| All This, and Heaven Too (1940) | Rushing | 0:22:31 - The Duchess rushes after the Duke | agitated | arguing | distressed | duchess | duke | establish character | leading lady | leading man | mickey-mousing | rising | room | rushing |
All This, and Heaven Too (1940) | Rushing 2 | 0:43:14 - The Duchess rushes into the room | arguing | child | duchess | duke | governess | hurried | illness | illness scene | leading lady | leading man | mickey-mousing | room | rushing |
All This, and Heaven Too (1940) | Rushing | 1:19:33 - The Duchess rushes forward | angry | arguing | conflict | desperate | duchess | duke | hurried | leading lady | leading man | room | rushing |
| Angels With Dirty Faces (1938) | Underscoring (Tense) | 0:41:20 - Police car arrives | arriving | chromatic parallelism | chromatic scale | conflict | crowd | dissonant bass | half-diminished 7th chord | rushing | shop | street | tense | underscoring |
Angels With Dirty Faces (1938) | Rocky and Laury | 0:41:37 - Laury pushes her way through the crowd | altered dominant | arriving | close-up | conflict | heartbroken | leading lady | love interest | rushing | sentimental | shop |
Angels With Dirty Faces (1938) | Crowd | 0:41:46 - Hustling crowd | chromatic parallelism | conflict | crowd | dissonant bass | rushing | street | tense |
| Arsenic and Old Lace (1944) | Here Comes the Bride (Modulating) | 0:03:34 - Hiding in a telephone booth | added-note chord | arguing | bystander | conversing | deceptive resolution | establish character | familiar tune | fragmentation | leading lady | leading man | marriage | office | pump-up modulation | running | rushed | rushing | self-borrowing | sequence |
Arsenic and Old Lace (1944) | Here Comes the Bride (Modulating) | 0:04:54 - Mortimer and Elaine rush off | establish character | familiar tune | foreign key modulation | leading lady | leading man | marriage | office | rushed | rushing | self-borrowing | sequence |
Arsenic and Old Lace (1944) | Here Comes the Bride (Modulating) | 0:14:10 - Mortimer calls to Elaine | added-note chord | aunt | bride | cemetery | conversing | deceptive resolution | driver | familiar tune | flirting | fragmentation | groom | hurrying | leading lady | leading man | love | love scene | pump-up modulation | rushed | rushing | sequence | source to score | street |
Arsenic and Old Lace (1944) | Here Comes the Bride (Running) | 0:23:58 - Mortimer runs to the door | 9th chord | 13th chord | aunt | bride | child | chromatic scale | crazy person | dark | familiar tune | groom | Halloween | intervallic expansion | leading lady | leading man | murderer | room | running | rushing | source music | source to score | trick-or-treating | turning point |
| Beyond the Forest (1949) | Rosa (She Runs) | 0:49:22 - Rosa runs to the phone | advance plot | cafe | leading lady | optimistic | running | rushing | telephone |
Beyond the Forest (1949) | Chicago (Agitato Molto Marcato) | 0:55:48 - Rosa runs through the streets | agitated | crazy person | crying | familiar tune | laughing | leading lady | mad scene | manic | popular tune | running | rushing | scaring | stranger | street | tense |
| City for Conquest (1940) | Sidewalks of New York (Cop Grabs Bum) | 0:03:06 - Cop pushes old-timer | 9th chord | arguing | bridge | chromatic parallelism | chromatic scale | city | comical | establish setting | mickey-mousing | old man | police | pushing | rushing | tense |
City for Conquest (1940) | Tone Poem Transition 1 (Short) | 0:34:25 - A rushing train | added-note chord | hurried | montage | ostinato | rushing | train | train | traveling |
City for Conquest (1940) | Tone Poem Train Whistle | 0:34:28 - Danny on the train | added-note chord | blaring | hurried | leading man | mickey-mousing | montage | ostinato | pc set | rushing | train | train | traveling |
| Crime School (1938) | Running around | 0:56:37 - Boys run out of the building | action scene | chromatic parallelism | gang | linear chromaticism | mickey-mousing | reformatory | running | rushing | teenager | tense | worker |
Crime School (1938) | Fireman | 0:56:46 - Boiler room worker orders kids back | action scene | fanfare | gang | heroic | parallelism | pedal tone | protecting | reformatory | rushing | teenager | worker | yelling |
Crime School (1938) | Underscoring (Dramatic) | 0:56:50 - Mark goes to rescue Squirt | action scene | altered dominant | boiler room | chromatic parallelism | dissonant bass | dramatic | hero | leading man | linear chromaticism | reformatory | rushing | saving | teenager | tense | underscoring |
| They Made Me a Criminal (1939) | Underscoring (Dramatic) | 0:16:01 - Johnnie rushes inside | advance plot | chromatic scale | dramatic | leading man | minor-major 7th chord | newspaper | room | rushing | underscoring |
They Made Me a Criminal (1939) | Underscoring (Dramatic) | 0:26:48 - Peggy rushes to help Johnnie | 64 chord | dramatic | establish character | heroine | leading lady | mickey-mousing | ranch | running | rushing | underscoring |
| Death of a Scoundrel (1956) | Rushing | 0:24:26 - Bridget hurries to gather her things to find Clementi | flashback | hurrying | rushing |
Death of a Scoundrel (1956) | The Chase | 0:24:42 - Man chases after Clementi | chasing | flashback | hurrying | rushing |
| Deep Valley (1947) | Earthquake | 0:32:21 - An earthquake shakes the house | conflict | dramatic | earthquake | father | leading lady | lightning | mother | room | rushing | shaking | storm | thunder |
Deep Valley (1947) | Barry (Hiding) | 0:40:45 - Barry hides | advance plot | convict | forest | fugitive | leading man | mysterious | rushing | tense |
Deep Valley (1947) | Barry (Misterioso) | 1:02:50 - Libby runs to the door | advance plot | leading lady | mother | mysterious | room | rushing | tense |
Deep Valley (1947) | Underscoring (Tense) | 1:03:52 - Libby sneaks away | advance plot | leading lady | packing | room | rushing | tense | underscoring |
Deep Valley (1947) | Barry (Contrary Motion) | 1:04:10 - Libby gathers things | advance plot | leading lady | mickey-mousing | packing | police | rolling | room | rushing | tense |
Deep Valley (1947) | Libby (Sneaking) | 1:11:05 - Libby hurries away | escape | leading lady | room | rushing | sneaking | sneaking effect | tense |
Deep Valley (1947) | Underscoring (Dramatic) | 1:23:43 - Barry hears a noise | advance plot | barn | convict | dramatic | fugitive | leading lady | leading man | love interest | rushing | tense | worrying |
Deep Valley (1947) | Rushing away | 1:36:01 - Libby rushes out of the barn | barn | climax | convict | descending | dramatic | fugitive | leading lady | leading man | love interest | mother | rushing | rushing effect | tense |
Deep Valley (1947) | Libby (Running) | 1:36:13 - Libby and Barry run out of the barn | barn | begging | climax | convict | father | frantic | fugitive | leading lady | leading man | love interest | mother | pleading | running | rushing | tense | yard |
Deep Valley (1947) | Libby (Stormy) | 1:36:26 - Cliff looks for Ellie | barn | climax | convict | crying | dark | father | fugitive | hiding | leading lady | leading man | love interest | mother | running | rushing | sneaking | tense | yard |
Deep Valley (1947) | Barry (Drunk) | 1:36:39 - Barry steals a car | arguing | car | climax | convict | dark | fighting | fugitive | leading lady | leading man | love interest | running | rushing | street | tense | yelling |
| The FBI Story (1959) | Agitato | 0:56:40 - Chip rushes to be with Lucy after she lost her baby | agitated | dramatic | emotional | flashback | rushing |
The FBI Story (1959) | Escape | 1:56:43 - Chip, Mario, and George quickly pack up and rush out | flashback | hurrying | running | rushing |
The FBI Story (1959) | Escape (Descending) | 1:56:53 - The men run away from camp | flashback | hurrying | running | rushing |
The FBI Story (1959) | The Bureau (Running) | 1:57:49 - Men rush across the bridge | bridge | escaping | flashback | hurrying | running | rushing |
The FBI Story (1959) | Escape (Descending) | 1:58:03 - Mario turns around on the bridge and goes back | bridge | escaping | flashback | hurrying | running | rushing |
| Hell on Frisco Bay (1955) | Picks up suitcase | 0:26:22 - Steve picks up his suitcase | advance plot | conductor score | hurried | leading man | mickey-mousing | picking up | room | rushing |
| Her Kind of Man (1946) | Speeding | 1:14:21 - Policeman driving | car | climax | dramatic | driving | hurrying | leading lady | leading man | police | reporter | rushing | singer | tense | wife | yelling |
Her Kind of Man (1946) | Candy (Molto Marcato) | 1:14:49 - Gun in a glove compartment | car | climax | dark | double-cross | driving | gun | hurrying | husband | revenge | rushing | widow |
| Illegal (1955) | Police Car (Con Moto) | 0:38:36 - Vic walks towards the courthouse | hero | rushing |
Illegal (1955) | In a Hurry | 0:52:15 - Vic walks quickly through the streets with two men | crescendo | hero | rushing | tense | trills |
| In This Our Life (1942) | Stanley B (Agitato Extended) | 1:32:15 - Stanley hides from the police | agitated | conflict | criminal | hiding | leading lady | mysterious | police | room | running | rushing | street |
In This Our Life (1942) | Underscoring (Dramatic) | 1:32:30 - Stanley dashes through the gate | conflict | criminal | dramatic | hiding | leading lady | police | running | rushing | street | underscoring |
In This Our Life (1942) | Police (Chase) | 1:32:36 - Stanley runs for her car | conflict | criminal | driving | fleeing | hiding | leading lady | police | running | rushing | street | tense |
In This Our Life (1942) | Stanley (Tragic) | 1:34:28 - Police run to Stanley's car | brash | car | car crash | chase scene | climax | criminal | dramatic | dying | fire | helping | leading lady | mournful | police | reporting | rescuing | rushing | somber | street | tragic |
| Mildred Pierce (1945) | Work | 0:36:12 - Mildred works as a waitress | 64 chord | added-note chord | altered dominant | chromatic mediant | chromatic sequence | common-chord modulation | foreign key modulation | hectic | heroine | leading lady | montage | restaurant | rushing | self-borrowing | sequential modulation | serving | upbeat | voice-over | waitress | working |
| Out of the Fog (1941) | Speeding Car | 1:11:50 - A speeding car | action scene | car | dramatic | driving | fisherman | friend | rushed | rushing | street | tense |
Out of the Fog (1941) | Speeding Car | 1:12:30 - A car racing down the street | action scene | car | double exposure | dramatic | driving | leading lady | point-of-view shot | police | rushed | rushing | street | tense |
Out of the Fog (1941) | Speeding Car | 1:13:32 - A car racing down the street | action scene | car | crowd | double exposure | dramatic | driving | leading lady | point-of-view shot | police | questioning | reporter | rushed | rushing | street | tense |
| The Unfaithful (1947) | Tanner (Headlines) | 1:24:17 - Chris is suspected of murder | climax | friend | hurrying | montage | newspaper | newspaper boy | ostinato | panicked | police station | polytonality | radio | reporter | room | rushing | street | surprise | widow |
The Unfaithful (1947) | Unfaithful (Scandal) | 1:24:55 - Newspaper headlines about the murder | climax | courtroom | crowd | dramatic | hurrying | montage | newspaper | ostinato | radio | rushing | sequential modulation |
The Unfaithful (1947) | Unfaithful (The Trial) | 1:25:17 - Chris on trial | climax | courtroom | crowd | dramatic | hurrying | knife | lawyer | mirroring | montage | ostinato | polytonality | prosecuting | prosecutor | rushing | witness |
The Unfaithful (1947) | Tanner | 1:25:44 - Mrs. Tanner testifies | altered dominant | climax | courtroom | dramatic | hurrying | montage | prosecuting | quartal chord | rushing | testifying | witness |
The Unfaithful (1947) | Underscoring (Dramatic) | 1:25:51 - Art shop owner testifies | climax | courtroom | dramatic | hurrying | montage | prosecuting | rushing | testifying | tritone | underscoring | witness |
The Unfaithful (1947) | Unfaithful (Heavy) | 1:26:02 - Newspaper of Chris testifying | climax | courtroom | crowd | dramatic | hurrying | montage | newspaper | rushing |
| White Heat (1949) | Mysterioso | 0:17:09 - Cody rushes to the motel | mysterious | rushing | searching |
White Heat (1949) | Rushing | 1:41:01 - Gangsters rush into building | gangster | rushing |
White Heat (1949) | Agents (Climbing) | 1:48:17 - Gangsters run up the stairs and agent shoots at them | agent | gunshot | rushing | stairs | up |
| The Woman in White (1948) | Fosco | 0:23:42 - Fosco walks up the stairs | butler | establish character | leading man | pushing | room | rushing | tense | walking |
The Woman in White (1948) | Laura runs | 0:34:56 - Laura runs off | falling in love scene | garden | hurried | leading lady | leading man | mickey-mousing | running | rushing |
The Woman in White (1948) | Fosco (Molto Agitato) | 1:12:15 - Fosco walks | agitated | anger | antagonist | conflict | criminal | dark | doctor | headache | husband | illness | leading lady | leading man | pain | room | rushing | searching | servant | tense | victim | walking |
The Woman in White (1948) | Ann (Accelerando) | 1:12:32 - Fosco looks in the closet | agitated | anger | antagonist | conflict | criminal | leading man | mysterious | room | rushing | searching | walking |
The Woman in White (1948) | Ann (Accelerando) + Fosco (Dark) | 1:12:47 - Fosco leaves | agitated | anger | antagonist | combination of themes | conflict | conversing | criminal | departing | doctor | husband | leading man | room | rushing | searching | tense | walking |
| Thirteen Women (1932) | The Train | 0:01:33 - A rushing train | chromatic mediant | mickey-mousing | pedal tone | rushing | sorting | train | train | train whistle | transcribed by ear | transition | traveling | upbeat |
| Star of Midnight (1935) | Rushing | 0:54:02 - Clay rushes to catch the bus | bus | detective | hurried | leading man | montage | parallelism | rushing | street | transcribed by ear |
| We're Only Human (1935) | Kong 3 | 1:01:06 - Pete leaves | car | chromatic parallelism | climax | conflict | departing | detective | diminished 7th chord | dramatic | hurried | leading lady | leading man | pedal tone | reporter | rushing | sequence | street | victim |
We're Only Human (1935) | Game 1 | 1:01:21 - Driving in a car | car | car | chromatic sequence | climax | conflict | detective | dissonant bass | dramatic | driving | hurried | leading lady | leading man | pedal tone | reporter | rushing | victim | wipe |
We're Only Human (1935) | Game 2 | 1:01:56 - Witness threatens to kill the criminals | acceleration | arguing | car | car | chromatic parallelism | climax | conflict | detective | dramatic | driving | hurried | leading lady | leading man | pedal tone | reporter | rushing | threat | threatening | victim |
We're Only Human (1935) | Game 7 | 1:05:48 - Pete runs up the stairs | 9th chord | climax | conflict | detective | dramatic | gangster | leading man | murderer | parallelism | pc set | pedal tone | room | running | rushing | tense | underscoring | whole-tone chord |
| Without Honor (1949) | Underscoring (Dramatic) | 0:21:29 - Bill heads towards the laundry room | antagonist | brother | conflict | corpse | door | dramatic | kitchen | leading lady | leading man | reacting | rushing | tense | underscoring |
Without Honor (1949) | Rubato | 0:22:34 - Bill talks with Jane | antagonist | brother | conflict | dramatic | kitchen | leading lady | leading man | memory | rushing | taunting | tense |
| The Most Dangerous Game (1932) | Emotions (Agitato) | 0:37:04 - The iron door | action scene | agitated | castle | descending | door | fear | leading lady | opening | running | rushing | screaming | tense |
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