| All This, and Heaven Too (1940) | Desperation (Subito) | 1:52:22 - Soldiers climb the stairs | ascending | conflict | landlady | leading lady | not mickey-moused | room | soldier | suspect | tense |
All This, and Heaven Too (1940) | The Duchess (Dramatic) | 1:52:48 - Soldiers confront Henriette | accusing | arresting | conflict | landlady | leading lady | ominous | realizing | room | soldier | suspect | tense |
All This, and Heaven Too (1940) | Henriette (Dark) | 1:52:57 - A police wagon approaches | arresting | carriage | conflict | crowd | dark | landlady | leading lady | soldier | street | suspect |
All This, and Heaven Too (1940) | Henriette (Grandioso) + Desperation (Grandioso) | 1:53:13 - The police wagon leaves | arresting | bold | carriage | conflict | conversing | crowd | crying | dark | landlady | leading lady | ominous | soldier | street | suspect | tense | testifying |
All This, and Heaven Too (1940) | Agitato 2 | 1:59:31 - Henriette is arrested | agitated | crowd | crying | double exposure | dramatic | fanfare | headline | leading lady | leaving | mob | montage | newspaper | soldier | street | suspect | yelling |
All This, and Heaven Too (1940) | Henriette (Molto Moderato) | 1:04:10 - Women in prison | double exposure | headline | leading lady | montage | newspaper | pacing | prison | prisoner | solemn | suspect | walking |
All This, and Heaven Too (1940) | Heaven Theme (Expressivo) | 2:05:06 - Henry talks to Henriette | advance plot | calm | conversing | gentle | leading lady | minister | pleasant | prison | prisoner | suspect |
All This, and Heaven Too (1940) | Dolce | 2:05:51 - Henriette talks to Henry | advance plot | calm | conversing | gentle | leading lady | minister | pleasant | prison | prisoner | suspect |
All This, and Heaven Too (1940) | Underscoring (Tense) | 2:06:17 - Henriette argues with Henry | advance plot | arguing | leading lady | minister | prison | prisoner | suspect | tense | underscoring |
All This, and Heaven Too (1940) | Heaven Theme (Delicato) | 2:06:34 - Henry talks to Henriette | advance plot | calm | conversing | gentle | leading lady | minister | pleasant | prison | prisoner | suspect |
All This, and Heaven Too (1940) | Raynald (Delicato) | 2:06:46 - Henry talks to Henriette | advance plot | conversing | delicate | leading lady | minister | prison | prisoner | suspect | tender | tense | worrying |
All This, and Heaven Too (1940) | Heaven Theme (Dolce) | 2:06:58 - Henry talks to Henriette | advance plot | conversing | gentle | leading lady | minister | prison | prisoner | suspect |
All This, and Heaven Too (1940) | Henriette (The Truth) | 2:07:07 - Henry talks to Henriette | advance plot | calm | conversing | leading lady | minister | prison | prisoner | suspect |
All This, and Heaven Too (1940) | Henriette (Ostinato) | 2:10:09 - A carriage leaves | carriage | crowd | dramatic | leading lady | mob | ominous | ostinato | prisoner | soldier | street | suspect | tense | transition | traveling |
All This, and Heaven Too (1940) | Underscoring (Tense) | 2:10:17 - A carriage arrives at the palace | arriving | carriage | leading lady | prisoner | soldier | street | suspect | tense | transition | traveling | underscoring |
All This, and Heaven Too (1940) | The Duke (Maestoso) | 2:10:50 - Henriette enters the Duke's palace | arriving | dark | hearing voices | leading lady | palace | prisoner | soldier | spooky | suspect | transition | uneasy |
All This, and Heaven Too (1940) | Henriette (Ghostly) | 2:11:23 - Henriette hears voices | arriving | dark | hearing voices | leading lady | palace | prisoner | soldier | spooky | suspect | transition | uneasy |
All This, and Heaven Too (1940) | Henriette (Serious) | 2:11:50 - Henriette arrives upstairs | arriving | detective | hearing voices | leading lady | palace | prisoner | serious | soldier | solemn | somber | suspect | transition |
All This, and Heaven Too (1940) | Crying | 2:12:15 - Pierre looks at Henriette | caretaker | crying | detective | devastated | leading lady | looking | palace | prisoner | soldier | somber | suspect | transition |
All This, and Heaven Too (1940) | Henriette (Noble) | 2:13:19 - Henriette comes into the Duke's room | arriving | dark | death scene | detective | duke | dying | hopeful | leading lady | leading man | noble | prisoner | room | soldier | suspect |
All This, and Heaven Too (1940) | Dying | 2:13:46 - The Duke in his death bed | conversing | death bed | death scene | detective | duke | dying | leading lady | leading man | prisoner | questioning | room | sad | soldier | suspect |
All This, and Heaven Too (1940) | Henriette (Duet) | 2:14:06 - A close-up on Henriette | conversing | death bed | death scene | detective | duke | dying | leading lady | leading man | prisoner | questioning | room | sad | soldier | suspect | tender |
All This, and Heaven Too (1940) | Henriette (Funereal) | 2:14:27 - Henriette leaves the Duke | conversing | death bed | death scene | detective | duke | dying | funeral march | leading lady | leading man | prisoner | questioning | room | sad | soldier | suspect |
| The Big Sleep (1946) | Underscoring (Mysterious) | 0:48:15 - Marlowe talks to Joe Brody | blackmailer | conversing | criminal | gun | investigation scene | leading man | mysterious | private eye | room | suspect | underscoring |
The Big Sleep (1946) | Marlowe (Augmented) | 0:48:55 - Joe pulls a gun on Marlowe | blackmailer | conversing | criminal | gun | investigation scene | leading man | mysterious | private eye | room | suspect |
The Big Sleep (1946) | Underscoring (Tense) | 0:51:31 - Joe reacts to the doorbell ringing | blackmailer | conflict | conversing | criminal | doorbell | gun | leading lady | leading man | mysterious | private eye | room | suspect | tense | underscoring |
The Big Sleep (1946) | Sternwood (Threatening) | 0:51:52 - Carmen enters holding a gun on Brody | blackmailer | conflict | criminal | dark | femme fatale | gun | leading lady | leading man | private eye | room | sinister | stinger | suspect | threatening |
The Big Sleep (1946) | Underscoring (Dramatic) | 0:52:02 - Marlowe pushes Agnes and Joe trips Carmen | blackmailer | conflict | criminal | dramatic | falling | femme fatale | gun | leading lady | leading man | private eye | room | suspect | tense | tripping | underscoring |
The Big Sleep (1946) | Carmen (Misterioso) | 0:52:18 - Joe gives the picture to Marlowe | blackmail | blackmailer | conflict | conversing | criminal | evidence | femme fatale | leading lady | leading man | mysterious | private eye | room | suspect |
The Big Sleep (1946) | Carmen (Violent) | 0:52:58 - Vivian and Carmen leave | blackmailer | conflict | criminal | femme fatale | leading lady | leading man | leaving | mysterious | private eye | room | suspect |
The Big Sleep (1946) | Slapping | 0:53:02 - Carmen slaps Joe with her purse | blackmailer | conflict | criminal | femme fatale | leading lady | leading man | mickey-mousing | private eye | room | slamming | slapping | suspect | tense | violence |
The Big Sleep (1946) | Wotta Life | 1:08:09 - Marlowe talks to Mars | advance plot | club | criminal | investigating | leading man | private eye | source music | suspect | upbeat |
| Dust Be My Destiny (1939) | Dust Be My Destiny (Tragico) | 1:13:35 - Mabel turns Joe in to the police | confession | conflict | dark | hospital | leading lady | leading man | parallelism | pedal tone | suspect | tragic |
Dust Be My Destiny (1939) | Dust Be My Destiny (Delicate) | 1:22:18 - Mabel rises to testify for Joe | courtroom | crowd | delicate | judge | jury | leading lady | leading man | sequence | somber | suspect | trial |
Dust Be My Destiny (1939) | Dust Be My Destiny (Religioso) | 1:22:41 - Mabel testifies for Joe | 11th chord | chromatic parallelism | common-tone diminished 7th | courtroom | crowd | diminished 7th chord | gentle | judge | jury | leading lady | leading man | loving | mode mixture | parallel double period | plagal cadence | sincere | suspect | tender | trial |
| In This Our Life (1942) | Stanley (Slowly 2) | 1:20:46 - Men playing checkers | checkers | conflict | criminal | dark | game | lawyer | leading lady | leading man | playing | prison | prisoner | somber | suspect | victim |
In This Our Life (1942) | Underscoring (Somber) | 1:21:07 - Parry in his jail cell | conflict | conversing | criminal | lawyer | leading lady | leading man | prison | prisoner | somber | suspect | underscoring | victim |
In This Our Life (1942) | Minerva and Parry | 1:21:28 - Parry in his jail cell | conflict | conversing | criminal | lawyer | leading lady | leading man | lying | prison | prisoner | somber | suspect | tender | testifying | victim |
In This Our Life (1942) | Minerva and Parry (Triste) | 1:22:39 - Parry talks to Stanley | conflict | conversing | criminal | lawyer | leading lady | leading man | lying | prison | prisoner | solemn | somber | suspect | testifying | victim |
In This Our Life (1942) | Stanley (Agitato) | 1:25:21 - Craig talks to Stanley | agitated | climax | conversing | criminal | father | lawyer | leading lady | leading man | mother | room | suspect |
In This Our Life (1942) | Underscoring (Tense) + South American Way | 1:25:34 - Stanley reacts | accusing | climax | criminal | father | lawyer | leading lady | leading man | lying | mother | mysterious | ominous | remembered source music | remembering | room | source and scoring overlap | source music | suspect | tense | underscoring |
In This Our Life (1942) | Stanley (Valse Triste) | 1:26:23 - Stanley confesses | arguing | climax | confessing | confession | criminal | crying | dramatic | father | lawyer | leading lady | leading man | mother | room | suspect |
In This Our Life (1942) | Stanley B (Slowly Extended) | 1:26:39 - Stanley confesses | agitated | arguing | climax | confessing | confession | criminal | crying | father | lawyer | leading lady | leading man | lying | mother | room | suspect |
In This Our Life (1942) | Expressivo (Extended 2) | 1:27:04 - Lavinia rises | arguing | climax | criminal | emotional | father | lawyer | leading lady | leading man | mother | pleading | room | suspect |
In This Our Life (1942) | Underscoring (Tense) | 1:27:23 - Stanley reacts | climax | conversing | criminal | father | lawyer | leading lady | leading man | mother | plotting | room | suspect | tense | underscoring |
In This Our Life (1942) | Stanley (Extended) | 1:27:33 - Stanley goes upstairs | climax | conversing | criminal | crying | father | lawyer | leading lady | leading man | mother | room | somber | suspect | uneasy |
| The Informer (1935) | Dan and Mary (Descending) | 1:05:08 - Mary enters, looking for Dan | chromatic sequence | courtroom scene | dissonant bass | down | headquarters | hero | love interest | love theme | mickey-mousing | romantic | stairs | street | suspect | walking |
The Informer (1935) | Peter Mulligan | 1:05:37 - Peter Mulligan sits and holds a crucifix | courtroom | courtroom scene | folk-like | headquarters | mode mixture | room | somber | suspect | waiting |
The Informer (1935) | Falling down the stairs | 1:06:19 - Gypo falls down the stairs | 9th chord | antagonist | chromatic scale | courtroom scene | down | dramatic | falling | headquarters | leading man | mickey-mousing | rebel | room | stairs | suspect |
The Informer (1935) | Peter Mulligan | 1:07:25 - Mulligan cries | courtroom scene | headquarters | mode mixture | room | somber | suspect | waiting |
The Informer (1935) | Dan and Mary (Legato) | 1:07:46 - Gypo looks at Mary | antagonist | courtroom | courtroom scene | delicate | gentle | headquarters | leading man | pedal tone | room | sister | suspect | watching |
The Informer (1935) | Blind Man (Tribunal) | 1:08:08 - Gypo looks at the blind man | 64 chord | accusing | antagonist | blind man | chromatic scale | courtroom | courtroom scene | headquarters | leading man | pedal tone | room | serious | suspect | watching |
The Informer (1935) | Underscoring (Tense) | 1:08:34 - Gypo accuses Peter | 64 chord | accusing | courtroom | courtroom scene | headquarters | mickey-mousing | room | stinger | suspect | tense |
The Informer (1935) | Pleading | 1:08:57 - Peter defends himself | added-note chord | anxious | chromaticism | courtroom | courtroom scene | defending | headquarters | pleading | room | stinger | suspect |
The Informer (1935) | The Informer (Laughing) | 1:09:04 - Gypo laughs at Peter | accusing | antagonist | augmented sixth chord | bold | courtroom | courtroom scene | headquarters | leading man | octatonic | room | serious | suspect |
The Informer (1935) | Blood Money (The Trial) + Blind Man (The Trial) | 1:15:13 - The rebels ask Gypo where he got the money | antagonist | axis of symmetry | blind man | combination of themes | courtroom | courtroom scene | fanfare | headquarters | interrogating | interrogation | leading man | mirroring | money | mysterious | questioning | room | suspect |
The Informer (1935) | Katie (The Trial) | 1:15:36 - The rebels ask Gypo about Katie | antagonist | axis of symmetry | courtroom | courtroom scene | headquarters | interrogating | interrogation | leading man | mirroring | money | mysterious | questioning | room | suspect |
The Informer (1935) | Blood Money (The Trial) + The Informer (The Trial) | 1:15:40 - Dan asks "Who was the informer?" | antagonist | axis of symmetry | combination of themes | courtroom | courtroom scene | headquarters | interrogating | interrogation | inversion | leading man | mirroring | money | mysterious | questioning | room | suspect | whole-tone |
| The Life of Vergie Winters (1934) | Lullaby + Funeral March | 0:02:32 - Vergie in her jail cell | classical music | combination of themes | funeral | funeral march | leading lady | plagal cadence | pondering | prison | prisoner | sequence | somber | source music | suspect | watching |
The Life of Vergie Winters (1934) | Lullaby (Ending) + Funeral March (Ending) | 1:18:06 - Vergie in her jail cell | classical music | combination of themes | crying | funeral | funeral march | leading lady | prisoner | somber | suspect |
The Life of Vergie Winters (1934) | Lullaby (Very Ethereal) | 1:19:04 - Vergie exits the prison | daughter | dissonant bass | husband | leading lady | pedal tone | prison | prisoner | resolution | somber | suspect | tense | walking |
| Dangerous Corner (1934) | Wedding March | 0:23:10 - A woman opens a cigarette case | alternate timeline | cheerful | classical music | conversing | friend | music box | pivotal scene | room | source music | suspect |
Dangerous Corner (1934) | Wedding March | 0:47:11 - A man opens a cigarette case | alternate timeline | cheerful | classical music | conversing | friend | music box | pivotal scene | room | source music | suspect |
Dangerous Corner (1934) | Chanson | 1:02:06 - A man turns on the radio | alternate timeline | calm | classical music | conversing | friend | radio | resolution | room | source music | suspect |
| Hat, Coat, and Glove (1934) | When You're Far Away | 0:41:12 - Robert talks to Jerry | AABA structure | advance plot | club | conversing | lawyer | leading man | meeting | pleasant | source music | suspect |
| Star of Midnight (1935) | Pop Goes the Weasel | 0:33:40 - Clay talks with Tim | advance plot | cheerful | conversing | detective | leading man | music box | room | source music | suspect |
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