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1432 results for "room" in 54 films — see also bathroom | bedroom | kitchen | office

FilmTheme nameInstanceTags
All This, and Heaven Too (1940)The Duke (Quasi Mysterioso)0:14:49 - Henriette hears the Duke and Duchess arguingarriving | butler | common-chord modulation | deceptive resolution | duchess | duke | establish setting | interrupting | leading lady | leading man | mysterious | room | tense

All This, and Heaven Too (1940)

The Duchess (Agitato)0:22:02 - The Duchess argues with the Dukeagitated | arguing | chromatic scale | chromatic sequence | distressed | duchess | duke | establish character | leading lady | leading man | mode mixture | room

All This, and Heaven Too (1940)

Underscoring (Agitated)0:22:23 - The Duke rebukes the Duchessagitated | arguing | chromatic parallelism | chromatic scale | distressed | dominant 7th chord | duchess | duke | establish character | leading lady | leading man | room

All This, and Heaven Too (1940)

Rushing0:22:31 - The Duchess rushes after the Dukeagitated | arguing | augmented triad | distressed | duchess | duke | establish character | leading lady | leading man | mickey-mousing | rising | room | rushing | turn figure

All This, and Heaven Too (1940)

Pleading0:22:41 - The Duchess pleads with the Duke to stayacceleration | agitated | arguing | chromatic sequence | distressed | duchess | duke | establish character | fragmentation | leading lady | leading man | parallelism | pleading | room

All This, and Heaven Too (1940)

Desperation (Furioso)0:22:53 - The Duchess curses the Dukeagitated | arguing | dissonant bass | distressed | duchess | duke | establish character | leading lady | leading man | parallelism | pleading | priest | room | tense

All This, and Heaven Too (1940)

Fairy Tale0:23:13 - Henriette reads a fairy taleadded-note chord | book | calm | child | delicate | establish character | fairy tale | governess | leading lady | pentatonic | pleasant | room | storytelling

All This, and Heaven Too (1940)

Fairy Godmother0:23:28 - Henriette reads a fairy tale9th chord | altered dominant | book | calm | child | delicate | establish character | fairy tale | foreign key modulation | governess | leading lady | magical | pleasant | room | storytelling

All This, and Heaven Too (1940)

Henriette (Fairy Tale)0:23:50 - Henriette reads a fairy talebook | calm | child | countermelody | delicate | duke | establish character | fairy tale | governess | leading lady | leading man | magical | pleasant | room | storytelling

All This, and Heaven Too (1940)

Illness0:26:16 - The Duke asks about Raynaldadvance plot | delicate | duke | gentle | governess | leading lady | leading man | parallelism | room | worrying

All This, and Heaven Too (1940)

Henriette (Molto tranquillo)0:26:30 - The Duke talks to Henrietteadded-note chord | advance plot | conversing | countermelody | delicate | duke | gentle | governess | leading lady | room | worrying

All This, and Heaven Too (1940)

The War of the Roses0:27:13 - Henriette plays the harpsichordadvance plot | child | children's song | dancing | governess | leading lady | on-screen music | pleasant | room | singing | source music

All This, and Heaven Too (1940)

The War of the Roses0:28:23 - The girls singadvance plot | child | children's song | dancing | governess | leading lady | on-screen music | pleasant | room | singing | source music

All This, and Heaven Too (1940)

Underscoring (Tense)NIF - not in filmadvance plot | child | chromatic wedge | conversing | cut from film | duchess | governess | leading lady | room | tense | underscoring

All This, and Heaven Too (1940)

RubatoNIF - not in film9th chord | added-note chord | advance plot | arguing | child | cut from film | deceptive resolution | duchess | governess | leading lady | room | tense

All This, and Heaven Too (1940)

Desperation (Very Dramatic)NIF - not in filmadvance plot | altered dominant | arguing | child | cut from film | duchess | governess | leading lady | room | tense

All This, and Heaven Too (1940)

Underscoring (Tense)0:30:19 - Henriette dresses Raynald9th chord | advance plot | arguing | caring | child | duke | governess | illness | leading lady | leading man | room | sequence | tense | underscoring

All This, and Heaven Too (1940)

Underscoring (Gentle)0:30:34 - Henriette puts Raynald in bedadvance plot | arguing | caring | child | chromatic sequence | duke | gentle | governess | illness | leading lady | leading man | mode mixture | room | tense | underscoring

All This, and Heaven Too (1940)

Romance0:30:48 - Henriette talks with the Dukeadded-note chord | advance plot | arguing | child | duke | governess | illness | leading lady | leading man | romantic | room | sequence

All This, and Heaven Too (1940)

Henriette (Andante)0:31:04 - The Duke apologizes to Henriette9th chord | 64 chord | advance plot | apologizing | child | conversing | duke | foreign key modulation | governess | illness | leading lady | leading man | romantic | room

All This, and Heaven Too (1940)

The Duke (Tranquillo)0:31:41 - The doctor treats Raynaldadvance plot | caring | child | conversing | doctor | duke | gentle | governess | illness | leading lady | leading man | room | somber

All This, and Heaven Too (1940)

The Sick Room0:32:12 - The doctor talks to the Duke64 chord | advance plot | child | chromatic sequence | conversing | doctor | duke | fragmentation | gentle | governess | illness | leading lady | leading man | pedal tone | room

All This, and Heaven Too (1940)

Raynald0:32:53 - Henriette helps Raynaldadvance plot | caring | child | common-chord modulation | conversing | delicate | duke | gentle | governess | illness | leading lady | leading man | room | sweet

All This, and Heaven Too (1940)

Counting0:33:30 - Henriette counts tangerine slicesadvance plot | calm | child | chromatic sequence | conversing | counting | distracting | duke | governess | illness | leading lady | leading man | pc set | room | tense | wedge | zoom in

All This, and Heaven Too (1940)

Henriette (Molto Tranquillo 2)0:34:17 - Henriette comforts Raynaldadvance plot | augmented sixth chord | child | comforting | common-chord modulation | conversing | dark | delicate | duke | gentle | governess | illness | leading lady | leading man | mode mixture | parallel 63s | room | suspension

All This, and Heaven Too (1940)

Raynald (Dark)0:34:52 - Raynald talks with Henrietteadvance plot | child | comforting | conversing | dark | death | duke | foreign key modulation | governess | illness | leading lady | leading man | room

All This, and Heaven Too (1940)

Lullaby0:35:08 - Henriette sings a lullabyadvance plot | calm | caring | child | duke | gentle | governess | illness | leading lady | leading man | lullaby | room | scored source music | singing

All This, and Heaven Too (1940)

Raynald (Lullaby)0:35:24 - Henriette talks to the Dukeadvance plot | calm | caring | child | conversing | duke | gentle | governess | illness | leading lady | leading man | lullaby | mode mixture | room

All This, and Heaven Too (1940)

Lullaby0:35:39 - Henriette sings a lullabyadvance plot | calm | caring | child | duke | gentle | governess | illness | leading lady | leading man | lullaby | room | scored source music | singing

All This, and Heaven Too (1940)

Henriette (Very Emotional)0:35:57 - The Duke thanks Henrietteadvance plot | calm | child | common-chord modulation | conversing | duke | gentle | governess | illness | leading lady | leading man | mode mixture | parallel 63s | room

All This, and Heaven Too (1940)

Lullaby (Morendo)0:36:25 - Henriette sings a lullabyadvance plot | calm | caring | child | chromatic mediant | duke | gentle | governess | illness | leading lady | leading man | room | singing

All This, and Heaven Too (1940)

The Prayer0:36:36 - The Abbe prays for Raynaldchild | common-chord modulation | duke | governess | hymn-like | illness | leading lady | leading man | parallelism | praying | priest | religious scene | room | sequence | somber

All This, and Heaven Too (1940)

Underscoring (Tense)0:37:37 - They rise from prayeradded-note chord | child | chromatic scale | chromatic wedge | conversing | deceptive resolution | duchess | duke | governess | illness | leading lady | leading man | leaving | priest | religious scene | room | somber | tense

All This, and Heaven Too (1940)

The Duchess (Agitato)0:38:09 - The Duchess argues with the doctorarguing | common-chord modulation | doctor | duchess | illness | leading lady | mode mixture | religious scene | room | syncopation | tense

All This, and Heaven Too (1940)

Raynald (Adagio)0:38:26 - The doctor takes Raynald's pulse9th chord | advance plot | caring | child | chromatic scale | conversing | doctor | duke | governess | governess | illness | leading lady | leading man | room | solemn

All This, and Heaven Too (1940)

Raynald (Triste)0:39:16 - The Duke talks to Henriette64 chord | advance plot | child | conversing | duke | governess | illness | leading lady | leading man | room | somber

All This, and Heaven Too (1940)

The Duchess (Expressivo con Schmalzo)0:39:24 - The Duchess writes a letterangry | chromatic sequence | crying | despair | duchess | foreign key modulation | leading lady | mad scene | on-screen text | room | sequence | sequential modulation | writing

All This, and Heaven Too (1940)

Desperation0:39:54 - The Duchess writes a letterangry | chromatic scale | crying | despair | duchess | leading lady | mad scene | on-screen text | parallelism | room | writing

All This, and Heaven Too (1940)

Rushing0:40:15 - The Duchess rushes to the Abbeangry | arguing | augmented triad | despair | duchess | leading lady | mad scene | mickey-mousing | priest | room | turn figure

All This, and Heaven Too (1940)

Pleading (Extended)0:40:26 - The Abbe talks with the Duchess9th chord | angry | arguing | chromatic sequence | despair | duchess | fragmentation | leading lady | mad scene | oscillation | parallelism | priest | room

All This, and Heaven Too (1940)

Desperation (Very Emotional)0:41:00 - The Duchess pleads with the Abbeangry | arguing | chromatic scale | chromatic sequence | crying | despair | dissonant bass | illness | leading lady | mad scene | priest | room

All This, and Heaven Too (1940)

Raynald (Andante)0:41:36 - Henriette and the Duke by Raynald's bedside9th chord | 64 chord | augmented sixth chord | child | chromatic sequence | conversing | duke | governess | hopeful | illness | illness scene | leading lady | leading man | parallelism | room | solemn | somber

All This, and Heaven Too (1940)

Henriette (Ethereal)0:42:36 - Henriette asks to open the window9th chord | bright | child | conversing | duke | foreign key modulation | governess | half-diminished 7th chord | hopeful | illness | illness scene | leading lady | leading man | room | sequence | timid

All This, and Heaven Too (1940)

Raynald (Ethereal)0:43:04 - Raynald by the window64 chord | child | conversing | duke | governess | hopeful | illness | illness scene | leading lady | leading man | pedal tone | room

All This, and Heaven Too (1940)

Rushing 20:43:14 - The Duchess rushes into the roomarguing | child | duchess | duke | governess | half-diminished 7th chord | hurried | illness | illness scene | leading lady | leading man | mickey-mousing | room | rushing

All This, and Heaven Too (1940)

Desperation (Furioso)0:43:28 - The Duchess rushes out of the roomangry | child | despair | dissonant bass | duchess | duke | governess | hurrying | illness | illness scene | leading lady | leading man | leaving | room

All This, and Heaven Too (1940)

Desperation (Calming)0:43:35 - Henriette closes the windowcalm | caring | child | dark | dissonant bass | duke | fragmentation | governess | hopeful | illness | illness scene | leading lady | leading man | room

All This, and Heaven Too (1940)

Raynald (Tranquillo)0:43:53 - Henriette puts Raynald in bedcalm | caring | child | duke | gentle | governess | illness | illness scene | leading lady | leading man | pedal tone | room

All This, and Heaven Too (1940)

The Duchess (Molto Expressivo)0:44:33 - Henriette reads a letter from the Duchessadvance plot | common-chord modulation | governess | leading lady | letter | on-screen text | positive | reading | room

All This, and Heaven Too (1940)

The Duchess (Molto Screwieoso)0:44:50 - Henriette looks at a gift from the Duchess64 chord | advance plot | chromatic parallelism | distressed | gift | governess | leading lady | looking | opening | pedal tone | room | stinger

All This, and Heaven Too (1940)

Underscoring (Mysterious)0:46:43 - The Duchess stares at Henriettechromatic wedge | conversing | duchess | governess | leading lady | linear chromaticism | mysterious | pc set | room | transition | underscoring

All This, and Heaven Too (1940)

Henriette (Very Emotional)0:49:01 - The Duke looks at Henrietteadvance plot | child | chromatic scale | common-chord modulation | common-tone diminished 7th | conversing | delicate | duke | gentle | governess | leading lady | leading man | looking | romance | romantic | room

All This, and Heaven Too (1940)

Fanfan la Tulipe0:51:48 - Henriette plays the harpsichordadvance plot | child | dancing | duke | folk music | governess | leading lady | leading man | on-screen music | playing | room | upbeat

All This, and Heaven Too (1940)

Louise0:52:39 - Louise hugs her fatheradded-note chord | advance plot | appoggiatura | child | conversing | duke | excited | governess | happy | hugging | leading lady | leading man | mode mixture | room

All This, and Heaven Too (1940)

The Duke (Lohengrin)0:52:53 - The Duke gives Louise his roseadvance plot | calm | child | conversing | countermelody | duke | fragmentation | governess | hugging | kind | leading lady | leading man | room | sequence

All This, and Heaven Too (1940)

Louise (Poco Animato)0:53:39 - Louise talks to Henrietteadvance plot | child | conversing | excited | governess | happy | leading lady | room | sequential modulation

All This, and Heaven Too (1940)

Henriette (Poco Animato)0:53:44 - Henriette puts out the lightsadvance plot | child | conversing | excited | fragmentation | governess | happy | leading lady | room | sequential modulation

All This, and Heaven Too (1940)

Henriette (Music Box)0:54:04 - Henriette puts Louise to bedadvance plot | augmented sixth chord | calm | child | common-tone diminished 7th | conversing | goodnight | governess | happy | leading lady | lullaby | mode mixture | music box | room

All This, and Heaven Too (1940)

Gossip0:55:36 - Scissors cut a newspaper clipping9th chord | advance plot | chromatic parallelism | cutting | dissonant bass | gossiper | gossiping | harsh | minor second | newspaper | room | scissors | tense

All This, and Heaven Too (1940)

The Duchess (Broadly)0:55:55 - A newspaper clippingadvance plot | distressed | gossiper | newspaper | reading | romantic | room

All This, and Heaven Too (1940)

Henriette (Mysterioso)0:56:02 - A newspaper clippingadvance plot | gossiper | gossiping | half-diminished 7th chord | mysterious | newspaper | room | tense

All This, and Heaven Too (1940)

Underscoring (Mysterious)0:56:57 - The Duchess entersadvance plot | child | conversing | governess | half-diminished 7th chord | leading lady | maid | mysterious | room | tense | trouble | underscoring

All This, and Heaven Too (1940)

The Duchess (Arguing)1:00:32 - Henriette leavesadded-note chord | arguing | conflict | dramatic | duchess | duke | governess | leading lady | leading man | linear chromaticism | listening | romantic | room | serious | trouble

All This, and Heaven Too (1940)

Underscoring (Dramatic)1:01:03 - Henriette packs her thingsarguing | conflict | dramatic | duke | governess | leading lady | leading man | room | trouble

All This, and Heaven Too (1940)

Desperation (Very Emotional)1:01:26 - Henriette talks to the Dukearguing | chromatic sequence | conflict | dramatic | duke | governess | leading lady | leading man | room | trouble

All This, and Heaven Too (1940)

Pleading (Extended)1:01:39 - The Duke responds to Henriette9th chord | arguing | chromatic sequence | conflict | dramatic | duke | governess | leading lady | leading man | room | trouble

All This, and Heaven Too (1940)

Desperation (Very Emotional)1:02:00 - The Duke talks to Henriettearguing | chromatic scale | chromatic sequence | conflict | dissonant bass | dramatic | duke | governess | leading lady | leading man | room | trouble

All This, and Heaven Too (1940)

Henriette (Emotional)1:02:28 - The Duke talks to Henriettechromatic sequence | conflict | conversing | duke | governess | leading lady | leading man | mode mixture | romance | romantic | room

All This, and Heaven Too (1940)

Henriette (Sweepingly)1:02:57 - Henriette with tears in her eyesadded-note chord | augmented sixth chord | chromatic mediant | conflict | conversing | deceptive resolution | duke | foreign key modulation | governess | leading lady | leading man | mode mixture | pedal tone | romance | romantic | room

All This, and Heaven Too (1940)

La Parisienne (Expressivo)1:06:51 - The children prayadvance plot | calm | child | governess | leading lady | mode mixture | praying | room

All This, and Heaven Too (1940)

Henriette (Goodnight)1:06:59 - Henriette puts the children to bedadvance plot | calm | child | fragmentation | goodnight | governess | leading lady | peaceful | pedal tone | room | tucking in

All This, and Heaven Too (1940)

Isabelle1:07:33 - Isabelle criesadvance plot | augmented sixth chord | child | chromatic sequence | comforting | crying | governess | leading lady | room | sequence | serious | somber

All This, and Heaven Too (1940)

Isabelle 21:08:44 - Isabelle talks to Henrietteadvance plot | child | comforting | countermelody | crying | governess | leading lady | room | serious | somber

All This, and Heaven Too (1940)

Henriette (Gentle)1:09:26 - Isabelle talks to Henriette9th chord | advance plot | child | chromatic parallelism | comforting | crying | gentle | governess | leading lady | Neapolitan | room | sweet

All This, and Heaven Too (1940)

Henriette (Cello Solo)1:10:09 - Henriette comforts Isabelleadvance plot | child | comforting | crying | gentle | governess | leading lady | pedal tone | room

All This, and Heaven Too (1940)

The Duchess (Expressivo)1:10:42 - The Duke complains to Henrietteabrupt | advance plot | angry | chromatic parallelism | complaining | duke | governess | leading lady | leading man | room | sequential modulation

All This, and Heaven Too (1940)

Henriette (Transition)1:10:55 - The Duke talks to Henrietteadvance plot | calm | common-tone diminished 7th | conversing | duke | enharmonic modulation | governess | leading lady | leading man | room

All This, and Heaven Too (1940)

Henriette (Rubato)1:11:14 - The Duke talks to Henriette9th chord | added-note chord | advance plot | calm | conversing | duke | governess | leading lady | leading man | mode mixture | peaceful | room

All This, and Heaven Too (1940)

Henriette + Falling Snow1:12:16 - The Duke talks to Henrietteadvance plot | augmented triad | chromatic parallelism | combination of themes | conversing | duke | governess | leading lady | leading man | mickey-mousing | mode mixture | room | snow | snow globe | snowing | uneasy

All This, and Heaven Too (1940)

Falling Snow1:12:39 - Henriette watches the falling snow64 chord | advance plot | chromatic parallelism | chromatic scale | chromatic sequence | conversing | dissonant bass | duke | governess | leading lady | leading man | mickey-mousing | pedal tone | point-of-view shot | room | snow | snow globe | snowing | uneasy

All This, and Heaven Too (1940)

Henriette (Sad Waltz)1:12:55 - Henriette watches the people dancing9th chord | 64 chord | advance plot | ballroom | crowd | dancing | dissolve | governess | leading lady | pedal tone | point-of-view shot | room | somber | watching

All This, and Heaven Too (1940)

Underscoring (Dramatic)1:13:19 - Henriette watches the falling snowadvance plot | arriving | butler | dissonant bass | dramatic | duchess | duke | leading lady | leading man | outside | panning shot | pc set | point-of-view shot | room | sigh gesture | underscoring | watching

All This, and Heaven Too (1940)

The Duchess (Con Moto)1:13:45 - Henriette watches the Duke and Duchessadvance plot | dramatic | duchess | duke | leading lady | leading man | leaving | painful | point-of-view shot | room | sequential modulation | watching

All This, and Heaven Too (1940)

Desperation (Dark)1:13:56 - Henriette watches the Duke leaving9th chord | advance plot | altered dominant | dark | dissonant bass | duke | leading man | leaving | parallelism | point-of-view shot | room | watching

All This, and Heaven Too (1940)

Henriette (Agitato)1:14:39 - The Duke paces anxiously9th chord | advance plot | agitated | conflicted | dissonant bass | duke | half-diminished 7th chord | leading man | pacing | pondering | room | turbulent

All This, and Heaven Too (1940)

The Duchess (The Letter)1:14:48 - A letter is pushed under the door9th chord | advance plot | agitated | chromatic parallelism | conflicted | deceptive resolution | duke | fragmentation | leading man | letter | pacing | pondering | room | turbulent

All This, and Heaven Too (1940)

Henriette (Somber)1:15:09 - Henriette looks out the windowadvance plot | governess | leading lady | longing | pedal tone | room | somber

All This, and Heaven Too (1940)

Henriette (Quasi Agitato)1:17:45 - Henriette paces anxiouslyacceleration | advance plot | agitated | conflicted | dissonant bass | fragmentation | gift | governess | half-diminished 7th chord | leading lady | pacing | pondering | room | sequence | turbulent

All This, and Heaven Too (1940)

Henriette (Tristan)1:18:13 - Henriette opens a gift9th chord | advance plot | fragmentation | gift | governess | happy | leading lady | opening | pump-up modulation | room | snow globe

All This, and Heaven Too (1940)

Henriette + Falling Snow1:18:26 - Snow swirling in a snow globeadvance plot | calm | chromatic parallelism | combination of themes | deceptive resolution | gift | governess | leading lady | room | snow | snow globe | snowing | swirling

All This, and Heaven Too (1940)

Rushing1:19:33 - The Duchess rushes forwardangry | arguing | augmented triad | compound melody | conflict | desperate | duchess | duke | hurried | leading lady | leading man | room | rushing | turn figure

All This, and Heaven Too (1940)

Pleading (Extended 2)1:19:43 - The Duchess pleads with the Duke9th chord | acceleration | arguing | chromatic sequence | conflict | desperate | duchess | duke | fragmentation | leading lady | leading man | parallelism | room

All This, and Heaven Too (1940)

Desperation (Very Emotional)1:20:06 - The Duchess threatens the Dukearguing | augmented triad | chromatic scale | chromatic sequence | conflict | desperate | dissonant bass | duchess | duke | leading lady | leading man | room | tense | threatening

All This, and Heaven Too (1940)

Desperation (Sempre Accelerando1:20:39 - The Duke and Duchess argueacceleration | arguing | augmented triad | chromatic scale | chromatic sequence | conflict | desperate | dissonant bass | duchess | duke | leading lady | leading man | panning shot | pc set | room | screaming | tense | threatening

All This, and Heaven Too (1940)

Underscoring (Tense)1:20:55 - Henriette calms the children downcaretaker | child | conflict | crying | dissonant bass | governess | leading lady | pc set | room | tense

All This, and Heaven Too (1940)

Underscoring (Somber)1:21:26 - The Duke descends the stairschild | chromatic scale | conflict | conversing | crying gesture | descending | governess | leading lady | room | somber | tense

All This, and Heaven Too (1940)

The Duchess (Calm)1:22:05 - Henriette asks about the Duchesscalm | conflict | conversing | dissonant bass | duchess | duke | foreign key modulation | leading lady | leading man | room

All This, and Heaven Too (1940)

Henriette (Slowly)1:22:19 - The Duke bids farewell to Henriette64 chord | calm | conflict | conversing | deceptive resolution | duchess | duke | gentle | leading lady | leading man | mode mixture | room | sigh gesture

All This, and Heaven Too (1940)

Underscoring (Tender)1:26:48 - The Duke talks with the servants11th chord | 13th chord | 64 chord | added-note chord | advance plot | arriving | common-tone diminished 7th | conversing | duke | gentle | governess | leading lady | leading man | light | pentatonic | room | servant

All This, and Heaven Too (1940)

Grazioso1:27:26 - Madame Gauthier talks about the children9th chord | 64 chord | added-note chord | advance plot | cheerful | conversing | duke | governess | leading lady | leading man | room | servant

All This, and Heaven Too (1940)

Raynald1:27:35 - Madame Gauthier talks about Raynald64 chord | advance plot | cheerful | chromatic sequence | conversing | deceptive resolution | duke | governess | leading lady | leading man | room | servant

All This, and Heaven Too (1940)

Underscoring (Gentle)1:27:58 - The Duke talks to Henriette by the fireplaceadvance plot | conversing | duke | gentle | governess | leading lady | leading man | pedal tone | room

All This, and Heaven Too (1940)

Heaven Theme1:28:16 - Henriette tells the Duke about herselfadded-note chord | common-chord modulation | duke | falling in love scene | gentle | governess | leading lady | leading man | room | storytelling

All This, and Heaven Too (1940)

Triste1:28:51 - Henriette talks about a mysteryduke | falling in love scene | governess | leading lady | leading man | pedal tone | room | sigh gesture | somber | storytelling

All This, and Heaven Too (1940)

Henriette (Very Romantic)1:29:07 - Henriette talks with the Duke9th chord | altered dominant | augmented triad | conversing | duke | falling in love scene | gentle | governess | leading lady | leading man | pedal tone | romantic | room | sweet

All This, and Heaven Too (1940)

The Duchess (Agitato)1:34:41 - Henriette rushes away from the Duchesschattering | child | chromatic sequence | common-chord modulation | conflict | conversing | duchess | governess | leading lady | mode mixture | room | somber | worried

All This, and Heaven Too (1940)

Underscoring (Agitated)1:35:05 - Henriette with the childrenadvance plot | agitated | child | chromatic parallelism | chromatic scale | chromatic sequence | conversing | governess | leading lady | room | worried

All This, and Heaven Too (1940)

Spring Time (Shimmery)1:35:12 - Henriette opens a gift9th chord | 64 chord | added-note chord | advance plot | cheerful | child | conversing | foreign key modulation | gift | governess | leading lady | light | opening | room

All This, and Heaven Too (1940)

The Duchess (Distracted)1:35:21 - Henriette opens a giftadvance plot | agitated | child | conversing | gift | governess | leading lady | opening | room | worried

All This, and Heaven Too (1940)

Spring Time (Harry Cohn Moto)1:35:26 - Henriette opens a giftadvance plot | cheerful | child | chromatic sequence | gift | governess | happy | leading lady | opening | pedal tone | room | tense | unwrapping

All This, and Heaven Too (1940)

Spring Time (Moderato)1:35:45 - Henriette opens a gift9th chord | 64 chord | advance plot | augmentation | calm | child | chromatic mediant | foreign key modulation | gift | governess | leading lady | locket | opening | parallelism | room | tender

All This, and Heaven Too (1940)

Henriette (Dolschissimo)1:36:07 - Henriette reads the locket inscription64 chord | advance plot | calm | child | chromatic mediant | conversing | crying | dissonant bass | foreign key modulation | gift | governess | leading lady | locket | mode mixture | room | stinger | tender | tense

All This, and Heaven Too (1940)

Underscoring (Somber)1:37:35 - Henriette talks with the Dukechromatic scale | conversing | duke | governess | leading lady | leading man | love scene | room | somber | underscoring

All This, and Heaven Too (1940)

Expressivo1:38:15 - Henriette talks with the Dukechromatic mediant | conversing | desperate | duke | foreign key modulation | governess | leading lady | leading man | love scene | romantic | room | sequential modulation

All This, and Heaven Too (1940)

The Duchess (Tender)1:38:39 - Henriette talks with the Dukechromatic mediant | conversing | duke | foreign key modulation | gentle | governess | leading lady | leading man | love scene | room | sequential modulation | tender

All This, and Heaven Too (1940)

Desperation (Ethereal)1:38:54 - Henriette talks with the Dukeconversing | duke | ethereal | governess | leading lady | leading man | love scene | parallelism | room

All This, and Heaven Too (1940)

Henriette (Sehr Delicatessen)1:39:12 - Henriette talks with the Dukecalm | conversing | duke | gentle | governess | leading lady | leading man | love scene | room | sweet | tender

All This, and Heaven Too (1940)

Henriette (Romantic)1:39:53 - The Duke reads the locket inscription9th chord | chromatic mediant | conversing | crying | crying gesture | duke | foreign key modulation | gentle | governess | leading lady | leading man | love scene | mode mixture | romantic | room | sigh gesture | tender

All This, and Heaven Too (1940)

Underscoring (Gentle)1:41:02 - Henriette talks with the children9th chord | child | conversing | farewell scene | gentle | governess | leading lady | parallelism | pedal tone | room | tender | underscoring

All This, and Heaven Too (1940)

Raynald1:41:25 - Henriette says goodbye to the childrenchild | common-chord modulation | conversing | crying | farewell scene | foreign key modulation | gentle | governess | leading lady | room | tender

All This, and Heaven Too (1940)

Raynald (Dark)1:41:54 - Raynald talks with Henriettechild | chromatic sequence | conversing | crying | deceptive resolution | farewell scene | governess | leading lady | room | somber

All This, and Heaven Too (1940)

Lullaby (Tender)1:42:13 - Henriette says goodbye to the childrenchild | conversing | deceptive resolution | farewell scene | governess | leading lady | room | somber

All This, and Heaven Too (1940)

Henriette (Mysterioso)1:42:50 - An apartment building double exposure | half-diminished 7th chord | letter | montage | room | somber | writing

All This, and Heaven Too (1940)

Henriette (Sweepingly)1:45:32 - Henriette reads a lettercheerful | leading lady | letter | pleasant | room | transition

All This, and Heaven Too (1940)

Henriette (Appassionato 2)1:46:00 - Henriette descends the staircase9th chord | 11th chord | added-note chord | anxious | chromatic sequence | common-tone diminished 7th | descending | excited | foreign key modulation | hurrying | leading lady | not mickey-moused | room | stairs | transition | walking

All This, and Heaven Too (1940)

Henriette (Tristan)1:46:15 - Henriette greets the children9th chord | arriving | child | duke | fragmentation | grand | greeting | leading lady | leading man | pump-up modulation | reunion scene | romantic | room

All This, and Heaven Too (1940)

Henriette (Meno)1:46:24 - Henriette talks with the childrenarriving | calm | child | duke | greeting | leading lady | leading man | mode mixture | Neapolitan | reunion scene | room

All This, and Heaven Too (1940)

Henriette (Calm)1:46:38 - Henriette talks with the Dukecalm | child | conversing | duke | gentle | leading lady | leading man | reunion scene | room | uneasy

All This, and Heaven Too (1940)

Spring Time (Flowers)1:47:09 - The children give flowers to Henrietteadded-note chord | cheerful | child | conversing | leading lady | pleasant | reunion scene | room | sequential modulation

All This, and Heaven Too (1940)

Gossip 21:47:20 - Henriette sees her landlady gossiping9th chord | chromatic parallelism | dissonant bass | duke | gossiper | gossiping | harsh | landlady | leading man | minor second | reunion scene | room | tense | watching

All This, and Heaven Too (1940)

Henriette (Gossiping) + Spring Time (Gossiping)1:47:25 - Henriette's landlady talks to the Dukeawkward | child | combination of themes | common-tone diminished 7th | diminished 7th chord | duke | gossiper | gossiping | landlady | leading lady | leading man | mysterious | parallelism | pedal tone | reunion scene | room | somber | tense | watching

All This, and Heaven Too (1940)

Henriette (Tense)1:47:51 - The Duke argues with Henriettearguing | conflict | diminished 7th chord | duke | fragmentation | leading lady | leading man | pedal tone | room | tense

All This, and Heaven Too (1940)

The Duchess (Tense)1:48:04 - Henriette talks with the Dukearguing | conflict | duke | leading lady | leading man | room | sequential modulation | tense

All This, and Heaven Too (1940)

Desperation (Tense)1:48:14 - The Duke talks with Henriettechromatic parallelism | chromatic sequence | conflict | conversing | dissonant bass | duke | leading lady | leading man | room | tense

All This, and Heaven Too (1940)

Screwissimo1:48:47 - The Duke goes madchromatic scale | conflict | conversing | creepy | disturbing | duke | leading lady | leading man | madness | ominous | room | whole-tone chord

All This, and Heaven Too (1940)

Desperation (Slow)1:48:58 - The Duke leaveschromatic scale | conflict | dissonant bass | duke | leading lady | leading man | leaving | ominous | room | tense

All This, and Heaven Too (1940)

The Murder1:51:56 - The Duke advances towards the Duchessapproaching | blur | chromatic scale | climax | dark | diminished 7th chord | duchess | duke | leading lady | leading man | menacing | murder | murdering | murder scene | ominous | pc set | room | strangling

All This, and Heaven Too (1940)

Desperation (Subito)1:52:22 - Soldiers climb the stairs64 chord | ascending | conflict | landlady | leading lady | not mickey-moused | room | soldier | suspect | tense

All This, and Heaven Too (1940)

The Duchess (Dramatic)1:52:48 - Soldiers confront Henrietteaccusing | arresting | augmented sixth chord | conflict | landlady | leading lady | ominous | realizing | room | soldier | suspect | tense

All This, and Heaven Too (1940)

Henriette (Noble)2:13:19 - Henriette comes into the Duke's roomarriving | dark | death scene | detective | duke | dying | hopeful | leading lady | leading man | mode mixture | noble | prisoner | room | soldier | suspect

All This, and Heaven Too (1940)

Dying2:13:46 - The Duke in his death bedchromatic scale | conversing | death bed | death scene | detective | dissonant bass | duke | dying | leading lady | leading man | prisoner | questioning | room | sad | soldier | suspect

All This, and Heaven Too (1940)

Henriette (Duet)2:14:06 - A close-up on Henrietteappoggiatura | chromatic parallelism | conversing | death bed | death scene | deceptive resolution | detective | duke | dying | leading lady | leading man | mode mixture | prisoner | questioning | room | sad | soldier | suspect | tender

All This, and Heaven Too (1940)

Henriette (Funereal)2:14:27 - Henriette leaves the Dukeconversing | death bed | death scene | detective | duke | dying | funeral march | leading lady | leading man | Neapolitan | parallelism | pedal tone | prisoner | questioning | room | sad | sigh gesture | soldier | suspect

All This, and Heaven Too (1940)

Dying (Molto Expressivo)2:14:46 - The Duke talks to Pierrecaretaker | chromatic parallelism | confessing | conversing | death bed | death scene | diminished 7th chord | duke | dying | leading man | love | pedal tone | room | sigh gesture | somber

All This, and Heaven Too (1940)

Henriette (Confession of Love)2:15:34 - The Duke confesses his loveadded-note chord | caretaker | chromatic mediant | common-tone modulation | confessing | conversing | death bed | death scene | duke | dying | foreign key modulation | leading man | love | mode mixture | room | somber
The Amazing Dr. Clitterhouse (1938)Una Voce Poco Fa0:00:54 - A woman plays the pianocalm | leading man | listening | on-screen music | party | pianist | room | singer | singing | sneaking | source music | stealing | thief

The Amazing Dr. Clitterhouse (1938)

The Last Rose of Summer0:03:14 - A woman singscalm | doctor | folk song | Irish | leading man | listening | on-screen music | party | pianist | room | singer | singing | sneaking | source music | stealing | thief

The Amazing Dr. Clitterhouse (1938)

Eine kleine Nachtmusik0:35:00 - Phonograph plays Mozart recordadvance plot | doctor | gangster | leading man | Mozart | neutral | plotting | record player | room | source music | thief

The Amazing Dr. Clitterhouse (1938)

Eine kleine Nachtmusik0:41:57 - Phonograph plays Mozart recordadvance plot | doctor | gangster | leading man | moll | Mozart | neutral | plotting | record player | room | source music | thief

The Amazing Dr. Clitterhouse (1938)

Underscoring (Tense)0:52:15 - Policemen report the alarm9th chord | operator | reporting | robbery | room | telephone | tense

The Amazing Dr. Clitterhouse (1938)

I Wanna Go Back to Bali0:53:48 - Gangsters meet in an apartmentadvance plot | conversing | criminal | dance music | doctor | gangster | hero | leading man | lying | playful | radio | room | thief

The Amazing Dr. Clitterhouse (1938)

Doctor Leaves0:57:38 - Dr. Clitterhouse leavesadvance plot | doctor | door | exiting | gangster | hero | leading lady | leading man | leaving | linear chromaticism | opening | room | tense | wedge | whole-tone chord

The Amazing Dr. Clitterhouse (1938)

Rocks0:57:55 - Rocks has an ideaadvance plot | antagonist | gangster | plotting | room | tense

The Amazing Dr. Clitterhouse (1938)

Underscoring (Mysterious)0:57:58 - Dr. Clitterhouse talks with Joconversing | doctor | gangster | leading lady | leading man | love scene | mysterious | room | tense

The Amazing Dr. Clitterhouse (1938)

Jo0:58:18 - Dr. Clitterhouse talks with Jo13th chord | added-note chord | altered dominant | chromatic mediant | conversing | doctor | foreign key modulation | gangster | leading lady | leading man | love scene | room | sequence | tender

The Amazing Dr. Clitterhouse (1938)

Jo (At the Phone)0:59:24 - Rocks takes the phone apart9th chord | advance plot | antagonist | combination of themes | dark | gangster | leading lady | ominous | plotting | room | tense

The Amazing Dr. Clitterhouse (1938)

Underscoring (Tense)1:00:10 - Jo and Rocks quarreladvance plot | antagonist | arguing | dissonant bass | gangster | half-diminished 7th chord | leading lady | quarreling | room | tense
Angels With Dirty Faces (1938)Monday Morning0:18:15 - Rocky talks to Frazier in his officeadvance plot | cheerful | conversing | gangster | lawyer | leading man | popular music | room | source music

Angels With Dirty Faces (1938)

So Help Me (If I Don't Love You)0:19:36 - Rocky leaves the nightclubadvance plot | conversing | gangster | lawyer | leading man | popular music | room | sentimental | source music

Angels With Dirty Faces (1938)

The Gangster (Elevator Music)0:42:40 - Elevator goes upadvance plot | chromatic parallelism | elevator | gangster | half-diminished 7th chord | lawyer | leading man | mickey-mousing | rising | room | tense

Angels With Dirty Faces (1938)

Underscoring (Romantic)1:01:43 - Rocky and Laury talkaltered dominant | conversing | dissonant bass | gangster | leading lady | leading man | linear chromaticism | love scene | romantic | room | underscoring

Angels With Dirty Faces (1938)

Rocky and Laury (Sentimental)1:01:59 - Rocky and Laury talkadded-note chord | altered dominant | conversing | gangster | leading lady | leading man | love scene | parallel period | romantic | room

Angels With Dirty Faces (1938)

Foxtrot1:02:20 - Rocky and Laury look out the windowadded-note chord | altered dominant | common-tone diminished 7th | dreaming | foxtrot | gangster | hoping | leading lady | leading man | looking | love scene | mode mixture | romantic | room

Angels With Dirty Faces (1938)

The Cartoon1:04:49 - Jerry looks at newspaper cartoon of Rocky9th chord | advance plot | cartoon | chromatic parallelism | comical | leading man | priest | reading | room

Angels With Dirty Faces (1938)

The Cook1:05:06 - The cook hands a package to Jerryadvance plot | comical | conversing | cook | Irish | leading man | parallel fifths | priest | room

Angels With Dirty Faces (1938)

Sanctus (Mysterioso)1:05:33 - Jerry looks at note from Rockyadvance plot | charity | classical music | common-chord modulation | friendship | leading man | letter | mode mixture | money | mysterious | pedal tone | priest | room | sacred | source to score | thinking

Angels With Dirty Faces (1938)

Underscoring (Mysterious)1:05:58 - Jerry goes to meet Rockyadvance plot | arriving | gangster | leading man | mickey-mousing | mysterious | pedal tone | priest | room | underscoring | waiting

Angels With Dirty Faces (1938)

Underscoring (Mysterious)1:09:33 - Jerry leaves42 chord | gangster | leading man | leaving | money | montage | mysterious | priest | room | turning point

Angels With Dirty Faces (1938)

Tossing money1:09:33 - Jerry throws Rocky's money on the table42 chord | gangster | leading man | mickey-mousing | money | mysterious | priest | room | tossing | turning point

Angels With Dirty Faces (1938)

Pleading1:11:08 - Laury pleads for Rocky9th chord | advance plot | appoggiatura | circle of fifths | common-chord modulation | crying | leading lady | leading man | love interest | pleading | priest | room | somber

Angels With Dirty Faces (1938)

Jerry1:11:35 - Jerry talks to Laury9th chord | advance plot | deceptive resolution | foreign key modulation | leading lady | leading man | love interest | memory | pleading | priest | room | tender

Angels With Dirty Faces (1938)

Underscoring (Dramatic)1:16:29 - Rocky shoots Mac and Frazieragitated | attacking | casino | chaos | chasing | chromatic parallelism | chromatic scale | climbing | conflict | crowd | death | dissonant bass | dramatic | dying | escaping | falling | fighting | gangster | gun | gunshot | half-diminished 7th chord | hurrying | jumping | landing | lawyer | leading man | mickey-mousing | pedal tone | police | rooftop | room | running | sequence | shooting | sneaking | sneaky | street | tone cluster | underscoring

Angels With Dirty Faces (1938)

Mac gets shot1:16:35 - Mac gets shot and diesagitated | chromatic parallelism | chromatic scale | conflict | death | dramatic | dying | falling | gangster | gun | gunshot | lawyer | leading man | mickey-mousing | room | shooting

Angels With Dirty Faces (1938)

Breaking in1:18:11 - Rocky enters the buildingconflict | down | gangster | jumping | landing | leading man | mickey-mousing | room | sneaking | sneaky

Angels With Dirty Faces (1938)

Jerry (Triste)1:35:23 - Jerry visits the boysconversing | death | foreign key modulation | leading man | pedal tone | picardy third | priest | resolution | room | somber | teenager

Angels With Dirty Faces (1938)

Sanctus (Maestoso)1:36:06 - Jerry and the boys walk up the stairsangelic | ascending | chromatic mediant | foreign key modulation | leading man | priest | resolution | room | stairs | teenager | The End | transcendence | triumphant | up
Are These Our Children? (1931)Makes You Forget Your Troubles (Eddie Sings)0:19:30 - Eddie arrives homeadvance plot | arriving | cheerful | leading man | on-screen music | room | singing | source music | transcribed by ear

Are These Our Children? (1931)

Makes You Forget Your Troubles (Eddie Sings)0:20:44 - Eddie eatsadvance plot | cheerful | eating | humming | leading man | on-screen music | room | source music | transcribed by ear

Are These Our Children? (1931)

Makes You Forget Your Troubles (Dream Sequence)0:20:51 - Eddie dreamsadvance plot | augmented sixth chord | cheerful | double exposure | dreaming | dream sequence | eating | fragmentation | frantic | half-diminished 7th chord | humming | leading man | room | scored source music | sequence | source music

Are These Our Children? (1931)

Dreams (Whole Tone)0:21:11 - A view of the citydreaming | leading man | montage | pedal tone | room | somber | whole-tone scale

Are These Our Children? (1931)

Dreams (Montage)0:29:57 - Eddie drinksangry | diminished 7th chord | double exposure | dreaming | dream sequence | drinking | fragmentation | gun | hectic | leading man | montage | pedal tone | room | sequence

Are These Our Children? (1931)

Makes You Forget Your Troubles (Listesso Tempo)0:30:13 - Eddie commits a crimeangry | chromatic scale | double exposure | dreaming | dream sequence | fragmentation | hectic | leading man | montage | room

Are These Our Children? (1931)

Moonbeams (Flashback)0:30:18 - Eddie dances with Flodance hall | dancing | double exposure | dream sequence | flashback | hectic | leading man | love interest | montage | room | waltz

Are These Our Children? (1931)

Humming0:31:57 - Heinie humsadvance plot | calm | humming | old man | room | source music

Are These Our Children? (1931)

St. James Infirmary0:41:24 - Young people lounging aroundadvance plot | Dixieland | friend | lazy | leading man | lounging | love interest | murderer | radio | room | source music

Are These Our Children? (1931)

St. James Infirmary0:42:08 - Young people talkingadvance plot | conversing | Dixieland | friend | lazy | leading man | love interest | murderer | radio | room | source music

Are These Our Children? (1931)

Dreams (Newspaper Montage)0:45:04 - Newspaper headlinesaugmentation | comforting | common-chord modulation | crying | double exposure | grandmother | headline | love interest | mickey-mousing | montage | newspaper | room | somber | spinning

Are These Our Children? (1931)

Dreams (Risoluto 2)0:53:55 - Newspaper headlinesadvance plot | arresting | dark | detective | double exposure | fragmentation | friend | headline | leading man | love interest | murderer | newspaper | ominous | room | sequential modulation | spinning | thematic transformation | underscoring
Arsenic and Old Lace (1944)Rondo Alla Turca0:06:25 - Teddy plays the harpsichordaunt | brother | classical music | conversing | crazy person | establish character | harpsichord | leading lady | old man | on-screen music | playing | room | source music | upbeat | victim

Arsenic and Old Lace (1944)

The Aunts0:09:05 - Aunt Abby scurries across the roomaunt | crazy person | delicate | establish character | foreign key modulation | gentle | harmonic sequence | hurrying | leading lady | room | scurrying

Arsenic and Old Lace (1944)

Happy Land (Lento)0:09:11 - Reverend talks about the Brewster sistersadded-note chord | aunt | brother | calm | conversing | crazy person | establish character | familiar tune | gentle | kindness | leading lady | old man | room | victim

Arsenic and Old Lace (1944)

Happy Land (Lento)0:12:31 - The aunts talkadvance plot | aunt | brother | conversing | crazy person | familiar tune | foreign key modulation | gentle | leading lady | mysterious | plotting | room | sequence | tender | whole-tone chord | whole-tone scale

Arsenic and Old Lace (1944)

The Aunts (Grazioso Con Moto)0:13:16 - The aunts talkadvance plot | aunt | brother | cheerful | conversing | crazy person | delicate | foreign key modulation | gentle | harmonic sequence | leading lady | plotting | room

Arsenic and Old Lace (1944)

Happy Land (Grazioso)0:13:34 - The aunts talkadvance plot | aunt | conversing | leading lady | magical | plotting | room | whole-tone chord

Arsenic and Old Lace (1944)

Wind blowing0:13:48 - Wind blows the curtains at the windowadvance plot | aunt | blowing | chromatic parallelism | leading lady | looking | mysterious | room | wind | wind effect

Arsenic and Old Lace (1944)

The Aunts (Allegretto)0:13:52 - The aunts run to the windowadvance plot | aunt | cheerful | harmonic sequence | leading lady | mode mixture | pedal tone | room | running

Arsenic and Old Lace (1944)

Opens window0:13:59 - The aunts open the windowadvance plot | aunt | half-diminished 7th chord | leading lady | mickey-mousing | opening | raising | room | upbeat | window

Arsenic and Old Lace (1944)

Here Comes the Bride (Full)0:14:00 - Elaine appears in the windowaunt | bride | cheerful | chromatic mediant | common-chord modulation | conversing | crazy person | familiar tune | greeting | groom | leading lady | leading man | love | love scene | on-screen music | pleasant | room | score to source | source music | street | whistling

Arsenic and Old Lace (1944)

Here Comes the Bride0:17:02 - Mortimer whistlesaunt | cheerful | familiar tune | groom | leading lady | leading man | love | love scene | on-screen music | room | source music | whistling

Arsenic and Old Lace (1944)

Break the News to Mother0:18:44 - Teddy singsadvance plot | aunt | brother | cheerful | crazy person | familiar tune | groom | leading lady | leading man | on-screen music | room | singing | source music | war song

Arsenic and Old Lace (1944)

Jonathan0:18:54 - Jonathan Brewster's picture is shownadvance plot | aunt | conversing | diminished 7th chord | groom | leading lady | leading man | ominous | pc set | picture | room | sinister | stinger

Arsenic and Old Lace (1944)

Here Comes the Bride0:19:52 - Mortimer at the window seatadvance plot | familiar tune | groom | leading man | on-screen music | room | source music | upbeat | whistling

Arsenic and Old Lace (1944)

Happy Land0:20:06 - Abby singsadvance plot | aunt | cheerful | familiar tune | groom | leading lady | leading man | on-screen music | room | score to source | sequence | singing | source music

Arsenic and Old Lace (1944)

Jonathan0:23:14 - Mortimer reacts to the revealcalling | conversing | dialing | diminished 7th chord | groom | leading man | ominous | pc set | quartal chord | reveal | room | sinister | stinger | telephone effect | thinking | turning point

Arsenic and Old Lace (1944)

Here Comes the Bride (Elaine Whistles)0:23:44 - Elaine whistles out of her windowagitated | bride | cheerful | chromatic scale | dark | diminished 7th chord | familiar tune | groom | leading lady | leading man | on-screen music | room | scored source music | source music | turning point | whistling

Arsenic and Old Lace (1944)

Here Comes the Bride (Running)0:23:58 - Mortimer runs to the door9th chord | 13th chord | aunt | bride | child | chromatic scale | crazy person | dark | familiar tune | groom | Halloween | intervallic expansion | leading lady | leading man | murderer | room | running | rushing | source music | source to score | trick-or-treating | turning point

Arsenic and Old Lace (1944)

Happy Land0:24:16 - Abby, Martha, and Mortimer in the kitchenadvance plot | aunt | cheerful | child | crazy person | familiar tune | groom | leading lady | leading man | murderer | on-screen music | room | singing | source music

Arsenic and Old Lace (1944)

Here Comes the Bride0:26:22 - Elaine whistles on the phoneadvance plot | bride | cheerful | familiar tune | groom | leading lady | leading man | on-screen music | room | source music | telephone | whistling

Arsenic and Old Lace (1944)

Break the News to Mother0:29:30 - Mortimer listens to Teddy singadvance plot | brother | cheerful | crazy person | familiar tune | groom | leading man | on-screen music | room | singing | source music

Arsenic and Old Lace (1944)

Here Comes the Bride0:31:04 - Elaine whistles in Mortimer's earadvance plot | bride | cheerful | familiar tune | groom | leading lady | leading man | on-screen music | room | source music | whistling

Arsenic and Old Lace (1944)

The Aunts0:39:01 - The aunts talkadvance plot | aunt | cleaning | conversing | crazy person | foreign key modulation | harmonic sequence | leading lady | murderer | room | upbeat

Arsenic and Old Lace (1944)

Happy Land (Screwyoso)0:39:06 - The aunts talkadded-note chord | advance plot | altered dominant | aunt | calm | cleaning | conversing | crazy person | familiar tune | hat | leading lady | murderer | ominous | room | stinger | suspension

Arsenic and Old Lace (1944)

Happy Land (String Quartet)0:39:28 - The aunts set the tableadvance plot | aunt | cleaning | conversing | crazy person | direct modulation | evaded cadence | familiar tune | hymn-like | leading lady | murderer | peaceful | room

Arsenic and Old Lace (1944)

The Aunts (Frightened)0:39:58 - The aunts see shadows at the dooraugmentation | aunt | conversing | crazy person | dark | establish character | fear | foreign key modulation | fragmentation | knocking | leading lady | murderer | mysterious | Neapolitan | ominous | parallel 63s | pedal tone | room | shadow | whispering

Arsenic and Old Lace (1944)

Jonathan 20:40:30 - Jonathan enters the housearriving | chromatic scale | chromatic wedge | close-up | criminal | dark | dissonant bass | establish character | leading man | observing | ominous | pc set | room | walking | zoom in

Arsenic and Old Lace (1944)

Scar0:40:54 - The scar on Jonathan's faceclose-up | criminal | dark | establish character | horn flare | leading man | observing | ominous | pc set | polychord | room | scar

Arsenic and Old Lace (1944)

Home Sweet Home (Ominous)0:41:03 - Jonathan looks around the houseadded-note chord | augmented triad | brother | conversing | crazy person | criminal | dark | dissonant bass | distortion | doctor | establish character | familiar tune | leading man | observing | ominous | room

Arsenic and Old Lace (1944)

Scar (Misterioso)0:41:31 - They see the foodbrother | conversing | crazy person | criminal | doctor | establish character | leading man | mysterious | observing | pc set | polychord | room

Arsenic and Old Lace (1944)

Home Sweet Home (Expressivo) + Scar0:41:42 - Abby talks to Jonathanaltered dominant | augmented triad | aunt | brother | combination of themes | conversing | convincing | crazy person | criminal | distortion | doctor | establish character | expressive | familiar tune | leading lady | leading man | murderer | mysterious | ominous | room

Arsenic and Old Lace (1944)

Underscoring (Tense)0:42:08 - Jonathan talks to the auntsaunt | brother | conversing | crazy person | criminal | doctor | establish character | leading lady | leading man | murderer | mysterious | parallelism | room | tense | underscoring

Arsenic and Old Lace (1944)

Scar (Face)0:42:29 - Jonathan talks about his scaraugmented triad | aunt | brother | chromatic parallelism | conversing | crazy person | criminal | doctor | establish character | fragmentation | leading lady | leading man | murderer | mysterious | pc set | polychord | room | scar | tense

Arsenic and Old Lace (1944)

Mysterioso Pizzicato0:42:41 - Martha talks about scary moviesaunt | brother | conversing | crazy person | criminal | dissonant bass | doctor | establish character | familiar tune | leading lady | leading man | murderer | mysterious | room | scar | silent film music

Arsenic and Old Lace (1944)

Underscoring (Tense)0:42:56 - Jonathan glares at Dr. Einsteinaunt | brother | conversing | crazy person | criminal | diminished 7th chord | doctor | establish character | leading lady | leading man | murderer | oscillation | room | scar | tense

Arsenic and Old Lace (1944)

Jonathan 20:43:08 - Jonathan talks about the operationaunt | brother | chromatic scale | chromatic wedge | crazy person | criminal | dark | dissonant bass | doctor | establish character | grabbing | leading lady | leading man | murderer | ominous | pc set | room | struggling | threatening

Arsenic and Old Lace (1944)

Scar0:43:20 - Dr. Einstein talks to the auntsaunt | brother | conversing | crazy person | criminal | dark | doctor | establish character | leading lady | leading man | murderer | ominous | pc set | polychord | room

Arsenic and Old Lace (1944)

Home Sweet Home (Ominous)0:43:28 - Dr. Einstein talks to the auntsadded-note chord | altered dominant | aunt | brother | conversing | crazy person | criminal | distortion | doctor | establish character | familiar tune | leading lady | leading man | murderer | room | split-fifth chord | tense

Arsenic and Old Lace (1944)

Home Sweet Home (Tranquillo)0:43:40 - Jonathan sits downaugmented triad | aunt | brother | calm | chromatic parallelism | conversing | crazy person | criminal | direct modulation | distortion | doctor | establish character | familiar tune | leading lady | leading man | murderer | pedal tone | room

Arsenic and Old Lace (1944)

The Aunts (Frightened)0:44:00 - The aunts go into the kitchenaugmentation | aunt | brother | conversing | crazy person | criminal | doctor | establish character | fear | foreign key modulation | fragmentation | leading lady | leading man | murderer | mysterious | Neapolitan | ominous | parallel 63s | pedal tone | room | walking | watching

Arsenic and Old Lace (1944)

The Aunts (Frightened)0:45:22 - The aunts peek through the kitchen windowaunt | brother | conversing | crazy person | criminal | doctor | establish character | face | fear | leading lady | leading man | murderer | mysterious | Neapolitan | ominous | parallel 63s | pedal tone | room | snooping | watching

Arsenic and Old Lace (1944)

Scar0:45:29 - Dr. Einstein describes how he will fix Jonathan's faceaunt | brother | conversing | crazy person | criminal | dark | doctor | establish character | face | leading lady | leading man | murderer | ominous | pc set | planning | polychord | room | wipe

Arsenic and Old Lace (1944)

Jonathan 20:49:12 - Jonathan threatens the auntsadvance plot | aunt | brother | chromatic scale | chromatic wedge | crazy person | criminal | dark | dissonant bass | doctor | fear | leading lady | leading man | murderer | ominous | pc set | room | threatening

Arsenic and Old Lace (1944)

Scar0:49:36 - Dr. Einstein calls to Jonathanadvance plot | aunt | brother | crazy person | criminal | dark | doctor | fear | leading lady | leading man | murderer | ominous | pc set | polychord | room | threatening

Arsenic and Old Lace (1944)

Underscoring (Tense)0:49:45 - Jonathan follows Dr. Einsteinadvance plot | altered dominant | brother | conversing | crazy person | criminal | digging | dissonant bass | doctor | familiar tune | leading man | march | murderer | on-screen music | patriotic tune | pc set | plotting | room | source and scoring overlap | tense | tone cluster | whistling

Arsenic and Old Lace (1944)

When Johnny Comes Marching Home0:49:45 - Dr. Einstein spies on Teddyadvance plot | brother | crazy person | criminal | dark | digging | doctor | familiar tune | leading man | march | murderer | on-screen music | patriotic tune | room | source and scoring overlap | tense | whistling

Arsenic and Old Lace (1944)

Scar (Dark)0:50:14 - Jonathan and Dr. Einstein watch Teddy digadvance plot | brother | conversing | crazy person | criminal | dark | digging | dissonant bass | doctor | familiar tune | leading man | march | murderer | on-screen music | patriotic tune | room | source and scoring overlap | watching | whistling

Arsenic and Old Lace (1944)

The Aunts (Frightened)0:50:20 - Jonathan and Dr. Einstein talkadvance plot | brother | crazy person | criminal | digging | doctor | familiar tune | leading man | march | murderer | Neapolitan | on-screen music | parallel 63s | patriotic tune | pedal tone | plotting | room | source and scoring overlap | tense | whistling

Arsenic and Old Lace (1944)

The Aunts (Grazioso Con Moto)0:52:20 - The aunts move through the kitchenadvance plot | aunt | calm | conversing | crazy person | foreign key modulation | harmonic sequence | leading lady | murderer | pleasant | room

Arsenic and Old Lace (1944)

Wind blowing 20:52:32 - The aunts walk to the windowadvance plot | aunt | blowing | chromatic parallelism | crazy person | half-diminished 7th chord | leading lady | looking | murderer | mysterious | room | wind | wind effect | window

Arsenic and Old Lace (1944)

Stinger0:52:41 - Jonathan suddenly appears at the windowadvance plot | aunt | brother | crazy person | dramatic | harsh | leading lady | leading man | murderer | opening | room | stinger | surprise | whole-tone chord | window

Arsenic and Old Lace (1944)

Jonathan 20:52:48 - Jonathan comes in the windowadvance plot | aunt | brother | chromatic scale | chromatic wedge | crazy person | dark | darkness | dissonant bass | doctor | intimidating | leading lady | leading man | murderer | ominous | pc set | room | staring | tense

Arsenic and Old Lace (1944)

Jonathan (Fragmented)0:53:35 - Jonathan and the doctor go up the stairsadvance plot | aunt | brother | conversing | crazy person | dark | darkness | doctor | fragmentation | intimidating | leading lady | leading man | murderer | ominous | pc set | room | tense

Arsenic and Old Lace (1944)

The Aunts0:53:55 - Aunt Abby goes to the front dooradvance plot | aunt | brother | calm | crazy person | darkness | harmonic sequence | leading lady | leading man | murderer | room | silhouette | staring | upbeat | walking

Arsenic and Old Lace (1944)

Underscoring (Mysterious)0:54:01 - Aunt Abby goes up the stairsadvance plot | aunt | brother | crazy person | darkness | intimidating | leading lady | leading man | murderer | mysterious | room | silhouette | staring | underscoring

Arsenic and Old Lace (1944)

The Aunts (Molto Misterioso)0:54:12 - Aunt Abby faces Jonathanadvance plot | aunt | brother | crazy person | darkness | foreign key modulation | fragmentation | intimidating | leading lady | leading man | murderer | mysterious | parallel 63s | pedal tone | room | staring | walking

Arsenic and Old Lace (1944)

Underscoring (Tense)0:54:30 - Jonathan goes up the stairsadvance plot | brother | crazy person | darkness | leading man | murderer | mysterious | room | sneaking | tense | tone cluster | underscoring | walking

Arsenic and Old Lace (1944)

Happy Land (Dirge)0:54:54 - Teddy looks for the body in the darkadvance plot | brother | corpse | crazy person | creaking | darkness | dirge | familiar tune | mysterious | opening | pc set | room | sneaking | tense | walking | whole-tone chord

Arsenic and Old Lace (1944)

Funeral March0:55:21 - Teddy carries the body down the stairsadvance plot | brother | carrying | chromatic scale | corpse | crazy person | darkness | diminution | dirge | familiar tune | foreign key modulation | funeral march | linear chromaticism | ominous | ostinato | room | tritone | walking

Arsenic and Old Lace (1944)

Underscoring (Dark)0:56:27 - Einstein looks around in the darkadvance plot | brother | crazy person | dark | darkness | descending | doctor | leading man | match | murderer | plotting | room | sneaking | underscoring

Arsenic and Old Lace (1944)

Blows out match0:56:48 - Einstein blows out the matchadvance plot | blowing | brother | crazy person | darkness | doctor | extinguishing | leading man | match | mickey-mousing | murderer | room | tense | whole-tone scale

Arsenic and Old Lace (1944)

Jonathan 2 (Dark)0:57:04 - Jonathan exitsadvance plot | brother | chromatic scale | chromatic wedge | conversing | crazy person | dark | darkness | dissonant bass | doctor | falling | leading man | murderer | mysterious | pc set | polychord | room | stinger

Arsenic and Old Lace (1944)

Underscoring (Tense)0:58:10 - Someone knocks at the dooradvance plot | brother | chromatic scale | conversing | corpse | crazy person | darkness | doctor | knocking | leading man | murderer | pc set | room | sequence | sneaking | tense | underscoring

Arsenic and Old Lace (1944)

Here Comes the Bride (Tense)0:58:28 - Elaine comes in the dooradvance plot | bride | calling | darkness | entering | familiar tune | half-diminished 7th chord | leading lady | room | sequence | sneaking | tense

Arsenic and Old Lace (1944)

Scar (Tense)0:58:39 - Close-up on Dr. Einstein's faceadvance plot | bride | brother | calling | close-up | crazy person | darkness | doctor | entering | fear | fragmentation | leading lady | leading man | murderer | polychord | room | sneaking | tense

Arsenic and Old Lace (1944)

Jonathan 20:58:55 - Jonathan emerges from the shadowsadvance plot | bride | brother | chromatic scale | chromatic wedge | conversing | crazy person | darkness | dissonant bass | doctor | fear | leading lady | leading man | murderer | pc set | questioning | room | sinister

Arsenic and Old Lace (1944)

Jonathan 2 (Ominous)1:00:36 - Jonathan backs Elaine into a corneradvance plot | anger | augmented triad | bride | brother | chromatic scale | crazy person | dissonant bass | doctor | fear | hurting | leading lady | leading man | murderer | ominous | polychord | questioning | room | stinger | tense | threatening

Arsenic and Old Lace (1944)

Underscoring (Dramatic)1:01:21 - They take Elaine into the cellar9th chord | aunt | bride | brother | chromatic scale | conflict | crazy person | darkness | diminished 7th chord | doctor | dramatic | fear | fighting | gagging | harmonic sequence | leading lady | leading man | metric dissonance | murderer | oscillation | room | running | self-borrowing | struggling | suspenseful | underscoring

Arsenic and Old Lace (1944)

Organ Stinger1:01:40 - Aunts emerge in black upstairsarguing | aunt | brother | conflict | crazy person | leading lady | leading man | murderer | ominous | room | stinger

Arsenic and Old Lace (1944)

The Aunts (Frightened)1:01:49 - Aunts talk to Jonathanarguing | aunt | brother | conflict | crazy person | fear | fragmentation | leading lady | leading man | murderer | Neapolitan | parallel 63s | pedal tone | room | tense

Arsenic and Old Lace (1944)

Symphony No. 5: I1:27:02 - Teddy plays the bugleadvance plot | crazy person | familiar tune | groom | leading man | playing | room | singing | startled

Arsenic and Old Lace (1944)

Molto Agitato1:29:57 - Jonathan ties Mortimer to a chair9th chord | brother | captive | chromatic parallelism | conflict | crazy person | diminished 7th chord | doctor | dramatic | fear | gagging | leading man | mickey-mousing | murderer | room | stinger | tying | victim

Arsenic and Old Lace (1944)

The Victim1:30:11 - Mortimer tied up in a chairbrother | captive | conflict | crazy person | doctor | fear | leading man | murderer | ominous | parallel fifths | quartal chord | room | tense | tone cluster | torturing | tritone | victim

Arsenic and Old Lace (1944)

Knives1:31:05 - Mortimer looks at the knivesacceleration | brother | captive | chromatic parallelism | close-up | conflict | crazy person | diminution | doctor | fear | layering | leading man | murderer | ominous | oscillation | ostinato | pc set | polychord | room | tense | tone cluster | torturing | victim

Arsenic and Old Lace (1944)

Panic1:31:48 - Einstein agrees to do the torturealcohol | brother | captive | chromatic parallelism | chromatic scale | conflict | crazy person | doctor | dramatic | fear | leading man | murderer | oscillation | panicked | panicking | polychord | room | sequence | split-third chord | tense | torturing | victim

Arsenic and Old Lace (1944)

Scar (Fast)1:32:11 - Einstein finds some winealcohol | brother | captive | conflict | crazy person | doctor | dramatic | fear | hurrying | leading man | murderer | panicking | polychord | room | tense | torturing | victim

Arsenic and Old Lace (1944)

How Dry I Am (Mysterious)1:32:25 - Einstein and Jonathan start to drink the winealcohol | brother | captive | conflict | crazy person | doctor | drinking | familiar tune | fear | leading man | murderer | mysterious | polychord | room | victim | whole-tone chord

Arsenic and Old Lace (1944)

Underscoring (Tense)1:32:35 - They toast to Mortimeralcohol | brother | captive | clinking | conflict | crazy person | doctor | fear | glass effect | leading man | murderer | mysterious | pc set | polychord | room | tense | toasting | underscoring | victim

Arsenic and Old Lace (1944)

Bugle Call1:32:56 - Teddy plays the buglebrother | bugle | bugle call | captive | conflict | crazy person | doctor | dramatic | fear | leading man | murderer | on-screen music | playing | room | source music | victim

Arsenic and Old Lace (1944)

Bugle Call1:49:14 - Mortimer blows the buglebugle | bugle call | climax | dramatic | leading man | on-screen music | playing | room | source music

Arsenic and Old Lace (1944)

Happy Land1:50:41 - Mortimer singsbugle call | climax | leading man | on-screen music | room | singing | source music | upbeat
Beyond the Forest (1949)Rosa (Grazioso)0:15:01 - Rosa enters the lodgeadvance plot | arriving | cheerful | leading lady | room | wife | working

Beyond the Forest (1949)

Hurrying0:15:09 - Rosa lights a fireadvance plot | hurrying | leading lady | room | upbeat | wife | working

Beyond the Forest (1949)

Rosa (Grazioso)0:15:23 - Rosa gets a drinkadvance plot | hurrying | leading lady | room | upbeat | wife | working

Beyond the Forest (1949)

Hurrying0:15:35 - Rosa carries a drinkadvance plot | hurrying | leading lady | room | upbeat | wife | working

Beyond the Forest (1949)

Loyalton 2 (Andante)0:22:47 - Lewis helps a patientadvance plot | doctor | gentle | healing | helping | leading man | patient | room | sickness | somber | tender

Beyond the Forest (1949)

Underscoring (Gentle)0:23:29 - Lewis arrives homeadvance plot | arriving | doctor | gentle | leading man | room | tender | underscoring

Beyond the Forest (1949)

Lewis (Triste)0:23:53 - Lewis at homeadvance plot | arriving | doctor | leading man | room | tender | tense

Beyond the Forest (1949)

Courthouse (Agitato Quasi Rubato)0:31:12 - Rosa arrives homeadvance plot | angry | arriving | leading lady | room | upset | yelling

Beyond the Forest (1949)

Rosa (Sombre)0:32:36 - Rosa walks awayadvance plot | leading lady | room | somber | sulking | tense | upset | walking

Beyond the Forest (1949)

Chicago (Molto Expressivo)0:37:20 - Rosa sees the mink coatadvance plot | coat | contemplating | expressive | familiar tune | jealousy | leading lady | popular tune | room | wife

Beyond the Forest (1949)

Chicago (Misterioso)0:38:47 - Rosa lights a matchadvance plot | contemplating | dramatic | familiar tune | jealousy | leading lady | obsession | obsessive | passage of time | popular tune | room | smoking | tense | wife

Beyond the Forest (1949)

Rosa (Slower)0:39:05 - Rosa in bedadvance plot | calm | contemplating | dark | leading lady | leading man | panning shot | restlessness | room | smoking | wife

Beyond the Forest (1949)

Running (Quasi Misterioso)0:42:06 - Rosa looks through the account bookadvance plot | leading lady | mysterious | ominous | reading | room | wife | writing

Beyond the Forest (1949)

Lewis (Moderato Quasi Rubato)0:42:23 - Lewis talks to some menadvance plot | calm | conversing | doctor | leading man | room | somber | source and scoring overlap | street | townsfolk | walking | warm

Beyond the Forest (1949)

Chicago0:43:37 - Rosa sewsadvance plot | arriving | familiar tune | leading lady | leading man | on-screen music | popular tune | room | score to source | sewing | singing | source and scoring overlap | source music | upbeat | wife

Beyond the Forest (1949)

Hurrying (Molto Agitato)0:44:13 - Rosa picks up the moneyfrantic | grabbing | hurried | leading lady | money | room | transition

Beyond the Forest (1949)

Rosa (Molto Tranquillo)0:57:36 - Lewis opens the doorarriving | calm | dark | doctor | leading lady | leading man | reunion scene | room | wife

Beyond the Forest (1949)

Lewis (Tender)0:58:28 - Lewis takes care of Rosacalm | conversing | doctor | kissing | leading lady | leading man | reunion scene | room | tender | wife

Beyond the Forest (1949)

Whisper While You’re Waltzing1:01:34 - People at a partyconversing | crowd | dance scene | doctor | eating | folk music | gentle | leading lady | leading man | on-screen music | party | playing | room | source music | waltz | wife

Beyond the Forest (1949)

For He’s a Jolly Good Fellow1:02:12 - Folk musiciansarriving | cake | cheerful | conversing | crowd | dance scene | doctor | familiar tune | leading lady | leading man | love interest | musician | on-screen music | party | playing | room | singing | source music | tuning | wife | wind

Beyond the Forest (1949)

The Arkansas Traveler1:02:55 - Folk musicianscrowd | dancer | dance scene | dancing | doctor | folk music | leading lady | leading man | love interest | musician | on-screen music | party | playing | room | singing | source music | square dance caller | square dance music | upbeat | wife

Beyond the Forest (1949)

Portland Fancy1:03:11 - People dancingcrowd | dancer | dance scene | dancing | doctor | folk music | leading lady | leading man | love interest | musician | on-screen music | party | playing | room | singing | source music | square dance caller | square dance music | upbeat | wife

Beyond the Forest (1949)

Devil’s Dream1:03:26 - People dancingcrowd | dancer | dance scene | dancing | doctor | folk music | leading lady | leading man | love interest | musician | on-screen music | party | playing | room | singing | source music | square dance caller | square dance music | upbeat | wife

Beyond the Forest (1949)

Little Brown Jug1:03:57 - People dancingcrowd | dancer | dance scene | dancing | doctor | folk music | leading lady | leading man | love interest | musician | on-screen music | party | playing | room | singing | source music | square dance caller | square dance music | upbeat | wife

Beyond the Forest (1949)

Varsovienne1:04:52 - Moose talks with Mr. Latimerconversing | dance scene | folk music | friend | friend | leading lady | leading man | love interest | on-screen music | party | plotting | proposal | room | sneaking | source music | square dance music | upbeat

Beyond the Forest (1949)

Underscoring (Dramatic)1:08:24 - Moose warns Rosaanger | dramatic | friend | harsh | leading lady | observing | room | stinger | turning point | underscoring | warning | warning

Beyond the Forest (1949)

Chicago (Harmonics)1:08:31 - Rosa reacts to Moose's warninganger | angry | contemplating | familiar tune | harsh | leading lady | ominous | popular tune | reacting | room | turning point

Beyond the Forest (1949)

Underscoring (Dramatic)1:08:36 - Rosa hits the tableanger | angry | contemplating | dramatic | harsh | hitting | leading lady | pounding | reacting | room | turning point | underscoring

Beyond the Forest (1949)

Rosa (Violent)1:08:54 - Rosa slowly turnsanger | angry | contemplating | harsh | leading lady | ominous | reacting | room | turning point

Beyond the Forest (1949)

Rosa (Violent) + Chicago1:09:01 - Rosa heads outsideanger | angry | combination of themes | contemplating | departing | familiar tune | harsh | leading lady | ominous | popular tune | reacting | room | turning point

Beyond the Forest (1949)

Rosa (Heavy)1:12:58 - Rosa and Lewis drive awayarriving | departing | dramatic | funeral | husband | leading lady | leading man | murderer | room | somber | transition | victim

Beyond the Forest (1949)

Lewis (Crescendo)1:13:15 - Rosa and Lewis at homearriving | calm | conversing | dark | dramatic | husband | leading lady | leading man | murderer | room | transition | victim | yelling

Beyond the Forest (1949)

Threat1:16:14 - Rosa lunges forwardadvance plot | dark | harsh | leading lady | lunging | murderer | ominous | room | staring | stinger | threatening | violent

Beyond the Forest (1949)

Underscoring (Mysterious)1:16:20 - Rosa stares out the windowadvance plot | departing | leading lady | maid | murderer | mysterious | plotting | room | street | underscoring | walking | watching

Beyond the Forest (1949)

Running (A Little Heavier)1:16:28 - Rosa heads downstairsadvance plot | hurrying | leading lady | murderer | mysterious | plotting | room | tense

Beyond the Forest (1949)

Rosa (Listesso)1:16:48 - Rosa takes the maid's thingsadvance plot | dark | disguise | dressing | harsh | leading lady | murderer | ominous | room | stealing | violent

Beyond the Forest (1949)

Rosa (Molto Tranquillo 2)1:20:12 - Rosa in bedadvance plot | calm | leading lady | murderer | recovering | resting | room | sickness | sleeping | sultry | waking

Beyond the Forest (1949)

Chicago (Molto Tranquillo)1:20:35 - Rosa in bedadvance plot | banging | calm | familiar tune | leading lady | maid | murderer | popular tune | recovering | resting | room | sentimental | sickness

Beyond the Forest (1949)

Chicago (Molto Expressivo)1:20:43 - The maid in the kitchenadvance plot | familiar tune | leading lady | maid | murderer | popular tune | recovering | resting | room | sentimental | sickness | upbeat

Beyond the Forest (1949)

Rosa (Agitato Misterioso)1:22:49 - Rosa in bedagitated | fever | illness scene | leading lady | murderer | room | sickness | sweating | tense | walking

Beyond the Forest (1949)

Sawmill + Steam Whistle1:23:17 - Rosa opens the windowagitated | combination of themes | fever | illness scene | leading lady | machinery effect | mickey-mousing | murderer | opening | raising | room | sickness | sweating | tense | waiting | whistle effect

Beyond the Forest (1949)

Sawmill + Fever1:23:26 - Rosa rubs her forehead agitated | combination of themes | fever | illness scene | leading lady | machinery effect | maid | murderer | room | sickness | sickness effect | sweating | tense | waiting

Beyond the Forest (1949)

Rosa (Fever)1:23:41 - The maid sweepingbleak | drinking | fever | illness scene | leading lady | maid | murderer | oppressive | pounding | room | sickness | waiting

Beyond the Forest (1949)

Lewis (Triste 2)1:24:09 - Lewis walks insidearriving | calm | doctor | fever | illness scene | leading lady | leading man | murderer | room | sickness | solemn | street | waiting | walking

Beyond the Forest (1949)

Chicago1:27:10 - Rosa sings to herselfdelirious | familiar tune | fever | illness scene | leading lady | maid | murderer | on-screen music | popular tune | room | score to source | sickness | singing | source music

Beyond the Forest (1949)

Chicago (Echo Chambre)1:28:20 - Rosa prepares to leaveangry | arguing | climax | crazed | delirious | eerie | familiar tune | leading lady | mad | madness | mad scene | maid | murderer | popular tune | preparing | room | stumbling | unsettling | yelling

Beyond the Forest (1949)

Chicago (She Walks Down)1:29:25 - Rosa walks down the stairsclimax | dark | descending | familiar tune | leading lady | madness | mad scene | maid | mickey-mousing | murderer | popular tune | room | solemn | stairs | stumbling
The Big Sleep (1946)Underscoring (Tense)0:01:01 - Sign for the Sternwood mansionarriving | butler | establish character | leading man | mansion | private eye | room | tense | underscoring

The Big Sleep (1946)

Walking0:01:26 - Carmen walks down the stairsarriving | daughter | deceptive resolution | descending | establish character | femme fatale | leading man | mysterious | parallelism | pedal tone | private eye | room | walking

The Big Sleep (1946)

Flirtation0:01:42 - Carmen flirts with Marlowechromatic parallelism | chromatic scale | comical | daughter | establish character | femme fatale | flirting | half-diminished 7th chord | leading man | private eye | room

The Big Sleep (1946)

Marlowe0:02:01 - Marlowe gives Carmen a fake nameadded-note chord | comical | common-tone dominant 7th | daughter | establish character | femme fatale | flirting | leading man | private eye | room

The Big Sleep (1946)

Marlowe (Sly)0:02:12 - Marlowe and Carmen talkdaughter | establish character | femme fatale | flirting | leading man | mysterious | private eye | room

The Big Sleep (1946)

Carmen falls0:02:20 - Carmen falls into Marlowe's armsdaughter | diminished 7th chord | establish character | falling | femme fatale | flirting | leading man | mickey-mousing | playful | private eye | room | whole-tone chord

The Big Sleep (1946)

Carmen0:02:21 - Carmen in Marlowe's armsdaughter | establish character | femme fatale | flirting | half-diminished 7th chord | leading man | mysterious | oscillation | private eye | room | whole-tone chord

The Big Sleep (1946)

Sternwood0:02:31 - Carmen walks away9th chord | added-note chord | altered dominant | bluesy | daughter | establish character | femme fatale | leading man | Neapolitan | private eye | retardation | room | seductive | walking

The Big Sleep (1946)

Underscoring (Tense)0:02:45 - Marlowe goes to meet Sternwood9th chord | altered dominant | butler | chromatic scale | establish character | leading man | private eye | room | tense | underscoring | walking

The Big Sleep (1946)

Walking0:13:02 - Marlowe leaves the mansionbutler | leading man | mysterious | parallelism | pedal tone | private eye | room | transition | walking

The Big Sleep (1946)

Underscoring (Mysterious)0:23:44 - Marlowe investigates the crime scenechromatic scale | investigating | investigation scene | leading man | mysterious | private eye | room | underscoring

The Big Sleep (1946)

Marlowe (Augmented)0:23:56 - Marlowe investigates the crime scenealtered dominant | augmentation | investigating | investigation scene | leading man | mickey-mousing | mysterious | private eye | room | snapping | thinking

The Big Sleep (1946)

Underscoring (Mysterious)0:24:05 - Marlowe advanceschromatic scale | investigating | investigation scene | leading man | mickey-mousing | mysterious | private eye | room | searching | whole-tone chord

The Big Sleep (1946)

Underscoring (Mysterious)NIF - not in filmadded-note chord | alternation | deleted scene | deleted scene | half-diminished 7th chord | investigating | investigation | leading man | mickey-mousing | mysterious | private eye | room | searching | underscoring | whole-tone chord

The Big Sleep (1946)

Turns light onNIF - not in filmdeleted scene | deleted scene | investigating | investigation | leading man | light | light switch | mickey-mousing | mysterious | private eye | room | searching | turning on | whole-tone chord

The Big Sleep (1946)

Turns light onNIF - not in filmdeleted scene | deleted scene | investigating | investigation | leading man | light | light switch | mickey-mousing | mysterious | private eye | room | searching | turning on | whole-tone chord

The Big Sleep (1946)

Water runningNIF - not in filmdeleted scene | deleted scene | faucet | flowing | half-diminished 7th chord | investigating | investigation | leading man | mickey-mousing | mysterious | oscillation | private eye | room | searching | water

The Big Sleep (1946)

WalkingNIF - not in filmdeleted scene | deleted scene | investigating | investigation | leading man | mysterious | parallelism | pedal tone | private eye | room | searching | tense

The Big Sleep (1946)

Underscoring (Tense)NIF - not in filmdeleted scene | deleted scene | investigating | investigation | leading man | mysterious | private eye | room | searching | tense

The Big Sleep (1946)

Carmen (Clues)NIF - not in filmclue | deleted scene | deleted scene | half-diminished 7th chord | investigating | investigation | key | leading man | mysterious | oscillation | private eye | room | searching | tense | whole-tone chord

The Big Sleep (1946)

Walking (Extended)NIF - not in filmdeleted scene | deleted scene | foreign key modulation | investigating | investigation | leading man | mysterious | parallelism | pedal tone | private eye | room | searching | tense | walking

The Big Sleep (1946)

Marlowe (Investigating)NIF - not in filmadded-note chord | deleted scene | deleted scene | dramatic | investigating | investigation | leading man | private eye | room | searching | sequential modulation | tense

The Big Sleep (1946)

Underscoring (Dramatic)NIF - not in filmdeleted scene | deleted scene | diminished 7th chord | dramatic | investigating | investigation | leading man | private eye | room | searching | tense

The Big Sleep (1946)

Underscoring (Mysterious)0:24:09 - Marlowe searches for cluesinvestigating | investigation scene | leading man | mysterious | pc set | private eye | room | searching | secret code | whole-tone chord

The Big Sleep (1946)

Turning page0:24:20 - Marlowe turns the page in the code bookchromatic scale | clue | investigating | investigation scene | leading man | mysterious | private eye | room | searching | secret code | turning | whole-tone chord

The Big Sleep (1946)

Carmen (Foreboding)0:24:22 - Marlowe sees the name Sternwood in a code bookadded-note chord | clue | foreboding | investigating | investigation scene | leading man | name on screen | private eye | room | searching | secret code

The Big Sleep (1946)

Marlowe (Thinking)0:24:26 - Marlowe tries to solve the mysteryadded-note chord | chromatic parallelism | chromatic scale | clue | investigating | investigation scene | leading man | mysterious | private eye | room | secret code | thinking

The Big Sleep (1946)

Marlowe (Risoluto)0:24:39 - Marlowe searches for cluesadded-note chord | chromatic parallelism | fragmentation | investigating | investigation scene | leading man | private eye | resolved | room | searching

The Big Sleep (1946)

Underscoring (Dramatic)0:24:57 - Dead body on the floorcorpse | death | dramatic | femme fatale | investigating | investigation scene | leading man | private eye | room | searching | stinger | tense | underscoring

The Big Sleep (1946)

Carmen (Drugged)NIF - not in filmdeleted scene | femme fatale | helping | investigation | leading man | mysterious | oscillation | ostinato | private eye | room | tense | tritone oscillation | whole-tone chord

The Big Sleep (1946)

Turns light offNIF - not in filmdeleted scene | femme fatale | investigation | leading man | light | light switch | mysterious | private eye | room | tense | turning off | whole-tone chord

The Big Sleep (1946)

Walking (The Car)NIF - not in filmcar | deleted scene | driving | femme fatale | foreign key modulation | leading man | parallelism | pedal tone | private eye | room | sequential modulation | tense | transition

The Big Sleep (1946)

CarmenNIF - not in filmarriving | butler | chromatic mediant | deleted scene | femme fatale | leading man | private eye | room | tense | transition

The Big Sleep (1946)

Marlowe (Molto Misterioso)0:25:05 - Marlowe arrives at Carmen's housearriving | butler | departing | dissonant bass | femme fatale | inserted scene | leading man | not in score | private eye | reused recording | room | tense | transition

The Big Sleep (1946)

Walking0:25:22 - Vivian walks down the halladvance plot | butler | calm | inserted scene | leading lady | leading man | not in score | parallelism | pedal tone | private eye | reused recording | room | walking

The Big Sleep (1946)

Marlowe (Grazioso)0:25:28 - Marlowe asks Vivian to help with Carmenadded-note chord | advance plot | butler | conversing | femme fatale | half-diminished 7th chord | inserted scene | leading lady | leading man | mysterious | not in score | private eye | reused recording | room

The Big Sleep (1946)

Marlowe (Misterioso)0:27:44 - Marlowe returns to the scene of the crimearriving | investigating | investigation scene | leading man | mysterious | private eye | room

The Big Sleep (1946)

Marlowe 2 (Blood Stain)0:27:54 - Marlowe discovers that the body is missing11th chord | chromatic scale | investigating | investigation scene | leading man | private eye | room | tense

The Big Sleep (1946)

Marlowe (Sneaking)0:28:16 - Marlowe investigates the crime scenedark | dissonant bass | investigating | investigation scene | leading man | mysterious | private eye | room | sneaking | tritone

The Big Sleep (1946)

Marlowe (Major)0:28:47 - Marlowe's name on his apartment doorarriving | leading man | mode mixture | mysterious | name on screen | noble | private eye | room | sequential modulation | transition

The Big Sleep (1946)

EnteringNIF - not in filmarriving | augmented sixth chord | deleted scene | entering | gentle | leading man | not in score | parallel 63s | parallelism | private eye | room | transition | walking

The Big Sleep (1946)

Marlowe (Melancholy)NIF - not in filmadded-note chord | arriving | deleted scene | leading man | melancholy | not in score | private eye | room | transition

The Big Sleep (1946)

Underscoring (Tense)0:28:58 - Marlowe tries to crack the codeleading man | pc set | private eye | researching | room | tense | threat | transition | tritone | writing

The Big Sleep (1946)

Walking0:32:10 - Marlowe walks to his officeadvance plot | arriving | calm | leading lady | leading man | parallelism | pedal tone | private eye | room | walking

The Big Sleep (1946)

Marlowe (Grazioso)0:32:29 - Marlowe talks with Vivianadvance plot | conversing | half-diminished 7th chord | leading lady | leading man | mysterious | private eye | room

The Big Sleep (1946)

Marlowe (Ear Music)0:46:52 - Marlowe thinksadvance plot | chromatic scale | fragmentation | leading man | mysterious | private eye | room | tense | thinking | whole-tone chord

The Big Sleep (1946)

Marlowe (Decisive)0:47:04 - Marlowe walks out the dooradded-note chord | advance plot | bold | decisive | leading man | leaving | pedal tone | private eye | room

The Big Sleep (1946)

Underscoring (Mysterious)0:48:15 - Marlowe talks to Joe Brodyblackmailer | chromatic parallelism | conversing | criminal | gun | investigation scene | leading man | mysterious | private eye | room | suspect | underscoring

The Big Sleep (1946)

Marlowe (Augmented)0:48:55 - Joe pulls a gun on Marlowealtered dominant | augmentation | blackmailer | conversing | criminal | gun | investigation scene | leading man | mysterious | private eye | room | suspect

The Big Sleep (1946)

Underscoring (Tense)0:51:31 - Joe reacts to the doorbell ringingblackmailer | chromatic parallelism | conflict | conversing | criminal | doorbell | gun | leading lady | leading man | mysterious | pc set | private eye | room | suspect | tense | tone cluster | underscoring | whole-tone chord

The Big Sleep (1946)

Sternwood (Threatening)0:51:52 - Carmen enters holding a gun on Brodyblackmailer | blue note | conflict | criminal | dark | dissonant bass | femme fatale | gun | leading lady | leading man | private eye | room | sinister | stinger | suspect | threatening | whole-tone chord

The Big Sleep (1946)

Underscoring (Dramatic)0:52:02 - Marlowe pushes Agnesblackmailer | chromatic parallelism | chromatic scale | conflict | criminal | diminished 7th chord | dramatic | falling | femme fatale | gun | leading lady | leading man | private eye | room | suspect | tense | tripping | underscoring

The Big Sleep (1946)

Carmen (Misterioso)0:52:18 - Joe gives the picture to Marloweblackmail | blackmailer | conflict | conversing | criminal | evidence | femme fatale | half-diminished 7th chord | leading lady | leading man | mysterious | private eye | room | suspect | whole-tone chord

The Big Sleep (1946)

Sternwood (Extended)0:52:29 - Carmen asks for her picture back9th chord | altered dominant | blackmail | chromatic parallelism | conflict | diminished 7th chord | evidence | femme fatale | flirting | leading lady | leading man | mysterious | pc set | private eye | room | seductive | whole-tone chord

The Big Sleep (1946)

Carmen (Violent)0:52:58 - Vivian and Carmen leaveblackmailer | conflict | criminal | dissonant bass | femme fatale | leading lady | leading man | leaving | mysterious | private eye | room | suspect | whole-tone | whole-tone chord

The Big Sleep (1946)

Slapping0:53:02 - Carmen slaps Joe with her purseblackmailer | conflict | criminal | dissonant bass | femme fatale | leading lady | leading man | mickey-mousing | private eye | room | slamming | slapping | suspect | tense | violence | whole-tone chord

The Big Sleep (1946)

Running out0:56:36 - Marlowe runs after the killerassassin | chase scene | chasing | chromatic scale | combination of themes | dramatic | gun | gunshot | leading man | mickey-mousing | murder | murderer | private eye | room | running | stairs | stinger

The Big Sleep (1946)

Down the Stairs + The Chase + Marlowe (Action)0:56:39 - Marlowe chases the killerassassin | chase scene | chasing | chromatic parallelism | chromatic scale | descending | dissonant bass | dramatic | gun | gunshot | heroic | layering | leading man | murderer | private eye | room | running | stairs | tense

The Big Sleep (1946)

Marlowe (Misterioso)0:59:14 - Marlowe ties up Carolassassin | corpse | dark | half-diminished 7th chord | investigating | investigation scene | leading man | murderer | mysterious | pc set | private eye | room | rope | stinger | tying up

The Big Sleep (1946)

Marlowe (Ear Business)0:59:42 - Marlowe pulls on his earadded-note chord | corpse | fragmentation | investigating | investigation scene | leading man | mysterious | private eye | room | thinking

The Big Sleep (1946)

Marlowe 2 (Dialing)0:59:47 - Marlowe walks to the phonecalling | chromatic scale | corpse | dialing | half-diminished 7th chord | investigating | investigation scene | leading man | mysterious | private eye | room | spinning | tense

The Big Sleep (1946)

Vivian + Marlowe (Ear Business)NIF - not in filmadvance plot | altered dominant | combination of themes | conversing | cut from film | deleted scene | deleted scene | leading lady | leading man | love interest | mysterious | private eye | romantic | room | thinking | whole-tone

The Big Sleep (1946)

Marlowe (Phone Call)NIF - not in filmadvance plot | bold | calling | cut from film | deleted scene | deleted scene | dialing | leading man | phone | private eye | room | sequence | tense | whole-tone chord

The Big Sleep (1946)

CarmenNIF - not in filmadvance plot | burning | calling | cut from film | deleted scene | deleted scene | half-diminished 7th chord | leading man | mysterious | phone | private eye | room | tense | whole-tone chord

The Big Sleep (1946)

Carmen (Clues)NIF - not in filmadvance plot | calling | cut from film | deleted scene | deleted scene | leading man | mysterious | phone | private eye | room | tense | whole-tone chord

The Big Sleep (1946)

Marlowe (Not in Film)NIF - not in film9th chord | 11th chord | advance plot | conversing | cut from film | femme fatale | leading man | private eye | room

The Big Sleep (1946)

Drops hatNIF - not in film9th chord | advance plot | cut from film | dropping | femme fatale | hat | leading man | mickey-mousing | private eye | room

The Big Sleep (1946)

Sternwood (Extended)NIF - not in filmadded-note chord | advance plot | altered dominant | chromatic scale | conversing | cut from film | femme fatale | leading man | private eye | room | whole-tone chord

The Big Sleep (1946)

Underscoring (Tense)NIF - not in filmadvance plot | chromatic parallelism | conversing | cut from film | diminished 7th chord | femme fatale | leading man | oscillation | private eye | room | tritone | underscoring | whole-tone chord

The Big Sleep (1946)

You!NIF - not in filmadvance plot | chromatic scale | conversing | cut from film | femme fatale | fragmentation | leading man | private eye | room | tone cluster

The Big Sleep (1946)

Marlowe (Major)NIF - not in filmadvance plot | chromatic parallelism | conversing | cut from film | femme fatale | leading man | mode mixture | pc set | private eye | room

The Big Sleep (1946)

Bites handNIF - not in filmadvance plot | biting | chromatic parallelism | cut from film | femme fatale | leading man | mickey-mousing | pc set | private eye | room | stinger

The Big Sleep (1946)

Carmen (Not in Film)NIF - not in filmadvance plot | conversing | cut from film | femme fatale | leading man | oscillation | private eye | room | whole-tone chord

The Big Sleep (1946)

Marlowe (Sostenuto)1:24:25 - Marlowe cleans upadvance plot | half-diminished 7th chord | leading man | pain | private eye | recovering | room | somber | tender | weary

The Big Sleep (1946)

Glass drops1:29:49 - Jones drops his glassbreaking | death | death scene | dropping | glass | leading man | mickey-mousing | murder | mysterious | pc set | poison | private eye | room | victim | violent

The Big Sleep (1946)

Jones falls1:29:50 - Jones falls and dieschromatic parallelism | death | death scene | dying | falling | leading man | major 7th chord | mickey-mousing | murder | mysterious | pc set | poison | private eye | room | victim | violent

The Big Sleep (1946)

Underscoring (Tense)1:30:01 - Marlowe investigates the crime scenedark | death | death scene | dying | leading man | murder | private eye | room | tense | underscoring | victim

The Big Sleep (1946)

Marlowe (Risoluto)1:30:12 - Marlowe makes a phone calladded-note chord | bold | conversing | death scene | fragmentation | leading man | phone call | private eye | room | victim

The Big Sleep (1946)

Underscoring (Tense)1:30:24 - Marlowe makes a phone callconversing | death scene | leading man | pc set | phone call | private eye | room | tense | underscoring | victim | whole-tone chord

The Big Sleep (1946)

Wrong Address1:30:46 - Marlowe ends the phone call9th chord | altered dominant | chromatic parallelism | conversing | death | death scene | half-diminished 7th chord | leading man | phone call | private eye | room | somber | victim

The Big Sleep (1946)

Jones (Dolce)1:31:04 - Marlowe sits down on the couchchromatic parallelism | death | death scene | leading man | mourning | parallelism | pedal tone | private eye | room | somber | victim

The Big Sleep (1946)

Marlowe (Molto Misterioso)1:31:23 - Marlowe gets up to answer the phoneadded-note chord | conversing | death scene | informer | leading man | mysterious | pedal tone | phone call | private eye | room

The Big Sleep (1946)

Underscoring (Tense)1:31:48 - Marlowe talks to Agnes on the phoneconversing | death scene | informer | leading man | pc set | phone call | private eye | room | tense | underscoring

The Big Sleep (1946)

Jones (Triste)1:32:02 - Marlowe leaves the officedeath scene | informer | leading man | mourning | mysterious | parallelism | pedal tone | private eye | room | somber

The Big Sleep (1946)

Marlowe (Whole Tone)1:39:25 - Marlowe talks to Viviancaptive | conversing | leading lady | leading man | love interest | love scene | mysterious | private eye | room | tense | whole-tone | whole-tone chord | whole-tone scale

The Big Sleep (1946)

Marlowe (Phone Call)1:39:39 - Marlowe talks to Viviancaptive | conversing | leading lady | leading man | love interest | love scene | mysterious | private eye | room | sequence | tense | whole-tone chord

The Big Sleep (1946)

Carmen1:39:52 - Marlowe talks to Viviancaptive | conversing | half-diminished 7th chord | leading lady | leading man | love interest | love scene | musical clue | music reveals thoughts | mysterious | private eye | room | whole-tone chord

The Big Sleep (1946)

Vivian1:40:03 - Marlowe and Vivian kiss9th chord | 13th chord | AABA structure | added-note chord | altered dominant | captive | chromatic mediant | chromatic parallelism | common-tone dominant 7th | foreign key modulation | freeing | kissing | leading lady | leading man | love interest | love scene | Neapolitan | private eye | romantic | room | suspension

The Big Sleep (1946)

Questions1:40:44 - Vivian tries to free Marlowecaptive | chromatic parallelism | freeing | leading lady | leading man | love interest | love scene | private eye | room | tense

The Big Sleep (1946)

Marlowe (Misterioso)1:41:01 - Marlowe plans his escapeaction scene | leading lady | leading man | love interest | mysterious | planning | private eye | room | tense

The Big Sleep (1946)

Marlowe 21:41:18 - Marlowe goes outsideaction scene | chromatic scale | escaping | leading lady | leading man | love interest | mysterious | private eye | room | screaming | tense

The Big Sleep (1946)

Hangs up phone1:47:07 - Marlowe hangs up the phoneclimax | hanging up | leading lady | leading man | love interest | mickey-mousing | mysterious | private eye | room

The Big Sleep (1946)

Hurrying1:47:07 - Marlowe and Vivian make a planchromatic sequence | climax | fragmentation | hurrying | leading lady | leading man | love interest | parallelism | planning | private eye | room | tense

The Big Sleep (1946)

Marlowe (Misterioso)1:47:26 - Marlowe drops a bulletclimax | fear | leading lady | leading man | love interest | mysterious | private eye | room | shaking | tense

The Big Sleep (1946)

Marlowe 21:47:31 - Car pulls up outsidechromatic scale | climax | fear | leading lady | leading man | love interest | mysterious | private eye | room | shaking | tense | tritone

The Big Sleep (1946)

Carmen (Drugged)1:48:08 - Marlowe watches men outsideclimax | criminal | fear | leading lady | leading man | love interest | mysterious | ominous | planning | private eye | room | tense | waiting

The Big Sleep (1946)

Marlowe (Danger)1:48:32 - Men approach the houseclimax | fear | hiding | leading man | mysterious | ominous | pc set | planning | private eye | room | tense | tone cluster | underscoring | waiting

The Big Sleep (1946)

Marlowe (Misterioso)1:48:55 - Marlowe sneaks up behind Marsclimax | criminal | fear | hiding | leading man | mysterious | private eye | room | sneaking | tense

The Big Sleep (1946)

Marlowe 21:49:05 - Marlowe holds a gun on Marsclimax | criminal | fear | leading man | mysterious | ominous | private eye | room | sneaking | tense

The Big Sleep (1946)

Mars Dies1:51:43 - Mars falls dead to the groundcriminal | death | dying | falling | leading lady | leading man | love interest | mysterious | ominous | private eye | resolution | room | stinger | tense | underscoring

The Big Sleep (1946)

Marlowe (Risoluto)1:52:01 - Marlowe walks to the phoneadded-note chord | bold | death | fragmentation | leading lady | leading man | love interest | mysterious | plotting | private eye | resolution | room | tense

The Big Sleep (1946)

Carmen (Tense)1:52:28 - Marlowe talks on the phoneconversing | leading lady | leading man | love interest | lying | mysterious | oscillation | pedal tone | phone call | private eye | resolution | room | tense | uneasy | whole-tone chord

The Big Sleep (1946)

Vivian1:52:48 - Marlowe talks to Vivian9th chord | 13th chord | chromatic parallelism | conversing | leading lady | leading man | love | love interest | Neapolitan | private eye | resolution | romantic | room

The Big Sleep (1946)

Vivian (Expressivo)1:53:20 - Marlowe pulls Vivian close9th chord | 13th chord | chromatic parallelism | conversing | foreign key modulation | leading lady | leading man | love | love interest | private eye | resolution | romantic | room | suspension
The Breaking Point (1950)Make Love With a Guitar0:33:28 - Harry arrives homeadvance plot | arriving | calm | child | conversing | leading man | musician | neighbor | on-screen music | room | sailor | source music | street | wife | yard

The Breaking Point (1950)

Don't Take Your Love From Me1:05:42 - Harry arrives at Leona's apartmentABAC structure | advance plot | conversing | floozy | leading lady | leading man | mellow | room | sailor | source music
Caged (1950)Mrs. Benton (Not in Film 3)NIF - not in filmaltered dominant | chromatic mediant | conversing | cut from film | establish character | gentle | guard | leading lady | mode mixture | office | pregnancy | prison | prisoner | reading | room | sigh gesture | warden
His Greatest Gamble (1934)Home Sweet Home0:03:14 - Philip and Alice go homechild | establish character | gentle | humming | leading man | on-screen music | room | sleeping | source music
City for Conquest (1940)Scales0:09:16 - Danny and Peggy go upstairsarguing | conversing | establish character | leading lady | leading man | mother | on-screen music | piano | room | source music | tedious | transcribed by ear

City for Conquest (1940)

Tone Poem A0:10:50 - Eddie plays the pianobrother | composer | conversing | establish character | leading man | musician | piano | playing | romantic | room | score to source | source music | transcribed by ear

City for Conquest (1940)

Tone Poem A (Very Broad)0:12:16 - Eddie plays the piano13th chord | brother | chromatic parallelism | chromatic scale | composer | conversing | describing | dissonant bass | establish character | explaining | leading man | musician | name of film | pentatonic | piano | playing | romantic | room | source music | transcribed by ear

City for Conquest (1940)

Tone Poem A (Unattainable Stars)0:12:37 - Eddie plays the pianobrother | chromatic parallelism | composer | conversing | describing | establish character | explaining | leading man | musician | piano | playing | romantic | room | somber | source music | transcribed by ear

City for Conquest (1940)

Tone Poem A0:13:03 - Eddie plays the piano9th chord | 11th chord | 13th chord | brother | common-chord modulation | composer | conversing | deceptive resolution | establish character | leading man | musician | piano | playing | romantic | room | source music | transcribed by ear

City for Conquest (1940)

My Old Kentucky Home0:16:04 - Mickey sings to himselfadvance plot | boxer | calm | conversing | folk music | leading man | locker room | manager | singing | source music

City for Conquest (1940)

Shadow Waltz (Ethereal)0:24:48 - Peggy peeks out of her dooradded-note chord | advance plot | arriving | chromatic parallelism | chromatic wedge | common-tone diminished 7th | entering | gentle | leading lady | mysterious | parallelism | room | sneaking | source to score

City for Conquest (1940)

I'm Just Wild About Harry (Delicato)0:25:06 - Peggy calls Murray11th chord | added-note chord | advance plot | altered dominant | calling | common-tone diminished 7th | conversing | leading lady | mode mixture | pleasant | room | source to score | telephone | upbeat

City for Conquest (1940)

Tone Poem A0:27:25 - Eddie composes at the pianoadvance plot | brother | composer | composing | leading man | musician | on-screen music | parallelism | piano | playing | romantic | room | source music | transcribed by ear

City for Conquest (1940)

Tone Poem A0:27:40 - Eddie plays the piano13th chord | advance plot | brother | composer | composing | leading man | musician | on-screen music | piano | playing | romantic | room | source music | transcribed by ear

City for Conquest (1940)

Tone Poem A0:27:59 - Eddie plays the piano9th chord | 13th chord | advance plot | brother | composer | composing | deceptive resolution | enharmonic respelling | leading man | musician | on-screen music | piano | playing | romantic | room | source music | transcribed by ear

City for Conquest (1940)

Tone Poem A (Grazioso)0:30:04 - Danny shavesaltered dominant | common-chord modulation | conversing | delicate | fragmentation | gentle | leading lady | leading man | love scene | room | shaving

City for Conquest (1940)

Tone Poem A (Dolce)0:30:28 - Peggy talks to Danny9th chord | 11th chord | arguing | chromatic parallelism | common-chord modulation | conversing | flirting | gentle | leading lady | leading man | love scene | playful | room | shaving

City for Conquest (1940)

Peggy pokes Danny0:30:47 - Peggy pokes Danny11th chord | flirting | leading lady | leading man | love scene | mickey-mousing | playful | room | shaving | teasing

City for Conquest (1940)

Only Fooling0:30:54 - Peggy cleans Danny's facearguing | common-tone modulation | conversing | diminished 7th chord | flirting | leading lady | leading man | love scene | parallelism | playful | room | shaving

City for Conquest (1940)

Tone Poem A (Expressivo)0:31:00 - Peggy apologizes to Danny9th chord | added-note chord | appoggiatura | chromatic mediant | common-tone diminished 7th | conversing | foreign key modulation | kiss | kissing | leading lady | leading man | love scene | parallelism | romantic | room

City for Conquest (1940)

In the Evening0:45:08 - Peggy in her dressing roomarguing | boxer | conflict | conversing | crying | dancer | dressing room | leading lady | leading man | parallel double period | punching | source music | upbeat

City for Conquest (1940)

A Girl Like You0:46:49 - Danny in Peggy's dressing roomboxer | conflict | crying | dancer | dressing room | leading lady | leading man | leaving | parallel double period | source music | upbeat

City for Conquest (1940)

Adios Muchachos0:50:27 - Peggy arrives homeadvance plot | arriving | cheerful | conversing | dancer | leading lady | parallel double period | record player | room | source music | tango

City for Conquest (1940)

Adios Muchachos0:51:19 - Peggy talks with Murrayadvance plot | arriving | cheerful | conversing | dancer | leading lady | parallel double period | record player | room | source music | tango

City for Conquest (1940)

Where Were You When the Moon Came Out (Fragment)0:56:56 - Eddie plays the pianoadvance plot | composer | composing | musician | on-screen music | piano | room | source music

City for Conquest (1940)

Garden of the Moon1:00:04 - Backstage at the Club MadridAABA structure | advance plot | conversing | dancer | dressing room | leading lady | preparing | source music | upbeat

City for Conquest (1940)

Miramar1:00:44 - Danny prepares for a fightadvance plot | boxer | conversing | leading man | locker room | manager | march | parallel double period | preparing | source music | upbeat

City for Conquest (1940)

Piggy Wiggy Woo1:10:52 - Peggy criesadvance plot | conversing | crying | dancer | dressing room | leading lady | source music | upbeat

City for Conquest (1940)

Mysterioso1:13:36 - Googi leaves augmented triad | chromatic parallelism | criminal | gangster | leaving | locker room | manager | murder scene | mysterious | parallelism | whole-tone

City for Conquest (1940)

Where Were You When the Moon Came Out1:19:38 - Danny resting in bedadvance plot | blur | brother | composer | dancing | leading man | listening | musician | on-screen music | parallel double period | playing | room | singer | singing | source music | upbeat | victim

City for Conquest (1940)

Where Were You When the Moon Came Out (Sad)1:20:48 - Eddie plays the pianoadvance plot | altered dominant | blur | brother | composer | leading man | musician | on-screen music | playing | room | sentimental | source music | victim | watching

City for Conquest (1940)

Tone Poem A (The Song of the City)1:23:05 - Eddie plays the piano9th chord | 13th chord | advance plot | brother | common-chord modulation | composer | diminished 7th chord | leading man | listening | musician | on-screen music | playing | romantic | room | source music | transcribed by ear | victim

City for Conquest (1940)

Tone Poem A (Lento 2)1:28:11 - Peggy cries9th chord | advance plot | altered dominant | conversing | crying | foreign key modulation | friend | leading lady | room | sequence | somber

City for Conquest (1940)

Tone Poem D (Dolce)1:28:33 - Gladys talks to Peggy9th chord | 11th chord | advance plot | blue note | chromatic sequence | comforting | common-tone diminished 7th | conversing | crying | friend | gentle | leading lady | mode mixture | newspaper | parallel fifths | room | sweet

City for Conquest (1940)

Tone Poem A (Maestoso)1:29:11 - Peggy looks upadvance plot | friend | hopeful | leading lady | mode mixture | newspaper | reading | room | suspension
Crime School (1938)Underscoring (Mysterious)0:09:53 - Frankie sneaks in the houseconcern | conversing | dissonant bass | establish character | heroine | leading lady | mysterious | pedal tone | room | sister | sneaking | sneaky | teenager | underscoring | whole-tone chord | whole-tone scale

Crime School (1938)

Sue (Quasi Blues)0:11:08 - Sue talks to Frankiebluesy | chromatic parallelism | common-chord modulation | conversing | crying | establish character | foreign key modulation | Gershwinesque | heroine | leading lady | room | somber

Crime School (1938)

The Boiler Room0:54:27 - Boys talk about stoking the boileraction scene | auctioning | boiler room | chromatic parallelism | chromatic scale | dissonant bass | fanfare | gang | heroic | reformatory | teenager | working

Crime School (1938)

Gangster Blues (Mechanical)0:54:46 - Boys get to work13th chord | action scene | added-note chord | altered dominant | boiler room | coal | danger | fire | fire | frantic | gang | gauge | heat | hurrying | mechanical | reformatory | sequence | shoveling | smoke | teenager | temperature | temperature | working

Crime School (1938)

Temperature rising0:54:53 - Close up of rising temperature gaugeaction scene | boiler room | danger | frantic | gang | gauge | heat | mechanical | mickey-mousing | reformatory | rising | teenager | temperature | tense | tone cluster | watching

Crime School (1938)

Temperature stable0:55:07 - Close up of stable temperature gaugeaction scene | boiler room | danger | frantic | gang | gauge | heat | mechanical | mickey-mousing | reformatory | teenager | temperature | tense | tone cluster | watching

Crime School (1938)

Temperature oscillating0:55:28 - Close up of oscillating temperature gaugeaction scene | boiler room | danger | frantic | gang | gauge | heat | mechanical | mickey-mousing | reformatory | teenager | temperature | tense | tone cluster | watching

Crime School (1938)

Boiler Overheating0:55:31 - Danger as the boiler gets really hotaction scene | arguing | boiler room | danger | frantic | gang | gauge | heat | hurrying | linear chromaticism | mechanical | pc set | reformatory | shoveling | teenager | temperature | tense | tone cluster | worker | working

Crime School (1938)

Gangster Blues (Explosion)0:56:04 - The boiler explodes13th chord | action scene | added-note chord | boiler room | collapsing | escaping | exploding | explosion | foreign key modulation | frantic | gang | mechanical | reformatory | running | sequence | teenager | tense | worker | yelling

Crime School (1938)

Underscoring (Dramatic)0:56:50 - Mark goes to rescue Squirtaction scene | altered dominant | boiler room | chromatic parallelism | dissonant bass | dramatic | hero | leading man | linear chromaticism | reformatory | rushing | saving | teenager | tense | underscoring

Crime School (1938)

Temperature rising 20:57:12 - The temperature gauge risesaction scene | altered dominant | boiler room | chromatic parallelism | danger | dramatic | gauge | heat | hero | leading man | mickey-mousing | reformatory | rising | teenager | temperature | tense

Crime School (1938)

Explosion0:57:21 - Mark pulls Squirt out of the boiler roomaction scene | ascending | boiler room | destruction | dissonant bass | dramatic | exploding | explosion | hero | leading man | mickey-mousing | reformatory | rising | stairs | teenager | tense | tone cluster

Crime School (1938)

Window opening 21:13:25 - Frankie opens the windowconflict | mysterious | opening | room | teenager | up | window

Crime School (1938)

Parting curtains1:13:27 - Frankie parts the curtainsconflict | curtain | minor scale | mysterious | opening | parting | room | teenager

Crime School (1938)

Sue (Sneaky)1:13:28 - Frankie sneaks in with his gunbreaking in | conflict | distortion | fragmentation | gun | room | sequence | sneaking | teenager | tense

Crime School (1938)

Sue (Grazioso Mysterioso)1:13:38 - Frankie confronts Sue and Markcheerful | common-tone diminished 7th | conflict | conversing | deceptive resolution | dining | gun | happy | hero | heroine | leading lady | leading man | room | stick up | stinger | teenager | tone cluster | whole-tone chord

Crime School (1938)

Underscoring (Tense)1:14:26 - Mark talks to policemanchromatic scale | conflict | deceptive resolution | gun | hero | heroine | hiding | knocking | leading lady | leading man | lying | mode mixture | pedal tone | police | room | teenager | tense | underscoring

Crime School (1938)

Lights on1:15:26 - Sue turns the lights onconflict | hero | heroine | leading lady | leading man | light | mickey-mousing | room | tense | turning on
They Made Me a Criminal (1939)M-O-T-H-E-R0:05:01 - Drunken man singscomical | drunk | establish character | on-screen music | room | singing | source music

They Made Me a Criminal (1939)

So Help Me (If I Don't Love You)0:05:54 - Johnnie and Goldie relaxingdrinking | floozy | jaunty | kissing | leading man | murder scene | popular song | radio | room | source music

They Made Me a Criminal (1939)

When a Prince of a Fella Meets a Cinderella0:06:23 - Johnnie talks to his managerdancing | drinking | floozy | jaunty | laughing | leading man | murder scene | parallel double period | partying | radio | room | source music

They Made Me a Criminal (1939)

Saving Myself For You (I've Been)0:08:02 - Johnnie at a partyAABA structure | attacking | conversing | drinking | fighting | floozy | jaunty | leading man | murder | murdering | murder scene | partying | radio | room | source music | violence

They Made Me a Criminal (1939)

The Awakening0:14:48 - Johnnie wakes upadvance plot | chromatic scale | confusion | deceptive resolution | leading man | metric modulation | mysterious | octatonic chord | octatonic scale | pc set | room | waking | whole-tone chord

They Made Me a Criminal (1939)

Reading0:15:29 - Johnnie reads a newspaperadvance plot | chromatic scale | dissonant bass | leading man | newspaper | reading | room | tense | whole-tone chord

They Made Me a Criminal (1939)

Underscoring (Dramatic)0:16:01 - Johnnie rushes insideadvance plot | chromatic scale | dramatic | leading man | minor-major 7th chord | newspaper | room | rushing | underscoring

They Made Me a Criminal (1939)

Underscoring (Somber)0:22:16 - Close-up on Johnnieadvance plot | leading man | money | realizing | room | somber | stinger | underscoring

They Made Me a Criminal (1939)

Underscoring (Tender)0:26:58 - Peggy helps Johnnie9th chord | 64 chord | heroine | leading lady | leading man | lovers meet | mode mixture | nursing | room | tender | underscoring

They Made Me a Criminal (1939)

The Fugitive (Recovering)0:27:13 - Peggy takes care of Johnnie9th chord | foreign key modulation | heroine | leading lady | leading man | lovers meet | nursing | recovering | romance | room | sweet | waking

They Made Me a Criminal (1939)

Peggy (Dolce)0:28:20 - Peggy talks to Johnnie9th chord | 11th chord | 13th chord | deceptive resolution | foreign key modulation | heroine | kissing | leading lady | leading man | lovers meet | nursing | recovering | romance | room | sweet | tender

They Made Me a Criminal (1939)

Underscoring (Tense)0:28:51 - The sheriff comes inconflict | dark | diminished 7th chord | entering | fear | leading man | room | sheriff | surprise | tense | underscoring

They Made Me a Criminal (1939)

The Fugitive (Excitedly)0:29:07 - Johnnie talks to the sheriff anxiety | anxious | conflict | leading man | linear chromaticism | lying | room | sheriff

They Made Me a Criminal (1939)

The Fugitive (Relieved)0:29:25 - Johnnie listens to the sheriffaltered dominant | conflict | conversing | leading man | peaceful | room | tranquil

They Made Me a Criminal (1939)

The Fugitive (Leaving)0:29:45 - Johnnie prepares to leavesconflict | foreign key modulation | leading man | ranch | room | sneaking | yearning

They Made Me a Criminal (1939)

The Fugitive (Apology)0:48:31 - Johnnie and Peggy talk9th chord | conversing | hero | leading lady | leading man | love scene | romantic | room | secondary dominant | tender

They Made Me a Criminal (1939)

Peggy (Delicatissimo)0:49:16 - Johnnie and Peggy kiss9th chord | 11th chord | 13th chord | hero | kissing | leading lady | leading man | love scene | romantic | room

They Made Me a Criminal (1939)

Marcia Grotesque1:01:48 - Johnnie talks to another boxeradvance plot | altered dominant | comical | conversing | hero | leading man | march | mode mixture | room

They Made Me a Criminal (1939)

Underscoring (Tense)1:02:14 - Johnnie overhears the detectiveadvance plot | chromatic scale | detective | dissonant bass | hiding | leading man | ominous | room | tense | underscoring

They Made Me a Criminal (1939)

The Fugitive (Hiding)1:02:31 - Detective buys tickets to Johnnie's matchadvance plot | detective | hiding | leading man | pedal tone | room | suspenseful | tense

They Made Me a Criminal (1939)

Marche Funebre1:02:45 - Boys look at poster of a boxer64 chord | advance plot | Chopin | classical music | conversing | dark | death | poster | room | teenager

They Made Me a Criminal (1939)

The Fugitive (Ashamed)1:03:55 - Johnnie tells them he can't fight9th chord | conflict | dark | foreign key modulation | harmonic sequence | leading lady | leading man | lying | room | somber | teenager

They Made Me a Criminal (1939)

On the Make (Dolce)1:05:13 - Peggy talks to Johnnieadded-note chord | altered dominant | arguing | conflict | leading lady | leading man | linear chromaticism | lying | room | tender

They Made Me a Criminal (1939)

Underscoring (Tense)1:05:52 - Johnny talks to Peggyconflict | dramatic | half-diminished 7th chord | harmonic sequence | leading lady | leading man | lying | room | tense | underscoring

They Made Me a Criminal (1939)

On the Make (Heartbreak)1:06:05 - Johnny talks to Peggy9th chord | arguing | conflict | dissonant bass | dramatic | leading lady | leading man | room | slamming | somber | tense

They Made Me a Criminal (1939)

On the Make (Crying)1:06:29 - Peggy cries after Johnnie leaves11th chord | conflict | crying | leading lady | leading man | room | somber

They Made Me a Criminal (1939)

The Fugitive (Let Down)1:06:51 - The boys talk about Johnnieadded-note chord | arguing | conflict | criticizing | foreign key modulation | leading man | room | somber | teenager

They Made Me a Criminal (1939)

The Fugitive (Going Away)1:07:38 - Tommy talks to Johnnieconflict | leading man | lonely | packing | room | somber | teenager | thinking

They Made Me a Criminal (1939)

On the Make (Tenderly)1:07:57 - Tommy talks to Johnnie9th chord | ABAB structure | altered dominant | arguing | chromatic mediant | conversing | direct modulation | foreign key modulation | hero | leading man | room | tender | turning point

They Made Me a Criminal (1939)

On the Make (Lohenblueish)1:09:07 - Johnnie decides that he will stayadded-note chord | augmentation | chromatic mediant | direct modulation | foreign key modulation | hero | hopeful | hopeless | leading man | linear chromaticism | passionate | room | thinking | turning point | zoom in

They Made Me a Criminal (1939)

The Fugitive (Religioso)1:09:41 - Johnnie looks at a picture9th chord | hero | leading man | Neapolitan | room | tender | thinking | turning point

They Made Me a Criminal (1939)

Inspiration1:09:53 - Johnnie has an inspirationboxing | foreign key modulation | gentle | hero | idea | inspiration | leading man | pedal tone | pump-up modulation | room | shadow | thinking | turning point

They Made Me a Criminal (1939)

Peggy (Waiting)1:24:39 - The detective talks to Johnniechromatic scale | climax | dark | detective | diminished 7th chord | dissonant | dissonant bass | leading lady | leading man | lying | ominous | room | waiting

They Made Me a Criminal (1939)

Lying1:25:16 - Johnnie lies to Peggy about where he's goingadded-note chord | augmented sixth chord | climax | common-chord modulation | detective | dissonant bass | foreign key modulation | leading lady | leading man | lying | minor-major 7th chord | room | turbulent

They Made Me a Criminal (1939)

On the Make (Appassionato)1:25:51 - Peggy wants to go with Johnnie9th chord | altered dominant | climax | detective | embracing | kissing | leading lady | leading man | leaving | linear chromaticism | mode mixture | pedal tone | romantic | room | sentimental | sigh gesture | tender
Deep Valley (1947)Joe0:01:29 - A dogcheerful | dog | establish character | friendly | leading lady | mother | opening | porch | room | running | upbeat | waking

Deep Valley (1947)

Joe (Poco Meno Expressivo)0:01:59 - Libby gets updog | dressing | establish character | leading lady | mother | room | scolding | upbeat | waking

Deep Valley (1947)

Drudge0:03:59 - Libby goes downstairsdescending | establish character | leading lady | room | somber | stairs | upset | walking

Deep Valley (1947)

Homestead (Morendo)0:06:44 - Cliff makes his bedcleaning | establish character | father | room | somber

Deep Valley (1947)

Homestead (Moderato)0:15:18 - Homestead in the distancebarnyard | dark | father | gentle | leading lady | mother | reading | room | transition

Deep Valley (1947)

Homestead (Sordini)0:16:14 - Ellie talks with Libbyadvance plot | calm | conversing | delicate | leading lady | memory | mother | past | room | sentimental

Deep Valley (1947)

Underscoring (Tense)0:17:06 - Ellie talks with Libbyadvance plot | conversing | dark | leading lady | mother | room | stinger | tense | underscoring

Deep Valley (1947)

Homestead (Triste)0:17:34 - Ellie talks with Libbyadvance plot | conversing | dark | leading lady | mother | room | tense

Deep Valley (1947)

Underscoring (Somber)0:17:55 - Libby talks with Ellieadvance plot | conversing | dark | leading lady | mother | room | somber | underscoring

Deep Valley (1947)

Homestead (Somber)0:18:26 - Ellie talks with Libbyadvance plot | conversing | dark | leading lady | mother | room | somber

Deep Valley (1947)

Barry (Misterioso)0:28:31 - Libby talks with Jeffadvance plot | boss | conversing | dark | leading lady | leading man | mysterious | room | somber

Deep Valley (1947)

Homestead (Morendo)0:29:17 - Jeff talks with Libbyadvance plot | boss | conversing | leading lady | leading man | room | somber

Deep Valley (1947)

Libby 30:29:40 - Close-up on Libbyadvance plot | boss | conversing | dance-like | hesitant | leading lady | leading man | room

Deep Valley (1947)

Libby (Stormy)0:29:58 - Libby pulls away from Jeff's graspadvance plot | boss | dark | leading lady | leading man | leaving | lightning | room | running | storm | thunder

Deep Valley (1947)

Libby 30:30:31 - Libby watches the stormadvance plot | arriving | boss | hesitant | leading lady | leading man | leaving | lightning | room | storm | thunder | watching

Deep Valley (1947)

Underscoring (Dramatic)0:31:10 - Close-up on Libbyarguing | conflict | crying | dark | dramatic | father | leading lady | lightning | room | storm | tense | thunder | underscoring

Deep Valley (1947)

Slap0:32:20 - Cliff slaps Libbyconflict | dramatic | father | leading lady | lightning | mickey-mousing | room | slapping | storm | thunder | violence

Deep Valley (1947)

Earthquake0:32:21 - An earthquake shakes the houseconflict | dramatic | earthquake | father | leading lady | lightning | mother | room | rushing | shaking | storm | thunder

Deep Valley (1947)

Libby (Dark)0:33:17 - Libby walks to her mother's roomconflict | conversing | dark | leading lady | lightning | mother | room | somber | storm | thunder | walking

Deep Valley (1947)

Libby (Slowly)0:34:53 - Libby leaves her motherconflict | dark | leading lady | leaving | lightning | mother | pleading | room | somber | storm | tense | thunder

Deep Valley (1947)

Triste (Stormy)0:35:16 - Shutters shaking in the windconflict | dark | leading lady | leaving | lightning | mother | pleading | room | somber | storm | thunder

Deep Valley (1947)

Homestead (Slowly)0:37:05 - Ellie in her roomadvance plot | arriving | father | mother | room | somber | street | waiting

Deep Valley (1947)

Libby 2 (Misterioso)0:37:32 - Cliff looks for Libbyadvance plot | calling | father | mysterious | room | searching | tense

Deep Valley (1947)

Libby 3 (Dolce)0:37:47 - Cliff looks for Libbyadvance plot | father | room | searching | tender

Deep Valley (1947)

Drudge0:38:02 - Ellie looks out the windowadvance plot | father | mother | room | tender | waiting

Deep Valley (1947)

Libby 3 (Brief)0:38:54 - Cliff closes a dooradvance plot | father | mother | room | tender | waiting

Deep Valley (1947)

Libby (Molto Expressivo)0:57:13 - Libby looks at the homesteadleading lady | mother | mysterious | reconciliation scene | returning | room | somber | street

Deep Valley (1947)

Triste (Timidly)0:57:32 - Ellie leaves her roomcleaning | father | mother | reconciliation scene | room | somber | timid | walking

Deep Valley (1947)

Homestead (Dolce)0:57:50 - Ellie comes downstairsfather | gentle | mother | reconciliation scene | reuniting | room | sweet | timid

Deep Valley (1947)

Homestead (Gentle)1:01:50 - Ellie sits at the tablefather | gentle | mother | reconciliation scene | room | watching

Deep Valley (1947)

Underscoring (Dramatic)1:02:02 - Libby in her roomadvance plot | arriving | dramatic | father | leading lady | police | room | searching | street | tense | underscoring | watching

Deep Valley (1947)

Law (Misterioso)1:02:41 - Libby looks out the windowadvance plot | father | leading lady | manhunt | mysterious | police | room | searching | street | tense

Deep Valley (1947)

Barry (Misterioso)1:02:50 - Libby runs to the dooradvance plot | leading lady | mother | mysterious | room | rushing | tense

Deep Valley (1947)

Law (Tense)1:02:57 - Libby goes down the stairsadvance plot | leading lady | mother | room | sneaking | tense

Deep Valley (1947)

Barry (Misterioso)1:03:09 - Ellie approachesadvance plot | leading lady | mother | mysterious | room | sneaking

Deep Valley (1947)

Libby 31:03:21 - Ellie talks with LIbbyadvance plot | conversing | hesitant | leading lady | lying | mother | room

Deep Valley (1947)

Libby (Stormy)1:03:40 - Ellie talks with Libbyadvance plot | conversing | hesitant | leading lady | lying | mother | room | tense

Deep Valley (1947)

Underscoring (Tense)1:03:52 - Libby sneaks awayadvance plot | leading lady | packing | room | rushing | tense | underscoring

Deep Valley (1947)

Barry (Contrary Motion)1:04:10 - Libby gathers thingsadvance plot | leading lady | mickey-mousing | packing | police | rolling | room | rushing | tense

Deep Valley (1947)

Barry (Molto Misterioso) + Love Theme1:06:04 - Sheriff drinks coffeeaction scene | convict | drinking | forest | fugitive | leading lady | leading man | love interest | mysterious | police | room | somber | walking

Deep Valley (1947)

Homestead (Lento)1:07:51 - Ellie and Cliff play cardsadvance plot | calm | cards | conversing | father | leading lady | mother | playing | room

Deep Valley (1947)

Homestead (Morendo)1:08:13 - Libby talks with her parentsadvance plot | conversing | father | leading lady | mother | room | somber

Deep Valley (1947)

Libby 31:08:56 - Jeff talks with Libbyadvance plot | conversing | hesitant | leading lady | leading man | room

Deep Valley (1947)

Libby (Stormy)1:09:20 - Jeff talks with Libbyadvance plot | conversing | hesitant | leading lady | leading man | room | tense

Deep Valley (1947)

Underscoring (Tense)1:09:40 - Jeff talks with Libbyadvance plot | conversing | leading lady | leading man | room | stinger | tense | underscoring

Deep Valley (1947)

Libby (Triste)1:10:09 - Libby reacts to the newsescape | leading lady | leading man | reacting | room | somber

Deep Valley (1947)

Libby (Worried)1:10:24 - Libby tosses and turns on her bedanxiety | anxious | escape | leading lady | restless effect | restlessness | room | tense | worry | worrying

Deep Valley (1947)

Libby (Agitated)1:10:36 - Libby gets up from her bedanxiety | anxious | escape | leading lady | restless effect | restlessness | room | tense | worry | worrying

Deep Valley (1947)

Underscoring (Tense)1:10:50 - Libby looks out the windowconvict | escape | fugitive | leading lady | leading man | looking | love interest | room | searching | tense | underscoring | yard

Deep Valley (1947)

Libby (Sneaking)1:11:05 - Libby hurries awayescape | leading lady | room | rushing | sneaking | sneaking effect | tense
Dust Be My Destiny (1939)Dust Be My Destiny (Worried)0:46:02 - Mabel talks to the police11th chord | create suspense | leading lady | police | room | somber

Dust Be My Destiny (1939)

Whistling (Suspenseful)0:46:25 - Mabel looks out the windowanxious | cheerful | concerned | create suspense | harmonic sequence | leading lady | leading man | on-screen music | police | polytonality | room | scored source music | source music | whistling

Dust Be My Destiny (1939)

Underscoring (Dramatic)0:46:42 - Mabel yells to Joechromatic scale | create suspense | diminished 7th chord | dissonant bass | dramatic | escaping | gun | gunshot | leading lady | leading man | police | room | runaway | running | street | underscoring | yelling

Dust Be My Destiny (1939)

Underscoring (Dark)0:46:58 - Nick workingcreate suspense | dark | dissonant bass | friend | police | room | shopkeeper | street | underscoring

Dust Be My Destiny (1939)

Dust Be My Destiny (Radio)0:52:28 - Mabel in an apartmentconflict | leading lady | leading man | popular song | radio | room | score to source | somber | source music

Dust Be My Destiny (1939)

Dust Be My Destiny (Arguing)0:55:00 - Mabel confronts Joeagitated | arguing | conflict | dark | leading lady | leading man | parallelism | pc set | pleading | room

Dust Be My Destiny (1939)

Dust Be My Destiny (Transformation)0:57:38 - Joe comes back to the apartmentdissonant bass | foreign key modulation | leading lady | leading man | linear chromaticism | love scene | mysterious | room | triumphant

Dust Be My Destiny (1939)

Dust Be My Destiny (Reunited)0:58:04 - Joe embraces Mabel9th chord | 64 chord | added-note chord | embracing | foreign key modulation | leading lady | leading man | love scene | romantic | room | triumphant

Dust Be My Destiny (1939)

Buzzing1:01:05 - Men working in the dark room64 chord | action scene | added-note chord | buzzy | chromatic parallelism | dark room | enharmonic modulation | exciting | foreign key modulation | leading man | mode mixture | Neapolitan | newspaper | newspaper editor | parallelism | photographer | photography | pump-up modulation | Rimsky-Korsakov | working

Dust Be My Destiny (1939)

Dust Be My Destiny (Dolceeessimo)1:08:53 - Joe and Mabel talkadvance plot | chromatic mediant | foreign key modulation | hopeful | intervallic expansion | leading lady | leading man | peaceful | room
Flamingo Road (1949)If I Could Be With You0:07:53 - Field hears music playingcarny | conversing | establish character | leading lady | leading man | on-screen music | parallel period | police | radio | room | sentimental | singer | singing | source music

Flamingo Road (1949)

Lane (Moderato Grazioso)NIF - not in filmconversing | cut from film | cut from film | leading lady | leading man | lovers meet | picardy third | police | room

Flamingo Road (1949)

Underscoring (Lyrical)NIF - not in film9th chord | altered dominant | conversing | cut from film | cut from film | leading lady | leading man | lovers meet | police | room | underscoring

Flamingo Road (1949)

Lane (Poco Con Moto)NIF - not in filmconversing | cut from film | cut from film | deceptive resolution | leading lady | leading man | lovers meet | parallelism | police | room

Flamingo Road (1949)

Arabian Riff (Not in Film)NIF - not in filmconversing | cut from film | cut from film | deceptive resolution | leading lady | leading man | lovers meet | pedal tone | police | room | source to score

Flamingo Road (1949)

Underscoring (Lyrical)NIF - not in filmchromatic parallelism | conversing | cut from film | cut from film | leading lady | leading man | lovers meet | police | room | underscoring

Flamingo Road (1949)

LaneNIF - not in filmconversing | cut from film | cut from film | leading lady | leading man | lovers meet | mode mixture | police | room

Flamingo Road (1949)

If I Could Be With You (Timidly)NIF - not in filmchromatic parallelism | conversing | cut from film | cut from film | leading lady | leading man | lovers meet | police | room | source to score

Flamingo Road (1949)

If I Could Be With You (Lightly)NIF - not in filmaltered dominant | common-tone diminished 7th | cut from film | cut from film | flirting | leading lady | leading man | lovers meet | pedal tone | police | room

Flamingo Road (1949)

Lane (Not in Film)NIF - not in filmconversing | cut from film | cut from film | foreign key modulation | leading lady | leading man | lovers meet | mode mixture | police | room

Flamingo Road (1949)

TravelingNIF - not in filmadded-note chord | chromatic mediant | common-tone diminished 7th | cut from film | cut from film | deceptive resolution | leading lady | leading man | lovers meet | pedal tone | police | room

Flamingo Road (1949)

You Must Have Been a Beautiful Baby0:43:13 - A woman sings and plays the pianoadvance plot | conversing | employer | leading lady | on-screen music | room | sentimental | singer | singing | source music

Flamingo Road (1949)

Drinking whiskey0:49:50 - Dan drinkschromatic parallelism | comical | distressed | drinking | leading lady | leading man | love interest | lovers meet | mickey-mousing | politician | quintal chord | room

Flamingo Road (1949)

Lane (Lento)0:50:04 - Dan meets Laneadded-note chord | conversing | countermelody | gentle | graceful | leading lady | leading man | love interest | lovers meet | politician | room

Flamingo Road (1949)

Lane (Chromatic)0:50:24 - Lane ties Dan's tie9th chord | chromatic parallelism | conversing | dark | gentle | leading lady | leading man | love interest | lovers meet | politician | room

Flamingo Road (1949)

Titus 2 (Agitato)0:50:41 - Lane ties Dan's tiechromatic parallelism | conversing | leading lady | leading man | love interest | lovers meet | mysterious | politician | room | self-borrowing

Flamingo Road (1949)

Indigestion0:50:48 - Lane complains of a hangoverchromatic parallelism | chromatic scale | comical | distressed | grumbling | leading lady | leading man | love interest | lovers meet | politician | room

Flamingo Road (1949)

Lane0:50:59 - Lane gives Dan his moneyconversing | delicate | gentle | leading lady | leading man | love interest | lovers meet | mode mixture | pleasant | politician | room

Flamingo Road (1949)

If I Could Be With You (Misterioso)0:51:15 - Lane asks Dan about Fieldchromatic parallelism | conversing | diminished 7th chord | leading lady | leading man | love interest | lovers meet | politician | room | uneasy

Flamingo Road (1949)

Molto Grazioso0:51:40 - Dan notices Laneconversing | delicate | flirting | leading lady | leading man | love interest | lovers meet | politician | room

Flamingo Road (1949)

Lute Mae (Quasi Blues)0:51:46 - Dan flirts with Lane13th chord | added-note chord | conversing | countermelody | flirting | flirty | leading lady | leading man | love interest | lovers meet | politician | room | self-borrowing | sultry | thematic transference

Flamingo Road (1949)

Slide whistle0:53:00 - Dan surprises Lute Maecomical | employer | leading lady | leading man | love interest | mickey-mousing | politician | room | surprising | transition

Flamingo Road (1949)

Lute Mae (Tenderly)1:03:37 - Dan is grateful for Lane's gift to him13th chord | added-note chord | advance plot | comical | common-chord modulation | conversing | embracing | happy | husband | leading lady | leading man | maid | room | self-borrowing | tender | wife

Flamingo Road (1949)

Flamingo Road (Tenderly)1:03:58 - Dan and Lane have teaadvance plot | conversing | gentle | husband | leading lady | leading man | mode mixture | room | self-borrowing | serving | tea | wife

Flamingo Road (1949)

Flamingo Road (Tense)1:04:16 - Titus enters the roomadvance plot | combination of themes | conversing | leading lady | leading man | politician | room | self-borrowing | sheriff | tense | whole-tone scale

Flamingo Road (1949)

Flamingo Road (Misterioso)1:04:33 - Titus talks to Danadvance plot | combination of themes | conversing | distortion | fragmentation | leading lady | leading man | mysterious | politician | room | self-borrowing | sequence | sheriff

Flamingo Road (1949)

Titus 2 (Threatening)1:04:45 - Titus threatens Laneadvance plot | chromatic parallelism | leading lady | room | self-borrowing | sheriff | threatening | threatening

Flamingo Road (1949)

Titus1:04:55 - Titus insults Laneadvance plot | dark | leading lady | leading man | ominous | politician | room | self-borrowing | sheriff | threatening

Flamingo Road (1949)

Titus1:06:35 - Titus leavesadvance plot | dark | leading man | leaving | ominous | politician | room | self-borrowing | sheriff

Flamingo Road (1949)

Titus 2 (Slowly)1:06:43 - Dan talks to Lane about Titusadvance plot | chromatic parallelism | leading lady | leading man | lying | room | self-borrowing | tense

Flamingo Road (1949)

Lute Mae (Tenderly)1:07:55 - Dan kisses Lane13th chord | added-note chord | bluesy | husband | kissing | leading lady | leading man | love scene | room | self-borrowing | tender | wife

Flamingo Road (1949)

Underscoring (Tense)1:11:26 - Field drinksalcohol | arriving | bullying | conflict | dramatic | drinking | leading man | linear chromaticism | politician | room | sheriff | underscoring

Flamingo Road (1949)

Titus (Ominous)1:11:44 - Titus argues with Fieldarguing | bullying | conflict | drinking | leading man | mysterious | politician | room | self-borrowing | sheriff | tense

Flamingo Road (1949)

Underscoring (Tense)1:11:51 - Titus argues with Fieldarguing | bullying | conflict | drinking | leading man | politician | room | sheriff | tense | underscoring

Flamingo Road (1949)

The Sheriff1:12:01 - Titus stands and walksarguing | bullying | chromatic parallelism | conflict | dark | leading man | mickey-mousing | ominous | politician | room | self-borrowing | sheriff | standing

Flamingo Road (1949)

Throwing whiskey and glass1:12:08 - Titus throws whiskey in Field's facealcohol | breaking | bullying | conflict | dramatic | glass | leading man | mickey-mousing | politician | room | sheriff | slamming | splashing | throwing | tone cluster | whole-tone scale

Flamingo Road (1949)

Titus (Violent)1:12:11 - Titus and Field arguearguing | bullying | conflict | dark | leading man | ominous | politician | room | self-borrowing | sheriff | violent

Flamingo Road (1949)

Underscoring (Dramatic)1:12:17 - Titus grabs Field and pushes himbullying | conflict | dramatic | leading man | politician | pushing | room | sheriff | throwing | underscoring | violent

Flamingo Road (1949)

Anger1:12:20 - Titus and Field face offangry | arguing | bullying | chromatic parallelism | chromatic wedge | conflict | leading man | pc set | politician | room | self-borrowing | sheriff | tense

Flamingo Road (1949)

Rising Anger1:12:26 - Titus throws open the doorangry | arguing | bullying | chromatic parallelism | conflict | diminished 7th chord | leading man | politician | room | self-borrowing | sheriff

Flamingo Road (1949)

Underscoring (Dramatic)1:12:32 - Titus throws Field out the dooraugmented triad | bullying | chromatic parallelism | conflict | dark | dramatic | leading man | politician | polychord | pushing | room | sheriff | throwing | underscoring

Flamingo Road (1949)

Breaking door1:12:39 - Titus breaks the glass doorbreaking | bullying | conflict | door | dramatic | leading man | mickey-mousing | politician | polychord | room | sheriff | smashing | window

Flamingo Road (1949)

Titus 2 (Buzzer)1:13:16 - Titus arrivesarriving | chromatic parallelism | dark | entering | leading lady | maid | ominous | politician | room | self-borrowing | sheriff | transition

Flamingo Road (1949)

Titus (Ostinato)1:17:09 - Dan looks at some papersbrooding | conflict | dark | hopeful | husband | leading lady | leading man | ominous | politician | room | self-borrowing | wife

Flamingo Road (1949)

Lane (Tragic)1:18:10 - Lane talks to Dan about Titusangry | anxious | conflict | conversing | husband | leading lady | leading man | ostinato | politician | room | tragic | wife

Flamingo Road (1949)

If I Could Be With You (Tragic)1:18:35 - Lane tells Dan about Fieldconfessing | conflict | diminished 7th chord | husband | leading lady | leading man | love | politician | room | tragic | wife

Flamingo Road (1949)

Flamingo Road (Agitato)1:18:50 - Dan gets upset with Lane9th chord | accusing | angry | augmented sixth chord | conflict | fragmentation | husband | leading lady | leading man | politician | quartal chord | room | self-borrowing | wife

Flamingo Road (1949)

Appassionato1:19:10 - Dan argues with Lanearguing | chromatic parallelism | conflict | diminished 7th chord | harmonic sequence | husband | leading lady | leading man | passionate | politician | room | wife | yearning

Flamingo Road (1949)

Flamingo Road (Molto Expressivo)1:19:32 - Dan leavesconflict | husband | leading lady | leading man | leaving | politician | room | self-borrowing | tragic | wife

Flamingo Road (1949)

Flamingo Road (Triste)1:19:43 - Lane watches Dan leavealtered dominant | conflict | husband | leading lady | leading man | politician | room | self-borrowing | somber | waiting | wife

Flamingo Road (1949)

Titus (Triste 2)1:20:10 - Dan and Lane talk on the phonecalling | conflict | husband | leading lady | leading man | politician | room | somber | train station | wife

Flamingo Road (1949)

Lane (Lonely)1:21:12 - Lane in her roomadvance plot | leading lady | lonely | mickey-mousing | pondering | rising | room | somber | waiting

Flamingo Road (1949)

Lane (Ominous)1:21:22 - A hand rings the doorbelladvance plot | leading lady | mysterious | ominous | pausing | pedal tone | ringing | room

Flamingo Road (1949)

Lane (Descending the Staircase)1:21:31 - Lane descends the stairsadvance plot | delicate | descending | leading lady | leading man | love interest | mickey-mousing | mysterious | parallelism | room | walking

Flamingo Road (1949)

If I Could Be With You (Triste)1:22:18 - Field enters the housedeath scene | diminished 7th chord | drunk | drunk | foreign key modulation | leading lady | leading man | love interest | room | somber | stumbling

Flamingo Road (1949)

Underscoring (Somber)1:22:33 - Field stumbles through the housechromatic parallelism | conversing | death scene | drunk | drunk | leading lady | leading man | love interest | room | somber | underscoring

Flamingo Road (1949)

If I Could Be With You (Drunk)1:22:58 - Field and Lane talk about their past lovearguing | chromatic parallelism | death scene | diminished 7th chord | drunk | leading lady | leading man | love interest | room | somber

Flamingo Road (1949)

Titus (Ostinato 2)1:23:34 - Field and Lane talk about Titus and Danarguing | dark | death scene | dramatic | leading lady | leading man | love interest | ominous | ostinato | room | self-borrowing

Flamingo Road (1949)

Flamingo Road (Andante)1:24:05 - Lane goes to get a drink for Fieldaltered dominant | chromatic parallelism | dark | death scene | gentle | gunshot | hopeful | leading lady | leading man | love interest | mode mixture | room | self-borrowing | suicide | walking | warm

Flamingo Road (1949)

If I Could Be With You (Dead)1:24:41 - Lane sees Field has committed suicideaugmentation | death scene | discovering | gunshot | leading lady | leading man | love interest | reacting | room | suicide | surprise | tragic | violent

Flamingo Road (1949)

Mob1:28:20 - A mob forms outside of Lane's homeadvance plot | angry | anxious | augmented triad | chromatic parallelism | chromatic scale | friend | leading lady | minor-major 7th chord | mob | mobbing | ostinato | polyrhythm | room | tense | whole-tone chord

Flamingo Road (1949)

Titus1:28:52 - Lane says Titus's nameadvance plot | conversing | dark | friend | leading lady | mob | ominous | room | self-borrowing | zoom in
Hell on Frisco Bay (1955)Hell on Frisco Bay0:24:15 - Steve goes homeadvance plot | arriving | conductor score | leading man | room | sentimental

Hell on Frisco Bay (1955)

Hell on Frisco Bay0:24:44 - Steve packsadvance plot | conductor score | leading lady | leading man | packing | room | troubled

Hell on Frisco Bay (1955)

Hell on Frisco Bay0:25:00 - Marcia entersadvance plot | conductor score | entering | leading lady | leading man | room | sentimental

Hell on Frisco Bay (1955)

Hell on Frisco Bay0:25:14 - Marcia and Steve argueadvance plot | arguing | conductor score | leading lady | leading man | room | tense

Hell on Frisco Bay (1955)

Hell on Frisco Bay0:25:27 - Marcia and Steve talkadvance plot | agitated | conductor score | conversing | leading lady | leading man | room

Hell on Frisco Bay (1955)

Hell on Frisco Bay0:25:56 - Marcia and Steve talkadvance plot | conductor score | conversing | leading lady | leading man | room | somber

Hell on Frisco Bay (1955)

Picks up suitcase0:26:22 - Steve picks up his suitcaseadvance plot | conductor score | hurried | leading man | mickey-mousing | picking up | room | rushing

Hell on Frisco Bay (1955)

Walking0:26:31 - Marcia walks to the dooradvance plot | conductor score | gangster | hurried | leading lady | leading man | mickey-mousing | room | walking

Hell on Frisco Bay (1955)

Underscoring (Dramatic)0:27:50 - Steve fights Hammyaction scene | conductor score | dramatic | fighting | gangster | hurried | leading lady | leading man | room | strangling | tense | underscoring

Hell on Frisco Bay (1955)

Underscoring (Tense)0:28:03 - The gangsters leaveaction scene | conductor score | conversing | gangster | leading lady | leading man | leaving | room | tense | underscoring

Hell on Frisco Bay (1955)

Hell on Frisco Bay0:28:43 - Marcia talks to Steveaction scene | conductor score | conversing | leading lady | leading man | leaving | room | somber

Hell on Frisco Bay (1955)

Menace 20:28:55 - Marcia reacts to Steve's commentaction scene | conductor score | conversing | leading lady | leading man | leaving | room | upset

Hell on Frisco Bay (1955)

Menace0:29:01 - Steve cleans upadvance plot | cleaning | conductor score | leading man | ominous | room

Hell on Frisco Bay (1955)

Menace0:31:38 - Steve talks with the detectiveadvance plot | conductor score | conversing | dark | detective | investigator | leading man | ominous | room

Hell on Frisco Bay (1955)

Menace 20:32:00 - Steve talks with the detectiveadvance plot | conductor score | conversing | dark | detective | investigator | leading man | ominous | room

Hell on Frisco Bay (1955)

Georgie0:36:40 - George talks to his sonadvance plot | caring | child | conductor score | embracing | father | gentle | room | tender

Hell on Frisco Bay (1955)

Anna0:46:05 - Anna talks with Amatoantagonist | conductor score | conversing | establish character | gangster | gentle | leading man | room | sentimental | warning | wife | worrying

Hell on Frisco Bay (1955)

Amato0:47:01 - Amato talks with Lyeadvance plot | antagonist | brash | conductor score | conversing | gangster | harsh | leading man | room

Hell on Frisco Bay (1955)

Face twitching0:47:44 - Amato talks with Lyeadvance plot | antagonist | conductor score | conversing | gangster | leading man | room | uneasy

Hell on Frisco Bay (1955)

Amato0:48:03 - Amato teases Lyeadvance plot | agitated | antagonist | arguing | conductor score | gangster | leading man | room

Hell on Frisco Bay (1955)

Amato0:48:11 - Amato threatens Lyeadvance plot | antagonist | arguing | brash | conductor score | dark | gangster | leading man | room | threatening

Hell on Frisco Bay (1955)

Anna0:48:38 - Anna comforts Marioadvance plot | comforting | conductor score | gangster | gentle | room | sentimental | wife

Hell on Frisco Bay (1955)

Menace0:49:04 - Amato pacesaction scene | conductor score | dark | gangster | leading man | menacing | pacing | room

Hell on Frisco Bay (1955)

Underscoring (Dramatic)0:51:36 - Amato yells at Steveaction scene | angry | arguing | conductor score | fighting | gangster | investigator | leading man | room | underscoring | violence | yelling

Hell on Frisco Bay (1955)

Menace0:58:13 - Bessie prepares to leavechase scene | conductor score | floozy | mysterious | preparing | room | tense | thinking

Hell on Frisco Bay (1955)

Steve1:01:01 - Steve talks to Marciaconductor score | conversing | entering | gentle | leading lady | leading man | love scene | room

Hell on Frisco Bay (1955)

Underscoring (Subtle)1:01:30 - Marcia talks to Steveconductor score | conversing | gentle | leading lady | leading man | love scene | room | underscoring

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:01:41 - Steve talks to Marciaconductor score | conversing | leading lady | leading man | love scene | room | tense | underscoring

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:01:53 - Marcia talks to Steveconductor score | conversing | leading lady | leading man | love scene | room | somber

Hell on Frisco Bay (1955)

Menace1:02:28 - Steve talks to Marciaconductor score | conversing | dark | leading lady | leading man | love scene | room

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:02:45 - Marcia talks to Steveconductor score | conversing | leading lady | leading man | love scene | romantic | room | tender

Hell on Frisco Bay (1955)

Pleading1:03:30 - Marcia talks to Steveconductor score | conversing | leading lady | leading man | love scene | room | tender

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:03:46 - Marcia talks to Steveconductor score | conversing | dark | leading lady | leading man | love scene | room | tender

Hell on Frisco Bay (1955)

Menace1:04:15 - Steve answers the phoneadvance plot | conductor score | dark | investigator | leading man | mysterious | room | waiting

Hell on Frisco Bay (1955)

Steve1:04:47 - Steve hangs up the phoneadvance plot | conductor score | dark | gentle | investigator | leading man | room | waiting

Hell on Frisco Bay (1955)

Anna1:04:54 - Anna talks to Amatoadvance plot | antagonist | conductor score | conversing | dark | gangster | gentle | leading man | room | wife

Hell on Frisco Bay (1955)

It Can't Be Wrong1:09:26 - Amato talks to Lyeadvance plot | antagonist | calm | conversing | gangster | leading man | room | source music

Hell on Frisco Bay (1955)

Underscoring (Mysterious)1:24:05 - Amato calls detectiveadvance plot | calling | gangster | leading man | mysterious | room | statue | tense | underscoring

Hell on Frisco Bay (1955)

Anna1:24:31 - Amato calls detectiveadvance plot | conversing | gangster | leading man | mysterious | religious | religious | room

Hell on Frisco Bay (1955)

Anna1:25:41 - Amato looks at the statueadvance plot | gangster | leading man | looking | mysterious | religious | room | tense

Hell on Frisco Bay (1955)

Kay1:28:35 - Steve leaves with Kaycomforting | gentle | investigator | leading man | leaving | love interest | room | turning point | witness

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:28:48 - Marcia wakes up and answers the doorgentle | leading lady | room | turning point | waking

Hell on Frisco Bay (1955)

Kay1:29:11 - Steve enters with Kayarriving | entering | investigator | leading lady | leading man | love interest | room | somber | turning point | witness

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:29:23 - Marcia calls the policeagitated | calling | investigator | leading lady | leading man | leaving | love interest | room | turning point | witness

Hell on Frisco Bay (1955)

Underscoring (Tense)1:29:55 - Marcia talks to Kayconversing | leading lady | love interest | room | tense | turning point | witness

Hell on Frisco Bay (1955)

Underscoring (Dramatic)1:30:27 - Steve tells Anna that Mario was murderedadvance plot | conversing | dark | investigator | leading man | murder | ominous | priest | room | shock | wife

Hell on Frisco Bay (1955)

Anna1:30:35 - Anna tells Steve where to find Amatoadvance plot | betraying | conversing | dark | investigator | leading man | ominous | priest | room | somber | wife

Hell on Frisco Bay (1955)

Menace1:31:01 - Amato prepares to leaveaction scene | agitated | gangster | leading man | packing | room

Hell on Frisco Bay (1955)

Menace 21:31:19 - Amato prepares to leaveaction scene | agitated | gangster | leading man | packing | room

Hell on Frisco Bay (1955)

Menace1:31:32 - Amato picks up his gunaction scene | conversing | dramatic | gangster | leading man | packing | room

Hell on Frisco Bay (1955)

Lye1:32:01 - Lye confronts Amatoaction scene | conversing | gangster | gun | leading man | lying | room | uneasy

Hell on Frisco Bay (1955)

Amato1:32:23 - Amato shoots Lyeaction scene | brash | gangster | gun | gunshot | leading man | murder | murdering | room | shooting | tense | violence | yelling
Her Kind of Man (1946)Scrapbook0:00:59 - A busy newsroombluesy | journalist | pedal tone | room | transition | voice-over | working

Her Kind of Man (1946)

It Had to Be You0:12:33 - Steve whistlesestablish character | gambler | leading lady | leading man | love interest | love scene | on-screen music | room | sentimental | singer | source music | whistling

Her Kind of Man (1946)

April in Paris0:12:48 - Steve enters Georgia's dressing roomAABA structure | conversing | establish character | gambler | kissing | leading lady | leading man | love interest | love scene | popular music | room | sentimental | singer | source music

Her Kind of Man (1946)

Underscoring (Dark [Waxman])0:17:02 - Steve fights Felixaction scene | arguing | conversing | criminal | dark | death | dramatic | gambler | gun | gunshot | leading lady | leading man | love interest | owner | punching | room | self-defense | shooting | singer | stinger | tense | underscoring

Her Kind of Man (1946)

It Had to Be You (Kissing)0:18:22 - Steve kisses Georgiaaction scene | augmented triad | gambler | kissing | leading lady | leading man | love interest | minor-major 7th chord | room | singer | source to score | tense

Her Kind of Man (1946)

Underscoring (Dark [Waxman])0:18:32 - Candy entersaction scene | conversing | criminal | dark | gambler | henchman | leading man | owner | room | stinger | tense | underscoring

Her Kind of Man (1946)

Underscoring (Gentle)0:19:34 - A telegramgambler | gentle | leading man | montage | montage | reading | room | telegram | underscoring

Her Kind of Man (1946)

It Had to Be You0:29:37 - Georgia and Donbalcony | cheery | conversing | gambler | leading lady | leading man | love interest | love scene | on-screen music | reporter | room | source music | whistling

Her Kind of Man (1946)

Bulletin Board0:32:45 - Don leavesbluesy | conversing | crew | departing | gambler | leading man | reporter | room | source and scoring overlap | stage | transition | upbeat

Her Kind of Man (1946)

It Had to Be You (Somber)0:44:48 - Georgia leaves9th chord | arguing | conflict | departing | gambler | leading lady | leading man | love interest | room | somber | underscoring

Her Kind of Man (1946)

It Had to Be You0:47:09 - Georgia gets ready for bedadvance plot | cheery | gambler | leading lady | leading man | love interest | on-screen music | preparing | room | source music | waiting | whistling

Her Kind of Man (1946)

It Had to Be You (Passionate)0:47:50 - Georgia talks with Stevearguing | conversing | dark | gambler | kissing | leading lady | leading man | love interest | love scene | passionate | romantic | room | sequence | source to score | turbulent

Her Kind of Man (1946)

Here Comes the Bride0:49:40 - Steve proposes to Georgiaclassical music | criminal | familiar tune | gambler | henchman | leading lady | leading man | love interest | love scene | proposing | reporter | romantic | room | tense

Her Kind of Man (1946)

It Had to Be You (Dramatic)0:51:26 - Don shoves Candyarguing | conflict | criminal | departing | dramatic | fighting | gambler | henchman | leading man | reporter | room | underscoring

Her Kind of Man (1946)

Newspaper0:51:32 - A newspaper articleadvance plot | leading man | newspaper | reporter | room | tense | uneasy | writing

Her Kind of Man (1946)

Flashback0:53:57 - A man sweepingconversing | flashback | flashback | leading man | mysterious | reporter | reporting | room | storytelling | tense | waiter | witness

Her Kind of Man (1946)

Burning paper0:55:22 - Burning paperburning | fire effect | leading man | mickey-mousing | reporter | room | tense | turning point

Her Kind of Man (1946)

Underscoring (Mysterious)1:05:01 - A dark dooradvance plot | arriving | conversing | husband | leading man | mysterious | reporter | room | underscoring | widow

Her Kind of Man (1946)

It Had to Be You (Sneaky)1:05:51 - Georgia hides Candyadvance plot | criminal | familiar tune | henchman | leading lady | leading man | mysterious | popular music | reporter | room | singer | sneaking | sneaky | source to score | wife

Her Kind of Man (1946)

Underscoring (Dramatic [Steiner])1:14:17 - Cop looks at his watchclimax | conversing | criminal | double-cross | dramatic | henchman | leading lady | leading man | parallelism | police | reporter | room | singer | stinger | telephone | tense | underscoring | watch | wife
I Was a Communist for the FBI (1951)Underscoring (Dramatic)0:24:58 - Matt reactschromatic parallelism | chromatic scale | chromatic wedge | departing | diminished 7th chord | dissonant bass | dramatic | insult | leading man | neighbor | reacting | room | stinger | transition | undercover agent

I Was a Communist for the FBI (1951)

Family0:25:26 - Matt looks at a photo albumadvance plot | baby | common-tone modulation | deceptive resolution | double exposure | flashback | foreign key modulation | gentle | leading man | letter | looking | love | memory | mode mixture | photograph | room | self-borrowing | sentimental | smiling | son | tender | thinking | undercover agent | voice-over | writing

I Was a Communist for the FBI (1951)

Family (Molto Expressivo)0:26:15 - Matt writes a letter to his son9th chord | added-note chord | advance plot | baby | deceptive resolution | double exposure | flashback | foreign key modulation | gentle | leading man | letter | looking | love | memory | photograph | room | self-borrowing | sentimental | smiling | son | tender | thinking | undercover agent | voice-over | writing

I Was a Communist for the FBI (1951)

Family (Triste)0:38:00 - Matt enters his homeadvance plot | common-chord modulation | foreign key modulation | leading man | pacing | room | self-borrowing | solemn | somber | thinking | undercover agent

I Was a Communist for the FBI (1951)

Agitato Molto Misterioso0:38:32 - Matt notices that he has lost his letteradvance plot | chromatic parallelism | leading man | letter | mysterious | ostinato | pc set | polychord | reacting | room | searching | tense | undercover agent | whole-tone chord

I Was a Communist for the FBI (1951)

Turns on lights0:58:50 - Agent turns on the lightscommunist | create suspense | light | mickey-mousing | room | spy | tense | tritone | turning on

I Was a Communist for the FBI (1951)

Searching0:58:52 - The communists search the roomcommunist | create suspense | mickey-mousing | room | searching | sneaking | spy | tense

I Was a Communist for the FBI (1951)

FBI (Molto Marcato)0:59:03 - FBI man enters with a gunagent | arresting | communist | gun | leading lady | leading man | murder scene | noble | room | sneaking | spy | stinger | street | teacher | tense | undercover agent

I Was a Communist for the FBI (1951)

Undercover Agent (Tense)0:59:26 - FBI man holds gun on commie agentsacceleration | agent | arresting | communist | dark | dialing | gun | murder scene | room | spy | tense | tritone oscillation

I Was a Communist for the FBI (1951)

Throws lamp0:59:39 - Commie throws lamp at FBI managent | augmented triad | chromatic parallelism | communist | dramatic | falling | lamp | mickey-mousing | murder scene | room | spy | throwing

I Was a Communist for the FBI (1951)

Agents Fight0:59:39 - Communists fight the FBI managent | attacking | augmented triad | chromatic parallelism | communist | death | dramatic | fighting | knife | minor-major 7th chord | murder | murder scene | pc set | polychord | room | spy | stabbing | stinger | tritone oscillation

I Was a Communist for the FBI (1951)

Undercover Agent (Newspaper)1:04:11 - FBI agents talkagent | conversing | dark | leading man | newspaper | ominous | planning | polychord | room | transition | tritone oscillation | undercover agent

I Was a Communist for the FBI (1951)

Undercover Agent (Risoluto)1:09:39 - FBI agents walk awayagent | interrogating | interrogation | leading man | mysterious | polychord | questioning | room | shallow focus | suspicion | tense | tritone oscillation | undercover agent

I Was a Communist for the FBI (1951)

Agitato Molto Misterioso1:10:18 - Communists interrogate Mattchromatic parallelism | chromatic scale | communist | interrogating | interrogation | leading man | mysterious | ostinato | pc set | questioning | room | shallow focus | suspicion | tense | undercover agent | whole-tone scale

I Was a Communist for the FBI (1951)

Undercover Agent1:10:36 - Communists interrogate Mattcommunist | interrogating | interrogation | leading man | mysterious | polychord | questioning | room | shallow focus | suspicion | tense | threatening | tritone oscillation | undercover agent

I Was a Communist for the FBI (1951)

Underscoring (Tense)1:10:41 - Communists interrogate Mattchromatic scale | communist | dark | interrogating | interrogation | leading man | questioning | room | shallow focus | suspicion | tense | threatening | undercover agent | underscoring
In This Our Life (1942)Roy0:02:59 - Roy descends a staircase64 chord | conversing | daughter | delicate | establish character | father | foreign key modulation | gentle | greeting | leading lady | maid | room

In This Our Life (1942)

Stanley (She Runs)0:07:32 - Stanley runs insidearriving | chromatic parallelism | chromatic sequence | diminution | establish character | hurried | leading lady | mickey-mousing | room | running | sequence | street

In This Our Life (1942)

Stanley (Rubato)0:11:58 - Stanley talks with Royconversing | establish character | leading lady | mysterious | pc set | room | sister | stinger

In This Our Life (1942)

Roy (Dolce)0:12:06 - Roy talks with Stanleyadded-note chord | altered dominant | conversing | establish character | gentle | half-diminished 7th chord | leading lady | room | sequence | sister | sweet

In This Our Life (1942)

Expressivo0:12:28 - Stanley talks with Roychromatic scale | conversing | establish character | expressive | leading lady | plagal cadence | retardation | room | sister

In This Our Life (1942)

Big Sweep0:12:41 - Stanley leavesaltered dominant | dramatic | establish character | leading lady | pc set | room | sister | stinger | tense | watching

In This Our Life (1942)

Roy (Triste)0:12:54 - Roy walks up the stairs9th chord | altered dominant | countermelody | establish character | foreign key modulation | gentle | leading lady | room | somber | walking

In This Our Life (1942)

Caring0:13:08 - Roy talks to Peter9th chord | advance plot | chromatic parallelism | conversing | leading lady | leading man | packing | parallelism | passionate | room | tender

In This Our Life (1942)

Stanley (Peter Lies)0:13:28 - Peter talks about his trip9th chord | advance plot | appoggiatura | conversing | leading lady | leading man | lying | musical clue | packing | room | serious | somber

In This Our Life (1942)

Roy (In Love)0:13:39 - Roy is relieved64 chord | advance plot | calm | chromatic sequence | conversing | dissonant bass | leading lady | leading man | room | sequential modulation | whole-tone chord

In This Our Life (1942)

Discussion0:13:57 - Roy talks with Peter9th chord | advance plot | altered dominant | conversing | leading lady | leading man | passionate | reverse picardy | room | serious | somber

In This Our Life (1942)

Roy (Rubato)0:14:34 - Roy talks with Peter9th chord | advance plot | chromatic parallelism | conversing | dark | fragmentation | leading lady | leading man | major 7th chord | playful | room

In This Our Life (1942)

Pleadingly0:14:53 - Roy looks at Peteradvance plot | altered dominant | common-tone dominant 7th | conversing | leading lady | leading man | room | yearning

In This Our Life (1942)

Roy (Lento)0:14:59 - Roy talks about their future64 chord | advance plot | common-chord modulation | conversing | dark | deceptive resolution | dissonant bass | embracing | leading lady | leading man | room | sweet

In This Our Life (1942)

Stanley B (Agitato)0:15:19 - Peter replies to Royadvance plot | agitated | arguing | chromatic scale | dissonant bass | half-diminished 7th chord | leading lady | leading man | room | tense | whole-tone chord

In This Our Life (1942)

Roy (Morendo)0:15:43 - Roy responds to Peteradded-note chord | advance plot | augmented sixth chord | conversing | embracing | leading lady | leading man | room | serious | somber

In This Our Life (1942)

Stanley (Maestoso)0:16:11 - Peter closes the dooradvance plot | brash | dark | half-diminished 7th chord | leading lady | leading man | leaving | room | serious

In This Our Life (1942)

Stanley (Valse Triste)0:16:22 - Roy looks out the window9th chord | advance plot | altered dominant | appoggiatura | circle of fifths | dark | leading lady | leading man | leaving | room | somber | waltz | watching | window

In This Our Life (1942)

Stanley0:16:44 - Craig comes inside9th chord | advance plot | appoggiatura | circle of fifths | dark | father | leading lady | leading man | room | somber | waltz

In This Our Life (1942)

Stanley Introduction0:16:56 - Craig talks with Asa9th chord | advance plot | chromatic scale | conversing | father | fiancé | leading lady | room | tense | underscoring

In This Our Life (1942)

Stanley0:17:11 - Stanley comes down the stairs9th chord | advance plot | appoggiatura | circle of fifths | conversing | fiancé | kissing | leading lady | room | sultry

In This Our Life (1942)

Stanley B (Slowly)0:17:20 - Stanley talks with Craigadvance plot | conversing | dramatic | fiancé | half-diminished 7th chord | kissing | leading lady | lying | room | sultry

In This Our Life (1942)

Stanley B (Poco Agitato)0:17:44 - Stanley packs her thingsadvance plot | agitated | chromatic sequence | fragmentation | leading lady | packing | room | tense

In This Our Life (1942)

Stanley (Packing)0:17:51 - Stanley packs her things9th chord | advance plot | agitated | appoggiatura | circle of fifths | leading lady | packing | room | tense

In This Our Life (1942)

Stanley B (Agitato)0:18:08 - Asa arrives in a caradvance plot | agitated | arriving | butler | chromatic scale | chromatic sequence | dissonant bass | father | half-diminished 7th chord | room | tense

In This Our Life (1942)

Asa (Triste)0:21:45 - Asa arrives home64 chord | arriving | common-tone diminished 7th | conflict | father | leading lady | room | solemn | somber | tense

In This Our Life (1942)

Stanley (Con Moto)0:22:19 - Roy talks about Stanley's letter13th chord | angry | bitter | chromatic scale | conflict | conversing | father | half-diminished 7th chord | leading lady | letter | parallelism | pc set | room

In This Our Life (1942)

Roy (Risoluto)0:22:40 - Roy talks to Asa64 chord | chromatic parallelism | conflict | conversing | deceptive resolution | father | gentle | leading lady | room

In This Our Life (1942)

Expressivo0:22:51 - Roy talks to Asaaltered dominant | chromatic scale | conflict | conversing | expressive | father | leading lady | plagal cadence | retardation | room

In This Our Life (1942)

Big Sweep (Turn)0:23:03 - Roy looks in the mirroraltered dominant | conflict | conversing | expressive | father | leading lady | room

In This Our Life (1942)

Roy (Grazioso)0:23:08 - Roy looks in the mirror9th chord | conflict | conversing | countermelody | father | foreign key modulation | leading lady | mysterious | room

In This Our Life (1942)

Caring0:23:19 - Asa talks to Roy9th chord | chromatic parallelism | conflict | conversing | father | leading lady | room | sentimental | underscoring

In This Our Life (1942)

Asa (Ostinato)0:23:26 - Asa talks to Roychromatic parallelism | conflict | conversing | dark | father | leading lady | ostinato | room | sequential modulation | serious | whole-tone chord

In This Our Life (1942)

Asa (Molto Expressivo)0:23:49 - Roy leaves64 chord | added-note chord | conflict | dark | father | leading lady | leaving | mode mixture | pedal tone | reverse picardy | room | somber

In This Our Life (1942)

South American Way0:24:06 - A spinning recordAABA structure | advance plot | conversing | dancing | Latin-American | leading lady | leading man | love interest | popular music | record player | room | source music | upbeat

In This Our Life (1942)

Stanley Introduction (Extended)0:36:41 - Peter goes home9th chord | arriving | car | chromatic scale | leading man | love scene | room | solemn | somber | tense

In This Our Life (1942)

Stanley (Cello Solo)0:37:11 - Peter sits on the couch9th chord | contemplating | enharmonic respelling | leading man | love scene | room | sigh gesture | somber

In This Our Life (1942)

Flirting0:37:31 - Peter goes to Stanley9th chord | 64 chord | conversing | flirting | happy | leading lady | leading man | love scene | mode mixture | room

In This Our Life (1942)

Stanley (Grazioso)0:37:56 - Stanley talks to Peter9th chord | added-note chord | appoggiatura | circle of fifths | conversing | flirting | happy | leading lady | leading man | love scene | pleasant | room | sultry

In This Our Life (1942)

Blues in the Night0:42:47 - Stanley puts a record on the phonographarguing | blue note | blues | conflict | leading lady | leading man | record player | room | source music | upbeat

In This Our Life (1942)

Love Theme (Valse Sentimentale)0:46:31 - Roy talks with her uncle9th chord | altered dominant | conversing | iii chord | leading lady | leading man | love scene | pleasant | proposal | room | tender | uncle | waltz

In This Our Life (1942)

Phone Call0:47:29 - Asa answers the phonebad news | conversing | dark | eerie | father | mysterious | pc set | phone call | room | telephone | tense | tone cluster | turning point

In This Our Life (1942)

Funereal0:48:25 - Asa calls for the othersbad news | conversing | father | leading lady | leading man | room | solemn | stinger | turning point | uncle

In This Our Life (1942)

Underscoring (Somber)0:48:46 - Asa relates the bad news9th chord | bad news | conversing | deceptive resolution | father | leading lady | leading man | room | sigh gesture | somber | turning point | uncle | underscoring

In This Our Life (1942)

Underscoring (Dark)0:49:21 - Asa tells them Peter committed suicideconversing | dark | father | leading lady | leading man | room | stinger | suicide | triadic transformation | turning point | uncle | underscoring

In This Our Life (1942)

Stanley B (Agitato)0:49:32 - Uncle Fitzroy asks about Stanleyagitated | altered dominant | arguing | chromatic scale | chromatic sequence | dissonant bass | father | leading lady | leading man | room | suicide | tense | turning point | uncle | whole-tone chord

In This Our Life (1942)

Roy (Morendo 2)0:49:54 - Roy reacts to the bad newsadded-note chord | appoggiatura | augmented sixth chord | conversing | father | leading lady | leading man | mode change | room | serious | somber | suicide | turning point | uncle

In This Our Life (1942)

Roy (Delicate)0:50:40 - Roy arrives at Stanley's apartmentadvance plot | arriving | deceptive resolution | foreign key modulation | friend | gentle | leading lady | room | sweet

In This Our Life (1942)

Underscoring (Gentle)0:50:58 - Roy talks with Bettyadded-note chord | advance plot | chromatic parallelism | conversing | friend | gentle | leading lady | parallelism | room | tender | underscoring | whole-tone chord

In This Our Life (1942)

Door opens0:51:37 - Betty opens the dooradvance plot | door | friend | gentle | leading lady | mickey-mousing | opening | room | whole-tone chord

In This Our Life (1942)

Caring0:51:39 - Roy greets Stanley9th chord | advance plot | arriving | chromatic parallelism | gentle | leading lady | room | sister | tender | widow

In This Our Life (1942)

Stanley (Peter Lies)0:51:55 - Roy at Stanley's bedside9th chord | advance plot | appoggiatura | conversing | gentle | leading lady | room | sister | widow

In This Our Life (1942)

Stanley B (Slowly)0:52:05 - Roy at Stanley's bedside9th chord | advance plot | agitated | chromatic scale | chromatic sequence | conversing | dissonant bass | leading lady | room | sister | widow

In This Our Life (1942)

Stanley (Packing)0:52:23 - Roy at Stanley's bedside9th chord | advance plot | appoggiatura | conversing | gentle | leading lady | room | sister | tense | widow

In This Our Life (1942)

Stanley (Valse Triste)0:52:42 - Stanley talks to Roy9th chord | advance plot | agitated | altered dominant | appoggiatura | circle of fifths | conversing | leading lady | room | sister | widow

In This Our Life (1942)

Stanley B (Valse Triste)0:52:48 - Stanley talks to Roy9th chord | advance plot | agitated | conversing | dissonant bass | leading lady | room | sister | widow

In This Our Life (1942)

Stanley0:52:56 - Stanley talks to Roy9th chord | advance plot | agitated | appoggiatura | circle of fifths | conversing | leading lady | room | sister | widow

In This Our Life (1942)

Discussion0:53:04 - Stanley talks to Roy9th chord | advance plot | agitated | altered dominant | conversing | leading lady | room | sister | whole-tone chord | widow

In This Our Life (1942)

Stanley B (Valse Triste)0:53:17 - Stanley cries9th chord | advance plot | agitated | chromatic scale | chromatic sequence | conversing | leading lady | room | sister | widow

In This Our Life (1942)

Stanley0:53:23 - Roy comforts Stanley9th chord | advance plot | appoggiatura | circle of fifths | comforting | crying | gentle | leading lady | room | sister | widow

In This Our Life (1942)

Stanley Introduction0:53:32 - Roy comforts Stanley9th chord | advance plot | chromatic scale | comforting | crying | leading lady | room | sister | tense | widow

In This Our Life (1942)

Stanley0:53:46 - Roy comforts Stanley9th chord | advance plot | appoggiatura | calm | circle of fifths | comforting | leading lady | room | sister | widow

In This Our Life (1942)

Stanley (Morendo)0:53:56 - Roy puts Stanley to bed9th chord | advance plot | calm | comforting | harmonic sequence | leading lady | room | sister | widow

In This Our Life (1942)

Roy (Tender)0:54:15 - Roy tucks Stanley in64 chord | advance plot | augmented sixth chord | conversing | foreign key modulation | gentle | leading lady | room | sister | widow

In This Our Life (1942)

Blues in the Night0:54:51 - Stanley dressesadvance plot | blues | dressing | leading lady | record player | room | source music | upbeat | widow

In This Our Life (1942)

How Do I Know It's Sunday0:57:12 - Stanley starts a record playingAABA structure | advance plot | conversing | crying | dancing | father | flirting | leading lady | leading man | popular music | record player | room | sister | source music | upbeat | widow

In This Our Life (1942)

Uncle Fitzroy1:04:26 - Uncle Fitzroy talks to Stanleyaugmented sixth chord | conflict | conversing | crying | dancing | flirting | leading lady | room | solemn | uncle | whole-tone chord | widow

In This Our Life (1942)

Anger1:04:56 - Stanley gets angryangry | arguing | chromatic scale | conflict | leading lady | leaving | minor-major 7th chord | pc set | room | running | tense | uncle | upset | widow | yelling

In This Our Life (1942)

Police1:09:16 - A police car arrivesarriving | car | chromatic scale | driving | investigation scene | menacing | pedal tone | police | room | tense

In This Our Life (1942)

Underscoring (Tense)1:09:25 - Policemen approach the housearriving | chromatic parallelism | conversing | criminal | investigation scene | leading lady | mysterious | pedal tone | police | room | tense | walking | watching

In This Our Life (1942)

Stanley (Descending Staircase)1:09:49 - Policemen enter the housearriving | conversing | criminal | investigating | investigation scene | leading lady | mysterious | pc set | police | room | sneaking | tense | walking | watching

In This Our Life (1942)

Stanley Introduction (Extended 3)1:12:42 - Stanley talks with Roy9th chord | advance plot | conversing | criminal | leading lady | lying | room | tense

In This Our Life (1942)

Stanley (Molto Expressivo)1:12:57 - Stanley talks with Roy13th chord | advance plot | augmented sixth chord | calm | chromatic parallelism | conversing | criminal | leading lady | lying | room

In This Our Life (1942)

Roy (Triste 2)1:13:12 - Roy talks with Minervaadvance plot | conversing | leading lady | maid | mother | questioning | room | solemn | somber

In This Our Life (1942)

Minerva and Parry1:13:29 - Minerva talks with Roy9th chord | 11th chord | advance plot | blue note | calm | chromatic mediant | common-tone diminished 7th | conversing | foreign key modulation | leading lady | maid | mellow | mother | questioning | room | sentimental | solemn | spiritual

In This Our Life (1942)

You're a Lucky Guy1:16:20 - Stanley dancesAABA structure | advance plot | arriving | conversing | criminal | dancing | drinking | leading lady | popular music | record player | room | source music | upbeat

In This Our Life (1942)

Autumn Nocturne1:17:45 - Stanley puts on a recordAABA structure | accusing | arguing | conflict | criminal | defending | leading lady | lying | popular music | record player | room | sentimental | source music

In This Our Life (1942)

Stanley (Agitato)1:25:21 - Craig talks to Stanleyagitated | climax | conversing | criminal | father | lawyer | leading lady | leading man | mother | pc set | room | suspect

In This Our Life (1942)

Underscoring (Tense) + South American Way1:25:34 - Stanley reactsaccusing | climax | criminal | father | lawyer | leading lady | leading man | lying | mother | mysterious | ominous | remembered source music | remembering | room | source and scoring overlap | source music | suspect | tense | underscoring

In This Our Life (1942)

Stanley (Valse Triste)1:26:23 - Stanley confesses9th chord | altered dominant | appoggiatura | arguing | circle of fifths | climax | confessing | confession | criminal | crying | dramatic | father | lawyer | leading lady | leading man | mother | room | suspect | whole-tone chord

In This Our Life (1942)

Stanley B (Slowly Extended)1:26:39 - Stanley confesses9th chord | agitated | arguing | chromatic scale | chromatic sequence | climax | confessing | confession | criminal | crying | dissonant bass | father | lawyer | leading lady | leading man | lying | mother | room | suspect

In This Our Life (1942)

Expressivo (Extended)1:27:04 - Lavinia risesadded-note chord | arguing | chromatic scale | climax | criminal | emotional | father | lawyer | leading lady | leading man | mother | pleading | retardation | room | suspect

In This Our Life (1942)

Big Sweep (Subtle)1:27:23 - Stanley reacts9th chord | climax | conversing | criminal | father | lawyer | leading lady | leading man | mother | pc set | plotting | room | suspect | tense | underscoring

In This Our Life (1942)

Stanley (Extended)1:27:33 - Stanley goes upstairs9th chord | appoggiatura | circle of fifths | climax | conversing | criminal | crying | father | lawyer | leading lady | leading man | mother | room | somber | suspect | uneasy

In This Our Life (1942)

Love Theme (Gentle)1:27:58 - Roy talks to Craig9th chord | accusing | altered dominant | climax | conversing | criminal | crying | embracing | gentle | iii chord | lawyer | leading lady | leading man | room | sneaking | tender

In This Our Life (1942)

Big Sweep1:28:57 - Stanley escapes11th chord | altered dominant | climax | criminal | dramatic | driving | escaping | lawyer | leading lady | leading man | pc set | room | underscoring | watching

In This Our Life (1942)

Stanley (Driving Away)1:29:06 - Craig goes to the phoneagitated | calling | chromatic parallelism | chromatic sequence | climax | diminished 7th chord | lawyer | leading man | pedal tone | room | telephone | walking

In This Our Life (1942)

Stanley B (Agitato)1:29:27 - Stanley runs insideagitated | butler | chromatic sequence | criminal | dissonant bass | half-diminished 7th chord | leading lady | room | running | street | transition

In This Our Life (1942)

Stanley (Triste)1:29:42 - Stanley enters the house9th chord | agitated | appoggiatura | circle of fifths | criminal | leading lady | room | running | sigh gesture | somber | tense | transition | uncle

In This Our Life (1942)

Anger (Agitato)1:31:34 - Stanley yells at her uncleagitated | angry | arguing | conflict | criminal | distressed | leading lady | minor-major 7th chord | oscillation | room | uncle | yelling

In This Our Life (1942)

Maestoso1:31:51 - Stanley runs off cryingconflict | criminal | crying | departing | dissonant bass | dramatic | leading lady | polychord | room | running | street | uncle | yelling

In This Our Life (1942)

Stanley B (Very Agitated)1:32:15 - Stanley hides from the policeagitated | chromatic scale | conflict | criminal | dissonant bass | fragmentation | hiding | leading lady | mysterious | police | room | running | rushing | street

In This Our Life (1942)

Fast Driving (Dark)1:35:07 - Policemen on the radiocalling | oscillation | pc set | police | police station | reporting | resolution | room | solemn | somber | stinger

In This Our Life (1942)

Underscoring (Tense)1:35:22 - Policemen on the radioaltered dominant | calling | police | police station | reporting | resolution | room | solemn | somber | tense | underscoring

In This Our Life (1942)

Love Theme (Slowly)1:35:39 - Craig answers a phone callcomforting | conversing | leading lady | leading man | resolution | room | solemn | somber | tender | The End
The Informer (1935)The Wearin' o' the Green (Mysterious)0:08:57 - Frankie enters the Dunboy house to join the rebelsarriving | diminished 7th chord | dissonant bass | establish character | familiar tune | folk song | hero | Irish | leading man | mysterious | parallelism | room | street | tense

The Informer (1935)

Yankee Doodle (Fateful Decision)0:12:56 - Gypo has a vision of the wanted posterAmerican | contemplating | deciding | familiar tune | flashback | leading man | linear chromaticism | montage | mysterious | patriotic tune | pedal tone | pivotal scene | room | street | tense | vision

The Informer (1935)

Blood Money (Delicato)0:28:43 - Gypo drops four coins on the floorantagonist | augmented triad | coin | dropping | leading man | mickey-mousing | money | mourner | pivotal scene | room | staring | tense | whole-tone

The Informer (1935)

The Informer (Tense)0:29:21 - Gypo defends himselfantagonist | coin | leading man | money | mourner | mysterious | pivotal scene | room | Scotch snap | staring | tense | whole-tone | whole-tone chord

The Informer (1935)

The Informer (Suspicion)0:29:47 - Gypo leaves the wake64 chord | antagonist | coin | crying | dissonant bass | dropping | giving | leading man | leaving | mickey-mousing | money | mourner | pivotal scene | room | Scotch snap | sigh gesture | somber | staring

The Informer (1935)

The Wearin' o' the Green (Headquarters)0:31:29 - Irish rebel headquarters64 chord | advance plot | deceptive resolution | dissonant bass | familiar tune | folk song | Irish | rebel | room | tense | waiting

The Informer (1935)

Fanfare0:31:44 - Irish rebel headquartersadvance plot | fanfare | mysterious | rebel | room | underscoring | waiting

The Informer (1935)

The Informer (Burning Poster) + Blood Money0:32:03 - Gypo in rebel headquartersadvance plot | antagonist | burning | combination of themes | diminished 7th chord | fire | headquarters | leading man | mickey-mousing | mysterious | octatonic | rebel | rising | room | Scotch snap | tense | tone cluster

The Informer (1935)

The Informer (Accused)0:38:40 - Rebel accuses Gypo of being the informer64 chord | advance plot | conversing | headquarters | parallelism | rebel | room | suspicion | tense

The Informer (1935)

Mary0:38:47 - Rebels talk about Frankie's sister Mary64 chord | advance plot | augmented sixth chord | conversing | deceptive resolution | headquarters | love | mode mixture | rebel | romantic | room | Scotch snap

The Informer (1935)

Underscoring (Tense)0:39:05 - Rebels talk about Gypoadvance plot | conversing | half-diminished 7th chord | headquarters | rebel | room | tense | underscoring

The Informer (1935)

The Wearin' o' the Green (Bugle Call)0:39:25 - Rebels plan to watch Gypoadvance plot | conversing | familiar tune | folk song | headquarters | Irish | parallelism | rebel | room | tense

The Informer (1935)

Dan and Mary0:55:53 - Dan and Mary talk aloneABA structure | chromatic parallelism | deceptive resolution | diminished 7th chord | dissonant bass | embracing | half-diminished 7th chord | hero | love interest | love scene | love theme | mode mixture | passionate | pedal tone | romantic | room

The Informer (1935)

The Informer (Dan Talking)0:56:57 - Dan and Mary talk about an informerconversing | hero | love interest | love scene | mysterious | room | walking bass

The Informer (1935)

The Wearin' o' the Green (Somber)0:57:08 - Dan and Mary talk about the rebel organization64 chord | conversing | diminished 7th chord | familiar tune | folk song | hero | heroic | love interest | love scene | room | tense

The Informer (1935)

The Informer (Pedal Tone)0:57:34 - Dan and Mary talk about Gypoconversing | hero | love interest | love scene | mysterious | room

The Informer (1935)

The Wearin' o' the Green (Fragment)0:57:42 - Dan and Mary talk about a rebel meetingconversing | familiar tune | folk song | hero | love interest | love scene | room | sentimental

The Informer (1935)

Dan and Mary (Dolce)0:57:51 - Dan tells Mary: "I'll come back for you"11th chord | common-tone diminished 7th | crying | dissonant bass | embracing | hero | love interest | love scene | love theme | mode mixture | romantic | room

The Informer (1935)

Peter Mulligan1:05:37 - Peter Mulligan sits and holds a crucifixcourtroom | courtroom scene | folk-like | headquarters | mode mixture | room | somber | suspect | waiting

The Informer (1935)

The Wearin' o' the Green (Rebel Jury)1:05:48 - Camera pans to show all of the faces of the rebel jury64 chord | bold | courtroom | courtroom scene | familiar tune | fanfare | folk song | headquarters | judging | jury | meter change | mode mixture | noble | panning shot | patriotic | plagal cadence | rebel | room

The Informer (1935)

Judges1:06:10 - Camera pans to the faces of the judgescourtroom | courtroom scene | deceptive resolution | headquarters | judge | judging | justice | noble | room

The Informer (1935)

Falling down the stairs1:06:19 - Gypo falls down the stairs9th chord | antagonist | chromatic scale | courtroom scene | down | dramatic | falling | headquarters | leading man | mickey-mousing | rebel | room | stairs | suspect

The Informer (1935)

Peter Mulligan1:07:25 - Mulligan criescourtroom scene | headquarters | mode mixture | room | somber | suspect | waiting

The Informer (1935)

Dan and Mary (Legato)1:07:46 - Gypo looks at Maryantagonist | courtroom | courtroom scene | delicate | gentle | headquarters | leading man | pedal tone | room | sister | suspect | watching

The Informer (1935)

Judges (Maestoso)1:08:01 - Gypo looks at the judges64 chord | chromatic scale | courtroom | courtroom scene | headquarters | judge | judging | pedal tone | room | serious | somber | watching

The Informer (1935)

Blind Man (Tribunal)1:08:08 - Gypo looks at the blind man64 chord | accusing | antagonist | blind man | chromatic scale | courtroom | courtroom scene | headquarters | leading man | pedal tone | room | serious | suspect | watching

The Informer (1935)

Underscoring (Tense)1:08:34 - Gypo accuses Peter64 chord | accusing | courtroom | courtroom scene | headquarters | mickey-mousing | room | stinger | suspect | tense

The Informer (1935)

Pleading1:08:57 - Peter defends himselfadded-note chord | anxious | chromaticism | courtroom | courtroom scene | defending | headquarters | pleading | room | stinger | suspect

The Informer (1935)

The Informer (Laughing)1:09:04 - Gypo laughs at Peteraccusing | antagonist | augmented sixth chord | bold | courtroom | courtroom scene | headquarters | leading man | octatonic | room | serious | suspect

The Informer (1935)

Blood Money (The Trial) + Blind Man (The Trial)1:15:13 - The rebels ask Gypo where he got the moneyantagonist | axis of symmetry | blind man | combination of themes | courtroom | courtroom scene | fanfare | headquarters | interrogating | interrogation | leading man | mirroring | money | mysterious | questioning | room | suspect

The Informer (1935)

Katie (The Trial)1:15:36 - The rebels ask Gypo about Katieantagonist | axis of symmetry | courtroom | courtroom scene | headquarters | interrogating | interrogation | leading man | mirroring | money | mysterious | questioning | room | suspect

The Informer (1935)

Blood Money (The Trial) + The Informer (The Trial)1:15:40 - Dan asks "Who was the informer?"antagonist | axis of symmetry | combination of themes | courtroom | courtroom scene | headquarters | interrogating | interrogation | inversion | leading man | mirroring | money | mysterious | questioning | room | suspect | whole-tone

The Informer (1935)

The Informer (Confession)1:16:00 - Gypo confesses and cries9th chord | altered dominant | antagonist | confessing | confession | courtroom | courtroom scene | crying | deceptive resolution | diminished 7th chord | dissonant bass | guilt | half-diminished 7th chord | headquarters | leading man | pedal tone | pedal tone | remorseful | room | traitor

The Informer (1935)

Katie (Despair)1:16:18 - Gypo confesses and criesantagonist | climax | confessing | confession | courtroom | courtroom scene | crying | dissonant bass | guilt | headquarters | leading man | remorseful | room | sequence | traitor

The Informer (1935)

The Informer (Tranquillo)1:16:35 - Gypo is taken awayantagonist | arresting | authentic cadence | climax | confessing | confession | courtroom | courtroom scene | crying | guilt | headquarters | hero | leading man | leaving | love interest | pleading | remorseful | room | traitor

The Informer (1935)

Blood Money (Ostinato)1:17:10 - Gypo waits in his cell while the rebels draw strawsadvance plot | antagonist | dripping | escaping | gun | headquarters | leading man | mysterious | ostinato | prison | rebel | room | shooting | tense | traitor | whispering | worrying

The Informer (1935)

The Escape1:19:46 - Gypo escapes and a chase ensuesadvance plot | antagonist | chromatic scale | dramatic | escaping | headquarters | hurrying | leading man | mickey-mousing | prison | rebel | room | running | traitor | whole-tone | whole-tone chord

The Informer (1935)

The Informer (Risoluto)1:20:12 - Rebels plan to catch Gypoadvance plot | arriving | headquarters | octatonic | planning | rebel | room | tense | whole-tone chord

The Informer (1935)

Underscoring (Dramatic)1:20:24 - Rebels plan how to catch Gypo9th chord | 64 chord | advance plot | bold | fanfare | headquarters | hurrying | planning | rebel | room | tense

The Informer (1935)

Blood Money (Ostinato)1:22:00 - Gypo confesses to Katieantagonist | confessing | leading lady | leading man | love interest | love scene | money | ostinato | room | tense | traitor | whole-tone

The Informer (1935)

Katie (Allegro Appassionato)1:22:20 - Gypo talks to Katieantagonist | confessing | leading lady | leading man | love interest | love scene | room | sequence | tense | traitor

The Informer (1935)

By the Fire1:22:36 - Gypo rests by the fireantagonist | half-diminished 7th chord | leading lady | leading man | love interest | love scene | romantic | room | suspension | traitor | yearning

The Informer (1935)

Katie (Dolcissimo)1:22:57 - Gypo talks to Katieantagonist | chromatic sequence | leading lady | leading man | love | love interest | love scene | romantic | room | traitor | yearning

The Informer (1935)

Dan and Mary (Adagio)1:23:36 - Dan and Mary talk11th chord | dissonant bass | love | love interest | love scene | rebel | romantic | room | yearning

The Informer (1935)

Dan and Mary1:24:05 - Dan and Mary talkconversing | love | love interest | love scene | rebel | romantic | room

The Informer (1935)

Ireland1:24:14 - Dan and Mary talk about the rebel movementconversing | folk-like | love | love interest | love scene | rebel | romantic | room

The Informer (1935)

Dan and Mary (In Love)1:24:19 - Dan and Mary talk about lovelove | love interest | love scene | rebel | romantic | room | yearning

The Informer (1935)

Katie (Begging)1:24:42 - Katie pleads for Gypo64 chord | advance plot | begging | leading lady | love interest | rebel | room | sequence | serious | tense

The Informer (1935)

Begging1:25:13 - Katie pleads for Gypoadvance plot | begging | diminished 7th chord | dissonant bass | leading lady | love interest | pedal tone | rebel | room | sequence | serious | tense

The Informer (1935)

The Informer (Begging)1:25:50 - Katie pleads for Gypoadvance plot | begging | dramatic | leading lady | love interest | main theme | rebel | room

The Informer (1935)

Dan and Mary (Begging)1:25:53 - Katie talks to Mary about loving Gypoadvance plot | begging | gentle | leading lady | love interest | rebel | room | sequence | tender

The Informer (1935)

The Informer (Sympathetic)1:26:35 - Katie tells Dan where Gypo isadvance plot | eavesdropping | leading lady | love interest | main theme | rebel | room | spying | tense

The Informer (1935)

Begging 21:26:41 - Katie begs for Gypo's lifeadvance plot | anxiety | begging | chromatic scale | despair | leading lady | love interest | rebel | room | sequence | tense

The Informer (1935)

Katie (Furioso)1:26:55 - Katie becomes desperateadvance plot | anxiety | begging | chromatic parallelism | despair | dissonant bass | fragmentation | leading lady | love interest | rebel | room | sentence form | sequence | tense | whole-tone chord

The Informer (1935)

Blood Money (Ostinato)1:27:32 - Rebels come to capture Gypoantagonist | climax | leading man | mysterious | ostinato | rebel | room | sneaking | tense | traitor | whispering

The Informer (1935)

The Escape (The Fight)1:28:25 - Rebels shoot through the doorantagonist | augmented triad | chromatic parallelism | chromatic scale | climax | down | dramatic | escaping | falling | fighting | leading man | linear chromaticism | mickey-mousing | rebel | room | running | tense | traitor | whole-tone
Lightning Strikes Twice (1951)Shelly0:07:42 - Shelly wakes upactor | calm | establish character | leading lady | owner | room | waking

Lightning Strikes Twice (1951)

Menace (Ominous)0:17:50 - Newspaper headline about Trevactor | conversing | dark | establish character | headline | leading lady | leading man | newspaper | ominous | room | suspect

Lightning Strikes Twice (1951)

Trev (Screwy)0:18:19 - Trev hands a candle to Shellyactor | candle | conversing | establish character | leading lady | leading man | mysterious | room | suspect | tense | uneasy

Lightning Strikes Twice (1951)

Shelly (Concerned)0:18:30 - Shelly looks at Trevactor | candle | concerned | conversing | establish character | leading lady | leading man | room | suspect | tense | thinking

Lightning Strikes Twice (1951)

Shelly 2 (Worried)0:18:41 - Shelly walks to her roomactor | candle | concerned | establish character | leading lady | room | walking | worried

Lightning Strikes Twice (1951)

Shelly 30:18:52 - Shelly puts down her candleactor | candle | concerned | establish character | leading lady | leading man | room | suspect | unpacking | walking | worried

Lightning Strikes Twice (1951)

Shelly 2 (Misterioso)0:19:14 - Shelly gets ready for bedactor | candle | concerned | establish character | leading lady | leading man | preparing | room | suspect | thinking | thoughtful | worried

Lightning Strikes Twice (1951)

Blows out candle0:19:35 - Shelly blows out a candleactor | blowing | candle | establish character | leading lady | light | mickey-mousing | mysterious | room | turning off

Lightning Strikes Twice (1951)

Fear0:19:42 - Shelly lies down in the darkactor | darkness | establish character | fear | leading lady | leading man | listening | room | suspect | tense | thinking

Lightning Strikes Twice (1951)

Shelly and TrevNIF - not in filmactor | blowing | candle | cut from film | establish character | leading lady | leading man | light | room | suspect | tense | turning off

Lightning Strikes Twice (1951)

Shelly and Trev (Smile)0:20:20 - Shelly looks at Trevactor | calm | establish character | leading lady | leading man | looking | morning | peaceful | room | sleeping | smiling | staring | suspect | thinking | waking

Lightning Strikes Twice (1951)

Molto Agitato0:32:50 - String gets angryactor | anger | arguing | brother | conflict | dramatic | leading lady | priest | rancher | room | tense

Lightning Strikes Twice (1951)

Menace (Poco Meno)0:33:06 - String arguesactor | anger | arguing | brother | conflict | leading lady | priest | rancher | room | tense

Lightning Strikes Twice (1951)

Anger0:33:15 - String gets angryactor | anger | arguing | brother | conflict | crying | dramatic | leading lady | priest | rancher | room | tense | yelling

Lightning Strikes Twice (1951)

Father Paul0:33:25 - Liza comforts Stringactor | anger | brother | comforting | conflict | crying | dark | leading lady | priest | rancher | room | somber | tense

Lightning Strikes Twice (1951)

Shelly (Peaceful) + Shelly 2 (Peaceful)1:07:58 - Trev and Shelly embraceactor | calm | combination of themes | conversing | embracing | kissing | leading lady | leading man | love interest | love scene | mother | owner | ranch | romantic | room | suspect

Lightning Strikes Twice (1951)

Shelly and Trev (Misterioso)1:09:40 - Shelly and Myra talkactor | advance plot | conversing | leading lady | mother | mysterious | owner | room | tense

Lightning Strikes Twice (1951)

Allargando1:10:03 - Shelly learns that Liza loves Trevactor | advance plot | concerned | conversing | dark | leading lady | mother | owner | room | tense

Lightning Strikes Twice (1951)

El Pregon de Santiago1:11:53 - Johnny plays the guitar and singsactor | Cuban | friend | guitar | husband | leading lady | leading man | on-screen music | party | performer | room | serenading | singing | suspect | upbeat

Lightning Strikes Twice (1951)

La Paloma1:12:40 - Johnny sings brieflyactor | friend | guitar | husband | leading lady | leading man | Mexican | on-screen music | party | performer | room | serenading | singing | suspect | upbeat

Lightning Strikes Twice (1951)

Pulls doorknob1:16:03 - Shelly pulls off the doorknobactor | danger | doorknob | husband | leading lady | leading man | love scene | mickey-mousing | mysterious | pulling | room | suspect | suspicion | tense

Lightning Strikes Twice (1951)

Mournful (Quasi Misterioso)1:16:09 - Trev talks with Shellyactor | calm | conversing | fear | husband | leading lady | leading man | love scene | room | suspect | suspicion | worrying

Lightning Strikes Twice (1951)

Shelly and Trev (Dolce)1:16:52 - Trev embraces Shellyactor | calm | conversing | embracing | happy | husband | leading lady | leading man | love scene | relief | room | suspect

Lightning Strikes Twice (1951)

Shelly (Molto Grazioso) + Shelly 21:17:01 - Shelly smiles at Trevactor | calm | conversing | embracing | happy | husband | leading lady | leading man | love scene | room | suspect

Lightning Strikes Twice (1951)

Underscoring (Somber)1:17:15 - Trev stares at Shellyactor | dark | husband | leading lady | leading man | love scene | reacting | room | somber | suspect | underscoring

Lightning Strikes Twice (1951)

Shelly and Trev (Tenderly)1:17:31 - Trev and Shelly embraceactor | conversing | embracing | husband | kissing | leading lady | leading man | love scene | romantic | room | solemn | suspect

Lightning Strikes Twice (1951)

Shelly and Trev (Smile)1:17:51 - Shelly gets ready for bedactor | husband | leading lady | leading man | love scene | romantic | room | suspect | undressing

Lightning Strikes Twice (1951)

Menace (Expressivo)1:18:00 - Shelly is worriedactor | concern | danger | hearing voices | leading lady | mad scene | room | tense | worried | worrying

Lightning Strikes Twice (1951)

Mournful1:18:16 - Shelly is worriedactor | concern | cut from film | danger | hearing voices | leading lady | mad scene | room | tense | worried | worrying

Lightning Strikes Twice (1951)

Menace (Molto Misterioso)1:18:21 - Shelly panicsactor | concerned | crying | hearing voices | leading lady | mad scene | panicking | room | violence | worried | worrying

Lightning Strikes Twice (1951)

Spider1:18:41 - Trev hits a spideractor | bug effect | fear | hitting | husband | leading lady | leading man | mad scene | room | running | scurrying | spider | suspect | tense

Lightning Strikes Twice (1951)

Mournful (Scared)1:18:45 - Shelly is afraid of Trevactor | crying | fear | husband | leading lady | leading man | mad scene | room | somber | suspect | worrying

Lightning Strikes Twice (1951)

Afraid1:19:02 - Shelly leaves Trev in fearactor | crying | dramatic | escaping | fanfare | fear | husband | leading lady | leading man | mad scene | room | self-borrowing | stinger | suspect | worrying

Lightning Strikes Twice (1951)

Shelly (Escaping)1:19:17 - Shelly flees from Trevactor | dramatic | escaping | fear | fleeing | husband | leading lady | leading man | mad scene | room | running | suspect | unlocking

Lightning Strikes Twice (1951)

Menace (Misterioso)1:19:48 - Trev calls Harveyarguing | conversing | husband | leading man | mad scene | mysterious | room | suspect | suspense | telephone

Lightning Strikes Twice (1951)

Father Paul (Ominous)1:21:26 - Liza admits to murderbrother | confessing | confession | dark | murderer | ominous | rancher | room | truth | turning point

Lightning Strikes Twice (1951)

Molto Agitato1:21:32 - String gets angryanger | angry | brother | murderer | rancher | room | threatening | turning point

Lightning Strikes Twice (1951)

Menace (Poco Meno)1:21:41 - String calms downbrother | conversing | danger | murderer | rancher | room | tense | thematic transference | turning point

Lightning Strikes Twice (1951)

Anger (Extended)1:21:51 - String plans to leavebrother | conversing | murderer | plotting | rancher | room | tense | turning point | underscoring

Lightning Strikes Twice (1951)

Liza (Dolce)1:22:09 - Liza in a dazedisorientation | lost love | murderer | rancher | romantic | room | tender | thinking | turning point

Lightning Strikes Twice (1951)

Trev (Ethereal)1:22:19 - Liza in a dazedisorientation | lost love | murderer | rancher | room | thinking | turning point | uneasy

Lightning Strikes Twice (1951)

Menace (Tense)1:22:36 - Liza wanders through the househeadlights | murderer | rancher | room | tense | thinking | turning point | uneasy | wandering

Lightning Strikes Twice (1951)

Menace (Expressivo)1:22:56 - Liza looks out the windowactor | arriving | car | dark | leading lady | looking | menacing | murderer | obsessive | ranch | rancher | room | turning point | watching | worrying

Lightning Strikes Twice (1951)

Shelly (Frantic)NIF - not in filmactor | conflict | crying | cut from film | dark | frantic | leading lady | murderer | rancher | room

Lightning Strikes Twice (1951)

Menace (Frantic)NIF - not in filmactor | arguing | conflict | cut from film | dark | frantic | leading lady | murderer | rancher | room

Lightning Strikes Twice (1951)

Menace (Attack)NIF - not in filmactor | attacking | attempted murder | conflict | cut from film | dark | frantic | leading lady | murderer | rancher | room | strangling

Lightning Strikes Twice (1951)

Shelly (Attack)NIF - not in filmactor | arriving | attacking | attempted murder | conflict | cut from film | dark | frantic | friend | husband | leading lady | leading man | murderer | rancher | room | rushing | strangling

Lightning Strikes Twice (1951)

Shelly 2 (Attack)NIF - not in filmactor | arriving | attacking | attempted murder | conflict | cut from film | dark | frantic | friend | husband | leading lady | leading man | murderer | rancher | room | rushing | strangling

Lightning Strikes Twice (1951)

Shelly 3 (Attack)NIF - not in filmactor | arriving | attacking | attempted murder | conflict | cut from film | dark | frantic | friend | husband | leading lady | leading man | murderer | rancher | room | rushing | strangling

Lightning Strikes Twice (1951)

Trev (Realization)1:26:36 - Close-up on Trev's faceactor | anger | chasing | climax | close-up | dark | friend | husband | leading lady | leading man | menacing | murderer | rancher | realizing | room | zoom in

Lightning Strikes Twice (1951)

Underscoring (Dramatic)1:26:47 - Trev runs after Lizaactor | anger | chasing | climax | dramatic | friend | husband | leading lady | leading man | murderer | rancher | room | running | underscoring

Lightning Strikes Twice (1951)

Escape1:26:51 - Liza runs awayactor | brother | chasing | climax | dark | escaping | friend | husband | leading lady | leading man | murderer | ranch | rancher | room | tense

Lightning Strikes Twice (1951)

Escape (Getaway)1:27:08 - Trev runs back insideactor | brother | chasing | climax | dramatic | escaping | friend | husband | leading lady | leading man | murderer | ranch | rancher | room | tense
Mildred Pierce (1945)Monte is shot0:01:50 - Monte is shotchromatic parallelism | collapsing | death | dying | falling | gun | gunshot | major 7th chord | mickey-mousing | murder | murder scene | room | staggering | tragic

Mildred Pierce (1945)

Mildred (Murder)0:01:59 - Bullet holes in the mirror11th chord | augmented sixth chord | dark | death | dying | leaving | murder | murder scene | room | somber

Mildred Pierce (1945)

Underscoring (Dramatic)0:08:53 - Wally looks for Mildred9th chord | action scene | ascending | augmented triad | chromatic parallelism | chromatic scale | down | dramatic | falling | friend | half-diminished 7th chord | hurrying | knocking | mickey-mousing | room | searching | setup | suspenseful | underscoring | walking | whole-tone chord | whole-tone scale

Mildred Pierce (1945)

Wally tries to open door0:08:53 - Wally tries to open the dooraction scene | augmented triad | chromatic scale | door | frantic | friend | knocking | mickey-mousing | room | stinger

Mildred Pierce (1945)

Wally goes upstairs0:09:28 - Wally ascends the spiral staircase9th chord | action scene | ascending | chromatic scale | dramatic | friend | mickey-mousing | room | spiral staircase | stairs | whole-tone chord

Mildred Pierce (1945)

Wally knocks on the door0:09:59 - Wally knocks on a dooraction scene | door | dramatic | friend | knocking | mickey-mousing | room

Mildred Pierce (1945)

Lamp falls0:10:03 - Wally knocks over a lampaction scene | body | dramatic | falling | friend | lamp | mickey-mousing | reveal | room | whole-tone chord

Mildred Pierce (1945)

Murdered Man0:10:06 - Wally discovers the bodyaction scene | corpse | dark | death | dramatic | friend | linear chromaticism | looking | mickey-mousing | murder | room | split-7th chord | telephone | tense | victim

Mildred Pierce (1945)

Phone rings0:10:16 - Phone ringsaction scene | death | friend | mickey-mousing | murder | ringing | room | split-7th chord | telephone | tense | victim

Mildred Pierce (1945)

Underscoring (Dramatic)0:10:21 - Wally reacts to the situationaction scene | breaking | chromatic parallelism | chromatic scale | chromatic wedge | death | dramatic | escaping | friend | half-diminished 7th chord | hurrying | mickey-mousing | murder | room | running | smashing | sneaking | telephone | underscoring | victim | walking | whole-tone chord | worrying

Mildred Pierce (1945)

Wally stands up and walks0:10:21 - Wally stands up to go to the phoneaction scene | friend | mickey-mousing | rising | room | standing | tense | up | victim | walking

Mildred Pierce (1945)

Wally walks0:10:32 - Wally hurriedly walks awayaction scene | chromatic parallelism | dramatic | friend | half-diminished 7th chord | hurrying | mickey-mousing | room | victim | walking

Mildred Pierce (1945)

Wally sneaks0:10:37 - Wally sneaks down the hallaction scene | diminished 7th chord | friend | mickey-mousing | room | sneaking | tense | victim

Mildred Pierce (1945)

Breaks door with chair0:10:47 - Wally smashes a glass door with a chairaction scene | breaking | chair | door | dramatic | friend | glass | mickey-mousing | room | smashing | victim

Mildred Pierce (1945)

Glass falls0:10:49 - The glass door breaksaction scene | breaking | door | dramatic | falling | friend | glass | mickey-mousing | room | smashing | victim | whole-tone chord

Mildred Pierce (1945)

Mildred (Ominous)0:12:43 - The detectives talk to Mildredadvance plot | chromatic sequence | conversing | dark | detective | fragmentation | heroine | imitation | leading lady | ominous | room

Mildred Pierce (1945)

Bert0:20:18 - Bert comes home9th chord | added-note chord | arriving | common-chord modulation | cooking | establish character | flashback | gentle | heroine | husband | leading lady | mode mixture | room | self-borrowing | street

Mildred Pierce (1945)

Bert (Triste)0:24:26 - Bert and Mildred separateaugmented sixth chord | breaking up | crying | establish character | fragmentation | heroine | husband | leading lady | leaving | Neapolitan | pedal tone | room | somber

Mildred Pierce (1945)

Waltz Brillante0:26:39 - Veda plays the pianoadvance plot | child | classical music | conversing | dancing | familiar tune | gentle | heroine | leading lady | on-screen music | parallel period | playing | room | source music | waltz

Mildred Pierce (1945)

Waltz Brillante0:27:21 - Veda plays the pianoadvance plot | child | classical music | conversing | familiar tune | gentle | heroine | leading lady | on-screen music | playing | room | source music | waltz

Mildred Pierce (1945)

Kay and Veda (Ashamed)0:28:13 - Mildred overhears Veda complaining about her new dressadvance plot | child | heroine | leading lady | Neapolitan | room | sigh gesture | somber | watching

Mildred Pierce (1945)

Mildred (Lonely)0:28:20 - Mildred looks through her deskadvance plot | bill | flashback | foreign key modulation | gun | heroine | leading lady | lonely | mode mixture | photograph | room | somber | voice-over | writing

Mildred Pierce (1945)

Mildred (Tense)0:28:43 - Mildred goes to open the dooradvance plot | fragmentation | heroine | leading lady | pedal tone | room | tense | walking

Mildred Pierce (1945)

Mildred (Delicate)0:32:04 - Mildred walks up the stairsadvance plot | gentle | heroine | leading lady | parallelism | pedal tone | room | up | walking

Mildred Pierce (1945)

Kay and Veda (Dolce)0:32:13 - Mildred and Veda talk about Kayadded-note chord | advance plot | child | conversing | heroine | leading lady | mode mixture | room | sleeping | sweet

Mildred Pierce (1945)

Kay and Veda (Coy)0:32:32 - Veda talks to her motheradvance plot | child | chromatic parallelism | conversing | heroine | leading lady | parallelism | room | sleeping | uneasy

Mildred Pierce (1945)

Mildred (Waltz Fantasy)0:32:38 - Veda fantasizes about her mother marrying Wally9th chord | advance plot | appoggiatura | child | chromatic parallelism | dreaming | fantasy | greed | heroine | leading lady | room | uneasy

Mildred Pierce (1945)

Mildred (Dark)0:32:58 - Mildred scolds Vedaadvance plot | child | dark | heroine | leading lady | room | scolding

Mildred Pierce (1945)

Kay and Veda (Deception)0:33:08 - Veda lies to her mother64 chord | advance plot | child | chromatic parallelism | deceiving | deception | heroine | leading lady | room | selfishness | unstable | whole-tone

Mildred Pierce (1945)

Mildred (Risoluto)0:33:23 - Mildred resolves to give her daughter nice things64 chord | advance plot | child | determined | heroic | heroine | leading lady | noble | promising | resolved | room

Mildred Pierce (1945)

Kay and Veda (Dolce Foxtrot)0:33:37 - Mildred puts Veda to bed64 chord | added-note chord | advance plot | child | chromatic parallelism | dark | heroine | leading lady | mode mixture | optimistic | promising | room | tragic

Mildred Pierce (1945)

Work (Singing Lesson)0:37:17 - Veda singsadded-note chord | child | double exposure | heroine | leading lady | montage | on-screen music | room | scored source music | self-borrowing | singing | upbeat | voice-over | working

Mildred Pierce (1945)

Ballet Lesson0:37:25 - Kay dances9th chord | 11th chord | ballet | child | dancing | double exposure | graceful | heroine | leading lady | montage | pleasant | room | voice-over

Mildred Pierce (1945)

South American Way0:37:36 - Veda sings and plays while Kay danceschild | dancing | heroine | leading lady | music scene | on-screen music | playing | popular music | room | sequence | singing | source music | upbeat

Mildred Pierce (1945)

Mazurka in B-Flat Major (Tense)0:38:47 - Veda plays a Chopin Mazurkaarguing | child | classical music | common-tone diminished 7th | conflict | familiar tune | half-diminished 7th chord | heroine | leading lady | on-screen music | playing | quotation | room | scored source music | source music | tense | upbeat | waltz

Mildred Pierce (1945)

Secret Revealed0:39:10 - Mildred argues with Vedaangry | arguing | child | chromatic parallelism | chromatic scale | chromatic wedge | conflict | harsh | heroine | leading lady | linear chromaticism | octatonic chord | room | tense

Mildred Pierce (1945)

Mildred (Appassionato)0:39:22 - Mildred argues with Vedaangry | arguing | child | chromatic scale | conflict | foreign key modulation | heroine | leading lady | raising | room | standing | tense | whole-tone scale

Mildred Pierce (1945)

Mildred raises Veda0:39:22 - Mildred lifts her daughter up by the armangry | arguing | child | conflict | heroine | leading lady | mickey-mousing | raising | room | standing | tense | whole-tone scale

Mildred Pierce (1945)

Mildred B (Angry)0:39:30 - Mildred argues with Veda11th chord | angry | arguing | child | conflict | fragmentation | heroine | leading lady | room | slapping | tense

Mildred Pierce (1945)

Mildred (Regretful)0:39:37 - Mildred regrets slapping Vedaapologizing | child | chromatic mediant | conflict | foreign key modulation | heroine | hopeful | leading lady | mode mixture | Neapolitan | regretting | room | somber | tritone

Mildred Pierce (1945)

Kay and Veda (Hopeful)0:40:09 - Veda asks if they are going to be richchild | conflict | foreign key modulation | greed | heroine | hopeful | leading lady | room

Mildred Pierce (1945)

Work (Excited)0:42:35 - Mildred and Wally leave 9th chord | added-note chord | excited | excitement | friend | heroine | leading lady | leaving | room | self-borrowing | shadow | transition | work

Mildred Pierce (1945)

Bert (Sentimentale)0:48:03 - Mildred watches her children leaveheroine | husband | leading lady | leaving | oscillation | room | serious | somber | thinking | transition | whole-tone chord

Mildred Pierce (1945)

Walking0:49:48 - Driving to the beach house9th chord | beach house | cheerful | driving | falling in love scene | friend | heroine | leading lady | parallelism | room | traveling | walking

Mildred Pierce (1945)

Opens closet0:49:57 - Mildred slides open a door9th chord | cheerful | falling in love scene | heroine | leading lady | love interest | mickey-mousing | opening | room | sliding

Mildred Pierce (1945)

It Can't Be Wrong0:51:16 - Monte plays a record for MildredAABA structure | conversing | heroine | kissing | leading lady | love interest | love scene | popular music | record | record player | romantic | room | score to source borrowing | source music

Mildred Pierce (1945)

Pneumonia0:54:25 - A doctor works on Kaychild | chromatic scale | dark | death scene | doctor | dying | ex-husband | heroine | illness | leading lady | mickey-mousing | nurse | oscillation | patient | pc set | room | sick person | somber | tense | treating | turning point | waiting | watching

Mildred Pierce (1945)

Kay and Veda (Dying)0:55:05 - Kay's family waits and watches11th chord | child | dark | death scene | doctor | dying | ex-husband | heroine | illness | leading lady | nurse | patient | room | sick person | somber | tense | treating | turning point | waiting | watching

Mildred Pierce (1945)

Pneumonia (Dying)0:55:24 - Kay passes away9th chord | child | chromatic parallelism | dark | death | death scene | doctor | dying | ex-husband | heroine | illness | leading lady | linear chromaticism | minor-major 7th chord | nurse | oscillation | patient | room | sick person | somber | tense | treating | turning point | waiting | watching

Mildred Pierce (1945)

Mildred (Mourning)0:56:07 - Mildred mourns Kay's death9th chord | augmented sixth chord | child | death | death scene | doctor | ex-husband | heroine | leading lady | mourning | nurse | patient | room | sick person | somber | turning point

Mildred Pierce (1945)

Kay and Veda (Tenderly)0:56:34 - Veda and Mildred mourn for Kayadded-note chord | calm | child | death | death scene | ex-husband | heroine | hopeful | leading lady | mode mixture | mourning | plagal cadence | room | somber | turning point

Mildred Pierce (1945)

Kay and Veda (Subtle)1:09:27 - bill; photograph; gunadvance plot | augmented sixth chord | conversing | friend | heroine | leading lady | mode mixture | room | subtle | voice-over

Mildred Pierce (1945)

Kay and Veda (Excited)1:13:21 - Veda drives away in her new caradded-note chord | advance plot | altered dominant | car | child | deceptive resolution | driving | excited | happy | heroine | kissing | leading lady | love interest | room | running

Mildred Pierce (1945)

Kay and Veda (Sly)1:13:55 - Mildred tells Monte to not see Vedaarguing | breakup | chromatic wedge | chromatic wedge | conflict | disagreement | heroine | leading lady | love interest | ominous | room | sinister | tense | whole-tone chord

Mildred Pierce (1945)

Kay and Veda (Troubled)1:14:06 - Mildred and Monte arguearguing | breakup | chromatic scale | chromatic sequence | conflict | disagreement | fragmentation | heroine | leading lady | love interest | ominous | room | sinister | tense | whole-tone chord | whole-tone scale

Mildred Pierce (1945)

Mildred (Agitato)1:14:37 - Mildred and Monte argueagitated | arguing | breakup | conflict | distortion | half-diminished 7th chord | heroine | leading lady | love interest | room | tense

Mildred Pierce (1945)

Underscoring (Tense)1:14:53 - Mildred and Monte argue9th chord | added-note chord | arguing | bitter | breakup | conflict | deceptive resolution | heroine | leading lady | love interest | room | tense | underscoring

Mildred Pierce (1945)

It Can't Be Wrong (Bitter)1:15:29 - Mildred writes Monte a checkarguing | bitter | breakup | conflict | dissonant bass | familiar tune | fragmentation | heroine | leading lady | love interest | mickey-mousing | popular music | room | source to score | tense

Mildred Pierce (1945)

Closes blinds1:15:59 - Mildred closes the blindsblinds | breakup | closing | conflict | down | heroine | leading lady | mickey-mousing | room | somber | window

Mildred Pierce (1945)

Mildred (Angry)1:18:21 - Mildred walks out of an argument9th chord | aggressive | angry | arriving | chromatic parallelism | conflict | heroine | hurrying | leading lady | leaving | Neapolitan | room | walking

Mildred Pierce (1945)

Underscoring (Tense)1:18:34 - Veda tells her mother she is marriedantagonist | chromatic parallelism | chromatic wedge | conflict | conversing | daughter | diminished 7th chord | friend | heroine | leading lady | oscillation | reverse stinger | room | tense | underscoring

Mildred Pierce (1945)

Secret Revealed1:18:59 - Veda talks to her motherantagonist | chromatic parallelism | chromatic scale | chromatic wedge | conflict | conversing | daughter | fear | friend | heroine | leading lady | linear chromaticism | octatonic chord | room | surprise | tense

Mildred Pierce (1945)

Kay and Veda (Coy)1:19:11 - Veda talks to her motherantagonist | apologizing | chromatic parallelism | conflict | daughter | friend | heroine | leading lady | room | tense

Mildred Pierce (1945)

Mildred (Waltz Fantasy)1:19:18 - Mildred talks to Veda9th chord | antagonist | appoggiatura | chromatic parallelism | comforting | conflict | daughter | dream-like | friend | heroine | leading lady | room | tense

Mildred Pierce (1945)

Mildred (Tenderly)1:19:37 - Wally talks about a settlementantagonist | chromatic parallelism | conflict | conversing | daughter | fragmentation | friend | heroine | leading lady | pedal tone | room | tender

Mildred Pierce (1945)

Kay and Veda (Troubled 2)1:21:34 - Veda looks at the divorce settlement checkantagonist | blackmail | chromatic scale | chromatic sequence | conflict | daughter | fragmentation | heroine | laughing | leading lady | mickey-mousing | mocking | room | troubled | ugly | whole-tone chord

Mildred Pierce (1945)

Kay and Veda (Agitato)1:22:22 - Veda and her mother argueagitated | antagonist | arguing | augmented sixth chord | blackmail | chromatic sequence | conflict | daughter | fragmentation | heroine | leading lady | room | tense

Mildred Pierce (1945)

Kay and Veda (Ominous)1:22:43 - Veda argues with her motherantagonist | arguing | conflict | dark | daughter | heroine | insulting | leading lady | ominous | room | ugly

Mildred Pierce (1945)

Mildred (Appassionato)1:23:00 - Veda expresses her disgust with her motherangry | antagonist | arguing | chromatic scale | conflict | daughter | foreign key modulation | heroine | insulting | leading lady | room | tense

Mildred Pierce (1945)

Mildred B (Angry 2)1:23:09 - Mildred gets angry at Vedaangry | antagonist | arguing | conflict | daughter | fragmentation | heroine | insulting | leading lady | room | tense

Mildred Pierce (1945)

Mildred (Vicious)1:23:21 - Veda insults her motherangry | antagonist | arguing | chromatic parallelism | chromatic wedge | conflict | daughter | heroine | insulting | leading lady | reverse stinger | room | tense | whole-tone chord

Mildred Pierce (1945)

Mildred B (Angry)1:23:38 - Mildred tears up Veda's check angry | antagonist | arguing | check | conflict | daughter | fighting | heroine | leading lady | pc set | room | slapping | tearing | tense | violence | yelling

Mildred Pierce (1945)

Stunned Reaction1:23:44 - Mildred is stunned after Veda slaps herangry | antagonist | conflict | daughter | dramatic | heroine | leading lady | pc set | room | staring | stunned | violence

Mildred Pierce (1945)

Runs upstairs1:24:04 - Veda runs up the stairsangry | antagonist | ascending | conflict | daughter | mickey-mousing | octatonic scale | room | stern

Mildred Pierce (1945)

Mildred (Tragic)1:24:04 - Veda watches her daughter leavealtered dominant | angry | ascending | conflict | heroine | leading lady | leaving | mickey-mousing | octatonic scale | room | stern

Mildred Pierce (1945)

Bert (Somber)1:37:06 - Bert talks with Mildred in her new houseadvance plot | augmented sixth chord | conversing | ex-husband | heroine | leading lady | pedal tone | room | somber

Mildred Pierce (1945)

Mildred stands and walks to window1:38:02 - Mildred stands up and goes to the windowadvance plot | delicate | graceful | heroine | leading lady | mickey-mousing | peaceful | rising | room | standing | up | walking

Mildred Pierce (1945)

Kay and Veda (Returning Home)1:38:10 - Mildred looks at Veda through the windowadvance plot | chromatic mediant | conversing | daughter | deceptive resolution | emotional | foreign key modulation | happy | heroine | leading lady | loving | mode mixture | mother | room | warm | watching

Mildred Pierce (1945)

Mildred (Happy Homecoming)1:38:50 - Mildred and her daughter embraceadded-note chord | advance plot | apologizing | chromatic mediant | daughter | embracing | foreign key modulation | forgiveness | happy | heroine | leading lady | loving | mode mixture | mother | returning | reuniting | room | warm

Mildred Pierce (1945)

Bert (Tenderly)1:39:33 - Mildred thanks Bertadvance plot | ex-husband | gentle | heroine | leading lady | mother | room | sweet | thanking

Mildred Pierce (1945)

Kay and Veda (Allegretto Grazioso)1:39:47 - Monte is happy to see Vedaadded-note chord | advance plot | antagonist | cheerful | conversing | daughter | deceptive resolution | reuniting | room | welcoming

Mildred Pierce (1945)

It Can't Be Wrong (Molto Misterioso)1:42:42 - Mildred learns that Monte has betrayed her 9th chord | bankruptcy | betrayal | dark | familiar tune | friend | heroine | leading lady | love theme | memory | mysterious | pc set | popular music | realizing | room | somber | turning point | whole-tone chord

Mildred Pierce (1945)

Mildred (Mad)1:43:19 - Mildred makes a phone callanger | angry | calling | dissonant bass | half-diminished 7th chord | heroine | leading lady | room | tense | turbulent | turning point | walking

Mildred Pierce (1945)

Hopes Crushed1:43:38 - Mildred realizes Monte has left herchromatic scale | dark | dissonant bass | heroine | leading lady | lost hope | mickey-mousing | realizing | room | tritone | turning point

Mildred Pierce (1945)

Mildred B (Twist)1:45:20 - Mildred walks into the beach housearriving | climax | dark | flashback | heroine | leading lady | room

Mildred Pierce (1945)

Mildred (Ominous)1:45:25 - Mildred walks downstairsarriving | climax | dark | fragmentation | half-diminished 7th chord | heroine | imitation | leading lady | ominous | room

Mildred Pierce (1945)

Secret Revealed1:45:37 - Mildred finds Veda and Monte togetherantagonist | chromatic parallelism | chromatic scale | chromatic wedge | climax | dark | daughter | discovering | kissing | linear chromaticism | reveal | room | stinger | tense

Mildred Pierce (1945)

Kay and Veda (Agitato)1:46:05 - Veda reveals that she is in love with Monte antagonist | augmented sixth chord | betrayal | betraying | chromatic scale | chromatic sequence | climax | dark | daughter | fragmentation | heroine | leading lady | revealing | room | tense

Mildred Pierce (1945)

Kay and Veda (Very Slow)1:46:22 - Mildred reacts to Veda's betrayalantagonist | betrayal | climax | contemplating | dark | daughter | gun | heroine | leading lady | ominous | parallel 63s | room

Mildred Pierce (1945)

Mildred (Tragic)1:46:43 - Mildred runs awayaltered dominant | antagonist | arguing | betrayal | chromatic scale | climax | daughter | dramatic | emotional | half-diminished 7th chord | heroine | leading lady | room | running | sequence

Mildred Pierce (1945)

Monte is shot 21:47:28 - Monte is shot antagonist | chromatic parallelism | collapsing | death | dying | falling | gun | gunshot | major 7th chord | mickey-mousing | murder | murderer | murder scene | room | staggering | tragic

Mildred Pierce (1945)

Kay and Veda (Ominous)1:47:42 - Mildred rushes in to check on Vedaantagonist | confessing | dark | daughter | heroine | leading lady | lying | murder | murderer | murder scene | ominous | room

Mildred Pierce (1945)

Mildred B (Angry)1:48:06 - Veda confesses to Mildredangry | antagonist | confessing | confession | daughter | diminished 7th chord | fragmentation | heroine | leading lady | lying | murderer | murder scene | pc set | room | tense

Mildred Pierce (1945)

Kay and Veda (Troubled)1:48:22 - Veda pleads for help to escapeantagonist | begging | chromatic scale | confessing | daughter | distressed | fragmentation | frantic | heroine | leading lady | murderer | murder scene | room | sequence | whole-tone chord

Mildred Pierce (1945)

Mildred (Ominous)1:48:41 - Mildred calls the policeantagonist | begging | chromatic sequence | daughter | fragmentation | heroine | imitation | leading lady | murderer | murder scene | ominous | room | tense

Mildred Pierce (1945)

Underscoring (Tense)1:48:54 - Veda asks her mother not to turn her inantagonist | begging | daughter | foreign key modulation | heroine | leading lady | murderer | murder scene | room | tense | underscoring

Mildred Pierce (1945)

Kay and Veda (Returning Home 2)1:49:17 - Veda convinces her mother to not report herantagonist | crying | daughter | heroine | leading lady | loving | mode mixture | mother | murderer | murder scene | reverse picardy | room | sacrificing | tender | warm
The Life of Vergie Winters (1934)Lullaby (Not in Score)0:32:18 - Vergie and John look at a baby pictureAABA structure | calm | common-chord modulation | conversing | cuddling | leading lady | leading man | love interest | love scene | lullaby | peaceful | room | score to source | secret love | transcribed by ear

The Life of Vergie Winters (1934)

Old Lavender1:00:07 - Joan and Ranny talk9th chord | added-note chord | altered dominant | common-chord modulation | conversing | daughter | direct modulation | harmonic sequence | light | love interest | love scene | optimistic | proposal | proposing | room | transcribed by ear

The Life of Vergie Winters (1934)

Here Comes the Bride1:00:46 - Joan and Ranny talk about marriagecommon-chord modulation | conversing | daughter | familiar tune | gentle | love interest | love scene | peaceful | proposal | proposing | romantic | room | transcribed by ear

The Life of Vergie Winters (1934)

Lullaby (Clarinet Solo)1:00:58 - John and Laura talk about Joanadded-note chord | conflict | conversing | dramatic | gentle | leading man | peaceful | room | stinger | transcribed by ear | wife

The Life of Vergie Winters (1934)

Lullaby (Agitated)1:01:27 - John and Laura argue about Joanagitated | arguing | common-tone diminished 7th | conflict | diminished 7th chord | direct modulation | fragmentation | harmonic sequence | leading man | octatonic scale | room | tense | transcribed by ear | wife

The Life of Vergie Winters (1934)

Old Lavender1:02:11 - Joan and Ranny enter9th chord | added-note chord | altered dominant | arguing | common-chord modulation | conflict | conversing | daughter | direct modulation | harmonic sequence | leading man | light | love interest | optimistic | room | surprise | wife

The Life of Vergie Winters (1934)

Old Lavender (Celeste Solo)1:02:43 - John paces aroundconflict | daughter | direct modulation | hesitating | leading man | love interest | lying | peaceful | room | surprise | wife

The Life of Vergie Winters (1934)

Underscoring (Lyrical)1:02:52 - Laura reveals that Joan is adoptedconflict | daughter | deflecting | hesitating | leading man | love interest | mode mixture | peaceful | pedal tone | room | surprise | wife

The Life of Vergie Winters (1934)

Lullaby (Adagio)1:03:02 - Joan reactsconflict | daughter | diminished 7th chord | direct modulation | dissonant bass | leading man | love interest | revealing | room | stinger | surprise | tense | wife

The Life of Vergie Winters (1934)

Lullaby (Harp Solo)1:03:33 - John tells Joan about her parentsconflict | daughter | deceiving | deceptive resolution | leading man | love interest | lullaby | lying | revealing | room | secondary dominant | surprise | tender | wife

The Life of Vergie Winters (1934)

Old Lavender (Allegretto)1:04:31 - Ranny reacts to the revelationchromatic mediant | conflict | conversing | daughter | foreign key modulation | fragmentation | leading man | light | love interest | mode mixture | optimistic | pedal tone | room | wife

The Life of Vergie Winters (1934)

Old Lavender (Gentle)1:04:45 - Ranny takes the ring back from Joan64 chord | altered dominant | conflict | daughter | leading man | love interest | peaceful | pedal tone | proposal | proposing | room | wife

The Life of Vergie Winters (1934)

Here Comes the Bride (Slow)1:05:05 - Ranny re-proposes to Joan64 chord | conflict | daughter | familiar tune | leading man | love interest | peaceful | proposal | proposing | room | wife

The Life of Vergie Winters (1934)

Lullaby (Dolcissimo)1:05:11 - Joan talks to Laura9th chord | conflict | daughter | leading man | love interest | peaceful | proposal | proposing | room | wife

The Life of Vergie Winters (1934)

Old Lavender (Ethereal)1:05:26 - Ranny talks to Joan's parentsadded-note chord | common-chord modulation | conflict | conversing | daughter | leading man | love interest | mode mixture | pedal tone | room | sentimental | wife

The Life of Vergie Winters (1934)

Lullaby (Tender)1:05:45 - Ranny leaves with Joan13th chord | conflict | daughter | leading man | leaving | love interest | peaceful | pedal tone | room | wife

The Life of Vergie Winters (1934)

Lullaby (Doloroso)1:05:58 - John talks with his wife Laura9th chord | arguing | conflict | dark | leading man | leaving | reverse picardy | room | tense | wife

The Life of Vergie Winters (1934)

A Boy and a Girl1:07:00 - John and Vergie listen to the radioadvance plot | altered dominant | common-chord modulation | conversing | leading lady | leading man | listening | room | secret lover | sentimental | simulated source music | source to score | transcribed by ear

The Life of Vergie Winters (1934)

Lullaby (Dolce)1:08:00 - Vergie talks with John9th chord | advance plot | common-chord modulation | conversing | leading lady | leading man | room | score to source | secret lover | tender

The Life of Vergie Winters (1934)

Lullaby (Cello Solo)1:08:38 - Vergie talks with Johnadded-note chord | advance plot | common-chord modulation | confident | hopeful | hoping | leading lady | leading man | room | secret lover | sweet | warm

The Life of Vergie Winters (1934)

Lullaby (Passionate)1:09:39 - John and Vergie embrace9th chord | advance plot | embracing | leading lady | leading man | pedal tone | romantic | room | secret lover | tense
Rockabye (1932)Improvised Lullaby0:11:04 - Elizabeth sings a lullabyadvance plot | calm | daughter | doll | leading lady | lullaby | mother | on-screen music | room | singing | source music

Rockabye (1932)

Sleep, My Sweet0:11:20 - Judy sings with her daughteradvance plot | calm | daughter | humming | leading lady | lullaby | mother | on-screen music | room | score to source | singing | source music

Rockabye (1932)

A Bird in a Gilded Cage0:29:09 - Snooks sings to herselfadvance plot | drunk | mother | on-screen music | room | singing | source music
Out of the Fog (1941)Drab0:24:36 - Stella in bedadvance plot | father | ignoring | knocking | leading lady | room | smoking | somber | tense | thinking | whispering

Out of the Fog (1941)

South American Way0:30:00 - Stella listens to the radioadvance plot | conversing | leading lady | mother | popular music | radio | room | source music | upbeat

Out of the Fog (1941)

Father and Daughter0:33:12 - Jonah talks to Stellaadvance plot | conversing | crying | father | gentle | hugging | leading lady | mode mixture | room | tender

Out of the Fog (1941)

Stella and George (Extended)0:41:45 - George talks to Stellaarguing | boyfriend | conversing | foreign key modulation | leading lady | love scene | room | tender

Out of the Fog (1941)

Father and Daughter (Tender)0:51:32 - Maps of Cubaadvance plot | arriving | conversing | father | fisherman | leading lady | mirror shot | packing | room | tender | tense

Out of the Fog (1941)

Drab (Extended)0:51:50 - Stella talks with her fatheradvance plot | conversing | father | fisherman | foreign key modulation | leading lady | packing | room | sequence | somber | uneasy

Out of the Fog (1941)

Russian Barcarolle (Dark)0:52:49 - Jonah reactsadvance plot | conversing | dark | father | fisherman | leading lady | room

Out of the Fog (1941)

Drab0:53:05 - Stella talks with her fatheradvance plot | conversing | father | fisherman | leading lady | room | sequence | somber | uneasy

Out of the Fog (1941)

Russian Barcarolle (Troubled)0:53:43 - Stella talks with her fatheradvance plot | bold | conversing | dark | father | fisherman | leading lady | ominous | room

Out of the Fog (1941)

Father and Daughter (Short)0:54:23 - Stella and Jonah embraceadvance plot | conversing | departing | father | fisherman | leading lady | room | tender

Out of the Fog (1941)

Russian Folk Song0:54:43 - Jonah enters a roomadvance plot | arriving | cheerful | father | fisherman | folk music | friend | on-screen music | room | singing | source music

Out of the Fog (1941)

Russian Barcarolle0:55:11 - Sam sings a Russian folk songadvance plot | cheerful | father | fisherman | folk music | friend | on-screen music | room | score to source | singing | source music

Out of the Fog (1941)

Underscoring (Dark)1:12:05 - Police ring the bellaction scene | arguing | conversing | dark | fisherman | friend | police | ringing | room | street | underscoring
Kid Galahad (1937)The Moon Is In Tears Tonight (The Kid)0:50:05 - Louise looks at her Kid Galahad scrapbookadvance plot | cheerful | countermelody | not by Steiner | organizing | parallelism | room | scrapbook | sister | transcribed by ear

Kid Galahad (1937)

The Moon Is In Tears Tonight (Love's Sorrow)0:53:05 - Ward professes his love for Marieconversing | heartbroken | leading lady | leading man | love scene | newspaper | not by Steiner | romantic | room | transcribed by ear

Kid Galahad (1937)

The Split Up0:56:59 - Louise and Nick break upappoggiatura | conversing | heartbroken | leading lady | love scene | manager | not by Steiner | romantic | room | transcribed by ear

Kid Galahad (1937)

The Moon Is In Tears Tonight (Tender)0:57:14 - Louise thinks of Wardconversing | leading lady | love scene | manager | not by Steiner | room | tender | transcribed by ear

Kid Galahad (1937)

The Split Up0:57:45 - Louise says goodbye to Nickappoggiatura | conversing | heartbroken | leading lady | love scene | manager | not by Steiner | romantic | room | transcribed by ear

Kid Galahad (1937)

Kid Galahad (Montage 2)1:18:47 - Newspaper headline montage64 chord | chromatic mediant | climax | fanfare | foreign key modulation | heroic | hurrying | manager | montage | newspaper | pedal tone | room | syncopation

Kid Galahad (1937)

Underscoring (Tender)1:38:49 - Nick lies dying on a tableclimax | dying | linear chromaticism | manager | pedal tone | room | somber | tender

Kid Galahad (1937)

Kid Galahad (Tender)1:39:15 - Nick speaks his final words9th chord | 64 chord | added-note chord | appoggiatura | climax | death | dying | fanfare | foreign key modulation | leading lady | leading man | manager | mode mixture | pedal tone | room | sister | somber | stretto imitation
Traveling Husbands (1931)There's a Sob in My Heart (Duet)0:28:54 - Two lovers sing in a hotel roomAABA structure | comedy | love | popular song | romantic | room | salesman | singing | source music | transcribed by ear

Traveling Husbands (1931)

There's a Sob in My Heart (Radio Waltz)0:32:02 - Music is played on the radiocomedy | listening | popular song | radio | romantic | room | salesman | source music | transcribed by ear

Traveling Husbands (1931)

There's a Sob in My Heart (Radio Jazz)0:32:29 - Music is played on the radioaltered dominant | comedy | dancing | popular song | radio | room | salesman | source music | transcribed by ear | upbeat

Traveling Husbands (1931)

There's a Sob in My Heart (Radio Dance Band)0:32:46 - Music is played on the radioAABA structure | chromatic mediant | comedy | dancing | leading lady | popular song | radio | room | salesman | source music | transcribed by ear | upbeat

Traveling Husbands (1931)

There's a Sob in My Heart (Arabian)0:35:46 - Music is played on the radioAABA structure | advance plot | Arabian | dancing | exoticism | popular song | radio | romantic | room | salesman | source music | transcribed by ear

Traveling Husbands (1931)

There's a Sob in My Heart (Arabian)0:38:56 - Music is played on the radioadvance plot | Arabian | dancing | exoticism | leading lady | popular song | radio | romantic | room | salesman | source music | transcribed by ear

Traveling Husbands (1931)

Chimes0:49:36 - A tune is played on church bellsadvance plot | calm | church bell | leading lady | leading man | room | salesman | source music | transcribed by ear | waiting

Traveling Husbands (1931)

Chimes 20:51:50 - A tune is played on church bellsadvance plot | calm | church bell | leading lady | leading man | room | salesman | source music | transcribed by ear | waiting

Traveling Husbands (1931)

There's a Sob in My Heart (Slow Waltz)0:57:47 - Music is played on the radioAABA structure | advance plot | arguing | calm | leading lady | leading man | mode mixture | popular song | radio | room | salesman | source music | transcribed by ear

Traveling Husbands (1931)

Ring Around the Rosy1:09:30 - Men sing and dancechildren's song | dancing | exciting | leading lady | leading man | on-screen music | resolution | room | salesman | singing | source music | transcribed by ear

Traveling Husbands (1931)

There's a Sob in My Heart (Sentimental)1:10:39 - People are sad as the radio playsAABA structure | altered dominant | augmented sixth chord | countermelody | crying | leading lady | leading man | popular song | radio | resolution | room | salesman | sentimental | somber | transcribed by ear
The Unfaithful (1947)Chris 20:01:40 - Chris runs through the houseestablish character | graceful | joyful | leading lady | room | running

The Unfaithful (1947)

Unfaithful (Chris)0:01:46 - Chris answers the phoneestablish character | foreshadowing | leading lady | mode change | peaceful | room

The Unfaithful (1947)

Unfaithful (Somber)0:22:24 - Bob comforts Chris9th chord | augmented sixth chord | comfort | comforting | common-chord modulation | husband | leading lady | love scene | mode mixture | ostinato | pedal tone | room | somber | victim

The Unfaithful (1947)

Unfaithful (Distressed)0:52:17 - The maid turns on a lamp9th chord | advance plot | arriving | foreign key modulation | forlorn | leading lady | maid | obsession | ostinato | pc set | room | tense

The Unfaithful (1947)

Unfaithful (Agitated)0:53:11 - Chris sees the place where the body wasadvance plot | distressed | fearful | leading lady | obsession | ostinato | room | sequential modulation | staring

The Unfaithful (1947)

Attorney (Doorbell)0:53:31 - Chris takes off her jacketadvance plot | arriving | enharmonic respelling | heroic | lawyer | leading lady | room | stinger | surprise

The Unfaithful (1947)

Unfaithful (Somber 2)1:00:01 - Chris thinks9th chord | advance plot | altered dominant | augmented sixth chord | chromatic mediant | common-chord modulation | conversing | foreign key modulation | husband | leading lady | mode mixture | ostinato | room | somber | tender

The Unfaithful (1947)

Unfaithful (Ominous)1:09:06 - Chris on the phoneadvance plot | lawyer | leading lady | monophonic | office | phone call | room | tense | thinking

The Unfaithful (1947)

Unfaithful (Menacing)1:12:25 - Bob sees the statueantagonist | husband | menacing | monophonic | ostinato | pivotal scene | realizing | revealing | room | sequence | staring | statue | threatening | unveiling | widow

The Unfaithful (1947)

Unfaithful (Attack 2)1:13:06 - Bob attacks the art shop owner9th chord | angry | antagonist | attacking | chromatic scale | fighting | husband | pc set | pivotal scene | room | widow | zoom in

The Unfaithful (1947)

Unfaithful (Angry)1:15:00 - Bob looks aroundangry | common-chord modulation | deceptive resolution | husband | intense | meandering | Neapolitan | ostinato | room | sequential modulation | transition | walking

The Unfaithful (1947)

Unfaithful (Rising Anger)1:15:35 - Bob walksangry | chromatic scale | fragmentation | half-diminished 7th chord | husband | intense | meandering | oscillation | ostinato | room | transition | walking

The Unfaithful (1947)

Unfaithful (Not in Film)NIF - not in filmacceleration | arguing | climax | cut from film | husband | Neapolitan | ostinato | room | sequential modulation | tense | wife

The Unfaithful (1947)

Tanner (Headlines)1:24:17 - Chris is suspected of murderaltered dominant | chromatic scale | climax | fragmentation | friend | hurrying | montage | newspaper | newspaper boy | panicked | police station | polychord | polytonality | quartal chord | radio | reporter | room | rushing | street | surprise | tritone oscillation | widow

The Unfaithful (1947)

Ask Anyone Who Knows1:34:08 - Paula reads the paperABA structure | calm | conversing | friend | husband | radio | reading | resolution | room | source music

The Unfaithful (1947)

Would You Believe Me1:36:54 - Paula talks with BobABAC structure | calm | conversing | friend | husband | radio | reading | resolution | room | source music

The Unfaithful (1947)

Unfaithful (Distressed)1:41:24 - Larry talks with Bob9th chord | conversing | foreign key modulation | husband | lawyer | ostinato | pc set | resolution | room | somber | wife

The Unfaithful (1947)

Unfaithful (Leaving)1:42:32 - Chris prepares to leave9th chord | conversing | husband | lawyer | mode mixture | ostinato | pedal tone | resolution | room | somber | wife

The Unfaithful (1947)

Unfaithful (Dolce)1:46:08 - Bob talks with Chrisaltered dominant | chromatic mediant | common-chord modulation | conversing | foreign key modulation | fragmentation | hopeful | husband | lawyer | mode mixture | ostinato | peaceful | pedal tone | plagal cadence | resolution | resolution | romantic | room | triumphant | wife
We Are Not Alone (1939)I Do Like to Be Beside the Seaside0:10:56 - David visits an injured Lenichromatic mediant | deceptive resolution | doctor | establish character | familiar tune | foreign key modulation | gentle | hero | heroine | mode mixture | quotation | room | step modulation

We Are Not Alone (1939)

Surprise Symphony (Not Afraid)0:11:24 - David sets Leni's wristchromatic scale | classical music | delicate | doctor | establish character | familiar tune | foreign key modulation | fragmentation | Haydn | hero | heroine | quotation | room | somber

We Are Not Alone (1939)

Surprise Symphony (Calm)0:12:01 - David's treatment is successfulcalm | classical music | countermelody | deceptive resolution | doctor | establish character | familiar tune | Haydn | hero | heroine | quotation | room

We Are Not Alone (1939)

Surprise Symphony (Not in film)NIF - not in filmclassical music | cut from film | doctor | establish character | familiar tune | Haydn | hero | heroine | pedal tone | quotation | room

We Are Not Alone (1939)

I Do Like to Be Beside the Seaside (Peaceful)0:12:13 - David's treatment is successfulcalm | chromatic mediant | deceptive resolution | doctor | establish character | familiar tune | foreign key modulation | hero | heroine | mode mixture | quotation | room

We Are Not Alone (1939)

Surprise Symphony (Quasi Rubato)0:12:46 - David treats Leni's legclassical music | doctor | establish character | familiar tune | fragmentation | gentle | Haydn | hero | heroine | parallelism | playful | quotation | room

We Are Not Alone (1939)

Surprise Symphony (Humbly)0:13:10 - David treats Leni's legclassical music | common-tone diminished 7th | doctor | establish character | familiar tune | fragmentation | gentle | Haydn | hero | heroine | hymn-like | quotation | room | sweet

We Are Not Alone (1939)

Tenderness0:13:40 - David talks to Leni64 chord | doctor | establish character | friendly | hero | heroine | mode mixture | room | sequence | tender

We Are Not Alone (1939)

I Do Like to Be Beside the Seaside (Tragico)0:14:05 - Leni talks with Daviddoctor | establish character | familiar tune | hero | heroine | minor-major 7th chord | quotation | room | tragic

We Are Not Alone (1939)

Frohe Botschaft (Tenderly)0:14:22 - Leni takes off her wig64 chord | doctor | establish character | familiar tune | folk song | German | hero | heroine | pedal tone | quotation | room | tender

We Are Not Alone (1939)

Blue Danube0:14:52 - Leni says she is from Austriaclassical music | doctor | establish character | familiar tune | hero | heroine | mode mixture | peaceful | quotation | room | Strauss

We Are Not Alone (1939)

Surprise Symphony (Gute Nacht)0:15:00 - David says goodnight in German to Leniclassical music | doctor | establish character | familiar tune | Haydn | hero | heroine | peaceful | perfect authentic cadence | quotation | room

We Are Not Alone (1939)

Captain Gerald0:43:23 - Gerald tells Leni a storyadded-note chord | advance plot | boy | child | exoticism | foreign key modulation | heroine | home | imagination | room | somber | telling a story

We Are Not Alone (1939)

Barcarolle0:44:06 - Gerald talks about sailing9th chord | advance plot | barcarolle | boy | child | dissonant bass | heroine | home | hopeful | imagination | pedal tone | room | telling a story

We Are Not Alone (1939)

Frohe Botschaft (Like a Sigh)0:44:30 - Leni tells Gerald to not be afraidadvance plot | conversing | heroine | home | kindness | promise | room | sad | sigh gesture

We Are Not Alone (1939)

Jessica0:45:10 - Jessica enters the room9th chord | advance plot | antagonist | chromatic parallelism | chromatic scale | conversing | half-diminished 7th chord | home | mother | room | sour

We Are Not Alone (1939)

Surprise Symphony (Expanded)0:45:36 - Leni hugs Geraldadvance plot | boy | child | chromatic parallelism | classical music | dissonant bass | familiar tune | Haydn | heroine | home | hugging | quotation | room | sweet

We Are Not Alone (1939)

Frohe Botschaft (Crying)0:45:45 - Leni kisses Gerald9th chord | 64 chord | advance plot | antagonist | boy | child | crying | deceptive resolution | familiar tune | folk song | fragmentation | German | heroine | home | leaving | mode mixture | mother | quotation | room | sequence | somber | tritone

We Are Not Alone (1939)

Tragico0:46:40 - Gerald faces his motheradvance plot | antagonist | appoggiatura | boy | child | conversing | dark | home | mother | pedal tone | room | sad | stinger | tragic

We Are Not Alone (1939)

Surprise Symphony (Tragico)0:47:06 - Jessica gathers clothes for Gerald advance plot | antagonist | boy | child | classical music | conversing | dark | familiar tune | Haydn | home | mother | quotation | room | sad | tragic

We Are Not Alone (1939)

Surprise Symphony (Turbulent)0:50:14 - Jessica reacts to David's departure11th chord | angry | antagonist | chromatic parallelism | classical music | conflict | crying | dark | familiar tune | Haydn | hero | home | husband | leaving | quotation | room | sad | tragic | wife

We Are Not Alone (1939)

Triste0:50:45 - David talks to Leniadvance plot | common-chord modulation | conversing | gentle | hero | heroine | home | room | sad

We Are Not Alone (1939)

Frohe Botschaft (Triste)0:51:10 - David talks to Leni9th chord | added-note chord | advance plot | conversing | deceptive resolution | familiar tune | folk song | foreign key modulation | fragmentation | German | hero | heroine | home | quotation | room | somber

We Are Not Alone (1939)

Surprise Symphony (Sneaky)0:51:52 - David goes to bedadded-note chord | advance plot | antagonist | classical music | cook | diminution | familiar tune | Haydn | hero | heroine | home | mickey-mousing | mysterious | quotation | room | sneaking | somber

We Are Not Alone (1939)

Eine kleine Nachtmusik0:52:05 - Program for the concert at the partyadvance plot | classical music | concert | familiar tune | home | joyful | Mozart | room | source music

We Are Not Alone (1939)

Die Krähe0:52:36 - Leni asks David about his workadvance plot | antagonist | calm | classical music | concert | conversing | cook | familiar tune | hero | heroine | home | room | Schubert | source music

We Are Not Alone (1939)

Celebre Romance0:54:24 - Leni asks David for a referenceABAC structure | advance plot | antagonist | calm | classical music | concert | conversing | cook | familiar tune | hero | heroine | home | room | Rubinstein | source music

We Are Not Alone (1939)

Surprise Symphony0:56:18 - David whistles on his way to breakfastadvance plot | calm | classical music | familiar tune | Haydn | hero | home | quotation | room | whistling

We Are Not Alone (1939)

Tuning0:59:20 - David tunes his violinadvance plot | antagonist | calm | cook | hero | heroine | home | on-screen music | room | source music | tuning | violin

We Are Not Alone (1939)

Tuning1:00:57 - David tunes his violinadvance plot | antagonist | calm | cook | hero | heroine | home | on-screen music | room | source music | tuning | violin

We Are Not Alone (1939)

Celebre Romance1:01:03 - David plays the violinadvance plot | antagonist | classical music | cook | familiar tune | hero | heroine | home | on-screen music | peaceful | playing | romantic | room | Rubinstein | sentence form | source music | source to score | violin

We Are Not Alone (1939)

Celebre Romance (Accompanied)1:01:56 - Gerald sneaks insideboy | child | classical music | common-tone modulation | familiar tune | hero | heroine | home | mode mixture | on-screen music | peaceful | pivotal scene | playing | romantic | room | Rubinstein | secondary dominant | source music | violin

We Are Not Alone (1939)

Celebre Romance (Accompanied B)1:02:47 - Gerald accidentally mixes up the contents of two bottlesboy | child | classical music | deceptive resolution | familiar tune | hero | heroine | home | linear chromaticism | mode mixture | on-screen music | peaceful | pivotal scene | playing | romantic | room | Rubinstein | source music | violin

We Are Not Alone (1939)

Frohe Botschaft (Ghostly)1:49:22 - Gerald talks to Susanantagonist | boy | child | conclusion | death | eerie | familiar tune | folk song | German | home | ominous | quotation | room | tone cluster

We Are Not Alone (1939)

Surprise Symphony (Ghostly)1:49:48 - Gerald talks to Susanantagonist | boy | child | classical music | conclusion | death | eerie | familiar tune | Haydn | home | ominous | on-screen music | quotation | remembered source music | room | source music | tone cluster | whistling

We Are Not Alone (1939)

Frohe Botschaft (Fading Away)1:50:19 - Susan looks surprisedantagonist | boy | child | conclusion | death | eerie | familiar tune | folk song | fragmentation | German | home | ominous | quotation | room | tone cluster

We Are Not Alone (1939)

Frohe Botschaft (Singing)1:50:32 - Gerald sings in the tub9th chord | 11th chord | boy | child | conclusion | death | familiar tune | folk song | German | home | peaceful | quotation | room

We Are Not Alone (1939)

Frohe Botschaft (Singing) + Surprise Symphony1:50:50 - Gerald sings in the tubaugmented triad | boy | child | classical music | combination of themes | conclusion | death | familiar tune | folk song | German | Haydn | home | mode mixture | on-screen music | peaceful | quotation | room | source music | whistling

We Are Not Alone (1939)

Frohe Botschaft (The End)1:51:01 - The End9th chord | end title sequence | familiar tune | folk song | German | grand | home | mode mixture | quotation | room | suspension | The End
White Heat (1949)Big Ed0:06:00 - Big Ed talks to Codyarriving | dark | establish character | gangster | leading man | murderer | room | tense | victim

White Heat (1949)

Thinking0:06:23 - Cody walks across the roomestablish character | gangster | leading man | mother | murderer | room | tense | thinking | victim | walking

White Heat (1949)

Stirring the pot0:06:29 - Ma stirs food in a potcooking | establish character | gangster | leading man | mother | murderer | room | stirring | uneasy | victim

White Heat (1949)

Ma0:06:34 - Ma cooks dinnercooking | establish character | gangster | leading man | mother | murderer | room | uneasy | victim

White Heat (1949)

Moll0:06:40 - Verna sleepscalm | establish character | gangster | leading lady | leading man | moll | murderer | room | sleeping | snoring | waking

White Heat (1949)

Verna0:06:56 - Verna gets uparguing | bluesy | complaining | dark | establish character | gangster | leading lady | leading man | moll | mother | murderer | rising | room | victim | waking

White Heat (1949)

Cody (Molto Marcato)NIF - not in filmcut from film | room

White Heat (1949)

Rushing0:10:49 - A gangster comes in the dooradvance plot | arguing | dark | gangster | leading lady | leading man | moll | mother | murderer | punching | room | storm | tense | victim | wind

White Heat (1949)

Plotting0:11:21 - Cody packs up money in a suitcaseconversing | dark | gangster | leading lady | leading man | love scene | moll | money | murderer | packing | room | tense | transition

White Heat (1949)

Verna (Molto Expressivo)0:11:38 - Verna embraces Codybluesy | conversing | dark | embracing | flirting | gangster | kissing | leading lady | leading man | love scene | moll | money | mother | murderer | room | victim | waltz

White Heat (1949)

Underscoring (Dark)0:12:14 - Zuckie pleads with Codyconversing | dark | death | funereal | gangster | leading lady | leading man | moll | mother | murderer | murder scene | pleading | room | underscoring | victim

White Heat (1949)

Zuckie's Death0:12:29 - Cody ignores Zuckiecrying | dark | death | departing | funereal | gangster | leading lady | leading man | moaning | moll | mother | murderer | murder scene | pleading | room | somber | victim

White Heat (1949)

Danger (Con Moto)0:17:39 - Cody argues with Vernaagitated | arguing | conflict | gangster | leading lady | leading man | moll | murderer | room | tense

White Heat (1949)

Verna falls0:18:05 - Verna falls off the chairagitated | chair | conflict | couch | falling | gangster | kicking | landing | leading lady | leading man | mickey-mousing | moll | murderer | room | tense

White Heat (1949)

Danger (Escaping)0:23:32 - Verna and Ma rush outaction scene | agent | dramatic | escaping | gangster | leading lady | leading man | moll | mother | murderer | room | rushing | street | wound

White Heat (1949)

Underscoring (Tense)0:42:03 - Ma talks to the gangstersadvance plot | conversing | gangster | leading lady | love interest | moll | mother | room | tense | underscoring

White Heat (1949)

Cody (Expressivo)0:42:17 - Ma talks to Big Edadvance plot | conversing | gangster | leading lady | love interest | moll | mother | room | tense

White Heat (1949)

Agitato0:42:32 - Verna leaves the roomadvance plot | agitated | conversing | departing | gangster | leading lady | love interest | moll | mother | room | tense | underscoring

White Heat (1949)

Big Ed0:42:41 - Big Ed leaves the roomadvance plot | gangster | leading lady | love interest | moll | mother | room | tense | walking

White Heat (1949)

Cody 2 (Molto Misterioso)1:09:13 - Cody adjusts his hat in the mirrordressing | fugitive | gangster | hat | leading man | mirror | murderer | mysterious | prison break | room | tense

White Heat (1949)

Five O'Clock Whistle1:11:01 - Verna watches Edadvance plot | conversing | gangster | leading lady | love interest | moll | popular music | radio | room | source music | upbeat

White Heat (1949)

Underscoring (Tense)1:13:20 - Big Ed walks up the stairsaction scene | dark | gangster | leading lady | love interest | moll | room | tense | underscoring | walking

White Heat (1949)

Danger (Agitato)1:13:33 - Verna sits upaction scene | anxiety | danger | gangster | leading lady | listening | love interest | moll | room | tense

White Heat (1949)

Underscoring (Tense)1:13:57 - Verna sneaks out of her bedroomaction scene | leading lady | moll | room | sneaking | tense | underscoring

White Heat (1949)

Plotting (Sneaking)1:14:09 - Verna sneaks down the stairsaction scene | descending | leading lady | mickey-mousing | moll | mysterious | room | sneaking | stairs | tense

White Heat (1949)

Underscoring (Tense)1:14:13 - Verna looks for a way outaction scene | leading lady | moll | room | sneaking | tense | underscoring

White Heat (1949)

Running to window1:14:22 - Verna runs to the windowaction scene | dramatic | leading lady | mickey-mousing | moll | opening | room | running | stinger | tense | window

White Heat (1949)

Underscoring (Dramatic)1:14:27 - Verna opens the windowaction scene | dramatic | leading lady | mickey-mousing | moll | room | running | stinger | tense | underscoring | window

White Heat (1949)

Underscoring (Tense)1:16:28 - Big Ed creates a decoydecoy | gangster | gun | love interest | murder scene | preparing | room | tense | underscoring

White Heat (1949)

Underscoring (Mysterious)1:16:51 - Cody and Verna climb through the windowgangster | gun | leading lady | leading man | moll | murderer | murder scene | mysterious | room | sneaking | sneaking effect | tense | underscoring | window

White Heat (1949)

Verna (Uneasy)1:18:05 - Big Ed kisses Vernadark | drinking | embracing | gangster | gun | kissing | leading lady | leading man | love interest | moll | murderer | murder scene | room | somber | spying | waiting

White Heat (1949)

Big Ed's Death1:18:41 - Big Ed runsdark | death | dramatic | dying | falling | gangster | gun | gunshot | leading lady | leading man | love interest | mickey-mousing | moll | murder | murderer | murder scene | room | running | rushing | shooting | violence

White Heat (1949)

Underscoring (Dramatic)1:19:20 - Big Ed's body falls down the stairsdark | death | dramatic | falling | fugitive | gangster | leading lady | leading man | love interest | mickey-mousing | moll | murderer | murder scene | panning shot | room | stairs | staring | statue | stinger | undercover agent | underscoring | watching

White Heat (1949)

Panning1:19:32 - Camera pans to the groupbeans | dramatic | fugitive | gangster | leading lady | leading man | love interest | mickey-mousing | moll | murderer | panning shot | room | throwing | transition | undercover agent | waiting
The Woman in White (1948)Fairlie0:18:35 - Walter leaves Mr. Fairlieadvance plot | butler | gentle | leading man | room | walking

The Woman in White (1948)

The Carman's Whistle (Accompaniment)0:19:09 - Walter walks to the windowadvance plot | gentle | leading man | room | walking

The Woman in White (1948)

Fosco (Molto Misterioso)0:19:16 - Fosco walks outsideadvance plot | garden | leading man | mysterious | room | tense | walking | watching

The Woman in White (1948)

Laura0:21:27 - Walter talks with Laurabutler | conversing | establish character | family | gentle | leading lady | leading man | refined | room | walking

The Woman in White (1948)

Laura (Harp Countermelody)0:22:03 - The Fairlies sit at the tablebutler | conversing | establish character | family | gentle | leading lady | leading man | refined | room | walking

The Woman in White (1948)

Ann (Poco Agitato)0:22:39 - Laura talks about a mysterious womanbutler | conversing | establish character | family | leading lady | leading man | mysterious | room | tense | walking

The Woman in White (1948)

Fosco0:22:53 - Closeup on Fosco's facebutler | conversing | establish character | family | leading lady | leading man | room | tense | walking

The Woman in White (1948)

The Carman's Whistle0:23:04 - Walter talks about the woman in whitebutler | conversing | establish character | family | leading lady | leading man | room | tense | walking

The Woman in White (1948)

Underscoring (Mysterious)0:23:16 - Fosco gets up to leavebutler | conversing | establish character | family | leading lady | leading man | mysterious | room | walking

The Woman in White (1948)

Fosco0:23:42 - Fosco walks up the stairsbutler | establish character | leading man | pushing | room | rushing | tense | walking

The Woman in White (1948)

Pavan (Harpsichord)0:26:05 - Laura plays the harpsichordadvance plot | butler | conversing | family | gentle | harpsichord | leading lady | leading man | on-screen music | playing | Renaissance music | room | source music

The Woman in White (1948)

Improvisation0:28:47 - A monkey plays the harpsichordadvance plot | conversing | harpsichord | leading lady | leading man | monkey | on-screen music | playing | room | source music | startled

The Woman in White (1948)

Ann (Misterioso)0:29:34 - Fosco sees Laura outsideadvance plot | conversing | leading lady | leading man | mysterious | room | tense | watching

The Woman in White (1948)

Limmeridge