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40 results for "bluesy" in 13 films — see also Gershwinesque | jazzy

FilmTheme nameInstanceTags
Are These Our Children? (1931)Dance TuneNIF - not in filmaugmented triad | bluesy | common-tone diminished 7th | cut from film | mode mixture
The Big Sleep (1946)Sternwood0:02:31 - Carmen walks away9th chord | added-note chord | altered dominant | bluesy | daughter | establish character | femme fatale | leading man | Neapolitan | private eye | retardation | room | seductive | walking

The Big Sleep (1946)

Girl Driver0:39:53 - Marlowe pays the lady cab driverbluesy | chromatic parallelism | chromatic sequence | flirting | investigation scene | leading man | love interest | private eye | seductive | street
City for Conquest (1940)Tone Poem D (Main Title)0:01:00 - Credits over a city skyline9th chord | 64 chord | added-note chord | blue note | bluesy | cast list | city | countermelody | mode mixture | opening title sequence | sentimental | skyline

City for Conquest (1940)

Sidewalks of New York (Soliloquy)0:02:50 - Old-timer talks with cop9th chord | 13th chord | arguing | bluesy | bridge | chromatic parallelism | city | establish setting | old man | police | sentimental | soliloquy

City for Conquest (1940)

Sidewalks of New York (Soliloquy 2)0:05:44 - Old-timer talks to a stone carver9th chord | 13th chord | bluesy | child | chromatic parallelism | conversing | establish character | fragmentation | love | old man | romantic | sentimental | soliloquy | street | worker

City for Conquest (1940)

Tone Poem CNIF - not in film9th chord | bluesy | concert scene | countermelody | cut from film | enharmonic modulation | enharmonic respelling | mode mixture | sus chord

City for Conquest (1940)

Tone Poem DNIF - not in film9th chord | AABA structure | added-note chord | altered dominant | blue note | bluesy | chromatic parallelism | chromatic sequence | concert scene | countermelody | cut from film | mode mixture | parallelism
Crime School (1938)Sue0:00:37 - Mugshots of main charactersblues | bluesy | main title | mode mixture | mug shot | opening title sequence | parallelism | starring list

Crime School (1938)

Sue (Quasi Blues)0:11:08 - Sue talks to Frankiebluesy | chromatic parallelism | common-chord modulation | conversing | crying | establish character | foreign key modulation | Gershwinesque | heroine | leading lady | room | somber

Crime School (1938)

Gangster Blues (End Title)1:24:33 - Cast listbluesy | closing credits | end title sequence | not by Steiner | upbeat

Crime School (1938)

Sue (End Credits)1:24:49 - Cast listadded-note chord | bluesy | chromatic parallelism | closing credits | end title sequence | Gershwinesque | mode mixture | not by Steiner | upbeat
Dust Be My Destiny (1939)Dust Be My Destiny (Opening B)0:00:49 - Cast list9th chord | augmented sixth chord | blues | bluesy | cast list | dust | main title | mode mixture | opening title sequence
Flamingo Road (1949)Flamingo Road0:00:18 - Book cover for Flamingo Roadblues | bluesy | book cover | cast list | establish setting | Gershwinesque | mode mixture | parallelism | self-borrowing | title of film

Flamingo Road (1949)

Lute Mae0:01:26 - Lute Mae's Roadhouse13th chord | added-note chord | altered dominant | bluesy | club | countermelody | dancing | eating | establish setting | musician | on-screen music | playing | self-borrowing | simulated source music | voice-over

Flamingo Road (1949)

Lute Mae (A Reminiscence)0:42:04 - A female prisoner talks about Lute Mae's13th chord | added-note chord | advance plot | altered dominant | bluesy | conversing | countermelody | Gershwinesque | leading lady | prison | prisoner | self-borrowing

Flamingo Road (1949)

Flamingo Road (Bluesy)0:55:00 - Dan buys some cold drinks9th chord | altered dominant | bluesy | flirting | foreshadowing | leading lady | leading man | love interest | love scene | mode mixture | parallelism | politician | porch | self-borrowing

Flamingo Road (1949)

Lute Mae (Tenderly)1:07:55 - Dan kisses Lane13th chord | added-note chord | bluesy | husband | kissing | leading lady | leading man | love scene | room | self-borrowing | tender | wife
Her Kind of Man (1946)It Had to Be You (Jazz Trumpet)0:00:44 - Music by Franz Waxman9th chord | bluesy | cast list | gambling | jazz | mode mixture | opening title sequence | roulette

Her Kind of Man (1946)

Scrapbook0:00:59 - A busy newsroombluesy | journalist | pedal tone | room | transition | voice-over | working

Her Kind of Man (1946)

Night Clubs0:01:12 - Montage of night clubsbar | bluesy | club | crowd | dancer | dancing | double exposure | eating | journalist | montage | montage | performer | performing | simulated source music | street | voice-over

Her Kind of Man (1946)

Bulletin Board0:32:45 - Don leavesbluesy | conversing | crew | departing | gambler | leading man | reporter | room | source and scoring overlap | stage | transition | upbeat
Key Largo (1948)Gaye0:52:06 - Gaye awkwardly walks past Roccoawkward | bluesy | boss | develop character | gangster | hotel | jazz | moll | sultry | walking

Key Largo (1948)

Gaye Pours a Drink0:52:16 - Gaye pours herself a drinkalcohol | bluesy | boss | develop character | gangster | hotel | jazzy | moll | obsessive | pouring | shaking | sultry

Key Largo (1948)

Moanin’ Low0:56:55 - Gaye sings "Moanin' Low"awkward | blues | bluesy | boss | develop character | father | gangster | hostage | hotel | leading lady | leading man | moll | nervous | on-screen music | singer | singing | source music

Key Largo (1948)

Moanin’ Low (Quasi Appassionato)0:58:38 - McCloud gets a drink for Gayealcohol | bluesy | boss | crying | develop character | familiar tune | father | gangster | helping | hostage | hotel | leading lady | leading man | moll | somber | source to score
Out of the Fog (1941)Gangster0:39:07 - Stella and Goff at the harborAABA structure | blue note | bluesy | conversing | criminal | dock | leading lady | leading man | love scene | sultry

Out of the Fog (1941)

Gangster0:40:37 - Goff calls after Stellablue note | bluesy | conversing | criminal | dock | leading lady | leading man | love scene | sultry

Out of the Fog (1941)

Gangster (Tense)0:41:05 - Stella kisses Goffbluesy | criminal | dock | embracing | kissing | leading lady | leading man | love scene | tense
White Heat (1949)Verna0:06:56 - Verna gets uparguing | bluesy | complaining | dark | establish character | gangster | leading lady | leading man | moll | mother | murderer | rising | room | victim | waking

White Heat (1949)

Verna (Molto Expressivo)0:11:38 - Verna embraces Codybluesy | conversing | dark | embracing | flirting | gangster | kissing | leading lady | leading man | love scene | moll | money | mother | murderer | room | victim | waltz

White Heat (1949)

Verna (Glance)0:14:04 - Verna looks at Big Edbluesy | car | dark | female | looking | murder scene | smiling

White Heat (1949)

Verna (Slowly)0:43:41 - Verna kisses Big Edbetrayal | bluesy | gangster | kissing | leading lady | love interest | love scene | moll | mother | porch | romantic | spying | sultry
Is My Face Red? (1932)Cute!0:01:58 - Gossip column about a gambleraltered dominant | bluesy | conversing | establish setting | gossip | newspaper | parallelism | sultry | transcribed by ear | whole-tone
State’s Attorney (1932)Transition0:00:20 - Title and starring listblues | bluesy | fanfare | Gershwinesque | opening title sequence | starring list | title of film | transcribed by ear

State’s Attorney (1932)

Blues0:00:29 - Title and starring list, cast listaltered dominant | blue note | blues | bluesy | cast list | Gershwinesque | opening title sequence | starring list | title of film | transcribed by ear

State’s Attorney (1932)

Blues (Double Time)0:01:04 - Cast listblue note | blues | bluesy | cast list | diminution | exciting | Gershwinesque | opening title sequence | parallelism | starring list | title of film | transcribed by ear

State’s Attorney (1932)

Bluesy Transition0:01:15 - Black screenblues | bluesy | exciting | Gershwinesque | opening title sequence | pedal tone | transcribed by ear

State’s Attorney (1932)

Blues (The End)1:18:41 - The Endblue note | blues | bluesy | end title sequence | Gershwinesque | The End | transcribed by ear
Caged (1950)Molto Expressivo (Quasi Blues)1:35:01 - Marie leaves the prisonbluesy | bluesy | car | climax | ex-convict | freedom | leading lady | leaving | prison | smoking | street | warden | watching