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258 results for "gentle" in 36 films — see also melancholy | mellow | peaceful | sweet | tender

FilmTheme nameInstanceTags
All This, and Heaven Too (1940)Henry0:07:41 - Henriette looks at Henry Fieldestablish character | gentle | hymn-like | leading lady | minister | noble | principal | reassuring | school | secondary dominant | teacher

All This, and Heaven Too (1940)

The Duke0:09:55 - Henriette tells the girls her storyestablish place | flashback | gentle | leading lady | light | peaceful | school | storytelling | student | teacher

All This, and Heaven Too (1940)

The Duke (Ocean Waves)0:10:10 - Ocean wavesboat | establish place | flashback | foreign key modulation | gentle | leading lady | light | peaceful | storytelling | student | teacher | traveling

All This, and Heaven Too (1940)

Henriette (Dolce)0:12:43 - Henriette talks to Henry64 chord | boat | chromatic mediant | conversing | deceptive resolution | gentle | leading lady | leaving | minister | peaceful | transition

All This, and Heaven Too (1940)

Arriving0:13:14 - Henriette gets out of the carriagearriving | augmented sixth chord | carriage | driver | enharmonic modulation | foreign key modulation | gentle | leading lady | pleasant | street | transition

All This, and Heaven Too (1940)

Arriving 20:13:24 - Henriette walks to the front door9th chord | arriving | caretaker | deceptive resolution | gentle | leading lady | pleasant | secondary dominant | street | transition

All This, and Heaven Too (1940)

The Duke (Maestoso)0:14:03 - Henriette enters the palacearriving | butler | calm | chromatic mediant | chromatic sequence | countermelody | establish place | establish setting | foreign key modulation | gentle | leading lady | noble | palace | sequential modulation | walking

All This, and Heaven Too (1940)

Illness0:26:16 - The Duke asks about Raynaldadvance plot | delicate | duke | gentle | governess | leading lady | leading man | parallelism | room | worrying

All This, and Heaven Too (1940)

Henriette (Molto tranquillo)0:26:30 - The Duke talks to Henrietteadded-note chord | advance plot | conversing | countermelody | delicate | duke | gentle | governess | leading lady | room | worrying

All This, and Heaven Too (1940)

Desperation (Carriage Starts)NIF - not in filmadded-note chord | advance plot | carriage | child | cut from film | duchess | gentle | governess | leading lady | leaving | pedal tone | street

All This, and Heaven Too (1940)

Underscoring (Gentle)0:30:34 - Henriette puts Raynald in bedadvance plot | arguing | caring | child | chromatic sequence | duke | gentle | governess | illness | leading lady | leading man | mode mixture | room | tense | underscoring

All This, and Heaven Too (1940)

The Duke (Tranquillo)0:31:41 - The doctor treats Raynaldadvance plot | caring | child | conversing | doctor | duke | gentle | governess | illness | leading lady | leading man | room | somber

All This, and Heaven Too (1940)

The Sick Room0:32:12 - The doctor talks to the Duke64 chord | advance plot | child | chromatic sequence | conversing | doctor | duke | fragmentation | gentle | governess | illness | leading lady | leading man | pedal tone | room

All This, and Heaven Too (1940)

Raynald0:32:53 - Henriette helps Raynaldadvance plot | caring | child | common-chord modulation | conversing | delicate | duke | gentle | governess | illness | leading lady | leading man | room | sweet

All This, and Heaven Too (1940)

Henriette (Molto Tranquillo 2)0:34:17 - Henriette comforts Raynaldadvance plot | augmented sixth chord | child | comforting | common-chord modulation | conversing | dark | delicate | duke | gentle | governess | illness | leading lady | leading man | mode mixture | parallel 63s | room | suspension

All This, and Heaven Too (1940)

Lullaby0:35:08 - Henriette sings a lullabyadvance plot | calm | caring | child | duke | gentle | governess | illness | leading lady | leading man | lullaby | room | scored source music | singing

All This, and Heaven Too (1940)

Raynald (Lullaby)0:35:24 - Henriette talks to the Dukeadvance plot | calm | caring | child | conversing | duke | gentle | governess | illness | leading lady | leading man | lullaby | mode mixture | room

All This, and Heaven Too (1940)

Lullaby0:35:39 - Henriette sings a lullabyadvance plot | calm | caring | child | duke | gentle | governess | illness | leading lady | leading man | lullaby | room | scored source music | singing

All This, and Heaven Too (1940)

Henriette (Very Emotional)0:35:57 - The Duke thanks Henrietteadvance plot | calm | child | common-chord modulation | conversing | duke | gentle | governess | illness | leading lady | leading man | mode mixture | parallel 63s | room

All This, and Heaven Too (1940)

Lullaby (Morendo)0:36:25 - Henriette sings a lullabyadvance plot | calm | caring | child | chromatic mediant | duke | gentle | governess | illness | leading lady | leading man | room | singing

All This, and Heaven Too (1940)

Raynald (Tranquillo)0:43:53 - Henriette puts Raynald in bedcalm | caring | child | duke | gentle | governess | illness | illness scene | leading lady | leading man | pedal tone | room

All This, and Heaven Too (1940)

Henriette (Very Emotional)0:49:01 - The Duke looks at Henrietteadvance plot | child | chromatic scale | common-chord modulation | common-tone diminished 7th | conversing | delicate | duke | gentle | governess | leading lady | leading man | looking | romance | romantic | room

All This, and Heaven Too (1940)

Henriette (Gentle)1:09:26 - Isabelle talks to Henriette9th chord | advance plot | child | chromatic parallelism | comforting | crying | gentle | governess | leading lady | Neapolitan | room | sweet

All This, and Heaven Too (1940)

Henriette (Cello Solo)1:10:09 - Henriette comforts Isabelleadvance plot | child | comforting | crying | gentle | governess | leading lady | pedal tone | room

All This, and Heaven Too (1940)

Henriette (Slowly)1:22:19 - The Duke bids farewell to Henriette64 chord | calm | conflict | conversing | deceptive resolution | duchess | duke | gentle | leading lady | leading man | mode mixture | room | sigh gesture

All This, and Heaven Too (1940)

Underscoring (Gentle)1:25:28 - Henriette smiles at the Dukeadvance plot | child | chromatic sequence | conversing | duke | foreign key modulation | forest | gentle | governess | leading lady | leading man | Neapolitan | tender | underscoring

All This, and Heaven Too (1940)

Henriette (All Hallows Eve)1:25:46 - The Duke talks with Henriette64 chord | advance plot | conversing | deceptive resolution | duke | forest | gentle | governess | leading lady | leading man | mode mixture | spooky | sweet | tender | whole-tone chord

All This, and Heaven Too (1940)

Underscoring (Tender)1:26:48 - The Duke talks with the servants11th chord | 13th chord | 64 chord | added-note chord | advance plot | arriving | common-tone diminished 7th | conversing | duke | gentle | governess | leading lady | leading man | light | pentatonic | room | servant

All This, and Heaven Too (1940)

Underscoring (Gentle)1:27:58 - The Duke talks to Henriette by the fireplaceadvance plot | conversing | duke | gentle | governess | leading lady | leading man | pedal tone | room

All This, and Heaven Too (1940)

Heaven Theme1:28:16 - Henriette tells the Duke about herselfadded-note chord | common-chord modulation | duke | falling in love scene | gentle | governess | leading lady | leading man | room | storytelling

All This, and Heaven Too (1940)

Henriette (Very Romantic)1:29:07 - Henriette talks with the Duke9th chord | altered dominant | augmented triad | conversing | duke | falling in love scene | gentle | governess | leading lady | leading man | pedal tone | romantic | room | sweet

All This, and Heaven Too (1940)

The Duchess (Tender)1:38:39 - Henriette talks with the Dukechromatic mediant | conversing | duke | foreign key modulation | gentle | governess | leading lady | leading man | love scene | room | sequential modulation | tender

All This, and Heaven Too (1940)

Henriette (Sehr Delicatessen)1:39:12 - Henriette talks with the Dukecalm | conversing | duke | gentle | governess | leading lady | leading man | love scene | room | sweet | tender

All This, and Heaven Too (1940)

Henriette (Romantic)1:39:53 - The Duke reads the locket inscription9th chord | chromatic mediant | conversing | crying | crying gesture | duke | foreign key modulation | gentle | governess | leading lady | leading man | love scene | mode mixture | romantic | room | sigh gesture | tender

All This, and Heaven Too (1940)

Underscoring (Gentle)1:41:02 - Henriette talks with the children9th chord | child | conversing | farewell scene | gentle | governess | leading lady | parallelism | pedal tone | room | tender | underscoring

All This, and Heaven Too (1940)

Raynald1:41:25 - Henriette says goodbye to the childrenchild | common-chord modulation | conversing | crying | farewell scene | foreign key modulation | gentle | governess | leading lady | room | tender

All This, and Heaven Too (1940)

Henriette (Calm)1:46:38 - Henriette talks with the Dukecalm | child | conversing | duke | gentle | leading lady | leading man | reunion scene | room | uneasy

All This, and Heaven Too (1940)

Heaven Theme (Expressivo)2:05:06 - Henry talks to Henrietteadvance plot | calm | conversing | gentle | leading lady | minister | pleasant | prison | prisoner | suspect | suspension

All This, and Heaven Too (1940)

Dolce2:05:51 - Henriette talks to Henry9th chord | 11th chord | advance plot | calm | common-chord modulation | conversing | gentle | leading lady | minister | pleasant | prison | prisoner | suspect

All This, and Heaven Too (1940)

Heaven Theme (Delicato)2:06:34 - Henry talks to Henrietteadvance plot | calm | conversing | gentle | leading lady | minister | pleasant | prison | prisoner | suspect

All This, and Heaven Too (1940)

Heaven Theme (Dolce)2:06:58 - Henry talks to Henrietteadvance plot | conversing | gentle | leading lady | minister | prison | prisoner | suspect

All This, and Heaven Too (1940)

The Duke (Gravestone)2:16:48 - The Duke's gravestonecommon-tone modulation | death | foreign key modulation | gentle | gravestone | graveyard | grieving | leading lady | resolution | somber | voice-over

All This, and Heaven Too (1940)

Henriette (Dolschissimo)2:21:00 - Henriette kisses a child on the cheek9th chord | 64 chord | child | chromatic mediant | conversing | foreign key modulation | gentle | leading lady | leaving | minister | mode mixture | resolution | school | student | sweet | teacher

All This, and Heaven Too (1940)

Heaven Theme (Resolution)2:21:31 - Henriette reacts to Henrygentle | leading lady | looking | minister | resolution | school | sweet | teacher
Angels With Dirty Faces (1938)Jerry (Somber)1:31:04 - Rocky leaves his cell for his executionaltered dominant | climax | conversing | gangster | gentle | leading man | pc set | priest | prison | reverse picardy | stinger | tone cluster
Are These Our Children? (1931)Dreams0:00:15 - Title of the film and opening credits11th chord | AABA structure | card | cast list | conductor score | gentle | mode mixture | opening title sequence | title of film

Are These Our Children? (1931)

Dreams B0:01:33 - Two young people in lovecommon-chord modulation | common-tone diminished 7th | conductor score | conversing | establish character | gentle | leading lady | leading man | lovers | love scene | snuggling | street

Are These Our Children? (1931)

Dreams0:02:11 - Eddie and Mary talk11th chord | AABA structure | conductor score | establish character | gentle | leading lady | leading man | leaving | lovers | love scene | mode mixture | street | waiting

Are These Our Children? (1931)

Dreams (Whistling)0:03:29 - Eddie walks homecheerful | establish character | gentle | leading man | love scene | on-screen music | score to source | source and scoring overlap | source music | street | transcribed by ear | walking | whistling
Arsenic and Old Lace (1944)The Aunts0:09:05 - Aunt Abby scurries across the roomaunt | crazy person | delicate | establish character | foreign key modulation | gentle | harmonic sequence | hurrying | leading lady | room | scurrying

Arsenic and Old Lace (1944)

Happy Land (Lento)0:09:11 - Reverend talks about the Brewster sistersadded-note chord | aunt | brother | calm | conversing | crazy person | establish character | familiar tune | gentle | kindness | leading lady | old man | room | victim

Arsenic and Old Lace (1944)

The Aunts0:12:26 - Reverend leavesadvance plot | aunt | cheerful | conversing | crazy person | delicate | foreign key modulation | gentle | harmonic sequence | leading lady | street

Arsenic and Old Lace (1944)

Happy Land (Lento)0:12:31 - The aunts talkadvance plot | aunt | brother | conversing | crazy person | familiar tune | foreign key modulation | gentle | leading lady | mysterious | plotting | room | sequence | tender | whole-tone chord | whole-tone scale

Arsenic and Old Lace (1944)

The Aunts (Grazioso Con Moto)0:13:16 - The aunts talkadvance plot | aunt | brother | cheerful | conversing | crazy person | delicate | foreign key modulation | gentle | harmonic sequence | leading lady | plotting | room
Beyond the Forest (1949)Loyalton 2 (Andante)0:22:47 - Lewis helps a patientadvance plot | doctor | gentle | healing | helping | leading man | patient | room | sickness | somber | tender

Beyond the Forest (1949)

Underscoring (Gentle)0:23:29 - Lewis arrives homeadvance plot | arriving | doctor | gentle | leading man | room | tender | underscoring

Beyond the Forest (1949)

Chicago (Carol)0:29:17 - Rosa meets Caroladvance plot | conversing | familiar tune | gentle | jealousy | leading lady | popular tune | train station

Beyond the Forest (1949)

Underscoring (Gentle)0:33:36 - A car pulls upadvance plot | gentle | leading lady | porch | sleeping | underscoring | waking

Beyond the Forest (1949)

Underscoring (Gentle)0:45:21 - Rosa sits downadvance plot | gentle | hotel | leading lady | underscoring | waiting

Beyond the Forest (1949)

Whisper While You’re Waltzing1:01:34 - People at a partyconversing | crowd | dance scene | doctor | eating | folk music | gentle | leading lady | leading man | on-screen music | party | playing | room | source music | waltz | wife
The Big Sleep (1946)EnteringNIF - not in filmarriving | augmented sixth chord | deleted scene | entering | gentle | leading man | not in score | parallel 63s | parallelism | private eye | room | transition | walking
The Breaking Point (1950)The Breaking Point0:00:25 - Title of the filmboat | calm | cast list | conductor score | gentle | harbor | mixed meter | opening title sequence | tender | title of film
Caged (1950)Mrs. Benton (Not in Film)NIF - not in filmcomforting | crying | cut from film | disbelief | establish character | gentle | leading lady | office | pregnancy | prison | prisoner | realization | warden

Caged (1950)

Mrs. Benton (Not in Film 2)NIF - not in filmcomforting | crying | cut from film | establish character | gentle | leading lady | office | pregnancy | prison | prisoner | warden

Caged (1950)

Marie 2 (Not in Film)NIF - not in filmconversing | cut from film | establish character | gentle | leading lady | office | pregnancy | prison | prisoner | warden

Caged (1950)

LullabyNIF - not in filmconversing | cut from film | establish character | gentle | leading lady | office | pregnancy | prison | prisoner | warden

Caged (1950)

Mrs. Benton (Not in Film 3)NIF - not in filmconversing | cut from film | establish character | gentle | guard | leading lady | office | pregnancy | prison | prisoner | reading | room | warden

Caged (1950)

Bird in a Cage0:30:00 - Inmates sleepingadvance plot | bed | crazy person | folk song | gentle | humming | leading lady | on-screen music | prison | prisoner | singing | source music

Caged (1950)

Mrs. Benton0:44:07 - Mrs. Benton on the phoneadvance plot | calling | cards | conversing | gentle | phone call | prison | telephone | warden

Caged (1950)

Nursery0:49:22 - Marie goes to see her newborn babyadvance plot | baby | gentle | hopeful | leading lady | nurse | nursery | optimistic | prison | prisoner | walking

Caged (1950)

Lullaby0:49:51 - Marie holds her new babyadvance plot | baby | conversing | gentle | leading lady | nurse | nursery | prison | prisoner

Caged (1950)

Marie 20:50:22 - Marie holds her new babyadvance plot | baby | conversing | gentle | happy | leading lady | nurse | nursery | prison | prisoner
His Greatest Gamble (1934)Morning Glory Waltz0:00:28 - Cast listcast list | gentle | mode mixture | opening title sequence | transcribed by ear | waltz

His Greatest Gamble (1934)

Morning Glory Waltz (Tender)0:02:35 - Philip in the casinocasino | child | conversing | establish character | gentle | leading man | leaving | transcribed by ear | waltz

His Greatest Gamble (1934)

Home Sweet Home0:03:14 - Philip and Alice go homechild | establish character | gentle | humming | leading man | on-screen music | room | sleeping | source music

His Greatest Gamble (1934)

Blue Ridge Moon0:53:16 - Philip talks with Aliceadvance plot | conversing | daughter | gentle | leading lady | love interest | mansion | popular music | radio | sentimental | source music | waltz

His Greatest Gamble (1934)

Morning Glory Waltz (Radio)0:57:06 - Philip talks with Alice9th chord | advance plot | conversing | daughter | fugitive | gentle | leading lady | leading man | mansion | mode mixture | radio | score to source | sentimental | source music | transcribed by ear | walking
City for Conquest (1940)Shadow Waltz (Ethereal)0:24:48 - Peggy peeks out of her dooradded-note chord | advance plot | arriving | chromatic parallelism | chromatic wedge | common-tone diminished 7th | entering | gentle | leading lady | mysterious | parallelism | room | sneaking | source to score

City for Conquest (1940)

The Words Are in My Heart0:29:31 - Peggy dances with Murrayapplause | augmented triad | crowd | dance hall | dancer | dancing | double exposure | gentle | leading lady | montage | source music | waltz

City for Conquest (1940)

Tone Poem A (Grazioso)0:30:04 - Danny shavesaltered dominant | common-chord modulation | conversing | delicate | fragmentation | gentle | leading lady | leading man | love scene | room | shaving

City for Conquest (1940)

Tone Poem A (Dolce)0:30:28 - Peggy talks to Danny9th chord | 11th chord | arguing | chromatic parallelism | common-chord modulation | conversing | flirting | gentle | leading lady | leading man | love scene | playful | room | shaving

City for Conquest (1940)

Tranquillo0:31:35 - Peggy and Danny on a boat9th chord | boat | conversing | delicate | gentle | leading lady | leading man | love scene

City for Conquest (1940)

I'm Just Wild About Harry (Foxtrot)0:33:35 - Peggy starts to leave9th chord | added-note chord | boat | calm | chromatic mediant | conversing | gentle | leading lady | leading man | love scene

City for Conquest (1940)

Tone Poem A (Dolcissimo)0:34:02 - Danny talks with Peggy9th chord | added-note chord | boat | common-tone diminished 7th | conversing | gentle | kissing | leading lady | leading man | love scene | romantic

City for Conquest (1940)

Tone Poem A + Sidewalks of New York0:38:31 - Traveling montagecombination of themes | double exposure | gentle | montage | train | transcribed by ear | traveling

City for Conquest (1940)

Shadow Waltz (Dancing)0:38:57 - Montage of dancing scenesadded-note chord | altered dominant | augmented triad | dancing | double exposure | gentle | montage | shadow | stage | transcribed by ear

City for Conquest (1940)

Underscoring (Gentle)0:55:19 - A taxi approaches11th chord | appoggiatura | arriving | farewell scene | gentle | leading lady | leading man | source and scoring overlap | street | taxi | underscoring

City for Conquest (1940)

Tone Poem D (Dolce)1:28:33 - Gladys talks to Peggy9th chord | 11th chord | advance plot | blue note | chromatic sequence | comforting | common-tone diminished 7th | conversing | crying | friend | gentle | leading lady | mode mixture | newspaper | parallel fifths | room | sweet

City for Conquest (1940)

Tone Poem A (Beoootiful)1:40:11 - Danny working at his newsstand9th chord | 11th chord | blur | conversing | dissonant bass | ethereal | gentle | into focus | leading lady | leading man | love scene | reunion | reuniting | shimmery | squinting | street | tone cluster | victim | whole-tone chord

City for Conquest (1940)

Tone Poem A (Chorus)1:41:14 - Danny talks with Peggy9th chord | 11th chord | 13th chord | chromatic sequence | conversing | crying | ethereal | foreign key modulation | gentle | leading lady | leading man | love interest | love scene | optimistic | reunion | reuniting | romantic | shimmery | street | suspension | victim

City for Conquest (1940)

Sidewalks of New York (Snake)1:43:16 - Old timer talks to himself64 chord | conversing | gentle | old man | resolution | romantic | soliloquy
Crime School (1938)Underscoring (Gentle)0:49:10 - Mark comes into the roomcomedy | conversing | gang | gentle | hero | leading man | paint | parallelism | reformatory | teenager | underscoring

Crime School (1938)

Underscoring (Gentle)0:49:47 - Mark talks about making this room their homecomedy | deceptive resolution | gang | gentle | hero | leading man | leaving | pedal tone | reformatory | teasing | teenager | underscoring | whole-tone chord
They Made Me a Criminal (1939)Inspiration1:09:53 - Johnnie has an inspirationboxing | foreign key modulation | gentle | hero | idea | inspiration | leading man | pedal tone | pump-up modulation | room | shadow | thinking | turning point
Death of a Scoundrel (1956)Clementi B1:38:01 - Zina and Clementi embrace and kiss in the hotelflashback | gentle | lyrical | romance

Death of a Scoundrel (1956)

Clementi's Mother (Peaceful)1:45:16 - Clementi talks to his motherbedroom | ethnic | flashback | gentle | mother | peaceful
Deep Valley (1947)Homestead (Moderato)0:15:18 - Homestead in the distancebarnyard | dark | father | gentle | leading lady | mother | reading | room | transition

Deep Valley (1947)

Deep Valley0:52:10 - Barry kisses Libby againconvict | dog | embracing | falling in love scene | forest | fugitive | gentle | kissing | leading lady | leading man | love interest | romantic | staring

Deep Valley (1947)

Deep Valley (Sostenuto)0:56:17 - Libby turns to leavecabin | convict | dog | fugitive | gentle | leading lady | leading man | leaving | love interest | love scene

Deep Valley (1947)

Homestead (Dolce)0:57:50 - Ellie comes downstairsfather | gentle | mother | reconciliation scene | reuniting | room | sweet | timid

Deep Valley (1947)

Homestead (Gentle)1:01:50 - Ellie sits at the tablefather | gentle | mother | reconciliation scene | room | watching

Deep Valley (1947)

Deep Valley (Dolce)1:17:25 - Barry talks with Libbyadvance plot | barn | conversing | convict | fugitive | gentle | leading lady | leading man | love interest | tender

Deep Valley (1947)

Barry (Dolce)1:41:24 - Libby finds Barryconvict | death scene | finding | forest | fugitive | gentle | leading lady | leading man | love interest | resolution | searching

Deep Valley (1947)

Deep Valley (Delicato 2)1:41:39 - Libby goes to Barrycomforting | convict | crying | death scene | delicate | dying | forest | fugitive | gentle | leading lady | leading man | love interest | resolution | reuniting | tender

Deep Valley (1947)

Deep Valley (Dying)1:42:30 - Barry talks to Libbycomforting | convict | crying | death scene | delicate | dying | forest | fugitive | gentle | leading lady | leading man | love interest | resolution | reuniting | tender

Deep Valley (1947)

Passing away1:43:19 - Barry diesconvict | death | death scene | delicate | dying | forest | fugitive | gentle | leading lady | leading man | love interest | mickey-mousing | resolution | tender
Dust Be My Destiny (1939)Dust Be My Destiny (Expectant)0:18:08 - Mabel leavesadvance plot | expectant | gentle | guard | hopeful | leading lady | leading man | pedal tone | prison | prisoner | sweet

Dust Be My Destiny (1939)

Dust Be My Destiny (Denied)0:18:23 - Mabel talks to Joeconflict | deceptive resolution | denial | expectant | gentle | guard | hopeful | leading lady | leading man | prison | prisoner | stinger | sweet

Dust Be My Destiny (1939)

Dust Be My Destiny (In Love)0:27:22 - Joe and Mabel talk9th chord | added-note chord | advance plot | common-tone diminished 7th | freedom | gentle | leading lady | leading man | mode mixture | runaway | secondary dominant | street | walking

Dust Be My Destiny (1939)

Dust Be My Destiny (Delicatessen)0:43:38 - Mabel and Nick talkcommon-tone diminished 7th | develop character | diner | friend | gentle | leading lady | leading man | secondary dominant | shopkeeper

Dust Be My Destiny (1939)

Dust Be My Destiny (In Love)0:43:51 - Mabel and Nick talk9th chord | develop character | diner | friend | gentle | leading lady | leading man | shopkeeper

Dust Be My Destiny (1939)

Dust Be My Destiny (Delicatessen)0:44:01 - Mabel and Nick talkcommon-tone diminished 7th | develop character | diner | friend | gentle | leading lady | leading man | secondary dominant | shopkeeper

Dust Be My Destiny (1939)

My Wild Irish Rose (Waltz)0:44:17 - Mabel and Nick talkdevelop character | diner | familiar tune | friend | gentle | leading lady | leading man | on-screen music | pedal tone | popular song | shopkeeper | singing | source music

Dust Be My Destiny (1939)

Dust Be My Destiny (Calm)0:44:32 - Mabel and Nick talkadded-note chord | altered dominant | develop character | diner | friend | gentle | leading lady | leading man | shopkeeper

Dust Be My Destiny (1939)

Dust Be My Destiny (Religioso)1:22:41 - Mabel testifies for Joe11th chord | chromatic parallelism | common-tone diminished 7th | courtroom | crowd | diminished 7th chord | gentle | judge | jury | leading lady | leading man | loving | mode mixture | parallel double period | plagal cadence | sincere | suspect | tender | trial
Each Dawn I Die (1939)Frank (Released)1:28:49 - Frank is released9th chord | altered dominant | artwork in score | conclusion | embracing | friend | gentle | goodbye | leading lady | leading man | Neapolitan | passionate | peaceful
Flamingo Road (1949)Flamingo Road (Chapter One)0:00:54 - Chapter one from Flamingo Roadchromatic mediant | common-chord modulation | establish setting | gentle | mode mixture | self-borrowing | street | voice-over

Flamingo Road (1949)

Lane (Hopeful)0:41:58 - Lane talks to a fellow prisoneradvance plot | conversing | deceptive resolution | gentle | hopeful | leading lady | pedal tone | prison | prisoner

Flamingo Road (1949)

Lane (Lento)0:50:04 - Dan meets Laneadded-note chord | conversing | countermelody | gentle | graceful | leading lady | leading man | love interest | lovers meet | politician | room

Flamingo Road (1949)

Lane (Chromatic)0:50:24 - Lane ties Dan's tie9th chord | chromatic parallelism | conversing | dark | gentle | leading lady | leading man | love interest | lovers meet | politician | room

Flamingo Road (1949)

Lane0:50:59 - Lane gives Dan his moneyconversing | delicate | gentle | leading lady | leading man | love interest | lovers meet | mode mixture | pleasant | politician | room

Flamingo Road (1949)

Lane (Bell-like)0:54:43 - Lane gives Dan some changefragmentation | gentle | giving | leading lady | leading man | love interest | love scene | politician | porch | receiving | sweet

Flamingo Road (1949)

Flamingo Road (Expressivo)1:02:07 - The gate to 32 Flamingo Road11th chord | added-note chord | arriving | gentle | husband | leading man | self-borrowing | sign | street | transition

Flamingo Road (1949)

Flamingo Road (Tenderly)1:03:58 - Dan and Lane have teaadvance plot | conversing | gentle | husband | leading lady | leading man | mode mixture | room | self-borrowing | serving | tea | wife

Flamingo Road (1949)

Flamingo Road (Andante)1:24:05 - Lane goes to get a drink for Fieldaltered dominant | chromatic parallelism | dark | death scene | gentle | gunshot | hopeful | leading lady | leading man | love interest | mode mixture | room | self-borrowing | suicide | walking | warm
Hell on Frisco Bay (1955)Hell on Frisco Bay0:00:24 - Title of film and cast listcast list | conductor score | gentle | lyrical | opening title sequence

Hell on Frisco Bay (1955)

Hell on Frisco Bay0:02:01 - Marcia embraces Steveconductor score | embracing | establish character | friend | gentle | leading lady | leading man | street

Hell on Frisco Bay (1955)

Lye0:16:52 - Amato talks to Lyeantagonist | conductor score | conversing | establish character | gangster | gentle | office

Hell on Frisco Bay (1955)

Georgie0:36:40 - George talks to his sonadvance plot | caring | child | conductor score | embracing | father | gentle | room | tender

Hell on Frisco Bay (1955)

Steve0:38:01 - Steve shakes Georgie's handadvance plot | cheerful | child | conductor score | gentle | investigator | leading man | street | thanking

Hell on Frisco Bay (1955)

Anna0:46:05 - Anna talks with Amatoantagonist | conductor score | conversing | establish character | gangster | gentle | leading man | room | sentimental | warning | wife | worrying

Hell on Frisco Bay (1955)

Anna0:48:38 - Anna comforts Marioadvance plot | comforting | conductor score | gangster | gentle | room | sentimental | wife

Hell on Frisco Bay (1955)

Steve1:01:01 - Steve talks to Marciaconductor score | conversing | entering | gentle | leading lady | leading man | love scene | room

Hell on Frisco Bay (1955)

Underscoring (Subtle)1:01:30 - Marcia talks to Steveconductor score | conversing | gentle | leading lady | leading man | love scene | room | underscoring

Hell on Frisco Bay (1955)

Steve1:04:47 - Steve hangs up the phoneadvance plot | conductor score | dark | gentle | investigator | leading man | room | waiting

Hell on Frisco Bay (1955)

Anna1:04:54 - Anna talks to Amatoadvance plot | antagonist | conductor score | conversing | dark | gangster | gentle | leading man | room | wife

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:19:28 - Marcia talks to Steveclub | conductor score | conversing | gentle | grand | leading lady | leading man | love scene

Hell on Frisco Bay (1955)

Kay1:28:35 - Steve leaves with Kaycomforting | gentle | investigator | leading man | leaving | love interest | room | turning point | witness

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:28:48 - Marcia wakes up and answers the doorgentle | leading lady | room | turning point | waking

Hell on Frisco Bay (1955)

Steve1:36:31 - Steve surfacesdock | gentle | heroic | inspector | leading man | resolution from here on? | swimming

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:37:36 - Steve goes to his wifearriving | dock | gentle | inspector | leading lady | leading man | romantic

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:37:52 - Steve and Marcia leave togetherdock | gentle | inspector | leading lady | leading man | peaceful | romantic | walking
Her Kind of Man (1946)Gambling0:18:58 - Miamibeach | casino | conversing | croupier | crowd | excited | gambler | gambling | gentle | grand | jockey | leading man | montage | montage | racetrack | racing | riding

Her Kind of Man (1946)

Underscoring (Gentle)0:19:34 - A telegramgambler | gentle | leading man | montage | montage | reading | room | telegram | underscoring

Her Kind of Man (1946)

Just Make Believe0:20:58 - Don talks to a manadvance plot | conversing | gentle | leading man | manager | on-screen music | piano | reporter | source music | stage

Her Kind of Man (1946)

Underscoring (Gentle)0:33:47 - Don leavescrew | departing | gentle | leading man | manager | reporter | street | theater | transition | underscoring
I Was a Communist for the FBI (1951)Family0:25:26 - Matt looks at a photo albumadvance plot | baby | common-tone modulation | deceptive resolution | double exposure | flashback | foreign key modulation | gentle | leading man | letter | looking | love | memory | mode mixture | photograph | room | self-borrowing | sentimental | smiling | son | tender | thinking | undercover agent | voice-over | writing

I Was a Communist for the FBI (1951)

Family (Molto Expressivo)0:26:15 - Matt writes a letter to his son9th chord | added-note chord | advance plot | baby | deceptive resolution | double exposure | flashback | foreign key modulation | gentle | leading man | letter | looking | love | memory | photograph | room | self-borrowing | sentimental | smiling | son | tender | thinking | undercover agent | voice-over | writing

I Was a Communist for the FBI (1951)

Family1:21:44 - Matt is reunited with his son and brotherbrother | conversing | gentle | leading man | love | mode mixture | resolution | reuniting | self-borrowing | son | tender | undercover agent

I Was a Communist for the FBI (1951)

Family (Con Moto)1:22:03 - Matt talks to his sonbrother | conversing | gentle | leading man | love | peaceful | resolution | reuniting | self-borrowing | son | tender | undercover agent
In This Our Life (1942)Asa (Expressivo)0:02:33 - Asa walksconversing | deceptive resolution | establish character | gentle | mode mixture | noble | pedal tone | street | walking | worker

In This Our Life (1942)

Roy0:02:59 - Roy descends a staircase64 chord | conversing | daughter | delicate | establish character | father | foreign key modulation | gentle | greeting | leading lady | maid | room

In This Our Life (1942)

Roy (Dolce)0:12:06 - Roy talks with Stanleyadded-note chord | altered dominant | conversing | establish character | gentle | half-diminished 7th chord | leading lady | room | sequence | sister | sweet

In This Our Life (1942)

Roy (Triste)0:12:54 - Roy walks up the stairs9th chord | altered dominant | countermelody | establish character | foreign key modulation | gentle | leading lady | room | somber | walking

In This Our Life (1942)

Roy (Risoluto)0:22:40 - Roy talks to Asa64 chord | chromatic parallelism | conflict | conversing | deceptive resolution | father | gentle | leading lady | room

In This Our Life (1942)

Roy (Tender)0:30:21 - Craig talks to Roy64 chord | advance plot | conversing | deceptive resolution | gentle | leading lady | leading man | mode mixture | park | sweet

In This Our Life (1942)

Roy (Delicate)0:50:40 - Roy arrives at Stanley's apartmentadvance plot | arriving | deceptive resolution | foreign key modulation | friend | gentle | leading lady | room | sweet

In This Our Life (1942)

Underscoring (Gentle)0:50:58 - Roy talks with Bettyadded-note chord | advance plot | chromatic parallelism | conversing | friend | gentle | leading lady | parallelism | room | tender | underscoring | whole-tone chord

In This Our Life (1942)

Door opens0:51:37 - Betty opens the dooradvance plot | door | friend | gentle | leading lady | mickey-mousing | opening | room | whole-tone chord

In This Our Life (1942)

Caring0:51:39 - Roy greets Stanley9th chord | advance plot | arriving | chromatic parallelism | gentle | leading lady | room | sister | tender | widow

In This Our Life (1942)

Stanley (Peter Lies)0:51:55 - Roy at Stanley's bedside9th chord | advance plot | appoggiatura | conversing | gentle | leading lady | room | sister | widow

In This Our Life (1942)

Stanley (Packing)0:52:23 - Roy at Stanley's bedside9th chord | advance plot | appoggiatura | conversing | gentle | leading lady | room | sister | tense | widow

In This Our Life (1942)

Stanley0:53:23 - Roy comforts Stanley9th chord | advance plot | appoggiatura | circle of fifths | comforting | crying | gentle | leading lady | room | sister | widow

In This Our Life (1942)

Roy (Tender)0:54:15 - Roy tucks Stanley in64 chord | advance plot | augmented sixth chord | conversing | foreign key modulation | gentle | leading lady | room | sister | widow

In This Our Life (1942)

Love Theme (Gentle)1:27:58 - Roy talks to Craig9th chord | accusing | altered dominant | climax | conversing | criminal | crying | embracing | gentle | iii chord | lawyer | leading lady | leading man | room | sneaking | tender
The Informer (1935)The Minstrel Boy0:25:32 - Man sings a folk tune at the street corner9th chord | AABA structure | advance plot | angelic | antagonist | calm | familiar tune | folk song | gentle | leading man | listening | mode mixture | mourner | mourning | on-screen music | playing | praying | singer | singing | street | violinist | watching

The Informer (1935)

Dan and Mary (Legato)1:07:46 - Gypo looks at Maryantagonist | courtroom | courtroom scene | delicate | gentle | headquarters | leading man | pedal tone | room | sister | suspect | watching

The Informer (1935)

Dan and Mary (Begging)1:25:53 - Katie talks to Mary about loving Gypoadvance plot | begging | gentle | leading lady | love interest | rebel | room | sequence | tender

The Informer (1935)

The Informer (Pathetic)1:29:48 - Gypo stumbles toward Frankie's motherantagonist | church | climax | diminished 7th chord | dying | gentle | leading man | main theme | pedal tone | somber | stumbling | traitor | walking

The Informer (1935)

Sancta Maria1:30:27 - Frankie's mother forgives Gypoantagonist | church | climax | confessing | dying | gentle | leading man | mother | sacred | somber | suspension | traitor
Key Largo (1948)Expressivo0:52:37 - Mr. Temple is helped down the stairsadvance plot | boss | father | gangster | gentle | helping | hostage | hotel | leading lady | leading man | noble | stairs

Key Largo (1948)

McCloud (Molto Expressivo)1:07:31 - McCloud wakes Nora after the stormconversing | gentle | hotel | leading lady | leading man | love interest | love scene | resting | romance | waking | warm

Key Largo (1948)

McCloud (Delicato)1:08:14 - McCloud talks with Noraconversing | delicate | father | gentle | hotel | leading lady | leading man | love interest | love scene | warm
The Letter (1940)Robert and Leslie0:15:28 - Robert comforts Leslieadvance plot | appoggiatura | comforting | crying | gentle | home | leading lady | love theme | murder | pedal tone | sigh gesture | suspension

The Letter (1940)

Leslie (Delicato)0:21:46 - Men admire needlepointadvance plot | changing meter | conversing | delicate | foreign key modulation | gentle | home | lacework | lawyer | leading lady | minor-major 7th chord | oscillation | polychord | sequence

The Letter (1940)

Robert and Leslie (Tense)1:27:06 - Leslie talks to Robertchromatic mediant | climax | conversing | gentle | home | husband | leading lady | love theme | Neapolitan | suspension | tender | tense

The Letter (1940)

Mrs. Hammond (Missing Dagger)1:29:49 - Leslie opens the doorChinese | climax | dagger | door | gentle | home | leading lady | mysterious | open fifth | opening | parallel fifths | parallelism | pentatonic
Lightning Strikes Twice (1951)Trev0:07:18 - Myra talks about finding Trevactor | conversing | establish character | father | gentle | hotel | leading lady | mother | owner

Lightning Strikes Twice (1951)

Shelly and Trev (Tenderly)0:41:54 - Pedro tells Shelly where Trev isactor | advance plot | conversing | friend | gentle | leading lady | ranch | tender | worker

Lightning Strikes Twice (1951)

Shelly 2 (Dolcissimo)0:44:07 - Shelly looks at Trevactor | cliff | conversing | countryside | falling in love scene | gentle | leading lady | leading man | love interest | romance | romantic | suspect

Lightning Strikes Twice (1951)

Shelly 2 (Romantic)0:45:51 - Shelly talks with Trevactor | cliff | conversing | countryside | departing | falling in love scene | gentle | leading lady | leading man | love interest | romantic | suspect | underscoring

Lightning Strikes Twice (1951)

Shelly (Molto Expressivo)0:48:29 - Shelly packs her bagsactor | gentle | leading lady | luggage | packing | ranch | transition

Lightning Strikes Twice (1951)

Trev (Tenderly)1:06:09 - Trev kisses Shellyactor | crying | embracing | gentle | kissing | leading lady | leading man | love interest | love scene | marriage | proposal | ranch | romantic | suspect
Mildred Pierce (1945)Mildred B0:00:52 - Cast list and wave effect9th chord | appoggiatura | cast list | chromatic mediant | deceptive resolution | enharmonic modulation | foreign key modulation | gentle | mickey-mousing | name on screen | opening title sequence | optimistic | romantic | sequential modulation | water | wave

Mildred Pierce (1945)

Flashback starts0:20:16 - Flashback to the pastdouble exposure | establish character | flashback | gentle | heroine | leading lady | mickey-mousing | street

Mildred Pierce (1945)

Bert0:20:18 - Bert comes home9th chord | added-note chord | arriving | common-chord modulation | cooking | establish character | flashback | gentle | heroine | husband | leading lady | mode mixture | room | self-borrowing | street

Mildred Pierce (1945)

Waltz Brillante0:26:39 - Veda plays the pianoadvance plot | child | classical music | conversing | dancing | familiar tune | gentle | heroine | leading lady | on-screen music | parallel period | playing | room | source music | waltz

Mildred Pierce (1945)

Waltz Brillante0:27:21 - Veda plays the pianoadvance plot | child | classical music | conversing | familiar tune | gentle | heroine | leading lady | on-screen music | playing | room | source music | waltz

Mildred Pierce (1945)

Mildred (Delicate)0:32:04 - Mildred walks up the stairsadvance plot | gentle | heroine | leading lady | parallelism | pedal tone | room | up | walking

Mildred Pierce (1945)

Bert (Tenderly)1:39:33 - Mildred thanks Bertadvance plot | ex-husband | gentle | heroine | leading lady | mother | room | sweet | thanking
The Life of Vergie Winters (1934)Stars and Stripes Forever (Allegro)0:46:04 - Newspaper montage64 chord | added-note chord | gentle | leading lady | leading man | love interest | montage | patriotic tune | pedal tone | politician | soldier

The Life of Vergie Winters (1934)

Lullaby (Joan)0:50:31 - Joan enters Vergie's shopadvance plot | child | conversing | daughter | distortion | entering | foreign key modulation | fragmentation | gentle | harmonic sequence | leading lady | meeting | mother | octatonic scale | reunion | secret | shop | timid

The Life of Vergie Winters (1934)

Underscoring (Gentle)0:51:06 - Joan talks with Vergie9th chord | advance plot | altered dominant | augmented sixth chord | child | chromatic parallelism | conversing | daughter | foreign key modulation | gentle | half-diminished 7th chord | leading lady | mother | reunion | secret | shop | timid

The Life of Vergie Winters (1934)

Lullaby (Delicato)0:51:39 - Joan talks with Vergie9th chord | advance plot | child | conversing | daughter | gentle | leading lady | mother | parallel 63s | reunion | secret | shop

The Life of Vergie Winters (1934)

Underscoring (Gentle)0:51:52 - Vergie gives Joan a fan9th chord | advance plot | child | conversing | daughter | gentle | leading lady | mother | reunion | secret | shop

The Life of Vergie Winters (1934)

Lullaby (Solo Violin)0:52:06 - Vergie gets a ribbon for Joanadvance plot | child | common-chord modulation | conversing | daughter | fragmentation | gentle | leading lady | mother | reunion | secret | shop

The Life of Vergie Winters (1934)

Lullaby (Strings)0:52:30 - Vergie puts a ribbon in Joan's hairadvance plot | child | chromatic mediant | conversing | countermelody | daughter | direct modulation | gentle | leading lady | mode mixture | mother | pedal tone | reunion | secret | shop

The Life of Vergie Winters (1934)

Lullaby (Poco Con Moto)0:54:53 - Joan and Vergie talk about the future13th chord | altered dominant | conversing | dissonant bass | gentle | leading lady | leading man | longing | love scene | outside | pedal tone | secret love | secret lover | sigh gesture

The Life of Vergie Winters (1934)

Here Comes the Bride1:00:46 - Joan and Ranny talk about marriagecommon-chord modulation | conversing | daughter | familiar tune | gentle | love interest | love scene | peaceful | proposal | proposing | romantic | room | transcribed by ear

The Life of Vergie Winters (1934)

Lullaby (Clarinet Solo)1:00:58 - John and Laura talk about Joanadded-note chord | conflict | conversing | dramatic | gentle | leading man | peaceful | room | stinger | transcribed by ear | wife
Out of the Fog (1941)Russian Barcarolle (Expressivo)0:00:49 - Cast listcast list | folk-like | gentle | harbor | opening title sequence | peaceful | pedal tone

Out of the Fog (1941)

Underscoring (Gentle)0:26:51 - Jonah helps Olafchef | conflict | conversing | criminal | dock | extortion | father | fisherman | friend | gentle | helping | leading man | mickey-mousing | reacting | solemn | tender | threatening | underscoring

Out of the Fog (1941)

Father and Daughter0:33:12 - Jonah talks to Stellaadvance plot | conversing | crying | father | gentle | hugging | leading lady | mode mixture | room | tender
We Are Not Alone (1939)Boy runs downstairs0:03:07 - Gerald runs down the stairs9th chord | altered dominant | antagonist | boy | child | chromatic mediant | down | downstairs | establish character | foreign key modulation | gentle | home | mickey-mousing | mother | pedal tone | playful | running

We Are Not Alone (1939)

Surprise Symphony (Imagination)0:03:55 - David talks to his sonboy | child | chromatic parallelism | establish character | father | gentle | hero | home | playful | sweet | telling a story

We Are Not Alone (1939)

Surprise Symphony (Hug)0:05:14 - David hugs his sonboy | child | classical music | establish character | familiar tune | father | gentle | Haydn | hero | home | mode mixture | quotation

We Are Not Alone (1939)

Doctor0:08:10 - David sees Tommy (his patient)augmented sixth chord | boy | cat | delicate | establish character | foreign key modulation | gentle | hero | office

We Are Not Alone (1939)

Tommy (Lyrical)0:09:34 - David gets some medicine for Tommy9th chord | boy | cat | doctor | establish character | gentle | hero | lyrical | Mozart | office | peaceful

We Are Not Alone (1939)

I Do Like to Be Beside the Seaside0:10:56 - David visits an injured Lenichromatic mediant | deceptive resolution | doctor | establish character | familiar tune | foreign key modulation | gentle | hero | heroine | mode mixture | quotation | room | step modulation

We Are Not Alone (1939)

Surprise Symphony (Quasi Rubato)0:12:46 - David treats Leni's legclassical music | doctor | establish character | familiar tune | fragmentation | gentle | Haydn | hero | heroine | parallelism | playful | quotation | room

We Are Not Alone (1939)

Surprise Symphony (Humbly)0:13:10 - David treats Leni's legclassical music | common-tone diminished 7th | doctor | establish character | familiar tune | fragmentation | gentle | Haydn | hero | heroine | hymn-like | quotation | room | sweet

We Are Not Alone (1939)

Frohe Botschaft (Drifting)0:38:09 - Jessica tells Leni to leavealtered dominant | antagonist | chromatic parallelism | conflict | conversing | familiar tune | folk song | gentle | German | heroine | home | quotation | sinister | tense | whole-tone chord

We Are Not Alone (1939)

Triste0:50:45 - David talks to Leniadvance plot | common-chord modulation | conversing | gentle | hero | heroine | home | room | sad

We Are Not Alone (1939)

Surprise Symphony (Allegretto)1:14:16 - David helps Leni buy a ticketadvance plot | classical music | conversing | familiar tune | fragmentation | gentle | Haydn | hero | heroine | optimistic | pedal tone | quotation | sequence | sweet | train station

We Are Not Alone (1939)

Frohe Botschaft (Drifting)1:14:30 - David gives Leni money for her travels altered dominant | arrest | arresting | chromatic parallelism | conflict | conversing | dark | death | familiar tune | folk song | gentle | German | happy | hero | heroine | mode mixture | murder | police | quotation | sad | sweet | tense | train station | whole-tone chord

We Are Not Alone (1939)

Surprise Symphony (Someday)1:39:55 - David is hopeful64 chord | classical music | comforting | conversing | deceptive resolution | dream-like | familiar tune | foreign key modulation | gentle | Haydn | hero | heroine | imagining | love scene | prison | quotation | sweet

We Are Not Alone (1939)

Surprise Symphony (Acceptance)1:47:27 - David talks to the prison guardsadvance plot | classical music | familiar tune | gentle | Haydn | hero | mode mixture | plagal cadence | prison | quotation | reverse picardy | sweet

We Are Not Alone (1939)

Surprise Symphony (Whistling)1:48:34 - David whistles as he thinksadvance plot | augmentation | classical music | deceptive resolution | familiar tune | gentle | Haydn | hero | on-screen music | pedal tone | prison | quotation | score to source | source music | sweet | whistling
The Woman in White (1948)The Carman's Whistle0:02:16 - Walter asks for directionscalm | directions | establish place | establish setting | establish time | forest | gentle | leading man | Renaissance music | voice-over | walking | worker

The Woman in White (1948)

Ann 20:04:13 - The woman in white talks to Walterconversing | establish character | forest | gentle | leading lady | leading man | warm

The Woman in White (1948)

Underscoring (Gentle)0:06:56 - Walter meets Marianarriving | butler | establish character | gentle | leading lady | leading man | mansion | underscoring

The Woman in White (1948)

The Carman's Whistle (Sordini)0:11:18 - Count Fosco talks with Walteradvance plot | conversing | gentle | leading man | mansion

The Woman in White (1948)

Fairlie (Poco Meno)0:12:33 - They arrive at Mr. Fairlie's roomarriving | butler | establish character | gentle | leading man | mansion

The Woman in White (1948)

Fairlie (Gentle)0:12:57 - Walter enters Mr. Fairlie's roomarriving | butler | establish character | gentle | leading man | mansion

The Woman in White (1948)

Fairlie0:18:35 - Walter leaves Mr. Fairlieadvance plot | butler | gentle | leading man | room | walking

The Woman in White (1948)

The Carman's Whistle (Accompaniment)0:19:09 - Walter walks to the windowadvance plot | gentle | leading man | room | walking

The Woman in White (1948)

Laura0:21:27 - Walter talks with Laurabutler | conversing | establish character | family | gentle | leading lady | leading man | refined | room | walking

The Woman in White (1948)

Laura (Harp Countermelody)0:22:03 - The Fairlies sit at the tablebutler | conversing | establish character | family | gentle | leading lady | leading man | refined | room | walking

The Woman in White (1948)

Pavan (Harpsichord)0:26:05 - Laura plays the harpsichordadvance plot | butler | conversing | family | gentle | harpsichord | leading lady | leading man | on-screen music | playing | Renaissance music | room | source music

The Woman in White (1948)

Fairlie (Expressivo)0:30:58 - Marian talks to Walteradvance plot | conversing | cousin | gentle | leading lady | leading man | refined | room

The Woman in White (1948)

Laura (Harp Countermelody)0:36:14 - Laura runs insideadvance plot | arriving | fiancé | gentle | leading lady | leading man | mansion | running

The Woman in White (1948)

The Self Banished (Somber)0:39:27 - Marian talks to Walteradvance plot | bad news | conversing | cousin | garden | gentle | heartbroken | leading lady | leading man | somber

The Woman in White (1948)

The Carman's Whistle (Accompaniment)0:39:58 - Walter wanders the groundsadvance plot | crying | garden | gentle | leading lady | leading man | listening | walking | wandering

The Woman in White (1948)

Ann 20:40:33 - Walter talks to the woman in whiteadvance plot | conversing | crying | garden | gentle | leading lady | leading man | remembering | tender

The Woman in White (1948)

Ann 20:41:22 - The woman in white talks to Walteradvance plot | conversing | garden | gentle | leading lady | leading man | tender

The Woman in White (1948)

Ann 20:41:49 - The woman in white talks to Walteradvance plot | conversing | garden | gentle | leading lady | leading man | tender

The Woman in White (1948)

The Carman's Whistle (Accompaniment)0:43:31 - The woman in white talks to Walteradvance plot | conversing | garden | gentle | leading lady | leading man

The Woman in White (1948)

The Self Banished (Tenderly)0:46:47 - Marion talks to Walterbutler | conflict | conversing | cousin | fiancé | gentle | leading lady | leading man | mansion | tender

The Woman in White (1948)

Fairlie (Meno)0:51:08 - Marian looks at Limmeridge Houseadvance plot | arriving | conversing | cousin | gentle | leading lady | mansion | servant | warm

The Woman in White (1948)

The Self Banished (Somber)0:59:47 - Marian talks to Lauraadvance plot | conversing | cousin | gentle | leading lady | room | somber

The Woman in White (1948)

Ann (Poco Agitato)1:09:55 - The woman in white talks to Lauraadvance plot | agitated | calm | conversing | gentle | headache | illness | leading lady | pain | room | superimposed shot | victim

The Woman in White (1948)

Adagio1:13:26 - The countess helps Lauraadvance plot | gentle | helping | illness | leading lady | room | servant | sleeping | tense | victim | whispering | wife

The Woman in White (1948)

Ann (Lyrical)1:15:15 - The countess approaches the woman in whiteadvance plot | gentle | helping | leading lady | lyrical | room | sleeping | sneaking | victim | wife

The Woman in White (1948)

Ann 21:15:31 - The countess tends to the woman in whiteadvance plot | gentle | helping | leading lady | room | sleeping | sneaking | stinger | tender | victim | wife

The Woman in White (1948)

Ann 21:17:48 - The woman in white talks to Lauraconversing | death scene | gentle | leading lady | room | tender | victim | wife

The Woman in White (1948)

The Self Banished1:31:42 - Walter Kisses Marianconversing | embracing | friend | gentle | kissing | leading lady | leading man | leaving | love interest | love scene | romantic | room | thematic transference

The Woman in White (1948)

Ann 21:36:07 - Laura asks a man for helpasking | escape | gentle | leading lady | patient | street | tender | victim | wife
Transgression (1931)Main Title0:00:15 - Title of film, starring list, cast listAABA structure | altered dominant | cast list | gentle | happy | harmonic sequence | leading lady | mode mixture | opening title sequence | plagal cadence | pleasant | running | starring list | title of film | transcribed by ear

Transgression (1931)

Main Title (Ending)1:09:15 - The Endembracing | end title sequence | gentle | happy | husband | leading lady | pleasant | The End | transcribed by ear
Thirteen Women (1932)Serenade0:28:11 - Jo plays the pianoadvance plot | calm | common-tone diminished 7th | conversing | friend | gentle | on-screen music | piano | playing | room | secondary dominant | self-borrowing | sentence form | source music | transcribed by ear
We're Only Human (1935)Silver Lining0:13:56 - Pete and Sally in a restaurantconversing | date | detective | flirting | gentle | leading lady | leading man | love interest | love scene | reporter | restaurant | source music
Girl of the Rio (1932)Querida0:48:40 - Dolores sees JohnnyABAC structure | conversing | gentle | guard | leading lady | leading man | love interest | love scene | romantic | singer | terrace
The Most Dangerous Game (1932)The Open Sea0:01:20 - A buoy on the open seaboat | boat | calm | clock | gentle | ocean | sailing | transition
All This, and Heaven Too (1940)Henriette (Resolution) + Falling Snow (Resolution)2:22:03 - Henry talks to Henriette9th chord | chromatic parallelism | combination of themes | conversing | diminished third chord | gentle | leading lady | minister | mode mixture | promising | resolution | school | snow | teacher
Mara Maru (1952)Manuelo (Meno)0:04:10 - Gregory stands upboat | boat | child | conversing | diver | establish character | gentle | leading man | worker | working

Mara Maru (1952)

Manuelo (Stinger)0:14:44 - Gregory arrives homearriving | discovering | dramatic | gentle | leading man | room | stinger | transition | unconcious | worker

Mara Maru (1952)

Nassau0:27:20 - People in a clubclub | conversing | crowd | drinking | establish character | exotic | gentle | leading man | private eye | waitress

Mara Maru (1952)

Raining1:09:57 - It begins to raincaptain | gentle | leading man | love scene | mickey-mousing | rain | rain effect | raining | sailing | ship | ship | thinking