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1878 results for "man" — see also Man | lover | male | person | staff | work

Film	Theme name	Instance	Tags
All This, and Heaven Too (1940)	The Duke (Quasi Mysterioso)	0:14:49 - Henriette hears the Duke and Duchess arguing	arriving \| butler \| duchess \| duke \| establish setting \| interrupting \| leading lady \| leading man \| mysterious \| room \| tense
All This, and Heaven Too (1940)	The Duchess (Agitato)	0:22:02 - The Duchess argues with the Duke	agitated \| arguing \| distressed \| duchess \| duke \| establish character \| leading lady \| leading man \| room
All This, and Heaven Too (1940)	Underscoring (Agitato)	0:22:23 - The Duke rebukes the Duchess	agitated \| arguing \| distressed \| duchess \| duke \| establish character \| leading lady \| leading man \| room
All This, and Heaven Too (1940)	Rushing	0:22:31 - The Duchess rushes after the Duke	agitated \| arguing \| distressed \| duchess \| duke \| establish character \| leading lady \| leading man \| mickey-mousing \| rising \| room \| rushing
All This, and Heaven Too (1940)	Pleading	0:22:41 - The Duchess pleads with the Duke to stay	agitated \| arguing \| distressed \| duchess \| duke \| establish character \| leading lady \| leading man \| pleading \| room
All This, and Heaven Too (1940)	Desperation (Furioso)	0:22:53 - The Duchess curses the Duke	agitated \| arguing \| distressed \| duchess \| duke \| establish character \| leading lady \| leading man \| pleading \| priest \| room \| tense
All This, and Heaven Too (1940)	Henriette (Fairy Tale)	0:23:50 - Henriette reads a fairy tale	book \| calm \| child \| delicate \| duke \| establish character \| fairy tale \| governess \| leading lady \| leading man \| magical \| pleasant \| room \| storytelling
All This, and Heaven Too (1940)	Illness	0:26:16 - The Duke asks about Raynald	advance plot \| delicate \| duke \| gentle \| governess \| leading lady \| leading man \| room \| worrying
All This, and Heaven Too (1940)	Underscoring (Tense)	0:30:19 - Henriette dresses Raynald	advance plot \| arguing \| caring \| child \| duke \| governess \| illness \| leading lady \| leading man \| room \| tense \| underscoring
All This, and Heaven Too (1940)	Underscoring (Gentle)	0:30:34 - Henriette puts Raynald in bed	advance plot \| arguing \| caring \| child \| duke \| gentle \| governess \| illness \| leading lady \| leading man \| room \| tense \| underscoring
All This, and Heaven Too (1940)	Romance	0:30:48 - Henriette talks with the Duke	advance plot \| arguing \| child \| duke \| governess \| illness \| leading lady \| leading man \| romantic \| room
All This, and Heaven Too (1940)	Henriette (Andante)	0:31:04 - The Duke apologizes to Henriette	advance plot \| apologizing \| child \| conversing \| duke \| governess \| illness \| leading lady \| leading man \| romantic \| room
All This, and Heaven Too (1940)	The Duke (Tranquillo)	0:31:41 - The doctor treats Raynald	advance plot \| caring \| child \| conversing \| doctor \| duke \| gentle \| governess \| illness \| leading lady \| leading man \| room \| somber
All This, and Heaven Too (1940)	The Sick Room	0:32:12 - The doctor talks to the Duke	advance plot \| child \| conversing \| doctor \| duke \| gentle \| governess \| illness \| leading lady \| leading man \| room
All This, and Heaven Too (1940)	Raynald	0:32:53 - Henriette helps Raynald	advance plot \| caring \| child \| conversing \| delicate \| duke \| gentle \| governess \| illness \| leading lady \| leading man \| room \| sweet
All This, and Heaven Too (1940)	Counting	0:33:30 - Henriette counts tangerine slices	advance plot \| calm \| child \| conversing \| counting \| distracting \| duke \| governess \| illness \| leading lady \| leading man \| room \| tense \| zoom in
All This, and Heaven Too (1940)	Henriette (Molto Tranquillo 2)	0:34:17 - Henriette comforts Raynald	advance plot \| child \| comforting \| conversing \| dark \| delicate \| duke \| gentle \| governess \| illness \| leading lady \| leading man \| room
All This, and Heaven Too (1940)	Raynald (Dark)	0:34:52 - Raynald talks with Henriette	advance plot \| child \| comforting \| conversing \| dark \| death \| duke \| governess \| illness \| leading lady \| leading man \| room
All This, and Heaven Too (1940)	Lullaby	0:35:08 - Henriette sings a lullaby	advance plot \| calm \| caring \| child \| duke \| gentle \| governess \| illness \| leading lady \| leading man \| lullaby \| room \| scored source music \| singing
All This, and Heaven Too (1940)	Raynald (Lullaby)	0:35:24 - Henrietta talks to the Duke	advance plot \| calm \| caring \| child \| conversing \| duke \| gentle \| governess \| illness \| leading lady \| leading man \| lullaby \| room
All This, and Heaven Too (1940)	Lullaby	0:35:39 - Henriette sings a lullaby	advance plot \| calm \| caring \| child \| duke \| gentle \| governess \| illness \| leading lady \| leading man \| lullaby \| room \| scored source music \| singing
All This, and Heaven Too (1940)	Henriette (Very Emotional)	0:35:57 - The Duke thanks Henriette	advance plot \| calm \| child \| conversing \| duke \| gentle \| governess \| illness \| leading lady \| leading man \| room
All This, and Heaven Too (1940)	Lullaby	0:36:25 - Henriette sings a lullaby	advance plot \| calm \| caring \| child \| duke \| gentle \| governess \| illness \| leading lady \| leading man \| room \| singing
All This, and Heaven Too (1940)	The Prayer	0:36:36 - The Abbe prays for Raynald	child \| duke \| governess \| hymn-like \| illness \| leading lady \| leading man \| praying \| priest \| religious scene \| room \| somber
All This, and Heaven Too (1940)	Underscoring (Tense)	0:37:37 - They rise from prayer	child \| conversing \| duchess \| duke \| governess \| illness \| leading lady \| leading man \| leaving \| priest \| religious scene \| room \| somber \| tense
All This, and Heaven Too (1940)	Raynald (Adagio)	0:38:26 - The doctor takes Raynald's pulse	advance plot \| caring \| child \| conversing \| doctor \| duke \| governess \| governess \| illness \| leading lady \| leading man \| room \| solemn
All This, and Heaven Too (1940)	Raynald (Triste)	0:39:16 - The Duke talks to Henriette	advance plot \| child \| conversing \| duke \| governess \| illness \| leading lady \| leading man \| room \| somber
All This, and Heaven Too (1940)	Raynald (Andante)	0:41:36 - Henriette and the Duke by Raynald's bedside	child \| conversing \| duke \| governess \| hopeful \| illness \| illness scene \| leading lady \| leading man \| room \| solemn \| somber
All This, and Heaven Too (1940)	Henriette (Ethereal)	0:42:36 - Henriette asks to open the window	bright \| child \| conversing \| duke \| governess \| hopeful \| illness \| illness scene \| leading lady \| leading man \| room \| timid
All This, and Heaven Too (1940)	Raynald (Ethereal)	0:43:04 - Raynald by the window	child \| conversing \| duke \| governess \| hopeful \| illness \| illness scene \| leading lady \| leading man \| room
All This, and Heaven Too (1940)	Rushing 2	0:43:14 - The Duchess rushes into the room	arguing \| child \| duchess \| duke \| governess \| hurried \| illness \| illness scene \| leading lady \| leading man \| mickey-mousing \| room \| rushing
All This, and Heaven Too (1940)	Desperation (Furioso)	0:43:28 - The Duchess rushes out of the room	angry \| child \| despair \| duchess \| duke \| governess \| hurrying \| illness \| illness scene \| leading lady \| leading man \| leaving \| room
All This, and Heaven Too (1940)	Desperation (Calming)	0:43:35 - Henriette closes the window	calm \| caring \| child \| dark \| duke \| governess \| hopeful \| illness \| illness scene \| leading lady \| leading man \| room
All This, and Heaven Too (1940)	Raynald (Tranquillo)	0:43:53 - Henriette puts Raynald in bed	calm \| caring \| child \| duke \| gentle \| governess \| illness \| illness scene \| leading lady \| leading man \| room
All This, and Heaven Too (1940)	Henriette (Appassionato)	0:44:08 - Raynald plays outside	advance plot \| child \| conversing \| courtyard \| duke \| governess \| happy \| leading lady \| leading man \| passionate \| playing
All This, and Heaven Too (1940)	Raynald (Mysterioso)	0:44:22 - Raynald talks with Henriette	advance plot \| child \| conversing \| courtyard \| duke \| governess \| happy \| leading lady \| leading man \| mysterious
All This, and Heaven Too (1940)	Henriette (Very Emotional)	0:49:01 - The Duke looks at Henriette	advance plot \| child \| conversing \| delicate \| duke \| gentle \| governess \| leading lady \| leading man \| looking \| romance \| romantic \| room
All This, and Heaven Too (1940)	Armide	0:49:21 - The opera house	arriving \| audience \| child \| concert scene \| conversing \| duke \| governess \| leading lady \| leading man \| opera \| regal \| source music \| theater \| upbeat \| watching
All This, and Heaven Too (1940)	La Parisienne (The King)	0:50:33 - The king enters	arriving \| audience \| bowing \| child \| concert scene \| duke \| governess \| king \| leading lady \| leading man \| not by Steiner \| patriotic music \| regal \| source music \| theater \| watching
All This, and Heaven Too (1940)	Plainte de Cloris	0:51:08 - They listen to the musical prologue	audience \| calm \| child \| classical music \| concert scene \| conversing \| duke \| governess \| leading lady \| leading man \| listening \| passionate \| source music \| theater
All This, and Heaven Too (1940)	Air pour La Jeunesse	0:51:43 - A montage of people applauding	audience \| child \| classical music \| concert scene \| dramatic \| duke \| governess \| leading lady \| leading man \| listening \| source music \| theater \| watching
All This, and Heaven Too (1940)	Fanfan la Tulipe	0:51:48 - Henriette plays the harpsichord	advance plot \| child \| dancing \| duke \| folk music \| governess \| leading lady \| leading man \| on-screen music \| playing \| room \| upbeat
All This, and Heaven Too (1940)	Louise	0:52:39 - Louise hugs her father	advance plot \| child \| conversing \| duke \| excited \| governess \| happy \| hugging \| leading lady \| leading man \| room
All This, and Heaven Too (1940)	The Duke (Lohengrin)	0:52:53 - The Duke gives Louise his rose	advance plot \| calm \| child \| conversing \| duke \| governess \| hugging \| kind \| leading lady \| leading man \| room
All This, and Heaven Too (1940)	The Duchess (Arguing)	1:00:32 - Henriette leaves	arguing \| conflict \| dramatic \| duchess \| duke \| governess \| leading lady \| leading man \| listening \| romantic \| room \| serious \| trouble
All This, and Heaven Too (1940)	Underscoring (Dramatic)	1:01:03 - Henriette packs her things	arguing \| conflict \| dramatic \| duke \| governess \| leading lady \| leading man \| room \| trouble
All This, and Heaven Too (1940)	Desperation (Very Emotional)	1:01:26 - Henrietta talks to the Duke	arguing \| conflict \| dramatic \| duke \| governess \| leading lady \| leading man \| room \| trouble
All This, and Heaven Too (1940)	Pleading (Extended)	1:01:39 - The Duke responds to Henriette	arguing \| conflict \| dramatic \| duke \| governess \| leading lady \| leading man \| room \| trouble
All This, and Heaven Too (1940)	Desperation (Very Emotional)	1:02:00 - The Duke talks to Henriette	arguing \| conflict \| dramatic \| duke \| governess \| leading lady \| leading man \| room \| trouble
All This, and Heaven Too (1940)	Henriette (Emotional)	1:02:28 - The Duke talks to Henriette	conflict \| conversing \| duke \| governess \| leading lady \| leading man \| romance \| romantic \| room
All This, and Heaven Too (1940)	Henriette (Sweepingly)	1:02:57 - Henriette with tears in her eyes	conflict \| conversing \| duke \| governess \| leading lady \| leading man \| romance \| romantic \| room
All This, and Heaven Too (1940)	Valse	1:03:32 - Montage of newspaper clippings	ballroom \| cheerful \| crowd \| dancing \| double exposure \| duchess \| duke \| leading lady \| leading man \| montage \| upbeat \| waltz
All This, and Heaven Too (1940)	Invitation from the King	1:03:46 - Invitation from the King	ballroom \| bold \| double exposure \| duchess \| duke \| fanfare \| leading lady \| leading man \| montage \| walking
All This, and Heaven Too (1940)	Ascending	1:03:57 - The Duke and Duchess ascend	ascending \| ballroom \| double exposure \| duchess \| duke \| leading lady \| leading man \| mickey-mousing \| montage \| stairs \| tense
All This, and Heaven Too (1940)	The Duchess (Tutti)	1:04:02 - A concert program	ballroom \| bold \| carriage \| duchess \| duke \| fanfare \| leading lady \| leading man \| montage \| riding \| romantic
All This, and Heaven Too (1940)	Invitation to the Dance	1:04:19 - People waltzing	advance plot \| ballroom \| child \| classical music \| crowd \| dancing \| duchess \| duke \| leading lady \| leading man \| simulated source music \| upbeat \| waltz
All This, and Heaven Too (1940)	The Duchess (Expressivo)	1:10:42 - The Duke complains to Henriette	abrupt \| advance plot \| angry \| complaining \| duke \| governess \| leading lady \| leading man \| room
All This, and Heaven Too (1940)	Henriette (Transition)	1:10:55 - The Duke talks to Henriette	advance plot \| calm \| conversing \| duke \| governess \| leading lady \| leading man \| room
All This, and Heaven Too (1940)	Henriette (Rubato)	1:11:14 - The Duke talks to Henriette	advance plot \| calm \| conversing \| duke \| governess \| leading lady \| leading man \| peaceful \| room
All This, and Heaven Too (1940)	Henriette + Falling Snow	1:12:16 - The Duke talks to Henriette	advance plot \| combination of themes \| conversing \| duke \| governess \| leading lady \| leading man \| mickey-mousing \| room \| snow \| snow globe \| snowing \| uneasy
All This, and Heaven Too (1940)	Falling Snow	1:12:39 - Henriette watches the falling snow	advance plot \| conversing \| duke \| governess \| leading lady \| leading man \| mickey-mousing \| point-of-view shot \| room \| snow \| snow globe \| snowing \| uneasy
All This, and Heaven Too (1940)	Underscoring (Dramatic)	1:13:19 - Henriette watches the falling snow	advance plot \| arriving \| butler \| dramatic \| duchess \| duke \| leading lady \| leading man \| outside \| panning shot \| point-of-view shot \| room \| underscoring \| watching
All This, and Heaven Too (1940)	The Duchess (Con Moto)	1:13:45 - Henriette watches the Duke and Duchess	advance plot \| dramatic \| duchess \| duke \| leading lady \| leading man \| leaving \| painful \| point-of-view shot \| room \| watching
All This, and Heaven Too (1940)	Desperation (Dark)	1:13:56 - Henriette watches the Duke leaving	advance plot \| dark \| duke \| leading man \| leaving \| point-of-view shot \| room \| watching
All This, and Heaven Too (1940)	Henriette (Agitato)	1:14:39 - The Duke paces anxiously	advance plot \| agitated \| conflicted \| duke \| leading man \| pacing \| pondering \| room \| turbulent
All This, and Heaven Too (1940)	The Duchess (The Letter)	1:14:48 - A letter is pushed under the door	advance plot \| agitated \| conflicted \| duke \| leading man \| letter \| pacing \| pondering \| room \| turbulent
All This, and Heaven Too (1940)	Rushing	1:19:33 - The Duchess rushes forward	angry \| arguing \| conflict \| desperate \| duchess \| duke \| hurried \| leading lady \| leading man \| room \| rushing
All This, and Heaven Too (1940)	Pleading (Extended 2)	1:19:43 - The Duchess pleads with the Duke	arguing \| conflict \| desperate \| duchess \| duke \| leading lady \| leading man \| room
All This, and Heaven Too (1940)	Desperation (Very Emotional)	1:20:06 - The Duchess threatens the Duke	arguing \| conflict \| desperate \| duchess \| duke \| leading lady \| leading man \| room \| tense \| threatening
All This, and Heaven Too (1940)	Desperation (Sempre Accelerando	1:20:39 - The Duke and Duchess argue	arguing \| conflict \| desperate \| duchess \| duke \| leading lady \| leading man \| panning shot \| room \| screaming \| tense \| threatening
All This, and Heaven Too (1940)	The Duchess (Calm)	1:22:05 - Henriette asks about the Duchess	calm \| conflict \| conversing \| duchess \| duke \| leading lady \| leading man \| room
All This, and Heaven Too (1940)	Henriette (Slowly)	1:22:19 - The Duke bids farewell to Henriette	calm \| conflict \| conversing \| duchess \| duke \| gentle \| leading lady \| leading man \| room
All This, and Heaven Too (1940)	Loti's Song	1:24:31 - Apples roasting on a fire	child \| cooking \| create suspense \| forest \| governess \| leading lady \| old man \| scary \| scored source music \| singer \| singing \| spooky
All This, and Heaven Too (1940)	Creeping	1:25:02 - A stranger approaches	child \| create suspense \| creeping \| duke \| forest \| governess \| leading lady \| leading man \| mickey-mousing \| scary \| sneaking \| spooky
All This, and Heaven Too (1940)	Spring Time	1:25:18 - The Duke talks with his children	advance plot \| cheerful \| child \| duke \| forest \| governess \| leading lady \| leading man \| recognizing \| relief
All This, and Heaven Too (1940)	Underscoring (Gentle)	1:25:28 - Henriette smiles at the Duke	advance plot \| child \| conversing \| duke \| forest \| gentle \| governess \| leading lady \| leading man \| tender \| underscoring
All This, and Heaven Too (1940)	Henriette (All Hallows' Eve)	1:25:46 - The Duke talks with Henriette	advance plot \| conversing \| duke \| forest \| gentle \| governess \| leading lady \| leading man \| spooky \| sweet \| tender
All This, and Heaven Too (1940)	Spring Time (Grazioso)	1:26:48 - The Duke talks with the servants	advance plot \| arriving \| conversing \| duke \| gentle \| governess \| leading lady \| leading man \| light \| room \| servant
All This, and Heaven Too (1940)	Grazioso	1:27:26 - Madame Gauthier talks about the children	advance plot \| cheerful \| conversing \| duke \| governess \| leading lady \| leading man \| room \| servant
All This, and Heaven Too (1940)	Raynald	1:27:35 - Madame Gauthier talks about Raynald	advance plot \| cheerful \| conversing \| duke \| governess \| leading lady \| leading man \| room \| servant
All This, and Heaven Too (1940)	Underscoring (Gentle)	1:27:58 - The Duke talks to Henriette by the fireplace	advance plot \| conversing \| duke \| gentle \| governess \| leading lady \| leading man \| room
All This, and Heaven Too (1940)	Heaven Theme	1:28:16 - Henriette tells the Duke about herself	duke \| falling in love scene \| gentle \| governess \| leading lady \| leading man \| room \| storytelling
All This, and Heaven Too (1940)	Triste	1:28:51 - Henriette talks about a mystery	duke \| falling in love scene \| governess \| leading lady \| leading man \| room \| somber \| storytelling
All This, and Heaven Too (1940)	Henriette (Very Romantic)	1:29:07 - Henriette talks with the Duke	conversing \| duke \| falling in love scene \| gentle \| governess \| leading lady \| leading man \| romantic \| room \| sweet
All This, and Heaven Too (1940)	Spring Time	1:30:22 - A carriage approaches the palace	arriving \| bright \| carriage \| chattering \| cheerful \| child \| duke \| governess \| happy \| leading lady \| leading man \| palace \| riding \| transition
All This, and Heaven Too (1940)	Raynald	1:30:33 - The carriage arrives	arriving \| bright \| carriage \| chattering \| child \| duke \| governess \| happy \| leading lady \| leading man \| palace \| riding \| transition
All This, and Heaven Too (1940)	Spring Time	1:30:41 - The children get out of the carriage	bright \| cheerful \| child \| conversing \| duke \| governess \| happy \| leading lady \| leading man \| palace \| transition
All This, and Heaven Too (1940)	Raynald (Extended)	1:30:51 - The children talk to Henriette	bright \| child \| conversing \| duke \| governess \| leading lady \| leading man \| palace \| surprise \| tense \| transition
All This, and Heaven Too (1940)	Spring Time (Ominous)	1:31:04 - The children enter the palace	bright \| cheerful \| child \| conversing \| duke \| governess \| leading lady \| leading man \| ominous \| palace \| surprise \| transition
All This, and Heaven Too (1940)	Henriette (Ominous)	1:31:15 - Henriette talks to the Duke	conversing \| duke \| governess \| hopeful \| leading lady \| leading man \| love scene \| ominous \| palace \| reassuring
All This, and Heaven Too (1940)	Henriette (Molto Expressivo)	1:31:48 - The Duke talks to Henriette	conversing \| duke \| governess \| leading lady \| leading man \| love scene \| palace \| reassuring \| romantic \| stinger \| tender
All This, and Heaven Too (1940)	Underscoring (Somber)	1:37:35 - Henriette talks with the Duke	conversing \| duke \| governess \| leading lady \| leading man \| love scene \| room \| somber \| underscoring
All This, and Heaven Too (1940)	Expressivo	1:38:15 - Henriette talks with the Duke	conversing \| desperate \| duke \| governess \| leading lady \| leading man \| love scene \| romantic \| room
All This, and Heaven Too (1940)	The Duchess (Tender)	1:38:39 - Henriette talks with the Duke	conversing \| duke \| gentle \| governess \| leading lady \| leading man \| love scene \| room \| tender
All This, and Heaven Too (1940)	Desperation (Ethereal)	1:38:54 - Henriette talks with the Duke	conversing \| duke \| ethereal \| governess \| leading lady \| leading man \| love scene \| room
All This, and Heaven Too (1940)	Henriette (Sehr Delicatessen)	1:39:12 - Henriette talks with the Duke	calm \| conversing \| duke \| gentle \| governess \| leading lady \| leading man \| love scene \| room \| sweet \| tender
All This, and Heaven Too (1940)	Henriette (Romantic)	1:39:53 - The Duke reads the locket inscription	conversing \| crying \| crying gesture \| duke \| gentle \| governess \| leading lady \| leading man \| love scene \| romantic \| room \| tender
All This, and Heaven Too (1940)	Henriette	1:45:41 - A carriage arrives	arriving \| carriage \| child \| duke \| grand \| leading man \| pleasant \| street \| transition \| traveling
All This, and Heaven Too (1940)	Henriette (Tristan)	1:46:15 - Henriette greets the children	arriving \| child \| duke \| grand \| greeting \| leading lady \| leading man \| reunion scene \| romantic \| room
All This, and Heaven Too (1940)	Henriette (Meno)	1:46:24 - Henriette talks with the children	arriving \| calm \| child \| duke \| greeting \| leading lady \| leading man \| reunion scene \| room
All This, and Heaven Too (1940)	Henriette (Calm)	1:46:38 - Henriette talks with the Duke	calm \| child \| conversing \| duke \| gentle \| leading lady \| leading man \| reunion scene \| room \| uneasy
All This, and Heaven Too (1940)	Gossip 2	1:47:20 - Henriette sees her landlady gossiping	duke \| gossiper \| gossiping \| harsh \| landlady \| leading man \| reunion scene \| room \| tense \| watching
All This, and Heaven Too (1940)	Henriette (Gossiping) + Spring Time (Gossiping)	1:47:25 - Henriette's landlady talks to the Duke	awkward \| child \| combination of themes \| duke \| gossiper \| gossiping \| landlady \| leading lady \| leading man \| mysterious \| reunion scene \| room \| somber \| tense \| watching
All This, and Heaven Too (1940)	Henriette (Tense)	1:47:51 - The Duke argues with Henriette	arguing \| conflict \| duke \| leading lady \| leading man \| room \| tense
All This, and Heaven Too (1940)	The Duchess (Tense)	1:48:04 - Henriette talks with the Duke	arguing \| conflict \| duke \| leading lady \| leading man \| room \| tense
All This, and Heaven Too (1940)	Desperation (Tense)	1:48:14 - The Duke talks with Henriette	conflict \| conversing \| duke \| leading lady \| leading man \| room \| tense
All This, and Heaven Too (1940)	Screwissimo	1:48:47 - The Duke goes mad	conflict \| conversing \| creepy \| disturbing \| duke \| leading lady \| leading man \| madness \| ominous \| room
All This, and Heaven Too (1940)	Desperation (Slow)	1:48:58 - The Duke leaves	conflict \| duke \| leading lady \| leading man \| leaving \| ominous \| room \| tense
All This, and Heaven Too (1940)	The Murder	1:51:56 - The Duke advances towards the Duchess	approaching \| blur \| climax \| dark \| duchess \| duke \| leading lady \| leading man \| menacing \| murder \| murdering \| murder scene \| ominous \| room
All This, and Heaven Too (1940)	Henriette (Noble)	2:13:19 - Henriette comes into the Duke's room	arriving \| dark \| death scene \| detective \| duke \| dying \| hopeful \| leading lady \| leading man \| noble \| prisoner \| room \| soldier \| suspect
All This, and Heaven Too (1940)	Dying	2:13:46 - The Duke in his death bed	conversing \| death bed \| death scene \| detective \| duke \| dying \| leading lady \| leading man \| prisoner \| questioning \| room \| sad \| soldier \| suspect
All This, and Heaven Too (1940)	Henriette (Duet)	2:14:06 - A close-up on Henriette	conversing \| death bed \| death scene \| detective \| duke \| dying \| leading lady \| leading man \| prisoner \| questioning \| room \| sad \| soldier \| suspect \| tender
All This, and Heaven Too (1940)	Henriette (Funereal)	2:14:27 - Henriette leaves the Duke	conversing \| death bed \| death scene \| detective \| duke \| dying \| funeral march \| leading lady \| leading man \| prisoner \| questioning \| room \| sad \| soldier \| suspect
All This, and Heaven Too (1940)	Dying (Molto Expressivo)	2:14:46 - The Duke talks to Pierre	caretaker \| confessing \| conversing \| death bed \| death scene \| duke \| dying \| leading man \| love \| room \| somber
All This, and Heaven Too (1940)	Henriette (Confession of Love)	2:15:34 - The Duke confesses his love	caretaker \| confessing \| conversing \| death bed \| death scene \| duke \| dying \| leading man \| love \| room \| somber
The Amazing Dr. Clitterhouse (1938)	Una Voce Poco Fa	0:00:54 - A woman plays the piano	calm \| leading man \| listening \| on-screen music \| party \| pianist \| room \| singer \| singing \| sneaking \| source music \| stealing \| thief
The Amazing Dr. Clitterhouse (1938)	The Last Rose of Summer	0:03:14 - A woman sings	calm \| doctor \| folk song \| Irish \| leading man \| listening \| on-screen music \| party \| pianist \| room \| singer \| singing \| sneaking \| source music \| stealing \| thief
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor	0:20:05 - Dr. Clitterhouse enters Hotel Sequin	42 chord \| advance plot \| chromatic parallelism \| dark \| dissonant bass \| doctor \| half-diminished 7th chord \| leading man \| lobby \| mysterious \| quartal chord \| sign \| thief \| walking
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor (Meeting)	0:21:30 - Dr. Clitterhouse is taken upstairs	64 chord \| advance plot \| chromatic parallelism \| conversing \| doctor \| fragmentation \| gangster \| leading man \| lobby \| mysterious \| pedal tone \| sequence \| thief
The Amazing Dr. Clitterhouse (1938)	Eine kleine Nachtmusik	0:35:00 - Phonograph plays Mozart record	advance plot \| doctor \| gangster \| leading man \| Mozart \| neutral \| plotting \| record player \| room \| source music \| thief
The Amazing Dr. Clitterhouse (1938)	Eine kleine Nachtmusik	0:41:57 - Phonograph plays Mozart record	advance plot \| doctor \| gangster \| leading man \| moll \| Mozart \| neutral \| plotting \| record player \| room \| source music \| thief
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor (Comical)	0:46:08 - Doctor examines a criminal	64 chord \| chromatic parallelism \| comical \| criminal \| doctor \| examining \| fragmentation \| gangster \| leading man \| pedal tone \| robbery \| rooftop \| sequence \| thief \| underscoring
The Amazing Dr. Clitterhouse (1938)	Underscoring (Tense)	0:47:04 - Doctor talks with the criminals	augmented major 7th chord \| chromatic parallelism \| criminal \| dissonant bass \| doctor \| examining \| gangster \| leading man \| ostinato \| pc set \| robbery \| rooftop \| tense \| thief \| underscoring \| walking \| working
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor (Examination)	0:47:16 - The doctor writes in his notebook	criminal \| dissonant bass \| doctor \| examining \| gangster \| leading man \| robbery \| rooftop \| subtle \| thief \| underscoring
The Amazing Dr. Clitterhouse (1938)	How Dry I Am (Nervous)	0:47:20 - Criminals talking	64 chord \| conversing \| criminal \| doctor \| gangster \| leading man \| nervous \| parallelism \| pedal tone \| robbery \| rooftop \| source music \| thief
The Amazing Dr. Clitterhouse (1938)	Spiraling down	0:47:38 - Doctor goes down the stairs	9th chord \| criminal \| descending \| diminished 7th chord \| doctor \| gangster \| leading man \| mickey-mousing \| mysterious \| robbery \| spiraling \| store \| tense \| thief \| walking
The Amazing Dr. Clitterhouse (1938)	Underscoring (Dramatic)	0:47:48 - Rocks opens the safe	breaking in \| criminal \| diminished 7th chord \| doctor \| dramatic \| enharmonic modulation \| gangster \| leading man \| lock \| opening \| robbery \| safe \| safe-cracking \| stinger \| store \| tense \| thief \| underscoring \| unlocking \| vault \| wedge
The Amazing Dr. Clitterhouse (1938)	Flashlight	0:48:20 - Doctor shines flashlight on Rocks	anger \| annoyance \| criminal \| doctor \| flashlight \| gangster \| leading man \| mickey-mousing \| ominous \| robbery \| shining \| store \| tense \| thief \| whole-tone chord
The Amazing Dr. Clitterhouse (1938)	Rocks (Annoyed)	0:48:25 - Rocks is annoyed by flashlight	anger \| angry \| annoyance \| criminal \| doctor \| flashlight \| gangster \| leading man \| ominous \| robbery \| shining \| store \| tense \| thief \| tritone \| whole-tone chord
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor (Giving Orders)	0:48:32 - Doctor gives orders to the criminals	64 chord \| anger \| annoyance \| chromatic parallelism \| commanding \| criminal \| doctor \| fragmentation \| gangster \| leading man \| ordering \| pedal tone \| robbery \| sequence \| store \| tense \| thief
The Amazing Dr. Clitterhouse (1938)	Rocks (Double Cross)	0:48:56 - Rocks thinks of a double-cross	antagonist \| chromatic parallelism \| criminal \| diminished 7th chord \| doctor \| double-cross \| dramatic \| gangster \| leading man \| murderer \| murdering \| plotting \| robbery \| sinister \| store \| thief \| trapping
The Amazing Dr. Clitterhouse (1938)	Locked in vault	0:49:06 - Dr. Clitterhouse locked in safe	anxious \| chromatic parallelism \| chromatic scale \| criminal \| doctor \| double-cross \| dramatic \| gangster \| leading man \| murderer \| murdering \| panicking \| polychord \| pounding \| robbery \| safe \| store \| tense \| thief \| trapping \| vault \| yelling
The Amazing Dr. Clitterhouse (1938)	The Motor	0:49:21 - Rocks starts the refrigeration motor	antagonist \| anxious \| criminal \| diminished 7th chord \| doctor \| double-cross \| dramatic \| gangster \| gauge \| leading man \| lowering \| machine \| mickey-mousing \| motor \| murderer \| murdering \| ostinato \| panicking \| pedal tone \| pounding \| robbery \| spinning \| store \| temperature \| tense \| thief \| trapping \| whirling \| yelling
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor + The Motor	0:49:36 - Dr. Clitterhouse in safe	anxious \| combination of themes \| criminal \| doctor \| double-cross \| dramatic \| gangster \| gauge \| leading man \| machine \| motor \| murderer \| murdering \| ostinato \| panicking \| pedal tone \| robbery \| spinning \| store \| tense \| thief \| trapping \| whirling
The Amazing Dr. Clitterhouse (1938)	The Motor (Getting Colder)	0:49:43 - The vault gets colder	anxious \| chromatic scale \| criminal \| dissonant bass \| doctor \| double-cross \| dramatic \| gangster \| gauge \| leading man \| lowering \| machine \| motor \| murderer \| murdering \| ostinato \| panicking \| pedal tone \| pounding \| robbery \| spinning \| store \| temperature \| tense \| thief \| trapping \| whirling \| yelling
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor + The Motor	0:50:11 - Butch comes back	anxious \| combination of themes \| criminal \| doctor \| double-cross \| dramatic \| gangster \| hurrying \| leading man \| motor \| murderer \| ostinato \| robbery \| store \| temperature \| tense \| thief
The Amazing Dr. Clitterhouse (1938)	Rocks (Sneaking) + The Motor	0:50:14 - Rocks sneaks around in the dark	antagonist \| anxious \| combination of themes \| criminal \| diminished 7th chord \| doctor \| double-cross \| dramatic \| gangster \| leading man \| motor \| murderer \| ostinato \| robbery \| sneaking \| store \| temperature \| tense \| thief
The Amazing Dr. Clitterhouse (1938)	I Wanna Go Back to Bali	0:53:48 - Gangsters meet in an apartment	advance plot \| conversing \| criminal \| dance music \| doctor \| gangster \| hero \| leading man \| lying \| playful \| radio \| room \| thief
The Amazing Dr. Clitterhouse (1938)	Doctor Leaves	0:57:38 - Dr. Clitterhouse leaves	advance plot \| doctor \| door \| exiting \| gangster \| hero \| leading lady \| leading man \| leaving \| linear chromaticism \| opening \| room \| tense \| wedge \| whole-tone chord
The Amazing Dr. Clitterhouse (1938)	Underscoring (Mysterious)	0:57:58 - Dr. Clitterhouse talks with Jo	conversing \| doctor \| gangster \| leading lady \| leading man \| love scene \| mysterious \| room \| tense
The Amazing Dr. Clitterhouse (1938)	Jo	0:58:18 - Dr. Clitterhouse talks with Jo	13th chord \| added-note chord \| altered dominant \| chromatic mediant \| conversing \| doctor \| foreign key modulation \| gangster \| leading lady \| leading man \| love scene \| room \| sequence \| tender
The Amazing Dr. Clitterhouse (1938)	The Poison Victim	1:07:50 - Rocks is poisoned	dissonant \| doctor \| gangster \| leading lady \| leading man \| murder \| murderer \| murdering \| murder scene \| mysterious \| office \| parallel fifths \| poison \| poisoning \| quartal chord \| tense \| tone cluster \| tritone
The Amazing Dr. Clitterhouse (1938)	Poison	1:08:46 - Rocks feels the effect of the poison	blur \| chromatic parallelism \| diminution \| doctor \| dreaming \| drugs \| ethereal \| gangster \| layering \| leading lady \| leading man \| murder \| murderer \| murdering \| murder scene \| office \| oscillation \| ostinato \| pc set \| poison \| poisoning \| polychord \| stinger \| tone cluster
The Amazing Dr. Clitterhouse (1938)	Rocks struggles and falls	1:09:52 - Rocks tries to get up, then collapses	chromatic parallelism \| chromatic scale \| death \| doctor \| down \| drugs \| dying \| falling \| gangster \| leading lady \| leading man \| murder \| murderer \| murder scene \| office \| oscillation \| poison \| rising \| split-third chord \| struggling \| tense \| up
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor (Funebre)	1:10:07 - Dr. Clitterhouse talks with Jo	9th chord \| chromatic parallelism \| dark \| death \| doctor \| gangster \| leading lady \| leading man \| murder \| murderer \| murder scene \| office \| pleading \| realizing \| tense
The Amazing Dr. Clitterhouse (1938)	Cauldron 1 (End title)	1:26:33 - The End	beaker \| bubbling \| chromatic mediant \| chromatic scale \| closing credits \| doctor \| end title \| foreign key modulation \| leading man \| mode mixture \| ominous \| plagal cadence
Angels With Dirty Faces (1938)	The Gangster (Fingerprints)	0:06:17 - Montage of juvenile detention and prison life	digging \| dramatic \| establish character \| fingerprints \| foreign key modulation \| headline \| leading man \| main title \| marching \| montage \| mug shot \| newspaper \| prison \| prisoner \| reformatory \| sequence \| serious \| working
Angels With Dirty Faces (1938)	Bootlegging	0:06:46 - Bootlegging liquor	alcohol \| boat \| dock \| establish character \| gangster \| leading man \| mickey-mousing \| montage \| sneaking \| sneaky
Angels With Dirty Faces (1938)	Running and shooting	0:06:52 - Police chase gangsters and Rocky shoots	agent \| augmented triad \| chasing \| dissonant bass \| dominant 7th chord \| dramatic \| establish character \| gangster \| gun \| gunshot \| leading man \| mickey-mousing \| montage \| newspaper \| quartal chord \| running \| shooting \| street \| zoom out
Angels With Dirty Faces (1938)	Roulette	0:07:01 - Roulette wheel spins	club \| double exposure \| establish character \| frantic \| gambling \| gangster \| leading man \| mickey-mousing \| montage \| parallelism \| pedal tone \| sequence \| spinning
Angels With Dirty Faces (1938)	Night Club Music	0:07:05 - Rocky gambles in a nightclub	altered dominant \| club \| dancing \| double exposure \| drinking \| establish character \| frantic \| gambling \| gangster \| leading man \| mickey-mousing \| montage \| pouring
Angels With Dirty Faces (1938)	Underscoring (Mysterious)	0:07:26 - Rocky talks with his lawyer	advance plot \| conversing \| dark \| dissonant bass \| gangster \| lawyer \| leading man \| mysterious \| prison \| prisoner \| underscoring
Angels With Dirty Faces (1938)	Sanctus	0:09:13 - Church interior with boys singing in a choir loft	boys choir \| church \| conducting \| gangster \| leading man \| music scene \| nun \| on-screen music \| organ \| priest \| religious \| serious \| singer \| singing \| solemn \| source music
Angels With Dirty Faces (1938)	In My Merry Oldsmobile	0:12:55 - Rocky and Jerry singing	cheerful \| church \| gangster \| hymn \| laughing \| leading man \| music scene \| on-screen music \| popular music \| priest \| singing \| source music
Angels With Dirty Faces (1938)	When a Prince of a Fella Meets a Cinderella	0:16:49 - Rocky goes to a night club	advance plot \| cheerful \| conversing \| gambling \| gangster \| lawyer \| leading man \| night club \| parallel double period \| popular music \| source music
Angels With Dirty Faces (1938)	Monday Morning	0:18:15 - Rocky talks to Frazier in his office	advance plot \| cheerful \| conversing \| gangster \| lawyer \| leading man \| popular music \| room \| source music
Angels With Dirty Faces (1938)	So Help Me (If I Don't Love You)	0:19:36 - Rocky leaves the nightclub	advance plot \| conversing \| gangster \| lawyer \| leading man \| popular music \| room \| sentimental \| source music
Angels With Dirty Faces (1938)	Rocky and Laury (Not In Film 1)	NIF - not in film	added-note chord \| altered dominant \| augmented sixth chord \| common-chord modulation \| conversing \| cut from film \| establish character \| following \| gangster \| leading lady \| leading man \| mode mixture \| street \| walking
Angels With Dirty Faces (1938)	Rocky and Laury (Not In Film 2)	NIF - not in film	added-note chord \| altered dominant \| augmented sixth chord \| chromatic scale \| conversing \| cut from film \| establish character \| following \| gangster \| leading lady \| leading man \| street \| walking
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	NIF - not in film	chromatic parallelism \| chromatic scale \| chromatic sequence \| conflict \| cut from film \| diminished 7th chord \| dissonant bass \| evading \| following \| gangster \| leading man \| linear chromaticism \| setup \| shop \| street \| underscoring \| walking
Angels With Dirty Faces (1938)	Underscoring (Tense)	0:39:58 - Rocky in the drug store	conflict \| conversing \| gangster \| leading man \| ominous \| setup \| shop \| telephone \| tritone \| underscoring
Angels With Dirty Faces (1938)	Pushing forward	0:40:26 - Man pulls a gun on the cashier	advancing \| chromatic parallelism \| chromatic scale \| conflict \| dominant 7th chord \| gangster \| gun \| leading man \| mickey-mousing \| ominous \| pedal tone \| pushing \| shop
Angels With Dirty Faces (1938)	Backing up	0:40:37 - Rocky pulls a gun on the man following him	backing up \| conflict \| gangster \| gun \| leading man \| mickey-mousing \| ominous \| sequence \| shop
Angels With Dirty Faces (1938)	Closes door	0:40:48 - Rocky shuts the phone booth door	closing \| conflict \| door \| gangster \| leading man \| mickey-mousing \| shop \| tense
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	0:40:50 - Gangsters shoot their own man in phone booth	chromatic sequence \| conflict \| death \| diminished 7th chord \| falling \| gangster \| gun \| gunshot \| half-diminished 7th chord \| leading man \| mickey-mousing \| murderer \| polychord \| shooting \| shop \| sneaking \| tense \| voice-exchange
Angels With Dirty Faces (1938)	Sneaking away	0:41:02 - Rocky sneaks away	conflict \| diminished 7th chord \| gangster \| leading man \| mickey-mousing \| shop \| sneaking \| tense
Angels With Dirty Faces (1938)	Stickup	0:42:30 - Rocky points a gun at Frazier	64 chord \| advance plot \| assaulting \| dramatic \| gangster \| garage \| grabbing \| lawyer \| leading man \| mickey-mousing
Angels With Dirty Faces (1938)	The Gangster (Elevator Music)	0:42:40 - Elevator goes up	advance plot \| chromatic parallelism \| elevator \| gangster \| half-diminished 7th chord \| lawyer \| leading man \| mickey-mousing \| rising \| room \| tense
Angels With Dirty Faces (1938)	From Me to You	0:58:56 - Boys in pool hall	betting \| develop character \| gambling \| gang \| leading man \| playful \| playing \| pool \| pool hall \| priest \| ragtime \| source music \| teenager
Angels With Dirty Faces (1938)	Underscoring (Romantic)	1:01:43 - Rocky and Laury talk	altered dominant \| conversing \| dissonant bass \| gangster \| leading lady \| leading man \| linear chromaticism \| love scene \| romantic \| room \| underscoring
Angels With Dirty Faces (1938)	Rocky and Laury (Sentimental)	1:01:59 - Rocky and Laury talk	added-note chord \| altered dominant \| conversing \| gangster \| leading lady \| leading man \| love scene \| parallel period \| romantic \| room
Angels With Dirty Faces (1938)	Foxtrot	1:02:20 - Rocky and Laury look out the window	added-note chord \| altered dominant \| common-tone diminished 7th \| dreaming \| foxtrot \| gangster \| hoping \| leading lady \| leading man \| looking \| love scene \| mode mixture \| romantic \| room
Angels With Dirty Faces (1938)	Saving Myself For You (I've Been)	1:02:30 - Rocky and Laury at a night club	AABA structure \| advance plot \| cheerful \| club \| drinking \| gambling \| gangster \| lawyer \| leading lady \| leading man \| on-screen music \| source music
Angels With Dirty Faces (1938)	The Cartoon	1:04:49 - Jerry looks at newspaper cartoon of Rocky	9th chord \| advance plot \| cartoon \| chromatic parallelism \| comical \| leading man \| priest \| reading \| room
Angels With Dirty Faces (1938)	The Cook	1:05:06 - The cook hands a package to Jerry	advance plot \| comical \| conversing \| cook \| Irish \| leading man \| parallel fifths \| priest \| room
Angels With Dirty Faces (1938)	Sanctus (Mysterioso)	1:05:33 - Jerry looks at note from Rocky	advance plot \| charity \| classical music \| common-chord modulation \| friendship \| leading man \| letter \| mode mixture \| money \| mysterious \| pedal tone \| priest \| room \| sacred \| source to score \| thinking
Angels With Dirty Faces (1938)	Underscoring (Mysterious)	1:05:58 - Jerry goes to meet Rocky	advance plot \| arriving \| gangster \| leading man \| mickey-mousing \| mysterious \| pedal tone \| priest \| room \| underscoring \| waiting
Angels With Dirty Faces (1938)	Underscoring (Mysterious)	1:09:33 - Jerry leaves	42 chord \| gangster \| leading man \| leaving \| money \| montage \| mysterious \| priest \| room \| turning point
Angels With Dirty Faces (1938)	Tossing money	1:09:33 - Jerry throws Rocky's money on the table	42 chord \| gangster \| leading man \| mickey-mousing \| money \| mysterious \| priest \| room \| tossing \| turning point
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	1:09:49 - Jerry talks to newspaper editor	conversing \| diminution \| leading man \| montage \| montage \| newspaper editor \| newspaper office \| parallelism \| priest \| sign \| tense
Angels With Dirty Faces (1938)	Newspaper Editor	1:10:09 - A newspaper editor accepts Jerry's story	accepting \| conversing \| heroic \| leading man \| montage \| montage \| newspaper editor \| newspaper office \| priest \| secondary dominant
Angels With Dirty Faces (1938)	Pleading	1:11:08 - Laury pleads for Rocky	9th chord \| advance plot \| appoggiatura \| circle of fifths \| common-chord modulation \| crying \| leading lady \| leading man \| love interest \| pleading \| priest \| room \| somber
Angels With Dirty Faces (1938)	Jerry	1:11:35 - Jerry talks to Laury	9th chord \| advance plot \| deceptive resolution \| foreign key modulation \| leading lady \| leading man \| love interest \| memory \| pleading \| priest \| room \| tender
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	1:16:29 - Rocky shoots Mac and Frazier	agitated \| attacking \| casino \| chaos \| chasing \| chromatic parallelism \| chromatic scale \| climbing \| conflict \| crowd \| death \| dissonant bass \| dramatic \| dying \| escaping \| falling \| fighting \| gangster \| gun \| gunshot \| half-diminished 7th chord \| hurrying \| jumping \| landing \| lawyer \| leading man \| mickey-mousing \| pedal tone \| police \| rooftop \| room \| running \| sequence \| shooting \| sneaking \| sneaky \| street \| tone cluster \| underscoring
Angels With Dirty Faces (1938)	Mac gets shot	1:16:35 - Mac gets shot and dies	agitated \| chromatic parallelism \| chromatic scale \| conflict \| death \| dramatic \| dying \| falling \| gangster \| gun \| gunshot \| lawyer \| leading man \| mickey-mousing \| room \| shooting
Angels With Dirty Faces (1938)	Frazier gets shot	1:16:56 - Frazier gets shot and dies	agitated \| casino \| chromatic scale \| conflict \| death \| dramatic \| dying \| falling \| gangster \| gun \| gunshot \| lawyer \| leading man \| mickey-mousing \| shooting
Angels With Dirty Faces (1938)	Going down a ladder	1:17:32 - Rocky goes down an escape ladder	agitated \| chromatic scale \| climbing \| conflict \| descending \| down \| dramatic \| escaping \| gangster \| hurrying \| ladder \| leading man \| mickey-mousing \| street
Angels With Dirty Faces (1938)	Going up a ladder	1:17:41 - Rocky climbs up an escape ladder	agitated \| ascending \| chromatic parallelism \| climbing \| conflict \| dramatic \| gangster \| ladder \| leading man \| mickey-mousing \| pedal tone \| sequence \| street \| up
Angels With Dirty Faces (1938)	Running on wall	1:17:55 - Rocky runs on wall	agitated \| chromatic scale \| conflict \| dramatic \| gangster \| half-diminished 7th chord \| leading man \| mickey-mousing \| rooftop \| running \| sequence
Angels With Dirty Faces (1938)	Breaking in	1:18:11 - Rocky enters the building	conflict \| down \| gangster \| jumping \| landing \| leading man \| mickey-mousing \| room \| sneaking \| sneaky
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	1:19:00 - Rocky is trapped in a building	42 chord \| agitated \| chromatic parallelism \| chromatic scale \| conflict \| dissonant bass \| dramatic \| escaping \| fleeing \| gangster \| half-diminished 7th chord \| leading man \| major 7th chord \| police \| running \| sequence \| stairwell \| tone cluster \| underscoring
Angels With Dirty Faces (1938)	Going down stairs	1:19:05 - Rocky runs down the stairs	agitated \| chromatic scale \| conflict \| down \| dramatic \| gangster \| half-diminished 7th chord \| leading man \| mickey-mousing \| running \| stairs \| stairwell
Angels With Dirty Faces (1938)	Going up stairs	1:19:27 - Rocky runs up the stairs	agitated \| chromatic parallelism \| chromatic scale \| conflict \| dissonant bass \| dramatic \| gangster \| leading man \| major 7th chord \| mickey-mousing \| running \| sequence \| stairs \| stairwell \| up
Angels With Dirty Faces (1938)	Tear Gas	1:19:48 - Tear gas spreads throughout the room	agitated \| breaking \| breaking \| breathing \| building \| chromatic parallelism \| chromatic scale \| conflict \| dissonant bass \| dramatic \| gangster \| gun \| gunshot \| hurrying \| leading man \| mickey-mousing \| pedal tone \| police \| quartal chord \| running \| shooting \| smoke \| street \| tear gas \| throwing \| window
Angels With Dirty Faces (1938)	Machine Gun	1:20:24 - Policeman shoots at Rocky with machine gun	agitated \| building \| chromatic parallelism \| conflict \| death \| dramatic \| falling \| gangster \| gun \| gunshot \| hiding \| leading man \| police \| polychord \| shooting \| street \| underscoring
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	1:20:39 - Policemen shoot tear gas in through the window	agitated \| appoggiatura \| building \| conflict \| dramatic \| gangster \| gun \| gunshot \| leading man \| mickey-mousing \| police \| shooting \| street \| tone cluster \| underscoring
Angels With Dirty Faces (1938)	Launching tear gas	1:20:51 - Policemen shoot tear gas in through the window	agitated \| building \| conflict \| dramatic \| gangster \| gun \| gunshot \| launching \| leading man \| mickey-mousing \| police \| shooting \| street \| tear gas \| tone cluster
Angels With Dirty Faces (1938)	Pleading (Extended)	1:21:00 - Jerry arrives on the scene	9th chord \| appoggiatura \| arriving \| chromatic sequence \| circle of fifths \| concerned \| conflict \| crowd \| gun \| gunshot \| hurried \| hurrying \| leading lady \| leading man \| love interest \| polychord \| priest \| pushing \| street \| yearning
Angels With Dirty Faces (1938)	Jerry + Tear Gas	1:21:14 - Rocky staggers through tear gas and Jerry arrives	agitated \| arriving \| building \| chromatic parallelism \| combination of themes \| conflict \| dissonant bass \| dramatic \| gangster \| heroic \| hurrying \| leading man \| mickey-mousing \| priest \| quartal chord \| smoke \| staggering \| street \| tear gas
Angels With Dirty Faces (1938)	Jerry (Pleading)	1:21:26 - Jerry talks to the cops	building \| conflict \| deceptive resolution \| heroic \| hopeful \| leading man \| pleading \| priest \| street
Angels With Dirty Faces (1938)	Tear Gas (Desperate)	1:21:40 - Rocky tries to hold off the cops	agitated \| building \| chromatic parallelism \| chromatic scale \| conflict \| dissonant bass \| dramatic \| gangster \| gun \| gunshot \| leading man \| mickey-mousing \| pedal tone \| police \| priest \| quartal chord \| shooting \| smoke \| staggering \| street \| tear gas
Angels With Dirty Faces (1938)	Jerry (Maestoso)	1:22:13 - Jerry enters the building	building \| conflict \| entering \| foreign key modulation \| heroic \| hopeful \| leading man \| pedal tone \| priest \| street \| walking
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	1:23:10 - Jerry and Rocky confront one another	42 chord \| agitated \| arguing \| building \| conflict \| dramatic \| entering \| gangster \| leading man \| priest \| underscoring \| wedge \| yelling
Angels With Dirty Faces (1938)	Jerry (Agitato)	1:23:21 - Jerry and Rocky talk	agitated \| arguing \| building \| conflict \| diminished 7th chord \| gangster \| leading man \| pedal tone \| priest
Angels With Dirty Faces (1938)	Jerry (Slowly)	1:23:44 - Jerry goes to the window	building \| conflict \| coughing \| gangster \| leading man \| menacing \| priest \| smoke \| tear gas \| walking
Angels With Dirty Faces (1938)	The Gangster (Triste)	1:23:57 - Rocky uses Jerry as a hostage	9th chord \| building \| chromatic parallelism \| conflict \| coughing \| dark \| double-cross \| foreign key modulation \| fragmentation \| gangster \| hostage \| leading man \| linear chromaticism \| major 7th chord \| menacing \| polychord \| priest \| smoke \| somber \| street \| tear gas \| walking
Angels With Dirty Faces (1938)	Jerry (Hostage)	1:25:07 - Rocky pushes Jerry	augmented sixth chord \| conflict \| double-cross \| gangster \| hostage \| leading man \| mysterious \| priest \| pushing \| street \| tense
Angels With Dirty Faces (1938)	Rocky runs	1:25:13 - Rocky makes a run for it	agitated \| chromatic scale \| conflict \| falling \| gangster \| gun \| gunshot \| hostage \| leading man \| octatonic \| priest \| running \| sequence \| shooting \| street \| whole-tone chord
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	1:25:20 - Rocky throws his gun	capturing \| chromatic scale \| conflict \| dissonant bass \| dramatic \| gangster \| gun \| leading man \| police \| sequence \| street \| throwing \| underscoring
Angels With Dirty Faces (1938)	The Gangster (Captured)	1:25:31 - Rocky is captured	capturing \| conflict \| gangster \| leading man \| police \| somber \| street \| taunting
Angels With Dirty Faces (1938)	Jerry (Somber)	1:31:04 - Rocky leaves his cell for his execution	altered dominant \| climax \| conversing \| gangster \| gentle \| leading man \| pc set \| priest \| prison \| reverse picardy \| stinger \| tone cluster
Angels With Dirty Faces (1938)	Jerry (Upset)	1:31:40 - Jerry follows Rocky out of his cell	agitated \| climax \| conversing \| gangster \| leading man \| police \| priest \| prison
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	1:31:44 - Rocky punches a guard	agitated \| chromatic parallelism \| chromatic scale \| chromatic wedge \| climax \| fighting \| gangster \| half-diminished 7th chord \| leading man \| police \| priest \| prison \| punching \| tense \| underscoring
Angels With Dirty Faces (1938)	The Gangster (Funebre)	1:31:55 - Rocky is taken away	64 chord \| climax \| gangster \| leading man \| police \| priest \| prison \| pushing \| somber
Angels With Dirty Faces (1938)	Funebre	1:32:03 - Jerry and Rocky walk down the hall	climax \| dirge \| execution chamber \| gangster \| leading man \| marching \| police \| priest \| prison \| somber \| tense \| walking
Angels With Dirty Faces (1938)	Jerry (Goodbye)	1:33:12 - Jerry says goodbye to Rocky	added-note chord \| climax \| conversing \| dissonant bass \| execution chamber \| gangster \| leading man \| priest \| prison \| serious \| sigh gesture \| somber
Angels With Dirty Faces (1938)	Funebre (Sigh)	1:33:19 - Rocky heads towards electric chair	added-note chord \| climax \| dirge \| execution chamber \| gangster \| leading man \| marching \| priest \| prison \| sigh gesture \| somber \| tense \| walking
Angels With Dirty Faces (1938)	Underscoring (Tense)	1:33:36 - Rocky pleads for his life	begging \| climax \| cowardice \| crowd \| crying \| death \| execution \| execution chamber \| gangster \| leading man \| pleading \| police \| priest \| prison \| shadow \| tense \| tone cluster \| underscoring \| wailing
Angels With Dirty Faces (1938)	Sanctus (Mournful)	1:34:12 - Jerry cries after Rocky dies	added-note chord \| climax \| crying \| death \| dissonant bass \| execution chamber \| leading man \| mourning \| pedal tone \| priest \| prison \| redemption \| reverse picardy \| sacred \| somber
Angels With Dirty Faces (1938)	Jerry (Triste)	1:35:23 - Jerry visits the boys	conversing \| death \| foreign key modulation \| leading man \| pedal tone \| picardy third \| priest \| resolution \| room \| somber \| teenager
Angels With Dirty Faces (1938)	Sanctus (Maestoso)	1:36:06 - Jerry and the boys walk up the stairs	angelic \| ascending \| chromatic mediant \| foreign key modulation \| leading man \| priest \| resolution \| room \| stairs \| teenager \| The End \| transcendence \| triumphant \| up
Are These Our Children? (1931)	Dreams B	0:01:33 - Two young people in love	common-chord modulation \| common-tone diminished 7th \| conductor score \| conversing \| establish character \| gentle \| leading lady \| leading man \| lovers \| love scene \| snuggling \| street
Are These Our Children? (1931)	Dreams	0:02:11 - Eddie and Mary talk	11th chord \| AABA structure \| conductor score \| establish character \| gentle \| leading lady \| leading man \| leaving \| lovers \| love scene \| mode mixture \| street \| waiting
Are These Our Children? (1931)	Dreams (Whistling)	0:03:29 - Eddie walks home	cheerful \| establish character \| gentle \| leading man \| love scene \| on-screen music \| score to source \| source and scoring overlap \| street \| transcribed by ear \| walking \| whistling
Are These Our Children? (1931)	Dreams (Whistling 2)	0:03:59 - Eddie walks home	advance plot \| cheerful \| leading man \| on-screen music \| street \| transcribed by ear \| walking \| whistling
Are These Our Children? (1931)	Dreams (Marcia Maestoso)	0:08:58 - Eddie dreams	applauding \| common-chord modulation \| double exposure \| dreaming \| dream sequence \| fragmentation \| leading man \| meter change \| montage \| reciting \| thematic transformation \| transcribed by ear \| triumphant
Are These Our Children? (1931)	Dreams (Comical)	0:09:17 - Eddie's dream ends abruptly	comical \| double exposure \| dream sequence \| explosion \| laughing \| leading man \| montage \| student \| transcribed by ear
Are These Our Children? (1931)	Hold That Tiger	0:13:15 - Young people dancing	advance plot \| cheerful \| conversing \| dance hall \| friend \| leading man \| on-screen music \| source music
Are These Our Children? (1931)	Makes You Forget Your Troubles	0:17:38 - Young people talking at a dance	advance plot \| cheerful \| conversing \| dance hall \| leading man \| love interest \| on-screen music \| seductive \| singing \| source music
Are These Our Children? (1931)	Makes You Forget Your Troubles (Whistling)	0:18:46 - Eddie whistles on his way home	cheerful \| leading man \| on-screen music \| source music \| street \| transcribed by ear \| transition \| walking \| whistling
Are These Our Children? (1931)	Makes You Forget Your Troubles (Eddie Sings)	0:19:13 - Eddie sings to himself	cheerful \| leading man \| on-screen music \| singing \| source music \| street \| transcribed by ear \| transition \| walking
Are These Our Children? (1931)	Makes You Forget Your Troubles (Eddie Sings)	0:19:30 - Eddie arrives home	advance plot \| arriving \| cheerful \| leading man \| on-screen music \| room \| singing \| source music \| transcribed by ear
Are These Our Children? (1931)	Makes You Forget Your Troubles (Eddie Sings)	0:20:44 - Eddie eats	advance plot \| cheerful \| eating \| humming \| leading man \| on-screen music \| room \| source music \| transcribed by ear
Are These Our Children? (1931)	Makes You Forget Your Troubles (Dream Sequence)	0:20:51 - Eddie dreams	advance plot \| augmented sixth chord \| cheerful \| double exposure \| dreaming \| dream sequence \| eating \| fragmentation \| half-diminished 7th chord \| humming \| leading man \| room \| scored source music \| sequence \| source music
Are These Our Children? (1931)	Dreams (Whole Tone)	0:21:11 - A view of the city	dreaming \| leading man \| montage \| pedal tone \| room \| somber \| whole-tone scale
Are These Our Children? (1931)	Makes You Forget Your Troubles (Whistling)	0:23:11 - Eddie walks away	advance plot \| cheerful \| leading man \| on-screen music \| source music \| street \| transcribed by ear \| walking \| whistling
Are These Our Children? (1931)	Introduction	0:24:14 - Boys in the washroom	advance plot \| conversing \| dance hall \| friend \| leading man \| mysterious \| transcribed by ear
Are These Our Children? (1931)	Dreams (Washroom Sequence)	0:24:25 - Eddie talks with his friends	advance plot \| chromatic parallelism \| common-tone diminished 7th \| conversing \| dance hall \| friend \| leading man \| score to source \| somber \| source music \| transcribed by ear
Are These Our Children? (1931)	Moonbeams	0:25:39 - Eddie dances with Flo	added-note chord \| altered dominant \| common-tone diminished 7th \| dance hall \| dance scene \| dancing \| leading man \| love interest \| mode mixture \| on-screen music \| parallel double period \| romantic \| source music \| waltz
Are These Our Children? (1931)	Moonbeams (Dream Sequence)	0:27:23 - Eddie takes Flo home	added-note chord \| advance plot \| double exposure \| dream sequence \| entering \| friend \| hectic \| kissing \| leading man \| mode mixture \| romantic \| source to score \| street \| transcribed by ear \| waltz
Are These Our Children? (1931)	Makes You Forget Your Troubles (Moderato)	0:27:59 - Eddie walks outside	cheerful \| leading man \| leaving \| source to score \| street \| transition
Are These Our Children? (1931)	Makes You Forget Your Troubles (Whistling)	0:28:36 - Eddie arrives home	cheerful \| leading man \| on-screen music \| source music \| street \| transition \| walking \| whistling
Are These Our Children? (1931)	Dreams (Montage)	0:29:57 - Eddie drinks	angry \| diminished 7th chord \| double exposure \| dreaming \| dream sequence \| drinking \| fragmentation \| gun \| hectic \| leading man \| montage \| pedal tone \| room \| sequence
Are These Our Children? (1931)	Makes You Forget Your Troubles (Listesso Tempo)	0:30:13 - Eddie commits a crime	angry \| chromatic scale \| double exposure \| dreaming \| dream sequence \| fragmentation \| hectic \| leading man \| montage \| room
Are These Our Children? (1931)	Moonbeams (Flashback)	0:30:18 - Eddie dances with Flo	dance hall \| dancing \| double exposure \| dream sequence \| flashback \| hectic \| leading man \| love interest \| montage \| room \| waltz
Are These Our Children? (1931)	Underscoring (Dark)	0:30:25 - Eddie attacks boy	arguing \| clock \| dark \| diminished 7th chord \| double exposure \| dream sequence \| fighting \| kissing \| leading man \| love interest \| mickey-mousing \| montage \| ominous \| pedal tone \| stinger \| ticking
Are These Our Children? (1931)	Humming	0:31:57 - Heinie hums	advance plot \| calm \| humming \| old man \| room \| source music
Are These Our Children? (1931)	Makes You Forget Your Troubles (Flo Sings)	0:32:32 - Flo sings	advance plot \| cheerful \| leading man \| love interest \| singing \| source music \| train \| train \| traveling
Are These Our Children? (1931)	Makes You Forget Your Troubles (Eddie Sings)	0:40:40 - The boys leave the scene of the crime	friend \| leading man \| murderer \| murder scene \| nervous \| singing \| source music \| street \| walking
Are These Our Children? (1931)	St. James Infirmary	0:41:24 - Young people lounging around	advance plot \| Dixieland \| friend \| lazy \| leading man \| lounging \| love interest \| murderer \| radio \| room \| source music
Are These Our Children? (1931)	St. James Infirmary	0:42:08 - Young people talking	advance plot \| conversing \| Dixieland \| friend \| lazy \| leading man \| love interest \| murderer \| radio \| room \| source music
Are These Our Children? (1931)	Hey! Hey!	0:50:14 - Eddie and Flo dance	9th chord \| AABA structure \| altered dominant \| augmented sixth chord \| cheerful \| dance hall \| dance scene \| dancing \| friend \| leading man \| love interest \| murderer \| on-screen music \| source music
Are These Our Children? (1931)	Makes You Forget Your Troubles	0:50:55 - Young people dancing	AABA structure \| arguing \| augmented sixth chord \| cheerful \| common-tone diminished 7th \| dance hall \| dance scene \| dancing \| friend \| leading man \| love interest \| murderer \| on-screen music \| source music
Are These Our Children? (1931)	Stars and Stripes Forever	0:52:14 - Young people cavorting in the street	advance plot \| cheerful \| dancing \| drunk \| friend \| leading man \| love interest \| murderer \| on-screen music \| singing \| source music \| street
Are These Our Children? (1931)	Makes You Forget Your Troubles	0:53:07 - Drunken young people	advance plot \| cheerful \| dancing \| drunk \| friend \| hallway \| leading man \| love interest \| murderer \| on-screen music \| singing \| source music
Are These Our Children? (1931)	Dreams (Risoluto 2)	0:53:55 - Newspaper headlines	advance plot \| arresting \| dark \| detective \| double exposure \| fragmentation \| friend \| headline \| leading man \| love interest \| murderer \| newspaper \| ominous \| room \| sequential modulation \| spinning \| thematic transformation \| underscoring
Are These Our Children? (1931)	Dreams (Eddie’s Prayer)	1:22:14 - Eddie behind bars	added-note chord \| climax \| crying \| dramatic \| jail \| leading man \| murderer \| praying \| prisoner \| religious \| sacred
Arsenic and Old Lace (1944)	Underscoring (Comical)	0:02:20 - Mortimer hides from the reporters	chromatic parallelism \| chromatic wedge \| comical \| disguise \| establish character \| hiding \| leading lady \| leading man \| looking \| marriage \| office \| reporter \| underscoring \| whole-tone chord
Arsenic and Old Lace (1944)	Here Comes the Bride (Modulating)	0:03:34 - Hiding in a telephone booth	added-note chord \| arguing \| bystander \| conversing \| deceptive resolution \| establish character \| familiar tune \| fragmentation \| leading lady \| leading man \| marriage \| office \| pump-up modulation \| running \| rushed \| rushing \| self-borrowing \| sequence
Arsenic and Old Lace (1944)	Hanging up	0:03:53 - Mortimer hangs up the phone	bystander \| diminished 7th chord \| establish character \| hanging up \| leading lady \| leading man \| marriage \| mickey-mousing \| office \| rushed
Arsenic and Old Lace (1944)	The Old Maid	0:04:17 - Mortimer talks to Elaine	added-note chord \| arguing \| conversing \| enharmonic modulation \| establish character \| kissing \| leading lady \| leading man \| marriage \| mode mixture \| office \| parallel period \| pedal tone \| romantic \| self-borrowing
Arsenic and Old Lace (1944)	Here Comes the Bride (Modulating)	0:04:54 - Mortimer and Elaine rush off	establish character \| familiar tune \| foreign key modulation \| leading lady \| leading man \| marriage \| office \| rushed \| rushing \| self-borrowing \| sequence
Arsenic and Old Lace (1944)	Here Comes the Bride (Chinese)	0:05:00 - Chinese girl turns around	Chinese \| establish character \| exotic \| familiar tune \| leading lady \| leading man \| marriage \| office \| open fifth \| smiling \| stereotype \| winking
Arsenic and Old Lace (1944)	Here Comes the Bride (Comical)	0:05:05 - Goofy man turns around	9th chord \| comical \| common-tone diminished 7th \| establish character \| familiar tune \| leading lady \| leading man \| marriage \| office \| smiling \| winking
Arsenic and Old Lace (1944)	Rondo Alla Turca	0:06:25 - Teddy plays the harpsichord	aunt \| brother \| classical music \| conversing \| crazy person \| establish character \| harpsichord \| leading lady \| old man \| on-screen music \| playing \| room \| source music \| upbeat \| victim
Arsenic and Old Lace (1944)	Happy Land (Lento)	0:09:11 - Reverend talks about the Brewster sisters	added-note chord \| aunt \| brother \| calm \| conversing \| crazy person \| establish character \| familiar tune \| gentle \| kindness \| leading lady \| old man \| room \| victim
Arsenic and Old Lace (1944)	Here Comes the Bride (Full)	0:14:00 - Elaine appears in the window	aunt \| bride \| cheerful \| chromatic mediant \| common-chord modulation \| conversing \| crazy person \| familiar tune \| greeting \| groom \| leading lady \| leading man \| love \| love scene \| on-screen music \| pleasant \| room \| score to source \| source music \| street \| whistling
Arsenic and Old Lace (1944)	Here Comes the Bride (Modulating)	0:14:10 - Mortimer calls to Elaine	added-note chord \| aunt \| bride \| cemetery \| conversing \| deceptive resolution \| driver \| familiar tune \| flirting \| fragmentation \| groom \| hurrying \| leading lady \| leading man \| love \| love scene \| pump-up modulation \| rushed \| rushing \| sequence \| source to score \| street
Arsenic and Old Lace (1944)	Here Comes the Bride (Religioso)	0:14:41 - Mortimer and Elaine in the cemetery	64 chord \| bride \| calm \| cemetery \| conversing \| familiar tune \| flirting \| groom \| hymn-like \| leading lady \| leading man \| love \| love scene \| religious \| suspension
Arsenic and Old Lace (1944)	Chasing	0:14:48 - Mortimer chases Elaine around a tree	bride \| cemetery \| chasing \| comical \| flirting \| groom \| leading lady \| leading man \| love \| love scene \| mickey-mousing \| secondary dominant
Arsenic and Old Lace (1944)	Underscoring (Mysterious)	0:14:51 - Mortimer flirts with Elaine	bride \| cemetery \| conversing \| flirting \| groom \| leading lady \| leading man \| love \| love scene \| mysterious \| underscoring \| whole-tone chord
Arsenic and Old Lace (1944)	Here Comes the Bride (Appassionato)	0:15:02 - The aunts peek out of the window	64 chord \| aunt \| bride \| cemetery \| chromatic mediant \| conversing \| familiar tune \| flirting \| groom \| inversion \| kissing \| leading lady \| leading man \| love \| love scene \| peeking \| romantic
Arsenic and Old Lace (1944)	Here Comes the Bride (Church Bells)	0:15:17 - Mortimer follows Elaine	64 chord \| bride \| cemetery \| chromatic mediant \| conversing \| familiar tune \| flirting \| foreign key modulation \| groom \| leading lady \| leading man \| love \| love scene \| parallelism \| romantic
Arsenic and Old Lace (1944)	Here Comes the Bride (Appassionato)	0:15:25 - Mortimer and Elaine kiss	64 chord \| bride \| cemetery \| conversing \| familiar tune \| groom \| inversion \| kissing \| leading lady \| leading man \| love \| love scene \| romantic
Arsenic and Old Lace (1944)	Here Comes the Bride (Modulating)	0:15:36 - Mortimer and Elaine talk	added-note chord \| bride \| cemetery \| conversing \| familiar tune \| flirting \| fragmentation \| groom \| hurried \| leading lady \| leading man \| love \| love scene \| pump-up modulation \| romantic \| sequence
Arsenic and Old Lace (1944)	Here Comes the Bride (Appassionato)	0:16:10 - Mortimer and Elaine kiss	64 chord \| bride \| cemetery \| embracing \| familiar tune \| groom \| inversion \| kissing \| leading lady \| leading man \| love \| love scene \| romantic
Arsenic and Old Lace (1944)	Here Comes the Bride (Church Bells)	0:16:22 - Mortimer and Elaine talk	64 chord \| bride \| cemetery \| chromatic mediant \| conversing \| familiar tune \| flirting \| foreign key modulation \| groom \| leading lady \| leading man \| love \| love scene \| parallelism \| romantic
Arsenic and Old Lace (1944)	Chasing	0:16:31 - Elaine runs off	bride \| groom \| hurrying \| leading lady \| leading man \| light \| love \| love scene \| running \| secondary dominant \| street
Arsenic and Old Lace (1944)	Here Comes the Bride	0:16:37 - Elaine whistles	bride \| cheerful \| familiar tune \| groom \| leading lady \| leading man \| love \| love scene \| on-screen music \| source music \| street \| whistling
Arsenic and Old Lace (1944)	Here Comes the Bride	0:17:02 - Mortimer whistles	aunt \| cheerful \| familiar tune \| groom \| leading lady \| leading man \| love \| love scene \| on-screen music \| room \| source music \| whistling
Arsenic and Old Lace (1944)	Break the News to Mother	0:18:44 - Teddy sings	advance plot \| aunt \| brother \| cheerful \| crazy person \| familiar tune \| groom \| leading lady \| leading man \| on-screen music \| room \| singing \| source music \| war song
Arsenic and Old Lace (1944)	Jonathan	0:18:54 - Jonathan Brewster's picture is shown	advance plot \| aunt \| conversing \| diminished 7th chord \| groom \| leading lady \| leading man \| ominous \| pc set \| picture \| room \| sinister \| stinger
Arsenic and Old Lace (1944)	Here Comes the Bride	0:19:52 - Mortimer at the window seat	advance plot \| familiar tune \| groom \| leading man \| on-screen music \| room \| source music \| upbeat \| whistling
Arsenic and Old Lace (1944)	Happy Land	0:20:06 - Abby sings	advance plot \| aunt \| cheerful \| familiar tune \| groom \| leading lady \| leading man \| on-screen music \| room \| score to source \| sequence \| singing \| source music
Arsenic and Old Lace (1944)	Jonathan	0:23:14 - Mortimer reacts to the reveal	calling \| conversing \| dialing \| diminished 7th chord \| groom \| leading man \| ominous \| pc set \| quartal chord \| reveal \| room \| sinister \| stinger \| telephone effect \| thinking \| turning point
Arsenic and Old Lace (1944)	Here Comes the Bride (Elaine Whistles)	0:23:44 - Elaine whistles out of her window	agitated \| bride \| cheerful \| chromatic scale \| dark \| diminished 7th chord \| familiar tune \| groom \| leading lady \| leading man \| on-screen music \| room \| scored source music \| source music \| turning point \| whistling
Arsenic and Old Lace (1944)	Here Comes the Bride (Running)	0:23:58 - Mortimer runs to the door	9th chord \| 13th chord \| aunt \| bride \| child \| chromatic scale \| crazy person \| dark \| familiar tune \| groom \| Halloween \| intervallic expansion \| leading lady \| leading man \| murderer \| room \| running \| rushing \| source music \| source to score \| trick-or-treating \| turning point
Arsenic and Old Lace (1944)	Happy Land	0:24:16 - Abby, Martha, and Mortimer in the kitchen	advance plot \| aunt \| cheerful \| child \| crazy person \| familiar tune \| groom \| leading lady \| leading man \| murderer \| on-screen music \| room \| singing \| source music
Arsenic and Old Lace (1944)	Here Comes the Bride	0:26:22 - Elaine whistles on the phone	advance plot \| bride \| cheerful \| familiar tune \| groom \| leading lady \| leading man \| on-screen music \| room \| source music \| telephone \| whistling
Arsenic and Old Lace (1944)	Break the News to Mother	0:29:30 - Mortimer listens to Teddy sing	advance plot \| brother \| cheerful \| crazy person \| familiar tune \| groom \| leading man \| on-screen music \| room \| singing \| source music
Arsenic and Old Lace (1944)	Here Comes the Bride	0:31:04 - Elaine whistles in Mortimer's ear	advance plot \| bride \| cheerful \| familiar tune \| groom \| leading lady \| leading man \| on-screen music \| room \| source music \| whistling
Arsenic and Old Lace (1944)	Jonathan 2	0:40:30 - Jonathan enters the house	arriving \| chromatic scale \| chromatic wedge \| close-up \| criminal \| dark \| dissonant bass \| establish character \| leading man \| observing \| ominous \| pc set \| room \| walking \| zoom in
Arsenic and Old Lace (1944)	Scar	0:40:54 - The scar on Jonathan's face	close-up \| criminal \| dark \| establish character \| horn flare \| leading man \| observing \| ominous \| pc set \| polychord \| room \| scar
Arsenic and Old Lace (1944)	Home Sweet Home (Ominous)	0:41:03 - Jonathan looks around the house	added-note chord \| augmented triad \| brother \| conversing \| crazy person \| criminal \| dark \| dissonant bass \| distortion \| doctor \| establish character \| familiar tune \| leading man \| observing \| ominous \| room
Arsenic and Old Lace (1944)	Scar (Misterioso)	0:41:31 - They see the food	brother \| conversing \| crazy person \| criminal \| doctor \| establish character \| leading man \| mysterious \| observing \| pc set \| polychord \| room
Arsenic and Old Lace (1944)	Home Sweet Home (Expressivo) + Scar	0:41:42 - Abby talks to Jonathan	altered dominant \| augmented triad \| aunt \| brother \| combination of themes \| conversing \| convincing \| crazy person \| criminal \| distortion \| doctor \| establish character \| expressive \| familiar tune \| leading lady \| leading man \| murderer \| mysterious \| ominous \| room
Arsenic and Old Lace (1944)	Underscoring (Tense)	0:42:08 - Jonathan talks to the aunts	aunt \| brother \| conversing \| crazy person \| criminal \| doctor \| establish character \| leading lady \| leading man \| murderer \| mysterious \| parallelism \| room \| tense \| underscoring
Arsenic and Old Lace (1944)	Scar (Face)	0:42:29 - Jonathan talks about his scar	augmented triad \| aunt \| brother \| chromatic parallelism \| conversing \| crazy person \| criminal \| doctor \| establish character \| fragmentation \| leading lady \| leading man \| murderer \| mysterious \| pc set \| polychord \| room \| scar \| tense
Arsenic and Old Lace (1944)	Mysterioso Pizzicato	0:42:41 - Martha talks about scary movies	aunt \| brother \| conversing \| crazy person \| criminal \| dissonant bass \| doctor \| establish character \| familiar tune \| leading lady \| leading man \| murderer \| mysterious \| room \| scar \| silent film music
Arsenic and Old Lace (1944)	Underscoring (Tense)	0:42:56 - Jonathan glares at Dr. Einstein	aunt \| brother \| conversing \| crazy person \| criminal \| diminished 7th chord \| doctor \| establish character \| leading lady \| leading man \| murderer \| oscillation \| room \| scar \| tense
Arsenic and Old Lace (1944)	Jonathan 2	0:43:08 - Jonathan talks about the operation	aunt \| brother \| chromatic scale \| chromatic wedge \| crazy person \| criminal \| dark \| dissonant bass \| doctor \| establish character \| grabbing \| leading lady \| leading man \| murderer \| ominous \| pc set \| room \| struggling \| threatening
Arsenic and Old Lace (1944)	Scar	0:43:20 - Dr. Einstein talks to the aunts	aunt \| brother \| conversing \| crazy person \| criminal \| dark \| doctor \| establish character \| leading lady \| leading man \| murderer \| ominous \| pc set \| polychord \| room
Arsenic and Old Lace (1944)	Home Sweet Home (Ominous)	0:43:28 - Dr. Einstein talks to the aunts	added-note chord \| altered dominant \| aunt \| brother \| conversing \| crazy person \| criminal \| distortion \| doctor \| establish character \| familiar tune \| leading lady \| leading man \| murderer \| room \| split-fifth chord \| tense
Arsenic and Old Lace (1944)	Home Sweet Home (Tranquillo)	0:43:40 - Jonathan sits down	augmented triad \| aunt \| brother \| calm \| chromatic parallelism \| conversing \| crazy person \| criminal \| direct modulation \| distortion \| doctor \| establish character \| familiar tune \| leading lady \| leading man \| murderer \| pedal tone \| room
Arsenic and Old Lace (1944)	The Aunts (Frightened)	0:44:00 - The aunts go into the kitchen	augmentation \| aunt \| brother \| conversing \| crazy person \| criminal \| doctor \| establish character \| fear \| foreign key modulation \| fragmentation \| leading lady \| leading man \| murderer \| mysterious \| Neapolitan \| ominous \| parallel 63s \| pedal tone \| room \| walking \| watching
Arsenic and Old Lace (1944)	The Aunts (Frightened)	0:45:22 - The aunts peek through the kitchen window	aunt \| brother \| conversing \| crazy person \| criminal \| doctor \| establish character \| face \| fear \| leading lady \| leading man \| murderer \| mysterious \| Neapolitan \| ominous \| parallel 63s \| pedal tone \| room \| snooping \| watching
Arsenic and Old Lace (1944)	Scar	0:45:29 - Dr. Einstein describes how he will fix Jonathan's face	aunt \| brother \| conversing \| crazy person \| criminal \| dark \| doctor \| establish character \| face \| leading lady \| leading man \| murderer \| ominous \| pc set \| planning \| polychord \| room \| wipe
Arsenic and Old Lace (1944)	Jonathan 2	0:49:12 - Jonathan threatens the aunts	advance plot \| aunt \| brother \| chromatic scale \| chromatic wedge \| crazy person \| criminal \| dark \| dissonant bass \| doctor \| fear \| leading lady \| leading man \| murderer \| ominous \| pc set \| room \| threatening
Arsenic and Old Lace (1944)	Scar	0:49:36 - Dr. Einstein calls to Jonathan	advance plot \| aunt \| brother \| crazy person \| criminal \| dark \| doctor \| fear \| leading lady \| leading man \| murderer \| ominous \| pc set \| polychord \| room \| threatening
Arsenic and Old Lace (1944)	Underscoring (Tense)	0:49:45 - Jonathan follows Dr. Einstein	advance plot \| altered dominant \| brother \| conversing \| crazy person \| criminal \| digging \| dissonant bass \| doctor \| familiar tune \| leading man \| march \| murderer \| on-screen music \| patriotic tune \| pc set \| plotting \| room \| source and scoring overlap \| tense \| tone cluster \| whistling
Arsenic and Old Lace (1944)	When Johnny Comes Marching Home	0:49:45 - Dr. Einstein spies on Teddy	advance plot \| brother \| crazy person \| criminal \| dark \| digging \| doctor \| familiar tune \| leading man \| march \| murderer \| on-screen music \| patriotic tune \| room \| source and scoring overlap \| tense \| whistling
Arsenic and Old Lace (1944)	Scar (Dark)	0:50:14 - Jonathan and Dr. Einstein watch Teddy dig	advance plot \| brother \| conversing \| crazy person \| criminal \| dark \| digging \| dissonant bass \| doctor \| familiar tune \| leading man \| march \| murderer \| on-screen music \| patriotic tune \| room \| source and scoring overlap \| watching \| whistling
Arsenic and Old Lace (1944)	The Aunts (Frightened)	0:50:20 - Jonathan and Dr. Einstein talk	advance plot \| brother \| crazy person \| criminal \| digging \| doctor \| familiar tune \| leading man \| march \| murderer \| Neapolitan \| on-screen music \| parallel 63s \| patriotic tune \| pedal tone \| plotting \| room \| source and scoring overlap \| tense \| whistling
Arsenic and Old Lace (1944)	Stinger	0:52:41 - Jonathan suddenly appears at the window	advance plot \| aunt \| brother \| crazy person \| dramatic \| harsh \| leading lady \| leading man \| murderer \| opening \| room \| stinger \| surprise \| whole-tone chord \| window
Arsenic and Old Lace (1944)	Jonathan 2	0:52:48 - Jonathan comes in the window	advance plot \| aunt \| brother \| chromatic scale \| chromatic wedge \| crazy person \| dark \| darkness \| dissonant bass \| doctor \| intimidating \| leading lady \| leading man \| murderer \| ominous \| pc set \| room \| staring \| tense
Arsenic and Old Lace (1944)	Jonathan (Fragmented)	0:53:35 - Jonathan and the doctor go up the stairs	advance plot \| aunt \| brother \| conversing \| crazy person \| dark \| darkness \| doctor \| fragmentation \| intimidating \| leading lady \| leading man \| murderer \| ominous \| pc set \| room \| tense
Arsenic and Old Lace (1944)	The Aunts	0:53:55 - Aunt Abby goes to the front door	advance plot \| aunt \| brother \| calm \| crazy person \| darkness \| harmonic sequence \| leading lady \| leading man \| murderer \| room \| silhouette \| staring \| upbeat \| walking
Arsenic and Old Lace (1944)	Underscoring (Mysterious)	0:54:01 - Aunt Abby goes up the stairs	advance plot \| aunt \| brother \| crazy person \| darkness \| intimidating \| leading lady \| leading man \| murderer \| mysterious \| room \| silhouette \| staring \| underscoring
Arsenic and Old Lace (1944)	The Aunts (Molto Misterioso)	0:54:12 - Aunt Abby faces Jonathan	advance plot \| aunt \| brother \| crazy person \| darkness \| foreign key modulation \| fragmentation \| intimidating \| leading lady \| leading man \| murderer \| mysterious \| parallel 63s \| pedal tone \| room \| staring \| walking
Arsenic and Old Lace (1944)	Underscoring (Tense)	0:54:30 - Jonathan goes up the stairs	advance plot \| brother \| crazy person \| darkness \| leading man \| murderer \| mysterious \| room \| sneaking \| tense \| tone cluster \| underscoring \| walking
Arsenic and Old Lace (1944)	Underscoring (Dark)	0:56:27 - Einstein looks around in the dark	advance plot \| brother \| crazy person \| dark \| darkness \| descending \| doctor \| leading man \| match \| murderer \| plotting \| room \| sneaking \| underscoring
Arsenic and Old Lace (1944)	Blows out match	0:56:48 - Einstein blows out the match	advance plot \| blowing \| brother \| crazy person \| darkness \| doctor \| extinguishing \| leading man \| match \| mickey-mousing \| murderer \| room \| tense \| whole-tone scale
Arsenic and Old Lace (1944)	Jonathan 2 (Dark)	0:57:04 - Jonathan exits	advance plot \| brother \| chromatic scale \| chromatic wedge \| conversing \| crazy person \| dark \| darkness \| dissonant bass \| doctor \| falling \| leading man \| murderer \| mysterious \| pc set \| polychord \| room \| stinger
Arsenic and Old Lace (1944)	Underscoring (Tense)	0:58:10 - Someone knocks at the door	advance plot \| brother \| chromatic scale \| conversing \| corpse \| crazy person \| darkness \| doctor \| knocking \| leading man \| murderer \| pc set \| room \| sequence \| sneaking \| tense \| underscoring
Arsenic and Old Lace (1944)	Scar (Tense)	0:58:39 - Close-up on Dr. Einstein's face	advance plot \| bride \| brother \| calling \| close-up \| crazy person \| darkness \| doctor \| entering \| fear \| fragmentation \| leading lady \| leading man \| murderer \| polychord \| room \| sneaking \| tense
Arsenic and Old Lace (1944)	Jonathan 2	0:58:55 - Jonathan emerges from the shadows	advance plot \| bride \| brother \| chromatic scale \| chromatic wedge \| conversing \| crazy person \| darkness \| dissonant bass \| doctor \| fear \| leading lady \| leading man \| murderer \| pc set \| questioning \| room \| sinister
Arsenic and Old Lace (1944)	Jonathan 2 (Ominous)	1:00:36 - Jonathan backs Elaine into a corner	advance plot \| anger \| augmented triad \| bride \| brother \| chromatic scale \| crazy person \| dissonant bass \| doctor \| fear \| hurting \| leading lady \| leading man \| murderer \| ominous \| polychord \| questioning \| room \| stinger \| tense \| threatening
Arsenic and Old Lace (1944)	Underscoring (Dramatic)	1:01:21 - They take Elaine into the cellar	9th chord \| aunt \| bride \| brother \| chromatic scale \| conflict \| crazy person \| darkness \| diminished 7th chord \| doctor \| dramatic \| fear \| fighting \| gagging \| harmonic sequence \| leading lady \| leading man \| metric dissonance \| murderer \| oscillation \| room \| running \| self-borrowing \| struggling \| suspenseful \| underscoring
Arsenic and Old Lace (1944)	Organ Stinger	1:01:40 - Aunts emerge in black upstairs	arguing \| aunt \| brother \| conflict \| crazy person \| leading lady \| leading man \| murderer \| ominous \| room \| stinger
Arsenic and Old Lace (1944)	The Aunts (Frightened)	1:01:49 - Aunts talk to Jonathan	arguing \| aunt \| brother \| conflict \| crazy person \| fear \| fragmentation \| leading lady \| leading man \| murderer \| Neapolitan \| parallel 63s \| pedal tone \| room \| tense
Arsenic and Old Lace (1944)	Happy Land	1:19:56 - Mortimer with the taxi driver	aunt \| brother \| calm \| conversing \| crazy person \| doctor \| driver \| funeral \| groom \| hymn \| leading lady \| leading man \| murderer \| on-screen music \| score to source \| singing \| source music \| street
Arsenic and Old Lace (1944)	Happy Land	1:22:17 - Mortimer talks with Elaine through her window	aunt \| bride \| calm \| conversing \| crazy person \| doctor \| funeral \| groom \| hymn \| leading lady \| leading man \| murderer \| singing \| street
Arsenic and Old Lace (1944)	Symphony No. 5: I	1:27:02 - Teddy plays the bugle	advance plot \| crazy person \| familiar tune \| groom \| leading man \| playing \| room \| singing \| startled
Arsenic and Old Lace (1944)	Molto Agitato	1:29:57 - Jonathan ties Mortimer to a chair	9th chord \| brother \| captive \| chromatic parallelism \| conflict \| crazy person \| diminished 7th chord \| doctor \| dramatic \| fear \| gagging \| leading man \| mickey-mousing \| murderer \| room \| stinger \| tying \| victim
Arsenic and Old Lace (1944)	The Victim	1:30:11 - Mortimer tied up in a chair	brother \| captive \| conflict \| crazy person \| doctor \| fear \| leading man \| murderer \| ominous \| parallel fifths \| quartal chord \| room \| tense \| tone cluster \| torturing \| tritone \| victim
Arsenic and Old Lace (1944)	Knives	1:31:05 - Mortimer looks at the knives	acceleration \| brother \| captive \| chromatic parallelism \| close-up \| conflict \| crazy person \| diminution \| doctor \| fear \| layering \| leading man \| murderer \| ominous \| oscillation \| ostinato \| pc set \| polychord \| room \| tense \| tone cluster \| torturing \| victim
Arsenic and Old Lace (1944)	Panic	1:31:48 - Einstein agrees to do the torture	alcohol \| brother \| captive \| chromatic parallelism \| chromatic scale \| conflict \| crazy person \| doctor \| dramatic \| fear \| leading man \| murderer \| oscillation \| panicked \| panicking \| polychord \| room \| sequence \| split-third chord \| tense \| torturing \| victim
Arsenic and Old Lace (1944)	Scar (Fast)	1:32:11 - Einstein finds some wine	alcohol \| brother \| captive \| conflict \| crazy person \| doctor \| dramatic \| fear \| hurrying \| leading man \| murderer \| panicking \| polychord \| room \| tense \| torturing \| victim
Arsenic and Old Lace (1944)	How Dry I Am (Mysterious)	1:32:25 - Einstein and Jonathan start to drink the wine	alcohol \| brother \| captive \| conflict \| crazy person \| doctor \| drinking \| familiar tune \| fear \| leading man \| murderer \| mysterious \| polychord \| room \| victim \| whole-tone chord
Arsenic and Old Lace (1944)	Underscoring (Tense)	1:32:35 - They toast to Mortimer	alcohol \| brother \| captive \| clinking \| conflict \| crazy person \| doctor \| fear \| glass effect \| leading man \| murderer \| mysterious \| pc set \| polychord \| room \| tense \| toasting \| underscoring \| victim
Arsenic and Old Lace (1944)	Bugle Call	1:32:56 - Teddy plays the bugle	brother \| bugle \| bugle call \| captive \| conflict \| crazy person \| doctor \| dramatic \| fear \| leading man \| murderer \| on-screen music \| playing \| room \| source music \| victim
Arsenic and Old Lace (1944)	Bugle Call	1:49:14 - Mortimer blows the bugle	bugle \| bugle call \| climax \| dramatic \| leading man \| on-screen music \| playing \| room \| source music
Arsenic and Old Lace (1944)	Happy Land	1:50:41 - Mortimer sings	bugle call \| climax \| leading man \| on-screen music \| room \| singing \| source music \| upbeat
Arsenic and Old Lace (1944)	Happy Land (The End)	1:57:05 - Mortimer carries Elaine away	altered dominant \| bride \| countermelody \| driver \| end title sequence \| familiar tune \| groom \| kissing \| leading lady \| leading man \| resolution \| street \| The End \| upbeat
The Big Sleep (1946)	Transition	0:00:08 - Shadows of the main characters	bold \| leading lady \| leading man \| opening title sequence \| silhouette \| smoke \| smoking \| starring list \| transition
The Big Sleep (1946)	The Big Sleep	0:00:13 - Starring actors and main title	cast list \| dark \| heavy \| leading lady \| leading man \| opening title sequence \| silhouette \| smoke \| smoking \| starring list
The Big Sleep (1946)	Underscoring (Tense)	0:01:01 - Sign for the Sternwood mansion	arriving \| butler \| establish character \| leading man \| mansion \| private eye \| room \| tense \| underscoring
The Big Sleep (1946)	Walking	0:01:26 - Carmen walks down the stairs	arriving \| daughter \| descending \| establish character \| femme fatale \| leading man \| mysterious \| private eye \| room \| walking
The Big Sleep (1946)	Flirtation	0:01:42 - Carmen flirts with Marlowe	comical \| daughter \| establish character \| femme fatale \| flirting \| leading man \| private eye \| room
The Big Sleep (1946)	Marlowe	0:02:01 - Marlowe gives Carmen a fake name	comical \| daughter \| establish character \| femme fatale \| flirting \| leading man \| private eye \| room
The Big Sleep (1946)	Marlowe (Sly)	0:02:12 - Marlowe and Carmen talk	daughter \| establish character \| femme fatale \| flirting \| leading man \| mysterious \| private eye \| room
The Big Sleep (1946)	Carmen falls	0:02:20 - Carmen falls into Marlowe's arms	daughter \| establish character \| falling \| femme fatale \| flirting \| leading man \| mickey-mousing \| playful \| private eye \| room
The Big Sleep (1946)	Carmen	0:02:21 - Carmen in Marlowe's arms	daughter \| establish character \| femme fatale \| flirting \| leading man \| mysterious \| private eye \| room
The Big Sleep (1946)	Sternwood	0:02:31 - Carmen walks away	bluesy \| daughter \| establish character \| femme fatale \| leading man \| private eye \| room \| seductive \| walking
The Big Sleep (1946)	Underscoring (Tense)	0:02:45 - Marlowe goes to meet Sternwood	butler \| establish character \| leading man \| private eye \| room \| tense \| underscoring \| walking
The Big Sleep (1946)	Walking	0:13:02 - Marlowe leaves the mansion	butler \| leading man \| mysterious \| private eye \| room \| transition \| walking
The Big Sleep (1946)	Chevalier Audubon	0:13:14 - Marlowe writes on note card	advance plot \| heroic \| leading man \| library \| private eye \| researching \| writing
The Big Sleep (1946)	Marlowe (Molto Misterioso)	0:13:20 - Marlowe goes to talk to librarian	advance plot \| leading man \| library \| mysterious \| private eye \| researching \| writing
The Big Sleep (1946)	Walking	0:13:39 - Marlowe walks down the street	advance plot \| calm \| investigating \| leading man \| private eye \| street \| walking
The Big Sleep (1946)	Marlowe (Grazioso)	0:13:46 - Marlowe puts on a disguise	advance plot \| disguise \| disguising \| leading man \| mysterious \| private eye \| street
The Big Sleep (1946)	Walking (Extended)	0:15:03 - Marlowe walks across the street	advance plot \| calm \| investigating \| leading man \| private eye \| street \| walking
The Big Sleep (1946)	Waiting	0:18:15 - Marlowe talks to lady in bookstore	book shop \| conversing \| leading man \| love interest \| love scene \| mysterious \| private eye \| romantic
The Big Sleep (1946)	Marlowe (Agitato)	0:19:05 - Marlowe gets in his car	car \| following \| leading man \| mysterious \| private eye \| rain \| street \| tense \| transition
The Big Sleep (1946)	Car	0:19:13 - Car arrives at Geiger's house	car \| driving \| leading man \| mysterious \| private eye \| rain \| street \| tense \| transition
The Big Sleep (1946)	Marlowe (Misterioso)	0:19:40 - Marlowe pulls up in his car	arriving \| car \| investigating \| leading man \| mysterious \| private eye \| rain \| street \| tense \| transition
The Big Sleep (1946)	Marlowe 2	0:19:47 - Marlowe spies on the house	car \| investigating \| investigation scene \| leading man \| mysterious \| private eye \| rain \| street \| tense \| waiting
The Big Sleep (1946)	Marlowe (Molto Misterioso)	0:20:17 - Marlowe gets out to see the second car	car \| investigating \| investigation scene \| leading man \| mysterious \| private eye \| rain \| street \| tense \| walking
The Big Sleep (1946)	Carmen	0:20:39 - Marlowe sees Carmen's name on the car registration	car \| investigating \| investigation scene \| leading man \| mysterious \| name on screen \| private eye \| rain \| street \| tense
The Big Sleep (1946)	Underscoring (Dramatic)	0:21:04 - Marlowe runs to the house	action scene \| antagonist \| dramatic \| hurrying \| leading man \| private eye \| running \| street \| tense \| underscoring
The Big Sleep (1946)	Marlowe (Heroic)	0:21:28 - Marlowe enters the house	action scene \| breaking in \| heroic \| leading man \| private eye \| running \| street
The Big Sleep (1946)	Underscoring (Mysterious)	0:23:44 - Marlowe investigates the crime scene	investigating \| investigation scene \| leading man \| mysterious \| private eye \| room \| underscoring
The Big Sleep (1946)	Marlowe (Augmented)	0:23:56 - Marlowe investigates the crime scene	investigating \| investigation scene \| leading man \| mickey-mousing \| mysterious \| private eye \| room \| snapping \| thinking
The Big Sleep (1946)	Underscoring (Mysterious)	0:24:05 - Marlowe advances	investigating \| investigation scene \| leading man \| mickey-mousing \| mysterious \| private eye \| room \| searching
The Big Sleep (1946)	Underscoring (Mysterious)	NIF - not in film	deleted scene \| deleted scene \| investigating \| investigation \| leading man \| mickey-mousing \| mysterious \| private eye \| room \| searching \| underscoring
The Big Sleep (1946)	Turns light on	NIF - not in film	deleted scene \| deleted scene \| investigating \| investigation \| leading man \| light \| light switch \| mickey-mousing \| mysterious \| private eye \| room \| searching \| turning on
The Big Sleep (1946)	Turns light on	NIF - not in film	deleted scene \| deleted scene \| investigating \| investigation \| leading man \| light \| light switch \| mickey-mousing \| mysterious \| private eye \| room \| searching \| turning on
The Big Sleep (1946)	Water running	NIF - not in film	deleted scene \| deleted scene \| faucet \| flowing \| investigating \| investigation \| leading man \| mickey-mousing \| mysterious \| private eye \| room \| searching \| water
The Big Sleep (1946)	Walking	NIF - not in film	deleted scene \| deleted scene \| investigating \| investigation \| leading man \| mysterious \| private eye \| room \| searching \| tense
The Big Sleep (1946)	Underscoring (Tense)	NIF - not in film	deleted scene \| deleted scene \| investigating \| investigation \| leading man \| mysterious \| private eye \| room \| searching \| tense
The Big Sleep (1946)	Carmen (Clues)	NIF - not in film	clue \| deleted scene \| deleted scene \| investigating \| investigation \| key \| leading man \| mysterious \| private eye \| room \| searching \| tense
The Big Sleep (1946)	Walking	NIF - not in film	deleted scene \| deleted scene \| investigating \| investigation \| leading man \| mysterious \| private eye \| room \| searching \| tense \| walking
The Big Sleep (1946)	Marlowe (Investigating)	NIF - not in film	deleted scene \| deleted scene \| dramatic \| investigating \| investigation \| leading man \| private eye \| room \| searching \| tense
The Big Sleep (1946)	Underscoring (Dramatic)	NIF - not in film	deleted scene \| deleted scene \| dramatic \| investigating \| investigation \| leading man \| private eye \| room \| searching \| tense
The Big Sleep (1946)	Underscoring (Mysterious)	0:24:09 - Marlowe searches for clues	investigating \| investigation scene \| leading man \| mysterious \| private eye \| room \| searching \| secret code
The Big Sleep (1946)	Turning page	0:24:20 - Marlowe turns the page in the code book	clue \| investigating \| investigation scene \| leading man \| mysterious \| private eye \| room \| searching \| secret code \| turning
The Big Sleep (1946)	Carmen (Foreboding)	0:24:22 - Marlowe sees the name Sternwood in a code book	clue \| foreboding \| investigating \| investigation scene \| leading man \| name on screen \| private eye \| room \| searching \| secret code
The Big Sleep (1946)	Marlowe (Thinking)	0:24:26 - Marlowe tries to solve the mystery	clue \| investigating \| investigation scene \| leading man \| mysterious \| private eye \| room \| secret code \| thinking
The Big Sleep (1946)	Marlowe (Risoluto)	0:24:39 - Marlowe searches for clues	investigating \| investigation scene \| leading man \| private eye \| resolved \| room \| searching
The Big Sleep (1946)	Underscoring (Dramatic)	0:24:57 - Dead body on the floor	corpse \| death \| dramatic \| femme fatale \| investigating \| investigation scene \| leading man \| private eye \| room \| searching \| stinger \| tense \| underscoring
The Big Sleep (1946)	Carmen (Drugged)	NIF - not in film	deleted scene \| femme fatale \| helping \| investigation \| leading man \| mysterious \| private eye \| room \| tense
The Big Sleep (1946)	Turns light off	NIF - not in film	deleted scene \| femme fatale \| investigation \| leading man \| light \| light switch \| mysterious \| private eye \| room \| tense \| turning off
The Big Sleep (1946)	Walking (The Car)	NIF - not in film	car \| deleted scene \| driving \| femme fatale \| leading man \| private eye \| room \| tense \| transition
The Big Sleep (1946)	Carmen	NIF - not in film	arriving \| butler \| deleted scene \| femme fatale \| leading man \| private eye \| room \| tense \| transition
The Big Sleep (1946)	Marlowe (Molto Misterioso)	0:25:05 - Marlowe arrives at Carmen's house	arriving \| butler \| departing \| femme fatale \| inserted scene \| leading man \| not in score \| private eye \| reused recording \| room \| tense \| transition
The Big Sleep (1946)	Walking	0:25:22 - Vivian walks down the hall	advance plot \| butler \| calm \| inserted scene \| leading lady \| leading man \| not in score \| private eye \| reused recording \| room \| walking
The Big Sleep (1946)	Marlowe (Grazioso)	0:25:28 - Marlowe asks Vivian to help with Carmen	advance plot \| butler \| conversing \| femme fatale \| inserted scene \| leading lady \| leading man \| mysterious \| not in score \| private eye \| reused recording \| room
The Big Sleep (1946)	Hurrying	0:27:25 - Marlowe goes back to Geiger's house	investigating \| investigation scene \| leading man \| mysterious \| private eye \| street \| walking
The Big Sleep (1946)	Marlowe (Misterioso)	0:27:44 - Marlowe returns to the scene of the crime	arriving \| investigating \| investigation scene \| leading man \| mysterious \| private eye \| room
The Big Sleep (1946)	Marlowe 2 (Blood Stain)	0:27:54 - Marlowe discovers that the body is missing	investigating \| investigation scene \| leading man \| private eye \| room \| tense
The Big Sleep (1946)	Marlowe (Sneaking)	0:28:16 - Marlowe investigates the crime scene	dark \| investigating \| investigation scene \| leading man \| mysterious \| private eye \| room \| sneaking \| tritone
The Big Sleep (1946)	Marlowe (Major)	0:28:47 - Marlowe's name on his apartment door	arriving \| leading man \| mysterious \| name on screen \| noble \| private eye \| room \| transition
The Big Sleep (1946)	Entering	NIF - not in film	arriving \| deleted scene \| entering \| gentle \| leading man \| not in score \| private eye \| room \| transition \| walking
The Big Sleep (1946)	Marlowe (Melancholy)	NIF - not in film	arriving \| deleted scene \| leading man \| melancholy \| not in score \| private eye \| room \| transition
The Big Sleep (1946)	Underscoring (Tense)	0:28:58 - Marlowe tries to crack the code	leading man \| private eye \| researching \| room \| tense \| threat \| transition \| tritone \| writing
The Big Sleep (1946)	Walking	0:32:10 - Marlowe walks to his office	advance plot \| arriving \| calm \| leading lady \| leading man \| private eye \| room \| walking
The Big Sleep (1946)	Marlowe (Grazioso)	0:32:29 - Marlowe talks with Vivian	advance plot \| conversing \| leading lady \| leading man \| mysterious \| private eye \| room
The Big Sleep (1946)	Marlowe (Ear Music)	0:38:26 - Marlowe talks with Agnes	arguing \| book shop \| investigation scene \| leading man \| private eye \| secretary \| tense
The Big Sleep (1946)	Hurrying	0:38:45 - Marlowe walks to a cab	car \| car \| driver \| hurrying \| investigation scene \| leading man \| mysterious \| private eye \| taxi \| tense \| walking
The Big Sleep (1946)	Marlowe (Taxi)	0:39:05 - Marlowe talks to the lady cab driver	car \| car \| driver \| driving \| following \| investigation scene \| leading man \| mysterious \| private eye \| taxi \| tense
The Big Sleep (1946)	Station Wagon	0:39:16 - Marlowe follows a station wagon	car \| car \| driver \| driving \| following \| investigation scene \| leading man \| mysterious \| private eye \| taxi \| tense
The Big Sleep (1946)	Walking 2	0:39:25 - Marlowe walks to the house	investigating \| investigation scene \| leading man \| mysterious \| private eye \| street \| tense \| walking
The Big Sleep (1946)	Hurrying	0:39:41 - Marlowe walks back to the cab	hurrying \| investigation scene \| leading man \| mysterious \| private eye \| street \| tense \| walking
The Big Sleep (1946)	Girl Driver	0:39:53 - Marlowe pays the lady cab driver	bluesy \| flirting \| investigation scene \| leading man \| love interest \| private eye \| seductive \| street
The Big Sleep (1946)	Marlowe (Ear Music)	0:46:52 - Marlowe thinks	advance plot \| leading man \| mysterious \| private eye \| room \| tense \| thinking
The Big Sleep (1946)	Marlowe (Decisive)	0:47:04 - Marlowe walks out the door	advance plot \| bold \| decisive \| leading man \| leaving \| private eye \| room
The Big Sleep (1946)	Marlowe 2 (Waiting)	0:47:11 - Marlowe waits in his car	car \| driving \| investigation scene \| leading man \| mysterious \| private eye \| tense \| waiting
The Big Sleep (1946)	Car	0:47:32 - Another car arrives	arriving \| driving \| investigation scene \| leading man \| mysterious \| private eye \| street \| tense \| waiting
The Big Sleep (1946)	Running	0:47:40 - Vivian enters the apartment building	hurrying \| investigating \| investigation scene \| leading lady \| leading man \| mysterious \| private eye \| street \| tense \| walking
The Big Sleep (1946)	Marlowe (Determined)	0:47:56 - Marlowe enters the apartment building	arriving \| ascending \| bold \| determined \| heroic \| investigating \| investigation scene \| leading lady \| leading man \| private eye \| stairs \| street \| walking
The Big Sleep (1946)	Underscoring (Mysterious)	0:48:15 - Marlowe talks to Joe Brody	blackmailer \| conversing \| criminal \| gun \| investigation scene \| leading man \| mysterious \| private eye \| room \| suspect \| underscoring
The Big Sleep (1946)	Marlowe (Augmented)	0:48:55 - Joe pulls a gun on Marlowe	blackmailer \| conversing \| criminal \| gun \| investigation scene \| leading man \| mysterious \| private eye \| room \| suspect
The Big Sleep (1946)	Underscoring (Tense)	0:51:31 - Joe reacts to the doorbell ringing	blackmailer \| conflict \| conversing \| criminal \| doorbell \| gun \| leading lady \| leading man \| mysterious \| private eye \| room \| suspect \| tense \| underscoring
The Big Sleep (1946)	Sternwood (Threatening)	0:51:52 - Carmen enters holding a gun on Brody	blackmailer \| conflict \| criminal \| dark \| femme fatale \| gun \| leading lady \| leading man \| private eye \| room \| sinister \| stinger \| suspect \| threatening
The Big Sleep (1946)	Underscoring (Dramatic)	0:52:02 - Marlowe pushes Agnes and Joe trips Carmen	blackmailer \| conflict \| criminal \| dramatic \| falling \| femme fatale \| gun \| leading lady \| leading man \| private eye \| room \| suspect \| tense \| tripping \| underscoring
The Big Sleep (1946)	Carmen (Misterioso)	0:52:18 - Joe gives the picture to Marlowe	blackmail \| blackmailer \| conflict \| conversing \| criminal \| evidence \| femme fatale \| leading lady \| leading man \| mysterious \| private eye \| room \| suspect
The Big Sleep (1946)	Sternwood (Extended)	0:52:29 - Carmen asks for her picture back	blackmail \| conflict \| evidence \| femme fatale \| flirting \| leading lady \| leading man \| mysterious \| private eye \| room \| seductive
The Big Sleep (1946)	Carmen (Violent)	0:52:58 - Vivian and Carmen leave	blackmailer \| conflict \| criminal \| femme fatale \| leading lady \| leading man \| leaving \| mysterious \| private eye \| room \| suspect
The Big Sleep (1946)	Slapping	0:53:02 - Carmen slaps Joe with her purse	blackmailer \| conflict \| criminal \| femme fatale \| leading lady \| leading man \| mickey-mousing \| private eye \| room \| slamming \| slapping \| suspect \| tense \| violence
The Big Sleep (1946)	Running out	0:56:36 - Marlowe runs after the killer	assassin \| chase scene \| chasing \| combination of themes \| dramatic \| gun \| gunshot \| leading man \| mickey-mousing \| murder \| murderer \| private eye \| room \| running \| stairs \| stinger
The Big Sleep (1946)	Down the Stairs + The Chase + Marlowe (Action)	0:56:39 - Marlowe chases the killer down the stairs	assassin \| chase scene \| chasing \| descending \| dramatic \| gun \| gunshot \| heroic \| leading man \| murderer \| private eye \| room \| running \| stairs \| tense
The Big Sleep (1946)	Underscoring (Dramatic)	0:56:54 - Killer shoots at Marlowe	assassin \| chase scene \| chasing \| dramatic \| leading man \| murderer \| private eye \| running \| shooting \| street \| tense \| underscoring
The Big Sleep (1946)	Marlowe (Action)	0:57:01 - Marlowe runs to his car	assassin \| chase scene \| chasing \| dramatic \| heroic \| leading man \| murderer \| private eye \| running \| street \| tense
The Big Sleep (1946)	The Pursuit	0:57:09 - Marlowe pursues killer in his car	assassin \| car \| chase scene \| chasing \| driving \| gun \| hiding \| leading man \| murderer \| private eye \| pursuing \| street \| tense
The Big Sleep (1946)	Marlowe (Sinister)	0:58:24 - Marlowe takes Carol to Geiger's house	arriving \| assassin \| conflict \| dark \| gun \| leading man \| murderer \| private eye \| punching \| sinister \| stinger \| street
The Big Sleep (1946)	Marlowe (Misterioso)	0:59:14 - Marlowe ties up Carol	assassin \| corpse \| dark \| investigating \| investigation scene \| leading man \| murderer \| mysterious \| private eye \| room \| rope \| stinger \| tying up
The Big Sleep (1946)	Marlowe (Ear Business)	0:59:42 - Marlowe pulls on his ear	corpse \| investigating \| investigation scene \| leading man \| mysterious \| private eye \| room \| thinking
The Big Sleep (1946)	Marlowe 2 (Dialing)	0:59:47 - Marlowe walks to the phone	calling \| corpse \| dialing \| investigating \| investigation scene \| leading man \| mysterious \| private eye \| room \| spinning \| tense
The Big Sleep (1946)	Vivian + Marlowe (Ear Business)	NIF - not in film	advance plot \| combination of themes \| conversing \| cut from film \| deleted scene \| deleted scene \| leading lady \| leading man \| love interest \| mysterious \| private eye \| romantic \| room \| thinking
The Big Sleep (1946)	Marlowe (Phone Call)	NIF - not in film	advance plot \| bold \| calling \| cut from film \| deleted scene \| deleted scene \| dialing \| leading man \| phone \| private eye \| room \| tense
The Big Sleep (1946)	Carmen	NIF - not in film	advance plot \| burning \| calling \| cut from film \| deleted scene \| deleted scene \| leading man \| mysterious \| phone \| private eye \| room \| tense
The Big Sleep (1946)	Carmen (Clues)	NIF - not in film	advance plot \| calling \| cut from film \| deleted scene \| deleted scene \| leading man \| mysterious \| phone \| private eye \| room \| tense
The Big Sleep (1946)	I Guess I'll Have to Change My Plan	1:00:50 - Vivian enters a restaurant	arriving \| club \| conversing \| falling in love scene \| leading lady \| leading man \| love interest \| pleasant \| private eye \| source music
The Big Sleep (1946)	The Blue Room	1:02:15 - Vivan pays Marlowe	club \| conversing \| falling in love scene \| leading lady \| leading man \| love interest \| pleasant \| private eye \| source music
The Big Sleep (1946)	You Go to My Head	1:04:25 - Vivian and Marlowe talk in a restaurant	club \| conversing \| falling in love scene \| leading lady \| leading man \| love interest \| pleasant \| private eye \| source music
The Big Sleep (1946)	And Her Tears Flowed Like Wine	1:05:55 - Marlowe arrives at Mars's place	advance plot \| arriving \| club \| leading lady \| leading man \| love interest \| musician \| on-screen music \| playing \| private eye \| singer \| singing \| source music \| upbeat
The Big Sleep (1946)	Wotta Life	1:08:09 - Marlowe talks to Mars	advance plot \| club \| criminal \| investigating \| leading man \| private eye \| source music \| suspect \| upbeat
The Big Sleep (1946)	I'm in a Jam With Baby	1:10:53 - Marlowe talks to people at the party	advance plot \| club \| gambler \| gambling \| leading lady \| leading man \| love interest \| private eye \| source music \| upbeat
The Big Sleep (1946)	Liza (All the Clouds'll Roll Away)	1:12:27 - Marlowe leaves the gambling joint	conflict \| criminal \| investigating \| leading lady \| leading man \| love interest \| private eye \| source music \| street \| upbeat
The Big Sleep (1946)	What Are You Doin' the Rest of Your Life	1:14:35 - Marlowe and Vivian leave	conflict \| conversing \| leading lady \| leading man \| love interest \| private eye \| source music \| street \| upbeat
The Big Sleep (1946)	Driving	1:14:54 - Marlowe and Vivian in the car	car \| car \| driving \| leading lady \| leading man \| love interest \| love scene \| mickey-mousing \| private eye \| tense
The Big Sleep (1946)	Vivian	1:15:22 - Marlowe and Vivian talk	car \| conversing \| kissing \| leading lady \| leading man \| love \| love interest \| love scene \| private eye \| romantic
The Big Sleep (1946)	Questions	1:16:16 - Marlowe and Vivian argue	angry \| car \| conversing \| leading lady \| leading man \| love interest \| love scene \| private eye \| tense
The Big Sleep (1946)	Sternwood (Tense)	1:16:26 - Marlowe asks about Eddie Mars	accusing \| car \| leading lady \| leading man \| love interest \| love scene \| private eye \| tense
The Big Sleep (1946)	Underscoring (Tense)	1:16:43 - Marlowe and Vivian argue	accusing \| car \| leading lady \| leading man \| love interest \| love scene \| private eye \| tense \| underscoring
The Big Sleep (1946)	Marlowe (Not in Film)	NIF - not in film	advance plot \| conversing \| cut from film \| femme fatale \| leading man \| private eye \| room
The Big Sleep (1946)	Drops hat	NIF - not in film	advance plot \| cut from film \| dropping \| femme fatale \| hat \| leading man \| mickey-mousing \| private eye \| room
The Big Sleep (1946)	Sternwood (Extended)	NIF - not in film	advance plot \| conversing \| cut from film \| femme fatale \| leading man \| private eye \| room
The Big Sleep (1946)	Underscoring (Tense)	NIF - not in film	advance plot \| conversing \| cut from film \| femme fatale \| leading man \| private eye \| room \| underscoring
The Big Sleep (1946)	You!	NIF - not in film	advance plot \| conversing \| cut from film \| femme fatale \| leading man \| private eye \| room
The Big Sleep (1946)	Marlowe (Major)	NIF - not in film	advance plot \| conversing \| cut from film \| femme fatale \| leading man \| private eye \| room
The Big Sleep (1946)	Bites hand	NIF - not in film	advance plot \| biting \| cut from film \| femme fatale \| leading man \| mickey-mousing \| private eye \| room \| stinger
The Big Sleep (1946)	Carmen (Not in Film)	NIF - not in film	advance plot \| conversing \| cut from film \| femme fatale \| leading man \| private eye \| room
The Big Sleep (1946)	Marlowe (Thinking)	1:20:49 - Marlowe sits in a diner	advance plot \| cafe \| leading man \| mysterious \| private eye \| tense \| thinking
The Big Sleep (1946)	Coin in phone	1:21:04 - Marlowe puts a coin in the phone	advance plot \| cafe \| coin \| dropping \| leading man \| mickey-mousing \| mysterious \| phone call \| private eye \| telephone
The Big Sleep (1946)	Phone dialing	1:21:07 - Marlowe dials a phone number	advance plot \| cafe \| dialing \| leading man \| mickey-mousing \| mysterious \| phone call \| private eye \| telephone \| tense
The Big Sleep (1946)	Underscoring (Mysterious)	1:21:19 - Marlowe speaks on the phone	advance plot \| cafe \| conversing \| leading man \| mysterious \| phone call \| private eye \| tense \| underscoring
The Big Sleep (1946)	Marlowe (Mysterious Organ)	1:21:42 - Marlowe speaks to waitress	advance plot \| cafe \| conversing \| leading lady \| leading man \| love interest \| mysterious \| phone call \| private eye \| tense
The Big Sleep (1946)	Underscoring (Mysterious)	1:21:57 - Marlowe speaks with Vivian on the phone	advance plot \| cafe \| conversing \| leading lady \| leading man \| love interest \| mysterious \| phone call \| private eye \| stinger \| tense \| underscoring
The Big Sleep (1946)	Walking (Interrupted)	1:22:27 - Marlowe walks down the street	investigating \| investigation scene \| leading man \| private eye \| street \| tense \| walking
The Big Sleep (1946)	Marlowe (Investigating)	1:22:38 - Marlowe looks at car registration	investigating \| investigation scene \| leading man \| mysterious \| private eye \| punching \| street \| tense
The Big Sleep (1946)	Jones	1:23:24 - Jones enters	advance plot \| leading man \| mysterious \| private eye \| street \| tense \| walking
The Big Sleep (1946)	Marlowe (Beaten)	1:23:35 - Jones helps Marlowe up	advance plot \| dazed \| leading man \| lifting \| mickey-mousing \| pain \| private eye \| rising \| street
The Big Sleep (1946)	Marlowe (Dazed)	1:23:48 - Marlowe recovers	advance plot \| conversing \| dazed \| leading man \| pain \| private eye \| street
The Big Sleep (1946)	Recovering	1:24:06 - Jones helps Marlowe up	advance plot \| conversing \| impressionism \| leading man \| mysterious \| pain \| private eye \| street
The Big Sleep (1946)	Marlowe (Sostenuto)	1:24:25 - Marlowe cleans up	advance plot \| leading man \| pain \| private eye \| recovering \| room \| somber \| tender \| weary
The Big Sleep (1946)	Walking (Hesitant)	1:26:55 - Marlowe walks into a building	hallway \| investigation scene \| leading man \| neutral \| pain \| private eye \| walking
The Big Sleep (1946)	Jones (Eavesdropping)	1:27:22 - Marlowe hears Jones talking to someone	eavesdropping \| hallway \| investigation scene \| leading man \| mysterious \| private eye \| sneaking \| tense
The Big Sleep (1946)	Glass drops	1:29:49 - Jones drops his glass	breaking \| death \| death scene \| dropping \| glass \| leading man \| mickey-mousing \| murder \| mysterious \| poison \| private eye \| room \| victim \| violent
The Big Sleep (1946)	Jones falls	1:29:50 - Jones falls and dies	death \| death scene \| dying \| falling \| leading man \| mickey-mousing \| murder \| mysterious \| poison \| private eye \| room \| victim \| violent
The Big Sleep (1946)	Underscoring (Tense)	1:30:01 - Marlowe investigates the crime scene	dark \| death \| death scene \| dying \| leading man \| murder \| private eye \| room \| tense \| underscoring \| victim
The Big Sleep (1946)	Marlowe (Risoluto)	1:30:12 - Marlowe makes a phone call	bold \| conversing \| death scene \| leading man \| phone call \| private eye \| room \| victim
The Big Sleep (1946)	Underscoring (Tense)	1:30:24 - Marlowe makes a phone call	conversing \| death scene \| leading man \| phone call \| private eye \| room \| tense \| underscoring \| victim
The Big Sleep (1946)	Wrong Address	1:30:46 - Marlowe ends the phone call	conversing \| death \| death scene \| leading man \| phone call \| private eye \| room \| somber \| victim
The Big Sleep (1946)	Jones (Dolce)	1:31:04 - Marlowe sits down on the couch	death \| death scene \| leading man \| mourning \| private eye \| room \| somber \| victim
The Big Sleep (1946)	Marlowe (Molto Misterioso)	1:31:23 - Agnes calls for Jones	conversing \| death scene \| informer \| leading man \| mysterious \| phone call \| private eye \| room
The Big Sleep (1946)	Underscoring (Tense)	1:31:48 - Marlowe talks to Agnes on the phone	conversing \| death scene \| informer \| leading man \| phone call \| private eye \| room \| tense \| underscoring
The Big Sleep (1946)	Jones (Triste)	1:32:02 - Marlowe leaves the office	death scene \| informer \| leading man \| mourning \| mysterious \| private eye \| room \| somber
The Big Sleep (1946)	Door slam	1:33:12 - Marlowe closes the car door	closing \| hurried \| informer \| leading man \| mickey-mousing \| private eye \| slamming \| street \| tense \| traveling scene
The Big Sleep (1946)	Hurrying (Car)	1:33:13 - Marlowe drives in a car	car \| driving \| hurried \| leading man \| private eye \| street \| tense \| traveling scene
The Big Sleep (1946)	Underscoring (Tense)	1:33:20 - Marlowe backs the car up	car \| driving \| leading man \| private eye \| street \| tense \| traveling scene \| underscoring
The Big Sleep (1946)	Hurrying (Car)	1:33:25 - Marlowe continues driving	car \| driving \| hurried \| leading man \| private eye \| street \| tense \| traveling scene
The Big Sleep (1946)	Marlowe (Dramatic)	1:33:37 - Marlowe looks at sign	car \| dramatic \| investigating \| leading man \| private eye \| street \| tense \| traveling scene
The Big Sleep (1946)	Hurrying (Car)	1:33:50 - Marlowe drives off of the road	car \| driving \| hurried \| leading man \| private eye \| street \| tense \| traveling scene
The Big Sleep (1946)	He skids	1:33:53 - Marlowe's car skids to a stop	car \| leading man \| mickey-mousing \| private eye \| skidding \| street \| tense \| traveling scene
The Big Sleep (1946)	Underscoring (Tense)	1:35:26 - Marlowe talks to two thugs	conflict \| criminal \| investigating \| leading man \| lying \| murderer \| private eye \| shop \| tense \| underscoring
The Big Sleep (1946)	Jones (Suspenseful)	1:35:47 - Marlowe talks to two thugs	conflict \| criminal \| dark \| investigating \| leading man \| lying \| murderer \| mysterious \| private eye \| shop \| suspenseful
The Big Sleep (1946)	Marlowe (Ear Music)	1:36:04 - Marlowe talks to two thugs	conflict \| criminal \| danger \| investigating \| leading man \| lying \| murderer \| mysterious \| private eye \| shop \| tense
The Big Sleep (1946)	Marlowe (Gets Hit)	1:36:20 - The thug punches Marlowe	conflict \| criminal \| danger \| dramatic \| leading man \| mickey-mousing \| murderer \| private eye \| punching \| shop
The Big Sleep (1946)	Marlowe (Whole Tone)	1:39:25 - Marlowe talks to Vivian	captive \| conversing \| leading lady \| leading man \| love interest \| love scene \| mysterious \| private eye \| room \| tense \| whole-tone
The Big Sleep (1946)	Marlowe (Phone Call)	1:39:39 - Marlowe talks to Vivian	captive \| conversing \| leading lady \| leading man \| love interest \| love scene \| mysterious \| octatonic \| private eye \| room \| tense
The Big Sleep (1946)	Carmen	1:39:52 - Marlowe talks to Vivian	captive \| conversing \| leading lady \| leading man \| love interest \| love scene \| musical clue \| music reveals thoughts \| mysterious \| private eye \| room
The Big Sleep (1946)	Vivian	1:40:03 - Marlowe and Vivian kiss	captive \| freeing \| kissing \| leading lady \| leading man \| love interest \| love scene \| private eye \| romantic \| room
The Big Sleep (1946)	Questions	1:40:44 - Vivian tries to free Marlowe	captive \| freeing \| leading lady \| leading man \| love interest \| love scene \| private eye \| room \| tense
The Big Sleep (1946)	Marlowe (Misterioso)	1:41:01 - Marlowe plans his escape	action scene \| leading lady \| leading man \| love interest \| mysterious \| planning \| private eye \| room \| tense
The Big Sleep (1946)	Marlowe 2	1:41:18 - Marlowe goes outside	action scene \| escaping \| leading lady \| leading man \| love interest \| mysterious \| private eye \| room \| screaming \| tense
The Big Sleep (1946)	Underscoring (Dramatic)	1:41:36 - Marlowe runs to his car	action scene \| criminal \| dramatic \| leading lady \| leading man \| love interest \| outside \| private eye \| running \| underscoring
The Big Sleep (1946)	Marlowe (Hiding)	1:41:50 - Marlowe crouches behind a car	action scene \| criminal \| hiding \| leading man \| mysterious \| outside \| private eye
The Big Sleep (1946)	Marlowe (Shoots)	1:42:07 - Marlowe shoots off to the side	action scene \| gun \| gunshot \| leading man \| outside \| private eye \| shooting \| tense
The Big Sleep (1946)	Marlowe (Echo)	1:42:20 - Canino shoots at Marlowe	action scene \| criminal \| gun \| gunshot \| hiding \| leading man \| outside \| private eye \| shooting \| tense
The Big Sleep (1946)	Hostage + Marlowe (Fragment)	1:42:34 - Canino brings Vivian out as a hostage	action scene \| criminal \| hostage \| leading lady \| leading man \| love interest \| outside \| private eye \| tense \| walking
The Big Sleep (1946)	Underscoring (Dramatic)	1:43:17 - Canino shoots	action scene \| criminal \| dramatic \| gun \| gunshot \| hostage \| leading lady \| leading man \| love interest \| outside \| private eye \| shooting \| underscoring
The Big Sleep (1946)	Marlowe (Rises)	1:43:19 - Marlowe rises	action scene \| criminal \| dramatic \| hostage \| leading lady \| leading man \| love interest \| outside \| private eye \| rising
The Big Sleep (1946)	Canino's Death	1:43:22 - Canino is shot	action scene \| criminal \| death \| dramatic \| dying \| falling \| gun \| gunshot \| hostage \| leading lady \| leading man \| love interest \| outside \| private eye \| stumbling \| tense
The Big Sleep (1946)	Underscoring (Tense)	1:43:35 - Marlowe gets the keys to the handcuffs	action scene \| criminal \| death \| escaping \| gun \| hostage \| leading lady \| leading man \| love interest \| outside \| private eye \| tense \| underscoring
The Big Sleep (1946)	Marlowe (Escaping)	1:43:48 - Vivian takes off the handcuffs	action scene \| escaping \| leading lady \| leading man \| love interest \| mysterious \| outside \| private eye \| tense
The Big Sleep (1946)	Driving 2	1:43:54 - Marlowe and Vivian drive away	car \| conversing \| driving \| leading lady \| leading man \| love interest \| love scene \| private eye \| tense
The Big Sleep (1946)	Driving 2 + Vivian	1:44:16 - Vivian tells Marlowe she loves him	car \| conversing \| driving \| leading lady \| leading man \| love \| love interest \| love scene \| private eye \| romantic \| tense
The Big Sleep (1946)	Driving 2	1:44:32 - Vivian and Marlowe talk in the car	car \| conversing \| driving \| leading lady \| leading man \| love interest \| love scene \| private eye \| tense
The Big Sleep (1946)	Driving 2 + Vivian	1:44:44 - Vivian and Marlowe talk in the car	car \| conversing \| driving \| leading lady \| leading man \| love \| love interest \| love scene \| private eye \| romantic \| tense
The Big Sleep (1946)	Driving 2	1:44:51 - Vivian and Marlowe talk in the car	car \| conversing \| driving \| leading lady \| leading man \| love interest \| love scene \| private eye \| tense
The Big Sleep (1946)	Driving 2 + Carmen	1:45:06 - Marlowe talks about Carmen	car \| conversing \| driving \| leading lady \| leading man \| love interest \| love scene \| private eye \| tense
The Big Sleep (1946)	Driving 2 + Vivian	1:45:21 - Marlowe tells Vivian he loves here	arriving \| car \| conversing \| driving \| leading lady \| leading man \| love \| love interest \| love scene \| private eye \| romantic \| tense
The Big Sleep (1946)	Marlowe (Bold)	1:45:44 - Marlowe and Vivian get out of the car	bold \| heroic \| leading lady \| leading man \| love interest \| outside \| private eye \| transition \| walking
The Big Sleep (1946)	Walking	1:45:45 - Marlowe and Vivian walk up to house	leading lady \| leading man \| love interest \| outside \| private eye \| tense \| transition \| walking
The Big Sleep (1946)	Hangs up phone	1:47:07 - Marlowe hangs up the phone	climax \| hanging up \| leading lady \| leading man \| love interest \| mickey-mousing \| mysterious \| private eye \| room
The Big Sleep (1946)	Hurrying	1:47:07 - Marlowe and Vivian make a plan	climax \| hurrying \| leading lady \| leading man \| love interest \| planning \| private eye \| room \| tense
The Big Sleep (1946)	Marlowe (Misterioso)	1:47:26 - Marlowe drops a bullet	climax \| fear \| leading lady \| leading man \| love interest \| mysterious \| private eye \| room \| shaking \| tense
The Big Sleep (1946)	Marlowe 2	1:47:31 - Car pulls up outside	climax \| fear \| leading lady \| leading man \| love interest \| mysterious \| private eye \| room \| shaking \| tense \| tritone
The Big Sleep (1946)	Carmen (Drugged)	1:48:08 - Marlowe watches men outside	climax \| criminal \| fear \| leading lady \| leading man \| love interest \| mysterious \| ominous \| planning \| private eye \| room \| tense \| waiting
The Big Sleep (1946)	Underscoring (Tense)	1:48:32 - Men approach the house	climax \| fear \| leading man \| mysterious \| ominous \| planning \| private eye \| room \| tense \| underscoring \| waiting
The Big Sleep (1946)	Marlowe (Conceals Himself)	1:48:43 - Marlowe hides behind the curtain	climax \| fear \| hiding \| leading man \| mysterious \| private eye \| room \| tense
The Big Sleep (1946)	Marlowe (Misterioso)	1:48:55 - Marlowe sneaks up behind Mars	climax \| criminal \| fear \| hiding \| leading man \| mysterious \| private eye \| room \| sneaking \| tense
The Big Sleep (1946)	Marlowe 2	1:49:05 - Marlowe holds a gun on Mars	climax \| criminal \| fear \| leading man \| mysterious \| ominous \| private eye \| room \| sneaking \| tense
The Big Sleep (1946)	Mars Dies	1:51:43 - Mars falls dead to the ground	criminal \| death \| dying \| falling \| leading lady \| leading man \| love interest \| mysterious \| ominous \| private eye \| resolution \| room \| stinger \| tense \| underscoring
The Big Sleep (1946)	Marlowe (Risoluto)	1:52:01 - Marlowe walks to the phone	bold \| death \| leading lady \| leading man \| love interest \| mysterious \| plotting \| private eye \| resolution \| room \| tense
The Big Sleep (1946)	Carmen (Tense)	1:52:28 - Marlowe talks on the phone	conversing \| leading lady \| leading man \| love interest \| lying \| mysterious \| phone call \| private eye \| resolution \| room \| tense \| uneasy
The Big Sleep (1946)	Vivian	1:52:48 - Marlowe talks to Vivian	conversing \| leading lady \| leading man \| love \| love interest \| private eye \| resolution \| romantic \| room
The Big Sleep (1946)	Vivian (Expressivo)	1:53:20 - Marlowe pulls Vivian close	conversing \| leading lady \| leading man \| love \| love interest \| private eye \| resolution \| romantic \| room
His Greatest Gamble (1934)	Bavardage	0:01:10 - The beach	AABA structure \| beach \| casino \| establish character \| establish place \| establish setting \| gambler \| gambling \| leading man \| luggage \| pleasant \| roulette wheel \| transcribed by ear \| upbeat
His Greatest Gamble (1934)	Morning Glory Waltz (Tender)	0:02:35 - Philip in the casino	casino \| child \| conversing \| establish character \| gentle \| leading man \| leaving \| transcribed by ear \| waltz
His Greatest Gamble (1934)	Home Sweet Home	0:03:14 - Philip and Alice go home	child \| establish character \| gentle \| humming \| leading man \| on-screen music \| room \| sleeping \| source music
His Greatest Gamble (1934)	The Chase 1	0:29:26 - Philip escapes from prison	augmented triad \| dark \| escaping \| frantic \| leading man \| montage \| montage \| prisoner \| sequence \| train \| transcribed by ear \| traveling \| whole-tone scale
His Greatest Gamble (1934)	The Chase 2	0:29:44 - Montage of Philip's escape	boat \| dark \| frantic \| leading man \| montage \| montage \| parallelism \| prisoner \| transcribed by ear \| traveling
His Greatest Gamble (1934)	Russian Waltz	0:30:05 - Philip arrives at Florence's home	9th chord \| arriving \| calm \| chromatic sequence \| common-tone diminished 7th \| establish setting \| fugitive \| leading man \| mansion \| mode mixture \| on-screen music \| piano \| playing \| pleasant \| source music \| waltz \| wandering
His Greatest Gamble (1934)	Nocturne in E-flat Major	0:36:29 - Philip looks for Alice	advance plot \| calm \| conversing \| daughter \| fugitive \| leading lady \| leading man \| mansion \| nocturne \| pleasant \| searching \| source music \| wandering
His Greatest Gamble (1934)	Waltz in C-sharp Minor	0:40:28 - Philip talks with Alice and Florence	advance plot \| conversing \| daughter \| ex-wife \| fugitive \| leading lady \| leading man \| mansion \| serious \| source music \| waltz
His Greatest Gamble (1934)	Morning Glory Waltz (Radio)	0:57:06 - Philip talks with Alice	9th chord \| advance plot \| conversing \| daughter \| fugitive \| gentle \| leading lady \| leading man \| mansion \| mode mixture \| radio \| score to source \| sentimental \| source music \| transcribed by ear \| walking
His Greatest Gamble (1934)	Morning Glory Waltz (The End)	1:10:18 - Philip leaves	detective \| end title sequence \| fugitive \| leading man \| leaving \| mode mixture \| secondary dominant \| transcribed by ear \| triumphant \| waltz
City for Conquest (1940)	Train	0:01:09 - An elevated train approaches	bridge \| busy \| city \| hurried \| mickey-mousing \| old man \| police \| train \| transition \| traveling
City for Conquest (1940)	Tone Poem B (Main Title)	0:01:19 - Sign for the Williamsburg Bridge	bridge \| busy \| city \| hurried \| old man \| police \| train \| transition \| traveling
City for Conquest (1940)	Sidewalks of New York (Soliloquy)	0:01:33 - A cop tells a man to keep moving	bridge \| city \| conversing \| establish place \| establish setting \| old man \| police \| soliloquy \| uneasy
City for Conquest (1940)	Sidewalks of New York (City Struck)	0:02:03 - Old-timer talks with cop	bridge \| city \| conversing \| establish setting \| excited \| old man \| police \| soliloquy
City for Conquest (1940)	Sidewalks of New York (Montage)	0:02:18 - A montage of New York City scenes	boat \| bridge \| car \| city \| conversing \| Dutch angle \| establish setting \| excited \| montage \| old man \| panning shot \| police \| soliloquy \| train
City for Conquest (1940)	Sidewalks of New York (Snake)	0:02:35 - A montage of New York City scenes	bridge \| city \| conversing \| double exposure \| Dutch angle \| establish setting \| grand \| montage \| old man \| police \| soliloquy
City for Conquest (1940)	Sidewalks of New York (Soliloquy 2)	0:02:50 - Old-timer talks with cop	arguing \| bluesy \| bridge \| city \| establish setting \| old man \| police \| sentimental \| soliloquy
City for Conquest (1940)	Sidewalks of New York (Cop Grabs Bum)	0:03:06 - Cop pushes old-timer	arguing \| bridge \| city \| establish setting \| mickey-mousing \| old man \| police \| pushing \| rushing \| tense
City for Conquest (1940)	Sidewalks of New York (Street Organ)	0:03:10 - A New York street corner (Forsyth St. and Delancey St.)	child \| conversing \| crowd \| dancing \| old man \| on-screen music \| organ grinder \| playing \| pleasant \| score to source \| source music \| street \| street organ \| thief \| transition \| upbeat \| walking
City for Conquest (1940)	Sidewalks of New York (Soliloquy 3)	0:05:44 - Old-timer talks to a stone carver	bluesy \| child \| conversing \| establish character \| love \| old man \| romantic \| sentimental \| soliloquy \| street \| worker
City for Conquest (1940)	Sidewalks of New York (Waltz Grazioso)	0:06:09 - Two children playing	child \| conversing \| establish character \| love \| old man \| romantic \| sentimental \| soliloquy \| street \| waltz
City for Conquest (1940)	Scales	0:09:16 - Danny and Peggy go upstairs	arguing \| conversing \| establish character \| leading lady \| leading man \| mother \| on-screen music \| piano \| room \| source music \| tedious
City for Conquest (1940)	Tone Poem A1	0:10:50 - Eddie plays the piano	brother \| composer \| conversing \| establish character \| leading man \| musician \| piano \| playing \| romantic \| room \| score to source \| source music
City for Conquest (1940)	Tone Poem A1 + Tone Poem A2	0:12:16 - Eddie plays the piano	brother \| composer \| conversing \| establish character \| explaining \| leading man \| musician \| piano \| playing \| romantic \| room \| source music
City for Conquest (1940)	Tone Poem A1 + Tone Poem A2	0:13:03 - Eddie plays the piano	brother \| composer \| conversing \| establish character \| leading man \| musician \| piano \| playing \| romantic \| room \| source music
City for Conquest (1940)	My Old Kentucky Home	0:16:04 - Mickey sings to himself	advance plot \| boxer \| calm \| conversing \| folk music \| leading man \| locker room \| manager \| singing \| source music
City for Conquest (1940)	Lullaby of Broadway	0:17:00 - A sign for Rose Gardens Casino	boxer \| conversing \| crowd \| dance band \| dance hall \| dancer \| dance scene \| dancing \| leading lady \| leading man \| on-screen music \| playing \| popular music \| source music \| upbeat
City for Conquest (1940)	Latin For Manhattan	0:18:29 - Peggy and Danny sit down	boxer \| conversing \| crowd \| dance band \| dance hall \| dancer \| dance scene \| dancing \| leading lady \| leading man \| on-screen music \| playing \| popular music \| source music \| upbeat
City for Conquest (1940)	The Continental	0:19:53 - Peggy dances with Murray	boxer \| conversing \| crowd \| dance band \| dance hall \| dancer \| dance scene \| dancing \| friend \| leading lady \| leading man \| on-screen music \| playing \| popular music \| source music \| upbeat
City for Conquest (1940)	Jalousie	0:20:39 - Danny sitting at a table	boxer \| crowd \| dance band \| dance hall \| dancer \| dance scene \| dancing \| friend \| leading lady \| leading man \| on-screen music \| popular music \| source music \| upbeat
City for Conquest (1940)	I'm Just Wild About Harry	0:23:07 - Close-up of Lily	award \| boxer \| conversing \| crowd \| dance band \| dance hall \| dancer \| dance scene \| friend \| leading lady \| leading man \| on-screen music \| popular music \| source music \| upbeat
City for Conquest (1940)	Tone Poem (Composing)	0:27:25 - Eddie composes at the piano	advance plot \| brother \| composer \| composing \| leading man \| musician \| on-screen music \| piano \| playing \| romantic \| room \| source music
City for Conquest (1940)	Tone Poem A1	0:27:40 - Eddie plays the piano	advance plot \| brother \| composer \| composing \| leading man \| musician \| on-screen music \| piano \| playing \| romantic \| room \| source music
City for Conquest (1940)	Tone Poem A1 + Tone Poem A2	0:27:59 - Eddie plays the piano	advance plot \| brother \| composer \| composing \| leading man \| musician \| on-screen music \| piano \| playing \| romantic \| room \| source music
City for Conquest (1940)	Tone Poem A1 (Grazioso)	0:30:04 - Danny shaves	conversing \| delicate \| gentle \| leading lady \| leading man \| love scene \| room \| shaving
City for Conquest (1940)	Tone Poem A1 + Tone Poem A2	0:30:28 - Peggy talks to Danny	arguing \| conversing \| flirting \| gentle \| leading lady \| leading man \| love scene \| playful \| room \| shaving
City for Conquest (1940)	Peggy Pokes Danny	0:30:47 - Peggy pokes Danny	flirting \| leading lady \| leading man \| love scene \| mickey-mousing \| playful \| room \| shaving \| teasing
City for Conquest (1940)	Only Fooling	0:30:54 - Peggy cleans Danny's face	arguing \| conversing \| flirting \| leading lady \| leading man \| love scene \| playful \| room \| shaving
City for Conquest (1940)	Tone Poem A1 (Expressivo) + Tone Poem A2 (Expressivo)	0:31:00 - Peggy apologizes to Danny	conversing \| kiss \| kissing \| leading lady \| leading man \| love scene \| romantic \| room
City for Conquest (1940)	Tranquillo	0:31:35 - Peggy and Danny on a boat	boat \| conversing \| delicate \| gentle \| leading lady \| leading man \| love scene
City for Conquest (1940)	Tone Poem A1 (Waltz)	0:31:48 - Peggy and Danny talk about the future	boat \| calm \| conversing \| leading lady \| leading man \| love scene \| romantic
City for Conquest (1940)	Shadow Waltz (Dark)	0:33:22 - Peggy talks with Danny	boat \| conversing \| dark \| leading lady \| leading man \| love scene \| somber
City for Conquest (1940)	I'm Just Wild About Harry	0:33:35 - Peggy starts to leave	boat \| calm \| conversing \| gentle \| leading lady \| leading man \| love scene
City for Conquest (1940)	Tone Poem A1 (Dolcissimo)	0:34:02 - Danny talks with Peggy	boat \| conversing \| gentle \| kissing \| leading lady \| leading man \| love scene \| romantic
City for Conquest (1940)	Tone Poem train whistle	0:34:28 - Danny on the train	blaring \| hurried \| leading man \| mickey-mousing \| montage \| rushing \| train \| train \| traveling
City for Conquest (1940)	Liberty Day	0:39:41 - Old timer talks to worker	boxer \| boxing ring \| celebrating \| conversing \| crowd \| fanfare \| leading man \| manager \| montage \| source music \| upbeat
City for Conquest (1940)	Negra Consentida	0:41:21 - The Carleton Plaza Towers	advance plot \| arriving \| boxer \| dance band \| dancer \| dancing \| leading man \| musician \| on-screen music \| party \| playing \| source music \| upbeat
City for Conquest (1940)	Tone Poem A1 + Tone Poem A2	0:42:10 - Eddie plays the piano	advance plot \| boxer \| brother \| composer \| conversing \| crowd \| leading man \| musician \| on-screen music \| party \| piano \| playing \| romantic \| source music
City for Conquest (1940)	Tone Poem A1 (Ragtime)	0:43:27 - Eddie plays the piano	advance plot \| boxer \| brother \| composer \| conversing \| crowd \| leading man \| musician \| on-screen music \| party \| piano \| playing \| ragtime \| source music \| upbeat
City for Conquest (1940)	In the Evening	0:45:08 - Peggy in her dressing room	arguing \| boxer \| conflict \| conversing \| crying \| dancer \| dressing room \| leading lady \| leading man \| punching \| source music \| upbeat
City for Conquest (1940)	A Girl Like You	0:46:49 - Danny in Peggy's dressing room	boxer \| conflict \| crying \| dancer \| dressing room \| leading lady \| leading man \| leaving \| source music \| upbeat
City for Conquest (1940)	Peggy runs	0:47:31 - Peggy runs down the stairs	boxer \| dancer \| descending \| leading lady \| leading man \| love scene \| mickey-mousing \| running \| source and scoring overlap \| street \| tense
City for Conquest (1940)	Tone Poem A1 (Romantic)	0:47:41 - Peggy talks with Danny	boxer \| conversing \| dancer \| leading lady \| leading man \| love scene \| street \| tense
City for Conquest (1940)	Tone Poem A1 (Dolce)	0:48:06 - Danny talks to Peggy	boxer \| dancer \| embracing \| kissing \| leading lady \| leading man \| love scene \| romantic \| street
City for Conquest (1940)	Tone Poem A1 (Walking)	0:48:32 - Danny and Peggy walk down the street	boxer \| conversing \| dancer \| leading lady \| leading man \| love scene \| romantic \| street \| walking
City for Conquest (1940)	Tone Poem A1 (Molto Expressivo)	0:48:44 - Danny talks with Peggy	boxer \| dancer \| embracing \| kissing \| leading lady \| leading man \| love scene \| romantic \| street
City for Conquest (1940)	Corn Pickin'	0:53:35 - People dancing the jitterbug	advance plot \| boxer \| club \| crowd \| dance band \| dancer \| dancing \| leading lady \| leading man \| on-screen music \| source music \| upbeat
City for Conquest (1940)	Japanese Sandman	0:54:33 - Danny and Peggy at the dance	advance plot \| boxer \| club \| crowd \| dance band \| dancer \| dancing \| leading lady \| leading man \| on-screen music \| source music \| upbeat
City for Conquest (1940)	Underscoring (Gentle)	0:55:19 - A taxi approaches	arriving \| farewell scene \| gentle \| leading lady \| leading man \| source and scoring overlap \| street \| taxi \| underscoring
City for Conquest (1940)	Tone Poem A1 (Farewell) + Tone Poem A2	0:55:31 - Peggy bids farewell to Danny	conversing \| crying \| embracing \| farewell scene \| leading lady \| leading man \| leaving \| romantic \| sentimental \| street
City for Conquest (1940)	Miramar	1:00:44 - Danny prepares for a fight	advance plot \| boxer \| conversing \| leading man \| locker room \| manager \| march \| preparing \| source music \| upbeat
City for Conquest (1940)	Where Were You When the Moon Came Out	1:19:38 - Danny resting in bed	advance plot \| blur \| brother \| composer \| dancing \| leading man \| listening \| musician \| on-screen music \| playing \| room \| singer \| singing \| source music \| upbeat \| victim
City for Conquest (1940)	Where Were You When the Moon Came Out	1:20:48 - Eddie plays the piano	advance plot \| blur \| brother \| composer \| leading man \| musician \| on-screen music \| playing \| room \| sentimental \| source music \| victim \| watching
City for Conquest (1940)	Tone Poem A1 (The Song of the City)	1:23:05 - Eddie plays the piano	advance plot \| brother \| composer \| leading man \| listening \| musician \| on-screen music \| playing \| romantic \| room \| source music \| victim
City for Conquest (1940)	Tone Poem A1 (Beoootiful) + Tone Poem A2 (Beoootiful)	1:40:11 - Danny working at his newsstand	blur \| conversing \| ethereal \| gentle \| into focus \| leading lady \| leading man \| love scene \| reunion \| reuniting \| shimmery \| squinting \| street \| victim
City for Conquest (1940)	Tone Poem A1 (Chorus) + Tone Poem A2 (Chorus)	1:41:14 - Danny talks with Peggy	conversing \| ethereal \| gentle \| leading lady \| leading man \| love scene \| optimistic \| reunion \| reuniting \| romantic \| shimmery \| street \| victim
City for Conquest (1940)	Sidewalks of New York (Soliloquy)	1:42:56 - Old timer talks to himself	conversing \| old man \| resolution \| sentimental \| soliloquy
City for Conquest (1940)	Sidewalks of New York (Snake)	1:43:16 - Old timer talks to himself	conversing \| gentle \| old man \| resolution \| romantic \| soliloquy
City for Conquest (1940)	Sidewalks of New York (The End)	1:43:24 - The End	conversing \| end title sequence \| grand \| old man \| soliloquy \| The End
Crime School (1938)	Sue (Minor)	0:20:38 - Judge sentences boys to the reformatory	augmented sixth chord \| chromatic parallelism \| courthouse \| crying \| dissonant bass \| gang \| heroine \| judge \| leading lady \| leading man \| sister \| somber \| stinger \| teenager \| trial
Crime School (1938)	Reform School Drill	0:33:18 - Reform school boys exercise outside	comedy \| cut from film \| deceptive resolution \| exercising \| exercising music \| foreign key modulation \| gang \| jogging \| leading man \| polychord \| reformatory \| split-third chord \| teenager \| upbeat \| warden
Crime School (1938)	Reform School Drill	0:34:09 - Reform school boys exercise outside	comedy \| deceptive resolution \| exercising \| exercising music \| foreign key modulation \| gang \| jogging \| leading man \| polychord \| reformatory \| teenager \| upbeat \| warden
Crime School (1938)	Reform School Drill (Coda)	0:35:01 - Reform school boys exercise outside	comedy \| exercising \| gang \| jogging \| leading man \| reformatory \| teenager \| upbeat \| warden
Crime School (1938)	Underscoring (Gentle)	0:35:46 - Mark visits Frankie in the sick room	advance plot \| caring \| conversing \| dark \| hospital \| leading man \| reformatory \| teenager \| tender \| underscoring \| warden
Crime School (1938)	Marks	0:36:14 - Mark looks at the whip marks on Frankie's back	advance plot \| dark \| hospital \| leading man \| looking \| reformatory \| teenager \| violence \| warden \| wounded
Crime School (1938)	The Warden (Punishment)	0:36:22 - Warden defends his punishment	advance plot \| chromatic wedge \| conversing \| dark \| evil \| hospital \| leading man \| reformatory \| teenager \| warden \| whole-tone chord
Crime School (1938)	Underscoring (Subtle)	0:37:09 - Transition to cafeteria	advance plot \| conversing \| hospital \| leading man \| reformatory \| somber \| teenager \| underscoring \| warden
Crime School (1938)	The Discus Thrower	0:48:52 - Spike announces his "work of art"	announcing \| comedy \| fun \| gang \| hero \| interruption \| leading man \| reformatory \| showman \| teenager
Crime School (1938)	Underscoring (Gentle)	0:49:10 - Mark comes into the room	comedy \| conversing \| gang \| gentle \| hero \| leading man \| paint \| parallelism \| reformatory \| teenager \| underscoring
Crime School (1938)	Spots	0:49:20 - Squirt has spots on his pajamas	9th chord \| chromatic parallelism \| comedy \| comical \| conversing \| gang \| hero \| leading man \| mickey-mousing \| paint \| reformatory \| spots \| teenager \| tense
Crime School (1938)	Unveiling the statue	0:49:31 - Mark takes the veil off of the statue	64 chord \| chromatic parallelism \| chromatic wedge \| comedy \| gang \| hero \| leading man \| mickey-mousing \| reformatory \| teenager \| tense \| uncovering \| unveiling
Crime School (1938)	Marble statue	0:49:40 - Fats talks to Mark	comedy \| comical \| gang \| hero \| leading man \| mickey-mousing \| reformatory \| statue \| teasing \| teenager
Crime School (1938)	Underscoring (Gentle)	0:49:47 - Mark talks about making this room their home	comedy \| deceptive resolution \| gang \| gentle \| hero \| leading man \| leaving \| pedal tone \| reformatory \| teasing \| teenager \| underscoring \| whole-tone chord
Crime School (1938)	The Warden (Office)	0:51:05 - The guard enters to talk to Mark	comedy \| dramatic \| hero \| leading man \| marching \| police \| reformatory \| walking
Crime School (1938)	Laughing	0:51:11 - Mark laughs at the guard covered with paint	comedy \| comical \| hero \| laughing \| leading man \| mickey-mousing \| police \| reformatory
Crime School (1938)	Underscoring (Dramatic)	0:56:50 - Mark goes to rescue Squirt	action scene \| altered dominant \| boiler room \| chromatic parallelism \| dissonant bass \| dramatic \| hero \| leading man \| linear chromaticism \| reformatory \| rushing \| saving \| teenager \| tense \| underscoring
Crime School (1938)	Going down	0:57:05 - Mark descends into the boiler room	action scene \| descending \| dramatic \| hero \| leading man \| mickey-mousing \| reformatory \| stairs \| teenager \| tense
Crime School (1938)	Temperature rising 2	0:57:12 - The temperature gauge rises	action scene \| altered dominant \| boiler room \| chromatic parallelism \| danger \| dramatic \| gauge \| heat \| hero \| leading man \| mickey-mousing \| reformatory \| rising \| teenager \| temperature \| tense
Crime School (1938)	Explosion	0:57:21 - Mark pulls Squirt out of the boiler room	action scene \| ascending \| boiler room \| destruction \| dissonant bass \| dramatic \| exploding \| explosion \| hero \| leading man \| mickey-mousing \| reformatory \| rising \| stairs \| teenager \| tense \| tone cluster
Crime School (1938)	Mark Saves Boy	0:57:29 - Mark carries Squirt up the stairs	action scene \| ascending \| authentic cadence \| dissonant bass \| hero \| heroic \| leading man \| mickey-mousing \| reformatory \| rising \| stairs \| teenager \| walking
Crime School (1938)	Sue (Hospital)	0:57:38 - The doctor takes care of Squirt in the hospital	advance plot \| calm \| conversing \| doctor \| hero \| hospital \| leading man \| nurse \| peaceful \| reformatory \| teenager \| treating
Crime School (1938)	Sue (Grazioso)	1:13:10 - Sue and Mark talk in the kitchen	cheerful \| conflict \| conversing \| cooking \| happy \| hero \| heroine \| kitchen \| leading lady \| leading man \| mode mixture \| secondary dominant
Crime School (1938)	Sue (Grazioso Mysterioso)	1:13:38 - Frankie confronts Sue and Mark	cheerful \| common-tone diminished 7th \| conflict \| conversing \| deceptive resolution \| dining \| gun \| happy \| hero \| heroine \| leading lady \| leading man \| room \| stick up \| stinger \| teenager \| tone cluster \| whole-tone chord
Crime School (1938)	Underscoring (Tense)	1:14:26 - Mark talks to policeman	chromatic scale \| conflict \| deceptive resolution \| gun \| hero \| heroine \| hiding \| knocking \| leading lady \| leading man \| lying \| mode mixture \| pedal tone \| police \| room \| teenager \| tense \| underscoring
Crime School (1938)	Lights on	1:15:26 - Sue turns the lights on	conflict \| hero \| heroine \| leading lady \| leading man \| light \| mickey-mousing \| room \| tense \| turning on
Crime School (1938)	Underscoring (Dramatic)	1:15:31 - Frankie fights Spike	agitated \| arguing \| chromatic scale \| conflict \| dissonant bass \| fighting \| gang \| hero \| leading man \| sequence \| street \| teenager \| underscoring
Crime School (1938)	Resolution	1:22:31 - Sue enters the room	42 chord \| antagonist \| calm \| chromatic parallelism \| chromatic scale \| comical \| conversing \| hero \| leading man \| reformatory \| resolution \| resolution \| tense \| tritone
They Made Me a Criminal (1939)	So Help Me (If I Don't Love You)	0:05:54 - Johnnie and Goldie relaxing	drinking \| floozy \| jaunty \| kissing \| leading man \| murder scene \| popular song \| radio \| room \| source music
They Made Me a Criminal (1939)	When a Prince of a Fella Meets a Cinderella	0:06:23 - Johnnie talks to his manager	dancing \| drinking \| floozy \| jaunty \| laughing \| leading man \| murder scene \| parallel double period \| partying \| radio \| room \| source music
They Made Me a Criminal (1939)	Saving Myself For You (I've Been)	0:08:02 - Johnnie at a party	AABA structure \| attacking \| conversing \| drinking \| fighting \| floozy \| jaunty \| leading man \| murder \| murdering \| murder scene \| partying \| radio \| room \| source music \| violence
They Made Me a Criminal (1939)	The Awakening	0:14:48 - Johnnie wakes up	advance plot \| chromatic scale \| confusion \| deceptive resolution \| leading man \| metric modulation \| mysterious \| octatonic chord \| octatonic scale \| pc set \| room \| waking \| whole-tone chord
They Made Me a Criminal (1939)	Reading	0:15:29 - Johnnie reads a newspaper	advance plot \| chromatic scale \| dissonant bass \| leading man \| newspaper \| reading \| room \| tense \| whole-tone chord
They Made Me a Criminal (1939)	Underscoring (Dramatic)	0:16:01 - Johnnie rushes inside	advance plot \| chromatic scale \| dramatic \| leading man \| minor-major 7th chord \| newspaper \| room \| rushing \| underscoring
They Made Me a Criminal (1939)	Underscoring (Somber)	0:22:16 - Close-up on Johnnie	advance plot \| leading man \| money \| realizing \| room \| somber \| stinger \| underscoring
They Made Me a Criminal (1939)	Traveling	0:22:25 - Johnnie becomes a fugitive	9th chord \| added-note chord \| altered dominant \| countryside \| double exposure \| dramatic \| leading man \| map \| mickey-mousing \| money \| montage \| montage \| purchasing \| street \| traveling \| walking
They Made Me a Criminal (1939)	Train	0:22:47 - A rushing train and a map	dramatic \| leading man \| mickey-mousing \| montage \| montage \| motoric \| polychord \| train \| train \| traveling \| whistle
They Made Me a Criminal (1939)	The Fugitive (Traveling)	0:22:51 - Johnnie's plodding feet	chromatic scale \| chromatic wedge \| countryside \| desert \| dissonant bass \| dramatic \| leading man \| linear chromaticism \| map \| mickey-mousing \| money \| montage \| montage \| traveling \| walking \| whole-tone \| whole-tone chord
They Made Me a Criminal (1939)	The Fugitive (Triste)	0:23:12 - Johnnie at a diner	9th chord \| advance plot \| diner \| leading man \| money \| somber \| thinking \| underscoring
They Made Me a Criminal (1939)	Drops money	0:23:19 - Johnnie drops his money	advance plot \| diner \| dropping \| leading man \| mickey-mousing \| money \| somber
They Made Me a Criminal (1939)	Underscoring (Mysterious)	0:23:21 - Men at the diner stand up	added-note chord \| advance plot \| diner \| dissonant bass \| fighting \| half-diminished 7th chord \| leading man \| linear chromaticism \| money \| mysterious \| sitting \| sneaking \| underscoring \| whole-tone chord
They Made Me a Criminal (1939)	Steps on money	0:23:30 - A man steps on Johnnie's money	advance plot \| diner \| half-diminished 7th chord \| leading man \| mickey-mousing \| money \| mysterious \| stepping
They Made Me a Criminal (1939)	Jumps off train	0:24:21 - Johnnie jumps off the moving train	advance plot \| diminished 7th chord \| dissonant bass \| dramatic \| escaping \| jumping \| leading man \| mickey-mousing \| train \| train
They Made Me a Criminal (1939)	The Fugitive	0:24:29 - Johnnie walks	9th chord \| advance plot \| altered dominant \| desert \| foreign key modulation \| leading man \| Neapolitan \| tired \| traveling \| walking \| wandering
They Made Me a Criminal (1939)	The Fugitive (Looking Around)	0:25:11 - The young man sees Johnnie	9th chord \| deceptive resolution \| establish character \| foreign key modulation \| leading lady \| leading man \| ranch \| teenager \| tired \| walking
They Made Me a Criminal (1939)	The Fugitive (Arriving)	0:25:42 - Johnnie arrives at the ranch	9th chord \| arriving \| establish character \| foreign key modulation \| leading lady \| leading man \| ranch \| teenager \| tired
They Made Me a Criminal (1939)	The Fugitive (Fainting)	0:26:32 - Johnnie stumbles and faints	9th chord \| dark \| deceptive resolution \| dissonant bass \| establish character \| fainting \| falling \| foreign key modulation \| leading man \| ranch \| tired \| tragic \| walking
They Made Me a Criminal (1939)	Underscoring (Tender)	0:26:58 - Peggy helps Johnnie	9th chord \| 64 chord \| heroine \| leading lady \| leading man \| lovers meet \| mode mixture \| nursing \| room \| tender \| underscoring
They Made Me a Criminal (1939)	The Fugitive (Recovering)	0:27:13 - Peggy takes care of Johnnie	9th chord \| foreign key modulation \| heroine \| leading lady \| leading man \| lovers meet \| nursing \| recovering \| romance \| room \| sweet \| waking
They Made Me a Criminal (1939)	Peggy (Dolce)	0:28:20 - Peggy talks to Johnnie	9th chord \| 11th chord \| 13th chord \| deceptive resolution \| foreign key modulation \| heroine \| kissing \| leading lady \| leading man \| lovers meet \| nursing \| recovering \| romance \| room \| sweet \| tender
They Made Me a Criminal (1939)	Underscoring (Tense)	0:28:51 - The sheriff comes in	conflict \| dark \| diminished 7th chord \| entering \| fear \| leading man \| room \| sheriff \| surprise \| tense \| underscoring
They Made Me a Criminal (1939)	The Fugitive (Excitedly)	0:29:07 - Johnnie talks to the sheriff	anxiety \| anxious \| conflict \| leading man \| linear chromaticism \| lying \| room \| sheriff
They Made Me a Criminal (1939)	The Fugitive (Relieved)	0:29:25 - Johnnie listens to the sheriff	altered dominant \| conflict \| conversing \| leading man \| peaceful \| room \| tranquil
They Made Me a Criminal (1939)	The Fugitive (Leaving)	0:29:45 - Johnnie prepares to leaves	conflict \| foreign key modulation \| leading man \| ranch \| room \| sneaking \| yearning
They Made Me a Criminal (1939)	Jumps out of window	0:30:00 - Johnnie jumps out of the window	conflict \| jumping \| leading man \| mickey-mousing \| ranch \| window
They Made Me a Criminal (1939)	Underscoring (Dramatic)	0:30:01 - Johnnie sneaks away	64 chord \| conflict \| dramatic \| leading man \| mysterious \| ranch \| sneaking
They Made Me a Criminal (1939)	The Fugitive (Apology)	0:48:31 - Johnnie and Peggy talk	9th chord \| conversing \| hero \| leading lady \| leading man \| love scene \| romantic \| room \| secondary dominant \| tender
They Made Me a Criminal (1939)	Peggy (Delicatissimo)	0:49:16 - Johnnie and Peggy kiss	9th chord \| 11th chord \| 13th chord \| hero \| kissing \| leading lady \| leading man \| love scene \| romantic \| room
They Made Me a Criminal (1939)	On the Make	0:49:40 - Johnnie and Peggy drive in a car	ABAB structure \| added-note chord \| altered dominant \| car \| car \| cheerful \| conversing \| driving \| hero \| leading lady \| leading man \| linear chromaticism \| love scene \| mode mixture \| phrase extension \| romantic \| traveling
They Made Me a Criminal (1939)	On the Make (Extended)	0:53:21 - Johnnie and Peggy drive in a car	ABAB structure \| added-note chord \| advance plot \| altered dominant \| car \| car \| cheerful \| conversing \| driving \| hero \| kissing \| leading lady \| leading man \| linear chromaticism \| mode mixture \| phrase extension \| romantic \| traveling
They Made Me a Criminal (1939)	By a Waterfall	0:55:35 - A shower sign	advance plot \| cheerful \| comical \| hero \| leading man \| on-screen music \| popular music \| ranch \| showering \| singing \| source music \| teenager \| whistling
They Made Me a Criminal (1939)	Underscoring (Dramatic)	0:56:17 - Johnnie sees his picture in the paper	angry \| arguing \| chromatic parallelism \| dissonant bass \| dramatic \| fighting \| half-diminished 7th chord \| hero \| leading man \| mickey-mousing \| photograph \| ranch \| teenager \| tense \| turning point \| underscoring
They Made Me a Criminal (1939)	The Arena	1:01:22 - A fight poster	advance plot \| augmented sixth chord \| dark \| detective \| fanfare \| leading man \| light \| polytonality \| poster \| street \| thinking
They Made Me a Criminal (1939)	Marcia Grotesque	1:01:48 - Johnnie talks to another boxer	advance plot \| altered dominant \| comical \| conversing \| hero \| leading man \| march \| mode mixture \| room
They Made Me a Criminal (1939)	Underscoring (Tense)	1:02:14 - Johnnie overhears the detective	advance plot \| chromatic scale \| detective \| dissonant bass \| hiding \| leading man \| ominous \| room \| tense \| underscoring
They Made Me a Criminal (1939)	The Fugitive (Hiding)	1:02:31 - Detective buys tickets to Johnnie's match	advance plot \| detective \| hiding \| leading man \| pedal tone \| room \| suspenseful \| tense
They Made Me a Criminal (1939)	The Fugitive (Ashamed)	1:03:55 - Johnnie tells them he can't fight	9th chord \| conflict \| dark \| foreign key modulation \| harmonic sequence \| leading lady \| leading man \| lying \| room \| somber \| teenager
They Made Me a Criminal (1939)	On the Make (Dolce)	1:05:13 - Peggy talks to Johnnie	added-note chord \| altered dominant \| arguing \| conflict \| leading lady \| leading man \| linear chromaticism \| lying \| room \| tender
They Made Me a Criminal (1939)	Underscoring (Tense)	1:05:52 - Johnny talks to Peggy	conflict \| dramatic \| half-diminished 7th chord \| harmonic sequence \| leading lady \| leading man \| lying \| room \| tense \| underscoring
They Made Me a Criminal (1939)	On the Make (Heartbreak)	1:06:05 - Johnny talks to Peggy	9th chord \| arguing \| conflict \| dissonant bass \| dramatic \| leading lady \| leading man \| room \| slamming \| somber \| tense
They Made Me a Criminal (1939)	On the Make (Crying)	1:06:29 - Peggy cries after Johnnie leaves	11th chord \| conflict \| crying \| leading lady \| leading man \| room \| somber
They Made Me a Criminal (1939)	The Fugitive (Let Down)	1:06:51 - The boys talk about Johnnie	added-note chord \| arguing \| conflict \| criticizing \| foreign key modulation \| leading man \| room \| somber \| teenager
They Made Me a Criminal (1939)	The Fugitive (Going Away)	1:07:38 - Tommy talks to Johnnie	conflict \| leading man \| lonely \| packing \| room \| somber \| teenager \| thinking
They Made Me a Criminal (1939)	On the Make (Tenderly)	1:07:57 - Tommy talks to Johnnie	9th chord \| ABAB structure \| altered dominant \| arguing \| chromatic mediant \| conversing \| direct modulation \| foreign key modulation \| hero \| leading man \| room \| tender \| turning point
They Made Me a Criminal (1939)	On the Make (Lohenblueish)	1:09:07 - Johnnie decides that he will stay	added-note chord \| augmentation \| chromatic mediant \| direct modulation \| foreign key modulation \| hero \| hopeful \| hopeless \| leading man \| linear chromaticism \| passionate \| room \| thinking \| turning point \| zoom in
They Made Me a Criminal (1939)	The Fugitive (Religioso)	1:09:41 - Johnnie looks at a picture	9th chord \| hero \| leading man \| Neapolitan \| room \| tender \| thinking \| turning point
They Made Me a Criminal (1939)	Inspiration	1:09:53 - Johnnie has an inspiration	boxing \| foreign key modulation \| gentle \| hero \| idea \| inspiration \| leading man \| pedal tone \| pump-up modulation \| room \| shadow \| thinking \| turning point
They Made Me a Criminal (1939)	The Whip	1:10:16 - People at the carnival	arena \| boxer \| cheerful \| entering \| excited \| fighting \| hero \| leading man \| march \| sitting \| source music \| sport scene \| teenager
They Made Me a Criminal (1939)	World's Record	1:13:45 - Boxers prepare for the fight	arena \| boxer \| cheerful \| conversing \| excited \| hero \| leading man \| march \| parallel double period \| source music \| sport scene
They Made Me a Criminal (1939)	Spirit of Independence	1:14:53 - Johnnie marches into the ring	arena \| cheerful \| excited \| hero \| leading lady \| leading man \| march \| preparing \| source music \| sport scene \| teenager
They Made Me a Criminal (1939)	Peggy (Waiting)	1:24:39 - The detective talks to Johnnie	chromatic scale \| climax \| dark \| detective \| diminished 7th chord \| dissonant \| dissonant bass \| leading lady \| leading man \| lying \| ominous \| room \| waiting
They Made Me a Criminal (1939)	Lying	1:25:16 - Johnnie lies to Peggy about where he's going	added-note chord \| augmented sixth chord \| climax \| common-chord modulation \| detective \| dissonant bass \| foreign key modulation \| leading lady \| leading man \| lying \| minor-major 7th chord \| room \| turbulent
They Made Me a Criminal (1939)	On the Make (Appassionato)	1:25:51 - Peggy wants to go with Johnnie	9th chord \| altered dominant \| climax \| detective \| embracing \| kissing \| leading lady \| leading man \| leaving \| linear chromaticism \| mode mixture \| pedal tone \| romantic \| room \| sentimental \| sigh gesture \| tender
They Made Me a Criminal (1939)	The Fugitive (Ending)	1:30:23 - A train rushes away	detective \| foreign key modulation \| leading man \| mode mixture \| optimistic \| passionate \| plagal cadence \| resolution \| resolution \| running \| teenager \| train station \| triumphant
They Made Me a Criminal (1939)	Running	1:30:35 - Johnnie runs to Tommy	leading man \| mickey-mousing \| optimistic \| passionate \| resolution \| resolution \| running \| teenager \| train station \| triumphant
Dust Be My Destiny (1939)	Mysterioso	0:02:00 - Warden talks to Joe	conversing \| drone \| establish character \| leading man \| mysterious \| parallelism \| polytonality \| prison \| prisoner \| warden
Dust Be My Destiny (1939)	Dust Be My Destiny (Injustice)	0:02:29 - Joe reacts to the warden	9th chord \| 64 chord \| agitated \| chromatic parallelism \| conversing \| dramatic \| establish character \| injustice \| leading man \| prison \| prisoner \| warden
Dust Be My Destiny (1939)	Marching	0:10:10 - Inmates marching	establish location \| leading man \| march \| marching \| parallelism \| pedal tone \| prison \| prisoner \| somber
Dust Be My Destiny (1939)	Charlie	0:10:58 - Charlie talks to inmates	conversing \| dark \| drunk \| establish character \| leading man \| polychord \| prison \| prisoner \| warden
Dust Be My Destiny (1939)	Hiccough	0:11:35 - Charlie hiccups	comical \| drunk \| establish character \| hiccuping \| leading man \| mickey-mousing \| prison \| prisoner \| warden
Dust Be My Destiny (1939)	Cow	0:11:39 - Man calls Charlie a cow	comical \| cow \| drunk \| establish character \| leading man \| mickey-mousing \| mooing \| prison \| prisoner \| stinger \| warden
Dust Be My Destiny (1939)	Charlie (Extended)	0:11:41 - Charlie talks to inmates	chromatic parallelism \| dark \| drunk \| establish character \| leading man \| prison \| prisoner \| sequence \| slapping \| stinger \| warden
Dust Be My Destiny (1939)	Comedy fall	0:13:08 - Joe falls over while milking the cow	barn \| chromatic parallelism \| chromatic scale \| comical \| falling \| leading lady \| leading man \| lovers meet \| mickey-mousing \| prisoner
Dust Be My Destiny (1939)	Underscoring (Humorous)	0:13:13 - Joe talks to the cow	barn \| chromatic parallelism \| comical \| conversing \| cow \| diminished triad \| dissonant bass \| leading man \| lovers meet \| prisoner \| underscoring
Dust Be My Destiny (1939)	Dust Be My Destiny (Playful)	0:13:38 - Mabel talks to Joe	barn \| comical \| common-tone diminished 7th \| cow \| laughing \| leading lady \| leading man \| lovers meet \| playful \| prisoner \| romantic
Dust Be My Destiny (1939)	Joe fights cow	0:13:56 - Joe fights cow (off-screen)	augmented triad \| barn \| chromatic parallelism \| chromatic scale \| comical \| cow \| diminished 7th chord \| fighting \| leading lady \| leading man \| lovers meet \| mickey-mousing \| prisoner
Dust Be My Destiny (1939)	Dust Be My Destiny (Laughing)	0:14:07 - Mabel laughs at Joe	barn \| chromatic parallelism \| comical \| diminished 7th chord \| laughing \| leading lady \| leading man \| lovers meet \| prisoner
Dust Be My Destiny (1939)	Laughing	0:14:10 - Mabel laughs at Joe	barn \| chromatic parallelism \| comical \| diminished 7th chord \| laughing \| leading lady \| leading man \| lovers meet \| mickey-mousing \| prisoner
Dust Be My Destiny (1939)	Dust Be My Destiny (Agitated)	0:14:22 - Joe argues with Mabel	agitated \| arguing \| barn \| fragmentation \| leading lady \| leading man \| lovers meet \| prisoner \| sequence
Dust Be My Destiny (1939)	Underscoring (Tense)	0:14:40 - Charlie enters	barn \| leading lady \| leading man \| lovers meet \| prisoner \| stinger \| tense \| underscoring \| villain \| warden
Dust Be My Destiny (1939)	Dust Be My Destiny (Tense)	0:14:53 - Joe talks to Charlie	barn \| dark \| dissonant \| leading lady \| leading man \| lovers meet \| prisoner \| tense \| tritone \| villain \| warden
Dust Be My Destiny (1939)	Train whistle	0:17:18 - A distant train whistle sounds	advance plot \| dissonant \| leading man \| mickey-mousing \| pc set \| prison \| train whistle
Dust Be My Destiny (1939)	Escape Plan	0:17:23 - Joe talks with the boys	advance plot \| leading man \| pc set \| prison \| quotation \| sincere
Dust Be My Destiny (1939)	Dust Be My Destiny (Expectant)	0:18:08 - Mabel leaves	advance plot \| expectant \| gentle \| guard \| hopeful \| leading lady \| leading man \| pedal tone \| prison \| prisoner \| sweet
Dust Be My Destiny (1939)	Dust Be My Destiny (Denied)	0:18:23 - Mabel talks to Joe	conflict \| deceptive resolution \| denial \| expectant \| gentle \| guard \| hopeful \| leading lady \| leading man \| prison \| prisoner \| stinger \| sweet
Dust Be My Destiny (1939)	Underscoring (Romantic)	0:21:46 - Mabel talks with Joe	barn \| leading lady \| leading man \| love scene \| pedal tone \| romantic \| underscoring
Dust Be My Destiny (1939)	Dust Be My Destiny (In Love)	0:22:04 - Mabel and Joe talk	9th chord \| added-note chord \| barn \| common-tone diminished 7th \| leading lady \| leading man \| love scene \| mode mixture \| romantic \| secondary dominant
Dust Be My Destiny (1939)	Dust Be My Destiny (Pensive)	0:23:08 - Joe tells Mabel about his dreams	11th chord \| barn \| chromatic mediant \| dreaming \| foreign key modulation \| leading lady \| leading man \| love scene \| mode mixture \| pensive
Dust Be My Destiny (1939)	Dust Be My Destiny (Expressivo)	0:23:38 - Joe and Mabel talk	9th chord \| added-note chord \| augmented sixth chord \| barn \| common-tone diminished 7th \| leading lady \| leading man \| love scene \| mode mixture \| romantic \| secondary dominant \| sequence
Dust Be My Destiny (1939)	Dust Be My Destiny (Ethereal)	0:24:50 - Joe tells Mabel he loves her	barn \| common-tone diminished 7th \| deceptive resolution \| inversion \| kissing \| leading lady \| leading man \| love scene \| romantic
Dust Be My Destiny (1939)	Underscoring (Dark)	0:25:03 - Charlie interrupts the lovers	barn \| chromatic scale \| conflict \| dark \| diminished 7th chord \| hexatonic scale \| leading lady \| leading man \| underscoring \| villain \| warden
Dust Be My Destiny (1939)	Underscoring (Dramatic)	0:25:23 - Charlie grabs Mabel's arm	barn \| chromatic scale \| conflict \| diminished 7th chord \| dramatic \| leading lady \| leading man \| underscoring \| villain \| warden
Dust Be My Destiny (1939)	Dust Be My Destiny (Fight)	0:25:41 - Charlie and Joe fight	42 chord \| barn \| chromatic parallelism \| chromatic scale \| chromatic wedge \| conflict \| dramatic \| fighting \| leading lady \| leading man \| linear chromaticism \| mickey-mousing \| octatonic scale \| punching \| villain \| warden \| whole-tone scale
Dust Be My Destiny (1939)	Dust Be My Destiny (Running Away)	0:25:55 - Joe and Mabel run	64 chord \| barn \| conflict \| diminution \| dramatic \| leading lady \| leading man \| running \| sequence
Dust Be My Destiny (1939)	Running	0:26:05 - Joe and Mabel run	9th chord \| barn \| conflict \| dramatic \| leading lady \| leading man \| mickey-mousing \| octatonic \| running
Dust Be My Destiny (1939)	Turning around	0:26:13 - Joe and Mabel turn around	64 chord \| barn \| death \| dramatic \| leading lady \| leading man \| mickey-mousing \| prisoner \| turning
Dust Be My Destiny (1939)	Dust Be My Destiny (Fateful Decision)	0:26:17 - Joe and Mabel decide to run away together	barn \| confused \| deceptive resolution \| fragmentation \| hopeful \| leading lady \| leading man \| mode mixture \| runaway \| turning point
Dust Be My Destiny (1939)	Running away	0:26:45 - Joe and Mabel run away	barn \| conflict \| diminished 7th chord \| dramatic \| leading lady \| leading man \| mickey-mousing \| pedal tone \| runaway \| running
Dust Be My Destiny (1939)	Arriving	0:26:52 - Joe and Mabel settle into their new situation	9th chord \| arriving \| calm \| dramatic \| freedom \| leading lady \| leading man \| runaway \| settling down \| street \| traveling \| traveling scene \| truck
Dust Be My Destiny (1939)	Dust Be My Destiny (In Love)	0:27:22 - Joe and Mabel talk	9th chord \| added-note chord \| advance plot \| common-tone diminished 7th \| freedom \| gentle \| leading lady \| leading man \| mode mixture \| runaway \| secondary dominant \| street \| walking
Dust Be My Destiny (1939)	Dust Be My Destiny (Milkman)	0:27:38 - Joe and Mabel talk to the milkman	advance plot \| comical \| glass \| leading lady \| leading man \| milk \| milkman \| pizzicato \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (A Hotel)	0:28:47 - Joe mentions going to a hotel	advance plot \| altered dominant \| concerned \| leading lady \| leading man \| street
Dust Be My Destiny (1939)	Here Comes the Bride (Modulating)	0:29:02 - Joe and Mabel run to the courthouse	added-note chord \| deceptive resolution \| excited \| familiar tune \| foreign key modulation \| fragmentation \| leading lady \| leading man \| love scene \| marriage \| pump-up modulation \| romance \| romantic \| running \| sequence \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Waiting)	0:29:38 - Joe and Mabel talk about getting married	added-note chord \| augmented sixth chord \| chromatic mediant \| common-tone diminished 7th \| foreign key modulation \| leading lady \| leading man \| love scene \| romantic \| street \| waiting
Dust Be My Destiny (1939)	Dust Be My Destiny (Running Up and Down)	0:30:12 - Man runs up the courthouse steps	64 chord \| chromatic parallelism \| chromatic scale \| courthouse \| down \| frantic \| leading lady \| leading man \| love scene \| mickey-mousing \| mode mixture \| producer \| running \| stairs \| street \| up
Dust Be My Destiny (1939)	Here Comes the Bride (Triple)	0:30:31 - Man talks to Joe and Mabel	9th chord \| 64 chord \| chromatic parallelism \| courthouse \| familiar tune \| leading lady \| leading man \| love scene \| marriage \| producer \| pump-up modulation \| romantic \| sequence \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Got Each Other)	0:30:49 - Mabel proclaims her love for Joe	courthouse \| leading lady \| leading man \| love scene \| producer \| romantic \| street
Dust Be My Destiny (1939)	Fairy Music	0:30:58 - Man takes their luggage	64 chord \| courthouse \| happy \| leading lady \| leading man \| love scene \| producer \| pump-up modulation \| romantic \| street
Dust Be My Destiny (1939)	Here Comes the Bride	0:31:19 - Crowd sings and claps at a wedding	crowd \| happy \| leading lady \| leading man \| marriage \| on-screen music \| source music \| theater \| wedding
Dust Be My Destiny (1939)	Here Comes the Bride	0:32:48 - Joe kisses Mabel	crowd \| happy \| leading lady \| leading man \| marriage \| on-screen music \| pianist \| source music \| theater \| wedding
Dust Be My Destiny (1939)	In a Moment of Weakness	0:33:37 - Mabel looks at her wedding ring	develop character \| happy \| leading lady \| leading man \| radio \| source music \| theater
Dust Be My Destiny (1939)	Radio Fanfare	0:34:20 - Mabel talks to Joe	chromatic mediant \| develop character \| happy \| leading lady \| leading man \| radio \| source music \| theater
Dust Be My Destiny (1939)	Fleeing	0:34:56 - Joe and Mabel flee	alley \| chromatic scale \| danger \| down \| escape \| fearful \| fleeing \| leading lady \| leading man \| linear chromaticism \| mickey-mousing \| police \| runaway \| running \| street \| suspenseful
Dust Be My Destiny (1939)	Agitato Risoluto	0:35:11 - Joe and Mabel hide under the stairs	agitated \| alley \| chromatic parallelism \| concerned \| danger \| escape \| hiding \| leading lady \| leading man \| pedal tone \| runaway \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Injustice)	0:35:25 - Joe and Mabel talk in the alley	9th chord \| alley \| chromatic parallelism \| escape \| fearful \| leading lady \| leading man \| runaway \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Fear and Devotion)	0:35:50 - Joe and Mabel decide to stick together	alley \| common-tone diminished 7th \| devotion \| dramatic \| escape \| fear \| fragmentation \| leading lady \| leading man \| love \| mode mixture \| obsessive \| runaway \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Travel Montage)	0:36:28 - A speeding train	added-note chord \| foreign key modulation \| frantic \| hitch-hiking \| leading lady \| leading man \| linear chromaticism \| map \| montage \| pc set \| runaway \| sign \| train \| train \| train whistle \| traveling \| traveling scene \| truck \| walking
Dust Be My Destiny (1939)	Dust Be My Destiny (Wandering)	0:37:16 - Joe and Mabel walk down the road	car \| car horn \| diminished 7th chord \| leading lady \| leading man \| montage \| oscillation \| runaway \| street \| tired \| traveling scene \| walking
Dust Be My Destiny (1939)	Dust Be My Destiny (Weary)	0:37:38 - They rest by the side of the road	chromatic parallelism \| conflict \| leading lady \| leading man \| resting \| runaway \| street \| tired
Dust Be My Destiny (1939)	Underscoring (Dramatic)	0:38:00 - Joe and Mabel argue	9th chord \| arguing \| conflict \| dissonant bass \| dramatic \| leading lady \| leading man \| runaway \| street \| underscoring
Dust Be My Destiny (1939)	Dust Be My Destiny	0:38:38 - Joe and Mabel part	common-tone diminished 7th \| conflict \| leading lady \| leading man \| leaving \| runaway \| somber \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Parting Ways)	0:38:56 - Joe and Mabel part	altered dominant \| common-tone diminished 7th \| conflict \| dark \| leading lady \| leading man \| leaving \| mode mixture \| pedal tone \| runaway \| somber \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Running)	0:39:33 - Mabel runs across the street	conflict \| leading lady \| leading man \| mickey-mousing \| runaway \| running \| somber \| street \| truck
Dust Be My Destiny (1939)	Dust Be My Destiny (Regret)	0:39:53 - Joe walks away sadly	conflict \| dark \| leading lady \| leading man \| parallelism \| pedal tone \| runaway \| somber \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Reunited)	0:40:03 - Joe runs to Mabel	64 chord \| altered dominant \| foreign key modulation \| joyful \| leading lady \| leading man \| mickey-mousing \| pump-up modulation \| resolution \| runaway \| running \| street
Dust Be My Destiny (1939)	The Poster	0:40:39 - Joe and Mabel see a sign for the train	chromatic sequence \| comedy \| comical \| laughing \| leading lady \| leading man \| runaway \| sign \| street
Dust Be My Destiny (1939)	My Wild Irish Rose	0:40:51 - Joe and Mabel in Nick's Diner	accompanied source music \| altered dominant \| common-chord modulation \| diner \| establish character \| familiar tune \| friend \| happy \| leading lady \| leading man \| mode mixture \| parallel double period \| popular song \| radio \| shopkeeper \| singing \| source music \| ternary form
Dust Be My Destiny (1939)	Dust Be My Destiny (Irish Rose)	0:42:25 - They go to work in the kitchen	diner \| establish character \| friend \| happy \| leading lady \| leading man \| score to source \| shopkeeper
Dust Be My Destiny (1939)	Dust Be My Destiny (Delicatessen)	0:43:38 - Mabel and Nick talk	common-tone diminished 7th \| develop character \| diner \| friend \| gentle \| leading lady \| leading man \| secondary dominant \| shopkeeper
Dust Be My Destiny (1939)	Dust Be My Destiny (In Love)	0:43:51 - Mabel and Nick talk	9th chord \| develop character \| diner \| friend \| gentle \| leading lady \| leading man \| shopkeeper
Dust Be My Destiny (1939)	Dust Be My Destiny (Delicatessen)	0:44:01 - Mabel and Nick talk	common-tone diminished 7th \| develop character \| diner \| friend \| gentle \| leading lady \| leading man \| secondary dominant \| shopkeeper
Dust Be My Destiny (1939)	My Wild Irish Rose (Waltz)	0:44:17 - Mabel and Nick talk	develop character \| diner \| familiar tune \| friend \| gentle \| leading lady \| leading man \| on-screen music \| pedal tone \| popular song \| shopkeeper \| singing \| source music
Dust Be My Destiny (1939)	Dust Be My Destiny (Calm)	0:44:32 - Mabel and Nick talk	added-note chord \| altered dominant \| develop character \| diner \| friend \| gentle \| leading lady \| leading man \| shopkeeper
Dust Be My Destiny (1939)	Whistling	0:45:44 - Joe whistles as he walks	64 chord \| cheerful \| chromatic mediant \| deceptive resolution \| foreign key modulation \| leading man \| on-screen music \| scored source music \| source music \| street \| traveling scene \| whistling
Dust Be My Destiny (1939)	Whistling (Suspenseful)	0:46:25 - Mabel looks out the window	anxious \| cheerful \| concerned \| create suspense \| harmonic sequence \| leading lady \| leading man \| on-screen music \| police \| polytonality \| room \| scored source music \| source music \| whistling
Dust Be My Destiny (1939)	Underscoring (Dramatic)	0:46:42 - Mabel yells to Joe	chromatic scale \| create suspense \| diminished 7th chord \| dissonant bass \| dramatic \| escaping \| gun \| gunshot \| leading lady \| leading man \| police \| room \| runaway \| running \| street \| underscoring \| yelling
Dust Be My Destiny (1939)	Joe runs and falls	0:46:50 - Joe runs and falls	chromatic scale \| create suspense \| diminished 7th chord \| dissonant bass \| dramatic \| falling \| leading lady \| leading man \| mickey-mousing \| police \| runaway \| running \| stinger \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Hiding)	0:47:35 - Nick talks with Joe	42 chord \| advance plot \| anxious \| diminished 7th chord \| diner \| fragmentation \| friend \| hiding \| leading man \| money \| runaway \| shopkeeper \| suspense
Dust Be My Destiny (1939)	Underscoring (Tense)	0:47:58 - Joe walks to the jail	64 chord \| friend \| jail \| jail break \| leading man \| runaway \| shopkeeper \| tense \| underscoring \| walking
Dust Be My Destiny (1939)	Dust Be My Destiny (Sordini)	0:48:21 - Joe talks to the jailer	chromatic parallelism \| jail \| jail break \| leading man \| major triad \| mysterious \| pedal tone \| tense \| warden
Dust Be My Destiny (1939)	Underscoring (Tense)	0:48:34 - Joe talks to the jailer	jail \| jail break \| leading man \| pedal tone \| tense \| underscoring \| warden
Dust Be My Destiny (1939)	Dust Be My Destiny (Trickery)	0:48:45 - Joe talks to the jailer	distortion \| friend \| half-diminished 7th chord \| jail \| jail break \| leading man \| parallelism \| passerby \| shopkeeper \| tense \| warden
Dust Be My Destiny (1939)	Underscoring (Tense)	0:49:05 - Joe enters the jail	64 chord \| jail \| jail break \| leading man \| tense \| underscoring \| warden
Dust Be My Destiny (1939)	Dust Be My Destiny (Jail Break)	0:49:16 - Mabel looks up and sees Joe	chromatic wedge \| dissonant bass \| jail \| jail break \| leading lady \| leading man \| linear chromaticism \| tense \| warden
Dust Be My Destiny (1939)	Dust Be My Destiny (Stick Up)	0:50:12 - Joe pulls out a gun	gun \| half-diminished 7th chord \| jail \| jail break \| leading lady \| leading man \| tense \| warden
Dust Be My Destiny (1939)	Dust Be My Destiny (The Escape)	0:50:26 - Joe and Mabel leave the jail	64 chord \| chromatic parallelism \| dark \| escaping \| foreign key modulation \| friend \| hopeful \| jail \| jail break \| leading lady \| leading man \| shopkeeper
Dust Be My Destiny (1939)	Dust Be My Destiny (Grandioso)	0:50:50 - Joe and Mabel outside	42 chord \| 64 chord \| deceptive resolution \| escaping \| friend \| heroic \| jail break \| leading lady \| leading man \| pedal tone \| shopkeeper \| street \| triumphant
Dust Be My Destiny (1939)	Stinger	0:51:01 - They see approaching headlights	42 chord \| danger \| friend \| jail break \| leading lady \| leading man \| ominous \| shopkeeper \| siren \| stinger \| street
Dust Be My Destiny (1939)	Speeding car	0:51:08 - The car speeds off	car \| chromatic scale \| diminished 7th chord \| dramatic \| escape \| friend \| leading lady \| leading man \| mickey-mousing \| shopkeeper \| street \| traveling
Dust Be My Destiny (1939)	Dust Be My Destiny (Thankful)	0:51:24 - Joe, Mabel, and Nick talk in the car	augmented sixth chord \| escape \| friend \| leading lady \| leading man \| shopkeeper \| thankful \| train station
Dust Be My Destiny (1939)	My Wild Irish Rose (Goodbye)	0:51:35 - Joe and Mabel say goodbye to Nick	9th chord \| escape \| familiar tune \| foreign key modulation \| friend \| leading lady \| leading man \| linear chromaticism \| mode mixture \| popular song \| shopkeeper \| tender \| train station
Dust Be My Destiny (1939)	My Wild Irish Rose (Grandioso)	0:52:06 - Joe and Mabel leave on a train	9th chord \| 64 chord \| calm \| escape \| familiar tune \| friend \| leading lady \| leading man \| popular song \| shopkeeper \| sweet \| tender \| train station \| triumphant
Dust Be My Destiny (1939)	Dust Be My Destiny (Radio)	0:52:28 - Mabel in an apartment	conflict \| leading lady \| leading man \| popular song \| radio \| room \| score to source \| somber \| source music
Dust Be My Destiny (1939)	Dust Be My Destiny (Arguing)	0:55:00 - Mabel confronts Joe	agitated \| arguing \| conflict \| dark \| leading lady \| leading man \| parallelism \| pc set \| pleading \| room
Dust Be My Destiny (1939)	Patrol	0:55:50 - Cop checks on a shop	clock \| crime scene \| criminal \| leading man \| police \| shopkeeper \| street \| tense
Dust Be My Destiny (1939)	Dust Be My Destiny (Sehr Ominous)	0:56:14 - Joe walks towards the shop	9th chord \| chromatic parallelism \| crime scene \| criminal \| leading man \| mysterious \| sequence \| shop \| shopkeeper \| street \| walking
Dust Be My Destiny (1939)	Cantor	0:56:34 - Joe talks to a Jewish shopkeeper	9th chord \| crime scene \| criminal \| Gypsy minor scale \| Jewish \| kind \| leading man \| shop \| shopkeeper
Dust Be My Destiny (1939)	Dust Be My Destiny (Transformation)	0:57:38 - Joe comes back to the apartment	dissonant bass \| foreign key modulation \| leading lady \| leading man \| linear chromaticism \| love scene \| mysterious \| room \| triumphant
Dust Be My Destiny (1939)	Dust Be My Destiny (Reunited)	0:58:04 - Joe embraces Mabel	9th chord \| 64 chord \| added-note chord \| embracing \| foreign key modulation \| leading lady \| leading man \| love scene \| romantic \| room \| triumphant
Dust Be My Destiny (1939)	Underscoring (Dramatic)	0:59:15 - A bank alarm sounds	42 chord \| 64 chord \| action scene \| bank \| chromatic parallelism \| chromatic scale \| chromatic wedge \| crowd \| dramatic \| leading man \| photographer \| robbery \| shopkeeper \| street \| tone cluster \| underscoring
Dust Be My Destiny (1939)	Alarm	0:59:15 - Alarm sounds	action scene \| alarm \| bank \| crowd \| dramatic \| leading man \| mickey-mousing \| photographer \| robbery \| shopkeeper \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Heroic)	0:59:42 - Joe takes pictures of the robbery	42 chord \| action scene \| bank \| chromatic scale \| criminal \| crowd \| dramatic \| fragmentation \| gangster \| leading man \| photographer \| retrograde \| shopkeeper \| street
Dust Be My Destiny (1939)	Underscoring (Dramatic)	0:59:53 - Police arrive at the scene	64 chord \| action scene \| bank \| chromatic scale \| crowd \| dramatic \| leading man \| police \| street \| underscoring
Dust Be My Destiny (1939)	Buzzing	1:01:05 - Men working in the dark room	64 chord \| action scene \| added-note chord \| buzzy \| chromatic parallelism \| dark room \| enharmonic modulation \| exciting \| foreign key modulation \| leading man \| mode mixture \| Neapolitan \| newspaper \| newspaper editor \| parallelism \| photographer \| photography \| pump-up modulation \| Rimsky-Korsakov \| working
Dust Be My Destiny (1939)	Dust Be My Destiny (Mysterioso)	1:05:26 - Joe talks to Mike	advance plot \| chromatic parallelism \| chromatic sequence \| dark \| leading man \| linear chromaticism \| newspaper editor \| office \| ominous \| somber
Dust Be My Destiny (1939)	Dust Be My Destiny (Relief)	1:06:54 - Mike talks with Joe	advance plot \| hopeful \| leading man \| mode mixture \| newspaper editor \| office \| relieved
Dust Be My Destiny (1939)	Dust Be My Destiny (Dolceeessimo)	1:08:53 - Joe and Mabel talk	advance plot \| chromatic mediant \| foreign key modulation \| hopeful \| intervallic expansion \| leading lady \| leading man \| peaceful \| room
Dust Be My Destiny (1939)	Underscoring (Dramatic)	1:10:32 - Joe runs after the car	augmented triad \| chromatic parallelism \| chromatic scale \| conflict \| dramatic \| gangster \| half-diminished 7th chord \| hero \| leading man \| mickey-mousing \| newspaper editor \| running \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Brave)	1:10:38 - Joe jumps onto the car	action scene \| augmented triad \| car \| chromatic parallelism \| dramatic \| fighting \| gangster \| hero \| leading man \| newspaper editor \| street \| whole-tone chord
Dust Be My Destiny (1939)	Dust Be My Destiny (Heroic)	1:10:32 - Joe heroically wrestles away the steering wheel	action scene \| chromatic scale \| dramatic \| fighting \| fragmentation \| gangster \| hero \| leading man \| newspaper editor \| retrograde \| street
Dust Be My Destiny (1939)	Car crash	1:10:55 - Gangsters crash the car	action scene \| car \| chromatic scale \| crashing \| dramatic \| gangster \| hero \| leading man \| mickey-mousing \| newspaper editor \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Reunited)	1:11:25 - Mabel embraces Joe after she meets him	64 chord \| advance plot \| doctor \| embracing \| happy \| hero \| hospital \| leading lady \| leading man \| nurse
Dust Be My Destiny (1939)	Dust Be My Destiny (Simply)	1:11:50 - Mabel and Joe talk	advance plot \| doctor \| hero \| hospital \| leading lady \| leading man \| nurse \| peaceful
Dust Be My Destiny (1939)	Dust Be My Destiny (Leaving Hospital)	1:11:57 - Mabel and Joe start to leave	11th chord \| advance plot \| hero \| hospital \| leading lady \| leading man \| peaceful \| pedal tone \| photographer \| reporter
Dust Be My Destiny (1939)	Dust Be My Destiny (Appassionato)	1:12:09 - Mabel and Joe hide from the reporters	conflict \| countermelody \| hero \| hiding \| hospital \| leading lady \| leading man \| passionate \| underscoring
Dust Be My Destiny (1939)	Dust Be My Destiny (Cornered)	1:12:21 - Mabel and Joe decide what to do	9th chord \| conflict \| hero \| hospital \| inversion \| leading lady \| leading man \| pedal tone \| tense
Dust Be My Destiny (1939)	Dust Be My Destiny (Hiding)	1:12:42 - Mabel talks with Joe about surrendering	42 chord \| conflict \| diminished 7th chord \| fragmentation \| hero \| hospital \| leading lady \| leading man \| tense
Dust Be My Destiny (1939)	Dust Be My Destiny (Disagreement)	1:12:59 - Mabel and Joe argue	bright \| conflict \| dark \| foreign key modulation \| hero \| hospital \| leading lady \| leading man
Dust Be My Destiny (1939)	Dust Be My Destiny (Appassionatissimo)	1:13:14 - Joe makes a run for it	chromatic parallelism \| chromatic scale \| climax \| conflict \| diminished 7th chord \| dissonant bass \| escaping \| hospital \| intervallic expansion \| leading lady \| leading man \| runaway \| sequence \| tense
Dust Be My Destiny (1939)	Dust Be My Destiny (Tragico)	1:13:35 - Mabel turns Joe in to the police	confession \| conflict \| dark \| hospital \| leading lady \| leading man \| parallelism \| pedal tone \| suspect \| tragic
Dust Be My Destiny (1939)	Dust Be My Destiny (Delicate)	1:22:18 - Mabel rises to testify for Joe	courtroom \| crowd \| delicate \| judge \| jury \| leading lady \| leading man \| sequence \| somber \| suspect \| trial
Dust Be My Destiny (1939)	Dust Be My Destiny (Religioso)	1:22:41 - Mabel testifies for Joe	11th chord \| chromatic parallelism \| common-tone diminished 7th \| courtroom \| crowd \| diminished 7th chord \| gentle \| judge \| jury \| leading lady \| leading man \| loving \| mode mixture \| parallel double period \| plagal cadence \| sincere \| suspect \| tender \| trial
Dust Be My Destiny (1939)	Dust Be My Destiny (Travel Montage)	1:26:04 - Train approaches the screen	added-note chord \| foreign key modulation \| happy \| leading lady \| leading man \| pc set \| resolution \| train \| train \| traveling
Dust Be My Destiny (1939)	Dust Be My Destiny (Train)	1:26:17 - Joe and Mabel on the train	11th chord \| added-note chord \| happy \| leading lady \| leading man \| resolution \| sequence \| train \| train \| traveling
Dust Be My Destiny (1939)	Dust Be My Destiny (Hanging Hats)	1:26:31 - Joe and Mabel toss their hats	11th chord \| chromatic mediant \| foreign key modulation \| happy \| hat \| hook \| leading lady \| leading man \| mickey-mousing \| resolution \| throwing \| train \| traveling \| whistle effect
Dust Be My Destiny (1939)	Dust Be My Destiny (The End)	1:26:45 - "The End"	closing credits \| end title sequence \| foreign key modulation \| happy \| leading lady \| leading man \| The End \| train \| traveling
Each Dawn I Die (1939)	Underscoring (Mysterious)	0:04:28 - Frank leaves the newspaper office	close-up \| conflict \| diminished 7th chord \| gangster \| hero \| leading man \| mysterious \| reading \| reporter \| street \| underscoring \| watching
Each Dawn I Die (1939)	Underscoring (Dramatic)	0:04:55 - Frank is pushed into a car	car \| chromatic scale \| conflict \| diminished 7th chord \| dissonant bass \| dramatic \| fragmentation \| gangster \| gun \| hero \| kidnapping \| leading man \| pushing \| reporter \| street \| underscoring \| violence
Each Dawn I Die (1939)	Underscoring (Dramatic)	0:05:24 - Frank is framed for drunk driving	9th chord \| attacking \| car \| conflict \| diminished 7th chord \| dramatic \| gangster \| hero \| leading man \| minor second \| murder \| pushing \| reporter \| setup \| street \| underscoring \| violence
Each Dawn I Die (1939)	Hits with bottle	0:05:26 - A bottle of alcohol is broken	9th chord \| bottle \| breaking \| conflict \| dramatic \| gangster \| hero \| leading man \| mickey-mousing \| reporter \| street \| violence
Each Dawn I Die (1939)	Car Crash	0:05:40 - Two cars crash	car \| car crash \| chromatic scale \| conflict \| crashing \| explosion \| frantic \| hero \| leading man \| metric dissonance \| minor second \| reporter \| street \| tone cluster
Each Dawn I Die (1939)	Confusion	0:05:43 - Frank sits confused in car after crash	accusing \| car \| car crash \| chromatic parallelism \| chromatic scale \| conflict \| confused \| crowd \| dissonant bass \| fire \| glass \| half-diminished 7th chord \| hero \| injury \| leading man \| reporter \| running \| street \| yelling
Each Dawn I Die (1939)	Underscoring (Dramatic)	0:06:06 - Crowd accuses Frank of murder	9th chord \| accusing \| car crash \| conflict \| crowd \| dissonant bass \| dramatic \| hero \| injury \| leading man \| linear chromaticism \| police \| reporter \| sequence \| shaking \| street \| underscoring \| yelling
Each Dawn I Die (1939)	Verdict	0:08:19 - The verdict is delivered	banging \| courtroom \| courtroom scene \| gavel \| hero \| judge \| justice \| lawyer \| leading man \| noble \| parallelism \| reporter \| verdict
Each Dawn I Die (1939)	Frank	0:08:23 - Frank and Joyce embrace	appoggiatura \| courtroom \| courtroom scene \| embracing \| girlfriend \| handcuffs \| hero \| leading man \| mother \| reporter \| reverse picardy \| tender
Each Dawn I Die (1939)	Calendar Pages	0:59:53 - Pages falling from a calendar	calendar \| chromatic parallelism \| diminished 7th chord \| falling \| leading man \| mickey-mousing \| montage \| montage \| mysterious \| prisoner \| sequence
Each Dawn I Die (1939)	Clock ticking	1:03:50 - Prisoners waiting	anxious \| clock \| leading man \| mickey-mousing \| montage \| montage \| polychord \| prisoner \| ticking \| waiting
Each Dawn I Die (1939)	Frank (Parole Denied)	1:07:58 - Frank's parole is denied	9th chord \| common-tone diminished 7th \| dark \| despair \| foreign key modulation \| half-diminished 7th chord \| hopeful \| leading man \| letter \| prison \| prisoner \| reading \| sigh gesture \| solemn \| turning point
Each Dawn I Die (1939)	Frank (Released)	1:28:49 - Frank is released	9th chord \| altered dominant \| artwork in score \| conclusion \| embracing \| friend \| gentle \| goodbye \| leading lady \| leading man \| Neapolitan \| passionate \| peaceful
Each Dawn I Die (1939)	Freedom	1:30:31 - Frank leaves the prison	artwork in score \| chromatic mediant \| conclusion \| dissonant bass \| freedom \| hopeful \| leading lady \| leading man \| optimistic \| peaceful \| The End \| walking
Flamingo Road (1949)	If I Could Be With You	0:07:53 - Field hears music playing	carny \| conversing \| establish character \| leading lady \| leading man \| on-screen music \| parallel period \| police \| radio \| room \| sentimental \| singer \| singing \| source music
Flamingo Road (1949)	Lane (Moderato Grazioso)	NIF - not in film	conversing \| cut from film \| cut from film \| leading lady \| leading man \| lovers meet \| Picardy third \| police \| room
Flamingo Road (1949)	Underscoring (Lyrical)	NIF - not in film	9th chord \| altered dominant \| conversing \| cut from film \| cut from film \| leading lady \| leading man \| lovers meet \| police \| room \| underscoring
Flamingo Road (1949)	Lane (Poco Con Moto)	NIF - not in film	conversing \| cut from film \| cut from film \| deceptive resolution \| leading lady \| leading man \| lovers meet \| parallelism \| police \| room
Flamingo Road (1949)	Arabian Riff (Not in Film)	NIF - not in film	conversing \| cut from film \| cut from film \| deceptive resolution \| leading lady \| leading man \| lovers meet \| pedal tone \| police \| room \| source to score
Flamingo Road (1949)	Underscoring (Lyrical)	NIF - not in film	chromatic parallelism \| conversing \| cut from film \| cut from film \| leading lady \| leading man \| lovers meet \| police \| room \| underscoring
Flamingo Road (1949)	Lane	NIF - not in film	conversing \| cut from film \| cut from film \| leading lady \| leading man \| lovers meet \| mode mixture \| police \| room
Flamingo Road (1949)	If I Could Be With You (Timidly)	NIF - not in film	chromatic parallelism \| conversing \| cut from film \| cut from film \| leading lady \| leading man \| lovers meet \| police \| room \| source to score
Flamingo Road (1949)	If I Could Be With You (Lightly)	NIF - not in film	altered dominant \| common-tone diminished 7th chord \| cut from film \| cut from film \| flirting \| leading lady \| leading man \| lovers meet \| pedal tone \| police \| room
Flamingo Road (1949)	Lane (Not in Film)	NIF - not in film	conversing \| cut from film \| cut from film \| foreign key modulation \| leading lady \| leading man \| lovers meet \| mode mixture \| police \| room
Flamingo Road (1949)	Traveling	NIF - not in film	added-note chord \| chromatic mediant \| common-tone diminished 7th \| cut from film \| cut from film \| deceptive resolution \| leading lady \| leading man \| lovers meet \| pedal tone \| police \| room
Flamingo Road (1949)	Put 'Em in a Box, Tie 'Em with a Ribbon, and Throw 'Em in the Deep Blue Sea	0:12:05 - The Eagle Cafe	AABA structure \| advance plot \| conversing \| leading lady \| leading man \| police \| popular music \| restaurant \| source music \| upbeat
Flamingo Road (1949)	Can't We Be Friends	0:13:38 - Lane and Field at the cafe	AABA structure \| advance plot \| conversing \| leading lady \| leading man \| police \| popular music \| restaurant \| sentimental \| source music
Flamingo Road (1949)	Lane (Sentimentale)	NIF - not in film	9th chords \| chromatic parallelism \| conversing \| cut from film \| cut from film \| falling in love \| leading lady \| leading man \| police
Flamingo Road (1949)	Lane (Molto Expressivo)	NIF - not in film	11th chord \| conversing \| cut from film \| cut from film \| falling in love \| leading lady \| leading man \| police
Flamingo Road (1949)	If I Could Be With You (Dolce)	0:17:22 - Lane and Field talk	conversing \| falling in love scene \| leading lady \| leading man \| love interest \| pedal tone \| police \| porch \| sentimental \| source to score
Flamingo Road (1949)	Goodnight	0:17:45 - Lane and Field talk	blue note \| conversing \| falling in love scene \| leading lady \| leading man \| love interest \| peaceful \| pedal tone \| police \| porch
Flamingo Road (1949)	Lane (Dolce)	0:17:58 - Lane flirts with Field	falling in love scene \| flirting \| leading lady \| leading man \| love interest \| pedal tone \| playful \| police \| porch \| sweet
Flamingo Road (1949)	If I Could Be With You (Ethereal)	0:18:06 - Lane watches Field drive away	common-tone diminished 7th chord \| falling in love scene \| leading lady \| leading man \| leaving \| love interest \| pedal tone \| police \| porch \| sentimental \| source to score
Flamingo Road (1949)	Cheatin' on Me	0:19:12 - Lane works at the café	AABA structure \| advance plot \| café \| leading lady \| leading man \| leaving \| police \| source music \| upbeat \| waitress \| working
Flamingo Road (1949)	South American Way	0:22:08 - Field and Titus arrive at Lute Mae's Tavern	advance plot \| club \| dancer \| dancing \| gambling \| leading man \| musician \| on-screen music \| playing \| police \| politician \| sheriff \| source music \| upbeat \| waitress
Flamingo Road (1949)	It Had to Be You	0:23:44 - Politicians gamble and talk	ABAC structure \| advance plot \| club \| gambling \| leading man \| police \| politician \| sentimental \| sheriff \| source music \| waitress
Flamingo Road (1949)	Somebody Loves Me	0:25:19 - Politicians plot	AABA structure \| advance plot \| club \| leading man \| plotting \| police \| politician \| sentimental \| sheriff \| source music
Flamingo Road (1949)	If I Could Be With You	0:26:58 - People gamble and dance	club \| dancer \| dance scene \| dancing \| fighting \| gambling \| leading lady \| leading man \| musician \| on-screen music \| playing \| police \| sentimental \| sheriff \| singer \| singing \| source music
Flamingo Road (1949)	Driving	NIF - not in film	car \| cut from film \| driving \| foreign key modulation \| leading lady \| leading man \| love interest \| love scene
Flamingo Road (1949)	Tranquillo	0:29:07 - Lane and Field talk at the lakeside	appoggiatura \| conversing \| lake \| leading lady \| leading man \| love interest \| love scene \| romance \| yearning
Flamingo Road (1949)	If I Could Be With You (Tenderly)	0:29:32 - Lane and Field prepare to leave	11th chord \| 13th chord \| altered dominant \| common-tone diminished 7th chord \| kissing \| lake \| leading lady \| leading man \| love interest \| love scene \| romance \| romantic \| secondary dominant \| source to score
Flamingo Road (1949)	Lane	0:30:02 - Lane and Field kiss in the moonlight	added-note chord \| augmentation \| kissing \| lake \| leading lady \| leading man \| love interest \| love scene \| pedal tone \| romance \| romantic
Flamingo Road (1949)	Titus 2 (Extended)	0:30:27 - Field overhears people talking about Titus	advance plot \| chromatic sequence \| dark \| leading man \| mysterious \| newspaper \| parallelism \| reading \| self-borrowing \| street \| townsfolk
Flamingo Road (1949)	Titus (Inverted)	0:33:27 - Field arrives at the café	arriving \| breakup \| café \| inversion \| leading man \| ominous \| self-borrowing \| sheriff \| telephone \| worker
Flamingo Road (1949)	Titus 2	0:33:41 - Field sits down	breakup \| café \| conversing \| dark \| leading lady \| leading man \| mysterious \| self-borrowing \| waitress
Flamingo Road (1949)	Titus (Dark)	0:33:56 - Field talks to Lane	breaking up \| breakup \| café \| dark \| leading lady \| leading man \| mysterious \| self-borrowing \| waitress
Flamingo Road (1949)	Titus 2 (Triste)	0:34:10 - Field tells Lane he is getting married	breaking up \| breakup \| café \| chromatic sequence \| dark \| leading lady \| leading man \| major 7th chord \| mysterious \| self-borrowing \| somber \| waitress
Flamingo Road (1949)	Underscoring (Tense)	0:34:30 - Lane responds to Field	breaking up \| breakup \| café \| leading lady \| leading man \| mysterious \| tense \| underscoring \| waitress
Flamingo Road (1949)	Titus 2 (Pete Lies)	0:40:11 - Field asks why Lane was fired	advance plot \| café \| conversing \| employer \| leading man \| mysterious \| politician \| self-borrowing
Flamingo Road (1949)	If I Could Be With You (Somber)	0:40:31 - Field talks to Lane's co-worker	9th chord \| 11th chord \| advance plot \| café \| common-tone diminished 7th chord \| conversing \| coworker \| deceptive resolution \| diminished 7th chord \| leading man \| linear chromaticism \| politician \| reverse picardy \| sigh gesture \| somber
Flamingo Road (1949)	Train	0:42:28 - A rushing train	dark \| dramatic \| fiancée \| leading man \| montage \| montage \| ostinato \| train \| train \| traveling
Flamingo Road (1949)	Train + Titus (Rising)	0:42:43 - Field and Annabelle in a train car	combination of themes \| dark \| dramatic \| fiancée \| leading man \| montage \| montage \| ostinato \| self-borrowing \| sequence \| train \| train \| traveling
Flamingo Road (1949)	Drinking whiskey	0:49:50 - Dan drinks	chromatic parallelism \| comical \| distressed \| drinking \| leading lady \| leading man \| love interest \| lovers meet \| mickey-mousing \| politician \| quintal chord \| room
Flamingo Road (1949)	Lane (Lento)	0:50:04 - Dan meets Lane	added-note chord \| conversing \| countermelody \| gentle \| graceful \| leading lady \| leading man \| love interest \| lovers meet \| politician \| room
Flamingo Road (1949)	Lane (Chromatic)	0:50:24 - Lane ties Dan's tie	9th chord \| chromatic parallelism \| conversing \| dark \| gentle \| leading lady \| leading man \| love interest \| lovers meet \| politician \| room
Flamingo Road (1949)	Titus 2 (Agitato)	0:50:41 - Lane ties Dan's tie	chromatic parallelism \| conversing \| leading lady \| leading man \| love interest \| lovers meet \| mysterious \| politician \| room \| self-borrowing
Flamingo Road (1949)	Indigestion	0:50:48 - Lane complains of a hangover	chromatic parallelism \| chromatic scale \| comical \| distressed \| grumbling \| leading lady \| leading man \| love interest \| lovers meet \| politician \| room
Flamingo Road (1949)	Lane	0:50:59 - Lane gives Dan his money	conversing \| delicate \| gentle \| leading lady \| leading man \| love interest \| lovers meet \| mode mixture \| pleasant \| politician \| room
Flamingo Road (1949)	If I Could Be With You (Misterioso)	0:51:15 - Lane asks Dan about Field	chromatic parallelism \| conversing \| diminished 7th chord \| leading lady \| leading man \| love interest \| lovers meet \| politician \| room \| uneasy
Flamingo Road (1949)	Molto Grazioso	0:51:40 - Dan notices Lane	conversing \| delicate \| flirting \| leading lady \| leading man \| love interest \| lovers meet \| politician \| room
Flamingo Road (1949)	Lute Mae (Quasi Blues)	0:51:46 - Dan flirts with Lane	13th chord \| added-note chord \| conversing \| countermelody \| flirting \| flirty \| leading lady \| leading man \| love interest \| lovers meet \| politician \| room \| self-borrowing \| sultry \| thematic transference
Flamingo Road (1949)	Slide whistle	0:53:00 - Dan surprises Lute Mae	comical \| employer \| leading lady \| leading man \| love interest \| mickey-mousing \| politician \| room \| surprising \| transition
Flamingo Road (1949)	Lute Mae (Driving)	0:53:02 - Lane drives Dan to the construction site	13th chord \| added-note chord \| arriving \| car \| car \| comical \| common-chord modulation \| driving \| leading lady \| leading man \| love interest \| politician \| rushed \| self-borrowing \| transition \| traveling
Flamingo Road (1949)	Lane (Bell-like)	0:54:43 - Lane gives Dan some change	fragmentation \| gentle \| giving \| leading lady \| leading man \| love interest \| love scene \| politician \| porch \| receiving \| sweet
Flamingo Road (1949)	Flamingo Road (Bluesy)	0:55:00 - Dan buys some cold drinks	9th chord \| altered dominant \| bluesy \| flirting \| foreshadowing \| leading lady \| leading man \| love interest \| love scene \| mode mixture \| parallelism \| politician \| porch \| self-borrowing
Flamingo Road (1949)	Flamingo Road (Romantic)	0:55:41 - Dan kisses Lane	embracing \| foreign key modulation \| foreshadowing \| kissing \| leading lady \| leading man \| love interest \| love scene \| mode mixture \| parallelism \| politician \| porch \| romantic \| self-borrowing
Flamingo Road (1949)	Through a Thousand Dreams	0:56:41 - The Olympic City hotel	club \| conversing \| dance scene \| dancing \| dining \| leading lady \| leading man \| love interest \| on-screen music \| politician \| sentimental \| sheriff \| source music \| wife
Flamingo Road (1949)	Don't Take Your Love From Me	0:58:50 - Dan and Lane sit at a table	ABAC structure \| club \| conversing \| dance scene \| leading lady \| leading man \| love interest \| on-screen music \| politician \| sentimental \| sheriff \| source music \| wife
Flamingo Road (1949)	If I Could Be With You	0:59:52 - A woman sings with the dance band	club \| conversing \| dance scene \| dancing \| dining \| leading lady \| leading man \| love interest \| on-screen music \| politician \| sentimental \| sheriff \| singer \| singing \| source music \| wife
Flamingo Road (1949)	I Guess I'll Have to Change My Plan	1:01:40 - Lane and Dan talk at their table	club \| conversing \| dance scene \| leading lady \| leading man \| love interest \| politician \| sentimental \| sheriff \| source music \| wife
Flamingo Road (1949)	Flamingo Road (Expressivo)	1:02:07 - The gate to 32 Flamingo Road	11th chord \| added-note chord \| arriving \| gentle \| husband \| leading man \| self-borrowing \| sign \| street \| transition
Flamingo Road (1949)	Lute Mae (Tenderly)	1:03:37 - Dan is grateful for Lane's gift to him	13th chord \| added-note chord \| advance plot \| comical \| common-chord modulation \| conversing \| embracing \| happy \| husband \| leading lady \| leading man \| maid \| room \| self-borrowing \| tender \| wife
Flamingo Road (1949)	Flamingo Road (Tenderly)	1:03:58 - Dan and Lane have tea	advance plot \| conversing \| gentle \| husband \| leading lady \| leading man \| mode mixture \| room \| self-borrowing \| serving \| tea \| wife
Flamingo Road (1949)	Flamingo Road (Tense) + Titus	1:04:16 - Titus enters the room	advance plot \| combination of themes \| conversing \| leading lady \| leading man \| politician \| room \| self-borrowing \| sheriff \| tense \| whole-tone scale
Flamingo Road (1949)	Flamingo Road (Misterioso) + Titus	1:04:33 - Titus talks to Dan	advance plot \| combination of themes \| conversing \| distortion \| fragmentation \| leading lady \| leading man \| mysterious \| politician \| room \| self-borrowing \| sequence \| sheriff
Flamingo Road (1949)	Titus	1:04:55 - Titus insults Lane	advance plot \| dark \| leading lady \| leading man \| ominous \| politician \| room \| self-borrowing \| sheriff \| threatening
Flamingo Road (1949)	Titus	1:06:35 - Titus leaves	advance plot \| dark \| leading man \| leaving \| ominous \| politician \| room \| self-borrowing \| sheriff
Flamingo Road (1949)	Titus 2 (Slowly)	1:06:43 - Dan talks to Lane about Titus	advance plot \| chromatic parallelism \| leading lady \| leading man \| lying \| room \| self-borrowing \| tense
Flamingo Road (1949)	Lute Mae (Tenderly)	1:07:55 - Dan kisses Lane	13th chord \| added-note chord \| bluesy \| husband \| kissing \| leading lady \| leading man \| love scene \| room \| self-borrowing \| tender \| wife
Flamingo Road (1949)	Titus (Tutti)	1:08:05 - Titus and Field arrive at the construction site	arriving \| dark \| dominant 7th chord \| half-diminished 7th chord \| leading man \| ominous \| politician \| self-borrowing \| sheriff \| street \| transition
Flamingo Road (1949)	Agitato (Angry)	1:09:25 - Titus leaves	advance plot \| agitated \| angry \| chromatic parallelism \| chromatic scale \| chromatic wedge \| leading man \| leaving \| politician \| polychord \| sheriff \| street \| tense
Flamingo Road (1949)	Titus + Titus 2	1:09:43 - Titus bullies Field	advance plot \| bullying \| chromatic parallelism \| combination of themes \| commanding \| dark \| leading man \| ominous \| ostinato \| politician \| self-borrowing \| sheriff \| street
Flamingo Road (1949)	Titus (Menacing)	1:09:59 - Titus and Field leave	advance plot \| bullying \| commanding \| dark \| leading man \| menacing \| ominous \| politician \| self-borrowing \| sheriff \| street
Flamingo Road (1949)	Underscoring (Tense)	1:11:26 - Field drinks	alcohol \| arriving \| bullying \| conflict \| dramatic \| drinking \| leading man \| linear chromaticism \| politician \| room \| sheriff \| underscoring
Flamingo Road (1949)	Titus (Ominous)	1:11:44 - Titus argues with Field	arguing \| bullying \| conflict \| drinking \| leading man \| mysterious \| politician \| room \| self-borrowing \| sheriff \| tense
Flamingo Road (1949)	Underscoring (Tense)	1:11:51 - Titus argues with Field	arguing \| bullying \| conflict \| drinking \| leading man \| politician \| room \| sheriff \| tense \| underscoring
Flamingo Road (1949)	The Sheriff	1:12:01 - Titus stands and walks	arguing \| bullying \| chromatic parallelism \| conflict \| dark \| leading man \| mickey-mousing \| ominous \| politician \| room \| self-borrowing \| sheriff \| standing
Flamingo Road (1949)	Throwing whiskey and glass	1:12:08 - Titus throws whiskey in Field's face	alcohol \| breaking \| bullying \| conflict \| dramatic \| glass \| leading man \| mickey-mousing \| politician \| room \| sheriff \| slamming \| splashing \| throwing \| tone cluster \| whole-tone scale
Flamingo Road (1949)	Titus (Violent)	1:12:11 - Titus and Field argue	arguing \| bullying \| conflict \| dark \| leading man \| ominous \| politician \| room \| self-borrowing \| sheriff \| violent
Flamingo Road (1949)	Underscoring (Dramatic)	1:12:17 - Titus grabs Field and pushes him	bullying \| conflict \| dramatic \| leading man \| politician \| pushing \| room \| sheriff \| throwing \| underscoring \| violent
Flamingo Road (1949)	Anger	1:12:20 - Titus and Field face off	angry \| arguing \| bullying \| chromatic parallelism \| chromatic wedge \| conflict \| leading man \| pc set \| politician \| room \| self-borrowing \| sheriff \| tense
Flamingo Road (1949)	Rising Anger	1:12:26 - Titus throws open the door	angry \| arguing \| bullying \| chromatic parallelism \| conflict \| diminished 7th chord \| leading man \| politician \| room \| self-borrowing \| sheriff
Flamingo Road (1949)	Underscoring (Dramatic)	1:12:32 - Titus throws Field out the door	augmented triad \| bullying \| chromatic parallelism \| conflict \| dark \| dramatic \| leading man \| politician \| polychord \| pushing \| room \| sheriff \| throwing \| underscoring
Flamingo Road (1949)	Breaking door	1:12:39 - Titus breaks the glass door	breaking \| bullying \| conflict \| door \| dramatic \| leading man \| mickey-mousing \| politician \| polychord \| room \| sheriff \| smashing \| window
Flamingo Road (1949)	Titus (Ostinato)	1:17:09 - Dan looks at some papers	brooding \| conflict \| dark \| hopeful \| husband \| leading lady \| leading man \| ominous \| politician \| room \| self-borrowing \| wife
Flamingo Road (1949)	Lane (Tragic)	1:18:10 - Lane talks to Dan about Titus	angry \| anxious \| conflict \| conversing \| husband \| leading lady \| leading man \| ostinato \| politician \| room \| tragic \| wife
Flamingo Road (1949)	If I Could Be With You (Tragic)	1:18:35 - Lane tells Dan about Field	confessing \| conflict \| diminished 7th chord \| husband \| leading lady \| leading man \| love \| politician \| room \| tragic \| wife
Flamingo Road (1949)	Flamingo Road (Agitato)	1:18:50 - Dan gets upset with Lane	9th chord \| accusing \| angry \| augmented sixth chord \| conflict \| fragmentation \| husband \| leading lady \| leading man \| politician \| quartal chord \| room \| self-borrowing \| wife
Flamingo Road (1949)	Appassionato	1:19:10 - Dan argues with Lane	arguing \| chromatic parallelism \| conflict \| diminished 7th chord \| harmonic sequence \| husband \| leading lady \| leading man \| passionate \| politician \| room \| wife \| yearning
Flamingo Road (1949)	Flamingo Road (Molto Expressivo)	1:19:32 - Dan leaves	conflict \| husband \| leading lady \| leading man \| leaving \| politician \| room \| self-borrowing \| tragic \| wife
Flamingo Road (1949)	Flamingo Road (Triste)	1:19:43 - Lane watches Dan leave	altered dominant \| conflict \| husband \| leading lady \| leading man \| politician \| room \| self-borrowing \| somber \| waiting \| wife
Flamingo Road (1949)	Somber Phone Call	1:19:54 - Dan calls Lane from the station	calling \| conflict \| half-diminished 7th chord \| husband \| leading lady \| leading man \| politician \| somber \| tone cluster \| train station \| wife
Flamingo Road (1949)	Titus (Triste 2)	1:20:10 - Dan and Lane talk on the phone	calling \| conflict \| husband \| leading lady \| leading man \| politician \| room \| somber \| train station \| wife
Flamingo Road (1949)	Lane (Descending the Staircase)	1:21:31 - Lane descends the stairs	advance plot \| delicate \| descending \| leading lady \| leading man \| love interest \| mickey-mousing \| mysterious \| parallelism \| room \| walking
Flamingo Road (1949)	If I Could Be With You (Triste)	1:22:18 - Field enters the house	death scene \| diminished 7th chord \| drunk \| drunk \| foreign key modulation \| leading lady \| leading man \| love interest \| room \| somber \| stumbling
Flamingo Road (1949)	Underscoring (Somber)	1:22:33 - Field stumbles through the house	chromatic parallelism \| conversing \| death scene \| drunk \| drunk \| leading lady \| leading man \| love interest \| room \| somber \| underscoring
Flamingo Road (1949)	If I Could Be With You (Drunk)	1:22:58 - Field and Lane talk about their past love	arguing \| chromatic parallelism \| death scene \| diminished 7th chord \| drunk \| leading lady \| leading man \| love interest \| room \| somber
Flamingo Road (1949)	Titus (Ostinato 2)	1:23:34 - Field and Lane talk about Titus and Dan	arguing \| dark \| death scene \| dramatic \| leading lady \| leading man \| love interest \| ominous \| ostinato \| room \| self-borrowing
Flamingo Road (1949)	Flamingo Road (Andante)	1:24:05 - Lane goes to get a drink for Field	altered dominant \| chromatic parallelism \| dark \| death scene \| gentle \| gunshot \| hopeful \| leading lady \| leading man \| love interest \| mode mixture \| room \| self-borrowing \| suicide \| walking \| warm
Flamingo Road (1949)	If I Could Be With You (Dead)	1:24:41 - Lane sees Field has committed suicide	augmentation \| death scene \| discovering \| gunshot \| leading lady \| leading man \| love interest \| reacting \| room \| suicide \| surprise \| tragic \| violent
Flamingo Road (1949)	If I Could Be With You (Maestoso)	1:26:31 - Dan reads a telegram about Field's death	advance plot \| chromatic parallelism \| diminished 7th chord \| lawyer \| leading man \| linear chromaticism \| politician \| reading \| suicide \| telegram \| tragic \| train \| violent
Flamingo Road (1949)	Flamingo Road (Appassionato)	1:32:54 - Dan visits Lane in prison	crying \| embracing \| foreign key modulation \| husband \| joyous \| kissing \| leading lady \| leading man \| pedal tone \| prison \| resolution \| reuniting \| self-borrowing \| wife
Flamingo Road (1949)	Flamingo Road (Dolce)	1:33:08 - Dan and Lane embrace	crying \| dark \| embracing \| husband \| kissing \| leading lady \| leading man \| mode mixture \| peaceful \| prison \| resolution \| reuniting \| self-borrowing \| wife
Flamingo Road (1949)	Lute Mae (Delicato)	1:33:28 - Lane smiles as Dan	13th chord \| added-note chord \| crying \| delicate \| husband \| kissing \| leading lady \| leading man \| prison \| resolution \| reuniting \| romance \| self-borrowing \| sentimental \| wife
Flamingo Road (1949)	If I Could Be With You (Ecstatic)	1:33:37 - Lane walks away	added-note chord \| altered dominant \| artwork in score \| chromatic parallelism \| friend \| husband \| joyous \| leading lady \| leading man \| leaving \| prison \| resolution \| reuniting \| romance \| secondary dominant \| The End \| thematic transference \| triumphant \| wife
Hell on Frisco Bay (1955)	Prison Gate	0:01:25 - Steve exits the prison gate	conductor score \| establish character \| friend \| gate \| leading lady \| leading man \| leaving \| prison \| serious \| walking
Hell on Frisco Bay (1955)	Hell on Frisco Bay	0:02:01 - Marcia embraces Steve	conductor score \| embracing \| establish character \| friend \| gentle \| leading lady \| leading man \| street
Hell on Frisco Bay (1955)	Underscoring (Dark)	0:02:12 - Steve mentions a divorce and leaves	conductor score \| conversing \| dark \| establish character \| friend \| investigator \| leading man \| street \| underscoring
Hell on Frisco Bay (1955)	Menace	0:04:31 - Steve gets off the bus	dark \| dock \| establish setting \| friend \| investigator \| leading man \| leaving \| menacing \| transcribed by ear
Hell on Frisco Bay (1955)	Steve	0:04:44 - Steve wanders the docks	conductor score \| dock \| establish setting \| investigator \| leading man \| noble \| transcribed by ear \| wandering
Hell on Frisco Bay (1955)	Menace	0:05:06 - Steve sees some boats	conductor score \| dark \| dock \| establish setting \| fanfare \| investigator \| leading man \| transcribed by ear \| wandering
Hell on Frisco Bay (1955)	Menace 2	0:05:12 - Steve looks at the boats	brash \| conductor score \| dock \| establish setting \| investigator \| leading man \| transcribed by ear \| wandering
Hell on Frisco Bay (1955)	Steve	0:05:25 - Steve wanders the dock	conductor score \| dock \| entering \| establish setting \| investigator \| leading man \| noble \| transcribed by ear
Hell on Frisco Bay (1955)	Steve	0:11:11 - Steve knocks on door	advance plot \| arriving \| conductor score \| investigator \| leading man \| pleasant \| porch \| walking
Hell on Frisco Bay (1955)	Amato	0:13:04 - Steve talks to man	advance plot \| brash \| conductor score \| conversing \| dark \| investigator \| leading man \| ominous \| porch
Hell on Frisco Bay (1955)	Hell on Frisco Bay	0:21:37 - Marcia on a poster	club \| conductor score \| establish character \| investigator \| leading man \| romantic \| walking
Hell on Frisco Bay (1955)	The Very Thought of You	0:21:51 - Marcia singing at a club	club \| conductor score \| establish character \| familiar tune \| investigator \| leading lady \| leading man \| on-screen music \| pianist \| popular music \| romantic \| singer \| singing \| source music
Hell on Frisco Bay (1955)	Hell on Frisco Bay	0:23:26 - Marcia talks to Steve	club \| conductor score \| conversing \| establish character \| investigator \| leading lady \| leading man \| on-screen music \| pianist \| playing \| popular music \| sentimental \| source music \| source score
Hell on Frisco Bay (1955)	Hell on Frisco Bay	0:24:15 - Steve goes home	advance plot \| arriving \| conductor score \| leading man \| room \| sentimental
Hell on Frisco Bay (1955)	Hell on Frisco Bay	0:24:44 - Steve packs	advance plot \| conductor score \| leading lady \| leading man \| packing \| room \| troubled
Hell on Frisco Bay (1955)	Hell on Frisco Bay	0:25:00 - Marcia enters	advance plot \| conductor score \| entering \| leading lady \| leading man \| room \| sentimental
Hell on Frisco Bay (1955)	Hell on Frisco Bay	0:25:14 - Marcia and Steve argue	advance plot \| arguing \| conductor score \| leading lady \| leading man \| room \| tense
Hell on Frisco Bay (1955)	Hell on Frisco Bay	0:25:27 - Marcia and Steve talk	advance plot \| agitated \| conductor score \| conversing \| leading lady \| leading man \| room
Hell on Frisco Bay (1955)	Hell on Frisco Bay	0:25:56 - Marcia and Steve talk	advance plot \| conductor score \| conversing \| leading lady \| leading man \| room \| somber
Hell on Frisco Bay (1955)	Picks up suitcase	0:26:22 - Steve picks up his suitcase	advance plot \| conductor score \| hurried \| leading man \| mickey-mousing \| picking up \| room \| rushing
Hell on Frisco Bay (1955)	Walking	0:26:31 - Marcia walks to the door	advance plot \| conductor score \| gangster \| hurried \| leading lady \| leading man \| mickey-mousing \| room \| walking
Hell on Frisco Bay (1955)	Underscoring (Dramatic)	0:27:50 - Steve fights Hammy	action scene \| conductor score \| dramatic \| fighting \| gangster \| hurried \| leading lady \| leading man \| room \| strangling \| tense \| underscoring
Hell on Frisco Bay (1955)	Underscoring (Tense)	0:28:03 - The gangsters leave	action scene \| conductor score \| conversing \| gangster \| leading lady \| leading man \| leaving \| room \| tense \| underscoring
Hell on Frisco Bay (1955)	Hell on Frisco Bay	0:28:43 - Marcia talks to Steve	action scene \| conductor score \| conversing \| leading lady \| leading man \| leaving \| room \| somber
Hell on Frisco Bay (1955)	Menace 2	0:28:55 - Marcia reacts to Steve's comment	action scene \| conductor score \| conversing \| leading lady \| leading man \| leaving \| room \| upset
Hell on Frisco Bay (1955)	Menace	0:29:01 - Steve cleans up	advance plot \| cleaning \| conductor score \| leading man \| ominous \| room
Hell on Frisco Bay (1955)	Menace	0:31:38 - Steve talks with the detective	advance plot \| conductor score \| conversing \| dark \| detective \| investigator \| leading man \| ominous \| room
Hell on Frisco Bay (1955)	Menace 2	0:32:00 - Steve talks with the detective	advance plot \| conductor score \| conversing \| dark \| detective \| investigator \| leading man \| ominous \| room
Hell on Frisco Bay (1955)	Steve	0:32:34 - Steve investigates	advance plot \| arriving \| conductor score \| investigator \| leading man \| neutral \| street \| walking
Hell on Frisco Bay (1955)	Disappointment	0:36:18 - Steve leaves	advance plot \| conductor score \| dark \| disappointed \| investigator \| leading man \| leaving \| somber \| street
Hell on Frisco Bay (1955)	Steve	0:38:01 - Steve shakes Georgie's hand	advance plot \| cheerful \| child \| conductor score \| gentle \| investigator \| leading man \| street \| thanking
Hell on Frisco Bay (1955)	Adoramus te Christe	0:38:32 - A funeral	church \| conversing \| friend \| funeral \| investigator \| leading man \| somber \| source music
Hell on Frisco Bay (1955)	Put 'Em in a Box, Tie 'Em with a Ribbon, and Throw 'Em in the Deep Blue Sea	0:40:24 - A dance hall	advance plot \| club \| conversing \| dancer \| dancing \| investigator \| jazz \| jazz band \| leading man \| on screen music \| source music \| upbeat
Hell on Frisco Bay (1955)	How Many Hearts Have You Broken	0:40:22 - A dance hall	advance plot \| club \| conversing \| drowning \| fighting \| gangster \| interrogating \| investigator \| jazz \| leading man \| mellow \| source music
Hell on Frisco Bay (1955)	Anna	0:46:05 - Anna talks with Amato	antagonist \| conductor score \| conversing \| establish character \| gangster \| gentle \| leading man \| room \| sentimental \| warning \| wife \| worrying
Hell on Frisco Bay (1955)	Amato	0:47:01 - Amato talks with Lye	advance plot \| antagonist \| brash \| conductor score \| conversing \| gangster \| harsh \| leading man \| room
Hell on Frisco Bay (1955)	Face twitching	0:47:44 - Amato talks with Lye	advance plot \| antagonist \| conductor score \| conversing \| gangster \| leading man \| room \| uneasy
Hell on Frisco Bay (1955)	Amato	0:48:03 - Amato teases Lye	advance plot \| agitated \| antagonist \| arguing \| conductor score \| gangster \| leading man \| room
Hell on Frisco Bay (1955)	Amato	0:48:11 - Amato threatens Lye	advance plot \| antagonist \| arguing \| brash \| conductor score \| dark \| gangster \| leading man \| room \| threatening
Hell on Frisco Bay (1955)	Menace	0:49:04 - Amato paces	action scene \| conductor score \| dark \| gangster \| leading man \| menacing \| pacing \| room
Hell on Frisco Bay (1955)	Underscoring (Dramatic)	0:51:36 - Amato yells at Steve	action scene \| angry \| arguing \| conductor score \| fighting \| gangster \| investigator \| leading man \| room \| underscoring \| violence \| yelling
Hell on Frisco Bay (1955)	Underscoring (Tense)	0:52:13 - Dan waits for Steve	advance plot \| conductor score \| friend \| gangster \| investigator \| leading man \| pacing \| street \| tense \| underscoring \| waiting
Hell on Frisco Bay (1955)	Steve	0:52:23 - Steve arrives	advance plot \| conductor score \| conversing \| friend \| gangster \| investigator \| leading man \| neutral \| street
Hell on Frisco Bay (1955)	Steve runs	0:52:55 - Steve runs	advance plot \| conductor score \| gangster \| investigator \| leading man \| mickey-mousing \| running \| street \| tense
Hell on Frisco Bay (1955)	Menace	0:53:06 - Steve talks with Dan	advance plot \| conductor score \| conversing \| dark \| gangster \| investigator \| leading man \| sinister \| street
Hell on Frisco Bay (1955)	Steve	0:53:15 - Steve leaves	action scene \| aiming \| conductor score \| dark \| gangster \| investigator \| leading man \| murderer \| neutral \| shooting \| street \| tense \| walking
Hell on Frisco Bay (1955)	Climbing and jumping	0:53:27 - Steve runs from Hammy	action scene \| climbing \| conductor score \| hiding \| hurried \| investigator \| jumping \| leading man \| mickey-mousing \| street \| tense
Hell on Frisco Bay (1955)	Menace	0:53:30 - Hammy tries to escape	action scene \| conductor score \| dramatic \| escaping \| fleeing \| gangster \| hurried \| investigator \| leading man \| murderer \| running \| shooting \| street \| tense
Hell on Frisco Bay (1955)	Hammy Is Shot	0:53:37 - Hammy falls to the ground	action scene \| conductor score \| dramatic \| dying \| falling \| gangster \| investigator \| leading man \| mickey-mousing \| street \| tragic
Hell on Frisco Bay (1955)	Underscoring (Dark)	0:53:50 - Steve questions Hammy	action scene \| conductor score \| dark \| death \| dying \| gangster \| investigator \| leading man \| questioning \| stinger \| street \| underscoring
Hell on Frisco Bay (1955)	Steve Arrives	0:54:56 - Steve arrives at an apartment	arriving \| conductor score \| investigator \| leading man \| mickey-mousing \| mysterious \| street \| tense \| transition \| walking
Hell on Frisco Bay (1955)	Sneaking and following	0:58:30 - Bessie sneaks away	chase scene \| conductor score \| descending \| floozy \| following \| hiding \| investigator \| leading man \| mysterious \| sneaking \| street \| tense
Hell on Frisco Bay (1955)	Menace	0:58:48 - Bessie walks through the market	\| agitated \| chase scene \| conductor score \| dramatic \| floozy \| gangster \| hurrying \| investigator \| leading man \| mysterious \| street \| tense \| walking
Hell on Frisco Bay (1955)	Steve	1:01:01 - Steve talks to Marcia	conductor score \| conversing \| entering \| gentle \| leading lady \| leading man \| love scene \| room
Hell on Frisco Bay (1955)	Underscoring (Subtle)	1:01:30 - Marcia talks to Steve	conductor score \| conversing \| gentle \| leading lady \| leading man \| love scene \| room \| underscoring
Hell on Frisco Bay (1955)	Hell on Frisco Bay	1:01:41 - Steve talks to Marcia	conductor score \| conversing \| leading lady \| leading man \| love scene \| room \| tense \| underscoring
Hell on Frisco Bay (1955)	Hell on Frisco Bay	1:01:53 - Marcia talks to Steve	conductor score \| conversing \| leading lady \| leading man \| love scene \| room \| somber
Hell on Frisco Bay (1955)	Menace	1:02:28 - Steve talks to Marcia	conductor score \| conversing \| dark \| leading lady \| leading man \| love scene \| room
Hell on Frisco Bay (1955)	Hell on Frisco Bay	1:02:45 - Marcia talks to Steve	conductor score \| conversing \| leading lady \| leading man \| love scene \| romantic \| room \| tender
Hell on Frisco Bay (1955)	Pleading	1:03:30 - Marcia talks to Steve	conductor score \| conversing \| leading lady \| leading man \| love scene \| room \| tender
Hell on Frisco Bay (1955)	Hell on Frisco Bay	1:03:46 - Marcia talks to Steve	conductor score \| conversing \| dark \| leading lady \| leading man \| love scene \| room \| tender
Hell on Frisco Bay (1955)	Menace	1:04:15 - Steve answers the phone	advance plot \| conductor score \| dark \| investigator \| leading man \| mysterious \| room \| waiting
Hell on Frisco Bay (1955)	Steve	1:04:47 - Steve hangs up the phone	advance plot \| conductor score \| dark \| gentle \| investigator \| leading man \| room \| waiting
Hell on Frisco Bay (1955)	Anna	1:04:54 - Anna talks to Amato	advance plot \| antagonist \| conductor score \| conversing \| dark \| gangster \| gentle \| leading man \| room \| wife
Hell on Frisco Bay (1955)	Menace	1:08:27 - Amato threatens Brody	advance plot \| antagonist \| conductor score \| dark \| gangster \| leading man \| street \| threatening
Hell on Frisco Bay (1955)	Amato	1:08:39 - Amato arrives	advance plot \| antagonist \| arriving \| brash \| conductor score \| dark \| gangster \| leading man \| stinger \| street
Hell on Frisco Bay (1955)	Lye	1:09:00 - Amato calls Lye	advance plot \| antagonist \| calling \| conductor score \| conversing \| gangster \| leading man \| stinger \| street \| uneasy
Hell on Frisco Bay (1955)	It Can't Be Wrong	1:09:26 - Amato talks to Lye	advance plot \| antagonist \| calm \| conversing \| gangster \| leading man \| room \| source music
Hell on Frisco Bay (1955)	It Had to Be You	1:17:06 - Marcia sings at a club	advance plot \| calm \| club \| jazz \| leading lady \| leading man \| on screen music \| pianist \| singer \| singing \| source music
Hell on Frisco Bay (1955)	Hell on Frisco Bay	1:17:47 - Marcia and Steve talk	advance plot \| calm \| club \| conductor score \| conversing \| leading lady \| leading man \| on-screen music \| popular music \| source music \| source score
Hell on Frisco Bay (1955)	Hell on Frisco Bay	1:18:13 - Marcia and Steve talk	calm \| club \| conductor score \| conversing \| leading lady \| leading man \| love scene \| source to score
Hell on Frisco Bay (1955)	Underscoring (Dark)	1:19:09 - Marcia and Steve talk	club \| conductor score \| conversing \| dark \| leading lady \| leading man \| love scene \| ominous \| underscoring
Hell on Frisco Bay (1955)	Hell on Frisco Bay	1:19:28 - Marcia talks to Steve	club \| conductor score \| conversing \| gentle \| grand \| leading lady \| leading man \| love scene
Hell on Frisco Bay (1955)	Anna	1:20:28 - Anna mourns Mario's death	conversing \| crying \| dark \| funeral \| funeral \| gangster \| leading man \| wife
Hell on Frisco Bay (1955)	Underscoring (Mysterious)	1:24:05 - Amato calls detective	advance plot \| calling \| gangster \| leading man \| mysterious \| room \| statue \| tense \| underscoring
Hell on Frisco Bay (1955)	Anna	1:24:31 - Amato calls detective	advance plot \| conversing \| gangster \| leading man \| mysterious \| religious \| religious \| room
Hell on Frisco Bay (1955)	Menace	1:24:38 - Amato talks to detective	advance plot \| detective \| gangster \| leading man \| mysterious \| plotting \| police station \| tense
Hell on Frisco Bay (1955)	Underscoring (Tense)	1:24:53 - Amato talks to detective	advance plot \| detective \| gangster \| leading man \| plotting \| police station \| tense
Hell on Frisco Bay (1955)	Amato	1:25:21 - Amato sets up Lye and Kay	advance plot \| betraying \| detective \| gangster \| harsh \| leading man \| plotting \| police station \| tense
Hell on Frisco Bay (1955)	Anna	1:25:41 - Amato looks at the statue	advance plot \| gangster \| leading man \| looking \| mysterious \| religious \| room \| tense
Hell on Frisco Bay (1955)	Kay	1:28:35 - Steve leaves with Kay	comforting \| gentle \| investigator \| leading man \| leaving \| love interest \| room \| turning point \| witness
Hell on Frisco Bay (1955)	Kay	1:29:11 - Steve enters with Kay	arriving \| entering \| investigator \| leading lady \| leading man \| love interest \| room \| somber \| turning point \| witness
Hell on Frisco Bay (1955)	Hell on Frisco Bay	1:29:23 - Marcia calls the police	agitated \| calling \| investigator \| leading lady \| leading man \| leaving \| love interest \| room \| turning point \| witness
Hell on Frisco Bay (1955)	Underscoring (Dramatic)	1:30:27 - Steve tells Anna that Mario was murdered	advance plot \| conversing \| dark \| investigator \| leading man \| murder \| ominous \| priest \| room \| shock \| wife
Hell on Frisco Bay (1955)	Anna	1:30:35 - Anna tells Steve where to find Amato	advance plot \| betraying \| conversing \| dark \| investigator \| leading man \| ominous \| priest \| room \| somber \| wife
Hell on Frisco Bay (1955)	Menace	1:31:01 - Amato prepares to leave	action scene \| agitated \| gangster \| leading man \| packing \| room
Hell on Frisco Bay (1955)	Menace 2	1:31:19 - Amato prepares to leave	action scene \| agitated \| gangster \| leading man \| packing \| room
Hell on Frisco Bay (1955)	Menace	1:31:32 - Amato picks up his gun	action scene \| conversing \| dramatic \| gangster \| leading man \| packing \| room
Hell on Frisco Bay (1955)	Lye	1:32:01 - Lye confronts Amato	action scene \| conversing \| gangster \| gun \| leading man \| lying \| room \| uneasy
Hell on Frisco Bay (1955)	Amato	1:32:23 - Amato shoots Lye	action scene \| brash \| gangster \| gun \| gunshot \| leading man \| murder \| murdering \| room \| shooting \| tense \| violence \| yelling
Hell on Frisco Bay (1955)	Lye's Death	1:32:58 - Lye is killed	action scene \| brash \| gangster \| harsh \| leading man \| murder \| murdering \| shooting \| street \| violence
Hell on Frisco Bay (1955)	Menace	1:33:12 - Amato hides	action scene \| fleeing \| gangster \| hiding \| leading man \| ominous \| street
Hell on Frisco Bay (1955)	Amato	1:33:23 - Amato takes Marcia hostage	action scene \| dock \| gangster \| inspector \| kidnapping \| leading lady \| leading man \| ominous \| tense
Hell on Frisco Bay (1955)	Amato	1:34:01 - Steve confronts Amato	action scene \| dock \| dramatic \| gangster \| inspector \| kidnapping \| leading lady \| leading man \| tense
Hell on Frisco Bay (1955)	Amato	1:34:08 - Steve confronts Amato	action scene \| dock \| dramatic \| gangster \| gun \| gunshot \| inspector \| kidnapping \| leading lady \| leading man \| shooting \| tense
Hell on Frisco Bay (1955)	Amato runs	1:34:27 - Amato runs to his boat	action scene \| agitated \| boat \| dock \| dramatic \| following \| gangster \| inspector \| leading man \| running \| tense
Hell on Frisco Bay (1955)	Boat Chase	1:34:33 - Amato tries to escape in a boat	action scene \| agitated \| boat \| dock \| dramatic \| following \| gangster \| inspector \| leading man \| running \| tense
Hell on Frisco Bay (1955)	Steve dives	1:34:48 - Steve dives in the water	action scene \| agitated \| diving \| dock \| dramatic \| gangster \| inspector \| jumping \| leading man \| mickey-mousing \| splashing \| tense \| water
Hell on Frisco Bay (1955)	Underscoring (Dramatic)	1:34:53 - Steve climbs in the boat	action scene \| boat \| dock \| dramatic \| driving \| gangster \| inspector \| leading man \| tense \| underscoring
Hell on Frisco Bay (1955)	Menace	1:34:57 - Steve and Amato fight	action scene \| agitated \| boat \| dock \| dramatic \| fighting \| gangster \| inspector \| leading man \| tense
Hell on Frisco Bay (1955)	Menace	1:35:21 - Steve and Amato fight	action scene \| agitated \| boat \| dock \| dramatic \| fighting \| gangster \| inspector \| leading man \| tense
Hell on Frisco Bay (1955)	Amato	1:35:47 - Steve and Amato fight	action scene \| agitated \| boat \| dock \| dramatic \| fighting \| gangster \| inspector \| leading man \| tense
Hell on Frisco Bay (1955)	Amato	1:35:56 - The police boat advances	action scene \| agitated \| boat \| dock \| dramatic \| fighting \| gangster \| inspector \| leading man \| tense \| underscoring
Hell on Frisco Bay (1955)	Amato	1:36:12 - Steve and Amato fight	action scene \| agitated \| boat \| dock \| dramatic \| fighting \| gangster \| inspector \| leading man \| tense
Hell on Frisco Bay (1955)	Amato falls	1:36:20 - Amato falls in the water	action scene \| boat \| dock \| dramatic \| falling \| fighting \| gangster \| inspector \| leading man \| mickey-mousing \| punching \| splashing \| tense \| water
Hell on Frisco Bay (1955)	Underscoring (Tense)	1:36:23 - The boat approaches a wall	action scene \| boat \| dock \| driving \| inspector \| leading man \| tense \| underscoring
Hell on Frisco Bay (1955)	Steve dives 2	1:36:27 - Steve dives in the water	action scene \| boat \| diving \| dock \| inspector \| jumping \| leading man \| mickey-mousing \| splashing \| tense \| water
Hell on Frisco Bay (1955)	Steve	1:36:31 - Steve surfaces	dock \| gentle \| heroic \| inspector \| leading man \| resolution from here on? \| swimming
Hell on Frisco Bay (1955)		1:36:42 - Steve and Amato swim to the police boat	boat \| dock \| gangster \| inspector \| leading man \| mickey-mousing \| swimming \| tense \| water
Hell on Frisco Bay (1955)	Lifting up	1:36:50 - Amato is brought onboard	boat \| dock \| dramatic \| gangster \| inspector \| leading man \| lifting \| mickey-mousing \| police \| raising \| tense \| up \| water
Hell on Frisco Bay (1955)	Menace	1:36:57 - The police boat leaves	agitated \| arriving \| boat \| dock \| gangster \| inspector \| leading man \| police \| tense
Hell on Frisco Bay (1955)	Steve	1:37:30 - Steve gets off the boat	arriving \| boat \| bold \| dock \| gangster \| heroic \| inspector \| leading man \| police
Hell on Frisco Bay (1955)	Hell on Frisco Bay	1:37:36 - Steve goes to his wife	arriving \| dock \| gentle \| inspector \| leading lady \| leading man \| romantic
Hell on Frisco Bay (1955)	Hell on Frisco Bay	1:37:52 - Steve and Marcia leave together	dock \| gentle \| inspector \| leading lady \| leading man \| peaceful \| romantic \| walking
In This Our Life (1942)	Stanley Introduction	0:06:35 - A car arrives	arriving \| car \| conversing \| establish character \| leading lady \| leading man \| love interest \| stinger \| tense
In This Our Life (1942)	Stanley	0:06:56 - Stanley talks with Peter	car \| conversing \| establish character \| leading lady \| leading man \| love interest \| sultry
In This Our Life (1942)	Stanley B	0:07:06 - Stanley talks with Peter	car \| conversing \| establish character \| leading lady \| leading man \| love interest \| sultry
In This Our Life (1942)	Stanley	0:07:23 - Stanley drives away	car \| conversing \| establish character \| leading lady \| leading man \| love interest \| sultry
In This Our Life (1942)	Caring	0:13:08 - Roy talks to Peter	advance plot \| conversing \| leading lady \| leading man \| packing \| passionate \| room \| tender
In This Our Life (1942)	Stanley (Peter Lies)	0:13:28 - Peter talks about his trip	advance plot \| conversing \| leading lady \| leading man \| lying \| musical clue \| packing \| room \| serious \| somber
In This Our Life (1942)	Roy	0:13:39 - Roy is relieved	advance plot \| calm \| conversing \| leading lady \| leading man \| room
In This Our Life (1942)	Stanley (Divisi)	0:13:57 - Roy helps Peter pack	advance plot \| conversing \| leading lady \| leading man \| passionate \| room
In This Our Life (1942)	Discussion	0:14:09 - Roy talks with Peter	advance plot \| conversing \| leading lady \| leading man \| room \| serious \| somber
In This Our Life (1942)	Roy (Rubato)	0:14:34 - Roy talks with Peter	advance plot \| conversing \| dark \| leading lady \| leading man \| playful \| room
In This Our Life (1942)	Pleadingly	0:14:53 - Roy looks at Peter	advance plot \| conversing \| leading lady \| leading man \| room \| yearning
In This Our Life (1942)	Roy (Lento)	0:14:59 - Roy talks about their future	advance plot \| conversing \| dark \| embracing \| leading lady \| leading man \| room \| sweet
In This Our Life (1942)	Stanley B (Agitato)	0:15:19 - Peter replies to Roy	advance plot \| agitated \| arguing \| leading lady \| leading man \| room \| tense
In This Our Life (1942)	Roy (Morendo)	0:15:43 - Roy responds to Peter	advance plot \| conversing \| embracing \| leading lady \| leading man \| room \| serious \| somber
In This Our Life (1942)	Stanley (Maestoso)	0:16:11 - Peter closes the door	advance plot \| brash \| dark \| leading lady \| leading man \| leaving \| room \| serious
In This Our Life (1942)	Stanley (Valse Triste)	0:16:22 - Roy looks out the window	advance plot \| dark \| leading lady \| leading man \| leaving \| room \| somber \| waltz \| watching \| window
In This Our Life (1942)	Stanley B (Valse Triste)	0:16:33 - Craig arrives	advance plot \| arriving \| dark \| leading lady \| leading man \| somber \| street \| waltz \| watching \| window
In This Our Life (1942)	Stanley (Valse Triste)	0:16:44 - Craig comes inside	advance plot \| dark \| father \| leading lady \| leading man \| room \| somber \| waltz
In This Our Life (1942)	South American Way	0:24:06 - A spinning record	advance plot \| conversing \| dancing \| Latin-American \| leading lady \| leading man \| love interest \| popular music \| record player \| room \| source music \| upbeat
In This Our Life (1942)	Stanley	0:28:32 - Roy walking in the park	advance plot \| dark \| depressed \| leading lady \| leading man \| park \| sitting
In This Our Life (1942)	Roy (Rubato)	0:29:00 - Roy talks to Craig	advance plot \| conversing \| leading lady \| leading man \| park \| uneasy
In This Our Life (1942)	Pleadingly	0:29:23 - Roy talks to Craig	advance plot \| conversing \| leading lady \| leading man \| park \| uneasy
In This Our Life (1942)	Stanley (Morendo)	0:29:32 - Craig talks with Roy	advance plot \| conversing \| leading lady \| leading man \| park \| somber
In This Our Life (1942)	Roy (Encouragement)	0:29:56 - Roy tries to cheer Craig up	advance plot \| conversing \| encouraging \| leading lady \| leading man \| park \| uplifting
In This Our Life (1942)	Roy	0:30:21 - Craig talks to Roy	advance plot \| conversing \| gentle \| leading lady \| leading man \| park \| sweet
In This Our Life (1942)	Here Comes the Bride (A Little Shimmer)	0:31:40 - A convertible	car \| courthouse \| happy \| leading lady \| leading man \| leaving \| street \| wedding \| wedding
In This Our Life (1942)	Stanley (Stringy)	0:32:14 - Stanley and Peter in the car	car \| conversing \| leading lady \| leading man \| sultry \| wedding \| wedding
In This Our Life (1942)	Stanley (She Runs)	0:32:24 - Stanley talks to Peter	car \| conversing \| leading lady \| leading man \| playful \| wedding \| wedding
In This Our Life (1942)	Stanley (Shimmery)	0:32:33 - Stanley smiles	car \| kissing \| leading lady \| leading man \| magical \| wedding \| wedding
In This Our Life (1942)	Java Jive	0:32:41 - A dance hall	dance hall \| dance scene \| dancing \| leading lady \| leading man \| on-screen music \| popular music \| source music \| upbeat
In This Our Life (1942)	This Time the Dream's on Me	0:33:03 - Stanley and Peter sit at a table	conversing \| dance hall \| dance scene \| dancing \| leading lady \| leading man \| on-screen music \| popular music \| source music \| upbeat
In This Our Life (1942)	Stanley Introduction (Extended)	0:36:41 - Peter goes home	arriving \| car \| leading man \| love scene \| room \| solemn \| somber \| tense
In This Our Life (1942)	Stanley (Cello Solo)	0:37:11 - Peter sits on the couch	contemplating \| leading man \| love scene \| room \| sigh gesture \| somber
In This Our Life (1942)	Flirting	0:37:31 - Peter goes to Stanley	conversing \| flirting \| happy \| leading lady \| leading man \| love scene \| room
In This Our Life (1942)	Stanley (Grazioso)	0:37:56 - Stanley talks to Peter	conversing \| flirting \| happy \| leading lady \| leading man \| love scene \| pleasant \| room \| sultry
In This Our Life (1942)	Driving	0:38:19 - Roy and Craig in a car	calm \| car \| conversing \| driving \| leading lady \| leading man \| love interest \| love scene
In This Our Life (1942)	Driving + Love Theme	0:39:07 - Roy and Craig in a car	calm \| car \| combination of themes \| conversing \| driving \| leading lady \| leading man \| love interest \| love scene \| romantic
In This Our Life (1942)	Danger	0:39:54 - A forest ranger	conversing \| danger \| fire \| forest ranger \| leading lady \| leading man \| love interest \| love scene \| outdoors \| tense
In This Our Life (1942)	Forest Fire	0:40:10 - A forest fire	conversing \| dangerous \| eerie \| fire \| leading lady \| leading man \| love interest \| love scene \| outdoors
In This Our Life (1942)	Love Theme (Molto Expressivo)	0:40:44 - Roy and Craig sit on the ground	artwork in score \| calm \| conversing \| fire \| leading lady \| leading man \| love interest \| love scene \| outdoors \| romantic
In This Our Life (1942)	Blues in the Night	0:42:47 - Stanley puts a record on the phonograph	arguing \| blues \| conflict \| leading lady \| leading man \| record player \| room \| source music \| upbeat
In This Our Life (1942)	Love Theme (Valse Sentimentale)	0:44:06 - Roy and Craig embrace	calm \| conversing \| leading lady \| leading man \| love scene \| office \| romantic \| waltz
In This Our Life (1942)	Love Theme (Valse Sentimentale)	0:46:31 - Roy talks with her uncle	conversing \| leading lady \| leading man \| love scene \| pleasant \| proposal \| room \| tender \| uncle \| waltz
In This Our Life (1942)	Funereal	0:48:25 - Asa calls for the others	bad news \| conversing \| father \| leading lady \| leading man \| room \| solemn \| stinger \| turning point \| uncle
In This Our Life (1942)	Underscoring (Somber)	0:48:46 - Asa relates the bad news	bad news \| conversing \| father \| leading lady \| leading man \| room \| somber \| turning point \| uncle \| underscoring
In This Our Life (1942)	Underscoring (Dark)	0:49:21 - Asa tells them Peter committed suicide	conversing \| dark \| father \| leading lady \| leading man \| room \| stinger \| suicide \| turning point \| uncle \| underscoring
In This Our Life (1942)	Stanley B (Agitato)	0:49:32 - Uncle Fitzroy asks about Stanley	agitated \| arguing \| father \| leading lady \| leading man \| room \| suicide \| tense \| turning point \| uncle
In This Our Life (1942)	Roy (Morendo 2)	0:49:54 - Roy reacts to the bad news	conversing \| father \| leading lady \| leading man \| room \| serious \| somber \| suicide \| turning point \| uncle
In This Our Life (1942)	How Do I Know It's Sunday	0:57:12 - Stanley starts a record playing	advance plot \| conversing \| crying \| dancing \| father \| flirting \| leading lady \| leading man \| popular music \| record player \| room \| sister \| source music \| upbeat \| widow
In This Our Life (1942)	Underscoring (Tense)	1:05:14 - Craig in his office	advance plot \| arriving \| lawyer \| leading lady \| leading man \| office \| tense \| underscoring
In This Our Life (1942)	Stanley Introduction (Extended 2)	1:05:31 - Stanley in Craig's office	advance plot \| conversing \| lawyer \| leading lady \| leading man \| office \| reading \| uneasy
In This Our Life (1942)	Stanley (Extended)	1:05:53 - Stanley talks to Craig	advance plot \| conversing \| lawyer \| leading lady \| leading man \| office \| solemn \| uneasy
In This Our Life (1942)	Stanley B (Slowly)	1:06:13 - Stanley talks to Craig	advance plot \| conversing \| lawyer \| leading lady \| leading man \| office \| uneasy
In This Our Life (1942)	Stanley (Triste)	1:06:29 - Stanley talks to Craig	advance plot \| conversing \| lawyer \| leading lady \| leading man \| office \| uneasy
In This Our Life (1942)	Stanley (Misterioso)	1:06:47 - Stanley hesitates at the door	advance plot \| hesitating \| lawyer \| leading lady \| leading man \| mysterious \| office
In This Our Life (1942)	Stanley Introduction (Appassionato)	1:07:01 - Stanley talks to Craig	advance plot \| lawyer \| leading lady \| leading man \| manipulating \| office \| passionate
In This Our Life (1942)	Stanley	1:07:11 - Stanley talks to Craig	advance plot \| lawyer \| leading lady \| leading man \| manipulating \| office \| uneasy
In This Our Life (1942)	Stanley B (Slowly)	1:07:19 - Stanley talks to Craig	advance plot \| anxious \| lawyer \| leading lady \| leading man \| manipulating \| office \| tense
In This Our Life (1942)	Stanley (Dark)	1:07:32 - Stanley leaves	advance plot \| dark \| lawyer \| leading lady \| leading man \| manipulating \| office \| uneasy
In This Our Life (1942)	Stanley (Packing)	1:14:36 - Newspaper headline about the accident	arriving \| conflict \| conversing \| headline \| lawyer \| leading lady \| leading man \| mysterious \| newspaper \| office
In This Our Life (1942)	Underscoring (Tense)	1:15:04 - Craig refuses Parry's case	conflict \| conversing \| denying \| lawyer \| leading lady \| leading man \| office \| ominous \| refusing \| tritone \| underscoring
In This Our Life (1942)	Stanley (Molto Accell)	1:15:15 - Craig talks about Stanley	anxious \| conflict \| conversing \| defending \| denying \| lawyer \| leading lady \| leading man \| office \| refusing \| tense
In This Our Life (1942)	Roy (Molto Modto)	1:15:51 - Roy leaves	angry \| conflict \| lawyer \| leading lady \| leading man \| leaving \| office
In This Our Life (1942)	Stanley (Slowly)	1:16:07 - Craig reads a note	conflict \| lawyer \| leading man \| note \| office \| sentimental \| thinking
In This Our Life (1942)	Underscoring (Tense)	1:20:10 - Craig's car pulls up to the jail	arriving \| car \| car \| conflict \| conversing \| criminal \| lawyer \| leading lady \| leading man \| street \| tense \| underscoring \| uneasy
In This Our Life (1942)	Stanley (Slowly 2)	1:20:46 - Men playing checkers	checkers \| conflict \| criminal \| dark \| game \| lawyer \| leading lady \| leading man \| playing \| prison \| prisoner \| somber \| suspect \| victim
In This Our Life (1942)	Underscoring (Somber)	1:21:07 - Parry in his jail cell	conflict \| conversing \| criminal \| lawyer \| leading lady \| leading man \| prison \| prisoner \| somber \| suspect \| underscoring \| victim
In This Our Life (1942)	Minerva and Parry	1:21:28 - Parry in his jail cell	conflict \| conversing \| criminal \| lawyer \| leading lady \| leading man \| lying \| prison \| prisoner \| somber \| suspect \| tender \| testifying \| victim
In This Our Life (1942)	Minerva and Parry (Triste)	1:22:39 - Parry talks to Stanley	conflict \| conversing \| criminal \| lawyer \| leading lady \| leading man \| lying \| prison \| prisoner \| solemn \| somber \| suspect \| testifying \| victim
In This Our Life (1942)	Stanley Introduction (Extended 4)	1:23:09 - Stanley and Craig leave the jail	car \| conflict \| criminal \| lawyer \| leading lady \| leading man \| leaving \| street \| tense
In This Our Life (1942)	London Bridge is Falling Down (Molto Expressivo)	1:23:33 - Craig talks to Stanley	car \| children's song \| conflict \| conversing \| criminal \| familiar tune \| lawyer \| leading lady \| leading man \| somber
In This Our Life (1942)	London Bridge is Falling Down (Mysterious)	1:23:45 - Craig and Stanley argue	car \| children's song \| conflict \| conversing \| criminal \| familiar tune \| lawyer \| leading lady \| leading man \| lying \| mysterious \| ominous
In This Our Life (1942)	Stanley (Agitato)	1:25:21 - Craig talks to Stanley	agitated \| climax \| conversing \| criminal \| father \| lawyer \| leading lady \| leading man \| mother \| room \| suspect
In This Our Life (1942)	Underscoring (Tense) + South American Way	1:25:34 - Stanley reacts	accusing \| climax \| criminal \| father \| lawyer \| leading lady \| leading man \| lying \| mother \| mysterious \| ominous \| remembered source music \| remembering \| room \| source and scoring overlap \| source music \| suspect \| tense \| underscoring
In This Our Life (1942)	Stanley (Valse Triste)	1:26:23 - Stanley confesses	arguing \| climax \| confessing \| confession \| criminal \| crying \| dramatic \| father \| lawyer \| leading lady \| leading man \| mother \| room \| suspect
In This Our Life (1942)	Stanley B (Slowly Extended)	1:26:39 - Stanley confesses	agitated \| arguing \| climax \| confessing \| confession \| criminal \| crying \| father \| lawyer \| leading lady \| leading man \| lying \| mother \| room \| suspect
In This Our Life (1942)	Expressivo (Extended 2)	1:27:04 - Lavinia rises	arguing \| climax \| criminal \| emotional \| father \| lawyer \| leading lady \| leading man \| mother \| pleading \| room \| suspect
In This Our Life (1942)	Underscoring (Tense)	1:27:23 - Stanley reacts	climax \| conversing \| criminal \| father \| lawyer \| leading lady \| leading man \| mother \| plotting \| room \| suspect \| tense \| underscoring
In This Our Life (1942)	Stanley (Extended)	1:27:33 - Stanley goes upstairs	climax \| conversing \| criminal \| crying \| father \| lawyer \| leading lady \| leading man \| mother \| room \| somber \| suspect \| uneasy
In This Our Life (1942)	Love Theme (Gentle)	1:27:58 - Roy talks to Craig	accusing \| climax \| conversing \| criminal \| crying \| embracing \| gentle \| lawyer \| leading lady \| leading man \| room \| sneaking \| tender
In This Our Life (1942)	Underscoring (Dramatic)	1:28:57 - Stanley escapes	climax \| criminal \| dramatic \| driving \| escaping \| lawyer \| leading lady \| leading man \| room \| underscoring \| watching
In This Our Life (1942)	Stanley (Driving Away)	1:29:06 - Craig goes to the phone	agitated \| calling \| climax \| lawyer \| leading man \| room \| telephone \| walking
In This Our Life (1942)	Love Theme (Slowly)	1:35:39 - Craig answers a phone call	comforting \| conversing \| leading lady \| leading man \| resolution \| room \| solemn \| somber \| tender \| The End
The Informer (1935)	The Informer (Walking)	0:01:44 - Gypo walks down the street	countermelody \| establish character \| leading man \| mickey-mousing \| mysterious \| poster \| Scotch snap \| street \| walking
The Informer (1935)	Poster	0:02:01 - Gypo looks at the reward poster for Frankie McPhillip	establish character \| leading man \| mickey-mousing \| mysterious \| poster \| stepping \| stinger \| street
The Informer (1935)	Drinking Song	0:02:15 - Gypo and Frankie sing at a pub	cheerful \| drinking \| establish character \| flashback \| leading man \| on-screen music \| pub \| remembering \| singing \| somber \| source music \| street
The Informer (1935)	Underscoring (Tense)	0:02:23 - Gypo stares at the poster, thinking	64 chord \| establish character \| leading man \| muttering \| mysterious \| street \| thinking \| underscoring
The Informer (1935)	Rule, Britannia!	0:02:32 - Close-up on the 20 pound reward on the poster	British \| dark \| establish character \| familiar tune \| leading man \| linear chromaticism \| looking \| mode change \| patriotic tune \| poster \| source music \| street \| tense
The Informer (1935)	Tearing down poster	0:02:47 - Gypo tears the reward poster off of the wall	dissonant bass \| down \| establish character \| leading man \| linear chromaticism \| mickey-mousing \| poster \| removing \| street \| tearing \| upset
The Informer (1935)	The Rose of Tralee	0:02:54 - Man sings an Irish folk song by a lamp post	calm \| establish character \| familiar tune \| folk song \| Irish \| leading man \| on-screen music \| poster \| singing \| source music \| street \| walking
The Informer (1935)	Poster blowing 1	0:03:05 - Torn poster blows down the street onto Gypo's leg	augmented sixth chord \| blowing \| establish character \| leading man \| mickey-mousing \| mysterious \| parallelism \| poster \| street \| wind
The Informer (1935)	Poster blowing 2	0:03:26 - Torn poster blows down the street onto Gypo's leg again	blowing \| clinging \| diminished 7th chord \| establish character \| leading man \| mickey-mousing \| mysterious \| parallelism \| poster \| street \| wind
The Informer (1935)	Underscoring (Tense)	0:05:04 - Gypo sees the man and walks towards him	establish character \| leading lady \| leading man \| mysterious \| street \| tense \| underscoring \| walking \| whole-tone
The Informer (1935)	Throwing man down	0:05:31 - Gypo picks the man up and throws him in the street	angry \| down \| establish character \| falling \| leading man \| mickey-mousing \| street \| throwing \| whole-tone \| whole-tone chord
The Informer (1935)	Katie Calls Gypo	0:05:38 - Katie says Gypo's name	conversing \| diminished 7th chord \| dissonant bass \| establish character \| leading lady \| leading man \| mickey-mousing \| somber \| staring \| street
The Informer (1935)	Katie (Tired and Sad)	0:05:49 - Katie talks to Gypo	conversing \| crying \| diminished 7th chord \| establish character \| leading lady \| leading man \| parallelism \| Scotch snap \| sobbing gesture \| somber \| street
The Informer (1935)	Yankee Doodle (Octatonic)	0:06:21 - Katie looks at the poster about a trip to America	American \| comical \| conversing \| dark \| diminished 7th chord \| establish character \| leading lady \| leading man \| octatonic \| parallelism \| patriotic tune \| source music \| street
The Informer (1935)	Katie (Hurt)	0:06:58 - Katie is upset with Gypo and walks away upset	agitated \| chromatic scale \| crying \| establish character \| leading lady \| leading man \| leaving \| street \| tritone \| upset
The Informer (1935)	Footsteps	0:07:16 - Close-up on walking feet	establish character \| footsteps \| leading man \| mickey-mousing \| mysterious \| street \| tritone \| walking
The Informer (1935)	The Wearin' o' the Green (Mysterious)	0:08:57 - Frankie enters the Dunboy house to join the rebels	arriving \| diminished 7th chord \| dissonant bass \| establish character \| familiar tune \| folk song \| hero \| Irish \| leading man \| mysterious \| parallelism \| room \| street \| tense
The Informer (1935)	Yankee Doodle (Fateful Decision)	0:12:56 - Gypo has a vision of the wanted poster	American \| contemplating \| deciding \| familiar tune \| flashback \| leading man \| linear chromaticism \| montage \| mysterious \| patriotic tune \| pedal tone \| pivotal scene \| room \| street \| tense \| vision
The Informer (1935)	Katie (Fateful Decision)	0:13:48 - Gypo heads towards the British headquarters	American \| church bell \| contemplating \| deciding \| diminished 7th chord \| familiar tune \| leading man \| mickey-mousing \| mysterious \| parallelism \| patriotic tune \| pedal tone \| pivotal scene \| police station \| street \| tense
The Informer (1935)	Blood Money (Extended)	0:18:55 - British officer tosses money down on the table	antagonist \| augmented triad \| grabbing \| leading man \| money \| mysterious \| pivotal scene \| police \| police station \| tense \| tossing \| tritone \| whole-tone
The Informer (1935)	Blood Money (Counting Money)	0:19:21 - Gypo closes the door	advance plot \| antagonist \| counting \| leading man \| money \| mysterious \| street \| tense \| tritone
The Informer (1935)	Blind Man	0:19:29 - Gypo meets the blind man	64 chord \| advance plot \| antagonist \| blind man \| leading man \| mysterious \| street \| walking
The Informer (1935)	Blood Money + Blind Man	0:20:27 - Gypo looks at Frankie's poster again	advance plot \| antagonist \| combination of themes \| leading man \| looking \| mysterious \| poster \| street \| tense \| whole-tone
The Informer (1935)	The Informer (Whiskey)	0:20:46 - Gypo enters a pub	64 chord \| advance plot \| antagonist \| entering \| hurrying \| leading man \| mysterious \| pub \| Scotch snap
The Informer (1935)	Blood Money (Whiskey)	0:21:03 - Gypo takes his money out to pay the bartender	advance plot \| antagonist \| bartender \| leading man \| money \| mysterious \| paying \| pub \| tense
The Informer (1935)	The Informer (Drinking)	0:21:23 - Gypo takes a drink	advance plot \| antagonist \| bartender \| drinking \| leading man \| mysterious \| octatonic \| pub \| Scotch snap \| tense \| tritone \| whole-tone \| whole-tone chord
The Informer (1935)	Blood Money (Worrying)	0:21:57 - Gypo worries about what he has done	advance plot \| antagonist \| augmented triad \| drinking \| hearing voices \| leading man \| mysterious \| planning \| pub \| tense \| thinking \| tritone \| whole-tone \| worrying
The Informer (1935)	Katie (Triste)	0:22:38 - Katie appears at the window	64 chord \| advance plot \| antagonist \| conversing \| foreign key modulation \| leading lady \| leading man \| parallelism \| pub \| sultry \| watching
The Informer (1935)	Blood Money (Four Coins)	0:23:15 - Bartender puts four coins on the table	advance plot \| antagonist \| augmented triad \| bartender \| coin \| counting \| half-diminished 7th chord \| leading lady \| leading man \| mickey-mousing \| money \| mysterious \| placing \| pub \| tense
The Informer (1935)	The Informer (Lying)	0:23:40 - Gypo lies about where he got the money	advance plot \| antagonist \| chromatic sequence \| conversing \| diminished 7th chord \| dissonant bass \| half-diminished 7th chord \| leading lady \| leading man \| lying \| octatonic \| pub \| Scotch snap \| tense
The Informer (1935)	Blind Man + Blood Money	0:24:45 - Blind man wanders in and Gypo gives him money	advance plot \| antagonist \| augmented triad \| blind man \| combination of themes \| giving \| leading lady \| leading man \| money \| mysterious \| ominous \| street \| walking
The Informer (1935)	The Informer (Bold)	0:25:26 - Gypo storms off down the street	64 chord \| advance plot \| antagonist \| bold \| determined \| hurrying \| leading lady \| leading man \| Scotch snap \| street \| walking
The Informer (1935)	The Minstrel Boy	0:25:32 - Man sings a folk tune at the street corner	9th chord \| AABA structure \| advance plot \| angelic \| antagonist \| calm \| familiar tune \| folk song \| gentle \| leading man \| listening \| mode mixture \| mourner \| mourning \| on-screen music \| playing \| praying \| singer \| singing \| street \| violinist \| watching
The Informer (1935)	Blood Money (Delicato)	0:28:43 - Gypo drops four coins on the floor	antagonist \| augmented triad \| coin \| dropping \| leading man \| mickey-mousing \| money \| mourner \| pivotal scene \| room \| staring \| tense \| whole-tone
The Informer (1935)	The Informer (Tense)	0:29:21 - Gypo defends himself	antagonist \| coin \| leading man \| money \| mourner \| mysterious \| pivotal scene \| room \| Scotch snap \| staring \| tense \| whole-tone \| whole-tone chord
The Informer (1935)	The Informer (Suspicion)	0:29:47 - Gypo leaves the wake	64 chord \| antagonist \| coin \| crying \| dissonant bass \| dropping \| giving \| leading man \| leaving \| mickey-mousing \| money \| mourner \| pivotal scene \| room \| Scotch snap \| sigh gesture \| somber \| staring
The Informer (1935)	The Informer (Walking Fast)	0:30:13 - Gypo storms off down the street	64 chord \| advance plot \| antagonist \| chromatic parallelism \| diminished 7th chord \| hurrying \| leading man \| Scotch snap \| street \| tense \| walking
The Informer (1935)	The Informer (Burning Poster) + Blood Money	0:32:03 - Gypo in rebel headquarters	advance plot \| antagonist \| burning \| combination of themes \| diminished 7th chord \| fire \| headquarters \| leading man \| mickey-mousing \| mysterious \| octatonic \| rebel \| rising \| room \| Scotch snap \| tense \| tone cluster
The Informer (1935)	Drinking Song 2	0:40:12 - Gypo sings a drunken song	advance plot \| antagonist \| drunk \| leading man \| on-screen music \| singing \| source music \| street
The Informer (1935)	The Irish Washerwoman	0:43:45 - People sing and dance in a pub	advance plot \| antagonist \| bar \| familiar tune \| folk song \| happy \| Irish \| leading man \| source music \| whistling
The Informer (1935)	Blood Money	0:44:44 - Gypo tosses money to the pub-keeper	advance plot \| antagonist \| bar \| bartender \| excited \| giving \| leading man \| money
The Informer (1935)	The Irish Washerwoman (Pub) + Blood Money + The Wearin' o' the Green + The Informer	0:44:52 - People celebrate in the pub	advance plot \| antagonist \| bar \| chaotic \| chromatic scale \| close-up \| combination of themes \| crowd \| dark \| dissonant bass \| excited \| familiar tune \| folk song \| foreign key modulation \| happy \| heroic \| Irish \| layering \| leading man \| mob \| mobbing \| octatonic \| parallelism \| pedal tone \| polytonality \| rebel \| serving \| source to score \| spying \| tense \| whole-tone \| yelling \| zoom in
The Informer (1935)	Katie (Gypo is Drunk)	0:46:36 - Gypo tells the rebel about "somebody waiting for me"	advance plot \| antagonist \| augmented sixth chord \| breaking \| drunk \| leading man \| street \| transcribed by ear \| walking
The Informer (1935)	He Is Me Darling-O	0:47:03 - Gypo and another man sing drunkenly	advance plot \| Aeolian mode \| antagonist \| drunk \| familiar tune \| folk song \| Irish \| leading man \| street \| transcribed by ear \| walking
The Informer (1935)	Katie (Poster)	0:47:58 - Gypo looks at the America poster	advance plot \| antagonist \| leading man \| pondering \| poster \| sentimental \| street \| transcribed by ear
The Informer (1935)	Blood money (Thinking)	0:48:58 - Gypo pulls out and counts his money	advance plot \| antagonist \| conversing \| leading man \| money \| mysterious \| ostinato \| pondering \| street
The Informer (1935)	Katie (Thinking)	0:49:37 - Gypo looks at the money and the poster	9th chord \| advance plot \| antagonist \| leading man \| money \| pondering \| sentimental \| street
The Informer (1935)	Here Comes the Bride	0:49:55 - Dream sequence of a voyage to America	64 chord \| advance plot \| antagonist \| boat \| double exposure \| dreaming \| familiar tune \| leading lady \| leading man \| pedal tone \| romantic \| ship \| street \| vision \| wedding
The Informer (1935)	My Man	0:50:19 - Gypo talks with his friend	AB structure \| advance plot \| antagonist \| cheerful \| conversing \| leading man \| party \| source music \| street
The Informer (1935)	Katie (Mistaken Identity)	0:52:34 - Gypo thinks he sees Katie, but it's someone else	advance plot \| antagonist \| augmented sixth chord \| hallucinating \| hallucination \| leading lady \| leading man \| party \| sentimental \| transcribed by ear
The Informer (1935)	Dardanella	0:53:41 - Gypo buys drinks at a party	AB structure \| advance plot \| antagonist \| celebrating \| cheerful \| crowd \| drinking \| leading man \| on-screen music \| party \| partying \| source music
The Informer (1935)	Believe Me If All Those Endearing Young Charms	0:55:32 - A woman prepares to sing a song at a party	advance plot \| antagonist \| cheerful \| crowd \| leading man \| on-screen music \| party \| playing \| source music
The Informer (1935)	Believe Me If All Those Endearing Young Charms	0:58:23 - Singing continues (from the previous scene)	advance plot \| antagonist \| crowd \| crying \| familiar tune \| folk song \| leading man \| on-screen music \| party \| sentimental \| singing
The Informer (1935)	The Informer (King Gypo)	1:01:03 - Gypo's friend brags about him	advance plot \| antagonist \| bragging \| cheerful \| crowd \| friend \| leading man \| party \| proud
The Informer (1935)	The Informer (Quiet!)	1:01:27 - The rebels enter and start an argument	64 chord \| advance plot \| antagonist \| arguing \| bold \| crowd \| dark \| friend \| interrupting \| leading man \| matching speech \| mickey-mousing \| party \| rebel
The Informer (1935)	The Informer (Drunk)	1:03:23 - Gypo walks down the street drunk	advance plot \| antagonist \| drunk \| leading lady \| leading man \| marching \| rebel \| street
The Informer (1935)	The Informer (Molto Agitato)	1:03:45 - Katie worries for Gypo	advance plot \| antagonist \| chromatic parallelism \| conversing \| drunk \| half-diminished 7th chord \| leading lady \| leading man \| rebel \| street
The Informer (1935)	The Wearin' o' the Green (Fighting)	1:03:51 - Gypo struggles with the rebels	64 chord \| advance plot \| antagonist \| chromatic parallelism \| conversing \| dominant 7th chord \| drunk \| familiar tune \| fighting \| folk song \| fragmentation \| leading lady \| leading man \| reassuring \| rebel \| sequence \| street \| struggling \| syncopation
The Informer (1935)	Blood Money (Ostinato)	1:04:10 - The rebels overhear Gypo talking about the money	advance plot \| antagonist \| conversing \| drunk \| leading lady \| leading man \| money \| mysterious \| ostinato \| rebel \| street \| whole-tone chord
The Informer (1935)	Falling down the stairs	1:06:19 - Gypo falls down the stairs	9th chord \| antagonist \| chromatic scale \| courtroom scene \| down \| dramatic \| falling \| headquarters \| leading man \| mickey-mousing \| rebel \| room \| stairs \| suspect
The Informer (1935)	Dan and Mary (Legato)	1:07:46 - Gypo looks at Mary	antagonist \| courtroom \| courtroom scene \| delicate \| gentle \| headquarters \| leading man \| pedal tone \| room \| sister \| suspect \| watching
The Informer (1935)	Blind Man (Tribunal)	1:08:08 - Gypo looks at the blind man	64 chord \| accusing \| antagonist \| blind man \| chromatic scale \| courtroom \| courtroom scene \| headquarters \| leading man \| pedal tone \| room \| serious \| suspect \| watching
The Informer (1935)	The Informer (Laughing)	1:09:04 - Gypo laughs at Peter	accusing \| antagonist \| augmented sixth chord \| bold \| courtroom \| courtroom scene \| headquarters \| leading man \| octatonic \| room \| serious \| suspect
The Informer (1935)	Blood Money (The Trial) + Blind Man (The Trial)	1:15:13 - The rebels ask Gypo where he got the money	antagonist \| axis of symmetry \| blind man \| combination of themes \| courtroom \| courtroom scene \| fanfare \| headquarters \| interrogating \| interrogation \| leading man \| mirroring \| money \| mysterious \| questioning \| room \| suspect
The Informer (1935)	Katie (The Trial)	1:15:36 - The rebels ask Gypo about Katie	antagonist \| axis of symmetry \| courtroom \| courtroom scene \| headquarters \| interrogating \| interrogation \| leading man \| mirroring \| money \| mysterious \| questioning \| room \| suspect
The Informer (1935)	Blood Money (The Trial) + The Informer (The Trial)	1:15:40 - Dan asks "Who was the informer?"	antagonist \| axis of symmetry \| combination of themes \| courtroom \| courtroom scene \| headquarters \| interrogating \| interrogation \| inversion \| leading man \| mirroring \| money \| mysterious \| questioning \| room \| suspect \| whole-tone
The Informer (1935)	The Informer (Confession)	1:16:00 - Gypo confesses and cries	9th chord \| altered dominant \| antagonist \| confessing \| confession \| courtroom \| courtroom scene \| crying \| deceptive resolution \| diminished 7th chord \| dissonant bass \| guilt \| half-diminished 7th chord \| headquarters \| leading man \| pedal tone \| pedal tone \| remorseful \| room \| traitor
The Informer (1935)	Katie (Despair)	1:16:18 - Gypo confesses and cries	antagonist \| climax \| confessing \| confession \| courtroom \| courtroom scene \| crying \| dissonant bass \| guilt \| headquarters \| leading man \| remorseful \| room \| sequence \| traitor
The Informer (1935)	The Informer (Tranquillo)	1:16:35 - Gypo is taken away	antagonist \| arresting \| authentic cadence \| climax \| confessing \| confession \| courtroom \| courtroom scene \| crying \| guilt \| headquarters \| hero \| leading man \| leaving \| love interest \| pleading \| remorseful \| room \| traitor
The Informer (1935)	Blood Money (Ostinato)	1:17:10 - Gypo waits in his cell while the rebels draw straws	advance plot \| antagonist \| dripping \| escaping \| gun \| headquarters \| leading man \| mysterious \| ostinato \| prison \| rebel \| room \| shooting \| tense \| traitor \| whispering \| worrying
The Informer (1935)	The Escape	1:19:46 - Gypo escapes and a chase ensues	advance plot \| antagonist \| chromatic scale \| dramatic \| escaping \| headquarters \| hurrying \| leading man \| mickey-mousing \| prison \| rebel \| room \| running \| traitor \| whole-tone \| whole-tone chord
The Informer (1935)	The Informer (Gypo Hides)	1:20:38 - Gypo sees British soldiers marching	antagonist \| hiding \| leading man \| marching \| running \| street \| tense \| traitor \| transition
The Informer (1935)	The Informer (Adagio)	1:21:15 - Gypo imagines Frankie's poster	antagonist \| hallucinating \| hallucination \| leading man \| mysterious \| street \| suspension \| traitor \| transition
The Informer (1935)	Gypo runs away	1:21:26 - Gypo runs and hides	agitated \| antagonist \| chromatic parallelism \| diminished 7th chord \| hiding \| leading man \| mickey-mousing \| running \| sequence \| street \| tense \| traitor \| transition
The Informer (1935)	The Informer (Up the Stairs)	1:21:35 - Gypo goes up the stairs	64 chord \| agitated \| antagonist \| chromatic sequence \| fragmentation \| hallway \| hiding \| leading man \| mickey-mousing \| running \| sequence \| stairs \| tense \| traitor \| transition \| up
The Informer (1935)	Blood Money (Ostinato)	1:22:00 - Gypo confesses to Katie	antagonist \| confessing \| leading lady \| leading man \| love interest \| love scene \| money \| ostinato \| room \| tense \| traitor \| whole-tone
The Informer (1935)	Katie (Allegro Appassionato)	1:22:20 - Gypo talks to Katie	antagonist \| confessing \| leading lady \| leading man \| love interest \| love scene \| room \| sequence \| tense \| traitor
The Informer (1935)	By the fire	1:22:36 - Gypo rests by the fire	antagonist \| half-diminished 7th chord \| leading lady \| leading man \| love interest \| love scene \| romantic \| room \| suspension \| traitor \| yearning
The Informer (1935)	Katie (Dolcissimo)	1:22:57 - Gypo talks to Katie	antagonist \| chromatic sequence \| leading lady \| leading man \| love \| love interest \| love scene \| romantic \| room \| traitor \| yearning
The Informer (1935)	Blood Money (Ostinato)	1:27:32 - Rebels come to capture Gypo	antagonist \| climax \| leading man \| mysterious \| ostinato \| rebel \| room \| sneaking \| tense \| traitor \| whispering
The Informer (1935)	The Escape (The Fight)	1:28:25 - Rebels shoot through the door	antagonist \| augmented triad \| chromatic parallelism \| chromatic scale \| climax \| down \| dramatic \| escaping \| falling \| fighting \| leading man \| linear chromaticism \| mickey-mousing \| rebel \| room \| running \| tense \| traitor \| whole-tone
The Informer (1935)	Blood Money (Tuttissimo)	1:28:53 - Gypo stumbles into a church	antagonist \| church \| climax \| dirge \| dissonant bass \| dominant pedal \| dying \| half-diminished 7th chord \| leading man \| mysterious \| street \| stumbling \| tense \| traitor \| walking \| whole-tone \| whole-tone chord
The Informer (1935)	The Informer (Pathetic)	1:29:48 - Gypo stumbles toward Frankie's mother	antagonist \| church \| climax \| diminished 7th chord \| dying \| gentle \| leading man \| main theme \| pedal tone \| somber \| stumbling \| traitor \| walking
The Informer (1935)	Sancta Maria	1:30:27 - Frankie's mother forgives Gypo	antagonist \| church \| climax \| confessing \| dying \| gentle \| leading man \| mother \| sacred \| somber \| suspension \| traitor
Key Largo (1948)	I Gotta Right to Sing the Blues	0:04:21 - Frank speaks with people in the bar	conversing \| establish character \| gangster \| hotel \| jazz \| leading man \| moll \| radio \| sentimental \| source music
Key Largo (1948)	Largo Hotel (Quasi Misterioso)	0:11:00 - Frank and Nora talk in the hotel	conversing \| establish character \| hotel \| leading lady \| leading man \| mysterious \| tense
Key Largo (1948)	Rocco 2	0:11:30 - Frank and Nora talk about Rocco	conversing \| establish character \| harsh \| hotel \| leading lady \| leading man
Key Largo (1948)	McCloud	0:11:41 - Nora talks about her husband George	conversing \| establish character \| heroic \| hotel \| leading lady \| leading man \| memorializing \| noble
Key Largo (1948)	Underscoring (Somber)	0:13:51 - Frank talks with Mr. Temple	advance plot \| conversing \| father \| hotel \| leading lady \| leading man \| prelude \| somber \| underscoring
Key Largo (1948)	McCloud (Noble)	0:14:28 - Frank talks about George and the war	advance plot \| death \| father \| heroic \| hotel \| leading lady \| leading man \| memory \| noble \| remembering \| storytelling \| war
Key Largo (1948)	McCloud (Tense)	0:14:56 - Nora and Frank talk about George	advance plot \| agitated \| death \| father \| hotel \| leading lady \| leading man \| memory \| mode change \| remembering \| storytelling \| tense \| war
Key Largo (1948)	McCloud (Molto Expressivo)	0:15:36 - Frank and Mr. Temple talk about George	advance plot \| death \| father \| hotel \| leading lady \| leading man \| memory \| remembering \| somber \| storytelling \| tender \| war
Key Largo (1948)	Burial Place	0:16:11 - Frank talks about George's burial place	advance plot \| death \| father \| hotel \| hymn \| leading lady \| leading man \| memory \| remembering \| somber \| storytelling \| tender \| war
Key Largo (1948)	McCloud (Bugle Call) + Taps	0:16:31 - Mr. Temple asks Frank about George's burial place	advance plot \| bugle call \| combination of themes \| death \| father \| heroic \| hotel \| leading lady \| leading man \| memory \| noble \| remembering \| somber \| storytelling \| taps \| war
Key Largo (1948)	McCloud (Broad)	0:17:00 - Nora and Frank go outside	advance plot \| bright \| death \| father \| hotel \| leading lady \| leading man \| memory \| remembering \| somber \| storytelling \| tender \| walking \| war
Key Largo (1948)	Nora	0:17:32 - Nora and Frank walk to the boat	conversing \| dock \| falling in love scene \| leading lady \| leading man \| romantic \| triadic \| wind
Key Largo (1948)	Nora (Nervous)	0:17:53 - Nora sees the gangsters	conversing \| dock \| falling in love scene \| gangster \| leading lady \| leading man \| nervous \| wind
Key Largo (1948)	Wind	0:18:21 - Frank helps prepare for the storm	conversing \| dock \| falling in love scene \| gangster \| leading lady \| leading man \| storm \| tense \| wind
Key Largo (1948)	Tosses rope	0:18:32 - Frank tosses the rope to Nora	dock \| falling in love scene \| leading lady \| leading man \| mickey-mousing \| rope \| tense \| throwing
Key Largo (1948)	Nora (Con Moto)	0:18:40 - Nora smiles at Frank	dock \| falling in love scene \| leading lady \| leading man \| romantic \| smiling \| watching
Key Largo (1948)	Tosses rope 2	0:18:47 - Frank tosses the rope to Nora	dock \| falling in love scene \| leading lady \| leading man \| mickey-mousing \| romantic \| rope \| throwing
Key Largo (1948)	Seminoles	0:19:11 - Seminole Indians arrive	advance plot \| arriving \| boat \| conversing \| dock \| Indian \| Indian \| leading lady \| leading man \| rowing \| serious
Key Largo (1948)	Seminoles (Grandma)	0:19:46 - Elderly Indian woman talks to Nora	advance plot \| arriving \| boat \| conversing \| dock \| grandmother \| Indian \| Indian \| leading lady \| leading man \| old woman \| serious \| smoking
Key Largo (1948)	Seminoles (Brothers)	0:20:29 - Nora talks with Seminole Indians	advance plot \| arriving \| boat \| conversing \| dock \| Indian \| Indian \| leading lady \| leading man \| serious
Key Largo (1948)	McCloud (Noble)	0:21:22 - Nora and Frank talk about her life	advance plot \| heroic \| hotel \| leading lady \| leading man \| memory \| noble \| remembering \| storytelling
Key Largo (1948)	Rocco 3	0:25:37 - Curly pushes Nora	dangerous \| establish character \| gangster \| gun \| hotel \| leading man \| mysterious \| stinger \| threatening \| violence
Key Largo (1948)	Rocco 3 (Misterioso)	0:28:45 - Sawyer starts moaning in the other room	boss \| conflict \| gangster \| gun \| hostage \| hotel \| leading lady \| leading man \| menacing \| mysterious \| threatening
Key Largo (1948)	Rocco (Cut From Film)	NIF - not in film	boss \| conversing \| cut from film \| cut from film \| father \| gangster \| hostage \| hotel \| leading lady \| leading man
Key Largo (1948)	Rocco 2 (Cut From Film)	NIF - not in film	boss \| conversing \| cut from film \| cut from film \| father \| gangster \| hostage \| hotel \| leading lady \| leading man
Key Largo (1948)	Rocco 3 (Cut from Film)	NIF - not in film	boss \| conversing \| cut from film \| cut from film \| father \| gangster \| hostage \| hotel \| leading lady \| leading man
Key Largo (1948)	Tension	NIF - not in film	boss \| conversing \| cut from film \| cut from film \| father \| gangster \| hostage \| hotel \| leading lady \| leading man
Key Largo (1948)	Rocco (Tense 2)	NIF - not in film	boss \| conversing \| cut from film \| cut from film \| father \| gangster \| hostage \| hotel \| leading lady \| leading man
Key Largo (1948)	Rocco 2 (Misterioso)	NIF - not in film	boss \| conversing \| cut from film \| cut from film \| father \| gangster \| hostage \| hotel \| leading lady \| leading man
Key Largo (1948)	Rocco 3 (Cut From Film 2)	NIF - not in film	boss \| conversing \| cut from film \| cut from film \| father \| gangster \| hostage \| hotel \| leading lady \| leading man

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