| All This, and Heaven Too (1940) | Henriette (Molto Tranquillo 2) | 0:34:17 - Henriette comforts Raynald | advance plot | child | comforting | conversing | dark | delicate | duke | gentle | governess | illness | leading lady | leading man | room |
All This, and Heaven Too (1940) | Raynald (Dark) | 0:34:52 - Raynald talks with Henriette | advance plot | child | comforting | conversing | dark | death | duke | governess | illness | leading lady | leading man | room |
All This, and Heaven Too (1940) | Isabelle | 1:07:33 - Isabelle cries | advance plot | child | comforting | crying | governess | leading lady | room | serious | somber |
All This, and Heaven Too (1940) | Isabelle 2 | 1:08:44 - Isabelle talks to Henriette | advance plot | child | comforting | crying | governess | leading lady | room | serious | somber |
All This, and Heaven Too (1940) | Henriette (Duet) | 1:09:26 - Isabelle talks to Henriette | advance plot | child | comforting | crying | gentle | governess | leading lady | room | sweet |
All This, and Heaven Too (1940) | Henriette (Cello Solo) | 1:10:09 - Henriette comforts Isabelle | advance plot | child | comforting | crying | gentle | governess | leading lady | room |
All This, and Heaven Too (1940) | Heaven Theme (Expressivo) | 2:17:25 - Henriette leaves with Henry Field | comforting | death | gravestone | graveyard | grieving | hopeful | leading lady | minister | resolution | voice-over | wave |
| Are These Our Children? (1931) | Dreams (Newspaper Montage) | 0:45:04 - Newspaper headlines | augmentation | comforting | common-chord modulation | crying | double exposure | grandmother | headline | love interest | mickey-mousing | montage | newspaper | room | somber | spinning |
| The Breaking Point (1950) | The Breaking Point (Ethereal) | 1:34:41 - Harry recognizes Lucy | boat | climax | comforting | conversing | crying | ethereal | leading lady | leading man | mixed meter | sailor | sweet | wife |
The Breaking Point (1950) | The Breaking Point (Cellos) | 1:35:14 - Harry talks with Lucy | boat | climax | comforting | conversing | crying | ethereal | leading lady | leading man | mixed meter | sailor | sweet | wife |
The Breaking Point (1950) | Calm | 1:35:38 - Lucy leaves | boat | climax | comforting | conversing | crying | ethereal | leading lady | leading man | sailor | sweet | wife |
| Caged (1950) | Mrs. Benton (Not in Film) | NIF - not in film | comforting | crying | cut from film | disbelief | establish character | gentle | leading lady | office | pregnancy | prison | prisoner | realization | warden |
Caged (1950) | Crying | NIF - not in film | comforting | crying | cut from film | dramatic | establish character | leading lady | office | pregnancy | prison | prisoner | warden |
Caged (1950) | Mrs. Benton (Not in Film 2) | NIF - not in film | comforting | crying | cut from film | establish character | gentle | leading lady | office | pregnancy | prison | prisoner | warden |
| City for Conquest (1940) | Tone Poem D (Dolce) | 1:28:33 - Gladys talks to Peggy | 9th chord | 11th chord | advance plot | blue note | chromatic sequence | comforting | common-tone diminished 7th | conversing | crying | friend | gentle | leading lady | mode mixture | newspaper | parallel fifths | room | sweet |
| Deep Valley (1947) | Libby (Somber) + Barry (Somber) | 1:30:26 - Libby talks to Barry | advance plot | barn | combination of themes | comforting | convict | fugitive | leading lady | leading man | love interest | somber |
Deep Valley (1947) | Deep Valley (Quasi Appassionato) | 1:30:51 - Barry looks at Libby | advance plot | barn | comforting | conflicted | convict | fugitive | hopeful | leading lady | leading man | love interest |
Deep Valley (1947) | Deep Valley (Delicato) | 1:31:30 - Barry embraces Libby | advance plot | barn | comforting | convict | fugitive | hopeful | leading lady | leading man | love interest | street | tense |
Deep Valley (1947) | Deep Valley (Delicato 2) | 1:41:39 - Libby goes to Barry | comforting | convict | crying | death scene | delicate | dying | forest | fugitive | gentle | leading lady | leading man | love interest | resolution | reuniting | tender |
Deep Valley (1947) | Deep Valley (Dying) | 1:42:30 - Barry talks to Libby | comforting | convict | crying | death scene | delicate | dying | forest | fugitive | gentle | leading lady | leading man | love interest | resolution | reuniting | tender |
| Hell on Frisco Bay (1955) | Anna | 0:48:38 - Anna comforts Mario | advance plot | comforting | conductor score | gangster | gentle | room | sentimental | wife |
Hell on Frisco Bay (1955) | Kay | 1:28:35 - Steve leaves with Kay | comforting | gentle | investigator | leading man | leaving | love interest | room | turning point | witness |
| Her Kind of Man (1946) | It Had to Be You (Tragic) | 1:17:10 - Georgia holds Steve | climax | comforting | conversing | corpse | cradling | criminal | crying | death | dying | familiar tune | gambler | henchman | leading lady | leading man | murderer | police | popular music | reporter | singer | street | tense | tragic | wife |
| In This Our Life (1942) | Stanley (Valse Triste) | 0:53:23 - Roy comforts Stanley | advance plot | comforting | crying | gentle | leading lady | room | sister | widow |
In This Our Life (1942) | Stanley Introduction | 0:53:32 - Roy comforts Stanley | advance plot | comforting | crying | leading lady | room | sister | tense | widow |
In This Our Life (1942) | Stanley | 0:53:46 - Roy comforts Stanley | advance plot | calm | comforting | leading lady | room | sister | widow |
In This Our Life (1942) | Stanley (Morendo) | 0:53:56 - Roy puts Stanley to bed | advance plot | calm | comforting | leading lady | room | sister | widow |
In This Our Life (1942) | Love Theme (Slowly) | 1:35:39 - Craig answers a phone call | comforting | conversing | leading lady | leading man | resolution | room | solemn | somber | tender | The End |
| The Letter (1940) | Robert and Leslie | 0:15:28 - Robert comforts Leslie | advance plot | appoggiatura | comforting | crying | gentle | home | leading lady | love theme | murder | pedal tone | sigh gesture | suspension |
| Lightning Strikes Twice (1951) | Father Paul | 0:33:25 - Liza comforts String | actor | anger | brother | comforting | conflict | crying | dark | leading lady | priest | rancher | room | somber | tense |
Lightning Strikes Twice (1951) | Emotion | 1:05:10 - Shelly cries | actor | comforting | conversing | crying | leading lady | leading man | love interest | love scene | ranch | somber | suspect |
Lightning Strikes Twice (1951) | Menace (Nightmare) | 1:05:38 - Trev tells Shelly of a recurring dream | actor | comforting | conversing | crying | dark | leading lady | leading man | love interest | love scene | ranch | solemn | suspect | tense |
| Mildred Pierce (1945) | Mildred (Waltz Fantasy) | 1:19:18 - Mildred talks to Veda | 9th chord | antagonist | appoggiatura | chromatic parallelism | comforting | conflict | daughter | dream-like | friend | heroine | leading lady | room | tense |
| The Unfaithful (1947) | Unfaithful (Somber) | 0:22:24 - Bob comforts Chris | 9th chord | augmented sixth chord | comfort | comforting | common-chord modulation | husband | leading lady | love scene | mode mixture | ostinato | pedal tone | room | somber | victim |
| We Are Not Alone (1939) | Surprise Symphony (Innocent) | 0:06:36 - Gerald runs inside | 9th chord | boy | child | classical music | comforting | common-tone diminished 7th | establish character | familiar tune | father | foreign key modulation | fragmentation | Haydn | hero | home | innocent | mode mixture | nagging | parallel fifths | playful | quotation | step modulation | tritone | Wagner |
We Are Not Alone (1939) | Execution | 1:38:10 - Leni talks to David | comforting | conversing | drone | execution | hero | heroine | love scene | name of film | prison | somber |
We Are Not Alone (1939) | Frohe Botschaft (Hopeful) | 1:38:41 - David comforts Leni | 9th chord | comforting | conversing | familiar tune | folk song | German | hero | heroine | love scene | mode mixture | pedal tone | plagal cadence | prison | quotation | somber |
We Are Not Alone (1939) | Underscoring (Romantic) | 1:39:42 - David comforts Leni | 9th chord | 13th chord | comforting | conversing | hero | heroine | love scene | prison | romantic | underscoring |
We Are Not Alone (1939) | Surprise Symphony (Someday) | 1:39:55 - David is hopeful | 64 chord | classical music | comforting | conversing | deceptive resolution | dream-like | familiar tune | foreign key modulation | gentle | Haydn | hero | heroine | imagining | love scene | prison | quotation | sweet |
| Lightning Strikes Twice (1951) | Shelly and Trev (Appassionato 2) | 1:29:33 - Trev and Shelly embrace | actor | calm | comforting | countryside | departing | driving | embracing | husband | kissing | leading lady | leading man | mother | owner | peace | peaceful | police | priest | resolution | smiling |
Lightning Strikes Twice (1951) | Shelly (The End) + Shelly 2 (The End) | 1:30:00 - Trev and Shelly drive away together | actor | calm | comforting | countryside | driving | embracing | end title sequence | husband | leading lady | leading man | peace | peaceful | resolution | resolved | The End |
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