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1197 results for "conversing" in 60 films — see also reciting

FilmTheme nameInstanceTags
All This, and Heaven Too (1940)Molto Agitato0:07:21 - Henriette talks to Miss Hainesagitated | conversing | dissonant bass | distressed | establish character | foreign key modulation | leading lady | minister | principal | school | suspension | teacher

All This, and Heaven Too (1940)

Underscoring (Agitated)0:07:52 - Henriette talks to Henry Fieldagitated | chromatic parallelism | chromatic sequence | conversing | distressed | establish character | leading lady | minister | principal | school | teacher

All This, and Heaven Too (1940)

Henriette (Moderato)0:08:03 - Henriette talks to Henry Fieldagitated | conversing | distressed | establish character | leading lady | minister | principal | school | secondary dominant | teacher

All This, and Heaven Too (1940)

Henriette (Dolce)0:12:43 - Henriette talks to Henry64 chord | boat | chromatic mediant | conversing | deceptive resolution | gentle | leading lady | leaving | minister | peaceful | transition

All This, and Heaven Too (1940)

Ascending0:13:37 - Henriette meets the caretakeraltered dominant | caretaker | conversing | half-diminished 7th chord | leading lady | mysterious | street | transition | underscoring

All This, and Heaven Too (1940)

Pierre0:13:47 - Pierre introduces himselfadded-note chord | caretaker | conversing | deceptive resolution | introducing | leading lady | mode mixture | pedal tone | pleasant | street | tense | transition

All This, and Heaven Too (1940)

Henriette (Molto tranquillo)0:26:30 - The Duke talks to Henrietteadded-note chord | advance plot | conversing | countermelody | delicate | duke | gentle | governess | leading lady | room | worrying

All This, and Heaven Too (1940)

Underscoring (Tense)NIF - not in filmadvance plot | child | chromatic wedge | conversing | cut from film | duchess | governess | leading lady | room | tense | underscoring

All This, and Heaven Too (1940)

Henriette (Andante)0:31:04 - The Duke apologizes to Henriette9th chord | 64 chord | advance plot | apologizing | child | conversing | duke | foreign key modulation | governess | illness | leading lady | leading man | romantic | room

All This, and Heaven Too (1940)

The Duke (Tranquillo)0:31:41 - The doctor treats Raynaldadvance plot | caring | child | conversing | doctor | duke | gentle | governess | illness | leading lady | leading man | room | somber

All This, and Heaven Too (1940)

The Sick Room0:32:12 - The doctor talks to the Duke64 chord | advance plot | child | chromatic sequence | conversing | doctor | duke | fragmentation | gentle | governess | illness | leading lady | leading man | pedal tone | room

All This, and Heaven Too (1940)

Raynald0:32:53 - Henriette helps Raynaldadvance plot | caring | child | common-chord modulation | conversing | delicate | duke | gentle | governess | illness | leading lady | leading man | room | sweet

All This, and Heaven Too (1940)

Counting0:33:30 - Henriette counts tangerine slicesadvance plot | calm | child | chromatic sequence | conversing | counting | distracting | duke | governess | illness | leading lady | leading man | pc set | room | tense | wedge | zoom in

All This, and Heaven Too (1940)

Henriette (Molto Tranquillo 2)0:34:17 - Henriette comforts Raynaldadvance plot | augmented sixth chord | child | comforting | common-chord modulation | conversing | dark | delicate | duke | gentle | governess | illness | leading lady | leading man | mode mixture | parallel 63s | room | suspension

All This, and Heaven Too (1940)

Raynald (Dark)0:34:52 - Raynald talks with Henrietteadvance plot | child | comforting | conversing | dark | death | duke | foreign key modulation | governess | illness | leading lady | leading man | room

All This, and Heaven Too (1940)

Raynald (Lullaby)0:35:24 - Henriette talks to the Dukeadvance plot | calm | caring | child | conversing | duke | gentle | governess | illness | leading lady | leading man | lullaby | mode mixture | room

All This, and Heaven Too (1940)

Henriette (Very Emotional)0:35:57 - The Duke thanks Henrietteadvance plot | calm | child | common-chord modulation | conversing | duke | gentle | governess | illness | leading lady | leading man | mode mixture | parallel 63s | room

All This, and Heaven Too (1940)

Underscoring (Tense)0:37:37 - They rise from prayeradded-note chord | child | chromatic scale | chromatic wedge | conversing | deceptive resolution | duchess | duke | governess | illness | leading lady | leading man | leaving | priest | religious scene | room | somber | tense

All This, and Heaven Too (1940)

Raynald (Adagio)0:38:26 - The doctor takes Raynald's pulse9th chord | advance plot | caring | child | chromatic scale | conversing | doctor | duke | governess | governess | illness | leading lady | leading man | room | solemn

All This, and Heaven Too (1940)

Raynald (Triste)0:39:16 - The Duke talks to Henriette64 chord | advance plot | child | conversing | duke | governess | illness | leading lady | leading man | room | somber

All This, and Heaven Too (1940)

Raynald (Andante)0:41:36 - Henriette and the Duke by Raynald's bedside9th chord | 64 chord | augmented sixth chord | child | chromatic sequence | conversing | duke | governess | hopeful | illness | illness scene | leading lady | leading man | parallelism | room | solemn | somber

All This, and Heaven Too (1940)

Henriette (Ethereal)0:42:36 - Henriette asks to open the window9th chord | bright | child | conversing | duke | foreign key modulation | governess | half-diminished 7th chord | hopeful | illness | illness scene | leading lady | leading man | room | sequence | timid

All This, and Heaven Too (1940)

Raynald (Ethereal)0:43:04 - Raynald by the window64 chord | child | conversing | duke | governess | hopeful | illness | illness scene | leading lady | leading man | pedal tone | room

All This, and Heaven Too (1940)

Henriette (Appassionato)0:44:08 - Raynald plays outside64 chord | added-note chord | advance plot | child | common-tone diminished 7th | conversing | courtyard | duke | foreign key modulation | governess | happy | leading lady | leading man | passionate | playing

All This, and Heaven Too (1940)

Raynald (Mysterioso)0:44:22 - Raynald talks with Henrietteadvance plot | child | conversing | courtyard | deceptive resolution | duke | governess | happy | leading lady | leading man | mysterious

All This, and Heaven Too (1940)

Underscoring (Mysterious)0:46:43 - The Duchess stares at Henriettechromatic wedge | conversing | duchess | governess | leading lady | linear chromaticism | mysterious | pc set | room | transition | underscoring

All This, and Heaven Too (1940)

Raynald (Carriage)0:46:53 - Horses pulling a carriage64 chord | carriage | child | chromatic mediant | common-chord modulation | conversing | countermelody | foreign key modulation | governess | horse | leading lady | mickey-mousing | mode mixture | pleasant | riding | street | traveling scene | trotting | upbeat

All This, and Heaven Too (1940)

Henriette (Very Emotional)0:49:01 - The Duke looks at Henrietteadvance plot | child | chromatic scale | common-chord modulation | common-tone diminished 7th | conversing | delicate | duke | gentle | governess | leading lady | leading man | looking | romance | romantic | room

All This, and Heaven Too (1940)

Armide0:49:21 - The opera housearriving | audience | child | concert scene | conversing | duke | governess | leading lady | leading man | opera | regal | source music | theater | upbeat | watching

All This, and Heaven Too (1940)

Plainte de Cloris0:51:08 - They listen to the musical prologueaudience | calm | child | classical music | concert scene | conversing | duke | governess | leading lady | leading man | listening | passionate | source music | theater

All This, and Heaven Too (1940)

Louise0:52:39 - Louise hugs her fatheradded-note chord | advance plot | appoggiatura | child | conversing | duke | excited | governess | happy | hugging | leading lady | leading man | mode mixture | room

All This, and Heaven Too (1940)

The Duke (Lohengrin)0:52:53 - The Duke gives Louise his roseadvance plot | calm | child | conversing | countermelody | duke | fragmentation | governess | hugging | kind | leading lady | leading man | room | sequence

All This, and Heaven Too (1940)

Louise (Poco Animato)0:53:39 - Louise talks to Henrietteadvance plot | child | conversing | excited | governess | happy | leading lady | room | sequential modulation

All This, and Heaven Too (1940)

Henriette (Poco Animato)0:53:44 - Henriette puts out the lightsadvance plot | child | conversing | excited | fragmentation | governess | happy | leading lady | room | sequential modulation

All This, and Heaven Too (1940)

Henriette (Music Box)0:54:04 - Henriette puts Louise to bedadvance plot | augmented sixth chord | calm | child | common-tone diminished 7th | conversing | goodnight | governess | happy | leading lady | lullaby | mode mixture | music box | room

All This, and Heaven Too (1940)

Underscoring (Mysterious)0:56:57 - The Duchess entersadvance plot | child | conversing | governess | half-diminished 7th chord | leading lady | maid | mysterious | room | tense | trouble | underscoring

All This, and Heaven Too (1940)

Henriette (Emotional)1:02:28 - The Duke talks to Henriettechromatic sequence | conflict | conversing | duke | governess | leading lady | leading man | mode mixture | romance | romantic | room

All This, and Heaven Too (1940)

Henriette (Sweepingly)1:02:57 - Henriette with tears in her eyesadded-note chord | augmented sixth chord | chromatic mediant | conflict | conversing | deceptive resolution | duke | foreign key modulation | governess | leading lady | leading man | mode mixture | pedal tone | romance | romantic | room

All This, and Heaven Too (1940)

Henriette (Transition)1:10:55 - The Duke talks to Henrietteadvance plot | calm | common-tone diminished 7th | conversing | duke | enharmonic modulation | governess | leading lady | leading man | room

All This, and Heaven Too (1940)

Henriette (Rubato)1:11:14 - The Duke talks to Henriette9th chord | added-note chord | advance plot | calm | conversing | duke | governess | leading lady | leading man | mode mixture | peaceful | room

All This, and Heaven Too (1940)

Henriette + Falling Snow1:12:16 - The Duke talks to Henrietteadvance plot | augmented triad | chromatic parallelism | combination of themes | conversing | duke | governess | leading lady | leading man | mickey-mousing | mode mixture | room | snow | snow globe | snowing | uneasy

All This, and Heaven Too (1940)

Falling Snow1:12:39 - Henriette watches the falling snow64 chord | advance plot | chromatic parallelism | chromatic scale | chromatic sequence | conversing | dissonant bass | duke | governess | leading lady | leading man | mickey-mousing | pedal tone | point-of-view shot | room | snow | snow globe | snowing | uneasy

All This, and Heaven Too (1940)

Underscoring (Somber)1:21:26 - The Duke descends the stairschild | chromatic scale | conflict | conversing | crying gesture | descending | governess | leading lady | room | somber | tense

All This, and Heaven Too (1940)

The Duchess (Calm)1:22:05 - Henriette asks about the Duchesscalm | conflict | conversing | dissonant bass | duchess | duke | foreign key modulation | leading lady | leading man | room

All This, and Heaven Too (1940)

Henriette (Slowly)1:22:19 - The Duke bids farewell to Henriette64 chord | calm | conflict | conversing | deceptive resolution | duchess | duke | gentle | leading lady | leading man | mode mixture | room | sigh gesture

All This, and Heaven Too (1940)

All Hallows Eve1:23:22 - A forest scene at nightaugmented triad | child | chromatic parallelism | chromatic scale | conversing | create suspense | dissonant bass | forest | governess | Halloween | hiding | leading lady | ombra topic | on-screen text | pc set | pedal tone | scaring | scary | spooky | walking | whole-tone chord

All This, and Heaven Too (1940)

Spring Time1:24:18 - The children laughcheerful | child | chromatic sequence | conversing | create suspense | forest | governess | leading lady | walking

All This, and Heaven Too (1940)

Underscoring (Gentle)1:25:28 - Henriette smiles at the Dukeadvance plot | child | chromatic sequence | conversing | duke | foreign key modulation | forest | gentle | governess | leading lady | leading man | Neapolitan | tender | underscoring

All This, and Heaven Too (1940)

Henriette (All Hallows Eve)1:25:46 - The Duke talks with Henriette64 chord | advance plot | conversing | deceptive resolution | duke | forest | gentle | governess | leading lady | leading man | mode mixture | spooky | sweet | tender | whole-tone chord

All This, and Heaven Too (1940)

Underscoring (Tender)1:26:48 - The Duke talks with the servants11th chord | 13th chord | 64 chord | added-note chord | advance plot | arriving | common-tone diminished 7th | conversing | duke | gentle | governess | leading lady | leading man | light | pentatonic | room | servant

All This, and Heaven Too (1940)

Grazioso1:27:26 - Madame Gauthier talks about the children9th chord | 64 chord | added-note chord | advance plot | cheerful | conversing | duke | governess | leading lady | leading man | room | servant

All This, and Heaven Too (1940)

Raynald1:27:35 - Madame Gauthier talks about Raynald64 chord | advance plot | cheerful | chromatic sequence | conversing | deceptive resolution | duke | governess | leading lady | leading man | room | servant

All This, and Heaven Too (1940)

Underscoring (Gentle)1:27:58 - The Duke talks to Henriette by the fireplaceadvance plot | conversing | duke | gentle | governess | leading lady | leading man | pedal tone | room

All This, and Heaven Too (1940)

Henriette (Very Romantic)1:29:07 - Henriette talks with the Duke9th chord | altered dominant | augmented triad | conversing | duke | falling in love scene | gentle | governess | leading lady | leading man | pedal tone | romantic | room | sweet

All This, and Heaven Too (1940)

Spring Time1:30:41 - The children get out of the carriage64 chord | bright | cheerful | child | chromatic sequence | conversing | duke | governess | happy | leading lady | leading man | Neapolitan | palace | pentatonic | transition

All This, and Heaven Too (1940)

Raynald (Mysterioso 3)1:30:51 - The children talk to Henriette9th chord | bright | child | chromatic parallelism | conversing | duke | governess | leading lady | leading man | palace | surprise | tense | transition

All This, and Heaven Too (1940)

Spring Time (Ominous)1:31:04 - The children enter the palace9th chord | 64 chord | augmented sixth chord | bright | cheerful | child | common-chord modulation | conversing | deceptive resolution | diminished third chord | duke | governess | leading lady | leading man | mode mixture | ominous | palace | surprise | transition

All This, and Heaven Too (1940)

Henriette (Ominous)1:31:15 - Henriette talks to the Duke9th chord | 64 chord | added-note chord | conversing | duke | foreign key modulation | governess | hopeful | leading lady | leading man | love scene | ominous | palace | reassuring

All This, and Heaven Too (1940)

Henriette (Molto Expressivo)1:31:48 - The Duke talks to Henriettechromatic mediant | chromatic parallelism | conversing | duke | governess | leading lady | leading man | love scene | mode mixture | Neapolitan | palace | pedal tone | reassuring | romantic | sigh gesture | stinger | tender

All This, and Heaven Too (1940)

The Duchess (Agitato)1:34:41 - Henriette rushes away from the Duchesschattering | child | chromatic sequence | common-chord modulation | conflict | conversing | duchess | governess | leading lady | mode mixture | room | somber | worried

All This, and Heaven Too (1940)

Underscoring (Agitated)1:35:05 - Henriette with the childrenadvance plot | agitated | child | chromatic parallelism | chromatic scale | chromatic sequence | conversing | governess | leading lady | room | worried

All This, and Heaven Too (1940)

Spring Time (Shimmery)1:35:12 - Henriette opens a gift9th chord | 64 chord | added-note chord | advance plot | cheerful | child | conversing | foreign key modulation | gift | governess | leading lady | light | opening | room

All This, and Heaven Too (1940)

The Duchess (Distracted)1:35:21 - Henriette opens a giftadvance plot | agitated | child | conversing | gift | governess | leading lady | opening | room | worried

All This, and Heaven Too (1940)

Henriette (Dolschissimo)1:36:07 - Henriette reads the locket inscription64 chord | advance plot | calm | child | chromatic mediant | conversing | crying | dissonant bass | foreign key modulation | gift | governess | leading lady | locket | mode mixture | room | stinger | tender | tense

All This, and Heaven Too (1940)

Underscoring (Somber)1:37:35 - Henriette talks with the Dukechromatic scale | conversing | duke | governess | leading lady | leading man | love scene | room | somber | underscoring

All This, and Heaven Too (1940)

Expressivo1:38:15 - Henriette talks with the Dukechromatic mediant | conversing | desperate | duke | foreign key modulation | governess | leading lady | leading man | love scene | romantic | room | sequential modulation

All This, and Heaven Too (1940)

The Duchess (Tender)1:38:39 - Henriette talks with the Dukechromatic mediant | conversing | duke | foreign key modulation | gentle | governess | leading lady | leading man | love scene | room | sequential modulation | tender

All This, and Heaven Too (1940)

Desperation (Ethereal)1:38:54 - Henriette talks with the Dukeconversing | duke | ethereal | governess | leading lady | leading man | love scene | parallelism | room

All This, and Heaven Too (1940)

Henriette (Sehr Delicatessen)1:39:12 - Henriette talks with the Dukecalm | conversing | duke | gentle | governess | leading lady | leading man | love scene | room | sweet | tender

All This, and Heaven Too (1940)

Henriette (Romantic)1:39:53 - The Duke reads the locket inscription9th chord | chromatic mediant | conversing | crying | crying gesture | duke | foreign key modulation | gentle | governess | leading lady | leading man | love scene | mode mixture | romantic | room | sigh gesture | tender

All This, and Heaven Too (1940)

Underscoring (Gentle)1:41:02 - Henriette talks with the children9th chord | child | conversing | farewell scene | gentle | governess | leading lady | parallelism | pedal tone | room | tender | underscoring

All This, and Heaven Too (1940)

Raynald1:41:25 - Henriette says goodbye to the childrenchild | common-chord modulation | conversing | crying | farewell scene | foreign key modulation | gentle | governess | leading lady | room | tender

All This, and Heaven Too (1940)

Raynald (Dark)1:41:54 - Raynald talks with Henriettechild | chromatic sequence | conversing | crying | deceptive resolution | farewell scene | governess | leading lady | room | somber

All This, and Heaven Too (1940)

Lullaby (Tender)1:42:13 - Henriette says goodbye to the childrenchild | conversing | deceptive resolution | farewell scene | governess | leading lady | room | somber

All This, and Heaven Too (1940)

Henriette (Calm)1:46:38 - Henriette talks with the Dukecalm | child | conversing | duke | gentle | leading lady | leading man | reunion scene | room | uneasy

All This, and Heaven Too (1940)

Spring Time (Flowers)1:47:09 - The children give flowers to Henrietteadded-note chord | cheerful | child | conversing | leading lady | pleasant | reunion scene | room | sequential modulation

All This, and Heaven Too (1940)

Desperation (Tense)1:48:14 - The Duke talks with Henriettechromatic parallelism | chromatic sequence | conflict | conversing | dissonant bass | duke | leading lady | leading man | room | tense

All This, and Heaven Too (1940)

Screwissimo1:48:47 - The Duke goes madchromatic scale | conflict | conversing | creepy | disturbing | duke | leading lady | leading man | madness | ominous | room | whole-tone chord

All This, and Heaven Too (1940)

Henriette (Grandioso) + Desperation (Grandioso)1:53:13 - The police wagon leavesarresting | bold | carriage | conflict | conversing | crowd | crying | dark | dissonant bass | fragmentation | landlady | leading lady | ominous | soldier | street | suspect | tense | testifying

All This, and Heaven Too (1940)

Heaven Theme (Expressivo)2:05:06 - Henry talks to Henrietteadvance plot | calm | conversing | gentle | leading lady | minister | pleasant | prison | prisoner | suspect | suspension

All This, and Heaven Too (1940)

Dolce2:05:51 - Henriette talks to Henry9th chord | 11th chord | advance plot | calm | common-chord modulation | conversing | gentle | leading lady | minister | pleasant | prison | prisoner | suspect

All This, and Heaven Too (1940)

Heaven Theme (Delicato)2:06:34 - Henry talks to Henrietteadvance plot | calm | conversing | gentle | leading lady | minister | pleasant | prison | prisoner | suspect

All This, and Heaven Too (1940)

Raynald (Delicato)2:06:46 - Henry talks to Henrietteadvance plot | conversing | delicate | leading lady | minister | mode change | prison | prisoner | suspect | tender | tense | worrying

All This, and Heaven Too (1940)

Heaven Theme (Dolce)2:06:58 - Henry talks to Henrietteadvance plot | conversing | gentle | leading lady | minister | prison | prisoner | suspect

All This, and Heaven Too (1940)

Henriette (The Truth)2:07:07 - Henry talks to Henrietteadvance plot | calm | conversing | deceptive resolution | leading lady | minister | prison | prisoner | suspect

All This, and Heaven Too (1940)

Dying2:13:46 - The Duke in his death bedchromatic scale | conversing | death bed | death scene | detective | dissonant bass | duke | dying | leading lady | leading man | prisoner | questioning | room | sad | soldier | suspect

All This, and Heaven Too (1940)

Henriette (Duet)2:14:06 - A close-up on Henrietteappoggiatura | chromatic parallelism | conversing | death bed | death scene | deceptive resolution | detective | duke | dying | leading lady | leading man | mode mixture | prisoner | questioning | room | sad | soldier | suspect | tender

All This, and Heaven Too (1940)

Henriette (Funereal)2:14:27 - Henriette leaves the Dukeconversing | death bed | death scene | detective | duke | dying | funeral march | leading lady | leading man | Neapolitan | parallelism | pedal tone | prisoner | questioning | room | sad | sigh gesture | soldier | suspect

All This, and Heaven Too (1940)

Dying (Molto Expressivo)2:14:46 - The Duke talks to Pierrecaretaker | chromatic parallelism | confessing | conversing | death bed | death scene | diminished 7th chord | duke | dying | leading man | love | pedal tone | room | sigh gesture | somber

All This, and Heaven Too (1940)

Henriette (Confession of Love)2:15:34 - The Duke confesses his loveadded-note chord | caretaker | chromatic mediant | common-tone modulation | confessing | conversing | death bed | death scene | duke | dying | foreign key modulation | leading man | love | mode mixture | room | somber

All This, and Heaven Too (1940)

Henriette (Dolschissimo)2:21:00 - Henriette kisses a child on the cheek9th chord | 64 chord | child | chromatic mediant | conversing | foreign key modulation | gentle | leading lady | leaving | minister | mode mixture | resolution | school | student | sweet | teacher
The Amazing Dr. Clitterhouse (1938)The Amazing Doctor (Meeting)0:21:30 - Dr. Clitterhouse is taken upstairs64 chord | advance plot | chromatic parallelism | conversing | doctor | fragmentation | gangster | leading man | lobby | mysterious | pedal tone | sequence | thief

The Amazing Dr. Clitterhouse (1938)

Underscoring (Tense)0:45:45 - Criminals talk about the professor64 chord | altered dominant | conversing | crime | criminal | gangster | robbery | rooftop | tense | thief | underscoring

The Amazing Dr. Clitterhouse (1938)

How Dry I Am (Nervous)0:47:20 - Criminals talking64 chord | conversing | criminal | doctor | gangster | leading man | nervous | parallelism | pedal tone | robbery | rooftop | source music | thief

The Amazing Dr. Clitterhouse (1938)

I Wanna Go Back to Bali0:53:48 - Gangsters meet in an apartmentadvance plot | conversing | criminal | dance music | doctor | gangster | hero | leading man | lying | playful | radio | room | thief

The Amazing Dr. Clitterhouse (1938)

Underscoring (Mysterious)0:57:58 - Dr. Clitterhouse talks with Joconversing | doctor | gangster | leading lady | leading man | love scene | mysterious | room | tense

The Amazing Dr. Clitterhouse (1938)

Jo0:58:18 - Dr. Clitterhouse talks with Jo13th chord | added-note chord | altered dominant | chromatic mediant | conversing | doctor | foreign key modulation | gangster | leading lady | leading man | love scene | room | sequence | tender
Angels With Dirty Faces (1938)Sidewalks of New York0:00:58 - Organ grinder on the streets of New Yorkcheerful | conversing | establish place | establish setting | source music | street | teenager | walking

Angels With Dirty Faces (1938)

Underscoring (Mysterious)0:07:26 - Rocky talks with his lawyeradvance plot | conversing | dark | dissonant bass | gangster | lawyer | leading man | mysterious | prison | prisoner | underscoring

Angels With Dirty Faces (1938)

When a Prince of a Fella Meets a Cinderella0:16:49 - Rocky goes to a night club advance plot | cheerful | conversing | gambling | gangster | lawyer | leading man | night club | parallel double period | popular music | source music

Angels With Dirty Faces (1938)

Monday Morning0:18:15 - Rocky talks to Frazier in his officeadvance plot | cheerful | conversing | gangster | lawyer | leading man | popular music | room | source music

Angels With Dirty Faces (1938)

So Help Me (If I Don't Love You)0:19:36 - Rocky leaves the nightclubadvance plot | conversing | gangster | lawyer | leading man | popular music | room | sentimental | source music

Angels With Dirty Faces (1938)

Rocky and Laury (Not In Film 1)NIF - not in filmadded-note chord | altered dominant | augmented sixth chord | common-chord modulation | conversing | cut from film | establish character | following | gangster | leading lady | leading man | mode mixture | street | walking

Angels With Dirty Faces (1938)

Rocky and Laury (Not In Film 2)NIF - not in filmadded-note chord | altered dominant | augmented sixth chord | chromatic scale | conversing | cut from film | establish character | following | gangster | leading lady | leading man | street | walking

Angels With Dirty Faces (1938)

Underscoring (Tense)0:39:58 - Rocky in the drug storeconflict | conversing | gangster | leading man | ominous | setup | shop | telephone | tritone | underscoring

Angels With Dirty Faces (1938)

Underscoring (Romantic)1:01:43 - Rocky and Laury talkaltered dominant | conversing | dissonant bass | gangster | leading lady | leading man | linear chromaticism | love scene | romantic | room | underscoring

Angels With Dirty Faces (1938)

Rocky and Laury (Sentimental)1:01:59 - Rocky and Laury talkadded-note chord | altered dominant | conversing | gangster | leading lady | leading man | love scene | parallel period | romantic | room

Angels With Dirty Faces (1938)

The Cook1:05:06 - The cook hands a package to Jerryadvance plot | comical | conversing | cook | Irish | leading man | parallel fifths | priest | room

Angels With Dirty Faces (1938)

Underscoring (Dramatic)1:09:49 - Jerry talks to newspaper editorconversing | diminution | leading man | montage | montage | newspaper editor | newspaper office | parallelism | priest | sign | tense

Angels With Dirty Faces (1938)

Newspaper Editor1:10:09 - A newspaper editor accepts Jerry's storyaccepting | conversing | heroic | leading man | montage | montage | newspaper editor | newspaper office | priest | secondary dominant

Angels With Dirty Faces (1938)

Jerry (Somber)1:31:04 - Rocky leaves his cell for his executionaltered dominant | climax | conversing | gangster | gentle | leading man | pc set | priest | prison | reverse picardy | stinger | tone cluster

Angels With Dirty Faces (1938)

Jerry (Upset)1:31:40 - Jerry follows Rocky out of his cellagitated | climax | conversing | gangster | leading man | police | priest | prison

Angels With Dirty Faces (1938)

Jerry (Goodbye)1:33:12 - Jerry says goodbye to Rockyadded-note chord | climax | conversing | dissonant bass | execution chamber | gangster | leading man | priest | prison | serious | sigh gesture | somber

Angels With Dirty Faces (1938)

Jerry (Triste)1:35:23 - Jerry visits the boysconversing | death | foreign key modulation | leading man | pedal tone | picardy third | priest | resolution | room | somber | teenager
Are These Our Children? (1931)Dreams B0:01:33 - Two young people in lovecommon-chord modulation | common-tone diminished 7th | conductor score | conversing | establish character | gentle | leading lady | leading man | lovers | love scene | snuggling | street

Are These Our Children? (1931)

Hold That Tiger0:13:15 - Young people dancingadvance plot | cheerful | conversing | dance hall | friend | leading man | on-screen music | source music

Are These Our Children? (1931)

Makes You Forget Your Troubles0:17:38 - Young people talking at a danceadvance plot | cheerful | conversing | dance hall | leading man | love interest | on-screen music | seductive | singing | source music

Are These Our Children? (1931)

Introduction0:24:14 - Boys in the washroomadvance plot | conversing | dance hall | friend | leading man | mysterious | transcribed by ear

Are These Our Children? (1931)

Dreams (Washroom Sequence)0:24:25 - Eddie talks with his friendsadvance plot | chromatic parallelism | common-tone diminished 7th | conversing | dance hall | friend | leading man | score to source | somber | source music | transcribed by ear

Are These Our Children? (1931)

St. James Infirmary0:42:08 - Young people talkingadvance plot | conversing | Dixieland | friend | lazy | leading man | love interest | murderer | radio | room | source music

Are These Our Children? (1931)

Dreams (Minor) + Makes You Forget Your Troubles (Minor)1:15:51 - Newspaper headlinescombination of themes | conversing | double exposure | headline | minor-major 7th chord | montage | newspaper | police | preaching | priest | source to score | spinning | tense
Arsenic and Old Lace (1944)Here Comes the Bride (Marriage License Bureau)0:01:59 - "Marriage License Bureau" sign64 chord | arriving | calm | conversing | crowd | direct modulation | establish character | familiar tune | marriage | office | parallelism | reporter | romantic | sequence | spouse

Arsenic and Old Lace (1944)

Here Comes the Bride (Wow Wow Trumpet)0:02:42 - Reporters talk64 chord | chromatic mediant | comical | conversing | establish character | familiar tune | foreign key modulation | marriage | office | reporter

Arsenic and Old Lace (1944)

Here Comes the Bride (Modulating)0:03:34 - Hiding in a telephone boothadded-note chord | arguing | bystander | conversing | deceptive resolution | establish character | familiar tune | fragmentation | leading lady | leading man | marriage | office | pump-up modulation | running | rushed | rushing | self-borrowing | sequence

Arsenic and Old Lace (1944)

The Old Maid0:04:17 - Mortimer talks to Elaineadded-note chord | arguing | conversing | enharmonic modulation | establish character | kissing | leading lady | leading man | marriage | mode mixture | office | parallel period | pedal tone | romantic | self-borrowing

Arsenic and Old Lace (1944)

Rondo Alla Turca0:06:25 - Teddy plays the harpsichordaunt | brother | classical music | conversing | crazy person | establish character | harpsichord | leading lady | old man | on-screen music | playing | room | source music | upbeat | victim

Arsenic and Old Lace (1944)

Happy Land (Lento)0:09:11 - Reverend talks about the Brewster sistersadded-note chord | aunt | brother | calm | conversing | crazy person | establish character | familiar tune | gentle | kindness | leading lady | old man | room | victim

Arsenic and Old Lace (1944)

The Aunts0:12:26 - Reverend leavesadvance plot | aunt | cheerful | conversing | crazy person | delicate | foreign key modulation | gentle | harmonic sequence | leading lady | street

Arsenic and Old Lace (1944)

Happy Land (Lento)0:12:31 - The aunts talkadvance plot | aunt | brother | conversing | crazy person | familiar tune | foreign key modulation | gentle | leading lady | mysterious | plotting | room | sequence | tender | whole-tone chord | whole-tone scale

Arsenic and Old Lace (1944)

The Aunts (Grazioso Con Moto)0:13:16 - The aunts talkadvance plot | aunt | brother | cheerful | conversing | crazy person | delicate | foreign key modulation | gentle | harmonic sequence | leading lady | plotting | room

Arsenic and Old Lace (1944)

Happy Land (Grazioso)0:13:34 - The aunts talkadvance plot | aunt | conversing | leading lady | magical | plotting | room | whole-tone chord

Arsenic and Old Lace (1944)

Here Comes the Bride (Full)0:14:00 - Elaine appears in the windowaunt | bride | cheerful | chromatic mediant | common-chord modulation | conversing | crazy person | familiar tune | greeting | groom | leading lady | leading man | love | love scene | on-screen music | pleasant | room | score to source | source music | street | whistling

Arsenic and Old Lace (1944)

Here Comes the Bride (Modulating)0:14:10 - Mortimer calls to Elaineadded-note chord | aunt | bride | cemetery | conversing | deceptive resolution | driver | familiar tune | flirting | fragmentation | groom | hurrying | leading lady | leading man | love | love scene | pump-up modulation | rushed | rushing | sequence | source to score | street

Arsenic and Old Lace (1944)

Here Comes the Bride (Religioso)0:14:41 - Mortimer and Elaine in the cemetery64 chord | bride | calm | cemetery | conversing | familiar tune | flirting | groom | hymn-like | leading lady | leading man | love | love scene | religious | suspension

Arsenic and Old Lace (1944)

Underscoring (Mysterious)0:14:51 - Mortimer flirts with Elainebride | cemetery | conversing | flirting | groom | leading lady | leading man | love | love scene | mysterious | underscoring | whole-tone chord

Arsenic and Old Lace (1944)

Here Comes the Bride (Appassionato)0:15:02 - The aunts peek out of the window64 chord | aunt | bride | cemetery | chromatic mediant | conversing | familiar tune | flirting | groom | inversion | kissing | leading lady | leading man | love | love scene | peeking | romantic

Arsenic and Old Lace (1944)

Here Comes the Bride (Church Bells)0:15:17 - Mortimer follows Elaine64 chord | bride | cemetery | chromatic mediant | conversing | familiar tune | flirting | foreign key modulation | groom | leading lady | leading man | love | love scene | parallelism | romantic

Arsenic and Old Lace (1944)

Here Comes the Bride (Appassionato)0:15:25 - Mortimer and Elaine kiss64 chord | bride | cemetery | conversing | familiar tune | groom | inversion | kissing | leading lady | leading man | love | love scene | romantic

Arsenic and Old Lace (1944)

Here Comes the Bride (Modulating)0:15:36 - Mortimer and Elaine talkadded-note chord | bride | cemetery | conversing | familiar tune | flirting | fragmentation | groom | hurried | leading lady | leading man | love | love scene | pump-up modulation | romantic | sequence

Arsenic and Old Lace (1944)

Here Comes the Bride (Church Bells)0:16:22 - Mortimer and Elaine talk64 chord | bride | cemetery | chromatic mediant | conversing | familiar tune | flirting | foreign key modulation | groom | leading lady | leading man | love | love scene | parallelism | romantic

Arsenic and Old Lace (1944)

Jonathan0:18:54 - Jonathan Brewster's picture is shownadvance plot | aunt | conversing | diminished 7th chord | groom | leading lady | leading man | ominous | pc set | picture | room | sinister | stinger

Arsenic and Old Lace (1944)

Jonathan0:23:14 - Mortimer reacts to the revealcalling | conversing | dialing | diminished 7th chord | groom | leading man | ominous | pc set | quartal chord | reveal | room | sinister | stinger | telephone effect | thinking | turning point

Arsenic and Old Lace (1944)

The Aunts0:39:01 - The aunts talkadvance plot | aunt | cleaning | conversing | crazy person | foreign key modulation | harmonic sequence | leading lady | murderer | room | upbeat

Arsenic and Old Lace (1944)

Happy Land (Screwyoso)0:39:06 - The aunts talkadded-note chord | advance plot | altered dominant | aunt | calm | cleaning | conversing | crazy person | familiar tune | hat | leading lady | murderer | ominous | room | stinger | suspension

Arsenic and Old Lace (1944)

Happy Land (String Quartet)0:39:28 - The aunts set the tableadvance plot | aunt | cleaning | conversing | crazy person | direct modulation | evaded cadence | familiar tune | hymn-like | leading lady | murderer | peaceful | room

Arsenic and Old Lace (1944)

The Aunts (Frightened)0:39:58 - The aunts see shadows at the dooraugmentation | aunt | conversing | crazy person | dark | establish character | fear | foreign key modulation | fragmentation | knocking | leading lady | murderer | mysterious | Neapolitan | ominous | parallel 63s | pedal tone | room | shadow | whispering

Arsenic and Old Lace (1944)

Home Sweet Home (Ominous)0:41:03 - Jonathan looks around the houseadded-note chord | augmented triad | brother | conversing | crazy person | criminal | dark | dissonant bass | distortion | doctor | establish character | familiar tune | leading man | observing | ominous | room

Arsenic and Old Lace (1944)

Scar (Misterioso)0:41:31 - They see the foodbrother | conversing | crazy person | criminal | doctor | establish character | leading man | mysterious | observing | pc set | polychord | room

Arsenic and Old Lace (1944)

Home Sweet Home (Expressivo) + Scar0:41:42 - Abby talks to Jonathanaltered dominant | augmented triad | aunt | brother | combination of themes | conversing | convincing | crazy person | criminal | distortion | doctor | establish character | expressive | familiar tune | leading lady | leading man | murderer | mysterious | ominous | room

Arsenic and Old Lace (1944)

Underscoring (Tense)0:42:08 - Jonathan talks to the auntsaunt | brother | conversing | crazy person | criminal | doctor | establish character | leading lady | leading man | murderer | mysterious | parallelism | room | tense | underscoring

Arsenic and Old Lace (1944)

Scar (Face)0:42:29 - Jonathan talks about his scaraugmented triad | aunt | brother | chromatic parallelism | conversing | crazy person | criminal | doctor | establish character | fragmentation | leading lady | leading man | murderer | mysterious | pc set | polychord | room | scar | tense

Arsenic and Old Lace (1944)

Mysterioso Pizzicato0:42:41 - Martha talks about scary moviesaunt | brother | conversing | crazy person | criminal | dissonant bass | doctor | establish character | familiar tune | leading lady | leading man | murderer | mysterious | room | scar | silent film music

Arsenic and Old Lace (1944)

Underscoring (Tense)0:42:56 - Jonathan glares at Dr. Einsteinaunt | brother | conversing | crazy person | criminal | diminished 7th chord | doctor | establish character | leading lady | leading man | murderer | oscillation | room | scar | tense

Arsenic and Old Lace (1944)

Scar0:43:20 - Dr. Einstein talks to the auntsaunt | brother | conversing | crazy person | criminal | dark | doctor | establish character | leading lady | leading man | murderer | ominous | pc set | polychord | room

Arsenic and Old Lace (1944)

Home Sweet Home (Ominous)0:43:28 - Dr. Einstein talks to the auntsadded-note chord | altered dominant | aunt | brother | conversing | crazy person | criminal | distortion | doctor | establish character | familiar tune | leading lady | leading man | murderer | room | split-fifth chord | tense

Arsenic and Old Lace (1944)

Home Sweet Home (Tranquillo)0:43:40 - Jonathan sits downaugmented triad | aunt | brother | calm | chromatic parallelism | conversing | crazy person | criminal | direct modulation | distortion | doctor | establish character | familiar tune | leading lady | leading man | murderer | pedal tone | room

Arsenic and Old Lace (1944)

The Aunts (Frightened)0:44:00 - The aunts go into the kitchenaugmentation | aunt | brother | conversing | crazy person | criminal | doctor | establish character | fear | foreign key modulation | fragmentation | leading lady | leading man | murderer | mysterious | Neapolitan | ominous | parallel 63s | pedal tone | room | walking | watching

Arsenic and Old Lace (1944)

The Aunts (Frightened)0:45:22 - The aunts peek through the kitchen windowaunt | brother | conversing | crazy person | criminal | doctor | establish character | face | fear | leading lady | leading man | murderer | mysterious | Neapolitan | ominous | parallel 63s | pedal tone | room | snooping | watching

Arsenic and Old Lace (1944)

Scar0:45:29 - Dr. Einstein describes how he will fix Jonathan's faceaunt | brother | conversing | crazy person | criminal | dark | doctor | establish character | face | leading lady | leading man | murderer | ominous | pc set | planning | polychord | room | wipe

Arsenic and Old Lace (1944)

Underscoring (Tense)0:49:45 - Jonathan follows Dr. Einsteinadvance plot | altered dominant | brother | conversing | crazy person | criminal | digging | dissonant bass | doctor | familiar tune | leading man | march | murderer | on-screen music | patriotic tune | pc set | plotting | room | source and scoring overlap | tense | tone cluster | whistling

Arsenic and Old Lace (1944)

Scar (Dark)0:50:14 - Jonathan and Dr. Einstein watch Teddy digadvance plot | brother | conversing | crazy person | criminal | dark | digging | dissonant bass | doctor | familiar tune | leading man | march | murderer | on-screen music | patriotic tune | room | source and scoring overlap | watching | whistling

Arsenic and Old Lace (1944)

The Aunts (Grazioso Con Moto)0:52:20 - The aunts move through the kitchenadvance plot | aunt | calm | conversing | crazy person | foreign key modulation | harmonic sequence | leading lady | murderer | pleasant | room

Arsenic and Old Lace (1944)

Jonathan (Fragmented)0:53:35 - Jonathan and the doctor go up the stairsadvance plot | aunt | brother | conversing | crazy person | dark | darkness | doctor | fragmentation | intimidating | leading lady | leading man | murderer | ominous | pc set | room | tense

Arsenic and Old Lace (1944)

Jonathan 2 (Dark)0:57:04 - Jonathan exitsadvance plot | brother | chromatic scale | chromatic wedge | conversing | crazy person | dark | darkness | dissonant bass | doctor | falling | leading man | murderer | mysterious | pc set | polychord | room | stinger

Arsenic and Old Lace (1944)

Underscoring (Tense)0:58:10 - Someone knocks at the dooradvance plot | brother | chromatic scale | conversing | corpse | crazy person | darkness | doctor | knocking | leading man | murderer | pc set | room | sequence | sneaking | tense | underscoring

Arsenic and Old Lace (1944)

Jonathan 20:58:55 - Jonathan emerges from the shadowsadvance plot | bride | brother | chromatic scale | chromatic wedge | conversing | crazy person | darkness | dissonant bass | doctor | fear | leading lady | leading man | murderer | pc set | questioning | room | sinister

Arsenic and Old Lace (1944)

Happy Land1:19:56 - Mortimer with the taxi driveraunt | brother | calm | conversing | crazy person | doctor | driver | funeral | groom | hymn | leading lady | leading man | murderer | on-screen music | score to source | singing | source music | street

Arsenic and Old Lace (1944)

Happy Land1:22:17 - Mortimer talks with Elaine through her windowaunt | bride | calm | conversing | crazy person | doctor | funeral | groom | hymn | leading lady | leading man | murderer | singing | street
Beyond the Forest (1949)Moose0:11:22 - Moose enters the housecabin | conversing | establish character | exotic | friend | leading lady | liquor | wife | working

Beyond the Forest (1949)

Chicago (Mink Coat)0:29:01 - Rosa sees Carol's mink coatadvance plot | conversing | familiar tune | jealousy | leading lady | popular tune | sentimental | train station

Beyond the Forest (1949)

Chicago (Carol)0:29:17 - Rosa meets Caroladvance plot | conversing | familiar tune | gentle | jealousy | leading lady | popular tune | train station

Beyond the Forest (1949)

Chicago (Jealous)0:29:33 - Rosa glares at Caroladvance plot | conversing | dark | familiar tune | jealousy | leading lady | popular tune | sentimental | train station

Beyond the Forest (1949)

Lewis (Moderato Quasi Rubato)0:42:23 - Lewis talks to some menadvance plot | calm | conversing | doctor | leading man | room | somber | source and scoring overlap | street | townsfolk | walking | warm

Beyond the Forest (1949)

Underscoring (Tense)0:49:07 - Rosa gets upadvance plot | cafe | conversing | hurrying | leading lady | tense | underscoring | waitress

Beyond the Forest (1949)

Hurrying (Phone Call)0:49:32 - Rosa talks on the phoneadvance plot | cafe | conversing | leading lady | optimistic | telephone

Beyond the Forest (1949)

Lewis (Tender)0:58:28 - Lewis takes care of Rosacalm | conversing | doctor | kissing | leading lady | leading man | reunion scene | room | tender | wife

Beyond the Forest (1949)

Whisper While You’re Waltzing1:01:34 - People at a partyconversing | crowd | dance scene | doctor | eating | folk music | gentle | leading lady | leading man | on-screen music | party | playing | room | source music | waltz | wife

Beyond the Forest (1949)

For He’s a Jolly Good Fellow1:02:12 - Folk musiciansarriving | cake | cheerful | conversing | crowd | dance scene | doctor | familiar tune | leading lady | leading man | love interest | musician | on-screen music | party | playing | room | singing | source music | tuning | wife | wind

Beyond the Forest (1949)

Varsovienne1:04:52 - Moose talks with Mr. Latimerconversing | dance scene | folk music | friend | friend | leading lady | leading man | love interest | on-screen music | party | plotting | proposal | room | sneaking | source music | square dance music | upbeat

Beyond the Forest (1949)

Chicago (Con Moto)1:11:06 - Rosa is relieved at the verdictcalm | conversing | courtroom | courtroom scene | expressive | familiar tune | hope | hopeful | husband | leading lady | leading man | love interest | murderer | popular tune | smiling | verdict

Beyond the Forest (1949)

Lewis (Crescendo)1:13:15 - Rosa and Lewis at homearriving | calm | conversing | dark | dramatic | husband | leading lady | leading man | murderer | room | transition | victim | yelling

Beyond the Forest (1949)

Rosa (Sombre)1:17:53 - Lewis talks to a patientadvance plot | conversing | doctor | leading man | mysterious | office | patient | working

Beyond the Forest (1949)

Chicago (Dark)1:19:25 - Rosa sitting in a caraction scene | car | car | cliff | conversing | descending | driving | familiar tune | leading lady | leading man | murderer | ominous | popular tune

Beyond the Forest (1949)

The Cliff (Car Stops)1:19:36 - Rosa sitting in a caraction scene | car | car | cliff | conversing | descending | driving | leading lady | leading man | murderer | tense
The Big Sleep (1946)Waiting0:18:15 - Marlowe talks to lady in bookstoreadded-note chord | altered dominant | book shop | chromatic scale | conversing | leading man | love interest | love scene | mode mixture | mysterious | oscillation | private eye | romantic

The Big Sleep (1946)

Marlowe (Grazioso)0:25:28 - Marlowe asks Vivian to help with Carmenadded-note chord | advance plot | butler | conversing | femme fatale | half-diminished 7th chord | inserted scene | leading lady | leading man | mysterious | not in score | private eye | reused recording | room

The Big Sleep (1946)

Marlowe (Grazioso)0:32:29 - Marlowe talks with Vivianadvance plot | conversing | half-diminished 7th chord | leading lady | leading man | mysterious | private eye | room

The Big Sleep (1946)

Underscoring (Mysterious)0:48:15 - Marlowe talks to Joe Brodyblackmailer | chromatic parallelism | conversing | criminal | gun | investigation scene | leading man | mysterious | private eye | room | suspect | underscoring

The Big Sleep (1946)

Marlowe (Augmented)0:48:55 - Joe pulls a gun on Marlowealtered dominant | augmentation | blackmailer | conversing | criminal | gun | investigation scene | leading man | mysterious | private eye | room | suspect

The Big Sleep (1946)

Underscoring (Tense)0:51:31 - Joe reacts to the doorbell ringingblackmailer | chromatic parallelism | conflict | conversing | criminal | doorbell | gun | leading lady | leading man | mysterious | pc set | private eye | room | suspect | tense | tone cluster | underscoring | whole-tone chord

The Big Sleep (1946)

Carmen (Misterioso)0:52:18 - Joe gives the picture to Marloweblackmail | blackmailer | conflict | conversing | criminal | evidence | femme fatale | half-diminished 7th chord | leading lady | leading man | mysterious | private eye | room | suspect | whole-tone chord

The Big Sleep (1946)

Vivian + Marlowe (Ear Business)NIF - not in filmadvance plot | altered dominant | combination of themes | conversing | cut from film | deleted scene | deleted scene | leading lady | leading man | love interest | mysterious | private eye | romantic | room | thinking | whole-tone

The Big Sleep (1946)

I Guess I'll Have to Change My Plan1:00:50 - Vivian enters a restaurantABACA structure | arriving | club | conversing | falling in love scene | leading lady | leading man | love interest | pleasant | private eye | source music

The Big Sleep (1946)

The Blue Room1:02:15 - Vivan pays MarloweAABA structure | club | conversing | falling in love scene | leading lady | leading man | love interest | pleasant | private eye | source music

The Big Sleep (1946)

You Go to My Head1:04:25 - Vivian and Marlowe talk in a restaurantclub | conversing | falling in love scene | leading lady | leading man | love interest | pleasant | private eye | source music

The Big Sleep (1946)

What Are You Doin' the Rest of Your Life1:14:35 - Marlowe and Vivian leaveconflict | conversing | leading lady | leading man | love interest | parallel double period | private eye | source music | street | upbeat

The Big Sleep (1946)

Vivian1:15:22 - Marlowe and Vivian talk9th chord | 13th chord | AABA structure | added-note chord | altered dominant | car | chromatic mediant | chromatic parallelism | common-tone dominant 7th | conversing | foreign key modulation | kissing | leading lady | leading man | love | love interest | love scene | Neapolitan | private eye | romantic | suspension

The Big Sleep (1946)

Questions1:16:16 - Marlowe and Vivian argueangry | car | chromatic parallelism | chromatic scale | conversing | leading lady | leading man | love interest | love scene | private eye | tense

The Big Sleep (1946)

Marlowe (Not in Film)NIF - not in film9th chord | 11th chord | advance plot | conversing | cut from film | femme fatale | leading man | private eye | room

The Big Sleep (1946)

Sternwood (Extended)NIF - not in filmadded-note chord | advance plot | altered dominant | chromatic scale | conversing | cut from film | femme fatale | leading man | private eye | room | whole-tone chord

The Big Sleep (1946)

Underscoring (Tense)NIF - not in filmadvance plot | chromatic parallelism | conversing | cut from film | diminished 7th chord | femme fatale | leading man | oscillation | private eye | room | tritone | underscoring | whole-tone chord

The Big Sleep (1946)

You!NIF - not in filmadvance plot | chromatic scale | conversing | cut from film | femme fatale | fragmentation | leading man | private eye | room | tone cluster

The Big Sleep (1946)

Marlowe (Major)NIF - not in filmadvance plot | chromatic parallelism | conversing | cut from film | femme fatale | leading man | mode mixture | pc set | private eye | room

The Big Sleep (1946)

Carmen (Not in Film)NIF - not in filmadvance plot | conversing | cut from film | femme fatale | leading man | oscillation | private eye | room | whole-tone chord

The Big Sleep (1946)

Underscoring (Mysterious)1:21:19 - Marlowe speaks on the phoneadvance plot | café | chromatic scale | conversing | leading man | mysterious | pc set | phone call | private eye | tense | underscoring

The Big Sleep (1946)

Marlowe (Mysterious Organ)1:21:42 - Marlowe speaks to waitressadvance plot | café | conversing | leading lady | leading man | love interest | mysterious | pc set | phone call | private eye | tense

The Big Sleep (1946)

Underscoring (Mysterious)1:21:57 - Marlowe speaks with Vivian on the phoneadvance plot | café | chromatic parallelism | conversing | leading lady | leading man | linear chromaticism | love interest | mysterious | phone call | private eye | stinger | tense | underscoring

The Big Sleep (1946)

Marlowe (Dazed)1:23:48 - Marlowe recoversadvance plot | conversing | dazed | leading man | pain | private eye | street | whole-tone chord

The Big Sleep (1946)

Recovering1:24:06 - Jones helps Marlowe upadvance plot | augmented triad | conversing | impressionism | leading man | mysterious | pain | private eye | street | whole-tone chord | whole-tone scale

The Big Sleep (1946)

Marlowe (Risoluto)1:30:12 - Marlowe makes a phone calladded-note chord | bold | conversing | death scene | fragmentation | leading man | phone call | private eye | room | victim

The Big Sleep (1946)

Underscoring (Tense)1:30:24 - Marlowe makes a phone callconversing | death scene | leading man | pc set | phone call | private eye | room | tense | underscoring | victim | whole-tone chord

The Big Sleep (1946)

Wrong Address1:30:46 - Marlowe ends the phone call9th chord | altered dominant | chromatic parallelism | conversing | death | death scene | half-diminished 7th chord | leading man | phone call | private eye | room | somber | victim

The Big Sleep (1946)

Marlowe (Molto Misterioso)1:31:23 - Marlowe gets up to answer the phoneadded-note chord | conversing | death scene | informer | leading man | mysterious | pedal tone | phone call | private eye | room

The Big Sleep (1946)

Underscoring (Tense)1:31:48 - Marlowe talks to Agnes on the phoneconversing | death scene | informer | leading man | pc set | phone call | private eye | room | tense | underscoring

The Big Sleep (1946)

Marlowe (Whole Tone)1:39:25 - Marlowe talks to Viviancaptive | conversing | leading lady | leading man | love interest | love scene | mysterious | private eye | room | tense | whole-tone | whole-tone chord | whole-tone scale

The Big Sleep (1946)

Marlowe (Phone Call)1:39:39 - Marlowe talks to Viviancaptive | conversing | leading lady | leading man | love interest | love scene | mysterious | private eye | room | sequence | tense | whole-tone chord

The Big Sleep (1946)

Carmen1:39:52 - Marlowe talks to Viviancaptive | conversing | half-diminished 7th chord | leading lady | leading man | love interest | love scene | musical clue | music reveals thoughts | mysterious | private eye | room | whole-tone chord

The Big Sleep (1946)

Driving 21:43:54 - Marlowe and Vivian drive awaycar | conversing | driving | leading lady | leading man | love interest | love scene | ostinato | pc set | private eye | sequence | tense

The Big Sleep (1946)

Driving 2 + Vivian1:44:16 - Vivian tells Marlowe she loves him9th chord | 13th chord | car | chromatic parallelism | conversing | driving | leading lady | leading man | love | love interest | love scene | ostinato | private eye | romantic | suspension | tense

The Big Sleep (1946)

Driving 21:44:32 - Vivian and Marlowe talk in the carcar | conversing | driving | leading lady | leading man | love interest | love scene | ostinato | private eye | sequence | tense

The Big Sleep (1946)

Driving 2 + Vivian1:44:44 - Vivian and Marlowe talk in the carcar | conversing | driving | leading lady | leading man | love | love interest | love scene | ostinato | private eye | romantic | tense | whole-tone chord

The Big Sleep (1946)

Driving 21:44:51 - Vivian and Marlowe talk in the carcar | conversing | driving | leading lady | leading man | love interest | love scene | ostinato | pc set | private eye | tense | whole-tone chord

The Big Sleep (1946)

Driving 2 + Carmen1:45:06 - Marlowe talks about Carmencar | conversing | driving | leading lady | leading man | love interest | love scene | ostinato | private eye | tense | whole-tone chord

The Big Sleep (1946)

Driving 2 + Vivian1:45:21 - Marlowe tells Vivian he loves her9th chord | 13th chord | arriving | car | chromatic parallelism | conversing | driving | leading lady | leading man | love | love interest | love scene | ostinato | private eye | romantic | suspension | tense

The Big Sleep (1946)

Carmen (Tense)1:52:28 - Marlowe talks on the phoneconversing | leading lady | leading man | love interest | lying | mysterious | oscillation | pedal tone | phone call | private eye | resolution | room | tense | uneasy | whole-tone chord

The Big Sleep (1946)

Vivian1:52:48 - Marlowe talks to Vivian9th chord | 13th chord | chromatic parallelism | conversing | leading lady | leading man | love | love interest | Neapolitan | private eye | resolution | romantic | room

The Big Sleep (1946)

Vivian (Expressivo)1:53:20 - Marlowe pulls Vivian close9th chord | 13th chord | chromatic parallelism | conversing | foreign key modulation | leading lady | leading man | love | love interest | private eye | resolution | romantic | room | suspension
The Breaking Point (1950)Flor de Lis0:08:17 - A ship sailingart song | boat | boat | boating | conversing | establish setting | flirting | floozy | leading lady | leading man | not by Steiner | sailor | upbeat | working

The Breaking Point (1950)

En Mi Canto de Amor0:08:57 - A dock at nightarriving | art song | boat | conversing | docking | establish setting | flirting | floozy | harbor | leading lady | leading man | not by Steiner | sailor | source music | upbeat | working

The Breaking Point (1950)

La Adelita0:09:56 - A Mexican village at nightarriving | bar | bartender | conversing | establish setting | folk music | leading man | musician | on-screen music | performing | sailor | salesperson | selling | source music | street | upbeat | working

The Breaking Point (1950)

Carmen, Carmela0:11:11 - Harry talks to Duncan in a barbar | conversing | criminal | establish setting | floozy | folk music | gambling | leading lady | leading man | musician | on-screen music | performing | pleasant | sailor | serenading | singing | source music

The Breaking Point (1950)

La Golondrina0:12:21 - Harry sits down with Leona in the baradvance plot | bar | calm | conversing | fisherman | flirting | floozy | folk music | leading lady | leading man | sailor | source music

The Breaking Point (1950)

Mi Mariposa0:15:21 - Harry talks to the bartenderadvance plot | arguing | art song | bar | bartender | calm | conversing | leading man | on-screen music | sailor | source music

The Breaking Point (1950)

Eres Mujer0:15:56 - Harry talks to Duncanadvance plot | bar | calm | conversing | criminal | leading man | on-screen music | performing | sailor | source music | tango | whispering

The Breaking Point (1950)

En Mi Canto de Amor0:21:43 - Harry talks to Duncanadvance plot | bar | conversing | criminal | leading man | planning | pleasant | sailor | source music

The Breaking Point (1950)

Make Love With a Guitar0:33:28 - Harry arrives homeadvance plot | arriving | calm | child | conversing | leading man | musician | neighbor | on-screen music | room | sailor | source music | street | wife | yard

The Breaking Point (1950)

Ask Me No Questions0:40:46 - Harry talks to Duncanadvance plot | arguing | bar | bartender | conversing | criminal | floozy | jukebox | leading lady | leading man | mellow | sailor | source music

The Breaking Point (1950)

On an Ordinary Morning0:43:33 - Leona and Harry sit together in a baradvance plot | bar | conversing | floozy | jukebox | leading lady | leading man | mellow | sailor | source music | wife

The Breaking Point (1950)

Make Love With a Guitar0:46:27 - Harry and his wife come homeadvance plot | calm | child | conversing | drunk | leading lady | leading man | neighbor | on-screen music | sailor | source music | street | walking | wife

The Breaking Point (1950)

I Guess I’ll Have to Change My Plan1:00:26 - Harry in a restaurantadvance plot | bartender | conversing | floozy | leading lady | leading man | mellow | restaurant | sailor | source music

The Breaking Point (1950)

You Missed the Boat1:02:56 - Duncan talks to Harry in the restaurantadvance plot | conversing | criminal | floozy | leading lady | leading man | mellow | restaurant | sailor | source music

The Breaking Point (1950)

Don’t Take Your Love From Me1:05:42 - Harry arrives at Leona's apartmentadvance plot | conversing | floozy | leading lady | leading man | mellow | room | sailor | source music

The Breaking Point (1950)

The Breaking Point (Ethereal)1:34:41 - Harry recognizes Lucyboat | climax | comforting | conversing | crying | ethereal | leading lady | leading man | mixed meter | sailor | sweet | wife

The Breaking Point (1950)

The Breaking Point (Cellos)1:35:14 - Harry talks with Lucyboat | climax | comforting | conversing | crying | ethereal | leading lady | leading man | mixed meter | sailor | sweet | wife

The Breaking Point (1950)

Calm1:35:38 - Lucy leavesboat | climax | comforting | conversing | crying | ethereal | leading lady | leading man | sailor | sweet | wife
Caged (1950)PrisonNIF - not in filmconversing | cut from film | dark | exiting | guard | leading lady | opening title sequence | police car | prison | prisoner | underscoring

Caged (1950)

Isolation Ward0:08:54 - Edna lying in a bedconversing | dark | establish character | illness | isolation | leading lady | mysterious | ominous | prison | prisoner | rain | uneasy

Caged (1950)

Marie 2 (Not in Film)NIF - not in filmconversing | cut from film | establish character | gentle | leading lady | office | pregnancy | prison | prisoner | warden

Caged (1950)

LullabyNIF - not in filmconversing | cut from film | establish character | gentle | leading lady | office | pregnancy | prison | prisoner | warden

Caged (1950)

Mrs. Benton (Not in Film 3)NIF - not in filmconversing | cut from film | establish character | gentle | guard | leading lady | office | pregnancy | prison | prisoner | reading | room | warden

Caged (1950)

Marie (Slowly)0:35:14 - Marie talks to Kittyadvance plot | conversing | friend | leading lady | prison | prisoner | sickness | solemn | uneasy

Caged (1950)

June and Marie0:37:06 - June and Marie talkconversing | establish character | friend | hopeful | leading lady | noble | prison | prisoner

Caged (1950)

June0:37:27 - June and Marie talkconversing | establish character | friend | hopeful | leading lady | melancholy | prison | prisoner | somber

Caged (1950)

June (Triste)0:38:14 - June and Marie talkconversing | cut from film | establish character | friend | leading lady | melancholy | prison | prisoner | somber

Caged (1950)

June (Slowly)0:38:39 - Marie looks for Junearriving | conversing | establish character | friend | guard | leading lady | melancholy | prison | prisoner | somber

Caged (1950)

June (Adagio)0:39:34 - Inmates play cardscards | close-up | conversing | establish character | friend | leading lady | melancholy | playing | prison | prisoner | somber | underscoring | uneasy

Caged (1950)

Swimmy (Poco Agitato)0:43:53 - Mrs. Benton on the phoneadvance plot | calling | cards | conversing | phone call | playing | prison | telephone | tense | warden

Caged (1950)

Mrs. Benton0:44:07 - Mrs. Benton on the phoneadvance plot | calling | cards | conversing | gentle | phone call | prison | telephone | warden

Caged (1950)

Crying (Poco Agitato)0:44:27 - Mrs. Benton pacesbaby | childbirth | conversing | crying | doctor | infirmary | leading lady | mickey-mousing | operation scene | pacing | prison | prisoner | tense | uneasy | walking | warden

Caged (1950)

Marie0:44:54 - The doctor washes upbaby | childbirth | cleaning | conversing | doctor | infirmary | leading lady | operation scene | prison | prisoner | solemn | warden

Caged (1950)

Lullaby0:49:51 - Marie holds her new babyadvance plot | baby | conversing | gentle | leading lady | nurse | nursery | prison | prisoner

Caged (1950)

Marie 20:50:22 - Marie holds her new babyadvance plot | baby | conversing | gentle | happy | leading lady | nurse | nursery | prison | prisoner
His Greatest Gamble (1934)Morning Glory Waltz (Tender)0:02:35 - Philip in the casinocasino | child | conversing | establish character | gentle | leading man | leaving | transcribed by ear | waltz

His Greatest Gamble (1934)

Nocturne in E-flat Major0:36:29 - Philip looks for Aliceadvance plot | calm | conversing | daughter | fugitive | leading lady | leading man | mansion | nocturne | pleasant | searching | source music | wandering

His Greatest Gamble (1934)

Waltz in C-sharp Minor0:40:28 - Philip talks with Alice and Florenceadvance plot | conversing | daughter | ex-wife | fugitive | leading lady | leading man | mansion | serious | source music | waltz

His Greatest Gamble (1934)

Blue Ridge Moon0:53:16 - Philip talks with Aliceadvance plot | conversing | daughter | gentle | leading lady | love interest | mansion | popular music | radio | sentimental | source music | waltz

His Greatest Gamble (1934)

Morning Glory Waltz (Radio)0:57:06 - Philip talks with Alice9th chord | advance plot | conversing | daughter | fugitive | gentle | leading lady | leading man | mansion | mode mixture | radio | score to source | sentimental | source music | transcribed by ear | walking
City for Conquest (1940)Sidewalks of New York (Soliloquy)0:01:33 - A cop tells a man to keep moving9th chord | 13th chord | bridge | chromatic parallelism | city | conversing | establish place | establish setting | old man | police | soliloquy | uneasy

City for Conquest (1940)

Sidewalks of New York (City Struck)0:02:03 - Old-timer talks with cop9th chord | bridge | chromatic scale | city | conversing | establish setting | excited | old man | police | soliloquy

City for Conquest (1940)

Sidewalks of New York (Montage)0:02:18 - A montage of New York City scenesadded-note chord | boat | bridge | car | chromatic parallelism | city | conversing | Dutch angle | establish setting | excited | fragmentation | montage | old man | panning shot | police | pump-up modulation | soliloquy | train

City for Conquest (1940)

Sidewalks of New York (Snake)0:02:35 - A montage of New York City scenes13th chord | 64 chord | altered dominant | bridge | chromatic sequence | city | conversing | countermelody | double exposure | Dutch angle | establish setting | foreign key modulation | fragmentation | grand | montage | old man | police | snake effect | soliloquy

City for Conquest (1940)

Sidewalks of New York0:03:10 - A New York street cornerAABA structure | child | conversing | crowd | dancing | old man | on-screen music | organ grinder | playing | pleasant | score to source | source music | street | street organ | thief | transition | upbeat | walking

City for Conquest (1940)

The Bowery0:05:00 - People on a New York streetchild | conversing | crowd | establish character | on-screen music | playing | pleasant | source music | street | street organ | upbeat

City for Conquest (1940)

Sidewalks of New York (Soliloquy 2)0:05:44 - Old-timer talks to a stone carver9th chord | 13th chord | bluesy | child | chromatic parallelism | conversing | establish character | fragmentation | love | old man | romantic | sentimental | soliloquy | street | worker

City for Conquest (1940)

Sidewalks of New York (Waltz Grazioso)0:06:09 - Two children playing9th chord | child | conversing | establish character | foreign key modulation | love | Neapolitan | old man | romantic | sentimental | soliloquy | street | waltz

City for Conquest (1940)

Scales0:09:16 - Danny and Peggy go upstairsarguing | conversing | establish character | leading lady | leading man | mother | on-screen music | piano | room | source music | tedious | transcribed by ear

City for Conquest (1940)

Tone Poem A0:10:50 - Eddie plays the pianobrother | composer | conversing | establish character | leading man | musician | piano | playing | romantic | room | score to source | source music | transcribed by ear

City for Conquest (1940)

Tone Poem A (Very Broad)0:12:16 - Eddie plays the piano13th chord | brother | chromatic parallelism | chromatic scale | composer | conversing | describing | dissonant bass | establish character | explaining | leading man | musician | name of film | pentatonic | piano | playing | romantic | room | source music | transcribed by ear

City for Conquest (1940)

Tone Poem A (Unattainable Stars)0:12:37 - Eddie plays the pianobrother | chromatic parallelism | composer | conversing | describing | establish character | explaining | leading man | musician | piano | playing | romantic | room | somber | source music | transcribed by ear

City for Conquest (1940)

Tone Poem A0:13:03 - Eddie plays the piano9th chord | 11th chord | 13th chord | brother | common-chord modulation | composer | conversing | deceptive resolution | establish character | leading man | musician | piano | playing | romantic | room | source music | transcribed by ear

City for Conquest (1940)

My Old Kentucky Home0:16:04 - Mickey sings to himselfadvance plot | boxer | calm | conversing | folk music | leading man | locker room | manager | singing | source music

City for Conquest (1940)

Lullaby of Broadway0:17:00 - A sign for Rose Gardens Casinoboxer | conversing | crowd | dance band | dance hall | dancer | dance scene | dancing | leading lady | leading man | on-screen music | playing | popular music | source music | upbeat

City for Conquest (1940)

Latin For Manhattan0:18:29 - Peggy and Danny sit downAABA structure | blue note | boxer | conversing | crowd | dance band | dance hall | dancer | dance scene | dancing | leading lady | leading man | on-screen music | playing | popular music | source music | upbeat

City for Conquest (1940)

The Continental0:19:53 - Peggy dances with MurrayAABA structure | boxer | conversing | crowd | dance band | dance hall | dancer | dance scene | dancing | friend | leading lady | leading man | on-screen music | phrase extension | playing | popular music | source music | upbeat

City for Conquest (1940)

Shadow Waltz0:21:46 - Peggy dances with MurrayABAC structure | conversing | crowd | dance band | dance hall | dancer | dance scene | dancing | leading lady | on-screen music | playing | popular music | source music | upbeat

City for Conquest (1940)

I'm Just Wild About Harry0:23:07 - Close-up of LilyABAC structure | award | boxer | conversing | crowd | dance band | dance hall | dancer | dance scene | friend | leading lady | leading man | on-screen music | popular music | source music | upbeat

City for Conquest (1940)

I'm Just Wild About Harry (Delicato)0:25:06 - Peggy calls Murray11th chord | added-note chord | advance plot | altered dominant | calling | common-tone diminished 7th | conversing | leading lady | mode mixture | pleasant | room | source to score | telephone | upbeat

City for Conquest (1940)

Tone Poem A (Grazioso)0:30:04 - Danny shavesaltered dominant | common-chord modulation | conversing | delicate | fragmentation | gentle | leading lady | leading man | love scene | room | shaving

City for Conquest (1940)

Tone Poem A (Dolce)0:30:28 - Peggy talks to Danny9th chord | 11th chord | arguing | chromatic parallelism | common-chord modulation | conversing | flirting | gentle | leading lady | leading man | love scene | playful | room | shaving

City for Conquest (1940)

Only Fooling0:30:54 - Peggy cleans Danny's facearguing | common-tone modulation | conversing | diminished 7th chord | flirting | leading lady | leading man | love scene | parallelism | playful | room | shaving

City for Conquest (1940)

Tone Poem A (Expressivo)0:31:00 - Peggy apologizes to Danny9th chord | added-note chord | appoggiatura | chromatic mediant | common-tone diminished 7th | conversing | foreign key modulation | kiss | kissing | leading lady | leading man | love scene | parallelism | romantic | room

City for Conquest (1940)

Tranquillo0:31:35 - Peggy and Danny on a boat9th chord | boat | conversing | delicate | gentle | leading lady | leading man | love scene

City for Conquest (1940)

Tone Poem A (Waltz)0:31:48 - Peggy and Danny talk about the future9th chord | 13th chord | added-note chord | boat | calm | common-chord modulation | conversing | deceptive resolution | foreign key modulation | leading lady | leading man | love scene | mode mixture | romantic

City for Conquest (1940)

Shadow Waltz (Dark)0:33:22 - Peggy talks with Dannyboat | chromatic sequence | conversing | dark | leading lady | leading man | love scene | major 7th chord | octatonic | somber

City for Conquest (1940)

I'm Just Wild About Harry (Foxtrot)0:33:35 - Peggy starts to leave9th chord | added-note chord | boat | calm | chromatic mediant | conversing | gentle | leading lady | leading man | love scene

City for Conquest (1940)

Tone Poem A (Dolcissimo)0:34:02 - Danny talks with Peggy9th chord | added-note chord | boat | common-tone diminished 7th | conversing | gentle | kissing | leading lady | leading man | love scene | romantic

City for Conquest (1940)

Liberty Day0:39:41 - Old timer talks to workerboxer | boxing ring | celebrating | contrasting double period | conversing | crowd | fanfare | leading man | manager | montage | parallel double period | source music | upbeat

City for Conquest (1940)

Tone Poem A0:42:10 - Eddie plays the piano9th chord | 11th chord | 13th chord | advance plot | boxer | brother | common-chord modulation | composer | conversing | crowd | deceptive resolution | leading man | musician | on-screen music | party | piano | playing | romantic | source music | transcribed by ear

City for Conquest (1940)

Tone Poem A (Stride Piano)0:43:27 - Eddie plays the piano9th chord | 11th chord | 13th chord | added-note chord | advance plot | augmented sixth chord | boxer | brother | chord substitution | common-tone diminished 7th | composer | conversing | crowd | foreign key modulation | leading man | mode mixture | musician | on-screen music | parallelism | party | piano | playing | ragtime | source music | syncopation | upbeat

City for Conquest (1940)

In the Evening0:45:08 - Peggy in her dressing roomarguing | boxer | conflict | conversing | crying | dancer | dressing room | leading lady | leading man | parallel double period | punching | source music | upbeat

City for Conquest (1940)

Tone Poem A (Romantic)0:47:41 - Peggy talks with Dannyboxer | conversing | dancer | leading lady | leading man | love scene | street | tense

City for Conquest (1940)

Tone Poem A (Walking)0:48:32 - Danny and Peggy walk down the street11th chord | boxer | chromatic sequence | conversing | dancer | leading lady | leading man | love scene | romantic | street | walking

City for Conquest (1940)

Adios Muchachos0:50:27 - Peggy arrives homeadvance plot | arriving | cheerful | conversing | dancer | leading lady | parallel double period | record player | room | source music | tango

City for Conquest (1940)

Adios Muchachos0:51:19 - Peggy talks with Murrayadvance plot | arriving | cheerful | conversing | dancer | leading lady | parallel double period | record player | room | source music | tango

City for Conquest (1940)

Tone Poem A (Farewell)0:55:31 - Peggy bids farewell to Danny9th chord | appoggiatura | augmented sixth chord | conversing | crying | embracing | enharmonic respelling | farewell scene | leading lady | leading man | leaving | mode mixture | plagal cadence | romantic | sentimental | street

City for Conquest (1940)

Garden of the Moon1:00:04 - Backstage at the Club MadridAABA structure | advance plot | conversing | dancer | dressing room | leading lady | preparing | source music | upbeat

City for Conquest (1940)

Miramar1:00:44 - Danny prepares for a fightadvance plot | boxer | conversing | leading man | locker room | manager | march | parallel double period | preparing | source music | upbeat

City for Conquest (1940)

Piggy Wiggy Woo1:10:52 - Peggy criesadvance plot | conversing | crying | dancer | dressing room | leading lady | source music | upbeat

City for Conquest (1940)

Googi (The Car)1:13:38 - Googi in the carcar | car | conversing | criminal | diminished 7th chord | dissonant bass | driving | gangster | manager | murder scene | ominous | tense | trill

City for Conquest (1940)

Googi (Dead Man)1:15:09 - They pull out the dead mancar | chromatic scale | conversing | corpse | criminal | disposing | dock | gangster | manager | murderer | murder scene | ominous | ostinato | tense | whole-tone chord | working

City for Conquest (1940)

Googi (Molto Mysterioso e Screwyoso)1:15:19 - Cobb sees the guncar | chromatic parallelism | conversing | corpse | criminal | disposing | dissonant bass | dock | fragmentation | gangster | half-diminished 7th chord | manager | murderer | murder scene | ominous | ostinato | tense | tritone oscillation | working

City for Conquest (1940)

Powder My Back1:23:34 - A burlesque marqueeadvance plot | conversing | dancer | dancing | leading lady | manager | on-screen music | phrase extension | singer | singing | source music | stage | upbeat

City for Conquest (1940)

Tone Poem A (Lento 2)1:28:11 - Peggy cries9th chord | advance plot | altered dominant | conversing | crying | foreign key modulation | friend | leading lady | room | sequence | somber

City for Conquest (1940)

Tone Poem D (Dolce)1:28:33 - Gladys talks to Peggy9th chord | 11th chord | advance plot | blue note | chromatic sequence | comforting | common-tone diminished 7th | conversing | crying | friend | gentle | leading lady | mode mixture | newspaper | parallel fifths | room | sweet

City for Conquest (1940)

Tone Poem A (Beoootiful)1:40:11 - Danny working at his newsstand9th chord | 11th chord | blur | conversing | dissonant bass | ethereal | gentle | into focus | leading lady | leading man | love scene | reunion | reuniting | shimmery | squinting | street | tone cluster | victim | whole-tone chord

City for Conquest (1940)

Tone Poem A (Chorus)1:41:14 - Danny talks with Peggy9th chord | 11th chord | 13th chord | chromatic sequence | conversing | crying | ethereal | foreign key modulation | gentle | leading lady | leading man | love interest | love scene | optimistic | reunion | reuniting | romantic | shimmery | street | suspension | victim

City for Conquest (1940)

Sidewalks of New York (Soliloquy)1:42:56 - Old timer talks to himselfaltered dominant | chromatic parallelism | conversing | countermelody | old man | resolution | sentimental | soliloquy

City for Conquest (1940)

Sidewalks of New York (Snake)1:43:16 - Old timer talks to himself64 chord | conversing | gentle | old man | resolution | romantic | soliloquy

City for Conquest (1940)

Sidewalks of New York (The End)1:43:24 - The End64 chord | bold | conversing | end title sequence | grand | old man | plagal cadence | soliloquy | The End
Crime School (1938)Underscoring (Mysterious)0:09:53 - Frankie sneaks in the houseconcern | conversing | dissonant bass | establish character | heroine | leading lady | mysterious | pedal tone | room | sister | sneaking | sneaky | teenager | underscoring | whole-tone chord | whole-tone scale

Crime School (1938)

Sue (Quasi Blues)0:11:08 - Sue talks to Frankiebluesy | chromatic parallelism | common-chord modulation | conversing | crying | establish character | foreign key modulation | Gershwinesque | heroine | leading lady | room | somber

Crime School (1938)

Underscoring (Mysterious)0:24:12 - Gang settles into their roomadvance plot | conversing | dissonant bass | gang | mysterious | pedal tone | reformatory | teenager | underscoring

Crime School (1938)

Underscoring (Gentle)0:35:46 - Mark visits Frankie in the sick roomadvance plot | caring | conversing | dark | hospital | leading man | reformatory | teenager | tender | underscoring | warden

Crime School (1938)

The Warden (Punishment)0:36:22 - Warden defends his punishmentadvance plot | chromatic wedge | conversing | dark | evil | hospital | leading man | reformatory | teenager | warden | whole-tone chord

Crime School (1938)

Underscoring (Subtle)0:37:09 - Transition to cafeteriaadvance plot | conversing | hospital | leading man | reformatory | somber | teenager | underscoring | warden

Crime School (1938)

Underscoring (Gentle)0:49:10 - Mark comes into the roomcomedy | conversing | gang | gentle | hero | leading man | paint | parallelism | reformatory | teenager | underscoring

Crime School (1938)

Spots0:49:20 - Squirt has spots on his pajamas9th chord | chromatic parallelism | comedy | comical | conversing | gang | hero | leading man | mickey-mousing | paint | reformatory | spots | teenager | tense

Crime School (1938)

Sue (Hospital)0:57:38 - The doctor takes care of Squirt in the hospitaladvance plot | calm | conversing | doctor | hero | hospital | leading man | nurse | peaceful | reformatory | teenager | treating

Crime School (1938)

Sue (Troubled)1:07:37 - Frankie is troubled about his sisteradvance plot | chromatic parallelism | chromatic sequence | conversing | gang | reformatory | teenager | thinking | troubled | worried

Crime School (1938)

Sue (Grazioso)1:13:10 - Sue and Mark talk in the kitchencheerful | conflict | conversing | cooking | happy | hero | heroine | kitchen | leading lady | leading man | mode mixture | secondary dominant

Crime School (1938)

Sue (Grazioso Mysterioso)1:13:38 - Frankie confronts Sue and Markcheerful | common-tone diminished 7th | conflict | conversing | deceptive resolution | dining | gun | happy | hero | heroine | leading lady | leading man | room | stick up | stinger | teenager | tone cluster | whole-tone chord

Crime School (1938)

Resolution1:22:31 - Sue enters the room 42 chord | antagonist | calm | chromatic parallelism | chromatic scale | comical | conversing | hero | leading man | reformatory | resolution | resolution | tense | tritone

Crime School (1938)

Sue (Allegretto)1:24:18 - Boys talk about Sue9th chord | chromatic parallelism | conversing | courthouse | fragmentation | gang | optimistic | resolution | sequence | teenager
They Made Me a Criminal (1939)Saving Myself For You (I've Been)0:08:02 - Johnnie at a partyAABA structure | attacking | conversing | drinking | fighting | floozy | jaunty | leading man | murder | murdering | murder scene | partying | radio | room | source music | violence

They Made Me a Criminal (1939)

The Fugitive (Relieved)0:29:25 - Johnnie listens to the sheriffaltered dominant | conflict | conversing | leading man | peaceful | room | tranquil

They Made Me a Criminal (1939)

The Fugitive (Apology)0:48:31 - Johnnie and Peggy talk9th chord | conversing | hero | leading lady | leading man | love scene | romantic | room | secondary dominant | tender

They Made Me a Criminal (1939)

On the Make0:49:40 - Johnnie and Peggy drive in a carABAB structure | added-note chord | altered dominant | car | car | cheerful | conversing | driving | hero | leading lady | leading man | linear chromaticism | love scene | mode mixture | phrase extension | romantic | traveling

They Made Me a Criminal (1939)

On the Make (Extended)0:53:21 - Johnnie and Peggy drive in a carABAB structure | added-note chord | advance plot | altered dominant | car | car | cheerful | conversing | driving | hero | kissing | leading lady | leading man | linear chromaticism | mode mixture | phrase extension | romantic | traveling

They Made Me a Criminal (1939)

Marcia Grotesque1:01:48 - Johnnie talks to another boxeradvance plot | altered dominant | comical | conversing | hero | leading man | march | mode mixture | room

They Made Me a Criminal (1939)

Marche Funebre1:02:45 - Boys look at poster of a boxer64 chord | advance plot | Chopin | classical music | conversing | dark | death | poster | room | teenager

They Made Me a Criminal (1939)

On the Make (Tenderly)1:07:57 - Tommy talks to Johnnie9th chord | ABAB structure | altered dominant | arguing | chromatic mediant | conversing | direct modulation | foreign key modulation | hero | leading man | room | tender | turning point

They Made Me a Criminal (1939)

World's Record1:13:45 - Boxers prepare for the fightarena | boxer | cheerful | conversing | excited | hero | leading man | march | parallel double period | source music | sport scene
Deep Valley (1947)Squirrel0:09:26 - Libby feeds a squirrelcheerful | conversing | establish character | forest | leading lady | squirrel | upbeat

Deep Valley (1947)

Homestead (Sordini)0:16:14 - Ellie talks with Libbyadvance plot | calm | conversing | delicate | leading lady | memory | mother | past | room | sentimental

Deep Valley (1947)

Underscoring (Tense)0:17:06 - Ellie talks with Libbyadvance plot | conversing | dark | leading lady | mother | room | stinger | tense | underscoring

Deep Valley (1947)

Homestead (Triste)0:17:34 - Ellie talks with Libbyadvance plot | conversing | dark | leading lady | mother | room | tense

Deep Valley (1947)

Underscoring (Somber)0:17:55 - Libby talks with Ellieadvance plot | conversing | dark | leading lady | mother | room | somber | underscoring

Deep Valley (1947)

Homestead (Somber)0:18:26 - Ellie talks with Libbyadvance plot | conversing | dark | leading lady | mother | room | somber

Deep Valley (1947)

Joe (Running)0:19:24 - Libby arrives at the farmconversing | leading lady | lovers meet | running | rushed | street | upbeat

Deep Valley (1947)

Barry (Misterioso)0:28:31 - Libby talks with Jeffadvance plot | boss | conversing | dark | leading lady | leading man | mysterious | room | somber

Deep Valley (1947)

Homestead (Morendo)0:29:17 - Jeff talks with Libbyadvance plot | boss | conversing | leading lady | leading man | room | somber

Deep Valley (1947)

Libby 30:29:40 - Close-up on Libbyadvance plot | boss | conversing | dance-like | hesitant | leading lady | leading man | room

Deep Valley (1947)

Libby (Dark)0:33:17 - Libby walks to her mother's roomconflict | conversing | dark | leading lady | lightning | mother | room | somber | storm | thunder | walking

Deep Valley (1947)

Love Theme (Full)0:46:30 - Barry and Libby by the lakecalm | conversing | convict | falling in love scene | forest | fugitive | laughing | leading lady | leading man | working

Deep Valley (1947)

Love Theme (Memory)0:46:53 - Barry and Libby by the lakeconversing | convict | falling in love scene | forest | fugitive | leading lady | leading man | memory | uneasy

Deep Valley (1947)

Breeze0:48:03 - Libby talks to Barryconversing | convict | ethereal | falling in love scene | forest | fugitive | leading lady | leading man | listening | magical | wind | wind effect

Deep Valley (1947)

Breeze + Love Theme0:48:14 - Barry talks to Libbycombination of themes | conversing | convict | ethereal | falling in love scene | forest | fugitive | leading lady | leading man | listening | magical | wind | wind effect

Deep Valley (1947)

Deep Valley (Misterioso)0:54:57 - Libby starts to leavecabin | calm | conversing | convict | dog | fugitive | leading lady | leading man | love interest | love scene | planning

Deep Valley (1947)

Libby 31:03:21 - Ellie talks with LIbbyadvance plot | conversing | hesitant | leading lady | lying | mother | room

Deep Valley (1947)

Libby (Stormy)1:03:40 - Ellie talks with Libbyadvance plot | conversing | hesitant | leading lady | lying | mother | room | tense

Deep Valley (1947)

Homestead (Lento)1:07:51 - Ellie and Cliff play cardsadvance plot | calm | cards | conversing | father | leading lady | mother | playing | room

Deep Valley (1947)

Homestead (Morendo)1:08:13 - Libby talks with her parentsadvance plot | conversing | father | leading lady | mother | room | somber

Deep Valley (1947)

Libby 31:08:56 - Jeff talks with Libbyadvance plot | conversing | hesitant | leading lady | leading man | room

Deep Valley (1947)

Libby (Stormy)1:09:20 - Jeff talks with Libbyadvance plot | conversing | hesitant | leading lady | leading man | room | tense

Deep Valley (1947)

Underscoring (Tense)1:09:40 - Jeff talks with Libbyadvance plot | conversing | leading lady | leading man | room | stinger | tense | underscoring

Deep Valley (1947)

Barry (Tense 2)1:15:38 - Barry drops his gunadvance plot | barn | conversing | convict | fugitive | leading lady | leading man | love interest | tense

Deep Valley (1947)

Deep Valley (Sostenuto)1:16:37 - Libby talks with Barryadvance plot | barn | calm | conversing | convict | fugitive | hopeful | leading lady | leading man | love interest

Deep Valley (1947)

Underscoring (Tense)1:17:04 - Barry picks up the gunadvance plot | barn | conversing | convict | fugitive | leading lady | leading man | love interest | tense | underscoring

Deep Valley (1947)

Deep Valley (Dolce)1:17:25 - Barry talks with Libbyadvance plot | barn | conversing | convict | fugitive | gentle | leading lady | leading man | love interest | tender

Deep Valley (1947)

Joe (Running)1:23:58 - Barry talks to Libbyadvance plot | barn | calm | conversing | convict | fugitive | leading lady | leading man | love interest

Deep Valley (1947)

Libby 3 (Tense)1:28:28 - Libby comes down the ladderbarn | conflict | conversing | convict | father | fugitive | leading lady | leading man | love interest | tense | uneasy | walking

Deep Valley (1947)

Barry (Drunk)1:31:10 - Barry talks to Libbyadvance plot | anxious | anxious effect | barn | conversing | convict | fugitive | leading lady | leading man | love interest | worried | worrying

Deep Valley (1947)

Underscoring (Tense)1:33:08 - The Sheriff talks with Ellieadvance plot | conversing | evidence | mother | ominous | porch | sheriff | stinger | tense

Deep Valley (1947)

Libby 3 + Law1:44:32 - Jeff talks to Libbycalm | combination of themes | conversing | dog | forest | leading lady | leading man | peaceful | resolution
Dust Be My Destiny (1939)Mysterioso0:02:00 - Warden talks to Joeconversing | drone | establish character | leading man | mysterious | parallelism | polytonality | prison | prisoner | warden

Dust Be My Destiny (1939)

Dust Be My Destiny (Injustice)0:02:29 - Joe reacts to the warden9th chord | 64 chord | agitated | chromatic parallelism | conversing | dramatic | establish character | injustice | leading man | prison | prisoner | warden

Dust Be My Destiny (1939)

Charlie0:10:58 - Charlie talks to inmatesconversing | dark | drunk | establish character | leading man | polychord | prison | prisoner | warden

Dust Be My Destiny (1939)

Underscoring (Humorous)0:13:13 - Joe talks to the cowbarn | chromatic parallelism | comical | conversing | cow | diminished triad | dissonant bass | leading man | lovers meet | prisoner | underscoring
Flamingo Road (1949)If I Could Be With You0:07:53 - Field hears music playingcarny | conversing | establish character | leading lady | leading man | on-screen music | parallel period | police | radio | room | sentimental | singer | singing | source music

Flamingo Road (1949)

Lane (Moderato Grazioso)NIF - not in filmconversing | cut from film | cut from film | leading lady | leading man | lovers meet | picardy third | police | room

Flamingo Road (1949)

Underscoring (Lyrical)NIF - not in film9th chord | altered dominant | conversing | cut from film | cut from film | leading lady | leading man | lovers meet | police | room | underscoring

Flamingo Road (1949)

Lane (Poco Con Moto)NIF - not in filmconversing | cut from film | cut from film | deceptive resolution | leading lady | leading man | lovers meet | parallelism | police | room

Flamingo Road (1949)

Arabian Riff (Not in Film)NIF - not in filmconversing | cut from film | cut from film | deceptive resolution | leading lady | leading man | lovers meet | pedal tone | police | room | source to score

Flamingo Road (1949)

Underscoring (Lyrical)NIF - not in filmchromatic parallelism | conversing | cut from film | cut from film | leading lady | leading man | lovers meet | police | room | underscoring

Flamingo Road (1949)

LaneNIF - not in filmconversing | cut from film | cut from film | leading lady | leading man | lovers meet | mode mixture | police | room

Flamingo Road (1949)

If I Could Be With You (Timidly)NIF - not in filmchromatic parallelism | conversing | cut from film | cut from film | leading lady | leading man | lovers meet | police | room | source to score

Flamingo Road (1949)

Lane (Not in Film)NIF - not in filmconversing | cut from film | cut from film | foreign key modulation | leading lady | leading man | lovers meet | mode mixture | police | room

Flamingo Road (1949)

Put 'Em in a Box, Tie 'Em with a Ribbon, and Throw 'Em in the Deep Blue Sea0:12:05 - The Eagle CafeAABA structure | advance plot | conversing | leading lady | leading man | police | popular music | restaurant | source music | upbeat

Flamingo Road (1949)

Can't We Be Friends0:13:38 - Lane and Field at the cafeAABA structure | advance plot | conversing | leading lady | leading man | police | popular music | restaurant | sentimental | source music

Flamingo Road (1949)

Lane (Sentimentale)NIF - not in film9th chord | chromatic parallelism | conversing | cut from film | cut from film | falling in love scene | leading lady | leading man | police

Flamingo Road (1949)

Lane (Molto Expressivo)NIF - not in film11th chord | conversing | cut from film | cut from film | falling in love scene | leading lady | leading man | police

Flamingo Road (1949)

If I Could Be With You (Dolce)0:17:22 - Lane and Field talkconversing | falling in love scene | leading lady | leading man | love interest | pedal tone | police | porch | sentimental | source to score

Flamingo Road (1949)

Goodnight0:17:45 - Lane and Field talkblue note | conversing | falling in love scene | leading lady | leading man | love interest | peaceful | pedal tone | police | porch

Flamingo Road (1949)

Tranquillo0:29:07 - Lane and Field talk at the lakesideappoggiatura | conversing | lake | leading lady | leading man | love interest | love scene | romance | yearning

Flamingo Road (1949)

Titus 20:33:41 - Field sits downbreakup | café | conversing | dark | leading lady | leading man | mysterious | self-borrowing | waitress

Flamingo Road (1949)

Lane (Not in Film 2)NIF - not in film9th chord | advance plot | chromatic parallelism | conversing | cut from film | cut from film | leading lady | newspaper editor | office | whole-tone chord

Flamingo Road (1949)

Titus 2 (Not in Film)NIF - not in filmadvance plot | chromatic parallelism | conversing | cut from film | cut from film | leading lady | newspaper editor | office | self-borrowing

Flamingo Road (1949)

Titus 2 (Pete Lies)0:40:11 - Field asks why Lane was firedadvance plot | café | conversing | employer | leading man | mysterious | politician | self-borrowing

Flamingo Road (1949)

If I Could Be With You (Somber)0:40:31 - Field talks to Lane's co-worker9th chord | 11th chord | advance plot | café | common-tone diminished 7th | conversing | coworker | deceptive resolution | diminished 7th chord | leading man | linear chromaticism | politician | reverse picardy | sigh gesture | somber

Flamingo Road (1949)

Lane (Lonely)0:41:27 - Lane talks to a fellow prisoneradvance plot | conversing | foreign key modulation | leading lady | lonely | prison | prisoner | reverse picardy | somber

Flamingo Road (1949)

Lane (Grazioso)0:41:46 - Lane talks to a fellow prisoneradvance plot | conversing | foreign key modulation | hopeful | leading lady | prison | prisoner | upbeat

Flamingo Road (1949)

Lane (Hopeful)0:41:58 - Lane talks to a fellow prisoneradvance plot | conversing | deceptive resolution | gentle | hopeful | leading lady | pedal tone | prison | prisoner

Flamingo Road (1949)

Lute Mae (A Reminiscence)0:42:04 - A female prisoner talks about Lute Mae's13th chord | added-note chord | advance plot | altered dominant | bluesy | conversing | countermelody | Gershwinesque | leading lady | prison | prisoner | self-borrowing

Flamingo Road (1949)

Lane (Fragmented)0:42:21 - Lane talks to a fellow prisoneradvance plot | conversing | fragmentation | leading lady | prison | prisoner | somber

Flamingo Road (1949)

You Must Have Been a Beautiful Baby0:43:13 - A woman sings and plays the pianoadvance plot | conversing | employer | leading lady | on-screen music | room | sentimental | singer | singing | source music

Flamingo Road (1949)

The Blue Room0:44:58 - Lane dresses for workAABA structure | advance plot | club | conversing | leading lady | politician | sheriff | source music | upbeat | waitress

Flamingo Road (1949)

Jalousie0:46:06 - Woman dancesclub | conversing | dance scene | dancing | employer | leading lady | on-screen music | playing | sheriff | source music | upbeat | waitress

Flamingo Road (1949)

Lane (Lento)0:50:04 - Dan meets Laneadded-note chord | conversing | countermelody | gentle | graceful | leading lady | leading man | love interest | lovers meet | politician | room

Flamingo Road (1949)

Lane (Chromatic)0:50:24 - Lane ties Dan's tie9th chord | chromatic parallelism | conversing | dark | gentle | leading lady | leading man | love interest | lovers meet | politician | room

Flamingo Road (1949)

Titus 2 (Agitato)0:50:41 - Lane ties Dan's tiechromatic parallelism | conversing | leading lady | leading man | love interest | lovers meet | mysterious | politician | room | self-borrowing

Flamingo Road (1949)

Lane0:50:59 - Lane gives Dan his moneyconversing | delicate | gentle | leading lady | leading man | love interest | lovers meet | mode mixture | pleasant | politician | room

Flamingo Road (1949)

If I Could Be With You (Misterioso)0:51:15 - Lane asks Dan about Fieldchromatic parallelism | conversing | diminished 7th chord | leading lady | leading man | love interest | lovers meet | politician | room | uneasy

Flamingo Road (1949)

Molto Grazioso0:51:40 - Dan notices Laneconversing | delicate | flirting | leading lady | leading man | love interest | lovers meet | politician | room

Flamingo Road (1949)

Lute Mae (Quasi Blues)0:51:46 - Dan flirts with Lane13th chord | added-note chord | conversing | countermelody | flirting | flirty | leading lady | leading man | love interest | lovers meet | politician | room | self-borrowing | sultry | thematic transference

Flamingo Road (1949)

Through a Thousand Dreams0:56:41 - The Olympic City hotelclub | conversing | dance scene | dancing | dining | leading lady | leading man | love interest | on-screen music | politician | sentimental | sheriff | source music | wife

Flamingo Road (1949)

Don't Take Your Love From Me0:58:50 - Dan and Lane sit at a tableABAC structure | club | conversing | dance scene | leading lady | leading man | love interest | on-screen music | politician | sentimental | sheriff | source music | wife

Flamingo Road (1949)

If I Could Be With You0:59:52 - A woman sings with the dance bandclub | conversing | dance scene | dancing | dining | leading lady | leading man | love interest | on-screen music | politician | sentimental | sheriff | singer | singing | source music | wife

Flamingo Road (1949)

I Guess I'll Have to Change My Plan1:01:40 - Lane and Dan talk at their tableclub | conversing | dance scene | leading lady | leading man | love interest | politician | sentimental | sheriff | source music | wife

Flamingo Road (1949)

Lute Mae (Tenderly)1:03:37 - Dan is grateful for Lane's gift to him13th chord | added-note chord | advance plot | comical | common-chord modulation | conversing | embracing | happy | husband | leading lady | leading man | maid | room | self-borrowing | tender | wife

Flamingo Road (1949)

Flamingo Road (Tenderly)1:03:58 - Dan and Lane have teaadvance plot | conversing | gentle | husband | leading lady | leading man | mode mixture | room | self-borrowing | serving | tea | wife

Flamingo Road (1949)

Flamingo Road (Tense)1:04:16 - Titus enters the roomadvance plot | combination of themes | conversing | leading lady | leading man | politician | room | self-borrowing | sheriff | tense | whole-tone scale

Flamingo Road (1949)

Flamingo Road (Misterioso)1:04:33 - Titus talks to Danadvance plot | combination of themes | conversing | distortion | fragmentation | leading lady | leading man | mysterious | politician | room | self-borrowing | sequence | sheriff

Flamingo Road (1949)

Titus1:11:01 - Annabelle leaves Titusadvance plot | conversing | dark | ominous | porch | self-borrowing | sheriff | wife

Flamingo Road (1949)

Lane (Tragic)1:18:10 - Lane talks to Dan about Titusangry | anxious | conflict | conversing | husband | leading lady | leading man | ostinato | politician | room | tragic | wife

Flamingo Road (1949)

Underscoring (Somber)1:22:33 - Field stumbles through the housechromatic parallelism | conversing | death scene | drunk | drunk | leading lady | leading man | love interest | room | somber | underscoring

Flamingo Road (1949)

Titus1:28:52 - Lane says Titus's nameadvance plot | conversing | dark | friend | leading lady | mob | ominous | room | self-borrowing | zoom in
Hell on Frisco Bay (1955)Underscoring (Dark)0:02:12 - Steve mentions a divorce and leavesconductor score | conversing | dark | establish character | friend | investigator | leading man | street | underscoring

Hell on Frisco Bay (1955)

Amato0:13:04 - Steve talks to manadvance plot | brash | conductor score | conversing | dark | investigator | leading man | ominous | porch

Hell on Frisco Bay (1955)

Spring Song0:14:56 - Amato talks to Marioantagonist | conductor score | conversing | dark | establish character | gangster | menacing | office | tritone

Hell on Frisco Bay (1955)

Underscoring (Mysterious)0:15:33 - Amato talks to Lyeantagonist | conductor score | conversing | establish character | gangster | mysterious | office | underscoring

Hell on Frisco Bay (1955)

Amato0:15:44 - Amato talks to Lyeantagonist | conductor score | conversing | establish character | gangster | harsh | office

Hell on Frisco Bay (1955)

Lye0:16:52 - Amato talks to Lyeantagonist | conductor score | conversing | establish character | gangster | gentle | office

Hell on Frisco Bay (1955)

Menace0:17:13 - Gangsters talkantagonist | conductor score | conversing | establish character | gangster | office | ominous

Hell on Frisco Bay (1955)

Amato0:17:47 - Gangsters talkantagonist | conductor score | conversing | establish character | gangster | harsh | office

Hell on Frisco Bay (1955)

Underscoring (Dark)0:19:33 - Amato slaps old manantagonist | conductor score | conversing | dark | establish character | gangster | office | slapping | stinger | underscoring

Hell on Frisco Bay (1955)

Menace0:20:30 - Amato talks to Lyeantagonist | conductor score | conversing | dark | establish character | gangster | office

Hell on Frisco Bay (1955)

Amato0:20:40 - Amato leavesantagonist | conductor score | conversing | establish character | gangster | office | ominous

Hell on Frisco Bay (1955)

Kay0:20:48 - Lye goes to see Kayantagonist | conductor score | conversing | establish character | gangster | kissing | love interest | lyrical | romantic | street

Hell on Frisco Bay (1955)

Hell on Frisco Bay0:23:26 - Marcia talks to Steveclub | conductor score | conversing | establish character | investigator | leading lady | leading man | on-screen music | pianist | playing | popular music | sentimental | source music | source score

Hell on Frisco Bay (1955)

Hell on Frisco Bay0:25:27 - Marcia and Steve talkadvance plot | agitated | conductor score | conversing | leading lady | leading man | room

Hell on Frisco Bay (1955)

Hell on Frisco Bay0:25:56 - Marcia and Steve talkadvance plot | conductor score | conversing | leading lady | leading man | room | somber

Hell on Frisco Bay (1955)

Underscoring (Tense)0:28:03 - The gangsters leaveaction scene | conductor score | conversing | gangster | leading lady | leading man | leaving | room | tense | underscoring

Hell on Frisco Bay (1955)

Hell on Frisco Bay0:28:43 - Marcia talks to Steveaction scene | conductor score | conversing | leading lady | leading man | leaving | room | somber

Hell on Frisco Bay (1955)

Menace 20:28:55 - Marcia reacts to Steve's commentaction scene | conductor score | conversing | leading lady | leading man | leaving | room | upset

Hell on Frisco Bay (1955)

Menace0:31:38 - Steve talks with the detectiveadvance plot | conductor score | conversing | dark | detective | investigator | leading man | ominous | room

Hell on Frisco Bay (1955)

Menace 20:32:00 - Steve talks with the detectiveadvance plot | conductor score | conversing | dark | detective | investigator | leading man | ominous | room

Hell on Frisco Bay (1955)

Adoramus te Christe0:38:32 - A funeralchurch | conversing | friend | funeral | investigator | leading man | somber | source music

Hell on Frisco Bay (1955)

Put 'Em in a Box, Tie 'Em with a Ribbon, and Throw 'Em in the Deep Blue Sea0:40:24 - A dance halladvance plot | club | conversing | dancer | dancing | investigator | jazz | jazz band | leading man | on screen music | source music | upbeat

Hell on Frisco Bay (1955)

How Many Hearts Have You Broken0:40:22 - A dance halladvance plot | club | conversing | drowning | fighting | gangster | interrogating | investigator | jazz | leading man | mellow | source music

Hell on Frisco Bay (1955)

Anna0:46:05 - Anna talks with Amatoantagonist | conductor score | conversing | establish character | gangster | gentle | leading man | room | sentimental | warning | wife | worrying

Hell on Frisco Bay (1955)

Amato0:47:01 - Amato talks with Lyeadvance plot | antagonist | brash | conductor score | conversing | gangster | harsh | leading man | room

Hell on Frisco Bay (1955)

Face twitching0:47:44 - Amato talks with Lyeadvance plot | antagonist | conductor score | conversing | gangster | leading man | room | uneasy

Hell on Frisco Bay (1955)

Steve0:52:23 - Steve arrivesadvance plot | conductor score | conversing | friend | gangster | investigator | leading man | neutral | street

Hell on Frisco Bay (1955)

Menace0:53:06 - Steve talks with Danadvance plot | conductor score | conversing | dark | gangster | investigator | leading man | sinister | street

Hell on Frisco Bay (1955)

Steve1:01:01 - Steve talks to Marciaconductor score | conversing | entering | gentle | leading lady | leading man | love scene | room

Hell on Frisco Bay (1955)

Underscoring (Subtle)1:01:30 - Marcia talks to Steveconductor score | conversing | gentle | leading lady | leading man | love scene | room | underscoring

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:01:41 - Steve talks to Marciaconductor score | conversing | leading lady | leading man | love scene | room | tense | underscoring

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:01:53 - Marcia talks to Steveconductor score | conversing | leading lady | leading man | love scene | room | somber

Hell on Frisco Bay (1955)

Menace1:02:28 - Steve talks to Marciaconductor score | conversing | dark | leading lady | leading man | love scene | room

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:02:45 - Marcia talks to Steveconductor score | conversing | leading lady | leading man | love scene | romantic | room | tender

Hell on Frisco Bay (1955)

Pleading1:03:30 - Marcia talks to Steveconductor score | conversing | leading lady | leading man | love scene | room | tender

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:03:46 - Marcia talks to Steveconductor score | conversing | dark | leading lady | leading man | love scene | room | tender

Hell on Frisco Bay (1955)

Anna1:04:54 - Anna talks to Amatoadvance plot | antagonist | conductor score | conversing | dark | gangster | gentle | leading man | room | wife

Hell on Frisco Bay (1955)

Lye1:09:00 - Amato calls Lyeadvance plot | antagonist | calling | conductor score | conversing | gangster | leading man | stinger | street | uneasy

Hell on Frisco Bay (1955)

It Can't Be Wrong1:09:26 - Amato talks to Lyeadvance plot | antagonist | calm | conversing | gangster | leading man | room | source music

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:17:47 - Marcia and Steve talkadvance plot | calm | club | conductor score | conversing | leading lady | leading man | on-screen music | popular music | source music | source score

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:18:13 - Marcia and Steve talkcalm | club | conductor score | conversing | leading lady | leading man | love scene | source to score

Hell on Frisco Bay (1955)

Underscoring (Dark)1:19:09 - Marcia and Steve talkclub | conductor score | conversing | dark | leading lady | leading man | love scene | ominous | underscoring

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:19:28 - Marcia talks to Steveclub | conductor score | conversing | gentle | grand | leading lady | leading man | love scene

Hell on Frisco Bay (1955)

Anna1:20:28 - Anna mourns Mario's deathconversing | crying | dark | funeral | funeral | gangster | leading man | wife

Hell on Frisco Bay (1955)

Anna1:24:31 - Amato calls detectiveadvance plot | conversing | gangster | leading man | mysterious | religious | religious | room

Hell on Frisco Bay (1955)

Underscoring (Tense)1:29:55 - Marcia talks to Kayconversing | leading lady | love interest | room | tense | turning point | witness

Hell on Frisco Bay (1955)

Underscoring (Dramatic)1:30:27 - Steve tells Anna that Mario was murderedadvance plot | conversing | dark | investigator | leading man | murder | ominous | priest | room | shock | wife

Hell on Frisco Bay (1955)

Anna1:30:35 - Anna tells Steve where to find Amatoadvance plot | betraying | conversing | dark | investigator | leading man | ominous | priest | room | somber | wife

Hell on Frisco Bay (1955)

Menace1:31:32 - Amato picks up his gunaction scene | conversing | dramatic | gangster | leading man | packing | room

Hell on Frisco Bay (1955)

Lye1:32:01 - Lye confronts Amatoaction scene | conversing | gangster | gun | leading man | lying | room | uneasy

Hell on Frisco Bay (1955)

Underscoring (Tense)1:35:05 - The police arriveaction scene | arriving | conversing | dock | leading lady | police | tense | underscoring
Her Kind of Man (1946)You Do Something to Me0:02:52 - A night clubcelebrating | club | conversing | dancing | establish character | flashback | mickey-mousing | on-screen music | playing | popular music | ripple effect | source music | upbeat | working

Her Kind of Man (1946)

April in Paris0:12:48 - Steve enters Georgia's dressing roomconversing | establish character | gambler | kissing | leading lady | leading man | love interest | love scene | popular music | room | sentimental | singer | source music

Her Kind of Man (1946)

Underscoring (Dark [Waxman])0:17:02 - Steve fights Felixaction scene | arguing | conversing | criminal | dark | death | dramatic | gambler | gun | gunshot | leading lady | leading man | love interest | owner | punching | room | self-defense | shooting | singer | stinger | tense | underscoring

Her Kind of Man (1946)

Underscoring (Dark [Waxman])0:18:32 - Candy entersaction scene | conversing | criminal | dark | gambler | henchman | leading man | owner | room | stinger | tense | underscoring

Her Kind of Man (1946)

Gambling0:18:58 - Miamibeach | casino | conversing | croupier | crowd | excited | gambler | gambling | gentle | grand | jockey | leading man | montage | montage | racetrack | racing | riding

Her Kind of Man (1946)

Gay White Way0:19:54 - Georgia looks at her jewelryadvance plot | cheery | conversing | crew | dancer | jewelry | leading lady | love interest | manager | on-screen music | piano | source music | stage

Her Kind of Man (1946)

Just Make Believe0:20:58 - Don talks to a manadvance plot | conversing | gentle | leading man | manager | on-screen music | piano | reporter | source music | stage

Her Kind of Man (1946)

Speak to Me of Love0:28:06 - City skyline at nightbalcony | conversing | leading lady | leading man | love interest | love scene | on-screen music | record player | reporter | romantic | singing | source music

Her Kind of Man (1946)

It Had to Be You0:29:37 - Georgia and Donbalcony | cheery | conversing | gambler | leading lady | leading man | love interest | love scene | on-screen music | reporter | room | source music | whistling

Her Kind of Man (1946)

Bulletin Board0:32:45 - Don leavesbluesy | conversing | crew | departing | gambler | leading man | reporter | room | source and scoring overlap | stage | transition | upbeat

Her Kind of Man (1946)

Gay White Way0:33:01 - Don talks to some menadvance plot | cheery | conversing | crew | leading man | manager | on-screen music | playing | reporter | source music | theater

Her Kind of Man (1946)

Too Many Tears0:41:11 - Saratoga Casinoadvance plot | club | conversing | crowd | gambler | leading lady | leading man | love interest | manager | on-screen music | source music | upbeat

Her Kind of Man (1946)

My Darling0:45:05 - Georgia and Don in a restaurantconversing | crowd | leading lady | leading man | love interest | love scene | photograph | photographer | reporter | restaurant | romantic | source music | waiter

Her Kind of Man (1946)

Can't We Talk It Over0:45:42 - Georgia and Don in a photographadvance plot | club | conversing | crowd | dancing | husband | leading lady | newspaper | on-screen music | photograph | playing | source music | upbeat | waiter

Her Kind of Man (1946)

Please Don't Talk About Me When I'm Gone0:46:03 - Steve dances with a girladvance plot | club | conversing | criminal | dancing | floozy | gambler | henchman | leading man | on-screen music | source music | upbeat

Her Kind of Man (1946)

It Had to Be You (Passionate)0:47:50 - Georgia talks with Stevearguing | conversing | dark | gambler | kissing | leading lady | leading man | love interest | love scene | passionate | romantic | room | source to score | turbulent

Her Kind of Man (1946)

Flashback0:53:57 - A man sweepingconversing | flashback | flashback | leading man | mysterious | reporter | reporting | room | storytelling | tense | waiter | witness

Her Kind of Man (1946)

Love Is Sweeping the Country0:58:02 - The crowd applaudsadvance plot | club | conversing | criminal | crowd | gambler | henchman | husband | leading lady | leading man | on-screen music | owner | performing | reporter | singer | sister | source music | upbeat | wife

Her Kind of Man (1946)

Shanty in Old Shanty Town0:59:36 - A cop waitsadvance plot | arguing | club | conversing | leading man | observing | on-screen music | police | reporter | source music | upbeat | waiting

Her Kind of Man (1946)

Underscoring (Mysterious)1:05:01 - A dark dooradvance plot | arriving | conversing | husband | leading man | mysterious | reporter | room | underscoring | widow

Her Kind of Man (1946)

It Had to Be You (Secret Rendezvous)1:09:09 - Georgia enters the warehouseadvance plot | arriving | conversing | embracing | familiar tune | gambler | kissing | leading lady | leading man | murderer | popular music | romantic | singer | source to score | uneasy | warehouse | wife

Her Kind of Man (1946)

It Had to Be You (Tense)1:11:43 - Steve talks to Candyadvance plot | conversing | criminal | familiar tune | gambler | henchman | leading man | murderer | popular music | tense | warehouse

Her Kind of Man (1946)

It Had to Be You (Tempo di Foxtrot)1:11:50 - Steve talks to Candyadvance plot | conversing | criminal | familiar tune | gambler | henchman | leading man | murderer | popular music | remembered source music | reminiscing | upbeat | warehouse

Her Kind of Man (1946)

Underscoring (Tense [Steiner])1:12:07 - Steve talks to Candyadvance plot | arguing | conversing | criminal | gambler | henchman | leading man | murderer | slapping | tense | underscoring | warehouse

Her Kind of Man (1946)

Underscoring (Dark [Steiner])1:12:32 - Candy reactsadvance plot | arguing | conversing | criminal | dark | gambler | henchman | leading man | murderer | ominous | underscoring | warehouse

Her Kind of Man (1946)

Candy (Dark)1:12:58 - Candy leavesbar | calling | conversing | criminal | dark | double-cross | gambler | henchman | husband | leading man | murderer | ominous | stinger | telephone | turning point | warehouse

Her Kind of Man (1946)

Underscoring (Dramatic [Steiner])1:14:17 - Cop looks at his watchclimax | conversing | criminal | double-cross | dramatic | henchman | leading lady | leading man | police | reporter | room | singer | stinger | telephone | tense | underscoring | watch | wife

Her Kind of Man (1946)

Candy (Tragic)1:15:28 - Candy in the shadowsclimax | conversing | criminal | double-cross | gambler | henchman | hiding | husband | leading man | murderer | revenge | street | tense | tragic | walking | widow

Her Kind of Man (1946)

Candy (Mr. Candy)1:16:09 - Candy bends over Steve's bodyclimax | conversing | criminal | dark | double-cross | dying | gambler | heavy | henchman | leading man | murder | murderer | revenge | street

Her Kind of Man (1946)

It Had to Be You (Tragic)1:17:10 - Georgia holds Steveclimax | comforting | conversing | corpse | cradling | criminal | crying | death | dying | familiar tune | gambler | henchman | leading lady | leading man | murderer | police | popular music | reporter | singer | street | tense | tragic | wife
I Was a Communist for the FBI (1951)Undercover Agent (Marcia Misterioso)0:01:17 - Agent walks to the phoneagent | airport | arriving | calling | conversing | dialing | establish setting | march | mysterious | ostinato | polychord | sequence | telephone | tense | tone cluster | tritone oscillation | typewriter | typing | walking

I Was a Communist for the FBI (1951)

FBI0:02:10 - FBI buildingagent | chromatic mediant | conversing | establish setting | noble | office | oscillation | secretary | tense | triadic transformation | typing | working

I Was a Communist for the FBI (1951)

FBI (Extended)0:02:33 - Pittsburgh FBI office signagent | chromatic mediant | conversing | establish setting | noble | office | oscillation | tense | triadic transformation | typing | working

I Was a Communist for the FBI (1951)

Undercover Agent (Molto Misterioso)0:02:57 - Mason gets his assignmentagent | conversing | establish setting | map | march | mysterious | office | ostinato | planning | polychord | sequence | tense | tone cluster | tritone oscillation | working

I Was a Communist for the FBI (1951)

I'm in a Jam with Baby0:15:20 - Matt enters a barABAB structure | advance plot | agent | arriving | bar | calling | conversing | customer | dialing | jazz | jukebox | leading man | source music | sultry | telephone | undercover agent | walking

I Was a Communist for the FBI (1951)

(I'm Gonna Wait) A Little Bit Longer (For That Never-on-Time Baby of Mine)0:39:06 - Matt goes to a record shopadvance plot | agent | arguing | arriving | conversing | jazz | leading man | record player | record shop | shopkeeper | source music | undercover agent | upbeat | walking

I Was a Communist for the FBI (1951)

Don'cha Go 'Way Mad0:42:08 - Matt talks to agents in a back roomadvance plot | agent | conversing | jazz | planning | record player | record shop | sentimental | source music

I Was a Communist for the FBI (1951)

Undercover Agent (Newspaper)1:04:11 - FBI agents talkagent | conversing | dark | leading man | newspaper | ominous | planning | polychord | room | transition | tritone oscillation | undercover agent

I Was a Communist for the FBI (1951)

Family1:21:44 - Matt is reunited with his son and brotherbrother | conversing | gentle | leading man | love | mode mixture | resolution | reuniting | self-borrowing | son | tender | undercover agent

I Was a Communist for the FBI (1951)

Family (Con Moto)1:22:03 - Matt talks to his sonbrother | conversing | gentle | leading man | love | peaceful | resolution | reuniting | self-borrowing | son | tender | undercover agent

I Was a Communist for the FBI (1951)

Battle Hymn of the Republic (The End)1:22:16 - Dick looks at his dadbrother | conversing | countermelody | end title sequence | leading man | love | patriotic | patriotic tune | plagal cadence | resolution | reuniting | son | The End | undercover agent
In This Our Life (1942)Asa (Expressivo)0:02:33 - Asa walksconversing | deceptive resolution | establish character | gentle | mode mixture | noble | pedal tone | street | walking | worker

In This Our Life (1942)

Roy0:02:59 - Roy descends a staircase64 chord | conversing | daughter | delicate | establish character | father | foreign key modulation | gentle | greeting | leading lady | maid | room

In This Our Life (1942)

Stanley Introduction0:06:35 - A car arrives9th chord | arriving | car | chromatic scale | conversing | establish character | leading lady | leading man | love interest | stinger | tense

In This Our Life (1942)

Stanley0:06:56 - Stanley talks with Peter9th chord | appoggiatura | car | circle of fifths | conversing | establish character | leading lady | leading man | love interest | sultry

In This Our Life (1942)

Stanley B0:07:06 - Stanley talks with Petercar | chromatic scale | chromatic sequence | conversing | dissonant bass | establish character | fragmentation | leading lady | leading man | love interest | sultry

In This Our Life (1942)

Stanley0:07:23 - Stanley drives away9th chord | appoggiatura | car | circle of fifths | conversing | establish character | leading lady | leading man | love interest | sultry

In This Our Life (1942)

Stanley (Rubato)0:11:58 - Stanley talks with Royconversing | establish character | leading lady | mysterious | pc set | room | sister | stinger

In This Our Life (1942)

Roy (Dolce)0:12:06 - Roy talks with Stanleyadded-note chord | altered dominant | conversing | establish character | gentle | half-diminished 7th chord | leading lady | room | sequence | sister | sweet

In This Our Life (1942)

Expressivo0:12:28 - Stanley talks with Roychromatic scale | conversing | establish character | expressive | leading lady | plagal cadence | retardation | room | sister

In This Our Life (1942)

Caring0:13:08 - Roy talks to Peter9th chord | advance plot | chromatic parallelism | conversing | leading lady | leading man | packing | parallelism | passionate | room | tender

In This Our Life (1942)

Stanley (Peter Lies)0:13:28 - Peter talks about his trip9th chord | advance plot | appoggiatura | conversing | leading lady | leading man | lying | musical clue | packing | room | serious | somber

In This Our Life (1942)

Roy (In Love)0:13:39 - Roy is relieved64 chord | advance plot | calm | chromatic sequence | conversing | dissonant bass | leading lady | leading man | room | sequential modulation | whole-tone chord

In This Our Life (1942)

Discussion0:13:57 - Roy talks with Peter9th chord | advance plot | altered dominant | conversing | leading lady | leading man | passionate | reverse picardy | room | serious | somber

In This Our Life (1942)

Roy (Rubato)0:14:34 - Roy talks with Peter9th chord | advance plot | chromatic parallelism | conversing | dark | fragmentation | leading lady | leading man | major 7th chord | playful | room

In This Our Life (1942)

Pleadingly0:14:53 - Roy looks at Peteradvance plot | altered dominant | common-tone dominant 7th | conversing | leading lady | leading man | room | yearning

In This Our Life (1942)

Roy (Lento)0:14:59 - Roy talks about their future64 chord | advance plot | common-chord modulation | conversing | dark | deceptive resolution | dissonant bass | embracing | leading lady | leading man | room | sweet

In This Our Life (1942)

Roy (Morendo)0:15:43 - Roy responds to Peteradded-note chord | advance plot | augmented sixth chord | conversing | embracing | leading lady | leading man | room | serious | somber

In This Our Life (1942)

Stanley Introduction0:16:56 - Craig talks with Asa9th chord | advance plot | chromatic scale | conversing | father | fiancé | leading lady | room | tense | underscoring

In This Our Life (1942)

Stanley0:17:11 - Stanley comes down the stairs9th chord | advance plot | appoggiatura | circle of fifths | conversing | fiancé | kissing | leading lady | room | sultry

In This Our Life (1942)

Stanley B (Slowly)0:17:20 - Stanley talks with Craigadvance plot | conversing | dramatic | fiancé | half-diminished 7th chord | kissing | leading lady | lying | room | sultry

In This Our Life (1942)

Stanley (Con Moto)0:22:19 - Roy talks about Stanley's letter13th chord | angry | bitter | chromatic scale | conflict | conversing | father | half-diminished 7th chord | leading lady | letter | parallelism | pc set | room

In This Our Life (1942)

Roy (Risoluto)0:22:40 - Roy talks to Asa64 chord | chromatic parallelism | conflict | conversing | deceptive resolution | father | gentle | leading lady | room

In This Our Life (1942)

Expressivo0:22:51 - Roy talks to Asaaltered dominant | chromatic scale | conflict | conversing | expressive | father | leading lady | plagal cadence | retardation | room

In This Our Life (1942)

Big Sweep (Turn)0:23:03 - Roy looks in the mirroraltered dominant | conflict | conversing | expressive | father | leading lady | room

In This Our Life (1942)

Roy (Grazioso)0:23:08 - Roy looks in the mirror9th chord | conflict | conversing | countermelody | father | foreign key modulation | leading lady | mysterious | room

In This Our Life (1942)

Caring0:23:19 - Asa talks to Roy9th chord | chromatic parallelism | conflict | conversing | father | leading lady | room | sentimental | underscoring

In This Our Life (1942)

Asa (Ostinato)0:23:26 - Asa talks to Roychromatic parallelism | conflict | conversing | dark | father | leading lady | ostinato | room | sequential modulation | serious | whole-tone chord

In This Our Life (1942)

South American Way0:24:06 - A spinning recordAABA structure | advance plot | conversing | dancing | Latin-American | leading lady | leading man | love interest | popular music | record player | room | source music | upbeat

In This Our Life (1942)

Roy (Rubato)0:29:00 - Roy talks to Craig9th chord | advance plot | chromatic parallelism | conversing | fragmentation | leading lady | leading man | major 7th chord | park | uneasy

In This Our Life (1942)

Pleadingly0:29:23 - Roy talks to Craigadvance plot | altered dominant | common-tone dominant 7th | conversing | leading lady | leading man | park | uneasy

In This Our Life (1942)

Stanley (Morendo)0:29:32 - Craig talks with Roy9th chord | advance plot | appoggiatura | chromatic parallelism | conversing | harmonic sequence | leading lady | leading man | park | somber

In This Our Life (1942)

Roy (Encouragement)0:29:56 - Roy tries to cheer Craig up9th chord | advance plot | common-chord modulation | conversing | encouraging | leading lady | leading man | park | sequential modulation | uplifting

In This Our Life (1942)

Roy (Tender)0:30:21 - Craig talks to Roy64 chord | advance plot | conversing | deceptive resolution | gentle | leading lady | leading man | mode mixture | park | sweet

In This Our Life (1942)

Stanley (Stringy)0:32:14 - Stanley and Peter in the car9th chord | appoggiatura | car | circle of fifths | conversing | leading lady | leading man | sultry | wedding | wedding

In This Our Life (1942)

Stanley (She Runs)0:32:24 - Stanley talks to Petercar | chromatic parallelism | chromatic sequence | conversing | diminution | leading lady | leading man | playful | sequence | wedding | wedding

In This Our Life (1942)

This Time the Dream's on Me0:33:03 - Stanley and Peter sit at a tableAABA structure | conversing | dance hall | dance scene | dancing | leading lady | leading man | on-screen music | popular music | source music | upbeat

In This Our Life (1942)

Flirting0:37:31 - Peter goes to Stanley9th chord | 64 chord | conversing | flirting | happy | leading lady | leading man | love scene | mode mixture | room

In This Our Life (1942)

Stanley (Grazioso)0:37:56 - Stanley talks to Peter9th chord | added-note chord | appoggiatura | circle of fifths | conversing | flirting | happy | leading lady | leading man | love scene | pleasant | room | sultry

In This Our Life (1942)

Driving0:38:19 - Roy and Craig in a car9th chord | calm | car | conversing | driving | leading lady | leading man | love interest | love scene | oscillation

In This Our Life (1942)

Driving + Love Theme0:39:07 - Roy and Craig in a car9th chord | altered dominant | calm | car | combination of themes | conversing | driving | iii chord | leading lady | leading man | love interest | love scene | oscillation | pedal tone | romantic | suspension

In This Our Life (1942)

Danger0:39:54 - A forest rangerconversing | danger | fire | forest ranger | leading lady | leading man | love interest | love scene | minor-major 7th chord | outdoors | tense

In This Our Life (1942)

Forest Fire0:40:10 - A forest fireconversing | dangerous | diminished 7th chord | eerie | fire | leading lady | leading man | love interest | love scene | outdoors | pc set | polychord

In This Our Life (1942)

Love Theme0:40:44 - Roy and Craig sit on the ground9th chord | altered dominant | artwork in score | calm | conversing | fire | iii chord | leading lady | leading man | love interest | love scene | outdoors | romantic | suspension

In This Our Life (1942)

Roy (Expressivo)0:43:43 - Roy talks with Parry64 chord | assistant | calm | conversing | deceptive resolution | friend | leading lady | love scene | office | pleasant

In This Our Life (1942)

Love Theme (Valse Sentimentale)0:44:06 - Roy and Craig embrace9th chord | altered dominant | calm | conversing | iii chord | leading lady | leading man | love scene | office | romantic | waltz

In This Our Life (1942)

Love Theme (Valse Sentimentale)0:46:31 - Roy talks with her uncle9th chord | altered dominant | conversing | iii chord | leading lady | leading man | love scene | pleasant | proposal | room | tender | uncle | waltz

In This Our Life (1942)

Phone Call0:47:29 - Asa answers the phonebad news | conversing | dark | eerie | father | mysterious | pc set | phone call | room | telephone | tense | tone cluster | turning point

In This Our Life (1942)

Funereal0:48:25 - Asa calls for the othersbad news | conversing | father | leading lady | leading man | room | solemn | stinger | turning point | uncle

In This Our Life (1942)

Underscoring (Somber)0:48:46 - Asa relates the bad news9th chord | bad news | conversing | deceptive resolution | father | leading lady | leading man | room | sigh gesture | somber | turning point | uncle | underscoring

In This Our Life (1942)

Underscoring (Dark)0:49:21 - Asa tells them Peter committed suicideconversing | dark | father | leading lady | leading man | room | stinger | suicide | triadic transformation | turning point | uncle | underscoring

In This Our Life (1942)

Roy (Morendo 2)0:49:54 - Roy reacts to the bad newsadded-note chord | appoggiatura | augmented sixth chord | conversing | father | leading lady | leading man | mode change | room | serious | somber | suicide | turning point | uncle

In This Our Life (1942)

Underscoring (Gentle)0:50:58 - Roy talks with Bettyadded-note chord | advance plot | chromatic parallelism | conversing | friend | gentle | leading lady | parallelism | room | tender | underscoring | whole-tone chord

In This Our Life (1942)

Stanley (Peter Lies)0:51:55 - Roy at Stanley's bedside9th chord | advance plot | appoggiatura | conversing | gentle | leading lady | room | sister | widow

In This Our Life (1942)

Stanley B (Slowly)0:52:05 - Roy at Stanley's bedside9th chord | advance plot | agitated | chromatic scale | chromatic sequence | conversing | dissonant bass | leading lady | room | sister | widow

In This Our Life (1942)

Stanley (Packing)0:52:23 - Roy at Stanley's bedside9th chord | advance plot | appoggiatura | conversing | gentle | leading lady | room | sister | tense | widow

In This Our Life (1942)

Stanley (Valse Triste)0:52:42 - Stanley talks to Roy9th chord | advance plot | agitated | altered dominant | appoggiatura | circle of fifths | conversing | leading lady | room | sister | widow

In This Our Life (1942)

Stanley B (Valse Triste)0:52:48 - Stanley talks to Roy9th chord | advance plot | agitated | conversing | dissonant bass | leading lady | room | sister | widow

In This Our Life (1942)

Stanley0:52:56 - Stanley talks to Roy9th chord | advance plot | agitated | appoggiatura | circle of fifths | conversing | leading lady | room | sister | widow

In This Our Life (1942)

Discussion0:53:04 - Stanley talks to Roy9th chord | advance plot | agitated | altered dominant | conversing | leading lady | room | sister | whole-tone chord | widow

In This Our Life (1942)

Stanley B (Valse Triste)0:53:17 - Stanley cries9th chord | advance plot | agitated | chromatic scale | chromatic sequence | conversing | leading lady | room | sister | widow

In This Our Life (1942)

Roy (Tender)0:54:15 - Roy tucks Stanley in64 chord | advance plot | augmented sixth chord | conversing | foreign key modulation | gentle | leading lady | room | sister | widow

In This Our Life (1942)

How Do I Know It's Sunday0:57:12 - Stanley starts a record playingAABA structure | advance plot | conversing | crying | dancing | father | flirting | leading lady | leading man | popular music | record player | room | sister | source music | upbeat | widow

In This Our Life (1942)

Uncle Fitzroy1:04:26 - Uncle Fitzroy talks to Stanleyaugmented sixth chord | conflict | conversing | crying | dancing | flirting | leading lady | room | solemn | uncle | whole-tone chord | widow

In This Our Life (1942)

Stanley Introduction (Extended 2)1:05:31 - Stanley in Craig's office9th chord | advance plot | chromatic scale | conversing | lawyer | leading lady | leading man | office | reading | uneasy | whole-tone chord

In This Our Life (1942)

Stanley (Extended)1:05:53 - Stanley talks to Craig9th chord | advance plot | appoggiatura | circle of fifths | conversing | lawyer | leading lady | leading man | office | solemn | uneasy

In This Our Life (1942)

Stanley B (Slowly)1:06:13 - Stanley talks to Craig9th chord | advance plot | chromatic parallelism | chromatic scale | conversing | dissonant bass | lawyer | leading lady | leading man | office | uneasy

In This Our Life (1942)

Stanley (Triste)1:06:29 - Stanley talks to Craig9th chord | advance plot | appoggiatura | circle of fifths | conversing | lawyer | leading lady | leading man | office | uneasy

In This Our Life (1942)

Underscoring (Tense)1:09:25 - Policemen approach the housearriving | chromatic parallelism | conversing | criminal | investigation scene | leading lady | mysterious | pedal tone | police | room | tense | walking | watching

In This Our Life (1942)

Stanley (Descending Staircase)1:09:49 - Policemen enter the housearriving | conversing | criminal | investigating | investigation scene | leading lady | mysterious | pc set | police | room | sneaking | tense | walking | watching

In This Our Life (1942)

Stanley Introduction (Extended 3)1:12:42 - Stanley talks with Roy9th chord | advance plot | conversing | criminal | leading lady | lying | room | tense

In This Our Life (1942)

Stanley (Molto Expressivo)1:12:57 - Stanley talks with Roy13th chord | advance plot | augmented sixth chord | calm | chromatic parallelism | conversing | criminal | leading lady | lying | room

In This Our Life (1942)

Roy (Triste 2)1:13:12 - Roy talks with Minervaadvance plot | conversing | leading lady | maid | mother | questioning | room | solemn | somber

In This Our Life (1942)

Minerva and Parry1:13:29 - Minerva talks with Roy9th chord | 11th chord | advance plot | blue note | calm | chromatic mediant | common-tone diminished 7th | conversing | foreign key modulation | leading lady | maid | mellow | mother | questioning | room | sentimental | solemn | spiritual

In This Our Life (1942)

Stanley (Packing)1:14:36 - Newspaper headline about the accident9th chord | appoggiatura | arriving | circle of fifths | conflict | conversing | headline | lawyer | leading lady | leading man | mysterious | newspaper | office

In This Our Life (1942)

Underscoring (Tense)1:15:04 - Craig refuses Parry's caseconflict | conversing | denying | lawyer | leading lady | leading man | office | ominous | refusing | tritone oscillation | underscoring

In This Our Life (1942)

Stanley (Molto Accell)1:15:15 - Craig talks about Stanleyanxious | conflict | conversing | defending | denying | half-diminished 7th chord | lawyer | leading lady | leading man | office | pc set | refusing | sigh gesture | tense

In This Our Life (1942)

You're a Lucky Guy1:16:20 - Stanley dancesAABA structure | advance plot | arriving | conversing | criminal | dancing | drinking | leading lady | popular music | record player | room | source music | upbeat

In This Our Life (1942)

Fast Driving (Tense)1:20:10 - Craig's car pulls up to the jailarriving | car | car | conflict | conversing | criminal | lawyer | leading lady | leading man | oscillation | pc set | street | tense | underscoring | uneasy

In This Our Life (1942)

Underscoring (Somber)1:21:07 - Parry in his jail cell9th chord | conflict | conversing | criminal | diminished 7th chord | lawyer | leading lady | leading man | prison | prisoner | sigh gesture | somber | suspect | underscoring | victim

In This Our Life (1942)

Minerva and Parry1:21:28 - Parry in his jail cell9th chord | 11th chord | blue note | chromatic mediant | common-tone diminished 7th | conflict | conversing | criminal | foreign key modulation | lawyer | leading lady | leading man | lying | prison | prisoner | somber | suspect | tender | testifying | victim

In This Our Life (1942)

Minerva and Parry (Triste)1:22:39 - Parry talks to Stanley64 chord | conflict | conversing | criminal | lawyer | leading lady | leading man | lying | mode change | prison | prisoner | solemn | somber | suspect | testifying | victim

In This Our Life (1942)

London Bridge is Falling Down (Molto Expressivo)1:23:33 - Craig talks to Stanleycar | children's song | conflict | conversing | criminal | familiar tune | lawyer | leading lady | leading man | somber

In This Our Life (1942)

London Bridge is Falling Down (Mysterious)1:23:45 - Craig and Stanley argue9th chord | car | children's song | conflict | conversing | criminal | familiar tune | lawyer | leading lady | leading man | lying | mysterious | ominous

In This Our Life (1942)

Stanley (Agitato)1:25:21 - Craig talks to Stanleyagitated | climax | conversing | criminal | father | lawyer | leading lady | leading man | mother | pc set | room | suspect

In This Our Life (1942)

Big Sweep (Subtle)1:27:23 - Stanley reacts9th chord | climax | conversing | criminal | father | lawyer | leading lady | leading man | mother | pc set | plotting | room | suspect | tense | underscoring

In This Our Life (1942)

Stanley (Extended)1:27:33 - Stanley goes upstairs9th chord | appoggiatura | circle of fifths | climax | conversing | criminal | crying | father | lawyer | leading lady | leading man | mother | room | somber | suspect | uneasy

In This Our Life (1942)

Love Theme (Gentle)1:27:58 - Roy talks to Craig9th chord | accusing | altered dominant | climax | conversing | criminal | crying | embracing | gentle | iii chord | lawyer | leading lady | leading man | room | sneaking | tender

In This Our Life (1942)

Love Theme (Slowly)1:35:39 - Craig answers a phone callcomforting | conversing | leading lady | leading man | resolution | room | solemn | somber | tender | The End
The Informer (1935)Katie Calls Gypo0:05:38 - Katie says Gypo's nameconversing | diminished 7th chord | dissonant bass | establish character | leading lady | leading man | mickey-mousing | somber | staring | street

The Informer (1935)

Katie (Tired and Sad)0:05:49 - Katie talks to Gypoconversing | crying | diminished 7th chord | establish character | leading lady | leading man | parallelism | Scotch snap | sobbing gesture | somber | street

The Informer (1935)

Yankee Doodle (Octatonic)0:06:21 - Katie looks at the poster about a trip to AmericaAmerican | comical | conversing | dark | diminished 7th chord | establish character | leading lady | leading man | octatonic | parallelism | patriotic tune | source music | street

The Informer (1935)

Katie (Triste)0:22:38 - Katie appears at the window64 chord | advance plot | antagonist | conversing | foreign key modulation | leading lady | leading man | parallelism | pub | sultry | watching

The Informer (1935)

The Informer (Lying)0:23:40 - Gypo lies about where he got the moneyadvance plot | antagonist | chromatic sequence | conversing | diminished 7th chord | dissonant bass | half-diminished 7th chord | leading lady | leading man | lying | octatonic | pub | Scotch snap | tense

The Informer (1935)

The Informer (Accused)0:38:40 - Rebel accuses Gypo of being the informer64 chord | advance plot | conversing | headquarters | parallelism | rebel | room | suspicion | tense

The Informer (1935)

Mary0:38:47 - Rebels talk about Frankie's sister Mary64 chord | advance plot | augmented sixth chord | conversing | deceptive resolution | headquarters | love | mode mixture | rebel | romantic | room | Scotch snap

The Informer (1935)

Underscoring (Tense)0:39:05 - Rebels talk about Gypoadvance plot | conversing | half-diminished 7th chord | headquarters | rebel | room | tense | underscoring

The Informer (1935)

The Wearin' o' the Green (Bugle Call)0:39:25 - Rebels plan to watch Gypoadvance plot | conversing | familiar tune | folk song | headquarters | Irish | parallelism | rebel | room | tense

The Informer (1935)

Blood money (Thinking)0:48:58 - Gypo pulls out and counts his moneyadvance plot | antagonist | conversing | leading man | money | mysterious | ostinato | pondering | street

The Informer (1935)

My Man0:50:19 - Gypo talks with his friendAB structure | advance plot | antagonist | cheerful | conversing | leading man | party | source music | street

The Informer (1935)

The Informer (Dan Talking)0:56:57 - Dan and Mary talk about an informerconversing | hero | love interest | love scene | mysterious | room | walking bass

The Informer (1935)

The Wearin' o' the Green (Somber)0:57:08 - Dan and Mary talk about the rebel organization64 chord | conversing | diminished 7th chord | familiar tune | folk song | hero | heroic | love interest | love scene | room | tense

The Informer (1935)

The Informer (Pedal Tone)0:57:34 - Dan and Mary talk about Gypoconversing | hero | love interest | love scene | mysterious | room

The Informer (1935)

The Wearin' o' the Green (Fragment)0:57:42 - Dan and Mary talk about a rebel meetingconversing | familiar tune | folk song | hero | love interest | love scene | room | sentimental

The Informer (1935)

The Informer (Molto Agitato)1:03:45 - Katie worries for Gypoadvance plot | antagonist | chromatic parallelism | conversing | drunk | half-diminished 7th chord | leading lady | leading man | rebel | street

The Informer (1935)

The Wearin' o' the Green (Fighting)1:03:51 - Gypo struggles with the rebels64 chord | advance plot | antagonist | chromatic parallelism | conversing | dominant 7th chord | drunk | familiar tune | fighting | folk song | fragmentation | leading lady | leading man | reassuring | rebel | sequence | street | struggling | syncopation

The Informer (1935)

Blood Money (Ostinato)1:04:10 - The rebels overhear Gypo talking about the moneyadvance plot | antagonist | conversing | drunk | leading lady | leading man | money | mysterious | ostinato | rebel | street | whole-tone chord

The Informer (1935)

Dan and Mary1:24:05 - Dan and Mary talkconversing | love | love interest | love scene | rebel | romantic | room

The Informer (1935)

Ireland1:24:14 - Dan and Mary talk about the rebel movementconversing | folk-like | love | love interest | love scene | rebel | romantic | room
Key Largo (1948)I Gotta Right to Sing the Blues0:04:21 - Frank speaks with people in the barconversing | establish character | gangster | hotel | jazz | leading man | moll | radio | sentimental | source music

Key Largo (1948)

Largo Hotel (Quasi Misterioso)0:11:00 - Frank and Nora talk in the hotelconversing | establish character | hotel | leading lady | leading man | mysterious | tense

Key Largo (1948)

Rocco 20:11:30 - Frank and Nora talk about Roccoconversing | establish character | harsh | hotel | leading lady | leading man

Key Largo (1948)

McCloud0:11:41 - Nora talks about her husband Georgeconversing | establish character | heroic | hotel | leading lady | leading man | memorializing | noble

Key Largo (1948)

Underscoring (Somber)0:13:51 - Frank talks with Mr. Templeadvance plot | conversing | father | hotel | leading lady | leading man | prelude | somber | underscoring

Key Largo (1948)

Nora0:17:32 - Nora and Frank walk to the boatconversing | dock | falling in love scene | leading lady | leading man | romantic | triadic | wind

Key Largo (1948)

Nora (Nervous)0:17:53 - Nora sees the gangstersconversing | dock | falling in love scene | gangster | leading lady | leading man | nervous | wind

Key Largo (1948)

Wind0:18:21 - Frank helps prepare for the stormconversing | dock | falling in love scene | gangster | leading lady | leading man | storm | tense | wind

Key Largo (1948)

Seminoles0:19:11 - Seminole Indians arriveadvance plot | arriving | boat | conversing | dock | Indian | Indian | leading lady | leading man | rowing | serious

Key Largo (1948)

Seminoles (Grandma)0:19:46 - Elderly Indian woman talks to Noraadvance plot | arriving | boat | conversing | dock | grandmother | Indian | Indian | leading lady | leading man | old woman | serious | smoking

Key Largo (1948)

Seminoles (Brothers)0:20:29 - Nora talks with Seminole Indiansadvance plot | arriving | boat | conversing | dock | Indian | Indian | leading lady | leading man | serious

Key Largo (1948)

Rocco (Tense)0:26:13 - Curly talks with Roccoboss | conversing | dressing | establish character | gangster | hotel | tense | tremolo

Key Largo (1948)

Rocco (Cut From Film)NIF - not in filmboss | conversing | cut from film | cut from film | father | gangster | hostage | hotel | leading lady | leading man

Key Largo (1948)

Rocco 2 (Cut From Film)NIF - not in filmboss | conversing | cut from film | cut from film | father | gangster | hostage | hotel | leading lady | leading man

Key Largo (1948)

Rocco 3 (Cut from Film)NIF - not in filmboss | conversing | cut from film | cut from film | father | gangster | hostage | hotel | leading lady | leading man

Key Largo (1948)

TensionNIF - not in filmboss | conversing | cut from film | cut from film | father | gangster | hostage | hotel | leading lady | leading man

Key Largo (1948)

Rocco (Tense 2)NIF - not in filmboss | conversing | cut from film | cut from film | father | gangster | hostage | hotel | leading lady | leading man

Key Largo (1948)

Rocco 2 (Misterioso)NIF - not in filmboss | conversing | cut from film | cut from film | father | gangster | hostage | hotel | leading lady | leading man

Key Largo (1948)

Rocco 3 (Cut From Film 2)NIF - not in filmboss | conversing | cut from film | cut from film | father | gangster | hostage | hotel | leading lady | leading man

Key Largo (1948)

McCloud (Cut From Film)NIF - not in filmboss | conversing | cut from film | cut from film | father | gangster | hostage | hotel | leading lady | leading man

Key Largo (1948)

Rocco 2 (Slowly) + McCloud (Tritone)0:32:57 - McCloud quotes FDRangry | boss | combination of themes | conflict | conversing | father | gangster | hostage | hotel | leading lady | leading man | mysterious | quoting | stinger

Key Largo (1948)

Underscoring (Tense)0:46:30 - Rocco tells McCloud to shoot himboss | conflict | conversing | father | gangster | hostage | hotel | leading lady | leading man | moll | tense | underscoring

Key Largo (1948)

McCloud (Triste)0:47:23 - Rocco mocks McCloudboss | conflict | conversing | father | gangster | gun | hostage | hotel | leading lady | leading man | mode change | moll | serious | somber

Key Largo (1948)

Ominous0:51:32 - Lights begin to go out in the hotelboss | conversing | dark | develop character | father | gangster | hostage | hotel | leading lady | leading man | menacing | moll | ominous | preparing | storm | tense

Key Largo (1948)

McCloud (Molto Expressivo)1:07:31 - McCloud wakes Nora after the stormconversing | gentle | hotel | leading lady | leading man | love interest | love scene | resting | romance | waking | warm

Key Largo (1948)

McCloud (Delicato)1:08:14 - McCloud talks with Noraconversing | delicate | father | gentle | hotel | leading lady | leading man | love interest | love scene | warm

Key Largo (1948)

Rocco (Tense)1:19:02 - Rocco welcomes new gangstersboss | conversing | friend | gangster | greeting | hotel | investigation scene | laughing | tense | underscoring

Key Largo (1948)

Rocco 31:24:03 - Rocco approaches Noraadvance plot | boss | conversing | father | gangster | hotel | tense | violent

Key Largo (1948)

Underscoring (Somber)1:27:42 - Nora and Gaye enter the hoteladvance plot | conversing | hotel | leading lady | moll | somber | underscoring | walking

Key Largo (1948)

McCloud (Tense)1:27:56 - Mr. Temple tries to make a phone calladvance plot | conversing | father | hotel | leading lady | moll | somber
The Letter (1940)Leslie (Revolver)0:03:43 - A pistol lies on the stepschanging meter | conversing | foreign key modulation | fragmentation | gun | harmonic sequence | home | leading lady | murderer | murder scene | oscillation | sequential modulation | servant | tense

The Letter (1940)

Native 20:04:12 - Leslie talks to the workersconversing | home | leading lady | murderer | murder scene | open fifth | pentatonic | servant | stinger | tense | underscoring

The Letter (1940)

Underscoring (Dramatic)0:06:04 - Robert leavesaction scene | conversing | death | dramatic | husband | murder | servant | underscoring | warehouse

The Letter (1940)

Letter (Sarcastic)0:15:10 - Robert comforts Leslieadvance plot | chromatic sequence | conversing | dissonant bass | home | leading lady | mysterious | sequence

The Letter (1940)

Leslie (Delicato)0:21:46 - Men admire needlepointadvance plot | changing meter | conversing | delicate | foreign key modulation | gentle | home | lacework | lawyer | leading lady | minor-major 7th chord | oscillation | polychord | sequence

The Letter (1940)

Leslie (Tense)0:34:20 - Howard tells Leslie about the letter9th chord | altered dominant | chromatic parallelism | conversing | lawyer | leading lady | letter | pivotal scene | prison | sequence | suspenseful | tense

The Letter (1940)

Leslie (Tragic)0:37:21 - Howard talks to Leslieanxious | changing meter | climax | conversing | fearful | lawyer | leading lady | letter | oscillation | pivotal scene | prison | sequence | sequential modulation | suspension | tense

The Letter (1940)

Leslie B (Screwyoso)0:37:34 - Howard talks to Leslieanxious | chromatic sequence | conversing | fearful | lawyer | leading lady | letter | pivotal scene | prison | sequence | tense

The Letter (1940)

Leslie (Shimmery 3)0:37:54 - Howard talks to Leslieanxious | conversing | fearful | lawyer | leading lady | letter | oscillation | pivotal scene | prison | sequence | sequential modulation | stinger | suspension | tense

The Letter (1940)

Leslie (Triste)0:38:57 - Howard helps Leslie recoveradvance plot | calm | conversing | hospital | lawyer | leading lady | oscillation | sequence | sequential modulation | suspension

The Letter (1940)

Leslie B (Con Moto)0:39:25 - Leslie asks Howard about the letteradvance plot | conversing | hospital | lawyer | leading lady | letter | sequence | tense

The Letter (1940)

Law Office (The Plea)0:40:00 - Howard asks Leslie to be honest9th chord | advance plot | anxious | artwork in score | chromatic sequence | conversing | hospital | lawyer | leading lady | letter | refusing | tense

The Letter (1940)

Leslie (Despair)0:40:33 - Leslie despairsadvance plot | anxious | changing meter | conversing | despair | dissonant bass | hospital | lawyer | leading lady | letter | oscillation | sequence | tense

The Letter (1940)

Leslie (Rising) + Deception0:40:57 - Leslie talks to Howardadvance plot | angry | augmented triad | chromatic parallelism | combination of themes | conversing | deception | hospital | lawyer | leading lady | letter | sequence | staring | tense

The Letter (1940)

Sociable0:48:42 - People having dinnerABA structure | cheerful | conversing | deceptive resolution | dinner | Dorian mode | foreign key modulation | happy | home | husband | lacework | lawyer | leading lady | party | whole-tone chord

The Letter (1940)

Sociable (Ending)0:49:58 - Pleasant conversationcheerful | conversing | dinner | foreign key modulation | happy | home | husband | lawyer | leading lady | reverse picardy

The Letter (1940)

Leslie (Lacework 2)0:52:07 - Leslie does her laceworkadvance plot | changing meter | conversing | foreign key modulation | home | lacework | lawyer | leading lady | mysterious | oscillation | sequence

The Letter (1940)

Leslie B (Ethereal)0:52:33 - Howard and Leslie talkadvance plot | chromatic sequence | conversing | home | lawyer | leading lady | sequence | tense

The Letter (1940)

Leslie (Tragic)0:52:55 - Howard and Leslie talkadvance plot | changing meter | conversing | home | lawyer | leading lady | oscillation | sequence | sequential modulation | suspension | tense

The Letter (1940)

Leslie B0:53:10 - Howard and Leslie talkadvance plot | conversing | home | lawyer | leading lady | sequence | tense

The Letter (1940)

Mrs. Hammond + Glass Curtains1:00:13 - Leslie faces Mrs. Hammondantagonist | Chinatown | Chinese | Chinese | chromatic scale | combination of themes | conflict | conversing | curtain | glass | lawyer | layering | leading lady | mirroring | mysterious | ostinato | parallelism | paying | pc set | pentatonic | polyrhythm | shop | staring | tense | tinkling | tone cluster | waiting | whole-tone | whole-tone chord

The Letter (1940)

Leslie + Glass Curtains1:01:27 - Leslie removes her shawlantagonist | Chinatown | Chinese | Chinese | chromatic scale | combination of themes | conflict | conversing | curtain | glass | lawyer | layering | leading lady | mirroring | mysterious | oscillation | ostinato | parallelism | pc set | polyrhythm | sequence | shop | staring | tense | tinkling | tone cluster | waiting | whole-tone | whole-tone chord

The Letter (1940)

Foxtrot No.1 C1:21:36 - Leslie goes to the partyadded-note chord | altered dominant | calm | conversing | dance music | dancing | foreign key modulation | foxtrot | friend | leading lady | party | party | plagal cadence | source music

The Letter (1940)

Foxtrot No. 21:22:12 - Leslie joins the party9th chord | AABA structure | altered dominant | conversing | dance music | dancing | foxtrot | friend | happy | husband | leading lady | party | party | pump-up modulation | secondary dominant | source music

The Letter (1940)

Foxtrot No. 31:23:25 - Robert talks to friends at the party9th chord | added-note chord | common-tone diminished 7th | contrasting period | conversing | dance music | drinking | foxtrot | friend | happy | husband | leading lady | party | party | source music

The Letter (1940)

Underscoring (Mysterious)1:26:07 - Leslie talks to Robertclimax | conversing | home | husband | leading lady | mysterious | open fifth | oscillation | pedal tone | staring | underscoring

The Letter (1940)

Underscoring (Tense)1:26:52 - Leslie talks to Robertclimax | conversing | home | husband | leading lady | staring | tense | underscoring

The Letter (1940)

Robert and Leslie (Tense)1:27:06 - Leslie talks to Robertchromatic mediant | climax | conversing | gentle | home | husband | leading lady | love theme | Neapolitan | suspension | tender | tense

The Letter (1940)

Deception (Lohengreenish)1:28:01 - Leslie reacts to Robert's forgivenesschromatic mediant | climax | conversing | diminished 7th chord | dissonant bass | home | husband | kissing | leading lady | ostinato | retardation | romantic | sequence | suspension | tense
Lightning Strikes Twice (1951)Lightning 30:01:02 - Title card, cast list and prisoncast list | conversing | dark | guard | opening title sequence | priest | prison | somber | warden

Lightning Strikes Twice (1951)

Menace0:01:23 - Priest in a prisonarriving | conversing | dark | establish character | funeral march | funereal | guard | leading man | priest | prison | prisoner | solemn | somber | walking | warden

Lightning Strikes Twice (1951)

Liza0:02:55 - Trev is released from death rowcalm | conversing | establish character | guard | hopeful | leading man | priest | prison | prisoner | relief | reprieve | walking | warden

Lightning Strikes Twice (1951)

News Office0:03:08 - Newspaper headlines about the trialconversing | frantic | headline | newspaper | newspaper editor | office | telephone | transition

Lightning Strikes Twice (1951)

Menace (Expressivo)0:03:24 - Newspaper editor on the phonebus | conversing | headline | newspaper | newspaper editor | office | telephone | transition | uneasy | worker

Lightning Strikes Twice (1951)

Trev0:07:18 - Myra talks about finding Trevactor | conversing | establish character | father | gentle | hotel | leading lady | mother | owner

Lightning Strikes Twice (1951)

Menace (Ominous)0:17:50 - Newspaper headline about Trevactor | conversing | dark | establish character | headline | leading lady | leading man | newspaper | ominous | room | suspect

Lightning Strikes Twice (1951)

Trev (Screwy)0:18:19 - Trev hands a candle to Shellyactor | candle | conversing | establish character | leading lady | leading man | mysterious | room | suspect | tense | uneasy

Lightning Strikes Twice (1951)

Shelly (Concerned)0:18:30 - Shelly looks at Trevactor | candle | concerned | conversing | establish character | leading lady | leading man | room | suspect | tense | thinking

Lightning Strikes Twice (1951)

Shelly and Trev (Molto Expressivo)0:23:31 - Shelly makes a promiseactor | conversing | countryside | departing | horse | leading lady | leading man | promise | somber | suspect | transition

Lightning Strikes Twice (1951)

Shelly 2 (Dolce)0:24:34 - Shelly walks around the ranchactor | arriving | brother | calm | conversing | leading lady | ranch | rancher | transition | walking

Lightning Strikes Twice (1951)

Shelly 3 (Dolce)0:24:43 - Shelly sees Lizaactor | arriving | brother | calm | conversing | feeding | goat | leading lady | ranch | rancher | transition | watching

Lightning Strikes Twice (1951)

Chiapanecas0:33:40 - People dancing outsideactor | advance plot | congregation | conversing | dancer | dancing | leading lady | Mexican | on-screen music | performer | playing | priest | ranch | source music | upbeat

Lightning Strikes Twice (1951)

Trev (Misterioso)0:40:30 - Shelly and Liza talkactor | advance plot | conversing | glass | leading lady | mysterious | rancher | street | underscoring | uneasy | walking

Lightning Strikes Twice (1951)

Shelly and Trev (Tenderly)0:41:54 - Pedro tells Shelly where Trev isactor | advance plot | conversing | friend | gentle | leading lady | ranch | tender | worker

Lightning Strikes Twice (1951)

Fear (Vertigo)0:42:57 - Shelly talks with Trevactor | cliff | conversing | countryside | danger | falling in love scene | fear | heights | leading lady | leading man | love interest | suspect | tense | underscoring

Lightning Strikes Twice (1951)

Shelly (Expressivo) + Shelly 2 (Expressivo)0:43:13 - Shelly talks with Trevactor | calm | cliff | combination of themes | conversing | countryside | falling in love scene | leading lady | leading man | love interest | romance | suspect | tense

Lightning Strikes Twice (1951)

Shelly 2 (Dolce)0:43:38 - Shelly talks with Trevactor | cliff | conversing | countryside | falling in love scene | leading lady | leading man | love interest | romance | romantic | suspect

Lightning Strikes Twice (1951)

Shelly 3 (Appassionato)0:43:47 - Shelly talks with Trevactor | cliff | conversing | countryside | falling in love scene | leading lady | leading man | love interest | romance | romantic | suspect

Lightning Strikes Twice (1951)

Shelly 2 (Dolcissimo)0:44:07 - Shelly looks at Trevactor | cliff | conversing | countryside | falling in love scene | gentle | leading lady | leading man | love interest | romance | romantic | suspect

Lightning Strikes Twice (1951)

Underscoring (Tense)0:44:51 - Shelly talks with Trevactor | cliff | conversing | countryside | falling in love scene | leading lady | leading man | love interest | suspect | suspenseful | tense | underscoring

Lightning Strikes Twice (1951)

Shelly 2 (Romantic)0:45:51 - Shelly talks with Trevactor | cliff | conversing | countryside | departing | falling in love scene | gentle | leading lady | leading man | love interest | romantic | suspect | underscoring

Lightning Strikes Twice (1951)

Shelly 3 (Dolce)0:51:45 - Shelly walks to the ranch houseactor | arriving | butler | calm | conversing | leading lady | ranch | stinger | transition | waiting | walking

Lightning Strikes Twice (1951)

Underneath a Western Sky0:56:48 - A chuckwagon dinneractor | advance plot | calm | campfire | chuckwagon | conversing | cowboy song | crowd | drinking | eating | father | flirting | food | friend | leading lady | love interest | mother | on-screen music | owner | playing | ranch | source music

Lightning Strikes Twice (1951)

Too Much Love0:59:02 - Shelly looks at Trev's portraitactor | advance plot | calm | conversing | flirting | friend | leading lady | love interest | party | popular music | portrait | ranch | source music

Lightning Strikes Twice (1951)

Shelly (Worried)1:03:05 - Harvey gets out of the caractor | arriving | car | concerned | conflict | conversing | dark | friend | leading lady | love interest | ranch | tense | worried

Lightning Strikes Twice (1951)

Emotion1:05:10 - Shelly criesactor | comforting | conversing | crying | leading lady | leading man | love interest | love scene | ranch | somber | suspect

Lightning Strikes Twice (1951)

Menace (Nightmare)1:05:38 - Trev tells Shelly of a recurring dreamactor | comforting | conversing | crying | dark | leading lady | leading man | love interest | love scene | ranch | solemn | suspect | tense

Lightning Strikes Twice (1951)

Shelly and Trev (Tenderly)1:06:50 - Trev and Shelly embraceactor | conversing | embracing | kissing | leading lady | leading man | love interest | love scene | marriage | proposal | ranch | romantic | suspect

Lightning Strikes Twice (1951)

Shelly and Trev (Molto Tranquillo)1:07:22 - Trev and Shelly get out of the caractor | calm | conversing | embracing | leading lady | leading man | love interest | love scene | ranch | romantic | suspect

Lightning Strikes Twice (1951)

Shelly (Peaceful) + Shelly 2 (Peaceful)1:07:58 - Trev and Shelly embraceactor | calm | combination of themes | conversing | embracing | kissing | leading lady | leading man | love interest | love scene | mother | owner | ranch | romantic | room | suspect

Lightning Strikes Twice (1951)

Shelly and Trev (Misterioso)1:09:40 - Shelly and Myra talkactor | advance plot | conversing | leading lady | mother | mysterious | owner | room | tense

Lightning Strikes Twice (1951)

Allargando1:10:03 - Shelly learns that Liza loves Trevactor | advance plot | concerned | conversing | dark | leading lady | mother | owner | room | tense

Lightning Strikes Twice (1951)

Mournful (Quasi Misterioso)1:16:09 - Trev talks with Shellyactor | calm | conversing | fear | husband | leading lady | leading man | love scene | room | suspect | suspicion | worrying

Lightning Strikes Twice (1951)

Shelly and Trev (Dolce)1:16:52 - Trev embraces Shellyactor | calm | conversing | embracing | happy | husband | leading lady | leading man | love scene | relief | room | suspect

Lightning Strikes Twice (1951)

Shelly (Molto Grazioso) + Shelly 21:17:01 - Shelly smiles at Trevactor | calm | conversing | embracing | happy | husband | leading lady | leading man | love scene | room | suspect

Lightning Strikes Twice (1951)

Shelly and Trev (Tenderly)1:17:31 - Trev and Shelly embraceactor | conversing | embracing | husband | kissing | leading lady | leading man | love scene | romantic | room | solemn | suspect

Lightning Strikes Twice (1951)

Menace (Misterioso)1:19:48 - Trev calls Harveyarguing | conversing | husband | leading man | mad scene | mysterious | room | suspect | suspense | telephone

Lightning Strikes Twice (1951)

Menace (Poco Meno)1:21:41 - String calms downbrother | conversing | danger | murderer | rancher | room | tense | thematic transference | turning point

Lightning Strikes Twice (1951)

Anger (Extended)1:21:51 - String plans to leavebrother | conversing | murderer | plotting | rancher | room | tense | turning point | underscoring
Mildred Pierce (1945)Waves rumbling0:03:15 - Policeman convinces Mildred not to jumpconversing | dock | establish character | heroine | leading lady | mickey-mousing | police | somber | suicide | water | wave

Mildred Pierce (1945)

You Must Have Been a Beautiful Baby0:03:59 - Wally sees Mildred from the windowconversing | establish character | familiar tune | friend | heroine | jazz | leading lady | on-screen music | restaurant | source music | upbeat

Mildred Pierce (1945)

Underscoring (Tense)0:11:13 - Policemen investigate the sceneaction scene | altered dominant | beach | conversing | dissonant bass | friend | mysterious | police | searching | sequence | tense | underscoring | victim

Mildred Pierce (1945)

Mildred (Ominous)0:12:43 - The detectives talk to Mildredadvance plot | chromatic sequence | conversing | dark | detective | fragmentation | heroine | imitation | leading lady | ominous | room

Mildred Pierce (1945)

Underscoring (Tense)0:13:03 - Mildred leaves with the detectivesadvance plot | conversing | detective | foreign key modulation | heroine | leading lady | murder | street | tense | underscoring

Mildred Pierce (1945)

Waltz Brillante0:26:39 - Veda plays the pianoadvance plot | child | classical music | conversing | dancing | familiar tune | gentle | heroine | leading lady | on-screen music | parallel period | playing | room | source music | waltz

Mildred Pierce (1945)

Waltz Brillante0:27:21 - Veda plays the pianoadvance plot | child | classical music | conversing | familiar tune | gentle | heroine | leading lady | on-screen music | playing | room | source music | waltz

Mildred Pierce (1945)

Kay and Veda (Dolce)0:32:13 - Mildred and Veda talk about Kayadded-note chord | advance plot | child | conversing | heroine | leading lady | mode mixture | room | sleeping | sweet

Mildred Pierce (1945)

Kay and Veda (Coy)0:32:32 - Veda talks to her motheradvance plot | child | chromatic parallelism | conversing | heroine | leading lady | parallelism | room | sleeping | uneasy

Mildred Pierce (1945)

The Maid0:36:57 - Mildred's maid in the kitchen9th chord | advance plot | comical | conversing | cooking | heroine | kitchen | leading lady | maid | sequence | working

Mildred Pierce (1945)

It Can't Be Wrong0:51:16 - Monte plays a record for MildredAABA structure | conversing | heroine | kissing | leading lady | love interest | love scene | popular music | record | record player | romantic | room | score to source borrowing | source music

Mildred Pierce (1945)

Kay and Veda (Misterioso)0:54:01 - Bert tells Mildred that Kay is sickbad news | conversing | dark | death scene | distress | ex-husband | heroine | leading lady | mysterious | ominous | stinger | street | turning point | whole-tone scale

Mildred Pierce (1945)

Bert (Dark)0:54:14 - Bert and Mildred rush off to see Kaybad news | conversing | dark | death scene | distress | ex-husband | heroine | leading lady | leaving | street | turning point

Mildred Pierce (1945)

T'Ain't No Good0:57:37 - Mildred at the opening of her restaurantadvance plot | antagonist | busy | conversing | daughter | dining | friend | guest | heroine | leading lady | popular music | restaurant | serving | source music | upbeat | working

Mildred Pierce (1945)

While You're Away0:59:47 - Monte arrives at the restaurantABAC structure | advance plot | antagonist | busy | conversing | daughter | dining | friend | guest | heroine | leading lady | love interest | parallel double period | popular music | restaurant | serving | source music | upbeat | working

Mildred Pierce (1945)

Mildred (Sorrow)1:03:41 - Monte asks about Kayadvance plot | conversing | heroine | leading lady | love interest | minor-major 7th chord | mode mixture | restaurant | somber

Mildred Pierce (1945)

It Can't Be Wrong (Troubled)1:04:30 - Bert interrupts Mildred and Monte's kissadvance plot | conversing | dark | ex-husband | familiar tune | heroine | leading lady | love interest | popular music | restaurant | source to score | suspension | tense | troubled

Mildred Pierce (1945)

Bert (Regretful)1:04:43 - Bert tells Mildred about the divorce9th chord | advance plot | chromatic mediant | common-chord modulation | conversing | divorce | ex-husband | heroine | leading lady | love interest | regretting | restaurant | somber

Mildred Pierce (1945)

How Sweet You Are1:08:28 - Veda dances at a clubABAB structure | advance plot | club | conversing | dance music | dancing | heroine | leading lady | love interest | on-screen music | relaxed | source music

Mildred Pierce (1945)

Kay and Veda (Subtle)1:09:27 - bill; photograph; gunadvance plot | augmented sixth chord | conversing | friend | heroine | leading lady | mode mixture | room | subtle | voice-over

Mildred Pierce (1945)

You Must Have Been a Beautiful Baby1:16:01 - Wally and Veda in a restaurantadvance plot | antagonist | cheerful | conversing | daughter | drinking | friend | popular music | restaurant | source music | toasting

Mildred Pierce (1945)

Underscoring (Tense)1:18:34 - Veda tells her mother she is marriedantagonist | chromatic parallelism | chromatic wedge | conflict | conversing | daughter | diminished 7th chord | friend | heroine | leading lady | oscillation | reverse stinger | room | tense | underscoring

Mildred Pierce (1945)

Secret Revealed1:18:59 - Veda talks to her motherantagonist | chromatic parallelism | chromatic scale | chromatic wedge | conflict | conversing | daughter | fear | friend | heroine | leading lady | linear chromaticism | octatonic chord | room | surprise | tense

Mildred Pierce (1945)

Mildred (Tenderly)1:19:37 - Wally talks about a settlementantagonist | chromatic parallelism | conflict | conversing | daughter | fragmentation | friend | heroine | leading lady | pedal tone | room | tender

Mildred Pierce (1945)

Sweet Georgia Brown1:29:05 - Mildred confronts WallyABAC structure | advance plot | antagonist | club | conversing | daughter | heroine | jazz | leading lady | on-screen music | popular music | source music | upbeat

Mildred Pierce (1945)

It Had to Be You1:30:25 - Mildred and Veda talkABAC structure | advance plot | antagonist | club | conversing | daughter | heroine | jazz | leading lady | on-screen music | popular music | source music | upbeat

Mildred Pierce (1945)

Bert (Somber)1:37:06 - Bert talks with Mildred in her new houseadvance plot | augmented sixth chord | conversing | ex-husband | heroine | leading lady | pedal tone | room | somber

Mildred Pierce (1945)

Kay and Veda (Returning Home)1:38:10 - Mildred looks at Veda through the windowadvance plot | chromatic mediant | conversing | daughter | deceptive resolution | emotional | foreign key modulation | happy | heroine | leading lady | loving | mode mixture | mother | room | warm | watching

Mildred Pierce (1945)

Kay and Veda (Allegretto Grazioso)1:39:47 - Monte is happy to see Vedaadded-note chord | advance plot | antagonist | cheerful | conversing | daughter | deceptive resolution | reuniting | room | welcoming

Mildred Pierce (1945)

Kay and Veda (Triste)1:49:37 - Veda is led out by the policeantagonist | conversing | daughter | defeat | detective | heroine | leading lady | leaving | mother | murderer | police station | resigned | resolution | sigh gesture | somber
The Life of Vergie Winters (1934)There'll Be a Hot Time in the Old Town Tonight0:12:17 - People rallying for John Shadwelladvance plot | conversing | crowd | on-screen music | popular song | rally | source music | upbeat

The Life of Vergie Winters (1934)

For He's a Jolly Good Fellow0:13:48 - Political rally for John Shadwelladvance plot | conversing | crowd | folk song | on-screen music | politician | rally | source music | spouse | upbeat

The Life of Vergie Winters (1934)

Oh! You Beautiful Doll0:17:47 - People in a baradvance plot | bar | business man | conversing | mode mixture | ragtime | source music | upbeat

The Life of Vergie Winters (1934)

Lullaby (Hospital Scene)0:27:51 - The sign for a hospitaladvance plot | calm | child | childbirth | conversing | fragmentation | hospital | leading lady | lullaby | peaceful | plagal cadence

The Life of Vergie Winters (1934)

Ida (Sweet As Apple Cider)0:28:55 - People in a baradvance plot | bar | business man | conversing | parallel double period | ragtime | source music | upbeat

The Life of Vergie Winters (1934)

Semper Fidelis0:30:32 - A march is played outsideadvance plot | celebrating | cheering | child | common-chord modulation | conversing | crowd | gossiper | leading lady | leading man | march | patriotic tune | politician | source music | spouse | street | upbeat

The Life of Vergie Winters (1934)

Lullaby (Not in Score)0:32:18 - Vergie and John look at a baby pictureAABA structure | calm | common-chord modulation | conversing | cuddling | leading lady | leading man | love interest | love scene | lullaby | peaceful | room | score to source | secret love | transcribed by ear

The Life of Vergie Winters (1934)

Lullaby (Park)0:36:28 - Nurse and baby in the parkAABA structure | added-note chord | advance plot | calm | child | common-chord modulation | conversing | leading lady | lullaby | nurse | park | peaceful | waiting

The Life of Vergie Winters (1934)

Darktown Strutters' Ball0:40:06 - Sadie and Mike in a baradvance plot | business man | club | common-chord modulation | conversing | friend | love interest | plotting | ragtime | source music | upbeat

The Life of Vergie Winters (1934)

Lullaby (Joan)0:50:31 - Joan enters Vergie's shopadvance plot | child | conversing | daughter | distortion | entering | foreign key modulation | fragmentation | gentle | harmonic sequence | leading lady | meeting | mother | octatonic scale | reunion | secret | shop | timid

The Life of Vergie Winters (1934)

Underscoring (Gentle)0:51:06 - Joan talks with Vergie9th chord | advance plot | altered dominant | augmented sixth chord | child | chromatic parallelism | conversing | daughter | foreign key modulation | gentle | half-diminished 7th chord | leading lady | mother | reunion | secret | shop | timid

The Life of Vergie Winters (1934)

Lullaby (Delicato)0:51:39 - Joan talks with Vergie9th chord | advance plot | child | conversing | daughter | gentle | leading lady | mother | parallel 63s | reunion | secret | shop

The Life of Vergie Winters (1934)

Underscoring (Gentle)0:51:52 - Vergie gives Joan a fan9th chord | advance plot | child | conversing | daughter | gentle | leading lady | mother | reunion | secret | shop

The Life of Vergie Winters (1934)

Lullaby (Solo Violin)0:52:06 - Vergie gets a ribbon for Joanadvance plot | child | common-chord modulation | conversing | daughter | fragmentation | gentle | leading lady | mother | reunion | secret | shop

The Life of Vergie Winters (1934)

Lullaby (Strings)0:52:30 - Vergie puts a ribbon in Joan's hairadvance plot | child | chromatic mediant | conversing | countermelody | daughter | direct modulation | gentle | leading lady | mode mixture | mother | pedal tone | reunion | secret | shop

The Life of Vergie Winters (1934)

Lullaby (Sentimental)0:53:43 - Vergie talks with John by the lakeconversing | leading lady | leading man | love scene | outside | pedal tone | secret love | secret lover | tender

The Life of Vergie Winters (1934)

Lullaby (Flowing)0:53:59 - John talks with Vergie by the lakealtered dominant | conversing | diminished 7th chord | happy | leading lady | leading man | love scene | outside | pedal tone | reassuring | secret love | secret lover

The Life of Vergie Winters (1934)

Lullaby (Somber)0:54:14 - Vergie listens to Johnaltered dominant | conversing | leading lady | leading man | love scene | outside | secret love | secret lover | somber

The Life of Vergie Winters (1934)

Lullaby (Quasi Appassionato)0:54:24 - John expresses his love for Vergieconversing | direct modulation | dissonant bass | fragmentation | half-diminished 7th chord | leading lady | leading man | love scene | outside | passionate | secret love | secret lover

The Life of Vergie Winters (1934)

Lullaby (Poco Con Moto)0:54:53 - Joan and Vergie talk about the future13th chord | altered dominant | conversing | dissonant bass | gentle | leading lady | leading man | longing | love scene | outside | pedal tone | secret love | secret lover | sigh gesture

The Life of Vergie Winters (1934)

Old Lavender1:00:07 - Joan and Ranny talk9th chord | added-note chord | altered dominant | common-chord modulation | conversing | daughter | direct modulation | harmonic sequence | light | love interest | love scene | optimistic | proposal | proposing | room | transcribed by ear

The Life of Vergie Winters (1934)

Here Comes the Bride1:00:46 - Joan and Ranny talk about marriagecommon-chord modulation | conversing | daughter | familiar tune | gentle | love interest | love scene | peaceful | proposal | proposing | romantic | room | transcribed by ear

The Life of Vergie Winters (1934)

Lullaby (Clarinet Solo)1:00:58 - John and Laura talk about Joanadded-note chord | conflict | conversing | dramatic | gentle | leading man | peaceful | room | stinger | transcribed by ear | wife

The Life of Vergie Winters (1934)

Old Lavender1:02:11 - Joan and Ranny enter9th chord | added-note chord | altered dominant | arguing | common-chord modulation | conflict | conversing | daughter | direct modulation | harmonic sequence | leading man | light | love interest | optimistic | room | surprise | wife

The Life of Vergie Winters (1934)

Old Lavender (Allegretto)1:04:31 - Ranny reacts to the revelationchromatic mediant | conflict | conversing | daughter | foreign key modulation | fragmentation | leading man | light | love interest | mode mixture | optimistic | pedal tone | room | wife

The Life of Vergie Winters (1934)

Old Lavender (Ethereal)1:05:26 - Ranny talks to Joan's parentsadded-note chord | common-chord modulation | conflict | conversing | daughter | leading man | love interest | mode mixture | pedal tone | room | sentimental | wife

The Life of Vergie Winters (1934)

A Boy and a Girl1:07:00 - John and Vergie listen to the radioadvance plot | altered dominant | common-chord modulation | conversing | leading lady | leading man | listening | room | secret lover | sentimental | simulated source music | source to score | transcribed by ear

The Life of Vergie Winters (1934)

Lullaby (Dolce)1:08:00 - Vergie talks with John9th chord | advance plot | common-chord modulation | conversing | leading lady | leading man | room | score to source | secret lover | tender

The Life of Vergie Winters (1934)

Lullaby (Allegro)1:18:34 - Newspaper headlinebold | conversing | daughter | dissonant bass | fragmentation | husband | montage | pedal tone | prison | waiting

The Life of Vergie Winters (1934)

Lullaby (Resolution)1:21:03 - Joan talks about her motheradded-note chord | calm | conversing | crying | daughter | end title sequence | husband | peaceful | prison | redemption | resolution | The End | triumphant
Rockabye (1932)Out of the Blue0:33:38 - People at a partyadvance plot | calm | club | conversing | friend | leading lady | on-screen music | pianist | playing | playwright | singer | singing | source music

Rockabye (1932)

Till the Real Thing Comes My Way0:33:55 - Judy at the partyadvance plot | club | conversing | dancing | friend | leading lady | love interest | on-screen music | pianist | playing | playwright | source music | upbeat

Rockabye (1932)

Improvisation (in Rockabye)0:35:35 - People at a partyadvance plot | club | conversing | drinking | friend | on-screen music | playing | source music | upbeat

Rockabye (1932)

Out of the Blue (Piano Improvisation)0:35:57 - Judy and Jacobs talkAABA structure | advance plot | calm | club | conversing | leading lady | love interest | on-screen music | playwright | score to source borrowing | source music

Rockabye (1932)

You've Got What Gets Me0:53:27 - People at a partyABAB structure | advance plot | cheerful | conversing | manager | mother | party | source music

Rockabye (1932)

Rockin' Chair0:59:16 - Judy talks to her managerAABA structure | advance plot | conversing | drinking | leading lady | manager | party | somber | source music
Out of the Fog (1941)Concert in the Park0:01:57 - Goff walks along the dockarriving | conversing | criminal | dock | establish character | gambling | leading man | popular music | restaurant | source and scoring overlap | source music | upbeat | worker

Out of the Fog (1941)

Stella and George0:11:54 - George talks to StellaAABA structure | arguing | boyfriend | conversing | dock | establish character | leading lady | romantic | transcribed by ear

Out of the Fog (1941)

Underscoring (Subtle)0:13:05 - A boy runs inarguing | boyfriend | conversing | dock | establish character | leading lady | underscoring | uneasy

Out of the Fog (1941)

Stella and George (Tender)0:13:24 - George talks to Stellaboyfriend | conversing | crying | departing | dock | establish character | evaded cadence | leading lady | tender | transcribed by ear

Out of the Fog (1941)

Fishing0:13:46 - Catching a fishadvance plot | boat | boat | chef | comical | conversing | fish | fishing | friend | mickey-mousing | transcribed by ear

Out of the Fog (1941)

Russian Barcarolle (Dark)0:19:34 - Goff walksboat | chef | conflict | conversing | criminal | dark | dock | extortion | father | fisherman | friend | leading man | threatening | walking

Out of the Fog (1941)

Underscoring (Dark)0:20:11 - Jonah reactsarguing | boat | chef | conflict | conversing | criminal | dark | dock | extortion | father | fisherman | friend | leading man | stinger | tense | threatening | underscoring

Out of the Fog (1941)

Russian Barcarolle (Threatening)0:20:40 - Goff threatens Jonaharguing | boat | breaking | chef | conflict | conversing | criminal | dark | dock | extortion | father | fisherman | friend | leading man | tense | threatening | violence

Out of the Fog (1941)

Russian Barcarolle (Fear)0:21:18 - Officer Magruder arrivesboat | chef | conflict | conversing | criminal | dock | extortion | father | fear | fisherman | friend | leading man | police | sandwich | solemn | somber

Out of the Fog (1941)

Concert in the Park0:25:09 - Jonah and Olaf walk down the streetadvance plot | arriving | conversing | dock | father | fisherman | friend | popular music | source music | upbeat | walking

Out of the Fog (1941)

Underscoring (Gentle)0:26:51 - Jonah helps Olafchef | conflict | conversing | criminal | dock | extortion | father | fisherman | friend | gentle | helping | leading man | mickey-mousing | reacting | solemn | tender | threatening | underscoring

Out of the Fog (1941)

Russian Barcarolle (Dark 2)0:27:12 - Jonah and Olaf reactarguing | chef | conflict | conversing | criminal | dark | dock | extortion | father | fisherman | friend | gun | leading man | stinger | tense | threatening

Out of the Fog (1941)

Animato0:27:43 - Goff pulls out a gunchef | conflict | conversing | criminal | dock | extortion | father | fisherman | foreign key modulation | friend | gun | leading man | tense | threatening

Out of the Fog (1941)

Russian Barcarolle (Distorted)0:28:02 - Jonah and Olaf pay Goffchef | conflict | conversing | criminal | dark | dock | extortion | father | fisherman | friend | leading man | money | threatening

Out of the Fog (1941)

Underscoring (Tense)0:28:20 - Jonah and Olaf reactchef | conflict | conversing | criminal | dock | extortion | father | fisherman | friend | leading man | tense | threatening | underscoring

Out of the Fog (1941)

Trade Winds0:28:40 - Stella enters a drugstoreAABA structure | advance plot | child | conversing | criminal | leading lady | leading man | popular music | shopping | source music | store | upbeat | worker

Out of the Fog (1941)

South American Way0:30:00 - Stella listens to the radioadvance plot | conversing | leading lady | mother | popular music | radio | room | source music | upbeat

Out of the Fog (1941)

Father and Daughter0:33:12 - Jonah talks to Stellaadvance plot | conversing | crying | father | gentle | hugging | leading lady | mode mixture | room | tender

Out of the Fog (1941)

Comparsa Negra No.10:35:38 - People dancing in a conga lineABAC structure | bartender | club | conversing | criminal | crowd | dancer | dance scene | dancing | eating | Latin music | leading lady | leading man | musician | on-screen music | parallel double period | playing | source music | upbeat

Out of the Fog (1941)

No Digas0:37:46 - Cuban dancers and musiciansAABA structure | bartender | club | conversing | criminal | crowd | dancer | dance scene | dancing | Latin music | leading lady | leading man | musician | on-screen music | playing | source music | upbeat

Out of the Fog (1941)

Gangster0:39:07 - Stella and Goff at the harborAABA structure | blue note | bluesy | conversing | criminal | dock | leading lady | leading man | love scene | sultry

Out of the Fog (1941)

Russian Barcarolle (Ominous)0:40:09 - Stella talks to Goffconversing | criminal | dock | leading lady | leading man | love scene | ominous

Out of the Fog (1941)

Gangster0:40:37 - Goff calls after Stellablue note | bluesy | conversing | criminal | dock | leading lady | leading man | love scene | sultry

Out of the Fog (1941)

Russian Barcarolle (Tense)0:40:54 - Goff talks to Stellaconversing | criminal | dark | dock | leading lady | leading man | love scene

Out of the Fog (1941)

Stella and George (Extended)0:41:45 - George talks to Stellaarguing | boyfriend | conversing | foreign key modulation | leading lady | love scene | room | tender

Out of the Fog (1941)

Whistle While You Work0:43:46 - Eddie sets the tableAABA structure | advance plot | arguing | boss | conversing | dock | popular music | restaurant | source music | upbeat | worker

Out of the Fog (1941)

Underscoring (Dramatic)0:45:13 - Goff entersarriving | conflict | conversing | criminal | dock | dramatic | father | fisherman | friend | leading man | tense

Out of the Fog (1941)

Russian Barcarolle (Solemn)0:45:25 - Goff asks for moneyarguing | conflict | conversing | criminal | dock | extortion | father | fisherman | foreign key modulation | friend | leading man | sequence | solemn

Out of the Fog (1941)

Underscoring (Tense)0:46:34 - Jonah accuses Goffarguing | conflict | conversing | criminal | dock | extortion | father | fisherman | friend | leading man | police | tense | underscoring

Out of the Fog (1941)

Russian Barcarolle (Fragmented)0:46:50 - Olaf accuses Goffconflict | conversing | criminal | departing | dock | extortion | father | fisherman | fragmentation | friend | leading man | police | tense

Out of the Fog (1941)

The Merry-Go-Round Broke Down0:49:00 - Olaf and Jonah walk to the restaurantAABA structure | advance plot | conversing | crowd | dancing | dock | father | fisherman | friend | popular music | source music | upbeat

Out of the Fog (1941)

Underscoring (Dramatic)0:49:39 - Goff stops Jonahconflict | conversing | criminal | dark | dramatic | extortion | father | fisherman | leading man | mickey-mousing | panning shot | stinger | street | threatening | underscoring | violence | walking | weapon

Out of the Fog (1941)

Father and Daughter (Tender)0:51:32 - Maps of Cubaadvance plot | arriving | conversing | father | fisherman | leading lady | mirror shot | packing | room | tender | tense

Out of the Fog (1941)

Drab (Extended)0:51:50 - Stella talks with her fatheradvance plot | conversing | father | fisherman | foreign key modulation | leading lady | packing | room | sequence | somber | uneasy

Out of the Fog (1941)

Russian Barcarolle (Dark)0:52:49 - Jonah reactsadvance plot | conversing | dark | father | fisherman | leading lady | room

Out of the Fog (1941)

Drab0:53:05 - Stella talks with her fatheradvance plot | conversing | father | fisherman | leading lady | room | sequence | somber | uneasy

Out of the Fog (1941)

Russian Barcarolle (Troubled)0:53:43 - Stella talks with her fatheradvance plot | bold | conversing | dark | father | fisherman | leading lady | ominous | room

Out of the Fog (1941)

Father and Daughter (Short)0:54:23 - Stella and Jonah embraceadvance plot | conversing | departing | father | fisherman | leading lady | room | tender

Out of the Fog (1941)

Underscoring (Dark)1:12:05 - Police ring the bellaction scene | arguing | conversing | dark | fisherman | friend | police | ringing | room | street | underscoring

Out of the Fog (1941)

Morgue1:12:37 - The morgueaction scene | arriving | conversing | corpse | death | fear | leading lady | morgue | ominous | police | tense

Out of the Fog (1941)

Russian Barcarolle (Ethereal)1:23:47 - Jonah talks to Stellaconversing | dock | ethereal | father | fisherman | leading lady | peaceful | resolution | walking

Out of the Fog (1941)

Russian Barcarolle (Tango)1:24:07 - Stella and Jonah walk awaychromatic mediant | conversing | dock | exotic | father | fisherman | foreign key modulation | leading lady | peaceful | pedal tone | resolution | street | tango | walking

Out of the Fog (1941)

Russian Barcarolle (The End)1:24:24 - The dock at nightconversing | dock | end title sequence | father | fisherman | grand | leading lady | peaceful | perfect authentic cadence | resolution | street | The End | walking
Kid Galahad (1937)Yearning0:48:47 - Marie speaks with her motheradvance plot | chromatic mediant | conversing | deceptive resolution | foreign key modulation | home | mother | nervous | newspaper | not by Steiner | sister | transcribed by ear | yearning

Kid Galahad (1937)

Heart's Affair0:49:16 - Marie speaks with her motheradvance plot | altered dominant | conversing | harmonic sequence | home | mode mixture | mother | newspaper | romantic | sister | transcribed by ear | yearning

Kid Galahad (1937)

The Moon Is In Tears Tonight (Love's Sorrow)0:53:05 - Ward professes his love for Marieconversing | heartbroken | leading lady | leading man | love scene | newspaper | not by Steiner | romantic | room | transcribed by ear

Kid Galahad (1937)

The Split Up0:56:59 - Louise and Nick break upappoggiatura | conversing | heartbroken | leading lady | love scene | manager | not by Steiner | romantic | room | transcribed by ear

Kid Galahad (1937)

The Moon Is In Tears Tonight (Tender)0:57:14 - Louise thinks of Wardconversing | leading lady | love scene | manager | not by Steiner | room | tender | transcribed by ear

Kid Galahad (1937)

The Split Up0:57:45 - Louise says goodbye to Nickappoggiatura | conversing | heartbroken | leading lady | love scene | manager | not by Steiner | romantic | room | transcribed by ear

Kid Galahad (1937)

Heart's Affair (Kiss)0:58:47 - Ward talks to MarieAABA structure | altered dominant | cheerful | conversing | deceptive resolution | farm | happy | kissing | leading man | love scene | mode mixture | sister | transcribed by ear

Kid Galahad (1937)

Sand In My Shoes1:10:15 - Ward, Marie, and Louise talk in the clubadvance plot | cheerful | conversing | dancing | leading lady | leading man | night club | on-screen music | sister | source music | transcribed by ear
Traveling Husbands (1931)Bicycle Built for Two0:20:51 - Music is played in a bar roomAABC structure | advance plot | bar | calm | conversing | eating | leading lady | popular song | source music | transcribed by ear

Traveling Husbands (1931)

Sidewalks of New York0:21:01 - Music is played in a bar roomadvance plot | bar | calm | conversing | eating | leading lady | popular song | source music | transcribed by ear
The Unfaithful (1947)Oh But I Do0:32:27 - Ladies talk at a restaurantAABA structure | advance plot | calm | conversing | husband | lawyer | leading lady | on-screen music | restaurant | sister | source music | transition | victim

The Unfaithful (1947)

Deep Night0:35:15 - Larry, Chris, and Bob at a restaurantAABA structure | advance plot | calm | conversing | husband | lawyer | leading lady | on-screen music | restaurant | source music | transition | victim

The Unfaithful (1947)

Underscoring (Tense)0:43:21 - Lady talks to Larryadvance plot | conversing | law office | lawyer | office | pedal tone | tense | underscoring

The Unfaithful (1947)

Unfaithful (Somber 2)1:00:01 - Chris thinks9th chord | advance plot | altered dominant | augmented sixth chord | chromatic mediant | common-chord modulation | conversing | foreign key modulation | husband | leading lady | mode mixture | ostinato | room | somber | tender

The Unfaithful (1947)

Ask Anyone Who Knows1:34:08 - Paula reads the paperABA structure | calm | conversing | friend | husband | radio | reading | resolution | room | source music

The Unfaithful (1947)

Would You Believe Me1:36:54 - Paula talks with BobABAC structure | calm | conversing | friend | husband | radio | reading | resolution | room | source music

The Unfaithful (1947)

Unfaithful (Distressed)1:41:24 - Larry talks with Bob9th chord | conversing | foreign key modulation | husband | lawyer | ostinato | pc set | resolution | room | somber | wife

The Unfaithful (1947)

Unfaithful (Leaving)1:42:32 - Chris prepares to leave9th chord | conversing | husband | lawyer | mode mixture | ostinato | pedal tone | resolution | room | somber | wife

The Unfaithful (1947)

Unfaithful (Dolce)1:46:08 - Bob talks with Chrisaltered dominant | chromatic mediant | common-chord modulation | conversing | foreign key modulation | fragmentation | hopeful | husband | lawyer | mode mixture | ostinato | peaceful | pedal tone | plagal cadence | resolution | resolution | romantic | room | triumphant | wife
We Are Not Alone (1939)Surprise Symphony (Better)0:23:55 - David puts his son in bed9th chord | advance plot | boy | calm | child | classical music | conversing | dark | familiar tune | father | foreign key modulation | Haydn | hero | home | playing | quotation | warm

We Are Not Alone (1939)

Surprise Symphony (Death Bed)0:24:11 - David discusses death with his son advance plot | augmentation | boy | child | classical music | conversing | dark | death | familiar tune | father | Haydn | hero | home | quotation

We Are Not Alone (1939)

Jessica (Upset)0:24:32 - Jessica enters and stops the conversationadvance plot | antagonist | chromatic scale | conversing | dark | home | parallelism | upset | wife

We Are Not Alone (1939)

Surprise Symphony (Dolce)0:25:02 - Gerald asks to go with his father on a tripadvance plot | boy | child | classical music | conversing | familiar tune | father | Haydn | hero | home | mode mixture | quotation | sweet | warm

We Are Not Alone (1939)

Frohe Botschaft (Ethereal)0:25:12 - David tells his son about his patient, Leni9th chord | 64 chord | advance plot | boy | child | conversing | familiar tune | father | folk song | German | hero | home | mode mixture | pedal tone | quotation | sweet

We Are Not Alone (1939)

Surprise Symphony (Lullaby)0:25:36 - David asks his son to help Leniadvance plot | boy | child | classical music | conversing | familiar tune | father | Haydn | hero | home | pedal tone | quotation | sweet

We Are Not Alone (1939)

It's Easy to Be a Lady if You Try0:25:50 - Gerald and Leni ride a carouselABAC structure | advance plot | amusement park | boy | bright | carnival | carousel | child | conversing | familiar tune | father | hero | heroine | playing | source music

We Are Not Alone (1939)

I Do Like to Be Beside the Seaside (Subconscious)0:31:36 - Jessica says goodnight to David added-note chord | advance plot | common-tone diminished 7th | conversing | goodnight | happy | hero | home | wife

We Are Not Alone (1939)

Frohe Botschaft (Drifting)0:38:09 - Jessica tells Leni to leavealtered dominant | antagonist | chromatic parallelism | conflict | conversing | familiar tune | folk song | gentle | German | heroine | home | quotation | sinister | tense | whole-tone chord

We Are Not Alone (1939)

Frohe Botschaft (Somber)0:38:52 - Leni reacts9th chord | antagonist | common-chord modulation | conflict | conversing | evaded cadence | familiar tune | folk song | garden | German | heroine | mode mixture | quotation | sentimental | sigh gesture | somber

We Are Not Alone (1939)

Frohe Botschaft (Like a Sigh)0:44:30 - Leni tells Gerald to not be afraidadvance plot | conversing | heroine | home | kindness | promise | room | sad | sigh gesture

We Are Not Alone (1939)

Jessica0:45:10 - Jessica enters the room9th chord | advance plot | antagonist | chromatic parallelism | chromatic scale | conversing | half-diminished 7th chord | home | mother | room | sour

We Are Not Alone (1939)

Tragico0:46:40 - Gerald faces his motheradvance plot | antagonist | appoggiatura | boy | child | conversing | dark | home | mother | pedal tone | room | sad | stinger | tragic

We Are Not Alone (1939)

Surprise Symphony (Tragico)0:47:06 - Jessica gathers clothes for Gerald advance plot | antagonist | boy | child | classical music | conversing | dark | familiar tune | Haydn | home | mother | quotation | room | sad | tragic

We Are Not Alone (1939)

Triste0:50:45 - David talks to Leniadvance plot | common-chord modulation | conversing | gentle | hero | heroine | home | room | sad

We Are Not Alone (1939)

Frohe Botschaft (Triste)0:51:10 - David talks to Leni9th chord | added-note chord | advance plot | conversing | deceptive resolution | familiar tune | folk song | foreign key modulation | fragmentation | German | hero | heroine | home | quotation | room | somber

We Are Not Alone (1939)

Die Krähe0:52:36 - Leni asks David about his workadvance plot | antagonist | calm | classical music | concert | conversing | cook | familiar tune | hero | heroine | home | room | Schubert | source music

We Are Not Alone (1939)

Celebre Romance0:54:24 - Leni asks David for a referenceABAC structure | advance plot | antagonist | calm | classical music | concert | conversing | cook | familiar tune | hero | heroine | home | room | Rubinstein | source music

We Are Not Alone (1939)

Agitato1:02:31 - Crowd presses forward11th chord | chaotic | classical music | conflict | conversing | crowd | dissonant bass | dissonant bass | dramatic | familiar tune | riot | Rubinstein | street

We Are Not Alone (1939)

Underscoring (Tense)1:05:17 - David scolds Susan64 chord | antagonist | chromatic scale | conflict | conversing | foreign key modulation | hero | street | tense | underscoring

We Are Not Alone (1939)

Surprise Symphony (Allegretto)1:14:16 - David helps Leni buy a ticketadvance plot | classical music | conversing | familiar tune | fragmentation | gentle | Haydn | hero | heroine | optimistic | pedal tone | quotation | sequence | sweet | train station

We Are Not Alone (1939)

Frohe Botschaft (Drifting)1:14:30 - David gives Leni money for her travels altered dominant | arrest | arresting | chromatic parallelism | conflict | conversing | dark | death | familiar tune | folk song | gentle | German | happy | hero | heroine | mode mixture | murder | police | quotation | sad | sweet | tense | train station | whole-tone chord

We Are Not Alone (1939)

Celebre Romance (Love)1:37:12 - David and Leni express their love for each otherclassical music | conversing | familiar tune | fragmentation | guard | hero | heroine | love scene | prison | quotation | romantic | Rubinstein

We Are Not Alone (1939)

Underscoring (Somber)1:37:44 - David and Leni talkconversing | harmonic sequence | hero | heroine | love scene | prison | somber | triadic transformation | underscoring

We Are Not Alone (1939)

Execution1:38:10 - Leni talks to Davidcomforting | conversing | drone | execution | hero | heroine | love scene | name of film | prison | somber

We Are Not Alone (1939)

Frohe Botschaft (Hopeful)1:38:41 - David comforts Leni9th chord | comforting | conversing | familiar tune | folk song | German | hero | heroine | love scene | mode mixture | pedal tone | plagal cadence | prison | quotation | somber

We Are Not Alone (1939)

Underscoring (Romantic)1:39:42 - David comforts Leni9th chord | 13th chord | comforting | conversing | hero | heroine | love scene | prison | romantic | underscoring

We Are Not Alone (1939)

Surprise Symphony (Someday)1:39:55 - David is hopeful64 chord | classical music | comforting | conversing | deceptive resolution | dream-like | familiar tune | foreign key modulation | gentle | Haydn | hero | heroine | imagining | love scene | prison | quotation | sweet

We Are Not Alone (1939)

Underscoring (Subtle)1:40:57 - David helps Leni9th chord | advance plot | conversing | delicate | helping | hero | heroine | octatonic scale | prison | underscoring

We Are Not Alone (1939)

Surprise Symphony (Semplice)1:41:10 - Guards help Leniadvance plot | augmented triad | classical music | conversing | delicate | familiar tune | fragmentation | Haydn | helping | hero | heroine | lullaby | prison | quotation

We Are Not Alone (1939)

Underscoring (Subtle)1:41:29 - David walks down the prison corridoradvance plot | augmented triad | conversing | delicate | diminished 7th chord | helping | hero | pedal tone | prison | underscoring | whole-tone chord
White Heat (1949)Cody0:05:35 - Gangsters listen to the radioannouncer | car | conversing | establish character | gangster | radio | street | tense

White Heat (1949)

Agitato0:05:43 - Big Ed plots against Codyagitated | conversing | establish character | gangster | plotting | street | tense | walking

White Heat (1949)

Plotting0:11:21 - Cody packs up money in a suitcaseconversing | dark | gangster | leading lady | leading man | love scene | moll | money | murderer | packing | room | tense | transition

White Heat (1949)

Verna (Molto Expressivo)0:11:38 - Verna embraces Codybluesy | conversing | dark | embracing | flirting | gangster | kissing | leading lady | leading man | love scene | moll | money | mother | murderer | room | victim | waltz

White Heat (1949)

Underscoring (Dark)0:12:14 - Zuckie pleads with Codyconversing | dark | death | funereal | gangster | leading lady | leading man | moll | mother | murderer | murder scene | pleading | room | underscoring | victim

White Heat (1949)

Morgue0:14:17 - Tahoe County Morgue signconversing | corpse | dark | detective | investigation scene | menacing | morgue | mortician | police | self-borrowing | transition

White Heat (1949)

Agents (Planning)0:19:32 - Agents talk on the car phoneadvance plot | agent | car | conversing | dark | following | mysterious | observing | planning | street | telephone

White Heat (1949)

Prison0:35:40 - The prison wallsconversing | dark | leading man | ominous | prison | prisoner | transition | undercover agent

White Heat (1949)

T-Men (Expressivo)0:40:26 - Hank looks at the photographadvance plot | conversing | gangster | leading man | murderer | photograph | prison | prisoner | undercover agent | uneasy

White Heat (1949)

Misterioso (Ominous)0:40:51 - The prisoners talkadvance plot | conversing | gangster | leading man | murderer | mysterious | ominous | prison | prisoner | tense | undercover agent | underscoring

White Heat (1949)

Thinking0:41:34 - Prisoners talk about moneyadvance plot | conversing | gangster | leading man | murderer | mysterious | prison | prisoner | tense | thinking | undercover agent

White Heat (1949)

Underscoring (Tense)0:42:03 - Ma talks to the gangstersadvance plot | conversing | gangster | leading lady | love interest | moll | mother | room | tense | underscoring

White Heat (1949)

Cody (Expressivo)0:42:17 - Ma talks to Big Edadvance plot | conversing | gangster | leading lady | love interest | moll | mother | room | tense

White Heat (1949)

Agitato0:42:32 - Verna leaves the roomadvance plot | agitated | conversing | departing | gangster | leading lady | love interest | moll | mother | room | tense | underscoring

White Heat (1949)

Misterioso (Straitjacket)1:04:07 - The warden talks with Codyconversing | doctor | gangster | guard | leading man | murderer | mysterious | prison | prison break | prisoner | straitjacket | tense | underscoring | warden

White Heat (1949)

Gathering1:05:39 - Inmates playing cardsconversing | doctor | dramatic | gangster | guard | leading man | murderer | prison | prison break | prisoner | self-borrowing | tense | walking

White Heat (1949)

Five O'Clock Whistle1:11:01 - Verna watches Edadvance plot | conversing | gangster | leading lady | love interest | moll | popular music | radio | room | source music | upbeat

White Heat (1949)

T-Men (Misterioso)1:27:39 - Hank talks to Codyadvance plot | arguing | conversing | fugitive | gangster | leading man | murderer | mysterious | stinger | undercover agent | yard

White Heat (1949)

Underscoring (Tense)1:27:53 - Hank talks to Codyadvance plot | arguing | conversing | fugitive | gangster | leading man | murderer | tense | undercover agent | underscoring | yard

White Heat (1949)

Verna (Cello Solo)1:28:30 - Cody talks about Vernaadvance plot | character mention | conversing | fugitive | gangster | leading man | memory | murderer | somber | undercover agent | yard

White Heat (1949)

Ma (Molto Expressivo)1:28:38 - Cody talks about his motheradvance plot | character mention | conversing | fugitive | gangster | leading man | memory | murderer | tense | undercover agent | uneasy | yard

White Heat (1949)

Plotting (Agitato)1:29:03 - Cody talks about his familyadvance plot | conversing | fugitive | gangster | insanity | leading man | memory | murderer | tense | undercover agent | uneasy | yard

White Heat (1949)

Cody (Climbing)1:29:15 - Cody talks about his pastadvance plot | conversing | fugitive | gangster | leading man | memory | murderer | tense | undercover agent | uneasy | yard

White Heat (1949)

Ma (Triste)1:29:29 - Cody talks about his motheradvance plot | character mention | conversing | fugitive | gangster | leading man | memory | murderer | tense | undercover agent | uneasy | yard

White Heat (1949)

Cody 3 (Tense)1:32:12 - Cody approaches the truckadvance plot | conversing | fugitive | gangster | leading lady | leading man | lying | moll | murderer | tense | transmitter | truck | undercover agent | yard

White Heat (1949)

Underscoring (Tense)1:33:58 - Hank talks to the gas station attendantadvance plot | conversing | fugitive | gangster | gas station | leading man | murderer | tense | truck | undercover agent | underscoring | worker | working

White Heat (1949)

Underscoring (Tense)1:34:25 - Attendant fixes the truckadvance plot | conversing | fugitive | gangster | gas station | leading man | murderer | tense | underscoring | waiting | worker | working

White Heat (1949)

Bo Creel1:35:51 - Bo Creel comes outsideadvance plot | conversing | dark | fugitive | gangster | leading man | murderer | ominous | preparing | stinger | tense | truck | undercover agent | worker | working | yard

White Heat (1949)

Verna (Gum)1:36:15 - Verna spits out her gumadvance plot | conversing | fugitive | gangster | gum | kissing | leading lady | leading man | moll | murderer | preparing | spitting | tense | undercover agent | uneasy | worker | yard

White Heat (1949)

Agents (Message)1:37:03 - Gas station attendant goes to washroomconversing | gas station | message | mirror | police | radio | tense | transition | worker

White Heat (1949)

Agents + Pursuit (Antenna)1:37:59 - agent | chase scene | combination of themes | conversing | cut from film | police station | radio | tense
The Woman in White (1948)The Spring is Coming0:01:37 - A train station cheerful | conversing | establish setting | folk music | leading man | light | train | train station | voice-over | waiting | worker

The Woman in White (1948)

Ann0:03:00 - The woman in white talks to Waltercalling | conversing | establish character | forest | leading lady | leading man | mysterious

The Woman in White (1948)

Ann 20:03:15 - The woman in white talks to Waltercalm | conversing | establish character | forest | leading lady | leading man

The Woman in White (1948)

The Carman’s Whistle (Rubato)0:03:23 - Walter talks to the woman in whitecalm | conversing | establish character | forest | leading lady | leading man

The Woman in White (1948)

The Carman’s Whistle (Accompaniment)0:03:29 - Walter talks to the woman in whitecalm | conversing | establish character | forest | leading lady | leading man

The Woman in White (1948)

Ann (Quasi Misterioso)0:03:36 - Walter talks to the woman in whiteconversing | establish character | forest | leading lady | leading man | mysterious

The Woman in White (1948)

Ann (Poco Agitato)0:03:55 - The woman in white talks to Walteragitated | conversing | establish character | forest | leading lady | leading man

The Woman in White (1948)

Ann 20:04:13 - The woman in white talks to Walterconversing | establish character | forest | gentle | leading lady | leading man | warm

The Woman in White (1948)

The Carman’s Whistle (Accompaniment)0:04:26 - The woman in white talks to Walterconversing | establish character | forest | leading lady | leading man | mysterious

The Woman in White (1948)

Fosco0:04:40 - Walter hears a carriage approachingarriving | bold | carriage | conversing | establish character | fanfare | forest | leading man | tense

The Woman in White (1948)

The Carman’s Whistle (Accompaniment)0:05:23 - Walter talks to a man in the carriagecarriage | conversing | establish character | forest | leading man | tense

The Woman in White (1948)

Ann (Molto Misterioso)0:05:30 - Closeup on Count Foscocarriage | conversing | establish character | forest | leading man | mysterious

The Woman in White (1948)

Underscoring (Tense)0:05:38 - Walter talks to a man in the carriagecarriage | conversing | establish character | forest | leading man | stinger | tense | underscoring

The Woman in White (1948)

The Carman’s Whistle (Sordini)0:11:18 - Count Fosco talks with Walteradvance plot | conversing | gentle | leading man | mansion

The Woman in White (1948)

Ann0:11:38 - Walter talks with Count Foscoadvance plot | butler | conversing | leading man | mansion | mysterious

The Woman in White (1948)

Fairlie0:11:53 - The butler takes Walter to see Mr. Fairliebutler | conversing | establish character | grand | leading man | mansion | noble

The Woman in White (1948)

Ann (Poco Agitato)0:20:03 - Walter sees Lauraconversing | establish character | garden | leading lady | leading man | mansion | tense | walking

The Woman in White (1948)

Laura0:21:27 - Walter talks with Laurabutler | conversing | establish character | family | gentle | leading lady | leading man | refined | room | walking

The Woman in White (1948)

Laura (Harp Countermelody)0:22:03 - The Fairlies sit at the tablebutler | conversing | establish character | family | gentle | leading lady | leading man | refined | room | walking

The Woman in White (1948)

Ann (Poco Agitato)0:22:39 - Laura talks about a mysterious womanbutler | conversing | establish character | family | leading lady | leading man | mysterious | room | tense | walking

The Woman in White (1948)

Fosco0:22:53 - Closeup on Fosco's facebutler | conversing | establish character | family | leading lady | leading man | room | tense | walking

The Woman in White (1948)

The Carman’s Whistle0:23:04 - Walter talks about the woman in whitebutler | conversing | establish character | family | leading lady | leading man | room | tense | walking

The Woman in White (1948)

Underscoring (Mysterious)0:23:16 - Fosco gets up to leavebutler | conversing | establish character | family | leading lady | leading man | mysterious | room | walking

The Woman in White (1948)

Pavan0:26:05 - Laura plays the harpsichordadvance plot | butler | conversing | family | gentle | harpsichord | leading lady | leading man | on-screen music | playing | Renaissance music | room | source music

The Woman in White (1948)

Improvisation0:28:47 - A monkey plays the harpsichordadvance plot | conversing | harpsichord | leading lady | leading man | monkey | on-screen music | playing | room | source music | startled

The Woman in White (1948)

Ann (Misterioso)0:29:34 - Fosco sees Laura outsideadvance plot | conversing | leading lady | leading man | mysterious | room | tense | watching

The Woman in White (1948)

Limmeridge0:30:46 - Marian talks to Walteradvance plot | conversing | cousin | leading lady | leading man | noble | refined | room

The Woman in White (1948)

Fairlie (Expressivo)0:30:58 - Marian talks to Walteradvance plot | conversing | cousin | gentle | leading lady | leading man | refined | room

The Woman in White (1948)

Pavan (Garden)0:33:09 - Marian talks to Foscoarguing | conversing | cousin | falling in love scene | garden | instrument effect | leading lady | leading man | mysterious | Renaissance music | somber | watching

The Woman in White (1948)

Underscoring (Mysterious)0:36:22 - Laura greets Sir Percivaladvance plot | conversing | fiancé | leading lady | mansion | mysterious | underscoring

The Woman in White (1948)

Underscoring (Mysterious)0:38:37 - Marian talks to Walteradvance plot | bad news | conversing | cousin | dark | garden | leading lady | leading man | mysterious | stinger | underscoring

The Woman in White (1948)

The Self Banished (Somber)0:39:27 - Marian talks to Walteradvance plot | bad news | conversing | cousin | garden | gentle | heartbroken | leading lady | leading man | somber

The Woman in White (1948)

Ann 20:40:33 - Walter talks to the woman in whiteadvance plot | conversing | crying | garden | gentle | leading lady | leading man | remembering | tender

The Woman in White (1948)

Ann0:40:45 - The woman in white talks to Walteradvance plot | conversing | garden | leading lady | leading man | mysterious | tense

The Woman in White (1948)

Ann 20:41:22 - The woman in white talks to Walteradvance plot | conversing | garden | gentle | leading lady | leading man | tender

The Woman in White (1948)

Ann (Quasi Misterioso)0:41:28 - The woman in white talks to Walteradvance plot | conversing | garden | leading lady | leading man | mysterious

The Woman in White (1948)

Ann 20:41:49 - The woman in white talks to Walteradvance plot | conversing | garden | gentle | leading lady | leading man | tender

The Woman in White (1948)

Hypnosis0:42:04 - The woman in white talks to Walteradvance plot | conversing | garden | leading lady | leading man | tense | underscoring

The Woman in White (1948)

Fosco (Misterioso)0:42:23 - The woman in white talks about Foscoadvance plot | conversing | garden | leading lady | leading man | tense

The Woman in White (1948)

Ann (Molto Misterioso)0:42:52 - Walter talks to the woman in whiteadvance plot | agitated | conversing | garden | leading lady | leading man | mysterious

The Woman in White (1948)

Underscoring (Dark)0:43:00 - The woman in white talks to Walteradvance plot | conversing | dark | garden | leading lady | leading man | ominous | stinger | underscoring

The Woman in White (1948)

Ann0:43:08 - The woman in white talks to Walteradvance plot | agitated | conversing | garden | leading lady | leading man | mysterious

The Woman in White (1948)

Ann 20:43:17 - The woman in white talks to Walteradvance plot | conversing | garden | leading lady | leading man | tender

The Woman in White (1948)

The Carman’s Whistle (Rubato)0:43:24 - The woman in white talks to Walteradvance plot | conversing | garden | leading lady | leading man | tender

The Woman in White (1948)

The Carman’s Whistle (Accompaniment)0:43:31 - The woman in white talks to Walteradvance plot | conversing | garden | gentle | leading lady | leading man

The Woman in White (1948)

Underscoring (Mysterious)0:45:40 - Laura enters the mansionbutler | conflict | conversing | cousin | fiancé | leading lady | mansion | mysterious | tense | underscoring

The Woman in White (1948)

The Self Banished (Tenderly)0:46:47 - Marion talks to Walterbutler | conflict | conversing | cousin | fiancé | gentle | leading lady | leading man | mansion | tender

The Woman in White (1948)

Pavan B0:50:44 - A carriage arrivesarriving | carriage | conversing | cousin | grand | headline | leading lady | mansion | montage | montage | newspaper | Renaissance music | servant | transition

The Woman in White (1948)

Fairlie (Meno)0:51:08 - Marian looks at Limmeridge Houseadvance plot | arriving | conversing | cousin | gentle | leading lady | mansion | servant | warm

The Woman in White (1948)

Hypnosis0:51:33 - The servants greet Marianadvance plot | arriving | butler | conversing | cousin | leading lady | mansion | servant | tense

The Woman in White (1948)

Fosco (Misterioso 2)0:51:57 - Marian learns that the countess is in the houseadvance plot | arriving | butler | conversing | cousin | leading lady | mansion | servant | stinger | tense

The Woman in White (1948)

Pavan (Garden 2)0:55:17 - Marian talks to Mr. Fairlieadvance plot | conversing | cousin | father | leading lady | room | somber

The Woman in White (1948)

Laura0:55:43 - Sitting at the dining tableadvance plot | antagonist | butler | cigarette | conversing | cousin | eating | happy | husband | leading lady | light | mansion | monkey | servant | smoking | somber

The Woman in White (1948)

Underscoring (Mysterious)0:56:12 - Sir Percival and a monkeyadvance plot | antagonist | butler | cigarette | conversing | cousin | husband | leading lady | mansion | monkey | mysterious | servant | smoking | stinger | underscoring

The Woman in White (1948)

Ann (Misterioso Rubato)0:58:22 - The countess excuses herselfadvance plot | antagonist | butler | conversing | cousin | departing | husband | leading lady | mansion | mysterious | servant | somber

The Woman in White (1948)

Pavan (Agitato 2)0:58:59 - Laura enters Marian's roomadvance plot | conversing | cousin | greeting | leading lady | passionate | room | tense

The Woman in White (1948)

The Self Banished (Somber)0:59:47 - Marian talks to Lauraadvance plot | conversing | cousin | gentle | leading lady | room | somber

The Woman in White (1948)

The Self Banished (Tenderly)1:00:22 - Laura talks to Marianadvance plot | conversing | cousin | leading lady | room | tender

The Woman in White (1948)

Pavan (Distressed)1:00:51 - Laura talks to Marianadvance plot | agitated | conversing | cousin | distressed | leading lady | room

The Woman in White (1948)

Pavan (Agitato)1:01:02 - Laura talks to Marianadvance plot | agitated | conversing | cousin | leading lady | room

The Woman in White (1948)

Asylum1:01:26 - Laura suffers from a headacheaching | advance plot | agitated | conversing | cousin | headache | illness | illness effect | leading lady | pain | room | somber | tense | victim

The Woman in White (1948)

Asylum (Molto Expressivo)1:01:37 - Laura talks to Marianadvance plot | calm | conversing | cousin | headache | illness | leading lady | pain | recovering | recovery | room | victim

The Woman in White (1948)

Sneaking1:02:12 - Marian leaves wearing a cloakadvance plot | antagonist | conversing | cousin | criminal | eavesdropping | father | husband | leading lady | leading man | room | sneaking | somber | tense

The Woman in White (1948)

Fosco (Misterioso Slowly)1:04:48 - Count Fosco leaves the roomadvance plot | antagonist | conversing | cousin | criminal | eavesdropping | father | husband | leading lady | leading man | lightning | mysterious | room | sneaking | storm | tense

The Woman in White (1948)

Fosco (Misterioso Moderato)1:08:24 - Fosco is startled by a noiseantagonist | butler | conflict | conversing | cousin | criminal | leading lady | leading man | mysterious | room

The Woman in White (1948)

Fosco (Marcato)1:08:44 - Fosco talks to the servantantagonist | arguing | butler | confining | conflict | conversing | cousin | criminal | dark | leading lady | leading man | mysterious | prisoner | room

The Woman in White (1948)

Underscoring (Dramatic)1:09:11 - Marian is locked inantagonist | confining | conflict | conversing | cousin | criminal | dark | dramatic | husband | leading lady | leading man | prisoner | room | underscoring

The Woman in White (1948)

Asylum (Dark)1:09:26 - Fosco talks to Sir Percivalaching | antagonist | conflict | conversing | criminal | dark | headache | husband | illness | leading lady | leading man | pain | plotting | prisoner | room

The Woman in White (1948)

Asylum (Dolce)1:09:46 - Laura senses someone in the roomadvance plot | appearing | calm | conversing | headache | illness | leading lady | pain | room | superimposed shot | victim

The Woman in White (1948)

Ann (Poco Agitato)1:09:55 - The woman in white talks to Lauraadvance plot | agitated | calm | conversing | gentle | headache | illness | leading lady | pain | room | superimposed shot | victim

The Woman in White (1948)

Ann (Poco Agitato)1:11:46 - Laura mentions the woman in whiteagitated | antagonist | conflict | conversing | criminal | doctor | headache | husband | illness | leading lady | leading man | pain | room | servant | victim

The Woman in White (1948)

Ann (Accelerando) + Fosco (Dark)1:12:47 - Fosco leavesagitated | anger | antagonist | combination of themes | conflict | conversing | criminal | departing | doctor | husband | leading man | room | rushing | searching | tense | walking

The Woman in White (1948)

Hypnosis (Misterioso con moto)1:16:57 - The countess talks to the woman in whiteconversing | death scene | leading lady | mysterious | room | tense | victim | wife

The Woman in White (1948)

Ann 21:17:48 - The woman in white talks to Lauraconversing | death scene | gentle | leading lady | room | tender | victim | wife

The Woman in White (1948)

Ann1:17:56 - The woman in white talks to Lauraconversing | death scene | leading lady | mysterious | room | victim | wife

The Woman in White (1948)

Ann (Dead)1:18:55 - The woman in white lies deadantagonist | conversing | criminal | dark | death scene | dying | husband | leading lady | murderer | room | somber | victim | wife

The Woman in White (1948)

Ann (Waltz)1:27:14 - Laura dashes awayantagonist | asylum | conversing | criminal | husband | hypnosis | hypnotist | leading lady | leading man | leaving | mad scene | murderer | nurse | tender | victim

The Woman in White (1948)

Ann (Quasi Misterioso)1:29:00 - Count Fosco talks to Sir Percivalantagonist | asylum | conversing | criminal | husband | hypnotist | leading man | mad scene | murderer | ominous

The Woman in White (1948)

Pavan (Garden)1:31:13 - Walter talks with Marianconversing | criminal | friend | husband | leading lady | leading man | love scene | murderer | noble | room | spy | spying

The Woman in White (1948)

Underscoring (Dramatic)1:31:28 - Marian sees Sir Percival spying on themconversing | dramatic | friend | leading lady | leading man | love scene | lyrical | room | stinger | underscoring

The Woman in White (1948)

The Self Banished1:31:42 - Walter Kisses Marianconversing | embracing | friend | gentle | kissing | leading lady | leading man | leaving | love interest | love scene | romantic | room | thematic transference

The Woman in White (1948)

Underscoring (Tense)1:39:05 - The butler entersadvance plot | butler | conversing | criminal | friend | leading lady | leading man | love interest | murderer | room | tense | underscoring

The Woman in White (1948)

Fosco (Molto Moderato)1:39:33 - Fosco talks to Marianadvance plot | conversing | criminal | friend | leading lady | leading man | love interest | menacing | murderer | room | somber

The Woman in White (1948)

Underscoring (Tense)1:44:06 - The countess entersclimax | conversing | criminal | dark | friend | friend | leading lady | leading man | love interest | murderer | necklace | ominous | room | transcribed by ear | wife

The Woman in White (1948)

Ann (Not in Score)1:44:24 - Count Fosco talks to the Countessclimax | conversing | criminal | friend | friend | leading lady | leading man | love interest | murderer | mysterious | necklace | room | transcribed by ear | wife

The Woman in White (1948)

Adagio1:45:00 - The Countess picks up a knifeclimax | conversing | criminal | friend | friend | knife | leading lady | leading man | love interest | murderer | necklace | room | somber | wife

The Woman in White (1948)

Fosco (Soft)1:45:18 - The Count talks to Marianarriving | climax | conversing | criminal | friend | friend | leading lady | leading man | love interest | murderer | mysterious | necklace | room | wife

The Woman in White (1948)

Laura1:46:37 - Walter, Marian, and Laura togetherasylum | conversing | friend | happy | murderer | necklace | patient | resolution | time lapse | voice-over | waltz

The Woman in White (1948)

Laura (Harp Countermelody)1:46:55 - The camera pans from the asylumarriving | butler | child | conversing | father | happy | husband | leading man | mansion | resolution | voice-over | waltz

The Woman in White (1948)

Pavan (Major)1:47:33 - Walter with his daughter Annchild | conversing | father | greeting | husband | leading man | noble | resolution | voice-over | yard

The Woman in White (1948)

The Self Banished (The End)1:47:51 - Walter with the childrenbook | child | conversing | embracing | father | greeting | husband | kissing | leading lady | leading man | mother | resolution | tender | The End | voice-over | wife | yard
High Stakes (1931)Close to Me0:01:09 - People at a partyconversing | establish character | friend | on-screen music | playing | source music | upbeat | waiting | wedding
The Public Defender (1931)Beautiful Thing0:05:58 - Dance music played at a dinner partyadvance plot | banker | cheerful | conversing | crowd | dance music | on-screen music | party | police | source music | transcribed by ear

The Public Defender (1931)

An Armchair With An Armful of You0:12:46 - Dance music played at a dinner partyABAC structure | advance plot | arguing | banker | cheerful | conversing | crowd | dance music | party | source music | transcribed by ear | waiter
Three Who Loved (1931)My One Ambition is You0:14:21 - Phil turns on the radioAB structure | advance plot | cheerful | conversing | dancing | pleasant | radio | room | source music | upbeat

Three Who Loved (1931)

Dance0:17:09 - John and Helga talkingAB structure | advance plot | conversing | pleasant | radio | room | source music
Transgression (1931)Dance0:08:10 - Elsie and Don Arturo at a clubAB structure | calm | club | conversing | establish character | leading lady | love interest | sophisticated | source music | tango

Transgression (1931)

Igualada0:23:20 - Elsie and Don Arturo talkingcalm | club | conversing | dance scene | dancing | leading lady | love interest | sophisticated | source music | tango

Transgression (1931)

Igualada0:24:58 - Elsie and Don Arturo dancingcalm | club | conversing | dance scene | dancing | leading lady | love interest | sophisticated | source music | tango

Transgression (1931)

There's a Sob In My Heart (Ballroom)0:28:18 - Robert arrives at the partyAABA structure | augmented sixth chord | calm | club | conversing | dancing | husband | leading lady | party | self-borrowing | sophisticated | source music

Transgression (1931)

Flute Solo0:43:22 - Don Arturo opens the doorcalm | conversing | leading lady | love interest | love scene | room | source music

Transgression (1931)

Serenade0:44:16 - Elsie and Don Arturo talkingABAC structure | calm | conversing | embracing | kissing | leading lady | love interest | love scene | romantic | room | source music
Hold ‘Em Jail (1932)There's a Sob in My Heart0:05:14 - People dancing in a night clubAABA structure | business man | cheerful | club | conversing | dance scene | dancing | dining | reused recording | upbeat

Hold ‘Em Jail (1932)

Ain't That the Way it Goes0:14:53 - Spider and Curley look aroundAABA structure | advance plot | comic | conversing | goofing around | love interest | office | prisoner | radio | source music | upbeat

Hold ‘Em Jail (1932)

I'm Just a Vagabond Lover0:17:00 - Curley talks to BarbaraABAC structure | advance plot | comic | conversing | goofing around | love interest | office | prisoner | radio | sentimental | source music

Hold ‘Em Jail (1932)

I'm Wrapped Up in You0:18:18 - Spider dances with Violetadvance plot | comic | conversing | dancing | goofing around | love interest | office | prisoner | radio | source music | upbeat

Hold ‘Em Jail (1932)

Improvisation0:39:35 - Violet plays the piano and singsadvance plot | comic | comical | conversing | office | on-screen music | playing | prisoner | singing | source music

Hold ‘Em Jail (1932)

Improvisation0:40:44 - Violet plays the piano and singsadvance plot | comic | comical | conversing | office | on-screen music | playing | prisoner | singing | source music

Hold ‘Em Jail (1932)

Improvisation0:41:43 - Violet plays the piano and singsadvance plot | comic | comical | conversing | office | on-screen music | playing | prisoner | singing | source music

Hold ‘Em Jail (1932)

Eldorania0:59:14 - A doctor tends to Spider's legadvance plot | athlete | comic | conversing | doctor | field | plotting | prisoner | referee | relative key | source music | treating | upbeat

Hold ‘Em Jail (1932)

The Prisoner's Song1:05:19 - Spider talks to Violetcomic | conversing | field | prisoner | resolution | source music | upbeat
Is My Face Red? (1932)Cute!0:01:58 - Gossip column about a gambleraltered dominant | bluesy | conversing | establish setting | gossip | newspaper | parallelism | sultry | transcribed by ear | whole-tone

Is My Face Red? (1932)

Close to Me0:13:53 - William and Peggy talk in a dressing roomadvance plot | altered dominant | augmented sixth chord | Broadway | common-tone diminished 7th | conversing | dancer | Gypsy major scale | leading man | popular music | romantic | room | source music | transcribed by ear

Is My Face Red? (1932)

Mildred Waltz0:19:03 - Mildred talks with WilliamABA structure | altered dominant | augmented sixth chord | boat | calm | conversing | diminished 7th chord | leading lady | leading man | lovers meet | transcribed by ear

Is My Face Red? (1932)

Mildred Waltz0:21:43 - Mildred talks with Williamadvance plot | augmented sixth chord | boat | calm | conversing | diminished 7th chord | leading lady | leading man | transcribed by ear

Is My Face Red? (1932)

Trysting Place, The0:50:25 - William talks to Peggy and Mildredadvance plot | arguing | band | broadcast | calm | conversing | dance music | leading man | radio | sentence form | source music | stage | transcribed by ear
Ladies of the Jury (1932)El Capitan March0:28:41 - Jurors deliberateadvance plot | conversing | juror | jury room | leading lady | march | radio | source music | upbeat

Ladies of the Jury (1932)

There's a Sob in My Heart (Radio)0:45:27 - Jurors deliberateAABA structure | advance plot | conversing | dancing | juror | jury room | leading lady | radio | self-borrowing | sentimental | source music
Men of America (1932)Symphony no. 5: IV0:26:35 - Car radio plays classical musicadvance plot | bold | car | conversing | criminal | radio | source music | tense
Secrets of the French Police (1932)Valse Lente0:10:24 - A man and a flower girl talk in a cafeAB structure | advance plot | cheerful | conversing | flower | leading lady | leading man | restaurant

Secrets of the French Police (1932)

Berceuse0:13:09 - The flower girl talks with her fatheradvance plot | conversing | father | leading lady | restaurant | somber | waltz
State’s Attorney (1932)Na Moku Eha0:01:19 - Hula dancercheerful | club | conversing | dancer | dancing | drinking | establish character | gambling | Hawaiian | leading man | on-screen music | playing | politician | singing | source music

State’s Attorney (1932)

Blues (Piano)0:18:14 - People talking in a clubadvance plot | blue note | club | conversing | gangster | leading lady | leading man | mistress | score to source | source music | upbeat

State’s Attorney (1932)

Blues (Swinging)0:43:46 - Jazz musicians playing in a clubclub | conversing | dancing | daughter | jazz | lawyer | leading man | love interest | music scene | on-screen music | source music | upbeat
The Phantom of Crestwood (1932)I'm Wrapped Up in You0:16:39 - People talk at a partyAABA structure | advance plot | conversing | dance music | jaunty | party | popular music | radio | source music | transcribed by ear

The Phantom of Crestwood (1932)

Transgression0:18:54 - Ms. Wren descends the staircase9th chord | AABA structure | advance plot | arriving | common-chord modulation | conversing | party | radio | romantic | self-borrowing | transcribed by ear

The Phantom of Crestwood (1932)

Lady0:20:17 - People talk at a party9th chord | AAB structure | advance plot | common-chord modulation | conversing | dinner | party | peaceful | radio | sequence | transcribed by ear

The Phantom of Crestwood (1932)

Sleeping Rose0:21:00 - People talk around the dinner tableABA structure | advance plot | conversing | dinner | party | peaceful | radio | transcribed by ear

The Phantom of Crestwood (1932)

Cimarron Theme0:23:24 - Two people look at some portraitsAABC structure | advance plot | common-chord modulation | conversing | peaceful | portrait | room | self-borrowing | transcribed by ear
The Roadhouse Murder (1932)Lady With a Past Fox Trot0:35:34 - Chick and Mary talkingAABA structure | cheerful | conversing | dancing | diner | girlfriend | leading lady | leading man | love scene | on-screen music | reporter | romantic | self-borrowing | source music
Thirteen Women (1932)Blue Streak0:01:54 - A circus posterABA structure | circus | circus music | conversing | cousin | establish character | establish place | horoscope | letter | performer | reading | source music | upbeat

Thirteen Women (1932)

Circus Music0:03:44 - June talks to HazelAB structure | circus | circus music | conversing | cousin | establish character | performer | source music | upbeat

Thirteen Women (1932)

The Swami0:07:16 - The swamiAeolian mode | antagonist | conversing | establish character | fortune | fortune teller | leading lady | parallelism | predicting | room | somber | swami | transcribed by ear

Thirteen Women (1932)

Thirteen Women (Destiny)0:07:52 - Ursula talks to the swamiantagonist | common-chord modulation | conversing | destiny | establish character | fortune teller | harmonic sequence | leading lady | predicting | relative key | room | somber | swami | transcribed by ear

Thirteen Women (1932)

The Swami (Past Life)0:08:18 - The swami talks to Ursulaantagonist | chromaticism | chromatic parallelism | conversing | establish character | fortune teller | leading lady | room | somber | swami | transcribed by ear

Thirteen Women (1932)

Ursula (Horoscope)0:08:56 - The swami talks to Ursulaantagonist | conversing | establish character | fate | fortune teller | leading lady | mysterious | predicting | quintal chord | room | somber | swami | transcribed by ear

Thirteen Women (1932)

Ursula (Fate)0:09:11 - The swami predicts Ursula's fateantagonist | conversing | dark | establish character | fate | fortune teller | half-diminished 7th chord | leading lady | mickey-mousing | mysterious | predicting | room | somber | stinger | swami | train whistle | transcribed by ear

Thirteen Women (1932)

The Swami (Rising Tension)0:09:53 - The swami shrinks from Ursula's gazeantagonist | conversing | establish character | fate | fortune teller | leading lady | mysterious | parallelism | room | swami | tense | transcribed by ear

Thirteen Women (1932)

Serenade0:28:11 - Jo plays the pianoadvance plot | calm | common-tone diminished 7th | conversing | friend | gentle | on-screen music | piano | playing | room | secondary dominant | self-borrowing | sentence form | source music | transcribed by ear

Thirteen Women (1932)

Ursula (Mysterious Waltz)0:33:37 - Ursula talks to Burns64 chord | advance plot | chromatic parallelism | conversing | half-diminished 7th chord | leading lady | love interest | mode mixture | romantic | room | transcribed by ear | waltz

Thirteen Women (1932)

Ursula (Exotic 2)0:33:52 - Ursula talks to Burnsadvance plot | conversing | dark | exotic | exoticism | Gypsy major scale | leading lady | love interest | mysterious | ostinato | room | transcribed by ear
Blind Adventure (1933)When You're Far Away0:26:45 - Rose and Richard crash a partyAABA structure | advance plot | conversing | leading lady | leading man | lying | party | popular song | romantic | source music

Blind Adventure (1933)

Marcellene0:32:12 - Rose and Richard go downstairsABAC structure | advance plot | calm | conversing | leading lady | leading man | lying | party | popular song | source music
Headline Shooter (1933)He's Not the Marrying Kind0:02:32 - Radio announcer talkingannouncing | beauty contestant | conversing | establish character | filming | film staff | leading man | modeling | on-screen music | pageant | parallel period | photographer | pleasant | radio announcer | source music

Headline Shooter (1933)

Ensemble Tuning0:04:41 - Bill talks to business manbusiness man | calm | conversing | establish character | leading man | pageant | source music | tuning

Headline Shooter (1933)

You Can Depend on Me0:05:21 - Bathing beauties walk pastAABA structure | announcing | beauty contestant | conversing | drunk | establish character | filming | film staff | leading lady | leading man | modeling | on-screen music | pageant | photographer | pleasant | radio announcer | source music

Headline Shooter (1933)

Tell Me is It Love?0:21:50 - Bill and Jane at a baradvance plot | bar | conversing | drunk | leading lady | leading man | parallel double period | pleasant | source music

Headline Shooter (1933)

Isn't This a Night For Love0:22:10 - Bill and Jane talk at a barAABA structure | advance plot | bar | conversing | leading lady | leading man | romantic | source music

Headline Shooter (1933)

Come Easy, Go Easy, Love0:46:07 - Bill talks to reportersAABA structure | advance plot | calm | conversing | fiancé | leading lady | leading man | reporter | restaurant | source music
Dangerous Corner (1934)Chanson0:22:05 - A man turns on the radioalternate timeline | calm | classical music | conversing | pivotal scene | radio | room | source music

Dangerous Corner (1934)

Wedding March0:23:10 - A woman opens a cigarette casealternate timeline | cheerful | classical music | conversing | friend | music box | pivotal scene | room | source music | suspect

Dangerous Corner (1934)

Wedding March0:47:11 - A man opens a cigarette casealternate timeline | cheerful | classical music | conversing | friend | music box | pivotal scene | room | source music | suspect

Dangerous Corner (1934)

Chanson1:02:06 - A man turns on the radioalternate timeline | calm | classical music | conversing | friend | radio | resolution | room | source music | suspect

Dangerous Corner (1934)

Wedding March1:03:10 - A woman opens a cigarette casealternate timeline | cheerful | classical music | conversing | friend | music box | resolution | room | source music

Dangerous Corner (1934)

Won't You Believe1:03:30 - A man adjusts the radioAABA structure | alternate timeline | conversing | dancing | drinking | friend | popular music | radio | resolution | room | source music | upbeat

Dangerous Corner (1934)

The Trysting Place1:04:35 - Charles talks to Ann in the moonlightalternate timeline | balcony | conversing | friend | mode mixture | popular music | proposal | proposing | radio | resolution | romantic | sequence | source music | triadic transformation
Sing and Like It (1934)Indiana0:01:30 - Ruby changes the radio stationABAC structure | boss | conversing | establish character | gangster | jazz | leading lady | leading man | listening | moll | radio | room | source music | upbeat

Sing and Like It (1934)

Dinah0:02:34 - Ruby and Fenny listen to the radioAABA structure | arguing | boss | conversing | establish character | gangster | gum | jazz | leading lady | leading man | listening | moll | radio | room | source music | upbeat

Sing and Like It (1934)

It's Sunday Down in Caroline0:04:11 - Fenny prepares for a meetingAABA structure | boss | conversing | establish character | gangster | jazz | laughing | leading lady | leading man | moll | plotting | radio | room | source music | upbeat

Sing and Like It (1934)

Your Mother0:23:01 - Call board for a dress rehearsalAABA structure | arguing | ballad | boss | conversing | gangster | leading lady | listening | musician | music scene | on-screen music | piano | sentimental | singer | singing | source music | stage

Sing and Like It (1934)

Liebesträume0:34:46 - Ruby enters the roomadvance plot | calm | classical music | conversing | gangster | leading lady | moll | musician | on-screen music | piano | playing | room | secondary dominant | source music

Sing and Like It (1934)

Liebesträume0:35:31 - Toots plays the pianoadvance plot | calm | classical music | conversing | gangster | leading lady | moll | musician | on-screen music | piano | playing | room | secondary dominant | source music

Sing and Like It (1934)

Hearts and Flowers0:36:11 - Toots plays the pianoadvance plot | conversing | gangster | leading lady | moll | musician | on-screen music | parallel period | piano | playing | popular song | room | sentimental | source music

Sing and Like It (1934)

Hi-De-Ho0:37:46 - Fenny talks with Mr. FrinkAABA structure | advance plot | boss | conversing | dancing | gangster | laughing | leading man | on-screen music | piano | source music | theater | upbeat

Sing and Like It (1934)

Makes You Forget Your Troubles1:08:27 - A man pours champagneAABA structure | announcing | boss | celebrating | common-tone diminished 7th | conversing | crowd | drinking | gangster | leading lady | moll | party | party | room | singer | source music | upbeat

Sing and Like It (1934)

At Sunset1:09:46 - The crowd leaves the partyboss | conversing | gangster | leading lady | moll | parallel double period | party | party | room | sentimental | singer | source music
Gridiron Flash (1934)Swing it Sister0:21:09 - Eddie at a partyconversing | friend | leading lady | leading man | party | popular music | room | upbeat
Hat, Coat, and Glove (1934)Tonight is Mine0:11:24 - Dorothea plays the pianoadvance plot | conversing | leading lady | leading man | mode mixture | on-screen music | piano | playing | pleasant | room | source music

Hat, Coat, and Glove (1934)

Wonderful0:39:29 - Robert tells Dorothea goodbye11th chord | ABAC structure | added-note chord | advance plot | calm | club | common-tone diminished 7th | conversing | lawyer | leading lady | leading man | meeting | self-borrowing | source music | transcribed by ear

Hat, Coat, and Glove (1934)

When You're Far Away0:41:12 - Robert talks to JerryAABA structure | advance plot | club | conversing | lawyer | leading man | meeting | pleasant | source music | suspect
Star of Midnight (1935)Midnight in Manhattan (Exotic)0:09:14 - Clay and Donna in the audienceadvance plot | altered dominant | conversing | countermelody | exotic | exotic | leading lady | leading man | mode mixture | on-screen music | score to source | source music | theater

Star of Midnight (1935)

Midnight in Manhattan (Warm)0:09:35 - Clay in the theater lobbyadvance plot | altered dominant | conversing | leading man | mode mixture | Neapolitan | score to source | sentimental | source music | theater

Star of Midnight (1935)

Swing it Sister0:10:50 - Clay talks with JimAABA structure | blackmail | blackmailing | conversing | criminal | detective | establish character | leading man | radio | room | source music | threatening | upbeat

Star of Midnight (1935)

Pop Goes the Weasel0:29:44 - Detective sitsadvance plot | cheerful | conversing | detective | inspector | leading man | music box | room | source music

Star of Midnight (1935)

Pop Goes the Weasel0:33:40 - Clay talks with Timadvance plot | cheerful | conversing | detective | leading man | music box | room | source music | suspect

Star of Midnight (1935)

What a Night0:37:08 - Clay in a restaurantABAC structure | advance plot | conversing | detective | leading lady | leading man | producer | restaurant | sentimental | source music

Star of Midnight (1935)

If This Isn't Love0:46:25 - Clay talks with DonnaABAC structure | advance plot | conversing | detective | leading lady | leading man | restaurant | sentimental | source music

Star of Midnight (1935)

Midnight in Manhattan (Restaurant)0:55:00 - Detective talks on the phoneadvance plot | conversing | detective | leading lady | leading man | parallel double period | restaurant | score to source | sentimental | source music

Star of Midnight (1935)

Midnight in Manhattan B0:55:55 - Clay and Donna talk in a restaurantadvance plot | conversing | detective | leading lady | leading man | restaurant | sentimental | source music | suspension

Star of Midnight (1935)

Midnight in Manhattan0:56:22 - Clay and Donna talk with Mr. Classonadvance plot | conversing | parallel double period | restaurant | sentimental | source music

Star of Midnight (1935)

I'm in Love All Over Again0:58:13 - Clay and Donna talk with Mr. ClassonAABA structure | advance plot | conversing | detective | leading lady | leading man | restaurant | sentimental | source music

Star of Midnight (1935)

Midnight in Manhattan (Phonograph)1:14:27 - Clay plays a record on the phonographadvance plot | conversing | detective | leading lady | leading man | parallel double period | phonograph | room | score to source | sentimental | source music

Star of Midnight (1935)

Midnight in Manhattan (Phonograph)1:19:18 - Clay goes to answer the dooradvance plot | conversing | detective | leading lady | leading man | phonograph | room | score to source | sentimental | source music

Star of Midnight (1935)

Midnight in Manhattan (Phonograph)1:20:25 - Clay goes to answer the dooradvance plot | conversing | detective | leading lady | leading man | phonograph | room | score to source | sentimental | source music

Star of Midnight (1935)

Midnight in Manhattan (Phonograph)1:21:40 - Clay enters the roomadvance plot | conversing | detective | leading lady | leading man | murderer | phonograph | room | score to source | sentimental | source music
Don’t Turn ‘em Loose (1936)Mildred Waltz0:24:13 - Bob and Letty go for a walkABA structure | advance plot | altered dominant | augmented sixth chord | calm | conversing | diminished 7th chord | gangster | imposter | leading man | love interest | street | transcribed by ear | walking | waltz

Don’t Turn ‘em Loose (1936)

Makes You Forget Your Troubles0:39:42 - Grace turns on the radioAABA structure | arriving | cheerful | common-tone diminished 7th | confronting | conversing | gangster | gun | leading man | moll | murderer | murder scene | popular music | room | source music | staring | threatening

Don’t Turn ‘em Loose (1936)

Souvenir No. 161:03:53 - John at his daughter's weddingbride | calm | conversing | father | guest | mother | pedal tone | pleasant | resolution | wedding | wedding | wedding
We're Only Human (1935)Silver Lining0:13:56 - Pete and Sally in a restaurantconversing | date | detective | flirting | gentle | leading lady | leading man | love interest | love scene | reporter | restaurant | source music

We're Only Human (1935)

Lullaby (Adagio)0:23:36 - Pete watches the car drive awayconflict | conversing | detective | diminished 7th chord | direct modulation | dissonant bass | food | leading lady | leading man | love interest | reacting | reporter | street | tense

We're Only Human (1935)

Isn't This a Night For Love (Moonlight)0:23:59 - Pete and Sally having dinnerAABA structure | conversing | date | detective | dinner | leading lady | leading man | love interest | love scene | reporter | romantic | room | source music

We're Only Human (1935)

Katie (Dolcissimo)0:30:05 - Danny talks with Peteaction scene | bank | chromatic sequence | conversing | death | detective | dying | gangster | leading man | solemn | victim

We're Only Human (1935)

Dan and Mary (Adagio)0:30:44 - Pete says goodbye to Danny11th chord | action scene | bank | conversing | death | detective | dying | gangster | leading man | solemn | victim

We're Only Human (1935)

Isn't This a Night For Love (Dance Band)0:33:11 - Pete walks into a dinerAABA structure | advance plot | arguing | conversing | detective | diner | leading lady | leading man | reporter | sentimental | source music

We're Only Human (1935)

Midnight in Manhattan (Warm)0:36:50 - Mary and Pete in a restaurantadvance plot | altered dominant | arguing | conversing | detective | leading lady | leading man | mode mixture | Neapolitan | reporter | restaurant | sentimental | source music

We're Only Human (1935)

Mildred Waltz0:46:46 - Pete looks at police sketchesABA structure | advance plot | altered dominant | augmented sixth chord | calm | conversing | detective | diminished 7th chord | leading lady | leading man | reporter | room

We're Only Human (1935)

Waiting0:47:49 - Sally leavesadvance plot | calm | conversing | departing | detective | leading lady | leading man | reporter | room
Another Face (1935)Success at any Price Transition0:00:58 - Times Square in New York Citycar | conversing | deceptive resolution | driving | establish setting | foreign key modulation | gangster | laughing | mysterious | street | sultry

Another Face (1935)

Suicide Transition0:01:57 - Gangsters arrive at doctor's officearriving | conversing | doctor | establish setting | gangster | mysterious | office | parallelism | pedal tone

Another Face (1935)

Russian Waltz (Meno) + The Iron Door0:02:11 - Gangsters talk with doctorchromatic scale | combination of themes | conversing | doctor | establish character | gangster | mysterious | nurse | office | pedal tone | tense

Another Face (1935)

Underscoring (Tense)0:02:30 - Gangster talks with nursechromatic parallelism | conversing | doctor | establish character | gangster | half-diminished 7th chord | nurse | office | tense | underscoring

Another Face (1935)

Zaroff (Molto Moderato) + The Iron Door0:02:43 - The gangsters departchromatic scale | combination of themes | conversing | departing | doctor | establish character | gangster | half-diminished 7th chord | mysterious | nurse | office | tense

Another Face (1935)

Courage (Tone Cluster)0:04:26 - Gangster all bandaged upconversing | departing | doctor | gangster | half-diminished 7th chord | mysterious | nurse | operating room | operation scene | patient | whole-tone chord

Another Face (1935)

You're an Angel0:25:47 - A man knocks on a doorAABA structure | actress | advance plot | arguing | conversing | embracing | kissing | maid | manager | proposal | room | sentimental | source music

Another Face (1935)

Old Fashioned Love0:38:13 - People at a pool partyABAB structure | actress | advance plot | conversing | crowd | diving | maid | mother | pool | room | source music | swimmer | swimming | upbeat

Another Face (1935)

I Never Saw a Better Night0:39:50 - Sheila talks with her auntAABA structure | actress | advance plot | aunt | conversing | criminal | fiancé | gangster | maid | mellow | mother | room | source music

Another Face (1935)

Boys Will Be Boys0:41:15 - The maid bakes a cakeAABA structure | actress | advance plot | aunt | conversing | criminal | diving | fiancée | gangster | maid | manager | mellow | mother | room | source music | swimming
Girl of the Rio (1932)Querida0:06:40 - Don Jose admires a womanABAC structure | arriving | celebrity | conversing | crowd | establish character | laughing | leading lady | leading man | night club | on-screen music | performing | romantic | singer | singing | source music | Spanish

Girl of the Rio (1932)

Yo Con tu Amor0:12:26 - Don Jose talks with Doloresadvance plot | celebrity | conversing | flirting | leading lady | leading man | night club | parallel double period | romantic | singer | source music | Spanish

Girl of the Rio (1932)

Was it Wrong?0:15:41 - Johnny rolls a pair of diceconversing | crowd | dancing | flirting | leading lady | leading man | love interest | lovers meet | night club | on-screen music | performing | romantic | singer | source music | syncopation | terrace | upbeat

Girl of the Rio (1932)

Baile0:23:15 - A close-up on Doloresadvance plot | conversing | dancing | departing | leading lady | manager | on-screen music | performing | room | singer | source music | upbeat

Girl of the Rio (1932)

Querida0:38:14 - Dolores sings and plays the guitarABAC structure | advance plot | conversing | crowd | leading lady | night club | on-screen music | plotting | prison | romantic | singer | singing | source music | terrace | whistling

Girl of the Rio (1932)

Querida0:48:40 - Dolores sees JohnnyABAC structure | conversing | gentle | guard | leading lady | leading man | love interest | love scene | romantic | singer | terrace
Without Honor (1949)Expressivo0:03:57 - Jane talks with Dennisadulterer | affair | conversing | establish character | leading lady | leading man | love interest | room | uneasy

Without Honor (1949)

Ecstatic0:04:07 - Jane talks with Dennisadulterer | affair | conversing | establish character | excited | leading lady | leading man | love interest | room

Without Honor (1949)

Ecstatic (Molto Expressivo)0:04:21 - Jane talks with Dennisadulterer | affair | conversing | establish character | excited | leading lady | leading man | love interest | room

Without Honor (1949)

Appassionato 20:04:37 - Jane talks with Dennisadulterer | affair | conversing | establish character | leading lady | leading man | love interest | room | uneasy

Without Honor (1949)

Molto Misterioso0:05:03 - Jane walks to the dooradulterer | affair | conversing | establish character | leading lady | leading man | love interest | mysterious | room | tense

Without Honor (1949)

Dog0:05:12 - Jane finds the dogadulterer | affair | conversing | dog | establish character | leading lady | leading man | light | love interest | mysterious | playful | room

Without Honor (1949)

Tempo di Gavotte0:05:30 - Jane talks with Dennisadulterer | affair | conversing | establish character | leading lady | leading man | light | love interest | playful | room

Without Honor (1949)

Twilight (Triste)NIF - not in filmadulterer | affair | conversing | cut from film | establish character | leading lady | leading man | love interest | room

Without Honor (1949)

Appassionato 2 (Molto Agitato)NIF - not in filmadulterer | affair | conversing | cut from film | establish character | leading lady | leading man | love interest | room

Without Honor (1949)

Twilight (Poco Agitato)NIF - not in filmadulterer | affair | conversing | cut from film | establish character | leading lady | leading man | love interest | room

Without Honor (1949)

Molto ExpressivoNIF - not in filmadulterer | affair | conversing | cut from film | establish character | leading lady | leading man | love interest | room

Without Honor (1949)

Twilight (Misterioso)NIF - not in filmadulterer | affair | conversing | cut from film | establish character | leading lady | leading man | love interest | room

Without Honor (1949)

Underscoring (Tense)0:15:21 - advance plot | calling | conversing | doorbell | fidgeting | leading lady | room | telephone | tense | underscoring | walking

Without Honor (1949)

Girl Scouts0:15:50 - Girl scouts at the dooradvance plot | child | conversing | leading lady | light | room | scout

Without Honor (1949)

Girl Scouts (Mysterious)0:16:31 - The girl scouts offer to helpadvance plot | child | conversing | leading lady | mysterious | room | scout

Without Honor (1949)

Underscoring (Tense)0:17:03 - Jane talks to the girl scoutsadvance plot | child | conversing | fidgeting | leading lady | room | scout | tense | underscoring

Without Honor (1949)

Unidentified dance tune0:19:04 - Bill turns on the radioadvance plot | antagonist | brother | conversing | leading lady | leading man | popular music | reacting | room | source music | upbeat

Without Honor (1949)

Twilight (Tense)0:21:51 - Jane cleans off Bill's sleeveantagonist | brother | cleaning | conflict | conversing | corpse | door | kitchen | leading lady | leading man | opening | tense

Without Honor (1949)

Cleaning0:21:57 - Jane cleans off Bill's sleeveantagonist | brother | cleaning | cleaning effect | conflict | conversing | corpse | door | kitchen | leading lady | leading man | mickey-mousing | tense

Without Honor (1949)

Underscoring (Tense)0:22:07 - Bill tosses the towelantagonist | brother | conflict | conversing | corpse | door | kitchen | leading lady | leading man | tense | tossing | underscoring

Without Honor (1949)

Tunes Radio0:26:26 - Bill turns on the radioantagonist | brother | conflict | conversing | leading lady | leading man | radio | room | source music | upbeat

Without Honor (1949)

Liszt Waltz0:29:28 - Bill talks to Janeantagonist | arriving | brother | calm | classical music | conflict | conversing | leading lady | leading man | radio | room | source music | taunting | wife | zoom in

Without Honor (1949)

Prelude in D-Flat Major, Op. 28, No. 15 "Raindrop"0:33:17 - Mrs. Williams talks to Janeantagonist | brother | calm | classical music | conflict | conversing | leading lady | leading man | radio | room | source music | wife

Without Honor (1949)

Unidentified dance tune 40:34:19 - Bill tunes the radioantagonist | brother | calling | conflict | conversing | dialing | leading lady | leading man | popular music | radio | room | source music | telephone | upbeat | wandering | wife

Without Honor (1949)

Underscoring (Tense)0:38:12 - Jane gets sprayed by a hoseaction scene | bus | conversing | leading lady | neighbor | street | tense | underscoring

Without Honor (1949)

Misterioso (Molto Rubato)0:43:10 - Bill talks with Fredantagonist | brother | conflict | conversing | husband | leading lady | leading man | reveal | room | secret | tense | warning

Without Honor (1949)

Expressivo (Slowly)0:43:25 - Jane walks slowly pastconflict | conversing | leading lady | reveal | room | secret | solemn | wife

Without Honor (1949)

Chromatic Clarinet0:43:47 - Jane walks slowly overconflict | conversing | leading lady | reveal | room | secret | solemn | wife

Without Honor (1949)

Triste (Appassionato)0:47:41 - Mrs. Williams talks to Janeconflict | conversing | leading lady | reveal | revealing | room | secret | solemn | wife | yelling

Without Honor (1949)

Desperation (Triste)0:48:15 - Jane sinks down slowlyconflict | conversing | descending | leading lady | realizing | reveal | room | secret | sinking | sitting | solemn | wife

Without Honor (1949)

Underscoring (Tense)0:49:48 - Bill talks to Fredantagonist | brother | conflict | conversing | husband | leading lady | leading man | reveal | room | secret | tense | thinking | wife

Without Honor (1949)

Tension (Molto Misterioso)0:50:03 - Bill stares at Janeanger | antagonist | brother | conflict | conversing | demanding | dramatic | husband | leading lady | leading man | reveal | room | secret | slapping | tense | wife

Without Honor (1949)

Twilight (Resolution)0:55:26 - Jane walks out of the orchardantagonist | brother | calm | child | conversing | husband | leading lady | leading man | orchard | resolution | scout | street

Without Honor (1949)

Doloroso0:57:10 - Mrs. Williams talks to Janeantagonist | apologizing | brother | climax | conversing | husband | leading lady | leading man | room | solemn | wife

Without Honor (1949)

Tension (Extended)0:58:12 - Mrs. Williams talks to Fred and Billantagonist | bathroom | brother | climax | conversing | forgiveness | husband | leading lady | leading man | razor blade | room | tense | wife

Without Honor (1949)

Valse Triste (Suicide)0:58:33 - Jane stares in the mirrorantagonist | attempted suicide | bathroom | brother | climax | conversing | husband | knocking | leading lady | leading man | razor blade | room | somber | suicide | wife

Without Honor (1949)

Valse Triste (Molto Appassionato)0:58:58 - Jane stares downantagonist | attempted suicide | bathroom | brother | climax | conversing | dramatic | husband | knocking | leading lady | leading man | razor blade | room | suicide | wife

Without Honor (1949)

Appassionato 2 (Molto Expressivo)0:59:06 - Jane cuts her wristantagonist | attempted suicide | bathroom | breaking | brother | climax | committing suicide | conversing | cutting | dramatic | entering | grabbing | husband | knocking | leading lady | leading man | razor blade | room | running | suicide | wife | yelling

Without Honor (1949)

Valse Triste (Tempo de Beguin)1:00:38 - Bill watches them leaveantagonist | brother | conversing | convincing | hopeful | husband | leading man | resolution | room | thinking

Without Honor (1949)

Valse Triste (Mexico)1:02:08 - Fred packs his thingsantagonist | brother | cheerful | conversing | convincing | husband | leading man | Mexican | resolution | room | thinking

Without Honor (1949)

Valse Triste (Tempo de Beguin)1:02:32 - Bill talks to Fredantagonist | brother | conversing | convincing | hopeful | husband | leading man | resolution | room | thinking
The Most Dangerous Game (1932)A Moment In The Dark0:04:39 - A picture of a hunting tripboat | conversing | establish character | friend | hunter | leading man | radio | radio | source music | upbeat

The Most Dangerous Game (1932)

Russian Waltz0:24:22 - Zaroff plays the pianobrother | castle | conversing | count | dog | drunk | establish character | leading lady | leading man | on-screen music | piano | playing | recounting | score to source | somber | source music | warning

The Most Dangerous Game (1932)

Russian Waltz (Upstairs)0:26:51 - Eve goes up the stairsadvance plot | ascending | brother | castle | conversing | count | departing | drunk | leading lady | leading man | mickey-mousing | mute | mysterious | servant | source to score | stairs | tense | walking

The Most Dangerous Game (1932)

Zaroff (Stinger)0:27:05 - A closeup on Ivanadvance plot | brother | castle | close-up | conversing | count | drunk | leading lady | leading man | mute | mysterious | servant | stinger | tense

The Most Dangerous Game (1932)

Russian Waltz (Zoom In)0:27:16 - Zaroff looks up at Eveadvance plot | brother | castle | close-up | conversing | count | departing | drunk | frantic | leading lady | leading man | mute | ominous | servant | stinger | zoom in

The Most Dangerous Game (1932)

Emotions0:29:42 - Eve comes inagitated | candle | castle | conversing | fear | leading lady | leading man | tense | turning point

The Most Dangerous Game (1932)

Emotions 20:29:59 - Eve talks with Bobagitated | candle | castle | conversing | fear | leading lady | leading man | tense | turning point

The Most Dangerous Game (1932)

The Iron Door (Mysterioso)0:30:12 - Bob talks with Evecandle | castle | conversing | foreshadowing | leading lady | leading man | mysterious | stinger | turning point

The Most Dangerous Game (1932)

Emotions 2 (Agitato)0:37:23 - Eve runs to Bobaction scene | agitated | arriving | castle | conversing | count | fear | leading lady | leading man | mute | prisoner | servant | tense | villain

The Most Dangerous Game (1932)

Russian Waltz (Meno) + The Iron Door0:37:30 - Zaroff talks about the gameaction scene | castle | combination of themes | conversing | count | leading lady | leading man | mute | prisoner | servant | tense | villain

The Most Dangerous Game (1932)

Underscoring (Tense)0:37:49 - Zaroff talks about the gameaction scene | castle | conversing | count | leading lady | leading man | mute | prisoner | servant | tense | underscoring | villain

The Most Dangerous Game (1932)

Zaroff (Molto Moderato) + The Iron Door0:38:01 - Zaroff talks about the gameaction scene | castle | combination of themes | conversing | count | leading lady | leading man | mute | prisoner | servant | tense | villain

The Most Dangerous Game (1932)

Russian Waltz (Maestoso)0:38:32 - Bob and Eve are taken to the jungleaction scene | conversing | fanfare | jungle | leading lady | leading man | mute | ominous | preparing | prisoner | releasing | servant | walking

The Most Dangerous Game (1932)

Mysterioso Dramatico0:45:01 - Bob and Eve look for Zaroffaction scene | conversing | fanfare | heroic | jungle | leading lady | leading man | preparing | tense | victim | watching

The Most Dangerous Game (1932)

Russian Waltz (Low Brass)0:45:12 - Bob talks with Eveaction scene | conversing | jungle | leading lady | leading man | preparing | tense | victim | watching

The Most Dangerous Game (1932)

Underscoring (Dramatic)0:45:41 - Bob catches Eveaction scene | agitated | catching | conversing | convincing | jungle | leading lady | leading man | tense | underscoring | victim

The Most Dangerous Game (1932)

Russian Waltz (Tense)0:48:21 - The Count talks to Bobaction scene | conversing | count | dark | gun | jungle | leading lady | leading man | taunting | tense | victim | villain
White Heat (1949)Struggle1:52:46 - Explosionagent | climax | conversing | death | dramatic | exploding | explosion | factory | fire | fugitive | gangster | leading man | murderer | police | raid

White Heat (1949)

Cody (The End)1:53:02 - Explosionagent | climax | conversing | dark | death | dramatic | exploding | explosion | factory | fire | fugitive | gangster | leading man | murderer | police | raid | The End
Caged (1950)