| The Amazing Dr. Clitterhouse (1938) | Night Watchman (Light and Shadow) | 0:44:51 - The watchman goes about his work | augmented sixth chord | criminal | flashlight | gangster | guard | mysterious | robbery | shadow | store | suspenseful | walking | working |
The Amazing Dr. Clitterhouse (1938) | Shadow punch | 0:45:00 - Watchman is punched by a shadowy figure | attacking | augmented sixth chord | crime | criminal | dramatic | fighting | gangster | guard | punching | robbery | shadow | store | violence | whole-tone |
The Amazing Dr. Clitterhouse (1938) | Night Watchman (Knocked Out) | 0:45:04 - Watchman knocked out on the floor | 9th chord | chromatic parallelism | crime | criminal | diminished 7th chord | gangster | guard | mysterious | robbery | stealing | store | thief |
The Amazing Dr. Clitterhouse (1938) | Sneaking | 0:45:13 - Criminals steal furs | ascending | carrying | chromatic parallelism | crime | criminal | diminished 7th chord | dissonant bass | gangster | pedal tone | robbery | sneaking | sneaky | stairs | stealing | store | thief | walking |
The Amazing Dr. Clitterhouse (1938) | Underscoring (Mysterious) | 0:45:26 - Criminals on the rooftop | 42 chord | carrying | chromatic parallelism | chromatic scale | crime | criminal | dissonant bass | gangster | half-diminished 7th chord | mysterious | robbery | rooftop | sneaking | sneaky | stairs | stealing | thief | tossing | underscoring | walking | whole-tone |
The Amazing Dr. Clitterhouse (1938) | Tossing bags | 0:45:31 - Criminals toss bags of furs off of the roof | bag | crime | criminal | gangster | mickey-mousing | mysterious | robbery | rooftop | sneaky | thief | tossing |
The Amazing Dr. Clitterhouse (1938) | Underscoring (Tense) | 0:45:45 - Criminals talk about the professor | 64 chord | altered dominant | conversing | crime | criminal | gangster | robbery | rooftop | tense | thief | underscoring |
The Amazing Dr. Clitterhouse (1938) | The Amazing Doctor (Comical) | 0:46:08 - Doctor examines a criminal | 64 chord | chromatic parallelism | comical | criminal | doctor | examining | fragmentation | gangster | leading man | pedal tone | robbery | rooftop | sequence | thief | underscoring |
The Amazing Dr. Clitterhouse (1938) | Underscoring (Tense) | 0:47:04 - Doctor talks with the criminals | augmented major 7th chord | chromatic parallelism | criminal | dissonant bass | doctor | examining | gangster | leading man | ostinato | pc set | robbery | rooftop | tense | thief | underscoring | walking | working |
The Amazing Dr. Clitterhouse (1938) | Arms crossing | 0:47:10 - Criminal crosses his arms | arm | chromatic parallelism | comical | criminal | crossing | diminished 7th chord | gangster | mickey-mousing | robbery | rooftop | thief | wedge |
The Amazing Dr. Clitterhouse (1938) | The Amazing Doctor (Examination) | 0:47:16 - The doctor writes in his notebook | criminal | dissonant bass | doctor | examining | gangster | leading man | robbery | rooftop | subtle | thief | underscoring |
The Amazing Dr. Clitterhouse (1938) | How Dry I Am (Nervous) | 0:47:20 - Criminals talking | 64 chord | conversing | criminal | doctor | gangster | leading man | nervous | parallelism | pedal tone | robbery | rooftop | source music | thief |
The Amazing Dr. Clitterhouse (1938) | Spiraling down | 0:47:38 - Doctor goes down the stairs | 9th chord | criminal | descending | diminished 7th chord | doctor | gangster | leading man | mickey-mousing | mysterious | robbery | spiraling | store | tense | thief | walking |
The Amazing Dr. Clitterhouse (1938) | Underscoring (Dramatic) | 0:47:48 - Rocks opens the safe | breaking in | criminal | diminished 7th chord | doctor | dramatic | enharmonic modulation | gangster | leading man | lock | opening | robbery | safe | safe-cracking | stinger | store | tense | thief | underscoring | unlocking | vault | wedge |
The Amazing Dr. Clitterhouse (1938) | Flashlight | 0:48:20 - Doctor shines flashlight on Rocks | anger | annoyance | criminal | doctor | flashlight | gangster | leading man | mickey-mousing | ominous | robbery | shining | store | tense | thief | whole-tone chord |
The Amazing Dr. Clitterhouse (1938) | Rocks (Annoyed) | 0:48:25 - Rocks is annoyed by flashlight | anger | angry | annoyance | criminal | doctor | flashlight | gangster | leading man | ominous | robbery | shining | store | tense | thief | tritone | whole-tone chord |
The Amazing Dr. Clitterhouse (1938) | The Amazing Doctor (Giving Orders) | 0:48:32 - Doctor gives orders to the criminals | 64 chord | anger | annoyance | chromatic parallelism | commanding | criminal | doctor | fragmentation | gangster | leading man | ordering | pedal tone | robbery | sequence | store | tense | thief |
The Amazing Dr. Clitterhouse (1938) | Rocks (Double Cross) | 0:48:56 - Rocks thinks of a double-cross | antagonist | chromatic parallelism | criminal | diminished 7th chord | doctor | double-cross | dramatic | gangster | leading man | murderer | murdering | plotting | robbery | sinister | store | thief | trapping |
The Amazing Dr. Clitterhouse (1938) | Locked in vault | 0:49:06 - Dr. Clitterhouse locked in safe | anxious | chromatic parallelism | chromatic scale | criminal | doctor | double-cross | dramatic | gangster | leading man | murderer | murdering | panicking | polychord | pounding | robbery | safe | store | tense | thief | trapping | vault | yelling |
The Amazing Dr. Clitterhouse (1938) | The Motor | 0:49:21 - Rocks starts the refrigeration motor | antagonist | anxious | criminal | diminished 7th chord | doctor | double-cross | dramatic | gangster | gauge | leading man | lowering | machine | mickey-mousing | motor | murderer | murdering | ostinato | panicking | pedal tone | pounding | robbery | spinning | store | temperature | tense | thief | trapping | whirling | yelling |
The Amazing Dr. Clitterhouse (1938) | The Amazing Doctor + The Motor | 0:49:36 - Dr. Clitterhouse in safe | anxious | combination of themes | criminal | doctor | double-cross | dramatic | gangster | gauge | leading man | machine | motor | murderer | murdering | ostinato | panicking | pedal tone | robbery | spinning | store | tense | thief | trapping | whirling |
The Amazing Dr. Clitterhouse (1938) | The Motor (Getting Colder) | 0:49:43 - The vault gets colder | anxious | chromatic scale | criminal | dissonant bass | doctor | double-cross | dramatic | gangster | gauge | leading man | lowering | machine | motor | murderer | murdering | ostinato | panicking | pedal tone | pounding | robbery | spinning | store | temperature | tense | thief | trapping | whirling | yelling |
The Amazing Dr. Clitterhouse (1938) | Rocks goes downstairs | 0:50:05 - Rocks goes down the stairs | antagonist | anxious | criminal | descending | diminished 7th chord | double-cross | dramatic | gangster | mickey-mousing | murderer | robbery | stairs | store | temperature | tense | thief | walking |
The Amazing Dr. Clitterhouse (1938) | The Amazing Doctor + The Motor | 0:50:11 - Butch comes back | anxious | combination of themes | criminal | doctor | double-cross | dramatic | gangster | hurrying | leading man | motor | murderer | ostinato | robbery | store | temperature | tense | thief |
The Amazing Dr. Clitterhouse (1938) | Rocks (Sneaking) + The Motor | 0:50:14 - Rocks sneaks around in the dark | antagonist | anxious | combination of themes | criminal | diminished 7th chord | doctor | double-cross | dramatic | gangster | leading man | motor | murderer | ostinato | robbery | sneaking | store | temperature | tense | thief |
The Amazing Dr. Clitterhouse (1938) | The Amazing Doctor + The Motor | 0:50:22 - Butch runs downstairs | anxious | chromatic scale | combination of themes | criminal | double-cross | down | downstairs | dramatic | gangster | mickey-mousing | motor | ostinato | robbery | store | tense | thief | walking |
The Amazing Dr. Clitterhouse (1938) | Butch goes downstairs | 0:50:22 - Butch runs downstairs | anxious | chromatic scale | combination of themes | criminal | double-cross | down | downstairs | dramatic | gangster | mickey-mousing | robbery | store | tense | thief | walking |
The Amazing Dr. Clitterhouse (1938) | The Amazing Doctor (Rocks) + Rocks (The Amazing Doctor) | 0:50:33 - Rocks goes out to the truck | antagonist | anxious | combination of themes | criminal | dissonant bass | double-cross | dramatic | gangster | lying | murderer | pc set | robbery | street | tense | thief | tritone |
The Amazing Dr. Clitterhouse (1938) | The Motor (Butch) | 0:50:45 - Butch searches for the doctor | anxious | chromatic scale | criminal | dramatic | gangster | mickey-mousing | motor | ostinato | pedal tone | robbery | running | searching | store | tense | thief |
The Amazing Dr. Clitterhouse (1938) | Butch runs | 0:50:46 - Butch runs to the window | anxious | criminal | dramatic | gangster | mickey-mousing | robbery | running | searching | sequence | store | tense | thief |
The Amazing Dr. Clitterhouse (1938) | Butch runs back | 0:50:52 - Butch runs back from the window | anxious | chromatic scale | criminal | dramatic | gangster | mickey-mousing | robbery | running | searching | store | tense | thief |
The Amazing Dr. Clitterhouse (1938) | The Amazing Doctor (Brass) + The Motor | 0:51:00 - Dr. Clitterhouse in the safe | anxious | chromatic parallelism | chromatic scale | combination of themes | criminal | dramatic | gangster | knocking | motor | ostinato | panicking | robbery | store | tense | thief |
The Amazing Dr. Clitterhouse (1938) | Lighting the Torch + The Motor | 0:51:05 - Butch prepares the torch | anxious | chromatic scale | combination of themes | criminal | dramatic | fire | flame | gangster | hero | lighting | ostinato | preparing | rescuing | robbery | sequence | store | tense | thief | torch | working |
The Amazing Dr. Clitterhouse (1938) | The Torch (Burning) | 0:51:12 - Butch opens safe with welder's torch | anxious | burning | chromatic parallelism | criminal | dramatic | fire | flame | gangster | half-diminished 7th chord | hero | rescuing | robbery | sparks | store | tense | thief | torch |
The Amazing Dr. Clitterhouse (1938) | The Torch | 0:51:17 - Torch breaks through the safe door | anxious | burning | criminal | cutting | dramatic | fire | flame | gangster | hero | pc set | rescuing | robbery | sparks | store | tense | thief | torch |
The Amazing Dr. Clitterhouse (1938) | The Torch (Off) + The Motor | 0:52:24 - Butch finishes opening safe | anxious | burning | combination of themes | criminal | cutting | dissonant bass | dramatic | fire | flame | gangster | hero | motor | ostinato | pc set | rescuing | robbery | sparks | store | tense | thief | torch | turning off |
The Amazing Dr. Clitterhouse (1938) | The Motor (Rescue) | 0:52:29 - Dr. Clitterhouse escapes from safe | anxious | chromatic parallelism | chromatic scale | criminal | dramatic | escaping | gangster | hero | motor | ostinato | rescuing | robbery | store | tense | thief |
The Amazing Dr. Clitterhouse (1938) | I Wanna Go Back to Bali | 0:53:48 - Gangsters meet in an apartment | advance plot | conversing | criminal | dance music | doctor | gangster | hero | leading man | lying | playful | radio | room | thief |
| Arsenic and Old Lace (1944) | Jonathan 2 | 0:40:30 - Jonathan enters the house | arriving | chromatic scale | chromatic wedge | close-up | criminal | dark | dissonant bass | establish character | leading man | observing | ominous | pc set | room | walking | zoom in |
Arsenic and Old Lace (1944) | Scar | 0:40:54 - The scar on Jonathan's face | close-up | criminal | dark | establish character | horn flare | leading man | observing | ominous | pc set | polychord | room | scar |
Arsenic and Old Lace (1944) | Home Sweet Home (Ominous) | 0:41:03 - Jonathan looks around the house | added-note chord | augmented triad | brother | conversing | crazy person | criminal | dark | dissonant bass | distortion | doctor | establish character | familiar tune | leading man | observing | ominous | room |
Arsenic and Old Lace (1944) | Scar (Misterioso) | 0:41:31 - They see the food | brother | conversing | crazy person | criminal | doctor | establish character | leading man | mysterious | observing | pc set | polychord | room |
Arsenic and Old Lace (1944) | Home Sweet Home (Expressivo) + Scar | 0:41:42 - Abby talks to Jonathan | altered dominant | augmented triad | aunt | brother | combination of themes | conversing | convincing | crazy person | criminal | distortion | doctor | establish character | expressive | familiar tune | leading lady | leading man | murderer | mysterious | ominous | room |
Arsenic and Old Lace (1944) | Underscoring (Tense) | 0:42:08 - Jonathan talks to the aunts | aunt | brother | conversing | crazy person | criminal | doctor | establish character | leading lady | leading man | murderer | mysterious | parallelism | room | tense | underscoring |
Arsenic and Old Lace (1944) | Scar (Face) | 0:42:29 - Jonathan talks about his scar | augmented triad | aunt | brother | chromatic parallelism | conversing | crazy person | criminal | doctor | establish character | fragmentation | leading lady | leading man | murderer | mysterious | pc set | polychord | room | scar | tense |
Arsenic and Old Lace (1944) | Mysterioso Pizzicato | 0:42:41 - Martha talks about scary movies | aunt | brother | conversing | crazy person | criminal | dissonant bass | doctor | establish character | familiar tune | leading lady | leading man | murderer | mysterious | room | scar | silent film music |
Arsenic and Old Lace (1944) | Underscoring (Tense) | 0:42:56 - Jonathan glares at Dr. Einstein | aunt | brother | conversing | crazy person | criminal | diminished 7th chord | doctor | establish character | leading lady | leading man | murderer | oscillation | room | scar | tense |
Arsenic and Old Lace (1944) | Jonathan 2 | 0:43:08 - Jonathan talks about the operation | aunt | brother | chromatic scale | chromatic wedge | crazy person | criminal | dark | dissonant bass | doctor | establish character | grabbing | leading lady | leading man | murderer | ominous | pc set | room | struggling | threatening |
Arsenic and Old Lace (1944) | Scar | 0:43:20 - Dr. Einstein talks to the aunts | aunt | brother | conversing | crazy person | criminal | dark | doctor | establish character | leading lady | leading man | murderer | ominous | pc set | polychord | room |
Arsenic and Old Lace (1944) | Home Sweet Home (Ominous) | 0:43:28 - Dr. Einstein talks to the aunts | added-note chord | altered dominant | aunt | brother | conversing | crazy person | criminal | distortion | doctor | establish character | familiar tune | leading lady | leading man | murderer | room | split-fifth chord | tense |
Arsenic and Old Lace (1944) | Home Sweet Home (Tranquillo) | 0:43:40 - Jonathan sits down | augmented triad | aunt | brother | calm | chromatic parallelism | conversing | crazy person | criminal | direct modulation | distortion | doctor | establish character | familiar tune | leading lady | leading man | murderer | pedal tone | room |
Arsenic and Old Lace (1944) | The Aunts (Frightened) | 0:44:00 - The aunts go into the kitchen | augmentation | aunt | brother | conversing | crazy person | criminal | doctor | establish character | fear | foreign key modulation | fragmentation | leading lady | leading man | murderer | mysterious | Neapolitan | ominous | parallel 63s | pedal tone | room | walking | watching |
Arsenic and Old Lace (1944) | The Aunts (Frightened) | 0:45:22 - The aunts peek through the kitchen window | aunt | brother | conversing | crazy person | criminal | doctor | establish character | face | fear | leading lady | leading man | murderer | mysterious | Neapolitan | ominous | parallel 63s | pedal tone | room | snooping | watching |
Arsenic and Old Lace (1944) | Scar | 0:45:29 - Dr. Einstein describes how he will fix Jonathan's face | aunt | brother | conversing | crazy person | criminal | dark | doctor | establish character | face | leading lady | leading man | murderer | ominous | pc set | planning | polychord | room | wipe |
Arsenic and Old Lace (1944) | Jonathan 2 | 0:49:12 - Jonathan threatens the aunts | advance plot | aunt | brother | chromatic scale | chromatic wedge | crazy person | criminal | dark | dissonant bass | doctor | fear | leading lady | leading man | murderer | ominous | pc set | room | threatening |
Arsenic and Old Lace (1944) | Scar | 0:49:36 - Dr. Einstein calls to Jonathan | advance plot | aunt | brother | crazy person | criminal | dark | doctor | fear | leading lady | leading man | murderer | ominous | pc set | polychord | room | threatening |
Arsenic and Old Lace (1944) | Underscoring (Tense) | 0:49:45 - Jonathan follows Dr. Einstein | advance plot | altered dominant | brother | conversing | crazy person | criminal | digging | dissonant bass | doctor | familiar tune | leading man | march | murderer | on-screen music | patriotic tune | pc set | plotting | room | source and scoring overlap | tense | tone cluster | whistling |
Arsenic and Old Lace (1944) | When Johnny Comes Marching Home | 0:49:45 - Dr. Einstein spies on Teddy | advance plot | brother | crazy person | criminal | dark | digging | doctor | familiar tune | leading man | march | murderer | on-screen music | patriotic tune | room | source and scoring overlap | tense | whistling |
Arsenic and Old Lace (1944) | Scar (Dark) | 0:50:14 - Jonathan and Dr. Einstein watch Teddy dig | advance plot | brother | conversing | crazy person | criminal | dark | digging | dissonant bass | doctor | familiar tune | leading man | march | murderer | on-screen music | patriotic tune | room | source and scoring overlap | watching | whistling |
Arsenic and Old Lace (1944) | The Aunts (Frightened) | 0:50:20 - Jonathan and Dr. Einstein talk | advance plot | brother | crazy person | criminal | digging | doctor | familiar tune | leading man | march | murderer | Neapolitan | on-screen music | parallel 63s | patriotic tune | pedal tone | plotting | room | source and scoring overlap | tense | whistling |
| The Big Sleep (1946) | Underscoring (Mysterious) | 0:48:15 - Marlowe talks to Joe Brody | blackmailer | chromatic parallelism | conversing | criminal | gun | investigation scene | leading man | mysterious | private eye | room | suspect | underscoring |
The Big Sleep (1946) | Marlowe (Augmented) | 0:48:55 - Joe pulls a gun on Marlowe | altered dominant | augmentation | blackmailer | conversing | criminal | gun | investigation scene | leading man | mysterious | private eye | room | suspect |
The Big Sleep (1946) | Underscoring (Tense) | 0:51:31 - Joe reacts to the doorbell ringing | blackmailer | chromatic parallelism | conflict | conversing | criminal | doorbell | gun | leading lady | leading man | mysterious | pc set | private eye | room | suspect | tense | tone cluster | underscoring | whole-tone chord |
The Big Sleep (1946) | Sternwood (Threatening) | 0:51:52 - Carmen enters holding a gun on Brody | blackmailer | blue note | conflict | criminal | dark | dissonant bass | femme fatale | gun | leading lady | leading man | private eye | room | sinister | stinger | suspect | threatening | whole-tone chord |
The Big Sleep (1946) | Underscoring (Dramatic) | 0:52:02 - Marlowe pushes Agnes | blackmailer | chromatic parallelism | chromatic scale | conflict | criminal | diminished 7th chord | dramatic | falling | femme fatale | gun | leading lady | leading man | private eye | room | suspect | tense | tripping | underscoring |
The Big Sleep (1946) | Carmen (Misterioso) | 0:52:18 - Joe gives the picture to Marlowe | blackmail | blackmailer | conflict | conversing | criminal | evidence | femme fatale | half-diminished 7th chord | leading lady | leading man | mysterious | private eye | room | suspect | whole-tone chord |
The Big Sleep (1946) | Carmen (Violent) | 0:52:58 - Vivian and Carmen leave | blackmailer | conflict | criminal | dissonant bass | femme fatale | leading lady | leading man | leaving | mysterious | private eye | room | suspect | whole-tone | whole-tone chord |
The Big Sleep (1946) | Slapping | 0:53:02 - Carmen slaps Joe with her purse | blackmailer | conflict | criminal | dissonant bass | femme fatale | leading lady | leading man | mickey-mousing | private eye | room | slamming | slapping | suspect | tense | violence | whole-tone chord |
The Big Sleep (1946) | Wotta Life | 1:08:09 - Marlowe talks to Mars | 12-bar blues | advance plot | club | criminal | investigating | leading man | private eye | source music | suspect | upbeat |
The Big Sleep (1946) | Liza (All the Clouds'll Roll Away) | 1:12:27 - Marlowe leaves the gambling joint | AABA structure | conflict | criminal | investigating | leading lady | leading man | love interest | private eye | source music | street | upbeat |
The Big Sleep (1946) | Underscoring (Tense) | 1:35:26 - Marlowe talks to two thugs | conflict | criminal | investigating | leading man | lying | murderer | pc set | private eye | shop | tense | underscoring |
The Big Sleep (1946) | Jones (Suspenseful) | 1:35:47 - Marlowe talks to two thugs | conflict | criminal | dark | diminution | investigating | leading man | lying | murderer | mysterious | parallelism | pedal tone | private eye | shop | suspenseful |
The Big Sleep (1946) | Marlowe (Ear Music) | 1:36:04 - Marlowe talks to two thugs | conflict | criminal | danger | fragmentation | investigating | leading man | lying | murderer | mysterious | private eye | shop | tense | whole-tone chord |
The Big Sleep (1946) | Marlowe (Gets Hit) | 1:36:20 - The thug punches Marlowe | chromatic scale | conflict | criminal | danger | dramatic | leading man | mickey-mousing | murderer | private eye | punching | shop | whole-tone chord |
The Big Sleep (1946) | Underscoring (Dramatic) | 1:41:36 - Marlowe runs to his car | 9th chord | action scene | criminal | diminution | dramatic | fragmentation | leading lady | leading man | linear chromaticism | love interest | outside | private eye | running | underscoring | whole-tone chord |
The Big Sleep (1946) | Marlowe (Hiding) | 1:41:50 - Marlowe crouches behind a car | action scene | criminal | hiding | leading man | mysterious | outside | private eye |
The Big Sleep (1946) | Underscoring (Tense) | 1:41:55 - Thug looks for Marlowe | action scene | criminal | diminished 7th chord | outside | sneaking | tense | underscoring |
The Big Sleep (1946) | Running and jumping | 1:42:10 - Man runs away | action scene | chromatic scale | criminal | fear | jumping | mickey-mousing | outside | running | tense |
The Big Sleep (1946) | Marlowe (Echo) | 1:42:20 - Canino shoots at Marlowe | action scene | criminal | gun | gunshot | half-diminished 7th chord | hiding | leading man | outside | private eye | shooting | tense |
The Big Sleep (1946) | Hostage + Marlowe (Fragment) | 1:42:34 - Canino brings Vivian out as a hostage | 64 chord | action scene | criminal | hostage | leading lady | leading man | love interest | ostinato | ostinato | outside | private eye | tense | tritone oscillation | walking |
The Big Sleep (1946) | Underscoring (Dramatic) | 1:43:17 - Canino shoots | action scene | criminal | dramatic | gun | gunshot | hostage | leading lady | leading man | love interest | outside | private eye | shooting | underscoring |
The Big Sleep (1946) | Marlowe rises | 1:43:19 - Marlowe rises | action scene | criminal | dramatic | hostage | leading lady | leading man | love interest | outside | pc set | private eye | rising |
The Big Sleep (1946) | Canino's Death | 1:43:22 - Canino is shot | action scene | chromatic parallelism | criminal | death | dramatic | dying | falling | gun | gunshot | hostage | leading lady | leading man | love interest | mirroring | outside | pc set | private eye | retrograde | stumbling | tense |
The Big Sleep (1946) | Underscoring (Tense) | 1:43:35 - Marlowe gets the keys to the handcuffs | action scene | chromatic parallelism | criminal | death | escaping | gun | hostage | leading lady | leading man | love interest | outside | pc set | private eye | tense | underscoring | whole-tone | whole-tone chord |
The Big Sleep (1946) | Carmen (Drugged) | 1:48:08 - Marlowe watches men outside | climax | criminal | fear | leading lady | leading man | love interest | mysterious | ominous | planning | private eye | room | tense | waiting |
The Big Sleep (1946) | Marlowe (Misterioso) | 1:48:55 - Marlowe sneaks up behind Mars | climax | criminal | fear | hiding | leading man | mysterious | private eye | room | sneaking | tense |
The Big Sleep (1946) | Marlowe 2 | 1:49:05 - Marlowe holds a gun on Mars | climax | criminal | fear | leading man | mysterious | ominous | private eye | room | sneaking | tense |
The Big Sleep (1946) | Mars Dies | 1:51:43 - Mars falls dead to the ground | criminal | death | dying | falling | leading lady | leading man | love interest | mysterious | ominous | private eye | resolution | room | stinger | tense | underscoring |
| The Breaking Point (1950) | Carmen, Carmela | 0:11:11 - Harry talks to Duncan in a bar | AABA structure | bar | conversing | criminal | establish setting | floozy | folk music | gambling | leading lady | leading man | musician | on-screen music | performing | pleasant | sailor | serenading | singing | source music |
The Breaking Point (1950) | Eres Mujer | 0:15:56 - Harry talks to Duncan | AABA structure | advance plot | bar | calm | conversing | criminal | leading man | on-screen music | performing | sailor | source music | tango | whispering |
The Breaking Point (1950) | En Mi Canto de Amor | 0:21:43 - Harry talks to Duncan | advance plot | bar | conversing | criminal | leading man | planning | pleasant | sailor | source music |
The Breaking Point (1950) | Please Don't Talk About Me When I'm Gone | 0:39:07 - Harry arrives at a bar | AABA structure | advance plot | bar | bartender | criminal | dancing | floozy | jukebox | leading lady | leading man | on-screen music | sailor | singing | source music | upbeat |
The Breaking Point (1950) | Ask Me No Questions | 0:40:46 - Harry talks to Duncan | advance plot | arguing | bar | bartender | conversing | criminal | floozy | jukebox | leading lady | leading man | mellow | sailor | source music |
The Breaking Point (1950) | Humming | 0:54:33 - Wesley and Harry work on the boat | arriving | calm | criminal | friend | harbor | humming | leading man | on-screen music | sailor | source music | transition | walking | working |
The Breaking Point (1950) | You Missed the Boat | 1:02:56 - Duncan talks to Harry in the restaurant | advance plot | conversing | criminal | floozy | leading lady | leading man | mellow | restaurant | sailor | source music |
| City for Conquest (1940) | Mysterioso | 1:13:36 - Googi leaves | augmented triad | chromatic parallelism | criminal | gangster | leaving | locker room | manager | murder scene | mysterious | parallelism | whole-tone |
City for Conquest (1940) | Googi (The Car) | 1:13:38 - Googi in the car | car | car | conversing | criminal | diminished 7th chord | dissonant bass | driving | gangster | manager | murder scene | ominous | tense | trill |
City for Conquest (1940) | Tone Poem A (Ominous) | 1:14:02 - Googi talks with the boxing managers | 9th chord | arguing | car | car | criminal | dissonant bass | driving | fragmentation | gangster | manager | murder scene | ominous | tense |
City for Conquest (1940) | Shooting and dying | 1:14:23 - Googi shoots Dutch | car | car | criminal | dramatic | dying | gangster | gun | manager | mickey-mousing | murder | murderer | murdering | murder scene | shooting | stinger | tense |
City for Conquest (1940) | Googi (The Car) | 1:14:32 - Googi threatens Cobb | car | car | criminal | diminished 7th chord | dissonant bass | driving | gangster | manager | murder | murderer | murder scene | ominous | tense | threatening | trill |
City for Conquest (1940) | Googi (Hysterical) | 1:14:42 - Cobb pleads for mercy | augmented triad | begging | car | car | chromatic sequence | criminal | driving | equal division of octave | gangster | manager | murder | murderer | murder scene | ominous | tense |
City for Conquest (1940) | Underscoring (Tense) | 1:14:48 - Googi threatens Cobb | car | car | chromatic parallelism | chromatic scale | criminal | dissonant bass | driving | gangster | manager | murder | murderer | murder scene | ominous | tense | threatening |
City for Conquest (1940) | Slap | 1:14:53 - Googi slaps Cobb | car | car | chromatic parallelism | criminal | gangster | manager | mickey-mousing | murder | murderer | murder scene | ominous | pc set | slapping | tense |
City for Conquest (1940) | Tone Poem A (Very Rough) | 1:15:00 - The car pulls to a stop | arriving | car | criminal | dark | dock | driving | gangster | manager | murderer | murder scene | threatening | tritone | whole-tone chord |
City for Conquest (1940) | Googi (Dead Man) | 1:15:09 - They pull out the dead man | car | chromatic scale | conversing | corpse | criminal | disposing | dock | gangster | manager | murderer | murder scene | ominous | ostinato | tense | whole-tone chord | working |
City for Conquest (1940) | Gun falls | 1:15:13 - A gun falls to the ground | car | corpse | criminal | dock | dropping | gangster | gun | manager | mickey-mousing | murderer | murder scene | ominous | tense |
City for Conquest (1940) | Googi (Molto Mysterioso e Screwyoso) | 1:15:19 - Cobb sees the gun | car | chromatic parallelism | conversing | corpse | criminal | disposing | dissonant bass | dock | fragmentation | gangster | half-diminished 7th chord | manager | murderer | murder scene | ominous | ostinato | tense | tritone oscillation | working |
City for Conquest (1940) | Kicks body | 1:15:22 - Googi kicks the body into the water | chromatic scale | corpse | criminal | dock | dropping | gangster | kicking | manager | mickey-mousing | murderer | murder scene | ominous | tense |
City for Conquest (1940) | Throws gun away | 1:15:30 - Googi throws a gun in the water | criminal | dock | gangster | gun | manager | mickey-mousing | murderer | murder scene | ominous | tense | throwing |
City for Conquest (1940) | Googi dies | 1:15:34 - Googi is shot | chromatic parallelism | criminal | dock | dying | falling | gangster | gun | gunshot | half-diminished 7th chord | manager | mickey-mousing | murderer | murdering | murder scene | ominous | shooting | slumping | tense |
City for Conquest (1940) | Tone Poem A (Death) | 1:15:39 - Googi dies | criminal | diminished 7th chord | dissonant bass | dock | dying | falling | gangster | gun | gunshot | manager | murderer | murdering | murder scene | ominous | shooting | slumping | tense |
| They Made Me a Criminal (1939) | They Say | 0:13:05 - Doc and Goldie in Johnnie's car | action scene | car | car | criminal | drinking | driving | floozy | happy | murderer | radio | source music |
| Dust Be My Destiny (1939) | Patrol | 0:55:50 - Cop checks on a shop | clock | crime scene | criminal | leading man | police | shopkeeper | street | tense |
Dust Be My Destiny (1939) | Dust Be My Destiny (Sehr Ominous) | 0:56:14 - Joe walks towards the shop | 9th chord | chromatic parallelism | crime scene | criminal | leading man | mysterious | sequence | shop | shopkeeper | street | walking |
Dust Be My Destiny (1939) | Cantor | 0:56:34 - Joe talks to a Jewish shopkeeper | 9th chord | crime scene | criminal | Gypsy minor scale | Jewish | kind | leading man | shop | shopkeeper |
Dust Be My Destiny (1939) | Dust Be My Destiny (Heroic) | 0:59:42 - Joe takes pictures of the robbery | 42 chord | action scene | bank | chromatic scale | criminal | crowd | dramatic | fragmentation | gangster | leading man | photographer | retrograde | shopkeeper | street |
| Her Kind of Man (1946) | Underscoring (Dark [Waxman]) | 0:17:02 - Steve fights Felix | action scene | arguing | conversing | criminal | dark | death | dramatic | gambler | gun | gunshot | leading lady | leading man | love interest | owner | punching | room | self-defense | shooting | singer | stinger | tense | underscoring |
Her Kind of Man (1946) | Underscoring (Dark [Waxman]) | 0:18:32 - Candy enters | action scene | conversing | criminal | dark | gambler | henchman | leading man | owner | room | stinger | tense | underscoring |
Her Kind of Man (1946) | Underscoring (Tense [Waxman]) | 0:40:34 - Don punches Steve | action scene | boxing ring | criminal | fighting | gambler | henchman | leading man | punching | reporter | tense | underscoring |
Her Kind of Man (1946) | Underscoring (Dramatic [Waxman]) | 0:42:19 - Approaching headlights | action scene | criminal | dark | departing | dramatic | driving | henchman | leading man | leaving | reporter | street | stumbling | underscoring |
Her Kind of Man (1946) | Please Don't Talk About Me When I'm Gone | 0:46:03 - Steve dances with a girl | AABA structure | advance plot | club | conversing | criminal | dancing | floozy | gambler | henchman | leading man | on-screen music | source music | upbeat |
Her Kind of Man (1946) | Here Comes the Bride | 0:49:40 - Steve proposes to Georgia | classical music | criminal | familiar tune | gambler | henchman | leading lady | leading man | love interest | love scene | proposing | reporter | romantic | room | tense |
Her Kind of Man (1946) | It Had to Be You (Dramatic) | 0:51:26 - Don shoves Candy | arguing | conflict | criminal | departing | dramatic | fighting | gambler | henchman | leading man | reporter | room | underscoring |
Her Kind of Man (1946) | Love Is Sweeping the Country | 0:58:02 - The crowd applauds | advance plot | club | conversing | criminal | crowd | gambler | henchman | husband | leading lady | leading man | on-screen music | owner | performing | reporter | singer | sister | source music | upbeat | wife |
Her Kind of Man (1946) | It Had to Be You (Sneaky) | 1:05:51 - Georgia hides Candy | advance plot | criminal | familiar tune | henchman | leading lady | leading man | mysterious | popular music | reporter | room | singer | sneaking | sneaky | source to score | wife |
Her Kind of Man (1946) | It Had to Be You (Mysterious) | 1:07:50 - Don leaves | advance plot | arriving | car | car | criminal | driving | familiar tune | gambler | henchman | leading lady | leading man | murderer | mysterious | popular music | signaling | singer | street | warehouse | wife |
Her Kind of Man (1946) | It Had to Be You | 1:09:05 - Georgia approaches the warehouse | advance plot | criminal | familiar tune | gambler | henchman | leading lady | leading man | murderer | neutral | popular music | score to source | singer | warehouse | whistling | wife |
Her Kind of Man (1946) | Candy | 1:11:27 - Candy approaches the warehouse | advance plot | arriving | criminal | gambler | henchman | leading man | murderer | pc set | tense | walking | warehouse |
Her Kind of Man (1946) | It Had to Be You (Tense) | 1:11:43 - Steve talks to Candy | advance plot | conversing | criminal | familiar tune | gambler | henchman | leading man | murderer | popular music | tense | warehouse |
Her Kind of Man (1946) | It Had to Be You (Tempo di Foxtrot) | 1:11:50 - Steve talks to Candy | advance plot | common-tone diminished 7th | conversing | criminal | familiar tune | gambler | henchman | leading man | murderer | popular music | remembered source music | reminiscing | upbeat | warehouse |
Her Kind of Man (1946) | Underscoring (Tense [Steiner]) | 1:12:07 - Steve talks to Candy | advance plot | arguing | chromatic parallelism | conversing | criminal | gambler | henchman | leading man | murderer | pedal tone | slapping | tense | underscoring | warehouse |
Her Kind of Man (1946) | Underscoring (Dark [Steiner]) | 1:12:32 - Candy reacts | 9th chord | advance plot | arguing | conversing | criminal | dark | gambler | half-diminished 7th chord | henchman | leading man | murderer | ominous | ostinato | underscoring | warehouse |
Her Kind of Man (1946) | Candy (Dark) | 1:12:58 - Candy leaves | bar | calling | conversing | criminal | dark | double-cross | gambler | henchman | husband | leading man | murderer | ominous | pc set | stinger | telephone | turning point | warehouse |
Her Kind of Man (1946) | Underscoring (Dramatic [Steiner]) | 1:14:17 - Cop looks at his watch | climax | conversing | criminal | double-cross | dramatic | henchman | leading lady | leading man | parallelism | police | reporter | room | singer | stinger | telephone | tense | underscoring | watch | wife |
Her Kind of Man (1946) | Underscoring (Tense [Steiner]) | 1:15:00 - Candy in the alley | arriving | climax | criminal | double-cross | driving | gambler | henchman | hiding | husband | leading man | murderer | revenge | signaling | sneaking | street | syncopation | tense | underscoring | warehouse | widow |
Her Kind of Man (1946) | Candy (Tragic) | 1:15:28 - Candy in the shadows | chromatic scale | climax | conversing | criminal | double-cross | gambler | henchman | hiding | husband | leading man | murderer | revenge | sequence | street | tense | tragic | walking | widow |
Her Kind of Man (1946) | Underscoring (Dramatic [Steiner]) | 1:15:53 - Joe shoots at Steve | climax | criminal | double-cross | dramatic | dying | falling | gambler | gun | gunshot | henchman | husband | leading man | murder | murderer | parallelism | revenge | shooting | street | widow |
Her Kind of Man (1946) | Candy (Mr. Candy) | 1:16:09 - Candy bends over Steve's body | chromatic scale | climax | conversing | criminal | dark | double-cross | dying | gambler | heavy | henchman | leading man | murder | murderer | revenge | street |
Her Kind of Man (1946) | Speeding | 1:16:29 - Candy tries to run away | arriving | capturing | car | chromatic parallelism | chromatic scale | chromatic sequence | climax | criminal | double-cross | dramatic | gambler | henchman | leading man | murder | murderer | omnibus progression | police | reporter | revenge | running | street | tense |
Her Kind of Man (1946) | Candy (Agitato) | 1:16:53 - Don confronts Candy | agitated | arguing | climax | confronting | criminal | double-cross | gambler | henchman | leading man | murder | murderer | pc set | police | reporter | revenge | sequence | street | tense |
Her Kind of Man (1946) | It Had to Be You (Tragic) | 1:17:10 - Georgia holds Steve | 9th chord | augmented triad | climax | comforting | conversing | corpse | cradling | criminal | crying | death | dying | familiar tune | gambler | henchman | leading lady | leading man | murderer | police | popular music | reporter | singer | street | tense | tragic | wife |
Her Kind of Man (1946) | Water | 1:17:41 - Steve's corpse | 9th chord | corpse | criminal | death | flowing | gambler | henchman | leading lady | leading man | murderer | panning shot | police | reporter | resolution | singer | street | swirling | tense | tragic | voice-over | water | water effect | wife |
Her Kind of Man (1946) | It Had to Be You (The End) | 1:18:02 - The End | added-note chord | criminal | dark | death | dramatic | end title sequence | gambler | henchman | leading lady | leading man | mode mixture | murderer | police | reporter | singer | street | The End | tragic | wife |
| In This Our Life (1942) | Fast Driving + Stanley | 1:08:53 - Stanley driving | car | car | child | combination of themes | crime scene | criminal | driving | drunk | leading lady | mysterious | oscillation | street | tense | uneasy | victim | walking | whole-tone scale |
In This Our Life (1942) | Underscoring (Dramatic) | 1:09:01 - Stanley has an accident | car | child | chromatic scale | crashing | crime scene | criminal | dramatic | driving | drunk | leading lady | pc set | street | victim | whole-tone chord | whole-tone scale |
In This Our Life (1942) | Car crash | 1:09:01 - Stanley hits two pedestrians | accident | car | car crash | crashing | crime scene | criminal | dramatic | driving | drunk | dying | falling | hit and run | leading lady | mickey-mousing | street | victim | whole-tone chord | whole-tone scale |
In This Our Life (1942) | Turning around | 1:09:06 - Stanley turns around | accident | car | car crash | chromatic scale | crime scene | criminal | dramatic | drunk | glaring | hit and run | leading lady | mickey-mousing | pc set | stinger | street | turning |
In This Our Life (1942) | Fast Driving | 1:09:12 - Stanley drives away | accident | car | car | car crash | crime scene | criminal | driving | drunk | fleeing | hit and run | leading lady | mysterious | oscillation | tense | whole-tone scale |
In This Our Life (1942) | Underscoring (Tense) | 1:09:25 - Policemen approach the house | arriving | chromatic parallelism | conversing | criminal | investigation scene | leading lady | mysterious | pedal tone | police | room | tense | walking | watching |
In This Our Life (1942) | Stanley (Descending Staircase) | 1:09:49 - Policemen enter the house | arriving | conversing | criminal | investigating | investigation scene | leading lady | mysterious | pc set | police | room | sneaking | tense | walking | watching |
In This Our Life (1942) | Stanley Introduction (Extended 3) | 1:12:42 - Stanley talks with Roy | 9th chord | advance plot | conversing | criminal | leading lady | lying | room | tense |
In This Our Life (1942) | Stanley (Molto Expressivo) | 1:12:57 - Stanley talks with Roy | 13th chord | advance plot | augmented sixth chord | calm | chromatic parallelism | conversing | criminal | leading lady | lying | room |
In This Our Life (1942) | You're a Lucky Guy | 1:16:20 - Stanley dances | AABA structure | advance plot | arriving | conversing | criminal | dancing | drinking | leading lady | popular music | record player | room | source music | upbeat |
In This Our Life (1942) | Autumn Nocturne | 1:17:45 - Stanley puts on a record | AABA structure | accusing | arguing | conflict | criminal | defending | leading lady | lying | popular music | record player | room | sentimental | source music |
In This Our Life (1942) | Fast Driving (Tense) | 1:20:10 - Craig's car pulls up to the jail | arriving | car | car | conflict | conversing | criminal | lawyer | leading lady | leading man | oscillation | pc set | street | tense | underscoring | uneasy |
In This Our Life (1942) | Stanley (Slowly 2) | 1:20:46 - Men playing checkers | checkers | conflict | criminal | dark | diminished 7th chord | dissonant bass | game | lawyer | leading lady | leading man | playing | prison | prisoner | somber | suspect | victim |
In This Our Life (1942) | Underscoring (Somber) | 1:21:07 - Parry in his jail cell | 9th chord | conflict | conversing | criminal | diminished 7th chord | lawyer | leading lady | leading man | prison | prisoner | sigh gesture | somber | suspect | underscoring | victim |
In This Our Life (1942) | Minerva and Parry | 1:21:28 - Parry in his jail cell | 9th chord | 11th chord | blue note | chromatic mediant | common-tone diminished 7th | conflict | conversing | criminal | foreign key modulation | lawyer | leading lady | leading man | lying | prison | prisoner | somber | suspect | tender | testifying | victim |
In This Our Life (1942) | Minerva and Parry (Triste) | 1:22:39 - Parry talks to Stanley | 64 chord | conflict | conversing | criminal | lawyer | leading lady | leading man | lying | mode change | prison | prisoner | solemn | somber | suspect | testifying | victim |
In This Our Life (1942) | Stanley Introduction (Extended 4) | 1:23:09 - Stanley and Craig leave the jail | 9th chord | car | conflict | criminal | lawyer | leading lady | leading man | leaving | street | tense |
In This Our Life (1942) | London Bridge is Falling Down (Molto Expressivo) | 1:23:33 - Craig talks to Stanley | car | children's song | conflict | conversing | criminal | familiar tune | lawyer | leading lady | leading man | somber |
In This Our Life (1942) | London Bridge is Falling Down (Mysterious) | 1:23:45 - Craig and Stanley argue | 9th chord | car | children's song | conflict | conversing | criminal | familiar tune | lawyer | leading lady | leading man | lying | mysterious | ominous |
In This Our Life (1942) | Stanley (Agitato) | 1:25:21 - Craig talks to Stanley | agitated | climax | conversing | criminal | father | lawyer | leading lady | leading man | mother | pc set | room | suspect |
In This Our Life (1942) | Underscoring (Tense) + South American Way | 1:25:34 - Stanley reacts | accusing | climax | criminal | father | lawyer | leading lady | leading man | lying | mother | mysterious | ominous | remembered source music | remembering | room | source and scoring overlap | source music | suspect | tense | underscoring |
In This Our Life (1942) | Stanley (Valse Triste) | 1:26:23 - Stanley confesses | 9th chord | altered dominant | appoggiatura | arguing | circle of fifths | climax | confessing | confession | criminal | crying | dramatic | father | lawyer | leading lady | leading man | mother | room | suspect | whole-tone chord |
In This Our Life (1942) | Stanley B (Slowly Extended) | 1:26:39 - Stanley confesses | 9th chord | agitated | arguing | chromatic scale | chromatic sequence | climax | confessing | confession | criminal | crying | dissonant bass | father | lawyer | leading lady | leading man | lying | mother | room | suspect |
In This Our Life (1942) | Expressivo (Extended) | 1:27:04 - Lavinia rises | added-note chord | arguing | chromatic scale | climax | criminal | emotional | father | lawyer | leading lady | leading man | mother | pleading | retardation | room | suspect |
In This Our Life (1942) | Big Sweep (Subtle) | 1:27:23 - Stanley reacts | 9th chord | climax | conversing | criminal | father | lawyer | leading lady | leading man | mother | pc set | plotting | room | suspect | tense | underscoring |
In This Our Life (1942) | Stanley (Extended) | 1:27:33 - Stanley goes upstairs | 9th chord | appoggiatura | circle of fifths | climax | conversing | criminal | crying | father | lawyer | leading lady | leading man | mother | room | somber | suspect | uneasy |
In This Our Life (1942) | Love Theme (Gentle) | 1:27:58 - Roy talks to Craig | 9th chord | accusing | altered dominant | climax | conversing | criminal | crying | embracing | gentle | iii chord | lawyer | leading lady | leading man | room | sneaking | tender |
In This Our Life (1942) | Big Sweep | 1:28:57 - Stanley escapes | 11th chord | altered dominant | climax | criminal | dramatic | driving | escaping | lawyer | leading lady | leading man | pc set | room | underscoring | watching |
In This Our Life (1942) | Fast Driving | 1:29:17 - Stanley driving her car | criminal | driving | escaping | leading lady | oscillation | street | tense | transition | whole-tone scale |
In This Our Life (1942) | Stanley B (Agitato) | 1:29:27 - Stanley runs inside | agitated | butler | chromatic sequence | criminal | dissonant bass | half-diminished 7th chord | leading lady | room | running | street | transition |
In This Our Life (1942) | Stanley (Triste) | 1:29:42 - Stanley enters the house | 9th chord | agitated | appoggiatura | circle of fifths | criminal | leading lady | room | running | sigh gesture | somber | tense | transition | uncle |
In This Our Life (1942) | Anger (Agitato) | 1:31:34 - Stanley yells at her uncle | agitated | angry | arguing | conflict | criminal | distressed | leading lady | minor-major 7th chord | oscillation | room | uncle | yelling |
In This Our Life (1942) | Maestoso | 1:31:51 - Stanley runs off crying | conflict | criminal | crying | departing | dissonant bass | dramatic | leading lady | polychord | room | running | street | uncle | yelling |
In This Our Life (1942) | Stanley B (Very Agitated) | 1:32:15 - Stanley hides from the police | agitated | chromatic scale | conflict | criminal | dissonant bass | fragmentation | hiding | leading lady | mysterious | police | room | running | rushing | street |
In This Our Life (1942) | Underscoring (Dramatic) | 1:32:30 - Stanley dashes through the gate | conflict | criminal | dramatic | hiding | leading lady | police | running | rushing | street | underscoring |
In This Our Life (1942) | Police (Chase) | 1:32:36 - Stanley runs for her car | chromatic scale | conflict | criminal | dissonant bass | driving | fleeing | hiding | leading lady | ostinato | police | running | rushing | street | tense |
In This Our Life (1942) | Stanley (Chase) | 1:32:59 - The police chase after Stanley | 9th chord | acceleration | chase scene | chasing | chromatic scale | climax | criminal | desperate | dramatic | driving | fleeing | fragmentation | leading lady | police | street | tense |
In This Our Life (1942) | Stanley (Fleeing) | 1:33:12 - The police chase after Stanley | 64 chord | chase scene | chasing | chromatic mediant | climax | criminal | desperate | diminution | dramatic | driving | fleeing | leading lady | ostinato | police | sequential modulation | street | tense |
In This Our Life (1942) | Underscoring (Dramatic) | 1:33:29 - Two other policeman see Stanley | chase scene | chasing | chromatic scale | climax | criminal | dark | dramatic | driving | fleeing | half-diminished 7th chord | leading lady | pc set | police | street | tense | underscoring | watching |
In This Our Life (1942) | Stanley (Crying) | 1:33:37 - Stanley crying in her car | 9th chord | appoggiatura | chase scene | chasing | climax | criminal | crying | dark | dramatic | driving | fleeing | harmonic sequence | leading lady | police | somber | street | tense |
In This Our Life (1942) | Stanley + Stanley B (Rising Tension) | 1:33:49 - The police in hot pursuit | chase scene | chasing | chromatic scale | chromatic sequence | climax | combination of themes | criminal | desperate | dissonant bass | dramatic | driving | fleeing | half-diminished 7th chord | leading lady | police | street | tense |
In This Our Life (1942) | Stanley (Desperate) | 1:34:02 - The police in hot pursuit | 9th chord | chase scene | chasing | chromatic parallelism | climax | criminal | crying | desperate | dramatic | driving | fleeing | fragmentation | leading lady | police | street | tense |
In This Our Life (1942) | Underscoring (Dramatic) | 1:34:09 - Stanley's eyes in the rear-view mirror | 9th chord | acceleration | chase scene | chasing | climax | criminal | crying | desperate | dissonant bass | dramatic | driving | fleeing | leading lady | pc set | police | street | tense | tone cluster | underscoring |
In This Our Life (1942) | Car crash 2 | 1:34:17 - Stanley's car crashes | 9th chord | brash | car | car crash | chase scene | climax | crashing | criminal | dramatic | driving | dying | falling | fire | leading lady | mickey-mousing | police | street | tense |
In This Our Life (1942) | Stanley (Tragic) | 1:34:28 - Police run to Stanley's car | 9th chord | added-note chord | appoggiatura | brash | car | car crash | chase scene | climax | criminal | dramatic | dying | fire | half-diminished 7th chord | helping | leading lady | mournful | police | reporting | rescuing | rushing | sigh gesture | somber | street | tragic |
| Out of the Fog (1941) | Harbor Front | 0:01:11 - Goff descends a ladder | boat | criminal | establish character | fire | harbor | leading man | sneaking | tense |
Out of the Fog (1941) | Concert in the Park | 0:01:57 - Goff walks along the dock | arriving | conversing | criminal | dock | establish character | gambling | leading man | popular music | restaurant | source and scoring overlap | source music | upbeat | worker |
Out of the Fog (1941) | Russian Barcarolle (Dark) | 0:06:06 - Goff looks around the restaurant | chef | criminal | dark | establish character | leading man | restaurant | sneaking | transcribed by ear |
Out of the Fog (1941) | Stella Runs | 0:11:35 - Stella runs out of the restaurant | boyfriend | criminal | departing | dock | emotional | establish character | evaded cadence | leading lady | leading man | restaurant | running | transcribed by ear | watching |
Out of the Fog (1941) | Russian Barcarolle (Dark) | 0:19:34 - Goff walks | boat | chef | conflict | conversing | criminal | dark | dock | extortion | father | fisherman | friend | leading man | threatening | walking |
Out of the Fog (1941) | Underscoring (Dark) | 0:20:11 - Jonah reacts | arguing | boat | chef | conflict | conversing | criminal | dark | dock | extortion | father | fisherman | friend | leading man | stinger | tense | threatening | underscoring |
Out of the Fog (1941) | Russian Barcarolle (Threatening) | 0:20:40 - Goff threatens Jonah | arguing | boat | breaking | chef | conflict | conversing | criminal | dark | dock | extortion | father | fisherman | friend | leading man | tense | threatening | violence |
Out of the Fog (1941) | Russian Barcarolle (Fear) | 0:21:18 - Officer Magruder arrives | boat | chef | conflict | conversing | criminal | dock | extortion | father | fear | fisherman | friend | leading man | police | sandwich | solemn | somber |
Out of the Fog (1941) | Underscoring (Dramatic) | 0:26:42 - Goff slaps Jonah | arguing | chef | conflict | criminal | dock | dramatic | extortion | falling | father | fisherman | friend | leading man | mickey-mousing | punching | slapping | stinger | underscoring | violence |
Out of the Fog (1941) | Underscoring (Gentle) | 0:26:51 - Jonah helps Olaf | chef | conflict | conversing | criminal | dock | extortion | father | fisherman | friend | gentle | helping | leading man | mickey-mousing | reacting | solemn | tender | threatening | underscoring |
Out of the Fog (1941) | Russian Barcarolle (Dark 2) | 0:27:12 - Jonah and Olaf react | arguing | chef | conflict | conversing | criminal | dark | dock | extortion | father | fisherman | friend | gun | leading man | stinger | tense | threatening |
Out of the Fog (1941) | Animato | 0:27:43 - Goff pulls out a gun | chef | conflict | conversing | criminal | dock | extortion | father | fisherman | foreign key modulation | friend | gun | leading man | tense | threatening |
Out of the Fog (1941) | Russian Barcarolle (Distorted) | 0:28:02 - Jonah and Olaf pay Goff | chef | conflict | conversing | criminal | dark | dock | extortion | father | fisherman | friend | leading man | money | threatening |
Out of the Fog (1941) | Underscoring (Tense) | 0:28:20 - Jonah and Olaf react | chef | conflict | conversing | criminal | dock | extortion | father | fisherman | friend | leading man | tense | threatening | underscoring |
Out of the Fog (1941) | Trade Winds | 0:28:40 - Stella enters a drugstore | AABA structure | advance plot | child | conversing | criminal | leading lady | leading man | popular music | shopping | source music | store | upbeat | worker |
Out of the Fog (1941) | Comparsa Negra No.1 | 0:35:38 - People dancing in a conga line | ABAC structure | bartender | club | conversing | criminal | crowd | dancer | dance scene | dancing | eating | Latin music | leading lady | leading man | musician | on-screen music | parallel double period | playing | source music | upbeat |
Out of the Fog (1941) | No Digas | 0:37:46 - Cuban dancers and musicians | AABA structure | bartender | club | conversing | criminal | crowd | dancer | dance scene | dancing | Latin music | leading lady | leading man | musician | on-screen music | playing | source music | upbeat |
Out of the Fog (1941) | Gangster | 0:39:07 - Stella and Goff at the harbor | AABA structure | blue note | bluesy | conversing | criminal | dock | leading lady | leading man | love scene | sultry |
Out of the Fog (1941) | Russian Barcarolle (Ominous) | 0:40:09 - Stella talks to Goff | conversing | criminal | dock | leading lady | leading man | love scene | ominous |
Out of the Fog (1941) | Underscoring (Dark) | 0:40:27 - Stella reacts | criminal | dark | dock | leading lady | leading man | love scene | reacting | stinger | walking |
Out of the Fog (1941) | Gangster | 0:40:37 - Goff calls after Stella | blue note | bluesy | conversing | criminal | dock | leading lady | leading man | love scene | sultry |
Out of the Fog (1941) | Russian Barcarolle (Tense) | 0:40:54 - Goff talks to Stella | conversing | criminal | dark | dock | leading lady | leading man | love scene |
Out of the Fog (1941) | Underscoring (Dramatic) | 0:41:03 - Stella slaps Goff | criminal | dock | dramatic | leading lady | leading man | love scene | reacting | slapping | stinger | underscoring |
Out of the Fog (1941) | Gangster (Tense) | 0:41:05 - Stella kisses Goff | bluesy | criminal | dock | embracing | kissing | leading lady | leading man | love scene | tense |
Out of the Fog (1941) | Underscoring (Dramatic) | 0:45:13 - Goff enters | arriving | conflict | conversing | criminal | dock | dramatic | father | fisherman | friend | leading man | tense |
Out of the Fog (1941) | Russian Barcarolle (Solemn) | 0:45:25 - Goff asks for money | arguing | conflict | conversing | criminal | dock | extortion | father | fisherman | foreign key modulation | friend | leading man | sequence | solemn |
Out of the Fog (1941) | Underscoring (Dramatic) | 0:46:00 - Jonah calls for the cop | arguing | conflict | criminal | dock | dramatic | extortion | father | fisherman | friend | leading man | underscoring | yelling |
Out of the Fog (1941) | Russian Barcarolle (Fragmented) | 0:46:14 - Jonah calls for the cop | arguing | conflict | criminal | dock | extortion | father | fisherman | fragmentation | friend | leading man | police | tense | yelling |
Out of the Fog (1941) | Underscoring (Tense) | 0:46:34 - Jonah accuses Goff | arguing | conflict | conversing | criminal | dock | extortion | father | fisherman | friend | leading man | police | tense | underscoring |
Out of the Fog (1941) | Russian Barcarolle (Fragmented) | 0:46:50 - Olaf accuses Goff | conflict | conversing | criminal | departing | dock | extortion | father | fisherman | fragmentation | friend | leading man | police | tense |
Out of the Fog (1941) | Underscoring (Dramatic) | 0:49:39 - Goff stops Jonah | conflict | conversing | criminal | dark | dramatic | extortion | father | fisherman | leading man | mickey-mousing | panning shot | stinger | street | threatening | underscoring | violence | walking | weapon |
Out of the Fog (1941) | Beating | 0:50:17 - Goff beats Jonah | beating | conflict | criminal | dark | dissonant bass | dramatic | extortion | father | fisherman | leading man | mickey-mousing | street | violence | weapon |
Out of the Fog (1941) | Underscoring (Dramatic) | 0:50:24 - Goff shoves Jonah | conflict | criminal | dark | dramatic | extortion | father | fisherman | leading man | street | threatening | underscoring | violence |
Out of the Fog (1941) | Russian Barcarolle (Death Threat) | 0:50:48 - Goff mocks Jonah | conflict | criminal | dark | extortion | father | fisherman | leading man | mocking | street | tense | threatening | violence |
Out of the Fog (1941) | Underscoring (Dramatic) | 0:51:05 - Goff gives Jonah a gun | conflict | criminal | dramatic | extortion | father | fisherman | gun | leading man | mocking | stinger | street | threatening | underscoring | violence |
Out of the Fog (1941) | Underscoring (Dramatic) | 1:06:59 - Goff hits George | boyfriend | conflict | criminal | dock | dramatic | falling | fighting | fisherman | friend | leading man | punching | violence |
Out of the Fog (1941) | Animato (Extended) | 1:07:04 - Jonah and Olaf help George | arguing | boyfriend | conflict | criminal | dock | fisherman | friend | leading man | tense | violence |
Out of the Fog (1941) | Russian Barcarolle (Fragmented 2) | 1:07:35 - A boat in the fog | conflict | criminal | dark | fisherman | fragmentation | friend | leading man | menacing | ominous | sea | traveling |
Out of the Fog (1941) | Russian Barcarolle (Menacing) | 1:09:32 - Goffs sees Olaf holding a lead pipe | arguing | attempted murder | climax | criminal | dark | fisherman | friend | leading man | menacing | ominous | sea | stinger |
Out of the Fog (1941) | Underscoring (Dramatic) | 1:09:45 - Goff struggles with Jonah and Olaf | attempted murder | climax | criminal | dramatic | fighting | fisherman | friend | leading man | punching | sea | underscoring |
Out of the Fog (1941) | Russian Barcarolle (Drowning) | 1:09:58 - Goff drowns | attempted murder | climax | criminal | dark | death | drowning | fisherman | friend | leading man | ominous | sea |
| The Unfaithful (1947) | Unfaithful (Attack) | 0:08:40 - The man attacks Chris | advance plot | antagonist | attacking | chromatic scale | criminal | danger | fighting | house | leading lady | ostinato | pc set | sequence | shadow | sinister | victim | whole-tone |
The Unfaithful (1947) | Chris screams | 0:08:53 - Chris screams | advance plot | antagonist | criminal | danger | house | leading lady | mickey-mousing | pc set | screaming | shadow | sinister | victim |
| The Woman in White (1948) | Sneaking | 1:02:12 - Marian leaves wearing a cloak | advance plot | antagonist | conversing | cousin | criminal | eavesdropping | father | husband | leading lady | leading man | room | sneaking | somber | tense |
The Woman in White (1948) | Fosco (Misterioso Slowly) | 1:04:48 - Count Fosco leaves the room | advance plot | antagonist | conversing | cousin | criminal | eavesdropping | father | husband | leading lady | leading man | lightning | mysterious | room | sneaking | storm | tense |
The Woman in White (1948) | Pavan (Basses) | 1:05:32 - Marian gets dressed | advance plot | antagonist | cousin | criminal | dressing | leading lady | leading man | mysterious | room | shadow | somber | stinger | surprising |
The Woman in White (1948) | Fosco (Misterioso Moderato) | 1:08:24 - Fosco is startled by a noise | antagonist | butler | conflict | conversing | cousin | criminal | leading lady | leading man | mysterious | room |
The Woman in White (1948) | Fosco (Marcato) | 1:08:44 - Fosco talks to the servant | antagonist | arguing | butler | confining | conflict | conversing | cousin | criminal | dark | leading lady | leading man | mysterious | prisoner | room |
The Woman in White (1948) | Underscoring (Dramatic) | 1:09:11 - Marian is locked in | antagonist | confining | conflict | conversing | cousin | criminal | dark | dramatic | husband | leading lady | leading man | prisoner | room | underscoring |
The Woman in White (1948) | Asylum (Dark) | 1:09:26 - Fosco talks to Sir Percival | aching | antagonist | conflict | conversing | criminal | dark | headache | husband | illness | leading lady | leading man | pain | plotting | prisoner | room |
The Woman in White (1948) | Appearing | 1:10:28 - The woman in white disappears | advance plot | antagonist | criminal | doctor | hiding | husband | leading lady | leading man | magical | mysterious | room | running | superimposed shot | victim |
The Woman in White (1948) | Ann (Poco Agitato) | 1:11:46 - Laura mentions the woman in white | agitated | antagonist | conflict | conversing | criminal | doctor | headache | husband | illness | leading lady | leading man | pain | room | servant | victim |
The Woman in White (1948) | Fosco | 1:12:05 - Fosco talks to the maid | agitated | anger | antagonist | conflict | criminal | doctor | headache | husband | illness | leading lady | leading man | pain | room | searching | servant | tense | victim | walking |
The Woman in White (1948) | Fosco (Molto Agitato) | 1:12:15 - Fosco walks | agitated | anger | antagonist | conflict | criminal | dark | doctor | headache | husband | illness | leading lady | leading man | pain | room | rushing | searching | servant | tense | victim | walking |
The Woman in White (1948) | Ann (Accelerando) | 1:12:32 - Fosco looks in the closet | agitated | anger | antagonist | conflict | criminal | leading man | mysterious | room | rushing | searching | walking |
The Woman in White (1948) | Ann (Accelerando) + Fosco (Dark) | 1:12:47 - Fosco leaves | agitated | anger | antagonist | combination of themes | conflict | conversing | criminal | departing | doctor | husband | leading man | room | rushing | searching | tense | walking |
The Woman in White (1948) | Fosco (Misterioso) | 1:18:29 - The woman in white hears Sir Percival's voice | antagonist | arriving | criminal | death scene | hearing voices | husband | leading lady | madness | mysterious | room | screaming | shock | surprise | tense | victim | wife |
The Woman in White (1948) | Appearing | 1:18:48 - The woman in white clutches her heart | antagonist | criminal | death scene | dying | husband | leading lady | mickey-mousing | room | screaming | shock | surprise | tense | victim | wife |
The Woman in White (1948) | Ann (Dead) | 1:18:55 - The woman in white lies dead | antagonist | conversing | criminal | dark | death scene | dying | husband | leading lady | murderer | room | somber | victim | wife |
The Woman in White (1948) | Ann (Slowly) | 1:19:46 - The countess enters | angry | antagonist | criminal | dark | death scene | glaring | husband | leading lady | room | shaking | victim | wife |
The Woman in White (1948) | Fosco (Con Moto) | 1:23:29 - Fosco arrives in his carriage | antagonist | arriving | carriage | criminal | dark | leading man | murderer | serious | street | transition | traveling |
The Woman in White (1948) | Asylum + Ann | 1:24:50 - Close-up on Count Fosco | antagonist | asylum | combination of themes | criminal | dark | husband | hypnosis | hypnotist | hypnotizing | leading lady | leading man | lighting change | mad scene | murderer | mysterious | thematic transference | victim |
The Woman in White (1948) | Asylum + Ann + Hypnosis | 1:25:26 - Laura looks at Sir Percival | antagonist | asylum | combination of themes | criminal | dark | husband | hypnosis | hypnotist | hypnotizing | leading lady | leading man | mad scene | murderer | mysterious | victim |
The Woman in White (1948) | Pavan (Distressed) | 1:25:43 - Laura confronts Sir Percival | antagonist | arguing | asylum | criminal | dark | husband | hypnosis | hypnotist | leading lady | leading man | mad scene | murderer | victim |
The Woman in White (1948) | Asylum + Ann + Hypnosis | 1:26:10 - Count Fosco hypnotizes Laura | antagonist | asylum | combination of themes | criminal | dark | husband | hypnosis | hypnotist | hypnotizing | leading lady | leading man | mad scene | murderer | shrill | staring | victim |
The Woman in White (1948) | Ann | 1:26:55 - Laura speaks to Count Fosco | antagonist | asylum | criminal | husband | hypnosis | hypnotist | hypnotizing | leading lady | leading man | mad scene | murderer | mysterious | staring | victim |
The Woman in White (1948) | Ann (Waltz) | 1:27:14 - Laura dashes away | antagonist | asylum | conversing | criminal | husband | hypnosis | hypnotist | leading lady | leading man | leaving | mad scene | murderer | nurse | tender | victim |
The Woman in White (1948) | Ann 2 | 1:28:39 - The nurse takes Laura to her room | antagonist | asylum | criminal | husband | hypnosis | hypnotist | leading lady | leading man | leaving | mad scene | murderer | nurse | tender | victim | walking |
The Woman in White (1948) | Ann (Quasi Misterioso) | 1:29:00 - Count Fosco talks to Sir Percival | antagonist | asylum | conversing | criminal | husband | hypnotist | leading man | mad scene | murderer | ominous |
The Woman in White (1948) | Hypnosis + Fosco | 1:30:32 - Count Fosco leaves | antagonist | carriage | combination of themes | criminal | dark | husband | hypnotist | leading man | leaving | murderer | ominous | plotting | spy | spying | street | tense | transition |
The Woman in White (1948) | Pavan (Garden) | 1:31:13 - Walter talks with Marian | conversing | criminal | friend | husband | leading lady | leading man | love scene | murderer | noble | room | spy | spying |
The Woman in White (1948) | The Carman's Whistle (Accompaniment) | 1:32:33 - Walter walks | calm | comedy | criminal | leading man | sneaking | spy | spying | street | walking |
The Woman in White (1948) | The Carman's Whistle (Bassoon) | 1:32:48 - A man spies on Walter | calm | comedy | criminal | following | husband | leading man | murderer | sneaking | spy | spying | street | walking |
The Woman in White (1948) | Underscoring (Dramatic) | 1:36:15 - Laura screams when she sees Sir Percival | conflict | criminal | dramatic | hitting | husband | leading lady | leading man | murderer | patient | screaming | street | struggling | underscoring | victim | wife |
The Woman in White (1948) | Fight | 1:36:33 - Walter fights the spy | conflict | criminal | dramatic | fighting | husband | leading lady | leading man | murderer | patient | punching | spy | street | victim | wife |
The Woman in White (1948) | Fosco (Dark) | 1:36:50 - Sir Percival on the ground | conflict | criminal | dark | husband | leading lady | leading man | murderer | ominous | patient | spy | street | victim | walking | wife |
The Woman in White (1948) | Fosco (Molto Moderato) | 1:38:43 - Fosco looks at Marian | advance plot | criminal | friend | leading lady | leading man | love interest | menacing | murderer | pacing | room | somber |
The Woman in White (1948) | Underscoring (Tense) | 1:39:05 - The butler enters | advance plot | butler | conversing | criminal | friend | leading lady | leading man | love interest | murderer | room | tense | underscoring |
The Woman in White (1948) | Fosco (Molto Moderato) | 1:39:33 - Fosco talks to Marian | advance plot | conversing | criminal | friend | leading lady | leading man | love interest | menacing | murderer | room | somber |
The Woman in White (1948) | Underscoring (Tense) | 1:44:06 - The countess enters | climax | conversing | criminal | dark | friend | leading lady | leading man | love interest | murderer | necklace | ominous | room | transcribed by ear | wife |
The Woman in White (1948) | Ann (Not in Score) | 1:44:24 - Count Fosco talks to the Countess | climax | conversing | criminal | friend | leading lady | leading man | love interest | murderer | mysterious | necklace | room | transcribed by ear | wife |
The Woman in White (1948) | Fosco (Screwy) | 1:44:42 - The Countess walks across the room | climax | criminal | friend | leading lady | leading man | love interest | murderer | mysterious | necklace | room | sneaking | walking | wife |
The Woman in White (1948) | Fosco (Sneaking) | 1:44:51 - The Countess walks across the room | climax | criminal | friend | leading lady | leading man | love interest | murderer | mysterious | necklace | room | sneaking | walking | wife |
The Woman in White (1948) | Adagio | 1:45:00 - The Countess picks up a knife | climax | conversing | criminal | friend | knife | leading lady | leading man | love interest | murderer | necklace | room | somber | wife |
The Woman in White (1948) | Fosco (Soft) | 1:45:18 - The Count talks to Marian | arriving | climax | conversing | criminal | friend | leading lady | leading man | love interest | murderer | mysterious | necklace | room | wife |
The Woman in White (1948) | Stabbing | 1:45:23 - The Countess stabs Count Fosco | climax | criminal | dramatic | dropping | friend | knife | leading lady | leading man | love interest | mickey-mousing | murder | murderer | murdering | necklace | revenge | room | stabbing | violent | wife |
The Woman in White (1948) | Fosco (Dying) | 1:45:34 - The Countess picks up the necklace | arriving | climax | criminal | death | dramatic | dying | falling | friend | knife | leading lady | leading man | love interest | murder | murderer | necklace | revenge | rising | room | stinger | tense | victim | violent | wife |
The Woman in White (1948) | Ann (Quasi Misterioso) | 1:46:05 - Various close-ups | climax | criminal | death | dying | friend | knife | leading lady | leading man | love interest | murder | murderer | necklace | revenge | room | somber | victim | watching | wife |
The Woman in White (1948) | Ann (Waltz 2) | 1:46:13 - A close-up on the Countess | criminal | death | embracing | friend | leading lady | leading man | love interest | murder | murderer | necklace | reacting | resolution | revenge | room | tender | victim | waltz | wife |
| Hold ‘Em Jail (1932) | El Capitan March | 1:01:51 - Spider makes Whitey sign a confession | advance plot | comic | criminal | field | plotting | prisoner | source music | upbeat |
| Men of America (1932) | Hey! Hey! | 0:26:27 - Man turns on car radio | advance plot | car | criminal | listening | mode mixture | radio | self-borrowing | source music | upbeat |
Men of America (1932) | Symphony no. 5: IV | 0:26:35 - Car radio plays classical music | advance plot | bold | car | conversing | criminal | radio | source music | tense |
Men of America (1932) | Lace and Ruffles | 0:30:53 - The criminals have a feast | advance plot | criminal | eating | food | pleasant | source music |
| Blind Adventure (1933) | The Prisoner's Song | 0:35:12 - Holmes sings and whistles | advance plot | calm | criminal | on-screen music | rooftop | singing | source music | whistling |
Blind Adventure (1933) | The Prisoner's Song | 1:02:08 - Holmes sings to himself | calm | conclusion | criminal | on-screen music | rooftop | singing | source music |
| Star of Midnight (1935) | Swing it Sister | 0:10:50 - Clay talks with Jim | AABA structure | blackmail | blackmailing | conversing | criminal | detective | establish character | leading man | radio | room | source music | threatening | upbeat |
| Another Face (1935) | I Never Saw a Better Night | 0:39:50 - Sheila talks with her aunt | AABA structure | actress | advance plot | aunt | conversing | criminal | fiancé | gangster | maid | mellow | mother | room | source music |
Another Face (1935) | Boys Will Be Boys | 0:41:15 - The maid bakes a cake | AABA structure | actress | advance plot | aunt | conversing | criminal | diving | fiancée | gangster | maid | manager | mellow | mother | room | source music | swimming |
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