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266 results for "conversing"

FilmTheme nameInstanceTags
The Amazing Dr. Clitterhouse (1938)The Amazing Doctor (Meeting)0:21:30 - Dr. Clitterhouse is taken upstairsadvance plot | conversing | doctor | gangster | leading man | lobby | mysterious | thief

The Amazing Dr. Clitterhouse (1938)

Underscoring (Tense)0:45:45 - Criminals talk about the professorconversing | crime | criminal | gangster | robbery | rooftop | tense | thief | underscoring

The Amazing Dr. Clitterhouse (1938)

How Dry I Am (Nervous)0:47:20 - Criminals talkingconversing | criminal | doctor | gangster | leading man | nervous | parallelism | pedal tone | robbery | rooftop | source music | thief

The Amazing Dr. Clitterhouse (1938)

I Wanna Go Back to Bali0:53:48 - Gangsters meet in an apartmentadvance plot | conversing | criminal | dance music | doctor | gangster | hero | leading man | lying | playful | radio | room | thief

The Amazing Dr. Clitterhouse (1938)

Underscoring (Mysterious)0:57:58 - Dr. Clitterhouse talks with Joconversing | doctor | gangster | leading lady | leading man | love scene | mysterious | room | tense

The Amazing Dr. Clitterhouse (1938)

Jo0:58:18 - Dr. Clitterhouse talks with Joconversing | doctor | gangster | leading lady | leading man | love scene | room | tender
Angels With Dirty Faces (1938)The Sidewalks of New York0:00:58 - Organ grinder on the streets of New Yorkcheerful | conversing | establish setting | setting | source music | street | teenager | walking

Angels With Dirty Faces (1938)

Underscoring (Mysterious)0:07:26 - Rocky talks with his lawyeradvance plot | conversing | dark | gangster | lawyer | leading man | mysterious | prison | prisoner | underscoring

Angels With Dirty Faces (1938)

When a Prince of a Fella Meets a Cinderella0:16:49 - Rocky goes to a night club advance plot | cheerful | conversing | gambling | gangster | lawyer | leading man | night club | popular music | source music

Angels With Dirty Faces (1938)

Monday Morning0:18:15 - Rocky talks to Frazier in his officeadvance plot | cheerful | conversing | gangster | lawyer | leading man | popular music | room | source music

Angels With Dirty Faces (1938)

So Help Me (If I Don’t Love You)0:19:36 - Rocky leaves the nightclubadvance plot | conversing | gangster | lawyer | leading man | popular music | room | sentimental | source music

Angels With Dirty Faces (1938)

Rocky and Laury (Not In Film 1)NIF - not in filmconversing | cut from film | establish character | following | gangster | leading lady | leading man | street | walking

Angels With Dirty Faces (1938)

Rocky and Laury (Not In Film 2)NIF - not in filmconversing | cut from film | establish character | following | gangster | leading lady | leading man | street | walking

Angels With Dirty Faces (1938)

Underscoring (Tense)0:39:58 - Rocky in the drug storeconflict | conversing | gangster | leading man | ominous | setup | shop | telephone | tritone | underscoring

Angels With Dirty Faces (1938)

Underscoring (Romantic)1:01:43 - Rocky and Laury talkingconversing | gangster | leading lady | leading man | love scene | romantic | room | underscoring

Angels With Dirty Faces (1938)

Rocky and Laury (Sentimental)1:01:59 - Rocky and Laury talkingconversing | gangster | leading lady | leading man | love scene | romance | room

Angels With Dirty Faces (1938)

The Cook1:05:06 - The cook hands a package to Jerryadvance plot | comical | conversing | cook | Irish | leading man | priest | room

Angels With Dirty Faces (1938)

Underscoring (Dramatic)1:09:49 - Jerry talks to newspaper editorconversing | leading man | montage | montage | newspaper editor | newspaper office | priest | sign | tense

Angels With Dirty Faces (1938)

Newspaper Editor1:10:09 - A newspaper editor accepts Jerry's storyaccepting | conversing | heroic | leading man | montage | montage | newspaper editor | newspaper office | priest
Crime School (1938)Underscoring (Mysterious)0:09:53 - Frankie sneaks in the houseconcern | conversing | establish character | heroine | leading lady | mysterious | room | sister | sneaking | sneaky | teenager | underscoring

Crime School (1938)

Sue (Quasi Blues)0:11:08 - Sue talks to Frankiebluesy | conversing | crying | establish character | Gershwinesque | heroine | leading lady | room | somber

Crime School (1938)

Underscoring (Mysterious)0:24:12 - Gang settles into their roomadvance plot | conversing | gang | mysterious | reformatory | teenager | underscoring

Crime School (1938)

Underscoring (Gentle)0:35:46 - Mark visits Frankie in the sick roomadvance plot | caring | conversing | dark | hospital | leading man | reformatory | teenager | tender | underscoring | warden

Crime School (1938)

The Warden (Punishment)0:36:22 - Warden defends his punishmentadvance plot | chromatic | conversing | dark | evil | hospital | leading man | reformatory | teenager | warden

Crime School (1938)

Underscoring (Subtle)0:37:09 - Transition to cafeteriaadvance plot | conversing | hospital | leading man | reformatory | somber | teenager | underscoring | warden

Crime School (1938)

Underscoring (Gentle)0:49:10 - Mark comes into the roomcomedy | conversing | gang | gentle | hero | leading man | paint | reformatory | teenager | underscoring

Crime School (1938)

Spots0:49:20 - Squirt has spots on his pajamascomedy | comical | conversing | gang | hero | leading man | mickey-mousing | paint | reformatory | spots | teenager | tense

Crime School (1938)

Sue (Hospital)0:57:38 - The doctor takes care of Squirt in the hospitaladvance plot | calm | conversing | doctor | hero | hospital | leading man | nurse | peaceful | reformatory | teenager | treating

Crime School (1938)

Sue (Troubled)1:07:37 - Frankie is troubled about his sisteradvance plot | conversing | gang | reformatory | teenager | thinking | troubled | worried
They Made Me a Criminal (1939)Saving Myself For You (I’ve Been)0:08:02 - Relaxing in Johnnie's apartmentattacking | conversing | drinking | fighting | floozy | jaunty | leading man | murder | murdering | murder scene | partying | radio | room | source music | violence

They Made Me a Criminal (1939)

The Fugitive (Relieved)0:29:25 - Sheriff and others leaveconflict | conversing | leading man | peaceful | room | tranquil

They Made Me a Criminal (1939)

The Fugitive (Apology)0:48:31 - Johnnie and Peggy talkconversing | hero | leading lady | leading man | love scene | romantic | room | tender

They Made Me a Criminal (1939)

On the Make0:49:40 - Johnnie and Peggy drive in a carcar | car | cheerful | conversing | driving | hero | leading lady | leading man | love scene | romantic | traveling

They Made Me a Criminal (1939)

On the Make (Extended)0:53:21 - Johnnie and Peggy drive in a caradvance plot | car | car | cheerful | conversing | driving | hero | kissing | leading lady | leading man | romantic | traveling

They Made Me a Criminal (1939)

Marcia Grotesque1:01:48 - Johnnie talks to another boxeradvance plot | comical | conversing | hero | leading man | march | room

They Made Me a Criminal (1939)

Marche Funebre1:02:45 - Boys look at poster of a boxeradvance plot | Chopin | classical music | conversing | dark | death | poster | room | teenager

They Made Me a Criminal (1939)

On the Make (Tenderly)1:07:57 - Johnnie talks to Tommyarguing | conversing | hero | leading man | room | tender | turning point

They Made Me a Criminal (1939)

World's Record1:13:45 - Boxers prepare for the fightarena | boxer | cheerful | conversing | excited | hero | leading man | march | source music | sport scene
The Informer (1935)Katie Calls Gypo0:05:38 - Katie says Gypo's nameconversing | establish character | leading lady | leading man | mickey-mousing | somber | staring | street

The Informer (1935)

Katie (Tired and Sad)0:05:50 - Katie talks to Gypoconversing | cry gesture | crying | establish character | leading lady | leading man | somber | street | swing rhythms

The Informer (1935)

Yankee Doodle (Octatonic)0:06:21 - Katie looks at the poster about a trip to AmericaAmerican | comical | conversing | dark | establish character | leading lady | leading man | octatonic | patriotic music | source music | street

The Informer (1935)

Katie (Triste)0:22:38 - Katie appears at the window, then comes insideadvance plot | antagonist | conversing | leading lady | leading man | pub | sultry | watching

The Informer (1935)

The Informer (Lying)0:23:41 - Gypo tells a lie about where he got the moneyadvance plot | antagonist | conversing | leading lady | leading man | lying | main theme | pub | tense

The Informer (1935)

The Informer (Accused)0:38:37 - Rebel accuses Gypo of being the informeradvance plot | conversing | headquarters | main theme | rebel | room | suspicion | tense

The Informer (1935)

Mary0:38:47 - Rebels talk about Frankie's sister Maryadvance plot | conversing | headquarters | love | rebel | romantic | room

The Informer (1935)

Underscoring (Tense)0:39:03 - Rebels talking about Gypoadvance plot | conversing | headquarters | rebel | room | tense | underscoring

The Informer (1935)

The Wearin’ o’ the Green (Bugle Call)0:39:23 - Rebels plan to watch Gypoadvance plot | conversing | familiar tune | folk song | headquarters | Irish | rebel | room | tense

The Informer (1935)

Blood money (Thinking)0:48:56 - Gypo pulls out and counts his moneyadvance plot | antagonist | conversing | leading man | money | mysterious | pondering | street

The Informer (1935)

My Man 0:50:16 - Dance music played by a barroom pianoadvance plot | antagonist | cheerful | conversing | leading man | party | source music | street

The Informer (1935)

The Informer (Dan Talking)0:56:52 - Dan and Mary talk about an informerconversing | hero | love interest | love scene | main theme | mysterious | protagonist | room

The Informer (1935)

The Wearin’ o’ the Green (Somber)0:57:08 - Dan and Mary talk about the rebel organizationconversing | familiar tune | folk song | hero | heroic | love interest | love scene | protagonist | room | tense

The Informer (1935)

The Informer (Pedal Tone)0:57:33 - Dan and Mary talk about Gypoconversing | hero | love interest | love scene | mysterious | protagonist | room

The Informer (1935)

The Wearin’ o’ the Green (Fragment)0:57:43 - Dan and Mary talk about a rebel meetingconversing | familiar tune | folk song | hero | love interest | love scene | protagonist | room | sentimental

The Informer (1935)

The Informer (Molto Agitato)1:03:42 - Katie worries for Gypoadvance plot | antagonist | conversing | drunk | leading lady | leading man | main theme | rebel | street

The Informer (1935)

The Wearin’ o’ the Green (Fighting)1:03:48 - Gypo talks about Dan Gallagher then fights with the rebelsadvance plot | antagonist | conversing | drunk | familiar tune | fighting | folk song | leading lady | leading man | reassuring | rebel | street | struggling

The Informer (1935)

Blood Money (Ostinato)1:04:07 - Gypo mumbles about "twenty pounds"advance plot | antagonist | conversing | drunk | leading lady | leading man | money | mysterious | ostinatos | rebel | street | whole-tone chords

The Informer (1935)

Dan and Mary1:24:01 - Dan and Mary talkconversing | love | love interest | love scene | protagonist | rebel | romantic | room

The Informer (1935)

Ireland1:24:09 - Dan and Mary talk about the rebel movementconversing | folk-like | love | love interest | love scene | protagonist | rebel | romantic | room
The Letter (1940)Hammond A (Revolver)0:03:43 - Leslie talks with the workersconversing | gun | home | main theme | murderer | murder scene | oscillation | sequence | servant | tense

The Letter (1940)

Native 20:04:12 - Leslie talks with the workers and asks them to leaveconversing | home | murderer | murder scene | open fifths | pentatonic | servant | stinger | tense | underscoring

The Letter (1940)

Underscoring (Dramatic)0:06:04 - Worker talks to Robertaction scene | conversing | death | dramatic | husband | murder | servant | underscoring | warehouse

The Letter (1940)

Letter (Sarcastic)0:15:10 - Men accept Leslie's storyadvance plot | chromatic sequence | conversing | home | leading lady | mysterious

The Letter (1940)

Hammond A (Delicato)0:21:46 - Men admire needlepointadvance plot | conversing | delicate | gentle | home | lacework | lawyer | leading lady | main theme | oscillation | polychords | sequence

The Letter (1940)

Hammond A (Tense)0:34:20 - Howard tells Leslie about the letterconversing | lawyer | leading lady | letter | main theme | parallelism | pivotal scene | prison | suspense | tense

The Letter (1940)

Hammond A (Tragic)0:37:21 - Howard talks to Leslieanxiety | climax | conversing | fear | lawyer | leading lady | letter | main theme | oscillation | pivotal scene | prison | sequence | tense

The Letter (1940)

Hammond B (Screwyoso)0:37:34 - Howard talks to Leslieanxiety | chromatic sequence | conversing | fear | lawyer | leading lady | letter | main theme | pivotal scene | prison | tense

The Letter (1940)

Hammond A (Shimmery)0:37:54 - Howard talks to Leslieanxiety | conversing | fear | lawyer | leading lady | letter | main theme | pivotal scene | prison | stinger | tense

The Letter (1940)

Hammond A (Resigned)0:38:57 - Howard talks to Leslie in the hospitaladvance plot | calm | conversing | hospital | lawyer | leading lady | main theme | oscillation | sequence

The Letter (1940)

Hammond B (Con Moto)0:39:25 - Leslie asks Howard about the letteradvance plot | conversing | hospital | lawyer | leading lady | letter | main theme | sequence | tense

The Letter (1940)

Law Office (The Plea)0:40:00 - Howard asks Leslie to be honestadvance plot | anxious | artwork in score | chromatic sequences | conversing | hospital | lawyer | leading lady | letter | refusing | tense

The Letter (1940)

Hammond A (Despair)0:40:33 - Leslie despairsadvance plot | anxious | conversing | despair | hospital | lawyer | leading lady | letter | main theme | oscillation | tense

The Letter (1940)

Hammond A (Deception)0:40:57 - Howard says he doesn't despise Leslieadvance plot | angry | augmented triads | chromatic parallelism | combination of themes | conversing | deception | hospital | lawyer | leading lady | letter | main theme | sequence | staring | tense

The Letter (1940)

Sociable0:48:42 - People having dinnercheerful | conversing | dinner | happy | home | husband | lacework | lawyer | leading lady | party

The Letter (1940)

Sociable (Ending)0:49:58 - Pleasant conversationcheerful | conversing | dinner | happy | home | husband | lawyer | leading lady | reverse picardy

The Letter (1940)

Hammond A (Delicato)0:52:07 - Howard and Leslie talk about laceworkadvance plot | conversing | home | lacework | lawyer | leading lady | main theme | mysterious | oscillation

The Letter (1940)

Hammond B (Ethereal)0:52:33 - Howard and Leslie talkadvance plot | chromatic sequence | conversing | home | lawyer | leading lady | main theme | oscillation | tense

The Letter (1940)

Hammond A (Tragic)0:52:55 - Howard and Leslie talkadvance plot | conversing | home | lawyer | leading lady | main theme | oscillation | tense

The Letter (1940)

Hammond B (Screwyoso)0:53:10 - Howard and Leslie talkadvance plot | conversing | home | lawyer | leading lady | main theme | oscillation | tense

The Letter (1940)

Mrs. Hammond (Glass Curtains)1:00:13 - Leslie pays Mrs. Hammondantagonist | Chinatown | Chinese | Chinese | combination of themes | conflict | conversing | curtain | glass | lawyer | layering | leading lady | mysterious | ostinatos | paying | pentatonic | polyrhythms | shop | staring | tense | tinkling | waiting

The Letter (1940)

Hammond A (Glass Curtains)1:01:27 - Leslie removes the shawl from her headantagonist | Chinatown | Chinese | Chinese | combination of themes | conflict | conversing | curtain | glass | lawyer | layering | leading lady | main theme | mysterious | oscillation | ostinatos | polyrhythms | sequence | shop | staring | tense | tinkling | waiting

The Letter (1940)

Foxtrot No.1 C1:21:36 - Leslie goes to the partycalm | conversing | dance music | dancing | foxtrot | friend | leading lady | party | party | source music

The Letter (1940)

Foxtrot No.21:22:12 - Leslie dances at the partyconversing | dance music | dancing | foxtrot | friend | happy | husband | leading lady | party | party | source music

The Letter (1940)

Foxtrot No.31:23:25 - Robert talks to friends at the partyconversing | dance music | drinking | foxtrot | friend | happy | husband | leading lady | party | party | source music

The Letter (1940)

Underscoring (Mysterious)1:26:07 - Leslie talks to Robertclimax | conversing | home | husband | leading lady | mysterious | staring | underscoring

The Letter (1940)

Underscoring (Tense)1:26:52 - Leslie talks to Robertclimax | conversing | home | husband | leading lady | staring | tense | underscoring

The Letter (1940)

Letter 2 (Tense)1:27:06 - Leslie talks to Robertclimax | conversing | gentle | home | husband | leading lady | pedal tone | tender | tense

The Letter (1940)

Deception (Lohengreenish)1:28:04 - Robert asks for Leslie's love and devotionclimax | conversing | home | husband | kissing | leading lady | romance | sequence | tense
Mildred Pierce (1945)Waves rumbling0:03:15 - Policeman convinces Mildred not to jumpconversing | dock | establish character | heroine | leading lady | mickey-mousing | police | somber | suicide | water | wave

Mildred Pierce (1945)

You Must Have Been a Beautiful Baby0:03:59 - Mildred meets Wally at a restaurantconversing | establish character | familiar tune | friend | heroine | jazz | leading lady | on-screen music | restaurant | source music | upbeat

Mildred Pierce (1945)

Underscoring (Tense)0:11:13 - Policemen investigate the sceneaction scene | beach | conversing | friend | mysterious | police | searching | tense | underscoring | victim

Mildred Pierce (1945)

Mildred (Ominous)0:12:43 - The detectives talk to Mildredadvance plot | conversing | dark | detective | heroine | leading lady | ominous | room

Mildred Pierce (1945)

Underscoring (Tense)0:13:03 - Mildred leaves with the detectivesadvance plot | conversing | detective | heroine | leading lady | murder | street | tense | underscoring

Mildred Pierce (1945)

Waltz Brilliante0:26:39 - Veda plays the pianoadvance plot | child | classical music | conversing | dancing | familiar tune | gentle | heroine | leading lady | on-screen music | playing | room | source music | waltz

Mildred Pierce (1945)

Waltz Brilliante0:27:21 - Veda plays the pianoadvance plot | child | classical music | conversing | familiar tune | gentle | heroine | leading lady | on-screen music | playing | room | source music | waltz

Mildred Pierce (1945)

Kay and Veda (Dolce)0:32:13 - Mildred and Veda talk about Kayadvance plot | child | conversing | heroine | leading lady | room | sleeping | sweet

Mildred Pierce (1945)

Kay and Veda (Coy)0:32:32 - Veda talks to her motheradvance plot | child | conversing | heroine | leading lady | room | sleeping | uneasy

Mildred Pierce (1945)

The Maid0:36:57 - Mildred's maid in the kitchenadvance plot | comical | conversing | cooking | heroine | kitchen | leading lady | maid | working

Mildred Pierce (1945)

It Can't Be Wrong0:51:16 - Monte plays a record for Mildredconversing | heroine | kissing | leading lady | love interest | love scene | popular music | record | record player | romantic | room | source music

Mildred Pierce (1945)

Kay and Veda (Misterioso)0:54:01 - Bert tells Mildred that Kay is sickbad news | conversing | dark | death scene | distress | ex-husband | heroine | leading lady | mysterious | ominous | stinger | street | turning point

Mildred Pierce (1945)

Bert (Dark)0:54:14 - Bert and Mildred rush off to see Kaybad news | conversing | dark | death scene | distress | ex-husband | heroine | leading lady | leaving | street | turning point

Mildred Pierce (1945)

T'Ain't No Good0:57:37 - Mildred works at the opening of her restaurantadvance plot | antagonist | busy | conversing | daughter | dining | friend | guest | heroine | leading lady | popular music | restaurant | serving | source music | upbeat | working

Mildred Pierce (1945)

While You're Away0:59:47 - Opening night at Mildred's restaurantadvance plot | antagonist | busy | conversing | daughter | dining | friend | guest | heroine | leading lady | love interest | popular music | restaurant | serving | source music | upbeat | working

Mildred Pierce (1945)

Mildred (Sorrow)1:03:41 - Monte asks about Kayadvance plot | conversing | heroine | leading lady | love interest | restaurant | somber

Mildred Pierce (1945)

It Can't Be Wrong (Troubled)1:04:21 - Bert interrupts Mildred and Monte's kissadvance plot | conversing | dark | ex-husband | familiar tune | heroine | leading lady | love interest | popular music | restaurant | source to score | tense | troubled

Mildred Pierce (1945)

Bert (Regretful)1:04:43 - Bert tells Mildred about the divorceadvance plot | conversing | divorce | ex-husband | heroine | leading lady | love interest | regretting | restaurant | somber

Mildred Pierce (1945)

How Sweet You Are1:08:28 - Veda dances at a clubadvance plot | club | conversing | dance music | dancing | heroine | leading lady | love interest | on-screen music | relaxed | source music

Mildred Pierce (1945)

Kay and Veda (Subtle)1:09:27 - Mildred looks at Monte's billsadvance plot | conversing | friend | heroine | leading lady | room | subtle | voice-over

Mildred Pierce (1945)

You Must Have Been a Beautiful Baby1:16:01 - Wally and Veda in a restaurantadvance plot | antagonist | cheerful | conversing | daughter | drinking | friend | popular music | restaurant | source music | toasting

Mildred Pierce (1945)

Underscoring (Tense)1:18:28 - Veda tells her mother she is marriedantagonist | conflict | conversing | daughter | friend | heroine | leading lady | reverse stinger | room | tense | underscoring

Mildred Pierce (1945)

Secret Revealed1:18:54 - Veda talks to her motherantagonist | conflict | conversing | daughter | fear | friend | heroine | leading lady | room | surprise | tense

Mildred Pierce (1945)

Mildred (Tenderly)1:19:37 - Wally talks about a settlementantagonist | conflict | conversing | daughter | friend | heroine | leading lady | room | tender

Mildred Pierce (1945)

Sweet Georgia Brown1:29:05 - The band plays some jazzadvance plot | antagonist | club | conversing | daughter | heroine | jazz | leading lady | on-screen music | popular music | source music | upbeat

Mildred Pierce (1945)

It Had to Be You1:30:25 - Mildred and Veda talkadvance plot | antagonist | club | conversing | daughter | heroine | jazz | leading lady | on-screen music | popular music | source music | upbeat

Mildred Pierce (1945)

Bert (Somber)1:37:06 - Bert talks with Mildred in her new houseadvance plot | conversing | ex-husband | heroine | leading lady | room | somber

Mildred Pierce (1945)

Kay and Veda (Returning Home)1:38:10 - Mildred looks at Veda through the windowadvance plot | conversing | daughter | emotional | happy | heroine | leading lady | loving | mother | room | warm | watching

Mildred Pierce (1945)

Kay and Veda (Allegretto Grazioso)1:39:47 - Bert is happy to see Vedaadvance plot | antagonist | cheerful | conversing | daughter | reuniting | room | welcoming

Mildred Pierce (1945)

Kay and Veda (Triste)1:49:37 - Veda is led out by the policeantagonist | conversing | daughter | defeat | detective | heroine | leading lady | leaving | mother | murderer | police station | resigned | resolution | somber
Kid Galahad (1937)Yearning0:48:47 - Marie speaks with her motheradvance plot | conversing | home | mother | nervous | newspaper | not by Steiner | sister | transcribed by ear | yearning

Kid Galahad (1937)

Heart’s Affair0:49:16 - Marie speaks with her motheradvance plot | conversing | home | mother | newspaper | not by Steiner | romantic | sister | transcribed by ear | yearning

Kid Galahad (1937)

The Moon Is In Tears Tonight (Love’s Sorrow)0:53:05 - Ward professes his love for Marie to Louiseconversing | heartbroken | leading lady | leading man | love scene | newspaper | not by Steiner | romantic | room | transcribed by ear

Kid Galahad (1937)

The Split Up0:56:59 - Louise professes her love for Ward to Nick and leavesconversing | heartbroken | leading lady | love scene | manager | not by Steiner | romantic | room | transcribed by ear

Kid Galahad (1937)

Heart’s Affair (Kiss)0:58:47 - Ward professes his love to Mariecheerful | conversing | farm | happy | kissing | leading man | love scene | not by Steiner | sister | transcribed by ear

Kid Galahad (1937)

Sand In My Shoes1:10:15 - Ward, Marie, and Louise talk in the clubadvance plot | cheerful | conversing | dancing | leading lady | leading man | night club | sister | source music | transcribed by ear
Traveling Husbands (1931)Bicycle Built for Two0:20:51 - Music is played in a bar roomadvance plot | bar | calm | conversing | eating | leading lady | popular song | source music | transcribed by ear

Traveling Husbands (1931)

Sidewalks of New York0:21:01 - Music is played in a bar roomadvance plot | bar | calm | conversing | eating | leading lady | popular song | source music | transcribed by ear
The Unfaithful (1947)Oh But I Do0:32:27 - Ladies talk at a restaurantadvance plot | calm | conversing | husband | lawyer | leading lady | on-screen music | restaurant | sister | source music | transition | victim

The Unfaithful (1947)

Deep Night0:35:15 - Larry answers a phone call and leavesadvance plot | calm | conversing | husband | lawyer | leading lady | on-screen music | restaurant | source music | transition | victim

The Unfaithful (1947)

Underscoring (Tense)0:43:21 - Lady talks to Larryadvance plot | conversing | law office | lawyer | office | tense | underscoring

The Unfaithful (1947)

Unfaithful (Somber 2)1:00:01 - Bob and Chris talkadvance plot | augmented sixth chord | conversing | husband | leading lady | main theme | ostinatos | room | somber | tender

The Unfaithful (1947)

Ask Anyone Who Knows1:34:08 - Paula reads the paper in her apartmentcalm | conversing | ending | friend | husband | radio | reading | room | source music

The Unfaithful (1947)

Would You Believe Me1:36:54 - Paula talks with Bobcalm | conversing | ending | friend | husband | radio | reading | room | source music

The Unfaithful (1947)

Unfaithful (Distressed)1:41:24 - Bob talks with Larryconversing | ending | husband | lawyer | main theme | minor-major seventh | ostinatos | room | somber | wife

The Unfaithful (1947)

Unfaithful (Leaving)1:42:32 - Bob talks with Chrisconversing | ending | husband | lawyer | main theme | ostinatos | room | somber | wife

The Unfaithful (1947)

Unfaithful (Dolce)1:46:08 - Bob talks with Chrisconversing | ending | hopeful | husband | lawyer | main theme | ostinatos | peaceful | plagal cadence | resolution | resolution | romantic | room | triumphant | wife
We Are Not Alone (1939)Surprise Symphony (Better)0:23:55 - David puts his son in bedadvance plot | boy | calm | child | classical music | conversing | dark | familiar tune | father | Haydn | hero | home | main theme | playing | quotation | warm

We Are Not Alone (1939)

Surprise Symphony (Death Bed)0:24:11 - David discusses death with his son advance plot | boy | child | classical music | conversing | dark | death | familiar tune | father | Haydn | hero | home | main theme | quotation

We Are Not Alone (1939)

Jessica (Upset)0:24:32 - Jessica enters and stops the conversationadvance plot | antagonist | conversing | dark | home | upset | wife

We Are Not Alone (1939)

Surprise Symphony (Dolce)0:25:02 - Gerald asks to go with his father on a tripadvance plot | boy | child | chromatic mediant | classical music | conversing | familiar tune | father | Haydn | hero | home | main theme | quotation | sweet | warm

We Are Not Alone (1939)

Frohe Botschaft (Ethereal)0:25:12 - David tells his son about his patient, Leniadvance plot | boy | child | conversing | familiar tune | father | folk song | German | hero | home | quotation | sweet

We Are Not Alone (1939)

Surprise Symphony (Lullaby)0:25:36 - David asks his son to help Leniadvance plot | boy | child | classical music | conversing | familiar tune | father | Haydn | hero | home | main theme | quotation | sweet

We Are Not Alone (1939)

It’s Easy to Be a Lady if You Try0:25:50 - Gerald and Leni ride a carouseladvance plot | amusement park | boy | carnival | carousel | child | conversing | familiar tune | father | hero | heroine | playing | source music

We Are Not Alone (1939)

I Do Like to Be Beside the Seaside (Subconscious)0:31:36 - Jessica says goodnight to David advance plot | conversing | goodnight | happy | hero | home | wife

We Are Not Alone (1939)

Frohe Botschaft (Drifting)0:38:09 - Jessica tells Leni she needs to leaveantagonist | conflict | conversing | familiar tune | folk song | gentle | German | heroine | home | linear chromaticism | quotation | sinister | tense

We Are Not Alone (1939)

Frohe Botschaft (Somber)0:38:52 - Leni says she doesn't need to be paidantagonist | conflict | conversing | familiar tune | folk song | garden | German | heroine | quotation | sentimental | somber

We Are Not Alone (1939)

Frohe Botschaft (Like a Sigh)0:44:30 - Leni tells Gerald to not be afraidadvance plot | conversing | heroine | home | kindness | promise | room | sad | sigh gesture

We Are Not Alone (1939)

Jessica0:45:10 - Jessica enters the room and interruptsadvance plot | antagonist | chromatic | conversing | home | mother | room | sour

We Are Not Alone (1939)

Tragico0:46:40 - Gerald says he is not afraid of his mother any moreadvance plot | antagonist | boy | child | conversing | dark | home | mother | room | sad | stinger | tragic

We Are Not Alone (1939)

Surprise Symphony (Tragico)0:47:06 - Jessica gathers clothes for Gerald advance plot | antagonist | boy | child | classical music | conversing | dark | familiar tune | Haydn | home | main theme | mother | quotation | room | sad | tragic

We Are Not Alone (1939)

Triste0:50:45 - David and Leni talk about Geraldadvance plot | conversing | gentle | hero | heroine | home | room | sad

We Are Not Alone (1939)

Frohe Botschaft (Triste)0:51:10 - David and Leni talk about what to doadvance plot | conversing | familiar tune | folk song | German | hero | heroine | home | quotation | room | somber

We Are Not Alone (1939)

Die Krähe0:52:36 - Leni asks David about his workadvance plot | antagonist | calm | classical music | concert | conversing | cook | familiar tune | hero | heroine | home | room | Schubert | source music

We Are Not Alone (1939)

Celebre Romance0:54:24 - Leni asks David for a referenceadvance plot | antagonist | calm | classical music | concert | conversing | cook | familiar tune | hero | heroine | home | room | Rubinstein | source music

We Are Not Alone (1939)

Celebre Romance (Agitato B)1:02:31 - German man is accused of being anti-Britishchaotic | classical music | conflict | conversing | crowd | dramatic | familiar tune | riot | Rubinstein | street | wholetone

We Are Not Alone (1939)

Underscoring (Tense)1:05:17 - David scolds Susan then leavesantagonist | conflict | conversing | hero | street | tense | underscoring

We Are Not Alone (1939)

Surprise Symphony (Allegretto)1:14:16 - David helps Leni buy a ticketadvance plot | classical music | conversing | familiar tune | gentle | Haydn | hero | heroine | main theme | optimistic | quotation | station | sweet

We Are Not Alone (1939)

Frohe Botschaft (Drifting)1:14:30 - David gives Leni money for her travels arrest | arresting | conflict | conversing | dark | death | familiar tune | folk song | gentle | German | happy | hero | heroine | murder | police | quotation | sad | station | sweet | tense

We Are Not Alone (1939)

Celebre Romance (Love)1:37:12 - David and Leni express their love for each otherclassical music | conversing | familiar tune | guard | hero | heroine | love | love scene | prison | quotation | romance | Rubinstein

We Are Not Alone (1939)

Underscoring (Somber)1:37:44 - David and Leni realize that neither of them killed Jessicaconversing | hero | heroine | love scene | prison | somber | underscoring

We Are Not Alone (1939)

Execution1:38:10 - Leni is sad that they are going to be executedcomforting | conversing | execution | hero | heroine | love scene | name of film | prison | somber

We Are Not Alone (1939)

Frohe Botschaft (Hopeful)1:38:41 - David comforts Lenicomforting | conversing | familiar tune | folk song | German | hero | heroine | love scene | prison | quotation | somber

We Are Not Alone (1939)

Underscoring (Romantic)1:39:42 - David comforts Lenicomforting | conversing | hero | heroine | love | love scene | prison | romance | transition | underscoring

We Are Not Alone (1939)

Surprise Symphony (Someday)1:39:55 - David is hopefulclassical music | comforting | conversing | dream-like | familiar tune | gentle | Haydn | hero | heroine | imagining | love scene | main theme | prison | quotation | sweet

We Are Not Alone (1939)

Underscoring (Subtle)1:40:57 - Guards come in to check on Leniadvance plot | conversing | delicate | helping | hero | heroine | prison | underscoring

We Are Not Alone (1939)

Surprise Symphony (Semplice)1:41:10 - Guards help Leniadvance plot | classical music | conversing | delicate | familiar tune | Haydn | helping | hero | heroine | lullaby | main theme | prison | quotation

We Are Not Alone (1939)

Underscoring (Subtle)1:41:29 - David walks down the prison corridoradvance plot | conversing | delicate | helping | hero | prison | underscoring
The Public Defender (1931)Beautiful Thing0:05:58 - Dance music played at a dinner partyadvance plot | banker | cheerful | conversing | crowd | dance music | on-screen music | party | police | source music | transcribed by ear

The Public Defender (1931)

An Armchair With An Armful of You0:12:46 - Dance music played at a dinner partyadvance plot | arguing | banker | cheerful | conversing | crowd | dance music | party | source music | transcribed by ear | waiter
Headline Shooter (1933)He's Not the Marrying Kind0:02:32 - Radio announcer talkingannouncing | beauty contestant | conversing | establish character | filming | film staff | leading man | modeling | on screen music | pageant | photographer | pleasant | radio announcer | source music
Is My Face Red? (1932)Cute!0:01:58 - Gossip column about a gambleraltered dominant | bluesy | conversing | establish setting | gossip | newspaper | parallelism | sultry | transcribed by ear | whole-tone

Is My Face Red? (1932)

Close to Me0:13:53 - William and Peggy talk in a dressing roomadvance plot | altered dominant | augmented sixth chord | Broadway | common-tone diminished 7th | conversing | dancer | gypsy major scale | leading man | popular music | romantic | room | source music | transcribed by ear

Is My Face Red? (1932)

Mildred Waltz0:19:03 - Mildred talks with Williamaltered dominant | augmented sixth chord | boat | calm | conversing | diminished 7ths | leading lady | leading man | lovers meet | transcribed by ear

Is My Face Red? (1932)

Mildred Waltz0:21:43 - Mildred talks with Williamadvance plot | augmented sixth chord | boat | calm | conversing | diminished 7ths | leading lady | leading man | transcribed by ear

Is My Face Red? (1932)

Trysting Place, The0:50:25 - William talks to Peggy and Mildredadvance plot | arguing | band | broadcast | calm | conversing | dance music | leading man | radio | source music | stage | transcribed by ear
Secrets of the French Police (1932)Valse Lente0:10:24 - A man and a flower girl talk in a cafeadvance plot | cheerful | conversing | flower | leading lady | leading man | restaurant

Secrets of the French Police (1932)

Berceuse0:13:09 - The flower girl talks with her fatheradvance plot | conversing | father | leading lady | restaurant | somber | waltz
The Phantom of Crestwood (1932)I’m Wrapped Up in You0:16:39 - People talk at a partyadvance plot | conversing | dance music | jaunty | party | popular music | radio | source music | transcribed by ear

The Phantom of Crestwood (1932)

Transgression0:18:54 - Ms. Wren descends the staircase9ths | advance plot | arriving | common-chord modulation | conversing | party | radio | romantic | transcribed by ear

The Phantom of Crestwood (1932)

Lady0:20:17 - People talk at a party9ths | advance plot | common-chord modulation | conversing | dinner | party | peaceful | radio | sequence | transcribed by ear

The Phantom of Crestwood (1932)

Sleeping Rose0:21:00 - People talk around the dinner tableadvance plot | conversing | dinner | party | peaceful | radio | transcribed by ear
Angels With Dirty Faces (1938)Jerry (Somber)1:31:04 - Rocky leaves his cell for his executionclimax | conversing | gangster | gentle | leading man | priest | prison | stinger

Angels With Dirty Faces (1938)

Jerry (Upset)1:31:40 - Jerry follows Rocky out of his cellagitated | climax | conversing | gangster | leading man | police | priest | prison

Angels With Dirty Faces (1938)

Jerry (Goodbye)1:33:12 - Jerry says goodbye to Rockyclimax | conversing | execution chamber | gangster | leading man | priest | prison | serious | somber

Angels With Dirty Faces (1938)

Jerry (Triste)1:35:23 - Jerry visits the boysconversing | death | leading man | priest | resolution | room | somber | teenager
Crime School (1938)Sue (Grazioso)1:13:10 - Sue and Mark talk in the kitchencheerful | conflict | conversing | cooking | happy | hero | heroine | kitchen | leading lady | leading man

Crime School (1938)

Sue (Grazioso Mysterioso)1:13:38 - Frankie confronts Sue and Markcheerful | conflict | conversing | dining | gun | happy | hero | heroine | leading lady | leading man | room | stick up | stinger | teenager

Crime School (1938)

Resolution1:22:31 - Sue enters the room antagonist | calm | comical | conversing | hero | leading man | reformatory | resolution | resolution | tense

Crime School (1938)

Sue (Allegretto)1:24:18 - Boys talk about Sueconversing | courthouse | gang | optimistic | parallelism | resolution | teenager
The Phantom of Crestwood (1932)Cimarron Theme0:23:24 - Two people look at some portraitsadvance plot | common-chord modulation | conversing | peaceful | portrait | quotation | room | transcribed by ear
Are These Our Children? (1931)Dreams B0:01:33 - Two young people in loveconversing | establish character | gentle | leading lady | leading man | lovers | love scene | snuggling | street

Are These Our Children? (1931)

Hold That Tiger0:13:15 - Young people dancingadvance plot | cheerful | conversing | dance hall | friend | leading man | on-screen music | source music

Are These Our Children? (1931)

Makes You Forget Your Troubles0:17:38 - Young people talking at a danceadvance plot | cheerful | conversing | dance hall | friend | leading man | on-screen music | source music

Are These Our Children? (1931)

Dreams A0:25:19 - Eddie talks with his friendsadvance plot | conversing | dance hall | friend | leading man | score to source | somber | source music

Are These Our Children? (1931)

St. James Infirmary0:42:08 - Young people talkingadvance plot | conversing | dixieland | friend | lazy | leading man | murderer | radio | room | source music

Are These Our Children? (1931)

Dreams A + Makes You Forget Your Troubles1:15:51 - Newspaper headlinescombination of themes | conversing | double exposure | headlines | montage | newspaper | police | preaching | priest | source to score | spinning | tense
Hell on Frisco Bay (1955)Underscoring (Dark)0:02:12 - Steve mentions a divorce and leavesconductor score | conversing | dark | establish character | friend | investigator | leading man | street | underscoring

Hell on Frisco Bay (1955)

Amato0:13:04 - Steve talks to manadvance plot | brash | conductor score | conversing | dark | investigator | leading man | ominous | porch

Hell on Frisco Bay (1955)

Spring Song0:14:56 - Amato talks to Marioantagonist | conductor score | conversing | dark | establish character | gangster | menacing | office | tritone

Hell on Frisco Bay (1955)

Underscoring (Mysterious)0:15:33 - Amato talks to Lyeantagonist | conductor score | conversing | establish character | gangster | mysterious | office | underscoring

Hell on Frisco Bay (1955)

Amato0:15:44 - Amato talks to Lyeantagonist | conductor score | conversing | establish character | gangster | harsh | office

Hell on Frisco Bay (1955)

Lye0:16:52 - Amato talks to Lyeantagonist | conductor score | conversing | establish character | gangster | gentle | office

Hell on Frisco Bay (1955)

Menace0:17:13 - Gangsters talkantagonist | conductor score | conversing | establish character | gangster | office | ominous

Hell on Frisco Bay (1955)

Amato0:17:47 - Gangsters talkantagonist | conductor score | conversing | establish character | gangster | harsh | office

Hell on Frisco Bay (1955)

Underscoring (Dark)0:19:33 - Amato slaps old manantagonist | conductor score | conversing | dark | establish character | gangster | office | slapping | stinger | underscoring

Hell on Frisco Bay (1955)

Menace0:20:30 - Amato talks to Lyeantagonist | conductor score | conversing | dark | establish character | gangster | office

Hell on Frisco Bay (1955)

Amato0:20:40 - Amato leavesantagonist | conductor score | conversing | establish character | gangster | office | ominous

Hell on Frisco Bay (1955)

Kay0:20:48 - Lye goes to see Kayantagonist | conductor score | conversing | establish character | gangster | kissing | love interest | lyrical | romantic | street

Hell on Frisco Bay (1955)

Hell on Frisco Bay0:23:26 - Marcia talks to Steveclub | conductor score | conversing | establish character | investigator | leading lady | leading man | on-screen music | pianist | playing | popular music | sentimental | source music | source score

Hell on Frisco Bay (1955)

Hell on Frisco Bay0:25:27 - Marcia and Steve talkadvance plot | agitated | conductor score | conversing | leading lady | leading man | room

Hell on Frisco Bay (1955)

Hell on Frisco Bay0:25:56 - Marcia and Steve talkadvance plot | conductor score | conversing | leading lady | leading man | room | somber

Hell on Frisco Bay (1955)

Underscoring (Tense)0:28:03 - The gangsters leaveaction scene | conductor score | conversing | gangster | leading lady | leading man | leaving | room | tense | underscoring

Hell on Frisco Bay (1955)

Hell on Frisco Bay0:28:43 - Marcia talks to Steveaction scene | conductor score | conversing | leading lady | leading man | leaving | room | somber

Hell on Frisco Bay (1955)

Menace 20:28:55 - Marcia reacts to Steve's commentaction scene | conductor score | conversing | leading lady | leading man | leaving | room | upset

Hell on Frisco Bay (1955)

Menace0:31:38 - Steve talks with the detectiveadvance plot | conductor score | conversing | dark | detective | investigator | leading man | ominous | room

Hell on Frisco Bay (1955)

Menace 20:32:00 - Steve talks with the detectiveadvance plot | conductor score | conversing | dark | detective | investigator | leading man | ominous | room

Hell on Frisco Bay (1955)

Adoramis te Christe0:38:32 - A funeralchurch | conversing | friend | funeral | investigator | leading man | somber | source music

Hell on Frisco Bay (1955)

Put 'Em in a Box, Tie 'Em With Ribbon (And Throw 'Em in the Deep Blue Sea)0:40:24 - A dance halladvance plot | club | conversing | dancer | dancing | investigator | jazz | jazz band | leading man | on screen music | source music | upbeat

Hell on Frisco Bay (1955)

How Many Hearts Have You Broken0:40:22 - A dance halladvance plot | club | conversing | drowning | fighting | gangster | interrogating | investigator | jazz | leading man | mellow | source music

Hell on Frisco Bay (1955)

Anna0:46:05 - Anna talks with Amatoantagonist | conductor score | conversing | establish character | gangster | gentle | leading man | room | sentimental | warning | wife | worrying

Hell on Frisco Bay (1955)

Amato0:47:01 - Amato talks with Lyeadvance plot | antagonist | brash | conductor score | conversing | gangster | harsh | leading man | room

Hell on Frisco Bay (1955)

Face twitching0:47:44 - Amato talks with Lyeadvance plot | antagonist | conductor score | conversing | gangster | leading man | room | uneasy

Hell on Frisco Bay (1955)

Steve0:52:23 - Steve arrivesadvance plot | conductor score | conversing | friend | gangster | investigator | leading man | neutral | street

Hell on Frisco Bay (1955)

Menace0:53:06 - Steve talks with Danadvance plot | conductor score | conversing | dark | gangster | investigator | leading man | sinister | street

Hell on Frisco Bay (1955)

Steve1:01:01 - Steve talks to Marciaconductor score | conversing | entering | gentle | leading lady | leading man | love scene | room

Hell on Frisco Bay (1955)

Underscoring (Subtle)1:01:30 - Marcia talks to Steveconductor score | conversing | gentle | leading lady | leading man | love scene | room | underscoring

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:01:41 - Steve talks to Marciaconductor score | conversing | leading lady | leading man | love scene | room | tense | underscoring

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:01:53 - Marcia talks to Steveconductor score | conversing | leading lady | leading man | love scene | room | somber

Hell on Frisco Bay (1955)

Menace1:02:28 - Steve talks to Marciaconductor score | conversing | dark | leading lady | leading man | love scene | room

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:02:45 - Marcia talks to Steveconductor score | conversing | leading lady | leading man | love scene | romantic | room | tender

Hell on Frisco Bay (1955)

Pleading1:03:30 - Marcia talks to Steveconductor score | conversing | leading lady | leading man | love scene | room | tender

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:03:46 - Marcia talks to Steveconductor score | conversing | dark | leading lady | leading man | love scene | room | tender

Hell on Frisco Bay (1955)

Anna1:04:54 - Anna talks to Amatoadvance plot | antagonist | conductor score | conversing | dark | gangster | gentle | leading man | room | wife

Hell on Frisco Bay (1955)

Lye1:09:00 - Amato calls Lyeadvance plot | antagonist | calling | conductor score | conversing | gangster | leading man | stinger | street | uneasy

Hell on Frisco Bay (1955)

It Can't Be Wrong1:09:26 - Amato talks to Lyeadvance plot | antagonist | calm | conversing | gangster | leading man | room | source music

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:17:47 - Marcia and Steve talkadvance plot | calm | club | conductor score | conversing | leading lady | leading man | on-screen music | popular music | source music | source score

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:18:13 - Marcia and Steve talkcalm | club | conductor score | conversing | leading lady | leading man | love scene | source to score

Hell on Frisco Bay (1955)

Underscoring (Dark)1:19:09 - Marcia and Steve talkclub | conductor score | conversing | dark | leading lady | leading man | love scene | ominous | underscoring

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:19:28 - Marcia talks to Steveclub | conductor score | conversing | gentle | grand | leading lady | leading man | love scene

Hell on Frisco Bay (1955)

Anna1:20:28 - Anna mourns Mario's deathconversing | crying | dark | funeral | funeral | gangster | leading man | wife

Hell on Frisco Bay (1955)

Anna1:24:31 - Amato calls detectiveadvance plot | conversing | gangster | leading man | mysterious | religious | religious | room

Hell on Frisco Bay (1955)

Underscoring (Tense)1:29:55 - Marcia talks to Kayconversing | leading lady | love interest | room | tense | turning point | witness

Hell on Frisco Bay (1955)

Underscoring (Dramatic)1:30:27 - Steve tells Anna that Mario was murderedadvance plot | conversing | dark | investigator | leading man | murder | ominous | priest | room | shock | wife

Hell on Frisco Bay (1955)

Anna1:30:35 - Anna tells Steve where to find Amatoadvance plot | betraying | conversing | dark | investigator | leading man | ominous | priest | room | somber | wife

Hell on Frisco Bay (1955)

Menace1:31:32 - Amato picks up his gunaction scene | conversing | dramatic | gangster | leading man | packing | room

Hell on Frisco Bay (1955)

Lye1:32:01 - Lye confronts Amatoaction scene | conversing | gangster | gun | leading man | lying | room | uneasy

Hell on Frisco Bay (1955)

Underscoring (Tense)1:35:05 - The police arriveaction scene | arriving | conversing | dock | leading lady | police | tense | underscoring
Blind Adventure (1933)When You're Far Away0:26:45 - Rose and Richard crash a partyadvance plot | conversing | leading lady | leading man | lying | party | popular tune | romantic | source music

Blind Adventure (1933)

Marcellene0:32:12 - Rose and Richard go downstairsadvance plot | calm | conversing | leading lady | leading man | lying | party | popular tune | source music
Headline Shooter (1933)Ensemble Tuning0:04:41 - Bill talks to business manbusiness man | calm | conversing | establish character | leading man | pageant | source music | tuning

Headline Shooter (1933)

You Can Depend on Me0:05:21 - Bathing beauties walk pastannouncing | beauty contestant | conversing | drunk | establish character | filming | film staff | leading lady | leading man | modeling | on screen music | pageant | photographer | pleasant | radio announcer | source music

Headline Shooter (1933)

Tell Me is It Love?0:21:50 - Bill and Jane at a baradvance plot | bar | conversing | drunk | leading lady | leading man | pleasant | source music

Headline Shooter (1933)

Isn't This a Night For Love0:22:10 - Bill and Jane talk at a baradvance plot | bar | conversing | leading lady | leading man | romantic | source music

Headline Shooter (1933)

Come Easy, Go Easy, Love0:46:07 - Bill talks to reportersadvance plot | calm | conversing | fiance | leading lady | leading man | reporter | restaurant | source music
State’s Attorney (1932)Na Moku Eha0:01:19 - Hula dancercheerful | club | conversing | dancer | dancing | drinking | establish character | folk | gambling | Hawaiian | leading man | on-screen music | playing | politician | singing | source music

State’s Attorney (1932)

Blues (Piano)0:18:14 - People talking in a clubadvance plot | club | conversing | gangster | leading lady | leading man | mistress | score to source | source music | upbeat

State’s Attorney (1932)

Business in F0:43:46 - Jazz musicians playing in a clubadvance plot | club | conversing | dancing | daughter | jazz | lawyer | leading man | love interest | on-screen music | source music | upbeat
Transgression (1931)Dance0:08:10 - Elsie and Don Arturo at a clubcalm | club | conversing | establish character | leading lady | love interest | sophisticated | source music | tango

Transgression (1931)

Igualada0:23:20 - Elsie and Don Arturo talkingadvance plot | calm | club | conversing | dancing | leading lady | love interest | sophisticated | source music | tango

Transgression (1931)

Igualada0:24:58 - Elsie and Don Arturo dancingadvance plot | calm | club | conversing | dancing | leading lady | love interest | sophisticated | source music | tango

Transgression (1931)

There’s a Sob In My Heart0:28:18 - Robert arrives at the partyadvance plot | calm | club | conversing | dancing | husband | leading lady | sophisticated | source music

Transgression (1931)

Flute Solo0:43:22 - Don Arturo opens the doorcalm | conversing | leading lady | love interest | love scene | room | source music

Transgression (1931)

Serenade0:44:16 - Elsie and Don Arturo talkingcalm | conversing | embracing | kissing | leading lady | love interest | love scene | romantic | room | source music
Three Who Loved (1931)My One Ambition is You0:14:21 - Phil turns on the radioadvance plot | cheerful | conversing | dancing | pleasant | radio | room | source music | upbeat

Three Who Loved (1931)

Dance0:17:09 - John and Helga talkingadvance plot | conversing | pleasant | radio | room | source music
Ladies of the Jury (1932)El Capitan March0:28:41 - Jurors deliberateadvance plot | conversing | juror | jury room | leading lady | march | radio | source music | upbeat

Ladies of the Jury (1932)

There's a Sob in My Heart0:45:27 - Jurors deliberateadvance plot | conversing | dancing | juror | jury room | leading lady | radio | sentimental | source music
The Roadhouse Murder (1932)Lady With a Past Fox Trot0:35:34 - Chick and Mary talkingcheerful | conversing | dancing | diner | girlfriend | leading lady | leading man | love scene | on-screen music | reporter | romantic | source music