Tag Search Results


Home | Tag Data


772 results for "conversing" — see also reciting

FilmTheme nameInstanceTags
All This, and Heaven Too (1940)Molto Agitato0:07:21 - Henriette talks to Miss Hainesagitated | conversing | distressed | establish character | leading lady | minister | principal | school | teacher

All This, and Heaven Too (1940)

Henry (Agitated)0:07:52 - Henriette talks to Henry Fieldagitated | conversing | distressed | establish character | leading lady | minister | principal | school | teacher

All This, and Heaven Too (1940)

Henriette (Moderato)0:08:03 - Henriette talks to Henry Fieldagitated | conversing | distressed | establish character | leading lady | minister | principal | school | teacher

All This, and Heaven Too (1940)

Henriette (Dolce)0:12:43 - Henriette talks to Henryboat | conversing | gentle | leading lady | leaving | minister | peaceful | transition

All This, and Heaven Too (1940)

Underscoring (Mysterious)0:13:37 - Henriette meets the caretakercaretaker | conversing | leading lady | mysterious | street | transition | underscoring

All This, and Heaven Too (1940)

Pierre0:13:47 - Pierre introduces himselfcaretaker | conversing | introducing | leading lady | pleasant | street | tense | transition

All This, and Heaven Too (1940)

Henriette (Molto tranquillo)0:26:30 - The Duke talks to Henrietteadvance plot | conversing | delicate | duke | gentle | governess | leading lady | room | worrying

All This, and Heaven Too (1940)

Underscoring (Tense)NIF - not in filmadvance plot | child | conversing | cut from film | duchess | governess | leading lady | room | tense | underscoring

All This, and Heaven Too (1940)

Henriette (Andante)0:31:04 - The Duke apologizes to Henrietteadvance plot | apologizing | child | conversing | duke | governess | illness | leading lady | leading man | romantic | room

All This, and Heaven Too (1940)

The Duke (Tranquillo)0:31:41 - The doctor treats Raynaldadvance plot | caring | child | conversing | doctor | duke | gentle | governess | illness | leading lady | leading man | room | somber

All This, and Heaven Too (1940)

The Sick Room0:32:12 - The doctor talks to the Dukeadvance plot | child | conversing | doctor | duke | gentle | governess | illness | leading lady | leading man | room

All This, and Heaven Too (1940)

Raynald0:32:53 - Henriette helps Raynaldadvance plot | caring | child | conversing | delicate | duke | gentle | governess | illness | leading lady | leading man | room | sweet

All This, and Heaven Too (1940)

Counting0:33:30 - Henriette counts tangerine slicesadvance plot | calm | child | conversing | counting | distracting | duke | governess | illness | leading lady | leading man | room | tense | zoom in

All This, and Heaven Too (1940)

Henriette (Molto Tranquillo 2)0:34:17 - Henriette comforts Raynaldadvance plot | child | comforting | conversing | dark | delicate | duke | gentle | governess | illness | leading lady | leading man | room

All This, and Heaven Too (1940)

Raynald (Dark)0:34:52 - Raynald talks with Henrietteadvance plot | child | comforting | conversing | dark | death | duke | governess | illness | leading lady | leading man | room

All This, and Heaven Too (1940)

Raynald (Lullaby)0:35:24 - Henrietta talks to the Dukeadvance plot | calm | caring | child | conversing | duke | gentle | governess | illness | leading lady | leading man | lullaby | room

All This, and Heaven Too (1940)

Henriette (Very Emotional)0:35:57 - The Duke thanks Henrietteadvance plot | calm | child | conversing | duke | gentle | governess | illness | leading lady | leading man | room

All This, and Heaven Too (1940)

Underscoring (Tense)0:37:37 - They rise from prayerchild | conversing | duchess | duke | governess | illness | leading lady | leading man | leaving | priest | religious scene | room | somber | tense

All This, and Heaven Too (1940)

Raynald (Adagio)0:38:26 - The doctor takes Raynald's pulseadvance plot | caring | child | conversing | doctor | duke | governess | governess | illness | leading lady | leading man | room | solemn

All This, and Heaven Too (1940)

Raynald (Triste)0:39:16 - The Duke talks to Henrietteadvance plot | child | conversing | duke | governess | illness | leading lady | leading man | room | somber

All This, and Heaven Too (1940)

Raynald (Andante)0:41:36 - Henriette and the Duke by Raynald's bedsidechild | conversing | duke | governess | hopeful | illness | illness scene | leading lady | leading man | room | solemn | somber

All This, and Heaven Too (1940)

Henriette (Ethereal)0:42:36 - Henriette asks to open the windowbright | child | conversing | duke | governess | hopeful | illness | illness scene | leading lady | leading man | room | timid

All This, and Heaven Too (1940)

Raynald (Ethereal)0:43:04 - Raynald by the windowchild | conversing | duke | governess | hopeful | illness | illness scene | leading lady | leading man | room

All This, and Heaven Too (1940)

Henriette (Appassionato)0:44:08 - Raynald plays outsideadvance plot | child | conversing | courtyard | duke | governess | happy | leading lady | leading man | passionate | playing

All This, and Heaven Too (1940)

Raynald (Mysterioso)0:44:22 - Raynald talks with Henrietteadvance plot | child | conversing | courtyard | duke | governess | happy | leading lady | leading man | mysterious

All This, and Heaven Too (1940)

Underscoring (Mysterious)0:46:43 - The Duchess stares at Henrietteconversing | duchess | governess | leading lady | mysterious | room | transition | underscoring

All This, and Heaven Too (1940)

Henriette (Carriage)0:46:53 - Horses pulling a carriagecarriage | child | conversing | governess | horse | leading lady | mickey-mousing | pleasant | riding | street | traveling scene | trotting | upbeat

All This, and Heaven Too (1940)

Henriette (Very Emotional)0:49:01 - The Duke looks at Henrietteadvance plot | child | conversing | delicate | duke | gentle | governess | leading lady | leading man | looking | romance | romantic | room

All This, and Heaven Too (1940)

Armide0:49:21 - The opera housearriving | audience | child | concert scene | conversing | duke | governess | leading lady | leading man | opera | regal | source music | theater | upbeat | watching

All This, and Heaven Too (1940)

Plainte de Cloris0:51:08 - They listen to the musical prologueaudience | calm | child | classical music | concert scene | conversing | duke | governess | leading lady | leading man | listening | passionate | source music | theater

All This, and Heaven Too (1940)

Louise0:52:39 - Louise hugs her fatheradvance plot | child | conversing | duke | excited | governess | happy | hugging | leading lady | leading man | room

All This, and Heaven Too (1940)

The Duke (Lohengrin)0:52:53 - The Duke gives Louise his roseadvance plot | calm | child | conversing | duke | governess | hugging | kind | leading lady | leading man | room

All This, and Heaven Too (1940)

Louise (Poco Animato)0:53:39 - Louise talks to Henrietteadvance plot | child | conversing | excited | governess | happy | leading lady | room

All This, and Heaven Too (1940)

Henriette (Poco Animato)0:53:44 - Henriette puts out the lightsadvance plot | child | conversing | excited | governess | happy | leading lady | room

All This, and Heaven Too (1940)

Henriette (Music Box)0:54:04 - Henriette puts Louise to bedadvance plot | calm | child | conversing | goodnight | governess | happy | leading lady | lullaby | music box | room

All This, and Heaven Too (1940)

Underscoring (Mysterious)0:56:57 - The Duchess entersadvance plot | child | conversing | governess | leading lady | maid | mysterious | room | tense | trouble | underscoring

All This, and Heaven Too (1940)

Henriette (Emotional)1:02:28 - The Duke talks to Henrietteconflict | conversing | duke | governess | leading lady | leading man | romance | romantic | room

All This, and Heaven Too (1940)

Henriette (Sweepingly)1:02:57 - Henriette with tears in her eyesconflict | conversing | duke | governess | leading lady | leading man | romance | romantic | room

All This, and Heaven Too (1940)

Henriette (Transition)1:10:55 - The Duke talks to Henrietteadvance plot | calm | conversing | duke | governess | leading lady | leading man | room

All This, and Heaven Too (1940)

Henriette (Rubato)1:11:14 - The Duke talks to Henrietteadvance plot | calm | conversing | duke | governess | leading lady | leading man | peaceful | room

All This, and Heaven Too (1940)

Henriette + Falling Snow1:12:16 - The Duke talks to Henrietteadvance plot | combination of themes | conversing | duke | governess | leading lady | leading man | mickey-mousing | room | snow | snow globe | snowing | uneasy

All This, and Heaven Too (1940)

Falling Snow1:12:39 - Henriette watches the falling snowadvance plot | conversing | duke | governess | leading lady | leading man | mickey-mousing | point-of-view shot | room | snow | snow globe | snowing | uneasy

All This, and Heaven Too (1940)

Underscoring (Somber)1:21:26 - The Duke descends the stairschild | conflict | conversing | crying gesture | descending | governess | leading lady | room | somber | tense

All This, and Heaven Too (1940)

The Duchess (Calm)1:22:05 - Henriette asks about the Duchesscalm | conflict | conversing | duchess | duke | leading lady | leading man | room

All This, and Heaven Too (1940)

Henriette (Slowly)1:22:19 - The Duke bids farewell to Henriettecalm | conflict | conversing | duchess | duke | gentle | leading lady | leading man | room

All This, and Heaven Too (1940)

All Hallows’ Eve1:23:22 - A forest scene at nightchild | conversing | create suspense | forest | governess | Halloween | hiding | leading lady | ombra topic | on-screen text | scaring | scary | spooky | walking

All This, and Heaven Too (1940)

Spring Time1:24:18 - The children laughcheerful | child | conversing | create suspense | forest | governess | leading lady | walking

All This, and Heaven Too (1940)

Underscoring (Gentle)1:25:28 - Henriette smiles at the Dukeadvance plot | child | conversing | duke | forest | gentle | governess | leading lady | leading man | tender | underscoring

All This, and Heaven Too (1940)

Henriette (All Hallows’ Eve)1:25:46 - The Duke talks with Henrietteadvance plot | conversing | duke | forest | gentle | governess | leading lady | leading man | spooky | sweet | tender

All This, and Heaven Too (1940)

Spring Time (Grazioso)1:26:48 - The Duke talks with the servantsadvance plot | arriving | conversing | duke | gentle | governess | leading lady | leading man | light | room | servant

All This, and Heaven Too (1940)

Grazioso1:27:26 - Madame Gauthier talks about the childrenadvance plot | cheerful | conversing | duke | governess | leading lady | leading man | room | servant

All This, and Heaven Too (1940)

Raynald1:27:35 - Madame Gauthier talks about Raynaldadvance plot | cheerful | conversing | duke | governess | leading lady | leading man | room | servant

All This, and Heaven Too (1940)

Underscoring (Gentle)1:27:58 - The Duke talks to Henriette by the fireplaceadvance plot | conversing | duke | gentle | governess | leading lady | leading man | room

All This, and Heaven Too (1940)

Henriette (Very Romantic)1:29:07 - Henriette talks with the Dukeconversing | duke | falling in love scene | gentle | governess | leading lady | leading man | romantic | room | sweet

All This, and Heaven Too (1940)

Spring Time1:30:41 - The children get out of the carriagebright | cheerful | child | conversing | duke | governess | happy | leading lady | leading man | palace | transition

All This, and Heaven Too (1940)

Raynald (Extended)1:30:51 - The children talk to Henriettebright | child | conversing | duke | governess | leading lady | leading man | palace | surprise | tense | transition

All This, and Heaven Too (1940)

Spring Time (Ominous)1:31:04 - The children enter the palacebright | cheerful | child | conversing | duke | governess | leading lady | leading man | ominous | palace | surprise | transition

All This, and Heaven Too (1940)

Henriette (Ominous)1:31:15 - Henriette talks to the Dukeconversing | duke | governess | hopeful | leading lady | leading man | love scene | ominous | palace | reassuring

All This, and Heaven Too (1940)

Henriette (Molto Expressivo)1:31:48 - The Duke talks to Henrietteconversing | duke | governess | leading lady | leading man | love scene | palace | reassuring | romantic | stinger | tender

All This, and Heaven Too (1940)

The Duchess (Agitato)1:34:41 - Henriette rushes away from the Duchesschattering | child | conflict | conversing | duchess | governess | leading lady | room | somber | worried

All This, and Heaven Too (1940)

Underscoring (Agitato)1:35:05 - Henriette with the childrenadvance plot | agitated | child | conversing | governess | leading lady | room | worried

All This, and Heaven Too (1940)

Spring Time (Shimmery)1:35:12 - Henriette opens a giftadvance plot | cheerful | child | conversing | gift | governess | leading lady | light | opening | room

All This, and Heaven Too (1940)

The Duchess (Distracted)1:35:21 - Henriette opens a giftadvance plot | agitated | child | conversing | gift | governess | leading lady | opening | room | worried

All This, and Heaven Too (1940)

Henriette (Dolschissimo)1:36:07 - Henriette reads the locket inscriptionadvance plot | calm | child | conversing | crying | gift | governess | leading lady | locket | room | stinger | tender | tense

All This, and Heaven Too (1940)

Underscoring (Somber)1:37:35 - Henriette talks with the Dukeconversing | duke | governess | leading lady | leading man | love scene | room | somber | underscoring

All This, and Heaven Too (1940)

Expressivo1:38:15 - Henriette talks with the Dukeconversing | desperate | duke | governess | leading lady | leading man | love scene | romantic | room

All This, and Heaven Too (1940)

The Duchess (Tender)1:38:39 - Henriette talks with the Dukeconversing | duke | gentle | governess | leading lady | leading man | love scene | room | tender

All This, and Heaven Too (1940)

Desperation (Ethereal)1:38:54 - Henriette talks with the Dukeconversing | duke | ethereal | governess | leading lady | leading man | love scene | room

All This, and Heaven Too (1940)

Henriette (Sehr Delicatessen)1:39:12 - Henriette talks with the Dukecalm | conversing | duke | gentle | governess | leading lady | leading man | love scene | room | sweet | tender

All This, and Heaven Too (1940)

Henriette (Romantic)1:39:53 - The Duke reads the locket inscriptionconversing | crying | crying gesture | duke | gentle | governess | leading lady | leading man | love scene | romantic | room | tender

All This, and Heaven Too (1940)

Underscoring (Gentle)1:41:02 - Henriette talks with the childrenchild | conversing | farewell scene | gentle | governess | leading lady | room | tender | underscoring

All This, and Heaven Too (1940)

Raynald1:41:25 - Henriette says goodbye to the childrenchild | conversing | crying | farewell scene | gentle | governess | leading lady | room | tender

All This, and Heaven Too (1940)

Raynald (Dark)1:41:54 - Raynald talks with Henriettechild | conversing | crying | farewell scene | governess | leading lady | room | somber

All This, and Heaven Too (1940)

Lullaby (Tender)1:42:13 - Henriette says goodbye to the childrenchild | conversing | farewell scene | governess | leading lady | room | somber

All This, and Heaven Too (1940)

Henriette (Calm)1:46:38 - Henriette talks with the Dukecalm | child | conversing | duke | gentle | leading lady | leading man | reunion scene | room | uneasy

All This, and Heaven Too (1940)

Spring Time (Flowers)1:47:09 - The children give flowers to Henriettecheerful | child | conversing | leading lady | pleasant | reunion scene | room

All This, and Heaven Too (1940)

Desperation (Tense)1:48:14 - The Duke talks with Henrietteconflict | conversing | duke | leading lady | leading man | room | tense

All This, and Heaven Too (1940)

Screwissimo1:48:47 - The Duke goes madconflict | conversing | creepy | disturbing | duke | leading lady | leading man | madness | ominous | room

All This, and Heaven Too (1940)

Henriette (Grandioso) + Desperation (Grandioso)1:53:13 - The police wagon leavesarresting | bold | carriage | conflict | conversing | crowd | crying | dark | landlady | leading lady | ominous | soldier | street | suspect | tense | testifying

All This, and Heaven Too (1940)

Heaven Theme (Expressivo)2:05:06 - Henry talks to Henrietteadvance plot | calm | conversing | gentle | leading lady | minister | pleasant | prison | prisoner | suspect

All This, and Heaven Too (1940)

Dolce2:05:51 - Henriette talks to Henryadvance plot | calm | conversing | gentle | leading lady | minister | pleasant | prison | prisoner | suspect

All This, and Heaven Too (1940)

Heaven Theme (Delicato)2:06:34 - Henry talks to Henrietteadvance plot | calm | conversing | gentle | leading lady | minister | pleasant | prison | prisoner | suspect

All This, and Heaven Too (1940)

Raynald (Delicato)2:06:46 - Henry talks to Henrietteadvance plot | conversing | delicate | leading lady | minister | prison | prisoner | suspect | tender | tense | worrying

All This, and Heaven Too (1940)

Heaven Theme (Dolce)2:06:58 - Henry talks to Henrietteadvance plot | conversing | gentle | leading lady | minister | prison | prisoner | suspect

All This, and Heaven Too (1940)

Henriette (The Truth)2:07:07 - Henry talks to Henrietteadvance plot | calm | conversing | leading lady | minister | prison | prisoner | suspect

All This, and Heaven Too (1940)

Dying2:13:46 - The Duke in his death bedconversing | death bed | death scene | detective | duke | dying | leading lady | leading man | prisoner | questioning | room | sad | soldier | suspect

All This, and Heaven Too (1940)

Henriette (Duet)2:14:06 - A close-up on Henrietteconversing | death bed | death scene | detective | duke | dying | leading lady | leading man | prisoner | questioning | room | sad | soldier | suspect | tender

All This, and Heaven Too (1940)

Henriette (Funereal)2:14:27 - Henriette leaves the Dukeconversing | death bed | death scene | detective | duke | dying | funeral march | leading lady | leading man | prisoner | questioning | room | sad | soldier | suspect

All This, and Heaven Too (1940)

Dying (Molto Expressivo)2:14:46 - The Duke talks to Pierrecaretaker | confessing | conversing | death bed | death scene | duke | dying | leading man | love | room | somber

All This, and Heaven Too (1940)

Henriette (Confession of Love)2:15:34 - The Duke confesses his lovecaretaker | confessing | conversing | death bed | death scene | duke | dying | leading man | love | room | somber

All This, and Heaven Too (1940)

Henriette (Dolschissimo)2:21:00 - Henriette kisses a child on the cheekchild | conversing | gentle | leading lady | leaving | minister | resolution | school | student | sweet | teacher

All This, and Heaven Too (1940)

Henriette (Resolution) + Falling Snow (Resolution)2:22:03 - Henry talks to Henriettecombination of themes | conversing | gentle | leading lady | minister | promising | resolution | school | snow | teacher
The Amazing Dr. Clitterhouse (1938)The Amazing Doctor (Meeting)0:21:30 - Dr. Clitterhouse is taken upstairs64 chord | advance plot | chromatic parallelism | conversing | doctor | fragmentation | gangster | leading man | lobby | mysterious | pedal tone | sequence | thief

The Amazing Dr. Clitterhouse (1938)

Underscoring (Tense)0:45:45 - Criminals talk about the professor64 chord | altered dominant | conversing | crime | criminal | gangster | robbery | rooftop | tense | thief | underscoring

The Amazing Dr. Clitterhouse (1938)

How Dry I Am (Nervous)0:47:20 - Criminals talking64 chord | conversing | criminal | doctor | gangster | leading man | nervous | parallelism | pedal tone | robbery | rooftop | source music | thief

The Amazing Dr. Clitterhouse (1938)

I Wanna Go Back to Bali0:53:48 - Gangsters meet in an apartmentadvance plot | conversing | criminal | dance music | doctor | gangster | hero | leading man | lying | playful | radio | room | thief

The Amazing Dr. Clitterhouse (1938)

Underscoring (Mysterious)0:57:58 - Dr. Clitterhouse talks with Joconversing | doctor | gangster | leading lady | leading man | love scene | mysterious | room | tense

The Amazing Dr. Clitterhouse (1938)

Jo0:58:18 - Dr. Clitterhouse talks with Jo13th chord | added-note chord | altered dominant | chromatic mediant | conversing | doctor | foreign key modulation | gangster | leading lady | leading man | love scene | room | sequence | tender
Angels With Dirty Faces (1938)Sidewalks of New York0:00:58 - Organ grinder on the streets of New Yorkcheerful | conversing | establish place | establish setting | source music | street | teenager | walking

Angels With Dirty Faces (1938)

Underscoring (Mysterious)0:07:26 - Rocky talks with his lawyeradvance plot | conversing | dark | dissonant bass | gangster | lawyer | leading man | mysterious | prison | prisoner | underscoring

Angels With Dirty Faces (1938)

When a Prince of a Fella Meets a Cinderella0:16:49 - Rocky goes to a night club advance plot | cheerful | conversing | gambling | gangster | lawyer | leading man | night club | parallel double period | popular music | source music

Angels With Dirty Faces (1938)

Monday Morning0:18:15 - Rocky talks to Frazier in his officeadvance plot | cheerful | conversing | gangster | lawyer | leading man | popular music | room | source music

Angels With Dirty Faces (1938)

So Help Me (If I Don’t Love You)0:19:36 - Rocky leaves the nightclubadvance plot | conversing | gangster | lawyer | leading man | popular music | room | sentimental | source music

Angels With Dirty Faces (1938)

Rocky and Laury (Not In Film 1)NIF - not in filmadded-note chord | altered dominant | augmented sixth chord | common-chord modulation | conversing | cut from film | establish character | following | gangster | leading lady | leading man | mode mixture | street | walking

Angels With Dirty Faces (1938)

Rocky and Laury (Not In Film 2)NIF - not in filmadded-note chord | altered dominant | augmented sixth chord | chromatic scale | conversing | cut from film | establish character | following | gangster | leading lady | leading man | street | walking

Angels With Dirty Faces (1938)

Underscoring (Tense)0:39:58 - Rocky in the drug storeconflict | conversing | gangster | leading man | ominous | setup | shop | telephone | tritone | underscoring

Angels With Dirty Faces (1938)

Underscoring (Romantic)1:01:43 - Rocky and Laury talkaltered dominant | conversing | dissonant bass | gangster | leading lady | leading man | linear chromaticism | love scene | romantic | room | underscoring

Angels With Dirty Faces (1938)

Rocky and Laury (Sentimental)1:01:59 - Rocky and Laury talkadded-note chord | altered dominant | conversing | gangster | leading lady | leading man | love scene | parallel period | romantic | room

Angels With Dirty Faces (1938)

The Cook1:05:06 - The cook hands a package to Jerryadvance plot | comical | conversing | cook | Irish | leading man | parallel fifths | priest | room

Angels With Dirty Faces (1938)

Underscoring (Dramatic)1:09:49 - Jerry talks to newspaper editorconversing | diminution | leading man | montage | montage | newspaper editor | newspaper office | parallelism | priest | sign | tense

Angels With Dirty Faces (1938)

Newspaper Editor1:10:09 - A newspaper editor accepts Jerry's storyaccepting | conversing | heroic | leading man | montage | montage | newspaper editor | newspaper office | priest | secondary dominant

Angels With Dirty Faces (1938)

Jerry (Somber)1:31:04 - Rocky leaves his cell for his executionaltered dominant | climax | conversing | gangster | gentle | leading man | pc set | priest | prison | reverse picardy | stinger | tone cluster

Angels With Dirty Faces (1938)

Jerry (Upset)1:31:40 - Jerry follows Rocky out of his cellagitated | climax | conversing | gangster | leading man | police | priest | prison

Angels With Dirty Faces (1938)

Jerry (Goodbye)1:33:12 - Jerry says goodbye to Rockyadded-note chord | climax | conversing | dissonant bass | execution chamber | gangster | leading man | priest | prison | serious | sigh gesture | somber

Angels With Dirty Faces (1938)

Jerry (Triste)1:35:23 - Jerry visits the boysconversing | death | foreign key modulation | leading man | pedal tone | picardy third | priest | resolution | room | somber | teenager
Are These Our Children? (1931)Dreams B0:01:33 - Two young people in lovecommon-chord modulation | common-tone diminished 7th | conductor score | conversing | establish character | gentle | leading lady | leading man | lovers | love scene | snuggling | street

Are These Our Children? (1931)

Hold That Tiger0:13:15 - Young people dancingadvance plot | cheerful | conversing | dance hall | friend | leading man | on-screen music | source music

Are These Our Children? (1931)

Makes You Forget Your Troubles0:17:38 - Young people talking at a danceadvance plot | cheerful | conversing | dance hall | leading man | love interest | on-screen music | seductive | singing | source music

Are These Our Children? (1931)

Introduction0:24:14 - Boys in the washroomadvance plot | conversing | dance hall | friend | leading man | mysterious | transcribed by ear

Are These Our Children? (1931)

Dreams (Washroom Sequence)0:24:25 - Eddie talks with his friendsadvance plot | chromatic parallelism | common-tone diminished 7th | conversing | dance hall | friend | leading man | score to source | somber | source music | transcribed by ear

Are These Our Children? (1931)

St. James Infirmary0:42:08 - Young people talkingadvance plot | conversing | Dixieland | friend | lazy | leading man | love interest | murderer | radio | room | source music

Are These Our Children? (1931)

Dreams (Minor) + Makes You Forget Your Troubles (Minor)1:15:51 - Newspaper headlinescombination of themes | conversing | double exposure | headline | minor-major 7th chord | montage | newspaper | police | preaching | priest | source to score | spinning | tense
Arsenic and Old Lace (1944)Here Comes the Bride (Marriage License Bureau)0:01:59 - "Marriage License Bureau" signarriving | calm | conversing | crowd | establish character | familiar tune | marriage | office | reporter | romantic | spouse

Arsenic and Old Lace (1944)

Here Comes the Bride (Wow Wow Trumpet)0:02:42 - Rushing around and hiding in a telephone boothcomical | conversing | establish character | familiar tune | marriage | office | reporter

Arsenic and Old Lace (1944)

Here Comes the Bride (Modulating)0:03:34 - Hiding in a telephone bootharguing | bystander | conversing | establish character | familiar tune | leading lady | leading man | marriage | office | running | rushed | rushing | self-borrowing

Arsenic and Old Lace (1944)

The Old Maid0:04:17 - Mortimer talks to Elainearguing | conversing | establish character | kissing | leading lady | leading man | marriage | office | romantic | self-borrowing

Arsenic and Old Lace (1944)

Rondo Alla Turca0:06:25 - Teddy plays the harpsichordaunt | brother | classical music | conversing | crazy person | establish character | harpsichord | leading lady | old man | on-screen music | playing | room | source music | upbeat | victim

Arsenic and Old Lace (1944)

Happy Land (Lento)0:09:11 - Reverend talks about the Brewster sistersaunt | brother | calm | conversing | crazy person | establish character | familiar tune | gentle | kindness | leading lady | old man | room | victim

Arsenic and Old Lace (1944)

The Aunts0:12:26 - Reverend leavesadvance plot | aunt | cheerful | conversing | crazy person | delicate | gentle | leading lady | street

Arsenic and Old Lace (1944)

Happy Land (Meno)0:12:31 - The aunts talkadvance plot | aunt | brother | conversing | crazy person | familiar tune | gentle | leading lady | mysterious | plotting | room | tender

Arsenic and Old Lace (1944)

The Aunts (Grazioso Con Moto)0:13:16 - The aunts talkadvance plot | aunt | brother | cheerful | conversing | crazy person | delicate | gentle | leading lady | plotting | room

Arsenic and Old Lace (1944)

Happy Land (Grazioso)0:13:34 - The aunts talkadvance plot | aunt | conversing | leading lady | magical | plotting | room

Arsenic and Old Lace (1944)

Here Comes the Bride (Full)0:14:00 - Elaine appears in the windowaunt | bride | cheerful | conversing | crazy person | familiar tune | greeting | groom | leading lady | leading man | love | love scene | on-screen music | pleasant | room | score to source | source music | street | whistling

Arsenic and Old Lace (1944)

Here Comes the Bride (Modulating)0:14:10 - Mortimer calls to Elaineaunt | bride | cemetery | conversing | driver | familiar tune | flirting | groom | hurrying | leading lady | leading man | love | love scene | rushed | rushing | source to score | street

Arsenic and Old Lace (1944)

Here Comes the Bride (Religioso)0:14:41 - Mortimer and Elaine in the cemeterybride | calm | cemetery | conversing | familiar tune | flirting | groom | hymn-like | leading lady | leading man | love | love scene | religious

Arsenic and Old Lace (1944)

Underscoring (Mysterious)0:14:51 - Mortimer flirts with Elainebride | cemetery | conversing | flirting | groom | leading lady | leading man | love | love scene | mysterious | underscoring

Arsenic and Old Lace (1944)

Here Comes the Bride (Appassionato)0:15:02 - The aunts peek out of the windowaunt | bride | cemetery | conversing | familiar tune | flirting | groom | kissing | leading lady | leading man | love | love scene | peeking | romantic

Arsenic and Old Lace (1944)

Here Comes the Bride (Church Bells)0:15:17 - Mortimer follows Elainebride | cemetery | conversing | familiar tune | flirting | groom | leading lady | leading man | love | love scene | romantic

Arsenic and Old Lace (1944)

Here Comes the Bride (Appassionato)0:15:25 - Mortimer and Elaine kissbride | cemetery | conversing | familiar tune | groom | kissing | leading lady | leading man | love | love scene | romantic

Arsenic and Old Lace (1944)

Here Comes the Bride (Modulating)0:15:36 - Mortimer and Elaine talkbride | cemetery | conversing | familiar tune | flirting | groom | hurried | leading lady | leading man | love | love scene | romantic

Arsenic and Old Lace (1944)

Here Comes the Bride (Church Bells)0:16:22 - Mortimer and Elaine talkbride | cemetery | conversing | familiar tune | flirting | groom | leading lady | leading man | love | love scene | romantic

Arsenic and Old Lace (1944)

Jonathan0:18:54 - Jonathan Brewster's picture is shownadvance plot | aunt | conversing | groom | leading lady | leading man | ominous | picture | room | sinister | stinger

Arsenic and Old Lace (1944)

Jonathan0:23:14 - Mortimer reacts to the revealcalling | conversing | dialing | groom | leading man | ominous | reveal | room | sinister | stinger | telephone effect | thinking | turning point

Arsenic and Old Lace (1944)

The Aunts0:39:01 - The aunts talkadvance plot | aunt | cleaning | conversing | crazy person | leading lady | murderer | room | upbeat

Arsenic and Old Lace (1944)

Happy Land (Screwyoso)0:39:06 - The aunts talkadvance plot | aunt | calm | cleaning | conversing | crazy person | familiar tune | hat | leading lady | murderer | ominous | room | stinger

Arsenic and Old Lace (1944)

Happy Land (String Quartet)0:39:28 - The aunts set the tableadvance plot | aunt | cleaning | conversing | crazy person | familiar tune | hymn-like | leading lady | murderer | peaceful | room

Arsenic and Old Lace (1944)

The Aunts (Frightened)0:39:58 - The aunts see shadows at the dooraunt | conversing | crazy person | dark | establish character | fear | knocking | leading lady | murderer | mysterious | ominous | pedal tone | room | shadow | whispering

Arsenic and Old Lace (1944)

Home Sweet Home (Ominous)0:41:03 - Jonathan looks around the housebrother | conversing | crazy person | criminal | dark | distorted | doctor | establish character | familiar tune | leading man | observing | ominous | room

Arsenic and Old Lace (1944)

Scar (Misterioso)0:41:31 - They see the foodbrother | conversing | crazy person | criminal | doctor | establish character | leading man | mysterious | observing | room

Arsenic and Old Lace (1944)

Home Sweet Home (Expressivo) + Scar0:41:42 - Abby talks to Jonathanaunt | brother | combination of themes | conversing | convincing | crazy person | criminal | doctor | establish character | expressive | familiar tune | leading lady | leading man | murderer | mysterious | ominous | room

Arsenic and Old Lace (1944)

Underscoring (Tense)0:42:08 - Jonathan talks to the auntsaunt | brother | conversing | crazy person | criminal | doctor | establish character | leading lady | leading man | murderer | mysterious | room | tense | underscoring

Arsenic and Old Lace (1944)

Scar (Face)0:42:29 - Jonathan talks about his scaraunt | brother | conversing | crazy person | criminal | doctor | establish character | leading lady | leading man | murderer | mysterious | room | scar | tense

Arsenic and Old Lace (1944)

Mysterioso Pizzicato0:42:41 - Martha talks about scary moviesaunt | brother | conversing | crazy person | criminal | doctor | establish character | familiar tune | leading lady | leading man | murderer | mysterious | room | scar | silent film music

Arsenic and Old Lace (1944)

Underscoring (Tense)0:42:56 - Jonathan glares at Dr. Einsteinaunt | brother | conversing | crazy person | criminal | doctor | establish character | leading lady | leading man | murderer | room | scar | tense

Arsenic and Old Lace (1944)

Scar0:43:20 - Dr. Einstein talks to the auntsaunt | brother | conversing | crazy person | criminal | dark | doctor | establish character | leading lady | leading man | murderer | ominous | room

Arsenic and Old Lace (1944)

Home Sweet Home (Ominous)0:43:28 - Dr. Einstein talks to the auntsaunt | brother | conversing | crazy person | criminal | distorted | doctor | establish character | familiar tune | leading lady | leading man | murderer | room | tense

Arsenic and Old Lace (1944)

Home Sweet Home (Tranquillo)0:43:40 - Jonathan sits downaunt | brother | calm | conversing | crazy person | criminal | doctor | establish character | familiar tune | leading lady | leading man | murderer | room

Arsenic and Old Lace (1944)

The Aunts (Frightened)0:44:00 - The aunts go into the kitchenaunt | brother | conversing | crazy person | criminal | doctor | establish character | fear | leading lady | leading man | murderer | mysterious | ominous | room | walking | watching

Arsenic and Old Lace (1944)

The Aunts (Frightened)0:45:22 - The aunts peek through the kitchen windowaunt | brother | conversing | crazy person | criminal | doctor | establish character | face | fear | leading lady | leading man | murderer | mysterious | ominous | room | snooping | watching

Arsenic and Old Lace (1944)

Scar0:45:29 - Dr. Einstein describes how he will fix Jonathan's faceaunt | brother | conversing | crazy person | criminal | dark | doctor | establish character | face | leading lady | leading man | murderer | ominous | planning | room | wipe

Arsenic and Old Lace (1944)

Underscoring (Tense)0:49:45 - Jonathan follows Dr. Einsteinadvance plot | brother | conversing | crazy person | criminal | digging | doctor | familiar tune | leading man | march | murderer | on-screen music | patriotic tune | plotting | room | source and scoring overlap | tense | whistling

Arsenic and Old Lace (1944)

Scar (Dark)0:50:14 - Jonathan and Dr. Einstein watch Teddy digadvance plot | brother | conversing | crazy person | criminal | dark | digging | doctor | familiar tune | leading man | march | murderer | on-screen music | patriotic tune | room | source and scoring overlap | watching | whistling

Arsenic and Old Lace (1944)

The Aunts (Grazioso Con Moto)0:52:20 - The aunts move through the kitchenadvance plot | aunt | calm | conversing | crazy person | leading lady | murderer | pleasant | room

Arsenic and Old Lace (1944)

Jonathan (Fragmented)0:53:35 - Jonathan and the doctor go up the stairsadvance plot | aunt | brother | conversing | crazy person | dark | darkness | doctor | intimidating | leading lady | leading man | murderer | ominous | room | tense

Arsenic and Old Lace (1944)

Jonathan 2 (Dark)0:57:04 - Jonathan exitsadvance plot | brother | conversing | crazy person | dark | darkness | doctor | falling | leading man | murderer | mysterious | room | stinger

Arsenic and Old Lace (1944)

Underscoring (Tense)0:58:10 - Someone knocks at the dooradvance plot | brother | conversing | corpse | crazy person | darkness | doctor | knocking | leading man | murderer | room | sneaking | tense | underscoring

Arsenic and Old Lace (1944)

Jonathan 20:58:55 - Jonathan emerges from the shadowsadvance plot | bride | brother | conversing | crazy person | darkness | doctor | fear | leading lady | leading man | murderer | questioning | room | sinister

Arsenic and Old Lace (1944)

Happy Land1:19:56 - Mortimer with the taxi driveraunt | brother | calm | conversing | crazy person | doctor | driver | funeral | groom | hymn | leading lady | leading man | murderer | on-screen music | score to source | singing | source music | street

Arsenic and Old Lace (1944)

Happy Land1:22:17 - Mortimer talking with Elaine through her windowaunt | bride | calm | conversing | crazy person | doctor | funeral | groom | hymn | leading lady | leading man | murderer | singing | street
The Big Sleep (1946)Waiting0:18:15 - Marlowe talks to lady in bookstorebook shop | conversing | leading man | love interest | love scene | mysterious | private eye | romantic

The Big Sleep (1946)

Marlowe (Grazioso)0:25:28 - Marlowe asks Vivian to help with Carmenadvance plot | butler | conversing | femme fatale | inserted scene | leading lady | leading man | mysterious | not in score | private eye | reused recording | room

The Big Sleep (1946)

Marlowe (Grazioso)0:32:29 - Marlowe talks with Vivianadvance plot | conversing | leading lady | leading man | mysterious | private eye | room

The Big Sleep (1946)

Underscoring (Mysterious)0:48:15 - Marlowe talks to Joe Brodyblackmailer | conversing | criminal | gun | investigation scene | leading man | mysterious | private eye | room | suspect | underscoring

The Big Sleep (1946)

Marlowe (Augmented)0:48:55 - Joe pulls a gun on Marloweblackmailer | conversing | criminal | gun | investigation scene | leading man | mysterious | private eye | room | suspect

The Big Sleep (1946)

Underscoring (Tense)0:51:31 - Joe reacts to the doorbell ringingblackmailer | conflict | conversing | criminal | doorbell | gun | leading lady | leading man | mysterious | private eye | room | suspect | tense | underscoring

The Big Sleep (1946)

Carmen (Misterioso)0:52:18 - Joe gives the picture to Marloweblackmail | blackmailer | conflict | conversing | criminal | evidence | femme fatale | leading lady | leading man | mysterious | private eye | room | suspect

The Big Sleep (1946)

Vivian + Marlowe (Ear Business)NIF - not in filmadvance plot | combination of themes | conversing | cut from film | deleted scene | deleted scene | leading lady | leading man | love interest | mysterious | private eye | romantic | room | thinking

The Big Sleep (1946)

I Guess I'll Have to Change My Plan1:00:50 - Vivian enters a restaurantarriving | club | conversing | falling in love scene | leading lady | leading man | love interest | pleasant | private eye | source music

The Big Sleep (1946)

The Blue Room1:02:15 - Vivan pays Marloweclub | conversing | falling in love scene | leading lady | leading man | love interest | pleasant | private eye | source music

The Big Sleep (1946)

You Go to My Head1:04:25 - Vivian and Marlowe talk in a restaurantclub | conversing | falling in love scene | leading lady | leading man | love interest | pleasant | private eye | source music

The Big Sleep (1946)

What Are You Doin' the Rest of Your Life1:14:35 - Marlowe and Vivian leaveconflict | conversing | leading lady | leading man | love interest | private eye | source music | street | upbeat

The Big Sleep (1946)

Vivian1:15:22 - Marlowe and Vivian talkcar | conversing | kissing | leading lady | leading man | love | love interest | love scene | private eye | romantic

The Big Sleep (1946)

Questions1:16:16 - Marlowe and Vivian argueangry | car | conversing | leading lady | leading man | love interest | love scene | private eye | tense

The Big Sleep (1946)

Marlowe (Not in Film)NIF - not in filmadvance plot | conversing | cut from film | femme fatale | leading man | private eye | room

The Big Sleep (1946)

Sternwood (Extended)NIF - not in filmadvance plot | conversing | cut from film | femme fatale | leading man | private eye | room

The Big Sleep (1946)

Underscoring (Tense)NIF - not in filmadvance plot | conversing | cut from film | femme fatale | leading man | private eye | room | underscoring

The Big Sleep (1946)

You!NIF - not in filmadvance plot | conversing | cut from film | femme fatale | leading man | private eye | room

The Big Sleep (1946)

Marlowe (Major)NIF - not in filmadvance plot | conversing | cut from film | femme fatale | leading man | private eye | room

The Big Sleep (1946)

Carmen (Not in Film)NIF - not in filmadvance plot | conversing | cut from film | femme fatale | leading man | private eye | room

The Big Sleep (1946)

Underscoring (Mysterious)1:21:19 - Marlowe speaks on the phoneadvance plot | cafe | conversing | leading man | mysterious | phone call | private eye | tense | underscoring

The Big Sleep (1946)

Marlowe (Mysterious Organ)1:21:42 - Marlowe speaks to waitressadvance plot | cafe | conversing | leading lady | leading man | love interest | mysterious | phone call | private eye | tense

The Big Sleep (1946)

Underscoring (Mysterious)1:21:57 - Marlowe speaks with Vivian on the phoneadvance plot | cafe | conversing | leading lady | leading man | love interest | mysterious | phone call | private eye | stinger | tense | underscoring

The Big Sleep (1946)

Marlowe (Dazed)1:23:48 - Marlowe recoversadvance plot | conversing | dazed | leading man | pain | private eye | street

The Big Sleep (1946)

Recovering1:24:06 - Jones helps Marlowe upadvance plot | conversing | impressionism | leading man | mysterious | pain | private eye | street

The Big Sleep (1946)

Marlowe (Risoluto)1:30:12 - Marlowe makes a phone callbold | conversing | death scene | leading man | phone call | private eye | room | victim

The Big Sleep (1946)

Underscoring (Tense)1:30:24 - Marlowe makes a phone callconversing | death scene | leading man | phone call | private eye | room | tense | underscoring | victim

The Big Sleep (1946)

Wrong Address1:30:46 - Marlowe ends the phone callconversing | death | death scene | leading man | phone call | private eye | room | somber | victim

The Big Sleep (1946)

Marlowe (Molto Misterioso)1:31:23 - Agnes calls for Jonesconversing | death scene | informer | leading man | mysterious | phone call | private eye | room

The Big Sleep (1946)

Underscoring (Tense)1:31:48 - Marlowe talks to Agnes on the phoneconversing | death scene | informer | leading man | phone call | private eye | room | tense | underscoring

The Big Sleep (1946)

Marlowe (Whole Tone)1:39:25 - Marlowe talks to Viviancaptive | conversing | leading lady | leading man | love interest | love scene | mysterious | private eye | room | tense | whole-tone

The Big Sleep (1946)

Marlowe (Phone Call)1:39:39 - Marlowe talks to Viviancaptive | conversing | leading lady | leading man | love interest | love scene | mysterious | octatonic | private eye | room | tense

The Big Sleep (1946)

Carmen1:39:52 - Marlowe talks to Viviancaptive | conversing | leading lady | leading man | love interest | love scene | musical clue | music reveals thoughts | mysterious | private eye | room

The Big Sleep (1946)

Driving 21:43:54 - Marlowe and Vivian drive awaycar | conversing | driving | leading lady | leading man | love interest | love scene | private eye | tense

The Big Sleep (1946)

Driving 2 + Vivian1:44:16 - Vivian tells Marlowe she loves himcar | conversing | driving | leading lady | leading man | love | love interest | love scene | private eye | romantic | tense

The Big Sleep (1946)

Driving 21:44:32 - Vivian and Marlowe talk in the carcar | conversing | driving | leading lady | leading man | love interest | love scene | private eye | tense

The Big Sleep (1946)

Driving 2 + Vivian1:44:44 - Vivian and Marlowe talk in the carcar | conversing | driving | leading lady | leading man | love | love interest | love scene | private eye | romantic | tense

The Big Sleep (1946)

Driving 21:44:51 - Vivian and Marlowe talk in the carcar | conversing | driving | leading lady | leading man | love interest | love scene | private eye | tense

The Big Sleep (1946)

Driving 2 + Carmen1:45:06 - Marlowe talks about Carmencar | conversing | driving | leading lady | leading man | love interest | love scene | private eye | tense

The Big Sleep (1946)

Driving 2 + Vivian1:45:21 - Marlowe tells Vivian he loves herearriving | car | conversing | driving | leading lady | leading man | love | love interest | love scene | private eye | romantic | tense

The Big Sleep (1946)

Carmen (Tense)1:52:28 - Marlowe talks on the phoneconversing | leading lady | leading man | love interest | lying | mysterious | phone call | private eye | resolution | room | tense | uneasy

The Big Sleep (1946)

Vivian1:52:48 - Marlowe talks to Vivianconversing | leading lady | leading man | love | love interest | private eye | resolution | romantic | room

The Big Sleep (1946)

Vivian (Expressivo)1:53:20 - Marlowe pulls Vivian closeconversing | leading lady | leading man | love | love interest | private eye | resolution | romantic | room
His Greatest Gamble (1934)Morning Glory Waltz (Tender)0:02:35 - Philip in the casinocasino | child | conversing | establish character | gentle | leading man | leaving | transcribed by ear | waltz

His Greatest Gamble (1934)

Nocturne in E-flat Major0:36:29 - Philip looks for Aliceadvance plot | calm | conversing | daughter | fugitive | leading lady | leading man | mansion | nocturne | pleasant | searching | source music | wandering

His Greatest Gamble (1934)

Waltz in C-sharp Minor0:40:28 - Philip talks with Alice and Florenceadvance plot | conversing | daughter | ex-wife | fugitive | leading lady | leading man | mansion | serious | source music | waltz

His Greatest Gamble (1934)

Blue Ridge Moon0:53:16 - Philip talks with Aliceadvance plot | conversing | daughter | gentle | leading lady | love interest | mansion | popular music | radio | sentimental | source music | waltz

His Greatest Gamble (1934)

Morning Glory Waltz (Radio)0:57:06 - Philip talks with Alice9th chord | advance plot | conversing | daughter | fugitive | gentle | leading lady | leading man | mansion | mode mixture | radio | score to source | sentimental | source music | transcribed by ear | walking
City for Conquest (1940)Sidewalks of New York (Soliloquy)0:01:33 - A cop tells a man to keep movingbridge | city | conversing | establish place | establish setting | old man | police | soliloquy | uneasy

City for Conquest (1940)

Sidewalks of New York (City Struck)0:02:03 - Old-timer talks with copbridge | city | conversing | establish setting | excited | old man | police | soliloquy

City for Conquest (1940)

Sidewalks of New York (Montage)0:02:18 - A montage of New York City scenesboat | bridge | car | city | conversing | Dutch angle | establish setting | excited | montage | old man | panning shot | police | soliloquy | train

City for Conquest (1940)

Sidewalks of New York (Snake)0:02:35 - A montage of New York City scenesbridge | city | conversing | double exposure | Dutch angle | establish setting | grand | montage | old man | police | soliloquy

City for Conquest (1940)

Sidewalks of New York (Street Organ)0:03:10 - A New York street cornerchild | conversing | crowd | dancing | old man | on-screen music | organ grinder | playing | pleasant | score to source | source music | street | street organ | thief | transition | upbeat | walking

City for Conquest (1940)

The Bowery0:05:00 - People on a New York streetchild | conversing | crowd | establish character | on-screen music | playing | pleasant | source music | street | street organ | upbeat

City for Conquest (1940)

Sidewalks of New York (Soliloquy 3)0:05:44 - Old-timer talks to a stone carverbluesy | child | conversing | establish character | love | old man | romantic | sentimental | soliloquy | street | worker

City for Conquest (1940)

Sidewalks of New York (Waltz Grazioso)0:06:09 - Two children playingchild | conversing | establish character | love | old man | romantic | sentimental | soliloquy | street | waltz

City for Conquest (1940)

Scales0:09:16 - Danny and Peggy go upstairsarguing | conversing | establish character | leading lady | leading man | mother | on-screen music | piano | room | source music | tedious

City for Conquest (1940)

Tone Poem A10:10:50 - Eddie plays the pianobrother | composer | conversing | establish character | leading man | musician | piano | playing | romantic | room | score to source | source music

City for Conquest (1940)

Tone Poem A1 + Tone Poem A20:12:16 - Eddie plays the pianobrother | composer | conversing | establish character | explaining | leading man | musician | piano | playing | romantic | room | source music

City for Conquest (1940)

Tone Poem A1 + Tone Poem A20:13:03 - Eddie plays the pianobrother | composer | conversing | establish character | leading man | musician | piano | playing | romantic | room | source music

City for Conquest (1940)

My Old Kentucky Home0:16:04 - Mickey sings to himselfadvance plot | boxer | calm | conversing | folk music | leading man | locker room | manager | singing | source music

City for Conquest (1940)

Lullaby of Broadway0:17:00 - A sign for Rose Gardens Casinoboxer | conversing | crowd | dance band | dance hall | dancer | dance scene | dancing | leading lady | leading man | on-screen music | playing | popular music | source music | upbeat

City for Conquest (1940)

Latin For Manhattan0:18:29 - Peggy and Danny sit downboxer | conversing | crowd | dance band | dance hall | dancer | dance scene | dancing | leading lady | leading man | on-screen music | playing | popular music | source music | upbeat

City for Conquest (1940)

The Continental0:19:53 - Peggy dances with Murrayboxer | conversing | crowd | dance band | dance hall | dancer | dance scene | dancing | friend | leading lady | leading man | on-screen music | playing | popular music | source music | upbeat

City for Conquest (1940)

Shadow Waltz0:21:46 - Peggy dances with Murrayconversing | crowd | dance band | dance hall | dancer | dance scene | dancing | leading lady | on-screen music | playing | popular music | source music | upbeat

City for Conquest (1940)

I’m Just Wild About Harry0:23:07 - Close-up of Lilyaward | boxer | conversing | crowd | dance band | dance hall | dancer | dance scene | friend | leading lady | leading man | on-screen music | popular music | source music | upbeat

City for Conquest (1940)

I’m Just Wild About Harry (Delicato)0:25:06 - Peggy calls Murrayadvance plot | calling | conversing | leading lady | pleasant | room | source to score | telephone | upbeat

City for Conquest (1940)

Tone Poem A1 (Grazioso)0:30:04 - Danny shavesconversing | delicate | gentle | leading lady | leading man | love scene | room | shaving

City for Conquest (1940)

Tone Poem A1 + Tone Poem A20:30:28 - Peggy talks to Dannyarguing | conversing | flirting | gentle | leading lady | leading man | love scene | playful | room | shaving

City for Conquest (1940)

Only Fooling0:30:54 - Peggy cleans Danny's facearguing | conversing | flirting | leading lady | leading man | love scene | playful | room | shaving

City for Conquest (1940)

Tone Poem A1 (Expressivo) + Tone Poem A2 (Expressivo)0:31:00 - Peggy apologizes to Dannyconversing | kiss | kissing | leading lady | leading man | love scene | romantic | room

City for Conquest (1940)

Tranquillo0:31:35 - Peggy and Danny on a boatboat | conversing | delicate | gentle | leading lady | leading man | love scene

City for Conquest (1940)

Tone Poem A1 (Waltz)0:31:48 - Peggy and Danny talk about the futureboat | calm | conversing | leading lady | leading man | love scene | romantic

City for Conquest (1940)

Shadow Waltz (Dark)0:33:22 - Peggy talks with Dannyboat | conversing | dark | leading lady | leading man | love scene | somber

City for Conquest (1940)

I’m Just Wild About Harry0:33:35 - Peggy starts to leaveboat | calm | conversing | gentle | leading lady | leading man | love scene

City for Conquest (1940)

Tone Poem A1 (Dolcissimo)0:34:02 - Danny talks with Peggyboat | conversing | gentle | kissing | leading lady | leading man | love scene | romantic

City for Conquest (1940)

Liberty Day0:39:41 - Old timer talks to workerboxer | boxing ring | celebrating | conversing | crowd | fanfare | leading man | manager | montage | source music | upbeat

City for Conquest (1940)

Tone Poem A1 + Tone Poem A20:42:10 - Eddie plays the pianoadvance plot | boxer | brother | composer | conversing | crowd | leading man | musician | on-screen music | party | piano | playing | romantic | source music

City for Conquest (1940)

Tone Poem A1 (Ragtime)0:43:27 - Eddie plays the pianoadvance plot | boxer | brother | composer | conversing | crowd | leading man | musician | on-screen music | party | piano | playing | ragtime | source music | upbeat

City for Conquest (1940)

In the Evening0:45:08 - Peggy in her dressing roomarguing | boxer | conflict | conversing | crying | dancer | dressing room | leading lady | leading man | punching | source music | upbeat

City for Conquest (1940)

Tone Poem A1 (Romantic)0:47:41 - Peggy talks with Dannyboxer | conversing | dancer | leading lady | leading man | love scene | street | tense

City for Conquest (1940)

Tone Poem A1 (Walking)0:48:32 - Danny and Peggy walk down the streetboxer | conversing | dancer | leading lady | leading man | love scene | romantic | street | walking

City for Conquest (1940)

Adios Muchachos0:50:27 - Peggy arrives homeadvance plot | arriving | cheerful | conversing | dancer | leading lady | record player | room | source music | tango

City for Conquest (1940)

Adios Muchachos0:51:19 - Peggy talks with Murrayadvance plot | arriving | cheerful | conversing | dancer | leading lady | record player | room | source music | tango

City for Conquest (1940)

Tone Poem A1 (Farewell) + Tone Poem A20:55:31 - Peggy bids farewell to Dannyconversing | crying | embracing | farewell scene | leading lady | leading man | leaving | romantic | sentimental | street

City for Conquest (1940)

Garden of the Moon1:00:04 - Backstage at the Club Madridadvance plot | conversing | dancer | dressing room | leading lady | preparing | upbeat

City for Conquest (1940)

Miramar1:00:44 - Danny prepares for a fightadvance plot | boxer | conversing | leading man | locker room | manager | march | preparing | source music | upbeat

City for Conquest (1940)

Piggy Wiggy Woo1:10:52 - Peggy criesadvance plot | conversing | crying | dancer | dressing room | leading lady | source music | upbeat

City for Conquest (1940)

Googi (The Car)1:13:38 - Googi in the carcar | car | conversing | criminal | driving | gangster | manager | murder scene | ominous | tense

City for Conquest (1940)

Googi (Dead Man)1:15:09 - They pull out the dead mancar | conversing | corpse | criminal | disposing | dock | gangster | manager | murderer | murder scene | ominous | tense | working

City for Conquest (1940)

Googi (Molto Mysterioso e Screwyoso)1:15:19 - Cobb sees the guncar | conversing | corpse | criminal | disposing | dock | gangster | manager | murderer | murder scene | ominous | tense | working

City for Conquest (1940)

Powder My Back1:23:34 - A burlesque marqueeadvance plot | conversing | dancer | dancing | leading lady | manager | on-screen music | singer | singing | source music | stage | upbeat

City for Conquest (1940)

Tone Poem A11:28:11 - Peggy criesadvance plot | conversing | crying | friend | leading lady | room | somber

City for Conquest (1940)

Tone Poem D (Dolce)1:28:33 - Gladys talks to Peggyadvance plot | comforting | conversing | crying | friend | gentle | leading lady | newspaper | room | sweet

City for Conquest (1940)

Tone Poem A1 (Beoootiful) + Tone Poem A2 (Beoootiful)1:40:11 - Danny working at his newsstandblur | conversing | ethereal | gentle | into focus | leading lady | leading man | love scene | reunion | reuniting | shimmery | squinting | street | victim

City for Conquest (1940)

Tone Poem A1 (Chorus) + Tone Poem A2 (Chorus)1:41:14 - Danny talks with Peggyconversing | ethereal | gentle | leading lady | leading man | love scene | optimistic | reunion | reuniting | romantic | shimmery | street | victim

City for Conquest (1940)

Sidewalks of New York (Soliloquy)1:42:56 - Old timer talks to himselfconversing | old man | resolution | sentimental | soliloquy

City for Conquest (1940)

Sidewalks of New York (Snake)1:43:16 - Old timer talks to himselfconversing | gentle | old man | resolution | romantic | soliloquy

City for Conquest (1940)

Sidewalks of New York (The End)1:43:24 - The Endconversing | end title sequence | grand | old man | soliloquy | The End
Crime School (1938)Underscoring (Mysterious)0:09:53 - Frankie sneaks in the houseconcern | conversing | dissonant bass | establish character | heroine | leading lady | mysterious | pedal tone | room | sister | sneaking | sneaky | teenager | underscoring | whole-tone chord | whole-tone scale

Crime School (1938)

Sue (Quasi Blues)0:11:08 - Sue talks to Frankiebluesy | chromatic parallelism | common-chord modulation | conversing | crying | establish character | foreign key modulation | Gershwinesque | heroine | leading lady | room | somber

Crime School (1938)

Underscoring (Mysterious)0:24:12 - Gang settles into their roomadvance plot | conversing | dissonant bass | gang | mysterious | pedal tone | reformatory | teenager | underscoring

Crime School (1938)

Underscoring (Gentle)0:35:46 - Mark visits Frankie in the sick roomadvance plot | caring | conversing | dark | hospital | leading man | reformatory | teenager | tender | underscoring | warden

Crime School (1938)

The Warden (Punishment)0:36:22 - Warden defends his punishmentadvance plot | chromatic wedge | conversing | dark | evil | hospital | leading man | reformatory | teenager | warden | whole-tone chord

Crime School (1938)

Underscoring (Subtle)0:37:09 - Transition to cafeteriaadvance plot | conversing | hospital | leading man | reformatory | somber | teenager | underscoring | warden

Crime School (1938)

Underscoring (Gentle)0:49:10 - Mark comes into the roomcomedy | conversing | gang | gentle | hero | leading man | paint | parallelism | reformatory | teenager | underscoring

Crime School (1938)

Spots0:49:20 - Squirt has spots on his pajamas9th chord | chromatic parallelism | comedy | comical | conversing | gang | hero | leading man | mickey-mousing | paint | reformatory | spots | teenager | tense

Crime School (1938)

Sue (Hospital)0:57:38 - The doctor takes care of Squirt in the hospitaladvance plot | calm | conversing | doctor | hero | hospital | leading man | nurse | peaceful | reformatory | teenager | treating

Crime School (1938)

Sue (Troubled)1:07:37 - Frankie is troubled about his sisteradvance plot | chromatic parallelism | chromatic sequence | conversing | gang | reformatory | teenager | thinking | troubled | worried

Crime School (1938)

Sue (Grazioso)1:13:10 - Sue and Mark talk in the kitchencheerful | conflict | conversing | cooking | happy | hero | heroine | kitchen | leading lady | leading man | mode mixture | secondary dominant

Crime School (1938)

Sue (Grazioso Mysterioso)1:13:38 - Frankie confronts Sue and Markcheerful | common-tone diminished 7th | conflict | conversing | deceptive resolution | dining | gun | happy | hero | heroine | leading lady | leading man | room | stick up | stinger | teenager | tone cluster | whole-tone chord

Crime School (1938)

Resolution1:22:31 - Sue enters the room 42 chord | antagonist | calm | chromatic parallelism | chromatic scale | comical | conversing | hero | leading man | reformatory | resolution | resolution | tense | tritone

Crime School (1938)

Sue (Allegretto)1:24:18 - Boys talk about Sue9th chord | chromatic parallelism | conversing | courthouse | fragmentation | gang | optimistic | resolution | sequence | teenager
They Made Me a Criminal (1939)Saving Myself For You (I’ve Been)0:08:02 - Johnnie at a partyAABA structure | attacking | conversing | drinking | fighting | floozy | jaunty | leading man | murder | murdering | murder scene | partying | radio | room | source music | violence

They Made Me a Criminal (1939)

The Fugitive (Relieved)0:29:25 - Johnnie listens to the sheriffaltered dominant | conflict | conversing | leading man | peaceful | room | tranquil

They Made Me a Criminal (1939)

The Fugitive (Apology)0:48:31 - Johnnie and Peggy talk9th chord | conversing | hero | leading lady | leading man | love scene | romantic | room | secondary dominant | tender

They Made Me a Criminal (1939)

On the Make0:49:40 - Johnnie and Peggy drive in a carABAB structure | added-note chord | altered dominant | car | car | cheerful | conversing | driving | hero | leading lady | leading man | linear chromaticism | love scene | mode mixture | phrase extension | romantic | traveling

They Made Me a Criminal (1939)

On the Make (Extended)0:53:21 - Johnnie and Peggy drive in a carABAB structure | added-note chord | advance plot | altered dominant | car | car | cheerful | conversing | driving | hero | kissing | leading lady | leading man | linear chromaticism | mode mixture | phrase extension | romantic | traveling

They Made Me a Criminal (1939)

Marcia Grotesque1:01:48 - Johnnie talks to another boxeradvance plot | altered dominant | comical | conversing | hero | leading man | march | mode mixture | room

They Made Me a Criminal (1939)

Marche Funebre1:02:45 - Boys look at poster of a boxer64 chord | advance plot | Chopin | classical music | conversing | dark | death | poster | room | teenager

They Made Me a Criminal (1939)

On the Make (Tenderly)1:07:57 - Tommy talks to Johnnie9th chord | ABAB structure | altered dominant | arguing | chromatic mediant | conversing | direct modulation | foreign key modulation | hero | leading man | room | tender | turning point

They Made Me a Criminal (1939)

World's Record1:13:45 - Boxers prepare for the fightarena | boxer | cheerful | conversing | excited | hero | leading man | march | parallel double period | source music | sport scene
Dust Be My Destiny (1939)Mysterioso0:02:00 - Warden talks to Joeconversing | drone | establish character | leading man | mysterious | parallelism | polytonality | prison | prisoner | warden

Dust Be My Destiny (1939)

Dust Be My Destiny (Injustice)0:02:29 - Joe reacts to the warden9th chord | 64 chord | agitated | chromatic parallelism | conversing | dramatic | establish character | injustice | leading man | prison | prisoner | warden

Dust Be My Destiny (1939)

Charlie0:10:58 - Charlie talks to inmatesconversing | dark | drunk | establish character | leading man | polychord | prison | prisoner | warden

Dust Be My Destiny (1939)

Underscoring (Humorous)0:13:13 - Joe talks to the cowbarn | chromatic parallelism | comical | conversing | cow | diminished triad | dissonant bass | leading man | lovers meet | prisoner | underscoring
Flamingo Road (1949)If I Could Be With You0:07:53 - Field hears music playingcarny | conversing | establish character | leading lady | leading man | on-screen music | parallel period | police | radio | room | sentimental | singer | singing | source music

Flamingo Road (1949)

Lane (Moderato Grazioso)NIF - not in filmconversing | cut from film | cut from film | leading lady | leading man | lovers meet | Picardy third | police | room

Flamingo Road (1949)

Underscoring (Lyrical)NIF - not in film9th chord | altered dominant | conversing | cut from film | cut from film | leading lady | leading man | lovers meet | police | room | underscoring

Flamingo Road (1949)

Lane (Poco Con Moto)NIF - not in filmconversing | cut from film | cut from film | deceptive resolution | leading lady | leading man | lovers meet | parallelism | police | room

Flamingo Road (1949)

Arabian Riff (Not in Film)NIF - not in filmconversing | cut from film | cut from film | deceptive resolution | leading lady | leading man | lovers meet | pedal tone | police | room | source to score

Flamingo Road (1949)

Underscoring (Lyrical)NIF - not in filmchromatic parallelism | conversing | cut from film | cut from film | leading lady | leading man | lovers meet | police | room | underscoring

Flamingo Road (1949)

LaneNIF - not in filmconversing | cut from film | cut from film | leading lady | leading man | lovers meet | mode mixture | police | room

Flamingo Road (1949)

If I Could Be With You (Timidly)NIF - not in filmchromatic parallelism | conversing | cut from film | cut from film | leading lady | leading man | lovers meet | police | room | source to score

Flamingo Road (1949)

Lane (Not in Film)NIF - not in filmconversing | cut from film | cut from film | foreign key modulation | leading lady | leading man | lovers meet | mode mixture | police | room

Flamingo Road (1949)

Put ‘Em in a Box, Tie ‘Em with a Ribbon, and Throw ‘Em in the Deep Blue Sea0:12:05 - The Eagle CafeAABA structure | advance plot | conversing | leading lady | leading man | police | popular music | restaurant | source music | upbeat

Flamingo Road (1949)

Can't We Be Friends0:13:38 - Lane and Field at the cafeAABA structure | advance plot | conversing | leading lady | leading man | police | popular music | restaurant | sentimental | source music

Flamingo Road (1949)

Lane (Sentimentale)NIF - not in film9th chords | chromatic parallelism | conversing | cut from film | cut from film | falling in love | leading lady | leading man | police

Flamingo Road (1949)

Lane (Molto Expressivo)NIF - not in film11th chord | conversing | cut from film | cut from film | falling in love | leading lady | leading man | police

Flamingo Road (1949)

If I Could Be With You (Dolce)0:17:22 - Lane and Field talkconversing | falling in love scene | leading lady | leading man | love interest | pedal tone | police | porch | sentimental | source to score

Flamingo Road (1949)

Goodnight0:17:45 - Lane and Field talkblue note | conversing | falling in love scene | leading lady | leading man | love interest | peaceful | pedal tone | police | porch

Flamingo Road (1949)

Tranquillo0:29:07 - Lane and Field talk at the lakesideappoggiatura | conversing | lake | leading lady | leading man | love interest | love scene | romance | yearning

Flamingo Road (1949)

Titus 20:33:41 - Field sits downbreakup | café | conversing | dark | leading lady | leading man | mysterious | self-borrowing | waitress

Flamingo Road (1949)

Lane (Not in Film 2)NIF - not in film9th chord | advance plot | chromatic parallelism | conversing | cut from film | cut from film | leading lady | newspaper editor | office | whole-tone chord

Flamingo Road (1949)

Titus 2 (Not in Film)NIF - not in filmadvance plot | chromatic parallelism | conversing | cut from film | cut from film | leading lady | newspaper editor | office | self-borrowing

Flamingo Road (1949)

Titus 2 (Pete Lies)0:40:11 - Field asks why Lane was firedadvance plot | café | conversing | employer | leading man | mysterious | politician | self-borrowing

Flamingo Road (1949)

If I Could Be With You (Somber)0:40:31 - Field talks to Lane's co-worker9th chord | 11th chord | advance plot | café | common-tone diminished 7th chord | conversing | coworker | deceptive resolution | diminished 7th chord | leading man | linear chromaticism | politician | reverse picardy | sigh gesture | somber

Flamingo Road (1949)

Lane (Lonely)0:41:27 - Lane talks to a fellow prisoneradvance plot | conversing | foreign key modulation | leading lady | lonely | prison | prisoner | reverse picardy | somber

Flamingo Road (1949)

Lane (Grazioso)0:41:46 - Lane talks to a fellow prisoneradvance plot | conversing | foreign key modulation | hopeful | leading lady | prison | prisoner | upbeat

Flamingo Road (1949)

Lane (Hopeful)0:41:58 - Lane talks to a fellow prisoneradvance plot | conversing | deceptive resolution | gentle | hopeful | leading lady | pedal tone | prison | prisoner

Flamingo Road (1949)

Lute Mae (A Reminiscence)0:42:04 - A female prisoner talks about Lute Mae's13th chord | added-note chord | advance plot | altered dominant | bluesy | conversing | countermelody | Gershwinesque | leading lady | prison | prisoner | self-borrowing

Flamingo Road (1949)

Lane (Fragmented)0:42:21 - Lane talks to a fellow prisoneradvance plot | conversing | fragmentation | leading lady | prison | prisoner | somber

Flamingo Road (1949)

You Must Have Been a Beautiful Baby0:43:13 - A woman sings and plays the pianoadvance plot | conversing | employer | leading lady | on-screen music | room | sentimental | singer | singing | source music

Flamingo Road (1949)

Blue Room0:44:58 - Lane dresses for workAABA structure | advance plot | club | conversing | leading lady | politician | sheriff | source music | upbeat | waitress

Flamingo Road (1949)

Jalousie0:46:06 - Woman dancesadvance plot | club | conversing | dancing | employer | leading lady | on-screen music | playing | sheriff | source music | upbeat | waitress

Flamingo Road (1949)

Lane (Lento)0:50:04 - Dan meets Laneadded-note chord | conversing | countermelody | gentle | graceful | leading lady | leading man | love interest | lovers meet | politician | room

Flamingo Road (1949)

Lane (Chromatic)0:50:24 - Lane ties Dan's tie9th chord | chromatic parallelism | conversing | dark | gentle | leading lady | leading man | love interest | lovers meet | politician | room

Flamingo Road (1949)

Titus 2 (Agitato)0:50:41 - Lane ties Dan's tiechromatic parallelism | conversing | leading lady | leading man | love interest | lovers meet | mysterious | politician | room | self-borrowing

Flamingo Road (1949)

Lane0:50:59 - Lane gives Dan his moneyconversing | delicate | gentle | leading lady | leading man | love interest | lovers meet | mode mixture | pleasant | politician | room

Flamingo Road (1949)

If I Could Be With You (Misterioso)0:51:15 - Lane asks Dan about Fieldchromatic parallelism | conversing | diminished 7th chord | leading lady | leading man | love interest | lovers meet | politician | room | uneasy

Flamingo Road (1949)

Molto Grazioso0:51:40 - Dan notices Laneconversing | delicate | flirting | leading lady | leading man | love interest | lovers meet | politician | room

Flamingo Road (1949)

Lute Mae (Quasi Blues)0:51:46 - Dan flirts with Lane13th chord | added-note chord | conversing | countermelody | flirting | flirty | leading lady | leading man | love interest | lovers meet | politician | room | self-borrowing | sultry | thematic transference

Flamingo Road (1949)

Through a Thousand Dreams0:56:41 - The Olympic City hoteladvance plot | club | conversing | dancing | dining | leading lady | leading man | love interest | on-screen music | politician | sentimental | sheriff | source music | wife

Flamingo Road (1949)

Don’t Take Your Love From Me0:58:50 - Dan and Lane sit at a tableABAC structure | advance plot | club | conversing | leading lady | leading man | love interest | on-screen music | politician | sentimental | sheriff | source music | wife

Flamingo Road (1949)

If I Could Be With You0:59:52 - A woman sings with the dance bandadvance plot | club | conversing | dancing | dining | leading lady | leading man | love interest | on-screen music | politician | sentimental | sheriff | singer | singing | source music | wife

Flamingo Road (1949)

I Guess I’ll Have to Change My Plan1:01:40 - Lane and Dan talk at their tableadvance plot | club | conversing | leading lady | leading man | love interest | politician | sentimental | sheriff | source music | wife

Flamingo Road (1949)

Lute Mae (Tenderly)1:03:37 - Dan is grateful for Lane's gift to him13th chord | added-note chord | advance plot | comical | common-chord modulation | conversing | embracing | happy | husband | leading lady | leading man | maid | room | self-borrowing | tender | wife

Flamingo Road (1949)

Flamingo Road (Tenderly)1:03:58 - Dan and Lane have teaadvance plot | conversing | gentle | husband | leading lady | leading man | mode mixture | room | self-borrowing | serving | tea | wife

Flamingo Road (1949)

Flamingo Road (Tense) + Titus1:04:16 - Titus enters the roomadvance plot | combination of themes | conversing | leading lady | leading man | politician | room | self-borrowing | sheriff | tense | whole-tone scale

Flamingo Road (1949)

Flamingo Road (Misterioso) + Titus1:04:33 - Titus talks to Danadvance plot | combination of themes | conversing | distortion | fragmentation | leading lady | leading man | mysterious | politician | room | self-borrowing | sequence | sheriff

Flamingo Road (1949)

Titus1:11:01 - Annabelle leaves Titusadvance plot | conversing | dark | ominous | porch | self-borrowing | sheriff | wife

Flamingo Road (1949)

Lane (Tragic)1:18:10 - Lane talks to Dan about Titusangry | anxious | conflict | conversing | husband | leading lady | leading man | ostinato | politician | room | tragic | wife

Flamingo Road (1949)

Underscoring (Somber)1:22:33 - Field stumbles through the housechromatic parallelism | conversing | death scene | drunk | drunk | leading lady | leading man | love interest | room | somber | underscoring

Flamingo Road (1949)

Titus1:28:52 - Lane says Titus's nameadvance plot | conversing | dark | friend | leading lady | mob | ominous | room | self-borrowing | zoom in
Hell on Frisco Bay (1955)Underscoring (Dark)0:02:12 - Steve mentions a divorce and leavesconductor score | conversing | dark | establish character | friend | investigator | leading man | street | underscoring

Hell on Frisco Bay (1955)

Amato0:13:04 - Steve talks to manadvance plot | brash | conductor score | conversing | dark | investigator | leading man | ominous | porch

Hell on Frisco Bay (1955)

Spring Song0:14:56 - Amato talks to Marioantagonist | conductor score | conversing | dark | establish character | gangster | menacing | office | tritone

Hell on Frisco Bay (1955)

Underscoring (Mysterious)0:15:33 - Amato talks to Lyeantagonist | conductor score | conversing | establish character | gangster | mysterious | office | underscoring

Hell on Frisco Bay (1955)

Amato0:15:44 - Amato talks to Lyeantagonist | conductor score | conversing | establish character | gangster | harsh | office

Hell on Frisco Bay (1955)

Lye0:16:52 - Amato talks to Lyeantagonist | conductor score | conversing | establish character | gangster | gentle | office

Hell on Frisco Bay (1955)

Menace0:17:13 - Gangsters talkantagonist | conductor score | conversing | establish character | gangster | office | ominous

Hell on Frisco Bay (1955)

Amato0:17:47 - Gangsters talkantagonist | conductor score | conversing | establish character | gangster | harsh | office

Hell on Frisco Bay (1955)

Underscoring (Dark)0:19:33 - Amato slaps old manantagonist | conductor score | conversing | dark | establish character | gangster | office | slapping | stinger | underscoring

Hell on Frisco Bay (1955)

Menace0:20:30 - Amato talks to Lyeantagonist | conductor score | conversing | dark | establish character | gangster | office

Hell on Frisco Bay (1955)

Amato0:20:40 - Amato leavesantagonist | conductor score | conversing | establish character | gangster | office | ominous

Hell on Frisco Bay (1955)

Kay0:20:48 - Lye goes to see Kayantagonist | conductor score | conversing | establish character | gangster | kissing | love interest | lyrical | romantic | street

Hell on Frisco Bay (1955)

Hell on Frisco Bay0:23:26 - Marcia talks to Steveclub | conductor score | conversing | establish character | investigator | leading lady | leading man | on-screen music | pianist | playing | popular music | sentimental | source music | source score

Hell on Frisco Bay (1955)

Hell on Frisco Bay0:25:27 - Marcia and Steve talkadvance plot | agitated | conductor score | conversing | leading lady | leading man | room

Hell on Frisco Bay (1955)

Hell on Frisco Bay0:25:56 - Marcia and Steve talkadvance plot | conductor score | conversing | leading lady | leading man | room | somber

Hell on Frisco Bay (1955)

Underscoring (Tense)0:28:03 - The gangsters leaveaction scene | conductor score | conversing | gangster | leading lady | leading man | leaving | room | tense | underscoring

Hell on Frisco Bay (1955)

Hell on Frisco Bay0:28:43 - Marcia talks to Steveaction scene | conductor score | conversing | leading lady | leading man | leaving | room | somber

Hell on Frisco Bay (1955)

Menace 20:28:55 - Marcia reacts to Steve's commentaction scene | conductor score | conversing | leading lady | leading man | leaving | room | upset

Hell on Frisco Bay (1955)

Menace0:31:38 - Steve talks with the detectiveadvance plot | conductor score | conversing | dark | detective | investigator | leading man | ominous | room

Hell on Frisco Bay (1955)

Menace 20:32:00 - Steve talks with the detectiveadvance plot | conductor score | conversing | dark | detective | investigator | leading man | ominous | room

Hell on Frisco Bay (1955)

Adoramus te Christe0:38:32 - A funeralchurch | conversing | friend | funeral | investigator | leading man | somber | source music

Hell on Frisco Bay (1955)

Put 'Em in a Box, Tie 'Em with a Ribbon, and Throw 'Em in the Deep Blue Sea0:40:24 - A dance halladvance plot | club | conversing | dancer | dancing | investigator | jazz | jazz band | leading man | on screen music | source music | upbeat

Hell on Frisco Bay (1955)

How Many Hearts Have You Broken0:40:22 - A dance halladvance plot | club | conversing | drowning | fighting | gangster | interrogating | investigator | jazz | leading man | mellow | source music

Hell on Frisco Bay (1955)

Anna0:46:05 - Anna talks with Amatoantagonist | conductor score | conversing | establish character | gangster | gentle | leading man | room | sentimental | warning | wife | worrying

Hell on Frisco Bay (1955)

Amato0:47:01 - Amato talks with Lyeadvance plot | antagonist | brash | conductor score | conversing | gangster | harsh | leading man | room

Hell on Frisco Bay (1955)

Face twitching0:47:44 - Amato talks with Lyeadvance plot | antagonist | conductor score | conversing | gangster | leading man | room | uneasy

Hell on Frisco Bay (1955)

Steve0:52:23 - Steve arrivesadvance plot | conductor score | conversing | friend | gangster | investigator | leading man | neutral | street

Hell on Frisco Bay (1955)

Menace0:53:06 - Steve talks with Danadvance plot | conductor score | conversing | dark | gangster | investigator | leading man | sinister | street

Hell on Frisco Bay (1955)

Steve1:01:01 - Steve talks to Marciaconductor score | conversing | entering | gentle | leading lady | leading man | love scene | room

Hell on Frisco Bay (1955)

Underscoring (Subtle)1:01:30 - Marcia talks to Steveconductor score | conversing | gentle | leading lady | leading man | love scene | room | underscoring

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:01:41 - Steve talks to Marciaconductor score | conversing | leading lady | leading man | love scene | room | tense | underscoring

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:01:53 - Marcia talks to Steveconductor score | conversing | leading lady | leading man | love scene | room | somber

Hell on Frisco Bay (1955)

Menace1:02:28 - Steve talks to Marciaconductor score | conversing | dark | leading lady | leading man | love scene | room

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:02:45 - Marcia talks to Steveconductor score | conversing | leading lady | leading man | love scene | romantic | room | tender

Hell on Frisco Bay (1955)

Pleading1:03:30 - Marcia talks to Steveconductor score | conversing | leading lady | leading man | love scene | room | tender

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:03:46 - Marcia talks to Steveconductor score | conversing | dark | leading lady | leading man | love scene | room | tender

Hell on Frisco Bay (1955)

Anna1:04:54 - Anna talks to Amatoadvance plot | antagonist | conductor score | conversing | dark | gangster | gentle | leading man | room | wife

Hell on Frisco Bay (1955)

Lye1:09:00 - Amato calls Lyeadvance plot | antagonist | calling | conductor score | conversing | gangster | leading man | stinger | street | uneasy

Hell on Frisco Bay (1955)

It Can't Be Wrong1:09:26 - Amato talks to Lyeadvance plot | antagonist | calm | conversing | gangster | leading man | room | source music

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:17:47 - Marcia and Steve talkadvance plot | calm | club | conductor score | conversing | leading lady | leading man | on-screen music | popular music | source music | source score

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:18:13 - Marcia and Steve talkcalm | club | conductor score | conversing | leading lady | leading man | love scene | source to score

Hell on Frisco Bay (1955)

Underscoring (Dark)1:19:09 - Marcia and Steve talkclub | conductor score | conversing | dark | leading lady | leading man | love scene | ominous | underscoring

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:19:28 - Marcia talks to Steveclub | conductor score | conversing | gentle | grand | leading lady | leading man | love scene

Hell on Frisco Bay (1955)

Anna1:20:28 - Anna mourns Mario's deathconversing | crying | dark | funeral | funeral | gangster | leading man | wife

Hell on Frisco Bay (1955)

Anna1:24:31 - Amato calls detectiveadvance plot | conversing | gangster | leading man | mysterious | religious | religious | room

Hell on Frisco Bay (1955)

Underscoring (Tense)1:29:55 - Marcia talks to Kayconversing | leading lady | love interest | room | tense | turning point | witness

Hell on Frisco Bay (1955)

Underscoring (Dramatic)1:30:27 - Steve tells Anna that Mario was murderedadvance plot | conversing | dark | investigator | leading man | murder | ominous | priest | room | shock | wife

Hell on Frisco Bay (1955)

Anna1:30:35 - Anna tells Steve where to find Amatoadvance plot | betraying | conversing | dark | investigator | leading man | ominous | priest | room | somber | wife

Hell on Frisco Bay (1955)

Menace1:31:32 - Amato picks up his gunaction scene | conversing | dramatic | gangster | leading man | packing | room

Hell on Frisco Bay (1955)

Lye1:32:01 - Lye confronts Amatoaction scene | conversing | gangster | gun | leading man | lying | room | uneasy

Hell on Frisco Bay (1955)

Underscoring (Tense)1:35:05 - The police arriveaction scene | arriving | conversing | dock | leading lady | police | tense | underscoring
In This Our Life (1942)Asa (Expressivo)0:02:33 - Asa walksconversing | establish character | gentle | noble | street | walking | worker

In This Our Life (1942)

Roy0:02:59 - Roy descends a staircaseconversing | daughter | delicate | establish character | father | gentle | greeting | leading lady | maid | room

In This Our Life (1942)

Stanley Introduction0:06:35 - A car arrivesarriving | car | conversing | establish character | leading lady | leading man | love interest | stinger | tense

In This Our Life (1942)

Stanley0:06:56 - Stanley talks with Petercar | conversing | establish character | leading lady | leading man | love interest | sultry

In This Our Life (1942)

Stanley B0:07:06 - Stanley talks with Petercar | conversing | establish character | leading lady | leading man | love interest | sultry

In This Our Life (1942)

Stanley0:07:23 - Stanley drives awaycar | conversing | establish character | leading lady | leading man | love interest | sultry

In This Our Life (1942)

Stanley (Rubato)0:11:58 - Stanley talks with Royconversing | establish character | leading lady | mysterious | room | sister | stinger

In This Our Life (1942)

Roy (Dolce)0:12:06 - Roy talks with Stanleyconversing | establish character | gentle | leading lady | room | sister | sweet

In This Our Life (1942)

Expressivo0:12:28 - Stanley talks with Royconversing | establish character | expressive | leading lady | room | sister

In This Our Life (1942)

Caring0:13:08 - Roy talks to Peteradvance plot | conversing | leading lady | leading man | packing | passionate | room | tender

In This Our Life (1942)

Stanley (Peter Lies)0:13:28 - Peter talks about his tripadvance plot | conversing | leading lady | leading man | lying | musical clue | packing | room | serious | somber

In This Our Life (1942)

Roy0:13:39 - Roy is relievedadvance plot | calm | conversing | leading lady | leading man | room

In This Our Life (1942)

Stanley (Divisi)0:13:57 - Roy helps Peter packadvance plot | conversing | leading lady | leading man | passionate | room

In This Our Life (1942)

Discussion0:14:09 - Roy talks with Peteradvance plot | conversing | leading lady | leading man | room | serious | somber

In This Our Life (1942)

Roy (Rubato)0:14:34 - Roy talks with Peteradvance plot | conversing | dark | leading lady | leading man | playful | room

In This Our Life (1942)

Pleadingly0:14:53 - Roy looks at Peteradvance plot | conversing | leading lady | leading man | room | yearning

In This Our Life (1942)

Roy (Lento)0:14:59 - Roy talks about their futureadvance plot | conversing | dark | embracing | leading lady | leading man | room | sweet

In This Our Life (1942)

Roy (Morendo)0:15:43 - Roy responds to Peteradvance plot | conversing | embracing | leading lady | leading man | room | serious | somber

In This Our Life (1942)

Stanley Introduction0:16:56 - Craig talks with Asaadvance plot | conversing | father | fiancé | leading lady | room | tense | underscoring

In This Our Life (1942)

Stanley0:17:11 - Stanley comes down the stairsadvance plot | conversing | fiancé | kissing | leading lady | room | sultry

In This Our Life (1942)

Stanley B (Slowly)0:17:20 - Stanley talks with Craigadvance plot | conversing | dramatic | fiancé | kissing | leading lady | lying | room | sultry

In This Our Life (1942)

Stanley (Con Moto)0:22:19 - Roy talks about Stanley's letterangry | bitter | conflict | conversing | father | leading lady | letter | room

In This Our Life (1942)

Roy (Risoluto)0:22:40 - Roy talks to Asaconflict | conversing | father | gentle | leading lady | room

In This Our Life (1942)

Expressivo (Extended)0:22:51 - Roy talks to Asaconflict | conversing | expressive | father | leading lady | room

In This Our Life (1942)

Roy (Grazioso)0:23:08 - Roy looks at herself in the mirrorconflict | conversing | father | leading lady | mysterious | room

In This Our Life (1942)

Caring0:23:19 - Asa talks to Royconflict | conversing | father | leading lady | room | sentimental | underscoring

In This Our Life (1942)

Asa (Ostinato)0:23:26 - Asa talks to Royconflict | conversing | dark | father | leading lady | room | serious

In This Our Life (1942)

South American Way0:24:06 - A spinning recordadvance plot | conversing | dancing | Latin-American | leading lady | leading man | love interest | popular music | record player | room | source music | upbeat

In This Our Life (1942)

Roy (Rubato)0:29:00 - Roy talks to Craigadvance plot | conversing | leading lady | leading man | park | uneasy

In This Our Life (1942)

Pleadingly0:29:23 - Roy talks to Craigadvance plot | conversing | leading lady | leading man | park | uneasy

In This Our Life (1942)

Stanley (Morendo)0:29:32 - Craig talks with Royadvance plot | conversing | leading lady | leading man | park | somber

In This Our Life (1942)

Roy (Encouragement)0:29:56 - Roy tries to cheer Craig upadvance plot | conversing | encouraging | leading lady | leading man | park | uplifting

In This Our Life (1942)

Roy0:30:21 - Craig talks to Royadvance plot | conversing | gentle | leading lady | leading man | park | sweet

In This Our Life (1942)

Stanley (Stringy)0:32:14 - Stanley and Peter in the carcar | conversing | leading lady | leading man | sultry | wedding | wedding

In This Our Life (1942)

Stanley (She Runs)0:32:24 - Stanley talks to Petercar | conversing | leading lady | leading man | playful | wedding | wedding

In This Our Life (1942)

This Time the Dream’s on Me0:33:03 - Stanley and Peter sit at a tableconversing | dance hall | dance scene | dancing | leading lady | leading man | on-screen music | popular music | source music | upbeat

In This Our Life (1942)

Flirting0:37:31 - Peter goes to Stanleyconversing | flirting | happy | leading lady | leading man | love scene | room

In This Our Life (1942)

Stanley (Grazioso)0:37:56 - Stanley talks to Peterconversing | flirting | happy | leading lady | leading man | love scene | pleasant | room | sultry

In This Our Life (1942)

Driving0:38:19 - Roy and Craig in a carcalm | car | conversing | driving | leading lady | leading man | love interest | love scene

In This Our Life (1942)

Driving + Love Theme0:39:07 - Roy and Craig in a carcalm | car | combination of themes | conversing | driving | leading lady | leading man | love interest | love scene | romantic

In This Our Life (1942)

Danger0:39:54 - A forest rangerconversing | danger | fire | forest ranger | leading lady | leading man | love interest | love scene | outdoors | tense

In This Our Life (1942)

Forest Fire0:40:10 - A forest fireconversing | dangerous | eerie | fire | leading lady | leading man | love interest | love scene | outdoors

In This Our Life (1942)

Love Theme (Molto Expressivo)0:40:44 - Roy and Craig sit on the groundcalm | conversing | fire | leading lady | leading man | love interest | love scene | outdoors | romantic

In This Our Life (1942)

Roy (Expressivo)0:43:43 - Roy talks with Parryassistant | calm | conversing | friend | leading lady | love scene | office | pleasant

In This Our Life (1942)

Love Theme (Valse Sentimentale)0:44:06 - Roy and Craig embracecalm | conversing | leading lady | leading man | love scene | office | romantic | waltz

In This Our Life (1942)

Love Theme (Valse Sentimentale)0:46:31 - Roy talks with her uncleconversing | leading lady | leading man | love scene | pleasant | proposal | room | tender | uncle | waltz

In This Our Life (1942)

Phone Call0:47:29 - Asa answers the phonebad news | conversing | dark | eerie | father | mysterious | phone call | room | telephone | tense | turning point

In This Our Life (1942)

Funereal0:48:25 - Asa calls for the othersbad news | conversing | father | leading lady | leading man | room | solemn | stinger | turning point | uncle

In This Our Life (1942)

Underscoring (Somber)0:48:46 - Asa relates the bad newsbad news | conversing | father | leading lady | leading man | room | somber | turning point | uncle | underscoring

In This Our Life (1942)

Underscoring (Dark)0:49:21 - Asa tells them Peter committed suicideconversing | dark | father | leading lady | leading man | room | stinger | suicide | turning point | uncle | underscoring

In This Our Life (1942)

Roy (Morendo 2)0:49:54 - Roy reacts to the bad newsconversing | father | leading lady | leading man | room | serious | somber | suicide | turning point | uncle

In This Our Life (1942)

Underscoring (Gentle)0:50:58 - Roy talks with Bettyadvance plot | conversing | friend | gentle | leading lady | room | tender | underscoring

In This Our Life (1942)

Stanley (Peter Lies)0:51:55 - Roy at Stanley's bedsideadvance plot | conversing | gentle | leading lady | room | sister | widow

In This Our Life (1942)

Stanley B (Slowly)0:52:05 - Roy at Stanley's bedsideadvance plot | agitated | conversing | leading lady | room | sister | widow

In This Our Life (1942)

Stanley (Packing)0:52:23 - Roy at Stanley's bedsideadvance plot | conversing | gentle | leading lady | room | sister | tense | widow

In This Our Life (1942)

Stanley (Valse Triste)0:52:42 - Stanley talks to Royadvance plot | agitated | conversing | leading lady | room | sister | widow

In This Our Life (1942)

Stanley B (Valse Triste)0:52:48 - Stanley talks to Royadvance plot | agitated | conversing | leading lady | room | sister | widow

In This Our Life (1942)

Stanley (Valse Triste)0:52:56 - Stanley talks to Royadvance plot | agitated | conversing | leading lady | room | sister | widow

In This Our Life (1942)

Discussion0:53:04 - Stanley talks to Royadvance plot | agitated | conversing | leading lady | room | sister | widow

In This Our Life (1942)

Stanley B (Valse Triste)0:53:17 - Stanley criesadvance plot | agitated | conversing | leading lady | room | sister | widow

In This Our Life (1942)

Roy0:54:15 - Roy tucks Stanley inadvance plot | conversing | gentle | leading lady | room | sister | widow

In This Our Life (1942)

How Do I Know It’s Sunday0:57:12 - Stanley starts a record playingadvance plot | conversing | crying | dancing | father | flirting | leading lady | leading man | popular music | record player | room | sister | source music | upbeat | widow

In This Our Life (1942)

Uncle Fitzroy1:04:26 - Uncle Fitzroy talks to Stanleyconflict | conversing | crying | dancing | flirting | leading lady | room | solemn | uncle | widow

In This Our Life (1942)

Stanley Introduction (Extended 2)1:05:31 - Stanley in Craig's officeadvance plot | conversing | lawyer | leading lady | leading man | office | reading | uneasy

In This Our Life (1942)

Stanley (Extended)1:05:53 - Stanley talks to Craigadvance plot | conversing | lawyer | leading lady | leading man | office | solemn | uneasy

In This Our Life (1942)

Stanley B (Slowly)1:06:13 - Stanley talks to Craigadvance plot | conversing | lawyer | leading lady | leading man | office | uneasy

In This Our Life (1942)

Stanley (Triste)1:06:29 - Stanley talks to Craigadvance plot | conversing | lawyer | leading lady | leading man | office | uneasy

In This Our Life (1942)

Underscoring (Tense)1:09:25 - Policemen approach the housearriving | conversing | criminal | investigation scene | leading lady | mysterious | police | room | tense | walking | watching

In This Our Life (1942)

Stanley1:09:49 - Policemen enter the housearriving | conversing | criminal | investigating | investigation scene | leading lady | mysterious | police | room | sneaking | tense | walking | watching

In This Our Life (1942)

Stanley Introduction (Extended 3)1:12:42 - Stanley talks with Royadvance plot | conversing | criminal | leading lady | lying | room | tense

In This Our Life (1942)

Stanley (Molto Expressivo)1:12:57 - Stanley talks with Royadvance plot | calm | conversing | criminal | leading lady | lying | room

In This Our Life (1942)

Roy (Triste 2)1:13:12 - Roy talks with Minervaadvance plot | conversing | leading lady | maid | mother | questioning | room | solemn | somber

In This Our Life (1942)

Minerva and Parry1:13:29 - Minerva talks with Royadvance plot | calm | conversing | leading lady | maid | mellow | mother | questioning | room | sentimental | solemn | spiritual

In This Our Life (1942)

Stanley (Packing)1:14:36 - Newspaper headline about the accidentarriving | conflict | conversing | headline | lawyer | leading lady | leading man | mysterious | newspaper | office

In This Our Life (1942)

Underscoring (Tense)1:15:04 - Craig refuses Parry's caseconflict | conversing | denying | lawyer | leading lady | leading man | office | ominous | refusing | tritone | underscoring

In This Our Life (1942)

Stanley (Molto Accell)1:15:15 - Craig talks about Stanleyanxious | conflict | conversing | defending | denying | lawyer | leading lady | leading man | office | refusing | tense

In This Our Life (1942)

You’re a Lucky Guy1:16:20 - Stanley dancesadvance plot | arriving | conversing | criminal | dancing | drinking | leading lady | popular music | record player | room | source music | upbeat

In This Our Life (1942)

Underscoring (Tense)1:20:10 - Craig's car pulls up to the jailarriving | car | car | conflict | conversing | criminal | lawyer | leading lady | leading man | street | tense | underscoring | uneasy

In This Our Life (1942)

Underscoring (Somber)1:21:07 - Parry in his jail cellconflict | conversing | criminal | lawyer | leading lady | leading man | prison | prisoner | somber | suspect | underscoring | victim

In This Our Life (1942)

Minerva and Parry1:21:28 - Parry in his jail cellconflict | conversing | criminal | lawyer | leading lady | leading man | lying | prison | prisoner | somber | suspect | tender | testifying | victim

In This Our Life (1942)

Minerva and Parry (Triste)1:22:39 - Parry talks to Stanleyconflict | conversing | criminal | lawyer | leading lady | leading man | lying | prison | prisoner | solemn | somber | suspect | testifying | victim

In This Our Life (1942)

London Bridge is Falling Down (Molto Expressivo)1:23:33 - Craig talks to Stanleycar | children’s song | conflict | conversing | criminal | familiar tune | lawyer | leading lady | leading man | somber

In This Our Life (1942)

London Bridge is Falling Down (Mysterious)1:23:45 - Craig and Stanley arguecar | children’s song | conflict | conversing | criminal | familiar tune | lawyer | leading lady | leading man | lying | mysterious | ominous

In This Our Life (1942)

Stanley (Agitato)1:25:21 - Craig talks to Stanleyagitated | climax | conversing | criminal | father | lawyer | leading lady | leading man | mother | room | suspect

In This Our Life (1942)

Underscoring (Tense)1:27:23 - Stanley reactsclimax | conversing | criminal | father | lawyer | leading lady | leading man | mother | plotting | room | suspect | tense | underscoring

In This Our Life (1942)

Stanley (Extended)1:27:33 - Stanley goes upstairsclimax | conversing | criminal | crying | father | lawyer | leading lady | leading man | mother | room | somber | suspect | uneasy

In This Our Life (1942)

Love Theme (Gentle)1:27:58 - Roy talks to Craigaccusing | climax | conversing | criminal | crying | embracing | gentle | lawyer | leading lady | leading man | room | sneaking | tender

In This Our Life (1942)

Love Theme (Slowly)1:35:39 - Craig answers a phone callcomforting | conversing | leading lady | leading man | resolution | room | solemn | somber | tender | The End
The Informer (1935)Katie Calls Gypo0:05:38 - Katie says Gypo's nameconversing | diminished 7th chord | dissonant bass | establish character | leading lady | leading man | mickey-mousing | somber | staring | street

The Informer (1935)

Katie (Tired and Sad)0:05:49 - Katie talks to Gypoconversing | crying | diminished 7th chord | establish character | leading lady | leading man | parallelism | Scotch snap | sobbing gesture | somber | street

The Informer (1935)

Yankee Doodle (Octatonic)0:06:21 - Katie looks at the poster about a trip to AmericaAmerican | comical | conversing | dark | diminished 7th chord | establish character | leading lady | leading man | octatonic | parallelism | patriotic tune | source music | street

The Informer (1935)

Katie (Triste)0:22:38 - Katie appears at the window64 chord | advance plot | antagonist | conversing | foreign key modulation | leading lady | leading man | parallelism | pub | sultry | watching

The Informer (1935)

The Informer (Lying)0:23:40 - Gypo lies about where he got the moneyadvance plot | antagonist | chromatic sequence | conversing | diminished 7th chord | dissonant bass | half-diminished 7th chord | leading lady | leading man | lying | octatonic | pub | Scotch snap | tense

The Informer (1935)

The Informer (Accused)0:38:40 - Rebel accuses Gypo of being the informer64 chord | advance plot | conversing | headquarters | parallelism | rebel | room | suspicion | tense

The Informer (1935)

Mary0:38:47 - Rebels talk about Frankie's sister Mary64 chord | advance plot | augmented sixth chord | conversing | deceptive resolution | headquarters | love | mode mixture | rebel | romantic | room | Scotch snap

The Informer (1935)

Underscoring (Tense)0:39:05 - Rebels talk about Gypoadvance plot | conversing | half-diminished 7th chord | headquarters | rebel | room | tense | underscoring

The Informer (1935)

The Wearin’ o’ the Green (Bugle Call)0:39:25 - Rebels plan to watch Gypoadvance plot | conversing | familiar tune | folk song | headquarters | Irish | parallelism | rebel | room | tense

The Informer (1935)

Blood money (Thinking)0:48:58 - Gypo pulls out and counts his moneyadvance plot | antagonist | conversing | leading man | money | mysterious | ostinato | pondering | street

The Informer (1935)

My Man0:50:19 - Gypo talks with his friendAB structure | advance plot | antagonist | cheerful | conversing | leading man | party | source music | street

The Informer (1935)

The Informer (Dan Talking)0:56:57 - Dan and Mary talk about an informerconversing | hero | love interest | love scene | mysterious | room | walking bass

The Informer (1935)

The Wearin’ o’ the Green (Somber)0:57:08 - Dan and Mary talk about the rebel organization64 chord | conversing | diminished 7th chord | familiar tune | folk song | hero | heroic | love interest | love scene | room | tense

The Informer (1935)

The Informer (Pedal Tone)0:57:34 - Dan and Mary talk about Gypoconversing | hero | love interest | love scene | mysterious | room

The Informer (1935)

The Wearin’ o’ the Green (Fragment)0:57:42 - Dan and Mary talk about a rebel meetingconversing | familiar tune | folk song | hero | love interest | love scene | room | sentimental

The Informer (1935)

The Informer (Molto Agitato)1:03:45 - Katie worries for Gypoadvance plot | antagonist | chromatic parallelism | conversing | drunk | half-diminished 7th chord | leading lady | leading man | rebel | street

The Informer (1935)

The Wearin’ o’ the Green (Fighting)1:03:51 - Gypo struggles with the rebels64 chord | advance plot | antagonist | chromatic parallelism | conversing | dominant 7th chord | drunk | familiar tune | fighting | folk song | fragmentation | leading lady | leading man | reassuring | rebel | sequence | street | struggling | syncopation

The Informer (1935)

Blood Money (Ostinato)1:04:10 - The rebels overhear Gypo talking about the moneyadvance plot | antagonist | conversing | drunk | leading lady | leading man | money | mysterious | ostinato | rebel | street | whole-tone chord

The Informer (1935)

Dan and Mary1:24:05 - Dan and Mary talkconversing | love | love interest | love scene | rebel | romantic | room

The Informer (1935)

Ireland1:24:14 - Dan and Mary talk about the rebel movementconversing | folk-like | love | love interest | love scene | rebel | romantic | room
Key Largo (1948)I Gotta Right to Sing the Blues0:04:21 - Frank speaks with people in the barconversing | establish character | gangster | hotel | jazz | leading man | moll | radio | sentimental | source music

Key Largo (1948)

Largo Hotel (Quasi Misterioso)0:11:00 - Frank and Nora talk in the hotelconversing | establish character | hotel | leading lady | leading man | mysterious | tense

Key Largo (1948)

Rocco 20:11:30 - Frank and Nora talk about Roccoconversing | establish character | harsh | hotel | leading lady | leading man

Key Largo (1948)

McCloud0:11:41 - Nora talks about her husband Georgeconversing | establish character | heroic | hotel | leading lady | leading man | memorializing | noble

Key Largo (1948)

Underscoring (Somber)0:13:51 - Frank talks with Mr. Templeadvance plot | conversing | father | hotel | leading lady | leading man | prelude | somber | underscoring

Key Largo (1948)

Nora0:17:32 - Nora and Frank walk to the boatconversing | dock | falling in love scene | leading lady | leading man | romantic | triadic | wind

Key Largo (1948)

Nora (Nervous)0:17:53 - Nora sees the gangstersconversing | dock | falling in love scene | gangster | leading lady | leading man | nervous | wind

Key Largo (1948)

Wind0:18:21 - Frank helps prepare for the stormconversing | dock | falling in love scene | gangster | leading lady | leading man | storm | tense | wind

Key Largo (1948)

Seminoles0:19:11 - Seminole Indians arriveadvance plot | arriving | boat | conversing | dock | Indian | Indian | leading lady | leading man | rowing | serious

Key Largo (1948)

Seminoles (Grandma)0:19:46 - Elderly Indian woman talks to Noraadvance plot | arriving | boat | conversing | dock | grandmother | Indian | Indian | leading lady | leading man | old woman | serious | smoking

Key Largo (1948)

Seminoles (Brothers)0:20:29 - Nora talks with Seminole Indiansadvance plot | arriving | boat | conversing | dock | Indian | Indian | leading lady | leading man | serious

Key Largo (1948)

Rocco (Tense)0:26:13 - Curly talks with Roccoboss | conversing | dressing | establish character | gangster | hotel | tense | tremolo

Key Largo (1948)

Rocco (Cut From Film)NIF - not in filmboss | conversing | cut from film | cut from film | father | gangster | hostage | hotel | leading lady | leading man

Key Largo (1948)

Rocco 2 (Cut From Film)NIF - not in filmboss | conversing | cut from film | cut from film | father | gangster | hostage | hotel | leading lady | leading man

Key Largo (1948)

Rocco 3 (Cut from Film)NIF - not in filmboss | conversing | cut from film | cut from film | father | gangster | hostage | hotel | leading lady | leading man

Key Largo (1948)

TensionNIF - not in filmboss | conversing | cut from film | cut from film | father | gangster | hostage | hotel | leading lady | leading man

Key Largo (1948)

Rocco (Tense 2)NIF - not in filmboss | conversing | cut from film | cut from film | father | gangster | hostage | hotel | leading lady | leading man

Key Largo (1948)

Rocco 2 (Misterioso)NIF - not in filmboss | conversing | cut from film | cut from film | father | gangster | hostage | hotel | leading lady | leading man

Key Largo (1948)

Rocco 3 (Cut From Film 2)NIF - not in filmboss | conversing | cut from film | cut from film | father | gangster | hostage | hotel | leading lady | leading man

Key Largo (1948)

McCloud (Cut From Film)NIF - not in filmboss | conversing | cut from film | cut from film | father | gangster | hostage | hotel | leading lady | leading man

Key Largo (1948)

Rocco 2 (Slowly) + McCloud (Tritone)0:32:57 - McCloud quotes FDRangry | boss | combination of themes | conflict | conversing | father | gangster | hostage | hotel | leading lady | leading man | mysterious | quoting | stinger

Key Largo (1948)

Underscoring (Tense)0:46:30 - Rocco tells McCloud to shoot himboss | conflict | conversing | father | gangster | hostage | hotel | leading lady | leading man | moll | tense | underscoring

Key Largo (1948)

McCloud (Triste)0:47:23 - Rocco mocks McCloudboss | conflict | conversing | father | gangster | gun | hostage | hotel | leading lady | leading man | mode change | moll | serious | somber

Key Largo (1948)

Ominous0:51:32 - Lights begin to go out in the hotelboss | conversing | dark | develop character | father | gangster | hostage | hotel | leading lady | leading man | menacing | moll | ominous | preparing | storm | tense

Key Largo (1948)

McCloud (Molto Expressivo)1:07:31 - McCloud wakes Nora after the stormconversing | gentle | hotel | leading lady | leading man | love interest | love scene | resting | romance | waking | warm

Key Largo (1948)

McCloud (Delicato)1:08:14 - McCloud talks with Noraconversing | delicate | father | gentle | hotel | leading lady | leading man | love interest | love scene | warm

Key Largo (1948)

Rocco (Tense)1:19:02 - Rocco welcomes new gangstersboss | conversing | friend | gangster | greeting | hotel | investigation scene | laughing | tense | underscoring

Key Largo (1948)

Rocco 31:24:03 - Rocco approaches Noraadvance plot | boss | conversing | father | gangster | hotel | tense | violent

Key Largo (1948)

Underscoring (Somber)1:27:42 - Nora and Gaye enter the hoteladvance plot | conversing | hotel | leading lady | moll | somber | underscoring | walking

Key Largo (1948)

McCloud (Tense)1:27:56 - Mr. Temple tries to make a phone calladvance plot | conversing | father | hotel | leading lady | moll | somber
The Letter (1940)Hammond A (Revolver)0:03:43 - Leslie talks with the workersconversing | gun | home | murderer | murder scene | oscillation | sequence | servant | tense

The Letter (1940)

Native 20:04:12 - Leslie talks with the workers and asks them to leaveconversing | home | murderer | murder scene | open fifth | pentatonic | servant | stinger | tense | underscoring

The Letter (1940)

Underscoring (Dramatic)0:06:04 - Worker talks to Robertaction scene | conversing | death | dramatic | husband | murder | servant | underscoring | warehouse

The Letter (1940)

Letter (Sarcastic)0:15:10 - Men accept Leslie's storyadvance plot | chromatic sequence | conversing | home | leading lady | mysterious

The Letter (1940)

Hammond A (Delicato)0:21:46 - Men admire needlepointadvance plot | conversing | delicate | gentle | home | lacework | lawyer | leading lady | oscillation | polychord | sequence

The Letter (1940)

Hammond A (Tense)0:34:20 - Howard tells Leslie about the letterconversing | lawyer | leading lady | letter | parallelism | pivotal scene | prison | suspenseful | tense

The Letter (1940)

Hammond A (Tragic)0:37:21 - Howard talks to Leslieanxious | climax | conversing | fearful | lawyer | leading lady | letter | oscillation | pivotal scene | prison | sequence | tense

The Letter (1940)

Hammond B (Screwyoso)0:37:34 - Howard talks to Leslieanxious | chromatic sequence | conversing | fearful | lawyer | leading lady | letter | pivotal scene | prison | tense

The Letter (1940)

Hammond A (Shimmery)0:37:54 - Howard talks to Leslieanxious | conversing | fearful | lawyer | leading lady | letter | pivotal scene | prison | stinger | tense

The Letter (1940)

Hammond A (Resigned)0:38:57 - Howard talks to Leslie in the hospitaladvance plot | calm | conversing | hospital | lawyer | leading lady | oscillation | sequence

The Letter (1940)

Hammond B (Con Moto)0:39:25 - Leslie asks Howard about the letteradvance plot | conversing | hospital | lawyer | leading lady | letter | sequence | tense

The Letter (1940)

Law Office (The Plea)0:40:00 - Howard asks Leslie to be honestadvance plot | anxious | artwork in score | chromatic sequence | conversing | hospital | lawyer | leading lady | letter | refusing | tense

The Letter (1940)

Hammond A (Despair)0:40:33 - Leslie despairsadvance plot | anxious | conversing | despair | hospital | lawyer | leading lady | letter | oscillation | tense

The Letter (1940)

Hammond A (Deception)0:40:57 - Howard says he doesn't despise Leslieadvance plot | angry | augmented triad | chromatic parallelism | combination of themes | conversing | deception | hospital | lawyer | leading lady | letter | sequence | staring | tense

The Letter (1940)

Sociable0:48:42 - People having dinnercheerful | conversing | dinner | happy | home | husband | lacework | lawyer | leading lady | party

The Letter (1940)

Sociable (Ending)0:49:58 - Pleasant conversationcheerful | conversing | dinner | happy | home | husband | lawyer | leading lady | reverse picardy

The Letter (1940)

Hammond A (Delicato)0:52:07 - Howard and Leslie talk about laceworkadvance plot | conversing | home | lacework | lawyer | leading lady | mysterious | oscillation

The Letter (1940)

Hammond B (Ethereal)0:52:33 - Howard and Leslie talkadvance plot | chromatic sequence | conversing | home | lawyer | leading lady | oscillation | tense

The Letter (1940)

Hammond A (Tragic)0:52:55 - Howard and Leslie talkadvance plot | conversing | home | lawyer | leading lady | oscillation | tense

The Letter (1940)

Hammond B (Screwyoso)0:53:10 - Howard and Leslie talkadvance plot | conversing | home | lawyer | leading lady | oscillation | tense

The Letter (1940)

Mrs. Hammond (Glass Curtains)1:00:13 - Leslie pays Mrs. Hammondantagonist | Chinatown | Chinese | Chinese | combination of themes | conflict | conversing | curtain | glass | lawyer | layering | leading lady | mysterious | ostinato | paying | pentatonic | polyrhythm | shop | staring | tense | tinkling | waiting

The Letter (1940)

Hammond A (Glass Curtains)1:01:27 - Leslie removes the shawl from her headantagonist | Chinatown | Chinese | Chinese | combination of themes | conflict | conversing | curtain | glass | lawyer | layering | leading lady | mysterious | oscillation | ostinato | polyrhythm | sequence | shop | staring | tense | tinkling | waiting

The Letter (1940)

Foxtrot No.1 C1:21:36 - Leslie goes to the partycalm | conversing | dance music | dancing | foxtrot | friend | leading lady | party | party | source music

The Letter (1940)

Foxtrot No.21:22:12 - Leslie dances at the partyconversing | dance music | dancing | foxtrot | friend | happy | husband | leading lady | party | party | source music

The Letter (1940)

Foxtrot No.31:23:25 - Robert talks to friends at the partyconversing | dance music | drinking | foxtrot | friend | happy | husband | leading lady | party | party | source music

The Letter (1940)

Underscoring (Mysterious)1:26:07 - Leslie talks to Robertclimax | conversing | home | husband | leading lady | mysterious | staring | underscoring

The Letter (1940)

Underscoring (Tense)1:26:52 - Leslie talks to Robertclimax | conversing | home | husband | leading lady | staring | tense | underscoring

The Letter (1940)

Letter 2 (Tense)1:27:06 - Leslie talks to Robertclimax | conversing | gentle | home | husband | leading lady | pedal tone | tender | tense

The Letter (1940)

Deception (Lohengreenish)1:28:04 - Robert asks for Leslie's love and devotionclimax | conversing | home | husband | kissing | leading lady | romantic | sequence | tense
Mildred Pierce (1945)Waves rumbling0:03:15 - Policeman convinces Mildred not to jumpconversing | dock | establish character | heroine | leading lady | mickey-mousing | police | somber | suicide | water | wave

Mildred Pierce (1945)

You Must Have Been a Beautiful Baby0:03:59 - Wally sees Mildred from the windowconversing | establish character | familiar tune | friend | heroine | jazz | leading lady | on-screen music | restaurant | source music | upbeat

Mildred Pierce (1945)

Underscoring (Tense)0:11:13 - Policemen investigate the sceneaction scene | beach | conversing | friend | mysterious | police | searching | tense | underscoring | victim

Mildred Pierce (1945)

Mildred (Ominous)0:12:43 - The detectives talk to Mildredadvance plot | conversing | dark | detective | heroine | leading lady | ominous | room

Mildred Pierce (1945)

Underscoring (Tense)0:13:03 - Mildred leaves with the detectivesadvance plot | conversing | detective | heroine | leading lady | murder | street | tense | underscoring

Mildred Pierce (1945)

Waltz Brillante0:26:39 - Veda plays the pianoadvance plot | child | classical music | conversing | dancing | familiar tune | gentle | heroine | leading lady | on-screen music | playing | room | source music | waltz

Mildred Pierce (1945)

Waltz Brillante0:27:21 - Veda plays the pianoadvance plot | child | classical music | conversing | familiar tune | gentle | heroine | leading lady | on-screen music | playing | room | source music | waltz

Mildred Pierce (1945)

Kay and Veda (Dolce)0:32:13 - Mildred and Veda talk about Kayadvance plot | child | conversing | heroine | leading lady | room | sleeping | sweet

Mildred Pierce (1945)

Kay and Veda (Coy)0:32:32 - Veda talks to her motheradvance plot | child | conversing | heroine | leading lady | room | sleeping | uneasy

Mildred Pierce (1945)

The Maid0:36:57 - Mildred's maid in the kitchenadvance plot | comical | conversing | cooking | heroine | kitchen | leading lady | maid | working

Mildred Pierce (1945)

It Can’t Be Wrong0:51:16 - Monte plays a record for Mildredconversing | heroine | kissing | leading lady | love interest | love scene | popular music | record | record player | romantic | room | source music

Mildred Pierce (1945)

Kay and Veda (Misterioso)0:54:01 - Bert tells Mildred that Kay is sickbad news | conversing | dark | death scene | distress | ex-husband | heroine | leading lady | mysterious | ominous | stinger | street | turning point

Mildred Pierce (1945)

Bert (Dark)0:54:14 - Bert and Mildred rush off to see Kaybad news | conversing | dark | death scene | distress | ex-husband | heroine | leading lady | leaving | street | turning point

Mildred Pierce (1945)

T’Ain’t No Good0:57:37 - Mildred at the opening of her restaurantadvance plot | antagonist | busy | conversing | daughter | dining | friend | guest | heroine | leading lady | popular music | restaurant | serving | source music | upbeat | working

Mildred Pierce (1945)

While You’re Away0:59:47 - Monte arrives at the restaurantadvance plot | antagonist | busy | conversing | daughter | dining | friend | guest | heroine | leading lady | love interest | popular music | restaurant | serving | source music | upbeat | working

Mildred Pierce (1945)

Mildred (Sorrow)1:03:41 - Monte asks about Kayadvance plot | conversing | heroine | leading lady | love interest | restaurant | somber

Mildred Pierce (1945)

It Can’t Be Wrong (Troubled)1:04:30 - Bert interrupts Mildred and Monte's kissadvance plot | conversing | dark | ex-husband | familiar tune | heroine | leading lady | love interest | popular music | restaurant | source to score | tense | troubled

Mildred Pierce (1945)

Bert (Regretful)1:04:43 - Bert tells Mildred about the divorceadvance plot | conversing | divorce | ex-husband | heroine | leading lady | love interest | regretting | restaurant | somber

Mildred Pierce (1945)

How Sweet You Are1:08:28 - Veda dances at a clubadvance plot | club | conversing | dance music | dancing | heroine | leading lady | love interest | on-screen music | relaxed | source music

Mildred Pierce (1945)

Kay and Veda (Subtle)1:09:27 - Mildred looks at Monte's billsadvance plot | conversing | friend | heroine | leading lady | room | subtle | voice-over

Mildred Pierce (1945)

You Must Have Been a Beautiful Baby1:16:01 - Wally and Veda in a restaurantadvance plot | antagonist | cheerful | conversing | daughter | drinking | friend | popular music | restaurant | source music | toasting

Mildred Pierce (1945)

Underscoring (Tense)1:18:34 - Veda tells her mother she is marriedantagonist | conflict | conversing | daughter | friend | heroine | leading lady | reverse stinger | room | tense | underscoring

Mildred Pierce (1945)

Secret Revealed1:18:59 - Veda talks to her motherantagonist | conflict | conversing | daughter | fear | friend | heroine | leading lady | room | surprised | tense

Mildred Pierce (1945)

Mildred (Tenderly)1:19:37 - Wally talks about a settlementantagonist | conflict | conversing | daughter | friend | heroine | leading lady | room | tender

Mildred Pierce (1945)

Sweet Georgia Brown1:29:05 - Mildred confronts Wallyadvance plot | antagonist | club | conversing | daughter | heroine | jazz | leading lady | on-screen music | popular music | source music | upbeat

Mildred Pierce (1945)

It Had to Be You1:30:25 - Mildred and Veda talkadvance plot | antagonist | club | conversing | daughter | heroine | jazz | leading lady | on-screen music | popular music | source music | upbeat

Mildred Pierce (1945)

Bert (Somber)1:37:06 - Bert talks with Mildred in her new houseadvance plot | conversing | ex-husband | heroine | leading lady | room | somber

Mildred Pierce (1945)

Kay and Veda (Returning Home)1:38:10 - Mildred looks at Veda through the windowadvance plot | conversing | daughter | emotional | happy | heroine | leading lady | loving | mother | room | warm | watching

Mildred Pierce (1945)

Kay and Veda (Allegretto Grazioso)1:39:47 - Monte is happy to see Vedaadvance plot | antagonist | cheerful | conversing | daughter | reuniting | room | welcoming

Mildred Pierce (1945)

Kay and Veda (Triste)1:49:37 - Veda is led out by the policeantagonist | conversing | daughter | defeat | detective | heroine | leading lady | leaving | mother | murderer | police station | resigned | resolution | somber
The Life of Vergie Winters (1934)There’ll Be a Hot Time in the Old Town Tonight0:12:17 - People rallying for John Shadwelladvance plot | conversing | crowd | on-screen music | popular song | rally | source music | upbeat

The Life of Vergie Winters (1934)

For He’s a Jolly Good Fellow0:13:48 - Political rally for John Shadwelladvance plot | conversing | crowd | folk song | on-screen music | politician | rally | source music | spouse | upbeat

The Life of Vergie Winters (1934)

Oh! You Beautiful Doll0:17:47 - People in a baradvance plot | bar | business man | conversing | mode mixture | ragtime | source music | upbeat

The Life of Vergie Winters (1934)

Lullaby (Hospital Scene)0:27:51 - The sign for a hospitaladvance plot | calm | child | childbirth | conversing | fragmentation | hospital | leading lady | lullaby | peaceful | plagal cadence

The Life of Vergie Winters (1934)

Ida (Sweet As Apple Cider)0:28:55 - People in a baradvance plot | bar | business man | conversing | parallel double period | ragtime | source music | upbeat

The Life of Vergie Winters (1934)

Semper Fidelis0:30:32 - A march is played outsideadvance plot | celebrating | cheering | child | common-chord modulation | conversing | crowd | gossiper | leading lady | leading man | march | patriotic tune | politician | source music | spouse | street | upbeat

The Life of Vergie Winters (1934)

Lullaby (Not in Score)0:32:18 - Vergie and John look at a baby pictureAABA structure | calm | common-chord modulation | conversing | cuddling | leading lady | leading man | love interest | love scene | lullaby | peaceful | room | score to source | secret love | transcribed by ear

The Life of Vergie Winters (1934)

Lullaby (Park)0:36:28 - Nurse and baby in the parkAABA structure | added-note chord | advance plot | calm | child | common-chord modulation | conversing | leading lady | lullaby | nurse | park | peaceful | waiting

The Life of Vergie Winters (1934)

Darktown Strutters’ Ball0:40:06 - Sadie and Mike in a baradvance plot | business man | club | common-chord modulation | conversing | friend | love interest | plotting | ragtime | source music | upbeat

The Life of Vergie Winters (1934)

Lullaby (Joan)0:50:31 - Joan enters Vergie's shopadvance plot | child | conversing | daughter | distortion | entering | foreign key modulation | fragmentation | gentle | harmonic sequence | leading lady | meeting | mother | octatonic scale | reunion | secret | shop | timid

The Life of Vergie Winters (1934)

Underscoring (Gentle)0:51:06 - Joan talks with Vergie9th chord | advance plot | altered dominant | augmented sixth chord | child | chromatic parallelism | conversing | daughter | foreign key modulation | gentle | half-diminished 7th chord | leading lady | mother | reunion | secret | shop | timid

The Life of Vergie Winters (1934)

Lullaby (Delicato)0:51:39 - Joan talks with Vergie9th chord | advance plot | child | conversing | daughter | gentle | leading lady | mother | parallel 63s | reunion | secret | shop

The Life of Vergie Winters (1934)

Underscoring (Gentle)0:51:52 - Vergie gives Joan a fan9th chord | advance plot | child | conversing | daughter | gentle | leading lady | mother | reunion | secret | shop

The Life of Vergie Winters (1934)

Lullaby (Solo Violin)0:52:06 - Vergie gets a ribbon for Joanadvance plot | child | common-chord modulation | conversing | daughter | fragmentation | gentle | leading lady | mother | reunion | secret | shop

The Life of Vergie Winters (1934)

Lullaby (Strings)0:52:30 - Vergie puts a ribbon in Joan's hairadvance plot | child | chromatic mediant | conversing | countermelody | daughter | direct modulation | gentle | leading lady | mode mixture | mother | pedal tone | reunion | secret | shop

The Life of Vergie Winters (1934)

Lullaby (Sentimental)0:53:43 - Vergie talks with John by the lakeconversing | leading lady | leading man | love scene | outside | pedal tone | secret love | secret lover | tender

The Life of Vergie Winters (1934)

Lullaby (Flowing)0:53:59 - John talks with Vergie by the lakealtered dominant | conversing | diminished 7th chord | happy | leading lady | leading man | love scene | outside | pedal tone | reassuring | secret love | secret lover

The Life of Vergie Winters (1934)

Lullaby (Somber)0:54:14 - Vergie listens to Johnaltered dominant | conversing | leading lady | leading man | love scene | outside | secret love | secret lover | somber

The Life of Vergie Winters (1934)

Lullaby (Quasi Appassionato)0:54:24 - John expresses his love for Vergieconversing | direct modulation | dissonant bass | fragmentation | half-diminished 7th chord | leading lady | leading man | love scene | outside | passionate | secret love | secret lover

The Life of Vergie Winters (1934)

Lullaby (Poco Con Moto)0:54:53 - Joan and Vergie talk about the future13th chord | altered dominant | conversing | dissonant bass | gentle | leading lady | leading man | longing | love scene | outside | pedal tone | secret love | secret lover | sigh gesture

The Life of Vergie Winters (1934)

Old Lavender1:00:07 - Joan and Ranny talk9th chord | added-note chord | altered dominant | common-chord modulation | conversing | daughter | direct modulation | harmonic sequence | light | love interest | love scene | optimistic | proposal | proposing | room | transcribed by ear

The Life of Vergie Winters (1934)

Here Comes the Bride1:00:46 - Joan and Ranny talk about marriagecommon-chord modulation | conversing | daughter | familiar tune | gentle | love interest | love scene | peaceful | proposal | proposing | romantic | room | transcribed by ear

The Life of Vergie Winters (1934)

Lullaby (Clarinet Solo)1:00:58 - John and Laura talk about Joanadded-note chord | conflict | conversing | dramatic | gentle | leading man | peaceful | room | stinger | transcribed by ear | wife

The Life of Vergie Winters (1934)

Old Lavender1:02:11 - Joan and Ranny enter9th chord | added-note chord | altered dominant | arguing | common-chord modulation | conflict | conversing | daughter | direct modulation | harmonic sequence | leading man | light | love interest | optimistic | room | surprise | wife

The Life of Vergie Winters (1934)

Old Lavender (Allegretto)1:04:31 - Ranny reacts to the revelationchromatic mediant | conflict | conversing | daughter | foreign key modulation | fragmentation | leading man | light | love interest | mode mixture | optimistic | pedal tone | room | wife

The Life of Vergie Winters (1934)

Old Lavender (Ethereal)1:05:26 - Ranny talks to Joan's parentsadded-note chord | common-chord modulation | conflict | conversing | daughter | leading man | love interest | mode mixture | pedal tone | room | sentimental | wife

The Life of Vergie Winters (1934)

A Boy and a Girl1:07:00 - John and Vergie listen to the radioadvance plot | altered dominant | common-chord modulation | conversing | leading lady | leading man | listening | room | secret lover | sentimental | simulated source music | source to score | transcribed by ear

The Life of Vergie Winters (1934)

Lullaby (Dolce)1:08:00 - Vergie talks with John9th chord | advance plot | common-chord modulation | conversing | leading lady | leading man | room | score to source | secret lover | tender

The Life of Vergie Winters (1934)

Lullaby (Allegro)1:18:34 - Newspaper headlinebold | conversing | daughter | dissonant bass | fragmentation | husband | montage | pedal tone | prison | waiting

The Life of Vergie Winters (1934)

Lullaby (Resolution)1:21:03 - Joan talks about her motheradded-note chord | calm | conversing | crying | daughter | end title sequence | husband | peaceful | prison | redemption | resolution | The End | triumphant
Rockabye (1932)Out of the Blue0:33:38 - People at a partyadvance plot | calm | club | conversing | friend | leading lady | on-screen music | pianist | playing | playwright | singer | singing | source music

Rockabye (1932)

Till the Real Thing Comes My Way0:33:55 - Judy at the partyadvance plot | club | conversing | dancing | friend | leading lady | love interest | on-screen music | pianist | playing | playwright | source music | upbeat

Rockabye (1932)

Improvisation (in Rockabye)0:35:35 - People at a partyadvance plot | club | conversing | drinking | friend | on-screen music | playing | source music | upbeat

Rockabye (1932)

Out of the Blue (Piano Improvisation)0:35:57 - Judy and Jacobs talkAABA structure | advance plot | calm | club | conversing | leading lady | love interest | on-screen music | playwright | score to source borrowing | source music

Rockabye (1932)

You’ve Got What Gets Me0:53:27 - People at a partyABAB structure | advance plot | cheerful | conversing | manager | mother | party | source music

Rockabye (1932)

Rockin’ Chair0:59:16 - Judy talks to her managerAABA structure | advance plot | conversing | drinking | leading lady | manager | party | somber | source music
Kid Galahad (1937)Yearning0:48:47 - Marie speaks with her motheradvance plot | chromatic mediant | conversing | deceptive resolution | foreign key modulation | home | mother | nervous | newspaper | not by Steiner | sister | transcribed by ear | yearning

Kid Galahad (1937)

Heart’s Affair0:49:16 - Marie speaks with her motheradvance plot | altered dominant | conversing | harmonic sequence | home | mode mixture | mother | newspaper | romantic | sister | transcribed by ear | yearning

Kid Galahad (1937)

The Moon Is In Tears Tonight (Love’s Sorrow)0:53:05 - Ward professes his love for Marieconversing | heartbroken | leading lady | leading man | love scene | newspaper | not by Steiner | romantic | room | transcribed by ear

Kid Galahad (1937)

The Split Up0:56:59 - Louise and Nick break upappoggiatura | conversing | heartbroken | leading lady | love scene | manager | not by Steiner | romantic | room | transcribed by ear

Kid Galahad (1937)

The Moon Is In Tears Tonight (Tender)0:57:14 - Louise thinks of Wardconversing | leading lady | love scene | manager | not by Steiner | room | tender | transcribed by ear

Kid Galahad (1937)

The Split Up0:57:45 - Louise says goodbye to Nickappoggiatura | conversing | heartbroken | leading lady | love scene | manager | not by Steiner | romantic | room | transcribed by ear

Kid Galahad (1937)

Heart’s Affair (Kiss)0:58:47 - Ward talks to MarieAABA structure | altered dominant | cheerful | conversing | deceptive resolution | farm | happy | kissing | leading man | love scene | mode mixture | sister | transcribed by ear

Kid Galahad (1937)

Sand In My Shoes1:10:15 - Ward, Marie, and Louise talk in the clubadvance plot | cheerful | conversing | dancing | leading lady | leading man | night club | on-screen music | sister | source music | transcribed by ear
Traveling Husbands (1931)Bicycle Built for Two0:20:51 - Music is played in a bar roomAABC structure | advance plot | bar | calm | conversing | eating | leading lady | popular song | source music | transcribed by ear

Traveling Husbands (1931)

Sidewalks of New York0:21:01 - Music is played in a bar roomadvance plot | bar | calm | conversing | eating | leading lady | popular song | source music | transcribed by ear
The Unfaithful (1947)Oh But I Do0:32:27 - Ladies talk at a restaurantadvance plot | calm | conversing | husband | lawyer | leading lady | on-screen music | restaurant | sister | source music | transition | victim

The Unfaithful (1947)

Deep Night0:35:15 - Larry answers a phone call and leavesadvance plot | calm | conversing | husband | lawyer | leading lady | on-screen music | restaurant | source music | transition | victim

The Unfaithful (1947)

Underscoring (Tense)0:43:21 - Lady talks to Larryadvance plot | conversing | law office | lawyer | office | tense | underscoring

The Unfaithful (1947)

Unfaithful (Somber 2)1:00:01 - Bob and Chris talkadvance plot | augmented sixth chord | conversing | husband | leading lady | ostinato | room | somber | tender

The Unfaithful (1947)

Ask Anyone Who Knows1:34:08 - Paula reads the paper in her apartmentcalm | conversing | friend | husband | radio | reading | resolution | room | source music

The Unfaithful (1947)

Would You Believe Me1:36:54 - Paula talks with Bobcalm | conversing | friend | husband | radio | reading | resolution | room | source music

The Unfaithful (1947)

Unfaithful (Distressed)1:41:24 - Bob talks with Larryconversing | husband | lawyer | minor-major 7th chord | ostinato | resolution | room | somber | wife

The Unfaithful (1947)

Unfaithful (Leaving)1:42:32 - Bob talks with Chrisconversing | husband | lawyer | ostinato | resolution | room | somber | wife

The Unfaithful (1947)

Unfaithful (Dolce)1:46:08 - Bob talks with Chrisconversing | hopeful | husband | lawyer | ostinato | peaceful | plagal cadence | resolution | resolution | resolution | romantic | room | triumphant | wife
We Are Not Alone (1939)Surprise Symphony (Better)0:23:55 - David puts his son in bed9th chord | advance plot | boy | calm | child | classical music | conversing | dark | familiar tune | father | foreign key modulation | Haydn | hero | home | playing | quotation | warm

We Are Not Alone (1939)

Surprise Symphony (Death Bed)0:24:11 - David discusses death with his son advance plot | augmentation | boy | child | classical music | conversing | dark | death | familiar tune | father | Haydn | hero | home | quotation

We Are Not Alone (1939)

Jessica (Upset)0:24:32 - Jessica enters and stops the conversationadvance plot | antagonist | chromatic scale | conversing | dark | home | parallelism | upset | wife

We Are Not Alone (1939)

Surprise Symphony (Dolce)0:25:02 - Gerald asks to go with his father on a tripadvance plot | boy | child | classical music | conversing | familiar tune | father | Haydn | hero | home | mode mixture | quotation | sweet | warm

We Are Not Alone (1939)

Frohe Botschaft (Ethereal)0:25:12 - David tells his son about his patient, Leni9th chord | 64 chord | advance plot | boy | child | conversing | familiar tune | father | folk song | German | hero | home | mode mixture | pedal tone | quotation | sweet

We Are Not Alone (1939)

Surprise Symphony (Lullaby)0:25:36 - David asks his son to help Leniadvance plot | boy | child | classical music | conversing | familiar tune | father | Haydn | hero | home | pedal tone | quotation | sweet

We Are Not Alone (1939)

It’s Easy to Be a Lady if You Try0:25:50 - Gerald and Leni ride a carouselABAC structure | advance plot | amusement park | boy | bright | carnival | carousel | child | conversing | familiar tune | father | hero | heroine | playing | source music

We Are Not Alone (1939)

I Do Like to Be Beside the Seaside (Subconscious)0:31:36 - Jessica says goodnight to David added-note chord | advance plot | common-tone diminished 7th | conversing | goodnight | happy | hero | home | wife

We Are Not Alone (1939)

Frohe Botschaft (Drifting)0:38:09 - Jessica tells Leni to leavealtered dominant | antagonist | chromatic parallelism | conflict | conversing | familiar tune | folk song | gentle | German | heroine | home | quotation | sinister | tense | whole-tone chord

We Are Not Alone (1939)

Frohe Botschaft (Somber)0:38:52 - Leni reacts9th chord | antagonist | common-chord modulation | conflict | conversing | evaded cadence | familiar tune | folk song | garden | German | heroine | mode mixture | quotation | sentimental | sigh gesture | somber

We Are Not Alone (1939)

Frohe Botschaft (Like a Sigh)0:44:30 - Leni tells Gerald to not be afraidadvance plot | conversing | heroine | home | kindness | promise | room | sad | sigh gesture

We Are Not Alone (1939)

Jessica0:45:10 - Jessica enters the room9th chord | advance plot | antagonist | chromatic parallelism | chromatic scale | conversing | half-diminished 7th chord | home | mother | room | sour

We Are Not Alone (1939)

Tragico0:46:40 - Gerald faces his motheradvance plot | antagonist | appoggiatura | boy | child | conversing | dark | home | mother | pedal tone | room | sad | stinger | tragic

We Are Not Alone (1939)

Surprise Symphony (Tragico)0:47:06 - Jessica gathers clothes for Gerald advance plot | antagonist | boy | child | classical music | conversing | dark | familiar tune | Haydn | home | mother | quotation | room | sad | tragic

We Are Not Alone (1939)

Triste0:50:45 - David talks to Leniadvance plot | common-chord modulation | conversing | gentle | hero | heroine | home | room | sad

We Are Not Alone (1939)

Frohe Botschaft (Triste)0:51:10 - David talks to Leni9th chord | added-note chord | advance plot | conversing | deceptive resolution | familiar tune | folk song | foreign key modulation | fragmentation | German | hero | heroine | home | quotation | room | somber

We Are Not Alone (1939)

Die Krähe0:52:36 - Leni asks David about his workadvance plot | antagonist | calm | classical music | concert | conversing | cook | familiar tune | hero | heroine | home | room | Schubert | source music

We Are Not Alone (1939)

Celebre Romance0:54:24 - Leni asks David for a referenceABAC structure | advance plot | antagonist | calm | classical music | concert | conversing | cook | familiar tune | hero | heroine | home | room | Rubinstein | source music

We Are Not Alone (1939)

Agitato1:02:31 - Crowd presses forward11th chord | chaotic | classical music | conflict | conversing | crowd | dissonant bass | dissonant bass | dramatic | familiar tune | riot | Rubinstein | street

We Are Not Alone (1939)

Underscoring (Tense)1:05:17 - David scolds Susan64 chord | antagonist | chromatic scale | conflict | conversing | foreign key modulation | hero | street | tense | underscoring

We Are Not Alone (1939)

Surprise Symphony (Allegretto)1:14:16 - David helps Leni buy a ticketadvance plot | classical music | conversing | familiar tune | fragmentation | gentle | Haydn | hero | heroine | optimistic | pedal tone | quotation | sequence | sweet | train station

We Are Not Alone (1939)

Frohe Botschaft (Drifting)1:14:30 - David gives Leni money for her travels altered dominant | arrest | arresting | chromatic parallelism | conflict | conversing | dark | death | familiar tune | folk song | gentle | German | happy | hero | heroine | mode mixture | murder | police | quotation | sad | sweet | tense | train station | whole-tone chord

We Are Not Alone (1939)

Celebre Romance (Love)1:37:12 - David and Leni express their love for each otherclassical music | conversing | familiar tune | fragmentation | guard | hero | heroine | love scene | prison | quotation | romantic | Rubinstein

We Are Not Alone (1939)

Underscoring (Somber)1:37:44 - David and Leni talkconversing | harmonic sequence | hero | heroine | love scene | prison | somber | triadic transformation | underscoring

We Are Not Alone (1939)

Execution1:38:10 - Leni talks to Davidcomforting | conversing | drone | execution | hero | heroine | love scene | name of film | prison | somber

We Are Not Alone (1939)

Frohe Botschaft (Hopeful)1:38:41 - David comforts Leni9th chord | comforting | conversing | familiar tune | folk song | German | hero | heroine | love scene | mode mixture | pedal tone | plagal cadence | prison | quotation | somber

We Are Not Alone (1939)

Underscoring (Romantic)1:39:42 - David comforts Leni9th chord | 13th chord | comforting | conversing | hero | heroine | love scene | prison | romantic | underscoring

We Are Not Alone (1939)

Surprise Symphony (Someday)1:39:55 - David is hopeful64 chord | classical music | comforting | conversing | deceptive resolution | dream-like | familiar tune | foreign key modulation | gentle | Haydn | hero | heroine | imagining | love scene | prison | quotation | sweet

We Are Not Alone (1939)

Underscoring (Subtle)1:40:57 - David helps Leni9th chord | advance plot | conversing | delicate | helping | hero | heroine | octatonic scale | prison | underscoring

We Are Not Alone (1939)

Surprise Symphony (Semplice)1:41:10 - Guards help Leniadvance plot | augmented triad | classical music | conversing | delicate | familiar tune | fragmentation | Haydn | helping | hero | heroine | lullaby | prison | quotation

We Are Not Alone (1939)

Underscoring (Subtle)1:41:29 - David walks down the prison corridoradvance plot | augmented triad | conversing | delicate | diminished 7th chord | helping | hero | pedal tone | prison | underscoring | whole-tone chord
High Stakes (1931)Close to Me0:01:09 - People at a partyconversing | establish character | friend | on-screen music | playing | source music | upbeat | waiting | wedding
The Public Defender (1931)Beautiful Thing0:05:58 - Dance music played at a dinner partyadvance plot | banker | cheerful | conversing | crowd | dance music | on-screen music | party | police | source music | transcribed by ear

The Public Defender (1931)

An Armchair With An Armful of You0:12:46 - Dance music played at a dinner partyABAC structure | advance plot | arguing | banker | cheerful | conversing | crowd | dance music | party | source music | transcribed by ear | waiter
Three Who Loved (1931)My One Ambition is You0:14:21 - Phil turns on the radioAB structure | advance plot | cheerful | conversing | dancing | pleasant | radio | room | source music | upbeat

Three Who Loved (1931)

Dance0:17:09 - John and Helga talkingAB structure | advance plot | conversing | pleasant | radio | room | source music
Transgression (1931)Dance0:08:10 - Elsie and Don Arturo at a clubAB structure | calm | club | conversing | establish character | leading lady | love interest | sophisticated | source music | tango

Transgression (1931)

Igualada0:23:20 - Elsie and Don Arturo talkingadvance plot | calm | club | conversing | dancing | leading lady | love interest | sophisticated | source music | tango

Transgression (1931)

Igualada0:24:58 - Elsie and Don Arturo dancingadvance plot | calm | club | conversing | dancing | leading lady | love interest | sophisticated | source music | tango

Transgression (1931)

There’s a Sob in My Heart (Ballroom)0:28:18 - Robert arrives at the partyAABA structure | advance plot | augmented sixth chord | calm | club | conversing | dancing | husband | leading lady | self-borrowing | sophisticated | source music

Transgression (1931)

Flute Solo0:43:22 - Don Arturo opens the doorcalm | conversing | leading lady | love interest | love scene | room | source music

Transgression (1931)

Serenade0:44:16 - Elsie and Don Arturo talkingABAC structure | calm | conversing | embracing | kissing | leading lady | love interest | love scene | romantic | room | source music
Hold ‘Em Jail (1932)There’s a Sob in My Heart0:05:14 - People dancing in a night clubAABA structure | business man | cheerful | club | conversing | dance scene | dancing | dining | reused recording | upbeat

Hold ‘Em Jail (1932)

Ain’t That the Way it Goes0:14:53 - Spider and Curley look aroundAABA structure | advance plot | comic | conversing | goofing around | love interest | office | prisoner | radio | source music | upbeat

Hold ‘Em Jail (1932)

I’m Just a Vagabond Lover0:17:00 - Curley talks to BarbaraABAC structure | advance plot | comic | conversing | goofing around | love interest | office | prisoner | radio | sentimental | source music

Hold ‘Em Jail (1932)

I’m Wrapped Up in You0:18:18 - Spider dances with Violetadvance plot | comic | conversing | dancing | goofing around | love interest | office | prisoner | radio | source music | upbeat

Hold ‘Em Jail (1932)

Improvisation0:39:35 - Violet plays the piano and singsadvance plot | comic | comical | conversing | office | on-screen music | playing | prisoner | singing | source music

Hold ‘Em Jail (1932)

Improvisation0:40:44 - Violet plays the piano and singsadvance plot | comic | comical | conversing | office | on-screen music | playing | prisoner | singing | source music

Hold ‘Em Jail (1932)

Improvisation0:41:43 - Violet plays the piano and singsadvance plot | comic | comical | conversing | office | on-screen music | playing | prisoner | singing | source music

Hold ‘Em Jail (1932)

Eldorania0:59:14 - A doctor tends to Spider's legadvance plot | athlete | comic | conversing | doctor | field | plotting | prisoner | referee | relative key | source music | treating | upbeat

Hold ‘Em Jail (1932)

The Prisoner’s Song1:05:19 - Spider talks to Violetcomic | conversing | field | prisoner | resolution | source music | upbeat
Is My Face Red? (1932)Cute!0:01:58 - Gossip column about a gambleraltered dominant | bluesy | conversing | establish setting | gossip | newspaper | parallelism | sultry | transcribed by ear | whole-tone

Is My Face Red? (1932)

Close to Me0:13:53 - William and Peggy talk in a dressing roomadvance plot | altered dominant | augmented sixth chord | Broadway | common-tone diminished 7th | conversing | dancer | Gypsy major scale | leading man | popular music | romantic | room | source music | transcribed by ear

Is My Face Red? (1932)

Mildred Waltz0:19:03 - Mildred talks with WilliamABA structure | altered dominant | augmented sixth chord | boat | calm | conversing | diminished 7th chord | leading lady | leading man | lovers meet | transcribed by ear

Is My Face Red? (1932)

Mildred Waltz0:21:43 - Mildred talks with Williamadvance plot | augmented sixth chord | boat | calm | conversing | diminished 7th chord | leading lady | leading man | transcribed by ear

Is My Face Red? (1932)

Trysting Place, The0:50:25 - William talks to Peggy and Mildredadvance plot | arguing | band | broadcast | calm | conversing | dance music | leading man | radio | sentence form | source music | stage | transcribed by ear
Ladies of the Jury (1932)El Capitan March0:28:41 - Jurors deliberateadvance plot | conversing | juror | jury room | leading lady | march | radio | source music | upbeat

Ladies of the Jury (1932)

There’s a Sob in My Heart (Radio)0:45:27 - Jurors deliberateAABA structure | advance plot | conversing | dancing | juror | jury room | leading lady | radio | self-borrowing | sentimental | source music
Men of America (1932)Symphony no. 5: IV0:26:35 - Car radio plays classical musicadvance plot | bold | car | conversing | criminal | radio | source music | tense
Secrets of the French Police (1932)Valse Lente0:10:24 - A man and a flower girl talk in a cafeAB structure | advance plot | cheerful | conversing | flower | leading lady | leading man | restaurant

Secrets of the French Police (1932)

Berceuse0:13:09 - The flower girl talks with her fatheradvance plot | conversing | father | leading lady | restaurant | somber | waltz
State’s Attorney (1932)Na Moku Eha0:01:19 - Hula dancercheerful | club | conversing | dancer | dancing | drinking | establish character | gambling | Hawaiian | leading man | on-screen music | playing | politician | singing | source music

State’s Attorney (1932)

Blues (Piano)0:18:14 - People talking in a clubadvance plot | blue note | club | conversing | gangster | leading lady | leading man | mistress | score to source | source music | upbeat

State’s Attorney (1932)

Business in F0:43:46 - Jazz musicians playing in a clubadvance plot | club | conversing | dancing | daughter | jazz | lawyer | leading man | love interest | on-screen music | source music | upbeat
The Phantom of Crestwood (1932)I’m Wrapped Up in You0:16:39 - People talk at a partyAABA structure | advance plot | conversing | dance music | jaunty | party | popular music | radio | source music | transcribed by ear

The Phantom of Crestwood (1932)

Transgression0:18:54 - Ms. Wren descends the staircase9th chord | AABA structure | advance plot | arriving | common-chord modulation | conversing | party | radio | romantic | self-borrowing | transcribed by ear

The Phantom of Crestwood (1932)

Lady0:20:17 - People talk at a party9th chord | AAB structure | advance plot | common-chord modulation | conversing | dinner | party | peaceful | radio | sequence | transcribed by ear

The Phantom of Crestwood (1932)

Sleeping Rose0:21:00 - People talk around the dinner tableABA structure | advance plot | conversing | dinner | party | peaceful | radio | transcribed by ear

The Phantom of Crestwood (1932)

Cimarron Theme0:23:24 - Two people look at some portraitsAABC structure | advance plot | common-chord modulation | conversing | peaceful | portrait | room | self-borrowing | transcribed by ear
The Roadhouse Murder (1932)Lady With a Past Fox Trot0:35:34 - Chick and Mary talkingAABA structure | cheerful | conversing | dancing | diner | girlfriend | leading lady | leading man | love scene | on-screen music | reporter | romantic | self-borrowing | source music
Thirteen Women (1932)Blue Streak0:01:54 - A circus posterABA structure | circus | circus music | conversing | cousin | establish character | establish place | horoscope | letter | performer | reading | source music | upbeat

Thirteen Women (1932)

Circus Music0:03:44 - June talks to HazelAB structure | circus | circus music | conversing | cousin | establish character | performer | source music | upbeat

Thirteen Women (1932)

The Swami0:07:16 - The swamiAeolian mode | antagonist | conversing | establish character | fortune | fortune teller | leading lady | parallelism | predicting | room | somber | swami | transcribed by ear

Thirteen Women (1932)

Thirteen Women (Destiny)0:07:52 - Ursula talks to the swamiantagonist | common-chord modulation | conversing | destiny | establish character | fortune teller | harmonic sequence | leading lady | predicting | relative key | room | somber | swami | transcribed by ear

Thirteen Women (1932)

The Swami (Past Life)0:08:18 - The swami talks to Ursulaantagonist | chromaticism | chromatic parallelism | conversing | establish character | fortune teller | leading lady | room | somber | swami | transcribed by ear

Thirteen Women (1932)

Ursula (Horoscope)0:08:56 - The swami talks to Ursulaantagonist | conversing | establish character | fate | fortune teller | leading lady | mysterious | predicting | quintal chord | room | somber | swami | transcribed by ear

Thirteen Women (1932)

Ursula (Fate)0:09:11 - The swami predicts Ursula's fateantagonist | conversing | dark | establish character | fate | fortune teller | half-diminished 7th chord | leading lady | mickey-mousing | mysterious | predicting | room | somber | stinger | swami | train whistle | transcribed by ear

Thirteen Women (1932)

The Swami (Rising Tension)0:09:53 - The swami shrinks from Ursula's gazeantagonist | conversing | establish character | fate | fortune teller | leading lady | mysterious | parallelism | room | swami | tense | transcribed by ear

Thirteen Women (1932)

Serenade0:28:11 - Jo plays the pianoadvance plot | calm | common-tone diminished 7th | conversing | friend | gentle | on-screen music | piano | playing | room | secondary dominant | self-borrowing | sentence form | source music | transcribed by ear

Thirteen Women (1932)

Ursula (Mysterious Waltz)0:33:37 - Ursula talks to Burns64 chord | advance plot | chromatic parallelism | conversing | half-diminished 7th chord | leading lady | love interest | mode mixture | romantic | room | transcribed by ear | waltz

Thirteen Women (1932)

Ursula (Exotic 2)0:33:52 - Ursula talks to Burnsadvance plot | conversing | dark | exotic | exoticism | Gypsy major scale | leading lady | love interest | mysterious | ostinato | room | transcribed by ear
Blind Adventure (1933)When You’re Far Away0:26:45 - Rose and Richard crash a partyAABA structure | advance plot | conversing | leading lady | leading man | lying | party | popular song | romantic | source music

Blind Adventure (1933)

Marcellene0:32:12 - Rose and Richard go downstairsABAC structure | advance plot | calm | conversing | leading lady | leading man | lying | party | popular song | source music
Headline Shooter (1933)He’s Not the Marrying Kind0:02:32 - Radio announcer talkingannouncing | beauty contestant | conversing | establish character | filming | film staff | leading man | modeling | on-screen music | pageant | parallel period | photographer | pleasant | radio announcer | source music

Headline Shooter (1933)

Ensemble Tuning0:04:41 - Bill talks to business manbusiness man | calm | conversing | establish character | leading man | pageant | source music | tuning

Headline Shooter (1933)

You Can Depend on Me0:05:21 - Bathing beauties walk pastAABA structure | announcing | beauty contestant | conversing | drunk | establish character | filming | film staff | leading lady | leading man | modeling | on-screen music | pageant | photographer | pleasant | radio announcer | source music

Headline Shooter (1933)

Tell Me is It Love?0:21:50 - Bill and Jane at a baradvance plot | bar | conversing | drunk | leading lady | leading man | parallel double period | pleasant | source music

Headline Shooter (1933)

Isn’t This a Night For Love0:22:10 - Bill and Jane talk at a barAABA structure | advance plot | bar | conversing | leading lady | leading man | romantic | source music

Headline Shooter (1933)

Come Easy, Go Easy, Love0:46:07 - Bill talks to reportersAABA structure | advance plot | calm | conversing | fiancé | leading lady | leading man | reporter | restaurant | source music
Gridiron Flash (1934)Swing it Sister0:21:09 - Eddie at a partyconversing | friend | leading lady | leading man | party | popular music | room | upbeat
Hat, Coat, and Glove (1934)Tonight is Mine0:11:24 - Dorothea plays the pianoadvance plot | conversing | leading lady | leading man | mode mixture | on-screen music | piano | playing | pleasant | room | source music

Hat, Coat, and Glove (1934)

Wonderful0:39:29 - Robert tells Dorothea goodbye11th chord | ABAC structure | added-note chord | advance plot | calm | club | common-tone diminished 7th | conversing | lawyer | leading lady | leading man | meeting | self-borrowing | source music | transcribed by ear

Hat, Coat, and Glove (1934)

When You’re Far Away0:41:12 - Robert talks to JerryAABA structure | advance plot | club | conversing | lawyer | leading man | meeting | pleasant | source music | suspect
Star of Midnight (1935)Midnight in Manhattan (Exotic)0:09:14 - Clay and Donna in the audienceadvance plot | altered dominant | conversing | countermelody | exotic | exotic | leading lady | leading man | mode mixture | on-screen music | score to source | source music | theater

Star of Midnight (1935)

Midnight in Manhattan (Warm)0:09:35 - Clay in the theater lobbyadvance plot | altered dominant | conversing | leading man | mode mixture | Neapolitan | score to source | sentimental | source music | theater

Star of Midnight (1935)

Swing it Sister0:10:50 - Clay talks with JimAABA structure | blackmail | blackmailing | conversing | criminal | detective | establish character | leading man | radio | room | source music | threatening | upbeat

Star of Midnight (1935)

Pop Goes the Weasel0:29:44 - Detective sitsadvance plot | cheerful | conversing | detective | inspector | leading man | music box | room | source music

Star of Midnight (1935)

Pop Goes the Weasel0:33:40 - Clay talks with Timadvance plot | cheerful | conversing | detective | leading man | music box | room | source music | suspect

Star of Midnight (1935)

What a Night0:37:08 - Clay in a restaurantABAC structure | advance plot | conversing | detective | leading lady | leading man | producer | restaurant | sentimental | source music

Star of Midnight (1935)

If This Isn’t Love0:46:25 - Clay talks with DonnaABAC structure | advance plot | conversing | detective | leading lady | leading man | restaurant | sentimental | source music

Star of Midnight (1935)

Midnight in Manhattan (Restaurant)0:55:00 - Detective talks on the phoneadvance plot | conversing | detective | leading lady | leading man | parallel double period | restaurant | score to source | sentimental | source music

Star of Midnight (1935)

Midnight in Manhattan B0:55:55 - Clay and Donna talk in a restaurantadvance plot | conversing | detective | leading lady | leading man | restaurant | sentimental | source music | suspension

Star of Midnight (1935)

Midnight in Manhattan0:56:22 - Clay and Donna talk with Mr. Classonadvance plot | conversing | parallel double period | restaurant | sentimental | source music

Star of Midnight (1935)

I’m in Love All Over Again0:58:13 - Clay and Donna talk with Mr. ClassonAABA structure | advance plot | conversing | detective | leading lady | leading man | restaurant | sentimental | source music

Star of Midnight (1935)

Midnight in Manhattan (Phonograph)1:14:27 - Clay plays a record on the phonographadvance plot | conversing | detective | leading lady | leading man | parallel double period | phonograph | room | score to source | sentimental | source music

Star of Midnight (1935)

Midnight in Manhattan (Phonograph)1:19:18 - Clay goes to answer the dooradvance plot | conversing | detective | leading lady | leading man | phonograph | room | score to source | sentimental | source music

Star of Midnight (1935)

Midnight in Manhattan (Phonograph)1:20:25 - Clay goes to answer the dooradvance plot | conversing | detective | leading lady | leading man | phonograph | room | score to source | sentimental | source music

Star of Midnight (1935)

Midnight in Manhattan (Phonograph)1:21:40 - Clay enters the roomadvance plot | conversing | detective | leading lady | leading man | murderer | phonograph | room | score to source | sentimental | source music
The Breaking Point (1950)Flor de Lis0:08:17 - A ship sailingart song | boat | boat | boating | conversing | establish setting | flirting | floozy | leading lady | leading man | not by Steiner | sailor | upbeat | working

The Breaking Point (1950)

En Mi Canto de Amor0:08:57 - A dock at nightarriving | art song | boat | conversing | docking | establish setting | flirting | floozy | harbor | leading lady | leading man | not by Steiner | sailor | source music | upbeat | working

The Breaking Point (1950)

La Adelita0:09:56 - A Mexican village at nightarriving | bar | bartender | conversing | establish setting | folk music | leading man | musician | on-screen music | performing | sailor | salesperson | selling | source music | street | upbeat | working

The Breaking Point (1950)

Carmen, Carmela0:11:11 - Harry talks to Duncan in a barbar | conversing | criminal | establish setting | floozy | folk music | gambling | leading lady | leading man | musician | on-screen music | performing | pleasant | sailor | serenading | singing | source music

The Breaking Point (1950)

La Golondrina0:12:21 - Harry sits down with Leona in the baradvance plot | bar | calm | conversing | fisherman | flirting | floozy | folk music | leading lady | leading man | sailor | source music

The Breaking Point (1950)

Mi Mariposa0:15:21 - Harry talks to the bartenderadvance plot | arguing | art song | bar | bartender | calm | conversing | leading man | on-screen music | sailor | source music

The Breaking Point (1950)

Eres Mujer0:15:56 - Harry talks to Duncanadvance plot | bar | calm | conversing | criminal | leading man | on-screen music | performing | sailor | source music | tango | whispering

The Breaking Point (1950)

En Mi Canto de Amor0:21:43 - Harry talks to Duncanadvance plot | bar | conversing | criminal | leading man | planning | pleasant | sailor | source music

The Breaking Point (1950)

Make Love With a Guitar0:33:28 - Harry arrives homeadvance plot | arriving | calm | child | conversing | leading man | musician | neighbor | on-screen music | room | sailor | source music | street | wife | yard

The Breaking Point (1950)

Ask Me No Questions0:40:46 - Harry talks to Duncanadvance plot | arguing | bar | bartender | conversing | criminal | floozy | jukebox | leading lady | leading man | mellow | sailor | source music

The Breaking Point (1950)

On an Ordinary Morning0:43:33 - Leona and Harry sit together in a baradvance plot | bar | conversing | floozy | jukebox | leading lady | leading man | mellow | sailor | source music | wife

The Breaking Point (1950)

Make Love With a Guitar0:46:27 - Harry and his wife come homeadvance plot | calm | child | conversing | drunk | leading lady | leading man | neighbor | on-screen music | sailor | source music | street | walking | wife

The Breaking Point (1950)

I Guess I’ll Have to Change My Plan1:00:26 - Harry in a restaurantadvance plot | bartender | conversing | floozy | leading lady | leading man | mellow | restaurant | sailor | source music

The Breaking Point (1950)

You Missed the Boat1:02:56 - Duncan talks to Harry in the restaurantadvance plot | conversing | criminal | floozy | leading lady | leading man | mellow | restaurant | sailor | source music

The Breaking Point (1950)

Don’t Take Your Love From Me1:05:42 - Harry arrives at Leona's apartmentadvance plot | conversing | floozy | leading lady | leading man | mellow | room | sailor | source music

The Breaking Point (1950)

The Breaking Point (Ethereal)1:34:41 - Harry recognizes Lucyboat | climax | comforting | conversing | crying | ethereal | leading lady | leading man | mixed meter | sailor | sweet | wife

The Breaking Point (1950)

The Breaking Point (Cellos)1:35:14 - Harry talks with Lucyboat | climax | comforting | conversing | crying | ethereal | leading lady | leading man | mixed meter | sailor | sweet | wife

The Breaking Point (1950)

Calm1:35:38 - Lucy leavesboat | climax | comforting | conversing | crying | ethereal | leading lady | leading man | sailor | sweet | wife