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327 results for "car" in 39 films — see also machine

FilmTheme nameInstanceTags
All This, and Heaven Too (1940)Henriette (Carriage)0:13:05 - A carriage arrives64 chord | carriage | driver | leading lady | pleasant | street | transition | traveling | upbeat

All This, and Heaven Too (1940)

Arriving0:13:14 - Henriette gets out of the carriagearriving | augmented sixth chord | carriage | driver | enharmonic modulation | foreign key modulation | gentle | leading lady | pleasant | street | transition

All This, and Heaven Too (1940)

Arriving 20:13:24 - Henriette walks to the front door9th chord | arriving | caretaker | deceptive resolution | gentle | leading lady | pleasant | secondary dominant | street | transition

All This, and Heaven Too (1940)

Ascending0:13:37 - Henriette meets the caretakeraltered dominant | caretaker | conversing | half-diminished 7th chord | leading lady | mysterious | street | transition | underscoring

All This, and Heaven Too (1940)

Pierre0:13:47 - Pierre introduces himselfadded-note chord | caretaker | conversing | deceptive resolution | introducing | leading lady | mode mixture | pedal tone | pleasant | street | tense | transition

All This, and Heaven Too (1940)

Rubato (Carriage)NIF - not in film9th chord | advance plot | carriage | child | cut from film | deceptive resolution | duchess | governess | leading lady | leaving | parallelism | passionate | street

All This, and Heaven Too (1940)

Desperation (Carriage Starts)NIF - not in filmadded-note chord | advance plot | carriage | child | cut from film | duchess | gentle | governess | leading lady | leaving | pedal tone | street

All This, and Heaven Too (1940)

Underscoring (Tense)0:30:19 - Henriette dresses Raynald9th chord | advance plot | arguing | caring | child | duke | governess | illness | leading lady | leading man | room | sequence | tense | underscoring

All This, and Heaven Too (1940)

Underscoring (Gentle)0:30:34 - Henriette puts Raynald in bedadvance plot | arguing | caring | child | chromatic sequence | duke | gentle | governess | illness | leading lady | leading man | mode mixture | room | tense | underscoring

All This, and Heaven Too (1940)

The Duke (Tranquillo)0:31:41 - The doctor treats Raynaldadvance plot | caring | child | conversing | doctor | duke | gentle | governess | illness | leading lady | leading man | room | somber

All This, and Heaven Too (1940)

Raynald0:32:53 - Henriette helps Raynaldadvance plot | caring | child | common-chord modulation | conversing | delicate | duke | gentle | governess | illness | leading lady | leading man | room | sweet

All This, and Heaven Too (1940)

Lullaby0:35:08 - Henriette sings a lullabyadvance plot | calm | caring | child | duke | gentle | governess | illness | leading lady | leading man | lullaby | room | scored source music | singing

All This, and Heaven Too (1940)

Raynald (Lullaby)0:35:24 - Henriette talks to the Dukeadvance plot | calm | caring | child | conversing | duke | gentle | governess | illness | leading lady | leading man | lullaby | mode mixture | room

All This, and Heaven Too (1940)

Lullaby0:35:39 - Henriette sings a lullabyadvance plot | calm | caring | child | duke | gentle | governess | illness | leading lady | leading man | lullaby | room | scored source music | singing

All This, and Heaven Too (1940)

Lullaby (Morendo)0:36:25 - Henriette sings a lullabyadvance plot | calm | caring | child | chromatic mediant | duke | gentle | governess | illness | leading lady | leading man | room | singing

All This, and Heaven Too (1940)

Raynald (Adagio)0:38:26 - The doctor takes Raynald's pulse9th chord | advance plot | caring | child | chromatic scale | conversing | doctor | duke | governess | governess | illness | leading lady | leading man | room | solemn

All This, and Heaven Too (1940)

Desperation (Calming)0:43:35 - Henriette closes the windowcalm | caring | child | dark | dissonant bass | duke | fragmentation | governess | hopeful | illness | illness scene | leading lady | leading man | room

All This, and Heaven Too (1940)

Raynald (Tranquillo)0:43:53 - Henriette puts Raynald in bedcalm | caring | child | duke | gentle | governess | illness | illness scene | leading lady | leading man | pedal tone | room

All This, and Heaven Too (1940)

Raynald (Carriage)0:46:53 - Horses pulling a carriage64 chord | carriage | child | chromatic mediant | common-chord modulation | conversing | countermelody | foreign key modulation | governess | horse | leading lady | mickey-mousing | mode mixture | pleasant | riding | street | traveling scene | trotting | upbeat

All This, and Heaven Too (1940)

The Duchess (Tutti)1:04:02 - A concert programballroom | bold | carriage | duchess | duke | fanfare | leading lady | leading man | montage | riding | romantic | sequential modulation

All This, and Heaven Too (1940)

Underscoring (Tense)1:20:55 - Henriette calms the children downcaretaker | child | conflict | crying | dissonant bass | governess | leading lady | pc set | room | tense

All This, and Heaven Too (1940)

The Carousel1:26:22 - A spinning carousel64 chord | amusement park | augmented sixth chord | bright | carousel | child | enharmonic modulation | foreign key modulation | fun | mode mixture | on-screen text | pedal tone | riding | spinning | transition | upbeat

All This, and Heaven Too (1940)

Spring Time1:30:22 - A carriage approaches the palace64 chord | arriving | bright | carriage | chattering | cheerful | child | duke | foreign key modulation | governess | happy | leading lady | leading man | Neapolitan | palace | pedal tone | riding | transition

All This, and Heaven Too (1940)

Raynald (Mysterioso 2)1:30:33 - The carriage arrivesarriving | bright | carriage | chattering | child | duke | governess | happy | leading lady | leading man | palace | riding | sequential modulation | transition

All This, and Heaven Too (1940)

Henriette1:45:41 - A carriage arrivesarriving | carriage | child | duke | grand | leading man | pleasant | street | transition | traveling

All This, and Heaven Too (1940)

Henriette (Dark)1:52:57 - A police wagon approachesarresting | carriage | chromatic sequence | conflict | crowd | dark | landlady | leading lady | soldier | street | suspect

All This, and Heaven Too (1940)

Henriette (Grandioso) + Desperation (Grandioso)1:53:13 - The police wagon leavesarresting | bold | carriage | conflict | conversing | crowd | crying | dark | dissonant bass | fragmentation | landlady | leading lady | ominous | soldier | street | suspect | tense | testifying

All This, and Heaven Too (1940)

Henriette (Ostinato)2:10:09 - A carriage leavescarriage | crowd | dramatic | fragmentation | leading lady | mob | ominous | ostinato | prisoner | soldier | street | suspect | tense | transition | traveling

All This, and Heaven Too (1940)

Underscoring (Tense)2:10:17 - A carriage arrives at the palace9th chord | arriving | carriage | chromatic scale | leading lady | prisoner | soldier | street | suspect | tense | transition | traveling | underscoring

All This, and Heaven Too (1940)

Crying2:12:15 - Pierre looks at Henriette64 chord | caretaker | chromatic scale | crying | detective | devastated | leading lady | looking | palace | prisoner | soldier | somber | suspect | transition

All This, and Heaven Too (1940)

Dying (Molto Expressivo)2:14:46 - The Duke talks to Pierrecaretaker | chromatic parallelism | confessing | conversing | death bed | death scene | diminished 7th chord | duke | dying | leading man | love | pedal tone | room | sigh gesture | somber

All This, and Heaven Too (1940)

Henriette (Confession of Love)2:15:34 - The Duke confesses his loveadded-note chord | caretaker | chromatic mediant | common-tone modulation | confessing | conversing | death bed | death scene | duke | dying | foreign key modulation | leading man | love | mode mixture | room | somber
The Amazing Dr. Clitterhouse (1938)Sneaking0:45:13 - Criminals steal fursascending | carrying | chromatic parallelism | crime | criminal | diminished 7th chord | dissonant bass | gangster | pedal tone | robbery | sneaking | sneaky | stairs | stealing | store | thief | walking

The Amazing Dr. Clitterhouse (1938)

Underscoring (Mysterious)0:45:26 - Criminals on the rooftop42 chord | carrying | chromatic parallelism | chromatic scale | crime | criminal | dissonant bass | gangster | half-diminished 7th chord | mysterious | robbery | rooftop | sneaking | sneaky | stairs | stealing | thief | tossing | underscoring | walking | whole-tone
Angels With Dirty Faces (1938)Car slowing down0:42:10 - Car slows downadvance plot | arriving | car | gangster | garage | lawyer | linear chromaticism | mysterious | sequence | slowing | stopping

Angels With Dirty Faces (1938)

The Cartoon1:04:49 - Jerry looks at newspaper cartoon of Rocky9th chord | advance plot | cartoon | chromatic parallelism | comical | leading man | priest | reading | room
Are These Our Children? (1931)Dreams0:00:15 - Title of the film and opening credits11th chord | AABA structure | card | cast list | conductor score | gentle | mode mixture | opening title sequence | title of film
Arsenic and Old Lace (1944)Sidewalks of New York (Misterioso)0:01:10 - New York City64 chord | added-note chord | card | city | establish place | familiar tune | mysterious | New York City | opening title sequence | tense

Arsenic and Old Lace (1944)

Sidewalks of New York (Expressivo)0:01:53 - A ship sailing under a bridge64 chord | boat | bridge | calm | card | city | establish place | familiar tune | pedal tone | sailing | transition

Arsenic and Old Lace (1944)

Sidewalks of New York (Quasi Barcarolle)0:05:13 - The Brewster home64 chord | calm | card | cemetery | chromatic mediant | common-tone diminished 7th | enharmonic modulation | establish setting | familiar tune | gravestone | ominous | stinger | street | wind | wind effect

Arsenic and Old Lace (1944)

Funeral March0:55:21 - Teddy carries the body down the stairsadvance plot | brother | carrying | chromatic scale | corpse | crazy person | darkness | diminution | dirge | familiar tune | foreign key modulation | funeral march | linear chromaticism | ominous | ostinato | room | tritone | walking
Beyond the Forest (1949)Rosa0:00:54 - Title carddark | dramatic | opening title sequence | title card

Beyond the Forest (1949)

Transition0:01:01 - Title carddark | dramatic | opening title sequence | title card

Beyond the Forest (1949)

Beyond the Forest0:01:05 - Scrolling textdark | opening title sequence | title card | turbulent

Beyond the Forest (1949)

Rosa (Meno)0:01:19 - Scrolling textdark | dramatic | opening title sequence | title card

Beyond the Forest (1949)

Rosa (Maestoso)0:01:39 - Title carddark | dramatic | opening title sequence | title card

Beyond the Forest (1949)

The Cliff1:19:13 - Rosa looks out of the car windowaction scene | car | car | cliff | contemplating | descending | driving | leading lady | leading man | murderer | tense

Beyond the Forest (1949)

Chicago (Dark)1:19:25 - Rosa sitting in a caraction scene | car | car | cliff | conversing | descending | driving | familiar tune | leading lady | leading man | murderer | ominous | popular tune

Beyond the Forest (1949)

The Cliff (Car Stops)1:19:36 - Rosa sitting in a caraction scene | car | car | cliff | conversing | descending | driving | leading lady | leading man | murderer | tense

Beyond the Forest (1949)

Hurrying (Fleeing)1:19:50 - Rosa leaps out of the caraction scene | canyon | car | cliff | fleeing | leading lady | leading man | murderer | runaway | running | rushed
The Big Sleep (1946)Underscoring (Tense)0:18:57 - Geiger enters car9th chord | antagonist | car | departing | oscillation | rain | street | tense | transition | underscoring

The Big Sleep (1946)

Marlowe (Agitato)0:19:05 - Marlowe gets in his caradded-note chord | car | following | leading man | mysterious | private eye | rain | street | tense | transition

The Big Sleep (1946)

Car0:19:13 - Car arrives at Geiger's housecar | driving | leading man | mysterious | private eye | rain | street | tense | transition

The Big Sleep (1946)

Hurrying0:19:26 - Geiger enters his houseantagonist | car | chromatic sequence | fragmentation | mysterious | parallelism | rain | street | tense | transition | walking

The Big Sleep (1946)

Marlowe (Misterioso)0:19:40 - Marlowe pulls up in his cararriving | car | half-diminished 7th chord | investigating | leading man | mysterious | private eye | rain | street | tense | transition

The Big Sleep (1946)

Marlowe 20:19:47 - Marlowe spies on the housecar | chromatic scale | investigating | investigation scene | leading man | mysterious | private eye | rain | street | tense | waiting

The Big Sleep (1946)

Marlowe (Molto Misterioso)0:20:17 - Marlowe gets out to see the second carcar | investigating | investigation scene | leading man | mysterious | pedal tone | private eye | rain | street | tense | walking

The Big Sleep (1946)

Carmen0:20:39 - Marlowe sees Carmen's name on the car registrationcar | half-diminished 7th chord | investigating | investigation scene | leading man | mysterious | name on screen | oscillation | private eye | rain | street | tense | whole-tone chord

The Big Sleep (1946)

Walking (The Car)NIF - not in filmcar | deleted scene | driving | femme fatale | foreign key modulation | leading man | parallelism | pedal tone | private eye | room | sequential modulation | tense | transition

The Big Sleep (1946)

Hurrying0:38:45 - Marlowe walks to a cabcar | car | driver | hurrying | investigation scene | leading man | mysterious | private eye | taxi | tense | walking

The Big Sleep (1946)

Marlowe (Taxi)0:39:05 - Marlowe talks to the lady cab driver9th chord | car | car | chromatic scale | driver | driving | following | investigation scene | leading man | mysterious | private eye | taxi | tense

The Big Sleep (1946)

Station Wagon0:39:16 - Marlowe follows a station wagoncar | car | driver | driving | following | investigation scene | leading man | mysterious | private eye | taxi | tense

The Big Sleep (1946)

Marlowe 2 (Waiting)0:47:11 - Marlowe waits in his car9th chord | car | driving | investigation scene | leading man | mysterious | private eye | tense | waiting

The Big Sleep (1946)

The Pursuit0:57:09 - Marlowe pursues killer in his carassassin | car | chase scene | chasing | chromatic scale | dissonant bass | driving | gun | hiding | leading man | murderer | ostinato | private eye | pursuing | street | syncopation | tense

The Big Sleep (1946)

Driving1:14:54 - Marlowe and Vivian in the caraugmented sixth chord | car | car | driving | leading lady | leading man | love interest | love scene | mickey-mousing | oscillation | ostinato | private eye | tense

The Big Sleep (1946)

Vivian1:15:22 - Marlowe and Vivian talk9th chord | 13th chord | AABA structure | added-note chord | altered dominant | car | chromatic mediant | chromatic parallelism | common-tone dominant 7th | conversing | foreign key modulation | kissing | leading lady | leading man | love | love interest | love scene | Neapolitan | private eye | romantic | suspension

The Big Sleep (1946)

Questions1:16:16 - Marlowe and Vivian argueangry | car | chromatic parallelism | chromatic scale | conversing | leading lady | leading man | love interest | love scene | private eye | tense

The Big Sleep (1946)

Sternwood (Tense)1:16:26 - Marlowe asks about Eddie Marsaccusing | car | fragmentation | half-diminished 7th chord | leading lady | leading man | love interest | love scene | private eye | tense | whole-tone chord

The Big Sleep (1946)

Underscoring (Tense)1:16:43 - Marlowe and Vivian argueaccusing | car | chromatic parallelism | half-diminished 7th chord | leading lady | leading man | love interest | love scene | pedal tone | private eye | tense | underscoring

The Big Sleep (1946)

Hurrying (Car)1:33:13 - Marlowe drives in a caradded-note chord | car | driving | hurried | leading man | parallelism | private eye | sequential modulation | street | tense | traveling scene

The Big Sleep (1946)

Underscoring (Tense)1:33:20 - Marlowe backs the car upcar | driving | leading man | private eye | street | tense | traveling scene | underscoring

The Big Sleep (1946)

Hurrying (Car)1:33:25 - Marlowe continues drivingadded-note chord | car | driving | fragmentation | hurried | leading man | parallelism | picardy third | private eye | sequential modulation | street | tense | traveling scene

The Big Sleep (1946)

Marlowe (Dramatic)1:33:37 - Marlowe looks at sign9th chord | altered dominant | car | dramatic | investigating | leading man | private eye | street | tense | traveling scene

The Big Sleep (1946)

Hurrying (Car)1:33:50 - Marlowe drives off the roadcar | chromatic scale | driving | fragmentation | hurried | leading man | private eye | sequence | street | tense | traveling scene

The Big Sleep (1946)

He skids1:33:53 - Marlowe's car skids to a stopcar | chromatic scale | leading man | mickey-mousing | private eye | skidding | street | tense | traveling scene

The Big Sleep (1946)

Driving 21:43:54 - Marlowe and Vivian drive awaycar | conversing | driving | leading lady | leading man | love interest | love scene | ostinato | pc set | private eye | sequence | tense

The Big Sleep (1946)

Driving 2 + Vivian1:44:16 - Vivian tells Marlowe she loves him9th chord | 13th chord | car | chromatic parallelism | conversing | driving | leading lady | leading man | love | love interest | love scene | ostinato | private eye | romantic | suspension | tense

The Big Sleep (1946)

Driving 21:44:32 - Vivian and Marlowe talk in the carcar | conversing | driving | leading lady | leading man | love interest | love scene | ostinato | private eye | sequence | tense

The Big Sleep (1946)

Driving 2 + Vivian1:44:44 - Vivian and Marlowe talk in the carcar | conversing | driving | leading lady | leading man | love | love interest | love scene | ostinato | private eye | romantic | tense | whole-tone chord

The Big Sleep (1946)

Driving 21:44:51 - Vivian and Marlowe talk in the carcar | conversing | driving | leading lady | leading man | love interest | love scene | ostinato | pc set | private eye | tense | whole-tone chord

The Big Sleep (1946)

Driving 2 + Carmen1:45:06 - Marlowe talks about Carmencar | conversing | driving | leading lady | leading man | love interest | love scene | ostinato | private eye | tense | whole-tone chord

The Big Sleep (1946)

Driving 2 + Vivian1:45:21 - Marlowe tells Vivian he loves her9th chord | 13th chord | arriving | car | chromatic parallelism | conversing | driving | leading lady | leading man | love | love interest | love scene | ostinato | private eye | romantic | suspension | tense
The Breaking Point (1950)The Breaking Point (Triste)1:35:50 - Harry is carried out on a stretchercarrying | child | climax | crowd | crying | deceptive resolution | doctor | harbor | leading lady | leading man | sailor | somber | watching | wife
Caged (1950)Caged (Main Title)NIF - not in filmcar | chromatic scale | cut from film | dark | dissonant bass | driving | guard | opening title sequence | oscillation | police car | prisoner | riding | sigh gesture | title of film

Caged (1950)

Police VanNIF - not in filmcar | cut from film | dark | diminished 7th chord | dissonant bass | driving | guard | opening title sequence | oscillation | point-of-view shot | police car | polychord | prisoner | riding | siren effect | tense | whole-tone chord

Caged (1950)

Caged (Van Stops)NIF - not in filmcar | chromatic parallelism | cut from film | dark | dissonant bass | driving | guard | opening title sequence | police car | prisoner | riding | tense

Caged (1950)

Prisoners get outNIF - not in filmcar | cut from film | exiting | guard | opening title sequence | pc set | police car | prisoner | quartal chord | tense | whole-tone chord

Caged (1950)

Marie (Main Title)NIF - not in filmaugmented sixth chord | car | cut from film | dark | guard | leading lady | looking | opening title sequence | police car | prisoner | tense

Caged (1950)

PrisonNIF - not in film9th chord | augmented sixth chord | conversing | cut from film | dark | exiting | guard | leading lady | opening title sequence | police car | prison | prisoner | suspension | underscoring

Caged (1950)

Caged0:00:08 - Title of filmcar | cast list | chromatic scale | dark | dissonant bass | driving | guard | opening title sequence | point-of-view shot | police car | prisoner | title of film

Caged (1950)

June (Adagio)0:39:34 - Inmates play cardscards | chromatic mediant | chromatic scale | close-up | conversing | establish character | foreign key modulation | friend | leading lady | melancholy | playing | prison | prisoner | somber | underscoring | uneasy

Caged (1950)

Swimmy (Poco Agitato)0:43:53 - Mrs. Benton on the phoneadvance plot | calling | cards | chromatic parallelism | conversing | dissonant bass | phone call | playing | prison | telephone | tense | warden

Caged (1950)

Mrs. Benton0:44:07 - Mrs. Benton on the phoneadded-note chord | advance plot | calling | cards | conversing | gentle | phone call | prison | telephone | warden
City for Conquest (1940)Sidewalks of New York (Montage)0:02:18 - A montage of New York City scenesadded-note chord | boat | bridge | car | chromatic parallelism | city | conversing | Dutch angle | establish setting | excited | fragmentation | montage | old man | panning shot | police | pump-up modulation | soliloquy | train

City for Conquest (1940)

Googi (The Car)1:13:38 - Googi in the carcar | car | conversing | criminal | diminished 7th chord | dissonant bass | driving | gangster | manager | murder scene | ominous | tense | trill

City for Conquest (1940)

Tone Poem A (Ominous)1:14:02 - Googi talks with the boxing managers9th chord | arguing | car | car | criminal | dissonant bass | driving | fragmentation | gangster | manager | murder scene | ominous | tense

City for Conquest (1940)

Shooting and dying1:14:23 - Googi shoots Dutchcar | car | criminal | dramatic | dying | gangster | gun | manager | mickey-mousing | murder | murderer | murdering | murder scene | shooting | stinger | tense

City for Conquest (1940)

Googi (The Car)1:14:32 - Googi threatens Cobbcar | car | criminal | diminished 7th chord | dissonant bass | driving | gangster | manager | murder | murderer | murder scene | ominous | tense | threatening | trill

City for Conquest (1940)

Googi (Hysterical)1:14:42 - Cobb pleads for mercyaugmented triad | begging | car | car | chromatic sequence | criminal | driving | equal division of octave | gangster | manager | murder | murderer | murder scene | ominous | tense

City for Conquest (1940)

Underscoring (Tense)1:14:48 - Googi threatens Cobbcar | car | chromatic parallelism | chromatic scale | criminal | dissonant bass | driving | gangster | manager | murder | murderer | murder scene | ominous | tense | threatening

City for Conquest (1940)

Slap1:14:53 - Googi slaps Cobbcar | car | chromatic parallelism | criminal | gangster | manager | mickey-mousing | murder | murderer | murder scene | ominous | pc set | slapping | tense

City for Conquest (1940)

Tone Poem A (Very Rough)1:15:00 - The car pulls to a stoparriving | car | criminal | dark | dock | driving | gangster | manager | murderer | murder scene | threatening | tritone | whole-tone chord

City for Conquest (1940)

Googi (Dead Man)1:15:09 - They pull out the dead mancar | chromatic scale | conversing | corpse | criminal | disposing | dock | gangster | manager | murderer | murder scene | ominous | ostinato | tense | whole-tone chord | working

City for Conquest (1940)

Gun falls1:15:13 - A gun falls to the groundcar | corpse | criminal | dock | dropping | gangster | gun | manager | mickey-mousing | murderer | murder scene | ominous | tense

City for Conquest (1940)

Googi (Molto Mysterioso e Screwyoso)1:15:19 - Cobb sees the guncar | chromatic parallelism | conversing | corpse | criminal | disposing | dissonant bass | dock | fragmentation | gangster | half-diminished 7th chord | manager | murderer | murder scene | ominous | ostinato | tense | tritone oscillation | working

City for Conquest (1940)

Tone Poem Introduction1:32:01 - Orchestra playing in a concert hall9th chord | audience | bold | Carnegie Hall | chromatic parallelism | common-tone dominant 7th | concert | concert hall | concert scene | conducting | conductor | dissonant bass | dominant 7th chord | double exposure | Dutch angle | Gershwinesque | listening | musician | on-screen music | orchestra | playing | radio | score to source | source music | watching

City for Conquest (1940)

Tone Poem A1:32:32 - Violins playing9th chord | 11th chord | 13th chord | audience | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | deceptive resolution | dramatic | Gershwinesque | leading lady | listening | musician | on-screen music | orchestra | playing | romantic | sentimental | sequence | source music | watching | zoom in

City for Conquest (1940)

Tone Poem A (Tutti)1:33:02 - Peggy watches from the audience9th chord | 11th chord | 13th chord | audience | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | deceptive resolution | dramatic | fragmentation | Gershwinesque | leading lady | listening | musician | on-screen music | orchestra | playing | point-of-view shot | romantic | source music | watching | zoom in

City for Conquest (1940)

Tone Poem Transition 11:33:15 - The conductor9th chord | added-note chord | audience | Carnegie Hall | common-tone diminished 7th | concert | concert hall | concert scene | conducting | conductor | dissonant bass | Dutch angle | excited | fragmentation | listening | musician | on-screen music | orchestra | playing | source music | watching

City for Conquest (1940)

Tone Poem B1:33:32 - The wind section plays9th chord | added-note chord | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | excited | Mixolydian mode | musician | on-screen music | orchestra | ostinato | playing | pump-up modulation | source music

City for Conquest (1940)

Tone Poem Train Whistle1:33:40 - The wind section playsadded-note chord | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | dissonant bass | excited | fragmentation | Gershwinesque | musician | on-screen music | orchestra | pc set | playing | pump-up modulation | source music

City for Conquest (1940)

Tone Poem Transition 21:33:48 - Orchestra playing9th chord | added-note chord | audience | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | dramatic | Gershwinesque | grand | listening | musician | on-screen music | orchestra | playing | source music | watching

City for Conquest (1940)

Tone Poem Introduction (Abbreviated)1:34:01 - Orchestra playing9th chord | audience | bold | Carnegie Hall | chromatic parallelism | concert | concert hall | concert scene | conducting | conductor | dissonant bass | double exposure | Dutch angle | Gershwinesque | listening | musician | on-screen music | orchestra | playing | radio | source music | watching

City for Conquest (1940)

Tone Poem A (Very Broad)1:34:24 - Peggy reacts to the music9th chord | 13th chord | audience | bold | Carnegie Hall | chromatic parallelism | chromatic scale | chromatic sequence | concert | concert hall | concert scene | conducting | conductor | deceptive resolution | dissonant bass | dramatic | Gershwinesque | leading lady | leading man | listening | musician | newspaper | newspaper stand | on-screen music | orchestra | playing | radio | romantic | source music | street | watching | zoom out

City for Conquest (1940)

Tone Poem A (Lento)1:35:02 - Orchestra playing9th chord | audience | Carnegie Hall | chromatic parallelism | chromatic sequence | concert | concert hall | concert scene | conducting | conductor | crying | leading lady | linear chromaticism | listening | musician | on-screen music | orchestra | playing | polychord | romantic | somber | source music | tender | watching

City for Conquest (1940)

Tone Poem Transition 1 (Abbreviated)1:35:34 - Harp playing in the orchestraadded-note chord | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | dramatic | Gershwinesque | musician | on-screen music | orchestra | playing | source music

City for Conquest (1940)

Tone Poem B1:35:43 - Danny listens to the radio9th chord | added-note chord | audience | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | excited | Gershwinesque | leading man | listening | Mixolydian mode | musician | newspaper | newspaper stand | on-screen music | orchestra | playing | pump-up modulation | radio | source music | street | watching

City for Conquest (1940)

Tone Poem Transition 2 (Allargando)1:35:58 - Orchestra playing in the concert hallaudience | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | direct modulation | dramatic | Gershwinesque | grand | listening | musician | on-screen music | orchestra | pedal tone | playing | source music | watching

City for Conquest (1940)

Tone Poem A (Grandioso)1:36:11 - Audience enjoying the performance9th chord | 13th chord | altered dominant | audience | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | deceptive resolution | double exposure | dramatic | Gershwinesque | leading lady | leading man | listening | musician | on-screen music | orchestra | playing | romantic | sentimental | smiling | source music | watching

City for Conquest (1940)

Tone Poem A (Tutti 2)1:36:41 - Danny's figure appears in the concert hall9th chord | 13th chord | AABA structure | added-note chord | audience | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | crying | deceptive resolution | double exposure | dramatic | Gershwinesque | leading man | listening | mode mixture | musician | on-screen music | orchestra | playing | romantic | sentimental | smiling | source music | watching | zoom out

City for Conquest (1940)

Tone Poem Introduction (Abbreviated 2)1:37:08 - The conductor leading the orchestraadded-note chord | audience | bold | Carnegie Hall | common-tone dominant 7th | concert | concert hall | concert scene | conducting | conductor | Gershwinesque | listening | musician | on-screen music | orchestra | playing | source music | watching

City for Conquest (1940)

Tone Poem A (Coda)1:37:16 - The conductor leading the orchestraadded-note chord | audience | bold | Carnegie Hall | chromatic mediant | concert | concert hall | concert scene | conducting | conductor | diminution | dramatic | Gershwinesque | listening | musician | on-screen music | orchestra | playing | source music | watching
Crime School (1938)The Patrol Wagon0:21:41 - Boys get loaded into the patrol wagon car | chromatic parallelism | cut from film | dissonant bass | pedal tone | police car | traveling

Crime School (1938)

Underscoring (Gentle)0:35:46 - Mark visits Frankie in the sick roomadvance plot | caring | conversing | dark | hospital | leading man | reformatory | teenager | tender | underscoring | warden
They Made Me a Criminal (1939)They Say0:13:05 - Doc and Goldie in Johnnie's caraction scene | car | car | criminal | drinking | driving | floozy | happy | murderer | radio | source music

They Made Me a Criminal (1939)

On the Make0:49:40 - Johnnie and Peggy drive in a carABAB structure | added-note chord | altered dominant | car | car | cheerful | conversing | driving | hero | leading lady | leading man | linear chromaticism | love scene | mode mixture | phrase extension | romantic | traveling

They Made Me a Criminal (1939)

On the Make (Extended)0:53:21 - Johnnie and Peggy drive in a carABAB structure | added-note chord | advance plot | altered dominant | car | car | cheerful | conversing | driving | hero | kissing | leading lady | leading man | linear chromaticism | mode mixture | phrase extension | romantic | traveling
Death of a Scoundrel (1956)Cab Ride0:00:11 - Cab driving through the big citycar | driving | mickey-mousing

Death of a Scoundrel (1956)

Truck0:25:25 - Attacker is hit by truckaccident | car | flashback | mickey-mousing | truck
Deep Valley (1947)Homestead (Moderato 2)0:18:58 - A truck arrivesarriving | bright | calm | car | crew | driving | leading man | lovers meet | street

Deep Valley (1947)

Homestead (Lento)1:07:51 - Ellie and Cliff play cardsadvance plot | calm | cards | conversing | father | leading lady | mother | playing | room

Deep Valley (1947)

Barry (Drunk)1:36:39 - Barry steals a cararguing | car | climax | convict | dark | fighting | fugitive | leading lady | leading man | love interest | running | rushing | street | tense | yelling

Deep Valley (1947)

Barry1:36:57 - Jeff hits Barryarguing | attacking | car | climax | convict | dark | fighting | fugitive | leading lady | leading man | love interest | punching | street | tense | yelling

Deep Valley (1947)

Barry (Running)1:37:23 - Libby chases Barryarguing | car | chasing | climax | convict | crying | dramatic | driving | fleeing | fugitive | leading lady | leading man | love interest | running | street

Deep Valley (1947)

Molto Expressivo1:37:28 - Barry pushes Libby awayarguing | car | chasing | climax | convict | crying | dramatic | driving | falling | fleeing | fugitive | leading lady | leading man | love interest | running | street

Deep Valley (1947)

Deep Valley (Climactic)1:37:35 - Libby on the groundcar | chasing | climax | convict | crying | dramatic | driving | fleeing | fugitive | leading lady | leading man | love interest | street

Deep Valley (1947)

Car Crash1:37:49 - Barry's car runs off the roadcar | climax | convict | crashing | dramatic | driving | falling | fleeing | fugitive | leading man | love interest | mickey-mousing | street | swerving

Deep Valley (1947)

Underscoring (Dramatic)1:37:57 - Jeff gets up and looks aroundcar | climax | climbing | convict | dramatic | fleeing | fugitive | leading man | love interest | mickey-mousing | police | searching | street | transcribed by ear | underscoring
Dust Be My Destiny (1939)Dust Be My Destiny (Wandering)0:37:16 - Joe and Mabel walk down the roadcar | car horn | diminished 7th chord | leading lady | leading man | montage | oscillation | runaway | street | tired | traveling scene | walking

Dust Be My Destiny (1939)

Speeding car0:51:08 - The car speeds offcar | chromatic scale | diminished 7th chord | dramatic | escape | friend | leading lady | leading man | mickey-mousing | shopkeeper | street | traveling

Dust Be My Destiny (1939)

Dust Be My Destiny (Brave)1:10:38 - Joe jumps onto the caraction scene | augmented triad | car | chromatic parallelism | dramatic | fighting | gangster | hero | leading man | newspaper editor | street | whole-tone chord

Dust Be My Destiny (1939)

Car crash1:10:55 - Gangsters crash the caraction scene | car | chromatic scale | crashing | dramatic | gangster | hero | leading man | mickey-mousing | newspaper editor | street
Each Dawn I Die (1939)Underscoring (Dramatic)0:04:55 - Frank is pushed into a carcar | chromatic scale | conflict | diminished 7th chord | dissonant bass | dramatic | fragmentation | gangster | gun | hero | kidnapping | leading man | pushing | reporter | street | underscoring | violence

Each Dawn I Die (1939)

Underscoring (Dramatic)0:05:24 - Frank is framed for drunk driving9th chord | attacking | car | conflict | diminished 7th chord | dramatic | gangster | hero | leading man | minor second | murder | pushing | reporter | setup | street | underscoring | violence

Each Dawn I Die (1939)

Car Crash0:05:40 - Two cars crashcar | car crash | chromatic scale | conflict | crashing | explosion | frantic | hero | leading man | metric dissonance | minor second | reporter | street | tone cluster

Each Dawn I Die (1939)

Confusion0:05:43 - Frank sits confused in car after crashaccusing | car | car crash | chromatic parallelism | chromatic scale | conflict | confused | crowd | dissonant bass | fire | glass | half-diminished 7th chord | hero | injury | leading man | reporter | running | street | yelling

Each Dawn I Die (1939)

Underscoring (Dramatic)0:06:06 - Crowd accuses Frank of murder9th chord | accusing | car crash | conflict | crowd | dissonant bass | dramatic | hero | injury | leading man | linear chromaticism | police | reporter | sequence | shaking | street | underscoring | yelling
The FBI Story (1959)Lucy A (Allegretto)0:23:21 - Chip and Lucy leave on their honeymooncar | flashback | honeymoon | tin can | wedding

The FBI Story (1959)

Lucy A (Rain)0:23:27 - Chip and Lucy drive through the rain on their honeymooncar | flashback | honeymoon | rain

The FBI Story (1959)

Underscoring (Comical)0:23:41 - Chip and Lucy get stuck in a mud puddlecar | flashback | mud | puddle | rain

The FBI Story (1959)

Door slam0:23:50 - Chip closes the car doorcar | comical | door | flashback | glissando

The FBI Story (1959)

The Bureau (Ascending)1:08:42 - Sam and Chip drive to find some hoodlumscar | driving | FBI | flashback

The FBI Story (1959)

Driving1:19:50 - Two cars following one another down a dusty roadcar | chasing | driving | flashback | motoric

The FBI Story (1959)

Car swerving1:19:59 - Car brakes and swervesbraking | car | chasing | flashback | mickey-mousing | swerving

The FBI Story (1959)

Symbol (Shootout)1:20:04 - Gunfight breaks out between FBI agents and mobsterscar | FBI | flashback | gangster | mobster | shootout

The FBI Story (1959)

The Bureau (Brisk)1:20:22 - Shot of a house and a carcar | FBI | flashback

The FBI Story (1959)

Symbol (Hiding)1:20:38 - The FBI arriveagent | car | FBI | flashback

The FBI Story (1959)

Speeding2:22:19 - Car chase continuescar | chasing | flashback | mickey-mousing | siren | speeding

The FBI Story (1959)

The Bureau (Following)2:22:39 - Car chase continuescar | chasing | FBI | flashback

The FBI Story (1959)

The Bureau (Flower Truck)2:23:23 - Car chase continuescar | chasing | FBI | flashback

The FBI Story (1959)

The Chase Ends2:23:43 - Cars slow down and parkcar | chasing | FBI | flashback

The FBI Story (1959)

The Marines' Hymn (Con Moto)2:28:15 - Chip's family drives around Washington DCcar | combination of themes | driving | family | memorial | soldier | Washington DC
Flamingo Road (1949)Ain't We Got Fun0:01:41 - A carnival scenecarnival | carny | establish setting | on-screen music | parallel double period | playing | source music | townsfolk | upbeat | voice-over

Flamingo Road (1949)

Vision of Salome0:02:12 - Exotic dancersannouncing | carnival | carny | dancer | dancing | establish setting | exotic | Gypsy minor scale | leading lady | mysterious | on-screen music | source music

Flamingo Road (1949)

Arabian Riff0:02:36 - Exotic dancersannouncing | carnival | carny | dancer | dancing | establish setting | exotic | leading lady | mysterious | on-screen music | source music

Flamingo Road (1949)

Vision of Salome0:03:12 - Two men arguearguing | carnival | carny | dancer | establish setting | exotic | Gypsy minor scale | leading lady | mysterious | on-screen music | source music

Flamingo Road (1949)

If I Could Be With You0:07:53 - Field hears music playingcarny | conversing | establish character | leading lady | leading man | on-screen music | parallel period | police | radio | room | sentimental | singer | singing | source music

Flamingo Road (1949)

DrivingNIF - not in filmcar | cut from film | driving | foreign key modulation | leading lady | leading man | love interest | love scene

Flamingo Road (1949)

Lute Mae (Driving)0:53:02 - Lane drives Dan to the construction site13th chord | added-note chord | arriving | car | car | comical | common-chord modulation | driving | leading lady | leading man | love interest | politician | rushed | self-borrowing | transition | traveling

Flamingo Road (1949)

Agitato (Angry)1:29:00 - Lane goes to confront Titusadvance plot | angry | car | chromatic parallelism | chromatic scale | chromatic wedge | dramatic | driving | leading lady | polychord | source and scoring overlap | tense
Hell on Frisco Bay (1955)Georgie0:36:40 - George talks to his sonadvance plot | caring | child | conductor score | embracing | father | gentle | room | tender
Her Kind of Man (1946)It Had to Be You (Transition)0:00:08 - Starring listbold | cards | dramatic | gambling | opening title sequence | poker | starring list | transcribed by ear | transition

Her Kind of Man (1946)

It Had to Be You (Main Title)0:00:16 - Main titlecards | cast list | dramatic | gambling | opening title sequence | poker | romantic | roulette | sequence | title of film

Her Kind of Man (1946)

The Escape1:03:50 - Steve tries to escapeaction scene | car | chasing | club | crowd | dramatic | driving | escaping | gambler | husband | jumping | leading man | mickey-mousing | murderer | police | running | sister | street | victim

Her Kind of Man (1946)

It Had to Be You (Mysterious)1:07:50 - Don leavesadvance plot | arriving | car | car | criminal | driving | familiar tune | gambler | henchman | leading lady | leading man | murderer | mysterious | popular music | signaling | singer | street | warehouse | wife

Her Kind of Man (1946)

Speeding1:14:21 - Policeman drivingcar | chromatic parallelism | chromatic scale | chromatic sequence | climax | dramatic | driving | hurrying | leading lady | leading man | omnibus progression | police | reporter | rushing | singer | tense | wife | yelling

Her Kind of Man (1946)

Candy (Molto Marcato)1:14:49 - Gun in a glove compartmentcar | climax | dark | double-cross | driving | gun | hurrying | husband | pc set | revenge | rushing | widow

Her Kind of Man (1946)

Speeding1:16:29 - Candy tries to run awayarriving | capturing | car | chromatic parallelism | chromatic scale | chromatic sequence | climax | criminal | double-cross | dramatic | gambler | henchman | leading man | murder | murderer | omnibus progression | police | reporter | revenge | running | street | tense
I Was a Communist for the FBI (1951)Undercover Agent (Misterioso)0:59:50 - Agent watchescar | communist | driving | escaping | leading lady | leading man | mysterious | polychord | spy | street | teacher | transition | tritone oscillation | undercover agent
Illegal (1955)Police Car0:00:54 - Police car speeds out of the station; cast listcast list | irregular meter | main title | police car | speeding

Illegal (1955)

Police Car (Allegro)0:08:21 - Vic speeds away in a police car to the hospitalpolice car | speeding

Illegal (1955)

Police Car (Chase)1:22:18 - Agents follow Vic who follows Andycar | chasing

Illegal (1955)

Police Car (Scott)1:23:11 - Agents follow Vic who follows Andycar | chasing

Illegal (1955)

Frank Garland (Dramatic)1:23:31 - Vic gets out of the car and crosses the streetcar | dramatic | underscoring

Illegal (1955)

Car spins around1:23:40 - Andy tries to hit Vic with his carcar | mickey-mousing
In This Our Life (1942)Stanley Introduction0:06:35 - A car arrives9th chord | arriving | car | chromatic scale | conversing | establish character | leading lady | leading man | love interest | stinger | tense

In This Our Life (1942)

Stanley0:06:56 - Stanley talks with Peter9th chord | appoggiatura | car | circle of fifths | conversing | establish character | leading lady | leading man | love interest | sultry

In This Our Life (1942)

Stanley B0:07:06 - Stanley talks with Petercar | chromatic scale | chromatic sequence | conversing | dissonant bass | establish character | fragmentation | leading lady | leading man | love interest | sultry

In This Our Life (1942)

Stanley0:07:23 - Stanley drives away9th chord | appoggiatura | car | circle of fifths | conversing | establish character | leading lady | leading man | love interest | sultry

In This Our Life (1942)

Here Comes the Bride (A Little Shimmer)0:31:40 - A convertible9th chord | 11th chord | 64 chord | car | courthouse | deceptive resolution | happy | leading lady | leading man | leaving | pump-up modulation | sequential modulation | street | wedding | wedding

In This Our Life (1942)

Stanley (Stringy)0:32:14 - Stanley and Peter in the car9th chord | appoggiatura | car | circle of fifths | conversing | leading lady | leading man | sultry | wedding | wedding

In This Our Life (1942)

Stanley (She Runs)0:32:24 - Stanley talks to Petercar | chromatic parallelism | chromatic sequence | conversing | diminution | leading lady | leading man | playful | sequence | wedding | wedding

In This Our Life (1942)

Stanley (Shimmery)0:32:33 - Stanley smilesadded-note chord | car | kissing | leading lady | leading man | magical | polychord | wedding | wedding

In This Our Life (1942)

Stanley Introduction (Extended)0:36:41 - Peter goes home9th chord | arriving | car | chromatic scale | leading man | love scene | room | solemn | somber | tense

In This Our Life (1942)

Driving0:38:19 - Roy and Craig in a car9th chord | calm | car | conversing | driving | leading lady | leading man | love interest | love scene | oscillation

In This Our Life (1942)

Driving + Love Theme0:39:07 - Roy and Craig in a car9th chord | altered dominant | calm | car | combination of themes | conversing | driving | iii chord | leading lady | leading man | love interest | love scene | oscillation | pedal tone | romantic | suspension

In This Our Life (1942)

Fast Driving + Stanley1:08:53 - Stanley drivingcar | car | child | combination of themes | crime scene | criminal | driving | drunk | leading lady | mysterious | oscillation | street | tense | uneasy | victim | walking | whole-tone scale

In This Our Life (1942)

Underscoring (Dramatic)1:09:01 - Stanley has an accidentcar | child | chromatic scale | crashing | crime scene | criminal | dramatic | driving | drunk | leading lady | pc set | street | victim | whole-tone chord | whole-tone scale

In This Our Life (1942)

Car crash1:09:01 - Stanley hits two pedestriansaccident | car | car crash | crashing | crime scene | criminal | dramatic | driving | drunk | dying | falling | hit and run | leading lady | mickey-mousing | street | victim | whole-tone chord | whole-tone scale

In This Our Life (1942)

Turning around1:09:06 - Stanley turns aroundaccident | car | car crash | chromatic scale | crime scene | criminal | dramatic | drunk | glaring | hit and run | leading lady | mickey-mousing | pc set | stinger | street | turning

In This Our Life (1942)

Fast Driving1:09:12 - Stanley drives awayaccident | car | car | car crash | crime scene | criminal | driving | drunk | fleeing | hit and run | leading lady | mysterious | oscillation | tense | whole-tone scale

In This Our Life (1942)

Police1:09:16 - A police car arrivesarriving | car | chromatic scale | driving | investigation scene | menacing | pedal tone | police | room | tense

In This Our Life (1942)

Fast Driving (Tense)1:20:10 - Craig's car pulls up to the jailarriving | car | car | conflict | conversing | criminal | lawyer | leading lady | leading man | oscillation | pc set | street | tense | underscoring | uneasy

In This Our Life (1942)

Stanley Introduction (Extended 4)1:23:09 - Stanley and Craig leave the jail9th chord | car | conflict | criminal | lawyer | leading lady | leading man | leaving | street | tense

In This Our Life (1942)

London Bridge is Falling Down (Molto Expressivo)1:23:33 - Craig talks to Stanleycar | children's song | conflict | conversing | criminal | familiar tune | lawyer | leading lady | leading man | somber

In This Our Life (1942)

London Bridge is Falling Down (Mysterious)1:23:45 - Craig and Stanley argue9th chord | car | children's song | conflict | conversing | criminal | familiar tune | lawyer | leading lady | leading man | lying | mysterious | ominous

In This Our Life (1942)

Car crash 21:34:17 - Stanley's car crashes9th chord | brash | car | car crash | chase scene | climax | crashing | criminal | dramatic | driving | dying | falling | fire | leading lady | mickey-mousing | police | street | tense

In This Our Life (1942)

Stanley (Tragic)1:34:28 - Police run to Stanley's car9th chord | added-note chord | appoggiatura | brash | car | car crash | chase scene | climax | criminal | dramatic | dying | fire | half-diminished 7th chord | helping | leading lady | mournful | police | reporting | rescuing | rushing | sigh gesture | somber | street | tragic
The Informer (1935)The Informer (Dublin)0:01:03 - Title card establishes the setting in Dublin, Ireland9th chord | 11th chord | establish setting | informer | marching | minor pentatonic | mysterious | nun | opening title sequence | religious symbolism | Scotch snap | searching | serious | shadow | street | title card | tritone substitution

The Informer (1935)

The Informer (Judas)0:01:29 - Title card with quote about Judasmysterious | opening title sequence | Scotch snap | serious | suspension | title card
Key Largo (1948)The Keys0:01:07 - On-screen text establishing the Florida keysbus | car | establish place | establish setting | on-screen text | peaceful | street | traveling

Key Largo (1948)

The Bus0:01:26 - The bus is pulled overagitated | bus | car | establish setting | police | street | tense | traveling

Key Largo (1948)

Bus Stops0:01:42 - The bus stopsbus | car | establish setting | police | stopping | street | tense
Lightning Strikes Twice (1951)Shelly (Traveling) + Shelly 20:10:13 - Shelly drives through desertactor | bright | car | cheerful | combination of themes | desert | double exposure | driving | leading lady | map | montage | motor effect | traveling | traveling scene | wheel | zoom in

Lightning Strikes Twice (1951)

Shelly (Traveling) + Shelly 2 (Allegretto)0:23:40 - Shelly travels to Tumblewood Ranchactor | arriving | bright | car | cheerful | combination of themes | countryside | cut from film | desert | driving | horse | leading lady | leading man | ranch | suspect | transition | traveling | walking

Lightning Strikes Twice (1951)

Father Paul (Carriage)0:35:13 - Priest riding in a carriagearriving | carriage | dog | flashback | galloping | horse | leading man | mysterious | priest | ranch | suspect | traveling | upbeat | voice-over

Lightning Strikes Twice (1951)

Menace (Molto Misterioso)0:50:38 - Liza leaves the roomactor | car | leading lady | leaving | luggage | mysterious | packing | ranch | rancher | somber | tense | transition

Lightning Strikes Twice (1951)

Shelly (Traveling) + Shelly 2 (Allegretto)0:51:09 - Shelly drives away from the Tumble Moon ranchactor | car | combination of themes | driving | leading lady | luggage | ranch | rancher | transition | traveling | upbeat

Lightning Strikes Twice (1951)

Underscoring (Dark)1:02:38 - Harvey drivesactor | arriving | car | conflict | danger | dark | driving | friend | leading lady | love interest | ranch | stopping | tense | underscoring

Lightning Strikes Twice (1951)

Shelly (Worried)1:03:05 - Harvey gets out of the caractor | arriving | car | concerned | conflict | conversing | dark | friend | leading lady | love interest | ranch | tense | worried

Lightning Strikes Twice (1951)

Slipping1:03:21 - Shelly slipsactor | car | conflict | dark | friend | leading lady | love interest | mickey-mousing | ranch | slipping | stumbling

Lightning Strikes Twice (1951)

Shelly (Molto Agitato)NIF - not in filmactor | agitated | arriving | car | cut from film | dark | driving | leading lady | ranch | tense | turning point

Lightning Strikes Twice (1951)

Menace (Expressivo)1:22:56 - Liza looks out the windowactor | arriving | car | dark | leading lady | looking | menacing | murderer | obsessive | ranch | rancher | room | turning point | watching | worrying

Lightning Strikes Twice (1951)

Menace (The Chase)1:27:42 - Liza and String drive awaybrother | car | chasing | climax | countryside | dramatic | driving | escaping | frantic | motorcycle | murderer | police | rancher | speeding | tense

Lightning Strikes Twice (1951)

Menace (The Crash)1:28:30 - Liza drives off the hillbrother | car | car crash | climax | countryside | crashing | death | dramatic | dying | murderer | police | rancher | tense
Mildred Pierce (1945)Kay and Veda (Excited)1:13:21 - Veda drives away in her new caradded-note chord | advance plot | altered dominant | car | child | deceptive resolution | driving | excited | happy | heroine | kissing | leading lady | love interest | room | running

Mildred Pierce (1945)

Mildred (Revenge)1:43:57 - Mildred drives to the beach housecar | chromatic scale | common-tone diminished 7th | dark | dissonant bass | dramatic | driving | flashback ends | gun | heroine | leading lady | pc set | street | transition
Out of the Fog (1941)Speeding Car (Arriving)1:11:50 - A speeding caraction scene | car | dramatic | driving | fisherman | friend | rushed | rushing | street | tense

Out of the Fog (1941)

Speeding Car1:12:30 - A car racing down the streetaction scene | car | double exposure | dramatic | driving | leading lady | point-of-view shot | police | rushed | rushing | street | tense

Out of the Fog (1941)

Speeding Car (Extended)1:13:32 - A car racing down the streetaction scene | car | crowd | double exposure | dramatic | driving | leading lady | minor-major 7th chord | point-of-view shot | police | questioning | reporter | rushed | rushing | street | tense
Kid Galahad (1937)The Escape0:33:23 - Nick punches man on streetadvance plot | boxer | car | hurried | hurrying | leading lady | leading man | not by Steiner | street | transcribed by ear

Kid Galahad (1937)

Heart's Affair (Yearning)0:44:11 - Ward and Nick leave the farmadvance plot | altered dominant | car | deceptive resolution | driving | farm | leading man | leaving | manager | mother | not by Steiner | parting | sentimental | sister | transcribed by ear | yearning gesture
The Unfaithful (1947)Beverly Hills (Leggiero)0:01:10 - A car pulls into the drivewayBeverly Hills | car | cheerful | establish location | panning shot | sequential modulation | street | traveling | voice-over

The Unfaithful (1947)

Chris0:07:27 - Chris drives home9th chord | calm | car | driving | leading lady | street | transition

The Unfaithful (1947)

Chris 2 (Minor)0:07:37 - Chris arrives home9th chord | antagonist | car | cheerful | dark | driving | house | leading lady | sequential modulation | suspension | transition

The Unfaithful (1947)

Unfaithful (Driving)1:10:31 - Bob rides in a carcar | driving | husband | minor-major 7th chord | ominous | street | transition | whole-tone

The Unfaithful (1947)

Unfaithful (Risoluto)1:14:27 - Bob arrives homeangry | arriving | car | driving | fragmentation | house | husband | monophonic | transition

The Unfaithful (1947)

Clocking out1:25:41 - Salesgirls with time cardsclimax | comical | mickey-mousing | montage | office | saleswoman | time card | working
We Are Not Alone (1939)Heart of Oak0:01:02 - View of London ("England, 1914")64 chord | added-note chord | bold | British | card | England | establish location | familiar tune | folk song | London | march | pedal tone | setting

We Are Not Alone (1939)

It's Easy to Be a Lady if You Try0:25:50 - Gerald and Leni ride a carouselABAC structure | advance plot | amusement park | boy | bright | carnival | carousel | child | conversing | familiar tune | father | hero | heroine | playing | source music

We Are Not Alone (1939)

Surprise Symphony (Galloping)0:32:07 - David arrives in a carriagecarriage | classical music | familiar tune | galloping | happy | Haydn | hero | horse | quotation | street | transition | traveling
White Heat (1949)Underscoring (Mysterious)0:05:27 - Gangsters listen to the radioannouncer | car | establish character | gangster | listening | mysterious | radio | street | underscoring

White Heat (1949)

Cody0:05:35 - Gangsters listen to the radioannouncer | car | conversing | establish character | gangster | radio | street | tense

White Heat (1949)

Verna (Glance)0:14:04 - Verna looks at Big Edbluesy | car | dark | female | looking | murder scene | smiling

White Heat (1949)

Speed0:16:46 - Sign for Milbanke Motelsarriving | car | dark | driving | gangster | leading man | murderer | self-borrowing | street | tense | transition

White Heat (1949)

Backing up0:17:00 - Cody backs uparriving | backing up | car | dark | driving | gangster | leading man | mickey-mousing | murderer | street | tense | transition

White Heat (1949)

Agents0:18:49 - Agent leaves a phone boothagent | car | mysterious | sneaking | street | telephone | transition | walking

White Heat (1949)

Underscoring (Tense)0:18:58 - Agents pull up in a caradvance plot | agent | arriving | car | driving | street | tense

White Heat (1949)

T-Men (Marcia)0:19:03 - Agents see the marker on the caradvance plot | agent | car | following | heroic | noble | observing | planning | street | telephone

White Heat (1949)

Agents (Planning)0:19:32 - Agents talk on the car phoneadvance plot | agent | car | conversing | dark | following | mysterious | observing | planning | street | telephone

White Heat (1949)

Ma0:19:45 - Ma walks out of the marketagent | car | chase scene | mother | observing | street | uneasy | walking

White Heat (1949)

Moll0:19:50 - Ma gets in her caragent | car | chase scene | mother | observing | street | uneasy | walking

White Heat (1949)

Pursuit0:19:58 - Agents pursue Ma in their carsagent | car | chase scene | driving | following | mother | motor effect | pursuing | street | telephone | tense | uneasy

White Heat (1949)

Getaway0:21:01 - Ma speeds awayagent | car | chase scene | driving | following | mother | pursuing | street | tense | uneasy

White Heat (1949)

Pursuit (Tense)0:21:09 - Agents pursue Maagent | car | chase scene | driving | following | mother | motor effect | pursuing | street | telephone | tense | uneasy

White Heat (1949)

Underscoring (Dramatic)0:21:34 - Ma speeds ahead in her caragent | car | chase scene | dramatic | driving | escaping | mother | pursuing | street | tense | turning | underscoring

White Heat (1949)

Ma (Dramatic)0:21:49 - Ma continues drivingagent | car | chase scene | chasing | dramatic | escaping | frantic | mother | pursuing | street

White Heat (1949)

Pursuit (Frantic)0:21:56 - Agents lose Maagent | car | chase scene | chasing | escaping | mother | pursuing | street | tense | underscoring

White Heat (1949)

Getaway (Bold)0:22:01 - Agents turn quicklyagent | car | chase scene | chasing | dramatic | escaping | harsh | pursuing | street

White Heat (1949)

Pursuit (Ominous)0:22:08 - Agents arrive at the moteladvance plot | agent | arriving | car | driving | motor effect | ominous | pursuing | street | telephone | tense

White Heat (1949)

Agents (Chase)0:22:33 - The agents notice Ma's caradvance plot | agent | car | looking | observing | panning shot | stinger | street | tense

White Heat (1949)

Pursuit0:22:38 - The agents drive awayadvance plot | agent | car | driving | motor effect | pursuing | street | tense

White Heat (1949)

Agitato (Escaping)0:23:37 - Evans struggles on the groundaction scene | agent | agitated | car | dramatic | driving | escaping | gangster | gun | gunshot | leading lady | leading man | moll | mother | murderer | shooting | street | struggling | tense | wound

White Heat (1949)

Driving (Extended)0:23:46 - The gangsters speed awayaction scene | agent | car | chasing | dark | dramatic | gangster | leading lady | leading man | menacing | moll | mother | murderer | speeding | street | wound

White Heat (1949)

Speed (Frantic)0:24:11 - The gangsters speed awaycar | chase scene | chasing | dramatic | frantic | leading lady | leading man | moll | mother | murderer | rushing | self-borrowing | speeding | street | tense

White Heat (1949)

Agents + Pursuit0:24:23 - Ernie chases the gangstersagent | car | chase scene | chasing | combination of themes | dramatic | frantic | motor effect | speeding | street | tense

White Heat (1949)

Speed (Frantic)0:24:26 - The gangsters speed awaycar | chase scene | chasing | dramatic | frantic | leading lady | leading man | moll | mother | murderer | self-borrowing | speeding | street | tense

White Heat (1949)

Agents + Pursuit0:24:37 - Ernie chases the gangstersagent | car | chase scene | chasing | combination of themes | dramatic | frantic | motor effect | speeding | street | tense

White Heat (1949)

Speed (Desperate)0:24:44 - The gangsters speed awaycar | chase scene | chasing | dramatic | frantic | leading lady | leading man | moll | mother | murderer | self-borrowing | speeding | street | tense

White Heat (1949)

Pursuit (Fleeing)0:24:50 - Ernie chases the gangstersagent | car | chase scene | chasing | dramatic | frantic | leading lady | leading man | moll | mother | motor effect | murderer | speeding | street | tense

White Heat (1949)

Agents + Pursuit (Rising)0:24:58 - Ernie chases the gangstersagent | car | chase scene | chasing | combination of themes | dramatic | frantic | leading lady | leading man | moll | mother | murderer | speeding | street | tense

White Heat (1949)

Speed (Desperate 2)0:25:03 - The gangsters speed awayagent | car | chase scene | chasing | dramatic | drive-in theater | frantic | leading lady | leading man | moll | mother | murderer | self-borrowing | speeding | tense

White Heat (1949)

Plotting (Tense)1:04:33 - Tommy brings food to Codycarrying | doctor | feeding | food | gangster | guard | leading man | murderer | mysterious | prison | prison break | prisoner | straitjacket | tense | warden

White Heat (1949)

Underscoring (Dramatic)1:07:29 - Cody commands the mencar | dramatic | escaping | gangster | guard | gun | leading man | murderer | prison | prison break | prisoner | underscoring | warden

White Heat (1949)

Danger (Tense)1:07:49 - The men get in the carcar | dramatic | escaping | fanfare | gangster | guard | gun | leading man | motor effect | murderer | prison | prison break | prisoner | underscoring | warden

White Heat (1949)

Underscoring (Tense)1:07:57 - The car drives offcar | dramatic | escaping | fanfare | gangster | guard | gun | leading man | murderer | prison | prison break | prisoner | tense | warden

White Heat (1949)

Cody (Prison Gate)1:08:17 - The prison gates opencar | dramatic | escaping | gangster | gate | guard | gun | leading man | mickey-mousing | murderer | prison | prison break | prisoner | warden

White Heat (1949)

Pursuit1:08:44 - The agents turn aroundagent | car | driving | leading man | police | prison break | rushing | street | tense | uneasy

White Heat (1949)

Pursuit (Antenna)1:37:17 - Policemen follow radio signal in their caragent | antenna | car | car | chase scene | electronic effect | pursuing | radio | radio effect | searching | speeding | street | tense

White Heat (1949)

Pursuit (Tracking)1:37:43 - Policemen pursue the truckagent | antenna | car | car | chase scene | map | police station | pursuing | radio | speeding | street | tense

White Heat (1949)

Pursuit (Not Too Heavy)1:38:17 - Agents in car talking on radioagent | antenna | car | car | chase scene | pursuing | radio | speeding | tense

White Heat (1949)

Cody 2 (Montage)1:38:26 - Tanker drives down the streetcar | car | chase scene | dark | double exposure | electronic effect | fugitive | gangster | leading man | montage | murderer | pursuing | radio effect | speeding | street | truck | undercover agent

White Heat (1949)

Agents + Pursuit (Montage)1:38:33 - Police car in pursuitagent | antenna | car | car | chase scene | combination of themes | double exposure | electronic effect | montage | mysterious | police station | pursuing | radio | radio effect | speeding | street | tense

White Heat (1949)

Cody 21:39:10 - Tanker drives down the streetcar | chase scene | dark | double exposure | driving | fugitive | gangster | leading man | montage | murderer | radio | speeding | street | truck | undercover agent

White Heat (1949)

Pursuit (Frantic)1:39:12 - Police car in pursuitagent | antenna | car | car | chase scene | double exposure | montage | police station | pursuing | radio | speeding | street | tense

White Heat (1949)

Underscoring (Dramatic)1:39:16 - Agent at the control boardagent | antenna | car | car | chase scene | double exposure | dramatic | mapping | montage | police station | pursuing | radio | speeding | street | underscoring

White Heat (1949)

Pursuit (Oscillator)1:41:16 - Transmitter on the truckagent | antenna | car | car | chase scene | electronic effect | mapping | pursuing | radio | radio effect | speeding | tense

White Heat (1949)

Agents + Pursuit1:41:42 - Agents map coordinates of the truckagent | car | car | chase scene | combination of themes | pursuing | speeding | tense

White Heat (1949)

Pursuit (Arriving)1:42:48 - Police cars rush to factoryaction scene | agent | car | factory | guard | police | pursuing | speeding | tense
The Woman in White (1948)Fosco0:04:40 - Walter hears a carriage approachingarriving | bold | carriage | conversing | establish character | fanfare | forest | leading man | tense

The Woman in White (1948)

The Carman's Whistle (Accompaniment)0:05:23 - Walter talks to a man in the carriagecarriage | conversing | establish character | forest | leading man | tense

The Woman in White (1948)

Ann (Molto Misterioso)0:05:30 - Closeup on Count Foscocarriage | conversing | establish character | forest | leading man | mysterious

The Woman in White (1948)

Underscoring (Tense)0:05:38 - Walter talks to a man in the carriagecarriage | conversing | establish character | forest | leading man | stinger | tense | underscoring

The Woman in White (1948)

Fosco0:05:43 - The carriage rolls awaycarriage | departing | establish character | fanfare | forest | leading man | tense

The Woman in White (1948)

Fosco (Ominous)0:35:03 - Fosco's carriage approachesarriving | carriage | dark | garden | leading lady | leading man | ominous | transition

The Woman in White (1948)

Pavan B0:50:44 - A carriage arrivesarriving | carriage | conversing | cousin | grand | headline | leading lady | mansion | montage | montage | newspaper | Renaissance music | servant | transition

The Woman in White (1948)

Fosco (Con Moto)1:23:29 - Fosco arrives in his carriageantagonist | arriving | carriage | criminal | dark | leading man | murderer | serious | street | transition | traveling

The Woman in White (1948)

Hypnosis + Fosco1:30:32 - Count Fosco leavesantagonist | carriage | combination of themes | criminal | dark | husband | hypnotist | leading man | leaving | murderer | ominous | plotting | spy | spying | street | tense | transition
Men of America (1932)Cimarron C0:01:08 - Smokey Joe fights the Indiansambush | common-chord modulation | cowboy | establish character | establish setting | fanfare | gun | gunshot | horse | Indian | leading man | noble | parallel double period | prairie | riding | self-borrowing | shooting | stagecoach | title card | transcribed by ear

Men of America (1932)

Cimarron B (Transition)0:02:19 - Smokey Joe fights the Indiansambush | chromatic mediant | cowboy | dramatic | establish character | establish setting | fragmentation | gun | gunshot | horse | Indian | leading man | prairie | riding | self-borrowing | shooting | stagecoach | tense | title card | transcribed by ear

Men of America (1932)

Hey! Hey!0:26:27 - Man turns on car radioadvance plot | car | criminal | listening | mode mixture | radio | self-borrowing | source music | upbeat

Men of America (1932)

Symphony no. 5: IV0:26:35 - Car radio plays classical musicadvance plot | bold | car | conversing | criminal | radio | source music | tense
Headline Shooter (1933)You Bunch of Fun (Introduction)0:00:15 - Title and starring list over camera lens montage9th chord | boat | camera lens | car | cast list | cheerful | chromatic parallelism | kaleidoscope effect | opening title sequence | plane | racing | reused recording | sequence | split screen | title of film | transcribed by ear
We're Only Human (1935)Kong 31:01:06 - Pete leavescar | chromatic parallelism | climax | conflict | departing | detective | diminished 7th chord | dramatic | hurried | leading lady | leading man | pedal tone | reporter | rushing | sequence | street | victim

We're Only Human (1935)

Game 11:01:21 - Driving in a carcar | car | chromatic sequence | climax | conflict | detective | dissonant bass | dramatic | driving | hurried | leading lady | leading man | pedal tone | reporter | rushing | victim | wipe

We're Only Human (1935)

Game 21:01:56 - Witness threatens to kill the criminalsacceleration | arguing | car | car | chromatic parallelism | climax | conflict | detective | dramatic | driving | hurried | leading lady | leading man | pedal tone | reporter | rushing | threat | threatening | victim

We're Only Human (1935)

Russian Waltz (Poco Agitato)1:02:12 - Getting out the carcar | chromatic scale | climax | conflict | dark | detective | leading lady | leading man | reporter | sneaking | tense | victim | yard

We're Only Human (1935)

Isn't This a Night For Love (The End)1:08:36 - Pete kisses Sally9th chord | altered dominant | car | detective | end title sequence | kissing | leading lady | leading man | love interest | mode mixture | reporter | resolution | romantic | The End | transcribed by ear
Another Face (1935)Success at any Price Transition0:00:58 - Times Square in New York Citycar | conversing | deceptive resolution | driving | establish setting | foreign key modulation | gangster | laughing | mysterious | street | sultry
Without Honor (1949)Dog0:01:55 - A dog runningcar | dog | driving | establish setting | leading man | light | orchard | playful | running | street

Without Honor (1949)

Tempo di Gavotte0:02:09 - A car coming to a stopcar | driving | establish setting | leading man | light | playful | stopping | street

Without Honor (1949)

Twilight (Triste)0:02:19 - Dennis exits his carcar | establish setting | house | leading man | somber | street | walking

Without Honor (1949)

Twilight (Rubato)0:39:03 - Jane stands in the roadaction scene | car | husband | leading lady | leading man | solemn | street | walking

Without Honor (1949)

Appassionato 2 (Broad)1:05:32 - Fred gets in his caranger | antagonist | brother | car | complaining | departing | dramatic | driving | husband | leading man | resolution | street | tense | yard

Without Honor (1949)

Valse Triste (Agitato)1:05:49 - Bill tries to stop Fredanger | antagonist | brother | car | chasing | complaining | departing | dramatic | driving | harsh | husband | leading man | resolution | running | street | tense | yelling
Caged (1950)Molto Expressivo (Quasi Blues)1:35:01 - Marie leaves the prisonadded-note chord | bluesy | bluesy | car | climax | ex-convict | freedom | leading lady | leaving | prison | smoking | street | warden | watching
Lightning Strikes Twice (1951)Jalopy1:28:41 - Old jalopy drives alongbystander | car | car crash | climax | comical | countryside | death | driving

Lightning Strikes Twice (1951)

Aftermath1:28:48 - Man gets out of the jalopyapproaching | brother | bystander | car | car crash | climax | countryside | death | murderer | police | rancher | solemn

Lightning Strikes Twice (1951)

Father Paul (Slow)1:29:00 - Shelly and Myra wait for the newsactor | bell effect | car crash | countryside | death | funereal | leading lady | mother | owner | police | resolution | somber | waiting

Lightning Strikes Twice (1951)

Liza (Triste)1:29:20 - Father Paul climbs upactor | arriving | car crash | climbing | countryside | death | husband | leading lady | leading man | mother | owner | police | priest | resolution | somber
Mara Maru (1952)Underwater1:17:50 - Gregory's light shines underwateraction scene | boat | captain | carrying | dark | diver | diving | diving suit | leading man | ocean | ship | suspenseful | swimming | treasure | underwater

Mara Maru (1952)

Floating1:18:01 - Gregory carries the treasure chestaction scene | boat | captain | carrying | dark | diver | diving | diving suit | leading man | ocean | ship | suspenseful | swimming | treasure | underwater

Mara Maru (1952)

Underwater (Fish)1:18:09 - Fish swimmingaction scene | boat | captain | carrying | close-up | diver | diving | diving suit | fish | leading man | mysterious | ocean | ship | swimming | treasure | underwater

Mara Maru (1952)

Gregory (Signaling)1:18:19 - Gregory signals to come upaction scene | antogonist | boat | captain | carrying | dark | diver | diving | diving suit | fanfare | leading lady | leading man | love interest | ocean | private eye | rain | ship | signaling | storm | swimming | treasure | underwater | wind | worker

Mara Maru (1952)

Cross (Religioso)1:28:41 - Manuelo sees the churchaction scene | car | church | collapsing | cross | headlights | hiding | hymn-like | passionate | religious | scrambling | shadow | street | suspect | worker

Mara Maru (1952)

Underscoring (Tense)1:29:14 - Manuelo collapsesaction scene | car | church | collapsing | cross | dark | headlights | scrambling | shadow | street | suspect | tense | underscoring | worker

Mara Maru (1952)

Benedict1:31:19 - Benedict arrives at the churchantagonist | arriving | bodyguard | car | departing | driver | leading lady | love interest | murderer | mysterious | spying | street | tense | transition | watching