All This, and Heaven Too (1940) | The Duke (Gravestone) | 2:16:48 - The Duke's gravestone | death | gentle | gravestone | graveyard | grieving | leading lady | resolution | somber | voice-over |
All This, and Heaven Too (1940) | Heaven Theme (Expressivo) | 2:17:25 - Henriette leaves with Henry Field | comforting | death | gravestone | graveyard | grieving | hopeful | leading lady | minister | resolution | voice-over | wave |
Beyond the Forest (1949) | Loyalton | 0:01:49 - The town of Loyalton, Wisconsin | city | establish setting | mysterious | street | voice-over |
Beyond the Forest (1949) | Sawmill | 0:02:00 - A sawmill | countryside | establish setting | industrious | machinery | machinery effect | sawmill | voice-over |
Beyond the Forest (1949) | Sawmill + Steam Whistle | 0:02:15 - A sawmill | combination of themes | countryside | establish setting | harsh | industrious | machinery | machinery effect | sawmill | steam whistle | voice-over | whistle | whistle effect |
Beyond the Forest (1949) | Loyalton 2 | 0:02:27 - Deserted streets of Loyalton | calm | establish setting | street | voice-over |
Beyond the Forest (1949) | Lewis (Office) | 0:02:44 - The doctor's office | calm | establish setting | noble | street | voice-over |
Beyond the Forest (1949) | Train | 0:03:12 - A departing train | departing | establish setting | mysterious | tense | train | train effect | train station | voice-over |
Beyond the Forest (1949) | Train + Chicago | 0:03:20 - A departing train | accompanied dialogue | combination of themes | departing | establish setting | familiar tune | mysterious | popular tune | tense | train | train effect | train station | voice-over |
Beyond the Forest (1949) | Rosa (Moderato) | 0:03:32 - Rosa's house | establish setting | house | maid | somber | voice-over | walking | yard |
Beyond the Forest (1949) | Rosa (Maestoso) | 0:03:57 - Rosa's maid | establish setting | house | maid | tense | voice-over | walking | yard |
Beyond the Forest (1949) | Bicycle | 0:04:03 - A boy on a bicycle | bicycle | bicycle effect | child | establish setting | excited | riding | running | street | voice-over |
Beyond the Forest (1949) | Courthouse | 0:04:14 - People in a courthouse | courtroom | crowd | establish setting | tense | trial | voice-over | waiting | watching |
Beyond the Forest (1949) | Rosa (Molto Moderato Misterioso) | 0:04:33 - People in a courthouse | courtroom | crowd | establish setting | juror | mysterious | stinger | trial | voice-over | waiting | watching |
Beyond the Forest (1949) | Underscoring (Mysterious) | 0:05:09 - A fish in a stream | countryside | doctor | establish setting | fish | fishing | flashback | leading man | mysterious | underscoring | voice-over |
The FBI Story (1959) | The Bureau (Diminished) | 1:15:40 - FBI agents meet in an office | FBI | flashback | voice-over |
Flamingo Road (1949) | Flamingo Road (Chapter One) | 0:00:54 - Chapter one from Flamingo Road | chromatic mediant | common-chord modulation | establish setting | gentle | mode mixture | self-borrowing | street | voice-over |
Flamingo Road (1949) | Boldon City | 0:01:13 - Boldon City sign | busy | common-tone diminished 7th | dominant pedal | establish setting | light | pentatonic | street | townsfolk | voice-over | working |
Flamingo Road (1949) | Titus | 0:01:22 - The Palmer House | altered dominant | dark | establish setting | ominous | politician | self-borrowing | sheriff | street | voice-over |
Flamingo Road (1949) | Lute Mae | 0:01:26 - Lute Mae's Roadhouse | 13th chord | added-note chord | altered dominant | bluesy | club | countermelody | dancing | eating | establish setting | musician | on-screen music | playing | self-borrowing | simulated source music | voice-over |
Flamingo Road (1949) | Ain't We Got Fun | 0:01:41 - A carnival scene | carnival | carny | establish setting | on-screen music | parallel double period | playing | source music | townsfolk | upbeat | voice-over |
Her Kind of Man (1946) | Scrapbook | 0:00:59 - A busy newsroom | bluesy | journalist | room | transition | voice-over | working |
Her Kind of Man (1946) | Night Clubs | 0:01:12 - Montage of night clubs | bar | bluesy | club | crowd | dancer | dancing | double exposure | eating | journalist | montage | montage | performer | performing | simulated source music | street | voice-over |
Her Kind of Man (1946) | Water | 1:17:41 - Steve's corpse | corpse | criminal | death | flowing | gambler | henchman | leading lady | leading man | murderer | panning shot | police | reporter | resolution | singer | street | swirling | tense | tragic | voice-over | water | water effect | wife |
I Was a Communist for the FBI (1951) | Communist (Pittsburgh) | 0:03:38 - Aerial view of Pittsburgh | bridge | busy | city | establish setting | factory | frantic | machinery effect | panning shot | tense | train | voice-over | whistle |
I Was a Communist for the FBI (1951) | Family | 0:25:26 - Matt looks at a photo album | advance plot | baby | double exposure | flashback | gentle | leading man | letter | looking | love | memory | photograph | room | self-borrowing | sentimental | smiling | son | tender | thinking | undercover agent | voice-over | writing |
I Was a Communist for the FBI (1951) | Family (Molto Expressivo) | 0:26:15 - Matt writes a letter to his son | advance plot | baby | double exposure | flashback | gentle | leading man | letter | looking | love | memory | photograph | room | self-borrowing | sentimental | smiling | son | tender | thinking | undercover agent | voice-over | writing |
I Was a Communist for the FBI (1951) | Undercover Agent (Tuttissimo) | 1:14:31 - New York City skyline | crowd | dramatic | montage | riot | rioting | violence | voice-over |
Lightning Strikes Twice (1951) | Father Paul (Carriage) | 0:35:13 - Priest riding in a carriage | arriving | carriage | dog | flashback | galloping | horse | leading man | mysterious | priest | ranch | suspect | traveling | upbeat | voice-over |
Mildred Pierce (1945) | Mildred (Lonely) | 0:28:20 - Mildred looks through her desk | advance plot | bill | flashback | foreign key modulation | gun | heroine | leading lady | lonely | mode mixture | photograph | room | somber | voice-over | writing |
Mildred Pierce (1945) | Mildred (Desperate) | 0:34:05 - Mildred looks for a job | applying | depressed | enharmonic reinterpretation | foreign key modulation | heroine | leading lady | montage | searching | street | voice-over | walking |
Mildred Pierce (1945) | Work | 0:36:12 - Mildred works as a waitress | 64 chord | added-note chord | altered dominant | chromatic mediant | chromatic sequence | common-chord modulation | foreign key modulation | hectic | heroine | leading lady | montage | restaurant | rushing | self-borrowing | sequential modulation | serving | upbeat | voice-over | waitress | working |
Mildred Pierce (1945) | Mildred (Hopeful) | 0:36:42 - Mildred bakes some pies | cooking | heroine | hopeful | kitchen | leading lady | montage | optimistic | restaurant | success | voice-over | waitress | working |
Mildred Pierce (1945) | Work (Singing Lesson) | 0:37:17 - Veda sings | added-note chord | child | double exposure | heroine | leading lady | montage | on-screen music | room | scored source music | self-borrowing | singing | upbeat | voice-over | working |
Mildred Pierce (1945) | Ballet Lesson | 0:37:25 - Kay dances | 9th chord | 11th chord | ballet | child | dancing | double exposure | graceful | heroine | leading lady | montage | pleasant | room | voice-over |
Mildred Pierce (1945) | Work (Grand Opening) | 0:57:26 - View of Mildred's restaurant | added-note chord | advance plot | foreign key modulation | restaurant | self-borrowing | tritone | upbeat | voice-over | working |
Mildred Pierce (1945) | Work | 1:08:00 - Montage of restaurants | added-note chord | altered dominant | common-chord modulation | guest | montage | restaurant | self-borrowing | upbeat | voice-over | working |
Mildred Pierce (1945) | Mildred (Sweepingly) | 1:08:09 - Mildred greets customers | happy | heroine | leading lady | montage | restaurant | smiling | voice-over | working |
Mildred Pierce (1945) | French One-Step | 1:08:14 - Veda at a polo match | added-note chord | antagonist | cheering | common-tone diminished 7th | daughter | field | heroine | leading lady | love interest | montage | playing | polo | secondary dominant | sports | upbeat | voice-over | watching |
Mildred Pierce (1945) | Kay and Veda (Subtle) | 1:09:27 - bill; photograph; gun | advance plot | augmented sixth chord | conversing | friend | heroine | leading lady | mode mixture | room | subtle | voice-over |
The Unfaithful (1947) | Beverly Hills | 0:01:00 - Cars driving down road in Beverly Hills | Beverly Hills | cheerful | establish location | panning shot | sequential modulation | street | upbeat | voice-over |
The Unfaithful (1947) | Beverly Hills (Leggiero) | 0:01:10 - A car pulls into the driveway | Beverly Hills | car | cheerful | establish location | panning shot | sequential modulation | street | traveling | voice-over |
The Woman in White (1948) | The Spring is Coming | 0:01:37 - A train station | cheerful | conversing | establish setting | folk music | leading man | light | train | train station | voice-over | waiting | worker |
The Woman in White (1948) | The Carman’s Whistle | 0:02:16 - Walter asks for directions | calm | directions | establish place | establish setting | establish time | forest | gentle | leading man | Renaissance music | voice-over | walking | worker |
The Woman in White (1948) | Fosco (Spying) | 0:58:37 - Marian writes in her journal | advance plot | cousin | journal | leading lady | mysterious | room | somber | thinking | voice-over | writing |
The Woman in White (1948) | Laura | 1:46:37 - Walter, Marian, and Laura together | asylum | conversing | friend | happy | murderer | necklace | patient | resolution | time lapse | voice-over | waltz |
The Woman in White (1948) | Laura (Harp Countermelody) | 1:46:55 - The camera pans from the asylum | arriving | butler | child | conversing | father | happy | husband | leading man | mansion | resolution | voice-over | waltz |
The Woman in White (1948) | Pavan (Major) | 1:47:33 - Walter with his daughter Ann | child | conversing | father | greeting | husband | leading man | noble | resolution | voice-over | yard |
The Woman in White (1948) | The Self Banished (The End) | 1:47:51 - Walter with the children | book | child | conversing | embracing | father | greeting | husband | kissing | leading lady | leading man | mother | resolution | tender | The End | voice-over | wife | yard |
Without Honor (1949) | Tragic (Lento) | 0:01:23 - Shot of a valley | establish setting | panning shot | peaceful | valley | voice-over |