculars	aiming \| anger \| dark \| familiar tune \| forest \| friend \| husband \| leading lady \| leading man \| murder scene \| ominous \| popular tune \| victim
Beyond the Forest (1949)	Rosa (Ominous)	1:10:14 - Rosa aims her gun	aiming \| anger \| dark \| forest \| friend \| harsh \| husband \| leading lady \| leading man \| murder scene \| ominous \| stinger \| victim
Beyond the Forest (1949)	Chicago (Con Moto)	1:11:06 - Rosa is relieved at the verdict	calm \| conversing \| courtroom \| courtroom scene \| expressive \| familiar tune \| hope \| hopeful \| husband \| leading lady \| leading man \| love interest \| murderer \| popular tune \| smiling \| verdict
Beyond the Forest (1949)	Rosa (Sulking)	1:12:32 - Rosa and Lewis at the funeral	funeral \| graveyard \| husband \| leading lady \| leading man \| love interest \| murderer \| rain \| solemn \| sulking \| victim \| watching
Beyond the Forest (1949)	Rosa (Heavy)	1:12:58 - Rosa and Lewis drive away	arriving \| departing \| dramatic \| funeral \| husband \| leading lady \| leading man \| murderer \| room \| somber \| transition \| victim
Beyond the Forest (1949)	Lewis (Crescendo)	1:13:15 - Rosa and Lewis at home	arriving \| calm \| conversing \| dark \| dramatic \| husband \| leading lady \| leading man \| murderer \| room \| transition \| victim \| yelling
Beyond the Forest (1949)	Rosa (On the Run)	1:17:21 - Rosa approaches a bus	advance plot \| bus \| disguise \| doctor \| leading lady \| leading man \| murderer \| mysterious \| office \| patient \| runaway \| running away \| sneaking \| street \| watching
Beyond the Forest (1949)	Rosa (Sombre)	1:17:53 - Lewis talks to a patient	advance plot \| conversing \| doctor \| leading man \| mysterious \| office \| patient \| working
Beyond the Forest (1949)	Rosa (Cello Solo)	1:18:09 - Rosa sitting in a chair	advance plot \| disguise \| leading lady \| leading man \| murderer \| mysterious \| office \| sitting
Beyond the Forest (1949)	The Cliff	1:19:13 - Rosa looks out of the car window	action scene \| car \| car \| cliff \| contemplating \| descending \| driving \| leading lady \| leading man \| murderer \| tense
Beyond the Forest (1949)	Chicago (Dark)	1:19:25 - Rosa sitting in a car	action scene \| car \| car \| cliff \| conversing \| descending \| driving \| familiar tune \| leading lady \| leading man \| murderer \| ominous \| popular tune
Beyond the Forest (1949)	The Cliff (Car Stops)	1:19:36 - Rosa sitting in a car	action scene \| car \| car \| cliff \| conversing \| descending \| driving \| leading lady \| leading man \| murderer \| tense
Beyond the Forest (1949)	Hurrying (Fleeing)	1:19:50 - Rosa leaps out of the car	action scene \| canyon \| car \| cliff \| fleeing \| leading lady \| leading man \| murderer \| runaway \| running \| rushed
Beyond the Forest (1949)	Rosa (Broadly)	1:19:57 - Rosa rolls down a hill	action scene \| canyon \| dark \| dramatic \| falling \| jumping \| leading lady \| leading man \| murderer \| runaway \| tense
Beyond the Forest (1949)	Lewis (Triste 2)	1:24:09 - Lewis walks inside	arriving \| calm \| doctor \| fever \| illness scene \| leading lady \| leading man \| murderer \| room \| sickness \| solemn \| street \| waiting \| walking
Beyond the Forest (1949)	Stinger	1:31:51 - Rosa dead	arriving \| climax \| dark \| death \| doctor \| husband \| leading lady \| leading man \| mad scene \| murderer \| solemn \| stinger \| train \| train station \| walking
Beyond the Forest (1949)	Rosa	1:32:10 - Lewis arrives	arriving \| checking \| climax \| dark \| death \| doctor \| dramatic \| husband \| leading lady \| leading man \| mad scene \| murderer \| reacting \| tender \| train \| train station
The Big Sleep (1946)	Transition	0:00:08 - Shadows of the main characters	bold \| half-diminished 7th chord \| leading lady \| leading man \| opening title sequence \| silhouette \| smoke \| smoking \| starring list \| transition \| voice-exchange
The Big Sleep (1946)	The Big Sleep	0:00:13 - Starring actors and main title	9th chord \| ABA structure \| cast list \| chromatic mediant \| chromatic sequence \| dark \| heavy \| leading lady \| leading man \| Neapolitan \| opening title sequence \| silhouette \| smoke \| smoking \| starring list
The Big Sleep (1946)	Underscoring (Tense)	0:01:01 - Sign for the Sternwood mansion	arriving \| butler \| establish character \| leading man \| mansion \| private eye \| room \| tense \| underscoring
The Big Sleep (1946)	Walking	0:01:26 - Carmen walks down the stairs	arriving \| daughter \| deceptive resolution \| descending \| establish character \| femme fatale \| leading man \| mysterious \| parallelism \| pedal tone \| private eye \| room \| walking
The Big Sleep (1946)	Flirtation	0:01:42 - Carmen flirts with Marlowe	chromatic parallelism \| chromatic scale \| comical \| daughter \| establish character \| femme fatale \| flirting \| half-diminished 7th chord \| leading man \| private eye \| room
The Big Sleep (1946)	Marlowe	0:02:01 - Marlowe gives Carmen a fake name	added-note chord \| comical \| common-tone dominant 7th \| daughter \| establish character \| femme fatale \| flirting \| leading man \| private eye \| room
The Big Sleep (1946)	Marlowe (Sly)	0:02:12 - Marlowe and Carmen talk	daughter \| establish character \| femme fatale \| flirting \| leading man \| mysterious \| private eye \| room
The Big Sleep (1946)	Carmen falls	0:02:20 - Carmen falls into Marlowe's arms	daughter \| diminished 7th chord \| establish character \| falling \| femme fatale \| flirting \| leading man \| mickey-mousing \| playful \| private eye \| room \| whole-tone chord
The Big Sleep (1946)	Carmen	0:02:21 - Carmen in Marlowe's arms	daughter \| establish character \| femme fatale \| flirting \| half-diminished 7th chord \| leading man \| mysterious \| oscillation \| private eye \| room \| whole-tone chord
The Big Sleep (1946)	Sternwood	0:02:31 - Carmen walks away	9th chord \| added-note chord \| altered dominant \| bluesy \| daughter \| establish character \| femme fatale \| leading man \| Neapolitan \| private eye \| retardation \| room \| seductive \| walking
The Big Sleep (1946)	Underscoring (Tense)	0:02:45 - Marlowe goes to meet Sternwood	9th chord \| altered dominant \| butler \| chromatic scale \| establish character \| leading man \| private eye \| room \| tense \| underscoring \| walking
The Big Sleep (1946)	Walking	0:13:02 - Marlowe leaves the mansion	butler \| leading man \| mysterious \| parallelism \| pedal tone \| private eye \| room \| transition \| walking
The Big Sleep (1946)	Chevalier Audubon	0:13:14 - Marlowe writes on note card	advance plot \| heroic \| leading man \| library \| private eye \| researching \| writing
The Big Sleep (1946)	Marlowe (Molto Misterioso)	0:13:20 - Marlowe goes to talk to librarian	advance plot \| leading man \| library \| mysterious \| pedal tone \| private eye \| researching \| writing
The Big Sleep (1946)	Walking	0:13:39 - Marlowe walks down the street	advance plot \| calm \| investigating \| leading man \| parallelism \| pedal tone \| private eye \| street \| walking
The Big Sleep (1946)	Marlowe (Grazioso)	0:13:46 - Marlowe puts on a disguise	added-note chord \| advance plot \| disguise \| disguising \| half-diminished 7th chord \| leading man \| mysterious \| private eye \| street
The Big Sleep (1946)	Walking (Extended)	0:15:03 - Marlowe walks across the street	advance plot \| calm \| chromatic sequence \| foreign key modulation \| fragmentation \| investigating \| leading man \| parallelism \| pedal tone \| private eye \| street \| walking
The Big Sleep (1946)	Waiting	0:18:15 - Marlowe talks to lady in bookstore	added-note chord \| altered dominant \| book shop \| chromatic scale \| conversing \| leading man \| love interest \| love scene \| mode mixture \| mysterious \| oscillation \| private eye \| romantic
The Big Sleep (1946)	Marlowe (Agitato)	0:19:05 - Marlowe gets in his car	added-note chord \| car \| following \| leading man \| mysterious \| private eye \| rain \| street \| tense \| transition
The Big Sleep (1946)	Car	0:19:13 - Car arrives at Geiger's house	car \| driving \| leading man \| mysterious \| private eye \| rain \| street \| tense \| transition
The Big Sleep (1946)	Marlowe (Misterioso)	0:19:40 - Marlowe pulls up in his car	arriving \| car \| half-diminished 7th chord \| investigating \| leading man \| mysterious \| private eye \| rain \| street \| tense \| transition
The Big Sleep (1946)	Marlowe 2	0:19:47 - Marlowe spies on the house	car \| chromatic scale \| investigating \| investigation scene \| leading man \| mysterious \| private eye \| rain \| street \| tense \| waiting
The Big Sleep (1946)	Marlowe (Molto Misterioso)	0:20:17 - Marlowe gets out to see the second car	car \| investigating \| investigation scene \| leading man \| mysterious \| pedal tone \| private eye \| rain \| street \| tense \| walking
The Big Sleep (1946)	Carmen	0:20:39 - Marlowe sees Carmen's name on the car registration	car \| half-diminished 7th chord \| investigating \| investigation scene \| leading man \| mysterious \| name on screen \| oscillation \| private eye \| rain \| street \| tense \| whole-tone chord
The Big Sleep (1946)	Action	0:21:04 - Marlowe runs to the house	action scene \| antagonist \| chromatic parallelism \| chromatic scale \| chromatic sequence \| chromatic wedge \| diminished 7th chord \| dramatic \| hurrying \| leading man \| pc set \| private eye \| running \| street \| tense \| underscoring
The Big Sleep (1946)	Marlowe (Heroic)	0:21:28 - Marlowe enters the house	9th chord \| action scene \| breaking in \| heroic \| inversion \| leading man \| private eye \| running \| street
The Big Sleep (1946)	Underscoring (Mysterious)	0:23:44 - Marlowe investigates the crime scene	chromatic scale \| investigating \| investigation scene \| leading man \| mysterious \| private eye \| room \| underscoring
The Big Sleep (1946)	Marlowe (Augmented)	0:23:56 - Marlowe investigates the crime scene	altered dominant \| augmentation \| investigating \| investigation scene \| leading man \| mickey-mousing \| mysterious \| private eye \| room \| snapping \| thinking
The Big Sleep (1946)	Underscoring (Mysterious)	0:24:05 - Marlowe advances	chromatic scale \| investigating \| investigation scene \| leading man \| mickey-mousing \| mysterious \| private eye \| room \| searching \| whole-tone chord
The Big Sleep (1946)	Underscoring (Mysterious)	NIF - not in film	added-note chord \| alternation \| deleted scene \| deleted scene \| half-diminished 7th chord \| investigating \| investigation \| leading man \| mickey-mousing \| mysterious \| private eye \| room \| searching \| underscoring \| whole-tone chord
The Big Sleep (1946)	Turns light on	NIF - not in film	deleted scene \| deleted scene \| investigating \| investigation \| leading man \| light \| light switch \| mickey-mousing \| mysterious \| private eye \| room \| searching \| turning on \| whole-tone chord
The Big Sleep (1946)	Turns light on	NIF - not in film	deleted scene \| deleted scene \| investigating \| investigation \| leading man \| light \| light switch \| mickey-mousing \| mysterious \| private eye \| room \| searching \| turning on \| whole-tone chord
The Big Sleep (1946)	Water running	NIF - not in film	deleted scene \| deleted scene \| faucet \| flowing \| half-diminished 7th chord \| investigating \| investigation \| leading man \| mickey-mousing \| mysterious \| oscillation \| private eye \| room \| searching \| water
The Big Sleep (1946)	Walking	NIF - not in film	deleted scene \| deleted scene \| investigating \| investigation \| leading man \| mysterious \| parallelism \| pedal tone \| private eye \| room \| searching \| tense
The Big Sleep (1946)	Underscoring (Tense)	NIF - not in film	deleted scene \| deleted scene \| investigating \| investigation \| leading man \| mysterious \| private eye \| room \| searching \| tense
The Big Sleep (1946)	Carmen (Clues)	NIF - not in film	clue \| deleted scene \| deleted scene \| half-diminished 7th chord \| investigating \| investigation \| key \| leading man \| mysterious \| oscillation \| private eye \| room \| searching \| tense \| whole-tone chord
The Big Sleep (1946)	Walking (Extended)	NIF - not in film	deleted scene \| deleted scene \| foreign key modulation \| investigating \| investigation \| leading man \| mysterious \| parallelism \| pedal tone \| private eye \| room \| searching \| tense \| walking
The Big Sleep (1946)	Marlowe (Investigating)	NIF - not in film	added-note chord \| deleted scene \| deleted scene \| dramatic \| investigating \| investigation \| leading man \| private eye \| room \| searching \| sequential modulation \| tense
The Big Sleep (1946)	Underscoring (Dramatic)	NIF - not in film	deleted scene \| deleted scene \| diminished 7th chord \| dramatic \| investigating \| investigation \| leading man \| private eye \| room \| searching \| tense
The Big Sleep (1946)	Underscoring (Mysterious)	0:24:09 - Marlowe searches for clues	investigating \| investigation scene \| leading man \| mysterious \| pc set \| private eye \| room \| searching \| secret code \| whole-tone chord
The Big Sleep (1946)	Turning page	0:24:20 - Marlowe turns the page in the code book	chromatic scale \| clue \| investigating \| investigation scene \| leading man \| mysterious \| private eye \| room \| searching \| secret code \| turning \| whole-tone chord
The Big Sleep (1946)	Carmen (Foreboding)	0:24:22 - Marlowe sees the name Sternwood in a code book	added-note chord \| clue \| foreboding \| investigating \| investigation scene \| leading man \| name on screen \| private eye \| room \| searching \| secret code
The Big Sleep (1946)	Marlowe (Thinking)	0:24:26 - Marlowe tries to solve the mystery	added-note chord \| chromatic parallelism \| chromatic scale \| clue \| investigating \| investigation scene \| leading man \| mysterious \| private eye \| room \| secret code \| thinking
The Big Sleep (1946)	Marlowe (Risoluto)	0:24:39 - Marlowe searches for clues	added-note chord \| chromatic parallelism \| fragmentation \| investigating \| investigation scene \| leading man \| private eye \| resolved \| room \| searching
The Big Sleep (1946)	Underscoring (Dramatic)	0:24:57 - Dead body on the floor	corpse \| death \| dramatic \| femme fatale \| investigating \| investigation scene \| leading man \| private eye \| room \| searching \| stinger \| tense \| underscoring
The Big Sleep (1946)	Carmen (Drugged)	NIF - not in film	deleted scene \| femme fatale \| helping \| investigation \| leading man \| mysterious \| oscillation \| ostinato \| private eye \| room \| tense \| tritone oscillation \| whole-tone chord
The Big Sleep (1946)	Turns light off	NIF - not in film	deleted scene \| femme fatale \| investigation \| leading man \| light \| light switch \| mysterious \| private eye \| room \| tense \| turning off \| whole-tone chord
The Big Sleep (1946)	Walking (The Car)	NIF - not in film	car \| deleted scene \| driving \| femme fatale \| foreign key modulation \| leading man \| parallelism \| pedal tone \| private eye \| room \| sequential modulation \| tense \| transition
The Big Sleep (1946)	Carmen	NIF - not in film	arriving \| butler \| chromatic mediant \| deleted scene \| femme fatale \| leading man \| private eye \| room \| tense \| transition
The Big Sleep (1946)	Marlowe (Molto Misterioso)	0:25:05 - Marlowe arrives at Carmen's house	arriving \| butler \| departing \| dissonant bass \| femme fatale \| inserted scene \| leading man \| not in score \| private eye \| reused recording \| room \| tense \| transition
The Big Sleep (1946)	Walking	0:25:22 - Vivian walks down the hall	advance plot \| butler \| calm \| inserted scene \| leading lady \| leading man \| not in score \| parallelism \| pedal tone \| private eye \| reused recording \| room \| walking
The Big Sleep (1946)	Marlowe (Grazioso)	0:25:28 - Marlowe asks Vivian to help with Carmen	added-note chord \| advance plot \| butler \| conversing \| femme fatale \| half-diminished 7th chord \| inserted scene \| leading lady \| leading man \| mysterious \| not in score \| private eye \| reused recording \| room
The Big Sleep (1946)	Hurrying	0:27:25 - Marlowe goes back to Geiger's house	chromatic sequence \| half-diminished 7th chord \| investigating \| investigation scene \| leading man \| mysterious \| parallelism \| private eye \| street \| walking
The Big Sleep (1946)	Marlowe (Misterioso)	0:27:44 - Marlowe returns to the scene of the crime	arriving \| investigating \| investigation scene \| leading man \| mysterious \| private eye \| room
The Big Sleep (1946)	Marlowe 2 (Blood Stain)	0:27:54 - Marlowe discovers that the body is missing	11th chord \| chromatic scale \| investigating \| investigation scene \| leading man \| private eye \| room \| tense
The Big Sleep (1946)	Marlowe (Sneaking)	0:28:16 - Marlowe investigates the crime scene	dark \| dissonant bass \| investigating \| investigation scene \| leading man \| mysterious \| private eye \| room \| sneaking \| tritone
The Big Sleep (1946)	Marlowe (Major)	0:28:47 - Marlowe's name on his apartment door	arriving \| leading man \| mode mixture \| mysterious \| name on screen \| noble \| private eye \| room \| sequential modulation \| transition
The Big Sleep (1946)	Entering	NIF - not in film	arriving \| augmented sixth chord \| deleted scene \| entering \| gentle \| leading man \| not in score \| parallel 63s \| parallelism \| private eye \| room \| transition \| walking
The Big Sleep (1946)	Marlowe (Melancholy)	NIF - not in film	added-note chord \| arriving \| deleted scene \| leading man \| melancholy \| not in score \| private eye \| room \| transition
The Big Sleep (1946)	Underscoring (Tense)	0:28:58 - Marlowe tries to crack the code	leading man \| pc set \| private eye \| researching \| room \| tense \| threat \| transition \| tritone \| writing
The Big Sleep (1946)	Walking	0:32:10 - Marlowe walks to his office	advance plot \| arriving \| calm \| leading lady \| leading man \| parallelism \| pedal tone \| private eye \| room \| walking
The Big Sleep (1946)	Marlowe (Grazioso)	0:32:29 - Marlowe talks with Vivian	advance plot \| conversing \| half-diminished 7th chord \| leading lady \| leading man \| mysterious \| private eye \| room
The Big Sleep (1946)	Marlowe (Ear Music)	0:38:26 - Marlowe talks with Agnes	arguing \| book shop \| chromatic scale \| fragmentation \| investigation scene \| leading man \| private eye \| secretary \| tense \| whole-tone chord
The Big Sleep (1946)	Hurrying	0:38:45 - Marlowe walks to a cab	car \| car \| driver \| hurrying \| investigation scene \| leading man \| mysterious \| private eye \| taxi \| tense \| walking
The Big Sleep (1946)	Marlowe (Taxi)	0:39:05 - Marlowe talks to the lady cab driver	9th chord \| car \| car \| chromatic scale \| driver \| driving \| following \| investigation scene \| leading man \| mysterious \| private eye \| taxi \| tense
The Big Sleep (1946)	Station Wagon	0:39:16 - Marlowe follows a station wagon	car \| car \| driver \| driving \| following \| investigation scene \| leading man \| mysterious \| private eye \| taxi \| tense
The Big Sleep (1946)	Walking 2	0:39:25 - Marlowe walks to the house	half-diminished 7th chord \| investigating \| investigation scene \| leading man \| mysterious \| pc set \| private eye \| street \| tense \| walking
The Big Sleep (1946)	Hurrying	0:39:41 - Marlowe walks back to the cab	fragmentation \| hurrying \| investigation scene \| leading man \| mysterious \| parallelism \| private eye \| sequence \| street \| tense \| walking
The Big Sleep (1946)	Girl Driver	0:39:53 - Marlowe pays the lady cab driver	bluesy \| chromatic parallelism \| chromatic sequence \| flirting \| investigation scene \| leading man \| love interest \| private eye \| seductive \| street
The Big Sleep (1946)	Marlowe (Ear Music)	0:46:52 - Marlowe thinks	advance plot \| chromatic scale \| fragmentation \| leading man \| mysterious \| private eye \| room \| tense \| thinking \| whole-tone chord
The Big Sleep (1946)	Marlowe (Decisive)	0:47:04 - Marlowe walks out the door	added-note chord \| advance plot \| bold \| decisive \| leading man \| leaving \| pedal tone \| private eye \| room
The Big Sleep (1946)	Marlowe 2 (Waiting)	0:47:11 - Marlowe waits in his car	9th chord \| car \| driving \| investigation scene \| leading man \| mysterious \| private eye \| tense \| waiting
The Big Sleep (1946)	Car	0:47:32 - Another car arrives	arriving \| driving \| investigation scene \| leading man \| mysterious \| ostinato \| private eye \| street \| tense \| waiting
The Big Sleep (1946)	Running	0:47:40 - Vivian enters the apartment building	chromatic parallelism \| dissonant bass \| hurrying \| investigating \| investigation scene \| leading lady \| leading man \| mysterious \| private eye \| street \| tense \| walking
The Big Sleep (1946)	Marlowe (Determined)	0:47:56 - Marlowe enters the apartment building	arriving \| ascending \| bold \| common-chord modulation \| determined \| fragmentation \| heroic \| investigating \| investigation scene \| leading lady \| leading man \| parallel 63s \| parallelism \| private eye \| sequence \| stairs \| street \| walking
The Big Sleep (1946)	Underscoring (Mysterious)	0:48:15 - Marlowe talks to Joe Brody	blackmailer \| chromatic parallelism \| conversing \| criminal \| gun \| investigation scene \| leading man \| mysterious \| private eye \| room \| suspect \| underscoring
The Big Sleep (1946)	Marlowe (Augmented)	0:48:55 - Joe pulls a gun on Marlowe	altered dominant \| augmentation \| blackmailer \| conversing \| criminal \| gun \| investigation scene \| leading man \| mysterious \| private eye \| room \| suspect
The Big Sleep (1946)	Underscoring (Tense)	0:51:31 - Joe reacts to the doorbell ringing	blackmailer \| chromatic parallelism \| conflict \| conversing \| criminal \| doorbell \| gun \| leading lady \| leading man \| mysterious \| pc set \| private eye \| room \| suspect \| tense \| tone cluster \| underscoring \| whole-tone chord
The Big Sleep (1946)	Sternwood (Threatening)	0:51:52 - Carmen enters holding a gun on Brody	blackmailer \| blue note \| conflict \| criminal \| dark \| dissonant bass \| femme fatale \| gun \| leading lady \| leading man \| private eye \| room \| sinister \| stinger \| suspect \| threatening \| whole-tone chord
The Big Sleep (1946)	Underscoring (Dramatic)	0:52:02 - Marlowe pushes Agnes	blackmailer \| chromatic parallelism \| chromatic scale \| conflict \| criminal \| diminished 7th chord \| dramatic \| falling \| femme fatale \| gun \| leading lady \| leading man \| private eye \| room \| suspect \| tense \| tripping \| underscoring
The Big Sleep (1946)	Carmen (Misterioso)	0:52:18 - Joe gives the picture to Marlowe	blackmail \| blackmailer \| conflict \| conversing \| criminal \| evidence \| femme fatale \| half-diminished 7th chord \| leading lady \| leading man \| mysterious \| private eye \| room \| suspect \| whole-tone chord
The Big Sleep (1946)	Sternwood (Extended)	0:52:29 - Carmen asks for her picture back	9th chord \| altered dominant \| blackmail \| chromatic parallelism \| conflict \| diminished 7th chord \| evidence \| femme fatale \| flirting \| leading lady \| leading man \| mysterious \| pc set \| private eye \| room \| seductive \| whole-tone chord
The Big Sleep (1946)	Carmen (Violent)	0:52:58 - Vivian and Carmen leave	blackmailer \| conflict \| criminal \| dissonant bass \| femme fatale \| leading lady \| leading man \| leaving \| mysterious \| private eye \| room \| suspect \| whole-tone \| whole-tone chord
The Big Sleep (1946)	Slapping	0:53:02 - Carmen slaps Joe with her purse	blackmailer \| conflict \| criminal \| dissonant bass \| femme fatale \| leading lady \| leading man \| mickey-mousing \| private eye \| room \| slamming \| slapping \| suspect \| tense \| violence \| whole-tone chord
The Big Sleep (1946)	Running out	0:56:36 - Marlowe runs after the killer	assassin \| chase scene \| chasing \| chromatic scale \| combination of themes \| dramatic \| gun \| gunshot \| leading man \| mickey-mousing \| murder \| murderer \| private eye \| room \| running \| stairs \| stinger
The Big Sleep (1946)	Down the Stairs + The Chase + Marlowe (Action)	0:56:39 - Marlowe chases the killer	assassin \| chase scene \| chasing \| chromatic parallelism \| chromatic scale \| descending \| dissonant bass \| dramatic \| gun \| gunshot \| heroic \| layering \| leading man \| murderer \| private eye \| room \| running \| stairs \| tense
The Big Sleep (1946)	Underscoring (Dramatic)	0:56:54 - Killer shoots at Marlowe	assassin \| chase scene \| chasing \| chromatic scale \| dramatic \| leading man \| murderer \| pc set \| private eye \| running \| shooting \| street \| tense \| underscoring \| whole-tone \| whole-tone chord \| whole-tone scale
The Big Sleep (1946)	Marlowe (Action)	0:57:01 - Marlowe runs to his car	64 chord \| assassin \| augmented sixth chord \| chase scene \| chasing \| common-tone diminished 7th \| dramatic \| fragmentation \| heroic \| leading man \| murderer \| private eye \| running \| sequential modulation \| street \| tense
The Big Sleep (1946)	The Pursuit	0:57:09 - Marlowe pursues killer in his car	assassin \| car \| chase scene \| chasing \| chromatic scale \| dissonant bass \| driving \| gun \| hiding \| leading man \| murderer \| ostinato \| private eye \| pursuing \| street \| syncopation \| tense
The Big Sleep (1946)	Marlowe (Sinister)	0:58:24 - Marlowe takes Carol to Geiger's house	arriving \| assassin \| conflict \| dark \| gun \| leading man \| murderer \| private eye \| punching \| sinister \| stinger \| street \| whole-tone chord
The Big Sleep (1946)	Marlowe (Misterioso)	0:59:14 - Marlowe ties up Carol	assassin \| corpse \| dark \| half-diminished 7th chord \| investigating \| investigation scene \| leading man \| murderer \| mysterious \| pc set \| private eye \| room \| rope \| stinger \| tying up
The Big Sleep (1946)	Marlowe (Ear Business)	0:59:42 - Marlowe pulls on his ear	added-note chord \| corpse \| fragmentation \| investigating \| investigation scene \| leading man \| mysterious \| private eye \| room \| thinking
The Big Sleep (1946)	Marlowe 2 (Dialing)	0:59:47 - Marlowe walks to the phone	calling \| chromatic scale \| corpse \| dialing \| half-diminished 7th chord \| investigating \| investigation scene \| leading man \| mysterious \| private eye \| room \| spinning \| tense
The Big Sleep (1946)	Vivian + Marlowe (Ear Business)	NIF - not in film	advance plot \| altered dominant \| combination of themes \| conversing \| cut from film \| deleted scene \| deleted scene \| leading lady \| leading man \| love interest \| mysterious \| private eye \| romantic \| room \| thinking \| whole-tone
The Big Sleep (1946)	Marlowe (Phone Call)	NIF - not in film	advance plot \| bold \| calling \| cut from film \| deleted scene \| deleted scene \| dialing \| leading man \| phone \| private eye \| room \| sequence \| tense \| whole-tone chord
The Big Sleep (1946)	Carmen	NIF - not in film	advance plot \| burning \| calling \| cut from film \| deleted scene \| deleted scene \| half-diminished 7th chord \| leading man \| mysterious \| phone \| private eye \| room \| tense \| whole-tone chord
The Big Sleep (1946)	Carmen (Clues)	NIF - not in film	advance plot \| calling \| cut from film \| deleted scene \| deleted scene \| leading man \| mysterious \| phone \| private eye \| room \| tense \| whole-tone chord
The Big Sleep (1946)	I Guess I'll Have to Change My Plan	1:00:50 - Vivian enters a restaurant	ABACA structure \| arriving \| club \| conversing \| falling in love scene \| leading lady \| leading man \| love interest \| pleasant \| private eye \| source music
The Big Sleep (1946)	The Blue Room	1:02:15 - Vivan pays Marlowe	AABA structure \| club \| conversing \| falling in love scene \| leading lady \| leading man \| love interest \| pleasant \| private eye \| source music
The Big Sleep (1946)	You Go to My Head	1:04:25 - Vivian and Marlowe talk in a restaurant	club \| conversing \| falling in love scene \| leading lady \| leading man \| love interest \| pleasant \| private eye \| source music
The Big Sleep (1946)	And Her Tears Flowed Like Wine	1:05:55 - Marlowe arrives at Mars's place	advance plot \| arriving \| club \| leading lady \| leading man \| love interest \| musician \| on-screen music \| playing \| private eye \| singer \| singing \| source music \| upbeat
The Big Sleep (1946)	Wotta Life	1:08:09 - Marlowe talks to Mars	12-bar blues \| advance plot \| club \| criminal \| investigating \| leading man \| private eye \| source music \| suspect \| upbeat
The Big Sleep (1946)	I'm in a Jam With Baby	1:10:53 - Marlowe talks to people at the party	advance plot \| club \| gambler \| gambling \| leading lady \| leading man \| love interest \| private eye \| source music \| upbeat
The Big Sleep (1946)	Liza (All the Clouds'll Roll Away)	1:12:27 - Marlowe leaves the gambling joint	AABA structure \| conflict \| criminal \| investigating \| leading lady \| leading man \| love interest \| private eye \| source music \| street \| upbeat
The Big Sleep (1946)	What Are You Doin' the Rest of Your Life	1:14:35 - Marlowe and Vivian leave	conflict \| conversing \| leading lady \| leading man \| love interest \| parallel double period \| private eye \| source music \| street \| upbeat
The Big Sleep (1946)	Driving	1:14:54 - Marlowe and Vivian in the car	augmented sixth chord \| car \| car \| driving \| leading lady \| leading man \| love interest \| love scene \| mickey-mousing \| oscillation \| ostinato \| private eye \| tense
The Big Sleep (1946)	Vivian	1:15:22 - Marlowe and Vivian talk	9th chord \| 13th chord \| AABA structure \| added-note chord \| altered dominant \| car \| chromatic mediant \| chromatic parallelism \| common-tone dominant 7th \| conversing \| foreign key modulation \| kissing \| leading lady \| leading man \| love \| love interest \| love scene \| Neapolitan \| private eye \| romantic \| suspension
The Big Sleep (1946)	Questions	1:16:16 - Marlowe and Vivian argue	angry \| car \| chromatic parallelism \| chromatic scale \| conversing \| leading lady \| leading man \| love interest \| love scene \| private eye \| tense
The Big Sleep (1946)	Sternwood (Tense)	1:16:26 - Marlowe asks about Eddie Mars	accusing \| car \| fragmentation \| half-diminished 7th chord \| leading lady \| leading man \| love interest \| love scene \| private eye \| tense \| whole-tone chord
The Big Sleep (1946)	Underscoring (Tense)	1:16:43 - Marlowe and Vivian argue	accusing \| car \| chromatic parallelism \| half-diminished 7th chord \| leading lady \| leading man \| love interest \| love scene \| pedal tone \| private eye \| tense \| underscoring
The Big Sleep (1946)	Marlowe (Not in Film)	NIF - not in film	9th chord \| 11th chord \| advance plot \| conversing \| cut from film \| femme fatale \| leading man \| private eye \| room
The Big Sleep (1946)	Drops hat	NIF - not in film	9th chord \| advance plot \| cut from film \| dropping \| femme fatale \| hat \| leading man \| mickey-mousing \| private eye \| room
The Big Sleep (1946)	Sternwood (Extended)	NIF - not in film	added-note chord \| advance plot \| altered dominant \| chromatic scale \| conversing \| cut from film \| femme fatale \| leading man \| private eye \| room \| whole-tone chord
The Big Sleep (1946)	Underscoring (Tense)	NIF - not in film	advance plot \| chromatic parallelism \| conversing \| cut from film \| diminished 7th chord \| femme fatale \| leading man \| oscillation \| private eye \| room \| tritone \| underscoring \| whole-tone chord
The Big Sleep (1946)	You!	NIF - not in film	advance plot \| chromatic scale \| conversing \| cut from film \| femme fatale \| fragmentation \| leading man \| private eye \| room \| tone cluster
The Big Sleep (1946)	Marlowe (Major)	NIF - not in film	advance plot \| chromatic parallelism \| conversing \| cut from film \| femme fatale \| leading man \| mode mixture \| pc set \| private eye \| room
The Big Sleep (1946)	Bites hand	NIF - not in film	advance plot \| biting \| chromatic parallelism \| cut from film \| femme fatale \| leading man \| mickey-mousing \| pc set \| private eye \| room \| stinger
The Big Sleep (1946)	Carmen (Not in Film)	NIF - not in film	advance plot \| conversing \| cut from film \| femme fatale \| leading man \| oscillation \| private eye \| room \| whole-tone chord
The Big Sleep (1946)	Marlowe (Thinking)	1:20:49 - Marlowe sits in a diner	11th chord \| added-note chord \| advance plot \| café \| chromatic parallelism \| fragmentation \| leading man \| mysterious \| private eye \| tense \| thinking
The Big Sleep (1946)	Coin in phone	1:21:04 - Marlowe puts a coin in the phone	advance plot \| café \| coin \| diminished 7th chord \| dropping \| leading man \| mickey-mousing \| mysterious \| phone call \| private eye \| telephone
The Big Sleep (1946)	Phone dialing	1:21:07 - Marlowe dials a phone number	11th chord \| advance plot \| café \| dialing \| leading man \| mickey-mousing \| mysterious \| ostinato \| phone call \| private eye \| telephone \| tense
The Big Sleep (1946)	Underscoring (Mysterious)	1:21:19 - Marlowe speaks on the phone	advance plot \| café \| chromatic scale \| conversing \| leading man \| mysterious \| pc set \| phone call \| private eye \| tense \| underscoring
The Big Sleep (1946)	Marlowe (Mysterious Organ)	1:21:42 - Marlowe speaks to waitress	advance plot \| café \| conversing \| leading lady \| leading man \| love interest \| mysterious \| pc set \| phone call \| private eye \| tense
The Big Sleep (1946)	Underscoring (Mysterious)	1:21:57 - Marlowe speaks with Vivian on the phone	advance plot \| café \| chromatic parallelism \| conversing \| leading lady \| leading man \| linear chromaticism \| love interest \| mysterious \| phone call \| private eye \| stinger \| tense \| underscoring
The Big Sleep (1946)	Walking (Interrupted)	1:22:27 - Marlowe walks down the street	investigating \| investigation scene \| leading man \| parallelism \| pedal tone \| private eye \| street \| tense \| walking
The Big Sleep (1946)	Marlowe (Investigating)	1:22:38 - Marlowe looks at car registration	added-note chord \| investigating \| investigation scene \| leading man \| mysterious \| private eye \| punching \| sequence \| street \| tense
The Big Sleep (1946)	Jones	1:23:24 - Jones enters	advance plot \| chromatic parallelism \| leading man \| mysterious \| parallelism \| pedal tone \| private eye \| street \| tense \| walking
The Big Sleep (1946)	Marlowe (Beaten)	1:23:35 - Jones helps Marlowe up	advance plot \| chromatic parallelism \| dazed \| half-diminished 7th chord \| leading man \| lifting \| mickey-mousing \| pain \| private eye \| rising \| street \| whole-tone chord \| whole-tone scale
The Big Sleep (1946)	Marlowe (Dazed)	1:23:48 - Marlowe recovers	advance plot \| conversing \| dazed \| leading man \| pain \| private eye \| street \| whole-tone chord
The Big Sleep (1946)	Recovering	1:24:06 - Jones helps Marlowe up	advance plot \| augmented triad \| conversing \| impressionism \| leading man \| mysterious \| pain \| private eye \| street \| whole-tone chord \| whole-tone scale
The Big Sleep (1946)	Marlowe (Sostenuto)	1:24:25 - Marlowe cleans up	advance plot \| half-diminished 7th chord \| leading man \| pain \| private eye \| recovering \| room \| somber \| tender \| weary
The Big Sleep (1946)	Walking (Hesitant)	1:26:55 - Marlowe walks into a building	fragmentation \| hallway \| investigation scene \| leading man \| neutral \| pain \| parallelism \| pedal tone \| private eye \| sequential modulation \| walking
The Big Sleep (1946)	Jones (Eavesdropping)	1:27:22 - Marlowe hears Jones talking to someone	chromatic parallelism \| eavesdropping \| hallway \| investigation scene \| leading man \| mysterious \| parallelism \| pedal tone \| private eye \| sneaking \| tense
The Big Sleep (1946)	Glass drops	1:29:49 - Jones drops his glass	breaking \| death \| death scene \| dropping \| glass \| leading man \| mickey-mousing \| murder \| mysterious \| pc set \| poison \| private eye \| room \| victim \| violent
The Big Sleep (1946)	Jones falls	1:29:50 - Jones falls and dies	chromatic parallelism \| death \| death scene \| dying \| falling \| leading man \| major 7th chord \| mickey-mousing \| murder \| mysterious \| pc set \| poison \| private eye \| room \| victim \| violent
The Big Sleep (1946)	Underscoring (Tense)	1:30:01 - Marlowe investigates the crime scene	dark \| death \| death scene \| dying \| leading man \| murder \| private eye \| room \| tense \| underscoring \| victim
The Big Sleep (1946)	Marlowe (Risoluto)	1:30:12 - Marlowe makes a phone call	added-note chord \| bold \| conversing \| death scene \| fragmentation \| leading man \| phone call \| private eye \| room \| victim
The Big Sleep (1946)	Underscoring (Tense)	1:30:24 - Marlowe makes a phone call	conversing \| death scene \| leading man \| pc set \| phone call \| private eye \| room \| tense \| underscoring \| victim \| whole-tone chord
The Big Sleep (1946)	Wrong Address	1:30:46 - Marlowe ends the phone call	9th chord \| altered dominant \| chromatic parallelism \| conversing \| death \| death scene \| half-diminished 7th chord \| leading man \| phone call \| private eye \| room \| somber \| victim
The Big Sleep (1946)	Jones (Dolce)	1:31:04 - Marlowe sits down on the couch	chromatic parallelism \| death \| death scene \| leading man \| mourning \| parallelism \| pedal tone \| private eye \| room \| somber \| victim
The Big Sleep (1946)	Marlowe (Molto Misterioso)	1:31:23 - Marlowe gets up to answer the phone	added-note chord \| conversing \| death scene \| informer \| leading man \| mysterious \| pedal tone \| phone call \| private eye \| room
The Big Sleep (1946)	Underscoring (Tense)	1:31:48 - Marlowe talks to Agnes on the phone	conversing \| death scene \| informer \| leading man \| pc set \| phone call \| private eye \| room \| tense \| underscoring
The Big Sleep (1946)	Jones (Triste)	1:32:02 - Marlowe leaves the office	death scene \| informer \| leading man \| mourning \| mysterious \| parallelism \| pedal tone \| private eye \| room \| somber
The Big Sleep (1946)	Door slam	1:33:12 - Marlowe closes the car door	closing \| half-diminished 7th chord \| hurried \| informer \| leading man \| mickey-mousing \| private eye \| slamming \| street \| tense \| traveling scene
The Big Sleep (1946)	Hurrying (Car)	1:33:13 - Marlowe drives in a car	added-note chord \| car \| driving \| hurried \| leading man \| parallelism \| private eye \| sequential modulation \| street \| tense \| traveling scene
The Big Sleep (1946)	Underscoring (Tense)	1:33:20 - Marlowe backs the car up	car \| driving \| leading man \| private eye \| street \| tense \| traveling scene \| underscoring
The Big Sleep (1946)	Hurrying (Car)	1:33:25 - Marlowe continues driving	added-note chord \| car \| driving \| fragmentation \| hurried \| leading man \| parallelism \| picardy third \| private eye \| sequential modulation \| street \| tense \| traveling scene
The Big Sleep (1946)	Marlowe (Dramatic)	1:33:37 - Marlowe looks at sign	9th chord \| altered dominant \| car \| dramatic \| investigating \| leading man \| private eye \| street \| tense \| traveling scene
The Big Sleep (1946)	Hurrying (Car)	1:33:50 - Marlowe drives off the road	car \| chromatic scale \| driving \| fragmentation \| hurried \| leading man \| private eye \| sequence \| street \| tense \| traveling scene
The Big Sleep (1946)	He skids	1:33:53 - Marlowe's car skids to a stop	car \| chromatic scale \| leading man \| mickey-mousing \| private eye \| skidding \| street \| tense \| traveling scene
The Big Sleep (1946)	Underscoring (Tense)	1:35:26 - Marlowe talks to two thugs	conflict \| criminal \| investigating \| leading man \| lying \| murderer \| pc set \| private eye \| shop \| tense \| underscoring
The Big Sleep (1946)	Jones (Suspenseful)	1:35:47 - Marlowe talks to two thugs	conflict \| criminal \| dark \| diminution \| investigating \| leading man \| lying \| murderer \| mysterious \| parallelism \| pedal tone \| private eye \| shop \| suspenseful
The Big Sleep (1946)	Marlowe (Ear Music)	1:36:04 - Marlowe talks to two thugs	conflict \| criminal \| danger \| fragmentation \| investigating \| leading man \| lying \| murderer \| mysterious \| private eye \| shop \| tense \| whole-tone chord
The Big Sleep (1946)	Marlowe (Gets Hit)	1:36:20 - The thug punches Marlowe	chromatic scale \| conflict \| criminal \| danger \| dramatic \| leading man \| mickey-mousing \| murderer \| private eye \| punching \| shop \| whole-tone chord
The Big Sleep (1946)	Marlowe (Whole Tone)	1:39:25 - Marlowe talks to Vivian	captive \| conversing \| leading lady \| leading man \| love interest \| love scene \| mysterious \| private eye \| room \| tense \| whole-tone \| whole-tone chord \| whole-tone scale
The Big Sleep (1946)	Marlowe (Phone Call)	1:39:39 - Marlowe talks to Vivian	captive \| conversing \| leading lady \| leading man \| love interest \| love scene \| mysterious \| private eye \| room \| sequence \| tense \| whole-tone chord
The Big Sleep (1946)	Carmen	1:39:52 - Marlowe talks to Vivian	captive \| conversing \| half-diminished 7th chord \| leading lady \| leading man \| love interest \| love scene \| musical clue \| music reveals thoughts \| mysterious \| private eye \| room \| whole-tone chord
The Big Sleep (1946)	Vivian	1:40:03 - Marlowe and Vivian kiss	9th chord \| 13th chord \| AABA structure \| added-note chord \| altered dominant \| captive \| chromatic mediant \| chromatic parallelism \| common-tone dominant 7th \| foreign key modulation \| freeing \| kissing \| leading lady \| leading man \| love interest \| love scene \| Neapolitan \| private eye \| romantic \| room \| suspension
The Big Sleep (1946)	Questions	1:40:44 - Vivian tries to free Marlowe	captive \| chromatic parallelism \| freeing \| leading lady \| leading man \| love interest \| love scene \| private eye \| room \| tense
The Big Sleep (1946)	Marlowe (Misterioso)	1:41:01 - Marlowe plans his escape	action scene \| leading lady \| leading man \| love interest \| mysterious \| planning \| private eye \| room \| tense
The Big Sleep (1946)	Marlowe 2	1:41:18 - Marlowe goes outside	action scene \| chromatic scale \| escaping \| leading lady \| leading man \| love interest \| mysterious \| private eye \| room \| screaming \| tense
The Big Sleep (1946)	Underscoring (Dramatic)	1:41:36 - Marlowe runs to his car	9th chord \| action scene \| criminal \| diminution \| dramatic \| fragmentation \| leading lady \| leading man \| linear chromaticism \| love interest \| outside \| private eye \| running \| underscoring \| whole-tone chord
The Big Sleep (1946)	Marlowe (Hiding)	1:41:50 - Marlowe crouches behind a car	action scene \| criminal \| hiding \| leading man \| mysterious \| outside \| private eye
The Big Sleep (1946)	Marlowe (Shoots)	1:42:07 - Marlowe shoots off to the side	action scene \| gun \| gunshot \| leading man \| outside \| private eye \| shooting \| tense
The Big Sleep (1946)	Marlowe (Echo)	1:42:20 - Canino shoots at Marlowe	action scene \| criminal \| gun \| gunshot \| half-diminished 7th chord \| hiding \| leading man \| outside \| private eye \| shooting \| tense
The Big Sleep (1946)	Hostage + Marlowe (Fragment)	1:42:34 - Canino brings Vivian out as a hostage	64 chord \| action scene \| criminal \| hostage \| leading lady \| leading man \| love interest \| ostinato \| ostinato \| outside \| private eye \| tense \| tritone oscillation \| walking
The Big Sleep (1946)	Underscoring (Dramatic)	1:43:17 - Canino shoots	action scene \| criminal \| dramatic \| gun \| gunshot \| hostage \| leading lady \| leading man \| love interest \| outside \| private eye \| shooting \| underscoring
The Big Sleep (1946)	Marlowe rises	1:43:19 - Marlowe rises	action scene \| criminal \| dramatic \| hostage \| leading lady \| leading man \| love interest \| outside \| pc set \| private eye \| rising
The Big Sleep (1946)	Canino's Death	1:43:22 - Canino is shot	action scene \| chromatic parallelism \| criminal \| death \| dramatic \| dying \| falling \| gun \| gunshot \| hostage \| leading lady \| leading man \| love interest \| mirroring \| outside \| pc set \| private eye \| retrograde \| stumbling \| tense
The Big Sleep (1946)	Underscoring (Tense)	1:43:35 - Marlowe gets the keys to the handcuffs	action scene \| chromatic parallelism \| criminal \| death \| escaping \| gun \| hostage \| leading lady \| leading man \| love interest \| outside \| pc set \| private eye \| tense \| underscoring \| whole-tone \| whole-tone chord
The Big Sleep (1946)	Marlowe (Escaping)	1:43:48 - Vivian takes off the handcuffs	action scene \| distortion \| escaping \| leading lady \| leading man \| love interest \| mysterious \| outside \| private eye \| tense
The Big Sleep (1946)	Driving 2	1:43:54 - Marlowe and Vivian drive away	car \| conversing \| driving \| leading lady \| leading man \| love interest \| love scene \| ostinato \| pc set \| private eye \| sequence \| tense
The Big Sleep (1946)	Driving 2 + Vivian	1:44:16 - Vivian tells Marlowe she loves him	9th chord \| 13th chord \| car \| chromatic parallelism \| conversing \| driving \| leading lady \| leading man \| love \| love interest \| love scene \| ostinato \| private eye \| romantic \| suspension \| tense
The Big Sleep (1946)	Driving 2	1:44:32 - Vivian and Marlowe talk in the car	car \| conversing \| driving \| leading lady \| leading man \| love interest \| love scene \| ostinato \| private eye \| sequence \| tense
The Big Sleep (1946)	Driving 2 + Vivian	1:44:44 - Vivian and Marlowe talk in the car	car \| conversing \| driving \| leading lady \| leading man \| love \| love interest \| love scene \| ostinato \| private eye \| romantic \| tense \| whole-tone chord
The Big Sleep (1946)	Driving 2	1:44:51 - Vivian and Marlowe talk in the car	car \| conversing \| driving \| leading lady \| leading man \| love interest \| love scene \| ostinato \| pc set \| private eye \| tense \| whole-tone chord
The Big Sleep (1946)	Driving 2 + Carmen	1:45:06 - Marlowe talks about Carmen	car \| conversing \| driving \| leading lady \| leading man \| love interest \| love scene \| ostinato \| private eye \| tense \| whole-tone chord
The Big Sleep (1946)	Driving 2 + Vivian	1:45:21 - Marlowe tells Vivian he loves her	9th chord \| 13th chord \| arriving \| car \| chromatic parallelism \| conversing \| driving \| leading lady \| leading man \| love \| love interest \| love scene \| ostinato \| private eye \| romantic \| suspension \| tense
The Big Sleep (1946)	Marlowe (Bold)	1:45:44 - Marlowe and Vivian get out of the car	bold \| chromatic scale \| heroic \| leading lady \| leading man \| love interest \| outside \| private eye \| transition \| walking
The Big Sleep (1946)	Walking (Extended)	1:45:45 - Marlowe and Vivian walk up to house	fragmentation \| leading lady \| leading man \| love interest \| outside \| parallelism \| pedal tone \| private eye \| sequential modulation \| tense \| transition \| walking
The Big Sleep (1946)	Hangs up phone	1:47:07 - Marlowe hangs up the phone	climax \| hanging up \| leading lady \| leading man \| love interest \| mickey-mousing \| mysterious \| private eye \| room
The Big Sleep (1946)	Hurrying	1:47:07 - Marlowe and Vivian make a plan	chromatic sequence \| climax \| fragmentation \| hurrying \| leading lady \| leading man \| love interest \| parallelism \| planning \| private eye \| room \| tense
The Big Sleep (1946)	Marlowe (Misterioso)	1:47:26 - Marlowe drops a bullet	climax \| fear \| leading lady \| leading man \| love interest \| mysterious \| private eye \| room \| shaking \| tense
The Big Sleep (1946)	Marlowe 2	1:47:31 - Car pulls up outside	chromatic scale \| climax \| fear \| leading lady \| leading man \| love interest \| mysterious \| private eye \| room \| shaking \| tense \| tritone
The Big Sleep (1946)	Carmen (Drugged)	1:48:08 - Marlowe watches men outside	climax \| criminal \| fear \| leading lady \| leading man \| love interest \| mysterious \| ominous \| planning \| private eye \| room \| tense \| waiting
The Big Sleep (1946)	Marlowe (Danger)	1:48:32 - Men approach the house	climax \| fear \| hiding \| leading man \| mysterious \| ominous \| pc set \| planning \| private eye \| room \| tense \| tone cluster \| underscoring \| waiting
The Big Sleep (1946)	Marlowe (Misterioso)	1:48:55 - Marlowe sneaks up behind Mars	climax \| criminal \| fear \| hiding \| leading man \| mysterious \| private eye \| room \| sneaking \| tense
The Big Sleep (1946)	Marlowe 2	1:49:05 - Marlowe holds a gun on Mars	climax \| criminal \| fear \| leading man \| mysterious \| ominous \| private eye \| room \| sneaking \| tense
The Big Sleep (1946)	Mars Dies	1:51:43 - Mars falls dead to the ground	criminal \| death \| dying \| falling \| leading lady \| leading man \| love interest \| mysterious \| ominous \| private eye \| resolution \| room \| stinger \| tense \| underscoring
The Big Sleep (1946)	Marlowe (Risoluto)	1:52:01 - Marlowe walks to the phone	added-note chord \| bold \| death \| fragmentation \| leading lady \| leading man \| love interest \| mysterious \| plotting \| private eye \| resolution \| room \| tense
The Big Sleep (1946)	Carmen (Tense)	1:52:28 - Marlowe talks on the phone	conversing \| leading lady \| leading man \| love interest \| lying \| mysterious \| oscillation \| pedal tone \| phone call \| private eye \| resolution \| room \| tense \| uneasy \| whole-tone chord
The Big Sleep (1946)	Vivian	1:52:48 - Marlowe talks to Vivian	9th chord \| 13th chord \| chromatic parallelism \| conversing \| leading lady \| leading man \| love \| love interest \| Neapolitan \| private eye \| resolution \| romantic \| room
The Big Sleep (1946)	Vivian (Expressivo)	1:53:20 - Marlowe pulls Vivian close	9th chord \| 13th chord \| chromatic parallelism \| conversing \| foreign key modulation \| leading lady \| leading man \| love \| love interest \| private eye \| resolution \| romantic \| room \| suspension
The Breaking Point (1950)	Fishermen	0:07:40 - Ship leaving the harbor	boat \| boat \| boating \| calm \| common-tone diminished 7th \| departing \| fisherman \| fishing \| floozy \| leading lady \| leading man \| montage \| not by Steiner \| sailor \| tense \| transcribed by ear \| upbeat
The Breaking Point (1950)	Flor de Lis	0:08:17 - A ship sailing	art song \| boat \| boat \| boating \| conversing \| establish setting \| flirting \| floozy \| leading lady \| leading man \| not by Steiner \| sailor \| upbeat \| working
The Breaking Point (1950)	En Mi Canto de Amor	0:08:57 - A dock at night	arriving \| art song \| boat \| conversing \| docking \| establish setting \| flirting \| floozy \| harbor \| leading lady \| leading man \| not by Steiner \| sailor \| source music \| upbeat \| working
The Breaking Point (1950)	La Adelita	0:09:56 - A Mexican village at night	arriving \| bar \| bartender \| conversing \| establish setting \| folk music \| leading man \| musician \| on-screen music \| performing \| sailor \| salesperson \| selling \| source music \| street \| upbeat \| working
The Breaking Point (1950)	Carmen, Carmela	0:11:11 - Harry talks to Duncan in a bar	AABA structure \| bar \| conversing \| criminal \| establish setting \| floozy \| folk music \| gambling \| leading lady \| leading man \| musician \| on-screen music \| performing \| pleasant \| sailor \| serenading \| singing \| source music
The Breaking Point (1950)	La Golondrina	0:12:21 - Harry sits down with Leona in the bar	advance plot \| bar \| calm \| conversing \| fisherman \| flirting \| floozy \| folk music \| leading lady \| leading man \| sailor \| source music
The Breaking Point (1950)	Mi Mariposa	0:15:21 - Harry talks to the bartender	advance plot \| arguing \| art song \| bar \| bartender \| calm \| conversing \| leading man \| on-screen music \| sailor \| source music
The Breaking Point (1950)	Eres Mujer	0:15:56 - Harry talks to Duncan	AABA structure \| advance plot \| bar \| calm \| conversing \| criminal \| leading man \| on-screen music \| performing \| sailor \| source music \| tango \| whispering
The Breaking Point (1950)	En Mi Canto de Amor	0:21:43 - Harry talks to Duncan	advance plot \| bar \| conversing \| criminal \| leading man \| planning \| pleasant \| sailor \| source music
The Breaking Point (1950)	Make Love With a Guitar	0:33:28 - Harry arrives home	advance plot \| arriving \| calm \| child \| conversing \| leading man \| musician \| neighbor \| on-screen music \| room \| sailor \| source music \| street \| wife \| yard
The Breaking Point (1950)	Please Don't Talk About Me When I'm Gone	0:39:07 - Harry arrives at a bar	AABA structure \| advance plot \| bar \| bartender \| criminal \| dancing \| floozy \| jukebox \| leading lady \| leading man \| on-screen music \| sailor \| singing \| source music \| upbeat
The Breaking Point (1950)	Ask Me No Questions	0:40:46 - Harry talks to Duncan	advance plot \| arguing \| bar \| bartender \| conversing \| criminal \| floozy \| jukebox \| leading lady \| leading man \| mellow \| sailor \| source music
The Breaking Point (1950)	On an Ordinary Morning	0:43:33 - Leona and Harry sit together in a bar	advance plot \| bar \| conversing \| floozy \| jukebox \| leading lady \| leading man \| mellow \| sailor \| source music \| wife
The Breaking Point (1950)	Make Love With a Guitar	0:46:27 - A boy plays the accordion	advance plot \| calm \| child \| conversing \| drunk \| leading lady \| leading man \| neighbor \| on-screen music \| sailor \| source music \| street \| walking \| wife
The Breaking Point (1950)	Humming	0:54:33 - Wesley and Harry work on the boat	arriving \| calm \| criminal \| friend \| harbor \| humming \| leading man \| on-screen music \| sailor \| source music \| transition \| walking \| working
The Breaking Point (1950)	I Guess I'll Have to Change My Plan	1:00:26 - Harry in a restaurant	ABACA structure \| advance plot \| bartender \| conversing \| floozy \| leading lady \| leading man \| mellow \| restaurant \| sailor \| source music
The Breaking Point (1950)	You Missed the Boat	1:02:56 - Duncan talks to Harry in the restaurant	advance plot \| conversing \| criminal \| floozy \| leading lady \| leading man \| mellow \| restaurant \| sailor \| source music
The Breaking Point (1950)	Don't Take Your Love From Me	1:05:42 - Harry arrives at Leona's apartment	ABAC structure \| advance plot \| conversing \| floozy \| leading lady \| leading man \| mellow \| room \| sailor \| source music
The Breaking Point (1950)	The Breaking Point (Ethereal)	1:34:41 - Harry recognizes Lucy	9th chord \| boat \| climax \| comforting \| conversing \| crying \| ethereal \| leading lady \| leading man \| mixed meter \| mode mixture \| sailor \| sweet \| wife
The Breaking Point (1950)	The Breaking Point (Cellos)	1:35:14 - Harry talks with Lucy	boat \| climax \| comforting \| conversing \| crying \| ethereal \| foreign key modulation \| leading lady \| leading man \| mixed meter \| sailor \| sweet \| wife
The Breaking Point (1950)	Calm	1:35:38 - Lucy leaves	augmented triad \| boat \| climax \| comforting \| conversing \| crying \| ethereal \| leading lady \| leading man \| pedal tone \| sailor \| sweet \| wife
The Breaking Point (1950)	The Breaking Point (Triste)	1:35:50 - Harry is carried out on a stretcher	carrying \| child \| climax \| crowd \| crying \| deceptive resolution \| doctor \| harbor \| leading lady \| leading man \| sailor \| somber \| watching \| wife
The Breaking Point (1950)	Leona	1:36:26 - Leona watches	9th chord \| 11th chord \| 13th chord \| augmented sixth chord \| child \| chromatic parallelism \| climax \| crowd \| crying \| doctor \| harbor \| leading lady \| leading man \| sailor \| somber \| watching \| wife
His Greatest Gamble (1934)	Bavardage	0:01:10 - The beach	AABA structure \| beach \| casino \| establish character \| establish place \| establish setting \| gambler \| gambling \| leading man \| luggage \| pleasant \| roulette wheel \| transcribed by ear \| upbeat
His Greatest Gamble (1934)	Morning Glory Waltz (Tender)	0:02:35 - Philip in the casino	casino \| child \| conversing \| establish character \| gentle \| leading man \| leaving \| transcribed by ear \| waltz
His Greatest Gamble (1934)	Home Sweet Home	0:03:14 - Philip and Alice go home	child \| establish character \| gentle \| humming \| leading man \| on-screen music \| room \| sleeping \| source music
His Greatest Gamble (1934)	The Chase 1	0:29:26 - Philip escapes from prison	augmented triad \| dark \| escaping \| frantic \| leading man \| montage \| montage \| prisoner \| sequence \| train \| transcribed by ear \| traveling \| whole-tone scale
His Greatest Gamble (1934)	The Chase 2	0:29:44 - Montage of Philip's escape	boat \| dark \| frantic \| leading man \| montage \| montage \| parallelism \| prisoner \| transcribed by ear \| traveling
His Greatest Gamble (1934)	Russian Waltz	0:30:05 - Philip arrives at Florence's home	9th chord \| arriving \| calm \| chromatic sequence \| common-tone diminished 7th \| establish setting \| fugitive \| leading man \| mansion \| mode mixture \| on-screen music \| piano \| playing \| pleasant \| source music \| waltz \| wandering
His Greatest Gamble (1934)	Nocturne in E-flat Major	0:36:29 - Philip looks for Alice	advance plot \| calm \| conversing \| daughter \| fugitive \| leading lady \| leading man \| mansion \| nocturne \| pleasant \| searching \| source music \| wandering
His Greatest Gamble (1934)	Waltz in C-sharp Minor	0:40:28 - Philip talks with Alice and Florence	advance plot \| conversing \| daughter \| ex-wife \| fugitive \| leading lady \| leading man \| mansion \| serious \| source music \| waltz
His Greatest Gamble (1934)	Blue Ridge Moon	0:53:16 - Philip talks with Alice	advance plot \| conversing \| daughter \| gentle \| leading lady \| love interest \| mansion \| popular music \| radio \| sentimental \| source music \| waltz
His Greatest Gamble (1934)	Morning Glory Waltz (Radio)	0:57:06 - Philip talks with Alice	9th chord \| advance plot \| conversing \| daughter \| fugitive \| gentle \| leading lady \| leading man \| mansion \| mode mixture \| radio \| score to source \| sentimental \| source music \| transcribed by ear \| walking
His Greatest Gamble (1934)	Morning Glory Waltz (The End)	1:10:18 - Philip leaves	detective \| end title sequence \| fugitive \| leading man \| leaving \| mode mixture \| secondary dominant \| transcribed by ear \| triumphant \| waltz
City for Conquest (1940)	Train	0:01:09 - An elevated train approaches	added-note chord \| bridge \| busy \| city \| hurried \| mickey-mousing \| old man \| ostinato \| police \| pump-up modulation \| train \| transition \| traveling
City for Conquest (1940)	Tone Poem B + Train	0:01:19 - Sign for the Williamsburg Bridge	9th chord \| added-note chord \| bridge \| busy \| chromatic parallelism \| city \| combination of themes \| countermelody \| hurried \| Mixolydian mode \| old man \| police \| train \| transition \| traveling
City for Conquest (1940)	Sidewalks of New York (Soliloquy)	0:01:33 - A cop tells a man to keep moving	9th chord \| 13th chord \| bridge \| chromatic parallelism \| city \| conversing \| establish place \| establish setting \| old man \| police \| soliloquy \| uneasy
City for Conquest (1940)	Sidewalks of New York (City Struck)	0:02:03 - Old-timer talks with cop	9th chord \| bridge \| chromatic scale \| city \| conversing \| establish setting \| excited \| old man \| police \| soliloquy
City for Conquest (1940)	Sidewalks of New York (Montage)	0:02:18 - A montage of New York City scenes	added-note chord \| boat \| bridge \| car \| chromatic parallelism \| city \| conversing \| Dutch angle \| establish setting \| excited \| fragmentation \| montage \| old man \| panning shot \| police \| pump-up modulation \| soliloquy \| train
City for Conquest (1940)	Sidewalks of New York (Snake)	0:02:35 - A montage of New York City scenes	13th chord \| 64 chord \| altered dominant \| bridge \| chromatic sequence \| city \| conversing \| countermelody \| double exposure \| Dutch angle \| establish setting \| foreign key modulation \| fragmentation \| grand \| montage \| old man \| police \| snake effect \| soliloquy
City for Conquest (1940)	Sidewalks of New York (Soliloquy)	0:02:50 - Old-timer talks with cop	9th chord \| 13th chord \| arguing \| bluesy \| bridge \| chromatic parallelism \| city \| establish setting \| old man \| police \| sentimental \| soliloquy
City for Conquest (1940)	Sidewalks of New York (Cop Grabs Bum)	0:03:06 - Cop pushes old-timer	9th chord \| arguing \| bridge \| chromatic parallelism \| chromatic scale \| city \| comical \| establish setting \| mickey-mousing \| old man \| police \| pushing \| rushing \| tense
City for Conquest (1940)	Sidewalks of New York	0:03:10 - A New York street corner	AABA structure \| child \| conversing \| crowd \| dancing \| old man \| on-screen music \| organ grinder \| playing \| pleasant \| score to source \| source music \| street \| street organ \| thief \| transition \| upbeat \| walking
City for Conquest (1940)	Sidewalks of New York (Soliloquy 2)	0:05:44 - Old-timer talks to a stone carver	9th chord \| 13th chord \| bluesy \| child \| chromatic parallelism \| conversing \| establish character \| fragmentation \| love \| old man \| romantic \| sentimental \| soliloquy \| street \| worker
City for Conquest (1940)	Sidewalks of New York (Waltz Grazioso)	0:06:09 - Two children playing	9th chord \| child \| conversing \| establish character \| foreign key modulation \| love \| Neapolitan \| old man \| romantic \| sentimental \| soliloquy \| street \| waltz
City for Conquest (1940)	Scales	0:09:16 - Danny and Peggy go upstairs	arguing \| conversing \| establish character \| leading lady \| leading man \| mother \| on-screen music \| piano \| room \| source music \| tedious \| transcribed by ear
City for Conquest (1940)	Tone Poem A	0:10:50 - Eddie plays the piano	brother \| composer \| conversing \| establish character \| leading man \| musician \| piano \| playing \| romantic \| room \| score to source \| source music \| transcribed by ear
City for Conquest (1940)	Tone Poem A (Very Broad)	0:12:16 - Eddie plays the piano	13th chord \| brother \| chromatic parallelism \| chromatic scale \| composer \| conversing \| describing \| dissonant bass \| establish character \| explaining \| leading man \| musician \| name of film \| pentatonic \| piano \| playing \| romantic \| room \| source music \| transcribed by ear
City for Conquest (1940)	Tone Poem A (Unattainable Stars)	0:12:37 - Eddie plays the piano	brother \| chromatic parallelism \| composer \| conversing \| describing \| establish character \| explaining \| leading man \| musician \| piano \| playing \| romantic \| room \| somber \| source music \| transcribed by ear
City for Conquest (1940)	Tone Poem A	0:13:03 - Eddie plays the piano	9th chord \| 11th chord \| 13th chord \| brother \| common-chord modulation \| composer \| conversing \| deceptive resolution \| establish character \| leading man \| musician \| piano \| playing \| romantic \| room \| source music \| transcribed by ear
City for Conquest (1940)	My Old Kentucky Home	0:16:04 - Mickey sings to himself	advance plot \| boxer \| calm \| conversing \| folk music \| leading man \| locker room \| manager \| singing \| source music
City for Conquest (1940)	Lullaby of Broadway	0:17:00 - A sign for Rose Gardens Casino	boxer \| conversing \| crowd \| dance band \| dance hall \| dancer \| dance scene \| dancing \| leading lady \| leading man \| on-screen music \| playing \| popular music \| source music \| upbeat
City for Conquest (1940)	Latin For Manhattan	0:18:29 - Peggy and Danny sit down	AABA structure \| blue note \| boxer \| conversing \| crowd \| dance band \| dance hall \| dancer \| dance scene \| dancing \| leading lady \| leading man \| on-screen music \| playing \| popular music \| source music \| upbeat
City for Conquest (1940)	The Continental	0:19:53 - Peggy dances with Murray	AABA structure \| boxer \| conversing \| crowd \| dance band \| dance hall \| dancer \| dance scene \| dancing \| friend \| leading lady \| leading man \| on-screen music \| phrase extension \| playing \| popular music \| source music \| upbeat
City for Conquest (1940)	Jalousie	0:20:39 - Danny sitting at a table	ABAC structure \| boxer \| crowd \| dance band \| dance hall \| dancer \| dance scene \| dancing \| friend \| leading lady \| leading man \| on-screen music \| popular music \| source music \| upbeat
City for Conquest (1940)	I'm Just Wild About Harry	0:23:07 - Close-up of Lily	ABAC structure \| award \| boxer \| conversing \| crowd \| dance band \| dance hall \| dancer \| dance scene \| friend \| leading lady \| leading man \| on-screen music \| popular music \| source music \| upbeat
City for Conquest (1940)	Tone Poem A	0:27:25 - Eddie composes at the piano	advance plot \| brother \| composer \| composing \| leading man \| musician \| on-screen music \| parallelism \| piano \| playing \| romantic \| room \| source music \| transcribed by ear
City for Conquest (1940)	Tone Poem A	0:27:40 - Eddie plays the piano	13th chord \| advance plot \| brother \| composer \| composing \| leading man \| musician \| on-screen music \| piano \| playing \| romantic \| room \| source music \| transcribed by ear
City for Conquest (1940)	Tone Poem A	0:27:59 - Eddie plays the piano	9th chord \| 13th chord \| advance plot \| brother \| composer \| composing \| deceptive resolution \| enharmonic respelling \| leading man \| musician \| on-screen music \| piano \| playing \| romantic \| room \| source music \| transcribed by ear
City for Conquest (1940)	Tone Poem A (Grazioso)	0:30:04 - Danny shaves	altered dominant \| common-chord modulation \| conversing \| delicate \| fragmentation \| gentle \| leading lady \| leading man \| love scene \| room \| shaving
City for Conquest (1940)	Tone Poem A (Dolce)	0:30:28 - Peggy talks to Danny	9th chord \| 11th chord \| arguing \| chromatic parallelism \| common-chord modulation \| conversing \| flirting \| gentle \| leading lady \| leading man \| love scene \| playful \| room \| shaving
City for Conquest (1940)	Peggy pokes Danny	0:30:47 - Peggy pokes Danny	11th chord \| flirting \| leading lady \| leading man \| love scene \| mickey-mousing \| playful \| room \| shaving \| teasing
City for Conquest (1940)	Only Fooling	0:30:54 - Peggy cleans Danny's face	arguing \| common-tone modulation \| conversing \| diminished 7th chord \| flirting \| leading lady \| leading man \| love scene \| parallelism \| playful \| room \| shaving
City for Conquest (1940)	Tone Poem A (Expressivo)	0:31:00 - Peggy apologizes to Danny	9th chord \| added-note chord \| appoggiatura \| chromatic mediant \| common-tone diminished 7th \| conversing \| foreign key modulation \| kiss \| kissing \| leading lady \| leading man \| love scene \| parallelism \| romantic \| room
City for Conquest (1940)	Tranquillo	0:31:35 - Peggy and Danny on a boat	9th chord \| boat \| conversing \| delicate \| gentle \| leading lady \| leading man \| love scene
City for Conquest (1940)	Tone Poem A (Waltz)	0:31:48 - Peggy and Danny talk about the future	9th chord \| 13th chord \| added-note chord \| boat \| calm \| common-chord modulation \| conversing \| deceptive resolution \| foreign key modulation \| leading lady \| leading man \| love scene \| mode mixture \| romantic
City for Conquest (1940)	Shadow Waltz (Dark)	0:33:22 - Peggy talks with Danny	boat \| chromatic sequence \| conversing \| dark \| leading lady \| leading man \| love scene \| major 7th chord \| octatonic \| somber
City for Conquest (1940)	I'm Just Wild About Harry (Foxtrot)	0:33:35 - Peggy starts to leave	9th chord \| added-note chord \| boat \| calm \| chromatic mediant \| conversing \| gentle \| leading lady \| leading man \| love scene
City for Conquest (1940)	Tone Poem A (Dolcissimo)	0:34:02 - Danny talks with Peggy	9th chord \| added-note chord \| boat \| common-tone diminished 7th \| conversing \| gentle \| kissing \| leading lady \| leading man \| love scene \| romantic
City for Conquest (1940)	Tone Poem Train Whistle	0:34:28 - Danny on the train	added-note chord \| blaring \| hurried \| leading man \| mickey-mousing \| montage \| ostinato \| pc set \| rushing \| train \| train \| traveling
City for Conquest (1940)	Liberty Day	0:39:41 - Old timer talks to worker	boxer \| boxing ring \| celebrating \| contrasting double period \| conversing \| crowd \| fanfare \| leading man \| manager \| montage \| parallel double period \| source music \| upbeat
City for Conquest (1940)	Negra Consentida	0:41:21 - The Carleton Plaza Towers	advance plot \| arriving \| boxer \| dance band \| dancer \| dancing \| leading man \| musician \| on-screen music \| parallel double period \| party \| playing \| source music \| upbeat
City for Conquest (1940)	Tone Poem A	0:42:10 - Eddie plays the piano	9th chord \| 11th chord \| 13th chord \| advance plot \| boxer \| brother \| common-chord modulation \| composer \| conversing \| crowd \| deceptive resolution \| leading man \| musician \| on-screen music \| party \| piano \| playing \| romantic \| source music \| transcribed by ear
City for Conquest (1940)	Tone Poem A (Stride Piano)	0:43:27 - Eddie plays the piano	9th chord \| 11th chord \| 13th chord \| added-note chord \| advance plot \| augmented sixth chord \| boxer \| brother \| chord substitution \| common-tone diminished 7th \| composer \| conversing \| crowd \| foreign key modulation \| leading man \| mode mixture \| musician \| on-screen music \| parallelism \| party \| piano \| playing \| ragtime \| source music \| syncopation \| upbeat
City for Conquest (1940)	In the Evening	0:45:08 - Peggy in her dressing room	arguing \| boxer \| conflict \| conversing \| crying \| dancer \| dressing room \| leading lady \| leading man \| parallel double period \| punching \| source music \| upbeat
City for Conquest (1940)	A Girl Like You	0:46:49 - Danny in Peggy's dressing room	boxer \| conflict \| crying \| dancer \| dressing room \| leading lady \| leading man \| leaving \| parallel double period \| source music \| upbeat
City for Conquest (1940)	Peggy runs	0:47:31 - Peggy runs down the stairs	boxer \| chromatic parallelism \| chromatic sequence \| dancer \| descending \| leading lady \| leading man \| love scene \| mickey-mousing \| running \| source and scoring overlap \| street \| tense
City for Conquest (1940)	Tone Poem A (Romantic)	0:47:41 - Peggy talks with Danny	boxer \| conversing \| dancer \| leading lady \| leading man \| love scene \| street \| tense
City for Conquest (1940)	Tone Poem A (Simplice)	0:48:06 - Danny talks to Peggy	9th chord \| 13th chord \| boxer \| dancer \| embracing \| kissing \| leading lady \| leading man \| love scene \| romantic \| street
City for Conquest (1940)	Tone Poem A (Walking)	0:48:32 - Danny and Peggy walk down the street	11th chord \| boxer \| chromatic sequence \| conversing \| dancer \| leading lady \| leading man \| love scene \| romantic \| street \| walking
City for Conquest (1940)	Tone Poem A (Molto Expressivo)	0:48:44 - Danny talks with Peggy	9th chord \| 64 chord \| appoggiatura \| boxer \| countermelody \| dancer \| embracing \| kissing \| leading lady \| leading man \| love scene \| plagal cadence \| romantic \| sequence \| street
City for Conquest (1940)	Corn Pickin'	0:53:35 - People dancing the jitterbug	AABA structure \| advance plot \| boxer \| club \| crowd \| dance band \| dancer \| dancing \| leading lady \| leading man \| on-screen music \| source music \| upbeat
City for Conquest (1940)	Japanese Sandman	0:54:33 - Danny and Peggy at the dance	advance plot \| boxer \| club \| crowd \| dance band \| dancer \| dancing \| leading lady \| leading man \| on-screen music \| source music \| upbeat
City for Conquest (1940)	Underscoring (Gentle)	0:55:19 - A taxi approaches	11th chord \| appoggiatura \| arriving \| farewell scene \| gentle \| leading lady \| leading man \| source and scoring overlap \| street \| taxi \| underscoring
City for Conquest (1940)	Tone Poem A (Farewell)	0:55:31 - Peggy bids farewell to Danny	9th chord \| appoggiatura \| augmented sixth chord \| conversing \| crying \| embracing \| enharmonic respelling \| farewell scene \| leading lady \| leading man \| leaving \| mode mixture \| plagal cadence \| romantic \| sentimental \| street
City for Conquest (1940)	Miramar	1:00:44 - Danny prepares for a fight	advance plot \| boxer \| conversing \| leading man \| locker room \| manager \| march \| parallel double period \| preparing \| source music \| upbeat
City for Conquest (1940)	Mysterioso	1:13:36 - Googi leaves	augmented triad \| chromatic parallelism \| criminal \| gangster \| leaving \| locker room \| manager \| murder scene \| mysterious \| parallelism \| whole-tone
City for Conquest (1940)	Googi (The Car)	1:13:38 - Googi in the car	car \| car \| conversing \| criminal \| diminished 7th chord \| dissonant bass \| driving \| gangster \| manager \| murder scene \| ominous \| tense \| trill
City for Conquest (1940)	Tone Poem A (Ominous)	1:14:02 - Googi talks with the boxing managers	9th chord \| arguing \| car \| car \| criminal \| dissonant bass \| driving \| fragmentation \| gangster \| manager \| murder scene \| ominous \| tense
City for Conquest (1940)	Shooting and dying	1:14:23 - Googi shoots Dutch	car \| car \| criminal \| dramatic \| dying \| gangster \| gun \| manager \| mickey-mousing \| murder \| murderer \| murdering \| murder scene \| shooting \| stinger \| tense
City for Conquest (1940)	Googi (The Car)	1:14:32 - Googi threatens Cobb	car \| car \| criminal \| diminished 7th chord \| dissonant bass \| driving \| gangster \| manager \| murder \| murderer \| murder scene \| ominous \| tense \| threatening \| trill
City for Conquest (1940)	Googi (Hysterical)	1:14:42 - Cobb pleads for mercy	augmented triad \| begging \| car \| car \| chromatic sequence \| criminal \| driving \| equal division of octave \| gangster \| manager \| murder \| murderer \| murder scene \| ominous \| tense
City for Conquest (1940)	Underscoring (Tense)	1:14:48 - Googi threatens Cobb	car \| car \| chromatic parallelism \| chromatic scale \| criminal \| dissonant bass \| driving \| gangster \| manager \| murder \| murderer \| murder scene \| ominous \| tense \| threatening
City for Conquest (1940)	Slap	1:14:53 - Googi slaps Cobb	car \| car \| chromatic parallelism \| criminal \| gangster \| manager \| mickey-mousing \| murder \| murderer \| murder scene \| ominous \| pc set \| slapping \| tense
City for Conquest (1940)	Tone Poem A (Very Rough)	1:15:00 - The car pulls to a stop	arriving \| car \| criminal \| dark \| dock \| driving \| gangster \| manager \| murderer \| murder scene \| threatening \| tritone \| whole-tone chord
City for Conquest (1940)	Googi (Dead Man)	1:15:09 - They pull out the dead man	car \| chromatic scale \| conversing \| corpse \| criminal \| disposing \| dock \| gangster \| manager \| murderer \| murder scene \| ominous \| ostinato \| tense \| whole-tone chord \| working
City for Conquest (1940)	Gun falls	1:15:13 - A gun falls to the ground	car \| corpse \| criminal \| dock \| dropping \| gangster \| gun \| manager \| mickey-mousing \| murderer \| murder scene \| ominous \| tense
City for Conquest (1940)	Googi (Molto Mysterioso e Screwyoso)	1:15:19 - Cobb sees the gun	car \| chromatic parallelism \| conversing \| corpse \| criminal \| disposing \| dissonant bass \| dock \| fragmentation \| gangster \| half-diminished 7th chord \| manager \| murderer \| murder scene \| ominous \| ostinato \| tense \| tritone oscillation \| working
City for Conquest (1940)	Kicks body	1:15:22 - Googi kicks the body into the water	chromatic scale \| corpse \| criminal \| dock \| dropping \| gangster \| kicking \| manager \| mickey-mousing \| murderer \| murder scene \| ominous \| tense
City for Conquest (1940)	Throws gun away	1:15:30 - Googi throws a gun in the water	criminal \| dock \| gangster \| gun \| manager \| mickey-mousing \| murderer \| murder scene \| ominous \| tense \| throwing
City for Conquest (1940)	Googi dies	1:15:34 - Googi is shot	chromatic parallelism \| criminal \| dock \| dying \| falling \| gangster \| gun \| gunshot \| half-diminished 7th chord \| manager \| mickey-mousing \| murderer \| murdering \| murder scene \| ominous \| shooting \| slumping \| tense
City for Conquest (1940)	Tone Poem A (Death)	1:15:39 - Googi dies	criminal \| diminished 7th chord \| dissonant bass \| dock \| dying \| falling \| gangster \| gun \| gunshot \| manager \| murderer \| murdering \| murder scene \| ominous \| shooting \| slumping \| tense
City for Conquest (1940)	Where Were You When the Moon Came Out	1:19:38 - Danny resting in bed	advance plot \| blur \| brother \| composer \| dancing \| leading man \| listening \| musician \| on-screen music \| parallel double period \| playing \| room \| singer \| singing \| source music \| upbeat \| victim
City for Conquest (1940)	Where Were You When the Moon Came Out (Sad)	1:20:48 - Eddie plays the piano	advance plot \| altered dominant \| blur \| brother \| composer \| leading man \| musician \| on-screen music \| playing \| room \| sentimental \| source music \| victim \| watching
City for Conquest (1940)	Tone Poem A (The Song of the City)	1:23:05 - Eddie plays the piano	9th chord \| 13th chord \| advance plot \| brother \| common-chord modulation \| composer \| diminished 7th chord \| leading man \| listening \| musician \| on-screen music \| playing \| romantic \| room \| source music \| transcribed by ear \| victim
City for Conquest (1940)	Powder My Back	1:23:34 - A burlesque marquee	advance plot \| conversing \| dancer \| dancing \| leading lady \| manager \| on-screen music \| phrase extension \| singer \| singing \| source music \| stage \| upbeat
City for Conquest (1940)	Tone Poem A (Very Broad)	1:34:24 - Peggy reacts to the music	9th chord \| 13th chord \| audience \| bold \| Carnegie Hall \| chromatic parallelism \| chromatic scale \| chromatic sequence \| concert \| concert hall \| concert scene \| conducting \| conductor \| deceptive resolution \| dissonant bass \| dramatic \| Gershwinesque \| leading lady \| leading man \| listening \| musician \| newspaper \| newspaper stand \| on-screen music \| orchestra \| playing \| radio \| romantic \| source music \| street \| watching \| zoom out
City for Conquest (1940)	Tone Poem B	1:35:43 - Danny listens to the radio	9th chord \| added-note chord \| audience \| Carnegie Hall \| concert \| concert hall \| concert scene \| conducting \| conductor \| excited \| Gershwinesque \| leading man \| listening \| Mixolydian mode \| musician \| newspaper \| newspaper stand \| on-screen music \| orchestra \| playing \| pump-up modulation \| radio \| source music \| street \| watching
City for Conquest (1940)	Tone Poem Train Whistle	1:35:50 - Danny listens to the radio	added-note chord \| bold \| concert \| concert scene \| dissonant bass \| excited \| fragmentation \| Gershwinesque \| leading man \| listening \| on-screen music \| pc set \| pump-up modulation \| radio \| source music \| street
City for Conquest (1940)	Tone Poem A (Grandioso)	1:36:11 - Audience enjoying the performance	9th chord \| 13th chord \| altered dominant \| audience \| bold \| Carnegie Hall \| concert \| concert hall \| concert scene \| conducting \| conductor \| deceptive resolution \| double exposure \| dramatic \| Gershwinesque \| leading lady \| leading man \| listening \| musician \| on-screen music \| orchestra \| playing \| romantic \| sentimental \| smiling \| source music \| watching
City for Conquest (1940)	Tone Poem A (Tutti 2)	1:36:41 - Danny's figure appears in the concert hall	9th chord \| 13th chord \| AABA structure \| added-note chord \| audience \| bold \| Carnegie Hall \| concert \| concert hall \| concert scene \| conducting \| conductor \| crying \| deceptive resolution \| double exposure \| dramatic \| Gershwinesque \| leading man \| listening \| mode mixture \| musician \| on-screen music \| orchestra \| playing \| romantic \| sentimental \| smiling \| source music \| watching \| zoom out
City for Conquest (1940)	Tone Poem A (Beoootiful)	1:40:11 - Danny working at his newsstand	9th chord \| 11th chord \| blur \| conversing \| dissonant bass \| ethereal \| gentle \| into focus \| leading lady \| leading man \| love scene \| reunion \| reuniting \| shimmery \| squinting \| street \| tone cluster \| victim \| whole-tone chord
City for Conquest (1940)	Tone Poem A (Chorus)	1:41:14 - Danny talks with Peggy	9th chord \| 11th chord \| 13th chord \| chromatic sequence \| conversing \| crying \| ethereal \| foreign key modulation \| gentle \| leading lady \| leading man \| love interest \| love scene \| optimistic \| reunion \| reuniting \| romantic \| shimmery \| street \| suspension \| victim
City for Conquest (1940)	Sidewalks of New York (Soliloquy)	1:42:56 - Old timer talks to himself	altered dominant \| chromatic parallelism \| conversing \| countermelody \| old man \| resolution \| sentimental \| soliloquy
City for Conquest (1940)	Sidewalks of New York (Snake)	1:43:16 - Old timer talks to himself	64 chord \| conversing \| gentle \| old man \| resolution \| romantic \| soliloquy
City for Conquest (1940)	Sidewalks of New York (The End)	1:43:24 - The End	64 chord \| bold \| conversing \| end title sequence \| grand \| old man \| plagal cadence \| soliloquy \| The End
Crime School (1938)	Sue (Minor)	0:20:38 - Judge sentences boys to the reformatory	augmented sixth chord \| chromatic parallelism \| courthouse \| crying \| dissonant bass \| gang \| heroine \| judge \| leading lady \| leading man \| sister \| somber \| stinger \| teenager \| trial
Crime School (1938)	Reform School Drill	0:33:18 - Reform school boys exercise outside	comedy \| cut from film \| deceptive resolution \| exercising \| exercising music \| foreign key modulation \| gang \| jogging \| leading man \| polychord \| reformatory \| split-third chord \| teenager \| upbeat \| warden
Crime School (1938)	Reform School Drill	0:34:09 - Reform school boys exercise outside	comedy \| deceptive resolution \| exercising \| exercising music \| foreign key modulation \| gang \| jogging \| leading man \| polychord \| reformatory \| teenager \| upbeat \| warden
Crime School (1938)	Reform School Drill (Coda)	0:35:01 - Reform school boys exercise outside	comedy \| exercising \| gang \| jogging \| leading man \| reformatory \| teenager \| upbeat \| warden
Crime School (1938)	Underscoring (Gentle)	0:35:46 - Mark visits Frankie in the sick room	advance plot \| caring \| conversing \| dark \| hospital \| leading man \| reformatory \| teenager \| tender \| underscoring \| warden
Crime School (1938)	Marks	0:36:14 - Mark looks at the whip marks on Frankie's back	advance plot \| dark \| hospital \| leading man \| looking \| reformatory \| teenager \| violence \| warden \| wounded
Crime School (1938)	The Warden (Punishment)	0:36:22 - Warden defends his punishment	advance plot \| chromatic wedge \| conversing \| dark \| evil \| hospital \| leading man \| reformatory \| teenager \| warden \| whole-tone chord
Crime School (1938)	Underscoring (Subtle)	0:37:09 - Transition to cafeteria	advance plot \| conversing \| hospital \| leading man \| reformatory \| somber \| teenager \| underscoring \| warden
Crime School (1938)	The Discus Thrower	0:48:52 - Spike announces his "work of art"	announcing \| comedy \| fun \| gang \| hero \| interruption \| leading man \| reformatory \| showman \| teenager
Crime School (1938)	Underscoring (Gentle)	0:49:10 - Mark comes into the room	comedy \| conversing \| gang \| gentle \| hero \| leading man \| paint \| parallelism \| reformatory \| teenager \| underscoring
Crime School (1938)	Spots	0:49:20 - Squirt has spots on his pajamas	9th chord \| chromatic parallelism \| comedy \| comical \| conversing \| gang \| hero \| leading man \| mickey-mousing \| paint \| reformatory \| spots \| teenager \| tense
Crime School (1938)	Unveiling the statue	0:49:31 - Mark takes the veil off of the statue	64 chord \| chromatic parallelism \| chromatic wedge \| comedy \| gang \| hero \| leading man \| mickey-mousing \| reformatory \| teenager \| tense \| uncovering \| unveiling
Crime School (1938)	Marble statue	0:49:40 - Fats talks to Mark	comedy \| comical \| gang \| hero \| leading man \| mickey-mousing \| reformatory \| statue \| teasing \| teenager
Crime School (1938)	Underscoring (Gentle)	0:49:47 - Mark talks about making this room their home	comedy \| deceptive resolution \| gang \| gentle \| hero \| leading man \| leaving \| pedal tone \| reformatory \| teasing \| teenager \| underscoring \| whole-tone chord
Crime School (1938)	The Warden (Office)	0:51:05 - The guard enters to talk to Mark	comedy \| dramatic \| hero \| leading man \| marching \| police \| reformatory \| walking
Crime School (1938)	Laughing	0:51:11 - Mark laughs at the guard covered with paint	comedy \| comical \| hero \| laughing \| leading man \| mickey-mousing \| police \| reformatory
Crime School (1938)	Underscoring (Dramatic)	0:56:50 - Mark goes to rescue Squirt	action scene \| altered dominant \| boiler room \| chromatic parallelism \| dissonant bass \| dramatic \| hero \| leading man \| linear chromaticism \| reformatory \| rushing \| saving \| teenager \| tense \| underscoring
Crime School (1938)	Going down	0:57:05 - Mark descends into the boiler room	action scene \| descending \| dramatic \| hero \| leading man \| mickey-mousing \| reformatory \| stairs \| teenager \| tense
Crime School (1938)	Temperature rising 2	0:57:12 - The temperature gauge rises	action scene \| altered dominant \| boiler room \| chromatic parallelism \| danger \| dramatic \| gauge \| heat \| hero \| leading man \| mickey-mousing \| reformatory \| rising \| teenager \| temperature \| tense
Crime School (1938)	Explosion	0:57:21 - Mark pulls Squirt out of the boiler room	action scene \| ascending \| boiler room \| destruction \| dissonant bass \| dramatic \| exploding \| explosion \| hero \| leading man \| mickey-mousing \| reformatory \| rising \| stairs \| teenager \| tense \| tone cluster
Crime School (1938)	Mark Saves Boy	0:57:29 - Mark carries Squirt up the stairs	action scene \| ascending \| authentic cadence \| dissonant bass \| hero \| heroic \| leading man \| mickey-mousing \| reformatory \| rising \| stairs \| teenager \| walking
Crime School (1938)	Sue (Hospital)	0:57:38 - The doctor takes care of Squirt in the hospital	advance plot \| calm \| conversing \| doctor \| hero \| hospital \| leading man \| nurse \| peaceful \| reformatory \| teenager \| treating
Crime School (1938)	Sue (Grazioso)	1:13:10 - Sue and Mark talk in the kitchen	cheerful \| conflict \| conversing \| cooking \| happy \| hero \| heroine \| kitchen \| leading lady \| leading man \| mode mixture \| secondary dominant
Crime School (1938)	Sue (Grazioso Mysterioso)	1:13:38 - Frankie confronts Sue and Mark	cheerful \| common-tone diminished 7th \| conflict \| conversing \| deceptive resolution \| dining \| gun \| happy \| hero \| heroine \| leading lady \| leading man \| room \| stick up \| stinger \| teenager \| tone cluster \| whole-tone chord
Crime School (1938)	Underscoring (Tense)	1:14:26 - Mark talks to policeman	chromatic scale \| conflict \| deceptive resolution \| gun \| hero \| heroine \| hiding \| knocking \| leading lady \| leading man \| lying \| mode mixture \| pedal tone \| police \| room \| teenager \| tense \| underscoring
Crime School (1938)	Lights on	1:15:26 - Sue turns the lights on	conflict \| hero \| heroine \| leading lady \| leading man \| light \| mickey-mousing \| room \| tense \| turning on
Crime School (1938)	Underscoring (Dramatic)	1:15:31 - Frankie fights Spike	agitated \| arguing \| chromatic scale \| conflict \| dissonant bass \| fighting \| gang \| hero \| leading man \| sequence \| street \| teenager \| underscoring
Crime School (1938)	Resolution	1:22:31 - Sue enters the room	42 chord \| antagonist \| calm \| chromatic parallelism \| chromatic scale \| comical \| conversing \| hero \| leading man \| reformatory \| resolution \| resolution \| tense \| tritone
They Made Me a Criminal (1939)	So Help Me (If I Don't Love You)	0:05:54 - Johnnie and Goldie relaxing	drinking \| floozy \| jaunty \| kissing \| leading man \| murder scene \| popular song \| radio \| room \| source music
They Made Me a Criminal (1939)	When a Prince of a Fella Meets a Cinderella	0:06:23 - Johnnie talks to his manager	dancing \| drinking \| floozy \| jaunty \| laughing \| leading man \| murder scene \| parallel double period \| partying \| radio \| room \| source music
They Made Me a Criminal (1939)	Saving Myself For You (I've Been)	0:08:02 - Johnnie at a party	AABA structure \| attacking \| conversing \| drinking \| fighting \| floozy \| jaunty \| leading man \| murder \| murdering \| murder scene \| partying \| radio \| room \| source music \| violence
They Made Me a Criminal (1939)	The Awakening	0:14:48 - Johnnie wakes up	advance plot \| chromatic scale \| confusion \| deceptive resolution \| leading man \| metric modulation \| mysterious \| octatonic chord \| octatonic scale \| pc set \| room \| waking \| whole-tone chord
They Made Me a Criminal (1939)	Reading	0:15:29 - Johnnie reads a newspaper	advance plot \| chromatic scale \| dissonant bass \| leading man \| newspaper \| reading \| room \| tense \| whole-tone chord
They Made Me a Criminal (1939)	Underscoring (Dramatic)	0:16:01 - Johnnie rushes inside	advance plot \| chromatic scale \| dramatic \| leading man \| minor-major 7th chord \| newspaper \| room \| rushing \| underscoring
They Made Me a Criminal (1939)	Underscoring (Somber)	0:22:16 - Close-up on Johnnie	advance plot \| leading man \| money \| realizing \| room \| somber \| stinger \| underscoring
They Made Me a Criminal (1939)	Traveling	0:22:25 - Johnnie becomes a fugitive	9th chord \| added-note chord \| altered dominant \| countryside \| double exposure \| dramatic \| leading man \| map \| mickey-mousing \| money \| montage \| montage \| purchasing \| street \| traveling \| walking
They Made Me a Criminal (1939)	Train	0:22:47 - A rushing train and a map	dramatic \| leading man \| mickey-mousing \| montage \| montage \| motoric \| polychord \| train \| train \| traveling \| whistle
They Made Me a Criminal (1939)	The Fugitive (Traveling)	0:22:51 - Johnnie's plodding feet	chromatic scale \| chromatic wedge \| countryside \| desert \| dissonant bass \| dramatic \| leading man \| linear chromaticism \| map \| mickey-mousing \| money \| montage \| montage \| traveling \| walking \| whole-tone \| whole-tone chord
They Made Me a Criminal (1939)	The Fugitive (Triste)	0:23:12 - Johnnie at a diner	9th chord \| advance plot \| diner \| leading man \| money \| somber \| thinking \| underscoring
They Made Me a Criminal (1939)	Drops money	0:23:19 - Johnnie drops his money	advance plot \| diner \| dropping \| leading man \| mickey-mousing \| money \| somber
They Made Me a Criminal (1939)	Underscoring (Mysterious)	0:23:21 - Men at the diner stand up	added-note chord \| advance plot \| diner \| dissonant bass \| fighting \| half-diminished 7th chord \| leading man \| linear chromaticism \| money \| mysterious \| sitting \| sneaking \| underscoring \| whole-tone chord
They Made Me a Criminal (1939)	Steps on money	0:23:30 - A man steps on Johnnie's money	advance plot \| diner \| half-diminished 7th chord \| leading man \| mickey-mousing \| money \| mysterious \| stepping
They Made Me a Criminal (1939)	Jumps off train	0:24:21 - Johnnie jumps off the moving train	advance plot \| diminished 7th chord \| dissonant bass \| dramatic \| escaping \| jumping \| leading man \| mickey-mousing \| train \| train
They Made Me a Criminal (1939)	The Fugitive	0:24:29 - Johnnie walks	9th chord \| advance plot \| altered dominant \| desert \| foreign key modulation \| leading man \| Neapolitan \| tired \| traveling \| walking \| wandering
They Made Me a Criminal (1939)	The Fugitive (Looking Around)	0:25:11 - The young man sees Johnnie	9th chord \| deceptive resolution \| establish character \| foreign key modulation \| leading lady \| leading man \| ranch \| teenager \| tired \| walking
They Made Me a Criminal (1939)	The Fugitive (Arriving)	0:25:42 - Johnnie arrives at the ranch	9th chord \| arriving \| establish character \| foreign key modulation \| leading lady \| leading man \| ranch \| teenager \| tired
They Made Me a Criminal (1939)	The Fugitive (Fainting)	0:26:32 - Johnnie stumbles and faints	9th chord \| dark \| deceptive resolution \| dissonant bass \| establish character \| fainting \| falling \| foreign key modulation \| leading man \| ranch \| tired \| tragic \| walking
They Made Me a Criminal (1939)	Underscoring (Tender)	0:26:58 - Peggy helps Johnnie	9th chord \| 64 chord \| heroine \| leading lady \| leading man \| lovers meet \| mode mixture \| nursing \| room \| tender \| underscoring
They Made Me a Criminal (1939)	The Fugitive (Recovering)	0:27:13 - Peggy takes care of Johnnie	9th chord \| foreign key modulation \| heroine \| leading lady \| leading man \| lovers meet \| nursing \| recovering \| romance \| room \| sweet \| waking
They Made Me a Criminal (1939)	Peggy (Dolce)	0:28:20 - Peggy talks to Johnnie	9th chord \| 11th chord \| 13th chord \| deceptive resolution \| foreign key modulation \| heroine \| kissing \| leading lady \| leading man \| lovers meet \| nursing \| recovering \| romance \| room \| sweet \| tender
They Made Me a Criminal (1939)	Underscoring (Tense)	0:28:51 - The sheriff comes in	conflict \| dark \| diminished 7th chord \| entering \| fear \| leading man \| room \| sheriff \| surprise \| tense \| underscoring
They Made Me a Criminal (1939)	The Fugitive (Excitedly)	0:29:07 - Johnnie talks to the sheriff	anxiety \| anxious \| conflict \| leading man \| linear chromaticism \| lying \| room \| sheriff
They Made Me a Criminal (1939)	The Fugitive (Relieved)	0:29:25 - Johnnie listens to the sheriff	altered dominant \| conflict \| conversing \| leading man \| peaceful \| room \| tranquil
They Made Me a Criminal (1939)	The Fugitive (Leaving)	0:29:45 - Johnnie prepares to leaves	conflict \| foreign key modulation \| leading man \| ranch \| room \| sneaking \| yearning
They Made Me a Criminal (1939)	Jumps out of window	0:30:00 - Johnnie jumps out of the window	conflict \| jumping \| leading man \| mickey-mousing \| ranch \| window
They Made Me a Criminal (1939)	Underscoring (Dramatic)	0:30:01 - Johnnie sneaks away	64 chord \| conflict \| dramatic \| leading man \| mysterious \| ranch \| sneaking
They Made Me a Criminal (1939)	The Fugitive (Apology)	0:48:31 - Johnnie and Peggy talk	9th chord \| conversing \| hero \| leading lady \| leading man \| love scene \| romantic \| room \| secondary dominant \| tender
They Made Me a Criminal (1939)	Peggy (Delicatissimo)	0:49:16 - Johnnie and Peggy kiss	9th chord \| 11th chord \| 13th chord \| hero \| kissing \| leading lady \| leading man \| love scene \| romantic \| room
They Made Me a Criminal (1939)	On the Make	0:49:40 - Johnnie and Peggy drive in a car	ABAB structure \| added-note chord \| altered dominant \| car \| car \| cheerful \| conversing \| driving \| hero \| leading lady \| leading man \| linear chromaticism \| love scene \| mode mixture \| phrase extension \| romantic \| traveling
They Made Me a Criminal (1939)	On the Make (Extended)	0:53:21 - Johnnie and Peggy drive in a car	ABAB structure \| added-note chord \| advance plot \| altered dominant \| car \| car \| cheerful \| conversing \| driving \| hero \| kissing \| leading lady \| leading man \| linear chromaticism \| mode mixture \| phrase extension \| romantic \| traveling
They Made Me a Criminal (1939)	By a Waterfall	0:55:35 - A shower sign	advance plot \| cheerful \| comical \| hero \| leading man \| on-screen music \| popular music \| ranch \| showering \| singing \| source music \| teenager \| whistling
They Made Me a Criminal (1939)	Underscoring (Dramatic)	0:56:17 - Johnnie sees his picture in the paper	angry \| arguing \| chromatic parallelism \| dissonant bass \| dramatic \| fighting \| half-diminished 7th chord \| hero \| leading man \| mickey-mousing \| photograph \| ranch \| teenager \| tense \| turning point \| underscoring
They Made Me a Criminal (1939)	The Arena	1:01:22 - A fight poster	advance plot \| augmented sixth chord \| dark \| detective \| fanfare \| leading man \| light \| polytonality \| poster \| street \| thinking
They Made Me a Criminal (1939)	Marcia Grotesque	1:01:48 - Johnnie talks to another boxer	advance plot \| altered dominant \| comical \| conversing \| hero \| leading man \| march \| mode mixture \| room
They Made Me a Criminal (1939)	Underscoring (Tense)	1:02:14 - Johnnie overhears the detective	advance plot \| chromatic scale \| detective \| dissonant bass \| hiding \| leading man \| ominous \| room \| tense \| underscoring
They Made Me a Criminal (1939)	The Fugitive (Hiding)	1:02:31 - Detective buys tickets to Johnnie's match	advance plot \| detective \| hiding \| leading man \| pedal tone \| room \| suspenseful \| tense
They Made Me a Criminal (1939)	The Fugitive (Ashamed)	1:03:55 - Johnnie tells them he can't fight	9th chord \| conflict \| dark \| foreign key modulation \| harmonic sequence \| leading lady \| leading man \| lying \| room \| somber \| teenager
They Made Me a Criminal (1939)	On the Make (Dolce)	1:05:13 - Peggy talks to Johnnie	added-note chord \| altered dominant \| arguing \| conflict \| leading lady \| leading man \| linear chromaticism \| lying \| room \| tender
They Made Me a Criminal (1939)	Underscoring (Tense)	1:05:52 - Johnny talks to Peggy	conflict \| dramatic \| half-diminished 7th chord \| harmonic sequence \| leading lady \| leading man \| lying \| room \| tense \| underscoring
They Made Me a Criminal (1939)	On the Make (Heartbreak)	1:06:05 - Johnny talks to Peggy	9th chord \| arguing \| conflict \| dissonant bass \| dramatic \| leading lady \| leading man \| room \| slamming \| somber \| tense
They Made Me a Criminal (1939)	On the Make (Crying)	1:06:29 - Peggy cries after Johnnie leaves	11th chord \| conflict \| crying \| leading lady \| leading man \| room \| somber
They Made Me a Criminal (1939)	The Fugitive (Let Down)	1:06:51 - The boys talk about Johnnie	added-note chord \| arguing \| conflict \| criticizing \| foreign key modulation \| leading man \| room \| somber \| teenager
They Made Me a Criminal (1939)	The Fugitive (Going Away)	1:07:38 - Tommy talks to Johnnie	conflict \| leading man \| lonely \| packing \| room \| somber \| teenager \| thinking
They Made Me a Criminal (1939)	On the Make (Tenderly)	1:07:57 - Tommy talks to Johnnie	9th chord \| ABAB structure \| altered dominant \| arguing \| chromatic mediant \| conversing \| direct modulation \| foreign key modulation \| hero \| leading man \| room \| tender \| turning point
They Made Me a Criminal (1939)	On the Make (Lohenblueish)	1:09:07 - Johnnie decides that he will stay	added-note chord \| augmentation \| chromatic mediant \| direct modulation \| foreign key modulation \| hero \| hopeful \| hopeless \| leading man \| linear chromaticism \| passionate \| room \| thinking \| turning point \| zoom in
They Made Me a Criminal (1939)	The Fugitive (Religioso)	1:09:41 - Johnnie looks at a picture	9th chord \| hero \| leading man \| Neapolitan \| room \| tender \| thinking \| turning point
They Made Me a Criminal (1939)	Inspiration	1:09:53 - Johnnie has an inspiration	boxing \| foreign key modulation \| gentle \| hero \| idea \| inspiration \| leading man \| pedal tone \| pump-up modulation \| room \| shadow \| thinking \| turning point
They Made Me a Criminal (1939)	The Whip	1:10:16 - People at the carnival	arena \| boxer \| cheerful \| entering \| excited \| fighting \| hero \| leading man \| march \| sitting \| source music \| sport scene \| teenager
They Made Me a Criminal (1939)	World's Record	1:13:45 - Boxers prepare for the fight	arena \| boxer \| cheerful \| conversing \| excited \| hero \| leading man \| march \| parallel double period \| source music \| sport scene
They Made Me a Criminal (1939)	Spirit of Independence	1:14:53 - Johnnie marches into the ring	arena \| cheerful \| excited \| hero \| leading lady \| leading man \| march \| preparing \| source music \| sport scene \| teenager
They Made Me a Criminal (1939)	Peggy (Waiting)	1:24:39 - The detective talks to Johnnie	chromatic scale \| climax \| dark \| detective \| diminished 7th chord \| dissonant \| dissonant bass \| leading lady \| leading man \| lying \| ominous \| room \| waiting
They Made Me a Criminal (1939)	Lying	1:25:16 - Johnnie lies to Peggy about where he's going	added-note chord \| augmented sixth chord \| climax \| common-chord modulation \| detective \| dissonant bass \| foreign key modulation \| leading lady \| leading man \| lying \| minor-major 7th chord \| room \| turbulent
They Made Me a Criminal (1939)	On the Make (Appassionato)	1:25:51 - Peggy wants to go with Johnnie	9th chord \| altered dominant \| climax \| detective \| embracing \| kissing \| leading lady \| leading man \| leaving \| linear chromaticism \| mode mixture \| pedal tone \| romantic \| room \| sentimental \| sigh gesture \| tender
They Made Me a Criminal (1939)	The Fugitive (Ending)	1:30:23 - A train rushes away	detective \| foreign key modulation \| leading man \| mode mixture \| optimistic \| passionate \| plagal cadence \| resolution \| resolution \| running \| teenager \| train station \| triumphant
They Made Me a Criminal (1939)	Running	1:30:35 - Johnnie runs to Tommy	leading man \| mickey-mousing \| optimistic \| passionate \| resolution \| resolution \| running \| teenager \| train station \| triumphant
Deep Valley (1947)	Homestead (Moderato 2)	0:18:58 - A truck arrives	arriving \| bright \| calm \| car \| crew \| driving \| leading man \| lovers meet \| street
Deep Valley (1947)	Homestead (Walking)	0:19:15 - Jeff arrives at the farm	bright \| crew \| leading man \| lovers meet \| street \| walking
Deep Valley (1947)	Libby 2 (Slowly)	0:19:39 - Jeff talks with Libby	arguing \| crew \| dog \| father \| leading lady \| leading man \| lovers meet \| street \| tense
Deep Valley (1947)	Running	0:20:26 - Libby runs to Joe	convict \| dog \| leading lady \| leading man \| lovers meet \| running \| street \| tense
Deep Valley (1947)	Love Theme	0:20:35 - Libby meets Barry	convict \| leading lady \| leading man \| lovers meet \| meeting \| romantic \| street
Deep Valley (1947)	Underscoring (Tense)	0:22:23 - Barry pumps water	boss \| conflict \| convict \| father \| guard \| leading lady \| leading man \| mocking \| pumping \| street \| tense \| underscoring
Deep Valley (1947)	Turns, Hits, and Falls	0:22:28 - Barry hits the guard	boss \| conflict \| convict \| dramatic \| falling \| father \| guard \| leading lady \| leading man \| mickey-mousing \| punching \| stinger \| street \| turning \| violence
Deep Valley (1947)	Barry	0:22:35 - Barry threatens the guard	angry \| arguing \| boss \| conflict \| convict \| dramatic \| father \| guard \| leading lady \| leading man \| street \| threatening \| yelling
Deep Valley (1947)	Law (Subtle)	0:22:45 - Barry looks at the guard	arguing \| boss \| conflict \| convict \| father \| guard \| leading lady \| leading man \| street \| tense \| underscoring
Deep Valley (1947)	Love Theme (Molto Expressivo)	0:23:07 - Libby watches them take Barry	boss \| conflict \| convict \| crying \| father \| guard \| leading lady \| leading man \| somber \| street \| watching
Deep Valley (1947)	Law	0:23:19 - Guard taking Barry to a shed	arriving \| conflict \| construction site \| convict \| dark \| guard \| leading man \| march \| stinger \| walking
Deep Valley (1947)	Barry (Misterioso)	0:28:31 - Libby talks with Jeff	advance plot \| boss \| conversing \| dark \| leading lady \| leading man \| mysterious \| room \| somber
Deep Valley (1947)	Homestead (Morendo)	0:29:17 - Jeff talks with Libby	advance plot \| boss \| conversing \| leading lady \| leading man \| room \| somber
Deep Valley (1947)	Libby 3	0:29:40 - Close-up on Libby	advance plot \| boss \| conversing \| dance-like \| hesitant \| leading lady \| leading man \| room
Deep Valley (1947)	Libby (Stormy)	0:29:58 - Libby pulls away from Jeff's grasp	advance plot \| boss \| dark \| leading lady \| leading man \| leaving \| lightning \| room \| running \| storm \| thunder
Deep Valley (1947)	Libby 3	0:30:31 - Libby watches the storm	advance plot \| arriving \| boss \| hesitant \| leading lady \| leading man \| leaving \| lightning \| room \| storm \| thunder \| watching
Deep Valley (1947)	Underscoring (Tense)	0:40:24 - Barry in the woods	advance plot \| convict \| forest \| fugitive \| leading man \| searching \| tense \| underscoring
Deep Valley (1947)	Barry (Hiding)	0:40:45 - Barry hides	advance plot \| convict \| forest \| fugitive \| leading man \| mysterious \| rushing \| tense
Deep Valley (1947)	Woods	0:40:58 - Libby swimming	advance plot \| cheerful \| convict \| dog \| forest \| fugitive \| leading lady \| leading man \| searching \| swimming \| upbeat
Deep Valley (1947)	Woods (Misterioso)	0:41:27 - Barry goes to the cabin	advance plot \| convict \| forest \| fugitive \| leading man \| mysterious \| searching
Deep Valley (1947)	Barry (Dark)	0:41:38 - Barry explores the cabin	advance plot \| cabin \| convict \| fugitive \| leading man \| mysterious \| searching \| tense
Deep Valley (1947)	Woods	0:42:41 - Libby arrives at the cabin	advance plot \| arriving \| cabin \| cheerful \| convict \| dog \| fugitive \| leading lady \| leading man \| upbeat
Deep Valley (1947)	Barry (Ferroce)	0:42:50 - Libby sees Barry	advance plot \| cabin \| convict \| dark \| dog \| fierce \| fugitive \| leading lady \| leading man \| threatening
Deep Valley (1947)	Barry (Slowly)	0:45:50 - Barry watches Libby	cabin \| convict \| dog \| falling in love scene \| fugitive \| leading lady \| leading man \| uneasy \| watching
Deep Valley (1947)	Joe (Calm)	0:46:14 - Joe comes in	cabin \| calm \| convict \| dog \| falling in love scene \| fugitive \| leading lady \| leading man \| watching
Deep Valley (1947)	Love Theme (Full)	0:46:30 - Barry and Libby by the lake	calm \| conversing \| convict \| falling in love scene \| forest \| fugitive \| laughing \| leading lady \| leading man \| working
Deep Valley (1947)	Love Theme (Memory)	0:46:53 - Barry and Libby by the lake	conversing \| convict \| falling in love scene \| forest \| fugitive \| leading lady \| leading man \| memory \| uneasy
Deep Valley (1947)	Breeze	0:48:03 - Libby talks to Barry	conversing \| convict \| ethereal \| falling in love scene \| forest \| fugitive \| leading lady \| leading man \| listening \| magical \| wind \| wind effect
Deep Valley (1947)	Breeze + Love Theme	0:48:14 - Barry talks to Libby	combination of themes \| conversing \| convict \| ethereal \| falling in love scene \| forest \| fugitive \| leading lady \| leading man \| listening \| magical \| wind \| wind effect
Deep Valley (1947)	Barry (Drunk)	0:50:00 - Barry talks to Libby	convict \| drunk \| falling in love scene \| forest \| fugitive \| leading lady \| leading man \| story \| storytelling \| tense
Deep Valley (1947)	Barry	0:50:33 - Barry talks to Libby	agitated \| convict \| falling in love scene \| forest \| fugitive \| leading lady \| leading man \| story \| storytelling
Deep Valley (1947)	Barry (Drunk)	0:51:00 - Barry talks to Libby	convict \| drunk \| falling in love scene \| forest \| fugitive \| leading lady \| leading man \| story \| storytelling \| tense
Deep Valley (1947)	Barry (Dolce)	0:51:17 - Barry talks to Libby	convict \| falling in love scene \| forest \| fugitive \| leading lady \| leading man \| story \| storytelling \| sweet
Deep Valley (1947)	Kiss	0:51:58 - Barry kisses Libby	convict \| dog \| embracing \| exciting \| falling in love scene \| forest \| fugitive \| kissing \| leading lady \| leading man \| love interest \| mickey-mousing \| staring
Deep Valley (1947)	Deep Valley	0:52:10 - Barry kisses Libby again	convict \| dog \| embracing \| falling in love scene \| forest \| fugitive \| gentle \| kissing \| leading lady \| leading man \| love interest \| romantic \| staring
Deep Valley (1947)	Deep Valley (Misterioso)	0:54:57 - Libby starts to leave	cabin \| calm \| conversing \| convict \| dog \| fugitive \| leading lady \| leading man \| love interest \| love scene \| planning
Deep Valley (1947)	Barry (Tense)	0:55:38 - Barry unloads his gun	cabin \| convict \| destroying \| fugitive \| leading lady \| leading man \| love interest \| love scene \| mysterious \| tense
Deep Valley (1947)	Deep Valley (Appassionato)	0:55:51 - Barry and Libby embrace	cabin \| cheerful \| convict \| embracing \| fugitive \| kissing \| leading lady \| leading man \| love interest \| love scene \| romantic
Deep Valley (1947)	Deep Valley (Sostenuto)	0:56:17 - Libby turns to leave	cabin \| convict \| dog \| fugitive \| gentle \| leading lady \| leading man \| leaving \| love interest \| love scene
Deep Valley (1947)	Law (Molto Misterioso)	0:57:01 - Men hunting for Barry	forest \| manhunt \| mysterious \| police \| searching \| tense \| transition
Deep Valley (1947)	Law (Misterioso)	1:02:41 - Libby looks out the window	advance plot \| father \| leading lady \| manhunt \| mysterious \| police \| room \| searching \| street \| tense
Deep Valley (1947)	Barry (Molto Misterioso) + Love Theme	1:06:04 - Sheriff drinks coffee	action scene \| convict \| drinking \| forest \| fugitive \| leading lady \| leading man \| love interest \| mysterious \| police \| room \| somber \| walking
Deep Valley (1947)	Law (Slowly)	1:06:18 - Lawmen advance	action scene \| convict \| forest \| fugitive \| leading man \| love interest \| manhunt \| police \| searching \| serious \| walking
Deep Valley (1947)	Underscoring (Dramatic)	1:06:48 - Barry reacts to gunshots	action scene \| cabin \| convict \| dramatic \| forest \| fugitive \| gunfight \| hiding \| leading man \| loading \| love interest \| manhunt \| police \| shooting \| stinger \| tense \| underscoring
Deep Valley (1947)	Law	1:07:20 - Barry tries to escape	action scene \| cabin \| convict \| dramatic \| fugitive \| hiding \| leading man \| love interest \| manhunt \| police \| retreating \| shooting \| tense
Deep Valley (1947)	Barry	1:07:25 - Barry climbs out of a hole	action scene \| cabin \| climbing \| convict \| dramatic \| escaping \| fugitive \| leading man \| love interest \| manhunt \| police \| tense
Deep Valley (1947)	Jumping down	1:07:32 - Barry jumps off the roof	action scene \| cabin \| convict \| dramatic \| fugitive \| jumping \| leading man \| love interest \| manhunt \| mickey-mousing \| police \| tense
Deep Valley (1947)	Law	1:07:34 - Lawmen pursue after Barry	action scene \| chasing \| convict \| dramatic \| escaping \| fanfare \| forest \| fugitive \| leading man \| love interest \| manhunt \| police \| running \| tense
Deep Valley (1947)	Libby 3	1:08:56 - Jeff talks with Libby	advance plot \| conversing \| hesitant \| leading lady \| leading man \| room
Deep Valley (1947)	Libby (Stormy)	1:09:20 - Jeff talks with Libby	advance plot \| conversing \| hesitant \| leading lady \| leading man \| room \| tense
Deep Valley (1947)	Underscoring (Tense)	1:09:40 - Jeff talks with Libby	advance plot \| conversing \| leading lady \| leading man \| room \| stinger \| tense \| underscoring
Deep Valley (1947)	Libby (Triste)	1:10:09 - Libby reacts to the news	escape \| leading lady \| leading man \| reacting \| room \| somber
Deep Valley (1947)	Underscoring (Tense)	1:10:50 - Libby looks out the window	convict \| escape \| fugitive \| leading lady \| leading man \| looking \| love interest \| room \| searching \| tense \| underscoring \| yard
Deep Valley (1947)	Deep Valley	1:11:53 - Libby and Barry embrace	convict \| escape \| fugitive \| joyous \| leading lady \| leading man \| love interest \| reuniting \| yard
Deep Valley (1947)	Wind	1:12:11 - Libby listens carefully	afraid \| convict \| escape \| fear \| fugitive \| leading lady \| leading man \| love interest \| mickey-mousing \| wind \| wind effect \| worrying \| yard
Deep Valley (1947)	Sneaking	1:12:20 - Barry and Libby run to the shed	convict \| escape \| fugitive \| leading lady \| leading man \| love interest \| sneaking \| sneaking effect \| tense \| yard
Deep Valley (1947)	Barry (Tense 2)	1:15:38 - Barry drops his gun	advance plot \| barn \| conversing \| convict \| fugitive \| leading lady \| leading man \| love interest \| tense
Deep Valley (1947)	Barry (Tender)	1:15:59 - Barry apologizes to Libby	advance plot \| apologizing \| barn \| convict \| embracing \| fugitive \| leading lady \| leading man \| love interest \| tender
Deep Valley (1947)	Deep Valley (Kiss)	1:16:19 - Barry kisses Libby	advance plot \| barn \| convict \| crying \| embracing \| fugitive \| kissing \| leading lady \| leading man \| love interest \| tender
Deep Valley (1947)	Deep Valley (Sostenuto)	1:16:37 - Libby talks with Barry	advance plot \| barn \| calm \| conversing \| convict \| fugitive \| hopeful \| leading lady \| leading man \| love interest
Deep Valley (1947)	Underscoring (Tense)	1:17:04 - Barry picks up the gun	advance plot \| barn \| conversing \| convict \| fugitive \| leading lady \| leading man \| love interest \| tense \| underscoring
Deep Valley (1947)	Deep Valley (Dolce)	1:17:25 - Barry talks with Libby	advance plot \| barn \| conversing \| convict \| fugitive \| gentle \| leading lady \| leading man \| love interest \| tender
Deep Valley (1947)	Underscoring (Dramatic)	1:17:55 - Barry hears a noise	advance plot \| barn \| convict \| dramatic \| fugitive \| leading lady \| leading man \| love interest \| sneaking \| stinger \| tense \| walking
Deep Valley (1947)	My Bonnie Lies Over the Ocean	1:21:19 - Barry listens at the door	advance plot \| barn \| cheerful \| convict \| father \| fugitive \| leading man \| love interest \| singing
Deep Valley (1947)	Deep Valley (Misterioso)	1:23:23 - Barry looks at Libby	advance plot \| barn \| calm \| convict \| embracing \| fugitive \| kissing \| leading lady \| leading man \| love interest \| mysterious
Deep Valley (1947)	Underscoring (Dramatic)	1:23:43 - Barry hears a noise	advance plot \| barn \| convict \| dramatic \| fugitive \| leading lady \| leading man \| love interest \| rushing \| tense \| worrying
Deep Valley (1947)	Homestead (Walking)	1:23:47 - Cliff on the porch	advance plot \| arriving \| calm \| convict \| father \| fugitive \| leading lady \| leading man \| love interest \| porch
Deep Valley (1947)	Joe (Running)	1:23:58 - Barry talks to Libby	advance plot \| barn \| calm \| conversing \| convict \| fugitive \| leading lady \| leading man \| love interest
Deep Valley (1947)	Underscoring (Tense)	1:24:11 - Libby talks to Barry	advance plot \| barn \| convict \| fugitive \| leading lady \| leading man \| love interest \| tense \| worrying
Deep Valley (1947)	Libby (Sneaking)	1:24:14 - Libby talks to Barry	advance plot \| barn \| convict \| fugitive \| leading lady \| leading man \| love interest \| tense \| worrying \| worrying effect
Deep Valley (1947)	Deep Valley	1:24:39 - Libby talks to Barry	advance plot \| barn \| calm \| convict \| fugitive \| hopeful \| hoping \| leading lady \| leading man \| love interest
Deep Valley (1947)	Barry (Misterioso)	1:25:16 - Barry shaving	advance plot \| arriving \| convict \| fugitive \| leading lady \| leading man \| love interest \| mysterious \| street
Deep Valley (1947)	Barry (Misterioso)	1:27:15 - Libby talks to Barry	agitated \| barn \| conflict \| convict \| dark \| father \| fugitive \| leading lady \| leading man \| love interest \| mysterious \| searching \| worrying
Deep Valley (1947)	Underscoring (Tense)	1:28:00 - Barry prepares to attack	barn \| conflict \| convict \| dark \| fugitive \| leading lady \| leading man \| love interest \| stinger \| tense \| waiting
Deep Valley (1947)	Deep Valley (Slowly)	1:28:11 - Libby climbs the ladder	barn \| conflict \| convict \| descending \| fugitive \| leading lady \| leading man \| love interest \| tense \| uneasy
Deep Valley (1947)	Libby 3 (Tense)	1:28:28 - Libby comes down the ladder	barn \| conflict \| conversing \| convict \| father \| fugitive \| leading lady \| leading man \| love interest \| tense \| uneasy \| walking
Deep Valley (1947)	Running (Extended)	1:29:26 - Libby runs to the barn	advance plot \| barn \| convict \| father \| fugitive \| hesitating \| leading lady \| leading man \| love interest \| mickey-mousing \| running \| tense \| uneasy \| yard
Deep Valley (1947)	Barry (Very Slowly)	1:30:02 - Libby climbs the ladder	advance plot \| arriving \| barn \| climbing \| convict \| fugitive \| leading lady \| leading man \| love interest \| somber \| uneasy \| walking
Deep Valley (1947)	Libby (Somber) + Barry (Somber)	1:30:26 - Libby talks to Barry	advance plot \| barn \| combination of themes \| comforting \| convict \| fugitive \| leading lady \| leading man \| love interest \| somber
Deep Valley (1947)	Deep Valley (Quasi Appassionato)	1:30:51 - Barry looks at Libby	advance plot \| barn \| comforting \| conflicted \| convict \| fugitive \| hopeful \| leading lady \| leading man \| love interest
Deep Valley (1947)	Barry (Drunk)	1:31:10 - Barry talks to Libby	advance plot \| anxious \| anxious effect \| barn \| conversing \| convict \| fugitive \| leading lady \| leading man \| love interest \| worried \| worrying
Deep Valley (1947)	Deep Valley (Delicato)	1:31:30 - Barry embraces Libby	advance plot \| barn \| comforting \| convict \| fugitive \| hopeful \| leading lady \| leading man \| love interest \| street \| tense
Deep Valley (1947)	Libby 2 (Molto Expressivo)	1:33:40 - Ellie walks to the barn	advance plot \| barn \| convict \| eavesdropping \| fugitive \| leading lady \| leading man \| love interest \| mother \| sneaking \| tense \| walking \| yard
Deep Valley (1947)	Libby 2 (Misterioso)	1:34:15 - Ellie climbs the ladder	advance plot \| barn \| climbing \| convict \| eavesdropping \| fugitive \| leading lady \| leading man \| love interest \| mother \| mysterious \| sneaking \| tense
Deep Valley (1947)	Rushing away	1:36:01 - Libby rushes out of the barn	barn \| climax \| convict \| descending \| dramatic \| fugitive \| leading lady \| leading man \| love interest \| mother \| rushing \| rushing effect \| tense
Deep Valley (1947)	Libby 2 (Frantic)	1:36:05 - Ellie calls after Libby	barn \| begging \| climax \| convict \| frantic \| fugitive \| leading lady \| leading man \| love interest \| mother \| pleading \| tense
Deep Valley (1947)	Libby (Running)	1:36:13 - Libby and Barry run out of the barn	barn \| begging \| climax \| convict \| father \| frantic \| fugitive \| leading lady \| leading man \| love interest \| mother \| pleading \| running \| rushing \| tense \| yard
Deep Valley (1947)	Libby (Stormy)	1:36:26 - Cliff looks for Ellie	barn \| climax \| convict \| crying \| dark \| father \| fugitive \| hiding \| leading lady \| leading man \| love interest \| mother \| running \| rushing \| sneaking \| tense \| yard
Deep Valley (1947)	Barry (Drunk)	1:36:39 - Barry steals a car	arguing \| car \| climax \| convict \| dark \| fighting \| fugitive \| leading lady \| leading man \| love interest \| running \| rushing \| street \| tense \| yelling
Deep Valley (1947)	Barry	1:36:57 - Jeff hits Barry	arguing \| attacking \| car \| climax \| convict \| dark \| fighting \| fugitive \| leading lady \| leading man \| love interest \| punching \| street \| tense \| yelling
Deep Valley (1947)	Barry (Running)	1:37:23 - Libby chases Barry	arguing \| car \| chasing \| climax \| convict \| crying \| dramatic \| driving \| fleeing \| fugitive \| leading lady \| leading man \| love interest \| running \| street
Deep Valley (1947)	Molto Expressivo	1:37:28 - Barry pushes Libby away	arguing \| car \| chasing \| climax \| convict \| crying \| dramatic \| driving \| falling \| fleeing \| fugitive \| leading lady \| leading man \| love interest \| running \| street
Deep Valley (1947)	Deep Valley (Climactic)	1:37:35 - Libby on the ground	car \| chasing \| climax \| convict \| crying \| dramatic \| driving \| fleeing \| fugitive \| leading lady \| leading man \| love interest \| street
Deep Valley (1947)	Car Crash	1:37:49 - Barry's car runs off the road	car \| climax \| convict \| crashing \| dramatic \| driving \| falling \| fleeing \| fugitive \| leading man \| love interest \| mickey-mousing \| street \| swerving
Deep Valley (1947)	Underscoring (Dramatic)	1:37:57 - Jeff gets up and looks around	car \| climax \| climbing \| convict \| dramatic \| fleeing \| fugitive \| leading man \| love interest \| mickey-mousing \| police \| searching \| street \| transcribed by ear \| underscoring
Deep Valley (1947)	Fleeing	1:38:08 - Barry makes a run for it	chasing \| climax \| convict \| dramatic \| fleeing \| forest \| fugitive \| leading lady \| leading man \| love interest \| mickey-mousing \| police \| running \| shooting \| transcribed by ear
Deep Valley (1947)	Barry (Not in Score)	1:38:32 - The posse chases after Barry	chasing \| climax \| convict \| dramatic \| fleeing \| forest \| fugitive \| leading man \| love interest \| police \| running \| shooting \| tense \| transcribed by ear
Deep Valley (1947)	Underscoring (Tense)	1:38:41 - Barry is shot	climax \| convict \| dramatic \| falling \| forest \| fugitive \| injury \| leading man \| love interest \| police \| stinger \| tense \| underscoring
Deep Valley (1947)	Law	1:38:44 - The posse chases after Barry	chasing \| climax \| convict \| dramatic \| fleeing \| forest \| fugitive \| injury \| leading man \| love interest \| police \| running \| tense
Deep Valley (1947)	Barry is shot	1:38:57 - Barry is shot	climax \| convict \| dramatic \| falling \| forest \| fugitive \| injury \| leading man \| love interest \| mickey-mousing \| police \| shooting
Deep Valley (1947)	Law (Searching)	1:39:05 - The posse closes in on Barry	chasing \| climax \| convict \| dramatic \| forest \| fugitive \| hiding \| injury \| leading man \| love interest \| police \| searching
Deep Valley (1947)	Underscoring (Tense)	1:39:09 - Barry hides	climax \| convict \| forest \| fugitive \| hiding \| injury \| leading man \| love interest \| police \| searching \| tense \| underscoring
Deep Valley (1947)	Law (Subtle)	1:39:20 - The posse searches for Barry	climax \| convict \| forest \| fugitive \| hiding \| injury \| leading man \| love interest \| police \| searching \| tense
Deep Valley (1947)	Law	1:39:28 - Barry crawls on the ground	climax \| convict \| forest \| fugitive \| hiding \| injury \| leading man \| love interest \| police \| searching \| tense
Deep Valley (1947)	Barry (Dark 2)	1:39:35 - Barry hides	climax \| convict \| forest \| fugitive \| hiding \| injury \| leading man \| love interest \| mysterious \| police \| tense
Deep Valley (1947)	Underscoring (Dramatic)	1:40:00 - Barry hides	climax \| convict \| forest \| fugitive \| hiding \| injury \| leading man \| love interest \| mysterious \| police \| searching \| tense
Deep Valley (1947)	Law (Misterioso)	1:40:10 - Barry hides	climax \| convict \| forest \| fugitive \| hiding \| injury \| leading man \| love interest \| mysterious \| searching \| tense
Deep Valley (1947)	Barry (Misterioso 2)	1:40:17 - Barry runs	climax \| convict \| forest \| fugitive \| hiding \| injury \| leading man \| love interest \| somber \| stumbling \| tense
Deep Valley (1947)	Barry (Triste)	1:40:30 - Barry at the creek	climax \| convict \| forest \| fugitive \| hiding \| injury \| leading man \| love interest \| somber
Deep Valley (1947)	Molto Expressivo	1:40:35 - Barry at the creek	climax \| convict \| forest \| fugitive \| hiding \| injury \| leading man \| love interest \| somber
Deep Valley (1947)	Sunrise	1:40:46 - The sun rises	climax \| convict \| dramatic \| forest \| fugitive \| hiding \| injury \| leading man \| love interest \| sunrise effect
Deep Valley (1947)	Barry (Dolce)	1:41:24 - Libby finds Barry	convict \| death scene \| finding \| forest \| fugitive \| gentle \| leading lady \| leading man \| love interest \| resolution \| searching
Deep Valley (1947)	Deep Valley (Delicato 2)	1:41:39 - Libby goes to Barry	comforting \| convict \| crying \| death scene \| delicate \| dying \| forest \| fugitive \| gentle \| leading lady \| leading man \| love interest \| resolution \| reuniting \| tender
Deep Valley (1947)	Deep Valley (Dying)	1:42:30 - Barry talks to Libby	comforting \| convict \| crying \| death scene \| delicate \| dying \| forest \| fugitive \| gentle \| leading lady \| leading man \| love interest \| resolution \| reuniting \| tender
Deep Valley (1947)	Passing away	1:43:19 - Barry dies	convict \| death \| death scene \| delicate \| dying \| forest \| fugitive \| gentle \| leading lady \| leading man \| love interest \| mickey-mousing \| resolution \| tender
Deep Valley (1947)	Breeze	1:43:22 - Libby looks at Barry	convict \| crying \| death \| death scene \| ethereal \| forest \| fugitive \| leading lady \| leading man \| love interest \| magical \| resolution \| wind effect
Deep Valley (1947)	Breeze + Love Theme	1:43:32 - Libby embraces Barry	combination of themes \| convict \| crying \| death \| death scene \| ethereal \| forest \| fugitive \| leading lady \| leading man \| love interest \| magical \| resolution \| wind effect
Deep Valley (1947)	Libby 3 + Law	1:44:32 - Jeff talks to Libby	calm \| combination of themes \| conversing \| dog \| forest \| leading lady \| leading man \| peaceful \| resolution
Deep Valley (1947)	Deep Valley (Appassionato)	1:44:57 - Libby looks off into the distance	dog \| forest \| leading lady \| leading man \| passionate \| resolution \| watching
Deep Valley (1947)	Deep Valley (Sostenuto)	1:45:05 - Jeff and Libby on the cliffside	dog \| forest \| leading lady \| leading man \| passionate \| resolution \| walking
Dust Be My Destiny (1939)	Mysterioso	0:02:00 - Warden talks to Joe	conversing \| drone \| establish character \| leading man \| mysterious \| parallelism \| polytonality \| prison \| prisoner \| warden
Dust Be My Destiny (1939)	Dust Be My Destiny (Injustice)	0:02:29 - Joe reacts to the warden	9th chord \| 64 chord \| agitated \| chromatic parallelism \| conversing \| dramatic \| establish character \| injustice \| leading man \| prison \| prisoner \| warden
Dust Be My Destiny (1939)	Marching	0:10:10 - Inmates marching	establish location \| leading man \| march \| marching \| parallelism \| pedal tone \| prison \| prisoner \| somber
Dust Be My Destiny (1939)	Charlie	0:10:58 - Charlie talks to inmates	conversing \| dark \| drunk \| establish character \| leading man \| polychord \| prison \| prisoner \| warden
Dust Be My Destiny (1939)	Hiccough	0:11:35 - Charlie hiccups	comical \| drunk \| establish character \| hiccuping \| leading man \| mickey-mousing \| prison \| prisoner \| warden
Dust Be My Destiny (1939)	Cow	0:11:39 - Man calls Charlie a cow	comical \| cow \| drunk \| establish character \| leading man \| mickey-mousing \| mooing \| prison \| prisoner \| stinger \| warden
Dust Be My Destiny (1939)	Charlie (Extended)	0:11:41 - Charlie talks to inmates	chromatic parallelism \| dark \| drunk \| establish character \| leading man \| prison \| prisoner \| sequence \| slapping \| stinger \| warden
Dust Be My Destiny (1939)	Comedy fall	0:13:08 - Joe falls over while milking the cow	barn \| chromatic parallelism \| chromatic scale \| comical \| falling \| leading lady \| leading man \| lovers meet \| mickey-mousing \| prisoner
Dust Be My Destiny (1939)	Underscoring (Humorous)	0:13:13 - Joe talks to the cow	barn \| chromatic parallelism \| comical \| conversing \| cow \| diminished triad \| dissonant bass \| leading man \| lovers meet \| prisoner \| underscoring
Dust Be My Destiny (1939)	Dust Be My Destiny (Playful)	0:13:38 - Mabel talks to Joe	barn \| comical \| common-tone diminished 7th \| cow \| laughing \| leading lady \| leading man \| lovers meet \| playful \| prisoner \| romantic
Dust Be My Destiny (1939)	Joe fights cow	0:13:56 - Joe fights cow (off-screen)	augmented triad \| barn \| chromatic parallelism \| chromatic scale \| comical \| cow \| diminished 7th chord \| fighting \| leading lady \| leading man \| lovers meet \| mickey-mousing \| prisoner
Dust Be My Destiny (1939)	Dust Be My Destiny (Laughing)	0:14:07 - Mabel laughs at Joe	barn \| chromatic parallelism \| comical \| diminished 7th chord \| laughing \| leading lady \| leading man \| lovers meet \| prisoner
Dust Be My Destiny (1939)	Laughing	0:14:10 - Mabel laughs at Joe	barn \| chromatic parallelism \| comical \| diminished 7th chord \| laughing \| leading lady \| leading man \| lovers meet \| mickey-mousing \| prisoner
Dust Be My Destiny (1939)	Dust Be My Destiny (Agitated)	0:14:22 - Joe argues with Mabel	agitated \| arguing \| barn \| fragmentation \| leading lady \| leading man \| lovers meet \| prisoner \| sequence
Dust Be My Destiny (1939)	Underscoring (Tense)	0:14:40 - Charlie enters	barn \| leading lady \| leading man \| lovers meet \| prisoner \| stinger \| tense \| underscoring \| villain \| warden
Dust Be My Destiny (1939)	Dust Be My Destiny (Tense)	0:14:53 - Joe talks to Charlie	barn \| dark \| dissonant \| leading lady \| leading man \| lovers meet \| prisoner \| tense \| tritone \| villain \| warden
Dust Be My Destiny (1939)	Train whistle	0:17:18 - A distant train whistle sounds	advance plot \| dissonant \| leading man \| mickey-mousing \| pc set \| prison \| train whistle
Dust Be My Destiny (1939)	Escape Plan	0:17:23 - Joe talks with the boys	advance plot \| leading man \| pc set \| prison \| quotation \| sincere
Dust Be My Destiny (1939)	Dust Be My Destiny (Expectant)	0:18:08 - Mabel leaves	advance plot \| expectant \| gentle \| guard \| hopeful \| leading lady \| leading man \| pedal tone \| prison \| prisoner \| sweet
Dust Be My Destiny (1939)	Dust Be My Destiny (Denied)	0:18:23 - Mabel talks to Joe	conflict \| deceptive resolution \| denial \| expectant \| gentle \| guard \| hopeful \| leading lady \| leading man \| prison \| prisoner \| stinger \| sweet
Dust Be My Destiny (1939)	Underscoring (Romantic)	0:21:46 - Mabel talks with Joe	barn \| leading lady \| leading man \| love scene \| pedal tone \| romantic \| underscoring
Dust Be My Destiny (1939)	Dust Be My Destiny (In Love)	0:22:04 - Mabel and Joe talk	9th chord \| added-note chord \| barn \| common-tone diminished 7th \| leading lady \| leading man \| love scene \| mode mixture \| romantic \| secondary dominant
Dust Be My Destiny (1939)	Dust Be My Destiny (Pensive)	0:23:08 - Joe tells Mabel about his dreams	11th chord \| barn \| chromatic mediant \| dreaming \| foreign key modulation \| leading lady \| leading man \| love scene \| mode mixture \| pensive
Dust Be My Destiny (1939)	Dust Be My Destiny (Expressivo)	0:23:38 - Joe and Mabel talk	9th chord \| added-note chord \| augmented sixth chord \| barn \| common-tone diminished 7th \| leading lady \| leading man \| love scene \| mode mixture \| romantic \| secondary dominant \| sequence
Dust Be My Destiny (1939)	Dust Be My Destiny (Ethereal)	0:24:50 - Joe tells Mabel he loves her	barn \| common-tone diminished 7th \| deceptive resolution \| inversion \| kissing \| leading lady \| leading man \| love scene \| romantic
Dust Be My Destiny (1939)	Underscoring (Dark)	0:25:03 - Charlie interrupts the lovers	barn \| chromatic scale \| conflict \| dark \| diminished 7th chord \| hexatonic scale \| leading lady \| leading man \| underscoring \| villain \| warden
Dust Be My Destiny (1939)	Underscoring (Dramatic)	0:25:23 - Charlie grabs Mabel's arm	barn \| chromatic scale \| conflict \| diminished 7th chord \| dramatic \| leading lady \| leading man \| underscoring \| villain \| warden
Dust Be My Destiny (1939)	Dust Be My Destiny (Fight)	0:25:41 - Charlie and Joe fight	42 chord \| barn \| chromatic parallelism \| chromatic scale \| chromatic wedge \| conflict \| dramatic \| fighting \| leading lady \| leading man \| linear chromaticism \| mickey-mousing \| octatonic scale \| punching \| villain \| warden \| whole-tone scale
Dust Be My Destiny (1939)	Dust Be My Destiny (Running Away)	0:25:55 - Joe and Mabel run	64 chord \| barn \| conflict \| diminution \| dramatic \| leading lady \| leading man \| running \| sequence
Dust Be My Destiny (1939)	Running	0:26:05 - Joe and Mabel run	9th chord \| barn \| conflict \| dramatic \| leading lady \| leading man \| mickey-mousing \| octatonic \| running
Dust Be My Destiny (1939)	Turning around	0:26:13 - Joe and Mabel turn around	64 chord \| barn \| death \| dramatic \| leading lady \| leading man \| mickey-mousing \| prisoner \| turning
Dust Be My Destiny (1939)	Dust Be My Destiny (Fateful Decision)	0:26:17 - Joe and Mabel decide to run away together	barn \| confused \| deceptive resolution \| fragmentation \| hopeful \| leading lady \| leading man \| mode mixture \| runaway \| turning point
Dust Be My Destiny (1939)	Running away	0:26:45 - Joe and Mabel run away	barn \| conflict \| diminished 7th chord \| dramatic \| leading lady \| leading man \| mickey-mousing \| pedal tone \| runaway \| running
Dust Be My Destiny (1939)	Arriving	0:26:52 - Joe and Mabel settle into their new situation	9th chord \| arriving \| calm \| dramatic \| freedom \| leading lady \| leading man \| runaway \| settling down \| street \| traveling \| traveling scene \| truck
Dust Be My Destiny (1939)	Dust Be My Destiny (In Love)	0:27:22 - Joe and Mabel talk	9th chord \| added-note chord \| advance plot \| common-tone diminished 7th \| freedom \| gentle \| leading lady \| leading man \| mode mixture \| runaway \| secondary dominant \| street \| walking
Dust Be My Destiny (1939)	Dust Be My Destiny (Milkman)	0:27:38 - Joe and Mabel talk to the milkman	advance plot \| comical \| glass \| leading lady \| leading man \| milk \| milkman \| pizzicato \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (A Hotel)	0:28:47 - Joe mentions going to a hotel	advance plot \| altered dominant \| concerned \| leading lady \| leading man \| street
Dust Be My Destiny (1939)	Here Comes the Bride (Modulating)	0:29:02 - Joe and Mabel run to the courthouse	added-note chord \| deceptive resolution \| excited \| familiar tune \| foreign key modulation \| fragmentation \| leading lady \| leading man \| love scene \| marriage \| pump-up modulation \| romance \| romantic \| running \| sequence \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Waiting)	0:29:38 - Joe and Mabel talk about getting married	added-note chord \| augmented sixth chord \| chromatic mediant \| common-tone diminished 7th \| foreign key modulation \| leading lady \| leading man \| love scene \| romantic \| street \| waiting
Dust Be My Destiny (1939)	Dust Be My Destiny (Running Up and Down)	0:30:12 - Man runs up the courthouse steps	64 chord \| chromatic parallelism \| chromatic scale \| courthouse \| down \| frantic \| leading lady \| leading man \| love scene \| mickey-mousing \| mode mixture \| producer \| running \| stairs \| street \| up
Dust Be My Destiny (1939)	Here Comes the Bride (Triple)	0:30:31 - Man talks to Joe and Mabel	9th chord \| 64 chord \| chromatic parallelism \| courthouse \| familiar tune \| leading lady \| leading man \| love scene \| marriage \| producer \| pump-up modulation \| romantic \| sequence \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Got Each Other)	0:30:49 - Mabel proclaims her love for Joe	courthouse \| leading lady \| leading man \| love scene \| producer \| romantic \| street
Dust Be My Destiny (1939)	Fairy Music	0:30:58 - Man takes their luggage	64 chord \| courthouse \| happy \| leading lady \| leading man \| love scene \| producer \| pump-up modulation \| romantic \| street
Dust Be My Destiny (1939)	Here Comes the Bride	0:31:19 - Crowd sings and claps at a wedding	crowd \| happy \| leading lady \| leading man \| marriage \| on-screen music \| source music \| theater \| wedding
Dust Be My Destiny (1939)	Here Comes the Bride	0:32:48 - Joe kisses Mabel	crowd \| happy \| leading lady \| leading man \| marriage \| on-screen music \| pianist \| source music \| theater \| wedding
Dust Be My Destiny (1939)	In a Moment of Weakness	0:33:37 - Mabel looks at her wedding ring	develop character \| happy \| leading lady \| leading man \| radio \| source music \| theater
Dust Be My Destiny (1939)	Radio Fanfare	0:34:20 - Mabel talks to Joe	chromatic mediant \| develop character \| happy \| leading lady \| leading man \| radio \| source music \| theater
Dust Be My Destiny (1939)	Fleeing	0:34:56 - Joe and Mabel flee	alley \| chromatic scale \| danger \| down \| escape \| fearful \| fleeing \| leading lady \| leading man \| linear chromaticism \| mickey-mousing \| police \| runaway \| running \| street \| suspenseful
Dust Be My Destiny (1939)	Agitato Risoluto	0:35:11 - Joe and Mabel hide under the stairs	agitated \| alley \| chromatic parallelism \| concerned \| danger \| escape \| hiding \| leading lady \| leading man \| pedal tone \| runaway \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Injustice)	0:35:25 - Joe and Mabel talk in the alley	9th chord \| alley \| chromatic parallelism \| escape \| fearful \| leading lady \| leading man \| runaway \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Fear and Devotion)	0:35:50 - Joe and Mabel decide to stick together	alley \| common-tone diminished 7th \| devotion \| dramatic \| escape \| fear \| fragmentation \| leading lady \| leading man \| love \| mode mixture \| obsessive \| runaway \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Travel Montage)	0:36:28 - A speeding train	added-note chord \| foreign key modulation \| frantic \| hitch-hiking \| leading lady \| leading man \| linear chromaticism \| map \| montage \| pc set \| runaway \| sign \| train \| train \| train whistle \| traveling \| traveling scene \| truck \| walking
Dust Be My Destiny (1939)	Dust Be My Destiny (Wandering)	0:37:16 - Joe and Mabel walk down the road	car \| car horn \| diminished 7th chord \| leading lady \| leading man \| montage \| oscillation \| runaway \| street \| tired \| traveling scene \| walking
Dust Be My Destiny (1939)	Dust Be My Destiny (Weary)	0:37:38 - They rest by the side of the road	chromatic parallelism \| conflict \| leading lady \| leading man \| resting \| runaway \| street \| tired
Dust Be My Destiny (1939)	Underscoring (Dramatic)	0:38:00 - Joe and Mabel argue	9th chord \| arguing \| conflict \| dissonant bass \| dramatic \| leading lady \| leading man \| runaway \| street \| underscoring
Dust Be My Destiny (1939)	Dust Be My Destiny	0:38:38 - Joe and Mabel part	common-tone diminished 7th \| conflict \| leading lady \| leading man \| leaving \| runaway \| somber \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Parting Ways)	0:38:56 - Joe and Mabel part	altered dominant \| common-tone diminished 7th \| conflict \| dark \| leading lady \| leading man \| leaving \| mode mixture \| pedal tone \| runaway \| somber \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Running)	0:39:33 - Mabel runs across the street	conflict \| leading lady \| leading man \| mickey-mousing \| runaway \| running \| somber \| street \| truck
Dust Be My Destiny (1939)	Dust Be My Destiny (Regret)	0:39:53 - Joe walks away sadly	conflict \| dark \| leading lady \| leading man \| parallelism \| pedal tone \| runaway \| somber \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Reunited)	0:40:03 - Joe runs to Mabel	64 chord \| altered dominant \| foreign key modulation \| joyful \| leading lady \| leading man \| mickey-mousing \| pump-up modulation \| resolution \| runaway \| running \| street
Dust Be My Destiny (1939)	The Poster	0:40:39 - Joe and Mabel see a sign for the train	chromatic sequence \| comedy \| comical \| laughing \| leading lady \| leading man \| runaway \| sign \| street
Dust Be My Destiny (1939)	My Wild Irish Rose	0:40:51 - Joe and Mabel in Nick's Diner	accompanied source music \| altered dominant \| common-chord modulation \| diner \| establish character \| familiar tune \| friend \| happy \| leading lady \| leading man \| mode mixture \| parallel double period \| popular song \| radio \| shopkeeper \| singing \| source music \| ternary form
Dust Be My Destiny (1939)	Dust Be My Destiny (Irish Rose)	0:42:25 - They go to work in the kitchen	diner \| establish character \| friend \| happy \| leading lady \| leading man \| score to source \| shopkeeper
Dust Be My Destiny (1939)	Dust Be My Destiny (Delicatessen)	0:43:38 - Mabel and Nick talk	common-tone diminished 7th \| develop character \| diner \| friend \| gentle \| leading lady \| leading man \| secondary dominant \| shopkeeper
Dust Be My Destiny (1939)	Dust Be My Destiny (In Love)	0:43:51 - Mabel and Nick talk	9th chord \| develop character \| diner \| friend \| gentle \| leading lady \| leading man \| shopkeeper
Dust Be My Destiny (1939)	Dust Be My Destiny (Delicatessen)	0:44:01 - Mabel and Nick talk	common-tone diminished 7th \| develop character \| diner \| friend \| gentle \| leading lady \| leading man \| secondary dominant \| shopkeeper
Dust Be My Destiny (1939)	My Wild Irish Rose (Waltz)	0:44:17 - Mabel and Nick talk	develop character \| diner \| familiar tune \| friend \| gentle \| leading lady \| leading man \| on-screen music \| pedal tone \| popular song \| shopkeeper \| singing \| source music
Dust Be My Destiny (1939)	Dust Be My Destiny (Calm)	0:44:32 - Mabel and Nick talk	added-note chord \| altered dominant \| develop character \| diner \| friend \| gentle \| leading lady \| leading man \| shopkeeper
Dust Be My Destiny (1939)	Whistling	0:45:44 - Joe whistles as he walks	64 chord \| cheerful \| chromatic mediant \| deceptive resolution \| foreign key modulation \| leading man \| on-screen music \| scored source music \| source music \| street \| traveling scene \| whistling
Dust Be My Destiny (1939)	Whistling (Suspenseful)	0:46:25 - Mabel looks out the window	anxious \| cheerful \| concerned \| create suspense \| harmonic sequence \| leading lady \| leading man \| on-screen music \| police \| polytonality \| room \| scored source music \| source music \| whistling
Dust Be My Destiny (1939)	Underscoring (Dramatic)	0:46:42 - Mabel yells to Joe	chromatic scale \| create suspense \| diminished 7th chord \| dissonant bass \| dramatic \| escaping \| gun \| gunshot \| leading lady \| leading man \| police \| room \| runaway \| running \| street \| underscoring \| yelling
Dust Be My Destiny (1939)	Joe runs and falls	0:46:50 - Joe runs and falls	chromatic scale \| create suspense \| diminished 7th chord \| dissonant bass \| dramatic \| falling \| leading lady \| leading man \| mickey-mousing \| police \| runaway \| running \| stinger \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Hiding)	0:47:35 - Nick talks with Joe	42 chord \| advance plot \| anxious \| diminished 7th chord \| diner \| fragmentation \| friend \| hiding \| leading man \| money \| runaway \| shopkeeper \| suspense
Dust Be My Destiny (1939)	Underscoring (Tense)	0:47:58 - Joe walks to the jail	64 chord \| friend \| jail \| jail break \| leading man \| runaway \| shopkeeper \| tense \| underscoring \| walking
Dust Be My Destiny (1939)	Dust Be My Destiny (Sordini)	0:48:21 - Joe talks to the jailer	chromatic parallelism \| jail \| jail break \| leading man \| major triad \| mysterious \| pedal tone \| tense \| warden
Dust Be My Destiny (1939)	Underscoring (Tense)	0:48:34 - Joe talks to the jailer	jail \| jail break \| leading man \| pedal tone \| tense \| underscoring \| warden
Dust Be My Destiny (1939)	Dust Be My Destiny (Trickery)	0:48:45 - Joe talks to the jailer	distortion \| friend \| half-diminished 7th chord \| jail \| jail break \| leading man \| parallelism \| passerby \| shopkeeper \| tense \| warden
Dust Be My Destiny (1939)	Underscoring (Tense)	0:49:05 - Joe enters the jail	64 chord \| jail \| jail break \| leading man \| tense \| underscoring \| warden
Dust Be My Destiny (1939)	Dust Be My Destiny (Jail Break)	0:49:16 - Mabel looks up and sees Joe	chromatic wedge \| dissonant bass \| jail \| jail break \| leading lady \| leading man \| linear chromaticism \| tense \| warden
Dust Be My Destiny (1939)	Dust Be My Destiny (Stick Up)	0:50:12 - Joe pulls out a gun	gun \| half-diminished 7th chord \| jail \| jail break \| leading lady \| leading man \| tense \| warden
Dust Be My Destiny (1939)	Dust Be My Destiny (The Escape)	0:50:26 - Joe and Mabel leave the jail	64 chord \| chromatic parallelism \| dark \| escaping \| foreign key modulation \| friend \| hopeful \| jail \| jail break \| leading lady \| leading man \| shopkeeper
Dust Be My Destiny (1939)	Dust Be My Destiny (Grandioso)	0:50:50 - Joe and Mabel outside	42 chord \| 64 chord \| deceptive resolution \| escaping \| friend \| heroic \| jail break \| leading lady \| leading man \| pedal tone \| shopkeeper \| street \| triumphant
Dust Be My Destiny (1939)	Stinger	0:51:01 - They see approaching headlights	42 chord \| danger \| friend \| jail break \| leading lady \| leading man \| ominous \| shopkeeper \| siren \| stinger \| street
Dust Be My Destiny (1939)	Speeding car	0:51:08 - The car speeds off	car \| chromatic scale \| diminished 7th chord \| dramatic \| escape \| friend \| leading lady \| leading man \| mickey-mousing \| shopkeeper \| street \| traveling
Dust Be My Destiny (1939)	Dust Be My Destiny (Thankful)	0:51:24 - Joe, Mabel, and Nick talk in the car	augmented sixth chord \| escape \| friend \| leading lady \| leading man \| shopkeeper \| thankful \| train station
Dust Be My Destiny (1939)	My Wild Irish Rose (Goodbye)	0:51:35 - Joe and Mabel say goodbye to Nick	9th chord \| escape \| familiar tune \| foreign key modulation \| friend \| leading lady \| leading man \| linear chromaticism \| mode mixture \| popular song \| shopkeeper \| tender \| train station
Dust Be My Destiny (1939)	My Wild Irish Rose (Grandioso)	0:52:06 - Joe and Mabel leave on a train	9th chord \| 64 chord \| calm \| escape \| familiar tune \| friend \| leading lady \| leading man \| popular song \| shopkeeper \| sweet \| tender \| train station \| triumphant
Dust Be My Destiny (1939)	Dust Be My Destiny (Radio)	0:52:28 - Mabel in an apartment	conflict \| leading lady \| leading man \| popular song \| radio \| room \| score to source \| somber \| source music
Dust Be My Destiny (1939)	Dust Be My Destiny (Arguing)	0:55:00 - Mabel confronts Joe	agitated \| arguing \| conflict \| dark \| leading lady \| leading man \| parallelism \| pc set \| pleading \| room
Dust Be My Destiny (1939)	Patrol	0:55:50 - Cop checks on a shop	clock \| crime scene \| criminal \| leading man \| police \| shopkeeper \| street \| tense
Dust Be My Destiny (1939)	Dust Be My Destiny (Sehr Ominous)	0:56:14 - Joe walks towards the shop	9th chord \| chromatic parallelism \| crime scene \| criminal \| leading man \| mysterious \| sequence \| shop \| shopkeeper \| street \| walking
Dust Be My Destiny (1939)	Cantor	0:56:34 - Joe talks to a Jewish shopkeeper	9th chord \| crime scene \| criminal \| Gypsy minor scale \| Jewish \| kind \| leading man \| shop \| shopkeeper
Dust Be My Destiny (1939)	Dust Be My Destiny (Transformation)	0:57:38 - Joe comes back to the apartment	dissonant bass \| foreign key modulation \| leading lady \| leading man \| linear chromaticism \| love scene \| mysterious \| room \| triumphant
Dust Be My Destiny (1939)	Dust Be My Destiny (Reunited)	0:58:04 - Joe embraces Mabel	9th chord \| 64 chord \| added-note chord \| embracing \| foreign key modulation \| leading lady \| leading man \| love scene \| romantic \| room \| triumphant
Dust Be My Destiny (1939)	Underscoring (Dramatic)	0:59:15 - A bank alarm sounds	42 chord \| 64 chord \| action scene \| bank \| chromatic parallelism \| chromatic scale \| chromatic wedge \| crowd \| dramatic \| leading man \| photographer \| robbery \| shopkeeper \| street \| tone cluster \| underscoring
Dust Be My Destiny (1939)	Alarm	0:59:15 - Alarm sounds	action scene \| alarm \| bank \| crowd \| dramatic \| leading man \| mickey-mousing \| photographer \| robbery \| shopkeeper \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Heroic)	0:59:42 - Joe takes pictures of the robbery	42 chord \| action scene \| bank \| chromatic scale \| criminal \| crowd \| dramatic \| fragmentation \| gangster \| leading man \| photographer \| retrograde \| shopkeeper \| street
Dust Be My Destiny (1939)	Underscoring (Dramatic)	0:59:53 - Police arrive at the scene	64 chord \| action scene \| bank \| chromatic scale \| crowd \| dramatic \| leading man \| police \| street \| underscoring
Dust Be My Destiny (1939)	Buzzing	1:01:05 - Men working in the dark room	64 chord \| action scene \| added-note chord \| buzzy \| chromatic parallelism \| dark room \| enharmonic modulation \| exciting \| foreign key modulation \| leading man \| mode mixture \| Neapolitan \| newspaper \| newspaper editor \| parallelism \| photographer \| photography \| pump-up modulation \| Rimsky-Korsakov \| working
Dust Be My Destiny (1939)	Dust Be My Destiny (Mysterioso)	1:05:26 - Joe talks to Mike	advance plot \| chromatic parallelism \| chromatic sequence \| dark \| leading man \| linear chromaticism \| newspaper editor \| office \| ominous \| somber
Dust Be My Destiny (1939)	Dust Be My Destiny (Relief)	1:06:54 - Mike talks with Joe	advance plot \| hopeful \| leading man \| mode mixture \| newspaper editor \| office \| relieved
Dust Be My Destiny (1939)	Dust Be My Destiny (Dolceeessimo)	1:08:53 - Joe and Mabel talk	advance plot \| chromatic mediant \| foreign key modulation \| hopeful \| intervallic expansion \| leading lady \| leading man \| peaceful \| room
Dust Be My Destiny (1939)	Underscoring (Dramatic)	1:10:32 - Joe runs after the car	augmented triad \| chromatic parallelism \| chromatic scale \| conflict \| dramatic \| gangster \| half-diminished 7th chord \| hero \| leading man \| mickey-mousing \| newspaper editor \| running \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Brave)	1:10:38 - Joe jumps onto the car	action scene \| augmented triad \| car \| chromatic parallelism \| dramatic \| fighting \| gangster \| hero \| leading man \| newspaper editor \| street \| whole-tone chord
Dust Be My Destiny (1939)	Dust Be My Destiny (Heroic)	1:10:32 - Joe heroically wrestles away the steering wheel	action scene \| chromatic scale \| dramatic \| fighting \| fragmentation \| gangster \| hero \| leading man \| newspaper editor \| retrograde \| street
Dust Be My Destiny (1939)	Car crash	1:10:55 - Gangsters crash the car	action scene \| car \| chromatic scale \| crashing \| dramatic \| gangster \| hero \| leading man \| mickey-mousing \| newspaper editor \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Reunited)	1:11:25 - Mabel embraces Joe after she meets him	64 chord \| advance plot \| doctor \| embracing \| happy \| hero \| hospital \| leading lady \| leading man \| nurse
Dust Be My Destiny (1939)	Dust Be My Destiny (Simply)	1:11:50 - Mabel and Joe talk	advance plot \| doctor \| hero \| hospital \| leading lady \| leading man \| nurse \| peaceful
Dust Be My Destiny (1939)	Dust Be My Destiny (Leaving Hospital)	1:11:57 - Mabel and Joe start to leave	11th chord \| advance plot \| hero \| hospital \| leading lady \| leading man \| peaceful \| pedal tone \| photographer \| reporter
Dust Be My Destiny (1939)	Dust Be My Destiny (Appassionato)	1:12:09 - Mabel and Joe hide from the reporters	conflict \| countermelody \| hero \| hiding \| hospital \| leading lady \| leading man \| passionate \| underscoring
Dust Be My Destiny (1939)	Dust Be My Destiny (Cornered)	1:12:21 - Mabel and Joe decide what to do	9th chord \| conflict \| hero \| hospital \| inversion \| leading lady \| leading man \| pedal tone \| tense
Dust Be My Destiny (1939)	Dust Be My Destiny (Hiding)	1:12:42 - Mabel talks with Joe about surrendering	42 chord \| conflict \| diminished 7th chord \| fragmentation \| hero \| hospital \| leading lady \| leading man \| tense
Dust Be My Destiny (1939)	Dust Be My Destiny (Disagreement)	1:12:59 - Mabel and Joe argue	bright \| conflict \| dark \| foreign key modulation \| hero \| hospital \| leading lady \| leading man
Dust Be My Destiny (1939)	Dust Be My Destiny (Appassionatissimo)	1:13:14 - Joe makes a run for it	chromatic parallelism \| chromatic scale \| climax \| conflict \| diminished 7th chord \| dissonant bass \| escaping \| hospital \| intervallic expansion \| leading lady \| leading man \| runaway \| sequence \| tense
Dust Be My Destiny (1939)	Dust Be My Destiny (Tragico)	1:13:35 - Mabel turns Joe in to the police	confession \| conflict \| dark \| hospital \| leading lady \| leading man \| parallelism \| pedal tone \| suspect \| tragic
Dust Be My Destiny (1939)	Dust Be My Destiny (Delicate)	1:22:18 - Mabel rises to testify for Joe	courtroom \| crowd \| delicate \| judge \| jury \| leading lady \| leading man \| sequence \| somber \| suspect \| trial
Dust Be My Destiny (1939)	Dust Be My Destiny (Religioso)	1:22:41 - Mabel testifies for Joe	11th chord \| chromatic parallelism \| common-tone diminished 7th \| courtroom \| crowd \| diminished 7th chord \| gentle \| judge \| jury \| leading lady \| leading man \| loving \| mode mixture \| parallel double period \| plagal cadence \| sincere \| suspect \| tender \| trial
Dust Be My Destiny (1939)	Dust Be My Destiny (Travel Montage)	1:26:04 - Train approaches the screen	added-note chord \| foreign key modulation \| happy \| leading lady \| leading man \| pc set \| resolution \| train \| train \| traveling
Dust Be My Destiny (1939)	Dust Be My Destiny (Train)	1:26:17 - Joe and Mabel on the train	11th chord \| added-note chord \| happy \| leading lady \| leading man \| resolution \| sequence \| train \| train \| traveling
Dust Be My Destiny (1939)	Dust Be My Destiny (Hanging Hats)	1:26:31 - Joe and Mabel toss their hats	11th chord \| chromatic mediant \| foreign key modulation \| happy \| hat \| hook \| leading lady \| leading man \| mickey-mousing \| resolution \| throwing \| train \| traveling \| whistle effect
Dust Be My Destiny (1939)	Dust Be My Destiny (The End)	1:26:45 - "The End"	closing credits \| end title sequence \| foreign key modulation \| happy \| leading lady \| leading man \| The End \| train \| traveling
Each Dawn I Die (1939)	Underscoring (Mysterious)	0:04:28 - Frank leaves the newspaper office	close-up \| conflict \| diminished 7th chord \| gangster \| hero \| leading man \| mysterious \| reading \| reporter \| street \| underscoring \| watching
Each Dawn I Die (1939)	Underscoring (Dramatic)	0:04:55 - Frank is pushed into a car	car \| chromatic scale \| conflict \| diminished 7th chord \| dissonant bass \| dramatic \| fragmentation \| gangster \| gun \| hero \| kidnapping \| leading man \| pushing \| reporter \| street \| underscoring \| violence
Each Dawn I Die (1939)	Underscoring (Dramatic)	0:05:24 - Frank is framed for drunk driving	9th chord \| attacking \| car \| conflict \| diminished 7th chord \| dramatic \| gangster \| hero \| leading man \| minor second \| murder \| pushing \| reporter \| setup \| street \| underscoring \| violence
Each Dawn I Die (1939)	Hits with bottle	0:05:26 - A bottle of alcohol is broken	9th chord \| bottle \| breaking \| conflict \| dramatic \| gangster \| hero \| leading man \| mickey-mousing \| reporter \| street \| violence
Each Dawn I Die (1939)	Car Crash	0:05:40 - Two cars crash	car \| car crash \| chromatic scale \| conflict \| crashing \| explosion \| frantic \| hero \| leading man \| metric dissonance \| minor second \| reporter \| street \| tone cluster
Each Dawn I Die (1939)	Confusion	0:05:43 - Frank sits confused in car after crash	accusing \| car \| car crash \| chromatic parallelism \| chromatic scale \| conflict \| confused \| crowd \| dissonant bass \| fire \| glass \| half-diminished 7th chord \| hero \| injury \| leading man \| reporter \| running \| street \| yelling
Each Dawn I Die (1939)	Underscoring (Dramatic)	0:06:06 - Crowd accuses Frank of murder	9th chord \| accusing \| car crash \| conflict \| crowd \| dissonant bass \| dramatic \| hero \| injury \| leading man \| linear chromaticism \| police \| reporter \| sequence \| shaking \| street \| underscoring \| yelling
Each Dawn I Die (1939)	Verdict	0:08:19 - The verdict is delivered	banging \| courtroom \| courtroom scene \| gavel \| hero \| judge \| justice \| lawyer \| leading man \| noble \| parallelism \| reporter \| verdict
Each Dawn I Die (1939)	Frank	0:08:23 - Frank and Joyce embrace	appoggiatura \| courtroom \| courtroom scene \| embracing \| girlfriend \| handcuffs \| hero \| leading man \| mother \| reporter \| reverse picardy \| tender
Each Dawn I Die (1939)	Calendar Pages	0:59:53 - Pages falling from a calendar	calendar \| chromatic parallelism \| diminished 7th chord \| falling \| leading man \| mickey-mousing \| montage \| montage \| mysterious \| prisoner \| sequence
Each Dawn I Die (1939)	Clock ticking	1:03:50 - Prisoners waiting	anxious \| clock \| leading man \| mickey-mousing \| montage \| montage \| polychord \| prisoner \| ticking \| waiting
Each Dawn I Die (1939)	Frank (Parole Denied)	1:07:58 - Frank's parole is denied	9th chord \| common-tone diminished 7th \| dark \| despair \| foreign key modulation \| half-diminished 7th chord \| hopeful \| leading man \| letter \| prison \| prisoner \| reading \| sigh gesture \| solemn \| turning point
Each Dawn I Die (1939)	Frank (Released)	1:28:49 - Frank is released	9th chord \| altered dominant \| artwork in score \| conclusion \| embracing \| friend \| gentle \| goodbye \| leading lady \| leading man \| Neapolitan \| passionate \| peaceful
Each Dawn I Die (1939)	Freedom	1:30:31 - Frank leaves the prison	artwork in score \| chromatic mediant \| conclusion \| dissonant bass \| freedom \| hopeful \| leading lady \| leading man \| optimistic \| peaceful \| The End \| walking
Flamingo Road (1949)	If I Could Be With You	0:07:53 - Field hears music playing	carny \| conversing \| establish character \| leading lady \| leading man \| on-screen music \| parallel period \| police \| radio \| room \| sentimental \| singer \| singing \| source music
Flamingo Road (1949)	Lane (Moderato Grazioso)	NIF - not in film	conversing \| cut from film \| cut from film \| leading lady \| leading man \| lovers meet \| picardy third \| police \| room
Flamingo Road (1949)	Underscoring (Lyrical)	NIF - not in film	9th chord \| altered dominant \| conversing \| cut from film \| cut from film \| leading lady \| leading man \| lovers meet \| police \| room \| underscoring
Flamingo Road (1949)	Lane (Poco Con Moto)	NIF - not in film	conversing \| cut from film \| cut from film \| deceptive resolution \| leading lady \| leading man \| lovers meet \| parallelism \| police \| room
Flamingo Road (1949)	Arabian Riff (Not in Film)	NIF - not in film	conversing \| cut from film \| cut from film \| deceptive resolution \| leading lady \| leading man \| lovers meet \| pedal tone \| police \| room \| source to score
Flamingo Road (1949)	Underscoring (Lyrical)	NIF - not in film	chromatic parallelism \| conversing \| cut from film \| cut from film \| leading lady \| leading man \| lovers meet \| police \| room \| underscoring
Flamingo Road (1949)	Lane	NIF - not in film	conversing \| cut from film \| cut from film \| leading lady \| leading man \| lovers meet \| mode mixture \| police \| room
Flamingo Road (1949)	If I Could Be With You (Timidly)	NIF - not in film	chromatic parallelism \| conversing \| cut from film \| cut from film \| leading lady \| leading man \| lovers meet \| police \| room \| source to score
Flamingo Road (1949)	If I Could Be With You (Lightly)	NIF - not in film	altered dominant \| common-tone diminished 7th \| cut from film \| cut from film \| flirting \| leading lady \| leading man \| lovers meet \| pedal tone \| police \| room
Flamingo Road (1949)	Lane (Not in Film)	NIF - not in film	conversing \| cut from film \| cut from film \| foreign key modulation \| leading lady \| leading man \| lovers meet \| mode mixture \| police \| room
Flamingo Road (1949)	Traveling	NIF - not in film	added-note chord \| chromatic mediant \| common-tone diminished 7th \| cut from film \| cut from film \| deceptive resolution \| leading lady \| leading man \| lovers meet \| pedal tone \| police \| room
Flamingo Road (1949)	Put 'Em in a Box, Tie 'Em with a Ribbon, and Throw 'Em in the Deep Blue Sea	0:12:05 - The Eagle Cafe	AABA structure \| advance plot \| conversing \| leading lady \| leading man \| police \| popular music \| restaurant \| source music \| upbeat
Flamingo Road (1949)	Can't We Be Friends	0:13:38 - Lane and Field at the cafe	AABA structure \| advance plot \| conversing \| leading lady \| leading man \| police \| popular music \| restaurant \| sentimental \| source music
Flamingo Road (1949)	Lane (Sentimentale)	NIF - not in film	9th chord \| chromatic parallelism \| conversing \| cut from film \| cut from film \| falling in love scene \| leading lady \| leading man \| police
Flamingo Road (1949)	Lane (Molto Expressivo)	NIF - not in film	11th chord \| conversing \| cut from film \| cut from film \| falling in love scene \| leading lady \| leading man \| police
Flamingo Road (1949)	If I Could Be With You (Dolce)	0:17:22 - Lane and Field talk	conversing \| falling in love scene \| leading lady \| leading man \| love interest \| pedal tone \| police \| porch \| sentimental \| source to score
Flamingo Road (1949)	Goodnight	0:17:45 - Lane and Field talk	blue note \| conversing \| falling in love scene \| leading lady \| leading man \| love interest \| peaceful \| pedal tone \| police \| porch
Flamingo Road (1949)	Lane (Dolce)	0:17:58 - Lane flirts with Field	falling in love scene \| flirting \| leading lady \| leading man \| love interest \| pedal tone \| playful \| police \| porch \| sweet
Flamingo Road (1949)	If I Could Be With You (Ethereal)	0:18:06 - Lane watches Field drive away	common-tone diminished 7th \| falling in love scene \| leading lady \| leading man \| leaving \| love interest \| pedal tone \| police \| porch \| sentimental \| source to score
Flamingo Road (1949)	Cheatin' on Me	0:19:12 - Lane works at the café	AABA structure \| advance plot \| café \| leading lady \| leading man \| leaving \| police \| source music \| upbeat \| waitress \| working
Flamingo Road (1949)	South American Way	0:22:08 - Field and Titus arrive at Lute Mae's Tavern	advance plot \| club \| dancer \| dancing \| gambling \| leading man \| musician \| on-screen music \| playing \| police \| politician \| sheriff \| source music \| upbeat \| waitress
Flamingo Road (1949)	It Had to Be You	0:23:44 - Politicians gamble and talk	ABAC structure \| advance plot \| club \| gambling \| leading man \| police \| politician \| sentimental \| sheriff \| source music \| waitress
Flamingo Road (1949)	Somebody Loves Me	0:25:19 - Politicians plot	AABA structure \| advance plot \| club \| leading man \| plotting \| police \| politician \| sentimental \| sheriff \| source music
Flamingo Road (1949)	If I Could Be With You	0:26:58 - People gamble and dance	club \| dancer \| dance scene \| dancing \| fighting \| gambling \| leading lady \| leading man \| musician \| on-screen music \| playing \| police \| sentimental \| sheriff \| singer \| singing \| source music
Flamingo Road (1949)	Driving	NIF - not in film	car \| cut from film \| driving \| foreign key modulation \| leading lady \| leading man \| love interest \| love scene
Flamingo Road (1949)	Tranquillo	0:29:07 - Lane and Field talk at the lakeside	appoggiatura \| conversing \| lake \| leading lady \| leading man \| love interest \| love scene \| romance \| yearning
Flamingo Road (1949)	If I Could Be With You (Tenderly)	0:29:32 - Lane and Field prepare to leave	11th chord \| 13th chord \| altered dominant \| common-tone diminished 7th \| kissing \| lake \| leading lady \| leading man \| love interest \| love scene \| romance \| romantic \| secondary dominant \| source to score
Flamingo Road (1949)	Lane (Ethereal)	0:30:02 - Lane and Field kiss in the moonlight	added-note chord \| augmentation \| kissing \| lake \| leading lady \| leading man \| love interest \| love scene \| pedal tone \| romance \| romantic
Flamingo Road (1949)	Titus 2 (Extended)	0:30:27 - Field overhears people talking about Titus	advance plot \| chromatic sequence \| dark \| leading man \| mysterious \| newspaper \| parallelism \| reading \| self-borrowing \| street \| townsfolk
Flamingo Road (1949)	Titus (Inverted)	0:33:27 - Field arrives at the café	arriving \| breakup \| café \| inversion \| leading man \| ominous \| self-borrowing \| sheriff \| telephone \| worker
Flamingo Road (1949)	Titus 2	0:33:41 - Field sits down	breakup \| café \| conversing \| dark \| leading lady \| leading man \| mysterious \| self-borrowing \| waitress
Flamingo Road (1949)	Titus (Dark)	0:33:56 - Field talks to Lane	breaking up \| breakup \| café \| dark \| leading lady \| leading man \| mysterious \| self-borrowing \| waitress
Flamingo Road (1949)	Titus 2 (Triste)	0:34:10 - Field tells Lane he is getting married	breaking up \| breakup \| café \| chromatic sequence \| dark \| leading lady \| leading man \| major 7th chord \| mysterious \| self-borrowing \| somber \| waitress
Flamingo Road (1949)	Underscoring (Tense)	0:34:30 - Lane responds to Field	breaking up \| breakup \| café \| leading lady \| leading man \| mysterious \| tense \| underscoring \| waitress
Flamingo Road (1949)	Titus 2 (Pete Lies)	0:40:11 - Field asks why Lane was fired	advance plot \| café \| conversing \| employer \| leading man \| mysterious \| politician \| self-borrowing
Flamingo Road (1949)	If I Could Be With You (Somber)	0:40:31 - Field talks to Lane's co-worker	9th chord \| 11th chord \| advance plot \| café \| common-tone diminished 7th \| conversing \| coworker \| deceptive resolution \| diminished 7th chord \| leading man \| linear chromaticism \| politician \| reverse picardy \| sigh gesture \| somber
Flamingo Road (1949)	Train	0:42:28 - A rushing train	dark \| dramatic \| fiancée \| leading man \| montage \| montage \| ostinato \| train \| train \| traveling
Flamingo Road (1949)	Train + Titus (Rising)	0:42:43 - Field and Annabelle in a train car	combination of themes \| dark \| dramatic \| fiancée \| leading man \| montage \| montage \| ostinato \| self-borrowing \| sequence \| train \| train \| traveling
Flamingo Road (1949)	Drinking whiskey	0:49:50 - Dan drinks	chromatic parallelism \| comical \| distressed \| drinking \| leading lady \| leading man \| love interest \| lovers meet \| mickey-mousing \| politician \| quintal chord \| room
Flamingo Road (1949)	Lane (Lento)	0:50:04 - Dan meets Lane	added-note chord \| conversing \| countermelody \| gentle \| graceful \| leading lady \| leading man \| love interest \| lovers meet \| politician \| room
Flamingo Road (1949)	Lane (Chromatic)	0:50:24 - Lane ties Dan's tie	9th chord \| chromatic parallelism \| conversing \| dark \| gentle \| leading lady \| leading man \| love interest \| lovers meet \| politician \| room
Flamingo Road (1949)	Titus 2 (Agitato)	0:50:41 - Lane ties Dan's tie	chromatic parallelism \| conversing \| leading lady \| leading man \| love interest \| lovers meet \| mysterious \| politician \| room \| self-borrowing
Flamingo Road (1949)	Indigestion	0:50:48 - Lane complains of a hangover	chromatic parallelism \| chromatic scale \| comical \| distressed \| grumbling \| leading lady \| leading man \| love interest \| lovers meet \| politician \| room
Flamingo Road (1949)	Lane	0:50:59 - Lane gives Dan his money	conversing \| delicate \| gentle \| leading lady \| leading man \| love interest \| lovers meet \| mode mixture \| pleasant \| politician \| room
Flamingo Road (1949)	If I Could Be With You (Misterioso)	0:51:15 - Lane asks Dan about Field	chromatic parallelism \| conversing \| diminished 7th chord \| leading lady \| leading man \| love interest \| lovers meet \| politician \| room \| uneasy
Flamingo Road (1949)	Molto Grazioso	0:51:40 - Dan notices Lane	conversing \| delicate \| flirting \| leading lady \| leading man \| love interest \| lovers meet \| politician \| room
Flamingo Road (1949)	Lute Mae (Quasi Blues)	0:51:46 - Dan flirts with Lane	13th chord \| added-note chord \| conversing \| countermelody \| flirting \| flirty \| leading lady \| leading man \| love interest \| lovers meet \| politician \| room \| self-borrowing \| sultry \| thematic transference
Flamingo Road (1949)	Slide whistle	0:53:00 - Dan surprises Lute Mae	comical \| employer \| leading lady \| leading man \| love interest \| mickey-mousing \| politician \| room \| surprising \| transition
Flamingo Road (1949)	Lute Mae (Driving)	0:53:02 - Lane drives Dan to the construction site	13th chord \| added-note chord \| arriving \| car \| car \| comical \| common-chord modulation \| driving \| leading lady \| leading man \| love interest \| politician \| rushed \| self-borrowing \| transition \| traveling
Flamingo Road (1949)	Lane (Bell-like)	0:54:43 - Lane gives Dan some change	fragmentation \| gentle \| giving \| leading lady \| leading man \| love interest \| love scene \| politician \| porch \| receiving \| sweet
Flamingo Road (1949)	Flamingo Road (Bluesy)	0:55:00 - Dan buys some cold drinks	9th chord \| altered dominant \| bluesy \| flirting \| foreshadowing \| leading lady \| leading man \| love interest \| love scene \| mode mixture \| parallelism \| politician \| porch \| self-borrowing
Flamingo Road (1949)	Flamingo Road (Romantic)	0:55:41 - Dan kisses Lane	embracing \| foreign key modulation \| foreshadowing \| kissing \| leading lady \| leading man \| love interest \| love scene \| mode mixture \| parallelism \| politician \| porch \| romantic \| self-borrowing
Flamingo Road (1949)	Through a Thousand Dreams	0:56:41 - The Olympic City hotel	club \| conversing \| dance scene \| dancing \| dining \| leading lady \| leading man \| love interest \| on-screen music \| politician \| sentimental \| sheriff \| source music \| wife
Flamingo Road (1949)	Don't Take Your Love From Me	0:58:50 - Dan and Lane sit at a table	ABAC structure \| club \| conversing \| dance scene \| leading lady \| leading man \| love interest \| on-screen music \| politician \| sentimental \| sheriff \| source music \| wife
Flamingo Road (1949)	If I Could Be With You	0:59:52 - A woman sings with the dance band	club \| conversing \| dance scene \| dancing \| dining \| leading lady \| leading man \| love interest \| on-screen music \| politician \| sentimental \| sheriff \| singer \| singing \| source music \| wife
Flamingo Road (1949)	I Guess I'll Have to Change My Plan	1:01:40 - Lane and Dan talk at their table	club \| conversing \| dance scene \| leading lady \| leading man \| love interest \| politician \| sentimental \| sheriff \| source music \| wife
Flamingo Road (1949)	Flamingo Road (Expressivo)	1:02:07 - The gate to 32 Flamingo Road	11th chord \| added-note chord \| arriving \| gentle \| husband \| leading man \| self-borrowing \| sign \| street \| transition
Flamingo Road (1949)	Lute Mae (Tenderly)	1:03:37 - Dan is grateful for Lane's gift to him	13th chord \| added-note chord \| advance plot \| comical \| common-chord modulation \| conversing \| embracing \| happy \| husband \| leading lady \| leading man \| maid \| room \| self-borrowing \| tender \| wife
Flamingo Road (1949)	Flamingo Road (Tenderly)	1:03:58 - Dan and Lane have tea	advance plot \| conversing \| gentle \| husband \| leading lady \| leading man \| mode mixture \| room \| self-borrowing \| serving \| tea \| wife
Flamingo Road (1949)	Flamingo Road (Tense)	1:04:16 - Titus enters the room	advance plot \| combination of themes \| conversing \| leading lady \| leading man \| politician \| room \| self-borrowing \| sheriff \| tense \| whole-tone scale
Flamingo Road (1949)	Flamingo Road (Misterioso)	1:04:33 - Titus talks to Dan	advance plot \| combination of themes \| conversing \| distortion \| fragmentation \| leading lady \| leading man \| mysterious \| politician \| room \| self-borrowing \| sequence \| sheriff
Flamingo Road (1949)	Titus	1:04:55 - Titus insults Lane	advance plot \| dark \| leading lady \| leading man \| ominous \| politician \| room \| self-borrowing \| sheriff \| threatening
Flamingo Road (1949)	Titus	1:06:35 - Titus leaves	advance plot \| dark \| leading man \| leaving \| ominous \| politician \| room \| self-borrowing \| sheriff
Flamingo Road (1949)	Titus 2 (Slowly)	1:06:43 - Dan talks to Lane about Titus	advance plot \| chromatic parallelism \| leading lady \| leading man \| lying \| room \| self-borrowing \| tense
Flamingo Road (1949)	Lute Mae (Tenderly)	1:07:55 - Dan kisses Lane	13th chord \| added-note chord \| bluesy \| husband \| kissing \| leading lady \| leading man \| love scene \| room \| self-borrowing \| tender \| wife
Flamingo Road (1949)	Titus (Tutti)	1:08:05 - Titus and Field arrive at the construction site	arriving \| dark \| dominant 7th chord \| half-diminished 7th chord \| leading man \| ominous \| politician \| self-borrowing \| sheriff \| street \| transition
Flamingo Road (1949)	Agitato (Angry)	1:09:25 - Titus leaves	advance plot \| agitated \| angry \| chromatic parallelism \| chromatic scale \| chromatic wedge \| leading man \| leaving \| politician \| polychord \| sheriff \| street \| tense
Flamingo Road (1949)	Titus + Titus 2	1:09:43 - Titus bullies Field	advance plot \| bullying \| chromatic parallelism \| combination of themes \| commanding \| dark \| leading man \| ominous \| ostinato \| politician \| self-borrowing \| sheriff \| street
Flamingo Road (1949)	Titus (Menacing)	1:09:59 - Titus and Field leave	advance plot \| bullying \| commanding \| dark \| leading man \| menacing \| ominous \| politician \| self-borrowing \| sheriff \| street
Flamingo Road (1949)	Underscoring (Tense)	1:11:26 - Field drinks	alcohol \| arriving \| bullying \| conflict \| dramatic \| drinking \| leading man \| linear chromaticism \| politician \| room \| sheriff \| underscoring
Flamingo Road (1949)	Titus (Ominous)	1:11:44 - Titus argues with Field	arguing \| bullying \| conflict \| drinking \| leading man \| mysterious \| politician \| room \| self-borrowing \| sheriff \| tense
Flamingo Road (1949)	Underscoring (Tense)	1:11:51 - Titus argues with Field	arguing \| bullying \| conflict \| drinking \| leading man \| politician \| room \| sheriff \| tense \| underscoring
Flamingo Road (1949)	The Sheriff	1:12:01 - Titus stands and walks	arguing \| bullying \| chromatic parallelism \| conflict \| dark \| leading man \| mickey-mousing \| ominous \| politician \| room \| self-borrowing \| sheriff \| standing
Flamingo Road (1949)	Throwing whiskey and glass	1:12:08 - Titus throws whiskey in Field's face	alcohol \| breaking \| bullying \| conflict \| dramatic \| glass \| leading man \| mickey-mousing \| politician \| room \| sheriff \| slamming \| splashing \| throwing \| tone cluster \| whole-tone scale
Flamingo Road (1949)	Titus (Violent)	1:12:11 - Titus and Field argue	arguing \| bullying \| conflict \| dark \| leading man \| ominous \| politician \| room \| self-borrowing \| sheriff \| violent
Flamingo Road (1949)	Underscoring (Dramatic)	1:12:17 - Titus grabs Field and pushes him	bullying \| conflict \| dramatic \| leading man \| politician \| pushing \| room \| sheriff \| throwing \| underscoring \| violent
Flamingo Road (1949)	Anger	1:12:20 - Titus and Field face off	angry \| arguing \| bullying \| chromatic parallelism \| chromatic wedge \| conflict \| leading man \| pc set \| politician \| room \| self-borrowing \| sheriff \| tense
Flamingo Road (1949)	Rising Anger	1:12:26 - Titus throws open the door	angry \| arguing \| bullying \| chromatic parallelism \| conflict \| diminished 7th chord \| leading man \| politician \| room \| self-borrowing \| sheriff
Flamingo Road (1949)	Underscoring (Dramatic)	1:12:32 - Titus throws Field out the door	augmented triad \| bullying \| chromatic parallelism \| conflict \| dark \| dramatic \| leading man \| politician \| polychord \| pushing \| room \| sheriff \| throwing \| underscoring
Flamingo Road (1949)	Breaking door	1:12:39 - Titus breaks the glass door	breaking \| bullying \| conflict \| door \| dramatic \| leading man \| mickey-mousing \| politician \| polychord \| room \| sheriff \| smashing \| window
Flamingo Road (1949)	Titus (Ostinato)	1:17:09 - Dan looks at some papers	brooding \| conflict \| dark \| hopeful \| husband \| leading lady \| leading man \| ominous \| politician \| room \| self-borrowing \| wife
Flamingo Road (1949)	Lane (Tragic)	1:18:10 - Lane talks to Dan about Titus	angry \| anxious \| conflict \| conversing \| husband \| leading lady \| leading man \| ostinato \| politician \| room \| tragic \| wife
Flamingo Road (1949)	If I Could Be With You (Tragic)	1:18:35 - Lane tells Dan about Field	confessing \| conflict \| diminished 7th chord \| husband \| leading lady \| leading man \| love \| politician \| room \| tragic \| wife
Flamingo Road (1949)	Flamingo Road (Agitato)	1:18:50 - Dan gets upset with Lane	9th chord \| accusing \| angry \| augmented sixth chord \| conflict \| fragmentation \| husband \| leading lady \| leading man \| politician \| quartal chord \| room \| self-borrowing \| wife
Flamingo Road (1949)	Appassionato	1:19:10 - Dan argues with Lane	arguing \| chromatic parallelism \| conflict \| diminished 7th chord \| harmonic sequence \| husband \| leading lady \| leading man \| passionate \| politician \| room \| wife \| yearning
Flamingo Road (1949)	Flamingo Road (Molto Expressivo)	1:19:32 - Dan leaves	conflict \| husband \| leading lady \| leading man \| leaving \| politician \| room \| self-borrowing \| tragic \| wife
Flamingo Road (1949)	Flamingo Road (Triste)	1:19:43 - Lane watches Dan leave	altered dominant \| conflict \| husband \| leading lady \| leading man \| politician \| room \| self-borrowing \| somber \| waiting \| wife
Flamingo Road (1949)	Somber Phone Call	1:19:54 - Dan calls Lane from the station	calling \| conflict \| half-diminished 7th chord \| husband \| leading lady \| leading man \| politician \| somber \| tone cluster \| train station \| wife
Flamingo Road (1949)	Titus (Triste 2)	1:20:10 - Dan and Lane talk on the phone	calling \| conflict \| husband \| leading lady \| leading man \| politician \| room \| somber \| train station \| wife
Flamingo Road (1949)	Lane (Descending the Staircase)	1:21:31 - Lane descends the stairs	advance plot \| delicate \| descending \| leading lady \| leading man \| love interest \| mickey-mousing \| mysterious \| parallelism \| room \| walking
Flamingo Road (1949)	If I Could Be With You (Triste)	1:22:18 - Field enters the house	death scene \| diminished 7th chord \| drunk \| drunk \| foreign key modulation \| leading lady \| leading man \| love interest \| room \| somber \| stumbling
Flamingo Road (1949)	Underscoring (Somber)	1:22:33 - Field stumbles through the house	chromatic parallelism \| conversing \| death scene \| drunk \| drunk \| leading lady \| leading man \| love interest \| room \| somber \| underscoring
Flamingo Road (1949)	If I Could Be With You (Drunk)	1:22:58 - Field and Lane talk about their past love	arguing \| chromatic parallelism \| death scene \| diminished 7th chord \| drunk \| leading lady \| leading man \| love interest \| room \| somber
Flamingo Road (1949)	Titus (Ostinato 2)	1:23:34 - Field and Lane talk about Titus and Dan	arguing \| dark \| death scene \| dramatic \| leading lady \| leading man \| love interest \| ominous \| ostinato \| room \| self-borrowing
Flamingo Road (1949)	Flamingo Road (Andante)	1:24:05 - Lane goes to get a drink for Field	altered dominant \| chromatic parallelism \| dark \| death scene \| gentle \| gunshot \| hopeful \| leading lady \| leading man \| love interest \| mode mixture \| room \| self-borrowing \| suicide \| walking \| warm
Flamingo Road (1949)	If I Could Be With You (Dead)	1:24:41 - Lane sees Field has committed suicide	augmentation \| death scene \| discovering \| gunshot \| leading lady \| leading man \| love interest \| reacting \| room \| suicide \| surprise \| tragic \| violent
Flamingo Road (1949)	If I Could Be With You (Maestoso)	1:26:31 - Dan reads a telegram about Field's death	advance plot \| chromatic parallelism \| diminished 7th chord \| lawyer \| leading man \| linear chromaticism \| politician \| reading \| suicide \| telegram \| tragic \| train \| violent
Flamingo Road (1949)	Flamingo Road (Appassionato)	1:32:54 - Dan visits Lane in prison	crying \| embracing \| foreign key modulation \| husband \| joyous \| kissing \| leading lady \| leading man \| pedal tone \| prison \| resolution \| reuniting \| self-borrowing \| wife
Flamingo Road (1949)	Flamingo Road (Dolce)	1:33:08 - Dan and Lane embrace	crying \| dark \| embracing \| husband \| kissing \| leading lady \| leading man \| mode mixture \| peaceful \| prison \| resolution \| reuniting \| self-borrowing \| wife
Flamingo Road (1949)	Lute Mae (Delicato)	1:33:28 - Lane smiles as Dan	13th chord \| added-note chord \| crying \| delicate \| husband \| kissing \| leading lady \| leading man \| prison \| resolution \| reuniting \| romance \| self-borrowing \| sentimental \| wife
Flamingo Road (1949)	If I Could Be With You (Ecstatic)	1:33:37 - Lane walks away	added-note chord \| altered dominant \| artwork in score \| chromatic parallelism \| friend \| husband \| joyous \| leading lady \| leading man \| leaving \| prison \| resolution \| reuniting \| romance \| secondary dominant \| The End \| thematic transference \| triumphant \| wife
Hell on Frisco Bay (1955)	Prison Gate	0:01:25 - Steve exits the prison gate	conductor score \| establish character \| friend \| gate \| leading lady \| leading man \| leaving \| prison \| serious \| walking
Hell on Frisco Bay (1955)	Hell on Frisco Bay	0:02:01 - Marcia embraces Steve	conductor score \| embracing \| establish character \| friend \| gentle \| leading lady \| leading man \| street
Hell on Frisco Bay (1955)	Underscoring (Dark)	0:02:12 - Steve mentions a divorce and leaves	conductor score \| conversing \| dark \| establish character \| friend \| investigator \| leading man \| street \| underscoring
Hell on Frisco Bay (1955)	Menace	0:04:31 - Steve gets off the bus	dark \| dock \| establish setting \| friend \| investigator \| leading man \| leaving \| menacing \| transcribed by ear
Hell on Frisco Bay (1955)	Steve	0:04:44 - Steve wanders the docks	conductor score \| dock \| establish setting \| investigator \| leading man \| noble \| transcribed by ear \| wandering
Hell on Frisco Bay (1955)	Menace	0:05:06 - Steve sees some boats	conductor score \| dark \| dock \| establish setting \| fanfare \| investigator \| leading man \| transcribed by ear \| wandering
Hell on Frisco Bay (1955)	Menace 2	0:05:12 - Steve looks at the boats	brash \| conductor score \| dock \| establish setting \| investigator \| leading man \| transcribed by ear \| wandering
Hell on Frisco Bay (1955)	Steve	0:05:25 - Steve wanders the dock	conductor score \| dock \| entering \| establish setting \| investigator \| leading man \| noble \| transcribed by ear
Hell on Frisco Bay (1955)	Steve	0:11:11 - Steve knocks on door	advance plot \| arriving \| conductor score \| investigator \| leading man \| pleasant \| porch \| walking
Hell on Frisco Bay (1955)	Amato	0:13:04 - Steve talks to man	advance plot \| brash \| conductor score \| conversing \| dark \| investigator \| leading man \| ominous \| porch
Hell on Frisco Bay (1955)	Hell on Frisco Bay	0:21:37 - Marcia on a poster	club \| conductor score \| establish character \| investigator \| leading man \| romantic \| walking
Hell on Frisco Bay (1955)	The Very Thought of You	0:21:51 - Marcia singing at a club	club \| conductor score \| establish character \| familiar tune \| investigator \| leading lady \| leading man \| on-screen music \| pianist \| popular music \| romantic \| singer \| singing \| source music
Hell on Frisco Bay (1955)	Hell on Frisco Bay	0:23:26 - Marcia talks to Steve	club \| conductor score \| conversing \| establish character \| investigator \| leading lady \| leading man \| on-screen music \| pianist \| playing \| popular music \| sentimental \| source music \| source score
Hell on Frisco Bay (1955)	Hell on Frisco Bay	0:24:15 - Steve goes home	advance plot \| arriving \| conductor score \| leading man \| room \| sentimental
Hell on Frisco Bay (1955)	Hell on Frisco Bay	0:24:44 - Steve packs	advance plot \| conductor score \| leading lady \| leading man \| packing \| room \| troubled
Hell on Frisco Bay (1955)	Hell on Frisco Bay	0:25:00 - Marcia enters	advance plot \| conductor score \| entering \| leading lady \| leading man \| room \| sentimental
Hell on Frisco Bay (1955)	Hell on Frisco Bay	0:25:14 - Marcia and Steve argue	advance plot \| arguing \| conductor score \| leading lady \| leading man \| room \| tense
Hell on Frisco Bay (1955)	Hell on Frisco Bay	0:25:27 - Marcia and Steve talk	advance plot \| agitated \| conductor score \| conversing \| leading lady \| leading man \| room
Hell on Frisco Bay (1955)	Hell on Frisco Bay	0:25:56 - Marcia and Steve talk	advance plot \| conductor score \| conversing \| leading lady \| leading man \| room \| somber
Hell on Frisco Bay (1955)	Picks up suitcase	0:26:22 - Steve picks up his suitcase	advance plot \| conductor score \| hurried \| leading man \| mickey-mousing \| picking up \| room \| rushing
Hell on Frisco Bay (1955)	Walking	0:26:31 - Marcia walks to the door	advance plot \| conductor score \| gangster \| hurried \| leading lady \| leading man \| mickey-mousing \| room \| walking
Hell on Frisco Bay (1955)	Underscoring (Dramatic)	0:27:50 - Steve fights Hammy	action scene \| conductor score \| dramatic \| fighting \| gangster \| hurried \| leading lady \| leading man \| room \| strangling \| tense \| underscoring
Hell on Frisco Bay (1955)	Underscoring (Tense)	0:28:03 - The gangsters leave	action scene \| conductor score \| conversing \| gangster \| leading lady \| leading man \| leaving \| room \| tense \| underscoring
Hell on Frisco Bay (1955)	Hell on Frisco Bay	0:28:43 - Marcia talks to Steve	action scene \| conductor score \| conversing \| leading lady \| leading man \| leaving \| room \| somber
Hell on Frisco Bay (1955)	Menace 2	0:28:55 - Marcia reacts to Steve's comment	action scene \| conductor score \| conversing \| leading lady \| leading man \| leaving \| room \| upset
Hell on Frisco Bay (1955)	Menace	0:29:01 - Steve cleans up	advance plot \| cleaning \| conductor score \| leading man \| ominous \| room
Hell on Frisco Bay (1955)	Menace	0:31:38 - Steve talks with the detective	advance plot \| conductor score \| conversing \| dark \| detective \| investigator \| leading man \| ominous \| room
Hell on Frisco Bay (1955)	Menace 2	0:32:00 - Steve talks with the detective	advance plot \| conductor score \| conversing \| dark \| detective \| investigator \| leading man \| ominous \| room
Hell on Frisco Bay (1955)	Steve	0:32:34 - Steve investigates	advance plot \| arriving \| conductor score \| investigator \| leading man \| neutral \| street \| walking
Hell on Frisco Bay (1955)	Disappointment	0:36:18 - Steve leaves	advance plot \| conductor score \| dark \| disappointed \| investigator \| leading man \| leaving \| somber \| street
Hell on Frisco Bay (1955)	Steve	0:38:01 - Steve shakes Georgie's hand	advance plot \| cheerful \| child \| conductor score \| gentle \| investigator \| leading man \| street \| thanking
Hell on Frisco Bay (1955)	Adoramus te Christe	0:38:32 - A funeral	church \| conversing \| friend \| funeral \| investigator \| leading man \| somber \| source music
Hell on Frisco Bay (1955)	Put 'Em in a Box, Tie 'Em with a Ribbon, and Throw 'Em in the Deep Blue Sea	0:40:24 - A dance hall	advance plot \| club \| conversing \| dancer \| dancing \| investigator \| jazz \| jazz band \| leading man \| on screen music \| source music \| upbeat
Hell on Frisco Bay (1955)	How Many Hearts Have You Broken	0:40:22 - A dance hall	advance plot \| club \| conversing \| drowning \| fighting \| gangster \| interrogating \| investigator \| jazz \| leading man \| mellow \| source music
Hell on Frisco Bay (1955)	Anna	0:46:05 - Anna talks with Amato	antagonist \| conductor score \| conversing \| establish character \| gangster \| gentle \| leading man \| room \| sentimental \| warning \| wife \| worrying
Hell on Frisco Bay (1955)	Amato	0:47:01 - Amato talks with Lye	advance plot \| antagonist \| brash \| conductor score \| conversing \| gangster \| harsh \| leading man \| room
Hell on Frisco Bay (1955)	Face twitching	0:47:44 - Amato talks with Lye	advance plot \| antagonist \| conductor score \| conversing \| gangster \| leading man \| room \| uneasy
Hell on Frisco Bay (1955)	Amato	0:48:03 - Amato teases Lye	advance plot \| agitated \| antagonist \| arguing \| conductor score \| gangster \| leading man \| room
Hell on Frisco Bay (1955)	Amato	0:48:11 - Amato threatens Lye	advance plot \| antagonist \| arguing \| brash \| conductor score \| dark \| gangster \| leading man \| room \| threatening
Hell on Frisco Bay (1955)	Menace	0:49:04 - Amato paces	action scene \| conductor score \| dark \| gangster \| leading man \| menacing \| pacing \| room
Hell on Frisco Bay (1955)	Underscoring (Dramatic)	0:51:36 - Amato yells at Steve	action scene \| angry \| arguing \| conductor score \| fighting \| gangster \| investigator \| leading man \| room \| underscoring \| violence \| yelling
Hell on Frisco Bay (1955)	Underscoring (Tense)	0:52:13 - Dan waits for Steve	advance plot \| conductor score \| friend \| gangster \| investigator \| leading man \| pacing \| street \| tense \| underscoring \| waiting
Hell on Frisco Bay (1955)	Steve	0:52:23 - Steve arrives	advance plot \| conductor score \| conversing \| friend \| gangster \| investigator \| leading man \| neutral \| street
Hell on Frisco Bay (1955)	Steve runs	0:52:55 - Steve runs	advance plot \| conductor score \| gangster \| investigator \| leading man \| mickey-mousing \| running \| street \| tense
Hell on Frisco Bay (1955)	Menace	0:53:06 - Steve talks with Dan	advance plot \| conductor score \| conversing \| dark \| gangster \| investigator \| leading man \| sinister \| street
Hell on Frisco Bay (1955)	Steve	0:53:15 - Steve leaves	action scene \| aiming \| conductor score \| dark \| gangster \| investigator \| leading man \| murderer \| neutral \| shooting \| street \| tense \| walking
Hell on Frisco Bay (1955)	Climbing and jumping	0:53:27 - Steve runs from Hammy	action scene \| climbing \| conductor score \| hiding \| hurried \| investigator \| jumping \| leading man \| mickey-mousing \| street \| tense
Hell on Frisco Bay (1955)	Menace	0:53:30 - Hammy tries to escape	action scene \| conductor score \| dramatic \| escaping \| fleeing \| gangster \| hurried \| investigator \| leading man \| murderer \| running \| shooting \| street \| tense
Hell on Frisco Bay (1955)	Hammy Is Shot	0:53:37 - Hammy falls to the ground	action scene \| conductor score \| dramatic \| dying \| falling \| gangster \| investigator \| leading man \| mickey-mousing \| street \| tragic
Hell on Frisco Bay (1955)	Underscoring (Dark)	0:53:50 - Steve questions Hammy	action scene \| conductor score \| dark \| death \| dying \| gangster \| investigator \| leading man \| questioning \| stinger \| street \| underscoring
Hell on Frisco Bay (1955)	Steve Arrives	0:54:56 - Steve arrives at an apartment	arriving \| conductor score \| investigator \| leading man \| mickey-mousing \| mysterious \| street \| tense \| transition \| walking
Hell on Frisco Bay (1955)	Sneaking and following	0:58:30 - Bessie sneaks away	chase scene \| conductor score \| descending \| floozy \| following \| hiding \| investigator \| leading man \| mysterious \| sneaking \| street \| tense
Hell on Frisco Bay (1955)	Menace	0:58:48 - Bessie walks through the market	\| agitated \| chase scene \| conductor score \| dramatic \| floozy \| gangster \| hurrying \| investigator \| leading man \| mysterious \| street \| tense \| walking
Hell on Frisco Bay (1955)	Steve	1:01:01 - Steve talks to Marcia	conductor score \| conversing \| entering \| gentle \| leading lady \| leading man \| love scene \| room
Hell on Frisco Bay (1955)	Underscoring (Subtle)	1:01:30 - Marcia talks to Steve	conductor score \| conversing \| gentle \| leading lady \| leading man \| love scene \| room \| underscoring
Hell on Frisco Bay (1955)	Hell on Frisco Bay	1:01:41 - Steve talks to Marcia	conductor score \| conversing \| leading lady \| leading man \| love scene \| room \| tense \| underscoring
Hell on Frisco Bay (1955)	Hell on Frisco Bay	1:01:53 - Marcia talks to Steve	conductor score \| conversing \| leading lady \| leading man \| love scene \| room \| somber
Hell on Frisco Bay (1955)	Menace	1:02:28 - Steve talks to Marcia	conductor score \| conversing \| dark \| leading lady \| leading man \| love scene \| room
Hell on Frisco Bay (1955)	Hell on Frisco Bay	1:02:45 - Marcia talks to Steve	conductor score \| conversing \| leading lady \| leading man \| love scene \| romantic \| room \| tender
Hell on Frisco Bay (1955)	Pleading	1:03:30 - Marcia talks to Steve	conductor score \| conversing \| leading lady \| leading man \| love scene \| room \| tender
Hell on Frisco Bay (1955)	Hell on Frisco Bay	1:03:46 - Marcia talks to Steve	conductor score \| conversing \| dark \| leading lady \| leading man \| love scene \| room \| tender
Hell on Frisco Bay (1955)	Menace	1:04:15 - Steve answers the phone	advance plot \| conductor score \| dark \| investigator \| leading man \| mysterious \| room \| waiting
Hell on Frisco Bay (1955)	Steve	1:04:47 - Steve hangs up the phone	advance plot \| conductor score \| dark \| gentle \| investigator \| leading man \| room \| waiting
Hell on Frisco Bay (1955)	Anna	1:04:54 - Anna talks to Amato	advance plot \| antagonist \| conductor score \| conversing \| dark \| gangster \| gentle \| leading man \| room \| wife
Hell on Frisco Bay (1955)	Menace	1:08:27 - Amato threatens Brody	advance plot \| antagonist \| conductor score \| dark \| gangster \| leading man \| street \| threatening
Hell on Frisco Bay (1955)	Amato	1:08:39 - Amato arrives	advance plot \| antagonist \| arriving \| brash \| conductor score \| dark \| gangster \| leading man \| stinger \| street
Hell on Frisco Bay (1955)	Lye	1:09:00 - Amato calls Lye	advance plot \| antagonist \| calling \| conductor score \| conversing \| gangster \| leading man \| stinger \| street \| uneasy
Hell on Frisco Bay (1955)	It Can't Be Wrong	1:09:26 - Amato talks to Lye	advance plot \| antagonist \| calm \| conversing \| gangster \| leading man \| room \| source music
Hell on Frisco Bay (1955)	It Had to Be You	1:17:06 - Marcia sings at a club	advance plot \| calm \| club \| jazz \| leading lady \| leading man \| on screen music \| pianist \| singer \| singing \| source music
Hell on Frisco Bay (1955)	Hell on Frisco Bay	1:17:47 - Marcia and Steve talk	advance plot \| calm \| club \| conductor score \| conversing \| leading lady \| leading man \| on-screen music \| popular music \| source music \| source score
Hell on Frisco Bay (1955)	Hell on Frisco Bay	1:18:13 - Marcia and Steve talk	calm \| club \| conductor score \| conversing \| leading lady \| leading man \| love scene \| source to score
Hell on Frisco Bay (1955)	Underscoring (Dark)	1:19:09 - Marcia and Steve talk	club \| conductor score \| conversing \| dark \| leading lady \| leading man \| love scene \| ominous \| underscoring
Hell on Frisco Bay (1955)	Hell on Frisco Bay	1:19:28 - Marcia talks to Steve	club \| conductor score \| conversing \| gentle \| grand \| leading lady \| leading man \| love scene
Hell on Frisco Bay (1955)	Anna	1:20:28 - Anna mourns Mario's death	conversing \| crying \| dark \| funeral \| funeral \| gangster \| leading man \| wife
Hell on Frisco Bay (1955)	Underscoring (Mysterious)	1:24:05 - Amato calls detective	advance plot \| calling \| gangster \| leading man \| mysterious \| room \| statue \| tense \| underscoring
Hell on Frisco Bay (1955)	Anna	1:24:31 - Amato calls detective	advance plot \| conversing \| gangster \| leading man \| mysterious \| religious \| religious \| room
Hell on Frisco Bay (1955)	Menace	1:24:38 - Amato talks to detective	advance plot \| detective \| gangster \| leading man \| mysterious \| plotting \| police station \| tense
Hell on Frisco Bay (1955)	Underscoring (Tense)	1:24:53 - Amato talks to detective	advance plot \| detective \| gangster \| leading man \| plotting \| police station \| tense
Hell on Frisco Bay (1955)	Amato	1:25:21 - Amato sets up Lye and Kay	advance plot \| betraying \| detective \| gangster \| harsh \| leading man \| plotting \| police station \| tense
Hell on Frisco Bay (1955)	Anna	1:25:41 - Amato looks at the statue	advance plot \| gangster \| leading man \| looking \| mysterious \| religious \| room \| tense
Hell on Frisco Bay (1955)	Kay	1:28:35 - Steve leaves with Kay	comforting \| gentle \| investigator \| leading man \| leaving \| love interest \| room \| turning point \| witness
Hell on Frisco Bay (1955)	Kay	1:29:11 - Steve enters with Kay	arriving \| entering \| investigator \| leading lady \| leading man \| love interest \| room \| somber \| turning point \| witness
Hell on Frisco Bay (1955)	Hell on Frisco Bay	1:29:23 - Marcia calls the police	agitated \| calling \| investigator \| leading lady \| leading man \| leaving \| love interest \| room \| turning point \| witness
Hell on Frisco Bay (1955)	Underscoring (Dramatic)	1:30:27 - Steve tells Anna that Mario was murdered	advance plot \| conversing \| dark \| investigator \| leading man \| murder \| ominous \| priest \| room \| shock \| wife
Hell on Frisco Bay (1955)	Anna	1:30:35 - Anna tells Steve where to find Amato	advance plot \| betraying \| conversing \| dark \| investigator \| leading man \| ominous \| priest \| room \| somber \| wife
Hell on Frisco Bay (1955)	Menace	1:31:01 - Amato prepares to leave	action scene \| agitated \| gangster \| leading man \| packing \| room
Hell on Frisco Bay (1955)	Menace 2	1:31:19 - Amato prepares to leave	action scene \| agitated \| gangster \| leading man \| packing \| room
Hell on Frisco Bay (1955)	Menace	1:31:32 - Amato picks up his gun	action scene \| conversing \| dramatic \| gangster \| leading man \| packing \| room
Hell on Frisco Bay (1955)	Lye	1:32:01 - Lye confronts Amato	action scene \| conversing \| gangster \| gun \| leading man \| lying \| room \| uneasy
Hell on Frisco Bay (1955)	Amato	1:32:23 - Amato shoots Lye	action scene \| brash \| gangster \| gun \| gunshot \| leading man \| murder \| murdering \| room \| shooting \| tense \| violence \| yelling
Hell on Frisco Bay (1955)	Lye's Death	1:32:58 - Lye is killed	action scene \| brash \| gangster \| harsh \| leading man \| murder \| murdering \| shooting \| street \| violence
Hell on Frisco Bay (1955)	Menace	1:33:12 - Amato hides	action scene \| fleeing \| gangster \| hiding \| leading man \| ominous \| street
Hell on Frisco Bay (1955)	Amato	1:33:23 - Amato takes Marcia hostage	action scene \| dock \| gangster \| inspector \| kidnapping \| leading lady \| leading man \| ominous \| tense
Hell on Frisco Bay (1955)	Amato	1:34:01 - Steve confronts Amato	action scene \| dock \| dramatic \| gangster \| inspector \| kidnapping \| leading lady \| leading man \| tense
Hell on Frisco Bay (1955)	Amato	1:34:08 - Steve confronts Amato	action scene \| dock \| dramatic \| gangster \| gun \| gunshot \| inspector \| kidnapping \| leading lady \| leading man \| shooting \| tense
Hell on Frisco Bay (1955)	Amato runs	1:34:27 - Amato runs to his boat	action scene \| agitated \| boat \| dock \| dramatic \| following \| gangster \| inspector \| leading man \| running \| tense
Hell on Frisco Bay (1955)	Boat Chase	1:34:33 - Amato tries to escape in a boat	action scene \| agitated \| boat \| dock \| dramatic \| following \| gangster \| inspector \| leading man \| running \| tense
Hell on Frisco Bay (1955)	Steve dives	1:34:48 - Steve dives in the water	action scene \| agitated \| diving \| dock \| dramatic \| gangster \| inspector \| jumping \| leading man \| mickey-mousing \| splashing \| tense \| water
Hell on Frisco Bay (1955)	Underscoring (Dramatic)	1:34:53 - Steve climbs in the boat	action scene \| boat \| dock \| dramatic \| driving \| gangster \| inspector \| leading man \| tense \| underscoring
Hell on Frisco Bay (1955)	Menace	1:34:57 - Steve and Amato fight	action scene \| agitated \| boat \| dock \| dramatic \| fighting \| gangster \| inspector \| leading man \| tense
Hell on Frisco Bay (1955)	Menace	1:35:21 - Steve and Amato fight	action scene \| agitated \| boat \| dock \| dramatic \| fighting \| gangster \| inspector \| leading man \| tense
Hell on Frisco Bay (1955)	Amato	1:35:47 - Steve and Amato fight	action scene \| agitated \| boat \| dock \| dramatic \| fighting \| gangster \| inspector \| leading man \| tense
Hell on Frisco Bay (1955)	Amato	1:35:56 - The police boat advances	action scene \| agitated \| boat \| dock \| dramatic \| fighting \| gangster \| inspector \| leading man \| tense \| underscoring
Hell on Frisco Bay (1955)	Amato	1:36:12 - Steve and Amato fight	action scene \| agitated \| boat \| dock \| dramatic \| fighting \| gangster \| inspector \| leading man \| tense
Hell on Frisco Bay (1955)	Amato falls	1:36:20 - Amato falls in the water	action scene \| boat \| dock \| dramatic \| falling \| fighting \| gangster \| inspector \| leading man \| mickey-mousing \| punching \| splashing \| tense \| water
Hell on Frisco Bay (1955)	Underscoring (Tense)	1:36:23 - The boat approaches a wall	action scene \| boat \| dock \| driving \| inspector \| leading man \| tense \| underscoring
Hell on Frisco Bay (1955)	Steve dives 2	1:36:27 - Steve dives in the water	action scene \| boat \| diving \| dock \| inspector \| jumping \| leading man \| mickey-mousing \| splashing \| tense \| water
Hell on Frisco Bay (1955)	Steve	1:36:31 - Steve surfaces	dock \| gentle \| heroic \| inspector \| leading man \| resolution from here on? \| swimming
Hell on Frisco Bay (1955)	Steve Saves Amato	1:36:42 - Steve and Amato swim to the police boat	boat \| dock \| gangster \| inspector \| leading man \| mickey-mousing \| swimming \| tense \| water
Hell on Frisco Bay (1955)	Lifting up	1:36:50 - Amato is brought onboard	boat \| dock \| dramatic \| gangster \| inspector \| leading man \| lifting \| mickey-mousing \| police \| raising \| tense \| up \| water
Hell on Frisco Bay (1955)	Menace	1:36:57 - The police boat leaves	agitated \| arriving \| boat \| dock \| gangster \| inspector \| leading man \| police \| tense
Hell on Frisco Bay (1955)	Steve	1:37:30 - Steve gets off the boat	arriving \| boat \| bold \| dock \| gangster \| heroic \| inspector \| leading man \| police
Hell on Frisco Bay (1955)	Hell on Frisco Bay	1:37:36 - Steve goes to his wife	arriving \| dock \| gentle \| inspector \| leading lady \| leading man \| romantic
Hell on Frisco Bay (1955)	Hell on Frisco Bay	1:37:52 - Steve and Marcia leave together	dock \| gentle \| inspector \| leading lady \| leading man \| peaceful \| romantic \| walking
Her Kind of Man (1946)	Something to Remember You By	0:08:02 - Georgia sings	AABA structure \| club \| dancer \| dancing \| leading lady \| leading man \| music scene \| on-screen music \| popular music \| sentimental \| singer \| singing \| source music \| stage
Her Kind of Man (1946)	Lady Play Your Mandolin	0:11:03 - Audience applauding	AABA structure \| applauding \| applauding \| club \| crowd \| dancing \| leading man \| music scene \| popular music \| source music \| upbeat
Her Kind of Man (1946)	It Had to Be You	0:12:33 - Steve whistles	establish character \| gambler \| leading lady \| leading man \| love interest \| love scene \| on-screen music \| room \| sentimental \| singer \| source music \| whistling
Her Kind of Man (1946)	April in Paris	0:12:48 - Steve enters Georgia's dressing room	AABA structure \| conversing \| establish character \| gambler \| kissing \| leading lady \| leading man \| love interest \| love scene \| popular music \| room \| sentimental \| singer \| source music
Her Kind of Man (1946)	Underscoring (Dark [Waxman])	0:17:02 - Steve fights Felix	action scene \| arguing \| conversing \| criminal \| dark \| death \| dramatic \| gambler \| gun \| gunshot \| leading lady \| leading man \| love interest \| owner \| punching \| room \| self-defense \| shooting \| singer \| stinger \| tense \| underscoring
Her Kind of Man (1946)	It Had to Be You (Kissing)	0:18:22 - Steve kisses Georgia	action scene \| augmented triad \| gambler \| kissing \| leading lady \| leading man \| love interest \| minor-major 7th chord \| room \| singer \| source to score \| tense
Her Kind of Man (1946)	Underscoring (Dark [Waxman])	0:18:32 - Candy enters	action scene \| conversing \| criminal \| dark \| gambler \| henchman \| leading man \| owner \| room \| stinger \| tense \| underscoring
Her Kind of Man (1946)	Gambling	0:18:58 - Miami	beach \| casino \| conversing \| croupier \| crowd \| excited \| gambler \| gambling \| gentle \| grand \| jockey \| leading man \| montage \| montage \| racetrack \| racing \| riding
Her Kind of Man (1946)	Underscoring (Gentle)	0:19:34 - A telegram	gambler \| gentle \| leading man \| montage \| montage \| reading \| room \| telegram \| underscoring
Her Kind of Man (1946)	Gay White Way	0:19:54 - Georgia looks at her jewelry	advance plot \| cheery \| conversing \| crew \| dancer \| jewelry \| leading lady \| love interest \| manager \| on-screen music \| piano \| source music \| stage
Her Kind of Man (1946)	Just Make Believe	0:20:58 - Don talks to a man	advance plot \| conversing \| gentle \| leading man \| manager \| on-screen music \| piano \| reporter \| source music \| stage
Her Kind of Man (1946)	Speak to Me of Love	0:28:06 - City skyline at night	balcony \| conversing \| leading lady \| leading man \| love interest \| love scene \| on-screen music \| record player \| reporter \| romantic \| singing \| source music
Her Kind of Man (1946)	It Had to Be You	0:29:37 - Georgia and Don	balcony \| cheery \| conversing \| gambler \| leading lady \| leading man \| love interest \| love scene \| on-screen music \| reporter \| room \| source music \| whistling
Her Kind of Man (1946)	Bulletin Board	0:32:45 - Don leaves	bluesy \| conversing \| crew \| departing \| gambler \| leading man \| reporter \| room \| source and scoring overlap \| stage \| transition \| upbeat
Her Kind of Man (1946)	Gay White Way	0:33:01 - Don talks to some men	advance plot \| cheery \| conversing \| crew \| leading man \| manager \| on-screen music \| playing \| reporter \| source music \| theater
Her Kind of Man (1946)	Underscoring (Gentle)	0:33:47 - Don leaves	crew \| departing \| gentle \| leading man \| manager \| reporter \| street \| theater \| transition \| underscoring
Her Kind of Man (1946)	Underscoring (Tense [Waxman])	0:40:34 - Don punches Steve	action scene \| boxing ring \| criminal \| fighting \| gambler \| henchman \| leading man \| punching \| reporter \| tense \| underscoring
Her Kind of Man (1946)	Too Many Tears	0:41:11 - Saratoga Casino	AABA structure \| advance plot \| club \| conversing \| crowd \| gambler \| leading lady \| leading man \| love interest \| manager \| on-screen music \| source music \| upbeat
Her Kind of Man (1946)	Underscoring (Dramatic [Waxman])	0:42:19 - Approaching headlights	action scene \| criminal \| dark \| departing \| dramatic \| driving \| henchman \| leading man \| leaving \| reporter \| street \| stumbling \| underscoring
Her Kind of Man (1946)	It Had to Be You (Somber)	0:44:48 - Georgia leaves	9th chord \| arguing \| conflict \| departing \| gambler \| leading lady \| leading man \| love interest \| room \| somber \| underscoring
Her Kind of Man (1946)	My Darling	0:45:05 - Georgia and Don in a restaurant	conversing \| crowd \| leading lady \| leading man \| love interest \| love scene \| photograph \| photographer \| reporter \| restaurant \| romantic \| source music \| waiter
Her Kind of Man (1946)	Please Don't Talk About Me When I'm Gone	0:46:03 - Steve dances with a girl	AABA structure \| advance plot \| club \| conversing \| criminal \| dancing \| floozy \| gambler \| henchman \| leading man \| on-screen music \| source music \| upbeat
Her Kind of Man (1946)	It Had to Be You	0:47:09 - Georgia gets ready for bed	advance plot \| cheery \| gambler \| leading lady \| leading man \| love interest \| on-screen music \| preparing \| room \| source music \| waiting \| whistling
Her Kind of Man (1946)	It Had to Be You (Passionate)	0:47:50 - Georgia talks with Steve	arguing \| conversing \| dark \| gambler \| kissing \| leading lady \| leading man \| love interest \| love scene \| passionate \| romantic \| room \| sequence \| source to score \| turbulent
Her Kind of Man (1946)	Here Comes the Bride	0:49:40 - Steve proposes to Georgia	classical music \| criminal \| familiar tune \| gambler \| henchman \| leading lady \| leading man \| love interest \| love scene \| proposing \| reporter \| romantic \| room \| tense
Her Kind of Man (1946)	It Had to Be You (Dramatic)	0:51:26 - Don shoves Candy	arguing \| conflict \| criminal \| departing \| dramatic \| fighting \| gambler \| henchman \| leading man \| reporter \| room \| underscoring
Her Kind of Man (1946)	Newspaper	0:51:32 - A newspaper article	advance plot \| leading man \| newspaper \| reporter \| room \| tense \| uneasy \| writing
Her Kind of Man (1946)	Flashback	0:53:57 - A man sweeping	conversing \| flashback \| flashback \| leading man \| mysterious \| reporter \| reporting \| room \| storytelling \| tense \| waiter \| witness
Her Kind of Man (1946)	Underscoring (Dramatic [Deutsch])	0:54:59 - Cop takes a witness	departing \| dramatic \| leading man \| letter \| mysterious \| police \| police station \| reporter \| signature \| tense \| turning point \| typing \| underscoring \| waiter \| witness
Her Kind of Man (1946)	Burning paper	0:55:22 - Burning paper	burning \| fire effect \| leading man \| mickey-mousing \| reporter \| room \| tense \| turning point
Her Kind of Man (1946)	Love Is Sweeping the Country	0:58:02 - The crowd applauds	advance plot \| club \| conversing \| criminal \| crowd \| gambler \| henchman \| husband \| leading lady \| leading man \| on-screen music \| owner \| performing \| reporter \| singer \| sister \| source music \| upbeat \| wife
Her Kind of Man (1946)	Shanty in Old Shanty Town	0:59:36 - A cop waits	advance plot \| arguing \| club \| conversing \| leading man \| observing \| on-screen music \| police \| reporter \| source music \| upbeat \| waiting
Her Kind of Man (1946)	Steve Shoots Sister	1:03:37 - Steve shoots his sister	action scene \| chromatic scale \| club \| crowd \| dramatic \| dying \| gambler \| husband \| leading man \| murderer \| police \| reacting \| shooting \| sister \| underscoring \| victim
Her Kind of Man (1946)	The Escape	1:03:50 - Steve tries to escape	action scene \| car \| chasing \| club \| crowd \| dramatic \| driving \| escaping \| gambler \| husband \| jumping \| leading man \| mickey-mousing \| murderer \| police \| running \| sister \| street \| victim
Her Kind of Man (1946)	Underscoring (Mysterious)	1:05:01 - A dark door	advance plot \| arriving \| conversing \| husband \| leading man \| mysterious \| reporter \| room \| underscoring \| widow
Her Kind of Man (1946)	It Had to Be You (Sneaky)	1:05:51 - Georgia hides Candy	advance plot \| criminal \| familiar tune \| henchman \| leading lady \| leading man \| mysterious \| popular music \| reporter \| room \| singer \| sneaking \| sneaky \| source to score \| wife
Her Kind of Man (1946)	It Had to Be You (Mysterious)	1:07:50 - Don leaves	advance plot \| arriving \| car \| car \| criminal \| driving \| familiar tune \| gambler \| henchman \| leading lady \| leading man \| murderer \| mysterious \| popular music \| signaling \| singer \| street \| warehouse \| wife
Her Kind of Man (1946)	It Had to Be You	1:09:05 - Georgia approaches the warehouse	advance plot \| criminal \| familiar tune \| gambler \| henchman \| leading lady \| leading man \| murderer \| neutral \| popular music \| score to source \| singer \| warehouse \| whistling \| wife
Her Kind of Man (1946)	It Had to Be You (Secret Rendezvous)	1:09:09 - Georgia enters the warehouse	advance plot \| arriving \| conversing \| embracing \| familiar tune \| gambler \| kissing \| leading lady \| leading man \| murderer \| popular music \| romantic \| singer \| source to score \| uneasy \| warehouse \| wife
Her Kind of Man (1946)	It Had to Be You (Mysterious)	1:11:11 - Georgia leaves	advance plot \| departing \| familiar tune \| gambler \| leading lady \| leading man \| murderer \| mysterious \| popular music \| singer \| warehouse \| wife
Her Kind of Man (1946)	Candy	1:11:27 - Candy approaches the warehouse	advance plot \| arriving \| criminal \| gambler \| henchman \| leading man \| murderer \| pc set \| tense \| walking \| warehouse
Her Kind of Man (1946)	It Had to Be You (Tense)	1:11:43 - Steve talks to Candy	advance plot \| conversing \| criminal \| familiar tune \| gambler \| henchman \| leading man \| murderer \| popular music \| tense \| warehouse
Her Kind of Man (1946)	It Had to Be You (Tempo di Foxtrot)	1:11:50 - Steve talks to Candy	advance plot \| common-tone diminished 7th \| conversing \| criminal \| familiar tune \| gambler \| henchman \| leading man \| murderer \| popular music \| remembered source music \| reminiscing \| upbeat \| warehouse
Her Kind of Man (1946)	Underscoring (Tense [Steiner])	1:12:07 - Steve talks to Candy	advance plot \| arguing \| chromatic parallelism \| conversing \| criminal \| gambler \| henchman \| leading man \| murderer \| pedal tone \| slapping \| tense \| underscoring \| warehouse
Her Kind of Man (1946)	Underscoring (Dark [Steiner])	1:12:32 - Candy reacts	9th chord \| advance plot \| arguing \| conversing \| criminal \| dark \| gambler \| half-diminished 7th chord \| henchman \| leading man \| murderer \| ominous \| ostinato \| underscoring \| warehouse
Her Kind of Man (1946)	Candy (Dark)	1:12:58 - Candy leaves	bar \| calling \| conversing \| criminal \| dark \| double-cross \| gambler \| henchman \| husband \| leading man \| murderer \| ominous \| pc set \| stinger \| telephone \| turning point \| warehouse
Her Kind of Man (1946)	Underscoring (Dramatic [Steiner])	1:14:17 - Cop looks at his watch	climax \| conversing \| criminal \| double-cross \| dramatic \| henchman \| leading lady \| leading man \| parallelism \| police \| reporter \| room \| singer \| stinger \| telephone \| tense \| underscoring \| watch \| wife
Her Kind of Man (1946)	Speeding	1:14:21 - Policeman driving	car \| chromatic parallelism \| chromatic scale \| chromatic sequence \| climax \| dramatic \| driving \| hurrying \| leading lady \| leading man \| omnibus progression \| police \| reporter \| rushing \| singer \| tense \| wife \| yelling
Her Kind of Man (1946)	Underscoring (Tense [Steiner])	1:15:00 - Candy in the alley	arriving \| climax \| criminal \| double-cross \| driving \| gambler \| henchman \| hiding \| husband \| leading man \| murderer \| revenge \| signaling \| sneaking \| street \| syncopation \| tense \| underscoring \| warehouse \| widow
Her Kind of Man (1946)	Candy (Tragic)	1:15:28 - Candy in the shadows	chromatic scale \| climax \| conversing \| criminal \| double-cross \| gambler \| henchman \| hiding \| husband \| leading man \| murderer \| revenge \| sequence \| street \| tense \| tragic \| walking \| widow
Her Kind of Man (1946)	Underscoring (Dramatic [Steiner])	1:15:53 - Joe shoots at Steve	climax \| criminal \| double-cross \| dramatic \| dying \| falling \| gambler \| gun \| gunshot \| henchman \| husband \| leading man \| murder \| murderer \| parallelism \| revenge \| shooting \| street \| widow
Her Kind of Man (1946)	Candy (Mr. Candy)	1:16:09 - Candy bends over Steve's body	chromatic scale \| climax \| conversing \| criminal \| dark \| double-cross \| dying \| gambler \| heavy \| henchman \| leading man \| murder \| murderer \| revenge \| street
Her Kind of Man (1946)	Speeding	1:16:29 - Candy tries to run away	arriving \| capturing \| car \| chromatic parallelism \| chromatic scale \| chromatic sequence \| climax \| criminal \| double-cross \| dramatic \| gambler \| henchman \| leading man \| murder \| murderer \| omnibus progression \| police \| reporter \| revenge \| running \| street \| tense
Her Kind of Man (1946)	Candy (Agitato)	1:16:53 - Don confronts Candy	agitated \| arguing \| climax \| confronting \| criminal \| double-cross \| gambler \| henchman \| leading man \| murder \| murderer \| pc set \| police \| reporter \| revenge \| sequence \| street \| tense
Her Kind of Man (1946)	It Had to Be You (Tragic)	1:17:10 - Georgia holds Steve	9th chord \| augmented triad \| climax \| comforting \| conversing \| corpse \| cradling \| criminal \| crying \| death \| dying \| familiar tune \| gambler \| henchman \| leading lady \| leading man \| murderer \| police \| popular music \| reporter \| singer \| street \| tense \| tragic \| wife
Her Kind of Man (1946)	Water	1:17:41 - Steve's corpse	9th chord \| corpse \| criminal \| death \| flowing \| gambler \| henchman \| leading lady \| leading man \| murderer \| panning shot \| police \| reporter \| resolution \| singer \| street \| swirling \| tense \| tragic \| voice-over \| water \| water effect \| wife
Her Kind of Man (1946)	It Had to Be You (The End)	1:18:02 - The End	added-note chord \| criminal \| dark \| death \| dramatic \| end title sequence \| gambler \| henchman \| leading lady \| leading man \| mode mixture \| murderer \| police \| reporter \| singer \| street \| The End \| tragic \| wife
I Was a Communist for the FBI (1951)	I'm in a Jam with Baby	0:15:20 - Matt enters a bar	ABAB structure \| advance plot \| agent \| arriving \| bar \| calling \| conversing \| customer \| dialing \| jazz \| jukebox \| leading man \| source music \| sultry \| telephone \| undercover agent \| walking
I Was a Communist for the FBI (1951)	Underscoring (Dramatic)	0:24:58 - Matt reacts	chromatic parallelism \| chromatic scale \| chromatic wedge \| departing \| diminished 7th chord \| dissonant bass \| dramatic \| insult \| leading man \| neighbor \| reacting \| room \| stinger \| transition \| undercover agent
I Was a Communist for the FBI (1951)	Family	0:25:26 - Matt looks at a photo album	advance plot \| baby \| common-tone modulation \| deceptive resolution \| double exposure \| flashback \| foreign key modulation \| gentle \| leading man \| letter \| looking \| love \| memory \| mode mixture \| photograph \| room \| self-borrowing \| sentimental \| smiling \| son \| tender \| thinking \| undercover agent \| voice-over \| writing
I Was a Communist for the FBI (1951)	Family (Molto Expressivo)	0:26:15 - Matt writes a letter to his son	9th chord \| added-note chord \| advance plot \| baby \| deceptive resolution \| double exposure \| flashback \| foreign key modulation \| gentle \| leading man \| letter \| looking \| love \| memory \| photograph \| room \| self-borrowing \| sentimental \| smiling \| son \| tender \| thinking \| undercover agent \| voice-over \| writing
I Was a Communist for the FBI (1951)	Family (Triste)	0:38:00 - Matt enters his home	advance plot \| common-chord modulation \| foreign key modulation \| leading man \| pacing \| room \| self-borrowing \| solemn \| somber \| thinking \| undercover agent
I Was a Communist for the FBI (1951)	Agitato Molto Misterioso	0:38:32 - Matt notices that he has lost his letter	advance plot \| chromatic parallelism \| leading man \| letter \| mysterious \| ostinato \| pc set \| polychord \| reacting \| room \| searching \| tense \| undercover agent \| whole-tone chord
I Was a Communist for the FBI (1951)	(I'm Gonna Wait) A Little Bit Longer (For That Never-on-Time Baby of Mine)	0:39:06 - Matt goes to a record shop	advance plot \| agent \| arguing \| arriving \| conversing \| jazz \| leading man \| record player \| record shop \| shopkeeper \| source music \| undercover agent \| upbeat \| walking
I Was a Communist for the FBI (1951)	Ice Cold Katy	0:53:21 - Matt follows Eve	advance plot \| arguing \| communist \| jazz \| leading lady \| leading man \| source music \| spy \| street \| teacher \| undercover agent \| upbeat
I Was a Communist for the FBI (1951)	Down the stairs	0:57:47 - Eve sneaks down the stairs	communist \| create suspense \| descending \| leading lady \| leading man \| mickey-mousing \| sneaking \| spy \| staircase \| stairs \| teacher \| tense \| undercover agent
I Was a Communist for the FBI (1951)	Underscoring (Tense)	0:57:54 - Matt and Eve go down the stairs	communist \| create suspense \| leading lady \| leading man \| pc set \| sneaking \| spy \| staircase \| stairs \| teacher \| tense \| tritone \| undercover agent \| underscoring
I Was a Communist for the FBI (1951)	Sneaking	0:58:02 - Matt and Eve sneak away	chromatic scale \| communist \| create suspense \| hiding \| leading lady \| leading man \| mickey-mousing \| pc set \| running \| sneaking \| spy \| staircase \| stairs \| teacher \| tense \| undercover agent
I Was a Communist for the FBI (1951)	Undercover Agent (Molto Misterioso)	0:58:12 - The communists go upstairs	ascending \| communist \| create suspense \| leading lady \| leading man \| ostinato \| polychord \| sequence \| sneaking \| spy \| staircase \| stairs \| teacher \| tense \| tone cluster \| tritone oscillation \| undercover agent
I Was a Communist for the FBI (1951)	FBI (Molto Marcato)	0:59:03 - FBI man enters with a gun	agent \| arresting \| communist \| gun \| leading lady \| leading man \| murder scene \| noble \| room \| sneaking \| spy \| stinger \| street \| teacher \| tense \| undercover agent
I Was a Communist for the FBI (1951)	Undercover Agent (Misterioso)	0:59:50 - Agent watches	car \| communist \| driving \| escaping \| leading lady \| leading man \| mysterious \| polychord \| spy \| street \| teacher \| transition \| tritone oscillation \| undercover agent
I Was a Communist for the FBI (1951)	Jumps off stairs	1:03:23 - Matt jumps off of the staircase	communist \| gun \| gunshot \| jumping \| leading lady \| leading man \| mickey-mousing \| shooting \| shootout \| shootout \| spy \| teacher \| tense \| tone cluster \| train tracks \| tritone \| undercover agent
I Was a Communist for the FBI (1951)	Running and hiding	1:03:28 - Matt runs and takes cover	communist \| hiding \| leading lady \| leading man \| mickey-mousing \| running \| shootout \| shootout \| spy \| teacher \| tense \| train tracks \| undercover agent
I Was a Communist for the FBI (1951)	Undercover Agent (Gunfight)	1:03:34 - Train tracks	augmented triad \| communist \| dissonant bass \| diving \| dramatic \| gun \| gunshot \| hiding \| leading lady \| leading man \| mickey-mousing \| minor-major 7th chord \| polychord \| running \| shooting \| shootout \| shootout \| spy \| syncopation \| teacher \| tense \| train tracks \| tritone oscillation \| undercover agent
I Was a Communist for the FBI (1951)	Running	1:03:57 - Communist runs	communist \| dramatic \| leading lady \| leading man \| mickey-mousing \| running \| shootout \| shootout \| spy \| teacher \| tense \| train tracks \| undercover agent \| whole-tone chord
I Was a Communist for the FBI (1951)	Commie is shot	1:04:01 - Communist is shot and falls dead	chromatic scale \| communist \| death \| dramatic \| dying \| falling \| gun \| gunshot \| leading lady \| leading man \| mickey-mousing \| pc set \| shooting \| shootout \| shootout \| spy \| stinger \| teacher \| tense \| tone cluster \| train tracks \| undercover agent
I Was a Communist for the FBI (1951)	Undercover Agent (Newspaper)	1:04:11 - FBI agents talk	agent \| conversing \| dark \| leading man \| newspaper \| ominous \| planning \| polychord \| room \| transition \| tritone oscillation \| undercover agent
I Was a Communist for the FBI (1951)	Undercover Agent (Risoluto)	1:09:39 - FBI agents walk away	agent \| interrogating \| interrogation \| leading man \| mysterious \| polychord \| questioning \| room \| shallow focus \| suspicion \| tense \| tritone oscillation \| undercover agent
I Was a Communist for the FBI (1951)	Agitato Molto Misterioso	1:10:18 - Communists interrogate Matt	chromatic parallelism \| chromatic scale \| communist \| interrogating \| interrogation \| leading man \| mysterious \| ostinato \| pc set \| questioning \| room \| shallow focus \| suspicion \| tense \| undercover agent \| whole-tone scale
I Was a Communist for the FBI (1951)	Undercover Agent	1:10:36 - Communists interrogate Matt	communist \| interrogating \| interrogation \| leading man \| mysterious \| polychord \| questioning \| room \| shallow focus \| suspicion \| tense \| threatening \| tritone oscillation \| undercover agent
I Was a Communist for the FBI (1951)	Underscoring (Tense)	1:10:41 - Communists interrogate Matt	chromatic scale \| communist \| dark \| interrogating \| interrogation \| leading man \| questioning \| room \| shallow focus \| suspicion \| tense \| threatening \| undercover agent \| underscoring
I Was a Communist for the FBI (1951)	Undercover Agent (Tuttissimo)	1:10:54 - Communists interrogate Matt	anger \| anxiety \| communist \| interrogating \| interrogation \| leading man \| questioning \| shallow focus \| suspicion \| suspicion \| tense \| threatening \| tritone oscillation \| undercover agent
I Was a Communist for the FBI (1951)	Underscoring (Tense)	1:11:00 - Communists interrogate Matt	anger \| communist \| interrogating \| interrogation \| leading man \| questioning \| shallow focus \| suspicion \| suspicion \| tense \| threatening \| undercover agent \| underscoring \| whole-tone chord
I Was a Communist for the FBI (1951)	Riot	1:11:05 - Communists beat up Matt	anger \| attacking \| chromatic parallelism \| chromatic scale \| chromatic sequence \| communist \| dramatic \| fighting \| interrogation \| leading man \| punching \| undercover agent \| whole-tone chord
I Was a Communist for the FBI (1951)	Undercover Agent (Conflict)	1:11:10 - Communists beat up Matt	attacking \| communist \| dramatic \| fighting \| interrogation \| leading man \| police \| polychord \| punching \| tritone oscillation \| undercover agent
I Was a Communist for the FBI (1951)	Family	1:21:44 - Matt is reunited with his son and brother	brother \| conversing \| gentle \| leading man \| love \| mode mixture \| resolution \| reuniting \| self-borrowing \| son \| tender \| undercover agent
I Was a Communist for the FBI (1951)	Family (Con Moto)	1:22:03 - Matt talks to his son	brother \| conversing \| gentle \| leading man \| love \| peaceful \| resolution \| reuniting \| self-borrowing \| son \| tender \| undercover agent
I Was a Communist for the FBI (1951)	Battle Hymn of the Republic (The End)	1:22:16 - Dick looks at his dad	brother \| conversing \| countermelody \| end title sequence \| leading man \| love \| patriotic \| patriotic tune \| plagal cadence \| resolution \| reuniting \| son \| The End \| undercover agent
In This Our Life (1942)	Stanley Introduction	0:06:35 - A car arrives	9th chord \| arriving \| car \| chromatic scale \| conversing \| establish character \| leading lady \| leading man \| love interest \| stinger \| tense
In This Our Life (1942)	Stanley	0:06:56 - Stanley talks with Peter	9th chord \| appoggiatura \| car \| circle of fifths \| conversing \| establish character \| leading lady \| leading man \| love interest \| sultry
In This Our Life (1942)	Stanley B	0:07:06 - Stanley talks with Peter	car \| chromatic scale \| chromatic sequence \| conversing \| dissonant bass \| establish character \| fragmentation \| leading lady \| leading man \| love interest \| sultry
In This Our Life (1942)	Stanley	0:07:23 - Stanley drives away	9th chord \| appoggiatura \| car \| circle of fifths \| conversing \| establish character \| leading lady \| leading man \| love interest \| sultry
In This Our Life (1942)	Caring	0:13:08 - Roy talks to Peter	9th chord \| advance plot \| chromatic parallelism \| conversing \| leading lady \| leading man \| packing \| parallelism \| passionate \| room \| tender
In This Our Life (1942)	Stanley (Peter Lies)	0:13:28 - Peter talks about his trip	9th chord \| advance plot \| appoggiatura \| conversing \| leading lady \| leading man \| lying \| musical clue \| packing \| room \| serious \| somber
In This Our Life (1942)	Roy (In Love)	0:13:39 - Roy is relieved	64 chord \| advance plot \| calm \| chromatic sequence \| conversing \| dissonant bass \| leading lady \| leading man \| room \| sequential modulation \| whole-tone chord
In This Our Life (1942)	Discussion	0:13:57 - Roy talks with Peter	9th chord \| advance plot \| altered dominant \| conversing \| leading lady \| leading man \| passionate \| reverse picardy \| room \| serious \| somber
In This Our Life (1942)	Roy (Rubato)	0:14:34 - Roy talks with Peter	9th chord \| advance plot \| chromatic parallelism \| conversing \| dark \| fragmentation \| leading lady \| leading man \| major 7th chord \| playful \| room
In This Our Life (1942)	Pleadingly	0:14:53 - Roy looks at Peter	advance plot \| altered dominant \| common-tone dominant 7th \| conversing \| leading lady \| leading man \| room \| yearning
In This Our Life (1942)	Roy (Lento)	0:14:59 - Roy talks about their future	64 chord \| advance plot \| common-chord modulation \| conversing \| dark \| deceptive resolution \| dissonant bass \| embracing \| leading lady \| leading man \| room \| sweet
In This Our Life (1942)	Stanley B (Agitato)	0:15:19 - Peter replies to Roy	advance plot \| agitated \| arguing \| chromatic scale \| dissonant bass \| half-diminished 7th chord \| leading lady \| leading man \| room \| tense \| whole-tone chord
In This Our Life (1942)	Roy (Morendo)	0:15:43 - Roy responds to Peter	added-note chord \| advance plot \| augmented sixth chord \| conversing \| embracing \| leading lady \| leading man \| room \| serious \| somber
In This Our Life (1942)	Stanley (Maestoso)	0:16:11 - Peter closes the door	advance plot \| brash \| dark \| half-diminished 7th chord \| leading lady \| leading man \| leaving \| room \| serious
In This Our Life (1942)	Stanley (Valse Triste)	0:16:22 - Roy looks out the window	9th chord \| advance plot \| altered dominant \| appoggiatura \| circle of fifths \| dark \| leading lady \| leading man \| leaving \| room \| somber \| waltz \| watching \| window
In This Our Life (1942)	Stanley B (Valse Triste)	0:16:33 - Craig arrives	9th chord \| advance plot \| arriving \| dark \| dissonant bass \| leading lady \| leading man \| somber \| street \| waltz \| watching \| window
In This Our Life (1942)	Stanley	0:16:44 - Craig comes inside	9th chord \| advance plot \| appoggiatura \| circle of fifths \| dark \| father \| leading lady \| leading man \| room \| somber \| waltz
In This Our Life (1942)	South American Way	0:24:06 - A spinning record	AABA structure \| advance plot \| conversing \| dancing \| Latin-American \| leading lady \| leading man \| love interest \| popular music \| record player \| room \| source music \| upbeat
In This Our Life (1942)	Stanley (Gloomy)	0:28:32 - Roy walking in the park	9th chord \| advance plot \| altered dominant \| appoggiatura \| chromatic parallelism \| dark \| depressed \| leading lady \| leading man \| park \| sigh gesture \| sitting \| tritone substitution
In This Our Life (1942)	Roy (Rubato)	0:29:00 - Roy talks to Craig	9th chord \| advance plot \| chromatic parallelism \| conversing \| fragmentation \| leading lady \| leading man \| major 7th chord \| park \| uneasy
In This Our Life (1942)	Pleadingly	0:29:23 - Roy talks to Craig	advance plot \| altered dominant \| common-tone dominant 7th \| conversing \| leading lady \| leading man \| park \| uneasy
In This Our Life (1942)	Stanley (Morendo)	0:29:32 - Craig talks with Roy	9th chord \| advance plot \| appoggiatura \| chromatic parallelism \| conversing \| harmonic sequence \| leading lady \| leading man \| park \| somber
In This Our Life (1942)	Roy (Encouragement)	0:29:56 - Roy tries to cheer Craig up	9th chord \| advance plot \| common-chord modulation \| conversing \| encouraging \| leading lady \| leading man \| park \| sequential modulation \| uplifting
In This Our Life (1942)	Roy (Tender)	0:30:21 - Craig talks to Roy	64 chord \| advance plot \| conversing \| deceptive resolution \| gentle \| leading lady \| leading man \| mode mixture \| park \| sweet
In This Our Life (1942)	Here Comes the Bride (A Little Shimmer)	0:31:40 - A convertible	9th chord \| 11th chord \| 64 chord \| car \| courthouse \| deceptive resolution \| happy \| leading lady \| leading man \| leaving \| pump-up modulation \| sequential modulation \| street \| wedding \| wedding
In This Our Life (1942)	Stanley (Stringy)	0:32:14 - Stanley and Peter in the car	9th chord \| appoggiatura \| car \| circle of fifths \| conversing \| leading lady \| leading man \| sultry \| wedding \| wedding
In This Our Life (1942)	Stanley (She Runs)	0:32:24 - Stanley talks to Peter	car \| chromatic parallelism \| chromatic sequence \| conversing \| diminution \| leading lady \| leading man \| playful \| sequence \| wedding \| wedding
In This Our Life (1942)	Stanley (Shimmery)	0:32:33 - Stanley smiles	added-note chord \| car \| kissing \| leading lady \| leading man \| magical \| polychord \| wedding \| wedding
In This Our Life (1942)	Java Jive	0:32:41 - A dance hall	dance hall \| dance scene \| dancing \| leading lady \| leading man \| on-screen music \| popular music \| source music \| upbeat
In This Our Life (1942)	This Time the Dream's on Me	0:33:03 - Stanley and Peter sit at a table	AABA structure \| conversing \| dance hall \| dance scene \| dancing \| leading lady \| leading man \| on-screen music \| popular music \| source music \| upbeat
In This Our Life (1942)	Stanley Introduction (Extended)	0:36:41 - Peter goes home	9th chord \| arriving \| car \| chromatic scale \| leading man \| love scene \| room \| solemn \| somber \| tense
In This Our Life (1942)	Stanley (Cello Solo)	0:37:11 - Peter sits on the couch	9th chord \| contemplating \| enharmonic respelling \| leading man \| love scene \| room \| sigh gesture \| somber
In This Our Life (1942)	Flirting	0:37:31 - Peter goes to Stanley	9th chord \| 64 chord \| conversing \| flirting \| happy \| leading lady \| leading man \| love scene \| mode mixture \| room
In This Our Life (1942)	Stanley (Grazioso)	0:37:56 - Stanley talks to Peter	9th chord \| added-note chord \| appoggiatura \| circle of fifths \| conversing \| flirting \| happy \| leading lady \| leading man \| love scene \| pleasant \| room \| sultry
In This Our Life (1942)	Driving	0:38:19 - Roy and Craig in a car	9th chord \| calm \| car \| conversing \| driving \| leading lady \| leading man \| love interest \| love scene \| oscillation
In This Our Life (1942)	Driving + Love Theme	0:39:07 - Roy and Craig in a car	9th chord \| altered dominant \| calm \| car \| combination of themes \| conversing \| driving \| iii chord \| leading lady \| leading man \| love interest \| love scene \| oscillation \| pedal tone \| romantic \| suspension
In This Our Life (1942)	Danger	0:39:54 - A forest ranger	conversing \| danger \| fire \| forest ranger \| leading lady \| leading man \| love interest \| love scene \| minor-major 7th chord \| outdoors \| tense
In This Our Life (1942)	Forest Fire	0:40:10 - A forest fire	conversing \| dangerous \| diminished 7th chord \| eerie \| fire \| leading lady \| leading man \| love interest \| love scene \| outdoors \| pc set \| polychord
In This Our Life (1942)	Love Theme	0:40:44 - Roy and Craig sit on the ground	9th chord \| altered dominant \| artwork in score \| calm \| conversing \| fire \| iii chord \| leading lady \| leading man \| love interest \| love scene \| outdoors \| romantic \| suspension
In This Our Life (1942)	Blues in the Night	0:42:47 - Stanley puts a record on the phonograph	arguing \| blue note \| blues \| conflict \| leading lady \| leading man \| record player \| room \| source music \| upbeat
In This Our Life (1942)	Love Theme (Valse Sentimentale)	0:44:06 - Roy and Craig embrace	9th chord \| altered dominant \| calm \| conversing \| iii chord \| leading lady \| leading man \| love scene \| office \| romantic \| waltz
In This Our Life (1942)	Love Theme (Valse Sentimentale)	0:46:31 - Roy talks with her uncle	9th chord \| altered dominant \| conversing \| iii chord \| leading lady \| leading man \| love scene \| pleasant \| proposal \| room \| tender \| uncle \| waltz
In This Our Life (1942)	Funereal	0:48:25 - Asa calls for the others	bad news \| conversing \| father \| leading lady \| leading man \| room \| solemn \| stinger \| turning point \| uncle
In This Our Life (1942)	Underscoring (Somber)	0:48:46 - Asa relates the bad news	9th chord \| bad news \| conversing \| deceptive resolution \| father \| leading lady \| leading man \| room \| sigh gesture \| somber \| turning point \| uncle \| underscoring
In This Our Life (1942)	Underscoring (Dark)	0:49:21 - Asa tells them Peter committed suicide	conversing \| dark \| father \| leading lady \| leading man \| room \| stinger \| suicide \| triadic transformation \| turning point \| uncle \| underscoring
In This Our Life (1942)	Stanley B (Agitato)	0:49:32 - Uncle Fitzroy asks about Stanley	agitated \| altered dominant \| arguing \| chromatic scale \| chromatic sequence \| dissonant bass \| father \| leading lady \| leading man \| room \| suicide \| tense \| turning point \| uncle \| whole-tone chord
In This Our Life (1942)	Roy (Morendo 2)	0:49:54 - Roy reacts to the bad news	added-note chord \| appoggiatura \| augmented sixth chord \| conversing \| father \| leading lady \| leading man \| mode change \| room \| serious \| somber \| suicide \| turning point \| uncle
In This Our Life (1942)	How Do I Know It's Sunday	0:57:12 - Stanley starts a record playing	AABA structure \| advance plot \| conversing \| crying \| dancing \| father \| flirting \| leading lady \| leading man \| popular music \| record player \| room \| sister \| source music \| upbeat \| widow
In This Our Life (1942)	Underscoring (Tense)	1:05:14 - Craig in his office	advance plot \| arriving \| augmented triad \| lawyer \| leading lady \| leading man \| office \| pc set \| pedal tone \| tense \| underscoring
In This Our Life (1942)	Stanley Introduction (Extended 2)	1:05:31 - Stanley in Craig's office	9th chord \| advance plot \| chromatic scale \| conversing \| lawyer \| leading lady \| leading man \| office \| reading \| uneasy \| whole-tone chord
In This Our Life (1942)	Stanley (Extended)	1:05:53 - Stanley talks to Craig	9th chord \| advance plot \| appoggiatura \| circle of fifths \| conversing \| lawyer \| leading lady \| leading man \| office \| solemn \| uneasy
In This Our Life (1942)	Stanley B (Slowly)	1:06:13 - Stanley talks to Craig	9th chord \| advance plot \| chromatic parallelism \| chromatic scale \| conversing \| dissonant bass \| lawyer \| leading lady \| leading man \| office \| uneasy
In This Our Life (1942)	Stanley (Triste)	1:06:29 - Stanley talks to Craig	9th chord \| advance plot \| appoggiatura \| circle of fifths \| conversing \| lawyer \| leading lady \| leading man \| office \| uneasy
In This Our Life (1942)	Stanley (Misterioso)	1:06:47 - Stanley hesitates at the door	advance plot \| fragmentation \| hesitating \| lawyer \| leading lady \| leading man \| mysterious \| office \| pc set
In This Our Life (1942)	Stanley Introduction	1:07:01 - Stanley talks to Craig	9th chord \| advance plot \| chromatic scale \| lawyer \| leading lady \| leading man \| manipulating \| office \| passionate
In This Our Life (1942)	Stanley	1:07:11 - Stanley talks to Craig	9th chord \| advance plot \| appoggiatura \| circle of fifths \| lawyer \| leading lady \| leading man \| manipulating \| office \| uneasy
In This Our Life (1942)	Stanley B (Slowly)	1:07:19 - Stanley talks to Craig	advance plot \| anxious \| chromatic sequence \| dissonant bass \| lawyer \| leading lady \| leading man \| manipulating \| office \| tense
In This Our Life (1942)	Stanley (Dark)	1:07:32 - Stanley leaves	9th chord \| advance plot \| dark \| lawyer \| leading lady \| leading man \| manipulating \| office \| uneasy
In This Our Life (1942)	Stanley (Packing)	1:14:36 - Newspaper headline about the accident	9th chord \| appoggiatura \| arriving \| circle of fifths \| conflict \| conversing \| headline \| lawyer \| leading lady \| leading man \| mysterious \| newspaper \| office
In This Our Life (1942)	Underscoring (Tense)	1:15:04 - Craig refuses Parry's case	conflict \| conversing \| denying \| lawyer \| leading lady \| leading man \| office \| ominous \| refusing \| tritone oscillation \| underscoring
In This Our Life (1942)	Stanley (Molto Accell)	1:15:15 - Craig talks about Stanley	anxious \| conflict \| conversing \| defending \| denying \| half-diminished 7th chord \| lawyer \| leading lady \| leading man \| office \| pc set \| refusing \| sigh gesture \| tense
In This Our Life (1942)	Roy (Molto Moderato)	1:15:51 - Roy leaves	added-note chord \| angry \| conflict \| half-diminished 7th chord \| lawyer \| leading lady \| leading man \| leaving \| office
In This Our Life (1942)	Stanley (Slowly)	1:16:07 - Craig reads a note	9th chord \| altered dominant \| conflict \| lawyer \| leading man \| note \| office \| sentimental \| thinking \| whole-tone chord
In This Our Life (1942)	Fast Driving (Tense)	1:20:10 - Craig's car pulls up to the jail	arriving \| car \| car \| conflict \| conversing \| criminal \| lawyer \| leading lady \| leading man \| oscillation \| pc set \| street \| tense \| underscoring \| uneasy
In This Our Life (1942)	Stanley (Slowly 2)	1:20:46 - Men playing checkers	checkers \| conflict \| criminal \| dark \| diminished 7th chord \| dissonant bass \| game \| lawyer \| leading lady \| leading man \| playing \| prison \| prisoner \| somber \| suspect \| victim
In This Our Life (1942)	Underscoring (Somber)	1:21:07 - Parry in his jail cell	9th chord \| conflict \| conversing \| criminal \| diminished 7th chord \| lawyer \| leading lady \| leading man \| prison \| prisoner \| sigh gesture \| somber \| suspect \| underscoring \| victim
In This Our Life (1942)	Minerva and Parry	1:21:28 - Parry in his jail cell	9th chord \| 11th chord \| blue note \| chromatic mediant \| common-tone diminished 7th \| conflict \| conversing \| criminal \| foreign key modulation \| lawyer \| leading lady \| leading man \| lying \| prison \| prisoner \| somber \| suspect \| tender \| testifying \| victim
In This Our Life (1942)	Minerva and Parry (Triste)	1:22:39 - Parry talks to Stanley	64 chord \| conflict \| conversing \| criminal \| lawyer \| leading lady \| leading man \| lying \| mode change \| prison \| prisoner \| solemn \| somber \| suspect \| testifying \| victim
In This Our Life (1942)	Stanley Introduction (Extended 4)	1:23:09 - Stanley and Craig leave the jail	9th chord \| car \| conflict \| criminal \| lawyer \| leading lady \| leading man \| leaving \| street \| tense
In This Our Life (1942)	London Bridge is Falling Down (Molto Expressivo)	1:23:33 - Craig talks to Stanley	car \| children's song \| conflict \| conversing \| criminal \| familiar tune \| lawyer \| leading lady \| leading man \| somber
In This Our Life (1942)	London Bridge is Falling Down (Mysterious)	1:23:45 - Craig and Stanley argue	9th chord \| car \| children's song \| conflict \| conversing \| criminal \| familiar tune \| lawyer \| leading lady \| leading man \| lying \| mysterious \| ominous
In This Our Life (1942)	Stanley (Agitato)	1:25:21 - Craig talks to Stanley	agitated \| climax \| conversing \| criminal \| father \| lawyer \| leading lady \| leading man \| mother \| pc set \| room \| suspect
In This Our Life (1942)	Underscoring (Tense) + South American Way	1:25:34 - Stanley reacts	accusing \| climax \| criminal \| father \| lawyer \| leading lady \| leading man \| lying \| mother \| mysterious \| ominous \| remembered source music \| remembering \| room \| source and scoring overlap \| source music \| suspect \| tense \| underscoring
In This Our Life (1942)	Stanley (Valse Triste)	1:26:23 - Stanley confesses	9th chord \| altered dominant \| appoggiatura \| arguing \| circle of fifths \| climax \| confessing \| confession \| criminal \| crying \| dramatic \| father \| lawyer \| leading lady \| leading man \| mother \| room \| suspect \| whole-tone chord
In This Our Life (1942)	Stanley B (Slowly Extended)	1:26:39 - Stanley confesses	9th chord \| agitated \| arguing \| chromatic scale \| chromatic sequence \| climax \| confessing \| confession \| criminal \| crying \| dissonant bass \| father \| lawyer \| leading lady \| leading man \| lying \| mother \| room \| suspect
In This Our Life (1942)	Expressivo (Extended)	1:27:04 - Lavinia rises	added-note chord \| arguing \| chromatic scale \| climax \| criminal \| emotional \| father \| lawyer \| leading lady \| leading man \| mother \| pleading \| retardation \| room \| suspect
In This Our Life (1942)	Big Sweep (Subtle)	1:27:23 - Stanley reacts	9th chord \| climax \| conversing \| criminal \| father \| lawyer \| leading lady \| leading man \| mother \| pc set \| plotting \| room \| suspect \| tense \| underscoring
In This Our Life (1942)	Stanley (Extended)	1:27:33 - Stanley goes upstairs	9th chord \| appoggiatura \| circle of fifths \| climax \| conversing \| criminal \| crying \| father \| lawyer \| leading lady \| leading man \| mother \| room \| somber \| suspect \| uneasy
In This Our Life (1942)	Love Theme (Gentle)	1:27:58 - Roy talks to Craig	9th chord \| accusing \| altered dominant \| climax \| conversing \| criminal \| crying \| embracing \| gentle \| iii chord \| lawyer \| leading lady \| leading man \| room \| sneaking \| tender
In This Our Life (1942)	Big Sweep	1:28:57 - Stanley escapes	11th chord \| altered dominant \| climax \| criminal \| dramatic \| driving \| escaping \| lawyer \| leading lady \| leading man \| pc set \| room \| underscoring \| watching
In This Our Life (1942)	Stanley (Driving Away)	1:29:06 - Craig goes to the phone	agitated \| calling \| chromatic parallelism \| chromatic sequence \| climax \| diminished 7th chord \| lawyer \| leading man \| pedal tone \| room \| telephone \| walking
In This Our Life (1942)	Love Theme (Slowly)	1:35:39 - Craig answers a phone call	comforting \| conversing \| leading lady \| leading man \| resolution \| room \| solemn \| somber \| tender \| The End
The Informer (1935)	The Informer (Walking)	0:01:44 - Gypo walks down the street	countermelody \| establish character \| leading man \| mickey-mousing \| mysterious \| poster \| Scotch snap \| street \| walking
The Informer (1935)	Poster	0:02:01 - Gypo looks at the reward poster for Frankie McPhillip	establish character \| leading man \| mickey-mousing \| mysterious \| poster \| stepping \| stinger \| street
The Informer (1935)	Drinking Song	0:02:15 - Gypo and Frankie sing at a pub	cheerful \| drinking \| establish character \| flashback \| leading man \| on-screen music \| pub \| remembering \| singing \| somber \| source music \| street
The Informer (1935)	Underscoring (Tense)	0:02:23 - Gypo stares at the poster, thinking	64 chord \| establish character \| leading man \| muttering \| mysterious \| street \| thinking \| underscoring
The Informer (1935)	Rule, Britannia!	0:02:32 - Close-up on the 20 pound reward on the poster	British \| dark \| establish character \| familiar tune \| leading man \| linear chromaticism \| looking \| mode change \| patriotic tune \| poster \| source music \| street \| tense
The Informer (1935)	Tearing down poster	0:02:47 - Gypo tears the reward poster off of the wall	dissonant bass \| down \| establish character \| leading man \| linear chromaticism \| mickey-mousing \| poster \| removing \| street \| tearing \| upset
The Informer (1935)	The Rose of Tralee	0:02:54 - Man sings an Irish folk song by a lamp post	calm \| establish character \| familiar tune \| folk song \| Irish \| leading man \| on-screen music \| poster \| singing \| source music \| street \| walking
The Informer (1935)	Poster blowing 1	0:03:05 - Torn poster blows down the street onto Gypo's leg	augmented sixth chord \| blowing \| establish character \| leading man \| mickey-mousing \| mysterious \| parallelism \| poster \| street \| wind
The Informer (1935)	Poster blowing 2	0:03:26 - Torn poster blows down the street onto Gypo's leg again	blowing \| clinging \| diminished 7th chord \| establish character \| leading man \| mickey-mousing \| mysterious \| parallelism \| poster \| street \| wind
The Informer (1935)	Underscoring (Tense)	0:05:04 - Gypo sees the man and walks towards him	establish character \| leading lady \| leading man \| mysterious \| street \| tense \| underscoring \| walking \| whole-tone
The Informer (1935)	Throwing man down	0:05:31 - Gypo picks the man up and throws him in the street	angry \| down \| establish character \| falling \| leading man \| mickey-mousing \| street \| throwing \| whole-tone \| whole-tone chord
The Informer (1935)	Katie Calls Gypo	0:05:38 - Katie says Gypo's name	conversing \| diminished 7th chord \| dissonant bass \| establish character \| leading lady \| leading man \| mickey-mousing \| somber \| staring \| street
The Informer (1935)	Katie (Tired and Sad)	0:05:49 - Katie talks to Gypo	conversing \| crying \| diminished 7th chord \| establish character \| leading lady \| leading man \| parallelism \| Scotch snap \| sobbing gesture \| somber \| street
The Informer (1935)	Yankee Doodle (Octatonic)	0:06:21 - Katie looks at the poster about a trip to America	American \| comical \| conversing \| dark \| diminished 7th chord \| establish character \| leading lady \| leading man \| octatonic \| parallelism \| patriotic tune \| source music \| street
The Informer (1935)	Katie (Hurt)	0:06:58 - Katie is upset with Gypo and walks away upset	agitated \| chromatic scale \| crying \| establish character \| leading lady \| leading man \| leaving \| street \| tritone \| upset
The Informer (1935)	Footsteps	0:07:16 - Close-up on walking feet	establish character \| footsteps \| leading man \| mickey-mousing \| mysterious \| street \| tritone \| walking
The Informer (1935)	The Wearin' o' the Green (Mysterious)	0:08:57 - Frankie enters the Dunboy house to join the rebels	arriving \| diminished 7th chord \| dissonant bass \| establish character \| familiar tune \| folk song \| hero \| Irish \| leading man \| mysterious \| parallelism \| room \| street \| tense
The Informer (1935)	Yankee Doodle (Fateful Decision)	0:12:56 - Gypo has a vision of the wanted poster	American \| contemplating \| deciding \| familiar tune \| flashback \| leading man \| linear chromaticism \| montage \| mysterious \| patriotic tune \| pedal tone \| pivotal scene \| room \| street \| tense \| vision
The Informer (1935)	Katie (Fateful Decision)	0:13:48 - Gypo heads towards the British headquarters	American \| church bell \| contemplating \| deciding \| diminished 7th chord \| familiar tune \| leading man \| mickey-mousing \| mysterious \| parallelism \| patriotic tune \| pedal tone \| pivotal scene \| police station \| street \| tense
The Informer (1935)	Blood Money (Extended)	0:18:55 - British officer tosses money down on the table	antagonist \| augmented triad \| grabbing \| leading man \| money \| mysterious \| pivotal scene \| police \| police station \| tense \| tossing \| tritone \| whole-tone
The Informer (1935)	Blood Money (Counting Money)	0:19:21 - Gypo closes the door	advance plot \| antagonist \| counting \| leading man \| money \| mysterious \| street \| tense \| tritone
The Informer (1935)	Blind Man	0:19:29 - Gypo meets the blind man	64 chord \| advance plot \| antagonist \| blind man \| leading man \| mysterious \| street \| walking
The Informer (1935)	Blood Money + Blind Man	0:20:27 - Gypo looks at Frankie's poster again	advance plot \| antagonist \| combination of themes \| leading man \| looking \| mysterious \| poster \| street \| tense \| whole-tone
The Informer (1935)	The Informer (Whiskey)	0:20:46 - Gypo enters a pub	64 chord \| advance plot \| antagonist \| entering \| hurrying \| leading man \| mysterious \| pub \| Scotch snap
The Informer (1935)	Blood Money (Whiskey)	0:21:03 - Gypo takes his money out to pay the bartender	advance plot \| antagonist \| bartender \| leading man \| money \| mysterious \| paying \| pub \| tense
The Informer (1935)	The Informer (Drinking)	0:21:23 - Gypo takes a drink	advance plot \| antagonist \| bartender \| drinking \| leading man \| mysterious \| octatonic \| pub \| Scotch snap \| tense \| tritone \| whole-tone \| whole-tone chord
The Informer (1935)	Blood Money (Worrying)	0:21:57 - Gypo worries about what he has done	advance plot \| antagonist \| augmented triad \| drinking \| hearing voices \| leading man \| mysterious \| planning \| pub \| tense \| thinking \| tritone \| whole-tone \| worrying
The Informer (1935)	Katie (Triste)	0:22:38 - Katie appears at the window	64 chord \| advance plot \| antagonist \| conversing \| foreign key modulation \| leading lady \| leading man \| parallelism \| pub \| sultry \| watching
The Informer (1935)	Blood Money (Four Coins)	0:23:15 - Bartender puts four coins on the table	advance plot \| antagonist \| augmented triad \| bartender \| coin \| counting \| half-diminished 7th chord \| leading lady \| leading man \| mickey-mousing \| money \| mysterious \| placing \| pub \| tense
The Informer (1935)	The Informer (Lying)	0:23:40 - Gypo lies about where he got the money	advance plot \| antagonist \| chromatic sequence \| conversing \| diminished 7th chord \| dissonant bass \| half-diminished 7th chord \| leading lady \| leading man \| lying \| octatonic \| pub \| Scotch snap \| tense
The Informer (1935)	Blind Man + Blood Money	0:24:45 - Blind man wanders in and Gypo gives him money	advance plot \| antagonist \| augmented triad \| blind man \| combination of themes \| giving \| leading lady \| leading man \| money \| mysterious \| ominous \| street \| walking
The Informer (1935)	The Informer (Bold)	0:25:26 - Gypo storms off down the street	64 chord \| advance plot \| antagonist \| bold \| determined \| hurrying \| leading lady \| leading man \| Scotch snap \| street \| walking
The Informer (1935)	The Minstrel Boy	0:25:32 - Man sings a folk tune at the street corner	9th chord \| AABA structure \| advance plot \| angelic \| antagonist \| calm \| familiar tune \| folk song \| gentle \| leading man \| listening \| mode mixture \| mourner \| mourning \| on-screen music \| playing \| praying \| singer \| singing \| street \| violinist \| watching
The Informer (1935)	Blood Money (Delicato)	0:28:43 - Gypo drops four coins on the floor	antagonist \| augmented triad \| coin \| dropping \| leading man \| mickey-mousing \| money \| mourner \| pivotal scene \| room \| staring \| tense \| whole-tone
The Informer (1935)	The Informer (Tense)	0:29:21 - Gypo defends himself	antagonist \| coin \| leading man \| money \| mourner \| mysterious \| pivotal scene \| room \| Scotch snap \| staring \| tense \| whole-tone \| whole-tone chord
The Informer (1935)	The Informer (Suspicion)	0:29:47 - Gypo leaves the wake	64 chord \| antagonist \| coin \| crying \| dissonant bass \| dropping \| giving \| leading man \| leaving \| mickey-mousing \| money \| mourner \| pivotal scene \| room \| Scotch snap \| sigh gesture \| somber \| staring
The Informer (1935)	The Informer (Walking Fast)	0:30:13 - Gypo storms off down the street	64 chord \| advance plot \| antagonist \| chromatic parallelism \| diminished 7th chord \| hurrying \| leading man \| Scotch snap \| street \| tense \| walking
The Informer (1935)	The Informer (Burning Poster) + Blood Money	0:32:03 - Gypo in rebel headquarters	advance plot \| antagonist \| burning \| combination of themes \| diminished 7th chord \| fire \| headquarters \| leading man \| mickey-mousing \| mysterious \| octatonic \| rebel \| rising \| room \| Scotch snap \| tense \| tone cluster
The Informer (1935)	Drinking Song 2	0:40:12 - Gypo sings a drunken song	advance plot \| antagonist \| drunk \| leading man \| on-screen music \| singing \| source music \| street
The Informer (1935)	The Irish Washerwoman	0:43:45 - People sing and dance in a pub	advance plot \| antagonist \| bar \| familiar tune \| folk song \| happy \| Irish \| leading man \| source music \| whistling
The Informer (1935)	Blood Money	0:44:44 - Gypo tosses money to the pub-keeper	advance plot \| antagonist \| bar \| bartender \| excited \| giving \| leading man \| money
The Informer (1935)	The Irish Washerwoman (Pub) + Blood Money + The Wearin' o' the Green + The Informer	0:44:52 - People celebrate in the pub	advance plot \| antagonist \| bar \| chaotic \| chromatic scale \| close-up \| combination of themes \| crowd \| dark \| dissonant bass \| excited \| familiar tune \| folk song \| foreign key modulation \| happy \| heroic \| Irish \| layering \| leading man \| mob \| mobbing \| octatonic \| parallelism \| pedal tone \| polytonality \| rebel \| serving \| source to score \| spying \| tense \| whole-tone \| yelling \| zoom in
The Informer (1935)	Katie (Gypo is Drunk)	0:46:36 - Gypo tells the rebel about "somebody waiting for me"	advance plot \| antagonist \| augmented sixth chord \| breaking \| drunk \| leading man \| street \| transcribed by ear \| walking
The Informer (1935)	He Is Me Darling-O	0:47:03 - Gypo and another man sing drunkenly	advance plot \| Aeolian mode \| antagonist \| drunk \| familiar tune \| folk song \| Irish \| leading man \| street \| transcribed by ear \| walking
The Informer (1935)	Katie (Poster)	0:47:58 - Gypo looks at the America poster	advance plot \| antagonist \| leading man \| pondering \| poster \| sentimental \| street \| transcribed by ear
The Informer (1935)	Blood money (Thinking)	0:48:58 - Gypo pulls out and counts his money	advance plot \| antagonist \| conversing \| leading man \| money \| mysterious \| ostinato \| pondering \| street
The Informer (1935)	Katie (Thinking)	0:49:37 - Gypo looks at the money and the poster	9th chord \| advance plot \| antagonist \| leading man \| money \| pondering \| sentimental \| street
The Informer (1935)	Here Comes the Bride	0:49:55 - Dream sequence of a voyage to America	64 chord \| advance plot \| antagonist \| boat \| double exposure \| dreaming \| familiar tune \| leading lady \| leading man \| pedal tone \| romantic \| ship \| street \| vision \| wedding
The Informer (1935)	My Man	0:50:19 - Gypo talks with his friend	AB structure \| advance plot \| antagonist \| cheerful \| conversing \| leading man \| party \| source music \| street
The Informer (1935)	Katie (Mistaken Identity)	0:52:34 - Gypo thinks he sees Katie, but it's someone else	advance plot \| antagonist \| augmented sixth chord \| hallucinating \| hallucination \| leading lady \| leading man \| party \| sentimental \| transcribed by ear
The Informer (1935)	Dardanella	0:53:41 - Gypo buys drinks at a party	AB structure \| advance plot \| antagonist \| celebrating \| cheerful \| crowd \| drinking \| leading man \| on-screen music \| party \| partying \| source music
The Informer (1935)	Believe Me If All Those Endearing Young Charms	0:55:32 - A woman prepares to sing a song at a party	advance plot \| antagonist \| cheerful \| crowd \| leading man \| on-screen music \| party \| playing \| source music
The Informer (1935)	Believe Me If All Those Endearing Young Charms	0:58:23 - Singing continues (from the previous scene)	advance plot \| antagonist \| crowd \| crying \| familiar tune \| folk song \| leading man \| on-screen music \| party \| sentimental \| singing
The Informer (1935)	The Informer (King Gypo)	1:01:03 - Gypo's friend brags about him	advance plot \| antagonist \| bragging \| cheerful \| crowd \| friend \| leading man \| party \| proud
The Informer (1935)	The Informer (Quiet!)	1:01:27 - The rebels enter and start an argument	64 chord \| advance plot \| antagonist \| arguing \| bold \| crowd \| dark \| friend \| interrupting \| leading man \| matching speech \| mickey-mousing \| party \| rebel
The Informer (1935)	The Informer (Drunk)	1:03:23 - Gypo walks down the street drunk	advance plot \| antagonist \| drunk \| leading lady \| leading man \| marching \| rebel \| street
The Informer (1935)	The Informer (Molto Agitato)	1:03:45 - Katie worries for Gypo	advance plot \| antagonist \| chromatic parallelism \| conversing \| drunk \| half-diminished 7th chord \| leading lady \| leading man \| rebel \| street
The Informer (1935)	The Wearin' o' the Green (Fighting)	1:03:51 - Gypo struggles with the rebels	64 chord \| advance plot \| antagonist \| chromatic parallelism \| conversing \| dominant 7th chord \| drunk \| familiar tune \| fighting \| folk song \| fragmentation \| leading lady \| leading man \| reassuring \| rebel \| sequence \| street \| struggling \| syncopation
The Informer (1935)	Blood Money (Ostinato)	1:04:10 - The rebels overhear Gypo talking about the money	advance plot \| antagonist \| conversing \| drunk \| leading lady \| leading man \| money \| mysterious \| ostinato \| rebel \| street \| whole-tone chord
The Informer (1935)	Falling down the stairs	1:06:19 - Gypo falls down the stairs	9th chord \| antagonist \| chromatic scale \| courtroom scene \| down \| dramatic \| falling \| headquarters \| leading man \| mickey-mousing \| rebel \| room \| stairs \| suspect
The Informer (1935)	Dan and Mary (Legato)	1:07:46 - Gypo looks at Mary	antagonist \| courtroom \| courtroom scene \| delicate \| gentle \| headquarters \| leading man \| pedal tone \| room \| sister \| suspect \| watching
The Informer (1935)	Blind Man (Tribunal)	1:08:08 - Gypo looks at the blind man	64 chord \| accusing \| antagonist \| blind man \| chromatic scale \| courtroom \| courtroom scene \| headquarters \| leading man \| pedal tone \| room \| serious \| suspect \| watching
The Informer (1935)	The Informer (Laughing)	1:09:04 - Gypo laughs at Peter	accusing \| antagonist \| augmented sixth chord \| bold \| courtroom \| courtroom scene \| headquarters \| leading man \| octatonic \| room \| serious \| suspect
The Informer (1935)	Blood Money (The Trial) + Blind Man (The Trial)	1:15:13 - The rebels ask Gypo where he got the money	antagonist \| axis of symmetry \| blind man \| combination of themes \| courtroom \| courtroom scene \| fanfare \| headquarters \| interrogating \| interrogation \| leading man \| mirroring \| money \| mysterious \| questioning \| room \| suspect
The Informer (1935)	Katie (The Trial)	1:15:36 - The rebels ask Gypo about Katie	antagonist \| axis of symmetry \| courtroom \| courtroom scene \| headquarters \| interrogating \| interrogation \| leading man \| mirroring \| money \| mysterious \| questioning \| room \| suspect
The Informer (1935)	Blood Money (The Trial) + The Informer (The Trial)	1:15:40 - Dan asks "Who was the informer?"	antagonist \| axis of symmetry \| combination of themes \| courtroom \| courtroom scene \| headquarters \| interrogating \| interrogation \| inversion \| leading man \| mirroring \| money \| mysterious \| questioning \| room \| suspect \| whole-tone
The Informer (1935)	The Informer (Confession)	1:16:00 - Gypo confesses and cries	9th chord \| altered dominant \| antagonist \| confessing \| confession \| courtroom \| courtroom scene \| crying \| deceptive resolution \| diminished 7th chord \| dissonant bass \| guilt \| half-diminished 7th chord \| headquarters \| leading man \| pedal tone \| pedal tone \| remorseful \| room \| traitor
The Informer (1935)	Katie (Despair)	1:16:18 - Gypo confesses and cries	antagonist \| climax \| confessing \| confession \| courtroom \| courtroom scene \| crying \| dissonant bass \| guilt \| headquarters \| leading man \| remorseful \| room \| sequence \| traitor
The Informer (1935)	The Informer (Tranquillo)	1:16:35 - Gypo is taken away	antagonist \| arresting \| authentic cadence \| climax \| confessing \| confession \| courtroom \| courtroom scene \| crying \| guilt \| headquarters \| hero \| leading man \| leaving \| love interest \| pleading \| remorseful \| room \| traitor
The Informer (1935)	Blood Money (Ostinato)	1:17:10 - Gypo waits in his cell while the rebels draw straws	advance plot \| antagonist \| dripping \| escaping \| gun \| headquarters \| leading man \| mysterious \| ostinato \| prison \| rebel \| room \| shooting \| tense \| traitor \| whispering \| worrying
The Informer (1935)	The Escape	1:19:46 - Gypo escapes and a chase ensues	advance plot \| antagonist \| chromatic scale \| dramatic \| escaping \| headquarters \| hurrying \| leading man \| mickey-mousing \| prison \| rebel \| room \| running \| traitor \| whole-tone \| whole-tone chord
The Informer (1935)	The Informer (Gypo Hides)	1:20:38 - Gypo sees British soldiers marching	antagonist \| hiding \| leading man \| marching \| running \| street \| tense \| traitor \| transition
The Informer (1935)	The Informer (Adagio)	1:21:15 - Gypo imagines Frankie's poster	antagonist \| hallucinating \| hallucination \| leading man \| mysterious \| street \| suspension \| traitor \| transition
The Informer (1935)	Gypo runs away	1:21:26 - Gypo runs and hides	agitated \| antagonist \| chromatic parallelism \| diminished 7th chord \| hiding \| leading man \| mickey-mousing \| running \| sequence \| street \| tense \| traitor \| transition
The Informer (1935)	The Informer (Up the Stairs)	1:21:35 - Gypo goes up the stairs	64 chord \| agitated \| antagonist \| chromatic sequence \| fragmentation \| hallway \| hiding \| leading man \| mickey-mousing \| running \| sequence \| stairs \| tense \| traitor \| transition \| up
The Informer (1935)	Blood Money (Ostinato)	1:22:00 - Gypo confesses to Katie	antagonist \| confessing \| leading lady \| leading man \| love interest \| love scene \| money \| ostinato \| room \| tense \| traitor \| whole-tone
The Informer (1935)	Katie (Allegro Appassionato)	1:22:20 - Gypo talks to Katie	antagonist \| confessing \| leading lady \| leading man \| love interest \| love scene \| room \| sequence \| tense \| traitor
The Informer (1935)	By the Fire	1:22:36 - Gypo rests by the fire	antagonist \| half-diminished 7th chord \| leading lady \| leading man \| love interest \| love scene \| romantic \| room \| suspension \| traitor \| yearning
The Informer (1935)	Katie (Dolcissimo)	1:22:57 - Gypo talks to Katie	antagonist \| chromatic sequence \| leading lady \| leading man \| love \| love interest \| love scene \| romantic \| room \| traitor \| yearning
The Informer (1935)	Blood Money (Ostinato)	1:27:32 - Rebels come to capture Gypo	antagonist \| climax \| leading man \| mysterious \| ostinato \| rebel \| room \| sneaking \| tense \| traitor \| whispering
The Informer (1935)	The Escape (The Fight)	1:28:25 - Rebels shoot through the door	antagonist \| augmented triad \| chromatic parallelism \| chromatic scale \| climax \| down \| dramatic \| escaping \| falling \| fighting \| leading man \| linear chromaticism \| mickey-mousing \| rebel \| room \| running \| tense \| traitor \| whole-tone
The Informer (1935)	Blood Money (Tuttissimo)	1:28:53 - Gypo stumbles into a church	antagonist \| church \| climax \| dirge \| dissonant bass \| dominant pedal \| dying \| half-diminished 7th chord \| leading man \| mysterious \| street \| stumbling \| tense \| traitor \| walking \| whole-tone \| whole-tone chord
The Informer (1935)	The Informer (Pathetic)	1:29:48 - Gypo stumbles toward Frankie's mother	antagonist \| church \| climax \| diminished 7th chord \| dying \| gentle \| leading man \| main theme \| pedal tone \| somber \| stumbling \| traitor \| walking
The Informer (1935)	Sancta Maria	1:30:27 - Frankie's mother forgives Gypo	antagonist \| church \| climax \| confessing \| dying \| gentle \| leading man \| mother \| sacred \| somber \| suspension \| traitor
Key Largo (1948)	I Gotta Right to Sing the Blues	0:04:21 - Frank speaks with people in the bar	conversing \| establish character \| gangster \| hotel \| jazz \| leading man \| moll \| radio \| sentimental \| source music
Key Largo (1948)	Largo Hotel (Quasi Misterioso)	0:11:00 - Frank and Nora talk in the hotel	conversing \| establish character \| hotel \| leading lady \| leading man \| mysterious \| tense
Key Largo (1948)	Rocco 2	0:11:30 - Frank and Nora talk about Rocco	conversing \| establish character \| harsh \| hotel \| leading lady \| leading man
Key Largo (1948)	McCloud	0:11:41 - Nora talks about her husband George	conversing \| establish character \| heroic \| hotel \| leading lady \| leading man \| memorializing \| noble
Key Largo (1948)	Underscoring (Somber)	0:13:51 - Frank talks with Mr. Temple	advance plot \| conversing \| father \| hotel \| leading lady \| leading man \| prelude \| somber \| underscoring
Key Largo (1948)	McCloud (Noble)	0:14:28 - Frank talks about George and the war	advance plot \| death \| father \| heroic \| hotel \| leading lady \| leading man \| memory \| noble \| remembering \| storytelling \| war
Key Largo (1948)	McCloud (Tense)	0:14:56 - Nora and Frank talk about George	advance plot \| agitated \| death \| father \| hotel \| leading lady \| leading man \| memory \| mode change \| remembering \| storytelling \| tense \| war
Key Largo (1948)	McCloud (Molto Expressivo)	0:15:36 - Frank and Mr. Temple talk about George	advance plot \| death \| father \| hotel \| leading lady \| leading man \| memory \| remembering \| somber \| storytelling \| tender \| war
Key Largo (1948)	Burial Place	0:16:11 - Frank talks about George's burial place	advance plot \| death \| father \| hotel \| hymn \| leading lady \| leading man \| memory \| remembering \| somber \| storytelling \| tender \| war
Key Largo (1948)	McCloud (Bugle Call) + Taps	0:16:31 - Mr. Temple asks Frank about George's burial place	advance plot \| bugle call \| combination of themes \| death \| father \| heroic \| hotel \| leading lady \| leading man \| memory \| noble \| remembering \| somber \| storytelling \| taps \| war
Key Largo (1948)	McCloud (Broad)	0:17:00 - Nora and Frank go outside	advance plot \| bright \| death \| father \| hotel \| leading lady \| leading man \| memory \| remembering \| somber \| storytelling \| tender \| walking \| war
Key Largo (1948)	Nora	0:17:32 - Nora and Frank walk to the boat	conversing \| dock \| falling in love scene \| leading lady \| leading man \| romantic \| triadic \| wind
Key Largo (1948)	Nora (Nervous)	0:17:53 - Nora sees the gangsters	conversing \| dock \| falling in love scene \| gangster \| leading lady \| leading man \| nervous \| wind
Key Largo (1948)	Wind	0:18:21 - Frank helps prepare for the storm	conversing \| dock \| falling in love scene \| gangster \| leading lady \| leading man \| storm \| tense \| wind
Key Largo (1948)	Tosses rope	0:18:32 - Frank tosses the rope to Nora	dock \| falling in love scene \| leading lady \| leading man \| mickey-mousing \| rope \| tense \| throwing
Key Largo (1948)	Nora (Con Moto)	0:18:40 - Nora smiles at Frank	dock \| falling in love scene \| leading lady \| leading man \| romantic \| smiling \| watching
Key Largo (1948)	Tosses rope 2	0:18:47 - Frank tosses the rope to Nora	dock \| falling in love scene \| leading lady \| leading man \| mickey-mousing \| romantic \| rope \| throwing
Key Largo (1948)	Seminoles	0:19:11 - Seminole Indians arrive	advance plot \| arriving \| boat \| conversing \| dock \| Indian \| Indian \| leading lady \| leading man \| rowing \| serious
Key Largo (1948)	Seminoles (Grandma)	0:19:46 - Elderly Indian woman talks to Nora	advance plot \| arriving \| boat \| conversing \| dock \| grandmother \| Indian \| Indian \| leading lady \| leading man \| old woman \| serious \| smoking
Key Largo (1948)	Seminoles (Brothers)	0:20:29 - Nora talks with Seminole Indians	advance plot \| arriving \| boat \| conversing \| dock \| Indian \| Indian \| leading lady \| leading man \| serious
Key Largo (1948)	McCloud (Noble)	0:21:22 - Nora and Frank talk about her life	advance plot \| heroic \| hotel \| leading lady \| leading man \| memory \| noble \| remembering \| storytelling
Key Largo (1948)	Rocco 3	0:25:37 - Curly pushes Nora	dangerous \| establish character \| gangster \| gun \| hotel \| leading man \| mysterious \| stinger \| threatening \| violence
Key Largo (1948)	Rocco 3 (Misterioso)	0:28:45 - Sawyer starts moaning in the other room	boss \| conflict \| gangster \| gun \| hostage \| hotel \| leading lady \| leading man \| menacing \| mysterious \| threatening
Key Largo (1948)	Rocco (Cut From Film)	NIF - not in film	boss \| conversing \| cut from film \| cut from film \| father \| gangster \| hostage \| hotel \| leading lady \| leading man
Key Largo (1948)	Rocco 2 (Cut From Film)	NIF - not in film	boss \| conversing \| cut from film \| cut from film \| father \| gangster \| hostage \| hotel \| leading lady \| leading man
Key Largo (1948)	Rocco 3 (Cut from Film)	NIF - not in film	boss \| conversing \| cut from film \| cut from film \| father \| gangster \| hostage \| hotel \| leading lady \| leading man
Key Largo (1948)	Tension	NIF - not in film	boss \| conversing \| cut from film \| cut from film \| father \| gangster \| hostage \| hotel \| leading lady \| leading man
Key Largo (1948)	Rocco (Tense 2)	NIF - not in film	boss \| conversing \| cut from film \| cut from film \| father \| gangster \| hostage \| hotel \| leading lady \| leading man
Key Largo (1948)	Rocco 2 (Misterioso)	NIF - not in film	boss \| conversing \| cut from film \| cut from film \| father \| gangster \| hostage \| hotel \| leading lady \| leading man
Key Largo (1948)	Rocco 3 (Cut From Film 2)	NIF - not in film	boss \| conversing \| cut from film \| cut from film \| father \| gangster \| hostage \| hotel \| leading lady \| leading man
Key Largo (1948)	McCloud (Cut From Film)	NIF - not in film	boss \| conversing \| cut from film \| cut from film \| father \| gangster \| hostage \| hotel \| leading lady \| leading man
Key Largo (1948)	Rocco 2 (Slowly) + McCloud (Tritone)	0:32:57 - McCloud quotes FDR	angry \| boss \| combination of themes \| conflict \| conversing \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| mysterious \| quoting \| stinger
Key Largo (1948)	Underscoring (Dramatic)	0:33:17 - Mr. Temple rises to attack Rocco	angry \| arguing \| attacking \| boss \| conflict \| dramatic \| father \| gangster \| hostage \| hotel \| laughing \| leading lady \| leading man \| tense \| underscoring
Key Largo (1948)	Falling	0:33:38 - Mr. Temple falls to the ground	angry \| boss \| conflict \| dramatic \| falling \| father \| gangster \| hostage \| hotel \| landing \| leading lady \| leading man \| mickey-mousing \| tense
Key Largo (1948)	Underscoring (Dramatic)	0:33:43 - Nora rises to attack Rocco	angry \| attacking \| boss \| conflict \| dramatic \| father \| gangster \| hitting \| horror \| hostage \| hotel \| kissing \| leading lady \| leading man \| tense \| underscoring \| violence
Key Largo (1948)	Rocco 2	0:33:53 - Rocco talks to Nora	boss \| conflict \| dangerous \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| mysterious \| threatening
Key Largo (1948)	McCloud (Tragic)	0:34:05 - McCloud and Nora help Mr. Temple up	boss \| conflict \| father \| gangster \| helping \| hostage \| hotel \| leading lady \| leading man \| mode change \| solemn \| somber
Key Largo (1948)	Rocco 3	0:39:45 - Rocco looks at Nora	boss \| conflict \| creepy \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| mysterious \| tense \| watching
Key Largo (1948)	Rocco Whispers	0:39:53 - Rocco whispers to Nora	boss \| conflict \| creepy \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| mickey-mousing \| mysterious \| tense \| whisper effect \| whispering
Key Largo (1948)	Rocco 3	0:40:06 - Rocco follows Nora	boss \| conflict \| creepy \| father \| following \| gangster \| hostage \| hotel \| leading lady \| leading man \| mysterious \| tense
Key Largo (1948)	Rocco Whispers	0:40:10 - Rocco whispers to Nora	boss \| conflict \| creepy \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| mickey-mousing \| mysterious \| tense \| whisper effect \| whispering
Key Largo (1948)	Underscoring (Dramatic)	0:40:21 - Nora spits in Rocco's face	angry \| boss \| conflict \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| spitting \| staring \| stinger \| underscoring
Key Largo (1948)	McCloud (Dissonant)	0:40:25 - McCloud walks over to Nora	angry \| boss \| conflict \| dramatic \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| protecting
Key Largo (1948)	Rocco 3 (Angry)	0:40:32 - Rocco gets angry	angry \| boss \| conflict \| dramatic \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| stinger \| taunting
Key Largo (1948)	Rocco 2 (Agitato)	0:46:26 - Look of horror on Gaye's face	boss \| conflict \| father \| fear \| gangster \| horror \| hostage \| hotel \| leading lady \| leading man \| look of horror \| moll \| stinger \| watching
Key Largo (1948)	Underscoring (Tense)	0:46:30 - Rocco tells McCloud to shoot him	boss \| conflict \| conversing \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| moll \| tense \| underscoring
Key Largo (1948)	Rocco 3 (Shrill)	0:46:38 - Rocco mocks McCloud	boss \| conflict \| dangerous \| father \| gangster \| gun \| hostage \| hotel \| leading lady \| leading man \| moll \| tense \| threatening
Key Largo (1948)	Tension (Violent)	0:46:44 - McCloud decides whether to shoot	boss \| conflict \| dangerous \| father \| gangster \| gun \| hostage \| hotel \| leading lady \| leading man \| moll \| tense \| threatening \| violence \| violent
Key Largo (1948)	Rocco + Tension	0:46:48 - Rocco's grinning face	boss \| combination of themes \| conflict \| dangerous \| father \| gangster \| gun \| hostage \| hotel \| leading lady \| leading man \| moll \| staring \| tense \| threatening \| violence \| violent
Key Largo (1948)	Rocco 3 + Tension + Laughing	0:46:53 - Gangsters laugh at McCloud	boss \| combination of themes \| conflict \| dangerous \| father \| gangster \| gun \| hostage \| hotel \| laughing \| leading lady \| leading man \| mocking \| moll \| tense \| violence \| violent
Key Largo (1948)	Tosses gun	0:47:06 - McCloud tosses the gun onto a chair	boss \| conflict \| father \| gangster \| gun \| hostage \| hotel \| leading lady \| leading man \| mickey-mousing \| moll \| tense \| tossing \| violence
Key Largo (1948)	Rocco 3 (Extended)	0:47:08 - Mr. Temple asks for the gun	boss \| conflict \| dangerous \| father \| gangster \| gun \| hostage \| hotel \| leading lady \| leading man \| moll \| staring \| tense \| threatening \| violence \| violent
Key Largo (1948)	McCloud (Triste)	0:47:23 - Rocco mocks McCloud	boss \| conflict \| conversing \| father \| gangster \| gun \| hostage \| hotel \| leading lady \| leading man \| mode change \| moll \| serious \| somber
Key Largo (1948)	Scrambling	0:47:31 - Deputy runs for the gun	boss \| conflict \| dangerous \| father \| gangster \| gun \| hostage \| hotel \| leading lady \| leading man \| mickey-mousing \| moll \| running \| scrambling \| tense \| violent
Key Largo (1948)	Rocco (Conflict)	0:47:39 - Gaye looks terrified	boss \| conflict \| danger \| father \| fear \| gangster \| gun \| horror \| hostage \| hotel \| leading lady \| leading man \| look of horror \| moll \| staring \| stinger \| threatening \| violence
Key Largo (1948)	Underscoring (Dramatic)	0:48:10 - Rocco shoots Deputy Sawyer	boss \| conflict \| death \| dramatic \| father \| fear \| gangster \| gun \| gunshot \| horror \| hostage \| hotel \| leading lady \| leading man \| look of horror \| moll \| shooting \| stinger \| tense
Key Largo (1948)	Falling and dying	0:48:19 - Deputy Sawyer falls dead off-screen	boss \| conflict \| death \| dramatic \| dying \| falling \| father \| gangster \| gun \| gunshot \| hostage \| hotel \| leading lady \| leading man \| mickey-mousing \| moll \| tense
Key Largo (1948)	Ominous	0:51:32 - Lights begin to go out in the hotel	boss \| conversing \| dark \| develop character \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| menacing \| moll \| ominous \| preparing \| storm \| tense
Key Largo (1948)	Expressivo	0:52:37 - Mr. Temple is helped down the stairs	advance plot \| boss \| father \| gangster \| gentle \| helping \| hostage \| hotel \| leading lady \| leading man \| noble \| stairs
Key Largo (1948)	Rocco 2 (Menacing)	0:52:59 - Rocco stares at McCloud and Nora	advance plot \| boss \| dark \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| menacing \| staring
Key Largo (1948)	Moanin’ Low	0:56:55 - Gaye sings "Moanin' Low"	awkward \| blues \| bluesy \| boss \| develop character \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| moll \| nervous \| on-screen music \| singer \| singing \| source music
Key Largo (1948)	Moanin’ Low (Quasi Appassionato)	0:58:38 - McCloud gets a drink for Gaye	alcohol \| bluesy \| boss \| crying \| develop character \| familiar tune \| father \| gangster \| helping \| hostage \| hotel \| leading lady \| leading man \| moll \| somber \| source to score
Key Largo (1948)	Moanin’ Low (Tense)	0:59:24 - Gaye takes a drink	alcohol \| boss \| develop character \| drinking \| familiar tune \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| moll \| slapping \| tense \| whole-tone
Key Largo (1948)	Underscoring (Tense)	0:59:37 - McCloud and Gaye exchange glances	boss \| develop character \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| moll \| staring \| tense \| underscoring
Key Largo (1948)	Rocco Pacing	1:02:01 - Rocco paces back and forth	boss \| develop character \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| moll \| nervous \| ominous \| pacing \| sinister \| walking
Key Largo (1948)	Rocco 3 (Nervous)	1:02:52 - Rocco yells at Gaye	arguing \| boss \| dark \| develop character \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| menacing \| moll
Key Largo (1948)	McCloud (Molto Expressivo)	1:07:31 - McCloud wakes Nora after the storm	conversing \| gentle \| hotel \| leading lady \| leading man \| love interest \| love scene \| resting \| romance \| waking \| warm
Key Largo (1948)	McCloud (Delicato)	1:08:14 - McCloud talks with Nora	conversing \| delicate \| father \| gentle \| hotel \| leading lady \| leading man \| love interest \| love scene \| warm
Key Largo (1948)	Underscoring (Tense)	1:16:54 - Close-ups on McCloud and Rocco	boss \| gangster \| hotel \| investigation scene \| leading man \| staring \| tense \| underscoring
Key Largo (1948)	McCloud (Somber)	1:17:43 - Sheriff questions McCloud	determined \| hotel \| investigation scene \| leading man \| police \| questioning \| somber
Key Largo (1948)	Underscoring (Tense)	1:18:47 - They all walk to another room	boss \| father \| gangster \| hostage \| hotel \| investigation scene \| leading lady \| leading man \| moll \| obeying \| tense \| underscoring
Key Largo (1948)	McCloud (Slowly)	1:24:14 - McCloud and Nora exchange glances	advance plot \| hotel \| leading lady \| leading man \| looking \| love interest \| somber
Key Largo (1948)	Rocco (Leaving)	1:25:33 - Gangsters leave the hotel with McCloud	advance plot \| boss \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| leaving \| moll \| ominous \| walking
Key Largo (1948)	Rocco (Tense)	1:25:49 - Gangsters leave to board the boat	advance plot \| boss \| dock \| father \| gangster \| hostage \| leading lady \| leading man \| moll \| tense \| walking
Key Largo (1948)	Hurrying	1:26:02 - Gangsters walk to the boat	advance plot \| boss \| dock \| father \| gangster \| hostage \| hurrying \| leading lady \| leading man \| mickey-mousing \| moll \| tense \| walking
Key Largo (1948)	Underscoring (Dramatic)	1:26:10 - Gangsters board the boat with McCloud	advance plot \| boarding \| boss \| dock \| dramatic \| gangster \| hostage \| leading lady \| leading man \| moll \| storm \| tense \| underscoring \| wind
Key Largo (1948)	Tension (The Boat)	1:26:31 - McCloud tries to start the boat	advance plot \| boat \| boat \| boss \| dramatic \| gangster \| hostage \| leading man \| leaving \| motor \| sputtering \| starting \| stinger \| tense
Key Largo (1948)	Rocco exits	1:35:14 - Rocco exits	boat \| boss \| conflict \| dramatic \| exiting \| gangster \| gun \| gunshot \| leading man \| mickey-mousing \| shooting \| tense
Key Largo (1948)	Rocco's Death	1:35:17 - Rocco falls	boat \| boss \| conflict \| death \| dramatic \| dying \| falling \| gangster \| gun \| gunshot \| leading man \| mickey-mousing \| shooting \| stinger \| tense
Key Largo (1948)	Climbing down	1:35:31 - McCloud climbs down	boat \| climbing \| conflict \| descending \| leading man \| mickey-mousing \| mysterious \| tense
Key Largo (1948)	Tension (The Boat 2)	1:35:44 - McCloud steers the boat	boat \| conflict \| hopeful \| leading man \| steering \| tense
Key Largo (1948)	Hope	1:36:11 - McCloud calls for help on the radio	boat \| calling \| conflict \| hopeful \| leading man \| radio \| steering
Key Largo (1948)	Relief	1:38:40 - Nora answers the phone	answering \| hopeful \| hotel \| leading lady \| leading man \| relieved \| resolution \| telephone
Key Largo (1948)	McCloud (Maestoso)	1:39:43 - McCloud steers the boat home	boat \| hopeful \| leading man \| resolution \| returning \| sailing \| triumphant
Lightning Strikes Twice (1951)	Menace	0:01:23 - Priest in a prison	arriving \| conversing \| dark \| establish character \| funeral march \| funereal \| guard \| leading man \| priest \| prison \| prisoner \| solemn \| somber \| walking \| warden
Lightning Strikes Twice (1951)	Liza	0:02:55 - Trev is released from death row	calm \| conversing \| establish character \| guard \| hopeful \| leading man \| priest \| prison \| prisoner \| relief \| reprieve \| walking \| warden
Lightning Strikes Twice (1951)	Menace (Ominous)	0:17:50 - Newspaper headline about Trev	actor \| conversing \| dark \| establish character \| headline \| leading lady \| leading man \| newspaper \| ominous \| room \| suspect
Lightning Strikes Twice (1951)	Trev (Screwy)	0:18:19 - Trev hands a candle to Shelly	actor \| candle \| conversing \| establish character \| leading lady \| leading man \| mysterious \| room \| suspect \| tense \| uneasy
Lightning Strikes Twice (1951)	Shelly (Concerned)	0:18:30 - Shelly looks at Trev	actor \| candle \| concerned \| conversing \| establish character \| leading lady \| leading man \| room \| suspect \| tense \| thinking
Lightning Strikes Twice (1951)	Shelly 3	0:18:52 - Shelly puts down her candle	actor \| candle \| concerned \| establish character \| leading lady \| leading man \| room \| suspect \| unpacking \| walking \| worried
Lightning Strikes Twice (1951)	Shelly 2 (Misterioso)	0:19:14 - Shelly gets ready for bed	actor \| candle \| concerned \| establish character \| leading lady \| leading man \| preparing \| room \| suspect \| thinking \| thoughtful \| worried
Lightning Strikes Twice (1951)	Fear	0:19:42 - Shelly lies down in the dark	actor \| darkness \| establish character \| fear \| leading lady \| leading man \| listening \| room \| suspect \| tense \| thinking
Lightning Strikes Twice (1951)	Shelly and Trev	NIF - not in film	actor \| blowing \| candle \| cut from film \| establish character \| leading lady \| leading man \| light \| room \| suspect \| tense \| turning off
Lightning Strikes Twice (1951)	Shelly and Trev (Smile)	0:20:20 - Shelly looks at Trev	actor \| calm \| establish character \| leading lady \| leading man \| looking \| morning \| peaceful \| room \| sleeping \| smiling \| staring \| suspect \| thinking \| waking
Lightning Strikes Twice (1951)	Shelly and Trev (Molto Expressivo)	0:23:31 - Shelly makes a promise	actor \| conversing \| countryside \| departing \| horse \| leading lady \| leading man \| promise \| somber \| suspect \| transition
Lightning Strikes Twice (1951)	Shelly (Traveling) + Shelly 2 (Allegretto)	0:23:40 - Shelly travels to Tumblewood Ranch	actor \| arriving \| bright \| car \| cheerful \| combination of themes \| countryside \| cut from film \| desert \| driving \| horse \| leading lady \| leading man \| ranch \| suspect \| transition \| traveling \| walking
Lightning Strikes Twice (1951)	Father Paul (Carriage)	0:35:13 - Priest riding in a carriage	arriving \| carriage \| dog \| flashback \| galloping \| horse \| leading man \| mysterious \| priest \| ranch \| suspect \| traveling \| upbeat \| voice-over
Lightning Strikes Twice (1951)	Mournful	0:35:50 - Priest hears a dog whimpering	body \| death \| dog \| flashback \| leading man \| priest \| ranch \| sad \| searching \| somber \| suspect \| whimpering
Lightning Strikes Twice (1951)	Trev (Triste)	0:38:59 - Trev enters the store	actor \| advance plot \| arriving \| leading lady \| leading man \| looking \| somber \| staring \| store \| suspect \| watching \| whispering \| worker
Lightning Strikes Twice (1951)	Shelly (Legato) + Shelly 2 (Legato)	0:42:32 - Shelly gets off of her horse	actor \| arriving \| calm \| combination of themes \| countryside \| hiking \| horse \| leading lady \| leading man \| love interest \| suspect \| transition \| walking
Lightning Strikes Twice (1951)	Stumbling	0:42:50 - Shelly slips on a rock and almost falls	actor \| cliff \| countryside \| danger \| dramatic \| falling in love scene \| leading lady \| leading man \| love interest \| mickey-mousing \| slipping \| stumbling \| suspect
Lightning Strikes Twice (1951)	Fear (Vertigo)	0:42:57 - Shelly talks with Trev	actor \| cliff \| conversing \| countryside \| danger \| falling in love scene \| fear \| heights \| leading lady \| leading man \| love interest \| suspect \| tense \| underscoring
Lightning Strikes Twice (1951)	Shelly (Expressivo) + Shelly 2 (Expressivo)	0:43:13 - Shelly talks with Trev	actor \| calm \| cliff \| combination of themes \| conversing \| countryside \| falling in love scene \| leading lady \| leading man \| love interest \| romance \| suspect \| tense
Lightning Strikes Twice (1951)	Shelly 2 (Dolce)	0:43:38 - Shelly talks with Trev	actor \| cliff \| conversing \| countryside \| falling in love scene \| leading lady \| leading man \| love interest \| romance \| romantic \| suspect
Lightning Strikes Twice (1951)	Shelly 3 (Appassionato)	0:43:47 - Shelly talks with Trev	actor \| cliff \| conversing \| countryside \| falling in love scene \| leading lady \| leading man \| love interest \| romance \| romantic \| suspect
Lightning Strikes Twice (1951)	Shelly 2 (Dolcissimo)	0:44:07 - Shelly looks at Trev	actor \| cliff \| conversing \| countryside \| falling in love scene \| gentle \| leading lady \| leading man \| love interest \| romance \| romantic \| suspect
Lightning Strikes Twice (1951)	Underscoring (Tense)	0:44:51 - Shelly talks with Trev	actor \| cliff \| conversing \| countryside \| falling in love scene \| leading lady \| leading man \| love interest \| suspect \| suspenseful \| tense \| underscoring
Lightning Strikes Twice (1951)	Shelly and Trev (Taken Aback)	0:45:08 - Shelly reacts to Trev's question	actor \| arguing \| cliff \| countryside \| falling in love scene \| leading lady \| leading man \| love interest \| reacting \| somber \| suspect
Lightning Strikes Twice (1951)	Shelly (Menacing)	0:45:23 - Shelly talks with Trev	actor \| arguing \| cliff \| countryside \| falling in love scene \| leading lady \| leading man \| love interest \| menacing \| reacting \| suspect
Lightning Strikes Twice (1951)	Shelly 2 (Romantic)	0:45:51 - Shelly talks with Trev	actor \| cliff \| conversing \| countryside \| departing \| falling in love scene \| gentle \| leading lady \| leading man \| love interest \| romantic \| suspect \| underscoring
Lightning Strikes Twice (1951)	Stumbling 2	0:46:03 - Shelly starts back along path	actor \| cliff \| climbing \| countryside \| danger \| dramatic \| falling in love scene \| hiking \| leading lady \| leading man \| love interest \| slipping \| stumbling \| suspect
Lightning Strikes Twice (1951)	Rock falls	0:46:09 - A rock falls on the path	actor \| cliff \| countryside \| danger \| dramatic \| falling \| falling in love scene \| leading lady \| leading man \| love interest \| mickey-mousing \| rock \| suspect
Lightning Strikes Twice (1951)	Fear	0:46:12 - Shelly is scared and can't move	actor \| cliff \| clinging \| countryside \| dark \| falling in love scene \| fear \| heights \| leading lady \| leading man \| love interest \| suspect \| tense
Lightning Strikes Twice (1951)	Trev (Triste 2)	0:46:33 - Trev climbs to help Shelly	actor \| cliff \| climbing \| countryside \| danger \| falling in love scene \| helping \| heroic \| leading lady \| leading man \| love interest \| rescue \| rescuing \| romantic \| somber \| suspect \| tense
Lightning Strikes Twice (1951)	Rescue	0:47:42 - Trev rescues Shelly	actor \| cliff \| climbing \| countryside \| dramatic \| falling in love scene \| helping \| leading lady \| leading man \| love interest \| rescue \| rescuing \| suspect \| tense \| triumphant
Lightning Strikes Twice (1951)	Shelly and Trev (Appassionato)	0:47:56 - Trev embraces Shelly	actor \| cliff \| countryside \| falling in love scene \| hugging \| kissing \| leading lady \| leading man \| love interest \| romantic \| suspect
Lightning Strikes Twice (1951)	Shelly (Agitato)	1:03:34 - Shelly runs away	actor \| agitated \| calm \| conflict \| embracing \| escaping \| friend \| hurrying \| leading lady \| leading man \| love interest \| ranch \| reuniting \| suspect
Lightning Strikes Twice (1951)	Emotion	1:05:10 - Shelly cries	actor \| comforting \| conversing \| crying \| leading lady \| leading man \| love interest \| love scene \| ranch \| somber \| suspect
Lightning Strikes Twice (1951)	Menace (Nightmare)	1:05:38 - Trev tells Shelly of a recurring dream	actor \| comforting \| conversing \| crying \| dark \| leading lady \| leading man \| love interest \| love scene \| ranch \| solemn \| suspect \| tense
Lightning Strikes Twice (1951)	Trev (Tenderly)	1:06:09 - Trev kisses Shelly	actor \| crying \| embracing \| gentle \| kissing \| leading lady \| leading man \| love interest \| love scene \| marriage \| proposal \| ranch \| romantic \| suspect
Lightning Strikes Twice (1951)	Shelly and Trev (Tenderly)	1:06:50 - Trev and Shelly embrace	actor \| conversing \| embracing \| kissing \| leading lady \| leading man \| love interest \| love scene \| marriage \| proposal \| ranch \| romantic \| suspect
Lightning Strikes Twice (1951)	Shelly and Trev (Ecstatic)	1:07:09 - A car pulls up the ranch	actor \| arriving \| driving \| embracing \| kissing \| leading lady \| leading man \| love interest \| love scene \| ranch \| romantic \| suspect
Lightning Strikes Twice (1951)	Shelly and Trev (Molto Tranquillo)	1:07:22 - Trev and Shelly get out of the car	actor \| calm \| conversing \| embracing \| leading lady \| leading man \| love interest \| love scene \| ranch \| romantic \| suspect
Lightning Strikes Twice (1951)	Shelly (Peaceful) + Shelly 2 (Peaceful)	1:07:58 - Trev and Shelly embrace	actor \| calm \| combination of themes \| conversing \| embracing \| kissing \| leading lady \| leading man \| love interest \| love scene \| mother \| owner \| ranch \| romantic \| room \| suspect
Lightning Strikes Twice (1951)	Ave Maria (Religioso)	1:10:24 - Justice of the Peace sign	actor \| chapel \| classical \| familiar tune \| justice of the peace \| leading lady \| leading man \| love interest \| marrying \| religious \| ring \| Schubert \| source music \| suspect \| tender \| wedding \| wedding
Lightning Strikes Twice (1951)	El Pregon de Santiago	1:11:53 - Johnny plays the guitar and sings	actor \| Cuban \| friend \| guitar \| husband \| leading lady \| leading man \| on-screen music \| party \| performer \| room \| serenading \| singing \| suspect \| upbeat
Lightning Strikes Twice (1951)	La Paloma	1:12:40 - Johnny sings briefly	actor \| friend \| guitar \| husband \| leading lady \| leading man \| Mexican \| on-screen music \| party \| performer \| room \| serenading \| singing \| suspect \| upbeat
Lightning Strikes Twice (1951)	Pulls doorknob	1:16:03 - Shelly pulls off the doorknob	actor \| danger \| doorknob \| husband \| leading lady \| leading man \| love scene \| mickey-mousing \| mysterious \| pulling \| room \| suspect \| suspicion \| tense
Lightning Strikes Twice (1951)	Mournful (Quasi Misterioso)	1:16:09 - Trev talks with Shelly	actor \| calm \| conversing \| fear \| husband \| leading lady \| leading man \| love scene \| room \| suspect \| suspicion \| worrying
Lightning Strikes Twice (1951)	Shelly and Trev (Dolce)	1:16:52 - Trev embraces Shelly	actor \| calm \| conversing \| embracing \| happy \| husband \| leading lady \| leading man \| love scene \| relief \| room \| suspect
Lightning Strikes Twice (1951)	Shelly (Molto Grazioso) + Shelly 2	1:17:01 - Shelly smiles at Trev	actor \| calm \| conversing \| embracing \| happy \| husband \| leading lady \| leading man \| love scene \| room \| suspect
Lightning Strikes Twice (1951)	Underscoring (Somber)	1:17:15 - Trev stares at Shelly	actor \| dark \| husband \| leading lady \| leading man \| love scene \| reacting \| room \| somber \| suspect \| underscoring
Lightning Strikes Twice (1951)	Shelly and Trev (Tenderly)	1:17:31 - Trev and Shelly embrace	actor \| conversing \| embracing \| husband \| kissing \| leading lady \| leading man \| love scene \| romantic \| room \| solemn \| suspect
Lightning Strikes Twice (1951)	Shelly and Trev (Smile)	1:17:51 - Shelly gets ready for bed	actor \| husband \| leading lady \| leading man \| love scene \| romantic \| room \| suspect \| undressing
Lightning Strikes Twice (1951)	Spider	1:18:41 - Trev hits a spider	actor \| bug effect \| fear \| hitting \| husband \| leading lady \| leading man \| mad scene \| room \| running \| scurrying \| spider \| suspect \| tense
Lightning Strikes Twice (1951)	Mournful (Scared)	1:18:45 - Shelly is afraid of Trev	actor \| crying \| fear \| husband \| leading lady \| leading man \| mad scene \| room \| somber \| suspect \| worrying
Lightning Strikes Twice (1951)	Afraid	1:19:02 - Shelly leaves Trev in fear	actor \| crying \| dramatic \| escaping \| fanfare \| fear \| husband \| leading lady \| leading man \| mad scene \| room \| self-borrowing \| stinger \| suspect \| worrying
Lightning Strikes Twice (1951)	Shelly (Escaping)	1:19:17 - Shelly flees from Trev	actor \| dramatic \| escaping \| fear \| fleeing \| husband \| leading lady \| leading man \| mad scene \| room \| running \| suspect \| unlocking
Lightning Strikes Twice (1951)	Shelly 2 (Fleeing)	1:19:32 - Shelly runs to the car	actor \| chasing \| dramatic \| driving \| fear \| fleeing \| husband \| leading lady \| leading man \| mad scene \| ranch \| running \| running effect \| suspect
Lightning Strikes Twice (1951)	Shelly (Fleeing)	1:19:41 - Trev sees Shelly drive away	actor \| dramatic \| driving \| fear \| fleeing \| husband \| leading lady \| leading man \| mad scene \| ranch \| running effect \| suspect
Lightning Strikes Twice (1951)	Menace (Misterioso)	1:19:48 - Trev calls Harvey	arguing \| conversing \| husband \| leading man \| mad scene \| mysterious \| room \| suspect \| suspense \| telephone
Lightning Strikes Twice (1951)	Shelly (Attack)	NIF - not in film	actor \| arriving \| attacking \| attempted murder \| conflict \| cut from film \| dark \| frantic \| friend \| husband \| leading lady \| leading man \| murderer \| rancher \| room \| rushing \| strangling
Lightning Strikes Twice (1951)	Shelly 2 (Attack)	NIF - not in film	actor \| arriving \| attacking \| attempted murder \| conflict \| cut from film \| dark \| frantic \| friend \| husband \| leading lady \| leading man \| murderer \| rancher \| room \| rushing \| strangling
Lightning Strikes Twice (1951)	Shelly 3 (Attack)	NIF - not in film	actor \| arriving \| attacking \| attempted murder \| conflict \| cut from film \| dark \| frantic \| friend \| husband \| leading lady \| leading man \| murderer \| rancher \| room \| rushing \| strangling
Lightning Strikes Twice (1951)	Trev (Realization)	1:26:36 - Close-up on Trev's face	actor \| anger \| chasing \| climax \| close-up \| dark \| friend \| husband \| leading lady \| leading man \| menacing \| murderer \| rancher \| realizing \| room \| zoom in
Lightning Strikes Twice (1951)	Underscoring (Dramatic)	1:26:47 - Trev runs after Liza	actor \| anger \| chasing \| climax \| dramatic \| friend \| husband \| leading lady \| leading man \| murderer \| rancher \| room \| running \| underscoring
Lightning Strikes Twice (1951)	Escape	1:26:51 - Liza runs away	actor \| brother \| chasing \| climax \| dark \| escaping \| friend \| husband \| leading lady \| leading man \| murderer \| ranch \| rancher \| room \| tense
Lightning Strikes Twice (1951)	Trev runs	1:27:01 - Trev runs after Liza	chasing \| climax \| dramatic \| husband \| leading man \| mickey-mousing \| murderer \| ranch \| rancher \| running \| tense
Lightning Strikes Twice (1951)	Escape (Getaway)	1:27:08 - Trev runs back inside	actor \| brother \| chasing \| climax \| dramatic \| escaping \| friend \| husband \| leading lady \| leading man \| murderer \| ranch \| rancher \| room \| tense
The Life of Vergie Winters (1934)	Oh! You Beautiful Doll	0:17:47 - People in a bar	advance plot \| bar \| business man \| conversing \| mode mixture \| ragtime \| source music \| upbeat
The Life of Vergie Winters (1934)	Ida (Sweet As Apple Cider)	0:28:55 - People in a bar	advance plot \| bar \| business man \| conversing \| parallel double period \| ragtime \| source music \| upbeat
The Life of Vergie Winters (1934)	Semper Fidelis	0:30:32 - A march is played outside	advance plot \| celebrating \| cheering \| child \| common-chord modulation \| conversing \| crowd \| gossiper \| leading lady \| leading man \| march \| patriotic tune \| politician \| source music \| spouse \| street \| upbeat
The Life of Vergie Winters (1934)	Lullaby (Not in Score)	0:32:18 - Vergie and John look at a baby picture	AABA structure \| calm \| common-chord modulation \| conversing \| cuddling \| leading lady \| leading man \| love interest \| love scene \| lullaby \| peaceful \| room \| score to source \| secret love \| transcribed by ear
The Life of Vergie Winters (1934)	Darktown Strutters' Ball	0:40:06 - Sadie and Mike in a bar	advance plot \| business man \| club \| common-chord modulation \| conversing \| friend \| love interest \| plotting \| ragtime \| source music \| upbeat
The Life of Vergie Winters (1934)	Lullaby (Military Band)	0:45:45 - Newspaper montage	64 chord \| fanfare \| leading man \| love interest \| montage \| pedal tone \| politician \| soldier \| triumphant
The Life of Vergie Winters (1934)	Over There (Military Band)	0:45:52 - Newspaper montage	leading man \| love interest \| montage \| patriotic tune \| politician \| soldier \| triumphant
The Life of Vergie Winters (1934)	Stars and Stripes Forever (Military Band)	0:46:01 - Newspaper montage	leading man \| love interest \| montage \| patriotic tune \| politician \| soldier \| triumphant
The Life of Vergie Winters (1934)	Stars and Stripes Forever (Allegro)	0:46:04 - Newspaper montage	64 chord \| added-note chord \| gentle \| leading lady \| leading man \| love interest \| montage \| patriotic tune \| pedal tone \| politician \| soldier
The Life of Vergie Winters (1934)	Lullaby (Sentimental)	0:53:43 - Vergie talks with John by the lake	conversing \| leading lady \| leading man \| love scene \| outside \| pedal tone \| secret love \| secret lover \| tender
The Life of Vergie Winters (1934)	Lullaby (Flowing)	0:53:59 - John talks with Vergie by the lake	altered dominant \| conversing \| diminished 7th chord \| happy \| leading lady \| leading man \| love scene \| outside \| pedal tone \| reassuring \| secret love \| secret lover
The Life of Vergie Winters (1934)	Lullaby (Somber)	0:54:14 - Vergie listens to John	altered dominant \| conversing \| leading lady \| leading man \| love scene \| outside \| secret love \| secret lover \| somber
The Life of Vergie Winters (1934)	Lullaby (Quasi Appassionato)	0:54:24 - John expresses his love for Vergie	conversing \| direct modulation \| dissonant bass \| fragmentation \| half-diminished 7th chord \| leading lady \| leading man \| love scene \| outside \| passionate \| secret love \| secret lover
The Life of Vergie Winters (1934)	Lullaby (Poco Con Moto)	0:54:53 - Joan and Vergie talk about the future	13th chord \| altered dominant \| conversing \| dissonant bass \| gentle \| leading lady \| leading man \| longing \| love scene \| outside \| pedal tone \| secret love \| secret lover \| sigh gesture
The Life of Vergie Winters (1934)	Lullaby (Clarinet Solo)	1:00:58 - John and Laura talk about Joan	added-note chord \| conflict \| conversing \| dramatic \| gentle \| leading man \| peaceful \| room \| stinger \| transcribed by ear \| wife
The Life of Vergie Winters (1934)	Lullaby (Agitated)	1:01:27 - John and Laura argue about Joan	agitated \| arguing \| common-tone diminished 7th \| conflict \| diminished 7th chord \| direct modulation \| fragmentation \| harmonic sequence \| leading man \| octatonic scale \| room \| tense \| transcribed by ear \| wife
The Life of Vergie Winters (1934)	Old Lavender	1:02:11 - Joan and Ranny enter	9th chord \| added-note chord \| altered dominant \| arguing \| common-chord modulation \| conflict \| conversing \| daughter \| direct modulation \| harmonic sequence \| leading man \| light \| love interest \| optimistic \| room \| surprise \| wife
The Life of Vergie Winters (1934)	Old Lavender (Celeste Solo)	1:02:43 - John paces around	conflict \| daughter \| direct modulation \| hesitating \| leading man \| love interest \| lying \| peaceful \| room \| surprise \| wife
The Life of Vergie Winters (1934)	Underscoring (Lyrical)	1:02:52 - Laura reveals that Joan is adopted	conflict \| daughter \| deflecting \| hesitating \| leading man \| love interest \| mode mixture \| peaceful \| pedal tone \| room \| surprise \| wife
The Life of Vergie Winters (1934)	Lullaby (Adagio)	1:03:02 - Joan reacts	conflict \| daughter \| diminished 7th chord \| direct modulation \| dissonant bass \| leading man \| love interest \| revealing \| room \| stinger \| surprise \| tense \| wife
The Life of Vergie Winters (1934)	Lullaby (Harp Solo)	1:03:33 - John tells Joan about her parents	conflict \| daughter \| deceiving \| deceptive resolution \| leading man \| love interest \| lullaby \| lying \| revealing \| room \| secondary dominant \| surprise \| tender \| wife
The Life of Vergie Winters (1934)	Old Lavender (Allegretto)	1:04:31 - Ranny reacts to the revelation	chromatic mediant \| conflict \| conversing \| daughter \| foreign key modulation \| fragmentation \| leading man \| light \| love interest \| mode mixture \| optimistic \| pedal tone \| room \| wife
The Life of Vergie Winters (1934)	Old Lavender (Gentle)	1:04:45 - Ranny takes the ring back from Joan	64 chord \| altered dominant \| conflict \| daughter \| leading man \| love interest \| peaceful \| pedal tone \| proposal \| proposing \| room \| wife
The Life of Vergie Winters (1934)	Here Comes the Bride (Slow)	1:05:05 - Ranny re-proposes to Joan	64 chord \| conflict \| daughter \| familiar tune \| leading man \| love interest \| peaceful \| proposal \| proposing \| room \| wife
The Life of Vergie Winters (1934)	Lullaby (Dolcissimo)	1:05:11 - Joan talks to Laura	9th chord \| conflict \| daughter \| leading man \| love interest \| peaceful \| proposal \| proposing \| room \| wife
The Life of Vergie Winters (1934)	Old Lavender (Ethereal)	1:05:26 - Ranny talks to Joan's parents	added-note chord \| common-chord modulation \| conflict \| conversing \| daughter \| leading man \| love interest \| mode mixture \| pedal tone \| room \| sentimental \| wife
The Life of Vergie Winters (1934)	Lullaby (Tender)	1:05:45 - Ranny leaves with Joan	13th chord \| conflict \| daughter \| leading man \| leaving \| love interest \| peaceful \| pedal tone \| room \| wife
The Life of Vergie Winters (1934)	Lullaby (Doloroso)	1:05:58 - John talks with his wife Laura	9th chord \| arguing \| conflict \| dark \| leading man \| leaving \| reverse picardy \| room \| tense \| wife
The Life of Vergie Winters (1934)	A Boy and a Girl	1:07:00 - John and Vergie listen to the radio	advance plot \| altered dominant \| common-chord modulation \| conversing \| leading lady \| leading man \| listening \| room \| secret lover \| sentimental \| simulated source music \| source to score \| transcribed by ear
The Life of Vergie Winters (1934)	Lullaby (Dolce)	1:08:00 - Vergie talks with John	9th chord \| advance plot \| common-chord modulation \| conversing \| leading lady \| leading man \| room \| score to source \| secret lover \| tender
The Life of Vergie Winters (1934)	Lullaby (Cello Solo)	1:08:38 - Vergie talks with John	added-note chord \| advance plot \| common-chord modulation \| confident \| hopeful \| hoping \| leading lady \| leading man \| room \| secret lover \| sweet \| warm
The Life of Vergie Winters (1934)	Lullaby (Passionate)	1:09:39 - John and Vergie embrace	9th chord \| advance plot \| embracing \| leading lady \| leading man \| pedal tone \| romantic \| room \| secret lover \| tense
The Life of Vergie Winters (1934)	Lullaby + Here Comes the Bride	1:10:07 - Vergie imagines the wedding	added-note chord \| bride \| calm \| chromatic mediant \| combination of themes \| common-chord modulation \| daughter \| double exposure \| familiar tune \| groom \| leading lady \| leading man \| peaceful \| secret lover \| ternary form \| transcribed by ear \| walking \| wedding \| wedding \| wedding music
Rockabye (1932)	You've Got What Gets Me	0:53:27 - People at a party	ABAB structure \| advance plot \| cheerful \| conversing \| manager \| mother \| party \| source music
Rockabye (1932)	Rockin' Chair	0:59:16 - Judy talks to her manager	AABA structure \| advance plot \| conversing \| drinking \| leading lady \| manager \| party \| somber \| source music
Out of the Fog (1941)	Harbor Front	0:01:11 - Goff descends a ladder	boat \| criminal \| establish character \| fire \| harbor \| leading man \| sneaking \| tense
Out of the Fog (1941)	Concert in the Park	0:01:57 - Goff walks along the dock	arriving \| conversing \| criminal \| dock \| establish character \| gambling \| leading man \| popular music \| restaurant \| source and scoring overlap \| source music \| upbeat \| worker
Out of the Fog (1941)	Russian Barcarolle (Dark)	0:06:06 - Goff looks around the restaurant	chef \| criminal \| dark \| establish character \| leading man \| restaurant \| sneaking \| transcribed by ear
Out of the Fog (1941)	Stella Runs	0:11:35 - Stella runs out of the restaurant	boyfriend \| criminal \| departing \| dock \| emotional \| establish character \| evaded cadence \| leading lady \| leading man \| restaurant \| running \| transcribed by ear \| watching
Out of the Fog (1941)	Russian Barcarolle (Dark)	0:19:34 - Goff walks	boat \| chef \| conflict \| conversing \| criminal \| dark \| dock \| extortion \| father \| fisherman \| friend \| leading man \| threatening \| walking
Out of the Fog (1941)	Underscoring (Dark)	0:20:11 - Jonah reacts	arguing \| boat \| chef \| conflict \| conversing \| criminal \| dark \| dock \| extortion \| father \| fisherman \| friend \| leading man \| stinger \| tense \| threatening \| underscoring
Out of the Fog (1941)	Russian Barcarolle (Threatening)	0:20:40 - Goff threatens Jonah	arguing \| boat \| breaking \| chef \| conflict \| conversing \| criminal \| dark \| dock \| extortion \| father \| fisherman \| friend \| leading man \| tense \| threatening \| violence
Out of the Fog (1941)	Russian Barcarolle (Fear)	0:21:18 - Officer Magruder arrives	boat \| chef \| conflict \| conversing \| criminal \| dock \| extortion \| father \| fear \| fisherman \| friend \| leading man \| police \| sandwich \| solemn \| somber
Out of the Fog (1941)	Underscoring (Dramatic)	0:26:42 - Goff slaps Jonah	arguing \| chef \| conflict \| criminal \| dock \| dramatic \| extortion \| falling \| father \| fisherman \| friend \| leading man \| mickey-mousing \| punching \| slapping \| stinger \| underscoring \| violence
Out of the Fog (1941)	Underscoring (Gentle)	0:26:51 - Jonah helps Olaf	chef \| conflict \| conversing \| criminal \| dock \| extortion \| father \| fisherman \| friend \| gentle \| helping \| leading man \| mickey-mousing \| reacting \| solemn \| tender \| threatening \| underscoring
Out of the Fog (1941)	Russian Barcarolle (Dark 2)	0:27:12 - Jonah and Olaf react	arguing \| chef \| conflict \| conversing \| criminal \| dark \| dock \| extortion \| father \| fisherman \| friend \| gun \| leading man \| stinger \| tense \| threatening
Out of the Fog (1941)	Animato	0:27:43 - Goff pulls out a gun	chef \| conflict \| conversing \| criminal \| dock \| extortion \| father \| fisherman \| foreign key modulation \| friend \| gun \| leading man \| tense \| threatening
Out of the Fog (1941)	Russian Barcarolle (Distorted)	0:28:02 - Jonah and Olaf pay Goff	chef \| conflict \| conversing \| criminal \| dark \| dock \| extortion \| father \| fisherman \| friend \| leading man \| money \| threatening
Out of the Fog (1941)	Underscoring (Tense)	0:28:20 - Jonah and Olaf react	chef \| conflict \| conversing \| criminal \| dock \| extortion \| father \| fisherman \| friend \| leading man \| tense \| threatening \| underscoring
Out of the Fog (1941)	Trade Winds	0:28:40 - Stella enters a drugstore	AABA structure \| advance plot \| child \| conversing \| criminal \| leading lady \| leading man \| popular music \| shopping \| source music \| store \| upbeat \| worker
Out of the Fog (1941)	Comparsa Negra No.1	0:35:38 - People dancing in a conga line	ABAC structure \| bartender \| club \| conversing \| criminal \| crowd \| dancer \| dance scene \| dancing \| eating \| Latin music \| leading lady \| leading man \| musician \| on-screen music \| parallel double period \| playing \| source music \| upbeat
Out of the Fog (1941)	No Digas	0:37:46 - Cuban dancers and musicians	AABA structure \| bartender \| club \| conversing \| criminal \| crowd \| dancer \| dance scene \| dancing \| Latin music \| leading lady \| leading man \| musician \| on-screen music \| playing \| source music \| upbeat
Out of the Fog (1941)	Gangster	0:39:07 - Stella and Goff at the harbor	AABA structure \| blue note \| bluesy \| conversing \| criminal \| dock \| leading lady \| leading man \| love scene \| sultry
Out of the Fog (1941)	Russian Barcarolle (Ominous)	0:40:09 - Stella talks to Goff	conversing \| criminal \| dock \| leading lady \| leading man \| love scene \| ominous
Out of the Fog (1941)	Underscoring (Dark)	0:40:27 - Stella reacts	criminal \| dark \| dock \| leading lady \| leading man \| love scene \| reacting \| stinger \| walking
Out of the Fog (1941)	Gangster	0:40:37 - Goff calls after Stella	blue note \| bluesy \| conversing \| criminal \| dock \| leading lady \| leading man \| love scene \| sultry
Out of the Fog (1941)	Russian Barcarolle (Tense)	0:40:54 - Goff talks to Stella	conversing \| criminal \| dark \| dock \| leading lady \| leading man \| love scene
Out of the Fog (1941)	Underscoring (Dramatic)	0:41:03 - Stella slaps Goff	criminal \| dock \| dramatic \| leading lady \| leading man \| love scene \| reacting \| slapping \| stinger \| underscoring
Out of the Fog (1941)	Gangster (Tense)	0:41:05 - Stella kisses Goff	bluesy \| criminal \| dock \| embracing \| kissing \| leading lady \| leading man \| love scene \| tense
Out of the Fog (1941)	Underscoring (Dramatic)	0:45:13 - Goff enters	arriving \| conflict \| conversing \| criminal \| dock \| dramatic \| father \| fisherman \| friend \| leading man \| tense
Out of the Fog (1941)	Russian Barcarolle (Solemn)	0:45:25 - Goff asks for money	arguing \| conflict \| conversing \| criminal \| dock \| extortion \| father \| fisherman \| foreign key modulation \| friend \| leading man \| sequence \| solemn
Out of the Fog (1941)	Underscoring (Dramatic)	0:46:00 - Jonah calls for the cop	arguing \| conflict \| criminal \| dock \| dramatic \| extortion \| father \| fisherman \| friend \| leading man \| underscoring \| yelling
Out of the Fog (1941)	Russian Barcarolle (Fragmented)	0:46:14 - Jonah calls for the cop	arguing \| conflict \| criminal \| dock \| extortion \| father \| fisherman \| fragmentation \| friend \| leading man \| police \| tense \| yelling
Out of the Fog (1941)	Underscoring (Tense)	0:46:34 - Jonah accuses Goff	arguing \| conflict \| conversing \| criminal \| dock \| extortion \| father \| fisherman \| friend \| leading man \| police \| tense \| underscoring
Out of the Fog (1941)	Russian Barcarolle (Fragmented)	0:46:50 - Olaf accuses Goff	conflict \| conversing \| criminal \| departing \| dock \| extortion \| father \| fisherman \| fragmentation \| friend \| leading man \| police \| tense
Out of the Fog (1941)	Underscoring (Dramatic)	0:49:39 - Goff stops Jonah	conflict \| conversing \| criminal \| dark \| dramatic \| extortion \| father \| fisherman \| leading man \| mickey-mousing \| panning shot \| stinger \| street \| threatening \| underscoring \| violence \| walking \| weapon
Out of the Fog (1941)	Beating	0:50:17 - Goff beats Jonah	beating \| conflict \| criminal \| dark \| dissonant bass \| dramatic \| extortion \| father \| fisherman \| leading man \| mickey-mousing \| street \| violence \| weapon
Out of the Fog (1941)	Underscoring (Dramatic)	0:50:24 - Goff shoves Jonah	conflict \| criminal \| dark \| dramatic \| extortion \| father \| fisherman \| leading man \| street \| threatening \| underscoring \| violence
Out of the Fog (1941)	Russian Barcarolle (Death Threat)	0:50:48 - Goff mocks Jonah	conflict \| criminal \| dark \| extortion \| father \| fisherman \| leading man \| mocking \| street \| tense \| threatening \| violence
Out of the Fog (1941)	Underscoring (Dramatic)	0:51:05 - Goff gives Jonah a gun	conflict \| criminal \| dramatic \| extortion \| father \| fisherman \| gun \| leading man \| mocking \| stinger \| street \| threatening \| underscoring \| violence
Out of the Fog (1941)	Underscoring (Dramatic)	1:06:59 - Goff hits George	boyfriend \| conflict \| criminal \| dock \| dramatic \| falling \| fighting \| fisherman \| friend \| leading man \| punching \| violence
Out of the Fog (1941)	Animato (Extended)	1:07:04 - Jonah and Olaf help George	arguing \| boyfriend \| conflict \| criminal \| dock \| fisherman \| friend \| leading man \| tense \| violence
Out of the Fog (1941)	Russian Barcarolle (Fragmented 2)	1:07:35 - A boat in the fog	conflict \| criminal \| dark \| fisherman \| fragmentation \| friend \| leading man \| menacing \| ominous \| sea \| traveling
Out of the Fog (1941)	Russian Barcarolle (Menacing)	1:09:32 - Goffs sees Olaf holding a lead pipe	arguing \| attempted murder \| climax \| criminal \| dark \| fisherman \| friend \| leading man \| menacing \| ominous \| sea \| stinger
Out of the Fog (1941)	Underscoring (Dramatic)	1:09:45 - Goff struggles with Jonah and Olaf	attempted murder \| climax \| criminal \| dramatic \| fighting \| fisherman \| friend \| leading man \| punching \| sea \| underscoring
Out of the Fog (1941)	Russian Barcarolle (Drowning)	1:09:58 - Goff drowns	attempted murder \| climax \| criminal \| dark \| death \| drowning \| fisherman \| friend \| leading man \| ominous \| sea
Kid Galahad (1937)	Swing for Sale	0:04:26 - Dancing at a party	AABA structure \| crowd \| dancing \| establish character \| leading lady \| leading man \| manager \| party \| partying \| source music \| transcribed by ear \| upbeat
Kid Galahad (1937)	The Ring	0:06:38 - People at a party	AABA structure \| crowd \| establish character \| leading lady \| leading man \| manager \| party \| partying \| source music \| transcribed by ear \| upbeat
Kid Galahad (1937)	Stride Piano Improvisation 1	0:08:50 - People at a party	blues scale \| crowd \| dancing \| establish character \| leading lady \| leading man \| manager \| on-screen music \| party \| source music \| stride piano \| transcribed by ear \| upbeat
Kid Galahad (1937)	The Prizefighter and the Lady	0:09:36 - Ward helps Louise	AABA structure \| crowd \| dancing \| establish character \| leading lady \| leading man \| manager \| on-screen music \| party \| source music \| stride piano \| transcribed by ear \| upbeat
Kid Galahad (1937)	Stride Piano Improvisation 2	0:13:24 - People dance at a party	crowd \| dancing \| establish character \| leading lady \| leading man \| manager \| party \| partying \| source music \| transcribed by ear \| upbeat
Kid Galahad (1937)	The Escape	0:33:23 - Nick punches man on street	advance plot \| boxer \| car \| hurried \| hurrying \| leading lady \| leading man \| not by Steiner \| street \| transcribed by ear
Kid Galahad (1937)	Heart's Affair (Yearning)	0:44:11 - Ward and Nick leave the farm	advance plot \| altered dominant \| car \| deceptive resolution \| driving \| farm \| leading man \| leaving \| manager \| mother \| not by Steiner \| parting \| sentimental \| sister \| transcribed by ear \| yearning gesture
Kid Galahad (1937)	Kid Galahad (Montage)	0:46:47 - Montage of newspaper headlines	64 chord \| advance plot \| appoggiatura \| boxer \| boxing \| boxing ring \| cheering \| chromatic parallelism \| fanfare \| fragmentation \| harmonic sequence \| heroic \| leading man \| montage \| newspaper
Kid Galahad (1937)	The Moon Is In Tears Tonight (Love's Sorrow)	0:53:05 - Ward professes his love for Marie	conversing \| heartbroken \| leading lady \| leading man \| love scene \| newspaper \| not by Steiner \| romantic \| room \| transcribed by ear
Kid Galahad (1937)	The Split Up	0:56:59 - Louise and Nick break up	appoggiatura \| conversing \| heartbroken \| leading lady \| love scene \| manager \| not by Steiner \| romantic \| room \| transcribed by ear
Kid Galahad (1937)	The Moon Is In Tears Tonight (Tender)	0:57:14 - Louise thinks of Ward	conversing \| leading lady \| love scene \| manager \| not by Steiner \| room \| tender \| transcribed by ear
Kid Galahad (1937)	The Split Up	0:57:45 - Louise says goodbye to Nick	appoggiatura \| conversing \| heartbroken \| leading lady \| love scene \| manager \| not by Steiner \| romantic \| room \| transcribed by ear
Kid Galahad (1937)	Heart's Affair (Arriving)	0:58:30 - A newspaper headline	arriving \| countermelody \| farm \| leading man \| love scene \| mode mixture \| newspaper \| playful \| reading \| sister \| transcribed by ear
Kid Galahad (1937)	Heart's Affair (Kiss)	0:58:47 - Ward talks to Marie	AABA structure \| altered dominant \| cheerful \| conversing \| deceptive resolution \| farm \| happy \| kissing \| leading man \| love scene \| mode mixture \| sister \| transcribed by ear
Kid Galahad (1937)	Sand In My Shoes	1:10:15 - Ward, Marie, and Louise talk in the club	advance plot \| cheerful \| conversing \| dancing \| leading lady \| leading man \| night club \| on-screen music \| sister \| source music \| transcribed by ear
Kid Galahad (1937)	Doublecross	1:15:33 - Nick reads a newspaper headline	advance plot \| driving \| hotel \| manager \| newspaper \| not by Steiner \| passionate \| reading \| sequence \| transcribed by ear
Kid Galahad (1937)	Heart's Affair (Trouble)	1:15:53 - Ward talks to Marie at the farm	advance plot \| deceptive resolution \| embracing \| farm \| kissing \| leading man \| romantic \| sister \| transcribed by ear
Kid Galahad (1937)	Doublecross (Heated)	1:16:02 - Nick arrives at the farm	advance plot \| arguing \| arriving \| chromatic mediant \| farm \| leading man \| manager \| not by Steiner \| sister \| tense \| transcribed by ear
Kid Galahad (1937)	Doublecross (Entanglements)	1:17:24 - Nick falls to the ground	advance plot \| dark \| descending tetrachord \| farm \| fighting \| leading man \| manager \| mother \| not by Steiner \| sister \| somber \| tragic \| transcribed by ear
Kid Galahad (1937)	Kid Galahad (Montage 2)	1:18:47 - Newspaper headline montage	64 chord \| chromatic mediant \| climax \| fanfare \| foreign key modulation \| heroic \| hurrying \| manager \| montage \| newspaper \| pedal tone \| room \| syncopation
Kid Galahad (1937)	Underscoring (Tender)	1:38:49 - Nick lies dying on a table	climax \| dying \| linear chromaticism \| manager \| pedal tone \| room \| somber \| tender
Kid Galahad (1937)	Kid Galahad (Tender)	1:39:15 - Nick speaks his final words	9th chord \| 64 chord \| added-note chord \| appoggiatura \| climax \| death \| dying \| fanfare \| foreign key modulation \| leading lady \| leading man \| manager \| mode mixture \| pedal tone \| room \| sister \| somber \| stretto imitation
Traveling Husbands (1931)	Chimes	0:49:36 - A tune is played on church bells	advance plot \| calm \| church bell \| leading lady \| leading man \| room \| salesman \| source music \| transcribed by ear \| waiting
Traveling Husbands (1931)	Chimes 2	0:51:50 - A tune is played on church bells	advance plot \| calm \| church bell \| leading lady \| leading man \| room \| salesman \| source music \| transcribed by ear \| waiting
Traveling Husbands (1931)	There's a Sob in My Heart (Slow Waltz)	0:57:47 - Music is played on the radio	AABA structure \| advance plot \| arguing \| calm \| leading lady \| leading man \| mode mixture \| popular song \| radio \| room \| salesman \| source music \| transcribed by ear
Traveling Husbands (1931)	Ring Around the Rosy	1:09:30 - Men sing and dance	children's song \| dancing \| exciting \| leading lady \| leading man \| on-screen music \| resolution \| room \| salesman \| singing \| source music \| transcribed by ear
Traveling Husbands (1931)	There's a Sob in My Heart (Sentimental)	1:10:39 - People are sad as the radio plays	AABA structure \| altered dominant \| augmented sixth chord \| countermelody \| crying \| leading lady \| leading man \| popular song \| radio \| resolution \| room \| salesman \| sentimental \| somber \| transcribed by ear
White Heat (1949)	Steam	0:04:54 - Man gets burned by steam from train	burning \| bursting \| countryside \| dramatic \| establish character \| falling \| gangster \| leading man \| murderer \| pain \| robbery \| steam \| steam effect \| stinger \| tense \| train \| train engineer \| victim \| writhing
White Heat (1949)	Danger	0:05:02 - Gangsters leap from the train	announcer \| countryside \| dramatic \| escaping \| establish character \| gangster \| jumping \| leading man \| murderer \| pain \| radio \| robbery \| tense \| train \| train engineer \| victim \| writhing
White Heat (1949)	Big Ed	0:06:00 - Big Ed talks to Cody	arriving \| dark \| establish character \| gangster \| leading man \| murderer \| room \| tense \| victim
White Heat (1949)	Thinking	0:06:23 - Cody walks across the room	establish character \| gangster \| leading man \| mother \| murderer \| room \| tense \| thinking \| victim \| walking
White Heat (1949)	Stirring the pot	0:06:29 - Ma stirs food in a pot	cooking \| establish character \| gangster \| leading man \| mother \| murderer \| room \| stirring \| uneasy \| victim
White Heat (1949)	Ma	0:06:34 - Ma cooks dinner	cooking \| establish character \| gangster \| leading man \| mother \| murderer \| room \| uneasy \| victim
White Heat (1949)	Moll	0:06:40 - Verna sleeps	calm \| establish character \| gangster \| leading lady \| leading man \| moll \| murderer \| room \| sleeping \| snoring \| waking
White Heat (1949)	Verna	0:06:56 - Verna gets up	arguing \| bluesy \| complaining \| dark \| establish character \| gangster \| leading lady \| leading man \| moll \| mother \| murderer \| rising \| room \| victim \| waking
White Heat (1949)	Rushing	0:10:49 - A gangster comes in the door	advance plot \| arguing \| dark \| gangster \| leading lady \| leading man \| moll \| mother \| murderer \| punching \| room \| storm \| tense \| victim \| wind
White Heat (1949)	Plotting	0:11:21 - Cody packs up money in a suitcase	conversing \| dark \| gangster \| leading lady \| leading man \| love scene \| moll \| money \| murderer \| packing \| room \| tense \| transition
White Heat (1949)	Verna (Molto Expressivo)	0:11:38 - Verna embraces Cody	bluesy \| conversing \| dark \| embracing \| flirting \| gangster \| kissing \| leading lady \| leading man \| love scene \| moll \| money \| mother \| murderer \| room \| victim \| waltz
White Heat (1949)	Underscoring (Dark)	0:12:14 - Zuckie pleads with Cody	conversing \| dark \| death \| funereal \| gangster \| leading lady \| leading man \| moll \| mother \| murderer \| murder scene \| pleading \| room \| underscoring \| victim
White Heat (1949)	Zuckie's Death	0:12:29 - Cody ignores Zuckie	crying \| dark \| death \| departing \| funereal \| gangster \| leading lady \| leading man \| moaning \| moll \| mother \| murderer \| murder scene \| pleading \| room \| somber \| victim
White Heat (1949)	Plotting (Extended)	0:12:45 - Ma warns Cody that Zuckie may talk	dark \| death \| gangster \| leading lady \| leading man \| moll \| mother \| murderer \| murder scene \| mysterious \| plotting \| victim \| warning \| yard
White Heat (1949)	Underscoring (Dramatic)	0:12:57 - Cody orders Cotton to shoot Zuckie	commanding \| dark \| death \| dramatic \| gangster \| gun \| leading lady \| leading man \| moll \| mother \| murderer \| murder scene \| stinger \| underscoring \| victim \| yard
White Heat (1949)	Plotting (Ugly)	0:13:06 - Cotton goes to kill Zuckie	dark \| death \| gangster \| gun \| leading lady \| leading man \| moll \| mother \| murderer \| murder scene \| mysterious \| victim \| walking \| yard
White Heat (1949)	Zuckie's Death	0:13:32 - Gangsters get in the car	dark \| death \| departing \| funereal \| gangster \| gun \| leading lady \| leading man \| moll \| mother \| murderer \| murder scene \| somber \| victim \| walking \| yard
White Heat (1949)	Cody (Molto Marcato)	0:13:59 - Cody walks to the car	bold \| dark \| departing \| gangster \| leading lady \| leading man \| moll \| mother \| murderer \| murder scene \| victim \| violent \| walking \| yard
White Heat (1949)	Driving	0:14:09 - The gangsters drive away	dark \| departing \| driving \| gangster \| leading lady \| leading man \| menacing \| moll \| mother \| murderer \| rushing \| self-borrowing \| street \| transition
White Heat (1949)	Speed	0:16:46 - Sign for Milbanke Motels	arriving \| car \| dark \| driving \| gangster \| leading man \| murderer \| self-borrowing \| street \| tense \| transition
White Heat (1949)	Backing up	0:17:00 - Cody backs up	arriving \| backing up \| car \| dark \| driving \| gangster \| leading man \| mickey-mousing \| murderer \| street \| tense \| transition
White Heat (1949)	Con Moto	0:17:09 - Cody gets out of his car	conflict \| dramatic \| gangster \| leading man \| murderer \| opening \| rushing \| searching \| street \| tense
White Heat (1949)	Danger (Con Moto)	0:17:39 - Cody argues with Verna	agitated \| arguing \| conflict \| gangster \| leading lady \| leading man \| moll \| murderer \| room \| tense
White Heat (1949)	Verna falls	0:18:05 - Verna falls off the chair	agitated \| chair \| conflict \| couch \| falling \| gangster \| kicking \| landing \| leading lady \| leading man \| mickey-mousing \| moll \| murderer \| room \| tense
White Heat (1949)	Danger (Molto Agitato)	0:23:25 - Evans points a gun at Cody	action scene \| agent \| agitated \| arresting \| dying \| falling \| gangster \| gun \| gunshot \| leading man \| murderer \| shooting \| street \| tense \| wound
White Heat (1949)	Danger (Escaping)	0:23:32 - Verna and Ma rush out	action scene \| agent \| dramatic \| escaping \| gangster \| leading lady \| leading man \| moll \| mother \| murderer \| room \| rushing \| street \| wound
White Heat (1949)	Agitato (Escaping)	0:23:37 - Evans struggles on the ground	action scene \| agent \| agitated \| car \| dramatic \| driving \| escaping \| gangster \| gun \| gunshot \| leading lady \| leading man \| moll \| mother \| murderer \| shooting \| street \| struggling \| tense \| wound
White Heat (1949)	Driving (Extended)	0:23:46 - The gangsters speed away	action scene \| agent \| car \| chasing \| dark \| dramatic \| gangster \| leading lady \| leading man \| menacing \| moll \| mother \| murderer \| speeding \| street \| wound
White Heat (1949)	Speed (Frantic)	0:24:11 - The gangsters speed away	car \| chase scene \| chasing \| dramatic \| frantic \| leading lady \| leading man \| moll \| mother \| murderer \| rushing \| self-borrowing \| speeding \| street \| tense
White Heat (1949)	Speed (Frantic)	0:24:26 - The gangsters speed away	car \| chase scene \| chasing \| dramatic \| frantic \| leading lady \| leading man \| moll \| mother \| murderer \| self-borrowing \| speeding \| street \| tense
White Heat (1949)	Speed (Desperate)	0:24:44 - The gangsters speed away	car \| chase scene \| chasing \| dramatic \| frantic \| leading lady \| leading man \| moll \| mother \| murderer \| self-borrowing \| speeding \| street \| tense
White Heat (1949)	Pursuit (Fleeing)	0:24:50 - Ernie chases the gangsters	agent \| car \| chase scene \| chasing \| dramatic \| frantic \| leading lady \| leading man \| moll \| mother \| motor effect \| murderer \| speeding \| street \| tense
White Heat (1949)	Agents + Pursuit (Rising)	0:24:58 - Ernie chases the gangsters	agent \| car \| chase scene \| chasing \| combination of themes \| dramatic \| frantic \| leading lady \| leading man \| moll \| mother \| murderer \| speeding \| street \| tense
White Heat (1949)	Speed (Desperate 2)	0:25:03 - The gangsters speed away	agent \| car \| chase scene \| chasing \| dramatic \| drive-in theater \| frantic \| leading lady \| leading man \| moll \| mother \| murderer \| self-borrowing \| speeding \| tense
White Heat (1949)	Plotting (Mysterious)	0:29:13 - Verna and Ma leave the police station	agent \| leading lady \| leading man \| moll \| mother \| mysterious \| police station \| transition \| walking
White Heat (1949)	Cody 2	0:29:18 - Newspaper headline	agent \| bold \| dark \| dramatic \| headline \| leading man \| newspaper \| police station \| transition \| typing
White Heat (1949)	Underscoring (Dramatic)	0:35:05 - Judge sentences Cody	courtroom \| courtroom scene \| dark \| dramatic \| gangster \| judge \| leading man \| murderer \| sentencing \| underscoring \| verdict
White Heat (1949)	T-Men (Molto Misterioso)	0:35:30 - Cody walks away	courtroom \| courtroom scene \| dramatic \| gangster \| judge \| leading man \| murderer \| prison \| prisoner \| stinger \| undercover agent \| walking
White Heat (1949)	Prison	0:35:40 - The prison walls	conversing \| dark \| leading man \| ominous \| prison \| prisoner \| transition \| undercover agent
White Heat (1949)	Prison Fight	0:37:48 - Hank sees Bo Creel	action scene \| falling \| fighting \| gangster \| guard \| leading man \| mickey-mousing \| murderer \| prison \| prisoner \| punching \| tense \| undercover agent
White Heat (1949)	Punching and falling	0:38:03 - Hank punches inmate	action scene \| dramatic \| falling \| gangster \| guard \| leading man \| mickey-mousing \| murderer \| prison \| prisoner \| punching \| tense \| undercover agent
White Heat (1949)	Misterioso (Tense)	0:40:12 - Hank looks around	advance plot \| gangster \| leading man \| looking \| murderer \| mysterious \| photograph \| prison \| prisoner \| tense \| undercover agent \| underscoring
White Heat (1949)	T-Men (Expressivo)	0:40:26 - Hank looks at the photograph	advance plot \| conversing \| gangster \| leading man \| murderer \| photograph \| prison \| prisoner \| undercover agent \| uneasy
White Heat (1949)	Jumping on bed	0:40:41 - Hank jumps up on his bed	advance plot \| ascending \| gangster \| jumping \| leading man \| mickey-mousing \| murderer \| prison \| prisoner \| undercover agent \| uneasy
White Heat (1949)	Misterioso (Ominous)	0:40:51 - The prisoners talk	advance plot \| conversing \| gangster \| leading man \| murderer \| mysterious \| ominous \| prison \| prisoner \| tense \| undercover agent \| underscoring
White Heat (1949)	Whispering	0:41:06 - The prisoner reads lips	advance plot \| gangster \| leading man \| listening \| murderer \| prison \| prisoner \| spying \| tense \| undercover agent \| uneasy \| whisper effect \| whispering
White Heat (1949)	Thinking	0:41:34 - Prisoners talk about money	advance plot \| conversing \| gangster \| leading man \| murderer \| mysterious \| prison \| prisoner \| tense \| thinking \| undercover agent
White Heat (1949)	Underscoring (Mysterious)	0:44:42 - Parker sneaks	gangster \| leading man \| murderer \| murder scene \| mysterious \| prison \| prisoner \| sneaking \| undercover agent \| underscoring \| working
White Heat (1949)	Trap	0:44:53 - The crane moves over Cody's head	attempted \| crane \| crashing \| dramatic \| dropping \| falling \| gangster \| leading man \| machine \| machine effect \| mickey-mousing \| moving \| murder \| murderer \| murder scene \| prison \| prisoner \| saving \| stinger \| tense \| trap \| undercover agent
White Heat (1949)	Ma (Restless)	0:49:34 - Cody walks back to work	anxious \| dramatic \| gangster \| leading man \| mad scene \| murderer \| prison \| prisoner \| tense \| thinking \| threatening \| working
White Heat (1949)	Underscoring (Tense)	0:49:56 - Cody threatens Parker	gangster \| leading man \| mad scene \| murderer \| prison \| prisoner \| tense \| threatening \| underscoring
White Heat (1949)	Madness	0:50:16 - Cody hears voices	agitated \| blur \| falling \| gangster \| hallucinating \| hallucination \| headache \| headache effect \| hearing voices \| leading man \| machine \| mad scene \| murderer \| pain \| prison \| prisoner \| self-borrowing \| tense \| unsettled
White Heat (1949)	Headache	0:50:31 - Heavy machinery	agitated \| crawling \| falling \| gangster \| headache \| headache effect \| leading man \| machine \| mad scene \| murderer \| pain \| prison \| prisoner \| self-borrowing \| tense \| unsettled
White Heat (1949)	Struggle	0:50:50 - Cody crawls on the floor	agitated \| crawling \| falling \| gangster \| headache \| headache effect \| helping \| leading man \| machine \| mad scene \| murderer \| pain \| prison \| prisoner \| self-borrowing \| tense \| undercover agent \| unsettled
White Heat (1949)	Cody (Headache)	0:51:15 - Hank helps Cody	crawling \| gangster \| headache \| helping \| leading man \| mad scene \| murderer \| pain \| prison \| prisoner \| tense \| undercover agent
White Heat (1949)	Underscoring (Tense)	0:51:20 - Hank helps Cody	crawling \| gangster \| headache \| helping \| leading man \| mad scene \| massaging \| murderer \| pain \| prison \| prisoner \| tense \| undercover agent \| underscoring
White Heat (1949)	Cody rises	0:51:40 - Hank helps Cody stand	gangster \| headache \| helping \| leading man \| mad scene \| mickey-mousing \| murderer \| pain \| prison \| prisoner \| rising \| tense \| undercover agent
White Heat (1949)	Cody (Recovering)	0:51:52 - Cody's headache subsides	gangster \| headache \| leading man \| mad scene \| murderer \| pain \| prison \| prisoner \| tense \| undercover agent \| uneasy \| waiting
White Heat (1949)	Misterioso (Straitjacket)	1:04:07 - The warden talks with Cody	conversing \| doctor \| gangster \| guard \| leading man \| murderer \| mysterious \| prison \| prison break \| prisoner \| straitjacket \| tense \| underscoring \| warden
White Heat (1949)	Plotting (Tense)	1:04:33 - Tommy brings food to Cody	carrying \| doctor \| feeding \| food \| gangster \| guard \| leading man \| murderer \| mysterious \| prison \| prison break \| prisoner \| straitjacket \| tense \| warden
White Heat (1949)	Misterioso (Tense 2)	1:04:48 - Tommy loosens Cody's straitjacket	doctor \| gangster \| guard \| gun \| leading man \| loosening \| murderer \| mysterious \| prison \| prison break \| prisoner \| releasing \| straitjacket \| tense \| untying \| warden
White Heat (1949)	Cody (Pulls Gun)	1:05:05 - Cody stands up	doctor \| dramatic \| gangster \| guard \| gun \| leading man \| loosening \| murderer \| mysterious \| prison \| prison break \| prisoner \| releasing \| straitjacket \| tense \| untying \| warden
White Heat (1949)	Danger (Tense)	1:05:23 - Cody forces the doctor out at gunpoint	doctor \| down \| dramatic \| gangster \| guard \| gun \| leading man \| murderer \| prison \| prison break \| prisoner \| stinger \| warden
White Heat (1949)	Gathering	1:05:39 - Inmates playing cards	conversing \| doctor \| dramatic \| gangster \| guard \| leading man \| murderer \| prison \| prison break \| prisoner \| self-borrowing \| tense \| walking
White Heat (1949)	Cody (Violent)	1:06:11 - Cody shoves the doctor	commanding \| doctor \| dramatic \| gangster \| guard \| gun \| leading man \| murderer \| prison \| prison break \| prisoner \| pushing \| stinger \| violent
White Heat (1949)	Danger (Risoluto)	1:06:24 - Cody forces the guard into a cell	commanding \| doctor \| gangster \| guard \| gun \| leading man \| murderer \| prison \| prison break \| prisoner \| pushing \| tense \| warden
White Heat (1949)	Cody 3	1:06:43 - Cody forces men out at gunpoint	commanding \| doctor \| dramatic \| gangster \| guard \| gun \| kicking \| leading man \| murderer \| prison \| prison break \| prisoner \| warden
White Heat (1949)	Trap	1:06:47 - Cody kicks Parker	commanding \| dramatic \| gangster \| guard \| gun \| kicking \| leading man \| murderer \| prison \| prison break \| prisoner \| revenge \| tense \| warden
White Heat (1949)	Plotting (Extended)	1:07:13 - Cody forces men out at gunpoint	commanding \| dramatic \| gangster \| guard \| gun \| leading man \| murderer \| prison \| prison break \| prisoner \| revenge \| tense \| warden
White Heat (1949)	Prison Break	1:07:19 - Cody and men go outside	dramatic \| escaping \| gangster \| guard \| gun \| leading man \| murderer \| prison \| prison break \| prisoner \| rushing \| self-borrowing \| warden
White Heat (1949)	Underscoring (Dramatic)	1:07:29 - Cody commands the men	car \| dramatic \| escaping \| gangster \| guard \| gun \| leading man \| murderer \| prison \| prison break \| prisoner \| underscoring \| warden
White Heat (1949)	Danger (Tense)	1:07:49 - The men get in the car	car \| dramatic \| escaping \| fanfare \| gangster \| guard \| gun \| leading man \| motor effect \| murderer \| prison \| prison break \| prisoner \| underscoring \| warden
White Heat (1949)	Underscoring (Tense)	1:07:57 - The car drives off	car \| dramatic \| escaping \| fanfare \| gangster \| guard \| gun \| leading man \| murderer \| prison \| prison break \| prisoner \| tense \| warden
White Heat (1949)	Cody (Prison Gate)	1:08:17 - The prison gates open	car \| dramatic \| escaping \| gangster \| gate \| guard \| gun \| leading man \| mickey-mousing \| murderer \| prison \| prison break \| prisoner \| warden
White Heat (1949)	Pursuit	1:08:44 - The agents turn around	agent \| car \| driving \| leading man \| police \| prison break \| rushing \| street \| tense \| uneasy
White Heat (1949)	Cody 2 (Molto Misterioso)	1:09:13 - Cody adjusts his hat in the mirror	dressing \| fugitive \| gangster \| hat \| leading man \| mirror \| murderer \| mysterious \| prison break \| room \| tense
White Heat (1949)	Madness (Agitato)	1:15:59 - Cody looks at Verna	agitated \| anger \| death \| gangster \| leading lady \| leading man \| lying \| moll \| murderer \| murder scene \| staring \| stinger \| tense \| yard
White Heat (1949)	Cody (Malevolent)	1:16:18 - Cody pushes Verna	dark \| gangster \| gun \| leading lady \| leading man \| moll \| murderer \| murder scene \| pushing \| yard
White Heat (1949)	Underscoring (Mysterious)	1:16:51 - Cody and Verna climb through the window	gangster \| gun \| leading lady \| leading man \| moll \| murderer \| murder scene \| mysterious \| room \| sneaking \| sneaking effect \| tense \| underscoring \| window
White Heat (1949)	Verna (Uneasy)	1:18:05 - Big Ed kisses Verna	dark \| drinking \| embracing \| gangster \| gun \| kissing \| leading lady \| leading man \| love interest \| moll \| murderer \| murder scene \| room \| somber \| spying \| waiting
White Heat (1949)	Big Ed's Death	1:18:41 - Big Ed runs	dark \| death \| dramatic \| dying \| falling \| gangster \| gun \| gunshot \| leading lady \| leading man \| love interest \| mickey-mousing \| moll \| murder \| murderer \| murder scene \| room \| running \| rushing \| shooting \| violence
White Heat (1949)	Underscoring (Dramatic)	1:19:20 - Big Ed's body falls down the stairs	dark \| death \| dramatic \| falling \| fugitive \| gangster \| leading lady \| leading man \| love interest \| mickey-mousing \| moll \| murderer \| murder scene \| panning shot \| room \| stairs \| staring \| statue \| stinger \| undercover agent \| underscoring \| watching
White Heat (1949)	Panning	1:19:32 - Camera pans to the group	beans \| dramatic \| fugitive \| gangster \| leading lady \| leading man \| love interest \| mickey-mousing \| moll \| murderer \| panning shot \| room \| throwing \| transition \| undercover agent \| waiting
White Heat (1949)	Fight	1:26:51 - Hank attacks the gangster	action scene \| dramatic \| fighting \| fugitive \| gangster \| leading man \| mickey-mousing \| murderer \| punching \| tense \| undercover agent \| yard
White Heat (1949)	T-Men (Misterioso)	1:27:39 - Hank talks to Cody	advance plot \| arguing \| conversing \| fugitive \| gangster \| leading man \| murderer \| mysterious \| stinger \| undercover agent \| yard
White Heat (1949)	Underscoring (Tense)	1:27:53 - Hank talks to Cody	advance plot \| arguing \| conversing \| fugitive \| gangster \| leading man \| murderer \| tense \| undercover agent \| underscoring \| yard
White Heat (1949)	Verna (Cello Solo)	1:28:30 - Cody talks about Verna	advance plot \| character mention \| conversing \| fugitive \| gangster \| leading man \| memory \| murderer \| somber \| undercover agent \| yard
White Heat (1949)	Ma (Molto Expressivo)	1:28:38 - Cody talks about his mother	advance plot \| character mention \| conversing \| fugitive \| gangster \| leading man \| memory \| murderer \| tense \| undercover agent \| uneasy \| yard
White Heat (1949)	Plotting (Agitato)	1:29:03 - Cody talks about his family	advance plot \| conversing \| fugitive \| gangster \| insanity \| leading man \| memory \| murderer \| tense \| undercover agent \| uneasy \| yard
White Heat (1949)	Cody (Climbing)	1:29:15 - Cody talks about his past	advance plot \| conversing \| fugitive \| gangster \| leading man \| memory \| murderer \| tense \| undercover agent \| uneasy \| yard
White Heat (1949)	Ma (Triste)	1:29:29 - Cody talks about his mother	advance plot \| character mention \| conversing \| fugitive \| gangster \| leading man \| memory \| murderer \| tense \| undercover agent \| uneasy \| yard
White Heat (1949)	Cody 3 (Molto Misterioso)	1:31:42 - Hank works on the transmitter	advance plot \| leading man \| radio \| tense \| transmitter \| undercover agent \| working \| yard
White Heat (1949)	Danger (Sneaky)	1:31:56 - Hank puts the transmitter on the truck	advance plot \| fugitive \| gangster \| hiding \| leading lady \| leading man \| moll \| murderer \| sneaking \| tense \| transmitter \| truck \| undercover agent \| yard
White Heat (1949)	Cody 3 (Tense)	1:32:12 - Cody approaches the truck	advance plot \| conversing \| fugitive \| gangster \| leading lady \| leading man \| lying \| moll \| murderer \| tense \| transmitter \| truck \| undercover agent \| yard
White Heat (1949)	Underscoring (Tense)	1:33:58 - Hank talks to the gas station attendant	advance plot \| conversing \| fugitive \| gangster \| gas station \| leading man \| murderer \| tense \| truck \| undercover agent \| underscoring \| worker \| working
White Heat (1949)	Mirror	1:34:10 - Hank writes a message on the mirror	advance plot \| bathroom \| dramatic \| fanfare \| gas station \| leading man \| message \| mirror \| rushing \| tense \| undercover agent \| writing
White Heat (1949)	Underscoring (Tense)	1:34:25 - Attendant fixes the truck	advance plot \| conversing \| fugitive \| gangster \| gas station \| leading man \| murderer \| tense \| underscoring \| waiting \| worker \| working
White Heat (1949)	Mirror	1:34:34 - Gangster goes to check on Hank	advance plot \| bathroom \| dramatic \| fanfare \| fugitive \| gangster \| gas station \| hurrying \| leading man \| message \| mirror \| murderer \| tense \| undercover agent \| worker \| writing
White Heat (1949)	Message on the Mirror	1:34:49 - Message on the washroom mirror	advance plot \| bathroom \| dramatic \| fanfare \| gas station \| leading man \| message \| mirror \| Morse code \| radio effect \| radio signal \| tense \| undercover agent \| writing
White Heat (1949)	Bo Creel	1:35:51 - Bo Creel comes outside	advance plot \| conversing \| dark \| fugitive \| gangster \| leading man \| murderer \| ominous \| preparing \| stinger \| tense \| truck \| undercover agent \| worker \| working \| yard
White Heat (1949)	Verna (Gum)	1:36:15 - Verna spits out her gum	advance plot \| conversing \| fugitive \| gangster \| gum \| kissing \| leading lady \| leading man \| moll \| murderer \| preparing \| spitting \| tense \| undercover agent \| uneasy \| worker \| yard
White Heat (1949)	Danger	1:36:32 - The gangsters hide in the truck	advance plot \| fugitive \| gangster \| hiding \| leading man \| murderer \| preparing \| tense \| truck \| truck \| undercover agent \| worker
White Heat (1949)	Truck	1:36:45 - The truck engine starts	advance plot \| driving \| fugitive \| gangster \| leading man \| mickey-mousing \| murderer \| starting \| tense \| truck \| truck \| undercover agent \| worker
White Heat (1949)	Truck (Speeding)	1:37:36 - Tanker drives down the street	chase scene \| driving \| fugitive \| gangster \| leading man \| murderer \| ominous \| speeding \| street \| truck \| undercover agent
White Heat (1949)	Cody 2 (Montage)	1:38:26 - Tanker drives down the street	car \| car \| chase scene \| dark \| double exposure \| electronic effect \| fugitive \| gangster \| leading man \| montage \| murderer \| pursuing \| radio effect \| speeding \| street \| truck \| undercover agent
White Heat (1949)	Cody 2	1:39:10 - Tanker drives down the street	car \| chase scene \| dark \| double exposure \| driving \| fugitive \| gangster \| leading man \| montage \| murderer \| radio \| speeding \| street \| truck \| undercover agent
White Heat (1949)	Truck (Tutti)	1:39:43 - Tanker pulls up to factory	chase scene \| dramatic \| driving \| fugitive \| gangster \| leading man \| murderer \| ominous \| street \| truck \| undercover agent
White Heat (1949)	Cody (Mugs)	1:39:57 - Gangsters in the tanker	arriving \| chase scene \| dramatic \| driving \| factory \| fugitive \| gangster \| guard \| leading man \| murderer \| ominous \| truck \| truck \| undercover agent \| waiting
White Heat (1949)	Gate	1:40:15 - The factory gate opens	arriving \| chase scene \| closing \| dark \| driving \| factory \| fanfare \| fugitive \| gangster \| gate \| guard \| leading man \| murderer \| opening \| tense \| truck \| undercover agent
White Heat (1949)	Underscoring (Tense)	1:40:42 - Truck pulls in to factory	arriving \| chase scene \| driving \| factory \| fugitive \| gangster \| leading man \| murderer \| tense \| truck \| undercover agent \| underscoring
White Heat (1949)	Cody	1:40:57 - Cody exits truck	arriving \| chase scene \| dark \| factory \| fugitive \| gangster \| leading man \| murderer \| opening \| tense \| truck \| undercover agent
White Heat (1949)	Rushing (Misterioso)	1:41:01 - Cody emerges from the truck	chase scene \| dark \| factory \| fugitive \| gangster \| leading man \| murderer \| rushing \| tense \| truck \| undercover agent
White Heat (1949)	Plotting (Faster)	1:41:49 - Gangsters enter the building	action scene \| anxious \| arriving \| factory \| fugitive \| gangster \| guard \| hurrying \| leading man \| murderer \| tense \| undercover agent \| working
White Heat (1949)	Underscoring (Tense)	1:42:42 - Hank looks out the window	action scene \| factory \| fugitive \| gangster \| guard \| leading man \| murderer \| tense \| undercover agent \| underscoring \| working
White Heat (1949)	Police Raid	1:43:09 - Gangster acting as lookout	action scene \| arriving \| factory \| fugitive \| gangster \| leading man \| looking \| march \| murderer \| police \| running \| rushing \| tense \| undercover agent
White Heat (1949)	Bo Creel (Misterioso)	1:43:26 - Bo Creel tells Cody that Hank is a cop	action scene \| discovering \| discovery \| factory \| fugitive \| gangster \| guard \| leading man \| looking \| murderer \| mysterious \| realizing \| undercover agent
White Heat (1949)	Underscoring (Dramatic)	1:46:13 - Cody shoots man in back	action scene \| agent \| death \| dramatic \| dying \| factory \| falling \| fugitive \| gangster \| gun \| gunshot \| leading man \| mickey-mousing \| murder \| murderer \| shooting \| tear gas \| underscoring
White Heat (1949)	Crawling	1:46:18 - Hank crawls on the floor	action scene \| agent \| crawling \| dramatic \| factory \| fugitive \| gangster \| gun \| leading man \| mickey-mousing \| murderer \| rushing \| tear gas \| tense
White Heat (1949)	Agents (Tutti)	1:46:31 - Agents watch men exiting	action scene \| agent \| aiming \| dramatic \| factory \| gun \| leading man \| police \| rushing \| stopping \| tear gas \| tense
White Heat (1949)	T-Men (Escaping)	1:46:36 - Hank escapes	action scene \| agent \| crawling \| dark \| escaping \| factory \| gun \| leading man \| police \| reporting \| tear gas \| tense
White Heat (1949)	Agents (Marcato)	1:46:58 - Evans signals to another agent	action scene \| agent \| bold \| commanding \| factory \| fanfare \| leading man \| police
White Heat (1949)	Danger (Extended)	1:47:06 - Cody sends men out	action scene \| agent \| death \| dying \| factory \| falling \| fugitive \| gangster \| gun \| gunshot \| leading man \| murderer \| police \| pushing \| rushing \| shooting \| tense
White Heat (1949)	Climbing stairs	1:47:22 - Gangsters climb up stairs	action scene \| agent \| ascending \| dramatic \| factory \| fleeing \| fugitive \| gangster \| leading man \| mickey-mousing \| murderer \| police \| running \| rushing \| stairs
White Heat (1949)	Underscoring (Dramatic)	1:47:35 - Gangsters get off of ladder	action scene \| agent \| dramatic \| factory \| fugitive \| gangster \| hiding \| leading man \| murderer \| police \| rushing \| tense \| underscoring
White Heat (1949)	White Heat (Police Raid)	1:47:47 - Police advance on the gangsters	action scene \| advancing \| agent \| death \| dramatic \| dying \| factory \| falling \| fugitive \| gangster \| gun \| gunshot \| hidiging \| leading man \| mickey-mousing \| murder \| murderer \| police \| raid \| searching \| shooting \| shootout \| tense
White Heat (1949)	Cody 2 (Brash)	1:48:12 - Agents run up the stairs	action scene \| agent \| ascending \| brash \| dramatic \| factory \| fugitive \| gangster \| leading man \| murderer \| police \| raid \| running \| rushing \| shootout \| stairs
White Heat (1949)	Prison Fight + Agents	1:48:17 - Gangsters run up the stairs	action scene \| agent \| ascending \| combination of themes \| dramatic \| factory \| fleeing \| fugitive \| gangster \| gun \| gunshot \| leading man \| murderer \| police \| raid \| running \| rushing \| shootout \| stairs \| tense
White Heat (1949)	Prison Fight + Agents	1:48:30 - Agents run up the stairs	action scene \| agent \| ascending \| chasing \| dramatic \| factory \| fugitive \| gangster \| leading man \| murderer \| police \| raid \| running \| stairs \| tense
The Woman in White (1948)	The Spring is Coming	0:01:37 - A train station	cheerful \| conversing \| establish setting \| folk music \| leading man \| light \| train \| train station \| voice-over \| waiting \| worker
The Woman in White (1948)	The Carman's Whistle	0:02:16 - Walter asks for directions	calm \| directions \| establish place \| establish setting \| establish time \| forest \| gentle \| leading man \| Renaissance music \| voice-over \| walking \| worker
The Woman in White (1948)	Appearing	0:02:54 - The woman in white appears	appearing \| establish character \| forest \| leading lady \| leading man \| magical \| magical effect \| mickey-mousing \| mysterious
The Woman in White (1948)	Ann	0:03:00 - The woman in white talks to Walter	calling \| conversing \| establish character \| forest \| leading lady \| leading man \| mysterious
The Woman in White (1948)	Ann 2	0:03:15 - The woman in white talks to Walter	calm \| conversing \| establish character \| forest \| leading lady \| leading man
The Woman in White (1948)	The Carman's Whistle (Rubato)	0:03:23 - Walter talks to the woman in white	calm \| conversing \| establish character \| forest \| leading lady \| leading man
The Woman in White (1948)	The Carman's Whistle (Accompaniment)	0:03:29 - Walter talks to the woman in white	calm \| conversing \| establish character \| forest \| leading lady \| leading man
The Woman in White (1948)	Ann (Quasi Misterioso)	0:03:36 - Walter talks to the woman in white	conversing \| establish character \| forest \| leading lady \| leading man \| mysterious
The Woman in White (1948)	Ann (Poco Agitato)	0:03:55 - The woman in white talks to Walter	agitated \| conversing \| establish character \| forest \| leading lady \| leading man
The Woman in White (1948)	Ann 2	0:04:13 - The woman in white talks to Walter	conversing \| establish character \| forest \| gentle \| leading lady \| leading man \| warm
The Woman in White (1948)	The Carman's Whistle (Accompaniment)	0:04:26 - The woman in white talks to Walter	conversing \| establish character \| forest \| leading lady \| leading man \| mysterious
The Woman in White (1948)	Fosco	0:04:40 - Walter hears a carriage approaching	arriving \| bold \| carriage \| conversing \| establish character \| fanfare \| forest \| leading man \| tense
The Woman in White (1948)	The Carman's Whistle (Accompaniment)	0:05:23 - Walter talks to a man in the carriage	carriage \| conversing \| establish character \| forest \| leading man \| tense
The Woman in White (1948)	Ann (Molto Misterioso)	0:05:30 - Closeup on Count Fosco	carriage \| conversing \| establish character \| forest \| leading man \| mysterious
The Woman in White (1948)	Underscoring (Tense)	0:05:38 - Walter talks to a man in the carriage	carriage \| conversing \| establish character \| forest \| leading man \| stinger \| tense \| underscoring
The Woman in White (1948)	Fosco	0:05:43 - The carriage rolls away	carriage \| departing \| establish character \| fanfare \| forest \| leading man \| tense
The Woman in White (1948)	The Carman's Whistle	0:06:09 - Walter walks away	arriving \| calm \| establish character \| garden \| leading man \| mansion \| walking
The Woman in White (1948)	The Carman's Whistle (Arriving) + Ann	0:06:22 - The woman in white appears	arriving \| calm \| combination of themes \| establish character \| garden \| leading lady \| leading man \| mansion \| sneaking \| tense \| tremolo \| walking
The Woman in White (1948)	Limmeridge	0:06:41 - Walter arrives at the mansion	arriving \| bold \| butler \| establish character \| leading lady \| leading man \| mansion
The Woman in White (1948)	Underscoring (Gentle)	0:06:56 - Walter meets Marian	arriving \| butler \| establish character \| gentle \| leading lady \| leading man \| mansion \| underscoring
The Woman in White (1948)	The Carman's Whistle (Sordini)	0:11:18 - Count Fosco talks with Walter	advance plot \| conversing \| gentle \| leading man \| mansion
The Woman in White (1948)	Ann	0:11:38 - Walter talks with Count Fosco	advance plot \| butler \| conversing \| leading man \| mansion \| mysterious
The Woman in White (1948)	Fairlie	0:11:53 - The butler takes Walter to see Mr. Fairlie	butler \| conversing \| establish character \| grand \| leading man \| mansion \| noble
The Woman in White (1948)	Fairlie (Poco Meno)	0:12:33 - They arrive at Mr. Fairlie's room	arriving \| butler \| establish character \| gentle \| leading man \| mansion
The Woman in White (1948)	Fairlie (Gentle)	0:12:57 - Walter enters Mr. Fairlie's room	arriving \| butler \| establish character \| gentle \| leading man \| mansion
The Woman in White (1948)	Fairlie	0:18:35 - Walter leaves Mr. Fairlie	advance plot \| butler \| gentle \| leading man \| room \| walking
The Woman in White (1948)	The Carman's Whistle (Accompaniment)	0:19:09 - Walter walks to the window	advance plot \| gentle \| leading man \| room \| walking
The Woman in White (1948)	Fosco (Molto Misterioso)	0:19:16 - Fosco walks outside	advance plot \| garden \| leading man \| mysterious \| room \| tense \| walking \| watching
The Woman in White (1948)	Limmeridge 2	0:19:36 - Walter walks outside	establish character \| garden \| leading lady \| leading man \| mansion \| noble \| walking \| watching
The Woman in White (1948)	Ann (Poco Agitato)	0:20:03 - Walter sees Laura	conversing \| establish character \| garden \| leading lady \| leading man \| mansion \| tense \| walking
The Woman in White (1948)	Laura	0:21:27 - Walter talks with Laura	butler \| conversing \| establish character \| family \| gentle \| leading lady \| leading man \| refined \| room \| walking
The Woman in White (1948)	Laura (Harp Countermelody)	0:22:03 - The Fairlies sit at the table	butler \| conversing \| establish character \| family \| gentle \| leading lady \| leading man \| refined \| room \| walking
The Woman in White (1948)	Ann (Poco Agitato)	0:22:39 - Laura talks about a mysterious woman	butler \| conversing \| establish character \| family \| leading lady \| leading man \| mysterious \| room \| tense \| walking
The Woman in White (1948)	Fosco	0:22:53 - Closeup on Fosco's face	butler \| conversing \| establish character \| family \| leading lady \| leading man \| room \| tense \| walking
The Woman in White (1948)	The Carman's Whistle	0:23:04 - Walter talks about the woman in white	butler \| conversing \| establish character \| family \| leading lady \| leading man \| room \| tense \| walking
The Woman in White (1948)	Underscoring (Mysterious)	0:23:16 - Fosco gets up to leave	butler \| conversing \| establish character \| family \| leading lady \| leading man \| mysterious \| room \| walking
The Woman in White (1948)	Fosco	0:23:42 - Fosco walks up the stairs	butler \| establish character \| leading man \| pushing \| room \| rushing \| tense \| walking
The Woman in White (1948)	Pavan (Harpsichord)	0:26:05 - Laura plays the harpsichord	advance plot \| butler \| conversing \| family \| gentle \| harpsichord \| leading lady \| leading man \| on-screen music \| playing \| Renaissance music \| room \| source music
The Woman in White (1948)	Improvisation	0:28:47 - A monkey plays the harpsichord	advance plot \| conversing \| harpsichord \| leading lady \| leading man \| monkey \| on-screen music \| playing \| room \| source music \| startled
The Woman in White (1948)	Ann (Misterioso)	0:29:34 - Fosco sees Laura outside	advance plot \| conversing \| leading lady \| leading man \| mysterious \| room \| tense \| watching
The Woman in White (1948)	Limmeridge	0:30:46 - Marian talks to Walter	advance plot \| conversing \| cousin \| leading lady \| leading man \| noble \| refined \| room
The Woman in White (1948)	Fairlie (Expressivo)	0:30:58 - Marian talks to Walter	advance plot \| conversing \| cousin \| gentle \| leading lady \| leading man \| refined \| room
The Woman in White (1948)	Fosco (Spying)	0:31:31 - Fosco spies on Laura and Walter	advance plot \| garden \| leading lady \| leading man \| mysterious \| point-of-view shot \| snooping \| spying \| watching
The Woman in White (1948)	Pavan (Garden)	0:33:09 - Marian talks to Fosco	arguing \| conversing \| cousin \| falling in love scene \| garden \| instrument effect \| leading lady \| leading man \| mysterious \| Renaissance music \| somber \| watching
The Woman in White (1948)	Pavan (Agitato)	0:33:43 - Walter argues with Laura	agitated \| arguing \| argument \| falling in love scene \| garden \| leading lady \| leading man
The Woman in White (1948)	The Self Banished	0:34:22 - Walter apologizes to Laura	embracing \| falling in love scene \| garden \| kissing \| leading lady \| leading man \| romance \| tender
The Woman in White (1948)	Laura runs	0:34:56 - Laura runs off	falling in love scene \| garden \| hurried \| leading lady \| leading man \| mickey-mousing \| running \| rushing
The Woman in White (1948)	Fosco (Ominous)	0:35:03 - Fosco's carriage approaches	arriving \| carriage \| dark \| garden \| leading lady \| leading man \| ominous \| transition
The Woman in White (1948)	Laura (Harp Countermelody)	0:36:14 - Laura runs inside	advance plot \| arriving \| fiancé \| gentle \| leading lady \| leading man \| mansion \| running
The Woman in White (1948)	Underscoring (Mysterious)	0:36:22 - Laura greets Sir Percival	advance plot \| conversing \| fiancé \| leading lady \| mansion \| mysterious \| underscoring
The Woman in White (1948)	The Self Banished (Slowly)	0:36:40 - Laura leaves with Sir Percival	advance plot \| calm \| cousin \| fiancé \| leading lady \| mansion \| walking
The Woman in White (1948)	The Self Banished (Con Moto)	0:36:48 - Marian walks outside	advance plot \| agitated \| calm \| cousin \| leading lady \| leading man \| mansion \| walking
The Woman in White (1948)	Underscoring (Mysterious)	0:38:37 - Marian talks to Walter	advance plot \| bad news \| conversing \| cousin \| dark \| garden \| leading lady \| leading man \| mysterious \| stinger \| underscoring
The Woman in White (1948)	The Self Banished (Somber)	0:39:27 - Marian talks to Walter	advance plot \| bad news \| conversing \| cousin \| garden \| gentle \| heartbroken \| leading lady \| leading man \| somber
The Woman in White (1948)	The Carman's Whistle (Accompaniment)	0:39:58 - Walter wanders the grounds	advance plot \| crying \| garden \| gentle \| leading lady \| leading man \| listening \| walking \| wandering
The Woman in White (1948)	Ann 2	0:40:33 - Walter talks to the woman in white	advance plot \| conversing \| crying \| garden \| gentle \| leading lady \| leading man \| remembering \| tender
The Woman in White (1948)	Ann	0:40:45 - The woman in white talks to Walter	advance plot \| conversing \| garden \| leading lady \| leading man \| mysterious \| tense
The Woman in White (1948)	Ann 2	0:41:22 - The woman in white talks to Walter	advance plot \| conversing \| garden \| gentle \| leading lady \| leading man \| tender
The Woman in White (1948)	Ann (Quasi Misterioso)	0:41:28 - The woman in white talks to Walter	advance plot \| conversing \| garden \| leading lady \| leading man \| mysterious
The Woman in White (1948)	Ann 2	0:41:49 - The woman in white talks to Walter	advance plot \| conversing \| garden \| gentle \| leading lady \| leading man \| tender
The Woman in White (1948)	Hypnosis	0:42:04 - The woman in white talks to Walter	advance plot \| conversing \| garden \| leading lady \| leading man \| tense \| underscoring
The Woman in White (1948)	Fosco (Misterioso)	0:42:23 - The woman in white talks about Fosco	advance plot \| conversing \| garden \| leading lady \| leading man \| tense
The Woman in White (1948)	Ann (Molto Misterioso)	0:42:52 - Walter talks to the woman in white	advance plot \| agitated \| conversing \| garden \| leading lady \| leading man \| mysterious
The Woman in White (1948)	Underscoring (Dark)	0:43:00 - The woman in white talks to Walter	advance plot \| conversing \| dark \| garden \| leading lady \| leading man \| ominous \| stinger \| underscoring
The Woman in White (1948)	Ann	0:43:08 - The woman in white talks to Walter	advance plot \| agitated \| conversing \| garden \| leading lady \| leading man \| mysterious
The Woman in White (1948)	Ann 2	0:43:17 - The woman in white talks to Walter	advance plot \| conversing \| garden \| leading lady \| leading man \| tender
The Woman in White (1948)	The Carman's Whistle (Rubato)	0:43:24 - The woman in white talks to Walter	advance plot \| conversing \| garden \| leading lady \| leading man \| tender
The Woman in White (1948)	The Carman's Whistle (Accompaniment)	0:43:31 - The woman in white talks to Walter	advance plot \| conversing \| garden \| gentle \| leading lady \| leading man
The Woman in White (1948)	Fosco (Slowly)	0:43:36 - Walter and the woman in white approach the house	advance plot \| garden \| leading lady \| leading man \| tense \| walking
The Woman in White (1948)	Appearing	0:43:56 - The woman in white runs from Fosco	advance plot \| garden \| leading lady \| leading man \| magical \| mysterious \| running
The Woman in White (1948)	Ann	0:43:58 - The woman in white runs away	advance plot \| garden \| leading lady \| leading man \| mysterious \| running
The Woman in White (1948)	Underscoring (Mysterious)	0:45:40 - Laura enters the mansion	butler \| conflict \| conversing \| cousin \| fiancé \| leading lady \| mansion \| mysterious \| tense \| underscoring
The Woman in White (1948)	Ann (Poco Agitato)	0:46:06 - Walter talks to Marian	arguing \| conflict \| cousin \| leading lady \| leading man \| mansion \| tense
The Woman in White (1948)	Fairlie (Moderato)	0:46:16 - Marian argues with Walter	agitated \| arguing \| conflict \| cousin \| leading lady \| leading man \| mansion
The Woman in White (1948)	Ann (Agitato Quasi Misterioso)	0:46:28 - Walter argues with Marian	arguing \| butler \| conflict \| cousin \| leading lady \| leading man \| mansion \| mysterious \| stinger
The Woman in White (1948)	The Self Banished (Tenderly)	0:46:47 - Marion talks to Walter	butler \| conflict \| conversing \| cousin \| fiancé \| gentle \| leading lady \| leading man \| mansion \| tender
The Woman in White (1948)	Ann (Molto Marcato)	0:50:03 - Walter storms out of the room	angry \| antagonist \| butler \| conflict \| cousin \| departing \| fiancé \| leading lady \| leading man \| mansion
The Woman in White (1948)	Pavan B	0:50:44 - A carriage arrives	arriving \| carriage \| conversing \| cousin \| grand \| headline \| leading lady \| mansion \| montage \| montage \| newspaper \| Renaissance music \| servant \| transition
The Woman in White (1948)	Fairlie (Meno)	0:51:08 - Marian looks at Limmeridge House	advance plot \| arriving \| conversing \| cousin \| gentle \| leading lady \| mansion \| servant \| warm
The Woman in White (1948)	Hypnosis	0:51:33 - The servants greet Marian	advance plot \| arriving \| butler \| conversing \| cousin \| leading lady \| mansion \| servant \| tense
The Woman in White (1948)	Fosco (Misterioso 2)	0:51:57 - Marian learns that the countess is in the house	advance plot \| arriving \| butler \| conversing \| cousin \| leading lady \| mansion \| servant \| stinger \| tense
The Woman in White (1948)	Laura (At Dinner)	0:55:43 - Sitting at the dining table	advance plot \| antagonist \| butler \| cigarette \| conversing \| cousin \| eating \| happy \| husband \| leading lady \| light \| mansion \| monkey \| servant \| smoking \| somber
The Woman in White (1948)	Underscoring (Mysterious)	0:56:12 - Sir Percival and a monkey	advance plot \| antagonist \| butler \| cigarette \| conversing \| cousin \| husband \| leading lady \| mansion \| monkey \| mysterious \| servant \| smoking \| stinger \| underscoring
The Woman in White (1948)	Ann (Misterioso Rubato)	0:58:22 - The countess excuses herself	advance plot \| antagonist \| butler \| conversing \| cousin \| departing \| husband \| leading lady \| mansion \| mysterious \| servant \| somber
The Woman in White (1948)	Sneaking	1:02:12 - Marian leaves wearing a cloak	advance plot \| antagonist \| conversing \| cousin \| criminal \| eavesdropping \| father \| husband \| leading lady \| leading man \| room \| sneaking \| somber \| tense
The Woman in White (1948)	Fosco (Misterioso Slowly)	1:04:48 - Count Fosco leaves the room	advance plot \| antagonist \| conversing \| cousin \| criminal \| eavesdropping \| father \| husband \| leading lady \| leading man \| lightning \| mysterious \| room \| sneaking \| storm \| tense
The Woman in White (1948)	Pavan (Basses)	1:05:32 - Marian gets dressed	advance plot \| antagonist \| cousin \| criminal \| dressing \| leading lady \| leading man \| mysterious \| room \| shadow \| somber \| stinger \| surprising
The Woman in White (1948)	Fosco (Misterioso Moderato)	1:08:24 - Fosco is startled by a noise	antagonist \| butler \| conflict \| conversing \| cousin \| criminal \| leading lady \| leading man \| mysterious \| room
The Woman in White (1948)	Fosco (Marcato)	1:08:44 - Fosco talks to the servant	antagonist \| arguing \| butler \| confining \| conflict \| conversing \| cousin \| criminal \| dark \| leading lady \| leading man \| mysterious \| prisoner \| room
The Woman in White (1948)	Underscoring (Dramatic)	1:09:11 - Marian is locked in	antagonist \| confining \| conflict \| conversing \| cousin \| criminal \| dark \| dramatic \| husband \| leading lady \| leading man \| prisoner \| room \| underscoring
The Woman in White (1948)	Asylum (Dark)	1:09:26 - Fosco talks to Sir Percival	aching \| antagonist \| conflict \| conversing \| criminal \| dark \| headache \| husband \| illness \| leading lady \| leading man \| pain \| plotting \| prisoner \| room
The Woman in White (1948)	Appearing	1:10:28 - The woman in white disappears	advance plot \| antagonist \| criminal \| doctor \| hiding \| husband \| leading lady \| leading man \| magical \| mysterious \| room \| running \| superimposed shot \| victim
The Woman in White (1948)	Ann (Poco Agitato)	1:11:46 - Laura mentions the woman in white	agitated \| antagonist \| conflict \| conversing \| criminal \| doctor \| headache \| husband \| illness \| leading lady \| leading man \| pain \| room \| servant \| victim
The Woman in White (1948)	Fosco	1:12:05 - Fosco talks to the maid	agitated \| anger \| antagonist \| conflict \| criminal \| doctor \| headache \| husband \| illness \| leading lady \| leading man \| pain \| room \| searching \| servant \| tense \| victim \| walking
The Woman in White (1948)	Fosco (Molto Agitato)	1:12:15 - Fosco walks	agitated \| anger \| antagonist \| conflict \| criminal \| dark \| doctor \| headache \| husband \| illness \| leading lady \| leading man \| pain \| room \| rushing \| searching \| servant \| tense \| victim \| walking
The Woman in White (1948)	Ann (Accelerando)	1:12:32 - Fosco looks in the closet	agitated \| anger \| antagonist \| conflict \| criminal \| leading man \| mysterious \| room \| rushing \| searching \| walking
The Woman in White (1948)	Ann (Accelerando) + Fosco (Dark)	1:12:47 - Fosco leaves	agitated \| anger \| antagonist \| combination of themes \| conflict \| conversing \| criminal \| departing \| doctor \| husband \| leading man \| room \| rushing \| searching \| tense \| walking
The Woman in White (1948)	Come, Sweet Death (Funeral)	1:20:13 - Mourners at a funeral	cemetery \| church \| cousin \| crowd \| funeral \| funeral \| husband \| leading lady \| leading man \| mourning \| priest \| reading \| somber \| victim
The Woman in White (1948)	Ann (Misterioso)	1:21:57 - Marian talks to Walter	cemetery \| cousin \| crying \| funeral \| funeral \| leading lady \| leading man \| mysterious \| somber \| spying
The Woman in White (1948)	Pavan (Misterioso)	1:23:21 - Marian and Walter leave	cousin \| dark \| forest \| leading lady \| leading man \| leaving \| serious \| spy \| spying \| transition
The Woman in White (1948)	Fosco (Con Moto)	1:23:29 - Fosco arrives in his carriage	antagonist \| arriving \| carriage \| criminal \| dark \| leading man \| murderer \| serious \| street \| transition \| traveling
The Woman in White (1948)	Asylum + Ann	1:24:50 - Close-up on Count Fosco	antagonist \| asylum \| combination of themes \| criminal \| dark \| husband \| hypnosis \| hypnotist \| hypnotizing \| leading lady \| leading man \| lighting change \| mad scene \| murderer \| mysterious \| thematic transference \| victim
The Woman in White (1948)	Asylum + Ann + Hypnosis	1:25:26 - Laura looks at Sir Percival	antagonist \| asylum \| combination of themes \| criminal \| dark \| husband \| hypnosis \| hypnotist \| hypnotizing \| leading lady \| leading man \| mad scene \| murderer \| mysterious \| victim
The Woman in White (1948)	Pavan (Distressed)	1:25:43 - Laura confronts Sir Percival	antagonist \| arguing \| asylum \| criminal \| dark \| husband \| hypnosis \| hypnotist \| leading lady \| leading man \| mad scene \| murderer \| victim
The Woman in White (1948)	Asylum + Ann + Hypnosis	1:26:10 - Count Fosco hypnotizes Laura	antagonist \| asylum \| combination of themes \| criminal \| dark \| husband \| hypnosis \| hypnotist \| hypnotizing \| leading lady \| leading man \| mad scene \| murderer \| shrill \| staring \| victim
The Woman in White (1948)	Ann	1:26:55 - Laura speaks to Count Fosco	antagonist \| asylum \| criminal \| husband \| hypnosis \| hypnotist \| hypnotizing \| leading lady \| leading man \| mad scene \| murderer \| mysterious \| staring \| victim
The Woman in White (1948)	Ann (Waltz)	1:27:14 - Laura dashes away	antagonist \| asylum \| conversing \| criminal \| husband \| hypnosis \| hypnotist \| leading lady \| leading man \| leaving \| mad scene \| murderer \| nurse \| tender \| victim
The Woman in White (1948)	Ann 2	1:28:39 - The nurse takes Laura to her room	antagonist \| asylum \| criminal \| husband \| hypnosis \| hypnotist \| leading lady \| leading man \| leaving \| mad scene \| murderer \| nurse \| tender \| victim \| walking
The Woman in White (1948)	Ann (Quasi Misterioso)	1:29:00 - Count Fosco talks to Sir Percival	antagonist \| asylum \| conversing \| criminal \| husband \| hypnotist \| leading man \| mad scene \| murderer \| ominous
The Woman in White (1948)	Hypnosis + Fosco	1:30:32 - Count Fosco leaves	antagonist \| carriage \| combination of themes \| criminal \| dark \| husband \| hypnotist \| leading man \| leaving \| murderer \| ominous \| plotting \| spy \| spying \| street \| tense \| transition
The Woman in White (1948)	Pavan (Garden)	1:31:13 - Walter talks with Marian	conversing \| criminal \| friend \| husband \| leading lady \| leading man \| love scene \| murderer \| noble \| room \| spy \| spying
The Woman in White (1948)	Underscoring (Dramatic)	1:31:28 - Marian sees Sir Percival spying on them	conversing \| dramatic \| friend \| leading lady \| leading man \| love scene \| lyrical \| room \| stinger \| underscoring
The Woman in White (1948)	The Self Banished	1:31:42 - Walter Kisses Marian	conversing \| embracing \| friend \| gentle \| kissing \| leading lady \| leading man \| leaving \| love interest \| love scene \| romantic \| room \| thematic transference
The Woman in White (1948)	The Carman's Whistle (Accompaniment)	1:32:33 - Walter walks	calm \| comedy \| criminal \| leading man \| sneaking \| spy \| spying \| street \| walking
The Woman in White (1948)	The Carman's Whistle (Bassoon)	1:32:48 - A man spies on Walter	calm \| comedy \| criminal \| following \| husband \| leading man \| murderer \| sneaking \| spy \| spying \| street \| walking
The Woman in White (1948)	Underscoring (Dramatic)	1:36:15 - Laura screams when she sees Sir Percival	conflict \| criminal \| dramatic \| hitting \| husband \| leading lady \| leading man \| murderer \| patient \| screaming \| street \| struggling \| underscoring \| victim \| wife
The Woman in White (1948)	Fight	1:36:33 - Walter fights the spy	conflict \| criminal \| dramatic \| fighting \| husband \| leading lady \| leading man \| murderer \| patient \| punching \| spy \| street \| victim \| wife
The Woman in White (1948)	Fosco (Dark)	1:36:50 - Sir Percival on the ground	conflict \| criminal \| dark \| husband \| leading lady \| leading man \| murderer \| ominous \| patient \| spy \| street \| victim \| walking \| wife
The Woman in White (1948)	Pavan (Distressed)	1:37:17 - Walter reads a note from Marian	advance plot \| dark \| leading lady \| leading man \| note \| patient \| reading \| room \| victim \| wife
The Woman in White (1948)	Fosco (Molto Moderato)	1:38:43 - Fosco looks at Marian	advance plot \| criminal \| friend \| leading lady \| leading man \| love interest \| menacing \| murderer \| pacing \| room \| somber
The Woman in White (1948)	Underscoring (Tense)	1:39:05 - The butler enters	advance plot \| butler \| conversing \| criminal \| friend \| leading lady \| leading man \| love interest \| murderer \| room \| tense \| underscoring
The Woman in White (1948)	Fosco (Molto Moderato)	1:39:33 - Fosco talks to Marian	advance plot \| conversing \| criminal \| friend \| leading lady \| leading man \| love interest \| menacing \| murderer \| room \| somber
The Woman in White (1948)	Underscoring (Tense)	1:44:06 - The countess enters	climax \| conversing \| criminal \| dark \| friend \| leading lady \| leading man \| love interest \| murderer \| necklace \| ominous \| room \| transcribed by ear \| wife
The Woman in White (1948)	Ann (Not in Score)	1:44:24 - Count Fosco talks to the Countess	climax \| conversing \| criminal \| friend \| leading lady \| leading man \| love interest \| murderer \| mysterious \| necklace \| room \| transcribed by ear \| wife
The Woman in White (1948)	Fosco (Screwy)	1:44:42 - The Countess walks across the room	climax \| criminal \| friend \| leading lady \| leading man \| love interest \| murderer \| mysterious \| necklace \| room \| sneaking \| walking \| wife
The Woman in White (1948)	Fosco (Sneaking)	1:44:51 - The Countess walks across the room	climax \| criminal \| friend \| leading lady \| leading man \| love interest \| murderer \| mysterious \| necklace \| room \| sneaking \| walking \| wife
The Woman in White (1948)	Adagio	1:45:00 - The Countess picks up a knife	climax \| conversing \| criminal \| friend \| knife \| leading lady \| leading man \| love interest \| murderer \| necklace \| room \| somber \| wife
The Woman in White (1948)	Fosco (Soft)	1:45:18 - The Count talks to Marian	arriving \| climax \| conversing \| criminal \| friend \| leading lady \| leading man \| love interest \| murderer \| mysterious \| necklace \| room \| wife
The Woman in White (1948)	Stabbing	1:45:23 - The Countess stabs Count Fosco	climax \| criminal \| dramatic \| dropping \| friend \| knife \| leading lady \| leading man \| love interest \| mickey-mousing \| murder \| murderer \| murdering \| necklace \| revenge \| room \| stabbing \| violent \| wife
The Woman in White (1948)	Fosco (Dying)	1:45:34 - The Countess picks up the necklace	arriving \| climax \| criminal \| death \| dramatic \| dying \| falling \| friend \| knife \| leading lady \| leading man \| love interest \| murder \| murderer \| necklace \| revenge \| rising \| room \| stinger \| tense \| victim \| violent \| wife
The Woman in White (1948)	Ann (Quasi Misterioso)	1:46:05 - Various close-ups	climax \| criminal \| death \| dying \| friend \| knife \| leading lady \| leading man \| love interest \| murder \| murderer \| necklace \| revenge \| room \| somber \| victim \| watching \| wife
The Woman in White (1948)	Ann (Waltz 2)	1:46:13 - A close-up on the Countess	criminal \| death \| embracing \| friend \| leading lady \| leading man \| love interest \| murder \| murderer \| necklace \| reacting \| resolution \| revenge \| room \| tender \| victim \| waltz \| wife
The Woman in White (1948)	Laura (Harp Countermelody)	1:46:55 - The camera pans from the asylum	arriving \| butler \| child \| conversing \| father \| happy \| husband \| leading man \| mansion \| resolution \| voice-over \| waltz
The Woman in White (1948)	Pavan (Major)	1:47:33 - Walter with his daughter Ann	child \| conversing \| father \| greeting \| husband \| leading man \| noble \| resolution \| voice-over \| yard
The Woman in White (1948)	The Self Banished (The End)	1:47:51 - Walter with the children	book \| child \| conversing \| embracing \| father \| greeting \| husband \| kissing \| leading lady \| leading man \| mother \| resolution \| tender \| The End \| voice-over \| wife \| yard
The Public Defender (1931)	He Walked Right In, Turned Around and Walked Right Out Again	0:30:49 - Man sings to himself as he walks away	advance plot \| cheerful \| leading man \| on-screen music \| room \| singing \| source music \| transcribed by ear
The Public Defender (1931)	Mystery (End Title)	1:08:56 - A kiss and The End	arguing \| end title sequence \| kissing \| leading man \| mode mixture \| pedal tone \| romantic \| room \| The End \| transcribed by ear
Three Who Loved (1931)	Old Folks At Home	0:46:00 - Phil paces in a jail cell	advance plot \| jail \| leading man \| on-screen music \| playing \| prisoner \| somber \| source music
Hold ‘Em Jail (1932)	There's a Sob in My Heart	0:05:14 - People dancing in a night club	AABA structure \| business man \| cheerful \| club \| conversing \| dance scene \| dancing \| dining \| reused recording \| upbeat
Hold ‘Em Jail (1932)	Jingle Bells	0:07:51 - Spider sings	advance plot \| bothering \| business man \| comic \| comical \| goofing around \| on-screen music \| room \| salesman \| singing \| source music
Is My Face Red? (1932)	You Bunch of Fun	0:10:42 - Backstage at a Broadway show	advance plot \| Broadway \| cheerful \| dancer \| dancing \| leading man \| popular music \| singing \| source music \| stage \| transcribed by ear
Is My Face Red? (1932)	Burlesque	0:13:10 - Backstage at a Broadway show	ABAC structure \| advance plot \| arguing \| Broadway \| burlesque \| cheerful \| common-chord modulation \| dancer \| leading man \| pedal tone \| plagal cadence \| popular music \| source music \| stage \| transcribed by ear
Is My Face Red? (1932)	Close to Me	0:13:53 - William and Peggy talk in a dressing room	advance plot \| altered dominant \| augmented sixth chord \| Broadway \| common-tone diminished 7th \| conversing \| dancer \| Gypsy major scale \| leading man \| popular music \| romantic \| room \| source music \| transcribed by ear
Is My Face Red? (1932)	Sailing of the Olympic	0:15:16 - William on the deck of a busy ship	AB structure \| advance plot \| boat \| bustling \| chromatic sequence \| crowd \| hurried \| leading man \| metric dissonance \| parallelism \| searching \| transcribed by ear
Is My Face Red? (1932)	I Love Thee	0:16:08 - Two people embrace	advance plot \| boat \| embrace \| embracing \| leading man \| quotation \| romantic \| transcribed by ear
Is My Face Red? (1932)	Strolling the Deck (Argument)	0:16:14 - Camera moves from one window to another	advance plot \| boat \| cheerful \| eavesdropping \| fragmentation \| leading man \| parallelism \| searching \| transcribed by ear
Is My Face Red? (1932)	Sailing of the Olympic (Argument)	0:16:24 - Two people argue	advance plot \| arguing \| boat \| eavesdropping \| leading man \| parallelism \| tense \| transcribed by ear
Is My Face Red? (1932)	Strolling the Deck	0:16:29 - Camera moves from one window to another	advance plot \| boat \| cheerful \| common-tone diminished 7th \| eavesdropping \| leading man \| mode mixture \| searching \| transcribed by ear
Is My Face Red? (1932)	Sailing of the Olympic (Commotion)	0:16:39 - Four people talk at once to Mildred	advance plot \| arguing \| argument \| boat \| chromatic sequence \| eavesdropping \| hurried \| leading lady \| leading man \| metric dissonance \| parallelism \| tense \| transcribed by ear
Is My Face Red? (1932)	Mildred Waltz	0:19:03 - Mildred talks with William	ABA structure \| altered dominant \| augmented sixth chord \| boat \| calm \| conversing \| diminished 7th chord \| leading lady \| leading man \| lovers meet \| transcribed by ear
Is My Face Red? (1932)	Mildred Waltz	0:20:18 - Mildred has a drink with William	ABA structure \| advance plot \| altered dominant \| augmented sixth chord \| boat \| calm \| diminished 7th chord \| drinking \| leading lady \| leading man \| transcribed by ear
Is My Face Red? (1932)	Sidewalks of New York (Lights)	0:21:04 - New York City skyline	calm \| diminished 7th chord \| drinking \| leading lady \| leading man \| New York \| octatonic \| popular music \| setting \| transcribed by ear \| transition
Is My Face Red? (1932)	Mildred Waltz (Tipsy)	0:21:09 - Mildred is drunk	advance plot \| altered dominant \| augmented triad \| boat \| drinking \| drunk \| leading lady \| leading man \| transcribed by ear
Is My Face Red? (1932)	Mildred Waltz	0:21:43 - Mildred talks with William	advance plot \| augmented sixth chord \| boat \| calm \| conversing \| diminished 7th chord \| leading lady \| leading man \| transcribed by ear
Is My Face Red? (1932)	Hurrying	0:22:00 - Mildred and William hurry off	advance plot \| boat \| hurried \| hurrying \| jumping \| leading lady \| leading man \| transcribed by ear \| up
Is My Face Red? (1932)	Mildred Waltz (Rushing)	0:22:05 - Mildred and William leave	advance plot \| boat \| hurried \| hurrying \| leading lady \| leading man \| mode mixture \| Neapolitan \| transcribed by ear
Is My Face Red? (1932)	Scenes Metropolitaine	0:43:51 - Montage of activities in the city	ABCA structure \| augmented triad \| boat \| boxing \| Chinatown \| diminished 7th chord \| excited \| gambling \| leading lady \| leading man \| metric dissonance \| montage \| New York \| night club \| parallelism \| transcribed by ear \| transition \| whole-tone
Is My Face Red? (1932)	Mildred Waltz	0:44:47 - Mildred and William ride in a motorboat	ABA structure \| advance plot \| boat \| calm \| leading lady \| leading man \| sailing \| transcribed by ear
Is My Face Red? (1932)	Comin' Thro' the Rye	0:46:54 - A man exercises to music on a boat	advance plot \| boat \| calm \| exercising \| leading lady \| leading man \| source music \| transcribed by ear
Is My Face Red? (1932)	Guilty	0:47:40 - A radio orchestra plays on a soundstage	advance plot \| band \| broadcast \| calm \| dance music \| leading lady \| leading man \| on-screen music \| radio \| source music \| stage \| transcribed by ear \| walking
Is My Face Red? (1932)	Trysting Place, The	0:50:25 - William talks to Peggy and Mildred	advance plot \| arguing \| band \| broadcast \| calm \| conversing \| dance music \| leading man \| radio \| sentence form \| source music \| stage \| transcribed by ear
Men of America (1932)	Cimarron C	0:01:08 - Smokey Joe fights the Indians	ambush \| common-chord modulation \| cowboy \| establish character \| establish setting \| fanfare \| gun \| gunshot \| horse \| Indian \| leading man \| noble \| parallel double period \| prairie \| riding \| self-borrowing \| shooting \| stagecoach \| title card \| transcribed by ear
Men of America (1932)	Cimarron B (Transition)	0:02:19 - Smokey Joe fights the Indians	ambush \| chromatic mediant \| cowboy \| dramatic \| establish character \| establish setting \| fragmentation \| gun \| gunshot \| horse \| Indian \| leading man \| prairie \| riding \| self-borrowing \| shooting \| stagecoach \| tense \| title card \| transcribed by ear
Secrets of the French Police (1932)	Valse Lente	0:10:24 - A man and a flower girl talk in a cafe	AB structure \| advance plot \| cheerful \| conversing \| flower \| leading lady \| leading man \| restaurant
State’s Attorney (1932)	Na Moku Eha	0:01:19 - Hula dancer	cheerful \| club \| conversing \| dancer \| dancing \| drinking \| establish character \| gambling \| Hawaiian \| leading man \| on-screen music \| playing \| politician \| singing \| source music
State’s Attorney (1932)	Blues (Piano)	0:18:14 - People talking in a club	advance plot \| blue note \| club \| conversing \| gangster \| leading lady \| leading man \| mistress \| score to source \| source music \| upbeat
State’s Attorney (1932)	Blues (Swinging)	0:43:46 - Jazz musicians playing in a club	club \| conversing \| dancing \| daughter \| jazz \| lawyer \| leading man \| love interest \| music scene \| on-screen music \| source music \| upbeat
State’s Attorney (1932)	Beer Glasses	0:53:26 - Tom tunes his beer glasses to A	advance plot \| bar \| drunk \| drunk \| lawyer \| leading man \| on-screen music \| source music \| tuning
State’s Attorney (1932)	Wedding March	0:53:50 - Tom plays the Wedding March	advance plot \| bar \| drunk \| drunk \| lawyer \| leading man \| on-screen music \| playing \| source music
State’s Attorney (1932)	Beer Glasses	0:54:08 - Tom strikes a beer glass	advance plot \| bar \| drunk \| drunk \| lawyer \| leading man \| on-screen music \| playing \| source music
State’s Attorney (1932)	Beer Glasses	0:54:32 - Tom strikes a beer glass	advance plot \| bar \| drunk \| drunk \| lawyer \| leading man \| on-screen music \| playing \| source music
The Roadhouse Murder (1932)	Lady With a Past Fox Trot	0:35:34 - Chick and Mary talking	AABA structure \| cheerful \| conversing \| dancing \| diner \| girlfriend \| leading lady \| leading man \| love scene \| on-screen music \| reporter \| romantic \| self-borrowing \| source music
Before Dawn (1933)	Wedding March	0:59:55 - Two lovers kissing and The End	detective \| familiar tune \| fanfare \| kissing \| leading lady \| leading man \| plagal cadence \| resolution \| romantic \| secondary dominant \| transcribed by ear \| triumphant
Blind Adventure (1933)	When You're Far Away	0:26:45 - Rose and Richard crash a party	AABA structure \| advance plot \| conversing \| leading lady \| leading man \| lying \| party \| popular song \| romantic \| source music
Blind Adventure (1933)	Marcellene	0:32:12 - Rose and Richard go downstairs	ABAC structure \| advance plot \| calm \| conversing \| leading lady \| leading man \| lying \| party \| popular song \| source music
Headline Shooter (1933)	He's Not the Marrying Kind	0:02:32 - Radio announcer talking	announcing \| beauty contestant \| conversing \| establish character \| filming \| film staff \| leading man \| modeling \| on-screen music \| pageant \| parallel period \| photographer \| pleasant \| radio announcer \| source music
Headline Shooter (1933)	Ensemble Tuning	0:04:41 - Bill talks to business man	business man \| calm \| conversing \| establish character \| leading man \| pageant \| source music \| tuning
Headline Shooter (1933)	You Can Depend on Me	0:05:21 - Bathing beauties walk past	AABA structure \| announcing \| beauty contestant \| conversing \| drunk \| establish character \| filming \| film staff \| leading lady \| leading man \| modeling \| on-screen music \| pageant \| photographer \| pleasant \| radio announcer \| source music
Headline Shooter (1933)	Tell Me is It Love?	0:21:50 - Bill and Jane at a bar	advance plot \| bar \| conversing \| drunk \| leading lady \| leading man \| parallel double period \| pleasant \| source music
Headline Shooter (1933)	Isn't This a Night For Love	0:22:10 - Bill and Jane talk at a bar	AABA structure \| advance plot \| bar \| conversing \| leading lady \| leading man \| romantic \| source music
Headline Shooter (1933)	Come Easy, Go Easy, Love	0:46:07 - Bill talks to reporters	AABA structure \| advance plot \| calm \| conversing \| fiancé \| leading lady \| leading man \| reporter \| restaurant \| source music
Sing and Like It (1934)	Indiana	0:01:30 - Ruby changes the radio station	ABAC structure \| boss \| conversing \| establish character \| gangster \| jazz \| leading lady \| leading man \| listening \| moll \| radio \| room \| source music \| upbeat
Sing and Like It (1934)	Dinah	0:02:34 - Ruby and Fenny listen to the radio	AABA structure \| arguing \| boss \| conversing \| establish character \| gangster \| gum \| jazz \| leading lady \| leading man \| listening \| moll \| radio \| room \| source music \| upbeat
Sing and Like It (1934)	It's Sunday Down in Caroline	0:04:11 - Fenny prepares for a meeting	AABA structure \| boss \| conversing \| establish character \| gangster \| jazz \| laughing \| leading lady \| leading man \| moll \| plotting \| radio \| room \| source music \| upbeat
Sing and Like It (1934)	Hi-De-Ho	0:37:46 - Fenny talks with Mr. Frink	AABA structure \| advance plot \| boss \| conversing \| dancing \| gangster \| laughing \| leading man \| on-screen music \| piano \| source music \| theater \| upbeat
Gridiron Flash (1934)	Swing it Sister	0:21:09 - Eddie at a party	conversing \| friend \| leading lady \| leading man \| party \| popular music \| room \| upbeat
Gridiron Flash (1934)	Dunlap Commandery	0:43:59 - Eddie in his room	advance plot \| cheering \| leading man \| march \| room \| thinking \| upbeat
Gridiron Flash (1934)	Gridiron Flash	0:45:19 - Eddie in his room	added-note chord \| advance plot \| cheering \| countermelody \| leading man \| march \| room \| upbeat
Gridiron Flash (1934)	Gridiron Flash	1:02:36 - The scoreboard	added-note chord \| athlete \| celebrating \| countermelody \| crowd \| football \| football game \| leading lady \| leading man \| march \| resolution \| The End \| upbeat
Hat, Coat, and Glove (1934)	Tonight is Mine	0:11:24 - Dorothea plays the piano	advance plot \| conversing \| leading lady \| leading man \| mode mixture \| on-screen music \| piano \| playing \| pleasant \| room \| source music
Hat, Coat, and Glove (1934)	Wonderful	0:39:29 - Robert tells Dorothea goodbye	11th chord \| ABAC structure \| added-note chord \| advance plot \| calm \| club \| common-tone diminished 7th \| conversing \| lawyer \| leading lady \| leading man \| meeting \| self-borrowing \| source music \| transcribed by ear
Hat, Coat, and Glove (1934)	When You're Far Away	0:41:12 - Robert talks to Jerry	AABA structure \| advance plot \| club \| conversing \| lawyer \| leading man \| meeting \| pleasant \| source music \| suspect
Murder on the Blackboard (1934)	Scale	0:28:06 - Hildegarde whistles	advance plot \| detective \| leading lady \| leading man \| major scale \| music notes \| neutral \| on-screen music \| school \| singing \| sleuth \| source music
Murder on the Blackboard (1934)	The Clue	0:28:13 - Hildegarde whistles	advance plot \| detective \| leading lady \| leading man \| music notes \| neutral \| on-screen music \| school \| sleuth \| source music \| whistling
Murder on the Blackboard (1934)	The Clue	0:32:55 - Hildegarde whistles	advance plot \| leading lady \| leading man \| neutral \| on-screen music \| school \| sleuth \| source music \| whistling
Murder on the Blackboard (1934)	The Clue	1:08:29 - Hildegarde whistles	advance plot \| café \| detective \| leading lady \| leading man \| neutral \| on-screen music \| sleuth \| source music \| whistling
Star of Midnight (1935)	Midnight in Manhattan (Exotic)	0:09:14 - Clay and Donna in the audience	advance plot \| altered dominant \| conversing \| countermelody \| exotic \| exotic \| leading lady \| leading man \| mode mixture \| on-screen music \| score to source \| source music \| theater
Star of Midnight (1935)	Midnight in Manhattan (Warm)	0:09:35 - Clay in the theater lobby	advance plot \| altered dominant \| conversing \| leading man \| mode mixture \| Neapolitan \| score to source \| sentimental \| source music \| theater
Star of Midnight (1935)	Swing it Sister	0:10:50 - Clay talks with Jim	AABA structure \| blackmail \| blackmailing \| conversing \| criminal \| detective \| establish character \| leading man \| radio \| room \| source music \| threatening \| upbeat
Star of Midnight (1935)	Pop Goes the Weasel	0:29:44 - Detective sits	advance plot \| cheerful \| conversing \| detective \| inspector \| leading man \| music box \| room \| source music
Star of Midnight (1935)	Pop Goes the Weasel	0:33:40 - Clay talks with Tim	advance plot \| cheerful \| conversing \| detective \| leading man \| music box \| room \| source music \| suspect
Star of Midnight (1935)	What a Night	0:37:08 - Clay in a restaurant	ABAC structure \| advance plot \| conversing \| detective \| leading lady \| leading man \| producer \| restaurant \| sentimental \| source music
Star of Midnight (1935)	If This Isn't Love	0:46:25 - Clay talks with Donna	ABAC structure \| advance plot \| conversing \| detective \| leading lady \| leading man \| restaurant \| sentimental \| source music
Star of Midnight (1935)	Westminster Quarters	0:53:50 - Clay waits	advance plot \| calm \| detective \| detective \| leading man \| source music \| street \| waiting
Star of Midnight (1935)	Rushing	0:54:02 - Clay rushes to catch the bus	bus \| detective \| hurried \| leading man \| montage \| parallelism \| rushing \| street \| transcribed by ear
Star of Midnight (1935)	Midnight in Manhattan (Restaurant)	0:55:00 - Detective talks on the phone	advance plot \| conversing \| detective \| leading lady \| leading man \| parallel double period \| restaurant \| score to source \| sentimental \| source music
Star of Midnight (1935)	Midnight in Manhattan B	0:55:55 - Clay and Donna talk in a restaurant	advance plot \| conversing \| detective \| leading lady \| leading man \| restaurant \| sentimental \| source music \| suspension
Star of Midnight (1935)	I'm in Love All Over Again	0:58:13 - Clay and Donna talk with Mr. Classon	AABA structure \| advance plot \| conversing \| detective \| leading lady \| leading man \| restaurant \| sentimental \| source music
Star of Midnight (1935)	Improvisation	1:00:53 - Clay plays the piano	advance plot \| detective \| leading lady \| leading man \| piano \| playing \| room \| source music
Star of Midnight (1935)	Midnight in Manhattan (Phonograph)	1:14:27 - Clay plays a record on the phonograph	advance plot \| conversing \| detective \| leading lady \| leading man \| parallel double period \| phonograph \| room \| score to source \| sentimental \| source music
Star of Midnight (1935)	Midnight in Manhattan (Phonograph)	1:19:18 - Clay goes to answer the door	advance plot \| conversing \| detective \| leading lady \| leading man \| phonograph \| room \| score to source \| sentimental \| source music
Star of Midnight (1935)	Midnight in Manhattan (Phonograph)	1:20:25 - Clay goes to answer the door	advance plot \| conversing \| detective \| leading lady \| leading man \| phonograph \| room \| score to source \| sentimental \| source music
Star of Midnight (1935)	Midnight in Manhattan (Phonograph)	1:21:40 - Clay enters the room	advance plot \| conversing \| detective \| leading lady \| leading man \| murderer \| phonograph \| room \| score to source \| sentimental \| source music
Don’t Turn ‘em Loose (1936)	Mildred Waltz	0:24:13 - Bob and Letty go for a walk	ABA structure \| advance plot \| altered dominant \| augmented sixth chord \| calm \| conversing \| diminished 7th chord \| gangster \| imposter \| leading man \| love interest \| street \| transcribed by ear \| walking \| waltz
Don’t Turn ‘em Loose (1936)	Gimpy Walk	0:26:00 - Bob walks	advance plot \| appoggiatura \| gangster \| imposter \| leading man \| oscillation \| pacing \| room \| street \| tense \| walking
Don’t Turn ‘em Loose (1936)	Gimpy Walk	0:26:12 - Bob walks	added-note chord \| advance plot \| gangster \| imposter \| leading man \| oscillation \| pacing \| room \| street \| tense \| walking
Don’t Turn ‘em Loose (1936)	Gimpy Walk	0:26:17 - Bob walks	added-note chord \| advance plot \| calm \| gangster \| imposter \| leading man \| mode mixture \| oscillation \| pacing \| reverse picardy \| room \| waiting \| walking
Don’t Turn ‘em Loose (1936)	Gimpy Walk	0:26:34 - Bob walks	added-note chord \| advance plot \| calm \| double exposure \| gangster \| imposter \| leading man \| oscillation \| pacing \| room \| waiting \| walking
Don’t Turn ‘em Loose (1936)	Suicide Transition	0:26:55 - Bob sits	augmented triad \| chromatic parallelism \| dissonant bass \| gangster \| guard \| gun \| gunshot \| imposter \| leading man \| mysterious \| parallelism \| plotting \| preparing \| reading \| robbery \| room \| sequence \| shooting \| store \| transcribed by ear \| whole-tone \| whole-tone chord
Don’t Turn ‘em Loose (1936)	Underscoring (Dramatic)	0:28:05 - Bob shoots guard	breaking \| death \| dramatic \| gangster \| guard \| gun \| gunshot \| imposter \| leading man \| murder \| robbery \| robbery \| shooting \| stealing \| store \| transcribed by ear \| whole-tone chord
Don’t Turn ‘em Loose (1936)	Mystery	0:28:14 - Bob (Bat) steals a necklace	breaking \| chromaticism \| gangster \| imposter \| leading man \| mysterious \| necklace \| pc set \| robbery \| robbery \| room \| stealing \| transcribed by ear
Don’t Turn ‘em Loose (1936)	Suicide Transition 2	0:28:29 - Bob (Bat) bandanges his hand	bandaging \| chromatic scale \| gangster \| imposter \| leading man \| mysterious \| returning \| robbery \| room \| transcribed by ear \| whole-tone chord
Don’t Turn ‘em Loose (1936)	Makes You Forget Your Troubles	0:39:42 - Grace turns on the radio	AABA structure \| arriving \| cheerful \| common-tone diminished 7th \| confronting \| conversing \| gangster \| gun \| leading man \| moll \| murderer \| murder scene \| popular music \| room \| source music \| staring \| threatening
Don’t Turn ‘em Loose (1936)	Makes You Forget Your Troubles (Dream Sequence)	0:39:59 - Bob (Bat) pulls a gun on Grace	augmented sixth chord \| cheerful \| confronting \| fragmentation \| frantic \| gangster \| gun \| gunshot \| half-diminished 7th chord \| leading man \| mirror shot \| moll \| murder \| murderer \| murder scene \| popular music \| reacting \| room \| screaming \| sequence \| shooting \| simulated source music \| source music \| staring \| tense \| threatening \| victim
Don’t Turn ‘em Loose (1936)	Makes You Forget Your Troubles	0:40:17 - Grace is shot	AABA structure \| cheerful \| common-tone diminished 7th \| gangster \| gun \| leading man \| mirror shot \| moll \| murder \| murderer \| murder scene \| planning \| popular music \| room \| source music \| staring \| victim
We're Only Human (1935)	Silver Lining	0:13:56 - Pete and Sally in a restaurant	conversing \| date \| detective \| flirting \| gentle \| leading lady \| leading man \| love interest \| love scene \| reporter \| restaurant \| source music
We're Only Human (1935)	Old Lavender (Gentle)	0:22:34 - A man scoops up some pasta	64 chord \| advance plot \| altered dominant \| buying \| detective \| food \| leading lady \| leading man \| love interest \| ordering \| peaceful \| pedal tone \| reporter \| store \| worker \| working
We're Only Human (1935)	Old Lavender	0:22:44 - Packaged-up food	9th chord \| added-note chord \| advance plot \| altered dominant \| buying \| common-chord modulation \| detective \| direct modulation \| food \| harmonic sequence \| leading lady \| leading man \| light \| love interest \| optimistic \| ordering \| reporter \| store \| worker \| working
We're Only Human (1935)	Old Lavender (Celeste Solo)	0:23:14 - Pete and Sally buying food	advance plot \| buying \| detective \| direct modulation \| food \| leading lady \| leading man \| love interest \| ordering \| peaceful \| reporter \| store \| street \| worker \| working
We're Only Human (1935)	Underscoring (Lyrical)	0:23:23 - Pete exits the store	attempted murder \| conflict \| departing \| detective \| drive by shooting \| food \| gunshot \| leading man \| mode mixture \| peaceful \| pedal tone \| shooting \| street \| underscoring \| walking
We're Only Human (1935)	Lullaby (Adagio)	0:23:36 - Pete watches the car drive away	conflict \| conversing \| detective \| diminished 7th chord \| direct modulation \| dissonant bass \| food \| leading lady \| leading man \| love interest \| reacting \| reporter \| street \| tense
We're Only Human (1935)	Isn't This a Night For Love (Moonlight)	0:23:59 - Pete and Sally having dinner	AABA structure \| conversing \| date \| detective \| dinner \| leading lady \| leading man \| love interest \| love scene \| reporter \| romantic \| room \| source music
We're Only Human (1935)	The Escape (Hiding)	0:27:05 - Pete and Danny dodge from gunfire	action scene \| chromatic scale \| detective \| dodging \| dramatic \| gangster \| gunshot \| hiding \| leading man \| shooting \| stinger \| street \| whole-tone chord
We're Only Human (1935)	Gypo Runs Away	0:27:09 - Pete and Danny hide	action scene \| agitated \| chromatic parallelism \| detective \| diminished 7th chord \| gangster \| hiding \| leading man \| street \| tense
We're Only Human (1935)	The Informer (Up the Stairs)	0:27:17 - Pete prepares to advance	64 chord \| action scene \| agitated \| bank \| chromatic sequence \| detective \| dodging \| fragmentation \| gangster \| gunshot \| hiding \| leading man \| preparing \| running \| stinger \| tense
We're Only Human (1935)	Blood Money (Four Coins)	0:27:37 - Pete and Danny hide	action scene \| bank \| detective \| gangster \| half-diminished 7th chord \| hiding \| leading man \| mysterious \| preparing \| sneaking \| tense
We're Only Human (1935)	The Informer (Lying)	0:27:51 - Danny prepares to advance	action scene \| bank \| chromatic sequence \| detective \| diminished 7th chord \| dissonant bass \| gangster \| half-diminished 7th chord \| hiding \| leading man \| octatonic \| preparing \| sneaking \| tense
We're Only Human (1935)	Kong 1	0:28:23 - Pete jumps on a criminal	action scene \| bank \| chromatic parallelism \| detective \| dramatic \| fighting \| gangster \| jumping \| leading man \| pedal tone \| punching \| tense
We're Only Human (1935)	Kong 2	0:28:34 - Pete handcuffs a criminal	action scene \| bank \| detective \| dramatic \| fighting \| gangster \| leading man \| mysterious \| tense \| whole-tone \| whole-tone chord
We're Only Human (1935)	The Informer (Drinking)	0:28:39 - Pete stands up	action scene \| bank \| detective \| gangster \| leading man \| octatonic \| standing \| tense \| whole-tone chord
We're Only Human (1935)	Katie (Triste)	0:28:47 - Pete talks to the criminal	action scene \| arguing \| bank \| detective \| foreign key modulation \| gangster \| leading man \| parallelism \| stinger \| sultry
We're Only Human (1935)	Blood Money (Extended)	0:28:58 - Pete walks away with the criminal	action scene \| arguing \| augmented triad \| bank \| detective \| gangster \| leading man \| mysterious \| tense \| tritone \| whole-tone
We're Only Human (1935)	Katie (Begging)	0:29:21 - Close up on Danny	64 chord \| action scene \| bank \| calling \| detective \| gangster \| leading man \| sequence \| serious \| tense \| victim
We're Only Human (1935)	Begging	0:29:35 - Pete talks with Danny	action scene \| arguing \| bank \| detective \| diminished 7th chord \| dissonant bass \| gangster \| leading man \| pedal tone \| sequence \| serious \| tense \| victim
We're Only Human (1935)	Katie (Dolcissimo)	0:30:05 - Danny talks with Pete	action scene \| bank \| chromatic sequence \| conversing \| death \| detective \| dying \| gangster \| leading man \| solemn \| victim
We're Only Human (1935)	Dan and Mary (Adagio)	0:30:44 - Pete says goodbye to Danny	11th chord \| action scene \| bank \| conversing \| death \| detective \| dying \| gangster \| leading man \| solemn \| victim
We're Only Human (1935)	Isn't This a Night For Love (Dance Band)	0:33:11 - Pete walks into a diner	AABA structure \| advance plot \| arguing \| conversing \| detective \| diner \| leading lady \| leading man \| reporter \| sentimental \| source music
We're Only Human (1935)	Midnight in Manhattan (Warm)	0:36:50 - Mary and Pete in a restaurant	advance plot \| altered dominant \| arguing \| conversing \| detective \| leading lady \| leading man \| mode mixture \| Neapolitan \| reporter \| restaurant \| sentimental \| source music
We're Only Human (1935)	Mildred Waltz	0:46:46 - Pete looks at police sketches	ABA structure \| advance plot \| altered dominant \| augmented sixth chord \| calm \| conversing \| detective \| diminished 7th chord \| leading lady \| leading man \| reporter \| room
We're Only Human (1935)	Waiting	0:47:49 - Sally leaves	advance plot \| calm \| conversing \| departing \| detective \| leading lady \| leading man \| reporter \| room
We're Only Human (1935)	Kong 3	1:01:06 - Pete leaves	car \| chromatic parallelism \| climax \| conflict \| departing \| detective \| diminished 7th chord \| dramatic \| hurried \| leading lady \| leading man \| pedal tone \| reporter \| rushing \| sequence \| street \| victim
We're Only Human (1935)	Game 1	1:01:21 - Driving in a car	car \| car \| chromatic sequence \| climax \| conflict \| detective \| dissonant bass \| dramatic \| driving \| hurried \| leading lady \| leading man \| pedal tone \| reporter \| rushing \| victim \| wipe
We're Only Human (1935)	Game 2	1:01:56 - Witness threatens to kill the criminals	acceleration \| arguing \| car \| car \| chromatic parallelism \| climax \| conflict \| detective \| dramatic \| driving \| hurried \| leading lady \| leading man \| pedal tone \| reporter \| rushing \| threat \| threatening \| victim
We're Only Human (1935)	Russian Waltz (Poco Agitato)	1:02:12 - Getting out the car	car \| chromatic scale \| climax \| conflict \| dark \| detective \| leading lady \| leading man \| reporter \| sneaking \| tense \| victim \| yard
We're Only Human (1935)	Game 3	1:02:23 - Approaching the house	chromatic parallelism \| chromatic parallelism \| climax \| conflict \| detective \| leading lady \| leading man \| mysterious \| pc set \| reporter \| sneaking \| tense \| victim \| yard
We're Only Human (1935)	Russian Waltz (Pizzicato)	1:02:55 - Spying on the house	climax \| conflict \| detective \| leading lady \| leading man \| mysterious \| reporter \| sneaking \| tense \| victim \| yard
We're Only Human (1935)	Saroff	1:03:07 - They argue	arguing \| chromatic scale \| climax \| conflict \| detective \| leading lady \| leading man \| mysterious \| reporter \| tense \| victim \| whole-tone \| whole-tone chord \| yard
We're Only Human (1935)	Lost Patrol 1	1:03:12 - A man runs	climax \| conflict \| detective \| dramatic \| fleeing \| frantic \| gunshot \| leading lady \| leading man \| reporter \| running \| shooting \| victim \| whole-tone \| whole-tone chord \| yard
We're Only Human (1935)	The Informer (Burning Poster) + Blood Money	1:03:25 - A man falls to the ground	climax \| conflict \| crawling \| detective \| diminished 7th chord \| dying \| gunshot \| leading lady \| leading man \| mysterious \| octatonic \| reporter \| Scotch snap \| shooting \| tense \| tone cluster \| victim \| yard
We're Only Human (1935)	The Wearin' o' the Green (Fighting)	1:03:42 - Pete prepares to advance	chromatic parallelism \| climax \| conflict \| detective \| dramatic \| fragmentation \| gunshot \| leading lady \| leading man \| reporter \| running \| sequence \| shooting \| tense \| underscoring \| victim \| yard
We're Only Human (1935)	The Informer (Tense)	1:04:11 - Pete prepares to enter the house	climax \| conflict \| detective \| leading man \| mysterious \| Scotch snap \| sneaking \| tense \| whole-tone \| whole-tone chord \| yard
We're Only Human (1935)	The Escape	1:04:31 - Pete enters the house	chromatic scale \| climax \| conflict \| detective \| dodging \| dramatic \| gangster \| gunshot \| hiding \| leading man \| murderer \| room \| shooting \| underscoring \| whole-tone \| whole-tone chord
We're Only Human (1935)	Game 4	1:04:54 - Pete crawls on the floor	climax \| conflict \| crawling \| detective \| gangster \| leading man \| murderer \| room \| tense \| underscoring \| whole-tone chord
We're Only Human (1935)	Game 5	1:05:03 - Pete prepares to shoot	chromatic parallelism \| climax \| conflict \| detective \| gangster \| gunshot \| leading man \| murderer \| pc set \| pedal tone \| room \| shooting \| sneaking \| tense \| underscoring \| whole-tone chord
We're Only Human (1935)	Blood Money (Counting Money)	1:05:25 - Pete looks at the fallen man	climax \| conflict \| detective \| gangster \| leading man \| murderer \| mysterious \| room \| sneaking \| tense \| tone cluster
We're Only Human (1935)	Game 6	1:05:34 - Pete dodges gunfire	climax \| conflict \| dark \| detective \| gangster \| leading man \| murderer \| room \| sneaking \| taunting \| tense \| underscoring
We're Only Human (1935)	Game 7	1:05:48 - Pete runs up the stairs	9th chord \| climax \| conflict \| detective \| dramatic \| gangster \| leading man \| murderer \| parallelism \| pc set \| pedal tone \| room \| running \| rushing \| tense \| underscoring \| whole-tone chord
We're Only Human (1935)	Game 8	1:05:55 - Pete advances slowly	arguing \| chromatic scale \| climax \| conflict \| detective \| gangster \| half-diminished 7th chord \| hostage \| leading man \| murderer \| pedal tone \| polychord \| room \| sneaking \| taunting \| tense \| tricking \| underscoring
We're Only Human (1935)	Lost Patrol 2	1:06:45 - Berger falls to the ground	climax \| conflict \| death \| detective \| dramatic \| dying \| falling \| gangster \| gunshot \| hostage \| leading man \| murderer \| room \| tone cluster \| underscoring
We're Only Human (1935)	Lost Patrol 3	1:06:52 - Pete looks at Berger	64 chord \| climax \| conflict \| death \| detective \| gangster \| hostage \| leading man \| murderer \| reacting \| room \| solemn
We're Only Human (1935)	Isn't This a Night For Love (The End)	1:08:36 - Pete kisses Sally	9th chord \| altered dominant \| car \| detective \| end title sequence \| kissing \| leading lady \| leading man \| love interest \| mode mixture \| reporter \| resolution \| romantic \| The End \| transcribed by ear
Another Face (1935)	You're an Angel	0:25:47 - A man knocks on a door	AABA structure \| actress \| advance plot \| arguing \| conversing \| embracing \| kissing \| maid \| manager \| proposal \| room \| sentimental \| source music
Another Face (1935)	Boys Will Be Boys	0:41:15 - The maid bakes a cake	AABA structure \| actress \| advance plot \| aunt \| conversing \| criminal \| diving \| fiancée \| gangster \| maid \| manager \| mellow \| mother \| room \| source music \| swimming
Another Face (1935)	Transient Love (End Title)	1:08:26 - Joe hugs Sheila	actress \| embracing \| end title sequence \| fiancée \| manager \| room \| sentimental
Girl of the Rio (1932)	Toreador Song	0:04:23 - A man cues the orchestra to play	arriving \| celebrity \| crowd \| establish character \| leading man \| night club \| source music \| Spanish \| three-phrase period \| upbeat \| walking
Girl of the Rio (1932)	Querida	0:06:40 - Don Jose admires a woman	ABAC structure \| arriving \| celebrity \| conversing \| crowd \| establish character \| laughing \| leading lady \| leading man \| night club \| on-screen music \| performing \| romantic \| singer \| singing \| source music \| Spanish
Girl of the Rio (1932)	Yo Con tu Amor	0:12:26 - Don Jose talks with Dolores	advance plot \| celebrity \| conversing \| flirting \| leading lady \| leading man \| night club \| parallel double period \| romantic \| singer \| source music \| Spanish
Girl of the Rio (1932)	Was it Wrong?	0:15:41 - Johnny rolls a pair of dice	conversing \| crowd \| dancing \| flirting \| leading lady \| leading man \| love interest \| lovers meet \| night club \| on-screen music \| performing \| romantic \| singer \| source music \| syncopation \| terrace \| upbeat
Girl of the Rio (1932)	Baile	0:23:15 - A close-up on Dolores	advance plot \| conversing \| dancing \| departing \| leading lady \| manager \| on-screen music \| performing \| room \| singer \| source music \| upbeat
Girl of the Rio (1932)	Querida	0:48:40 - Dolores sees Johnny	ABAC structure \| conversing \| gentle \| guard \| leading lady \| leading man \| love interest \| love scene \| romantic \| singer \| terrace
Without Honor (1949)	Dog	0:01:55 - A dog running	car \| dog \| driving \| establish setting \| leading man \| light \| orchard \| playful \| running \| street
Without Honor (1949)	Tempo di Gavotte	0:02:09 - A car coming to a stop	car \| driving \| establish setting \| leading man \| light \| playful \| stopping \| street
Without Honor (1949)	Twilight (Triste)	0:02:19 - Dennis exits his car	car \| establish setting \| house \| leading man \| somber \| street \| walking
Without Honor (1949)	Expressivo	0:03:57 - Jane talks with Dennis	adulterer \| affair \| conversing \| establish character \| leading lady \| leading man \| love interest \| room \| uneasy
Without Honor (1949)	Ecstatic	0:04:07 - Jane talks with Dennis	adulterer \| affair \| conversing \| establish character \| excited \| leading lady \| leading man \| love interest \| room
Without Honor (1949)	Ecstatic (Molto Expressivo)	0:04:21 - Jane talks with Dennis	adulterer \| affair \| conversing \| establish character \| excited \| leading lady \| leading man \| love interest \| room
Without Honor (1949)	Appassionato 2	0:04:37 - Jane talks with Dennis	adulterer \| affair \| conversing \| establish character \| leading lady \| leading man \| love interest \| room \| uneasy
Without Honor (1949)	Molto Misterioso	0:05:03 - Jane walks to the door	adulterer \| affair \| conversing \| establish character \| leading lady \| leading man \| love interest \| mysterious \| room \| tense
Without Honor (1949)	Dog	0:05:12 - Jane finds the dog	adulterer \| affair \| conversing \| dog \| establish character \| leading lady \| leading man \| light \| love interest \| mysterious \| playful \| room
Without Honor (1949)	Tempo di Gavotte	0:05:30 - Jane talks with Dennis	adulterer \| affair \| conversing \| establish character \| leading lady \| leading man \| light \| love interest \| playful \| room
Without Honor (1949)	Twilight (Triste)	NIF - not in film	adulterer \| affair \| conversing \| cut from film \| establish character \| leading lady \| leading man \| love interest \| room
Without Honor (1949)	Appassionato 2 (Molto Agitato)	NIF - not in film	adulterer \| affair \| conversing \| cut from film \| establish character \| leading lady \| leading man \| love interest \| room
Without Honor (1949)	Twilight (Poco Agitato)	NIF - not in film	adulterer \| affair \| conversing \| cut from film \| establish character \| leading lady \| leading man \| love interest \| room
Without Honor (1949)	Molto Expressivo	NIF - not in film	adulterer \| affair \| conversing \| cut from film \| establish character \| leading lady \| leading man \| love interest \| room
Without Honor (1949)	Twilight (Misterioso)	NIF - not in film	adulterer \| affair \| conversing \| cut from film \| establish character \| leading lady \| leading man \| love interest \| room
Without Honor (1949)	Triste	0:07:37 - Dennis tells Jane their relationship is over	adulterer \| affair \| breaking up \| breakup \| crying \| death scene \| kitchen \| leading lady \| leading man \| love interest \| somber
Without Honor (1949)	Appassionato 2 (Agitato)	0:07:57 - Jane tells Dennis she still loves him	adulterer \| affair \| arguing \| breaking up \| breakup \| crying \| death scene \| kitchen \| leading lady \| leading man \| love interest \| passionate \| somber
Without Honor (1949)	Appassionato (Broad)	0:08:11 - Jane cries	adulterer \| affair \| arguing \| breaking up \| breakup \| crying \| death scene \| kitchen \| leading lady \| leading man \| love interest \| passionate \| somber
Without Honor (1949)	Desperation	0:08:20 - Jane talks to Dennis	adulterer \| affair \| arguing \| breaking up \| breakup \| crying \| death scene \| dramatic \| kitchen \| leading lady \| leading man \| love interest \| underscoring
Without Honor (1949)	Appassionato (Molto Expressivo)	0:08:35 - Jane cries	adulterer \| affair \| arguing \| breaking up \| breakup \| crying \| death scene \| kitchen \| leading lady \| leading man \| love interest \| passionate \| somber
Without Honor (1949)	Twilight (Agitato)	0:08:54 - Jane talks to Dennis	adulterer \| affair \| arguing \| breaking up \| breakup \| crying \| death scene \| kitchen \| leading lady \| leading man \| love interest \| mysterious \| ominous \| tense
Without Honor (1949)	Underscoring (Agitated)	0:09:10 - Jane threatens to kill herself	adulterer \| affair \| arguing \| breaking up \| breakup \| crying \| dark \| death scene \| dramatic \| kitchen \| leading lady \| leading man \| love interest \| suicide \| underscoring
Without Honor (1949)	Underscoring (Dramatic)	0:09:23 - Jane and Dennis struggle	addicent \| adulterer \| death \| death scene \| dramatic \| fighting \| kitchen \| knife \| leading lady \| leading man \| love interest \| skewer \| struggling \| underscoring
Without Honor (1949)	Twilight (Maestoso)	0:09:36 - Dennis on the ground	addicent \| adulterer \| death \| death scene \| dramatic \| dying \| kitchen \| knife \| leading lady \| leading man \| love interest \| ominous \| reacting \| skewer \| standing \| struggling
Without Honor (1949)	Twilight (Washing Machine)	0:10:14 - Dennis by the washing machine	addicent \| adulterer \| death \| death scene \| dramatic \| dying \| kitchen \| knife \| leading lady \| leading man \| love interest \| motor effect \| ominous \| reacting \| skewer \| struggling \| washing machine
Without Honor (1949)	Underscoring (Tense)	0:10:30 - Jane looks at Dennis's body	addicent \| adulterer \| corpse \| death \| death scene \| kitchen \| knife \| leading lady \| leading man \| love interest \| reacting \| skewer \| tense \| thinking \| underscoring
Without Honor (1949)	Fingers	0:10:54 - Jane's fingers start twitching	addicent \| adulterer \| corpse \| crazed \| death \| death scene \| hand \| kitchen \| knife \| leading lady \| leading man \| love interest \| mysterious \| reacting \| skewer \| tense \| thinking \| twitching
Without Honor (1949)	Twilight (Bloody Hand)	0:11:04 - Blood on Jane's hand	addicent \| adulterer \| blood \| dark \| death \| death scene \| hand \| kitchen \| leading lady \| leading man \| love interest \| reacting \| thinking \| washing
Without Honor (1949)	Twilight (Molto Expressivo)	0:11:25 - Jane tries to get the blood off her hand	addicent \| adulterer \| blood \| death \| death scene \| hand \| kitchen \| leading lady \| leading man \| love interest \| somber \| washing
Without Honor (1949)	Unidentified dance tune	0:19:04 - Bill turns on the radio	advance plot \| antagonist \| brother \| conversing \| leading lady \| leading man \| popular music \| reacting \| room \| source music \| upbeat
Without Honor (1949)	Underscoring (Dramatic)	0:21:29 - Bill heads towards the laundry room	antagonist \| brother \| conflict \| corpse \| door \| dramatic \| kitchen \| leading lady \| leading man \| reacting \| rushing \| tense \| underscoring
Without Honor (1949)	Twilight (Tense)	0:21:51 - Jane cleans off Bill's sleeve	antagonist \| brother \| cleaning \| conflict \| conversing \| corpse \| door \| kitchen \| leading lady \| leading man \| opening \| tense
Without Honor (1949)	Cleaning	0:21:57 - Jane cleans off Bill's sleeve	antagonist \| brother \| cleaning \| cleaning effect \| conflict \| conversing \| corpse \| door \| kitchen \| leading lady \| leading man \| mickey-mousing \| tense
Without Honor (1949)	Underscoring (Tense)	0:22:07 - Bill tosses the towel	antagonist \| brother \| conflict \| conversing \| corpse \| door \| kitchen \| leading lady \| leading man \| tense \| tossing \| underscoring
Without Honor (1949)	Misterioso	0:22:17 - Jane reacts	antagonist \| brother \| conflict \| kitchen \| leading lady \| leading man \| mysterious \| taunting \| tense
Without Honor (1949)	Rubato	0:22:34 - Bill talks with Jane	antagonist \| brother \| conflict \| dramatic \| kitchen \| leading lady \| leading man \| memory \| rushing \| taunting \| tense
Without Honor (1949)	Tension	0:22:52 - Jane gives Bill a drink	antagonist \| brother \| conflict \| kitchen \| leading lady \| leading man \| memory \| taunting \| tense \| underscoring \| uneasy
Without Honor (1949)	Valse Triste	0:23:06 - Bill talks with Jane	antagonist \| brother \| conflict \| kitchen \| leading lady \| leading man \| memory \| recounting \| somber \| uneasy \| waltz
Without Honor (1949)	Valse Triste (Poco Appassionato)	0:23:31 - Bill grabs Jane's arm	antagonist \| brother \| conflict \| dramatic \| grabbing \| kitchen \| leading lady \| leading man \| memory \| reacting \| recounting \| tense \| waltz
Without Honor (1949)	Jerks hand	0:23:41 - Jane jerks her arm away	antagonist \| brother \| conflict \| dramatic \| escaping \| kitchen \| leading lady \| leading man \| mickey-mousing \| reacting \| stinger
Without Honor (1949)	Valse Triste (Misterioso)	NIF - not in film	antagonist \| brother \| conflict \| cut from film \| kitchen \| leading lady \| leading man
Without Honor (1949)	Valse Triste (Ominous)	0:24:46 - Bill looks at Jane	antagonist \| brother \| conflict \| leading lady \| leading man \| ominous \| reacting \| room \| solemn \| taunting
Without Honor (1949)	Grabs her	0:25:40 - Bill grabs Jane and kisses her	antagonist \| brother \| conflict \| dramatic \| grabbing \| kissing \| leading lady \| leading man \| room \| slapping \| turning
Without Honor (1949)	Tunes Radio	0:26:26 - Bill turns on the radio	antagonist \| brother \| conflict \| conversing \| leading lady \| leading man \| radio \| room \| source music \| upbeat
Without Honor (1949)	Unidentified dance tune 2	0:27:06 - Bill turns on the radio	antagonist \| brother \| conflict \| leading lady \| leading man \| popular music \| radio \| reacting \| room \| source music \| taunting \| upbeat
Without Honor (1949)	First Call	0:27:58 - Jane looks at Bill	antagonist \| brother \| bugle call \| conflict \| leading lady \| leading man \| radio \| room \| source music \| taunting \| upbeat
Without Honor (1949)	Unidentified dance tune 3	0:28:30 - Bill tunes the radio	antagonist \| brother \| conflict \| leading lady \| leading man \| popular music \| radio \| room \| source music \| taunting \| upbeat
Without Honor (1949)	Liszt Waltz	0:29:28 - Bill talks to Jane	antagonist \| arriving \| brother \| calm \| classical music \| conflict \| conversing \| leading lady \| leading man \| radio \| room \| source music \| taunting \| wife \| zoom in
Without Honor (1949)	Prelude in D-Flat Major, Op. 28, No. 15 "Raindrop"	0:33:17 - Mrs. Williams talks to Jane	antagonist \| brother \| calm \| classical music \| conflict \| conversing \| leading lady \| leading man \| radio \| room \| source music \| wife
Without Honor (1949)	Unidentified dance tune 4	0:34:19 - Bill tunes the radio	antagonist \| brother \| calling \| conflict \| conversing \| dialing \| leading lady \| leading man \| popular music \| radio \| room \| source music \| telephone \| upbeat \| wandering \| wife
Without Honor (1949)	Twilight (Rubato)	0:39:03 - Jane stands in the road	action scene \| car \| husband \| leading lady \| leading man \| solemn \| street \| walking
Without Honor (1949)	Misterioso (Molto Rubato)	0:43:10 - Bill talks with Fred	antagonist \| brother \| conflict \| conversing \| husband \| leading lady \| leading man \| reveal \| room \| secret \| tense \| warning
Without Honor (1949)	Valse Triste (Andante Doloroso)	0:49:07 - Fred enters	antagonist \| brother \| conflict \| entering \| husband \| leading lady \| leading man \| reacting \| reveal \| room \| secret \| somber \| thinking \| wife
Without Honor (1949)	Underscoring (Tense)	0:49:48 - Bill talks to Fred	antagonist \| brother \| conflict \| conversing \| husband \| leading lady \| leading man \| reveal \| room \| secret \| tense \| thinking \| wife
Without Honor (1949)	Tension (Molto Misterioso)	0:50:03 - Bill stares at Jane	anger \| antagonist \| brother \| conflict \| conversing \| demanding \| dramatic \| husband \| leading lady \| leading man \| reveal \| room \| secret \| slapping \| tense \| wife
Without Honor (1949)	Agitation (Appassionato)	0:52:28 - Jane cries	agitated \| antagonist \| brother \| climax \| confessing \| confession \| crying \| demanding \| husband \| leading lady \| leading man \| room \| tense \| wife
Without Honor (1949)	Confession	0:52:54 - Jane confesses	agitated \| antagonist \| brother \| climax \| confessing \| confession \| crying \| husband \| leading lady \| leading man \| room \| wife
Without Honor (1949)	Appassionato 2	0:53:24 - Jane laughs	antagonist \| brother \| climax \| confession \| crying \| husband \| laughing \| leading lady \| leading man \| passionate \| room \| wife
Without Honor (1949)	Underscoring (Dramatic)	0:53:45 - Jane screams	antagonist \| blood \| brother \| climax \| confession \| dramatic \| handprint \| husband \| leading lady \| leading man \| room \| screaming \| tense \| underscoring \| wife
Without Honor (1949)	Desperation (The Scream)	0:53:50 - They look at the bloody handprint	antagonist \| blood \| brother \| climax \| confession \| departing \| dramatic \| handprint \| husband \| investigating \| leading lady \| leading man \| room \| screaming \| searching \| tense \| wife \| yard
Without Honor (1949)	Appassionato (Broad)	0:54:27 - Bill talks on the phone	antagonist \| brother \| calling \| climax \| leading lady \| leading man \| room \| searching \| telephone \| tense \| wandering \| yard
Without Honor (1949)	Twilight (Resolution)	0:55:26 - Jane walks out of the orchard	antagonist \| brother \| calm \| child \| conversing \| husband \| leading lady \| leading man \| orchard \| resolution \| scout \| street
Without Honor (1949)	Doloroso	0:57:10 - Mrs. Williams talks to Jane	antagonist \| apologizing \| brother \| climax \| conversing \| husband \| leading lady \| leading man \| room \| solemn \| wife
Without Honor (1949)	Twilight (Somber)	0:57:48 - Mrs. Williams forgives Jane	antagonist \| bathroom \| brother \| climax \| forgiveness \| husband \| leading lady \| leading man \| razor blade \| room \| somber \| thinking \| wife
Without Honor (1949)	Tension (Extended)	0:58:12 - Mrs. Williams talks to Fred and Bill	antagonist \| bathroom \| brother \| climax \| conversing \| forgiveness \| husband \| leading lady \| leading man \| razor blade \| room \| tense \| wife
Without Honor (1949)	Valse Triste (Suicide)	0:58:33 - Jane stares in the mirror	antagonist \| attempted suicide \| bathroom \| brother \| climax \| conversing \| husband \| knocking \| leading lady \| leading man \| razor blade \| room \| somber \| suicide \| wife
Without Honor (1949)	Valse Triste (Molto Appassionato)	0:58:58 - Jane stares down	antagonist \| attempted suicide \| bathroom \| brother \| climax \| conversing \| dramatic \| husband \| knocking \| leading lady \| leading man \| razor blade \| room \| suicide \| wife
Without Honor (1949)	Appassionato 2 (Molto Expressivo)	0:59:06 - Jane cuts her wrist	antagonist \| attempted suicide \| bathroom \| breaking \| brother \| climax \| committing suicide \| conversing \| cutting \| dramatic \| entering \| grabbing \| husband \| knocking \| leading lady \| leading man \| razor blade \| room \| running \| suicide \| wife \| yelling
Without Honor (1949)	Twilight (Rubato)	0:59:24 - Mrs. Williams helps Jane	antagonist \| attempted suicide \| brother \| climax \| doctor \| helping \| husband \| leading lady \| leading man \| razor blade \| room \| serious \| somber \| struggling \| suicide \| wife
Without Honor (1949)	Valse Triste (Tempo de Beguin)	1:00:38 - Bill watches them leave	antagonist \| brother \| conversing \| convincing \| hopeful \| husband \| leading man \| resolution \| room \| thinking
Without Honor (1949)	Valse Triste (Mexico)	1:02:08 - Fred packs his things	antagonist \| brother \| cheerful \| conversing \| convincing \| husband \| leading man \| Mexican \| resolution \| room \| thinking
Without Honor (1949)	Valse Triste (Tempo de Beguin)	1:02:32 - Bill talks to Fred	antagonist \| brother \| conversing \| convincing \| hopeful \| husband \| leading man \| resolution \| room \| thinking
Without Honor (1949)	Valse Triste (Reeds)	1:04:26 - Fred argues with Bill	antagonist \| arguing \| brother \| husband \| leading man \| resolution \| room \| tense
Without Honor (1949)	Valse Triste (Triple Beguin)	1:05:18 - Fred starts to leave for the hospital	antagonist \| arguing \| brother \| fighting \| husband \| leading man \| punching \| resolution \| tense \| yard
Without Honor (1949)	Appassionato 2 (Broad)	1:05:32 - Fred gets in his car	anger \| antagonist \| brother \| car \| complaining \| departing \| dramatic \| driving \| husband \| leading man \| resolution \| street \| tense \| yard
Without Honor (1949)	Valse Triste (Agitato)	1:05:49 - Bill tries to stop Fred	anger \| antagonist \| brother \| car \| chasing \| complaining \| departing \| dramatic \| driving \| harsh \| husband \| leading man \| resolution \| running \| street \| tense \| yelling
Without Honor (1949)	The End	1:06:25 - Bill in the middle of the road	anger \| antagonist \| brother \| dramatic \| leading man \| looking \| resolution \| standing \| street \| The End
The Most Dangerous Game (1932)	A Moment In The Dark	0:04:39 - A picture of a hunting trip	boat \| conversing \| establish character \| friend \| hunter \| leading man \| radio \| radio \| source music \| upbeat
The Most Dangerous Game (1932)	The Wreck	0:07:15 - A sinking ship	action scene \| captain \| crew \| leading man \| ocean \| ship \| ship wreck \| sinking \| swimming \| tense
The Most Dangerous Game (1932)	Shark Attack	0:07:35 - A shark in the water	action scene \| attacking \| biting \| blood \| captain \| crew \| death \| dramatic \| drowning \| dying \| leading man \| ocean \| shark \| ship wreck \| stinger \| struggling \| swimming \| victim
The Most Dangerous Game (1932)	Swimming	0:07:56 - Bob swims away	action scene \| beach \| dramatic \| escaping \| leading man \| mickey-mousing \| ocean \| ship wreck \| swimming \| tense
The Most Dangerous Game (1932)	The Beach	0:08:11 - Bob walks onto the beach	action scene \| beach \| calm \| leading man \| ship wreck \| stumbling \| walking \| wave effect
The Most Dangerous Game (1932)	The Iron Door (Collapsing)	0:08:23 - Bob collapses on the beach	action scene \| beach \| calm \| collapsing \| falling \| foreshadowing \| leading man \| mysterious \| ship wreck
The Most Dangerous Game (1932)	The Iron Door (Waking)	0:08:31 - Bob slowly wakes	barking \| beach \| establish setting \| leading man \| mysterious \| rising \| screaming \| waking
The Most Dangerous Game (1932)	Getting up	0:08:51 - Bob rises to his feet	barking \| beach \| establish setting \| leading man \| looking \| mickey-mousing \| mysterious \| rising \| standing \| tense
The Most Dangerous Game (1932)	Climbing	0:08:58 - Bob climbs the rocks	beach \| climbing \| establish setting \| leading man \| mickey-mousing \| tense
The Most Dangerous Game (1932)	Russian Waltz (The Sea)	0:09:15 - The ocean	beach \| dramatic \| establish setting \| leading man \| looking \| ocean \| wave effect
The Most Dangerous Game (1932)	The Approach	0:09:31 - Bob approaches	approaching \| establish setting \| jungle \| leading man \| tense \| walking
The Most Dangerous Game (1932)	Russian Waltz (The Castle) + The Iron Door	0:09:42 - Count Zaroff's castle	approaching \| castle \| combination of themes \| establish setting \| jungle \| leading man \| looking \| ominous \| walking
The Most Dangerous Game (1932)	Sneaking	0:09:54 - Bob approaches the iron door	arriving \| castle \| door \| door knocker \| establish setting \| leading man \| mickey-mousing \| mysterious \| sneaking \| statue \| walking
The Most Dangerous Game (1932)	Russian Waltz (Door Opens)	0:10:26 - The iron door slowly opens	arriving \| castle \| door \| door knocker \| establish setting \| leading man \| mickey-mousing \| ominous \| sneaking \| statue \| walking
The Most Dangerous Game (1932)	Zaroff	0:13:51 - Bob looks at Zaroff	castle \| count \| establish character \| leading man \| mute \| ominous \| servant \| staring \| walking \| watching
The Most Dangerous Game (1932)	Centaur	0:13:56 - Bob sees a centaur on the tapestry	castle \| count \| establish character \| jump scare \| leading man \| mute \| ominous \| servant \| staring \| stinger \| tapestry
The Most Dangerous Game (1932)	Zaroff (Staring)	0:14:08 - The Count watches Bob	castle \| count \| establish character \| leading man \| mute \| ominous \| servant \| staring \| walking \| watching
The Most Dangerous Game (1932)	Piano Noise	0:23:59 - Martin falls on the piano	brother \| castle \| count \| drunk \| establish character \| leading lady \| leading man \| neutral \| on-screen music \| source music \| stumbling
The Most Dangerous Game (1932)	Russian Waltz	0:24:22 - Zaroff plays the piano	brother \| castle \| conversing \| count \| dog \| drunk \| establish character \| leading lady \| leading man \| on-screen music \| piano \| playing \| recounting \| score to source \| somber \| source music \| warning
The Most Dangerous Game (1932)	Russian Waltz (Upstairs)	0:26:51 - Eve goes up the stairs	advance plot \| ascending \| brother \| castle \| conversing \| count \| departing \| drunk \| leading lady \| leading man \| mickey-mousing \| mute \| mysterious \| servant \| source to score \| stairs \| tense \| walking
The Most Dangerous Game (1932)	Zaroff (Stinger)	0:27:05 - A closeup on Ivan	advance plot \| brother \| castle \| close-up \| conversing \| count \| drunk \| leading lady \| leading man \| mute \| mysterious \| servant \| stinger \| tense
The Most Dangerous Game (1932)	Russian Waltz (Zoom In)	0:27:16 - Zaroff looks up at Eve	advance plot \| brother \| castle \| close-up \| conversing \| count \| departing \| drunk \| frantic \| leading lady \| leading man \| mute \| ominous \| servant \| stinger \| zoom in
The Most Dangerous Game (1932)	Russian Waltz (Whole Tone) + The Iron Door	0:29:10 - Bob wakes up	barking \| bed \| castle \| combination of themes \| door \| knocking \| leading lady \| leading man \| mysterious \| opening \| sleeping \| turning point \| waking
The Most Dangerous Game (1932)	Underscoring (Mysterious)	0:29:31 - Bob gets up	barking \| castle \| leading lady \| leading man \| mysterious \| rising \| turning point \| underscoring
The Most Dangerous Game (1932)	Emotions	0:29:42 - Eve comes in	agitated \| candle \| castle \| conversing \| fear \| leading lady \| leading man \| tense \| turning point
The Most Dangerous Game (1932)	Emotions 2	0:29:59 - Eve talks with Bob	agitated \| candle \| castle \| conversing \| fear \| leading lady \| leading man \| tense \| turning point
The Most Dangerous Game (1932)	The Iron Door (Mysterioso)	0:30:12 - Bob talks with Eve	candle \| castle \| conversing \| foreshadowing \| leading lady \| leading man \| mysterious \| stinger \| turning point
The Most Dangerous Game (1932)	Russian Waltz (Sneaking)	0:30:29 - Bob and Eve sneak downstairs	candle \| castle \| descending \| leading lady \| leading man \| mysterious \| sneaking \| tense \| turning point \| walking
The Most Dangerous Game (1932)	The Approach (Sneaking)	0:30:39 - Bob and Eve sneak downstairs	candle \| castle \| descending \| leading lady \| leading man \| mysterious \| sneaking \| tense \| turning point \| walking
The Most Dangerous Game (1932)	Zaroff (Very Mysterious)	0:30:58 - Bob and Eve enter the trophy room	candle \| castle \| descending \| leading lady \| leading man \| mickey-mousing \| mysterious \| sneaking \| turning point \| walking
The Most Dangerous Game (1932)	Russian Waltz (Adagio) + The Iron Door	0:31:06 - Bob and Eve descend the stairs	candle \| castle \| dark \| descending \| leading lady \| leading man \| ominous \| searching \| sneaking \| turning point \| walking
The Most Dangerous Game (1932)	Zaroff (Sneaking)	0:31:29 - Bob and Eve look around	candle \| castle \| descending \| leading lady \| leading man \| mysterious \| searching \| sneaking \| turning point \| walking
The Most Dangerous Game (1932)	Decapitated Head	0:31:35 - Eve sees a decapitated head	candle \| castle \| dramatic \| head \| jump scare \| leading lady \| leading man \| screaming \| stinger \| turning point
The Most Dangerous Game (1932)	The Iron Door (Tense)	0:36:27 - Zaroff looks at Bob's watch	action scene \| castle \| commanding \| count \| leading man \| mute \| prisoner \| servant \| shackles \| stinger \| tense \| villain
The Most Dangerous Game (1932)	Walking	0:36:42 - Zaroff walks to the door	action scene \| agitated \| castle \| closing \| count \| leading man \| marching \| mickey-mousing \| mute \| preparing \| prisoner \| servant \| tense \| villain \| walking
The Most Dangerous Game (1932)	The Iron Door (Fangs and Claws)	0:37:00 - Zaroff gives Bob a knife	action scene \| castle \| commanding \| count \| giving \| knife \| leading man \| mute \| preparing \| prisoner \| servant \| tense \| threatening \| villain
The Most Dangerous Game (1932)	Emotions 2 (Agitato)	0:37:23 - Eve runs to Bob	action scene \| agitated \| arriving \| castle \| conversing \| count \| fear \| leading lady \| leading man \| mute \| prisoner \| servant \| tense \| villain
The Most Dangerous Game (1932)	Russian Waltz (Meno) + The Iron Door	0:37:30 - Zaroff talks about the game	action scene \| castle \| combination of themes \| conversing \| count \| leading lady \| leading man \| mute \| prisoner \| servant \| tense \| villain
The Most Dangerous Game (1932)	Underscoring (Tense)	0:37:49 - Zaroff talks about the game	action scene \| castle \| conversing \| count \| leading lady \| leading man \| mute \| prisoner \| servant \| tense \| underscoring \| villain
The Most Dangerous Game (1932)	Zaroff (Molto Moderato) + The Iron Door	0:38:01 - Zaroff talks about the game	action scene \| castle \| combination of themes \| conversing \| count \| leading lady \| leading man \| mute \| prisoner \| servant \| tense \| villain
The Most Dangerous Game (1932)	Courage + The Iron Door	0:38:17 - Bob and Eve leave	action scene \| agitated \| castle \| combination of themes \| count \| departing \| leading lady \| leading man \| mute \| prisoner \| servant \| tense \| villain
The Most Dangerous Game (1932)	Russian Waltz (Maestoso)	0:38:32 - Bob and Eve are taken to the jungle	action scene \| conversing \| fanfare \| jungle \| leading lady \| leading man \| mute \| ominous \| preparing \| prisoner \| releasing \| servant \| walking
The Most Dangerous Game (1932)	Emotions (Dramatic)	0:39:00 - Bob and Eve take one last look back	action scene \| dramatic \| jungle \| leading lady \| leading man \| looking \| walking
The Most Dangerous Game (1932)	Courage (Tone Cluster)	0:41:32 - Bob builds a trap	action scene \| jungle \| knife \| leading lady \| leading man \| mysterious \| preparing \| stinger \| tense \| trap \| victim
The Most Dangerous Game (1932)	Russian Waltz (Poco Agitato)	0:42:12 - The Count approaches	action scene \| count \| dark \| hiding \| hunting \| jungle \| knife \| leading lady \| leading man \| sneaking \| stalking \| tense \| trap \| victim \| villain \| waiting \| watching
The Most Dangerous Game (1932)	Zaroff (Poco Agitato)	0:42:25 - Bob and Eve hide in a cave	action scene \| agitated \| count \| hiding \| hunting \| jungle \| knife \| leading lady \| leading man \| sneaking \| stalking \| tense \| trap \| victim \| villain \| waiting \| watching
The Most Dangerous Game (1932)	Courage (Hiding)	0:42:33 - Bob and Eve watch and wait	action scene \| combination of themes \| count \| hiding \| hunting \| jungle \| knife \| leading lady \| leading man \| mysterious \| sneaking \| stalking \| tense \| trap \| victim \| villain \| waiting \| watching
The Most Dangerous Game (1932)	The Count Approaches	0:42:44 - The Count approaches slowly	action scene \| approaching \| arrow \| count \| dark \| hiding \| hunting \| jungle \| knife \| leading lady \| leading man \| shooting \| sneaking \| stalking \| tense \| trap \| victim \| villain \| waiting \| watching
The Most Dangerous Game (1932)	Tree falling	0:43:14 - A tree falls	action scene \| arrow \| count \| dark \| dramatic \| falling \| jungle \| knife \| leading lady \| leading man \| mickey-mousing \| shooting \| trap \| victim \| villain
The Most Dangerous Game (1932)	Emotions (Agitato Mysterioso)	0:43:29 - Eve reacts to the arrow	action scene \| agitated \| count \| hiding \| hunting \| jungle \| knife \| leading lady \| leading man \| sneaking \| stalking \| tense \| victim \| villain \| waiting \| watching
The Most Dangerous Game (1932)	Emotions 2 (Agitato Mysterioso)	0:43:44 - Bob and Eve watch and wait	action scene \| agitated \| count \| hiding \| hunting \| jungle \| knife \| leading lady \| leading man \| sneaking \| stalking \| tense \| victim \| villain \| waiting \| watching
The Most Dangerous Game (1932)	Zaroff (Hunting) + The Iron Door	0:43:48 - Zaroff talks to Bob	action scene \| combination of themes \| count \| dark \| hiding \| hunting \| jungle \| knife \| leading lady \| leading man \| mysterious \| sneaking \| stalking \| victim \| villain \| waiting \| watching
The Most Dangerous Game (1932)	Russian Waltz (Andante)	0:44:07 - Close up on Zaroff	action scene \| count \| dark \| departing \| hiding \| jungle \| knife \| leading lady \| leading man \| ominous \| sneaking \| victim \| villain \| waiting \| watching
The Most Dangerous Game (1932)	Courage (Allegro)	0:44:26 - Bob prepare to leave	action scene \| agitated \| departing \| hiding \| jungle \| knife \| leading lady \| leading man \| sneaking \| tense \| victim \| waiting \| watching
The Most Dangerous Game (1932)	Courage (Moderato)	0:44:51 - Bob tells Eve to come out	action scene \| calm \| hiding \| jungle \| knife \| leading lady \| leading man \| sneaking \| unsettled \| victim \| waiting \| watching
The Most Dangerous Game (1932)	Mysterioso Dramatico	0:45:01 - Bob and Eve look for Zaroff	action scene \| conversing \| fanfare \| heroic \| jungle \| leading lady \| leading man \| preparing \| tense \| victim \| watching
The Most Dangerous Game (1932)	Russian Waltz (Low Brass)	0:45:12 - Bob talks with Eve	action scene \| conversing \| jungle \| leading lady \| leading man \| preparing \| tense \| victim \| watching
The Most Dangerous Game (1932)	Emotions (Running Away)	0:45:17 - Eve runs away	action scene \| agitated \| chasing \| fleeing \| following \| jungle \| leading lady \| leading man \| running \| tense \| victim
The Most Dangerous Game (1932)	Emotions 2 (Running Away)	0:45:34 - Eve jumps over a crevice	action scene \| agitated \| chasing \| fleeing \| following \| jungle \| leading lady \| leading man \| running \| tense \| victim
The Most Dangerous Game (1932)	Underscoring (Dramatic)	0:45:41 - Bob catches Eve	action scene \| agitated \| catching \| conversing \| convincing \| jungle \| leading lady \| leading man \| tense \| underscoring \| victim
The Most Dangerous Game (1932)	Russian Waltz (Fog Hollow) + The Iron Door	0:45:46 - Bob and Eve see Fog Hollow	action scene \| combination of themes \| fog \| jungle \| leading lady \| leading man \| ominous \| preparing \| victim
The Most Dangerous Game (1932)	Rock Falling	0:46:09 - A rock falls into a crevice	action scene \| dramatic \| falling \| jungle \| leading lady \| leading man \| mickey-mousing \| rock \| splashing \| stinger \| tumbling \| victim
The Most Dangerous Game (1932)	The Approach (Quasi Mysterioso)	0:46:16 - Bob jumps over the crevice	action scene \| agitated \| jungle \| leading lady \| leading man \| plotting \| preparing \| tense \| trap \| victim \| working
The Most Dangerous Game (1932)	Zaroff (Hiding)	0:46:48 - Bob and Eve hide from Zaroff	action scene \| combination of themes \| count \| hiding \| jungle \| leading lady \| leading man \| preparing \| sneaking \| tense \| trap \| victim \| villain
The Most Dangerous Game (1932)	The Iron Door (Trembling)	0:47:20 - A branch trembles	action scene \| approaching \| count \| gun \| hiding \| hunting \| jungle \| leading lady \| leading man \| shaking \| shooting \| tense \| trap \| trembling \| trembling effect \| tricking \| victim \| villain
The Most Dangerous Game (1932)	Zaroff (Allegro)	0:47:43 - The Count approaches	action scene \| approaching \| count \| dark \| gun \| hiding \| hunting \| jungle \| leading lady \| leading man \| shaking \| shooting \| tense \| trap \| trembling \| tricking \| victim \| villain
The Most Dangerous Game (1932)	Trap Falling	0:47:47 - The trap collapses	action scene \| count \| dramatic \| falling \| gun \| jumping \| jungle \| leading lady \| leading man \| mickey-mousing \| stinger \| trap \| victim \| villain
The Most Dangerous Game (1932)	Zaroff (Deliberate)	0:47:51 - Bob and Eve scramble away	action scene \| count \| dark \| escaping \| gun \| hiding \| hunting \| jungle \| leading lady \| leading man \| pursuing \| running \| scrambling \| tense \| victim \| villain
The Most Dangerous Game (1932)	The Fog	0:48:02 - Bob and Eve in the fog	action scene \| count \| dark \| escaping \| gun \| hunting \| jungle \| leading lady \| leading man \| pursuing \| running \| tense \| victim \| villain
The Most Dangerous Game (1932)	Russian Waltz (Tense)	0:48:21 - The Count talks to Bob	action scene \| conversing \| count \| dark \| gun \| jungle \| leading lady \| leading man \| taunting \| tense \| victim \| villain
The Most Dangerous Game (1932)	The Iron Door (Horn Call)	0:48:50 - Zaroff blows his hunting horn	action scene \| count \| dark \| horn \| horn call \| jungle \| leading lady \| leading man \| playing \| scored source music \| score to source \| source music \| tense \| victim \| villain
The Most Dangerous Game (1932)	The Chase (Quasi Mysterioso)	0:49:16 - Bob and Eve in the fog	barking \| castle \| chase scene \| chasing \| dog \| dramatic \| fog \| jungle \| leading lady \| leading man \| preparing \| running \| servant \| tense \| victim
The Most Dangerous Game (1932)	Courage + Russian Waltz + Iron Door	0:49:23 - Bob and Eve running away	chase scene \| combination of themes \| dark \| dramatic \| fog \| jungle \| leading lady \| leading man \| ominous \| preparing \| running \| victim
The Most Dangerous Game (1932)	The Approach (Risoluto)	0:49:30 - Bob creates a spear trap	chase scene \| dramatic \| fanfare \| jungle \| leading lady \| leading man \| preparing \| spear \| trap \| victim
The Most Dangerous Game (1932)	The Chase (Tremolo) + The Iron Door (Horn Call)	0:49:40 - The Count blows his hunting horn	chase scene \| chasing \| combination of themes \| count \| dog \| dramatic \| fog \| horn \| jungle \| leading lady \| leading man \| playing \| running \| scored source music \| score to source \| servant \| source music \| tense \| victim \| villain
The Most Dangerous Game (1932)	The Chase + Courage	0:50:01 - Bob and Eve stumbling through the fog	chase scene \| combination of themes \| dramatic \| fog \| jungle \| leading lady \| leading man \| running \| stumbling \| tense \| victim
The Most Dangerous Game (1932)	The Chase (Tense) + The Iron Door (Horn Call)	0:50:16 - Bob and Eve in the water	barking \| chase scene \| chasing \| combination of themes \| dog \| dramatic \| fog \| jungle \| leading lady \| leading man \| running \| scored source music \| servant \| source music \| stumbling \| tense \| victim
The Most Dangerous Game (1932)	The Chase (Allegro)	0:51:09 - Count Zaroff running	agitated \| chase scene \| chasing \| count \| dark \| dog \| dramatic \| fanfare \| fog \| jungle \| leading lady \| leading man \| running \| servant \| stumbling \| victim \| villain
The Most Dangerous Game (1932)	Russian Waltz (Chasing)	0:51:28 - Count Zaroff in pursuit	agitated \| chase scene \| chasing \| count \| dark \| dog \| dramatic \| fog \| jungle \| leading lady \| leading man \| running \| servant \| victim \| villain
The Most Dangerous Game (1932)	The Approach (Fear)	0:51:35 - Bob and Eve stop	agitated \| chase scene \| crocodile \| dark \| dramatic \| fear \| jungle \| leading lady \| leading man \| running \| stopping \| victim
The Most Dangerous Game (1932)	The Crocodile + Courage	0:51:36 - A crocodile	chase scene \| combination of themes \| crocodile \| dark \| jungle \| leading lady \| leading man \| running \| stumbling \| victim
The Most Dangerous Game (1932)	The Chase + Russian Waltz (Augmented)	0:52:02 - Dogs running through the swamp	agitated \| barking \| chase scene \| chasing \| combination of themes \| count \| dog \| dramatic \| jungle \| leading lady \| leading man \| ominous \| running \| servant \| victim \| villain
The Most Dangerous Game (1932)	The Chase (Furioso)	0:52:13 - Eve runs towards a log	agitated \| barking \| chase scene \| chasing \| count \| dark \| dog \| dramatic \| falling \| jungle \| leading lady \| leading man \| log \| mickey-mousing \| running \| servant \| victim \| villain
The Most Dangerous Game (1932)	The Iron Door (Slow)	0:52:19 - Eve falls on a log	chase scene \| chasing \| dark \| jungle \| leading lady \| leading man \| log \| ominous \| running \| standing \| victim
The Most Dangerous Game (1932)	Emotions (Allegro)	0:52:24 - Eve and Bob run over the log	agitated \| barking \| chase scene \| chasing \| dog \| jungle \| leading lady \| leading man \| log \| running \| tense \| victim
The Most Dangerous Game (1932)	Emotions 2 (Allegro)	0:52:39 - Eve and Bob climb a tree	agitated \| barking \| chase scene \| chasing \| climbing \| dog \| jungle \| leading lady \| leading man \| running \| tense \| tree \| victim
The Most Dangerous Game (1932)	Zaroff (Heavy)	0:52:45 - The dogs bark up the tree	agitated \| barking \| chase scene \| chasing \| climbing \| count \| dark \| dog \| jungle \| leading lady \| leading man \| running \| servant \| tense \| tree \| victim \| villain
The Most Dangerous Game (1932)	Russian Waltz (Dark)	0:52:53 - Eve and Bob hiding in a tree	agitated \| barking \| chase scene \| count \| dark \| dog \| hiding \| jungle \| leading lady \| leading man \| servant \| tense \| tree \| victim \| villain
The Most Dangerous Game (1932)	The Approach	0:52:59 - Eve and Bob hiding in a tree	agitated \| barking \| chase scene \| count \| dark \| dog \| hiding \| jungle \| leading lady \| leading man \| servant \| tense \| tree \| victim \| villain
The Most Dangerous Game (1932)	The Chase (Accelerando) + The Iron Door	0:53:02 - The dogs bark up the tree	agitated \| barking \| chase scene \| chasing \| combination of themes \| count \| dark \| dog \| escaping \| hiding \| jumping \| jungle \| leading lady \| leading man \| lifting \| log \| mickey-mousing \| running \| servant \| tense \| tree \| victim \| villain \| vine
The Most Dangerous Game (1932)	The Chase + The Iron Door	0:53:33 - Bob and Eve run along a clifftop	chase scene \| cliff \| combination of themes \| dramatic \| jungle \| leading lady \| leading man \| running \| tense \| victim
The Most Dangerous Game (1932)	The Approach (Risoluto)	0:53:38 - Bob and Eve hide in the trees	barking \| chase scene \| cliff \| climbing \| cutting \| dog \| dramatic \| hiding \| jumping \| jungle \| leading lady \| leading man \| running \| tense \| victim
The Most Dangerous Game (1932)	The Chase (Running) + The Iron Door	0:54:08 - Bob runs through the jungle	chase scene \| chasing \| close-up \| combination of themes \| count \| dramatic \| jungle \| leading lady \| leading man \| point-of-view shot \| running \| servant \| tense \| victim \| villain
The Most Dangerous Game (1932)	Zaroff (Running)	0:54:15 - A close-up on Zaroff	chase scene \| chasing \| close-up \| count \| dramatic \| jungle \| leading lady \| leading man \| point-of-view shot \| running \| servant \| tense \| victim \| villain
The Most Dangerous Game (1932)	The Waterfall	0:54:20 - Rushing water	chase scene \| chasing \| dog \| falling \| flowing \| jungle \| leading lady \| leading man \| mickey-mousing \| planning \| river \| running \| shirt \| splashing \| tense \| trap \| victim \| water effect \| waterfall
The Most Dangerous Game (1932)	Courage + Russian Waltz + Iron Door	0:54:46 - Bob and Eve run towards the waterfall	chase scene \| chasing \| combination of themes \| dramatic \| jungle \| leading lady \| leading man \| preparing \| river \| tense \| victim \| waterfall
The Most Dangerous Game (1932)	The Approach (Risoluto)	0:54:59 - Count Zaroff by the river	chase scene \| chasing \| count \| dramatic \| hiding \| jungle \| leading lady \| leading man \| river \| servant \| tense \| victim \| villain \| waterfall
The Most Dangerous Game (1932)	The Chase (Tremolo) + The Iron Door (Horn Call)	0:55:08 - Count Zaroff approaching the waterfall	chase scene \| chasing \| combination of themes \| count \| dramatic \| hiding \| jungle \| leading lady \| leading man \| river \| servant \| tense \| victim \| villain \| waterfall
The Most Dangerous Game (1932)	Dog attacking	0:55:19 - A dog rushes at Bob	attacking \| climax \| count \| dog \| dramatic \| fighting \| jungle \| leading lady \| leading man \| mickey-mousing \| river \| servant \| tense \| victim \| villain \| waterfall
The Most Dangerous Game (1932)	Zaroff (Dog Fight)	0:55:24 - Bob fights a dog	attacking \| climax \| count \| dog \| dramatic \| fighting \| jungle \| leading lady \| leading man \| river \| servant \| tense \| victim \| villain \| waterfall
The Most Dangerous Game (1932)	Russian Waltz (Dog Fight)	0:55:33 - A barking dog	attacking \| climax \| count \| dog \| dramatic \| fighting \| jungle \| leading lady \| leading man \| river \| servant \| tense \| victim \| villain \| waterfall
The Most Dangerous Game (1932)	Dog falling 2	0:55:37 - Bob kills the dog	attacking \| climax \| count \| dog \| dramatic \| falling \| fighting \| jungle \| leading lady \| leading man \| mickey-mousing \| river \| servant \| tense \| victim \| villain \| waterfall
The Most Dangerous Game (1932)	Dog attacking	0:55:42 - A dog rushes at Bob	attacking \| climax \| count \| dog \| dramatic \| fighting \| jungle \| leading lady \| leading man \| mickey-mousing \| river \| running \| servant \| tense \| victim \| villain \| waterfall
The Most Dangerous Game (1932)	Falling off cliff	0:55:47 - Bob and the dog fall off the cliff	climax \| count \| death \| dog \| dramatic \| dying \| falling \| gun \| gunshot \| jungle \| leading lady \| leading man \| mickey-mousing \| river \| servant \| shooting \| tense \| victim \| villain \| waterfall
The Most Dangerous Game (1932)	Russian Waltz (Grandioso)	0:57:09 - The Count plays the piano	advance plot \| calm \| castle \| count \| entering \| leading man \| on-screen music \| piano \| playing \| sneaking \| source music \| victim \| villain
The Most Dangerous Game (1932)	Bob leaping	0:58:57 - Bob leaps at Zaroff	action scene \| castle \| count \| dramatic \| fighting \| gun \| jumping \| leading man \| leaping \| tense \| victim \| villain
The Most Dangerous Game (1932)	Zaroff (Allegro Furioso)	0:58:57 - Bob fights Zaroff	action scene \| castle \| count \| dog \| dramatic \| fighting \| gun \| leading man \| tense \| victim \| villain
The Most Dangerous Game (1932)	Russian Waltz (The Fight)	0:59:04 - Bob fights Zaroff	action scene \| castle \| count \| dramatic \| fighting \| gun \| leading man \| tense \| victim \| villain
The Most Dangerous Game (1932)	Zaroff (The Fight)	0:59:06 - Zaroff's gun	action scene \| castle \| count \| dramatic \| fighting \| gun \| leading man \| tense \| victim \| villain
The Most Dangerous Game (1932)	Underscoring (Dramatic)	0:59:18 - Bob fights Zaroff	action scene \| castle \| count \| dramatic \| fighting \| leading man \| servant \| tense \| underscoring \| victim \| villain
The Most Dangerous Game (1932)	Zaroff (The Fight 2)	0:59:22 - Zaroff's servant attacks	action scene \| castle \| count \| dramatic \| fighting \| leading man \| servant \| tense \| victim \| villain
The Most Dangerous Game (1932)	Russian Waltz (The Fight 2)	0:59:27 - Bob fights Zaroff's servant	action scene \| castle \| count \| dramatic \| fighting \| leading man \| servant \| tense \| victim \| villain
The Most Dangerous Game (1932)	The Iron Door (The Fight)	0:59:36 - Bob fights Zaroff's servant	action scene \| castle \| count \| dramatic \| fighting \| leading man \| servant \| tense \| victim \| villain
The Most Dangerous Game (1932)	The Count rises	0:59:46 - The Count slowly rises	action scene \| arrow \| breaking \| castle \| count \| death \| dramatic \| dying \| fighting \| killing \| leading man \| rising \| servant \| sneaking \| tense \| victim \| villain
The Most Dangerous Game (1932)	Zaroff (Slow)	1:00:03 - Bob kills Zaroff's servant	action scene \| arrow \| castle \| corpse \| count \| death \| dramatic \| leading man \| preparing \| servant \| tense \| victim \| villain
The Most Dangerous Game (1932)	The Iron Door (Allegro Furioso)	1:00:07 - Bob attacks Zaroff	action scene \| arrow \| castle \| corpse \| count \| death \| dramatic \| dying \| fighting \| killing \| leading man \| servant \| stabbing \| tense \| victim \| villain
The Most Dangerous Game (1932)	Russian Waltz (Stabbed in Back)	NIF - not in film	arrow \| castle \| corpse \| count \| cut from film \| death \| dying \| killing \| leading man \| servant \| stabbing \| victim \| villain
The Most Dangerous Game (1932)	Emotions (Agitato)	1:00:32 - Bob is almost hit by a knife	castle \| count \| death \| dodging \| dramatic \| escaping \| gun \| knife \| leading lady \| leading man \| preparing \| running \| servant \| tense \| victim \| villain
The Most Dangerous Game (1932)	Emotions 2 (Agitato)	1:00:45 - Bob and Eve escaping	arrow \| castle \| count \| death \| dramatic \| escaping \| gun \| leading lady \| leading man \| rising \| running \| tense \| victim \| villain
The Most Dangerous Game (1932)	Russian Waltz (Meno) + The Iron Door	1:00:50 - The Count rises	castle \| combination of themes \| dark \| death \| escaping \| gun \| knife \| leading lady \| leading man \| rising \| running \| servant \| victim
The Most Dangerous Game (1932)	Underscoring (Tense)	1:01:01 - Tartar throws a knife	castle \| death \| escaping \| gun \| gunshot \| knife \| leading lady \| leading man \| servant \| shooting \| tense \| throwing \| victim
The Most Dangerous Game (1932)	Underscoring (Dramatic)	1:01:05 - Tartar falls dead to the ground	castle \| corpse \| death \| dramatic \| dying \| escaping \| falling \| gun \| gunshot \| knife \| leading lady \| leading man \| servant \| underscoring \| victim
The Most Dangerous Game (1932)	Zaroff (Risoluto)	1:01:10 - Zaroff at the window	arrow \| boat \| castle \| count \| dramatic \| escaping \| leading lady \| leading man \| rising \| tense \| victim \| villain
The Most Dangerous Game (1932)	Russian Waltz (The Window)	1:01:15 - Zaroff at the window	arrow \| boat \| castle \| count \| dramatic \| escaping \| fanfare \| leading lady \| leading man \| rising \| tense \| victim \| villain
The Most Dangerous Game (1932)	Courage (Allegro con Fuoco) + The Iron Door	1:01:23 - The boat leaves the dock	arrow \| boat \| castle \| count \| death \| dramatic \| dying \| escaping \| leading lady \| leading man \| motor effect \| preparing \| tense \| victim \| villain
The Most Dangerous Game (1932)	Russian Waltz (Impossible)	1:01:37 - Zaroff collapses	arrow \| boat \| castle \| collapsing \| count \| dark \| death \| dying \| falling \| leading lady \| leading man \| mickey-mousing \| victim \| villain
The Most Dangerous Game (1932)	Underscoring (Dramatic)	1:01:44 - Dogs barking	barking \| boat \| castle \| count \| death \| dog \| dramatic \| dying \| leading lady \| leading man \| tense \| underscoring \| victim \| villain
The Most Dangerous Game (1932)	Falling out of window	1:01:53 - Zaroff falls out of the window	boat \| castle \| count \| death \| dramatic \| dying \| escaping \| falling \| leading lady \| leading man \| mickey-mousing \| tense \| victim \| villain
The Most Dangerous Game (1932)	Russian Waltz (Climax)	1:01:55 - The boat speeding away	boat \| castle \| dark \| death \| escaping \| fanfare \| leading lady \| leading man \| victim
White Heat (1949)	Sliding down pole	1:48:43 - Cody slides down a pole	action scene \| agent \| descending \| dramatic \| factory \| fugitive \| gangster \| leading man \| mickey-mousing \| murderer \| pole \| police \| raid \| sliding \| tense
White Heat (1949)	Danger (Tense)	1:48:48 - Gangsters run away	action scene \| agent \| chasing \| dramatic \| factory \| fanfare \| fugitive \| gangster \| leading man \| murderer \| police \| raid \| running \| rushing \| tense
White Heat (1949)	Agents + Gathering	1:49:06 - Agents in action	action scene \| agent \| chasing \| combination of themes \| dramatic \| factory \| fugitive \| gangster \| leading man \| murderer \| police \| raid \| running \| rushing \| tense
White Heat (1949)	Danger (Risoluto)	1:49:17 - Agents advance	action scene \| agent \| chasing \| dramatic \| factory \| fugitive \| gangster \| leading man \| murderer \| police \| raid \| running \| rushing \| tense
White Heat (1949)	Underscoring (Dramatic)	1:49:19 - Gangsters run away	action scene \| agent \| chasing \| dramatic \| factory \| fugitive \| gangster \| leading man \| murderer \| police \| raid \| running \| rushing \| tense \| underscoring
White Heat (1949)	Plotting (Extended)	1:49:34 - Gangsters hide	action scene \| agent \| factory \| frantic \| fugitive \| gangster \| hiding \| leading man \| murderer \| police \| raid \| running \| rushing \| tense
White Heat (1949)	Rushing + Agents	1:49:44 - Police advance	action scene \| advancing \| agent \| combination of themes \| factory \| fugitive \| gangster \| hiding \| leading man \| murderer \| police \| raid \| rushing \| searching \| tense
White Heat (1949)	White Heat (Maestoso 2)	1:49:55 - Police advance	action scene \| advancing \| agent \| dramatic \| factory \| fugitive \| gangster \| hiding \| leading man \| murderer \| police \| raid \| rushing \| searching \| tense
White Heat (1949)	Agents (Searching)	1:50:02 - Agents plan their next move	action scene \| advancing \| agent \| dramatic \| factory \| fugitive \| gangster \| hiding \| leading man \| murderer \| police \| raid \| rushing \| searching \| tense
White Heat (1949)	Rushing (Searchlights)	1:50:05 - Searchlights	action scene \| agent \| factory \| fugitive \| gangster \| hiding \| laughing \| leading man \| mickey-mousing \| murderer \| police \| raid \| searching \| searchlight \| tense
White Heat (1949)	Madness	1:50:16 - Cody talks to Riley	action scene \| agent \| factory \| fugitive \| gangster \| hiding \| leading man \| madness \| murderer \| plotting \| police \| raid \| tense
White Heat (1949)	Plotting (Agitato)	1:50:27 - Cody gets up	action scene \| agent \| factory \| fugitive \| gangster \| hiding \| laughing \| leading man \| madness \| murderer \| police \| raid \| sneaking \| tense
White Heat (1949)	Cody (Climbing)	1:50:30 - Cody climbs the stairs	action scene \| agent \| ascending \| dramatic \| factory \| fugitive \| gangster \| hiding \| leading man \| murderer \| police \| raid \| rushing \| stairs \| tense
White Heat (1949)	Plotting	1:50:41 - Cody hides	action scene \| agent \| factory \| fugitive \| gangster \| hiding \| leading man \| murderer \| police \| raid \| tense
White Heat (1949)	Rushing (Searchlights 2)	1:50:48 - Searchlights	action scene \| agent \| announcing \| death \| factory \| fugitive \| gangster \| gun \| gunshot \| hiding \| killing \| laughing \| leading man \| mickey-mousing \| murder \| murderer \| police \| raid \| searching \| searchlight \| shooting \| surrendering \| tense
White Heat (1949)	Riley's Death	1:51:15 - Riley hits the ground	action scene \| agent \| dark \| death \| dying \| factory \| fugitive \| gangster \| laughing \| leading man \| murder \| murderer \| police \| raid \| stinger
White Heat (1949)	Cody 3 (Mocking)	1:51:30 - Cody shoots	action scene \| agent \| brash \| factory \| frantic \| fugitive \| gangster \| gun \| gunshot \| laughing \| leading man \| mocking \| murderer \| police \| raid
White Heat (1949)	Trap	1:51:37 - Policeman hands Hank a rifle	action scene \| agent \| aiming \| factory \| fugitive \| gangster \| gun \| leading man \| murderer \| police \| raid \| searching \| tense
White Heat (1949)	Rushing	1:51:44 - Searchlights	action scene \| agent \| aiming \| factory \| fugitive \| gangster \| gun \| gunshot \| hiding \| leading man \| mickey-mousing \| murderer \| police \| raid \| searching \| searchlight \| shooting \| tense
White Heat (1949)	Headache (Explosion)	1:52:26 - Cody shoots a gas valve	agent \| climax \| dramatic \| exploding \| explosion \| factory \| fire \| frantic \| fugitive \| gangster \| gun \| gunshot \| laughing \| leading man \| murderer \| police \| raid \| running \| rushing \| shooting
White Heat (1949)	Struggle	1:52:46 - Explosion	agent \| climax \| conversing \| death \| dramatic \| exploding \| explosion \| factory \| fire \| fugitive \| gangster \| leading man \| murderer \| police \| raid
White Heat (1949)	Cody (The End)	1:53:02 - Explosion	agent \| climax \| conversing \| dark \| death \| dramatic \| exploding \| explosion \| factory \| fire \| fugitive \| gangster \| leading man \| murderer \| police \| raid \| The End
Lightning Strikes Twice (1951)	Liza (Triste)	1:29:20 - Father Paul climbs up	actor \| arriving \| car crash \| climbing \| countryside \| death \| husband \| leading lady \| leading man \| mother \| owner \| police \| priest \| resolution \| somber
Lightning Strikes Twice (1951)	Shelly and Trev (Appassionato 2)	1:29:33 - Trev and Shelly embrace	actor \| calm \| comforting \| countryside \| departing \| driving \| embracing \| husband \| kissing \| leading lady \| leading man \| mother \| owner \| peace \| peaceful \| police \| priest \| resolution \| smiling
Lightning Strikes Twice (1951)	Shelly (The End) + Shelly 2 (The End)	1:30:00 - Trev and Shelly drive away together	actor \| calm \| comforting \| countryside \| driving \| embracing \| end title sequence \| husband \| leading lady \| leading man \| peace \| peaceful \| resolution \| resolved \| The End
Mara Maru (1952)	Gregory (Diving)	0:00:40 - Cast list	boat \| cast list \| descending \| diver \| diving \| diving suit \| fanfare \| leading man \| ocean \| opening title sequence \| point-of-view shot \| sailor \| somber \| underwater \| uneasy \| working
Mara Maru (1952)	Gregory (Underwater)	0:01:16 - A diver (Gregory) underwater	boat \| close-up \| diver \| diving \| diving suit \| establish character \| fanfare \| grand \| heroic \| leading man \| ocean \| underwater \| working
Mara Maru (1952)	Underwater	0:01:48 - Gregory underwater	close-up \| dark \| diver \| diving \| diving suit \| establish character \| floating \| leading man \| suspenseful \| underwater \| working
Mara Maru (1952)	Floating	0:02:21 - Gregory floating underwater	close-up \| diver \| diving \| diving suit \| establish character \| floating \| leading man \| suspenseful \| underwater \| working
Mara Maru (1952)	Surfacing	0:02:34 - Gregory rises from the water	assisting \| boat \| boat \| child \| diver \| diving suit \| establish character \| heroic \| hopeful \| leading man \| mickey-mousing \| rising \| surfacing \| underwater \| worker \| working
Mara Maru (1952)	On Deck	0:02:52 - Gregory steps onto the boat	boat \| boat \| child \| conversing \| diver \| diving suit \| establish character \| heroic \| hopeful \| leading man \| underscoring \| worker \| working
Mara Maru (1952)	Manuelo (Allegretto Giocoso)	0:03:20 - Perol lights a cigar	boat \| boat \| child \| conversing \| diver \| establish character \| leading man \| light \| playful \| reveal \| worker \| working
Mara Maru (1952)	Manuelo 2 (Extended)	0:03:36 - The boys help Gregory	boat \| boat \| child \| conversing \| diver \| establish character \| leading man \| light \| playful \| worker \| working
Mara Maru (1952)	Manuelo (Giocoso)	0:03:58 - The boys help Gregory	boat \| boat \| child \| conversing \| diver \| establish character \| leading man \| light \| playful \| worker \| working
Mara Maru (1952)	Manuelo (Meno)	0:04:10 - Gregory stands up	boat \| boat \| child \| conversing \| diver \| establish character \| gentle \| leading man \| worker \| working
Mara Maru (1952)	Gregory (Con Moto)	0:04:24 - A boat in the harbor	arriving \| boat \| child \| conversing \| diver \| establish character \| gambling \| grand \| harbor \| heroic \| leading man \| ocean \| sailing \| worker
Mara Maru (1952)	Baby Face	0:07:12 - Gregory arrives at a bar	advance plot \| arguing \| bar \| bartender \| conversing \| crowd \| fighting \| leading man \| partner \| sailor \| server \| source music \| upbeat
Mara Maru (1952)	Misterioso	0:12:16 - Gregory talks to Stella	arguing \| conversing \| establish character \| leading lady \| leading man \| mysterious \| room \| stinger \| tense
Mara Maru (1952)	Underscoring (Tense)	0:12:54 - Gregory talks to Stella	arguing \| conversing \| establish character \| leading lady \| leading man \| room \| tense \| underscoring
Mara Maru (1952)	Lovers	0:13:15 - Stella talks to Gregory	conversing \| establish character \| leading lady \| leading man \| room \| sentimental
Mara Maru (1952)	Appassionato	0:13:27 - Stella argues with Gregory	arguing \| conversing \| establish character \| leading lady \| leading man \| passionate \| room
Mara Maru (1952)	Stella (Molto Expressivo)	0:13:53 - Gregory grabs Stella's arm	conversing \| embracing \| establish character \| leading lady \| leading man \| romantic \| room \| waltz
Mara Maru (1952)	Underscoring (Mysterious)	0:14:26 - Gregory walks down the street	leading man \| mysterious \| private eye \| spying \| street \| transition \| walking
Mara Maru (1952)	Sneaking away	0:14:35 - Two men sneak away	leading man \| mickey-mousing \| mysterious \| private eye \| sneaking \| spying \| street \| transition
Mara Maru (1952)	Manuelo (Stinger)	0:14:44 - Gregory arrives home	arriving \| discovering \| dramatic \| gentle \| leading man \| room \| stinger \| transition \| unconcious \| worker
Mara Maru (1952)	Underscoring (Dramatic)	0:15:56 - Gregory picks up the phone	advance plot \| arriving \| conversing \| discovering \| dramatic \| knocking \| leading man \| police \| room \| stinger \| telephone \| underscoring \| worker
Mara Maru (1952)	Murder	0:19:08 - Callahan's body is discovered	agitated \| arriving \| corpse \| discovering \| dramatic \| leading man \| murder \| murder scene \| police \| room \| stinger \| tense
Mara Maru (1952)	Gregory (Police)	0:19:31 - The police station	arriving \| dark \| leading man \| police \| street \| transition \| walking
Mara Maru (1952)	Nassau	0:27:20 - People in a club	club \| conversing \| crowd \| drinking \| establish character \| exotic \| gentle \| leading man \| private eye \| waitress
Mara Maru (1952)	Ortega	0:40:26 - Gregory talks with Ortega	arguing \| brother \| conversing \| distrust \| establish character \| leading man \| mysterious \| room \| tense
Mara Maru (1952)	Grabbing	0:41:15 - Gregory grabs Ortega	arguing \| brother \| distrust \| dramatic \| establish character \| grabbing \| gun \| leading man \| mickey-mousing \| room \| tense
Mara Maru (1952)	Underscoring (Tense)	0:41:23 - Ortega points a gun at Gregory	arguing \| brother \| distrust \| establish character \| gun \| leading man \| room \| stinger \| tense \| underscoring
Mara Maru (1952)	Cross (Fragment)	0:41:40 - A cross on Ortega's keychain	arguing \| brother \| cross \| distrust \| dramatic \| establish character \| gun \| keys \| leading man \| room \| stinger
Mara Maru (1952)	Ortega	0:41:50 - Gregory tosses Ortega's keys	arguing \| brother \| distrust \| establish character \| gun \| leading man \| mysterious \| room \| tense
Mara Maru (1952)	Stella (Sentimentale)	0:46:13 - Gregory reacts to Stella's departure	advance plot \| departing \| distrust \| leading man \| room \| somber \| worker
Mara Maru (1952)	Underscoring (Dramatic)	0:46:32 - A boat on fire	arriving \| crowd \| death scene \| dock \| dousing \| dramatic \| fire \| fire effect \| hurrying \| leading man \| police \| running \| tense \| underscoring
Mara Maru (1952)	Underscoring (Somber)	0:47:16 - Manuelo hold Perol in his arms	conversing \| crying \| death scene \| dock \| dying \| leading man \| pain \| somber \| struggling \| worker
Mara Maru (1952)	Manuelo (Molto Expressivo)	0:47:44 - Perol talks to Gregory	conversing \| crying \| death scene \| dock \| dying \| expressive \| leading man \| pain \| struggling \| tender \| worker
Mara Maru (1952)	Manuelo (Perol Dies)	0:48:12 - Perol speaks his last words	angelic \| conversing \| crying \| dark \| death \| death scene \| dock \| dying \| expressive \| leading man \| pain \| stinger \| struggling \| tender \| worker
Mara Maru (1952)	Manuelo (Molto Appassionato)	0:48:42 - Manuelo mourns for his brother	cross \| crying \| dark \| death \| death scene \| dock \| embracing \| evidence \| leading man \| mourning \| somber \| stinger \| worker
Mara Maru (1952)	Adoramus te Christe	0:49:05 - A cross and some candles	brother \| church \| conversing \| cross \| crowd \| crying \| embracing \| evidence \| funeral scene \| leading man \| mother \| mourner \| mourning \| police \| praying \| priest \| private eye \| somber \| source music \| worker
Mara Maru (1952)	Morena	0:50:56 - Gregory and Ranier walk down the street	advance plot \| antagonist \| bodyguard \| cafe \| conversing \| hurrying \| leading man \| private eye \| somber \| source music \| stree \| tango \| walking
Mara Maru (1952)	Mara Maru	0:53:22 - A boat in the harbor	antagonist \| arriving \| bodyguard \| captain \| conversing \| dock \| dramatic \| harbor \| leading man \| panning shot \| private eye \| sailing \| sailor \| ship \| tense \| transition
Mara Maru (1952)	Sailing	0:53:34 - Men on the deck of the ship	bodyguard \| captain \| conversing \| dock \| leading man \| preparing \| private eye \| sailing effect \| sailor \| ship \| transition \| uneasy
Mara Maru (1952)	Sailor's Hornpipe (Con Spirito)	0:55:41 - Gregory enters the boat	bodyguard \| conversing \| familiar tune \| leading man \| light \| preparing \| private eye \| sailor \| ship \| ship \| transition
Mara Maru (1952)	Gregory (Tranquillo)	0:56:00 - Gregory steering the ship	advance plot \| calm \| conversing \| distraction \| leading man \| peaceful \| pondering \| sailing \| ship \| ship \| worker
Mara Maru (1952)	Appassionato (Tenderly)	0:56:26 - Gregory looks ahead	advance plot \| calm \| conversing \| distraction \| leading man \| peaceful \| pondering \| sailing \| ship \| ship \| worker
Mara Maru (1952)	Stella	0:56:49 - Stella appears as a reflection in the window	conversing \| leading lady \| leading man \| love interest \| love scene \| reflection shot \| relfection \| romantic \| sailing \| ship \| ship
Mara Maru (1952)	Appassionato (Molto Expressivo)	0:58:03 - Gregory takes Stella's arm	conversing \| leading lady \| leading man \| love interest \| love scene \| passionate \| sailing \| ship \| ship
Mara Maru (1952)	Ortega	0:58:27 - Gregory talks to Stella about Ortega	conversing \| cross \| leading lady \| leading man \| love interest \| love scene \| mysterious \| sailing \| ship \| ship \| tense
Mara Maru (1952)	Grabbing	0:58:53 - Gregory talks to Stella	conversing \| leading lady \| leading man \| love interest \| love scene \| sailing \| ship \| ship \| tense
Mara Maru (1952)	Benedict	0:59:00 - Benedict enters	antagonist \| conversing \| dramatic \| leading lady \| leading man \| love interest \| love scene \| sailing \| ship \| ship \| tense
Mara Maru (1952)	Dropping anchor	1:00:18 - The anchor drops	action scene \| anchor \| antagonist \| bodyguard \| captain \| dramatic \| dropping \| falling \| leading lady \| leading man \| love interest \| mickey-mousing \| private eye \| ship \| ship
Mara Maru (1952)	Gregory (Heroic)	1:00:31 - Gregory gets ready to dive	action scene \| antagonist \| bodyguard \| captain \| conversing \| diving suit \| heroic \| leading lady \| leading man \| love interest \| preparing \| private eye \| ship \| ship \| tense \| worker \| working
Mara Maru (1952)	Descending	1:00:51 - Gregory descends the ladder	action scene \| antagonist \| bodyguard \| bubbles \| captain \| close-up \| dark \| descending \| diver \| diving \| diving suit \| heavy \| leading lady \| leading man \| love interest \| ocean \| private eye \| ship \| ship \| stinger \| suspenseful \| underwater \| worker \| working
Mara Maru (1952)	Shark	1:01:35 - A shark appears	action scene \| captain \| close-up \| diver \| diving \| dramatic \| fearful \| jump scare \| leading man \| ocean \| shark \| suspenseful \| swimming \| swimming effect \| swirling effect \| underwater
Mara Maru (1952)	Walking underwater	1:01:46 - Gregory walks on the ocean floor	action scene \| antagonist \| bodyguard \| captain \| close-up \| diver \| diving \| leading lady \| leading man \| love interest \| mickey-mousing \| ocean \| private eye \| ship \| ship \| suspenseful \| swimming \| tense \| underwater \| walking \| worker
Mara Maru (1952)	Underwater (Walking)	1:02:03 - Gregory walks underwater	action scene \| antagonist \| bodyguard \| captain \| diver \| diving \| leading lady \| leading man \| love interest \| ocean \| point-of-view shot \| private eye \| ship \| ship \| suspenseful \| swimming \| tense \| underwater \| walking \| worker
Mara Maru (1952)	Benedict (Sabotage)	1:02:14 - Ranier sneaks away	action scene \| antagonist \| bodyguard \| captain \| close-up \| diver \| diving \| leading lady \| leading man \| love interest \| mysterious \| ocean \| private eye \| radio \| sabotaging \| saboteur \| ship \| ship \| sneaking \| suspenseful \| swimming \| traitor \| underscoring \| underwater \| worker
Mara Maru (1952)	Underwater	1:02:28 - Gregory walks on the ocean floor	action scene \| captain \| close-up \| conversing \| dark \| diver \| diving \| leading man \| ocean \| ship \| ship \| suspenseful \| swimming \| underwater
Mara Maru (1952)	Underwater (Dramatic)	1:02:42 - Manuelo talks to Benedict	action scene \| antagonist \| bodyguard \| captain \| conversing \| dark \| diver \| diving \| leading lady \| leading man \| love interest \| ocean \| private eye \| ship \| ship \| suspenseful \| swimming \| traitor \| underwater \| worker \| working
Mara Maru (1952)	Surfacing	1:02:55 - Gregory rises from the water	action scene \| antagonist \| assisting \| bodyguard \| breaking \| captain \| diver \| heroic \| hopeful \| leading lady \| leading man \| love interest \| mickey-mousing \| ocean \| private eye \| radio \| rising \| sabotaging \| saboteur \| ship \| ship \| sneaking \| surfacing \| traitor \| underwater \| worker \| working
Mara Maru (1952)	On Deck (Minor)	1:03:17 - Gregory boards the ship	action scene \| antagonist \| assisting \| bodyguard \| captain \| dark \| diver \| leading lady \| leading man \| love interest \| ominous \| private eye \| radio \| rising \| sabotaging \| saboteur \| ship \| ship \| sneaking \| surfacing \| traitor \| worker \| working
Mara Maru (1952)	Appassionato (Tenderly 2)	1:07:51 - Stella approaches	arguing \| captain \| conversing \| leading lady \| leading man \| love interest \| love scene \| rushing \| sailing \| ship \| ship \| uneasy \| walking \| warning
Mara Maru (1952)	Appassionato (Extended)	1:08:25 - Stella talks with Gregory	arguing \| captain \| conversing \| leading lady \| leading man \| love interest \| love scene \| passionate \| sailing \| ship \| ship \| warning
Mara Maru (1952)	Stella	1:09:02 - Stella tells Gregory she loves him	arguing \| captain \| embracing \| leading lady \| leading man \| love interest \| love scene \| romantic \| sailing \| ship \| ship
Mara Maru (1952)	Raining	1:09:57 - It begins to rain	captain \| gentle \| leading man \| love scene \| mickey-mousing \| rain \| rain effect \| raining \| sailing \| ship \| ship \| thinking
Mara Maru (1952)	Underscoring (Tense)	1:10:06 - The compass	advance plot \| captain \| leading man \| map \| planning \| rain \| sailing \| ship \| ship \| tense \| thinking \| underscoring
Mara Maru (1952)	Charting a Course	1:10:18 - A map of Manila Bay	advance plot \| captain \| charting \| dramatic \| leading man \| map \| mapping \| planning \| rain \| ship \| ship \| tense
Mara Maru (1952)	Underscoring (Dramatic)	1:10:53 - Gregory breaks the compass	advance plot \| breaking \| captain \| compass \| dramatic \| glass \| leading man \| planning \| rain \| ship \| ship \| smashing \| thinking \| underscoring
Mara Maru (1952)	Benedict (Poco Accellerando)	1:11:34 - Benedict goes outside	action scene \| antogonist \| captain \| departing \| diver \| leading lady \| leading man \| love interest \| private eye \| ship \| ship \| turbulent \| walking \| worker
Mara Maru (1952)	Appassionato (Molto Expressivo)	1:11:48 - Crew on deck of the ship	action scene \| antogonist \| arguing \| captain \| conversing \| diver \| diving suit \| leading lady \| leading man \| love interest \| passionate \| preparing \| private eye \| ship \| ship \| worker
Mara Maru (1952)	Gregory (Close-Up)	1:12:20 - A close-up of Gregory	action scene \| antogonist \| captain \| close-up \| diver \| diving suit \| dramatic \| leading lady \| leading man \| looking \| love interest \| preparing \| private eye \| ship \| ship \| tense \| worker
Mara Maru (1952)	Descending	1:12:27 - Gregory descends into the water	action scene \| antogonist \| bubbles \| captain \| close-up \| dark \| descending \| diver \| diving \| diving suit \| heavy \| leading lady \| leading man \| love interest \| ocean \| point-of-view shot \| private eye \| ship \| ship \| suspenseful \| underwater \| worker \| working
Mara Maru (1952)	Walking underwater	1:13:08 - The murky ocean bottom	action scene \| captain \| close-up \| diver \| diving \| diving suit \| fish \| leading man \| ocean \| ship \| suspenseful \| swimming \| tense \| underwater \| walking \| water effect
Mara Maru (1952)	Underwater (Slow)	1:13:16 - A close-up on Gregory's face	action scene \| captain \| diver \| diving \| diving suit \| exploring \| fish \| leading man \| mysterious \| ocean \| point-of-view shot \| ship \| swimming \| underwater \| walking \| water effect
Mara Maru (1952)	Walking underwater	1:13:30 - Gregory walks underwater	action scene \| captain \| diver \| diving \| diving suit \| fish \| leading man \| ocean \| ship \| suspenseful \| swimming \| tense \| underwater \| walking \| water effect
Mara Maru (1952)	Underwater (Fish)	1:13:38 - A close-up on Gregory's face	action scene \| captain \| diver \| diving \| diving suit \| exploring \| fish \| leading man \| mysterious \| ocean \| seaweed \| ship \| swimming \| underwater \| walking \| water effect
Mara Maru (1952)	Underscoring (Dramatic)	1:13:49 - A sunken boat	action scene \| boat \| captain \| diver \| diving \| diving suit \| dramatic \| exploring \| leading man \| ocean \| ship \| stinger \| swimming \| underscoring \| underwater \| walking
Mara Maru (1952)	Underwater (Fish)	1:13:56 - Gregory moves toward the sunken boat	action scene \| captain \| close-up \| diver \| diving \| diving suit \| double exposure \| exploring \| fish \| leading man \| mysterious \| ocean \| ship \| swimming \| underwater \| walking \| water effect
Mara Maru (1952)	Gregory (Sunken Boat)	1:14:12 - Gregory enters the boat	action scene \| boat \| captain \| diver \| diving \| diving suit \| exploring \| fanfare \| heroic \| leading man \| ocean \| ship \| suspeneful \| swimming \| underwater \| walking
Mara Maru (1952)	Gregory (Exploring)	1:14:48 - Gregory explores the boat	action scene \| boat \| captain \| diver \| diving \| diving suit \| exploring \| fanfare \| leading man \| ocean \| ship \| subdued \| swimming \| underwater \| walking
Mara Maru (1952)	Gregory (Hindemith in Hollywood)	1:15:18 - Gregory opens a door	action scene \| boat \| captain \| dark \| diver \| diving \| diving suit \| exploring \| fanfare \| leading man \| mickey-mousing \| ocean \| serious \| ship \| suspenseful \| swimming \| underwater \| walking
Mara Maru (1952)	Torch	1:15:50 - Gregory operates a torch	action scene \| boat \| captain \| diver \| diving \| diving suit \| fire \| fire effect \| leading man \| lighting \| mickey-mousing \| ocean \| ship \| tense \| torch \| underwater \| working
Mara Maru (1952)	Beam falling	1:15:57 - A beam collapses	action scene \| beam \| boat \| captain \| collapsing \| dark \| descending \| diver \| diving \| diving suit \| dramatic \| falling \| leading man \| lighting \| mickey-mousing \| ocean \| ship \| underwater \| working
Mara Maru (1952)	Torch	1:16:06 - Gregory operates a torch	action scene \| boat \| captain \| diver \| diving \| diving suit \| fire \| leading man \| lighting \| mickey-mousing \| ocean \| ship \| tense \| torch \| underwater \| working
Mara Maru (1952)	Underscoring (Mysterious)	1:16:15 - Gregory opens a door	action scene \| boat \| captain \| diver \| diving \| diving suit \| leading man \| mysterious \| ocean \| opening \| ship \| tense \| treasure \| underscoring \| underwater \| working
Mara Maru (1952)	Walking underwater	1:16:23 - Gregory walks away	action scene \| boat \| captain \| diver \| diving \| diving suit \| leading man \| mickey-mousing \| ocean \| ship \| suspenseful \| tense \| treasure \| underwater \| walking \| working
Mara Maru (1952)	Beam falling 2	1:16:34 - A beam collapses on the air hose	action scene \| beam \| boat \| captain \| collapsing \| dark \| descending \| diver \| diving \| diving suit \| dramatic \| falling \| hose \| leading man \| mickey-mousing \| ocean \| ship \| treasure \| underwater \| working
Mara Maru (1952)	Tugging	1:16:39 - Gregory tugs at the air hose	action scene \| antogonist \| beam \| boat \| captain \| dark \| diver \| diving \| diving suit \| dramatic \| hose \| leading lady \| leading man \| love interest \| mickey-mousing \| ocean \| private eye \| pulling \| rain \| raining \| ship \| storm \| treasure \| tugging \| underwater \| worker \| working \| yelling
Mara Maru (1952)	Gauge rising	1:16:54 - Rising air pressure on a gauge	action scene \| antogonist \| boat \| captain \| diver \| dramatic \| gauge \| leading lady \| leading man \| love interest \| mickey-mousing \| private eye \| rain \| raining \| rising \| ship \| storm \| tense \| worker
Mara Maru (1952)	Gregory + Struggling	1:16:57 - Gregory tries to free himself	action scene \| beam \| boat \| captain \| close-up \| combination of themes \| dark \| digging \| diver \| diving \| diving suit \| dramatic \| fanfare \| frantic \| heroic \| hose \| leading man \| mickey-mousing \| ocean \| rushing \| ship \| struggling \| treasure \| tugging \| underwater \| working
Mara Maru (1952)	Struggling 2	1:17:23 - Gregory tries to free himself	action scene \| beam \| boat \| captain \| dark \| diver \| diving \| diving suit \| dramatic \| frantic \| hose \| leading man \| ocean \| rushing \| ship \| struggling \| treasure \| tugging \| underwater \| working
Mara Maru (1952)	Gauge falling	1:17:42 - Falling air pressure on a gauge	action scene \| antogonist \| boat \| captain \| descending \| diver \| dramatic \| falling \| gauge \| leading lady \| leading man \| love interest \| mickey-mousing \| private eye \| rain \| relief \| ship \| storm \| worker
Mara Maru (1952)	Underwater	1:17:50 - Gregory's light shines underwater	action scene \| boat \| captain \| carrying \| dark \| diver \| diving \| diving suit \| leading man \| ocean \| ship \| suspenseful \| swimming \| treasure \| underwater
Mara Maru (1952)	Floating	1:18:01 - Gregory carries the treasure chest	action scene \| boat \| captain \| carrying \| dark \| diver \| diving \| diving suit \| leading man \| ocean \| ship \| suspenseful \| swimming \| treasure \| underwater
Mara Maru (1952)	Underwater (Fish)	1:18:09 - Fish swimming	action scene \| boat \| captain \| carrying \| close-up \| diver \| diving \| diving suit \| fish \| leading man \| mysterious \| ocean \| ship \| swimming \| treasure \| underwater
Mara Maru (1952)	Gregory (Signaling)	1:18:19 - Gregory signals to come up	action scene \| antogonist \| boat \| captain \| carrying \| dark \| diver \| diving \| diving suit \| fanfare \| leading lady \| leading man \| love interest \| ocean \| private eye \| rain \| ship \| signaling \| storm \| swimming \| treasure \| underwater \| wind \| worker
Mara Maru (1952)	Surfacing	1:18:26 - Gregory rises to the surface	action scene \| antogonist \| assisting \| boat \| captain \| close-up \| diver \| diving suit \| heroic \| hopeful \| leading lady \| leading man \| love interest \| mickey-mousing \| ocean \| private eye \| rain \| rising \| ship \| storm \| surfacing \| treasure \| underwater \| wind \| worker \| working \| yelling
Mara Maru (1952)	On Deck	1:18:55 - Gregory emerges from the water	action scene \| antogonist \| assisting \| boat \| captain \| conversing \| diver \| diving suit \| heroic \| hopeful \| leading lady \| leading man \| love interest \| private eye \| rain \| ship \| storm \| treasure \| triumphant \| wind \| worker \| working \| yelling
Mara Maru (1952)	Underscoring (Dramatic)	1:19:10 - Gregory falls to the deck floor	action scene \| antogonist \| boat \| captain \| diver \| diving suit \| dramatic \| falling \| leading lady \| leading man \| love interest \| private eye \| rain \| ship \| storm \| treasure \| underscoring \| wind \| worker \| yelling
Mara Maru (1952)	Underscoring (Dramatic)	1:19:37 - The cross in a treasure chest	action scene \| antogonist \| breaking \| captain \| cross \| dark \| diver \| dramatic \| dropping \| leading lady \| leading man \| love interest \| private eye \| rain \| reveal \| ship \| storm \| throwing \| treasure \| underscoring \| wind \| worker \| yelling
Mara Maru (1952)	Cross (Distorted)	1:19:49 - The cross is revealed	action scene \| antogonist \| arguing \| captain \| cross \| dark \| diver \| hymn-like \| leading lady \| leading man \| love interest \| private eye \| rain \| ship \| storm \| tense \| treasure \| wind \| worker \| yelling
Mara Maru (1952)	Underscoring (Tense)	1:20:01 - Benedict grabs the cross	action scene \| antogonist \| arguing \| captain \| cross \| diver \| dramatic \| falling \| leading lady \| leading man \| love interest \| ordering \| private eye \| punching \| rain \| ship \| storm \| tense \| treasure \| underscoring \| wind \| worker
Mara Maru (1952)	Underscoring (Dramatic)	1:20:13 - Fortuno grabs Gregory	action scene \| antogonist \| captain \| cross \| diver \| dramatic \| leading lady \| leading man \| love interest \| private eye \| rain \| ship \| storm \| tense \| treasure \| underscoring \| wind \| worker \| yelling
Mara Maru (1952)	Rushing	1:20:29 - Benedict runs in to check the compass	action scene \| antogonist \| captain \| cross \| diver \| dramatic \| hurrying \| leading lady \| leading man \| love interest \| private eye \| rain \| running \| rushing \| rushing effect \| ship \| storm \| tense \| treasure \| wind \| worker \| yelling
Mara Maru (1952)	Underscoring (Tense)	1:21:01 - Gregory gives orders	action scene \| antogonist \| captain \| cross \| diver \| dramatic \| fanfare \| leading lady \| leading man \| love interest \| ordering \| private eye \| rain \| ship \| storm \| tense \| treasure \| wind \| worker \| yelling
Mara Maru (1952)	Very Stormy	1:21:22 - A waves splashes onboard	action scene \| antogonist \| captain \| cross \| diver \| dramatic \| leading lady \| leading man \| love interest \| private eye \| rain \| ship \| storm \| tense \| treasure \| walking \| wave \| wave effect \| wind \| worker
Mara Maru (1952)	Gregory + Raising Anchor	1:21:31 - The anchor is raised	action scene \| anchor \| antogonist \| captain \| combination of themes \| diver \| dramatic \| leading lady \| leading man \| love interest \| mickey-mousing \| private eye \| rising \| ship \| ship \| worker
Mara Maru (1952)	Gregory (Determined)	1:21:45 - Gregory goes to the wheelhouse	action scene \| antogonist \| captain \| conversing \| determined \| diver \| leading lady \| leading man \| love interest \| private eye \| rain \| sailing \| ship \| storm \| walking \| wind \| worker
Mara Maru (1952)	Stella (Appassionato)	1:22:28 - Gregory talks to Stella	captain \| conversing \| leading lady \| leading man \| love interest \| love scene \| rain \| romantic \| ship \| storm \| wind
Mara Maru (1952)	Mara Maru (Stormy)	1:22:41 - Gregory on the deck of the ship	captain \| dramatic \| gun \| leading man \| rain \| ship \| storm \| stumbling \| tense \| transition \| walking \| wave \| wind
Mara Maru (1952)	Sailing (Stormy)	1:22:59 - Gregory enters the boat	antagonist \| arriving \| captain \| dark \| dramatic \| gun \| leading man \| rain \| ship \| storm \| transition \| walking \| wave \| wind
Mara Maru (1952)	Boat crashing	1:23:31 - The boat crashes	antagonist \| captain \| chase scene \| crashing \| dark \| dramatic \| leading man \| mickey-mousing \| private eye \| rain \| rock \| ship \| ship wreck \| storm \| wave \| wind
Mara Maru (1952)	Hurrying	1:23:36 - People running from the boat	antogonist \| chase scene \| chasing \| cross \| escaping \| fleeing \| frantic \| hurrying \| leading lady \| leading man \| love interest \| private eye \| rain \| rock \| running \| ship \| ship wreck \| storm \| wave \| wind \| worker
Mara Maru (1952)	The Escape	1:23:42 - People running from the boat	antogonist \| chase scene \| chasing \| corpse \| cross \| dark \| death \| dramatic \| escaping \| fleeing \| frantic \| gun \| gunshot \| hurrying \| leading lady \| leading man \| love interest \| mickey-mousing \| murder \| murderer \| private eye \| rain \| rock \| running \| ship \| ship wreck \| shooting \| stinger \| storm \| wind \| worker
Mara Maru (1952)	The Wind	1:24:04 - Wind rushing through the trees	chase scene \| chasing \| cross \| dramatic \| escaping \| fleeing \| frantic \| gun \| hurrying \| jungle \| leading lady \| leading man \| love interest \| rain \| running \| storm \| wind \| wind effect \| worker
Mara Maru (1952)	Gregory (Running)	1:24:20 - Gregory runs from Benedict	chase scene \| chasing \| cross \| dramatic \| escaping \| fleeing \| frantic \| gun \| heroic \| hurrying \| jungle \| leading lady \| leading man \| love interest \| rain \| running \| running effect \| storm \| wind \| worker
Mara Maru (1952)	Underscoring (Dramatic)	1:24:27 - Gregory runs from Benedict	chase scene \| chasing \| cross \| dramatic \| escaping \| fleeing \| frantic \| gun \| hurrying \| jungle \| leading lady \| leading man \| love interest \| rain \| running \| rushing effect \| storm \| wind \| worker
Mara Maru (1952)	The Wind	1:24:31 - Gregory runs from Benedict	chase scene \| chasing \| cross \| dramatic \| escaping \| fleeing \| frantic \| gun \| hurrying \| jungle \| leading lady \| leading man \| love interest \| rain \| running \| storm \| wind \| wind effect \| worker
Mara Maru (1952)	Pursuing	1:24:39 - Benedict chases Gregory	antogonist \| bodyguard \| chase scene \| chasing \| cross \| dark \| dramatic \| escaping \| fear \| fleeing \| frantic \| gun \| hurrying \| jungle \| leading man \| mickey-mousing \| murderer \| rain \| running \| running effect \| rushing effect \| storm \| tense \| wind
Mara Maru (1952)	Hiding	1:24:54 - Gregory hides in the bushes	chase scene \| cross \| dark \| dramatic \| fear \| frantic \| gun \| hiding \| jungle \| leading man \| mickey-mousing \| rain \| storm \| tense \| wind
Mara Maru (1952)	Rolling down the hill	1:24:58 - Gregory rolls down the hill	antogonist \| bodyguard \| chase scene \| cross \| dark \| descending \| dramatic \| falling \| frantic \| gun \| jungle \| leading man \| mickey-mousing \| murderer \| rain \| rolling \| storm \| tense \| wind
Mara Maru (1952)	Benedict (Shrill)	1:25:03 - Benedict chases Gregory	antogonist \| bodyguard \| chase scene \| chasing \| cross \| dark \| dramatic \| escaping \| fleeing \| frantic \| gun \| hurrying \| jungle \| leading man \| murderer \| rain \| running \| shrill \| storm \| tense \| wind
Mara Maru (1952)	Gregory + Struggling (Dissonant)	1:25:07 - Gregory runs away	antogonist \| bodyguard \| chase scene \| chasing \| cross \| dark \| dramatic \| escaping \| fleeing \| frantic \| gun \| hurrying \| jungle \| leading man \| murderer \| rain \| running \| storm \| tense \| wind
Mara Maru (1952)	Struggling 2 (Escape)	1:25:17 - Gregory emerges from the jungle	calm \| chase scene \| cross \| escaping \| jungle \| leading lady \| leading man \| love interest \| tense \| walking \| wind \| worker
Mara Maru (1952)	Cross	1:26:54 - Manuelo holds the cross	arguing \| calm \| cross \| hut \| hymn-like \| leading lady \| leading man \| love interest \| religious \| turning point \| worker
Mara Maru (1952)	Cross (Tense)	1:27:07 - Gregory grabs Manuelo	arguing \| cross \| falling \| hut \| hymn-like \| leading lady \| leading man \| love interest \| religious \| slapping \| tense \| turning point \| worker
Mara Maru (1952)	Cross (Maestoso)	1:27:18 - Gregory slaps Manuelo	arguing \| cross \| hut \| hymn-like \| leading lady \| leading man \| love interest \| majestic \| reacting \| slapping \| tense \| turning point \| worker
Mara Maru (1952)	Underscoring (Tense)	1:27:44 - Gregory follows after Manuelo	arguing \| following \| hut \| jungle \| leading lady \| leading man \| love interest \| searching \| tense \| thinking \| turning point \| underscoring
Mara Maru (1952)	Molto Misterioso	1:31:38 - Gregory explores the catacombs	advance plot \| catacomb \| cave \| cross \| echo \| echo effect \| following \| leading man \| mysterious \| searching \| suspsect \| tunnel
Mara Maru (1952)	Underscoring (Dramatic)	1:31:56 - Ortega tries to escape	advance plot \| catacomb \| cave \| cross \| dramatic \| following \| leading man \| mysterious \| searching \| suspsect \| throwing \| tunnel \| underscoring
Mara Maru (1952)	Grabbing	1:32:13 - Gregory grabs Ortega	advance plot \| arguing \| catacomb \| cave \| cross \| dramatic \| grabbing \| interrogating \| leading man \| mickey-mousing \| mysterious \| suspsect \| tunnel
Mara Maru (1952)	Underscoring (Tense)	1:32:18 - Gregory interrogates Ortega	advance plot \| arguing \| catacomb \| cave \| cross \| grabbing \| interrogating \| leading man \| suspsect \| tense \| tunnel \| underscoring
Mara Maru (1952)	Cross (Fragment)	1:32:29 - Ortega explains himself	advance plot \| arguing \| catacomb \| cave \| cross \| dark \| grabbing \| interrogating \| leading man \| suspsect \| tunnel
Mara Maru (1952)	Benedict (Agitato)	1:32:39 - Ortega accuses Benedict	advance plot \| agitated \| arguing \| catacomb \| cave \| cross \| interrogating \| leading man \| mysterious \| suspsect \| tunnel \| uneasy
Mara Maru (1952)	Grabbing 2	1:32:55 - Gregory grabs Ortega	advance plot \| arguing \| catacomb \| cave \| cross \| dramatic \| grabbing \| interrogating \| leading man \| mickey-mousing \| suspsect \| tunnel
Mara Maru (1952)	Cross (Maestoso Religioso)	1:33:02 - Ortega offers Gregory the cross	advance plot \| arguing \| catacomb \| cave \| cross \| giving \| hymn-like \| leading man \| pleading \| reacting \| religious \| suspsect \| tense \| tunnel
Mara Maru (1952)	Underscoring (Tense)	1:33:38 - Ortega pleads with Gregory	advance plot \| arguing \| catacomb \| cave \| cross \| leading man \| pleading \| suspsect \| tense \| tunnel \| underscoring
Mara Maru (1952)	Cross (Fragment 2)	1:33:52 - Gregory leaves with the cross	advance plot \| catacomb \| cave \| cross \| departing \| leading man \| leaving \| suspsect \| tunnel \| uneasy
Mara Maru (1952)	Underscoring (Dramatic)	1:33:58 - Fortuno shoots at Gregory	action scene \| antagonist \| bodyguard \| catacomb \| cave \| chasing \| climax \| cross \| dramatic \| escaping \| gun \| gunshot \| leading man \| murderer \| running \| shooting \| suspsect \| tense \| tunnel
Mara Maru (1952)	The Chase	1:34:03 - Ortega and Gregory run away	action scene \| antagonist \| bodyguard \| catacomb \| cave \| chasing \| climax \| cross \| dramatic \| escaping \| gun \| gunshot \| leading man \| mickey-mousing \| murderer \| running \| running effect \| shooting \| suspsect \| tense \| tunnel
Mara Maru (1952)	Benedict (Menacing)	1:34:30 - Ortega tries to block the door	action scene \| antagonist \| arguing \| blocking \| bodyguard \| catacomb \| cave \| climax \| cross \| defending \| dramatic \| gun \| gunshot \| leading man \| martyr \| menacing \| murderer \| ominous \| protecting \| pushing \| running \| tunnel \| victim
Mara Maru (1952)	Ortega is Shot	1:34:42 - Ortega is shot	action scene \| antagonist \| blocking \| bodyguard \| catacomb \| cave \| climax \| cross \| death \| dramatic \| dying \| falling \| gun \| gunshot \| leading man \| martyr \| murder \| murderer \| passionate \| sentimental \| shooting \| somber \| tunnel \| victim
Mara Maru (1952)	Police	1:34:53 - The police enter	action scene \| antagonist \| bodyguard \| catacomb \| cave \| chasing \| climax \| cross \| dramatic \| gun \| gunshot \| heroic \| leading man \| martyr \| murderer \| police \| running \| shooting \| stairs \| tense \| tunnel \| victim
Mara Maru (1952)	Descending the stairs	1:34:55 - Fortuno runs down the stairs	action scene \| antagonist \| bodyguard \| catacomb \| cave \| chasing \| climax \| cross \| descending \| dramatic \| gun \| gunshot \| leading man \| martyr \| mickey-mousing \| murderer \| police \| running \| stairs \| tense \| tunnel \| victim
Mara Maru (1952)	Underscoring (Dramatic)	1:35:15 - Benedict confronts Gregory	action scene \| antagonist \| attacking \| catacomb \| cave \| climax \| cross \| dramatic \| leading man \| martyr \| murderer \| tense \| tunnel \| victim
Mara Maru (1952)	The Fight	1:35:20 - Gregory fights Benedict	action scene \| antagonist \| attacking \| catacomb \| cave \| choking \| climax \| dramatic \| falling \| fighting \| hitting \| leading man \| martyr \| mickey-mousing \| murderer \| punching \| stinger \| tense \| tunnel \| victim
Mara Maru (1952)	Rolling down the stairs	1:36:05 - Benedict falls down the stairs	action scene \| antagonist \| catacomb \| cave \| climax \| corpse \| death \| descending \| dramatic \| falling \| leading man \| martyr \| mickey-mousing \| murderer \| rolling \| stinger \| tense \| tunnel \| victim
Mara Maru (1952)	Mara Maru (Ethereal)	1:36:15 - Gregory meets Stella and Manuelo	arriving \| catacomb \| cave \| leading lady \| leading man \| love interest \| martyr \| mysterious \| reacting \| resolution \| solemn \| tunnel \| victim \| worker
Mara Maru (1952)	Gregory (Expressivo)	1:36:22 - Stella and Gregory look at each other	catacomb \| cave \| comforting \| conversing \| corpse \| cross \| death \| dying \| leading lady \| leading man \| love interest \| martyr \| resolution \| solemn \| somber \| tunnel \| victim \| worker
Mara Maru (1952)	Cross (Cello Solo)	1:36:55 - Manuelo mourns Ortega's death	catacomb \| cave \| corpse \| cross \| crying \| death \| hymn-like \| leading lady \| leading man \| looking \| love interest \| martyr \| reacting \| resolution \| solemn \| somber \| thinking \| tunnel \| victim \| worker
Mara Maru (1952)	The End	1:37:33 - Gregory gives the cross to Manuelo	catacomb \| cave \| corpse \| cross \| crying \| death \| deciding \| departing \| end title sequence \| fade-out \| leading lady \| leading man \| looking \| love interest \| map \| martyr \| reacting \| redmption \| religious \| religious \| resolution \| The End \| thinking \| triumphant \| tunnel \| victim \| worker

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