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50 results for "voice-over" in 11 films

FilmTheme nameInstanceTags
All This, and Heaven Too (1940)The Duke (Gravestone)2:16:48 - The Duke's gravestonedeath | gentle | gravestone | graveyard | grieving | leading lady | resolution | somber | voice-over

All This, and Heaven Too (1940)

Heaven Theme (Expressivo)2:17:25 - Henriette leaves with Henry Fieldcomforting | death | gravestone | graveyard | grieving | hopeful | leading lady | minister | resolution | voice-over | wave
Beyond the Forest (1949)Loyalton0:01:49 - The town of Loyalton, Wisconsincity | establish setting | mysterious | street | voice-over

Beyond the Forest (1949)

Sawmill0:02:00 - A sawmillcountryside | establish setting | industrious | machinery | machinery effect | sawmill | voice-over

Beyond the Forest (1949)

Sawmill + Steam Whistle0:02:15 - A sawmillcombination of themes | countryside | establish setting | harsh | industrious | machinery | machinery effect | sawmill | steam whistle | voice-over | whistle | whistle effect

Beyond the Forest (1949)

Loyalton 20:02:27 - Deserted streets of Loyaltoncalm | establish setting | street | voice-over

Beyond the Forest (1949)

Lewis (Office)0:02:44 - The doctor's officecalm | establish setting | noble | street | voice-over

Beyond the Forest (1949)

Train0:03:12 - A departing traindeparting | establish setting | mysterious | tense | train | train effect | train station | voice-over

Beyond the Forest (1949)

Train + Chicago0:03:20 - A departing trainaccompanied dialogue | combination of themes | departing | establish setting | familiar tune | mysterious | popular tune | tense | train | train effect | train station | voice-over

Beyond the Forest (1949)

Rosa (Moderato)0:03:32 - Rosa's houseestablish setting | house | maid | somber | voice-over | walking | yard

Beyond the Forest (1949)

Rosa (Maestoso)0:03:57 - Rosa's maidestablish setting | house | maid | tense | voice-over | walking | yard

Beyond the Forest (1949)

Bicycle0:04:03 - A boy on a bicyclebicycle | bicycle effect | child | establish setting | excited | riding | running | street | voice-over

Beyond the Forest (1949)

Courthouse0:04:14 - People in a courthousecourtroom | crowd | establish setting | tense | trial | voice-over | waiting | watching

Beyond the Forest (1949)

Rosa (Molto Moderato Misterioso)0:04:33 - People in a courthousecourtroom | crowd | establish setting | juror | mysterious | stinger | trial | voice-over | waiting | watching

Beyond the Forest (1949)

Underscoring (Mysterious)0:05:09 - A fish in a streamcountryside | doctor | establish setting | fish | fishing | flashback | leading man | mysterious | underscoring | voice-over
The FBI Story (1959)The Bureau (Diminished)1:15:40 - FBI agents meet in an officeFBI | flashback | voice-over
Flamingo Road (1949)Flamingo Road (Chapter One)0:00:54 - Chapter one from Flamingo Roadchromatic mediant | common-chord modulation | establish setting | gentle | mode mixture | self-borrowing | street | voice-over

Flamingo Road (1949)

Boldon City0:01:13 - Boldon City signbusy | common-tone diminished 7th | dominant pedal | establish setting | light | pentatonic | street | townsfolk | voice-over | working

Flamingo Road (1949)

Titus0:01:22 - The Palmer Housealtered dominant | dark | establish setting | ominous | politician | self-borrowing | sheriff | street | voice-over

Flamingo Road (1949)

Lute Mae0:01:26 - Lute Mae's Roadhouse13th chord | added-note chord | altered dominant | bluesy | club | countermelody | dancing | eating | establish setting | musician | on-screen music | playing | self-borrowing | simulated source music | voice-over

Flamingo Road (1949)

Ain't We Got Fun0:01:41 - A carnival scenecarnival | carny | establish setting | on-screen music | parallel double period | playing | source music | townsfolk | upbeat | voice-over
Her Kind of Man (1946)Scrapbook0:00:59 - A busy newsroombluesy | journalist | room | transition | voice-over | working

Her Kind of Man (1946)

Night Clubs0:01:12 - Montage of night clubsbar | bluesy | club | crowd | dancer | dancing | double exposure | eating | journalist | montage | montage | performer | performing | simulated source music | street | voice-over

Her Kind of Man (1946)

Water1:17:41 - Steve's corpsecorpse | criminal | death | flowing | gambler | henchman | leading lady | leading man | murderer | panning shot | police | reporter | resolution | singer | street | swirling | tense | tragic | voice-over | water | water effect | wife
I Was a Communist for the FBI (1951)Communist (Pittsburgh)0:03:38 - Aerial view of Pittsburghbridge | busy | city | establish setting | factory | frantic | machinery effect | panning shot | tense | train | voice-over | whistle

I Was a Communist for the FBI (1951)

Family0:25:26 - Matt looks at a photo albumadvance plot | baby | double exposure | flashback | gentle | leading man | letter | looking | love | memory | photograph | room | self-borrowing | sentimental | smiling | son | tender | thinking | undercover agent | voice-over | writing

I Was a Communist for the FBI (1951)

Family (Molto Expressivo)0:26:15 - Matt writes a letter to his sonadvance plot | baby | double exposure | flashback | gentle | leading man | letter | looking | love | memory | photograph | room | self-borrowing | sentimental | smiling | son | tender | thinking | undercover agent | voice-over | writing

I Was a Communist for the FBI (1951)

Undercover Agent (Tuttissimo)1:14:31 - New York City skylinecrowd | dramatic | montage | riot | rioting | violence | voice-over
Lightning Strikes Twice (1951)Father Paul (Carriage)0:35:13 - Priest riding in a carriagearriving | carriage | dog | flashback | galloping | horse | leading man | mysterious | priest | ranch | suspect | traveling | upbeat | voice-over
Mildred Pierce (1945)Mildred (Lonely)0:28:20 - Mildred looks through her deskadvance plot | bill | flashback | foreign key modulation | gun | heroine | leading lady | lonely | mode mixture | photograph | room | somber | voice-over | writing

Mildred Pierce (1945)

Mildred (Desperate)0:34:05 - Mildred looks for a jobapplying | depressed | enharmonic reinterpretation | foreign key modulation | heroine | leading lady | montage | searching | street | voice-over | walking

Mildred Pierce (1945)

Work0:36:12 - Mildred works as a waitress64 chord | added-note chord | altered dominant | chromatic mediant | chromatic sequence | common-chord modulation | foreign key modulation | hectic | heroine | leading lady | montage | restaurant | rushing | self-borrowing | sequential modulation | serving | upbeat | voice-over | waitress | working

Mildred Pierce (1945)

Mildred (Hopeful)0:36:42 - Mildred bakes some piescooking | heroine | hopeful | kitchen | leading lady | montage | optimistic | restaurant | success | voice-over | waitress | working

Mildred Pierce (1945)

Work (Singing Lesson)0:37:17 - Veda singsadded-note chord | child | double exposure | heroine | leading lady | montage | on-screen music | room | scored source music | self-borrowing | singing | upbeat | voice-over | working

Mildred Pierce (1945)

Ballet Lesson0:37:25 - Kay dances9th chord | 11th chord | ballet | child | dancing | double exposure | graceful | heroine | leading lady | montage | pleasant | room | voice-over

Mildred Pierce (1945)

Work (Grand Opening)0:57:26 - View of Mildred's restaurantadded-note chord | advance plot | foreign key modulation | restaurant | self-borrowing | tritone | upbeat | voice-over | working

Mildred Pierce (1945)

Work1:08:00 - Montage of restaurantsadded-note chord | altered dominant | common-chord modulation | guest | montage | restaurant | self-borrowing | upbeat | voice-over | working

Mildred Pierce (1945)

Mildred (Sweepingly)1:08:09 - Mildred greets customershappy | heroine | leading lady | montage | restaurant | smiling | voice-over | working

Mildred Pierce (1945)

French One-Step1:08:14 - Veda at a polo matchadded-note chord | antagonist | cheering | common-tone diminished 7th | daughter | field | heroine | leading lady | love interest | montage | playing | polo | secondary dominant | sports | upbeat | voice-over | watching

Mildred Pierce (1945)

Kay and Veda (Subtle)1:09:27 - bill; photograph; gunadvance plot | augmented sixth chord | conversing | friend | heroine | leading lady | mode mixture | room | subtle | voice-over
The Unfaithful (1947)Beverly Hills0:01:00 - Cars driving down road in Beverly HillsBeverly Hills | cheerful | establish location | panning shot | sequential modulation | street | upbeat | voice-over

The Unfaithful (1947)

Beverly Hills (Leggiero)0:01:10 - A car pulls into the drivewayBeverly Hills | car | cheerful | establish location | panning shot | sequential modulation | street | traveling | voice-over
The Woman in White (1948)The Spring is Coming0:01:37 - A train station cheerful | conversing | establish setting | folk music | leading man | light | train | train station | voice-over | waiting | worker

The Woman in White (1948)

The Carman’s Whistle0:02:16 - Walter asks for directionscalm | directions | establish place | establish setting | establish time | forest | gentle | leading man | Renaissance music | voice-over | walking | worker

The Woman in White (1948)

Fosco (Spying)0:58:37 - Marian writes in her journaladvance plot | cousin | journal | leading lady | mysterious | room | somber | thinking | voice-over | writing

The Woman in White (1948)

Laura1:46:37 - Walter, Marian, and Laura togetherasylum | conversing | friend | happy | murderer | necklace | patient | resolution | time lapse | voice-over | waltz

The Woman in White (1948)

Laura (Harp Countermelody)1:46:55 - The camera pans from the asylumarriving | butler | child | conversing | father | happy | husband | leading man | mansion | resolution | voice-over | waltz

The Woman in White (1948)

Pavan (Major)1:47:33 - Walter with his daughter Annchild | conversing | father | greeting | husband | leading man | noble | resolution | voice-over | yard

The Woman in White (1948)

The Self Banished (The End)1:47:51 - Walter with the childrenbook | child | conversing | embracing | father | greeting | husband | kissing | leading lady | leading man | mother | resolution | tender | The End | voice-over | wife | yard
Without Honor (1949)Tragic (Lento)0:01:23 - Shot of a valleyestablish setting | panning shot | peaceful | valley | voice-over