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181 results for "gentle" — see also advance | blue | calm | melancholy | mellow | peaceful | sweet | tender

FilmTheme nameInstanceTags
All This, and Heaven Too (1940)Henry0:07:41 - Henriette looks at Henry Fieldestablish character | gentle | hymn-like | leading lady | minister | noble | principal | reassuring | school | teacher

All This, and Heaven Too (1940)

The Duke0:09:55 - Henriette tells the girls her storyestablish place | flashback | gentle | leading lady | light | peaceful | school | storytelling | student | teacher

All This, and Heaven Too (1940)

The Duke (Ocean Waves)0:10:10 - Ocean wavesboat | establish place | flashback | gentle | leading lady | light | peaceful | storytelling | student | teacher | traveling

All This, and Heaven Too (1940)

Henriette (Dolce)0:12:43 - Henriette talks to Henryboat | conversing | gentle | leading lady | leaving | minister | peaceful | transition

All This, and Heaven Too (1940)

Arriving0:13:14 - Henriette gets out of the carriagearriving | carriage | driver | gentle | leading lady | pleasant | street | transition

All This, and Heaven Too (1940)

Arriving 20:13:24 - Henriette walks to the front doorarriving | caretaker | gentle | leading lady | pleasant | street | transition

All This, and Heaven Too (1940)

The Duke (Maestoso)0:14:03 - Henriette enters the palacearriving | butler | calm | establish place | establish setting | gentle | leading lady | noble | palace | walking

All This, and Heaven Too (1940)

Illness0:26:16 - The Duke asks about Raynaldadvance plot | delicate | duke | gentle | governess | leading lady | leading man | room | worrying

All This, and Heaven Too (1940)

Henriette (Molto tranquillo)0:26:30 - The Duke talks to Henrietteadvance plot | conversing | delicate | duke | gentle | governess | leading lady | room | worrying

All This, and Heaven Too (1940)

Underscoring (Gentle)0:30:34 - Henriette puts Raynald in bedadvance plot | arguing | caring | child | duke | gentle | governess | illness | leading lady | leading man | room | tense | underscoring

All This, and Heaven Too (1940)

The Duke (Tranquillo)0:31:41 - The doctor treats Raynaldadvance plot | caring | child | conversing | doctor | duke | gentle | governess | illness | leading lady | leading man | room | somber

All This, and Heaven Too (1940)

The Sick Room0:32:12 - The doctor talks to the Dukeadvance plot | child | conversing | doctor | duke | gentle | governess | illness | leading lady | leading man | room

All This, and Heaven Too (1940)

Raynald0:32:53 - Henriette helps Raynaldadvance plot | caring | child | conversing | delicate | duke | gentle | governess | illness | leading lady | leading man | room | sweet

All This, and Heaven Too (1940)

Henriette (Molto Tranquillo 2)0:34:17 - Henriette comforts Raynaldadvance plot | child | comforting | conversing | dark | delicate | duke | gentle | governess | illness | leading lady | leading man | room

All This, and Heaven Too (1940)

Lullaby0:35:08 - Henriette sings a lullabyadvance plot | calm | caring | child | duke | gentle | governess | illness | leading lady | leading man | lullaby | room | scored source music | singing

All This, and Heaven Too (1940)

Raynald (Lullaby)0:35:24 - Henrietta talks to the Dukeadvance plot | calm | caring | child | conversing | duke | gentle | governess | illness | leading lady | leading man | lullaby | room

All This, and Heaven Too (1940)

Lullaby0:35:39 - Henriette sings a lullabyadvance plot | calm | caring | child | duke | gentle | governess | illness | leading lady | leading man | lullaby | room | scored source music | singing

All This, and Heaven Too (1940)

Henriette (Very Emotional)0:35:57 - The Duke thanks Henrietteadvance plot | calm | child | conversing | duke | gentle | governess | illness | leading lady | leading man | room

All This, and Heaven Too (1940)

Lullaby0:36:25 - Henriette sings a lullabyadvance plot | calm | caring | child | duke | gentle | governess | illness | leading lady | leading man | room | singing

All This, and Heaven Too (1940)

Raynald (Tranquillo)0:43:53 - Henriette puts Raynald in bedcalm | caring | child | duke | gentle | governess | illness | illness scene | leading lady | leading man | room

All This, and Heaven Too (1940)

Henriette (Very Emotional)0:49:01 - The Duke looks at Henrietteadvance plot | child | conversing | delicate | duke | gentle | governess | leading lady | leading man | looking | romance | romantic | room

All This, and Heaven Too (1940)

Henriette (Duet)1:09:26 - Isabelle talks to Henrietteadvance plot | child | comforting | crying | gentle | governess | leading lady | room | sweet

All This, and Heaven Too (1940)

Henriette (Cello Solo)1:10:09 - Henriette comforts Isabelleadvance plot | child | comforting | crying | gentle | governess | leading lady | room

All This, and Heaven Too (1940)

Henriette (Slowly)1:22:19 - The Duke bids farewell to Henriettecalm | conflict | conversing | duchess | duke | gentle | leading lady | leading man | room

All This, and Heaven Too (1940)

Underscoring (Gentle)1:25:28 - Henriette smiles at the Dukeadvance plot | child | conversing | duke | forest | gentle | governess | leading lady | leading man | tender | underscoring

All This, and Heaven Too (1940)

Henriette (All Hallows’ Eve)1:25:46 - The Duke talks with Henrietteadvance plot | conversing | duke | forest | gentle | governess | leading lady | leading man | spooky | sweet | tender

All This, and Heaven Too (1940)

Spring Time (Grazioso)1:26:48 - The Duke talks with the servantsadvance plot | arriving | conversing | duke | gentle | governess | leading lady | leading man | light | room | servant

All This, and Heaven Too (1940)

Underscoring (Gentle)1:27:58 - The Duke talks to Henriette by the fireplaceadvance plot | conversing | duke | gentle | governess | leading lady | leading man | room

All This, and Heaven Too (1940)

Heaven Theme1:28:16 - Henriette tells the Duke about herselfduke | falling in love scene | gentle | governess | leading lady | leading man | room | storytelling

All This, and Heaven Too (1940)

Henriette (Very Romantic)1:29:07 - Henriette talks with the Dukeconversing | duke | falling in love scene | gentle | governess | leading lady | leading man | romantic | room | sweet

All This, and Heaven Too (1940)

The Duchess (Tender)1:38:39 - Henriette talks with the Dukeconversing | duke | gentle | governess | leading lady | leading man | love scene | room | tender

All This, and Heaven Too (1940)

Henriette (Sehr Delicatessen)1:39:12 - Henriette talks with the Dukecalm | conversing | duke | gentle | governess | leading lady | leading man | love scene | room | sweet | tender

All This, and Heaven Too (1940)

Henriette (Romantic)1:39:53 - The Duke reads the locket inscriptionconversing | crying | crying gesture | duke | gentle | governess | leading lady | leading man | love scene | romantic | room | tender

All This, and Heaven Too (1940)

Underscoring (Gentle)1:41:02 - Henriette talks with the childrenchild | conversing | farewell scene | gentle | governess | leading lady | room | tender | underscoring

All This, and Heaven Too (1940)

Raynald1:41:25 - Henriette says goodbye to the childrenchild | conversing | crying | farewell scene | gentle | governess | leading lady | room | tender

All This, and Heaven Too (1940)

Henriette (Calm)1:46:38 - Henriette talks with the Dukecalm | child | conversing | duke | gentle | leading lady | leading man | reunion scene | room | uneasy

All This, and Heaven Too (1940)

Heaven Theme (Expressivo)2:05:06 - Henry talks to Henrietteadvance plot | calm | conversing | gentle | leading lady | minister | pleasant | prison | prisoner | suspect

All This, and Heaven Too (1940)

Dolce2:05:51 - Henriette talks to Henryadvance plot | calm | conversing | gentle | leading lady | minister | pleasant | prison | prisoner | suspect

All This, and Heaven Too (1940)

Heaven Theme (Delicato)2:06:34 - Henry talks to Henrietteadvance plot | calm | conversing | gentle | leading lady | minister | pleasant | prison | prisoner | suspect

All This, and Heaven Too (1940)

Heaven Theme (Dolce)2:06:58 - Henry talks to Henrietteadvance plot | conversing | gentle | leading lady | minister | prison | prisoner | suspect

All This, and Heaven Too (1940)

The Duke (Gravestone)2:16:48 - The Duke's gravestonedeath | gentle | gravestone | graveyard | grieving | leading lady | resolution | somber | voice-over

All This, and Heaven Too (1940)

Henriette (Dolschissimo)2:21:00 - Henriette kisses a child on the cheekchild | conversing | gentle | leading lady | leaving | minister | resolution | school | student | sweet | teacher

All This, and Heaven Too (1940)

Heaven Theme (Resolution)2:21:31 - Henriette reacts to Henrygentle | leading lady | looking | minister | resolution | school | sweet | teacher

All This, and Heaven Too (1940)

Henriette (Resolution) + Falling Snow (Resolution)2:22:03 - Henry talks to Henriettecombination of themes | conversing | gentle | leading lady | minister | promising | resolution | school | snow | teacher
Angels With Dirty Faces (1938)Jerry (Somber)1:31:04 - Rocky leaves his cell for his executionaltered dominant | climax | conversing | gangster | gentle | leading man | pc set | priest | prison | reverse picardy | stinger | tone cluster
Are These Our Children? (1931)Dreams0:00:15 - Title of the film and opening credits11th chord | AABA structure | card | cast list | conductor score | gentle | mode mixture | opening title sequence | title of film

Are These Our Children? (1931)

Dreams B0:01:33 - Two young people in lovecommon-chord modulation | common-tone diminished 7th | conductor score | conversing | establish character | gentle | leading lady | leading man | lovers | love scene | snuggling | street

Are These Our Children? (1931)

Dreams0:02:11 - Eddie and Mary talk11th chord | AABA structure | conductor score | establish character | gentle | leading lady | leading man | leaving | lovers | love scene | mode mixture | street | waiting

Are These Our Children? (1931)

Dreams (Whistling)0:03:29 - Eddie walks homecheerful | establish character | gentle | leading man | love scene | on-screen music | score to source | source and scoring overlap | street | transcribed by ear | walking | whistling
Arsenic and Old Lace (1944)The Aunts0:09:05 - Aunt Abby scurries across the roomaunt | crazy person | delicate | establish character | gentle | hurrying | leading lady | room | scurrying

Arsenic and Old Lace (1944)

Happy Land (Lento)0:09:11 - Reverend talks about the Brewster sistersaunt | brother | calm | conversing | crazy person | establish character | familiar tune | gentle | kindness | leading lady | old man | room | victim

Arsenic and Old Lace (1944)

The Aunts0:12:26 - Reverend leavesadvance plot | aunt | cheerful | conversing | crazy person | delicate | gentle | leading lady | street

Arsenic and Old Lace (1944)

Happy Land (Meno)0:12:31 - The aunts talkadvance plot | aunt | brother | conversing | crazy person | familiar tune | gentle | leading lady | mysterious | plotting | room | tender

Arsenic and Old Lace (1944)

The Aunts (Grazioso Con Moto)0:13:16 - The aunts talkadvance plot | aunt | brother | cheerful | conversing | crazy person | delicate | gentle | leading lady | plotting | room
The Big Sleep (1946)EnteringNIF - not in filmarriving | deleted scene | entering | gentle | leading man | not in score | private eye | room | transition | walking
His Greatest Gamble (1934)Morning Glory Waltz0:00:28 - Cast listcast list | gentle | mode mixture | opening title sequence | transcribed by ear | waltz

His Greatest Gamble (1934)

Morning Glory Waltz (Tender)0:02:35 - Philip in the casinocasino | child | conversing | establish character | gentle | leading man | leaving | transcribed by ear | waltz

His Greatest Gamble (1934)

Home Sweet Home0:03:14 - Philip and Alice go homechild | establish character | gentle | humming | leading man | on-screen music | room | sleeping | source music

His Greatest Gamble (1934)

Blue Ridge Moon0:53:16 - Philip talks with Aliceadvance plot | conversing | daughter | gentle | leading lady | love interest | mansion | popular music | radio | sentimental | source music | waltz

His Greatest Gamble (1934)

Morning Glory Waltz (Radio)0:57:06 - Philip talks with Alice9th chord | advance plot | conversing | daughter | fugitive | gentle | leading lady | leading man | mansion | mode mixture | radio | score to source | sentimental | source music | transcribed by ear | walking
City for Conquest (1940)Shadow Waltz (Ethereal)0:24:48 - Peggy peeks out of her dooradvance plot | arriving | entering | gentle | leading lady | mysterious | room | sneaking | source to score

City for Conquest (1940)

The Words Are in My Heart0:29:31 - Peggy dances with Murrayapplause | crowd | dance hall | dancer | dancing | double exposure | gentle | leading lady | montage | source music | waltz

City for Conquest (1940)

Tone Poem A1 (Grazioso)0:30:04 - Danny shavesconversing | delicate | gentle | leading lady | leading man | love scene | room | shaving

City for Conquest (1940)

Tone Poem A1 + Tone Poem A20:30:28 - Peggy talks to Dannyarguing | conversing | flirting | gentle | leading lady | leading man | love scene | playful | room | shaving

City for Conquest (1940)

Tranquillo0:31:35 - Peggy and Danny on a boatboat | conversing | delicate | gentle | leading lady | leading man | love scene

City for Conquest (1940)

I’m Just Wild About Harry0:33:35 - Peggy starts to leaveboat | calm | conversing | gentle | leading lady | leading man | love scene

City for Conquest (1940)

Tone Poem A1 (Dolcissimo)0:34:02 - Danny talks with Peggyboat | conversing | gentle | kissing | leading lady | leading man | love scene | romantic

City for Conquest (1940)

Tone Poem A1 + Sidewalks of New York0:38:31 - Traveling montagecombination of themes | double exposure | gentle | montage | train | traveling

City for Conquest (1940)

Shadow Waltz (Dancing)0:38:57 - Montage of dancing scenesdancing | double exposure | gentle | montage | shadow | stage

City for Conquest (1940)

Underscoring (Gentle)0:55:19 - A taxi approachesarriving | farewell scene | gentle | leading lady | leading man | source and scoring overlap | street | taxi | underscoring

City for Conquest (1940)

Tone Poem D (Dolce)1:28:33 - Gladys talks to Peggyadvance plot | comforting | conversing | crying | friend | gentle | leading lady | newspaper | room | sweet

City for Conquest (1940)

Tone Poem A1 (Beoootiful) + Tone Poem A2 (Beoootiful)1:40:11 - Danny working at his newsstandblur | conversing | ethereal | gentle | into focus | leading lady | leading man | love scene | reunion | reuniting | shimmery | squinting | street | victim

City for Conquest (1940)

Tone Poem A1 (Chorus) + Tone Poem A2 (Chorus)1:41:14 - Danny talks with Peggyconversing | ethereal | gentle | leading lady | leading man | love scene | optimistic | reunion | reuniting | romantic | shimmery | street | victim

City for Conquest (1940)

Sidewalks of New York (Snake)1:43:16 - Old timer talks to himselfconversing | gentle | old man | resolution | romantic | soliloquy
Crime School (1938)Underscoring (Gentle)0:49:10 - Mark comes into the roomcomedy | conversing | gang | gentle | hero | leading man | paint | parallelism | reformatory | teenager | underscoring

Crime School (1938)

Underscoring (Gentle)0:49:47 - Mark talks about making this room their homecomedy | deceptive resolution | gang | gentle | hero | leading man | leaving | pedal tone | reformatory | teasing | teenager | underscoring | whole-tone chord
They Made Me a Criminal (1939)Inspiration1:09:53 - Johnnie has an inspirationboxing | foreign key modulation | gentle | hero | idea | inspiration | leading man | pedal tone | pump-up modulation | room | shadow | thinking | turning point
Death of a Scoundrel (1956)Clementi B1:38:01 - Zina and Clementi embrace and kiss in the hotelflashback | gentle | lyrical | romance

Death of a Scoundrel (1956)

Clementi's Mother (Peaceful)1:45:16 - Clementi talks to his motherbedroom | ethnic | flashback | gentle | mother | peaceful
Dust Be My Destiny (1939)Dust Be My Destiny (Expectant)0:18:08 - Mabel leavesadvance plot | expectant | gentle | guard | hopeful | leading lady | leading man | pedal tone | prison | prisoner | sweet

Dust Be My Destiny (1939)

Dust Be My Destiny (Denied)0:18:23 - Mabel talks to Joeconflict | deceptive resolution | denial | expectant | gentle | guard | hopeful | leading lady | leading man | prison | prisoner | stinger | sweet

Dust Be My Destiny (1939)

Dust Be My Destiny (In Love)0:27:22 - Joe and Mabel talk9th chord | added-note chord | advance plot | common-tone diminished 7th | freedom | gentle | leading lady | leading man | mode mixture | runaway | secondary dominant | street | walking

Dust Be My Destiny (1939)

Dust Be My Destiny (Delicatessen)0:43:38 - Mabel and Nick talkcommon-tone diminished 7th | develop character | diner | friend | gentle | leading lady | leading man | secondary dominant | shopkeeper

Dust Be My Destiny (1939)

Dust Be My Destiny (In Love)0:43:51 - Mabel and Nick talk9th chord | develop character | diner | friend | gentle | leading lady | leading man | shopkeeper

Dust Be My Destiny (1939)

Dust Be My Destiny (Delicatessen)0:44:01 - Mabel and Nick talkcommon-tone diminished 7th | develop character | diner | friend | gentle | leading lady | leading man | secondary dominant | shopkeeper

Dust Be My Destiny (1939)

My Wild Irish Rose (Waltz)0:44:17 - Mabel and Nick talkdevelop character | diner | familiar tune | friend | gentle | leading lady | leading man | on-screen music | pedal tone | popular song | shopkeeper | singing | source music

Dust Be My Destiny (1939)

Dust Be My Destiny (Calm)0:44:32 - Mabel and Nick talkadded-note chord | altered dominant | develop character | diner | friend | gentle | leading lady | leading man | shopkeeper

Dust Be My Destiny (1939)

Dust Be My Destiny (Religioso)1:22:41 - Mabel testifies for Joe11th chord | chromatic parallelism | common-tone diminished 7th | courtroom | crowd | diminished 7th chord | gentle | judge | jury | leading lady | leading man | loving | mode mixture | parallel double period | plagal cadence | sincere | suspect | tender | trial
Each Dawn I Die (1939)Frank (Released)1:28:49 - Frank is released9th chord | altered dominant | artwork in score | conclusion | embracing | friend | gentle | goodbye | leading lady | leading man | Neapolitan | passionate | peaceful
Flamingo Road (1949)Flamingo Road (Chapter One)0:00:54 - Chapter one from Flamingo Roadchromatic mediant | common-chord modulation | establish setting | gentle | mode mixture | self-borrowing | street | voice-over

Flamingo Road (1949)

Lane (Hopeful)0:41:58 - Lane talks to a fellow prisoneradvance plot | conversing | deceptive resolution | gentle | hopeful | leading lady | pedal tone | prison | prisoner

Flamingo Road (1949)

Lane (Lento)0:50:04 - Dan meets Laneadded-note chord | conversing | countermelody | gentle | graceful | leading lady | leading man | love interest | lovers meet | politician | room

Flamingo Road (1949)

Lane (Chromatic)0:50:24 - Lane ties Dan's tie9th chord | chromatic parallelism | conversing | dark | gentle | leading lady | leading man | love interest | lovers meet | politician | room

Flamingo Road (1949)

Lane0:50:59 - Lane gives Dan his moneyconversing | delicate | gentle | leading lady | leading man | love interest | lovers meet | mode mixture | pleasant | politician | room

Flamingo Road (1949)

Lane (Bell-like)0:54:43 - Lane gives Dan some changefragmentation | gentle | giving | leading lady | leading man | love interest | love scene | politician | porch | receiving | sweet

Flamingo Road (1949)

Flamingo Road (Expressivo)1:02:07 - The gate to 32 Flamingo Road11th chord | added-note chord | arriving | gentle | husband | leading man | self-borrowing | sign | street | transition

Flamingo Road (1949)

Flamingo Road (Tenderly)1:03:58 - Dan and Lane have teaadvance plot | conversing | gentle | husband | leading lady | leading man | mode mixture | room | self-borrowing | serving | tea | wife

Flamingo Road (1949)

Flamingo Road (Andante)1:24:05 - Lane goes to get a drink for Fieldaltered dominant | chromatic parallelism | dark | death scene | gentle | gunshot | hopeful | leading lady | leading man | love interest | mode mixture | room | self-borrowing | suicide | walking | warm
Hell on Frisco Bay (1955)Hell on Frisco Bay0:00:24 - Title of film and cast listcast list | conductor score | gentle | lyrical | opening title sequence

Hell on Frisco Bay (1955)

Hell on Frisco Bay0:02:01 - Marcia embraces Steveconductor score | embracing | establish character | friend | gentle | leading lady | leading man | street

Hell on Frisco Bay (1955)

Lye0:16:52 - Amato talks to Lyeantagonist | conductor score | conversing | establish character | gangster | gentle | office

Hell on Frisco Bay (1955)

Georgie0:36:40 - George talks to his sonadvance plot | caring | child | conductor score | embracing | father | gentle | room | tender

Hell on Frisco Bay (1955)

Steve0:38:01 - Steve shakes Georgie's handadvance plot | cheerful | child | conductor score | gentle | investigator | leading man | street | thanking

Hell on Frisco Bay (1955)

Anna0:46:05 - Anna talks with Amatoantagonist | conductor score | conversing | establish character | gangster | gentle | leading man | room | sentimental | warning | wife | worrying

Hell on Frisco Bay (1955)

Anna0:48:38 - Anna comforts Marioadvance plot | comforting | conductor score | gangster | gentle | room | sentimental | wife

Hell on Frisco Bay (1955)

Steve1:01:01 - Steve talks to Marciaconductor score | conversing | entering | gentle | leading lady | leading man | love scene | room

Hell on Frisco Bay (1955)

Underscoring (Subtle)1:01:30 - Marcia talks to Steveconductor score | conversing | gentle | leading lady | leading man | love scene | room | underscoring

Hell on Frisco Bay (1955)

Steve1:04:47 - Steve hangs up the phoneadvance plot | conductor score | dark | gentle | investigator | leading man | room | waiting

Hell on Frisco Bay (1955)

Anna1:04:54 - Anna talks to Amatoadvance plot | antagonist | conductor score | conversing | dark | gangster | gentle | leading man | room | wife

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:19:28 - Marcia talks to Steveclub | conductor score | conversing | gentle | grand | leading lady | leading man | love scene

Hell on Frisco Bay (1955)

Kay1:28:35 - Steve leaves with Kaycomforting | gentle | investigator | leading man | leaving | love interest | room | turning point | witness

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:28:48 - Marcia wakes up and answers the doorgentle | leading lady | room | turning point | waking

Hell on Frisco Bay (1955)

Steve1:36:31 - Steve surfacesdock | gentle | heroic | inspector | leading man | resolution from here on? | swimming

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:37:36 - Steve goes to his wifearriving | dock | gentle | inspector | leading lady | leading man | romantic

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:37:52 - Steve and Marcia leave togetherdock | gentle | inspector | leading lady | leading man | peaceful | romantic | walking
In This Our Life (1942)Asa (Expressivo)0:02:33 - Asa walksconversing | establish character | gentle | noble | street | walking | worker

In This Our Life (1942)

Roy0:02:59 - Roy descends a staircaseconversing | daughter | delicate | establish character | father | gentle | greeting | leading lady | maid | room

In This Our Life (1942)

Roy (Dolce)0:12:06 - Roy talks with Stanleyconversing | establish character | gentle | leading lady | room | sister | sweet

In This Our Life (1942)

Roy (Triste)0:12:54 - Roy walks up the stairsestablish character | gentle | leading lady | room | somber | walking

In This Our Life (1942)

Roy (Risoluto)0:22:40 - Roy talks to Asaconflict | conversing | father | gentle | leading lady | room

In This Our Life (1942)

Roy0:30:21 - Craig talks to Royadvance plot | conversing | gentle | leading lady | leading man | park | sweet

In This Our Life (1942)

Roy0:50:40 - Roy arrives at Stanley's apartmentadvance plot | arriving | friend | gentle | leading lady | room | sweet

In This Our Life (1942)

Underscoring (Gentle)0:50:58 - Roy talks with Bettyadvance plot | conversing | friend | gentle | leading lady | room | tender | underscoring

In This Our Life (1942)

Door opens0:51:37 - Betty opens the dooradvance plot | door | friend | gentle | leading lady | mickey-mousing | opening | room

In This Our Life (1942)

Caring0:51:39 - Roy greets Stanleyadvance plot | arriving | gentle | leading lady | room | sister | tender | widow

In This Our Life (1942)

Stanley (Peter Lies)0:51:55 - Roy at Stanley's bedsideadvance plot | conversing | gentle | leading lady | room | sister | widow

In This Our Life (1942)

Stanley (Packing)0:52:23 - Roy at Stanley's bedsideadvance plot | conversing | gentle | leading lady | room | sister | tense | widow

In This Our Life (1942)

Stanley (Valse Triste)0:53:23 - Roy comforts Stanleyadvance plot | comforting | crying | gentle | leading lady | room | sister | widow

In This Our Life (1942)

Roy0:54:15 - Roy tucks Stanley inadvance plot | conversing | gentle | leading lady | room | sister | widow

In This Our Life (1942)

Love Theme (Gentle)1:27:58 - Roy talks to Craigaccusing | climax | conversing | criminal | crying | embracing | gentle | lawyer | leading lady | leading man | room | sneaking | tender
The Informer (1935)The Minstrel Boy0:25:32 - Man sings a folk tune at the street corner9th chord | AABA structure | advance plot | angelic | antagonist | calm | familiar tune | folk song | gentle | leading man | listening | mode mixture | mourner | mourning | on-screen music | playing | praying | singer | singing | street | violinist | watching

The Informer (1935)

Dan and Mary (Legato)1:07:46 - Gypo looks at Maryantagonist | courtroom | courtroom scene | delicate | gentle | headquarters | leading man | pedal tone | room | sister | suspect | watching

The Informer (1935)

Dan and Mary (Begging)1:25:53 - Katie talks to Mary about loving Gypoadvance plot | begging | gentle | leading lady | love interest | rebel | room | sequence | tender

The Informer (1935)

The Informer (Pathetic)1:29:48 - Gypo stumbles toward Frankie's motherantagonist | church | climax | diminished 7th chord | dying | gentle | leading man | main theme | pedal tone | somber | stumbling | traitor | walking

The Informer (1935)

Sancta Maria1:30:27 - Frankie's mother forgives Gypoantagonist | church | climax | confessing | dying | gentle | leading man | mother | sacred | somber | suspension | traitor
Key Largo (1948)Expressivo0:52:37 - Mr. Temple is helped down the stairsadvance plot | boss | father | gangster | gentle | helping | hostage | hotel | leading lady | leading man | noble | stairs

Key Largo (1948)

McCloud (Molto Expressivo)1:07:31 - McCloud wakes Nora after the stormconversing | gentle | hotel | leading lady | leading man | love interest | love scene | resting | romance | waking | warm

Key Largo (1948)

McCloud (Delicato)1:08:14 - McCloud talks with Noraconversing | delicate | father | gentle | hotel | leading lady | leading man | love interest | love scene | warm
The Letter (1940)Letter 20:15:28 - Robert comforts Leslieadvance plot | comforting | crying | gentle | home | leading lady | murder | pedal tone

The Letter (1940)

Hammond A (Delicato)0:21:46 - Men admire needlepointadvance plot | conversing | delicate | gentle | home | lacework | lawyer | leading lady | oscillation | polychord | sequence

The Letter (1940)

Letter 2 (Tense)1:27:06 - Leslie talks to Robertclimax | conversing | gentle | home | husband | leading lady | pedal tone | tender | tense

The Letter (1940)

Mrs. Hammond (Missing Dagger)1:29:49 - Leslie opens the doorChinese | climax | dagger | door | gentle | home | leading lady | mysterious | opening | pentatonic
Lightning Strikes Twice (1951)Trev0:07:18 - Man and woman talk about finding Trevgentle

Lightning Strikes Twice (1951)

Shelly (Packing Up)0:48:29 - Shelly packs her bagsgentle | heroine | luggage | packing
Mildred Pierce (1945)Mildred B0:00:52 - Cast list and wave effectcast list | gentle | mickey-mousing | name on screen | opening title sequence | optimistic | romantic | water | wave

Mildred Pierce (1945)

Flashback starts0:20:16 - Flashback to the pastdouble exposure | establish character | flashback | gentle | heroine | leading lady | mickey-mousing | street

Mildred Pierce (1945)

Bert0:20:18 - Bert comes homearriving | cooking | establish character | flashback | gentle | heroine | husband | leading lady | room | self-borrowing | street

Mildred Pierce (1945)

Waltz Brillante0:26:39 - Veda plays the pianoadvance plot | child | classical music | conversing | dancing | familiar tune | gentle | heroine | leading lady | on-screen music | playing | room | source music | waltz

Mildred Pierce (1945)

Waltz Brillante0:27:21 - Veda plays the pianoadvance plot | child | classical music | conversing | familiar tune | gentle | heroine | leading lady | on-screen music | playing | room | source music | waltz

Mildred Pierce (1945)

Mildred (Delicate)0:32:04 - Mildred walks up the stairsadvance plot | gentle | heroine | leading lady | room | up | walking

Mildred Pierce (1945)

Bert (Tenderly)1:39:33 - Mildred thanks Bertadvance plot | ex-husband | gentle | heroine | leading lady | mother | room | sweet | thanking
The Life of Vergie Winters (1934)Stars and Stripes Forever (Allegro)0:46:04 - Newspaper montage64 chord | added-note chord | gentle | leading lady | leading man | love interest | montage | patriotic tune | pedal tone | politician | soldier

The Life of Vergie Winters (1934)

Lullaby (Joan)0:50:31 - Joan enters Vergie's shopadvance plot | child | conversing | daughter | distortion | entering | foreign key modulation | fragmentation | gentle | harmonic sequence | leading lady | meeting | mother | octatonic scale | reunion | secret | shop | timid

The Life of Vergie Winters (1934)

Underscoring (Gentle)0:51:06 - Joan talks with Vergie9th chord | advance plot | altered dominant | augmented sixth chord | child | chromatic parallelism | conversing | daughter | foreign key modulation | gentle | half-diminished 7th chord | leading lady | mother | reunion | secret | shop | timid

The Life of Vergie Winters (1934)

Lullaby (Delicato)0:51:39 - Joan talks with Vergie9th chord | advance plot | child | conversing | daughter | gentle | leading lady | mother | parallel 63s | reunion | secret | shop

The Life of Vergie Winters (1934)

Underscoring (Gentle)0:51:52 - Vergie gives Joan a fan9th chord | advance plot | child | conversing | daughter | gentle | leading lady | mother | reunion | secret | shop

The Life of Vergie Winters (1934)

Lullaby (Solo Violin)0:52:06 - Vergie gets a ribbon for Joanadvance plot | child | common-chord modulation | conversing | daughter | fragmentation | gentle | leading lady | mother | reunion | secret | shop

The Life of Vergie Winters (1934)

Lullaby (Strings)0:52:30 - Vergie puts a ribbon in Joan's hairadvance plot | child | chromatic mediant | conversing | countermelody | daughter | direct modulation | gentle | leading lady | mode mixture | mother | pedal tone | reunion | secret | shop

The Life of Vergie Winters (1934)

Lullaby (Poco Con Moto)0:54:53 - Joan and Vergie talk about the future13th chord | altered dominant | conversing | dissonant bass | gentle | leading lady | leading man | longing | love scene | outside | pedal tone | secret love | secret lover | sigh gesture

The Life of Vergie Winters (1934)

Here Comes the Bride1:00:46 - Joan and Ranny talk about marriagecommon-chord modulation | conversing | daughter | familiar tune | gentle | love interest | love scene | peaceful | proposal | proposing | romantic | room | transcribed by ear

The Life of Vergie Winters (1934)

Lullaby (Clarinet Solo)1:00:58 - John and Laura talk about Joanadded-note chord | conflict | conversing | dramatic | gentle | leading man | peaceful | room | stinger | transcribed by ear | wife
Out of the Fog (1941)Russian Barcarolle (Peaceful)0:00:49 - folk song | gentle | main theme | main title | peaceful
We Are Not Alone (1939)Boy runs downstairs0:03:07 - Gerald runs down the stairs9th chord | altered dominant | antagonist | boy | child | chromatic mediant | down | downstairs | establish character | foreign key modulation | gentle | home | mickey-mousing | mother | pedal tone | playful | running

We Are Not Alone (1939)

Surprise Symphony (Imagination)0:03:55 - David talks to his sonboy | child | chromatic parallelism | establish character | father | gentle | hero | home | playful | sweet | telling a story

We Are Not Alone (1939)

Surprise Symphony (Hug)0:05:14 - David hugs his sonboy | child | classical music | establish character | familiar tune | father | gentle | Haydn | hero | home | mode mixture | quotation

We Are Not Alone (1939)

Doctor0:08:10 - David sees Tommy (his patient)augmented sixth chord | boy | cat | delicate | establish character | foreign key modulation | gentle | hero | office

We Are Not Alone (1939)

Tommy (Lyrical)0:09:34 - David gets some medicine for Tommy9th chord | boy | cat | doctor | establish character | gentle | hero | lyrical | Mozart | office | peaceful

We Are Not Alone (1939)

I Do Like to Be Beside the Seaside0:10:56 - David visits an injured Lenichromatic mediant | deceptive resolution | doctor | establish character | familiar tune | foreign key modulation | gentle | hero | heroine | mode mixture | quotation | room | step modulation

We Are Not Alone (1939)

Surprise Symphony (Quasi Rubato)0:12:46 - David treats Leni's legclassical music | doctor | establish character | familiar tune | fragmentation | gentle | Haydn | hero | heroine | parallelism | playful | quotation | room

We Are Not Alone (1939)

Surprise Symphony (Humbly)0:13:10 - David treats Leni's legclassical music | common-tone diminished 7th | doctor | establish character | familiar tune | fragmentation | gentle | Haydn | hero | heroine | hymn-like | quotation | room | sweet

We Are Not Alone (1939)

Frohe Botschaft (Drifting)0:38:09 - Jessica tells Leni to leavealtered dominant | antagonist | chromatic parallelism | conflict | conversing | familiar tune | folk song | gentle | German | heroine | home | quotation | sinister | tense | whole-tone chord

We Are Not Alone (1939)

Triste0:50:45 - David talks to Leniadvance plot | common-chord modulation | conversing | gentle | hero | heroine | home | room | sad

We Are Not Alone (1939)

Surprise Symphony (Allegretto)1:14:16 - David helps Leni buy a ticketadvance plot | classical music | conversing | familiar tune | fragmentation | gentle | Haydn | hero | heroine | optimistic | pedal tone | quotation | sequence | sweet | train station

We Are Not Alone (1939)

Frohe Botschaft (Drifting)1:14:30 - David gives Leni money for her travels altered dominant | arrest | arresting | chromatic parallelism | conflict | conversing | dark | death | familiar tune | folk song | gentle | German | happy | hero | heroine | mode mixture | murder | police | quotation | sad | sweet | tense | train station | whole-tone chord

We Are Not Alone (1939)

Surprise Symphony (Someday)1:39:55 - David is hopeful64 chord | classical music | comforting | conversing | deceptive resolution | dream-like | familiar tune | foreign key modulation | gentle | Haydn | hero | heroine | imagining | love scene | prison | quotation | sweet

We Are Not Alone (1939)

Surprise Symphony (Acceptance)1:47:27 - David talks to the prison guardsadvance plot | classical music | familiar tune | gentle | Haydn | hero | mode mixture | plagal cadence | prison | quotation | reverse picardy | sweet

We Are Not Alone (1939)

Surprise Symphony (Whistling)1:48:34 - David whistles as he thinksadvance plot | augmentation | classical music | deceptive resolution | familiar tune | gentle | Haydn | hero | on-screen music | pedal tone | prison | quotation | score to source | source music | sweet | whistling
Transgression (1931)Main Title0:00:15 - Title of film, starring list, cast listAABA structure | altered dominant | cast list | gentle | happy | harmonic sequence | leading lady | mode mixture | opening title sequence | plagal cadence | pleasant | running | starring list | title of film | transcribed by ear

Transgression (1931)

Main Title (Ending)1:09:15 - The Endembracing | end title sequence | gentle | happy | husband | leading lady | pleasant | The End | transcribed by ear
Thirteen Women (1932)Serenade0:28:11 - Jo plays the pianoadvance plot | calm | common-tone diminished 7th | conversing | friend | gentle | on-screen music | piano | playing | room | secondary dominant | self-borrowing | sentence form | source music | transcribed by ear
The Breaking Point (1950)The Breaking Point0:00:25 - Title of the filmboat | calm | cast list | conductor score | gentle | harbor | mixed meter | opening title sequence | tender | title of film