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473 results for "conflict" in 24 films — see also action | battle | break | disagreement | struggle

FilmTheme nameInstanceTags
All This, and Heaven Too (1940)The Duchess (Arguing)1:00:32 - Henriette leavesadded-note chord | arguing | conflict | dramatic | duchess | duke | governess | leading lady | leading man | linear chromaticism | listening | romantic | room | serious | trouble

All This, and Heaven Too (1940)

Underscoring (Dramatic)1:01:03 - Henriette packs her thingsarguing | conflict | dramatic | duke | governess | leading lady | leading man | room | trouble

All This, and Heaven Too (1940)

Desperation (Very Emotional)1:01:26 - Henriette talks to the Dukearguing | chromatic sequence | conflict | dramatic | duke | governess | leading lady | leading man | room | trouble

All This, and Heaven Too (1940)

Pleading (Extended)1:01:39 - The Duke responds to Henriette9th chord | arguing | chromatic sequence | conflict | dramatic | duke | governess | leading lady | leading man | room | trouble

All This, and Heaven Too (1940)

Desperation (Very Emotional)1:02:00 - The Duke talks to Henriettearguing | chromatic scale | chromatic sequence | conflict | dissonant bass | dramatic | duke | governess | leading lady | leading man | room | trouble

All This, and Heaven Too (1940)

Henriette (Emotional)1:02:28 - The Duke talks to Henriettechromatic sequence | conflict | conversing | duke | governess | leading lady | leading man | mode mixture | romance | romantic | room

All This, and Heaven Too (1940)

Henriette (Sweepingly)1:02:57 - Henriette with tears in her eyesadded-note chord | augmented sixth chord | chromatic mediant | conflict | conversing | deceptive resolution | duke | foreign key modulation | governess | leading lady | leading man | mode mixture | pedal tone | romance | romantic | room

All This, and Heaven Too (1940)

Henriette (Agitato)1:14:39 - The Duke paces anxiously9th chord | advance plot | agitated | conflicted | dissonant bass | duke | half-diminished 7th chord | leading man | pacing | pondering | room | turbulent

All This, and Heaven Too (1940)

The Duchess (The Letter)1:14:48 - A letter is pushed under the door9th chord | advance plot | agitated | chromatic parallelism | conflicted | deceptive resolution | duke | fragmentation | leading man | letter | pacing | pondering | room | turbulent

All This, and Heaven Too (1940)

Henriette (Quasi Agitato)1:17:45 - Henriette paces anxiouslyacceleration | advance plot | agitated | conflicted | dissonant bass | fragmentation | gift | governess | half-diminished 7th chord | leading lady | pacing | pondering | room | sequence | turbulent

All This, and Heaven Too (1940)

Rushing1:19:33 - The Duchess rushes forwardangry | arguing | augmented triad | compound melody | conflict | desperate | duchess | duke | hurried | leading lady | leading man | room | rushing | turn figure

All This, and Heaven Too (1940)

Pleading (Extended 2)1:19:43 - The Duchess pleads with the Duke9th chord | acceleration | arguing | chromatic sequence | conflict | desperate | duchess | duke | fragmentation | leading lady | leading man | parallelism | room

All This, and Heaven Too (1940)

Desperation (Very Emotional)1:20:06 - The Duchess threatens the Dukearguing | augmented triad | chromatic scale | chromatic sequence | conflict | desperate | dissonant bass | duchess | duke | leading lady | leading man | room | tense | threatening

All This, and Heaven Too (1940)

Desperation (Sempre Accelerando1:20:39 - The Duke and Duchess argueacceleration | arguing | augmented triad | chromatic scale | chromatic sequence | conflict | desperate | dissonant bass | duchess | duke | leading lady | leading man | panning shot | pc set | room | screaming | tense | threatening

All This, and Heaven Too (1940)

Underscoring (Tense)1:20:55 - Henriette calms the children downcaretaker | child | conflict | crying | dissonant bass | governess | leading lady | pc set | room | tense

All This, and Heaven Too (1940)

Underscoring (Somber)1:21:26 - The Duke descends the stairschild | chromatic scale | conflict | conversing | crying gesture | descending | governess | leading lady | room | somber | tense

All This, and Heaven Too (1940)

The Duchess (Calm)1:22:05 - Henriette asks about the Duchesscalm | conflict | conversing | dissonant bass | duchess | duke | foreign key modulation | leading lady | leading man | room

All This, and Heaven Too (1940)

Henriette (Slowly)1:22:19 - The Duke bids farewell to Henriette64 chord | calm | conflict | conversing | deceptive resolution | duchess | duke | gentle | leading lady | leading man | mode mixture | room | sigh gesture

All This, and Heaven Too (1940)

The Duchess (Agitato)1:34:41 - Henriette rushes away from the Duchesschattering | child | chromatic sequence | common-chord modulation | conflict | conversing | duchess | governess | leading lady | mode mixture | room | somber | worried

All This, and Heaven Too (1940)

Henriette (Tense)1:47:51 - The Duke argues with Henriettearguing | conflict | diminished 7th chord | duke | fragmentation | leading lady | leading man | pedal tone | room | tense

All This, and Heaven Too (1940)

The Duchess (Tense)1:48:04 - Henriette talks with the Dukearguing | conflict | duke | leading lady | leading man | room | sequential modulation | tense

All This, and Heaven Too (1940)

Desperation (Tense)1:48:14 - The Duke talks with Henriettechromatic parallelism | chromatic sequence | conflict | conversing | dissonant bass | duke | leading lady | leading man | room | tense

All This, and Heaven Too (1940)

Screwissimo1:48:47 - The Duke goes madchromatic scale | conflict | conversing | creepy | disturbing | duke | leading lady | leading man | madness | ominous | room | whole-tone chord

All This, and Heaven Too (1940)

Desperation (Slow)1:48:58 - The Duke leaveschromatic scale | conflict | dissonant bass | duke | leading lady | leading man | leaving | ominous | room | tense

All This, and Heaven Too (1940)

Desperation (Subito)1:52:22 - Soldiers climb the stairs64 chord | ascending | conflict | landlady | leading lady | not mickey-moused | room | soldier | suspect | tense

All This, and Heaven Too (1940)

The Duchess (Dramatic)1:52:48 - Soldiers confront Henrietteaccusing | arresting | augmented sixth chord | conflict | landlady | leading lady | ominous | realizing | room | soldier | suspect | tense

All This, and Heaven Too (1940)

Henriette (Dark)1:52:57 - A police wagon approachesarresting | carriage | chromatic sequence | conflict | crowd | dark | landlady | leading lady | soldier | street | suspect

All This, and Heaven Too (1940)

Henriette (Grandioso) + Desperation (Grandioso)1:53:13 - The police wagon leavesarresting | bold | carriage | conflict | conversing | crowd | crying | dark | dissonant bass | fragmentation | landlady | leading lady | ominous | soldier | street | suspect | tense | testifying
Angels With Dirty Faces (1938)Underscoring (Dramatic)NIF - not in filmchromatic parallelism | chromatic scale | chromatic sequence | conflict | cut from film | diminished 7th chord | dissonant bass | evading | following | gangster | leading man | linear chromaticism | setup | shop | street | underscoring | walking

Angels With Dirty Faces (1938)

Underscoring (Tense)0:39:58 - Rocky in the drug storeconflict | conversing | gangster | leading man | ominous | setup | shop | telephone | tritone | underscoring

Angels With Dirty Faces (1938)

Pushing forward0:40:26 - Man pulls a gun on the cashieradvancing | chromatic parallelism | chromatic scale | conflict | dominant 7th chord | gangster | gun | leading man | mickey-mousing | ominous | pedal tone | pushing | shop

Angels With Dirty Faces (1938)

Backing up0:40:37 - Rocky pulls a gun on the man following himbacking up | conflict | gangster | gun | leading man | mickey-mousing | ominous | sequence | shop

Angels With Dirty Faces (1938)

Closes door0:40:48 - Rocky shuts the phone booth doorclosing | conflict | door | gangster | leading man | mickey-mousing | shop | tense

Angels With Dirty Faces (1938)

Underscoring (Dramatic)0:40:50 - Gangsters shoot their own man in phone boothchromatic sequence | conflict | death | diminished 7th chord | falling | gangster | gun | gunshot | half-diminished 7th chord | leading man | mickey-mousing | murderer | polychord | shooting | shop | sneaking | tense | voice-exchange

Angels With Dirty Faces (1938)

Sneaking away0:41:02 - Rocky sneaks awayconflict | diminished 7th chord | gangster | leading man | mickey-mousing | shop | sneaking | tense

Angels With Dirty Faces (1938)

Crowd rushing0:41:09 - Crowd rushes to the crime scenechromatic sequence | conflict | crowd | dissonant bass | hurrying | mickey-mousing | running | street | tense

Angels With Dirty Faces (1938)

Underscoring (Tense)0:41:20 - Police car arrivesarriving | chromatic parallelism | chromatic scale | conflict | crowd | dissonant bass | half-diminished 7th chord | rushing | shop | street | tense | underscoring

Angels With Dirty Faces (1938)

Rocky and Laury0:41:37 - Laury pushes her way through the crowdaltered dominant | arriving | close-up | conflict | heartbroken | leading lady | love interest | rushing | sentimental | shop

Angels With Dirty Faces (1938)

Crowd0:41:46 - Hustling crowd chromatic parallelism | conflict | crowd | dissonant bass | rushing | street | tense

Angels With Dirty Faces (1938)

Underscoring (Dramatic)1:16:29 - Rocky shoots Mac and Frazieragitated | attacking | casino | chaos | chasing | chromatic parallelism | chromatic scale | climbing | conflict | crowd | death | dissonant bass | dramatic | dying | escaping | falling | fighting | gangster | gun | gunshot | half-diminished 7th chord | hurrying | jumping | landing | lawyer | leading man | mickey-mousing | pedal tone | police | rooftop | room | running | sequence | shooting | sneaking | sneaky | street | tone cluster | underscoring

Angels With Dirty Faces (1938)

Mac gets shot1:16:35 - Mac gets shot and diesagitated | chromatic parallelism | chromatic scale | conflict | death | dramatic | dying | falling | gangster | gun | gunshot | lawyer | leading man | mickey-mousing | room | shooting

Angels With Dirty Faces (1938)

Frazier gets shot1:16:56 - Frazier gets shot and diesagitated | casino | chromatic scale | conflict | death | dramatic | dying | falling | gangster | gun | gunshot | lawyer | leading man | mickey-mousing | shooting

Angels With Dirty Faces (1938)

Going down a ladder1:17:32 - Rocky goes down an escape ladderagitated | chromatic scale | climbing | conflict | descending | down | dramatic | escaping | gangster | hurrying | ladder | leading man | mickey-mousing | street

Angels With Dirty Faces (1938)

Going up a ladder1:17:41 - Rocky climbs up an escape ladderagitated | ascending | chromatic parallelism | climbing | conflict | dramatic | gangster | ladder | leading man | mickey-mousing | pedal tone | sequence | street | up

Angels With Dirty Faces (1938)

Running on wall1:17:55 - Rocky runs on wallagitated | chromatic scale | conflict | dramatic | gangster | half-diminished 7th chord | leading man | mickey-mousing | rooftop | running | sequence

Angels With Dirty Faces (1938)

Breaking in1:18:11 - Rocky enters the buildingconflict | down | gangster | jumping | landing | leading man | mickey-mousing | room | sneaking | sneaky

Angels With Dirty Faces (1938)

Underscoring (Dramatic)1:19:00 - Rocky is trapped in a building42 chord | agitated | chromatic parallelism | chromatic scale | conflict | dissonant bass | dramatic | escaping | fleeing | gangster | half-diminished 7th chord | leading man | major 7th chord | police | running | sequence | stairwell | tone cluster | underscoring

Angels With Dirty Faces (1938)

Going down stairs1:19:05 - Rocky runs down the stairsagitated | chromatic scale | conflict | down | dramatic | gangster | half-diminished 7th chord | leading man | mickey-mousing | running | stairs | stairwell

Angels With Dirty Faces (1938)

Going up stairs1:19:27 - Rocky runs up the stairsagitated | chromatic parallelism | chromatic scale | conflict | dissonant bass | dramatic | gangster | leading man | major 7th chord | mickey-mousing | running | sequence | stairs | stairwell | up

Angels With Dirty Faces (1938)

Tear Gas1:19:48 - Tear gas spreads throughout the roomagitated | breaking | breaking | breathing | building | chromatic parallelism | chromatic scale | conflict | dissonant bass | dramatic | gangster | gun | gunshot | hurrying | leading man | mickey-mousing | pedal tone | police | quartal chord | running | shooting | smoke | street | tear gas | throwing | window

Angels With Dirty Faces (1938)

Machine Gun1:20:24 - Policeman shoots at Rocky with machine gunagitated | building | chromatic parallelism | conflict | death | dramatic | falling | gangster | gun | gunshot | hiding | leading man | police | polychord | shooting | street | underscoring

Angels With Dirty Faces (1938)

Underscoring (Dramatic)1:20:39 - Policemen shoot tear gas in through the windowagitated | appoggiatura | building | conflict | dramatic | gangster | gun | gunshot | leading man | mickey-mousing | police | shooting | street | tone cluster | underscoring

Angels With Dirty Faces (1938)

Launching tear gas1:20:51 - Policemen shoot tear gas in through the windowagitated | building | conflict | dramatic | gangster | gun | gunshot | launching | leading man | mickey-mousing | police | shooting | street | tear gas | tone cluster

Angels With Dirty Faces (1938)

Pleading (Extended)1:21:00 - Jerry arrives on the scene9th chord | appoggiatura | arriving | chromatic sequence | circle of fifths | concerned | conflict | crowd | gun | gunshot | hurried | hurrying | leading lady | leading man | love interest | polychord | priest | pushing | street | yearning

Angels With Dirty Faces (1938)

Jerry + Tear Gas1:21:14 - Rocky staggers through tear gas and Jerry arrivesagitated | arriving | building | chromatic parallelism | combination of themes | conflict | dissonant bass | dramatic | gangster | heroic | hurrying | leading man | mickey-mousing | priest | quartal chord | smoke | staggering | street | tear gas

Angels With Dirty Faces (1938)

Jerry (Pleading)1:21:26 - Jerry talks to the copsbuilding | conflict | deceptive resolution | heroic | hopeful | leading man | pleading | priest | street

Angels With Dirty Faces (1938)

Tear Gas (Desperate)1:21:40 - Rocky tries to hold off the copsagitated | building | chromatic parallelism | chromatic scale | conflict | dissonant bass | dramatic | gangster | gun | gunshot | leading man | mickey-mousing | pedal tone | police | priest | quartal chord | shooting | smoke | staggering | street | tear gas

Angels With Dirty Faces (1938)

Jerry (Maestoso)1:22:13 - Jerry enters the buildingbuilding | conflict | entering | foreign key modulation | heroic | hopeful | leading man | pedal tone | priest | street | walking

Angels With Dirty Faces (1938)

Underscoring (Dramatic)1:23:10 - Jerry and Rocky confront one another42 chord | agitated | arguing | building | conflict | dramatic | entering | gangster | leading man | priest | underscoring | wedge | yelling

Angels With Dirty Faces (1938)

Jerry (Agitato)1:23:21 - Jerry and Rocky talkagitated | arguing | building | conflict | diminished 7th chord | gangster | leading man | pedal tone | priest

Angels With Dirty Faces (1938)

Jerry (Slowly)1:23:44 - Jerry goes to the windowbuilding | conflict | coughing | gangster | leading man | menacing | priest | smoke | tear gas | walking

Angels With Dirty Faces (1938)

The Gangster (Triste)1:23:57 - Rocky uses Jerry as a hostage9th chord | building | chromatic parallelism | conflict | coughing | dark | double-cross | foreign key modulation | fragmentation | gangster | hostage | leading man | linear chromaticism | major 7th chord | menacing | polychord | priest | smoke | somber | street | tear gas | walking

Angels With Dirty Faces (1938)

Jerry (Hostage)1:25:07 - Rocky pushes Jerry augmented sixth chord | conflict | double-cross | gangster | hostage | leading man | mysterious | priest | pushing | street | tense

Angels With Dirty Faces (1938)

Rocky runs1:25:13 - Rocky makes a run for itagitated | chromatic scale | conflict | falling | gangster | gun | gunshot | hostage | leading man | octatonic | priest | running | sequence | shooting | street | whole-tone chord

Angels With Dirty Faces (1938)

Underscoring (Dramatic)1:25:20 - Rocky throws his guncapturing | chromatic scale | conflict | dissonant bass | dramatic | gangster | gun | leading man | police | sequence | street | throwing | underscoring

Angels With Dirty Faces (1938)

The Gangster (Captured)1:25:31 - Rocky is capturedcapturing | conflict | gangster | leading man | police | somber | street | taunting
Arsenic and Old Lace (1944)Underscoring (Dramatic)1:01:21 - They take Elaine into the cellar9th chord | aunt | bride | brother | chromatic scale | conflict | crazy person | darkness | diminished 7th chord | doctor | dramatic | fear | fighting | gagging | harmonic sequence | leading lady | leading man | metric dissonance | murderer | oscillation | room | running | self-borrowing | struggling | suspenseful | underscoring

Arsenic and Old Lace (1944)

Organ Stinger1:01:40 - Aunts emerge in black upstairsarguing | aunt | brother | conflict | crazy person | leading lady | leading man | murderer | ominous | room | stinger

Arsenic and Old Lace (1944)

The Aunts (Frightened)1:01:49 - Aunts talk to Jonathanarguing | aunt | brother | conflict | crazy person | fear | fragmentation | leading lady | leading man | murderer | Neapolitan | parallel 63s | pedal tone | room | tense

Arsenic and Old Lace (1944)

Molto Agitato1:29:57 - Jonathan ties Mortimer to a chair9th chord | brother | captive | chromatic parallelism | conflict | crazy person | diminished 7th chord | doctor | dramatic | fear | gagging | leading man | mickey-mousing | murderer | room | stinger | tying | victim

Arsenic and Old Lace (1944)

The Victim1:30:11 - Mortimer tied up in a chairbrother | captive | conflict | crazy person | doctor | fear | leading man | murderer | ominous | parallel fifths | quartal chord | room | tense | tone cluster | torturing | tritone | victim

Arsenic and Old Lace (1944)

Knives1:31:05 - Mortimer looks at the knivesacceleration | brother | captive | chromatic parallelism | close-up | conflict | crazy person | diminution | doctor | fear | layering | leading man | murderer | ominous | oscillation | ostinato | pc set | polychord | room | tense | tone cluster | torturing | victim

Arsenic and Old Lace (1944)

Panic1:31:48 - Einstein agrees to do the torturealcohol | brother | captive | chromatic parallelism | chromatic scale | conflict | crazy person | doctor | dramatic | fear | leading man | murderer | oscillation | panicked | panicking | polychord | room | sequence | split-third chord | tense | torturing | victim

Arsenic and Old Lace (1944)

Scar (Fast)1:32:11 - Einstein finds some winealcohol | brother | captive | conflict | crazy person | doctor | dramatic | fear | hurrying | leading man | murderer | panicking | polychord | room | tense | torturing | victim

Arsenic and Old Lace (1944)

How Dry I Am (Mysterious)1:32:25 - Einstein and Jonathan start to drink the winealcohol | brother | captive | conflict | crazy person | doctor | drinking | familiar tune | fear | leading man | murderer | mysterious | polychord | room | victim | whole-tone chord

Arsenic and Old Lace (1944)

Underscoring (Tense)1:32:35 - They toast to Mortimeralcohol | brother | captive | clinking | conflict | crazy person | doctor | fear | glass effect | leading man | murderer | mysterious | pc set | polychord | room | tense | toasting | underscoring | victim

Arsenic and Old Lace (1944)

Bugle Call1:32:56 - Teddy plays the buglebrother | bugle | bugle call | captive | conflict | crazy person | doctor | dramatic | fear | leading man | murderer | on-screen music | playing | room | source music | victim
The Big Sleep (1946)Underscoring (Tense)0:51:31 - Joe reacts to the doorbell ringingblackmailer | chromatic parallelism | conflict | conversing | criminal | doorbell | gun | leading lady | leading man | mysterious | pc set | private eye | room | suspect | tense | tone cluster | underscoring | whole-tone chord

The Big Sleep (1946)

Sternwood (Threatening)0:51:52 - Carmen enters holding a gun on Brodyblackmailer | blue note | conflict | criminal | dark | dissonant bass | femme fatale | gun | leading lady | leading man | private eye | room | sinister | stinger | suspect | threatening | whole-tone chord

The Big Sleep (1946)

Underscoring (Dramatic)0:52:02 - Marlowe pushes Agnesblackmailer | chromatic parallelism | chromatic scale | conflict | criminal | diminished 7th chord | dramatic | falling | femme fatale | gun | leading lady | leading man | private eye | room | suspect | tense | tripping | underscoring

The Big Sleep (1946)

Carmen (Misterioso)0:52:18 - Joe gives the picture to Marloweblackmail | blackmailer | conflict | conversing | criminal | evidence | femme fatale | half-diminished 7th chord | leading lady | leading man | mysterious | private eye | room | suspect | whole-tone chord

The Big Sleep (1946)

Sternwood (Extended)0:52:29 - Carmen asks for her picture back9th chord | altered dominant | blackmail | chromatic parallelism | conflict | diminished 7th chord | evidence | femme fatale | flirting | leading lady | leading man | mysterious | pc set | private eye | room | seductive | whole-tone chord

The Big Sleep (1946)

Carmen (Violent)0:52:58 - Vivian and Carmen leaveblackmailer | conflict | criminal | dissonant bass | femme fatale | leading lady | leading man | leaving | mysterious | private eye | room | suspect | whole-tone | whole-tone chord

The Big Sleep (1946)

Slapping0:53:02 - Carmen slaps Joe with her purseblackmailer | conflict | criminal | dissonant bass | femme fatale | leading lady | leading man | mickey-mousing | private eye | room | slamming | slapping | suspect | tense | violence | whole-tone chord

The Big Sleep (1946)

Marlowe (Sinister)0:58:24 - Marlowe takes Carol to Geiger's housearriving | assassin | conflict | dark | gun | leading man | murderer | private eye | punching | sinister | stinger | street | whole-tone chord

The Big Sleep (1946)

Liza (All the Clouds'll Roll Away)1:12:27 - Marlowe leaves the gambling jointAABA structure | conflict | criminal | investigating | leading lady | leading man | love interest | private eye | source music | street | upbeat

The Big Sleep (1946)

What Are You Doin' the Rest of Your Life1:14:35 - Marlowe and Vivian leaveconflict | conversing | leading lady | leading man | love interest | parallel double period | private eye | source music | street | upbeat

The Big Sleep (1946)

Underscoring (Tense)1:35:26 - Marlowe talks to two thugsconflict | criminal | investigating | leading man | lying | murderer | pc set | private eye | shop | tense | underscoring

The Big Sleep (1946)

Jones (Suspenseful)1:35:47 - Marlowe talks to two thugsconflict | criminal | dark | diminution | investigating | leading man | lying | murderer | mysterious | parallelism | pedal tone | private eye | shop | suspenseful

The Big Sleep (1946)

Marlowe (Ear Music)1:36:04 - Marlowe talks to two thugsconflict | criminal | danger | fragmentation | investigating | leading man | lying | murderer | mysterious | private eye | shop | tense | whole-tone chord

The Big Sleep (1946)

Marlowe (Gets Hit)1:36:20 - The thug punches Marlowechromatic scale | conflict | criminal | danger | dramatic | leading man | mickey-mousing | murderer | private eye | punching | shop | whole-tone chord
City for Conquest (1940)In the Evening0:45:08 - Peggy in her dressing roomarguing | boxer | conflict | conversing | crying | dancer | dressing room | leading lady | leading man | parallel double period | punching | source music | upbeat

City for Conquest (1940)

A Girl Like You0:46:49 - Danny in Peggy's dressing roomboxer | conflict | crying | dancer | dressing room | leading lady | leading man | leaving | parallel double period | source music | upbeat
Crime School (1938)Underscoring (Tense)0:08:20 - The kids confront the junk shop ownerattacking | chromatic scale | conflict | death | diminished 7th chord | dissonant bass | fighting | gang | mickey-mousing | ominous | ostinato | running | shop | shopkeeper | stairs | stinger | teenager | tense | underscoring | up

Crime School (1938)

Attacking0:08:27 - Spike attacks the junk shop ownerattacking | conflict | death | dramatic | fighting | gang | mickey-mousing | polychord | shop | shopkeeper | teenager | tense

Crime School (1938)

Running away0:09:32 - Kids run away from cops42 chord | chasing | chromatic scale | conflict | dramatic | fleeing | gang | mickey-mousing | police | running | street | teenager | tense

Crime School (1938)

Underscoring (Tense)0:09:40 - Spike is captured by the cops9th chord | arresting | capturing | conflict | dramatic | police | street | teenager | tense

Crime School (1938)

Sue (Grazioso)1:13:10 - Sue and Mark talk in the kitchencheerful | conflict | conversing | cooking | happy | hero | heroine | kitchen | leading lady | leading man | mode mixture | secondary dominant

Crime School (1938)

Window opening 21:13:25 - Frankie opens the windowconflict | mysterious | opening | room | teenager | up | window

Crime School (1938)

Parting curtains1:13:27 - Frankie parts the curtainsconflict | curtain | minor scale | mysterious | opening | parting | room | teenager

Crime School (1938)

Sue (Sneaky)1:13:28 - Frankie sneaks in with his gunbreaking in | conflict | distortion | fragmentation | gun | room | sequence | sneaking | teenager | tense

Crime School (1938)

Sue (Grazioso Mysterioso)1:13:38 - Frankie confronts Sue and Markcheerful | common-tone diminished 7th | conflict | conversing | deceptive resolution | dining | gun | happy | hero | heroine | leading lady | leading man | room | stick up | stinger | teenager | tone cluster | whole-tone chord

Crime School (1938)

Underscoring (Tense)1:14:26 - Mark talks to policemanchromatic scale | conflict | deceptive resolution | gun | hero | heroine | hiding | knocking | leading lady | leading man | lying | mode mixture | pedal tone | police | room | teenager | tense | underscoring

Crime School (1938)

Lights on1:15:26 - Sue turns the lights onconflict | hero | heroine | leading lady | leading man | light | mickey-mousing | room | tense | turning on

Crime School (1938)

Underscoring (Dramatic)1:15:31 - Frankie fights Spikeagitated | arguing | chromatic scale | conflict | dissonant bass | fighting | gang | hero | leading man | sequence | street | teenager | underscoring
They Made Me a Criminal (1939)Underscoring (Tense)0:28:51 - The sheriff comes inconflict | dark | diminished 7th chord | entering | fear | leading man | room | sheriff | surprise | tense | underscoring

They Made Me a Criminal (1939)

The Fugitive (Excitedly)0:29:07 - Johnnie talks to the sheriff anxiety | anxious | conflict | leading man | linear chromaticism | lying | room | sheriff

They Made Me a Criminal (1939)

The Fugitive (Relieved)0:29:25 - Johnnie listens to the sheriffaltered dominant | conflict | conversing | leading man | peaceful | room | tranquil

They Made Me a Criminal (1939)

The Fugitive (Leaving)0:29:45 - Johnnie prepares to leavesconflict | foreign key modulation | leading man | ranch | room | sneaking | yearning

They Made Me a Criminal (1939)

Jumps out of window0:30:00 - Johnnie jumps out of the windowconflict | jumping | leading man | mickey-mousing | ranch | window

They Made Me a Criminal (1939)

Underscoring (Dramatic)0:30:01 - Johnnie sneaks away64 chord | conflict | dramatic | leading man | mysterious | ranch | sneaking

They Made Me a Criminal (1939)

The Ladder0:30:11 - Tommy sitting on a laddercheerful | chromatic scale | common-tone diminished 7th | conflict | diminished 7th chord | dissonant bass | fun | ladder | pedal tone | ranch | teenager | working

They Made Me a Criminal (1939)

Ladder falls0:30:16 - The ladder fallschromatic scale | comical | conflict | diminished 7th chord | falling | ladder | mickey-mousing | ranch | teenager

They Made Me a Criminal (1939)

The Fugitive (Ashamed)1:03:55 - Johnnie tells them he can't fight9th chord | conflict | dark | foreign key modulation | harmonic sequence | leading lady | leading man | lying | room | somber | teenager

They Made Me a Criminal (1939)

On the Make (Dolce)1:05:13 - Peggy talks to Johnnieadded-note chord | altered dominant | arguing | conflict | leading lady | leading man | linear chromaticism | lying | room | tender

They Made Me a Criminal (1939)

Underscoring (Tense)1:05:52 - Johnny talks to Peggyconflict | dramatic | half-diminished 7th chord | harmonic sequence | leading lady | leading man | lying | room | tense | underscoring

They Made Me a Criminal (1939)

On the Make (Heartbreak)1:06:05 - Johnny talks to Peggy9th chord | arguing | conflict | dissonant bass | dramatic | leading lady | leading man | room | slamming | somber | tense

They Made Me a Criminal (1939)

On the Make (Crying)1:06:29 - Peggy cries after Johnnie leaves11th chord | conflict | crying | leading lady | leading man | room | somber

They Made Me a Criminal (1939)

The Fugitive (Let Down)1:06:51 - The boys talk about Johnnieadded-note chord | arguing | conflict | criticizing | foreign key modulation | leading man | room | somber | teenager

They Made Me a Criminal (1939)

The Fugitive (Going Away)1:07:38 - Tommy talks to Johnnieconflict | leading man | lonely | packing | room | somber | teenager | thinking
Deep Valley (1947)Underscoring (Tense)0:22:23 - Barry pumps waterboss | conflict | convict | father | guard | leading lady | leading man | mocking | pumping | street | tense | underscoring

Deep Valley (1947)

Turns, Hits, and Falls0:22:28 - Barry hits the guardboss | conflict | convict | dramatic | falling | father | guard | leading lady | leading man | mickey-mousing | punching | stinger | street | turning | violence

Deep Valley (1947)

Barry0:22:35 - Barry threatens the guardangry | arguing | boss | conflict | convict | dramatic | father | guard | leading lady | leading man | street | threatening | yelling

Deep Valley (1947)

Law (Subtle)0:22:45 - Barry looks at the guardarguing | boss | conflict | convict | father | guard | leading lady | leading man | street | tense | underscoring

Deep Valley (1947)

Love Theme (Molto Expressivo)0:23:07 - Libby watches them take Barryboss | conflict | convict | crying | father | guard | leading lady | leading man | somber | street | watching

Deep Valley (1947)

Law0:23:19 - Guard taking Barry to a shedarriving | conflict | construction site | convict | dark | guard | leading man | march | stinger | walking

Deep Valley (1947)

Underscoring (Dramatic)0:31:10 - Close-up on Libbyarguing | conflict | crying | dark | dramatic | father | leading lady | lightning | room | storm | tense | thunder | underscoring

Deep Valley (1947)

Slap0:32:20 - Cliff slaps Libbyconflict | dramatic | father | leading lady | lightning | mickey-mousing | room | slapping | storm | thunder | violence

Deep Valley (1947)

Earthquake0:32:21 - An earthquake shakes the houseconflict | dramatic | earthquake | father | leading lady | lightning | mother | room | rushing | shaking | storm | thunder

Deep Valley (1947)

Libby (Dark)0:33:17 - Libby walks to her mother's roomconflict | conversing | dark | leading lady | lightning | mother | room | somber | storm | thunder | walking

Deep Valley (1947)

Libby (Slowly)0:34:53 - Libby leaves her motherconflict | dark | leading lady | leaving | lightning | mother | pleading | room | somber | storm | tense | thunder

Deep Valley (1947)

Triste (Stormy)0:35:16 - Shutters shaking in the windconflict | dark | leading lady | leaving | lightning | mother | pleading | room | somber | storm | thunder

Deep Valley (1947)

Libby 2 (Stormy)0:35:27 - Waves hitting the shoreconflict | construction site | crew | dark | leading lady | leaving | mother | pleading | storm | tense | waves | working

Deep Valley (1947)

Barry (Misterioso)1:27:15 - Libby talks to Barryagitated | barn | conflict | convict | dark | father | fugitive | leading lady | leading man | love interest | mysterious | searching | worrying

Deep Valley (1947)

Underscoring (Tense)1:28:00 - Barry prepares to attackbarn | conflict | convict | dark | fugitive | leading lady | leading man | love interest | stinger | tense | waiting

Deep Valley (1947)

Deep Valley (Slowly)1:28:11 - Libby climbs the ladderbarn | conflict | convict | descending | fugitive | leading lady | leading man | love interest | tense | uneasy

Deep Valley (1947)

Libby 3 (Tense)1:28:28 - Libby comes down the ladderbarn | conflict | conversing | convict | father | fugitive | leading lady | leading man | love interest | tense | uneasy | walking

Deep Valley (1947)

Deep Valley (Quasi Appassionato)1:30:51 - Barry looks at Libbyadvance plot | barn | comforting | conflicted | convict | fugitive | hopeful | leading lady | leading man | love interest
Dust Be My Destiny (1939)Dust Be My Destiny (Denied)0:18:23 - Mabel talks to Joeconflict | deceptive resolution | denial | expectant | gentle | guard | hopeful | leading lady | leading man | prison | prisoner | stinger | sweet

Dust Be My Destiny (1939)

Dust Be My Destiny (Somber)0:18:36 - Mabel reactsconflict | inversion | leading lady | prison | sigh gesture | somber

Dust Be My Destiny (1939)

Underscoring (Dark)0:25:03 - Charlie interrupts the loversbarn | chromatic scale | conflict | dark | diminished 7th chord | hexatonic scale | leading lady | leading man | underscoring | villain | warden

Dust Be My Destiny (1939)

Underscoring (Dramatic)0:25:23 - Charlie grabs Mabel's armbarn | chromatic scale | conflict | diminished 7th chord | dramatic | leading lady | leading man | underscoring | villain | warden

Dust Be My Destiny (1939)

Dust Be My Destiny (Fight)0:25:41 - Charlie and Joe fight42 chord | barn | chromatic parallelism | chromatic scale | chromatic wedge | conflict | dramatic | fighting | leading lady | leading man | linear chromaticism | mickey-mousing | octatonic scale | punching | villain | warden | whole-tone scale

Dust Be My Destiny (1939)

Dust Be My Destiny (Running Away)0:25:55 - Joe and Mabel run64 chord | barn | conflict | diminution | dramatic | leading lady | leading man | running | sequence

Dust Be My Destiny (1939)

Running0:26:05 - Joe and Mabel run9th chord | barn | conflict | dramatic | leading lady | leading man | mickey-mousing | octatonic | running

Dust Be My Destiny (1939)

Underscoring (Dramatic)0:26:38 - Car drives towards Joe and Mabeladded-note chord | barn | conflict | dissonant bass | dramatic | headlights | passerby | stinger | tone cluster | underscoring

Dust Be My Destiny (1939)

Running away0:26:45 - Joe and Mabel run awaybarn | conflict | diminished 7th chord | dramatic | leading lady | leading man | mickey-mousing | pedal tone | runaway | running

Dust Be My Destiny (1939)

Dust Be My Destiny (Weary)0:37:38 - They rest by the side of the roadchromatic parallelism | conflict | leading lady | leading man | resting | runaway | street | tired

Dust Be My Destiny (1939)

Underscoring (Dramatic)0:38:00 - Joe and Mabel argue9th chord | arguing | conflict | dissonant bass | dramatic | leading lady | leading man | runaway | street | underscoring

Dust Be My Destiny (1939)

Dust Be My Destiny0:38:38 - Joe and Mabel partcommon-tone diminished 7th | conflict | leading lady | leading man | leaving | runaway | somber | street

Dust Be My Destiny (1939)

Dust Be My Destiny (Parting Ways)0:38:56 - Joe and Mabel partaltered dominant | common-tone diminished 7th | conflict | dark | leading lady | leading man | leaving | mode mixture | pedal tone | runaway | somber | street

Dust Be My Destiny (1939)

Dust Be My Destiny (Running)0:39:33 - Mabel runs across the streetconflict | leading lady | leading man | mickey-mousing | runaway | running | somber | street | truck

Dust Be My Destiny (1939)

Dust Be My Destiny (Regret)0:39:53 - Joe walks away sadlyconflict | dark | leading lady | leading man | parallelism | pedal tone | runaway | somber | street

Dust Be My Destiny (1939)

Dust Be My Destiny (Radio)0:52:28 - Mabel in an apartmentconflict | leading lady | leading man | popular song | radio | room | score to source | somber | source music

Dust Be My Destiny (1939)

Dust Be My Destiny (Arguing)0:55:00 - Mabel confronts Joeagitated | arguing | conflict | dark | leading lady | leading man | parallelism | pc set | pleading | room

Dust Be My Destiny (1939)

Dust Be My Destiny (Not In Film)NIF - not in film9th chord | common-tone diminished 7th | conflict | cut from film | sequence

Dust Be My Destiny (1939)

Underscoring (Tense)1:09:28 - Mike is confronted by gangstersbribe | chromatic parallelism | conflict | gangster | linear chromaticism | newspaper editor | street | tense | underscoring

Dust Be My Destiny (1939)

Gangsters walk1:10:26 - The gangsters walk to their carchromatic parallelism | chromatic scale | chromatic sequence | conflict | gangster | mickey-mousing | newspaper editor | street | tense | walking

Dust Be My Destiny (1939)

Underscoring (Dramatic)1:10:32 - Joe runs after the caraugmented triad | chromatic parallelism | chromatic scale | conflict | dramatic | gangster | half-diminished 7th chord | hero | leading man | mickey-mousing | newspaper editor | running | street

Dust Be My Destiny (1939)

Dust Be My Destiny (Appassionato)1:12:09 - Mabel and Joe hide from the reportersconflict | countermelody | hero | hiding | hospital | leading lady | leading man | passionate | underscoring

Dust Be My Destiny (1939)

Dust Be My Destiny (Cornered)1:12:21 - Mabel and Joe decide what to do9th chord | conflict | hero | hospital | inversion | leading lady | leading man | pedal tone | tense

Dust Be My Destiny (1939)

Dust Be My Destiny (Hiding)1:12:42 - Mabel talks with Joe about surrendering42 chord | conflict | diminished 7th chord | fragmentation | hero | hospital | leading lady | leading man | tense

Dust Be My Destiny (1939)

Dust Be My Destiny (Disagreement)1:12:59 - Mabel and Joe arguebright | conflict | dark | foreign key modulation | hero | hospital | leading lady | leading man

Dust Be My Destiny (1939)

Dust Be My Destiny (Appassionatissimo)1:13:14 - Joe makes a run for itchromatic parallelism | chromatic scale | climax | conflict | diminished 7th chord | dissonant bass | escaping | hospital | intervallic expansion | leading lady | leading man | runaway | sequence | tense

Dust Be My Destiny (1939)

Dust Be My Destiny (Tragico)1:13:35 - Mabel turns Joe in to the policeconfession | conflict | dark | hospital | leading lady | leading man | parallelism | pedal tone | suspect | tragic
Each Dawn I Die (1939)Newspaper Fanfare0:04:24 - Sign for "The Banton Record" newspaper officeconflict | fanfare | justice | newspaper office | noble | parallelism | sign

Each Dawn I Die (1939)

Underscoring (Mysterious)0:04:28 - Frank leaves the newspaper officeclose-up | conflict | diminished 7th chord | gangster | hero | leading man | mysterious | reading | reporter | street | underscoring | watching

Each Dawn I Die (1939)

Lights match0:04:40 - Man lights a match on a lamp postconflict | gangster | lighting | match | mickey-mousing | mysterious | street

Each Dawn I Die (1939)

Creeping0:04:47 - Two men sneak up behind Frankchromatic scale | chromatic sequence | conflict | creeping | gangster | mickey-mousing | mysterious | pizzicato | sneaking | street | walking

Each Dawn I Die (1939)

Underscoring (Dramatic)0:04:55 - Frank is pushed into a carcar | chromatic scale | conflict | diminished 7th chord | dissonant bass | dramatic | fragmentation | gangster | gun | hero | kidnapping | leading man | pushing | reporter | street | underscoring | violence

Each Dawn I Die (1939)

Underscoring (Tense)0:05:11 - Newspaper on the sidewalkconflict | dissonant bass | gangster | newspaper | reading | street | tense | underscoring | whole-tone | whole-tone chord

Each Dawn I Die (1939)

Underscoring (Dramatic)0:05:24 - Frank is framed for drunk driving9th chord | attacking | car | conflict | diminished 7th chord | dramatic | gangster | hero | leading man | minor second | murder | pushing | reporter | setup | street | underscoring | violence

Each Dawn I Die (1939)

Hits with bottle0:05:26 - A bottle of alcohol is broken9th chord | bottle | breaking | conflict | dramatic | gangster | hero | leading man | mickey-mousing | reporter | street | violence

Each Dawn I Die (1939)

Car Crash0:05:40 - Two cars crashcar | car crash | chromatic scale | conflict | crashing | explosion | frantic | hero | leading man | metric dissonance | minor second | reporter | street | tone cluster

Each Dawn I Die (1939)

Confusion0:05:43 - Frank sits confused in car after crashaccusing | car | car crash | chromatic parallelism | chromatic scale | conflict | confused | crowd | dissonant bass | fire | glass | half-diminished 7th chord | hero | injury | leading man | reporter | running | street | yelling

Each Dawn I Die (1939)

Underscoring (Dramatic)0:06:06 - Crowd accuses Frank of murder9th chord | accusing | car crash | conflict | crowd | dissonant bass | dramatic | hero | injury | leading man | linear chromaticism | police | reporter | sequence | shaking | street | underscoring | yelling
Flamingo Road (1949)Agitato0:39:09 - Lane storms off angrilyagitated | angry | chromatic parallelism | chromatic scale | chromatic wedge | conflict | hurrying | leading lady | self-borrowing | sheriff | street | walking

Flamingo Road (1949)

Titus 2 (Walking)0:39:17 - Lane storms off angrilyagitated | angry | chromatic parallelism | conflict | diminished 7th chord | hurrying | leading lady | mickey-mousing | self-borrowing | sheriff | street | walking

Flamingo Road (1949)

Titus (Setup)0:39:31 - A car follows Laneconflict | dark | leading lady | police | self-borrowing | setup | street | walking

Flamingo Road (1949)

Titus + Agitato (Extended)0:39:55 - Police take Lane awayarresting | combination of themes | conflict | driving | leading lady | police | self-borrowing | street | tense | turbulent

Flamingo Road (1949)

If I Could Be With You (Dramatic)1:11:05 - Boldon Lumber Companyconflict | dark | dramatic | driving | foreshadowing | half-diminished 7th chord | sheriff | street

Flamingo Road (1949)

Underscoring (Tense)1:11:26 - Field drinksalcohol | arriving | bullying | conflict | dramatic | drinking | leading man | linear chromaticism | politician | room | sheriff | underscoring

Flamingo Road (1949)

Titus (Ominous)1:11:44 - Titus argues with Fieldarguing | bullying | conflict | drinking | leading man | mysterious | politician | room | self-borrowing | sheriff | tense

Flamingo Road (1949)

Underscoring (Tense)1:11:51 - Titus argues with Fieldarguing | bullying | conflict | drinking | leading man | politician | room | sheriff | tense | underscoring

Flamingo Road (1949)

The Sheriff1:12:01 - Titus stands and walksarguing | bullying | chromatic parallelism | conflict | dark | leading man | mickey-mousing | ominous | politician | room | self-borrowing | sheriff | standing

Flamingo Road (1949)

Throwing whiskey and glass1:12:08 - Titus throws whiskey in Field's facealcohol | breaking | bullying | conflict | dramatic | glass | leading man | mickey-mousing | politician | room | sheriff | slamming | splashing | throwing | tone cluster | whole-tone scale

Flamingo Road (1949)

Titus (Violent)1:12:11 - Titus and Field arguearguing | bullying | conflict | dark | leading man | ominous | politician | room | self-borrowing | sheriff | violent

Flamingo Road (1949)

Underscoring (Dramatic)1:12:17 - Titus grabs Field and pushes himbullying | conflict | dramatic | leading man | politician | pushing | room | sheriff | throwing | underscoring | violent

Flamingo Road (1949)

Anger1:12:20 - Titus and Field face offangry | arguing | bullying | chromatic parallelism | chromatic wedge | conflict | leading man | pc set | politician | room | self-borrowing | sheriff | tense

Flamingo Road (1949)

Rising Anger1:12:26 - Titus throws open the doorangry | arguing | bullying | chromatic parallelism | conflict | diminished 7th chord | leading man | politician | room | self-borrowing | sheriff

Flamingo Road (1949)

Underscoring (Dramatic)1:12:32 - Titus throws Field out the dooraugmented triad | bullying | chromatic parallelism | conflict | dark | dramatic | leading man | politician | polychord | pushing | room | sheriff | throwing | underscoring

Flamingo Road (1949)

Breaking door1:12:39 - Titus breaks the glass doorbreaking | bullying | conflict | door | dramatic | leading man | mickey-mousing | politician | polychord | room | sheriff | smashing | window

Flamingo Road (1949)

Titus (Ostinato)1:17:09 - Dan looks at some papersbrooding | conflict | dark | hopeful | husband | leading lady | leading man | ominous | politician | room | self-borrowing | wife

Flamingo Road (1949)

Lane (Tragic)1:18:10 - Lane talks to Dan about Titusangry | anxious | conflict | conversing | husband | leading lady | leading man | ostinato | politician | room | tragic | wife

Flamingo Road (1949)

If I Could Be With You (Tragic)1:18:35 - Lane tells Dan about Fieldconfessing | conflict | diminished 7th chord | husband | leading lady | leading man | love | politician | room | tragic | wife

Flamingo Road (1949)

Flamingo Road (Agitato)1:18:50 - Dan gets upset with Lane9th chord | accusing | angry | augmented sixth chord | conflict | fragmentation | husband | leading lady | leading man | politician | quartal chord | room | self-borrowing | wife

Flamingo Road (1949)

Appassionato1:19:10 - Dan argues with Lanearguing | chromatic parallelism | conflict | diminished 7th chord | harmonic sequence | husband | leading lady | leading man | passionate | politician | room | wife | yearning

Flamingo Road (1949)

Flamingo Road (Molto Expressivo)1:19:32 - Dan leavesconflict | husband | leading lady | leading man | leaving | politician | room | self-borrowing | tragic | wife

Flamingo Road (1949)

Flamingo Road (Triste)1:19:43 - Lane watches Dan leavealtered dominant | conflict | husband | leading lady | leading man | politician | room | self-borrowing | somber | waiting | wife

Flamingo Road (1949)

Somber Phone Call1:19:54 - Dan calls Lane from the stationcalling | conflict | half-diminished 7th chord | husband | leading lady | leading man | politician | somber | tone cluster | train station | wife

Flamingo Road (1949)

Titus (Triste 2)1:20:10 - Dan and Lane talk on the phonecalling | conflict | husband | leading lady | leading man | politician | room | somber | train station | wife
Her Kind of Man (1946)It Had to Be You (Somber)0:44:48 - Georgia leaves9th chord | arguing | conflict | departing | gambler | leading lady | leading man | love interest | room | somber | underscoring

Her Kind of Man (1946)

It Had to Be You (Dramatic)0:51:26 - Don shoves Candyarguing | conflict | criminal | departing | dramatic | fighting | gambler | henchman | leading man | reporter | room | underscoring
In This Our Life (1942)Asa (Triste)0:21:45 - Asa arrives home64 chord | arriving | common-tone diminished 7th | conflict | father | leading lady | room | solemn | somber | tense

In This Our Life (1942)

Stanley (Con Moto)0:22:19 - Roy talks about Stanley's letter13th chord | angry | bitter | chromatic scale | conflict | conversing | father | half-diminished 7th chord | leading lady | letter | parallelism | pc set | room

In This Our Life (1942)

Roy (Risoluto)0:22:40 - Roy talks to Asa64 chord | chromatic parallelism | conflict | conversing | deceptive resolution | father | gentle | leading lady | room

In This Our Life (1942)

Expressivo0:22:51 - Roy talks to Asaaltered dominant | chromatic scale | conflict | conversing | expressive | father | leading lady | plagal cadence | retardation | room

In This Our Life (1942)

Big Sweep (Turn)0:23:03 - Roy looks in the mirroraltered dominant | conflict | conversing | expressive | father | leading lady | room

In This Our Life (1942)

Roy (Grazioso)0:23:08 - Roy looks in the mirror9th chord | conflict | conversing | countermelody | father | foreign key modulation | leading lady | mysterious | room

In This Our Life (1942)

Caring0:23:19 - Asa talks to Roy9th chord | chromatic parallelism | conflict | conversing | father | leading lady | room | sentimental | underscoring

In This Our Life (1942)

Asa (Ostinato)0:23:26 - Asa talks to Roychromatic parallelism | conflict | conversing | dark | father | leading lady | ostinato | room | sequential modulation | serious | whole-tone chord

In This Our Life (1942)

Asa (Molto Expressivo)0:23:49 - Roy leaves64 chord | added-note chord | conflict | dark | father | leading lady | leaving | mode mixture | pedal tone | reverse picardy | room | somber

In This Our Life (1942)

Blues in the Night0:42:47 - Stanley puts a record on the phonographarguing | blue note | blues | conflict | leading lady | leading man | record player | room | source music | upbeat

In This Our Life (1942)

Uncle Fitzroy1:04:26 - Uncle Fitzroy talks to Stanleyaugmented sixth chord | conflict | conversing | crying | dancing | flirting | leading lady | room | solemn | uncle | whole-tone chord | widow

In This Our Life (1942)

Anger1:04:56 - Stanley gets angryangry | arguing | chromatic scale | conflict | leading lady | leaving | minor-major 7th chord | pc set | room | running | tense | uncle | upset | widow | yelling

In This Our Life (1942)

Stanley (Packing)1:14:36 - Newspaper headline about the accident9th chord | appoggiatura | arriving | circle of fifths | conflict | conversing | headline | lawyer | leading lady | leading man | mysterious | newspaper | office

In This Our Life (1942)

Underscoring (Tense)1:15:04 - Craig refuses Parry's caseconflict | conversing | denying | lawyer | leading lady | leading man | office | ominous | refusing | tritone oscillation | underscoring

In This Our Life (1942)

Stanley (Molto Accell)1:15:15 - Craig talks about Stanleyanxious | conflict | conversing | defending | denying | half-diminished 7th chord | lawyer | leading lady | leading man | office | pc set | refusing | sigh gesture | tense

In This Our Life (1942)

Roy (Molto Moderato)1:15:51 - Roy leavesadded-note chord | angry | conflict | half-diminished 7th chord | lawyer | leading lady | leading man | leaving | office

In This Our Life (1942)

Stanley (Slowly)1:16:07 - Craig reads a note9th chord | altered dominant | conflict | lawyer | leading man | note | office | sentimental | thinking | whole-tone chord

In This Our Life (1942)

Autumn Nocturne1:17:45 - Stanley puts on a recordAABA structure | accusing | arguing | conflict | criminal | defending | leading lady | lying | popular music | record player | room | sentimental | source music

In This Our Life (1942)

Fast Driving (Tense)1:20:10 - Craig's car pulls up to the jailarriving | car | car | conflict | conversing | criminal | lawyer | leading lady | leading man | oscillation | pc set | street | tense | underscoring | uneasy

In This Our Life (1942)

Stanley (Slowly 2)1:20:46 - Men playing checkerscheckers | conflict | criminal | dark | diminished 7th chord | dissonant bass | game | lawyer | leading lady | leading man | playing | prison | prisoner | somber | suspect | victim

In This Our Life (1942)

Underscoring (Somber)1:21:07 - Parry in his jail cell9th chord | conflict | conversing | criminal | diminished 7th chord | lawyer | leading lady | leading man | prison | prisoner | sigh gesture | somber | suspect | underscoring | victim

In This Our Life (1942)

Minerva and Parry1:21:28 - Parry in his jail cell9th chord | 11th chord | blue note | chromatic mediant | common-tone diminished 7th | conflict | conversing | criminal | foreign key modulation | lawyer | leading lady | leading man | lying | prison | prisoner | somber | suspect | tender | testifying | victim

In This Our Life (1942)

Minerva and Parry (Triste)1:22:39 - Parry talks to Stanley64 chord | conflict | conversing | criminal | lawyer | leading lady | leading man | lying | mode change | prison | prisoner | solemn | somber | suspect | testifying | victim

In This Our Life (1942)

Stanley Introduction (Extended 4)1:23:09 - Stanley and Craig leave the jail9th chord | car | conflict | criminal | lawyer | leading lady | leading man | leaving | street | tense

In This Our Life (1942)

London Bridge is Falling Down (Molto Expressivo)1:23:33 - Craig talks to Stanleycar | children's song | conflict | conversing | criminal | familiar tune | lawyer | leading lady | leading man | somber

In This Our Life (1942)

London Bridge is Falling Down (Mysterious)1:23:45 - Craig and Stanley argue9th chord | car | children's song | conflict | conversing | criminal | familiar tune | lawyer | leading lady | leading man | lying | mysterious | ominous

In This Our Life (1942)

Stanley (Something Screwy)NIF - not in filmconflict | cut from film

In This Our Life (1942)

Anger (Agitato)1:31:34 - Stanley yells at her uncleagitated | angry | arguing | conflict | criminal | distressed | leading lady | minor-major 7th chord | oscillation | room | uncle | yelling

In This Our Life (1942)

Maestoso1:31:51 - Stanley runs off cryingconflict | criminal | crying | departing | dissonant bass | dramatic | leading lady | polychord | room | running | street | uncle | yelling

In This Our Life (1942)

Stanley B (Very Agitated)1:32:15 - Stanley hides from the policeagitated | chromatic scale | conflict | criminal | dissonant bass | fragmentation | hiding | leading lady | mysterious | police | room | running | rushing | street

In This Our Life (1942)

Underscoring (Dramatic)1:32:30 - Stanley dashes through the gateconflict | criminal | dramatic | hiding | leading lady | police | running | rushing | street | underscoring

In This Our Life (1942)

Police (Chase)1:32:36 - Stanley runs for her carchromatic scale | conflict | criminal | dissonant bass | driving | fleeing | hiding | leading lady | ostinato | police | running | rushing | street | tense
Key Largo (1948)Rocco 3 (Misterioso)0:28:45 - Sawyer starts moaning in the other roomboss | conflict | gangster | gun | hostage | hotel | leading lady | leading man | menacing | mysterious | threatening

Key Largo (1948)

Tension0:28:58 - Sawyer stands upconflict | gangster | hostage | hotel | menacing | mysterious | police | standing

Key Largo (1948)

Rocco 3 (Heavily)0:29:04 - Sawyer enters the roomconflict | gangster | hostage | hotel | menacing | police | stumbling

Key Largo (1948)

Rocco 3 (Agitato)0:29:15 - Toots trips Sawyerconflict | falling | gangster | hostage | hotel | menacing | mickey-mousing | police | rolling | tripping

Key Largo (1948)

Rocco 2 (Slowly) + McCloud (Tritone)0:32:57 - McCloud quotes FDRangry | boss | combination of themes | conflict | conversing | father | gangster | hostage | hotel | leading lady | leading man | mysterious | quoting | stinger

Key Largo (1948)

Underscoring (Dramatic)0:33:17 - Mr. Temple rises to attack Roccoangry | arguing | attacking | boss | conflict | dramatic | father | gangster | hostage | hotel | laughing | leading lady | leading man | tense | underscoring

Key Largo (1948)

Falling0:33:38 - Mr. Temple falls to the groundangry | boss | conflict | dramatic | falling | father | gangster | hostage | hotel | landing | leading lady | leading man | mickey-mousing | tense

Key Largo (1948)

Underscoring (Dramatic)0:33:43 - Nora rises to attack Roccoangry | attacking | boss | conflict | dramatic | father | gangster | hitting | horror | hostage | hotel | kissing | leading lady | leading man | tense | underscoring | violence

Key Largo (1948)

Rocco 20:33:53 - Rocco talks to Noraboss | conflict | dangerous | father | gangster | hostage | hotel | leading lady | leading man | mysterious | threatening

Key Largo (1948)

McCloud (Tragic)0:34:05 - McCloud and Nora help Mr. Temple upboss | conflict | father | gangster | helping | hostage | hotel | leading lady | leading man | mode change | solemn | somber

Key Largo (1948)

Rocco 30:39:45 - Rocco looks at Noraboss | conflict | creepy | father | gangster | hostage | hotel | leading lady | leading man | mysterious | tense | watching

Key Largo (1948)

Rocco Whispers0:39:53 - Rocco whispers to Noraboss | conflict | creepy | father | gangster | hostage | hotel | leading lady | leading man | mickey-mousing | mysterious | tense | whisper effect | whispering

Key Largo (1948)

Rocco 30:40:06 - Rocco follows Noraboss | conflict | creepy | father | following | gangster | hostage | hotel | leading lady | leading man | mysterious | tense

Key Largo (1948)

Rocco Whispers0:40:10 - Rocco whispers to Noraboss | conflict | creepy | father | gangster | hostage | hotel | leading lady | leading man | mickey-mousing | mysterious | tense | whisper effect | whispering

Key Largo (1948)

Underscoring (Dramatic)0:40:21 - Nora spits in Rocco's faceangry | boss | conflict | father | gangster | hostage | hotel | leading lady | leading man | spitting | staring | stinger | underscoring

Key Largo (1948)

McCloud (Dissonant)0:40:25 - McCloud walks over to Noraangry | boss | conflict | dramatic | father | gangster | hostage | hotel | leading lady | leading man | protecting

Key Largo (1948)

Rocco 3 (Angry)0:40:32 - Rocco gets angryangry | boss | conflict | dramatic | father | gangster | hostage | hotel | leading lady | leading man | stinger | taunting

Key Largo (1948)

Rocco 2 (Agitato)0:46:26 - Look of horror on Gaye's faceboss | conflict | father | fear | gangster | horror | hostage | hotel | leading lady | leading man | look of horror | moll | stinger | watching

Key Largo (1948)

Underscoring (Tense)0:46:30 - Rocco tells McCloud to shoot himboss | conflict | conversing | father | gangster | hostage | hotel | leading lady | leading man | moll | tense | underscoring

Key Largo (1948)

Rocco 3 (Shrill)0:46:38 - Rocco mocks McCloudboss | conflict | dangerous | father | gangster | gun | hostage | hotel | leading lady | leading man | moll | tense | threatening

Key Largo (1948)

Tension (Violent)0:46:44 - McCloud decides whether to shootboss | conflict | dangerous | father | gangster | gun | hostage | hotel | leading lady | leading man | moll | tense | threatening | violence | violent

Key Largo (1948)

Rocco + Tension0:46:48 - Rocco's grinning faceboss | combination of themes | conflict | dangerous | father | gangster | gun | hostage | hotel | leading lady | leading man | moll | staring | tense | threatening | violence | violent

Key Largo (1948)

Rocco 3 + Tension + Laughing0:46:53 - Gangsters laugh at McCloudboss | combination of themes | conflict | dangerous | father | gangster | gun | hostage | hotel | laughing | leading lady | leading man | mocking | moll | tense | violence | violent

Key Largo (1948)

Tosses gun0:47:06 - McCloud tosses the gun onto a chairboss | conflict | father | gangster | gun | hostage | hotel | leading lady | leading man | mickey-mousing | moll | tense | tossing | violence

Key Largo (1948)

Rocco 3 (Extended)0:47:08 - Mr. Temple asks for the gunboss | conflict | dangerous | father | gangster | gun | hostage | hotel | leading lady | leading man | moll | staring | tense | threatening | violence | violent

Key Largo (1948)

McCloud (Triste)0:47:23 - Rocco mocks McCloudboss | conflict | conversing | father | gangster | gun | hostage | hotel | leading lady | leading man | mode change | moll | serious | somber

Key Largo (1948)

Scrambling0:47:31 - Deputy runs for the gun boss | conflict | dangerous | father | gangster | gun | hostage | hotel | leading lady | leading man | mickey-mousing | moll | running | scrambling | tense | violent

Key Largo (1948)

Rocco (Conflict)0:47:39 - Gaye looks terrifiedboss | conflict | danger | father | fear | gangster | gun | horror | hostage | hotel | leading lady | leading man | look of horror | moll | staring | stinger | threatening | violence

Key Largo (1948)

Underscoring (Dramatic)0:48:10 - Rocco shoots Deputy Sawyerboss | conflict | death | dramatic | father | fear | gangster | gun | gunshot | horror | hostage | hotel | leading lady | leading man | look of horror | moll | shooting | stinger | tense

Key Largo (1948)

Falling and dying0:48:19 - Deputy Sawyer falls dead off-screenboss | conflict | death | dramatic | dying | falling | father | gangster | gun | gunshot | hostage | hotel | leading lady | leading man | mickey-mousing | moll | tense

Key Largo (1948)

Rocco 2 (Misterioso)1:13:37 - The sheriff leavesboss | conflict | gangster | hotel | lying | menacing | police

Key Largo (1948)

Sheriff Leaves1:13:51 - Rocco waits for the sheriff to leaveboss | conflict | deception | gangster | hotel | leaving | nervous | police | tense

Key Largo (1948)

Rocco 2 (Dead Body)1:14:20 - Sheriff discovers the dead bodyalarmed | conflict | corpse | discovering | horror | hotel | mickey-mousing | murder | police | rolling

Key Largo (1948)

Underscoring (Dramatic)1:14:48 - Sheriff finds out that it is Sawyerconflict | corpse | discovering | dramatic | hotel | murder | realizing | sheriff | tense | underscoring

Key Largo (1948)

Rocco (Tense)1:15:03 - Rocco claims the Indians murdered Sawyerangry | boss | conflict | dock | gangster | lying | murder | police | tense | violent

Key Largo (1948)

Underscoring (Dramatic)1:15:32 - Sheriff runs to talk to the Indiansconflict | dock | dramatic | running | sheriff | underscoring

Key Largo (1948)

Underscoring (Tense)1:15:37 - Sheriff approaches Indiansconflict | dock | Indian | searching | sheriff | tense | underscoring

Key Largo (1948)

Rocco 2 (Setup)1:15:43 - Indians run from the sheriffconflict | death | dock | fleeing | gun | gunshot | menacing | running | setup | sheriff | shooting | tense | violent

Key Largo (1948)

Rocco exits1:35:14 - Rocco exitsboat | boss | conflict | dramatic | exiting | gangster | gun | gunshot | leading man | mickey-mousing | shooting | tense

Key Largo (1948)

Rocco's Death1:35:17 - Rocco fallsboat | boss | conflict | death | dramatic | dying | falling | gangster | gun | gunshot | leading man | mickey-mousing | shooting | stinger | tense

Key Largo (1948)

Climbing down1:35:31 - McCloud climbs downboat | climbing | conflict | descending | leading man | mickey-mousing | mysterious | tense

Key Largo (1948)

Tension (The Boat 2)1:35:44 - McCloud steers the boatboat | conflict | hopeful | leading man | steering | tense

Key Largo (1948)

Hope1:36:11 - McCloud calls for help on the radioboat | calling | conflict | hopeful | leading man | radio | steering
The Letter (1940)Mrs. Hammond (Slowly)0:57:27 - Howard and Leslie walk into the back roomantagonist | Chinatown | Chinese | Chinese | conflict | lawyer | leading lady | mysterious | pentatonic | quintal chord | shop | walking

The Letter (1940)

Glass Curtains0:59:08 - Mrs. Hammond enters through the glass curtainantagonist | Chinatown | Chinese | chromatic scale | conflict | curtain | entering | glass | lawyer | layering | leading lady | mirroring | mysterious | ostinato | parallelism | pc set | polyrhythm | shop | staring | tense | tinkling | tone cluster | waiting | whole-tone | whole-tone chord

The Letter (1940)

Mrs. Hammond + Glass Curtains1:00:13 - Leslie faces Mrs. Hammondantagonist | Chinatown | Chinese | Chinese | chromatic scale | combination of themes | conflict | conversing | curtain | glass | lawyer | layering | leading lady | mirroring | mysterious | ostinato | parallelism | paying | pc set | pentatonic | polyrhythm | shop | staring | tense | tinkling | tone cluster | waiting | whole-tone | whole-tone chord

The Letter (1940)

Leslie + Glass Curtains1:01:27 - Leslie removes her shawlantagonist | Chinatown | Chinese | Chinese | chromatic scale | combination of themes | conflict | conversing | curtain | glass | lawyer | layering | leading lady | mirroring | mysterious | oscillation | ostinato | parallelism | pc set | polyrhythm | sequence | shop | staring | tense | tinkling | tone cluster | waiting | whole-tone | whole-tone chord

The Letter (1940)

Leslie B + Glass Curtains1:01:57 - Leslie approaches Mrs. Hammondantagonist | Chinatown | Chinese | chromatic scale | combination of themes | conflict | confronting | curtain | glass | lawyer | layering | leading lady | mirroring | mysterious | ostinato | parallelism | pc set | polyrhythm | sequence | shop | staring | tense | tinkling | tone cluster | walking | whole-tone | whole-tone chord

The Letter (1940)

Glass Curtains1:02:21 - Leslie faces Mr. Hammondantagonist | Chinatown | Chinese | chromatic scale | conflict | confronting | curtain | glass | lawyer | layering | leading lady | mirroring | mysterious | ostinato | parallelism | pc set | polyrhythm | shop | staring | tense | tinkling | tone cluster | whole-tone | whole-tone chord

The Letter (1940)

Mrs. Hammond (Contempt) + Glass Curtains1:02:40 - Leslie stoops down to pick up the letterantagonist | Chinatown | Chinese | Chinese | chromatic scale | combination of themes | conflict | confronting | contempt | curtain | glass | lawyer | layering | leading lady | mirroring | mysterious | ostinato | parallelism | pc set | pentatonic | polyrhythm | shop | staring | stooping | tense | tinkling | tone cluster | whole-tone | whole-tone chord

The Letter (1940)

Leslie B (Dark) + Glass Curtains1:02:50 - Leslie looks at the letterantagonist | Chinatown | Chinese | chromatic scale | combination of themes | conflict | confronting | curtain | dark | glass | lawyer | layering | leading lady | mirroring | mysterious | ostinato | parallelism | pc set | polyrhythm | sequence | shop | staring | tense | tinkling | tone cluster | whole-tone | whole-tone chord

The Letter (1940)

Mrs. Hammond (Solemn) + Glass Curtains1:03:08 - Leslie and Howard leaveantagonist | Chinatown | Chinese | Chinese | chromatic scale | combination of themes | conflict | curtain | glass | lawyer | layering | leading lady | mirroring | mysterious | ostinato | parallelism | pc set | pentatonic | polyrhythm | shop | solemn | staring | tinkling | tone cluster | whole-tone | whole-tone chord

The Letter (1940)

Leslie (Restless)1:14:42 - Robert asks about the letterarguing | conflict | fragmentation | home | husband | lawyer | leading lady | lying | major 7th chord | sequence | tense

The Letter (1940)

Leslie (Wild)1:14:57 - Robert waits for a response9th chord | arguing | augmented major 7th chord | chromatic parallelism | conflict | distress | fragmentation | home | husband | lawyer | leading lady | lying | sequence | tense

The Letter (1940)

Distress1:15:08 - Robert confronts the lawyer9th chord | arguing | conflict | dissonant bass | distress | home | husband | lawyer | leading lady | tense

The Letter (1940)

Leslie (Molto Agitato)1:15:28 - Robert argues with Lesliearguing | chromatic parallelism | conflict | distress | home | husband | lawyer | leading lady | oscillation | pc set | sequence | tense

The Letter (1940)

Underscoring (Dramatic)1:15:45 - Robert asks to see the letterarguing | augmented triad | conflict | diminished 7th chord | dramatic | home | husband | lawyer | leading lady | letter | pc set | sequence | tense | underscoring

The Letter (1940)

Robert and Leslie (Tragic)1:16:14 - Leslie tells Howard to give Robert the letterconflict | home | husband | lawyer | leading lady | letter | love theme | reading | somber | tense

The Letter (1940)

Leslie (Confession)1:16:36 - Leslie confesses to Robertconfessing | conflict | dark | half-diminished 7th chord | home | husband | lawyer | leading lady | letter | ostinato | recounting | sequence | serious | tritone | tritone oscillation

The Letter (1940)

Mrs. Hammond (Confession)1:17:35 - Leslie confesses to RobertChinese | confessing | conflict | home | husband | lawyer | leading lady | letter | open fifth | parallel fifths | parallelism | pentatonic | recounting | serious | somber | tritone oscillation

The Letter (1940)

Leslie (Rising) + Deception1:17:52 - Leslie confesses to Robertaugmented triad | chromatic parallelism | combination of themes | confessing | conflict | dramatic | home | husband | lawyer | leading lady | letter | oscillation | ostinato | recounting | sequence | tense

The Letter (1940)

Leslie (Tragic)1:17:59 - Leslie confesses to Robertchanging meter | confessing | conflict | dramatic | home | husband | lawyer | leading lady | letter | murder | oscillation | recounting | sequence | sequential modulation | suspension

The Letter (1940)

Leslie B (Ethereal)1:18:13 - Leslie confesses to Robertchromatic sequence | confessing | conflict | dramatic | home | husband | lawyer | leading lady | letter | murder | oscillation | recounting | sequence

The Letter (1940)

Leslie (Dramatic)1:18:32 - Leslie confesses to Robertconfessing | conflict | crying | dramatic | half-diminished 7th chord | home | husband | lawyer | leading lady | letter | murder | oscillation | recounting | sequence

The Letter (1940)

Robert and Leslie (Mournful)1:19:00 - Robert cries after hearing the confessionconflict | crying | crying gesture | home | husband | lawyer | leading lady | letter | love theme | mournful | murder | pedal tone | retardation | sad | suspension
Lightning Strikes Twice (1951)Molto Agitato0:32:50 - String gets angryactor | anger | arguing | brother | conflict | dramatic | leading lady | priest | rancher | room | tense

Lightning Strikes Twice (1951)

Menace (Poco Meno)0:33:06 - String arguesactor | anger | arguing | brother | conflict | leading lady | priest | rancher | room | tense

Lightning Strikes Twice (1951)

Anger0:33:15 - String gets angryactor | anger | arguing | brother | conflict | crying | dramatic | leading lady | priest | rancher | room | tense | yelling

Lightning Strikes Twice (1951)

Father Paul0:33:25 - Liza comforts Stringactor | anger | brother | comforting | conflict | crying | dark | leading lady | priest | rancher | room | somber | tense

Lightning Strikes Twice (1951)

Underscoring (Dark)1:02:38 - Harvey drivesactor | arriving | car | conflict | danger | dark | driving | friend | leading lady | love interest | ranch | stopping | tense | underscoring

Lightning Strikes Twice (1951)

Shelly (Worried)1:03:05 - Harvey gets out of the caractor | arriving | car | concerned | conflict | conversing | dark | friend | leading lady | love interest | ranch | tense | worried

Lightning Strikes Twice (1951)

Slipping1:03:21 - Shelly slipsactor | car | conflict | dark | friend | leading lady | love interest | mickey-mousing | ranch | slipping | stumbling

Lightning Strikes Twice (1951)

Shelly (Agitato)1:03:34 - Shelly runs awayactor | agitated | calm | conflict | embracing | escaping | friend | hurrying | leading lady | leading man | love interest | ranch | reuniting | suspect

Lightning Strikes Twice (1951)

Shelly (Frantic)NIF - not in filmactor | conflict | crying | cut from film | dark | frantic | leading lady | murderer | rancher | room

Lightning Strikes Twice (1951)

Menace (Frantic)NIF - not in filmactor | arguing | conflict | cut from film | dark | frantic | leading lady | murderer | rancher | room

Lightning Strikes Twice (1951)

Menace (Attack)NIF - not in filmactor | attacking | attempted murder | conflict | cut from film | dark | frantic | leading lady | murderer | rancher | room | strangling

Lightning Strikes Twice (1951)

Shelly (Attack)NIF - not in filmactor | arriving | attacking | attempted murder | conflict | cut from film | dark | frantic | friend | husband | leading lady | leading man | murderer | rancher | room | rushing | strangling

Lightning Strikes Twice (1951)

Shelly 2 (Attack)NIF - not in filmactor | arriving | attacking | attempted murder | conflict | cut from film | dark | frantic | friend | husband | leading lady | leading man | murderer | rancher | room | rushing | strangling

Lightning Strikes Twice (1951)

Shelly 3 (Attack)NIF - not in filmactor | arriving | attacking | attempted murder | conflict | cut from film | dark | frantic | friend | husband | leading lady | leading man | murderer | rancher | room | rushing | strangling
Mildred Pierce (1945)Mazurka in B-Flat Major (Tense)0:38:47 - Veda plays a Chopin Mazurkaarguing | child | classical music | common-tone diminished 7th | conflict | familiar tune | half-diminished 7th chord | heroine | leading lady | on-screen music | playing | quotation | room | scored source music | source music | tense | upbeat | waltz

Mildred Pierce (1945)

Secret Revealed0:39:10 - Mildred argues with Vedaangry | arguing | child | chromatic parallelism | chromatic scale | chromatic wedge | conflict | harsh | heroine | leading lady | linear chromaticism | octatonic chord | room | tense

Mildred Pierce (1945)

Mildred (Appassionato)0:39:22 - Mildred argues with Vedaangry | arguing | child | chromatic scale | conflict | foreign key modulation | heroine | leading lady | raising | room | standing | tense | whole-tone scale

Mildred Pierce (1945)

Mildred raises Veda0:39:22 - Mildred lifts her daughter up by the armangry | arguing | child | conflict | heroine | leading lady | mickey-mousing | raising | room | standing | tense | whole-tone scale

Mildred Pierce (1945)

Mildred B (Angry)0:39:30 - Mildred argues with Veda11th chord | angry | arguing | child | conflict | fragmentation | heroine | leading lady | room | slapping | tense

Mildred Pierce (1945)

Mildred (Regretful)0:39:37 - Mildred regrets slapping Vedaapologizing | child | chromatic mediant | conflict | foreign key modulation | heroine | hopeful | leading lady | mode mixture | Neapolitan | regretting | room | somber | tritone

Mildred Pierce (1945)

Kay and Veda (Hopeful)0:40:09 - Veda asks if they are going to be richchild | conflict | foreign key modulation | greed | heroine | hopeful | leading lady | room

Mildred Pierce (1945)

Kay and Veda (Sly)1:13:55 - Mildred tells Monte to not see Vedaarguing | breakup | chromatic wedge | chromatic wedge | conflict | disagreement | heroine | leading lady | love interest | ominous | room | sinister | tense | whole-tone chord

Mildred Pierce (1945)

Kay and Veda (Troubled)1:14:06 - Mildred and Monte arguearguing | breakup | chromatic scale | chromatic sequence | conflict | disagreement | fragmentation | heroine | leading lady | love interest | ominous | room | sinister | tense | whole-tone chord | whole-tone scale

Mildred Pierce (1945)

Mildred (Agitato)1:14:37 - Mildred and Monte argueagitated | arguing | breakup | conflict | distortion | half-diminished 7th chord | heroine | leading lady | love interest | room | tense

Mildred Pierce (1945)

Underscoring (Tense)1:14:53 - Mildred and Monte argue9th chord | added-note chord | arguing | bitter | breakup | conflict | deceptive resolution | heroine | leading lady | love interest | room | tense | underscoring

Mildred Pierce (1945)

It Can't Be Wrong (Bitter)1:15:29 - Mildred writes Monte a checkarguing | bitter | breakup | conflict | dissonant bass | familiar tune | fragmentation | heroine | leading lady | love interest | mickey-mousing | popular music | room | source to score | tense

Mildred Pierce (1945)

Closes blinds1:15:59 - Mildred closes the blindsblinds | breakup | closing | conflict | down | heroine | leading lady | mickey-mousing | room | somber | window

Mildred Pierce (1945)

Mildred (Angry)1:18:21 - Mildred walks out of an argument9th chord | aggressive | angry | arriving | chromatic parallelism | conflict | heroine | hurrying | leading lady | leaving | Neapolitan | room | walking

Mildred Pierce (1945)

Underscoring (Tense)1:18:34 - Veda tells her mother she is marriedantagonist | chromatic parallelism | chromatic wedge | conflict | conversing | daughter | diminished 7th chord | friend | heroine | leading lady | oscillation | reverse stinger | room | tense | underscoring

Mildred Pierce (1945)

Secret Revealed1:18:59 - Veda talks to her motherantagonist | chromatic parallelism | chromatic scale | chromatic wedge | conflict | conversing | daughter | fear | friend | heroine | leading lady | linear chromaticism | octatonic chord | room | surprise | tense

Mildred Pierce (1945)

Kay and Veda (Coy)1:19:11 - Veda talks to her motherantagonist | apologizing | chromatic parallelism | conflict | daughter | friend | heroine | leading lady | room | tense

Mildred Pierce (1945)

Mildred (Waltz Fantasy)1:19:18 - Mildred talks to Veda9th chord | antagonist | appoggiatura | chromatic parallelism | comforting | conflict | daughter | dream-like | friend | heroine | leading lady | room | tense

Mildred Pierce (1945)

Mildred (Tenderly)1:19:37 - Wally talks about a settlementantagonist | chromatic parallelism | conflict | conversing | daughter | fragmentation | friend | heroine | leading lady | pedal tone | room | tender

Mildred Pierce (1945)

Kay and Veda (Troubled 2)1:21:34 - Veda looks at the divorce settlement checkantagonist | blackmail | chromatic scale | chromatic sequence | conflict | daughter | fragmentation | heroine | laughing | leading lady | mickey-mousing | mocking | room | troubled | ugly | whole-tone chord

Mildred Pierce (1945)

Kay and Veda (Agitato)1:22:22 - Veda and her mother argueagitated | antagonist | arguing | augmented sixth chord | blackmail | chromatic sequence | conflict | daughter | fragmentation | heroine | leading lady | room | tense

Mildred Pierce (1945)

Kay and Veda (Ominous)1:22:43 - Veda argues with her motherantagonist | arguing | conflict | dark | daughter | heroine | insulting | leading lady | ominous | room | ugly

Mildred Pierce (1945)

Mildred (Appassionato)1:23:00 - Veda expresses her disgust with her motherangry | antagonist | arguing | chromatic scale | conflict | daughter | foreign key modulation | heroine | insulting | leading lady | room | tense

Mildred Pierce (1945)

Mildred B (Angry 2)1:23:09 - Mildred gets angry at Vedaangry | antagonist | arguing | conflict | daughter | fragmentation | heroine | insulting | leading lady | room | tense

Mildred Pierce (1945)

Mildred (Vicious)1:23:21 - Veda insults her motherangry | antagonist | arguing | chromatic parallelism | chromatic wedge | conflict | daughter | heroine | insulting | leading lady | reverse stinger | room | tense | whole-tone chord

Mildred Pierce (1945)

Mildred B (Angry)1:23:38 - Mildred tears up Veda's check angry | antagonist | arguing | check | conflict | daughter | fighting | heroine | leading lady | pc set | room | slapping | tearing | tense | violence | yelling

Mildred Pierce (1945)

Stunned Reaction1:23:44 - Mildred is stunned after Veda slaps herangry | antagonist | conflict | daughter | dramatic | heroine | leading lady | pc set | room | staring | stunned | violence

Mildred Pierce (1945)

Runs upstairs1:24:04 - Veda runs up the stairsangry | antagonist | ascending | conflict | daughter | mickey-mousing | octatonic scale | room | stern

Mildred Pierce (1945)

Mildred (Tragic)1:24:04 - Veda watches her daughter leavealtered dominant | angry | ascending | conflict | heroine | leading lady | leaving | mickey-mousing | octatonic scale | room | stern
The Life of Vergie Winters (1934)Lullaby (Clarinet Solo)1:00:58 - John and Laura talk about Joanadded-note chord | conflict | conversing | dramatic | gentle | leading man | peaceful | room | stinger | transcribed by ear | wife

The Life of Vergie Winters (1934)

Lullaby (Agitated)1:01:27 - John and Laura argue about Joanagitated | arguing | common-tone diminished 7th | conflict | diminished 7th chord | direct modulation | fragmentation | harmonic sequence | leading man | octatonic scale | room | tense | transcribed by ear | wife

The Life of Vergie Winters (1934)

Old Lavender1:02:11 - Joan and Ranny enter9th chord | added-note chord | altered dominant | arguing | common-chord modulation | conflict | conversing | daughter | direct modulation | harmonic sequence | leading man | light | love interest | optimistic | room | surprise | wife

The Life of Vergie Winters (1934)

Old Lavender (Celeste Solo)1:02:43 - John paces aroundconflict | daughter | direct modulation | hesitating | leading man | love interest | lying | peaceful | room | surprise | wife

The Life of Vergie Winters (1934)

Underscoring (Lyrical)1:02:52 - Laura reveals that Joan is adoptedconflict | daughter | deflecting | hesitating | leading man | love interest | mode mixture | peaceful | pedal tone | room | surprise | wife

The Life of Vergie Winters (1934)

Lullaby (Adagio)1:03:02 - Joan reactsconflict | daughter | diminished 7th chord | direct modulation | dissonant bass | leading man | love interest | revealing | room | stinger | surprise | tense | wife

The Life of Vergie Winters (1934)

Lullaby (Harp Solo)1:03:33 - John tells Joan about her parentsconflict | daughter | deceiving | deceptive resolution | leading man | love interest | lullaby | lying | revealing | room | secondary dominant | surprise | tender | wife

The Life of Vergie Winters (1934)

Old Lavender (Allegretto)1:04:31 - Ranny reacts to the revelationchromatic mediant | conflict | conversing | daughter | foreign key modulation | fragmentation | leading man | light | love interest | mode mixture | optimistic | pedal tone | room | wife

The Life of Vergie Winters (1934)

Old Lavender (Gentle)1:04:45 - Ranny takes the ring back from Joan64 chord | altered dominant | conflict | daughter | leading man | love interest | peaceful | pedal tone | proposal | proposing | room | wife

The Life of Vergie Winters (1934)

Here Comes the Bride (Slow)1:05:05 - Ranny re-proposes to Joan64 chord | conflict | daughter | familiar tune | leading man | love interest | peaceful | proposal | proposing | room | wife

The Life of Vergie Winters (1934)

Lullaby (Dolcissimo)1:05:11 - Joan talks to Laura9th chord | conflict | daughter | leading man | love interest | peaceful | proposal | proposing | room | wife

The Life of Vergie Winters (1934)

Old Lavender (Ethereal)1:05:26 - Ranny talks to Joan's parentsadded-note chord | common-chord modulation | conflict | conversing | daughter | leading man | love interest | mode mixture | pedal tone | room | sentimental | wife

The Life of Vergie Winters (1934)

Lullaby (Tender)1:05:45 - Ranny leaves with Joan13th chord | conflict | daughter | leading man | leaving | love interest | peaceful | pedal tone | room | wife

The Life of Vergie Winters (1934)

Lullaby (Doloroso)1:05:58 - John talks with his wife Laura9th chord | arguing | conflict | dark | leading man | leaving | reverse picardy | room | tense | wife
Out of the Fog (1941)Russian Barcarolle (Dark)0:19:34 - Goff walksboat | chef | conflict | conversing | criminal | dark | dock | extortion | father | fisherman | friend | leading man | threatening | walking

Out of the Fog (1941)

Underscoring (Dark)0:20:11 - Jonah reactsarguing | boat | chef | conflict | conversing | criminal | dark | dock | extortion | father | fisherman | friend | leading man | stinger | tense | threatening | underscoring

Out of the Fog (1941)

Russian Barcarolle (Threatening)0:20:40 - Goff threatens Jonaharguing | boat | breaking | chef | conflict | conversing | criminal | dark | dock | extortion | father | fisherman | friend | leading man | tense | threatening | violence

Out of the Fog (1941)

Russian Barcarolle (Fear)0:21:18 - Officer Magruder arrivesboat | chef | conflict | conversing | criminal | dock | extortion | father | fear | fisherman | friend | leading man | police | sandwich | solemn | somber

Out of the Fog (1941)

Underscoring (Dramatic)0:26:42 - Goff slaps Jonaharguing | chef | conflict | criminal | dock | dramatic | extortion | falling | father | fisherman | friend | leading man | mickey-mousing | punching | slapping | stinger | underscoring | violence

Out of the Fog (1941)

Underscoring (Gentle)0:26:51 - Jonah helps Olafchef | conflict | conversing | criminal | dock | extortion | father | fisherman | friend | gentle | helping | leading man | mickey-mousing | reacting | solemn | tender | threatening | underscoring

Out of the Fog (1941)

Russian Barcarolle (Dark 2)0:27:12 - Jonah and Olaf reactarguing | chef | conflict | conversing | criminal | dark | dock | extortion | father | fisherman | friend | gun | leading man | stinger | tense | threatening

Out of the Fog (1941)

Animato0:27:43 - Goff pulls out a gunchef | conflict | conversing | criminal | dock | extortion | father | fisherman | foreign key modulation | friend | gun | leading man | tense | threatening

Out of the Fog (1941)

Russian Barcarolle (Distorted)0:28:02 - Jonah and Olaf pay Goffchef | conflict | conversing | criminal | dark | dock | extortion | father | fisherman | friend | leading man | money | threatening

Out of the Fog (1941)

Underscoring (Tense)0:28:20 - Jonah and Olaf reactchef | conflict | conversing | criminal | dock | extortion | father | fisherman | friend | leading man | tense | threatening | underscoring

Out of the Fog (1941)

Underscoring (Dramatic)0:45:13 - Goff entersarriving | conflict | conversing | criminal | dock | dramatic | father | fisherman | friend | leading man | tense

Out of the Fog (1941)

Russian Barcarolle (Solemn)0:45:25 - Goff asks for moneyarguing | conflict | conversing | criminal | dock | extortion | father | fisherman | foreign key modulation | friend | leading man | sequence | solemn

Out of the Fog (1941)

Underscoring (Dramatic)0:46:00 - Jonah calls for the coparguing | conflict | criminal | dock | dramatic | extortion | father | fisherman | friend | leading man | underscoring | yelling

Out of the Fog (1941)

Russian Barcarolle (Fragmented)0:46:14 - Jonah calls for the coparguing | conflict | criminal | dock | extortion | father | fisherman | fragmentation | friend | leading man | police | tense | yelling

Out of the Fog (1941)

Underscoring (Tense)0:46:34 - Jonah accuses Goffarguing | conflict | conversing | criminal | dock | extortion | father | fisherman | friend | leading man | police | tense | underscoring

Out of the Fog (1941)

Russian Barcarolle (Fragmented)0:46:50 - Olaf accuses Goffconflict | conversing | criminal | departing | dock | extortion | father | fisherman | fragmentation | friend | leading man | police | tense

Out of the Fog (1941)

Underscoring (Dramatic)0:49:39 - Goff stops Jonahconflict | conversing | criminal | dark | dramatic | extortion | father | fisherman | leading man | mickey-mousing | panning shot | stinger | street | threatening | underscoring | violence | walking | weapon

Out of the Fog (1941)

Beating0:50:17 - Goff beats Jonahbeating | conflict | criminal | dark | dissonant bass | dramatic | extortion | father | fisherman | leading man | mickey-mousing | street | violence | weapon

Out of the Fog (1941)

Underscoring (Dramatic)0:50:24 - Goff shoves Jonahconflict | criminal | dark | dramatic | extortion | father | fisherman | leading man | street | threatening | underscoring | violence

Out of the Fog (1941)

Russian Barcarolle (Death Threat)0:50:48 - Goff mocks Jonahconflict | criminal | dark | extortion | father | fisherman | leading man | mocking | street | tense | threatening | violence

Out of the Fog (1941)

Underscoring (Dramatic)0:51:05 - Goff gives Jonah a gunconflict | criminal | dramatic | extortion | father | fisherman | gun | leading man | mocking | stinger | street | threatening | underscoring | violence

Out of the Fog (1941)

Underscoring (Dramatic)1:06:59 - Goff hits Georgeboyfriend | conflict | criminal | dock | dramatic | falling | fighting | fisherman | friend | leading man | punching | violence

Out of the Fog (1941)

Animato (Extended)1:07:04 - Jonah and Olaf help Georgearguing | boyfriend | conflict | criminal | dock | fisherman | friend | leading man | tense | violence

Out of the Fog (1941)

Russian Barcarolle (Fragmented 2)1:07:35 - A boat in the fogconflict | criminal | dark | fisherman | fragmentation | friend | leading man | menacing | ominous | sea | traveling
We Are Not Alone (1939)I Do Like to Be Beside the Seaside0:17:49 - Exterior of a British dance hallABAC structure | conflict | doctor | familiar tune | helping | hero | heroine | score to source | source music | street | tense

We Are Not Alone (1939)

Frohe Botschaft (Drifting)0:38:09 - Jessica tells Leni to leavealtered dominant | antagonist | chromatic parallelism | conflict | conversing | familiar tune | folk song | gentle | German | heroine | home | quotation | sinister | tense | whole-tone chord

We Are Not Alone (1939)

Frohe Botschaft (Somber)0:38:52 - Leni reacts9th chord | antagonist | common-chord modulation | conflict | conversing | evaded cadence | familiar tune | folk song | garden | German | heroine | mode mixture | quotation | sentimental | sigh gesture | somber

We Are Not Alone (1939)

Surprise Symphony (Dark)0:39:33 - Leni thinks to herself9th chord | antagonist | classical music | conflict | dark | familiar tune | garden | Haydn | heroine | quotation | suspension | thinking

We Are Not Alone (1939)

Surprise Symphony (Turbulent)0:50:14 - Jessica reacts to David's departure11th chord | angry | antagonist | chromatic parallelism | classical music | conflict | crying | dark | familiar tune | Haydn | hero | home | husband | leaving | quotation | room | sad | tragic | wife

We Are Not Alone (1939)

Celebre Romance (Agitato)1:01:40 - News of the warchaotic | classical music | conflict | crowd | dramatic | familiar tune | riot | Rubinstein | running | street | whole-tone | whole-tone chord

We Are Not Alone (1939)

Agitato1:02:31 - Crowd presses forward11th chord | chaotic | classical music | conflict | conversing | crowd | dissonant bass | dissonant bass | dramatic | familiar tune | riot | Rubinstein | street

We Are Not Alone (1939)

Underscoring (Dramatic)1:03:40 - Jessica takes Gerald outside 11th chord | antagonist | boy | child | conflict | dramatic | street | tense | underscoring | walking

We Are Not Alone (1939)

Underscoring (Tense)1:03:56 - The crowd outsideagitated | chromatic scale | conflict | confused | crowd | hero | linear chromaticism | metric dissonance | pedal tone | polychord | riot | rioting | street | tense | underscoring

We Are Not Alone (1939)

Furioso1:04:49 - Man throws rock through shop window chromatic scale | conflict | crowd | dissonant bass | dramatic | riot | rioting | street | underscoring

We Are Not Alone (1939)

God Save the King (Violent)1:05:00 - British mobs in the streetBritish | chromatic scale | conflict | crowd | familiar tune | patriotic | riot | rioting | street

We Are Not Alone (1939)

Rule, Britannia1:05:03 - Men attack a German shopBritish | conflict | crowd | familiar tune | patriotic | riot | rioting | street

We Are Not Alone (1939)

God Save the King (Angry)1:05:06 - British mobs in the street9th chord | angry | British | conflict | crowd | diminished 7th chord | familiar tune | mode mixture | patriotic | riot | rioting | street

We Are Not Alone (1939)

Rule, Britannia (Throwing Stones)1:05:14 - Susan throws a rock at the shop64 chord | angry | antagonist | conflict | mickey-mousing | rock | street | throwing

We Are Not Alone (1939)

Underscoring (Tense)1:05:17 - David scolds Susan64 chord | antagonist | chromatic scale | conflict | conversing | foreign key modulation | hero | street | tense | underscoring

We Are Not Alone (1939)

Surprise Symphony (Window)1:05:40 - Susan sees Leni and David in the windowantagonist | classical music | conflict | familiar tune | Haydn | quotation | spying | street | tense | window

We Are Not Alone (1939)

Frohe Botschaft (Drifting)1:14:30 - David gives Leni money for her travels altered dominant | arrest | arresting | chromatic parallelism | conflict | conversing | dark | death | familiar tune | folk song | gentle | German | happy | hero | heroine | mode mixture | murder | police | quotation | sad | sweet | tense | train station | whole-tone chord

We Are Not Alone (1939)

Underscoring (Tense)1:15:25 - David is taken away by the police9th chord | added-note chord | arresting | conflict | hero | heroine | pedal tone | police | tense | train station | underscoring

We Are Not Alone (1939)

Frohe Botschaft (Death Sentence)1:33:07 - The judge sentences David and Leni to death9th chord | common-chord modulation | conflict | courtroom | courtroom scene | crowd | dark | familiar tune | folk song | German | quotation | reverse picardy | sentencing | verdict
White Heat (1949)Con Moto0:17:09 - Cody gets out of his carconflict | dramatic | gangster | leading man | murderer | opening | rushing | searching | street | tense

White Heat (1949)

Danger (Con Moto)0:17:39 - Cody argues with Vernaagitated | arguing | conflict | gangster | leading lady | leading man | moll | murderer | room | tense

White Heat (1949)

Verna falls0:18:05 - Verna falls off the chairagitated | chair | conflict | couch | falling | gangster | kicking | landing | leading lady | leading man | mickey-mousing | moll | murderer | room | tense
The Woman in White (1948)Underscoring (Mysterious)0:45:40 - Laura enters the mansionbutler | conflict | conversing | cousin | fiancé | leading lady | mansion | mysterious | tense | underscoring

The Woman in White (1948)

Ann (Poco Agitato)0:46:06 - Walter talks to Marianarguing | conflict | cousin | leading lady | leading man | mansion | tense

The Woman in White (1948)

Fairlie (Moderato)0:46:16 - Marian argues with Walteragitated | arguing | conflict | cousin | leading lady | leading man | mansion

The Woman in White (1948)

Ann (Agitato Quasi Misterioso)0:46:28 - Walter argues with Marianarguing | butler | conflict | cousin | leading lady | leading man | mansion | mysterious | stinger

The Woman in White (1948)

The Self Banished (Tenderly)0:46:47 - Marion talks to Walterbutler | conflict | conversing | cousin | fiancé | gentle | leading lady | leading man | mansion | tender

The Woman in White (1948)

Ann (Molto Marcato)0:50:03 - Walter storms out of the roomangry | antagonist | butler | conflict | cousin | departing | fiancé | leading lady | leading man | mansion

The Woman in White (1948)

Fosco (Misterioso Moderato)1:08:24 - Fosco is startled by a noiseantagonist | butler | conflict | conversing | cousin | criminal | leading lady | leading man | mysterious | room

The Woman in White (1948)

Fosco (Marcato)1:08:44 - Fosco talks to the servantantagonist | arguing | butler | confining | conflict | conversing | cousin | criminal | dark | leading lady | leading man | mysterious | prisoner | room

The Woman in White (1948)

Underscoring (Dramatic)1:09:11 - Marian is locked inantagonist | confining | conflict | conversing | cousin | criminal | dark | dramatic | husband | leading lady | leading man | prisoner | room | underscoring

The Woman in White (1948)

Asylum (Dark)1:09:26 - Fosco talks to Sir Percivalaching | antagonist | conflict | conversing | criminal | dark | headache | husband | illness | leading lady | leading man | pain | plotting | prisoner | room

The Woman in White (1948)

Ann (Poco Agitato)1:11:46 - Laura mentions the woman in whiteagitated | antagonist | conflict | conversing | criminal | doctor | headache | husband | illness | leading lady | leading man | pain | room | servant | victim

The Woman in White (1948)

Fosco1:12:05 - Fosco talks to the maidagitated | anger | antagonist | conflict | criminal | doctor | headache | husband | illness | leading lady | leading man | pain | room | searching | servant | tense | victim | walking

The Woman in White (1948)

Fosco (Molto Agitato)1:12:15 - Fosco walksagitated | anger | antagonist | conflict | criminal | dark | doctor | headache | husband | illness | leading lady | leading man | pain | room | rushing | searching | servant | tense | victim | walking

The Woman in White (1948)

Ann (Accelerando)1:12:32 - Fosco looks in the closetagitated | anger | antagonist | conflict | criminal | leading man | mysterious | room | rushing | searching | walking

The Woman in White (1948)

Ann (Accelerando) + Fosco (Dark)1:12:47 - Fosco leavesagitated | anger | antagonist | combination of themes | conflict | conversing | criminal | departing | doctor | husband | leading man | room | rushing | searching | tense | walking

The Woman in White (1948)

Underscoring (Dramatic)1:36:15 - Laura screams when she sees Sir Percivalconflict | criminal | dramatic | hitting | husband | leading lady | leading man | murderer | patient | screaming | street | struggling | underscoring | victim | wife

The Woman in White (1948)

Fight1:36:33 - Walter fights the spyconflict | criminal | dramatic | fighting | husband | leading lady | leading man | murderer | patient | punching | spy | street | victim | wife

The Woman in White (1948)

Fosco (Dark)1:36:50 - Sir Percival on the groundconflict | criminal | dark | husband | leading lady | leading man | murderer | ominous | patient | spy | street | victim | walking | wife
We're Only Human (1935)Underscoring (Lyrical)0:23:23 - Pete exits the storeattempted murder | conflict | departing | detective | drive by shooting | food | gunshot | leading man | mode mixture | peaceful | pedal tone | shooting | street | underscoring | walking

We're Only Human (1935)

Lullaby (Adagio)0:23:36 - Pete watches the car drive awayconflict | conversing | detective | diminished 7th chord | direct modulation | dissonant bass | food | leading lady | leading man | love interest | reacting | reporter | street | tense

We're Only Human (1935)

Kong 31:01:06 - Pete leavescar | chromatic parallelism | climax | conflict | departing | detective | diminished 7th chord | dramatic | hurried | leading lady | leading man | pedal tone | reporter | rushing | sequence | street | victim

We're Only Human (1935)

Game 11:01:21 - Driving in a carcar | car | chromatic sequence | climax | conflict | detective | dissonant bass | dramatic | driving | hurried | leading lady | leading man | pedal tone | reporter | rushing | victim | wipe

We're Only Human (1935)

Game 21:01:56 - Witness threatens to kill the criminalsacceleration | arguing | car | car | chromatic parallelism | climax | conflict | detective | dramatic | driving | hurried | leading lady | leading man | pedal tone | reporter | rushing | threat | threatening | victim

We're Only Human (1935)

Russian Waltz (Poco Agitato)1:02:12 - Getting out the carcar | chromatic scale | climax | conflict | dark | detective | leading lady | leading man | reporter | sneaking | tense | victim | yard

We're Only Human (1935)

Game 31:02:23 - Approaching the housechromatic parallelism | chromatic parallelism | climax | conflict | detective | leading lady | leading man | mysterious | pc set | reporter | sneaking | tense | victim | yard

We're Only Human (1935)

Russian Waltz (Pizzicato)1:02:55 - Spying on the houseclimax | conflict | detective | leading lady | leading man | mysterious | reporter | sneaking | tense | victim | yard

We're Only Human (1935)

Saroff1:03:07 - They arguearguing | chromatic scale | climax | conflict | detective | leading lady | leading man | mysterious | reporter | tense | victim | whole-tone | whole-tone chord | yard

We're Only Human (1935)

Lost Patrol 11:03:12 - A man runsclimax | conflict | detective | dramatic | fleeing | frantic | gunshot | leading lady | leading man | reporter | running | shooting | victim | whole-tone | whole-tone chord | yard

We're Only Human (1935)

The Informer (Burning Poster) + Blood Money1:03:25 - A man falls to the groundclimax | conflict | crawling | detective | diminished 7th chord | dying | gunshot | leading lady | leading man | mysterious | octatonic | reporter | Scotch snap | shooting | tense | tone cluster | victim | yard

We're Only Human (1935)

The Wearin' o' the Green (Fighting)1:03:42 - Pete prepares to advancechromatic parallelism | climax | conflict | detective | dramatic | fragmentation | gunshot | leading lady | leading man | reporter | running | sequence | shooting | tense | underscoring | victim | yard

We're Only Human (1935)

The Informer (Tense)1:04:11 - Pete prepares to enter the houseclimax | conflict | detective | leading man | mysterious | Scotch snap | sneaking | tense | whole-tone | whole-tone chord | yard

We're Only Human (1935)

The Escape1:04:31 - Pete enters the housechromatic scale | climax | conflict | detective | dodging | dramatic | gangster | gunshot | hiding | leading man | murderer | room | shooting | underscoring | whole-tone | whole-tone chord

We're Only Human (1935)

Game 41:04:54 - Pete crawls on the floorclimax | conflict | crawling | detective | gangster | leading man | murderer | room | tense | underscoring | whole-tone chord

We're Only Human (1935)

Game 51:05:03 - Pete prepares to shootchromatic parallelism | climax | conflict | detective | gangster | gunshot | leading man | murderer | pc set | pedal tone | room | shooting | sneaking | tense | underscoring | whole-tone chord

We're Only Human (1935)

Blood Money (Counting Money)1:05:25 - Pete looks at the fallen manclimax | conflict | detective | gangster | leading man | murderer | mysterious | room | sneaking | tense | tone cluster

We're Only Human (1935)

Game 61:05:34 - Pete dodges gunfireclimax | conflict | dark | detective | gangster | leading man | murderer | room | sneaking | taunting | tense | underscoring

We're Only Human (1935)

Game 71:05:48 - Pete runs up the stairs9th chord | climax | conflict | detective | dramatic | gangster | leading man | murderer | parallelism | pc set | pedal tone | room | running | rushing | tense | underscoring | whole-tone chord

We're Only Human (1935)

Game 81:05:55 - Pete advances slowlyarguing | chromatic scale | climax | conflict | detective | gangster | half-diminished 7th chord | hostage | leading man | murderer | pedal tone | polychord | room | sneaking | taunting | tense | tricking | underscoring

We're Only Human (1935)

Lost Patrol 21:06:45 - Berger falls to the groundclimax | conflict | death | detective | dramatic | dying | falling | gangster | gunshot | hostage | leading man | murderer | room | tone cluster | underscoring

We're Only Human (1935)

Lost Patrol 31:06:52 - Pete looks at Berger64 chord | climax | conflict | death | detective | gangster | hostage | leading man | murderer | reacting | room | solemn
Without Honor (1949)Underscoring (Dramatic)0:21:29 - Bill heads towards the laundry roomantagonist | brother | conflict | corpse | door | dramatic | kitchen | leading lady | leading man | reacting | rushing | tense | underscoring

Without Honor (1949)

Twilight (Tense)0:21:51 - Jane cleans off Bill's sleeveantagonist | brother | cleaning | conflict | conversing | corpse | door | kitchen | leading lady | leading man | opening | tense

Without Honor (1949)

Cleaning0:21:57 - Jane cleans off Bill's sleeveantagonist | brother | cleaning | cleaning effect | conflict | conversing | corpse | door | kitchen | leading lady | leading man | mickey-mousing | tense

Without Honor (1949)

Underscoring (Tense)0:22:07 - Bill tosses the towelantagonist | brother | conflict | conversing | corpse | door | kitchen | leading lady | leading man | tense | tossing | underscoring

Without Honor (1949)

Misterioso0:22:17 - Jane reactsantagonist | brother | conflict | kitchen | leading lady | leading man | mysterious | taunting | tense

Without Honor (1949)

Rubato0:22:34 - Bill talks with Janeantagonist | brother | conflict | dramatic | kitchen | leading lady | leading man | memory | rushing | taunting | tense

Without Honor (1949)

Tension0:22:52 - Jane gives Bill a drinkantagonist | brother | conflict | kitchen | leading lady | leading man | memory | taunting | tense | underscoring | uneasy

Without Honor (1949)

Valse Triste0:23:06 - Bill talks with Janeantagonist | brother | conflict | kitchen | leading lady | leading man | memory | recounting | somber | uneasy | waltz

Without Honor (1949)

Valse Triste (Poco Appassionato)0:23:31 - Bill grabs Jane's armantagonist | brother | conflict | dramatic | grabbing | kitchen | leading lady | leading man | memory | reacting | recounting | tense | waltz

Without Honor (1949)

Jerks hand0:23:41 - Jane jerks her arm awayantagonist | brother | conflict | dramatic | escaping | kitchen | leading lady | leading man | mickey-mousing | reacting | stinger

Without Honor (1949)

Valse Triste (Misterioso)NIF - not in filmantagonist | brother | conflict | cut from film | kitchen | leading lady | leading man

Without Honor (1949)

Valse Triste (Ominous)0:24:46 - Bill looks at Janeantagonist | brother | conflict | leading lady | leading man | ominous | reacting | room | solemn | taunting

Without Honor (1949)

Grabs her0:25:40 - Bill grabs Jane and kisses herantagonist | brother | conflict | dramatic | grabbing | kissing | leading lady | leading man | room | slapping | turning

Without Honor (1949)

Tunes Radio0:26:26 - Bill turns on the radioantagonist | brother | conflict | conversing | leading lady | leading man | radio | room | source music | upbeat

Without Honor (1949)

Unidentified dance tune 20:27:06 - Bill turns on the radioantagonist | brother | conflict | leading lady | leading man | popular music | radio | reacting | room | source music | taunting | upbeat

Without Honor (1949)

First Call0:27:58 - Jane looks at Billantagonist | brother | bugle call | conflict | leading lady | leading man | radio | room | source music | taunting | upbeat

Without Honor (1949)

Unidentified dance tune 30:28:30 - Bill tunes the radioantagonist | brother | conflict | leading lady | leading man | popular music | radio | room | source music | taunting | upbeat

Without Honor (1949)

Liszt Waltz0:29:28 - Bill talks to Janeantagonist | arriving | brother | calm | classical music | conflict | conversing | leading lady | leading man | radio | room | source music | taunting | wife | zoom in

Without Honor (1949)

Prelude in D-Flat Major, Op. 28, No. 15 "Raindrop"0:33:17 - Mrs. Williams talks to Janeantagonist | brother | calm | classical music | conflict | conversing | leading lady | leading man | radio | room | source music | wife

Without Honor (1949)

Unidentified dance tune 40:34:19 - Bill tunes the radioantagonist | brother | calling | conflict | conversing | dialing | leading lady | leading man | popular music | radio | room | source music | telephone | upbeat | wandering | wife

Without Honor (1949)

Misterioso (Molto Rubato)0:43:10 - Bill talks with Fredantagonist | brother | conflict | conversing | husband | leading lady | leading man | reveal | room | secret | tense | warning

Without Honor (1949)

Expressivo (Slowly)0:43:25 - Jane walks slowly pastconflict | conversing | leading lady | reveal | room | secret | solemn | wife

Without Honor (1949)

Chromatic Clarinet0:43:47 - Jane walks slowly overconflict | conversing | leading lady | reveal | room | secret | solemn | wife

Without Honor (1949)

Triste (Appassionato)0:47:41 - Mrs. Williams talks to Janeconflict | conversing | leading lady | reveal | revealing | room | secret | solemn | wife | yelling

Without Honor (1949)

Desperation (Triste)0:48:15 - Jane sinks down slowlyconflict | conversing | descending | leading lady | realizing | reveal | room | secret | sinking | sitting | solemn | wife

Without Honor (1949)

Appassionato (Molto Expressivo)0:48:38 - Mrs. Williams talks to Janeconflict | denying | expressive | leading lady | reveal | room | secret | wife

Without Honor (1949)

Twilight (Ethereal)0:48:53 - Jane talks about loveconflict | denying | ethereal | leading lady | reveal | room | secret | wife

Without Honor (1949)

Valse Triste (Andante Doloroso)0:49:07 - Fred entersantagonist | brother | conflict | entering | husband | leading lady | leading man | reacting | reveal | room | secret | somber | thinking | wife

Without Honor (1949)

Underscoring (Tense)0:49:48 - Bill talks to Fredantagonist | brother | conflict | conversing | husband | leading lady | leading man | reveal | room | secret | tense | thinking | wife

Without Honor (1949)

Tension (Molto Misterioso)0:50:03 - Bill stares at Janeanger | antagonist | brother | conflict | conversing | demanding | dramatic | husband | leading lady | leading man | reveal | room | secret | slapping | tense | wife