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454 results for "conflict" in 22 films — see also action | battle | break | disagreement | struggle

Film	Theme name	Instance	Tags
All This, and Heaven Too (1940)	The Duchess (Arguing)	1:00:32 - Henriette leaves	arguing \| conflict \| dramatic \| duchess \| duke \| governess \| leading lady \| leading man \| listening \| romantic \| room \| serious \| trouble
All This, and Heaven Too (1940)	Underscoring (Dramatic)	1:01:03 - Henriette packs her things	arguing \| conflict \| dramatic \| duke \| governess \| leading lady \| leading man \| room \| trouble
All This, and Heaven Too (1940)	Desperation (Very Emotional)	1:01:26 - Henrietta talks to the Duke	arguing \| conflict \| dramatic \| duke \| governess \| leading lady \| leading man \| room \| trouble
All This, and Heaven Too (1940)	Pleading (Extended)	1:01:39 - The Duke responds to Henriette	arguing \| conflict \| dramatic \| duke \| governess \| leading lady \| leading man \| room \| trouble
All This, and Heaven Too (1940)	Desperation (Very Emotional)	1:02:00 - The Duke talks to Henriette	arguing \| conflict \| dramatic \| duke \| governess \| leading lady \| leading man \| room \| trouble
All This, and Heaven Too (1940)	Henriette (Emotional)	1:02:28 - The Duke talks to Henriette	conflict \| conversing \| duke \| governess \| leading lady \| leading man \| romance \| romantic \| room
All This, and Heaven Too (1940)	Henriette (Sweepingly)	1:02:57 - Henriette with tears in her eyes	conflict \| conversing \| duke \| governess \| leading lady \| leading man \| romance \| romantic \| room
All This, and Heaven Too (1940)	Henriette (Agitato)	1:14:39 - The Duke paces anxiously	advance plot \| agitated \| conflicted \| duke \| leading man \| pacing \| pondering \| room \| turbulent
All This, and Heaven Too (1940)	The Duchess (The Letter)	1:14:48 - A letter is pushed under the door	advance plot \| agitated \| conflicted \| duke \| leading man \| letter \| pacing \| pondering \| room \| turbulent
All This, and Heaven Too (1940)	Henriette (Quasi Agitato)	1:17:45 - Henriette paces anxiously	advance plot \| agitated \| conflicted \| gift \| governess \| leading lady \| pacing \| pondering \| room \| turbulent
All This, and Heaven Too (1940)	Rushing	1:19:33 - The Duchess rushes forward	angry \| arguing \| conflict \| desperate \| duchess \| duke \| hurried \| leading lady \| leading man \| room \| rushing
All This, and Heaven Too (1940)	Pleading (Extended 2)	1:19:43 - The Duchess pleads with the Duke	arguing \| conflict \| desperate \| duchess \| duke \| leading lady \| leading man \| room
All This, and Heaven Too (1940)	Desperation (Very Emotional)	1:20:06 - The Duchess threatens the Duke	arguing \| conflict \| desperate \| duchess \| duke \| leading lady \| leading man \| room \| tense \| threatening
All This, and Heaven Too (1940)	Desperation (Sempre Accelerando	1:20:39 - The Duke and Duchess argue	arguing \| conflict \| desperate \| duchess \| duke \| leading lady \| leading man \| panning shot \| room \| screaming \| tense \| threatening
All This, and Heaven Too (1940)	Underscoring (Tense)	1:20:55 - Henriette calms the children down	caretaker \| child \| conflict \| crying \| governess \| leading lady \| room \| tense
All This, and Heaven Too (1940)	Underscoring (Somber)	1:21:26 - The Duke descends the stairs	child \| conflict \| conversing \| crying gesture \| descending \| governess \| leading lady \| room \| somber \| tense
All This, and Heaven Too (1940)	The Duchess (Calm)	1:22:05 - Henriette asks about the Duchess	calm \| conflict \| conversing \| duchess \| duke \| leading lady \| leading man \| room
All This, and Heaven Too (1940)	Henriette (Slowly)	1:22:19 - The Duke bids farewell to Henriette	calm \| conflict \| conversing \| duchess \| duke \| gentle \| leading lady \| leading man \| room
All This, and Heaven Too (1940)	The Duchess (Agitato)	1:34:41 - Henriette rushes away from the Duchess	chattering \| child \| conflict \| conversing \| duchess \| governess \| leading lady \| room \| somber \| worried
All This, and Heaven Too (1940)	Henriette (Tense)	1:47:51 - The Duke argues with Henriette	arguing \| conflict \| duke \| leading lady \| leading man \| room \| tense
All This, and Heaven Too (1940)	The Duchess (Tense)	1:48:04 - Henriette talks with the Duke	arguing \| conflict \| duke \| leading lady \| leading man \| room \| tense
All This, and Heaven Too (1940)	Desperation (Tense)	1:48:14 - The Duke talks with Henriette	conflict \| conversing \| duke \| leading lady \| leading man \| room \| tense
All This, and Heaven Too (1940)	Screwissimo	1:48:47 - The Duke goes mad	conflict \| conversing \| creepy \| disturbing \| duke \| leading lady \| leading man \| madness \| ominous \| room
All This, and Heaven Too (1940)	Desperation (Slow)	1:48:58 - The Duke leaves	conflict \| duke \| leading lady \| leading man \| leaving \| ominous \| room \| tense
All This, and Heaven Too (1940)	Desperation (Subito)	1:52:22 - Soldiers climb the stairs	ascending \| conflict \| landlady \| leading lady \| not mickey-moused \| room \| soldier \| suspect \| tense
All This, and Heaven Too (1940)	The Duchess (Dramatic)	1:52:48 - Soldiers confront Henriette	accusing \| arresting \| conflict \| landlady \| leading lady \| ominous \| realizing \| room \| soldier \| suspect \| tense
All This, and Heaven Too (1940)	Henriette (Dark)	1:52:57 - A police wagon approaches	arresting \| carriage \| conflict \| crowd \| dark \| landlady \| leading lady \| soldier \| street \| suspect
All This, and Heaven Too (1940)	Henriette (Grandioso) + Desperation (Grandioso)	1:53:13 - The police wagon leaves	arresting \| bold \| carriage \| conflict \| conversing \| crowd \| crying \| dark \| landlady \| leading lady \| ominous \| soldier \| street \| suspect \| tense \| testifying
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	NIF - not in film	chromatic parallelism \| chromatic scale \| chromatic sequence \| conflict \| cut from film \| diminished 7th chord \| dissonant bass \| evading \| following \| gangster \| leading man \| linear chromaticism \| setup \| shop \| street \| underscoring \| walking
Angels With Dirty Faces (1938)	Underscoring (Tense)	0:39:58 - Rocky in the drug store	conflict \| conversing \| gangster \| leading man \| ominous \| setup \| shop \| telephone \| tritone \| underscoring
Angels With Dirty Faces (1938)	Pushing forward	0:40:26 - Man pulls a gun on the cashier	advancing \| chromatic parallelism \| chromatic scale \| conflict \| dominant 7th chord \| gangster \| gun \| leading man \| mickey-mousing \| ominous \| pedal tone \| pushing \| shop
Angels With Dirty Faces (1938)	Backing up	0:40:37 - Rocky pulls a gun on the man following him	backing up \| conflict \| gangster \| gun \| leading man \| mickey-mousing \| ominous \| sequence \| shop
Angels With Dirty Faces (1938)	Closes door	0:40:48 - Rocky shuts the phone booth door	closing \| conflict \| door \| gangster \| leading man \| mickey-mousing \| shop \| tense
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	0:40:50 - Gangsters shoot their own man in phone booth	chromatic sequence \| conflict \| death \| diminished 7th chord \| falling \| gangster \| gun \| gunshot \| half-diminished 7th chord \| leading man \| mickey-mousing \| murderer \| polychord \| shooting \| shop \| sneaking \| tense \| voice-exchange
Angels With Dirty Faces (1938)	Sneaking away	0:41:02 - Rocky sneaks away	conflict \| diminished 7th chord \| gangster \| leading man \| mickey-mousing \| shop \| sneaking \| tense
Angels With Dirty Faces (1938)	Crowd rushing	0:41:09 - Crowd rushes to the crime scene	chromatic sequence \| conflict \| crowd \| dissonant bass \| hurrying \| mickey-mousing \| running \| street \| tense
Angels With Dirty Faces (1938)	Underscoring (Tense)	0:41:20 - Police car arrives	arriving \| chromatic parallelism \| chromatic scale \| conflict \| crowd \| dissonant bass \| half-diminished 7th chord \| rushing \| shop \| street \| tense \| underscoring
Angels With Dirty Faces (1938)	Rocky and Laury	0:41:37 - Laury pushes her way through the crowd	altered dominant \| arriving \| close-up \| conflict \| heartbroken \| leading lady \| love interest \| rushing \| sentimental \| shop
Angels With Dirty Faces (1938)	Crowd	0:41:46 - Hustling crowd	chromatic parallelism \| conflict \| crowd \| dissonant bass \| rushing \| street \| tense
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	1:16:29 - Rocky shoots Mac and Frazier	agitated \| attacking \| casino \| chaos \| chasing \| chromatic parallelism \| chromatic scale \| climbing \| conflict \| crowd \| death \| dissonant bass \| dramatic \| dying \| escaping \| falling \| fighting \| gangster \| gun \| gunshot \| half-diminished 7th chord \| hurrying \| jumping \| landing \| lawyer \| leading man \| mickey-mousing \| pedal tone \| police \| rooftop \| room \| running \| sequence \| shooting \| sneaking \| sneaky \| street \| tone cluster \| underscoring
Angels With Dirty Faces (1938)	Mac gets shot	1:16:35 - Mac gets shot and dies	agitated \| chromatic parallelism \| chromatic scale \| conflict \| death \| dramatic \| dying \| falling \| gangster \| gun \| gunshot \| lawyer \| leading man \| mickey-mousing \| room \| shooting
Angels With Dirty Faces (1938)	Frazier gets shot	1:16:56 - Frazier gets shot and dies	agitated \| casino \| chromatic scale \| conflict \| death \| dramatic \| dying \| falling \| gangster \| gun \| gunshot \| lawyer \| leading man \| mickey-mousing \| shooting
Angels With Dirty Faces (1938)	Going down a ladder	1:17:32 - Rocky goes down an escape ladder	agitated \| chromatic scale \| climbing \| conflict \| descending \| down \| dramatic \| escaping \| gangster \| hurrying \| ladder \| leading man \| mickey-mousing \| street
Angels With Dirty Faces (1938)	Going up a ladder	1:17:41 - Rocky climbs up an escape ladder	agitated \| ascending \| chromatic parallelism \| climbing \| conflict \| dramatic \| gangster \| ladder \| leading man \| mickey-mousing \| pedal tone \| sequence \| street \| up
Angels With Dirty Faces (1938)	Running on wall	1:17:55 - Rocky runs on wall	agitated \| chromatic scale \| conflict \| dramatic \| gangster \| half-diminished 7th chord \| leading man \| mickey-mousing \| rooftop \| running \| sequence
Angels With Dirty Faces (1938)	Breaking in	1:18:11 - Rocky enters the building	conflict \| down \| gangster \| jumping \| landing \| leading man \| mickey-mousing \| room \| sneaking \| sneaky
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	1:19:00 - Rocky is trapped in a building	42 chord \| agitated \| chromatic parallelism \| chromatic scale \| conflict \| dissonant bass \| dramatic \| escaping \| fleeing \| gangster \| half-diminished 7th chord \| leading man \| major 7th chord \| police \| running \| sequence \| stairwell \| tone cluster \| underscoring
Angels With Dirty Faces (1938)	Going down stairs	1:19:05 - Rocky runs down the stairs	agitated \| chromatic scale \| conflict \| down \| dramatic \| gangster \| half-diminished 7th chord \| leading man \| mickey-mousing \| running \| stairs \| stairwell
Angels With Dirty Faces (1938)	Going up stairs	1:19:27 - Rocky runs up the stairs	agitated \| chromatic parallelism \| chromatic scale \| conflict \| dissonant bass \| dramatic \| gangster \| leading man \| major 7th chord \| mickey-mousing \| running \| sequence \| stairs \| stairwell \| up
Angels With Dirty Faces (1938)	Tear Gas	1:19:48 - Tear gas spreads throughout the room	agitated \| breaking \| breaking \| breathing \| building \| chromatic parallelism \| chromatic scale \| conflict \| dissonant bass \| dramatic \| gangster \| gun \| gunshot \| hurrying \| leading man \| mickey-mousing \| pedal tone \| police \| quartal chord \| running \| shooting \| smoke \| street \| tear gas \| throwing \| window
Angels With Dirty Faces (1938)	Machine Gun	1:20:24 - Policeman shoots at Rocky with machine gun	agitated \| building \| chromatic parallelism \| conflict \| death \| dramatic \| falling \| gangster \| gun \| gunshot \| hiding \| leading man \| police \| polychord \| shooting \| street \| underscoring
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	1:20:39 - Policemen shoot tear gas in through the window	agitated \| appoggiatura \| building \| conflict \| dramatic \| gangster \| gun \| gunshot \| leading man \| mickey-mousing \| police \| shooting \| street \| tone cluster \| underscoring
Angels With Dirty Faces (1938)	Launching tear gas	1:20:51 - Policemen shoot tear gas in through the window	agitated \| building \| conflict \| dramatic \| gangster \| gun \| gunshot \| launching \| leading man \| mickey-mousing \| police \| shooting \| street \| tear gas \| tone cluster
Angels With Dirty Faces (1938)	Pleading (Extended)	1:21:00 - Jerry arrives on the scene	9th chord \| appoggiatura \| arriving \| chromatic sequence \| circle of fifths \| concerned \| conflict \| crowd \| gun \| gunshot \| hurried \| hurrying \| leading lady \| leading man \| love interest \| polychord \| priest \| pushing \| street \| yearning
Angels With Dirty Faces (1938)	Jerry + Tear Gas	1:21:14 - Rocky staggers through tear gas and Jerry arrives	agitated \| arriving \| building \| chromatic parallelism \| combination of themes \| conflict \| dissonant bass \| dramatic \| gangster \| heroic \| hurrying \| leading man \| mickey-mousing \| priest \| quartal chord \| smoke \| staggering \| street \| tear gas
Angels With Dirty Faces (1938)	Jerry (Pleading)	1:21:26 - Jerry talks to the cops	building \| conflict \| deceptive resolution \| heroic \| hopeful \| leading man \| pleading \| priest \| street
Angels With Dirty Faces (1938)	Tear Gas (Desperate)	1:21:40 - Rocky tries to hold off the cops	agitated \| building \| chromatic parallelism \| chromatic scale \| conflict \| dissonant bass \| dramatic \| gangster \| gun \| gunshot \| leading man \| mickey-mousing \| pedal tone \| police \| priest \| quartal chord \| shooting \| smoke \| staggering \| street \| tear gas
Angels With Dirty Faces (1938)	Jerry (Maestoso)	1:22:13 - Jerry enters the building	building \| conflict \| entering \| foreign key modulation \| heroic \| hopeful \| leading man \| pedal tone \| priest \| street \| walking
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	1:23:10 - Jerry and Rocky confront one another	42 chord \| agitated \| arguing \| building \| conflict \| dramatic \| entering \| gangster \| leading man \| priest \| underscoring \| wedge \| yelling
Angels With Dirty Faces (1938)	Jerry (Agitato)	1:23:21 - Jerry and Rocky talk	agitated \| arguing \| building \| conflict \| diminished 7th chord \| gangster \| leading man \| pedal tone \| priest
Angels With Dirty Faces (1938)	Jerry (Slowly)	1:23:44 - Jerry goes to the window	building \| conflict \| coughing \| gangster \| leading man \| menacing \| priest \| smoke \| tear gas \| walking
Angels With Dirty Faces (1938)	The Gangster (Triste)	1:23:57 - Rocky uses Jerry as a hostage	9th chord \| building \| chromatic parallelism \| conflict \| coughing \| dark \| double-cross \| foreign key modulation \| fragmentation \| gangster \| hostage \| leading man \| linear chromaticism \| major 7th chord \| menacing \| polychord \| priest \| smoke \| somber \| street \| tear gas \| walking
Angels With Dirty Faces (1938)	Jerry (Hostage)	1:25:07 - Rocky pushes Jerry	augmented sixth chord \| conflict \| double-cross \| gangster \| hostage \| leading man \| mysterious \| priest \| pushing \| street \| tense
Angels With Dirty Faces (1938)	Rocky runs	1:25:13 - Rocky makes a run for it	agitated \| chromatic scale \| conflict \| falling \| gangster \| gun \| gunshot \| hostage \| leading man \| octatonic \| priest \| running \| sequence \| shooting \| street \| whole-tone chord
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	1:25:20 - Rocky throws his gun	capturing \| chromatic scale \| conflict \| dissonant bass \| dramatic \| gangster \| gun \| leading man \| police \| sequence \| street \| throwing \| underscoring
Angels With Dirty Faces (1938)	The Gangster (Captured)	1:25:31 - Rocky is captured	capturing \| conflict \| gangster \| leading man \| police \| somber \| street \| taunting
Arsenic and Old Lace (1944)	Underscoring (Dramatic)	1:01:21 - They take Elaine into the cellar	9th chord \| aunt \| bride \| brother \| chromatic scale \| conflict \| crazy person \| darkness \| diminished 7th chord \| doctor \| dramatic \| fear \| fighting \| gagging \| harmonic sequence \| leading lady \| leading man \| metric dissonance \| murderer \| oscillation \| room \| running \| self-borrowing \| struggling \| suspenseful \| underscoring
Arsenic and Old Lace (1944)	Organ Stinger	1:01:40 - Aunts emerge in black upstairs	arguing \| aunt \| brother \| conflict \| crazy person \| leading lady \| leading man \| murderer \| ominous \| room \| stinger
Arsenic and Old Lace (1944)	The Aunts (Frightened)	1:01:49 - Aunts talk to Jonathan	arguing \| aunt \| brother \| conflict \| crazy person \| fear \| fragmentation \| leading lady \| leading man \| murderer \| Neapolitan \| parallel 63s \| pedal tone \| room \| tense
Arsenic and Old Lace (1944)	Molto Agitato	1:29:57 - Jonathan ties Mortimer to a chair	9th chord \| brother \| captive \| chromatic parallelism \| conflict \| crazy person \| diminished 7th chord \| doctor \| dramatic \| fear \| gagging \| leading man \| mickey-mousing \| murderer \| room \| stinger \| tying \| victim
Arsenic and Old Lace (1944)	The Victim	1:30:11 - Mortimer tied up in a chair	brother \| captive \| conflict \| crazy person \| doctor \| fear \| leading man \| murderer \| ominous \| parallel fifths \| quartal chord \| room \| tense \| tone cluster \| torturing \| tritone \| victim
Arsenic and Old Lace (1944)	Knives	1:31:05 - Mortimer looks at the knives	acceleration \| brother \| captive \| chromatic parallelism \| close-up \| conflict \| crazy person \| diminution \| doctor \| fear \| layering \| leading man \| murderer \| ominous \| oscillation \| ostinato \| pc set \| polychord \| room \| tense \| tone cluster \| torturing \| victim
Arsenic and Old Lace (1944)	Panic	1:31:48 - Einstein agrees to do the torture	alcohol \| brother \| captive \| chromatic parallelism \| chromatic scale \| conflict \| crazy person \| doctor \| dramatic \| fear \| leading man \| murderer \| oscillation \| panicked \| panicking \| polychord \| room \| sequence \| split-third chord \| tense \| torturing \| victim
Arsenic and Old Lace (1944)	Scar (Fast)	1:32:11 - Einstein finds some wine	alcohol \| brother \| captive \| conflict \| crazy person \| doctor \| dramatic \| fear \| hurrying \| leading man \| murderer \| panicking \| polychord \| room \| tense \| torturing \| victim
Arsenic and Old Lace (1944)	How Dry I Am (Mysterious)	1:32:25 - Einstein and Jonathan start to drink the wine	alcohol \| brother \| captive \| conflict \| crazy person \| doctor \| drinking \| familiar tune \| fear \| leading man \| murderer \| mysterious \| polychord \| room \| victim \| whole-tone chord
Arsenic and Old Lace (1944)	Underscoring (Tense)	1:32:35 - They toast to Mortimer	alcohol \| brother \| captive \| clinking \| conflict \| crazy person \| doctor \| fear \| glass effect \| leading man \| murderer \| mysterious \| pc set \| polychord \| room \| tense \| toasting \| underscoring \| victim
Arsenic and Old Lace (1944)	Bugle Call	1:32:56 - Teddy plays the bugle	brother \| bugle \| bugle call \| captive \| conflict \| crazy person \| doctor \| dramatic \| fear \| leading man \| murderer \| on-screen music \| playing \| room \| source music \| victim
The Big Sleep (1946)	Underscoring (Tense)	0:51:31 - Joe reacts to the doorbell ringing	blackmailer \| conflict \| conversing \| criminal \| doorbell \| gun \| leading lady \| leading man \| mysterious \| private eye \| room \| suspect \| tense \| underscoring
The Big Sleep (1946)	Sternwood (Threatening)	0:51:52 - Carmen enters holding a gun on Brody	blackmailer \| conflict \| criminal \| dark \| femme fatale \| gun \| leading lady \| leading man \| private eye \| room \| sinister \| stinger \| suspect \| threatening
The Big Sleep (1946)	Underscoring (Dramatic)	0:52:02 - Marlowe pushes Agnes and Joe trips Carmen	blackmailer \| conflict \| criminal \| dramatic \| falling \| femme fatale \| gun \| leading lady \| leading man \| private eye \| room \| suspect \| tense \| tripping \| underscoring
The Big Sleep (1946)	Carmen (Misterioso)	0:52:18 - Joe gives the picture to Marlowe	blackmail \| blackmailer \| conflict \| conversing \| criminal \| evidence \| femme fatale \| leading lady \| leading man \| mysterious \| private eye \| room \| suspect
The Big Sleep (1946)	Sternwood (Extended)	0:52:29 - Carmen asks for her picture back	blackmail \| conflict \| evidence \| femme fatale \| flirting \| leading lady \| leading man \| mysterious \| private eye \| room \| seductive
The Big Sleep (1946)	Carmen (Violent)	0:52:58 - Vivian and Carmen leave	blackmailer \| conflict \| criminal \| femme fatale \| leading lady \| leading man \| leaving \| mysterious \| private eye \| room \| suspect
The Big Sleep (1946)	Slapping	0:53:02 - Carmen slaps Joe with her purse	blackmailer \| conflict \| criminal \| femme fatale \| leading lady \| leading man \| mickey-mousing \| private eye \| room \| slamming \| slapping \| suspect \| tense \| violence
The Big Sleep (1946)	Marlowe (Sinister)	0:58:24 - Marlowe takes Carol to Geiger's house	arriving \| assassin \| conflict \| dark \| gun \| leading man \| murderer \| private eye \| punching \| sinister \| stinger \| street
The Big Sleep (1946)	Liza (All the Clouds'll Roll Away)	1:12:27 - Marlowe leaves the gambling joint	conflict \| criminal \| investigating \| leading lady \| leading man \| love interest \| private eye \| source music \| street \| upbeat
The Big Sleep (1946)	What Are You Doin' the Rest of Your Life	1:14:35 - Marlowe and Vivian leave	conflict \| conversing \| leading lady \| leading man \| love interest \| private eye \| source music \| street \| upbeat
The Big Sleep (1946)	Underscoring (Tense)	1:35:26 - Marlowe talks to two thugs	conflict \| criminal \| investigating \| leading man \| lying \| murderer \| private eye \| shop \| tense \| underscoring
The Big Sleep (1946)	Jones (Suspenseful)	1:35:47 - Marlowe talks to two thugs	conflict \| criminal \| dark \| investigating \| leading man \| lying \| murderer \| mysterious \| private eye \| shop \| suspenseful
The Big Sleep (1946)	Marlowe (Ear Music)	1:36:04 - Marlowe talks to two thugs	conflict \| criminal \| danger \| investigating \| leading man \| lying \| murderer \| mysterious \| private eye \| shop \| tense
The Big Sleep (1946)	Marlowe (Gets Hit)	1:36:20 - The thug punches Marlowe	conflict \| criminal \| danger \| dramatic \| leading man \| mickey-mousing \| murderer \| private eye \| punching \| shop
City for Conquest (1940)	In the Evening	0:45:08 - Peggy in her dressing room	arguing \| boxer \| conflict \| conversing \| crying \| dancer \| dressing room \| leading lady \| leading man \| parallel double period \| punching \| source music \| upbeat
City for Conquest (1940)	A Girl Like You	0:46:49 - Danny in Peggy's dressing room	boxer \| conflict \| crying \| dancer \| dressing room \| leading lady \| leading man \| leaving \| parallel double period \| source music \| upbeat
Crime School (1938)	Underscoring (Tense)	0:08:20 - The kids confront the junk shop owner	attacking \| chromatic scale \| conflict \| death \| diminished 7th chord \| dissonant bass \| fighting \| gang \| mickey-mousing \| ominous \| ostinato \| running \| shop \| shopkeeper \| stairs \| stinger \| teenager \| tense \| underscoring \| up
Crime School (1938)	Attacking	0:08:27 - Spike attacks the junk shop owner	attacking \| conflict \| death \| dramatic \| fighting \| gang \| mickey-mousing \| polychord \| shop \| shopkeeper \| teenager \| tense
Crime School (1938)	Running away	0:09:32 - Kids run away from cops	42 chord \| chasing \| chromatic scale \| conflict \| dramatic \| fleeing \| gang \| mickey-mousing \| police \| running \| street \| teenager \| tense
Crime School (1938)	Underscoring (Tense)	0:09:40 - Spike is captured by the cops	9th chord \| arresting \| capturing \| conflict \| dramatic \| police \| street \| teenager \| tense
Crime School (1938)	Sue (Grazioso)	1:13:10 - Sue and Mark talk in the kitchen	cheerful \| conflict \| conversing \| cooking \| happy \| hero \| heroine \| kitchen \| leading lady \| leading man \| mode mixture \| secondary dominant
Crime School (1938)	Window opening 2	1:13:25 - Frankie opens the window	conflict \| mysterious \| opening \| room \| teenager \| up \| window
Crime School (1938)	Parting curtains	1:13:27 - Frankie parts the curtains	conflict \| curtain \| minor scale \| mysterious \| opening \| parting \| room \| teenager
Crime School (1938)	Sue (Sneaky)	1:13:28 - Frankie sneaks in with his gun	breaking in \| conflict \| distortion \| fragmentation \| gun \| room \| sequence \| sneaking \| teenager \| tense
Crime School (1938)	Sue (Grazioso Mysterioso)	1:13:38 - Frankie confronts Sue and Mark	cheerful \| common-tone diminished 7th \| conflict \| conversing \| deceptive resolution \| dining \| gun \| happy \| hero \| heroine \| leading lady \| leading man \| room \| stick up \| stinger \| teenager \| tone cluster \| whole-tone chord
Crime School (1938)	Underscoring (Tense)	1:14:26 - Mark talks to policeman	chromatic scale \| conflict \| deceptive resolution \| gun \| hero \| heroine \| hiding \| knocking \| leading lady \| leading man \| lying \| mode mixture \| pedal tone \| police \| room \| teenager \| tense \| underscoring
Crime School (1938)	Lights on	1:15:26 - Sue turns the lights on	conflict \| hero \| heroine \| leading lady \| leading man \| light \| mickey-mousing \| room \| tense \| turning on
Crime School (1938)	Underscoring (Dramatic)	1:15:31 - Frankie fights Spike	agitated \| arguing \| chromatic scale \| conflict \| dissonant bass \| fighting \| gang \| hero \| leading man \| sequence \| street \| teenager \| underscoring
They Made Me a Criminal (1939)	Underscoring (Tense)	0:28:51 - The sheriff comes in	conflict \| dark \| diminished 7th chord \| entering \| fear \| leading man \| room \| sheriff \| surprise \| tense \| underscoring
They Made Me a Criminal (1939)	The Fugitive (Excitedly)	0:29:07 - Johnnie talks to the sheriff	anxiety \| anxious \| conflict \| leading man \| linear chromaticism \| lying \| room \| sheriff
They Made Me a Criminal (1939)	The Fugitive (Relieved)	0:29:25 - Johnnie listens to the sheriff	altered dominant \| conflict \| conversing \| leading man \| peaceful \| room \| tranquil
They Made Me a Criminal (1939)	The Fugitive (Leaving)	0:29:45 - Johnnie prepares to leaves	conflict \| foreign key modulation \| leading man \| ranch \| room \| sneaking \| yearning
They Made Me a Criminal (1939)	Jumps out of window	0:30:00 - Johnnie jumps out of the window	conflict \| jumping \| leading man \| mickey-mousing \| ranch \| window
They Made Me a Criminal (1939)	Underscoring (Dramatic)	0:30:01 - Johnnie sneaks away	64 chord \| conflict \| dramatic \| leading man \| mysterious \| ranch \| sneaking
They Made Me a Criminal (1939)	The Ladder	0:30:11 - Tommy sitting on a ladder	cheerful \| chromatic scale \| common-tone diminished 7th \| conflict \| diminished 7th chord \| dissonant bass \| fun \| ladder \| pedal tone \| ranch \| teenager \| working
They Made Me a Criminal (1939)	Ladder falls	0:30:16 - The ladder falls	chromatic scale \| comical \| conflict \| diminished 7th chord \| falling \| ladder \| mickey-mousing \| ranch \| teenager
They Made Me a Criminal (1939)	The Fugitive (Ashamed)	1:03:55 - Johnnie tells them he can't fight	9th chord \| conflict \| dark \| foreign key modulation \| harmonic sequence \| leading lady \| leading man \| lying \| room \| somber \| teenager
They Made Me a Criminal (1939)	On the Make (Dolce)	1:05:13 - Peggy talks to Johnnie	added-note chord \| altered dominant \| arguing \| conflict \| leading lady \| leading man \| linear chromaticism \| lying \| room \| tender
They Made Me a Criminal (1939)	Underscoring (Tense)	1:05:52 - Johnny talks to Peggy	conflict \| dramatic \| half-diminished 7th chord \| harmonic sequence \| leading lady \| leading man \| lying \| room \| tense \| underscoring
They Made Me a Criminal (1939)	On the Make (Heartbreak)	1:06:05 - Johnny talks to Peggy	9th chord \| arguing \| conflict \| dissonant bass \| dramatic \| leading lady \| leading man \| room \| slamming \| somber \| tense
They Made Me a Criminal (1939)	On the Make (Crying)	1:06:29 - Peggy cries after Johnnie leaves	11th chord \| conflict \| crying \| leading lady \| leading man \| room \| somber
They Made Me a Criminal (1939)	The Fugitive (Let Down)	1:06:51 - The boys talk about Johnnie	added-note chord \| arguing \| conflict \| criticizing \| foreign key modulation \| leading man \| room \| somber \| teenager
They Made Me a Criminal (1939)	The Fugitive (Going Away)	1:07:38 - Tommy talks to Johnnie	conflict \| leading man \| lonely \| packing \| room \| somber \| teenager \| thinking
Deep Valley (1947)	Underscoring (Tense)	0:22:23 - Barry pumps water	boss \| conflict \| convict \| father \| guard \| leading lady \| leading man \| mocking \| pumping \| street \| tense \| underscoring
Deep Valley (1947)	Turns, Hits, and Falls	0:22:28 - Barry hits the guard	boss \| conflict \| convict \| dramatic \| falling \| father \| guard \| leading lady \| leading man \| mickey-mousing \| punching \| stinger \| street \| turning \| violence
Deep Valley (1947)	Barry	0:22:35 - Barry threatens the guard	angry \| arguing \| boss \| conflict \| convict \| dramatic \| father \| guard \| leading lady \| leading man \| street \| threatening \| yelling
Deep Valley (1947)	Law (Subtle)	0:22:45 - Barry looks at the guard	arguing \| boss \| conflict \| convict \| father \| guard \| leading lady \| leading man \| street \| tense \| underscoring
Deep Valley (1947)	Love Theme (Molto Expressivo)	0:23:07 - Libby watches them take Barry	boss \| conflict \| convict \| crying \| father \| guard \| leading lady \| leading man \| somber \| street \| watching
Deep Valley (1947)	Law	0:23:19 - Guard taking Barry to a shed	arriving \| conflict \| construction site \| convict \| dark \| guard \| leading man \| march \| stinger \| walking
Deep Valley (1947)	Underscoring (Dramatic)	0:31:10 - Close-up on Libby	arguing \| conflict \| crying \| dark \| dramatic \| father \| leading lady \| lightning \| room \| storm \| tense \| thunder \| underscoring
Deep Valley (1947)	Slap	0:32:20 - Cliff slaps Libby	conflict \| dramatic \| father \| leading lady \| lightning \| mickey-mousing \| room \| slapping \| storm \| thunder \| violence
Deep Valley (1947)	Earthquake	0:32:21 - An earthquake shakes the house	conflict \| dramatic \| earthquake \| father \| leading lady \| lightning \| mother \| room \| rushing \| shaking \| storm \| thunder
Deep Valley (1947)	Libby (Dark)	0:33:17 - Libby walks to her mother's room	conflict \| conversing \| dark \| leading lady \| lightning \| mother \| room \| somber \| storm \| thunder \| walking
Deep Valley (1947)	Libby (Slowly)	0:34:53 - Libby leaves her mother	conflict \| dark \| leading lady \| leaving \| lightning \| mother \| pleading \| room \| somber \| storm \| tense \| thunder
Deep Valley (1947)	Triste (Stormy)	0:35:16 - Shutters shaking in the wind	conflict \| dark \| leading lady \| leaving \| lightning \| mother \| pleading \| room \| somber \| storm \| thunder
Deep Valley (1947)	Libby 2 (Stormy)	0:35:27 - Waves hitting the shore	conflict \| construction site \| crew \| dark \| leading lady \| leaving \| mother \| pleading \| storm \| tense \| waves \| working
Deep Valley (1947)	Barry (Misterioso)	1:27:15 - Libby talks to Barry	agitated \| barn \| conflict \| convict \| dark \| father \| fugitive \| leading lady \| leading man \| love interest \| mysterious \| searching \| worrying
Deep Valley (1947)	Underscoring (Tense)	1:28:00 - Barry prepares to attack	barn \| conflict \| convict \| dark \| fugitive \| leading lady \| leading man \| love interest \| stinger \| tense \| waiting
Deep Valley (1947)	Deep Valley (Slowly)	1:28:11 - Libby climbs the ladder	barn \| conflict \| convict \| descending \| fugitive \| leading lady \| leading man \| love interest \| tense \| uneasy
Deep Valley (1947)	Libby 3 (Tense)	1:28:28 - Libby comes down the ladder	barn \| conflict \| conversing \| convict \| father \| fugitive \| leading lady \| leading man \| love interest \| tense \| uneasy \| walking
Deep Valley (1947)	Deep Valley (Quasi Appassionato)	1:30:51 - Barry looks at Libby	advance plot \| barn \| comforting \| conflicted \| convict \| fugitive \| hopeful \| leading lady \| leading man \| love interest
Dust Be My Destiny (1939)	Dust Be My Destiny (Denied)	0:18:23 - Mabel talks to Joe	conflict \| deceptive resolution \| denial \| expectant \| gentle \| guard \| hopeful \| leading lady \| leading man \| prison \| prisoner \| stinger \| sweet
Dust Be My Destiny (1939)	Dust Be My Destiny (Somber)	0:18:36 - Mabel reacts	conflict \| inversion \| leading lady \| prison \| sigh gesture \| somber
Dust Be My Destiny (1939)	Underscoring (Dark)	0:25:03 - Charlie interrupts the lovers	barn \| chromatic scale \| conflict \| dark \| diminished 7th chord \| hexatonic scale \| leading lady \| leading man \| underscoring \| villain \| warden
Dust Be My Destiny (1939)	Underscoring (Dramatic)	0:25:23 - Charlie grabs Mabel's arm	barn \| chromatic scale \| conflict \| diminished 7th chord \| dramatic \| leading lady \| leading man \| underscoring \| villain \| warden
Dust Be My Destiny (1939)	Dust Be My Destiny (Fight)	0:25:41 - Charlie and Joe fight	42 chord \| barn \| chromatic parallelism \| chromatic scale \| chromatic wedge \| conflict \| dramatic \| fighting \| leading lady \| leading man \| linear chromaticism \| mickey-mousing \| octatonic scale \| punching \| villain \| warden \| whole-tone scale
Dust Be My Destiny (1939)	Dust Be My Destiny (Running Away)	0:25:55 - Joe and Mabel run	64 chord \| barn \| conflict \| diminution \| dramatic \| leading lady \| leading man \| running \| sequence
Dust Be My Destiny (1939)	Running	0:26:05 - Joe and Mabel run	9th chord \| barn \| conflict \| dramatic \| leading lady \| leading man \| mickey-mousing \| octatonic \| running
Dust Be My Destiny (1939)	Underscoring (Dramatic)	0:26:38 - Car drives towards Joe and Mabel	added-note chord \| barn \| conflict \| dissonant bass \| dramatic \| headlights \| passerby \| stinger \| tone cluster \| underscoring
Dust Be My Destiny (1939)	Running away	0:26:45 - Joe and Mabel run away	barn \| conflict \| diminished 7th chord \| dramatic \| leading lady \| leading man \| mickey-mousing \| pedal tone \| runaway \| running
Dust Be My Destiny (1939)	Dust Be My Destiny (Weary)	0:37:38 - They rest by the side of the road	chromatic parallelism \| conflict \| leading lady \| leading man \| resting \| runaway \| street \| tired
Dust Be My Destiny (1939)	Underscoring (Dramatic)	0:38:00 - Joe and Mabel argue	9th chord \| arguing \| conflict \| dissonant bass \| dramatic \| leading lady \| leading man \| runaway \| street \| underscoring
Dust Be My Destiny (1939)	Dust Be My Destiny	0:38:38 - Joe and Mabel part	common-tone diminished 7th \| conflict \| leading lady \| leading man \| leaving \| runaway \| somber \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Parting Ways)	0:38:56 - Joe and Mabel part	altered dominant \| common-tone diminished 7th \| conflict \| dark \| leading lady \| leading man \| leaving \| mode mixture \| pedal tone \| runaway \| somber \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Running)	0:39:33 - Mabel runs across the street	conflict \| leading lady \| leading man \| mickey-mousing \| runaway \| running \| somber \| street \| truck
Dust Be My Destiny (1939)	Dust Be My Destiny (Regret)	0:39:53 - Joe walks away sadly	conflict \| dark \| leading lady \| leading man \| parallelism \| pedal tone \| runaway \| somber \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Radio)	0:52:28 - Mabel in an apartment	conflict \| leading lady \| leading man \| popular song \| radio \| room \| score to source \| somber \| source music
Dust Be My Destiny (1939)	Dust Be My Destiny (Arguing)	0:55:00 - Mabel confronts Joe	agitated \| arguing \| conflict \| dark \| leading lady \| leading man \| parallelism \| pc set \| pleading \| room
Dust Be My Destiny (1939)	Dust Be My Destiny (Not In Film)	NIF - not in film	9th chord \| common-tone diminished 7th \| conflict \| cut from film \| sequence
Dust Be My Destiny (1939)	Underscoring (Tense)	1:09:28 - Mike is confronted by gangsters	bribe \| chromatic parallelism \| conflict \| gangster \| linear chromaticism \| newspaper editor \| street \| tense \| underscoring
Dust Be My Destiny (1939)	Gangsters walk	1:10:26 - The gangsters walk to their car	chromatic parallelism \| chromatic scale \| chromatic sequence \| conflict \| gangster \| mickey-mousing \| newspaper editor \| street \| tense \| walking
Dust Be My Destiny (1939)	Underscoring (Dramatic)	1:10:32 - Joe runs after the car	augmented triad \| chromatic parallelism \| chromatic scale \| conflict \| dramatic \| gangster \| half-diminished 7th chord \| hero \| leading man \| mickey-mousing \| newspaper editor \| running \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Appassionato)	1:12:09 - Mabel and Joe hide from the reporters	conflict \| countermelody \| hero \| hiding \| hospital \| leading lady \| leading man \| passionate \| underscoring
Dust Be My Destiny (1939)	Dust Be My Destiny (Cornered)	1:12:21 - Mabel and Joe decide what to do	9th chord \| conflict \| hero \| hospital \| inversion \| leading lady \| leading man \| pedal tone \| tense
Dust Be My Destiny (1939)	Dust Be My Destiny (Hiding)	1:12:42 - Mabel talks with Joe about surrendering	42 chord \| conflict \| diminished 7th chord \| fragmentation \| hero \| hospital \| leading lady \| leading man \| tense
Dust Be My Destiny (1939)	Dust Be My Destiny (Disagreement)	1:12:59 - Mabel and Joe argue	bright \| conflict \| dark \| foreign key modulation \| hero \| hospital \| leading lady \| leading man
Dust Be My Destiny (1939)	Dust Be My Destiny (Appassionatissimo)	1:13:14 - Joe makes a run for it	chromatic parallelism \| chromatic scale \| climax \| conflict \| diminished 7th chord \| dissonant bass \| escaping \| hospital \| intervallic expansion \| leading lady \| leading man \| runaway \| sequence \| tense
Dust Be My Destiny (1939)	Dust Be My Destiny (Tragico)	1:13:35 - Mabel turns Joe in to the police	confession \| conflict \| dark \| hospital \| leading lady \| leading man \| parallelism \| pedal tone \| suspect \| tragic
Each Dawn I Die (1939)	Newspaper Fanfare	0:04:24 - Sign for "The Banton Record" newspaper office	conflict \| fanfare \| justice \| newspaper office \| noble \| parallelism \| sign
Each Dawn I Die (1939)	Underscoring (Mysterious)	0:04:28 - Frank leaves the newspaper office	close-up \| conflict \| diminished 7th chord \| gangster \| hero \| leading man \| mysterious \| reading \| reporter \| street \| underscoring \| watching
Each Dawn I Die (1939)	Lights match	0:04:40 - Man lights a match on a lamp post	conflict \| gangster \| lighting \| match \| mickey-mousing \| mysterious \| street
Each Dawn I Die (1939)	Creeping	0:04:47 - Two men sneak up behind Frank	chromatic scale \| chromatic sequence \| conflict \| creeping \| gangster \| mickey-mousing \| mysterious \| pizzicato \| sneaking \| street \| walking
Each Dawn I Die (1939)	Underscoring (Dramatic)	0:04:55 - Frank is pushed into a car	car \| chromatic scale \| conflict \| diminished 7th chord \| dissonant bass \| dramatic \| fragmentation \| gangster \| gun \| hero \| kidnapping \| leading man \| pushing \| reporter \| street \| underscoring \| violence
Each Dawn I Die (1939)	Underscoring (Tense)	0:05:11 - Newspaper on the sidewalk	conflict \| dissonant bass \| gangster \| newspaper \| reading \| street \| tense \| underscoring \| whole-tone \| whole-tone chord
Each Dawn I Die (1939)	Underscoring (Dramatic)	0:05:24 - Frank is framed for drunk driving	9th chord \| attacking \| car \| conflict \| diminished 7th chord \| dramatic \| gangster \| hero \| leading man \| minor second \| murder \| pushing \| reporter \| setup \| street \| underscoring \| violence
Each Dawn I Die (1939)	Hits with bottle	0:05:26 - A bottle of alcohol is broken	9th chord \| bottle \| breaking \| conflict \| dramatic \| gangster \| hero \| leading man \| mickey-mousing \| reporter \| street \| violence
Each Dawn I Die (1939)	Car Crash	0:05:40 - Two cars crash	car \| car crash \| chromatic scale \| conflict \| crashing \| explosion \| frantic \| hero \| leading man \| metric dissonance \| minor second \| reporter \| street \| tone cluster
Each Dawn I Die (1939)	Confusion	0:05:43 - Frank sits confused in car after crash	accusing \| car \| car crash \| chromatic parallelism \| chromatic scale \| conflict \| confused \| crowd \| dissonant bass \| fire \| glass \| half-diminished 7th chord \| hero \| injury \| leading man \| reporter \| running \| street \| yelling
Each Dawn I Die (1939)	Underscoring (Dramatic)	0:06:06 - Crowd accuses Frank of murder	9th chord \| accusing \| car crash \| conflict \| crowd \| dissonant bass \| dramatic \| hero \| injury \| leading man \| linear chromaticism \| police \| reporter \| sequence \| shaking \| street \| underscoring \| yelling
Flamingo Road (1949)	Agitato	0:39:09 - Lane storms off angrily	agitated \| angry \| chromatic parallelism \| chromatic scale \| chromatic wedge \| conflict \| hurrying \| leading lady \| self-borrowing \| sheriff \| street \| walking
Flamingo Road (1949)	Titus 2 (Walking)	0:39:17 - Lane storms off angrily	agitated \| angry \| chromatic parallelism \| conflict \| diminished 7th chord \| hurrying \| leading lady \| mickey-mousing \| self-borrowing \| sheriff \| street \| walking
Flamingo Road (1949)	Titus (Setup)	0:39:31 - A car follows Lane	conflict \| dark \| leading lady \| police \| self-borrowing \| setup \| street \| walking
Flamingo Road (1949)	Titus + Agitato (Extended)	0:39:55 - Police take Lane away	arresting \| combination of themes \| conflict \| driving \| leading lady \| police \| self-borrowing \| street \| tense \| turbulent
Flamingo Road (1949)	If I Could Be With You (Dramatic)	1:11:05 - Boldon Lumber Company	conflict \| dark \| dramatic \| driving \| foreshadowing \| half-diminished 7th chord \| sheriff \| street
Flamingo Road (1949)	Underscoring (Tense)	1:11:26 - Field drinks	alcohol \| arriving \| bullying \| conflict \| dramatic \| drinking \| leading man \| linear chromaticism \| politician \| room \| sheriff \| underscoring
Flamingo Road (1949)	Titus (Ominous)	1:11:44 - Titus argues with Field	arguing \| bullying \| conflict \| drinking \| leading man \| mysterious \| politician \| room \| self-borrowing \| sheriff \| tense
Flamingo Road (1949)	Underscoring (Tense)	1:11:51 - Titus argues with Field	arguing \| bullying \| conflict \| drinking \| leading man \| politician \| room \| sheriff \| tense \| underscoring
Flamingo Road (1949)	The Sheriff	1:12:01 - Titus stands and walks	arguing \| bullying \| chromatic parallelism \| conflict \| dark \| leading man \| mickey-mousing \| ominous \| politician \| room \| self-borrowing \| sheriff \| standing
Flamingo Road (1949)	Throwing whiskey and glass	1:12:08 - Titus throws whiskey in Field's face	alcohol \| breaking \| bullying \| conflict \| dramatic \| glass \| leading man \| mickey-mousing \| politician \| room \| sheriff \| slamming \| splashing \| throwing \| tone cluster \| whole-tone scale
Flamingo Road (1949)	Titus (Violent)	1:12:11 - Titus and Field argue	arguing \| bullying \| conflict \| dark \| leading man \| ominous \| politician \| room \| self-borrowing \| sheriff \| violent
Flamingo Road (1949)	Underscoring (Dramatic)	1:12:17 - Titus grabs Field and pushes him	bullying \| conflict \| dramatic \| leading man \| politician \| pushing \| room \| sheriff \| throwing \| underscoring \| violent
Flamingo Road (1949)	Anger	1:12:20 - Titus and Field face off	angry \| arguing \| bullying \| chromatic parallelism \| chromatic wedge \| conflict \| leading man \| pc set \| politician \| room \| self-borrowing \| sheriff \| tense
Flamingo Road (1949)	Rising Anger	1:12:26 - Titus throws open the door	angry \| arguing \| bullying \| chromatic parallelism \| conflict \| diminished 7th chord \| leading man \| politician \| room \| self-borrowing \| sheriff
Flamingo Road (1949)	Underscoring (Dramatic)	1:12:32 - Titus throws Field out the door	augmented triad \| bullying \| chromatic parallelism \| conflict \| dark \| dramatic \| leading man \| politician \| polychord \| pushing \| room \| sheriff \| throwing \| underscoring
Flamingo Road (1949)	Breaking door	1:12:39 - Titus breaks the glass door	breaking \| bullying \| conflict \| door \| dramatic \| leading man \| mickey-mousing \| politician \| polychord \| room \| sheriff \| smashing \| window
Flamingo Road (1949)	Titus (Ostinato)	1:17:09 - Dan looks at some papers	brooding \| conflict \| dark \| hopeful \| husband \| leading lady \| leading man \| ominous \| politician \| room \| self-borrowing \| wife
Flamingo Road (1949)	Lane (Tragic)	1:18:10 - Lane talks to Dan about Titus	angry \| anxious \| conflict \| conversing \| husband \| leading lady \| leading man \| ostinato \| politician \| room \| tragic \| wife
Flamingo Road (1949)	If I Could Be With You (Tragic)	1:18:35 - Lane tells Dan about Field	confessing \| conflict \| diminished 7th chord \| husband \| leading lady \| leading man \| love \| politician \| room \| tragic \| wife
Flamingo Road (1949)	Flamingo Road (Agitato)	1:18:50 - Dan gets upset with Lane	9th chord \| accusing \| angry \| augmented sixth chord \| conflict \| fragmentation \| husband \| leading lady \| leading man \| politician \| quartal chord \| room \| self-borrowing \| wife
Flamingo Road (1949)	Appassionato	1:19:10 - Dan argues with Lane	arguing \| chromatic parallelism \| conflict \| diminished 7th chord \| harmonic sequence \| husband \| leading lady \| leading man \| passionate \| politician \| room \| wife \| yearning
Flamingo Road (1949)	Flamingo Road (Molto Expressivo)	1:19:32 - Dan leaves	conflict \| husband \| leading lady \| leading man \| leaving \| politician \| room \| self-borrowing \| tragic \| wife
Flamingo Road (1949)	Flamingo Road (Triste)	1:19:43 - Lane watches Dan leave	altered dominant \| conflict \| husband \| leading lady \| leading man \| politician \| room \| self-borrowing \| somber \| waiting \| wife
Flamingo Road (1949)	Somber Phone Call	1:19:54 - Dan calls Lane from the station	calling \| conflict \| half-diminished 7th chord \| husband \| leading lady \| leading man \| politician \| somber \| tone cluster \| train station \| wife
Flamingo Road (1949)	Titus (Triste 2)	1:20:10 - Dan and Lane talk on the phone	calling \| conflict \| husband \| leading lady \| leading man \| politician \| room \| somber \| train station \| wife
Her Kind of Man (1946)	Underscoring (Somber)	0:44:48 - Georgia leaves	arguing \| conflict \| departing \| gambler \| leading lady \| leading man \| love interest \| room \| somber \| underscoring
Her Kind of Man (1946)	Underscoring (Dramatic [Deutsch])	0:51:26 - Don shoves Candy	arguing \| conflict \| criminal \| departing \| dramatic \| fighting \| gambler \| henchman \| leading man \| reporter \| room \| underscoring
In This Our Life (1942)	Asa (Triste)	0:21:45 - Asa arrives home	arriving \| conflict \| father \| leading lady \| room \| solemn \| somber \| tense
In This Our Life (1942)	Stanley (Con Moto)	0:22:19 - Roy talks about Stanley's letter	angry \| bitter \| conflict \| conversing \| father \| leading lady \| letter \| room
In This Our Life (1942)	Roy (Risoluto)	0:22:40 - Roy talks to Asa	conflict \| conversing \| father \| gentle \| leading lady \| room
In This Our Life (1942)	Expressivo (Extended)	0:22:51 - Roy talks to Asa	conflict \| conversing \| expressive \| father \| leading lady \| room
In This Our Life (1942)	Roy (Grazioso)	0:23:08 - Roy looks at herself in the mirror	conflict \| conversing \| father \| leading lady \| mysterious \| room
In This Our Life (1942)	Caring	0:23:19 - Asa talks to Roy	conflict \| conversing \| father \| leading lady \| room \| sentimental \| underscoring
In This Our Life (1942)	Asa (Ostinato)	0:23:26 - Asa talks to Roy	conflict \| conversing \| dark \| father \| leading lady \| room \| serious
In This Our Life (1942)	Asa (Molto Expressivo)	0:23:49 - Roy leaves	conflict \| dark \| father \| leading lady \| leaving \| room \| somber
In This Our Life (1942)	Blues in the Night	0:42:47 - Stanley puts a record on the phonograph	arguing \| blues \| conflict \| leading lady \| leading man \| record player \| room \| source music \| upbeat
In This Our Life (1942)	Uncle Fitzroy	1:04:26 - Uncle Fitzroy talks to Stanley	conflict \| conversing \| crying \| dancing \| flirting \| leading lady \| room \| solemn \| uncle \| widow
In This Our Life (1942)	Anger	1:04:56 - Stanley gets angry	angry \| arguing \| conflict \| leading lady \| leaving \| room \| running \| tense \| uncle \| upset \| widow \| yelling
In This Our Life (1942)	Stanley (Packing)	1:14:36 - Newspaper headline about the accident	arriving \| conflict \| conversing \| headline \| lawyer \| leading lady \| leading man \| mysterious \| newspaper \| office
In This Our Life (1942)	Underscoring (Tense)	1:15:04 - Craig refuses Parry's case	conflict \| conversing \| denying \| lawyer \| leading lady \| leading man \| office \| ominous \| refusing \| tritone \| underscoring
In This Our Life (1942)	Stanley (Molto Accell)	1:15:15 - Craig talks about Stanley	anxious \| conflict \| conversing \| defending \| denying \| lawyer \| leading lady \| leading man \| office \| refusing \| tense
In This Our Life (1942)	Roy (Molto Modto)	1:15:51 - Roy leaves	angry \| conflict \| lawyer \| leading lady \| leading man \| leaving \| office
In This Our Life (1942)	Stanley (Slowly)	1:16:07 - Craig reads a note	conflict \| lawyer \| leading man \| note \| office \| sentimental \| thinking
In This Our Life (1942)	Autumn Nocturne	1:17:45 - Stanley puts on a record	accusing \| arguing \| conflict \| criminal \| defending \| leading lady \| lying \| popular music \| record player \| room \| sentimental \| source music
In This Our Life (1942)	Underscoring (Tense)	1:20:10 - Craig's car pulls up to the jail	arriving \| car \| car \| conflict \| conversing \| criminal \| lawyer \| leading lady \| leading man \| street \| tense \| underscoring \| uneasy
In This Our Life (1942)	Stanley (Slowly 2)	1:20:46 - Men playing checkers	checkers \| conflict \| criminal \| dark \| game \| lawyer \| leading lady \| leading man \| playing \| prison \| prisoner \| somber \| suspect \| victim
In This Our Life (1942)	Underscoring (Somber)	1:21:07 - Parry in his jail cell	conflict \| conversing \| criminal \| lawyer \| leading lady \| leading man \| prison \| prisoner \| somber \| suspect \| underscoring \| victim
In This Our Life (1942)	Minerva and Parry	1:21:28 - Parry in his jail cell	conflict \| conversing \| criminal \| lawyer \| leading lady \| leading man \| lying \| prison \| prisoner \| somber \| suspect \| tender \| testifying \| victim
In This Our Life (1942)	Minerva and Parry (Triste)	1:22:39 - Parry talks to Stanley	conflict \| conversing \| criminal \| lawyer \| leading lady \| leading man \| lying \| prison \| prisoner \| solemn \| somber \| suspect \| testifying \| victim
In This Our Life (1942)	Stanley Introduction (Extended 4)	1:23:09 - Stanley and Craig leave the jail	car \| conflict \| criminal \| lawyer \| leading lady \| leading man \| leaving \| street \| tense
In This Our Life (1942)	London Bridge is Falling Down (Molto Expressivo)	1:23:33 - Craig talks to Stanley	car \| children's song \| conflict \| conversing \| criminal \| familiar tune \| lawyer \| leading lady \| leading man \| somber
In This Our Life (1942)	London Bridge is Falling Down (Mysterious)	1:23:45 - Craig and Stanley argue	car \| children's song \| conflict \| conversing \| criminal \| familiar tune \| lawyer \| leading lady \| leading man \| lying \| mysterious \| ominous
In This Our Life (1942)	Stanley (Something Screwey)	NIF - not in film	conflict \| cut from film
In This Our Life (1942)	Anger (Agitato)	1:31:34 - Stanley yells at her uncle	agitated \| angry \| arguing \| conflict \| criminal \| distressed \| leading lady \| room \| uncle \| yelling
In This Our Life (1942)	Maestoso	1:31:51 - Stanley runs off crying	conflict \| criminal \| crying \| departing \| dramatic \| leading lady \| room \| running \| street \| uncle \| yelling
In This Our Life (1942)	Stanley B (Agitato Extended)	1:32:15 - Stanley hides from the police	agitated \| conflict \| criminal \| hiding \| leading lady \| mysterious \| police \| room \| running \| rushing \| street
In This Our Life (1942)	Underscoring (Dramatic)	1:32:30 - Stanley dashes through the gate	conflict \| criminal \| dramatic \| hiding \| leading lady \| police \| running \| rushing \| street \| underscoring
In This Our Life (1942)	Police (Chase)	1:32:36 - Stanley runs for her car	conflict \| criminal \| driving \| fleeing \| hiding \| leading lady \| police \| running \| rushing \| street \| tense
Key Largo (1948)	Rocco 3 (Misterioso)	0:28:45 - Sawyer starts moaning in the other room	boss \| conflict \| gangster \| gun \| hostage \| hotel \| leading lady \| leading man \| menacing \| mysterious \| threatening
Key Largo (1948)	Tension	0:28:58 - Sawyer stands up	conflict \| gangster \| hostage \| hotel \| menacing \| mysterious \| police \| standing
Key Largo (1948)	Rocco 3 (Heavily)	0:29:04 - Sawyer enters the room	conflict \| gangster \| hostage \| hotel \| menacing \| police \| stumbling
Key Largo (1948)	Rocco 3 (Agitato)	0:29:15 - Toots trips Sawyer	conflict \| falling \| gangster \| hostage \| hotel \| menacing \| mickey-mousing \| police \| rolling \| tripping
Key Largo (1948)	Rocco 2 (Slowly) + McCloud (Tritone)	0:32:57 - McCloud quotes FDR	angry \| boss \| combination of themes \| conflict \| conversing \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| mysterious \| quoting \| stinger
Key Largo (1948)	Underscoring (Dramatic)	0:33:17 - Mr. Temple rises to attack Rocco	angry \| arguing \| attacking \| boss \| conflict \| dramatic \| father \| gangster \| hostage \| hotel \| laughing \| leading lady \| leading man \| tense \| underscoring
Key Largo (1948)	Falling	0:33:38 - Mr. Temple falls to the ground	angry \| boss \| conflict \| dramatic \| falling \| father \| gangster \| hostage \| hotel \| landing \| leading lady \| leading man \| mickey-mousing \| tense
Key Largo (1948)	Underscoring (Dramatic)	0:33:43 - Nora rises to attack Rocco	angry \| attacking \| boss \| conflict \| dramatic \| father \| gangster \| hitting \| horror \| hostage \| hotel \| kissing \| leading lady \| leading man \| tense \| underscoring \| violence
Key Largo (1948)	Rocco 2	0:33:53 - Rocco talks to Nora	boss \| conflict \| dangerous \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| mysterious \| threatening
Key Largo (1948)	McCloud (Tragic)	0:34:05 - McCloud and Nora help Mr. Temple up	boss \| conflict \| father \| gangster \| helping \| hostage \| hotel \| leading lady \| leading man \| mode change \| solemn \| somber
Key Largo (1948)	Rocco 3	0:39:45 - Rocco looks at Nora	boss \| conflict \| creepy \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| mysterious \| tense \| watching
Key Largo (1948)	Rocco Whispers	0:39:53 - Rocco whispers to Nora	boss \| conflict \| creepy \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| mickey-mousing \| mysterious \| tense \| whispering
Key Largo (1948)	Rocco 3	0:40:06 - Rocco follows Nora	boss \| conflict \| creepy \| father \| following \| gangster \| hostage \| hotel \| leading lady \| leading man \| mysterious \| tense
Key Largo (1948)	Rocco Whispers	0:40:10 - Rocco whispers to Nora	boss \| conflict \| creepy \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| mickey-mousing \| mysterious \| tense \| whispering
Key Largo (1948)	Underscoring (Dramatic)	0:40:21 - Nora spits in Rocco's face	angry \| boss \| conflict \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| spitting \| staring \| stinger \| underscoring
Key Largo (1948)	McCloud (Dissonant)	0:40:25 - McCloud walks over to Nora	angry \| boss \| conflict \| dramatic \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| protecting
Key Largo (1948)	Rocco 3 (Angry)	0:40:32 - Rocco gets angry	angry \| boss \| conflict \| dramatic \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| stinger \| taunting
Key Largo (1948)	Rocco 2 (Agitato)	0:46:26 - Look of horror on Gaye's face	boss \| conflict \| father \| fear \| gangster \| horror \| hostage \| hotel \| leading lady \| leading man \| look of horror \| moll \| stinger \| watching
Key Largo (1948)	Underscoring (Tense)	0:46:30 - Rocco tells McCloud to shoot him	boss \| conflict \| conversing \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| moll \| tense \| underscoring
Key Largo (1948)	Rocco 3 (Shrill)	0:46:38 - Rocco mocks McCloud	boss \| conflict \| dangerous \| father \| gangster \| gun \| hostage \| hotel \| leading lady \| leading man \| moll \| tense \| threatening
Key Largo (1948)	Tension (Violent)	0:46:44 - McCloud decides whether to shoot	boss \| conflict \| dangerous \| father \| gangster \| gun \| hostage \| hotel \| leading lady \| leading man \| moll \| tense \| threatening \| violence \| violent
Key Largo (1948)	Rocco + Tension	0:46:48 - Rocco's grinning face	boss \| combination of themes \| conflict \| dangerous \| father \| gangster \| gun \| hostage \| hotel \| leading lady \| leading man \| moll \| staring \| tense \| threatening \| violence \| violent
Key Largo (1948)	Rocco 3 + Tension + Laughing	0:46:53 - Gangsters laugh at McCloud	boss \| combination of themes \| conflict \| dangerous \| father \| gangster \| gun \| hostage \| hotel \| laughing \| leading lady \| leading man \| mocking \| moll \| tense \| violence \| violent
Key Largo (1948)	Tosses gun	0:47:06 - McCloud tosses the gun onto a chair	boss \| conflict \| father \| gangster \| gun \| hostage \| hotel \| leading lady \| leading man \| mickey-mousing \| moll \| tense \| tossing \| violence
Key Largo (1948)	Rocco 3 (Extended)	0:47:08 - Mr. Temple asks for the gun	boss \| conflict \| dangerous \| father \| gangster \| gun \| hostage \| hotel \| leading lady \| leading man \| moll \| staring \| tense \| threatening \| violence \| violent
Key Largo (1948)	McCloud (Triste)	0:47:23 - Rocco mocks McCloud	boss \| conflict \| conversing \| father \| gangster \| gun \| hostage \| hotel \| leading lady \| leading man \| mode change \| moll \| serious \| somber
Key Largo (1948)	Scrambling	0:47:31 - Deputy runs for the gun	boss \| conflict \| dangerous \| father \| gangster \| gun \| hostage \| hotel \| leading lady \| leading man \| mickey-mousing \| moll \| running \| scrambling \| tense \| violent
Key Largo (1948)	Rocco (Conflict)	0:47:39 - Gaye looks terrified	boss \| conflict \| danger \| father \| fear \| gangster \| gun \| horror \| hostage \| hotel \| leading lady \| leading man \| look of horror \| moll \| staring \| stinger \| threatening \| violence
Key Largo (1948)	Underscoring (Dramatic)	0:48:10 - Rocco shoots Deputy Sawyer	boss \| conflict \| death \| dramatic \| father \| fear \| gangster \| gun \| gunshot \| horror \| hostage \| hotel \| leading lady \| leading man \| look of horror \| moll \| shooting \| stinger \| tense
Key Largo (1948)	Falling and dying	0:48:19 - Deputy Sawyer falls dead off-screen	boss \| conflict \| death \| dramatic \| dying \| falling \| father \| gangster \| gun \| gunshot \| hostage \| hotel \| leading lady \| leading man \| mickey-mousing \| moll \| tense
Key Largo (1948)	Rocco 2 (Misterioso)	1:13:37 - The sheriff leaves	boss \| conflict \| gangster \| hotel \| lying \| menacing \| police
Key Largo (1948)	Sheriff Leaves	1:13:51 - Rocco waits for the sheriff to leave	boss \| conflict \| deception \| gangster \| hotel \| leaving \| nervous \| police \| tense
Key Largo (1948)	Rocco 2 (Dead Body)	1:14:20 - Sheriff discovers the dead body	alarmed \| conflict \| corpse \| discovering \| horror \| hotel \| mickey-mousing \| murder \| police \| rolling
Key Largo (1948)	Underscoring (Dramatic)	1:14:48 - Sheriff finds out that it is Sawyer	conflict \| corpse \| discovering \| dramatic \| hotel \| murder \| realizing \| sheriff \| tense \| underscoring
Key Largo (1948)	Rocco (Tense)	1:15:03 - Rocco claims the Indians murdered Sawyer	angry \| boss \| conflict \| dock \| gangster \| lying \| murder \| police \| tense \| violent
Key Largo (1948)	Underscoring (Dramatic)	1:15:32 - Sheriff runs to talk to the Indians	conflict \| dock \| dramatic \| running \| sheriff \| underscoring
Key Largo (1948)	Underscoring (Tense)	1:15:37 - Sheriff approaches Indians	conflict \| dock \| Indian \| searching \| sheriff \| tense \| underscoring
Key Largo (1948)	Rocco 2 (Setup)	1:15:43 - Indians run from the sheriff	conflict \| death \| dock \| fleeing \| gun \| gunshot \| menacing \| running \| setup \| sheriff \| shooting \| tense \| violent
Key Largo (1948)	Underscoring (Dramatic)	1:35:14 - McCloud shoots Rocco	boat \| boss \| conflict \| death \| dramatic \| dying \| falling \| gangster \| gun \| gunshot \| leading man \| mickey-mousing \| shooting \| stinger \| tense
Key Largo (1948)	Climbing down	1:35:31 - McCloud climbs down	boat \| climbing \| conflict \| descending \| leading man \| mickey-mousing \| mysterious \| tense
Key Largo (1948)	Tension (The Boat 2)	1:35:44 - McCloud steers the boat	boat \| conflict \| hopeful \| leading man \| steering \| tense
Key Largo (1948)	Hope	1:36:11 - McCloud calls for help on the radio	boat \| calling \| conflict \| hopeful \| leading man \| radio \| steering
The Letter (1940)	Mrs. Hammond (Slowly)	0:57:27 - Howard and Leslie walk into the back room	antagonist \| Chinatown \| Chinese \| Chinese \| conflict \| lawyer \| leading lady \| mysterious \| pentatonic \| quintal chord \| shop \| walking
The Letter (1940)	Glass Curtains	0:59:08 - Mrs. Hammond enters through the glass curtain	antagonist \| Chinatown \| Chinese \| chromatic scale \| conflict \| curtain \| entering \| glass \| lawyer \| layering \| leading lady \| mirroring \| mysterious \| ostinato \| parallelism \| pc set \| polyrhythm \| shop \| staring \| tense \| tinkling \| tone cluster \| waiting \| whole-tone \| whole-tone chord
The Letter (1940)	Mrs. Hammond + Glass Curtains	1:00:13 - Leslie faces Mrs. Hammond	antagonist \| Chinatown \| Chinese \| Chinese \| chromatic scale \| combination of themes \| conflict \| conversing \| curtain \| glass \| lawyer \| layering \| leading lady \| mirroring \| mysterious \| ostinato \| parallelism \| paying \| pc set \| pentatonic \| polyrhythm \| shop \| staring \| tense \| tinkling \| tone cluster \| waiting \| whole-tone \| whole-tone chord
The Letter (1940)	Leslie + Glass Curtains	1:01:27 - Leslie removes her shawl	antagonist \| Chinatown \| Chinese \| Chinese \| chromatic scale \| combination of themes \| conflict \| conversing \| curtain \| glass \| lawyer \| layering \| leading lady \| mirroring \| mysterious \| oscillation \| ostinato \| parallelism \| pc set \| polyrhythm \| sequence \| shop \| staring \| tense \| tinkling \| tone cluster \| waiting \| whole-tone \| whole-tone chord
The Letter (1940)	Leslie B + Glass Curtains	1:01:57 - Leslie approaches Mrs. Hammond	antagonist \| Chinatown \| Chinese \| chromatic scale \| combination of themes \| conflict \| confronting \| curtain \| glass \| lawyer \| layering \| leading lady \| mirroring \| mysterious \| ostinato \| parallelism \| pc set \| polyrhythm \| sequence \| shop \| staring \| tense \| tinkling \| tone cluster \| walking \| whole-tone \| whole-tone chord
The Letter (1940)	Glass Curtains	1:02:21 - Leslie faces Mr. Hammond	antagonist \| Chinatown \| Chinese \| chromatic scale \| conflict \| confronting \| curtain \| glass \| lawyer \| layering \| leading lady \| mirroring \| mysterious \| ostinato \| parallelism \| pc set \| polyrhythm \| shop \| staring \| tense \| tinkling \| tone cluster \| whole-tone \| whole-tone chord
The Letter (1940)	Mrs. Hammond (Contempt) + Glass Curtains	1:02:40 - Leslie stoops down to pick up the letter	antagonist \| Chinatown \| Chinese \| Chinese \| chromatic scale \| combination of themes \| conflict \| confronting \| contempt \| curtain \| glass \| lawyer \| layering \| leading lady \| mirroring \| mysterious \| ostinato \| parallelism \| pc set \| pentatonic \| polyrhythm \| shop \| staring \| stooping \| tense \| tinkling \| tone cluster \| whole-tone \| whole-tone chord
The Letter (1940)	Leslie B (Dark) + Glass Curtains	1:02:50 - Leslie looks at the letter	antagonist \| Chinatown \| Chinese \| chromatic scale \| combination of themes \| conflict \| confronting \| curtain \| dark \| glass \| lawyer \| layering \| leading lady \| mirroring \| mysterious \| ostinato \| parallelism \| pc set \| polyrhythm \| sequence \| shop \| staring \| tense \| tinkling \| tone cluster \| whole-tone \| whole-tone chord
The Letter (1940)	Mrs. Hammond (Solemn) + Glass Curtains	1:03:08 - Leslie and Howard leave	antagonist \| Chinatown \| Chinese \| Chinese \| chromatic scale \| combination of themes \| conflict \| curtain \| glass \| lawyer \| layering \| leading lady \| mirroring \| mysterious \| ostinato \| parallelism \| pc set \| pentatonic \| polyrhythm \| shop \| solemn \| staring \| tinkling \| tone cluster \| whole-tone \| whole-tone chord
The Letter (1940)	Leslie (Restless)	1:14:42 - Robert asks about the letter	arguing \| conflict \| fragmentation \| home \| husband \| lawyer \| leading lady \| lying \| major 7th chord \| sequence \| tense
The Letter (1940)	Leslie (Wild)	1:14:57 - Robert waits for a response	9th chord \| arguing \| augmented major 7th chord \| chromatic parallelism \| conflict \| distress \| fragmentation \| home \| husband \| lawyer \| leading lady \| lying \| sequence \| tense
The Letter (1940)	Distress	1:15:08 - Robert confronts the lawyer	9th chord \| arguing \| conflict \| dissonant bass \| distress \| home \| husband \| lawyer \| leading lady \| tense
The Letter (1940)	Leslie (Molto Agitato)	1:15:28 - Robert argues with Leslie	arguing \| chromatic parallelism \| conflict \| distress \| home \| husband \| lawyer \| leading lady \| oscillation \| pc set \| sequence \| tense
The Letter (1940)	Underscoring (Dramatic)	1:15:45 - Robert asks to see the letter	arguing \| augmented triad \| conflict \| diminished 7th chord \| dramatic \| home \| husband \| lawyer \| leading lady \| letter \| pc set \| sequence \| tense \| underscoring
The Letter (1940)	Robert and Leslie (Tragic)	1:16:14 - Leslie tells Howard to give Robert the letter	conflict \| home \| husband \| lawyer \| leading lady \| letter \| love theme \| reading \| somber \| tense
The Letter (1940)	Leslie (Confession)	1:16:36 - Leslie confesses to Robert	confessing \| conflict \| dark \| half-diminished 7th chord \| home \| husband \| lawyer \| leading lady \| letter \| ostinato \| recounting \| sequence \| serious \| tritone \| tritone oscillation
The Letter (1940)	Mrs. Hammond (Confession)	1:17:35 - Leslie confesses to Robert	Chinese \| confessing \| conflict \| home \| husband \| lawyer \| leading lady \| letter \| open fifth \| parallel fifths \| parallelism \| pentatonic \| recounting \| serious \| somber \| tritone oscillation
The Letter (1940)	Leslie (Rising) + Deception	1:17:52 - Leslie confesses to Robert	augmented triad \| chromatic parallelism \| combination of themes \| confessing \| conflict \| dramatic \| home \| husband \| lawyer \| leading lady \| letter \| oscillation \| ostinato \| recounting \| sequence \| tense
The Letter (1940)	Leslie (Tragic)	1:17:59 - Leslie confesses to Robert	changing meter \| confessing \| conflict \| dramatic \| home \| husband \| lawyer \| leading lady \| letter \| murder \| oscillation \| recounting \| sequence \| sequential modulation \| suspension
The Letter (1940)	Leslie B (Ethereal)	1:18:13 - Leslie confesses to Robert	chromatic sequence \| confessing \| conflict \| dramatic \| home \| husband \| lawyer \| leading lady \| letter \| murder \| oscillation \| recounting \| sequence
The Letter (1940)	Leslie (Dramatic)	1:18:32 - Leslie confesses to Robert	confessing \| conflict \| crying \| dramatic \| half-diminished 7th chord \| home \| husband \| lawyer \| leading lady \| letter \| murder \| oscillation \| recounting \| sequence
The Letter (1940)	Robert and Leslie (Mournful)	1:19:00 - Robert cries after hearing the confession	conflict \| crying \| crying gesture \| home \| husband \| lawyer \| leading lady \| letter \| love theme \| mournful \| murder \| pedal tone \| retardation \| sad \| suspension
Mildred Pierce (1945)	Mazurka in B-Flat Major (Tense)	0:38:47 - Veda plays a Chopin Mazurka	arguing \| child \| classical music \| common-tone diminished 7th \| conflict \| familiar tune \| half-diminished 7th chord \| heroine \| leading lady \| on-screen music \| playing \| quotation \| room \| scored source music \| source music \| tense \| upbeat \| waltz
Mildred Pierce (1945)	Secret Revealed	0:39:10 - Mildred argues with Veda	angry \| arguing \| child \| chromatic parallelism \| chromatic scale \| chromatic wedge \| conflict \| harsh \| heroine \| leading lady \| linear chromaticism \| octatonic chord \| room \| tense
Mildred Pierce (1945)	Mildred (Appassionato)	0:39:22 - Mildred argues with Veda	angry \| arguing \| child \| chromatic scale \| conflict \| foreign key modulation \| heroine \| leading lady \| raising \| room \| standing \| tense \| whole-tone scale
Mildred Pierce (1945)	Mildred raises Veda	0:39:22 - Mildred lifts her daughter up by the arm	angry \| arguing \| child \| conflict \| heroine \| leading lady \| mickey-mousing \| raising \| room \| standing \| tense \| whole-tone scale
Mildred Pierce (1945)	Mildred B (Angry)	0:39:30 - Mildred argues with Veda	11th chord \| angry \| arguing \| child \| conflict \| fragmentation \| heroine \| leading lady \| room \| slapping \| tense
Mildred Pierce (1945)	Mildred (Regretful)	0:39:37 - Mildred regrets slapping Veda	apologizing \| child \| chromatic mediant \| conflict \| foreign key modulation \| heroine \| hopeful \| leading lady \| mode mixture \| Neapolitan \| regretting \| room \| somber \| tritone
Mildred Pierce (1945)	Kay and Veda (Hopeful)	0:40:09 - Veda asks if they are going to be rich	child \| conflict \| foreign key modulation \| greed \| heroine \| hopeful \| leading lady \| room
Mildred Pierce (1945)	Kay and Veda (Sly)	1:13:55 - Mildred tells Monte to not see Veda	arguing \| breakup \| chromatic wedge \| chromatic wedge \| conflict \| disagreement \| heroine \| leading lady \| love interest \| ominous \| room \| sinister \| tense \| whole-tone chord
Mildred Pierce (1945)	Kay and Veda (Troubled)	1:14:06 - Mildred and Monte argue	arguing \| breakup \| chromatic scale \| chromatic sequence \| conflict \| disagreement \| fragmentation \| heroine \| leading lady \| love interest \| ominous \| room \| sinister \| tense \| whole-tone chord \| whole-tone scale
Mildred Pierce (1945)	Mildred (Agitato)	1:14:37 - Mildred and Monte argue	agitated \| arguing \| breakup \| conflict \| distortion \| half-diminished 7th chord \| heroine \| leading lady \| love interest \| room \| tense
Mildred Pierce (1945)	Underscoring (Tense)	1:14:53 - Mildred and Monte argue	9th chord \| added-note chord \| arguing \| bitter \| breakup \| conflict \| deceptive resolution \| heroine \| leading lady \| love interest \| room \| tense \| underscoring
Mildred Pierce (1945)	It Can't Be Wrong (Bitter)	1:15:29 - Mildred writes Monte a check	arguing \| bitter \| breakup \| conflict \| dissonant bass \| familiar tune \| fragmentation \| heroine \| leading lady \| love interest \| mickey-mousing \| popular music \| room \| source to score \| tense
Mildred Pierce (1945)	Closes blinds	1:15:59 - Mildred closes the blinds	blinds \| breakup \| closing \| conflict \| down \| heroine \| leading lady \| mickey-mousing \| room \| somber \| window
Mildred Pierce (1945)	Mildred (Angry)	1:18:21 - Mildred walks out of an argument	9th chord \| aggressive \| angry \| arriving \| chromatic parallelism \| conflict \| heroine \| hurrying \| leading lady \| leaving \| Neapolitan \| room \| walking
Mildred Pierce (1945)	Underscoring (Tense)	1:18:34 - Veda tells her mother she is married	antagonist \| chromatic parallelism \| chromatic wedge \| conflict \| conversing \| daughter \| diminished 7th chord \| friend \| heroine \| leading lady \| oscillation \| reverse stinger \| room \| tense \| underscoring
Mildred Pierce (1945)	Secret Revealed	1:18:59 - Veda talks to her mother	antagonist \| chromatic parallelism \| chromatic scale \| chromatic wedge \| conflict \| conversing \| daughter \| fear \| friend \| heroine \| leading lady \| linear chromaticism \| octatonic chord \| room \| surprise \| tense
Mildred Pierce (1945)	Kay and Veda (Coy)	1:19:11 - Veda talks to her mother	antagonist \| apologizing \| chromatic parallelism \| conflict \| daughter \| friend \| heroine \| leading lady \| room \| tense
Mildred Pierce (1945)	Mildred (Waltz Fantasy)	1:19:18 - Mildred talks to Veda	9th chord \| antagonist \| appoggiatura \| chromatic parallelism \| comforting \| conflict \| daughter \| dream-like \| friend \| heroine \| leading lady \| room \| tense
Mildred Pierce (1945)	Mildred (Tenderly)	1:19:37 - Wally talks about a settlement	antagonist \| chromatic parallelism \| conflict \| conversing \| daughter \| fragmentation \| friend \| heroine \| leading lady \| pedal tone \| room \| tender
Mildred Pierce (1945)	Kay and Veda (Troubled 2)	1:21:34 - Veda looks at the divorce settlement check	antagonist \| blackmail \| chromatic scale \| chromatic sequence \| conflict \| daughter \| fragmentation \| heroine \| laughing \| leading lady \| mickey-mousing \| mocking \| room \| troubled \| ugly \| whole-tone chord
Mildred Pierce (1945)	Kay and Veda (Agitato)	1:22:22 - Veda and her mother argue	agitated \| antagonist \| arguing \| augmented sixth chord \| blackmail \| chromatic sequence \| conflict \| daughter \| fragmentation \| heroine \| leading lady \| room \| tense
Mildred Pierce (1945)	Kay and Veda (Ominous)	1:22:43 - Veda argues with her mother	antagonist \| arguing \| conflict \| dark \| daughter \| heroine \| insulting \| leading lady \| ominous \| room \| ugly
Mildred Pierce (1945)	Mildred (Appassionato)	1:23:00 - Veda expresses her disgust with her mother	angry \| antagonist \| arguing \| chromatic scale \| conflict \| daughter \| foreign key modulation \| heroine \| insulting \| leading lady \| room \| tense
Mildred Pierce (1945)	Mildred B (Angry 2)	1:23:09 - Mildred gets angry at Veda	angry \| antagonist \| arguing \| conflict \| daughter \| fragmentation \| heroine \| insulting \| leading lady \| room \| tense
Mildred Pierce (1945)	Mildred (Vicious)	1:23:21 - Veda insults her mother	angry \| antagonist \| arguing \| chromatic parallelism \| chromatic wedge \| conflict \| daughter \| heroine \| insulting \| leading lady \| reverse stinger \| room \| tense \| whole-tone chord
Mildred Pierce (1945)	Mildred B (Angry)	1:23:38 - Mildred tears up Veda's check	angry \| antagonist \| arguing \| check \| conflict \| daughter \| fighting \| heroine \| leading lady \| pc set \| room \| slapping \| tearing \| tense \| violence \| yelling
Mildred Pierce (1945)	Stunned Reaction	1:23:44 - Mildred is stunned after Veda slaps her	angry \| antagonist \| conflict \| daughter \| dramatic \| heroine \| leading lady \| pc set \| room \| staring \| stunned \| violence
Mildred Pierce (1945)	Runs upstairs	1:24:04 - Veda runs up the stairs	angry \| antagonist \| ascending \| conflict \| daughter \| mickey-mousing \| octatonic scale \| room \| stern
Mildred Pierce (1945)	Mildred (Tragic)	1:24:04 - Veda watches her daughter leave	altered dominant \| angry \| ascending \| conflict \| heroine \| leading lady \| leaving \| mickey-mousing \| octatonic scale \| room \| stern
The Life of Vergie Winters (1934)	Lullaby (Clarinet Solo)	1:00:58 - John and Laura talk about Joan	added-note chord \| conflict \| conversing \| dramatic \| gentle \| leading man \| peaceful \| room \| stinger \| transcribed by ear \| wife
The Life of Vergie Winters (1934)	Lullaby (Agitated)	1:01:27 - John and Laura argue about Joan	agitated \| arguing \| common-tone diminished 7th \| conflict \| diminished 7th chord \| direct modulation \| fragmentation \| harmonic sequence \| leading man \| octatonic scale \| room \| tense \| transcribed by ear \| wife
The Life of Vergie Winters (1934)	Old Lavender	1:02:11 - Joan and Ranny enter	9th chord \| added-note chord \| altered dominant \| arguing \| common-chord modulation \| conflict \| conversing \| daughter \| direct modulation \| harmonic sequence \| leading man \| light \| love interest \| optimistic \| room \| surprise \| wife
The Life of Vergie Winters (1934)	Old Lavender (Celeste Solo)	1:02:43 - John paces around	conflict \| daughter \| direct modulation \| hesitating \| leading man \| love interest \| lying \| peaceful \| room \| surprise \| wife
The Life of Vergie Winters (1934)	Underscoring (Lyrical)	1:02:52 - Laura reveals that Joan is adopted	conflict \| daughter \| deflecting \| hesitating \| leading man \| love interest \| mode mixture \| peaceful \| pedal tone \| room \| surprise \| wife
The Life of Vergie Winters (1934)	Lullaby (Adagio)	1:03:02 - Joan reacts	conflict \| daughter \| diminished 7th chord \| direct modulation \| dissonant bass \| leading man \| love interest \| revealing \| room \| stinger \| surprise \| tense \| wife
The Life of Vergie Winters (1934)	Lullaby (Harp Solo)	1:03:33 - John tells Joan about her parents	conflict \| daughter \| deceiving \| deceptive resolution \| leading man \| love interest \| lullaby \| lying \| revealing \| room \| secondary dominant \| surprise \| tender \| wife
The Life of Vergie Winters (1934)	Old Lavender (Allegretto)	1:04:31 - Ranny reacts to the revelation	chromatic mediant \| conflict \| conversing \| daughter \| foreign key modulation \| fragmentation \| leading man \| light \| love interest \| mode mixture \| optimistic \| pedal tone \| room \| wife
The Life of Vergie Winters (1934)	Old Lavender (Gentle)	1:04:45 - Ranny takes the ring back from Joan	64 chord \| altered dominant \| conflict \| daughter \| leading man \| love interest \| peaceful \| pedal tone \| proposal \| proposing \| room \| wife
The Life of Vergie Winters (1934)	Here Comes the Bride (Slow)	1:05:05 - Ranny re-proposes to Joan	64 chord \| conflict \| daughter \| familiar tune \| leading man \| love interest \| peaceful \| proposal \| proposing \| room \| wife
The Life of Vergie Winters (1934)	Lullaby (Dolcissimo)	1:05:11 - Joan talks to Laura	9th chord \| conflict \| daughter \| leading man \| love interest \| peaceful \| proposal \| proposing \| room \| wife
The Life of Vergie Winters (1934)	Old Lavender (Ethereal)	1:05:26 - Ranny talks to Joan's parents	added-note chord \| common-chord modulation \| conflict \| conversing \| daughter \| leading man \| love interest \| mode mixture \| pedal tone \| room \| sentimental \| wife
The Life of Vergie Winters (1934)	Lullaby (Tender)	1:05:45 - Ranny leaves with Joan	13th chord \| conflict \| daughter \| leading man \| leaving \| love interest \| peaceful \| pedal tone \| room \| wife
The Life of Vergie Winters (1934)	Lullaby (Doloroso)	1:05:58 - John talks with his wife Laura	9th chord \| arguing \| conflict \| dark \| leading man \| leaving \| reverse picardy \| room \| tense \| wife
Out of the Fog (1941)	Russian Barcarolle (Dark)	0:19:34 - Goff walks	boat \| chef \| conflict \| conversing \| criminal \| dark \| dock \| extortion \| father \| fisherman \| friend \| leading man \| threatening \| walking
Out of the Fog (1941)	Underscoring (Dark)	0:20:11 - Jonah reacts	arguing \| boat \| chef \| conflict \| conversing \| criminal \| dark \| dock \| extortion \| father \| fisherman \| friend \| leading man \| stinger \| tense \| threatening \| underscoring
Out of the Fog (1941)	Russian Barcarolle (Threatening)	0:20:40 - Goff threatens Jonah	arguing \| boat \| breaking \| chef \| conflict \| conversing \| criminal \| dark \| dock \| extortion \| father \| fisherman \| friend \| leading man \| tense \| threatening \| violence
Out of the Fog (1941)	Russian Barcarolle (Fear)	0:21:18 - Officer Magruder arrives	boat \| chef \| conflict \| conversing \| criminal \| dock \| extortion \| father \| fear \| fisherman \| friend \| leading man \| police \| sandwich \| solemn \| somber
Out of the Fog (1941)	Underscoring (Dramatic)	0:26:42 - Goff slaps Jonah	arguing \| chef \| conflict \| criminal \| dock \| dramatic \| extortion \| falling \| father \| fisherman \| friend \| leading man \| mickey-mousing \| punching \| slapping \| stinger \| underscoring \| violence
Out of the Fog (1941)	Underscoring (Gentle)	0:26:51 - Jonah helps Olaf	chef \| conflict \| conversing \| criminal \| dock \| extortion \| father \| fisherman \| friend \| gentle \| helping \| leading man \| mickey-mousing \| reacting \| solemn \| tender \| threatening \| underscoring
Out of the Fog (1941)	Russian Barcarolle (Dark 2)	0:27:12 - Jonah and Olaf react	arguing \| chef \| conflict \| conversing \| criminal \| dark \| dock \| extortion \| father \| fisherman \| friend \| gun \| leading man \| stinger \| tense \| threatening
Out of the Fog (1941)	Animato	0:27:43 - Goff pulls out a gun	chef \| conflict \| conversing \| criminal \| dock \| extortion \| father \| fisherman \| friend \| gun \| leading man \| tense \| threatening
Out of the Fog (1941)	Russian Barcarolle (Distorted)	0:28:02 - Jonah and Olaf pay Goff	chef \| conflict \| conversing \| criminal \| dark \| dock \| extortion \| father \| fisherman \| friend \| leading man \| money \| threatening
Out of the Fog (1941)	Underscoring (Tense)	0:28:20 - Jonah and Olaf react	chef \| conflict \| conversing \| criminal \| dock \| extortion \| father \| fisherman \| friend \| leading man \| tense \| threatening \| underscoring
Out of the Fog (1941)	Underscoring (Dramatic)	0:45:13 - Goff enters	arriving \| conflict \| conversing \| criminal \| dock \| dramatic \| father \| fisherman \| friend \| leading man \| tense
Out of the Fog (1941)	Russian Barcarolle (Solemn)	0:45:25 - Goff asks for money	arguing \| conflict \| conversing \| criminal \| dock \| extortion \| father \| fisherman \| friend \| leading man \| solemn
Out of the Fog (1941)	Underscoring (Dramatic)	0:46:00 - Jonah calls for the cop	arguing \| conflict \| criminal \| dock \| dramatic \| extortion \| father \| fisherman \| friend \| leading man \| underscoring \| yelling
Out of the Fog (1941)	Russian Barcarolle (Fragmented)	0:46:14 - Jonah calls for the cop	arguing \| conflict \| criminal \| dock \| extortion \| father \| fisherman \| friend \| leading man \| police \| tense \| yelling
Out of the Fog (1941)	Underscoring (Tense)	0:46:34 - Jonah accuses Goff	arguing \| conflict \| conversing \| criminal \| dock \| extortion \| father \| fisherman \| friend \| leading man \| police \| tense \| underscoring
Out of the Fog (1941)	Russian Barcarolle (Fragmented)	0:46:50 - Olaf accuses Goff	conflict \| conversing \| criminal \| departing \| dock \| extortion \| father \| fisherman \| friend \| leading man \| police \| tense
Out of the Fog (1941)	Underscoring (Dramatic)	0:49:39 - Goff stops Jonah	conflict \| conversing \| criminal \| dark \| dramatic \| extortion \| father \| fisherman \| leading man \| mickey-mousing \| panning shot \| stinger \| street \| threatening \| underscoring \| violence \| walking \| weapon
Out of the Fog (1941)	Beating	0:50:17 - Goff beats Jonah	beating \| conflict \| criminal \| dark \| dramatic \| extortion \| father \| fisherman \| leading man \| mickey-mousing \| street \| violence \| weapon
Out of the Fog (1941)	Underscoring (Dramatic)	0:50:24 - Goff shoves Jonah	conflict \| criminal \| dark \| dramatic \| extortion \| father \| fisherman \| leading man \| street \| threatening \| underscoring \| violence
Out of the Fog (1941)	Russian Barcarolle (Death Threat)	0:50:48 - Goff mocks Jonah	conflict \| criminal \| dark \| extortion \| father \| fisherman \| leading man \| mocking \| street \| tense \| threatening \| violence
Out of the Fog (1941)	Underscoring (Dramatic)	0:51:05 - Goff gives Jonah a gun	conflict \| criminal \| dramatic \| extortion \| father \| fisherman \| gun \| leading man \| mocking \| stinger \| street \| threatening \| underscoring \| violence
Out of the Fog (1941)	Underscoring (Dramatic)	1:06:59 - Goff hits George	boyfriend \| conflict \| criminal \| dock \| dramatic \| falling \| fighting \| fisherman \| friend \| leading man \| punching \| violence
Out of the Fog (1941)	Animato	1:07:04 - Jonah and Olaf help George	arguing \| boyfriend \| conflict \| criminal \| dock \| fisherman \| friend \| leading man \| tense \| violence
Out of the Fog (1941)	Russian Barcarolle (Fragmented 2)	1:07:35 - A boat in the fog	conflict \| criminal \| dark \| fisherman \| friend \| leading man \| menacing \| ominous \| sea \| traveling
We Are Not Alone (1939)	I Do Like to Be Beside the Seaside	0:17:49 - Exterior of a British dance hall	ABAC structure \| conflict \| doctor \| familiar tune \| helping \| hero \| heroine \| score to source \| source music \| street \| tense
We Are Not Alone (1939)	Frohe Botschaft (Drifting)	0:38:09 - Jessica tells Leni to leave	altered dominant \| antagonist \| chromatic parallelism \| conflict \| conversing \| familiar tune \| folk song \| gentle \| German \| heroine \| home \| quotation \| sinister \| tense \| whole-tone chord
We Are Not Alone (1939)	Frohe Botschaft (Somber)	0:38:52 - Leni reacts	9th chord \| antagonist \| common-chord modulation \| conflict \| conversing \| evaded cadence \| familiar tune \| folk song \| garden \| German \| heroine \| mode mixture \| quotation \| sentimental \| sigh gesture \| somber
We Are Not Alone (1939)	Surprise Symphony (Dark)	0:39:33 - Leni thinks to herself	9th chord \| antagonist \| classical music \| conflict \| dark \| familiar tune \| garden \| Haydn \| heroine \| quotation \| suspension \| thinking
We Are Not Alone (1939)	Surprise Symphony (Turbulent)	0:50:14 - Jessica reacts to David's departure	11th chord \| angry \| antagonist \| chromatic parallelism \| classical music \| conflict \| crying \| dark \| familiar tune \| Haydn \| hero \| home \| husband \| leaving \| quotation \| room \| sad \| tragic \| wife
We Are Not Alone (1939)	Celebre Romance (Agitato)	1:01:40 - News of the war	chaotic \| classical music \| conflict \| crowd \| dramatic \| familiar tune \| riot \| Rubinstein \| running \| street \| whole-tone \| whole-tone chord
We Are Not Alone (1939)	Agitato	1:02:31 - Crowd presses forward	11th chord \| chaotic \| classical music \| conflict \| conversing \| crowd \| dissonant bass \| dissonant bass \| dramatic \| familiar tune \| riot \| Rubinstein \| street
We Are Not Alone (1939)	Underscoring (Dramatic)	1:03:40 - Jessica takes Gerald outside	11th chord \| antagonist \| boy \| child \| conflict \| dramatic \| street \| tense \| underscoring \| walking
We Are Not Alone (1939)	Underscoring (Tense)	1:03:56 - The crowd outside	agitated \| chromatic scale \| conflict \| confused \| crowd \| hero \| linear chromaticism \| metric dissonance \| pedal tone \| polychord \| riot \| rioting \| street \| tense \| underscoring
We Are Not Alone (1939)	Furioso	1:04:49 - Man throws rock through shop window	chromatic scale \| conflict \| crowd \| dissonant bass \| dramatic \| riot \| rioting \| street \| underscoring
We Are Not Alone (1939)	God Save the King (Violent)	1:05:00 - British mobs in the street	British \| chromatic scale \| conflict \| crowd \| familiar tune \| patriotic \| riot \| rioting \| street
We Are Not Alone (1939)	Rule, Britannia	1:05:03 - Men attack a German shop	British \| conflict \| crowd \| familiar tune \| patriotic \| riot \| rioting \| street
We Are Not Alone (1939)	God Save the King (Angry)	1:05:06 - British mobs in the street	9th chord \| angry \| British \| conflict \| crowd \| diminished 7th chord \| familiar tune \| mode mixture \| patriotic \| riot \| rioting \| street
We Are Not Alone (1939)	Rule, Britannia (Throwing Stones)	1:05:14 - Susan throws a rock at the shop	64 chord \| angry \| antagonist \| conflict \| mickey-mousing \| rock \| street \| throwing
We Are Not Alone (1939)	Underscoring (Tense)	1:05:17 - David scolds Susan	64 chord \| antagonist \| chromatic scale \| conflict \| conversing \| foreign key modulation \| hero \| street \| tense \| underscoring
We Are Not Alone (1939)	Surprise Symphony (Window)	1:05:40 - Susan sees Leni and David in the window	antagonist \| classical music \| conflict \| familiar tune \| Haydn \| quotation \| spying \| street \| tense \| window
We Are Not Alone (1939)	Frohe Botschaft (Drifting)	1:14:30 - David gives Leni money for her travels	altered dominant \| arrest \| arresting \| chromatic parallelism \| conflict \| conversing \| dark \| death \| familiar tune \| folk song \| gentle \| German \| happy \| hero \| heroine \| mode mixture \| murder \| police \| quotation \| sad \| sweet \| tense \| train station \| whole-tone chord
We Are Not Alone (1939)	Underscoring (Tense)	1:15:25 - David is taken away by the police	9th chord \| added-note chord \| arresting \| conflict \| hero \| heroine \| pedal tone \| police \| tense \| train station \| underscoring
We Are Not Alone (1939)	Frohe Botschaft (Death Sentence)	1:33:07 - The judge sentences David and Leni to death	9th chord \| common-chord modulation \| conflict \| courtroom \| courtroom scene \| crowd \| dark \| familiar tune \| folk song \| German \| quotation \| reverse picardy \| sentencing \| verdict
The Woman in White (1948)	Underscoring (Mysterious)	0:45:40 - Laura enters the mansion	butler \| conflict \| conversing \| cousin \| fiancé \| leading lady \| mansion \| mysterious \| tense \| underscoring
The Woman in White (1948)	Ann (Poco Agitato)	0:46:06 - Walter talks to Marian	arguing \| conflict \| cousin \| leading lady \| leading man \| mansion \| tense
The Woman in White (1948)	Fairlie (Moderato)	0:46:16 - Marian argues with Walter	agitated \| arguing \| conflict \| cousin \| leading lady \| leading man \| mansion
The Woman in White (1948)	Ann (Agitato Quasi Misterioso)	0:46:28 - Walter argues with Marian	arguing \| butler \| conflict \| cousin \| leading lady \| leading man \| mansion \| mysterious \| stinger
The Woman in White (1948)	The Self Banished (Tenderly)	0:46:47 - Marion talks to Walter	butler \| conflict \| conversing \| cousin \| fiancé \| gentle \| leading lady \| leading man \| mansion \| tender
The Woman in White (1948)	Ann (Molto Marcato)	0:50:03 - Walter storms out of the room	angry \| antagonist \| butler \| conflict \| cousin \| departing \| fiancé \| leading lady \| leading man \| mansion
The Woman in White (1948)	Fosco (Misterioso Moderato)	1:08:24 - Fosco is startled by a noise	antagonist \| butler \| conflict \| conversing \| cousin \| criminal \| leading lady \| leading man \| mysterious \| room
The Woman in White (1948)	Fosco (Marcato)	1:08:44 - Fosco talks to the servant	antagonist \| arguing \| butler \| confining \| conflict \| conversing \| cousin \| criminal \| dark \| leading lady \| leading man \| mysterious \| prisoner \| room
The Woman in White (1948)	Underscoring (Dramatic)	1:09:11 - Marian is locked in	antagonist \| confining \| conflict \| conversing \| cousin \| criminal \| dark \| dramatic \| husband \| leading lady \| leading man \| prisoner \| room \| underscoring
The Woman in White (1948)	Asylum (Dark)	1:09:26 - Fosco talks to Sir Percival	aching \| antagonist \| conflict \| conversing \| criminal \| dark \| headache \| husband \| illness \| leading lady \| leading man \| pain \| plotting \| prisoner \| room
The Woman in White (1948)	Ann (Poco Agitato)	1:11:46 - Laura mentions the woman in white	agitated \| antagonist \| conflict \| conversing \| criminal \| doctor \| headache \| husband \| illness \| leading lady \| leading man \| pain \| room \| servant \| victim
The Woman in White (1948)	Fosco	1:12:05 - Fosco talks to the maid	agitated \| anger \| antagonist \| conflict \| criminal \| doctor \| headache \| husband \| illness \| leading lady \| leading man \| pain \| room \| searching \| servant \| tense \| victim \| walking
The Woman in White (1948)	Fosco (Molto Agitato)	1:12:15 - Fosco walks	agitated \| anger \| antagonist \| conflict \| criminal \| dark \| doctor \| headache \| husband \| illness \| leading lady \| leading man \| pain \| room \| rushing \| searching \| servant \| tense \| victim \| walking
The Woman in White (1948)	Ann (Accelerando)	1:12:32 - Fosco looks in the closet	agitated \| anger \| antagonist \| conflict \| criminal \| leading man \| mysterious \| room \| rushing \| searching \| walking
The Woman in White (1948)	Ann (Accelerando) + Fosco (Dark)	1:12:47 - Fosco leaves	agitated \| anger \| antagonist \| combination of themes \| conflict \| conversing \| criminal \| departing \| doctor \| husband \| leading man \| room \| rushing \| searching \| tense \| walking
The Woman in White (1948)	Underscoring (Dramatic)	1:36:15 - Laura screams when she sees Sir Percival	conflict \| criminal \| dramatic \| hitting \| husband \| leading lady \| leading man \| murderer \| patient \| screaming \| street \| struggling \| underscoring \| victim \| wife
The Woman in White (1948)	Fight	1:36:33 - Walter fights the spy	conflict \| criminal \| dramatic \| fighting \| husband \| leading lady \| leading man \| murderer \| patient \| punching \| spy \| street \| victim \| wife
The Woman in White (1948)	Fosco (Dark)	1:36:50 - Sir Percival on the ground	conflict \| criminal \| dark \| husband \| leading lady \| leading man \| murderer \| ominous \| patient \| spy \| street \| victim \| walking \| wife
We're Only Human (1935)	Underscoring (Lyrical)	0:23:23 - Pete exits the store	attempted murder \| conflict \| departing \| detective \| drive by shooting \| food \| gunshot \| leading man \| mode mixture \| peaceful \| pedal tone \| shooting \| street \| underscoring \| walking
We're Only Human (1935)	Lullaby (Adagio)	0:23:36 - Pete watches the car drive away	conflict \| conversing \| detective \| diminished 7th chord \| direct modulation \| dissonant bass \| food \| leading lady \| leading man \| love interest \| reacting \| reporter \| street \| tense
We're Only Human (1935)	Kong 3	1:01:06 - Pete leaves	car \| chromatic parallelism \| climax \| conflict \| departing \| detective \| diminished 7th chord \| dramatic \| hurried \| leading lady \| leading man \| pedal tone \| reporter \| rushing \| sequence \| street \| victim
We're Only Human (1935)	Game 1	1:01:21 - Driving in a car	car \| car \| chromatic sequence \| climax \| conflict \| detective \| dissonant bass \| dramatic \| driving \| hurried \| leading lady \| leading man \| pedal tone \| reporter \| rushing \| victim \| wipe
We're Only Human (1935)	Game 2	1:01:56 - Witness threatens to kill the criminals	acceleration \| arguing \| car \| car \| chromatic parallelism \| climax \| conflict \| detective \| dramatic \| driving \| hurried \| leading lady \| leading man \| pedal tone \| reporter \| rushing \| threat \| threatening \| victim
We're Only Human (1935)	Russian Waltz (Poco Agitato)	1:02:12 - Getting out the car	car \| chromatic scale \| climax \| conflict \| dark \| detective \| leading lady \| leading man \| reporter \| sneaking \| tense \| victim \| yard
We're Only Human (1935)	Game 3	1:02:23 - Approaching the house	chromatic parallelism \| chromatic parallelism \| climax \| conflict \| detective \| leading lady \| leading man \| mysterious \| pc set \| reporter \| sneaking \| tense \| victim \| yard
We're Only Human (1935)	Russian Waltz (Pizzicato)	1:02:55 - Spying on the house	climax \| conflict \| detective \| leading lady \| leading man \| mysterious \| reporter \| sneaking \| tense \| victim \| yard
We're Only Human (1935)	Saroff	1:03:07 - They argue	arguing \| chromatic scale \| climax \| conflict \| detective \| leading lady \| leading man \| mysterious \| reporter \| tense \| victim \| whole-tone \| whole-tone chord \| yard
We're Only Human (1935)	Lost Patrol 1	1:03:12 - A man runs	climax \| conflict \| detective \| dramatic \| fleeing \| frantic \| gunshot \| leading lady \| leading man \| reporter \| running \| shooting \| victim \| whole-tone \| whole-tone chord \| yard
We're Only Human (1935)	The Informer (Burning Poster) + Blood Money	1:03:25 - A man falls to the ground	climax \| conflict \| crawling \| detective \| diminished 7th chord \| dying \| gunshot \| leading lady \| leading man \| mysterious \| octatonic \| reporter \| Scotch snap \| shooting \| tense \| tone cluster \| victim \| yard
We're Only Human (1935)	The Wearin' o' the Green (Fighting)	1:03:42 - Pete prepares to advance	chromatic parallelism \| climax \| conflict \| detective \| dramatic \| fragmentation \| gunshot \| leading lady \| leading man \| reporter \| running \| sequence \| shooting \| tense \| underscoring \| victim \| yard
We're Only Human (1935)	The Informer (Tense)	1:04:11 - Pete prepares to enter the house	climax \| conflict \| detective \| leading man \| mysterious \| Scotch snap \| sneaking \| tense \| whole-tone \| whole-tone chord \| yard
We're Only Human (1935)	The Escape	1:04:31 - Pete enters the house	chromatic scale \| climax \| conflict \| detective \| dodging \| dramatic \| gangster \| gunshot \| hiding \| leading man \| murderer \| room \| shooting \| underscoring \| whole-tone \| whole-tone chord
We're Only Human (1935)	Game 4	1:04:54 - Pete crawls on the floor	climax \| conflict \| crawling \| detective \| gangster \| leading man \| murderer \| room \| tense \| underscoring \| whole-tone chord
We're Only Human (1935)	Game 5	1:05:03 - Pete prepares to shoot	chromatic parallelism \| climax \| conflict \| detective \| gangster \| gunshot \| leading man \| murderer \| pc set \| pedal tone \| room \| shooting \| sneaking \| tense \| underscoring \| whole-tone chord
We're Only Human (1935)	Blood Money (Counting Money)	1:05:25 - Pete looks at the fallen man	climax \| conflict \| detective \| gangster \| leading man \| murderer \| mysterious \| room \| sneaking \| tense \| tone cluster
We're Only Human (1935)	Game 6	1:05:34 - Pete dodges gunfire	climax \| conflict \| dark \| detective \| gangster \| leading man \| murderer \| room \| sneaking \| taunting \| tense \| underscoring
We're Only Human (1935)	Game 7	1:05:48 - Pete runs up the stairs	9th chord \| climax \| conflict \| detective \| dramatic \| gangster \| leading man \| murderer \| parallelism \| pc set \| pedal tone \| room \| running \| rushing \| tense \| underscoring \| whole-tone chord
We're Only Human (1935)	Game 8	1:05:55 - Pete advances slowly	arguing \| chromatic scale \| climax \| conflict \| detective \| gangster \| half-diminished 7th chord \| hostage \| leading man \| murderer \| pedal tone \| polychord \| room \| sneaking \| taunting \| tense \| tricking \| underscoring
We're Only Human (1935)	Lost Patrol 2	1:06:45 - Berger falls to the ground	climax \| conflict \| death \| detective \| dramatic \| dying \| falling \| gangster \| gunshot \| hostage \| leading man \| murderer \| room \| tone cluster \| underscoring
We're Only Human (1935)	Lost Patrol 3	1:06:52 - Pete looks at Berger	64 chord \| climax \| conflict \| death \| detective \| gangster \| hostage \| leading man \| murderer \| reacting \| room \| solemn
Without Honor (1949)	Underscoring (Dramatic)	0:21:29 - Bill heads towards the laundry room	antagonist \| brother \| conflict \| corpse \| door \| dramatic \| kitchen \| leading lady \| leading man \| reacting \| rushing \| tense \| underscoring
Without Honor (1949)	Twilight (Tense)	0:21:51 - Jane cleans off Bill's sleeve	antagonist \| brother \| cleaning \| conflict \| conversing \| corpse \| door \| kitchen \| leading lady \| leading man \| opening \| tense
Without Honor (1949)	Cleaning	0:21:57 - Jane cleans off Bill's sleeve	antagonist \| brother \| cleaning \| cleaning effect \| conflict \| conversing \| corpse \| door \| kitchen \| leading lady \| leading man \| mickey-mousing \| tense
Without Honor (1949)	Underscoring (Tense)	0:22:07 - Bill tosses the towel	antagonist \| brother \| conflict \| conversing \| corpse \| door \| kitchen \| leading lady \| leading man \| tense \| tossing \| underscoring
Without Honor (1949)	Misterioso	0:22:17 - Jane reacts	antagonist \| brother \| conflict \| kitchen \| leading lady \| leading man \| mysterious \| taunting \| tense
Without Honor (1949)	Rubato	0:22:34 - Bill talks with Jane	antagonist \| brother \| conflict \| dramatic \| kitchen \| leading lady \| leading man \| memory \| rushing \| taunting \| tense
Without Honor (1949)	Tension	0:22:52 - Jane gives Bill a drink	antagonist \| brother \| conflict \| kitchen \| leading lady \| leading man \| memory \| taunting \| tense \| underscoring \| uneasy
Without Honor (1949)	Valse Triste	0:23:06 - Bill talks with Jane	antagonist \| brother \| conflict \| kitchen \| leading lady \| leading man \| memory \| recounting \| somber \| uneasy \| waltz
Without Honor (1949)	Valse Triste (Poco Appassionato)	0:23:31 - Bill grabs Jane's arm	antagonist \| brother \| conflict \| dramatic \| grabbing \| kitchen \| leading lady \| leading man \| memory \| reacting \| recounting \| tense \| waltz
Without Honor (1949)	Jerks hand	0:23:41 - Jane jerks her arm away	antagonist \| brother \| conflict \| dramatic \| escaping \| kitchen \| leading lady \| leading man \| mickey-mousing \| reacting \| stinger
Without Honor (1949)	Valse Triste (Misterioso)	NIF - not in film	antagonist \| brother \| conflict \| cut from film \| kitchen \| leading lady \| leading man
Without Honor (1949)	Valse Triste (Ominous)	0:24:46 - Bill looks at Jane	antagonist \| brother \| conflict \| leading lady \| leading man \| ominous \| reacting \| room \| solemn \| taunting
Without Honor (1949)	Grabs her	0:25:40 - Bill grabs Jane and kisses her	antagonist \| brother \| conflict \| dramatic \| grabbing \| kissing \| leading lady \| leading man \| room \| slapping \| turning
Without Honor (1949)	Tunes Radio	0:26:26 - Bill turns on the radio	antagonist \| brother \| conflict \| conversing \| leading lady \| leading man \| radio \| room \| source music \| upbeat
Without Honor (1949)	Unidentified dance tune 2	0:27:06 - Bill turns on the radio	antagonist \| brother \| conflict \| leading lady \| leading man \| popular music \| radio \| reacting \| room \| source music \| taunting \| upbeat
Without Honor (1949)	First Call	0:27:58 - Jane looks at Bill	antagonist \| brother \| bugle call \| conflict \| leading lady \| leading man \| radio \| room \| source music \| taunting \| upbeat
Without Honor (1949)	Unidentified dance tune 3	0:28:30 - Bill tunes the radio	antagonist \| brother \| conflict \| leading lady \| leading man \| popular music \| radio \| room \| source music \| taunting \| upbeat
Without Honor (1949)	Liszt Waltz	0:29:28 - Bill talks to Jane	antagonist \| arriving \| brother \| calm \| classical music \| conflict \| conversing \| leading lady \| leading man \| radio \| room \| source music \| taunting \| wife \| zoom in
Without Honor (1949)	Prelude in D-Flat Major, Op. 28, No. 15 "Raindrop"	0:33:17 - Mrs. Williams talks to Jane	antagonist \| brother \| calm \| classical music \| conflict \| conversing \| leading lady \| leading man \| radio \| room \| source music \| wife
Without Honor (1949)	Unidentified dance tune 4	0:34:19 - Bill tunes the radio	antagonist \| brother \| calling \| conflict \| conversing \| dialing \| leading lady \| leading man \| popular music \| radio \| room \| source music \| telephone \| upbeat \| wandering \| wife
Without Honor (1949)	Misterioso (Molto Rubato)	0:43:10 - Bill talks with Fred	antagonist \| brother \| conflict \| conversing \| husband \| leading lady \| leading man \| reveal \| room \| secret \| tense \| warning
Without Honor (1949)	Expressivo (Slowly)	0:43:25 - Jane walks slowly past	conflict \| conversing \| leading lady \| reveal \| room \| secret \| solemn \| wife
Without Honor (1949)	Chromatic Clarinet	0:43:47 - Jane walks slowly over	conflict \| conversing \| leading lady \| reveal \| room \| secret \| solemn \| wife
Without Honor (1949)	Triste (Appassionato)	0:47:41 - Mrs. Williams talks to Jane	conflict \| conversing \| leading lady \| reveal \| revealing \| room \| secret \| solemn \| wife \| yelling
Without Honor (1949)	Desperation (Triste)	0:48:15 - Jane sinks down slowly	conflict \| conversing \| descending \| leading lady \| realizing \| reveal \| room \| secret \| sinking \| sitting \| solemn \| wife
Without Honor (1949)	Appassionato (Molto Expressivo)	0:48:38 - Mrs. Williams talks to Jane	conflict \| denying \| expressive \| leading lady \| reveal \| room \| secret \| wife
Without Honor (1949)	Twilight (Ethereal)	0:48:53 - Jane talks about love	conflict \| denying \| ethereal \| leading lady \| reveal \| room \| secret \| wife
Without Honor (1949)	Valse Triste (Andante Doloroso)	0:49:07 - Fred enters	antagonist \| brother \| conflict \| entering \| husband \| leading lady \| leading man \| reacting \| reveal \| room \| secret \| somber \| thinking \| wife
Without Honor (1949)	Underscoring (Tense)	0:49:48 - Bill talks to Fred	antagonist \| brother \| conflict \| conversing \| husband \| leading lady \| leading man \| reveal \| room \| secret \| tense \| thinking \| wife
Without Honor (1949)	Tension (Molto Misterioso)	0:50:03 - Bill stares at Jane	anger \| antagonist \| brother \| conflict \| conversing \| demanding \| dramatic \| husband \| leading lady \| leading man \| reveal \| room \| secret \| slapping \| tense \| wife

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