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296 results for "antagonist" in 13 films — see also person | villain

FilmTheme nameInstanceTags
The Amazing Dr. Clitterhouse (1938)Rocks (Double Cross)0:48:56 - Rocks thinks of a double-crossantagonist | chromatic parallelism | criminal | diminished 7th chord | doctor | double-cross | dramatic | gangster | leading man | murderer | murdering | plotting | robbery | sinister | store | thief | trapping

The Amazing Dr. Clitterhouse (1938)

The Motor0:49:21 - Rocks starts the refrigeration motorantagonist | anxious | criminal | diminished 7th chord | doctor | double-cross | dramatic | gangster | gauge | leading man | lowering | machine | mickey-mousing | motor | murderer | murdering | ostinato | panicking | pedal tone | pounding | robbery | spinning | store | temperature | tense | thief | trapping | whirling | yelling

The Amazing Dr. Clitterhouse (1938)

Rocks goes downstairs0:50:05 - Rocks goes down the stairsantagonist | anxious | criminal | descending | diminished 7th chord | double-cross | dramatic | gangster | mickey-mousing | murderer | robbery | stairs | store | temperature | tense | thief | walking

The Amazing Dr. Clitterhouse (1938)

Rocks (Sneaking) + The Motor0:50:14 - Rocks sneaks around in the darkantagonist | anxious | combination of themes | criminal | diminished 7th chord | doctor | double-cross | dramatic | gangster | leading man | motor | murderer | ostinato | robbery | sneaking | store | temperature | tense | thief

The Amazing Dr. Clitterhouse (1938)

The Amazing Doctor (Rocks) + Rocks (The Amazing Doctor)0:50:33 - Rocks goes out to the truckantagonist | anxious | combination of themes | criminal | dissonant bass | double-cross | dramatic | gangster | lying | murderer | pc set | robbery | street | tense | thief | tritone

The Amazing Dr. Clitterhouse (1938)

Rocks0:57:55 - Rocks has an ideaadvance plot | antagonist | gangster | plotting | room | tense

The Amazing Dr. Clitterhouse (1938)

Jo (At the Phone)0:59:24 - Rocks takes the phone apart9th chord | advance plot | antagonist | combination of themes | dark | gangster | leading lady | ominous | plotting | room | tense

The Amazing Dr. Clitterhouse (1938)

Underscoring (Tense)1:00:10 - Jo and Rocks quarreladvance plot | antagonist | arguing | dissonant bass | gangster | half-diminished 7th chord | leading lady | quarreling | room | tense
The Big Sleep (1946)Underscoring (Tense)0:18:57 - Geiger enters car9th chord | antagonist | car | departing | oscillation | rain | street | tense | transition | underscoring

The Big Sleep (1946)

Hurrying0:19:26 - Geiger enters his houseantagonist | car | chromatic sequence | fragmentation | mysterious | parallelism | rain | street | tense | transition | walking

The Big Sleep (1946)

Action0:21:04 - Marlowe runs to the houseaction scene | antagonist | chromatic parallelism | chromatic scale | chromatic sequence | chromatic wedge | diminished 7th chord | dramatic | hurrying | leading man | pc set | private eye | running | street | tense | underscoring

The Big Sleep (1946)

Running down0:21:13 - Feet running down the stairsaction scene | antagonist | chromatic parallelism | chromatic scale | descending | dramatic | half-diminished 7th chord | hurrying | mickey-mousing | running | street | tense
Crime School (1938)The Warden0:23:15 - Warden stands up to face the boysantagonist | arguing | augmented triad | authority | chromatic parallelism | establish character | falling | gang | lightning | ominous | police | reformatory | slapping | stinger | teenager | warden | whole-tone chord

Crime School (1938)

Peeking1:12:11 - Cooper peeks out from the window antagonist | authority | escape | mickey-mousing | mysterious | peeking | police | reformatory | whole-tone chord

Crime School (1938)

Resolution1:22:31 - Sue enters the room 42 chord | antagonist | calm | chromatic parallelism | chromatic scale | comical | conversing | hero | leading man | reformatory | resolution | resolution | tense | tritone
Hell on Frisco Bay (1955)Spring Song0:14:56 - Amato talks to Marioantagonist | conductor score | conversing | dark | establish character | gangster | menacing | office | tritone

Hell on Frisco Bay (1955)

Underscoring (Mysterious)0:15:33 - Amato talks to Lyeantagonist | conductor score | conversing | establish character | gangster | mysterious | office | underscoring

Hell on Frisco Bay (1955)

Amato0:15:44 - Amato talks to Lyeantagonist | conductor score | conversing | establish character | gangster | harsh | office

Hell on Frisco Bay (1955)

Lye0:16:52 - Amato talks to Lyeantagonist | conductor score | conversing | establish character | gangster | gentle | office

Hell on Frisco Bay (1955)

Face twitching0:16:59 - Lye's face twitchesantagonist | comical | conductor score | establish character | gangster | mickey-mousing | office | twitching

Hell on Frisco Bay (1955)

Menace0:17:13 - Gangsters talkantagonist | conductor score | conversing | establish character | gangster | office | ominous

Hell on Frisco Bay (1955)

Amato0:17:47 - Gangsters talkantagonist | conductor score | conversing | establish character | gangster | harsh | office

Hell on Frisco Bay (1955)

Underscoring (Dark)0:19:33 - Amato slaps old manantagonist | conductor score | conversing | dark | establish character | gangster | office | slapping | stinger | underscoring

Hell on Frisco Bay (1955)

Menace0:19:43 - Amato talks to old manantagonist | conductor score | dark | establish character | gangster | office | yelling

Hell on Frisco Bay (1955)

Menace0:20:30 - Amato talks to Lyeantagonist | conductor score | conversing | dark | establish character | gangster | office

Hell on Frisco Bay (1955)

Amato0:20:40 - Amato leavesantagonist | conductor score | conversing | establish character | gangster | office | ominous

Hell on Frisco Bay (1955)

Kay0:20:48 - Lye goes to see Kayantagonist | conductor score | conversing | establish character | gangster | kissing | love interest | lyrical | romantic | street

Hell on Frisco Bay (1955)

Anna0:46:05 - Anna talks with Amatoantagonist | conductor score | conversing | establish character | gangster | gentle | leading man | room | sentimental | warning | wife | worrying

Hell on Frisco Bay (1955)

Amato0:47:01 - Amato talks with Lyeadvance plot | antagonist | brash | conductor score | conversing | gangster | harsh | leading man | room

Hell on Frisco Bay (1955)

Face twitching0:47:44 - Amato talks with Lyeadvance plot | antagonist | conductor score | conversing | gangster | leading man | room | uneasy

Hell on Frisco Bay (1955)

Amato0:48:03 - Amato teases Lyeadvance plot | agitated | antagonist | arguing | conductor score | gangster | leading man | room

Hell on Frisco Bay (1955)

Amato0:48:11 - Amato threatens Lyeadvance plot | antagonist | arguing | brash | conductor score | dark | gangster | leading man | room | threatening

Hell on Frisco Bay (1955)

Anna1:04:54 - Anna talks to Amatoadvance plot | antagonist | conductor score | conversing | dark | gangster | gentle | leading man | room | wife

Hell on Frisco Bay (1955)

Menace1:08:27 - Amato threatens Brodyadvance plot | antagonist | conductor score | dark | gangster | leading man | street | threatening

Hell on Frisco Bay (1955)

Amato1:08:39 - Amato arrivesadvance plot | antagonist | arriving | brash | conductor score | dark | gangster | leading man | stinger | street

Hell on Frisco Bay (1955)

Lye1:09:00 - Amato calls Lyeadvance plot | antagonist | calling | conductor score | conversing | gangster | leading man | stinger | street | uneasy

Hell on Frisco Bay (1955)

It Can't Be Wrong1:09:26 - Amato talks to Lyeadvance plot | antagonist | calm | conversing | gangster | leading man | room | source music
The Informer (1935)Blood Money (Extended)0:18:55 - British officer tosses money down on the tableantagonist | augmented triad | grabbing | leading man | money | mysterious | pivotal scene | police | police station | tense | tossing | tritone | whole-tone

The Informer (1935)

Blood Money (Counting Money)0:19:21 - Gypo closes the dooradvance plot | antagonist | counting | leading man | money | mysterious | street | tense | tritone

The Informer (1935)

Blind Man0:19:29 - Gypo meets the blind man64 chord | advance plot | antagonist | blind man | leading man | mysterious | street | walking

The Informer (1935)

Blood Money + Blind Man0:20:27 - Gypo looks at Frankie's poster againadvance plot | antagonist | combination of themes | leading man | looking | mysterious | poster | street | tense | whole-tone

The Informer (1935)

The Informer (Whiskey)0:20:46 - Gypo enters a pub64 chord | advance plot | antagonist | entering | hurrying | leading man | mysterious | pub | Scotch snap

The Informer (1935)

Blood Money (Whiskey)0:21:03 - Gypo takes his money out to pay the bartenderadvance plot | antagonist | bartender | leading man | money | mysterious | paying | pub | tense

The Informer (1935)

The Informer (Drinking)0:21:23 - Gypo takes a drinkadvance plot | antagonist | bartender | drinking | leading man | mysterious | octatonic | pub | Scotch snap | tense | tritone | whole-tone | whole-tone chord

The Informer (1935)

Blood Money (Worrying)0:21:57 - Gypo worries about what he has doneadvance plot | antagonist | augmented triad | drinking | hearing voices | leading man | mysterious | planning | pub | tense | thinking | tritone | whole-tone | worrying

The Informer (1935)

Katie (Triste)0:22:38 - Katie appears at the window64 chord | advance plot | antagonist | conversing | foreign key modulation | leading lady | leading man | parallelism | pub | sultry | watching

The Informer (1935)

Blood Money (Four Coins)0:23:15 - Bartender puts four coins on the tableadvance plot | antagonist | augmented triad | bartender | coin | counting | half-diminished 7th chord | leading lady | leading man | mickey-mousing | money | mysterious | placing | pub | tense

The Informer (1935)

The Informer (Lying)0:23:40 - Gypo lies about where he got the moneyadvance plot | antagonist | chromatic sequence | conversing | diminished 7th chord | dissonant bass | half-diminished 7th chord | leading lady | leading man | lying | octatonic | pub | Scotch snap | tense

The Informer (1935)

Blind Man + Blood Money0:24:45 - Blind man wanders in and Gypo gives him moneyadvance plot | antagonist | augmented triad | blind man | combination of themes | giving | leading lady | leading man | money | mysterious | ominous | street | walking

The Informer (1935)

The Informer (Bold)0:25:26 - Gypo storms off down the street64 chord | advance plot | antagonist | bold | determined | hurrying | leading lady | leading man | Scotch snap | street | walking

The Informer (1935)

The Minstrel Boy0:25:32 - Man sings a folk tune at the street corner9th chord | AABA structure | advance plot | angelic | antagonist | calm | familiar tune | folk song | gentle | leading man | listening | mode mixture | mourner | mourning | on-screen music | playing | praying | singer | singing | street | violinist | watching

The Informer (1935)

Blood Money (Delicato)0:28:43 - Gypo drops four coins on the floorantagonist | augmented triad | coin | dropping | leading man | mickey-mousing | money | mourner | pivotal scene | room | staring | tense | whole-tone

The Informer (1935)

The Informer (Tense)0:29:21 - Gypo defends himselfantagonist | coin | leading man | money | mourner | mysterious | pivotal scene | room | Scotch snap | staring | tense | whole-tone | whole-tone chord

The Informer (1935)

The Informer (Suspicion)0:29:47 - Gypo leaves the wake64 chord | antagonist | coin | crying | dissonant bass | dropping | giving | leading man | leaving | mickey-mousing | money | mourner | pivotal scene | room | Scotch snap | sigh gesture | somber | staring

The Informer (1935)

The Informer (Walking Fast)0:30:13 - Gypo storms off down the street64 chord | advance plot | antagonist | chromatic parallelism | diminished 7th chord | hurrying | leading man | Scotch snap | street | tense | walking

The Informer (1935)

The Informer (Burning Poster) + Blood Money0:32:03 - Gypo in rebel headquartersadvance plot | antagonist | burning | combination of themes | diminished 7th chord | fire | headquarters | leading man | mickey-mousing | mysterious | octatonic | rebel | rising | room | Scotch snap | tense | tone cluster

The Informer (1935)

Drinking Song 20:40:12 - Gypo sings a drunken songadvance plot | antagonist | drunk | leading man | on-screen music | singing | source music | street

The Informer (1935)

The Irish Washerwoman0:43:45 - People sing and dance in a pubadvance plot | antagonist | bar | familiar tune | folk song | happy | Irish | leading man | source music | whistling

The Informer (1935)

Blood Money0:44:44 - Gypo tosses money to the pub-keeperadvance plot | antagonist | bar | bartender | excited | giving | leading man | money

The Informer (1935)

The Irish Washerwoman (Pub) + Blood Money + The Wearin' o' the Green + The Informer0:44:52 - People celebrate in the pubadvance plot | antagonist | bar | chaotic | chromatic scale | close-up | combination of themes | crowd | dark | dissonant bass | excited | familiar tune | folk song | foreign key modulation | happy | heroic | Irish | layering | leading man | mob | mobbing | octatonic | parallelism | pedal tone | polytonality | rebel | serving | source to score | spying | tense | whole-tone | yelling | zoom in

The Informer (1935)

Katie (Gypo is Drunk)0:46:36 - Gypo tells the rebel about "somebody waiting for me"advance plot | antagonist | augmented sixth chord | breaking | drunk | leading man | street | transcribed by ear | walking

The Informer (1935)

He Is Me Darling-O0:47:03 - Gypo and another man sing drunkenly advance plot | Aeolian mode | antagonist | drunk | familiar tune | folk song | Irish | leading man | street | transcribed by ear | walking

The Informer (1935)

Katie (Poster)0:47:58 - Gypo looks at the America posteradvance plot | antagonist | leading man | pondering | poster | sentimental | street | transcribed by ear

The Informer (1935)

Blood money (Thinking)0:48:58 - Gypo pulls out and counts his moneyadvance plot | antagonist | conversing | leading man | money | mysterious | ostinato | pondering | street

The Informer (1935)

Katie (Thinking)0:49:37 - Gypo looks at the money and the poster9th chord | advance plot | antagonist | leading man | money | pondering | sentimental | street

The Informer (1935)

Here Comes the Bride0:49:55 - Dream sequence of a voyage to America64 chord | advance plot | antagonist | boat | double exposure | dreaming | familiar tune | leading lady | leading man | pedal tone | romantic | ship | street | vision | wedding

The Informer (1935)

My Man0:50:19 - Gypo talks with his friendAB structure | advance plot | antagonist | cheerful | conversing | leading man | party | source music | street

The Informer (1935)

Katie (Mistaken Identity)0:52:34 - Gypo thinks he sees Katie, but it's someone elseadvance plot | antagonist | augmented sixth chord | hallucinating | hallucination | leading lady | leading man | party | sentimental | transcribed by ear

The Informer (1935)

Dardanella0:53:41 - Gypo buys drinks at a partyAB structure | advance plot | antagonist | celebrating | cheerful | crowd | drinking | leading man | on-screen music | party | partying | source music

The Informer (1935)

Believe Me If All Those Endearing Young Charms0:55:32 - A woman prepares to sing a song at a partyadvance plot | antagonist | cheerful | crowd | leading man | on-screen music | party | playing | source music

The Informer (1935)

Believe Me If All Those Endearing Young Charms0:58:23 - Singing continues (from the previous scene)advance plot | antagonist | crowd | crying | familiar tune | folk song | leading man | on-screen music | party | sentimental | singing

The Informer (1935)

The Informer (King Gypo)1:01:03 - Gypo's friend brags about himadvance plot | antagonist | bragging | cheerful | crowd | friend | leading man | party | proud

The Informer (1935)

The Informer (Quiet!)1:01:27 - The rebels enter and start an argument64 chord | advance plot | antagonist | arguing | bold | crowd | dark | friend | interrupting | leading man | matching speech | mickey-mousing | party | rebel

The Informer (1935)

The Informer (Drunk)1:03:23 - Gypo walks down the street drunkadvance plot | antagonist | drunk | leading lady | leading man | marching | rebel | street

The Informer (1935)

The Informer (Molto Agitato)1:03:45 - Katie worries for Gypoadvance plot | antagonist | chromatic parallelism | conversing | drunk | half-diminished 7th chord | leading lady | leading man | rebel | street

The Informer (1935)

The Wearin' o' the Green (Fighting)1:03:51 - Gypo struggles with the rebels64 chord | advance plot | antagonist | chromatic parallelism | conversing | dominant 7th chord | drunk | familiar tune | fighting | folk song | fragmentation | leading lady | leading man | reassuring | rebel | sequence | street | struggling | syncopation

The Informer (1935)

Blood Money (Ostinato)1:04:10 - The rebels overhear Gypo talking about the moneyadvance plot | antagonist | conversing | drunk | leading lady | leading man | money | mysterious | ostinato | rebel | street | whole-tone chord

The Informer (1935)

Falling down the stairs1:06:19 - Gypo falls down the stairs9th chord | antagonist | chromatic scale | courtroom scene | down | dramatic | falling | headquarters | leading man | mickey-mousing | rebel | room | stairs | suspect

The Informer (1935)

Dan and Mary (Legato)1:07:46 - Gypo looks at Maryantagonist | courtroom | courtroom scene | delicate | gentle | headquarters | leading man | pedal tone | room | sister | suspect | watching

The Informer (1935)

Blind Man (Tribunal)1:08:08 - Gypo looks at the blind man64 chord | accusing | antagonist | blind man | chromatic scale | courtroom | courtroom scene | headquarters | leading man | pedal tone | room | serious | suspect | watching

The Informer (1935)

The Informer (Laughing)1:09:04 - Gypo laughs at Peteraccusing | antagonist | augmented sixth chord | bold | courtroom | courtroom scene | headquarters | leading man | octatonic | room | serious | suspect

The Informer (1935)

Blood Money (The Trial) + Blind Man (The Trial)1:15:13 - The rebels ask Gypo where he got the moneyantagonist | axis of symmetry | blind man | combination of themes | courtroom | courtroom scene | fanfare | headquarters | interrogating | interrogation | leading man | mirroring | money | mysterious | questioning | room | suspect

The Informer (1935)

Katie (The Trial)1:15:36 - The rebels ask Gypo about Katieantagonist | axis of symmetry | courtroom | courtroom scene | headquarters | interrogating | interrogation | leading man | mirroring | money | mysterious | questioning | room | suspect

The Informer (1935)

Blood Money (The Trial) + The Informer (The Trial)1:15:40 - Dan asks "Who was the informer?"antagonist | axis of symmetry | combination of themes | courtroom | courtroom scene | headquarters | interrogating | interrogation | inversion | leading man | mirroring | money | mysterious | questioning | room | suspect | whole-tone

The Informer (1935)

The Informer (Confession)1:16:00 - Gypo confesses and cries9th chord | altered dominant | antagonist | confessing | confession | courtroom | courtroom scene | crying | deceptive resolution | diminished 7th chord | dissonant bass | guilt | half-diminished 7th chord | headquarters | leading man | pedal tone | pedal tone | remorseful | room | traitor

The Informer (1935)

Katie (Despair)1:16:18 - Gypo confesses and criesantagonist | climax | confessing | confession | courtroom | courtroom scene | crying | dissonant bass | guilt | headquarters | leading man | remorseful | room | sequence | traitor

The Informer (1935)

The Informer (Tranquillo)1:16:35 - Gypo is taken awayantagonist | arresting | authentic cadence | climax | confessing | confession | courtroom | courtroom scene | crying | guilt | headquarters | hero | leading man | leaving | love interest | pleading | remorseful | room | traitor

The Informer (1935)

Blood Money (Ostinato)1:17:10 - Gypo waits in his cell while the rebels draw strawsadvance plot | antagonist | dripping | escaping | gun | headquarters | leading man | mysterious | ostinato | prison | rebel | room | shooting | tense | traitor | whispering | worrying

The Informer (1935)

The Escape1:19:46 - Gypo escapes and a chase ensuesadvance plot | antagonist | chromatic scale | dramatic | escaping | headquarters | hurrying | leading man | mickey-mousing | prison | rebel | room | running | traitor | whole-tone | whole-tone chord

The Informer (1935)

The Informer (Gypo Hides)1:20:38 - Gypo sees British soldiers marchingantagonist | hiding | leading man | marching | running | street | tense | traitor | transition

The Informer (1935)

The Informer (Adagio)1:21:15 - Gypo imagines Frankie's posterantagonist | hallucinating | hallucination | leading man | mysterious | street | suspension | traitor | transition

The Informer (1935)

Gypo runs away1:21:26 - Gypo runs and hidesagitated | antagonist | chromatic parallelism | diminished 7th chord | hiding | leading man | mickey-mousing | running | sequence | street | tense | traitor | transition

The Informer (1935)

The Informer (Up the Stairs)1:21:35 - Gypo goes up the stairs64 chord | agitated | antagonist | chromatic sequence | fragmentation | hallway | hiding | leading man | mickey-mousing | running | sequence | stairs | tense | traitor | transition | up

The Informer (1935)

Blood Money (Ostinato)1:22:00 - Gypo confesses to Katieantagonist | confessing | leading lady | leading man | love interest | love scene | money | ostinato | room | tense | traitor | whole-tone

The Informer (1935)

Katie (Allegro Appassionato)1:22:20 - Gypo talks to Katieantagonist | confessing | leading lady | leading man | love interest | love scene | room | sequence | tense | traitor

The Informer (1935)

By the Fire1:22:36 - Gypo rests by the fireantagonist | half-diminished 7th chord | leading lady | leading man | love interest | love scene | romantic | room | suspension | traitor | yearning

The Informer (1935)

Katie (Dolcissimo)1:22:57 - Gypo talks to Katieantagonist | chromatic sequence | leading lady | leading man | love | love interest | love scene | romantic | room | traitor | yearning

The Informer (1935)

Blood Money (Ostinato)1:27:32 - Rebels come to capture Gypoantagonist | climax | leading man | mysterious | ostinato | rebel | room | sneaking | tense | traitor | whispering

The Informer (1935)

The Escape (The Fight)1:28:25 - Rebels shoot through the doorantagonist | augmented triad | chromatic parallelism | chromatic scale | climax | down | dramatic | escaping | falling | fighting | leading man | linear chromaticism | mickey-mousing | rebel | room | running | tense | traitor | whole-tone

The Informer (1935)

Blood Money (Tuttissimo)1:28:53 - Gypo stumbles into a churchantagonist | church | climax | dirge | dissonant bass | dominant pedal | dying | half-diminished 7th chord | leading man | mysterious | street | stumbling | tense | traitor | walking | whole-tone | whole-tone chord

The Informer (1935)

The Informer (Pathetic)1:29:48 - Gypo stumbles toward Frankie's motherantagonist | church | climax | diminished 7th chord | dying | gentle | leading man | main theme | pedal tone | somber | stumbling | traitor | walking

The Informer (1935)

Sancta Maria1:30:27 - Frankie's mother forgives Gypoantagonist | church | climax | confessing | dying | gentle | leading man | mother | sacred | somber | suspension | traitor
The Letter (1940)Mrs. Hammond (Grandioso)0:53:54 - Leslie approaches the carantagonist | Chinese | Chinese | driving | lawyer | leading lady | mysterious | open fifth | parallel fifths | pedal tone | pentatonic | plantation | transition

The Letter (1940)

Chinese Quarter0:54:15 - The car enters the Chinese Quarterantagonist | Chinatown | Chinese | Chinese | driving | exotic | exoticism | lawyer | leading lady | open fifth | parallel fifths | parallelism | pentatonic | setting | transition

The Letter (1940)

Chinese Shop0:55:30 - Howard and Leslie look aroundantagonist | Chinatown | Chinese | Chinese | exotic | exoticism | lawyer | layering | leading lady | Lydian mode | mirroring | mysterious | open fifth | parallel fifths | parallelism | polytonality | quintal chord | tense | transition | waiting | walking

The Letter (1940)

Mrs. Hammond (Mysterioso)0:56:29 - Howard and Leslie wait in the shopantagonist | Chinatown | Chinese | Chinese | exotic | lawyer | leading lady | mysterious | open fifth | parallel fifths | parallelism | pedal tone | pentatonic | shop | tense | transition | waiting

The Letter (1940)

Mrs. Hammond (Dagger)0:57:04 - Leslie looks at a Chinese daggerantagonist | Chinatown | Chinese | Chinese | dagger | exotic | lawyer | leading lady | mysterious | open fifth | parallel fifths | parallelism | pedal tone | pentatonic | polytonality | shop | tense | transition | waiting

The Letter (1940)

Mrs. Hammond (Slowly)0:57:27 - Howard and Leslie walk into the back roomantagonist | Chinatown | Chinese | Chinese | conflict | lawyer | leading lady | mysterious | pentatonic | quintal chord | shop | walking

The Letter (1940)

Glass Curtains0:59:08 - Mrs. Hammond enters through the glass curtainantagonist | Chinatown | Chinese | chromatic scale | conflict | curtain | entering | glass | lawyer | layering | leading lady | mirroring | mysterious | ostinato | parallelism | pc set | polyrhythm | shop | staring | tense | tinkling | tone cluster | waiting | whole-tone | whole-tone chord

The Letter (1940)

Mrs. Hammond + Glass Curtains1:00:13 - Leslie faces Mrs. Hammondantagonist | Chinatown | Chinese | Chinese | chromatic scale | combination of themes | conflict | conversing | curtain | glass | lawyer | layering | leading lady | mirroring | mysterious | ostinato | parallelism | paying | pc set | pentatonic | polyrhythm | shop | staring | tense | tinkling | tone cluster | waiting | whole-tone | whole-tone chord

The Letter (1940)

Leslie + Glass Curtains1:01:27 - Leslie removes her shawlantagonist | Chinatown | Chinese | Chinese | chromatic scale | combination of themes | conflict | conversing | curtain | glass | lawyer | layering | leading lady | mirroring | mysterious | oscillation | ostinato | parallelism | pc set | polyrhythm | sequence | shop | staring | tense | tinkling | tone cluster | waiting | whole-tone | whole-tone chord

The Letter (1940)

Leslie B + Glass Curtains1:01:57 - Leslie approaches Mrs. Hammondantagonist | Chinatown | Chinese | chromatic scale | combination of themes | conflict | confronting | curtain | glass | lawyer | layering | leading lady | mirroring | mysterious | ostinato | parallelism | pc set | polyrhythm | sequence | shop | staring | tense | tinkling | tone cluster | walking | whole-tone | whole-tone chord

The Letter (1940)

Glass Curtains1:02:21 - Leslie faces Mr. Hammondantagonist | Chinatown | Chinese | chromatic scale | conflict | confronting | curtain | glass | lawyer | layering | leading lady | mirroring | mysterious | ostinato | parallelism | pc set | polyrhythm | shop | staring | tense | tinkling | tone cluster | whole-tone | whole-tone chord

The Letter (1940)

Mrs. Hammond (Contempt) + Glass Curtains1:02:40 - Leslie stoops down to pick up the letterantagonist | Chinatown | Chinese | Chinese | chromatic scale | combination of themes | conflict | confronting | contempt | curtain | glass | lawyer | layering | leading lady | mirroring | mysterious | ostinato | parallelism | pc set | pentatonic | polyrhythm | shop | staring | stooping | tense | tinkling | tone cluster | whole-tone | whole-tone chord

The Letter (1940)

Leslie B (Dark) + Glass Curtains1:02:50 - Leslie looks at the letterantagonist | Chinatown | Chinese | chromatic scale | combination of themes | conflict | confronting | curtain | dark | glass | lawyer | layering | leading lady | mirroring | mysterious | ostinato | parallelism | pc set | polyrhythm | sequence | shop | staring | tense | tinkling | tone cluster | whole-tone | whole-tone chord

The Letter (1940)

Mrs. Hammond (Solemn) + Glass Curtains1:03:08 - Leslie and Howard leaveantagonist | Chinatown | Chinese | Chinese | chromatic scale | combination of themes | conflict | curtain | glass | lawyer | layering | leading lady | mirroring | mysterious | ostinato | parallelism | pc set | pentatonic | polyrhythm | shop | solemn | staring | tinkling | tone cluster | whole-tone | whole-tone chord

The Letter (1940)

Mrs. Hammond (Bitter)1:08:54 - Leslie sees Mrs. Hammond in the courtroom11th chord | antagonist | Chinese | Chinese | chromatic parallelism | confronting | courtroom | dark | husband | leading lady | trial

The Letter (1940)

Mrs. Hammond + Foxtrot No. 11:20:02 - Ong is seen in the mirroradvance plot | antagonist | calm | combination of themes | dagger | dance music | dropping | foxtrot | home | leading lady | mysterious | open fifth | parallel fifths | pentatonic | source music

The Letter (1940)

Mrs. Hammond (Ambush)1:31:55 - Leslie moves through the gateAeolian mode | antagonist | Chinese | climax | dark | leading lady | mysterious | open fifth | parallel fifths | parallelism | pentatonic | plantation | walking

The Letter (1940)

Leslie (Deliberate)1:32:48 - Mrs. Hammond approaches Leslie with a knifeantagonist | changing meter | Chinese | climax | dagger | leading lady | oscillation | plantation | somber | walking

The Letter (1940)

Mrs. Hammond (Revenge)1:33:01 - Mrs. Hammond stabs Leslie64 chord | antagonist | Chinese | Chinese | climax | dagger | leading lady | murder | open fifth | parallel fifths | parallelism | pentatonic | plantation | somber | walking

The Letter (1940)

Policeman1:33:31 - A policeman comes to investigateantagonist | Chinese | climax | investigating | plantation | policeman | tense

The Letter (1940)

Leslie (Reckoning)1:33:42 - Mrs. Hammond walks away11th chord | antagonist | augmentation | body | changing meter | Chinese | climax | death | leading lady | moon | oscillation | plantation | policeman | somber | suspension
Mildred Pierce (1945)T'Ain't No Good0:57:37 - Mildred at the opening of her restaurantadvance plot | antagonist | busy | conversing | daughter | dining | friend | guest | heroine | leading lady | popular music | restaurant | serving | source music | upbeat | working

Mildred Pierce (1945)

While You're Away0:59:47 - Monte arrives at the restaurantABAC structure | advance plot | antagonist | busy | conversing | daughter | dining | friend | guest | heroine | leading lady | love interest | parallel double period | popular music | restaurant | serving | source music | upbeat | working

Mildred Pierce (1945)

Please Think of Me1:01:54 - Monte dances with Vedaantagonist | celebrating | dance scene | dancing | daughter | friend | heroine | jukebox | leading lady | love interest | on-screen music | popular music | restaurant | singing | source music | upbeat

Mildred Pierce (1945)

French One-Step1:08:14 - Veda at a polo matchadded-note chord | antagonist | cheering | common-tone diminished 7th | daughter | field | heroine | leading lady | love interest | montage | playing | polo | secondary dominant | sports | upbeat | voice-over | watching

Mildred Pierce (1945)

You Must Have Been a Beautiful Baby1:16:01 - Wally and Veda in a restaurantadvance plot | antagonist | cheerful | conversing | daughter | drinking | friend | popular music | restaurant | source music | toasting

Mildred Pierce (1945)

Underscoring (Tense)1:18:34 - Veda tells her mother she is marriedantagonist | chromatic parallelism | chromatic wedge | conflict | conversing | daughter | diminished 7th chord | friend | heroine | leading lady | oscillation | reverse stinger | room | tense | underscoring

Mildred Pierce (1945)

Secret Revealed1:18:59 - Veda talks to her motherantagonist | chromatic parallelism | chromatic scale | chromatic wedge | conflict | conversing | daughter | fear | friend | heroine | leading lady | linear chromaticism | octatonic chord | room | surprise | tense

Mildred Pierce (1945)

Kay and Veda (Coy)1:19:11 - Veda talks to her motherantagonist | apologizing | chromatic parallelism | conflict | daughter | friend | heroine | leading lady | room | tense

Mildred Pierce (1945)

Mildred (Waltz Fantasy)1:19:18 - Mildred talks to Veda9th chord | antagonist | appoggiatura | chromatic parallelism | comforting | conflict | daughter | dream-like | friend | heroine | leading lady | room | tense

Mildred Pierce (1945)

Mildred (Tenderly)1:19:37 - Wally talks about a settlementantagonist | chromatic parallelism | conflict | conversing | daughter | fragmentation | friend | heroine | leading lady | pedal tone | room | tender

Mildred Pierce (1945)

Kay and Veda (Troubled 2)1:21:34 - Veda looks at the divorce settlement checkantagonist | blackmail | chromatic scale | chromatic sequence | conflict | daughter | fragmentation | heroine | laughing | leading lady | mickey-mousing | mocking | room | troubled | ugly | whole-tone chord

Mildred Pierce (1945)

Kay and Veda (Agitato)1:22:22 - Veda and her mother argueagitated | antagonist | arguing | augmented sixth chord | blackmail | chromatic sequence | conflict | daughter | fragmentation | heroine | leading lady | room | tense

Mildred Pierce (1945)

Kay and Veda (Ominous)1:22:43 - Veda argues with her motherantagonist | arguing | conflict | dark | daughter | heroine | insulting | leading lady | ominous | room | ugly

Mildred Pierce (1945)

Mildred (Appassionato)1:23:00 - Veda expresses her disgust with her motherangry | antagonist | arguing | chromatic scale | conflict | daughter | foreign key modulation | heroine | insulting | leading lady | room | tense

Mildred Pierce (1945)

Mildred B (Angry 2)1:23:09 - Mildred gets angry at Vedaangry | antagonist | arguing | conflict | daughter | fragmentation | heroine | insulting | leading lady | room | tense

Mildred Pierce (1945)

Mildred (Vicious)1:23:21 - Veda insults her motherangry | antagonist | arguing | chromatic parallelism | chromatic wedge | conflict | daughter | heroine | insulting | leading lady | reverse stinger | room | tense | whole-tone chord

Mildred Pierce (1945)

Mildred B (Angry)1:23:38 - Mildred tears up Veda's check angry | antagonist | arguing | check | conflict | daughter | fighting | heroine | leading lady | pc set | room | slapping | tearing | tense | violence | yelling

Mildred Pierce (1945)

Stunned Reaction1:23:44 - Mildred is stunned after Veda slaps herangry | antagonist | conflict | daughter | dramatic | heroine | leading lady | pc set | room | staring | stunned | violence

Mildred Pierce (1945)

Runs upstairs1:24:04 - Veda runs up the stairsangry | antagonist | ascending | conflict | daughter | mickey-mousing | octatonic scale | room | stern

Mildred Pierce (1945)

Oceana Roll1:27:46 - Veda sings at a restaurantadvance plot | antagonist | cheerful | club | dancing | daughter | ex-husband | heroine | leading lady | on-screen music | playing | popular music | singing | source music

Mildred Pierce (1945)

Sweet Georgia Brown1:29:05 - Mildred confronts WallyABAC structure | advance plot | antagonist | club | conversing | daughter | heroine | jazz | leading lady | on-screen music | popular music | source music | upbeat

Mildred Pierce (1945)

It Had to Be You1:30:25 - Mildred and Veda talkABAC structure | advance plot | antagonist | club | conversing | daughter | heroine | jazz | leading lady | on-screen music | popular music | source music | upbeat

Mildred Pierce (1945)

Kay and Veda (Allegretto Grazioso)1:39:47 - Monte is happy to see Vedaadded-note chord | advance plot | antagonist | cheerful | conversing | daughter | deceptive resolution | reuniting | room | welcoming

Mildred Pierce (1945)

Kay and Veda (Coy 2)1:44:37 - Veda is brought in by the policeantagonist | chromatic parallelism | daughter | deceiving | deception | detective | entering | interrogating | interrogation | parallelism | police station | questioning | tense

Mildred Pierce (1945)

Secret Revealed1:45:37 - Mildred finds Veda and Monte togetherantagonist | chromatic parallelism | chromatic scale | chromatic wedge | climax | dark | daughter | discovering | kissing | linear chromaticism | reveal | room | stinger | tense

Mildred Pierce (1945)

Kay and Veda (Agitato)1:46:05 - Veda reveals that she is in love with Monte antagonist | augmented sixth chord | betrayal | betraying | chromatic scale | chromatic sequence | climax | dark | daughter | fragmentation | heroine | leading lady | revealing | room | tense

Mildred Pierce (1945)

Kay and Veda (Very Slow)1:46:22 - Mildred reacts to Veda's betrayalantagonist | betrayal | climax | contemplating | dark | daughter | gun | heroine | leading lady | ominous | parallel 63s | room

Mildred Pierce (1945)

Mildred (Tragic)1:46:43 - Mildred runs awayaltered dominant | antagonist | arguing | betrayal | chromatic scale | climax | daughter | dramatic | emotional | half-diminished 7th chord | heroine | leading lady | room | running | sequence

Mildred Pierce (1945)

Monte is shot 21:47:28 - Monte is shot antagonist | chromatic parallelism | collapsing | death | dying | falling | gun | gunshot | major 7th chord | mickey-mousing | murder | murderer | murder scene | room | staggering | tragic

Mildred Pierce (1945)

Kay and Veda (Ominous)1:47:42 - Mildred rushes in to check on Vedaantagonist | confessing | dark | daughter | heroine | leading lady | lying | murder | murderer | murder scene | ominous | room

Mildred Pierce (1945)

Mildred B (Angry)1:48:06 - Veda confesses to Mildredangry | antagonist | confessing | confession | daughter | diminished 7th chord | fragmentation | heroine | leading lady | lying | murderer | murder scene | pc set | room | tense

Mildred Pierce (1945)

Kay and Veda (Troubled)1:48:22 - Veda pleads for help to escapeantagonist | begging | chromatic scale | confessing | daughter | distressed | fragmentation | frantic | heroine | leading lady | murderer | murder scene | room | sequence | whole-tone chord

Mildred Pierce (1945)

Mildred (Ominous)1:48:41 - Mildred calls the policeantagonist | begging | chromatic sequence | daughter | fragmentation | heroine | imitation | leading lady | murderer | murder scene | ominous | room | tense

Mildred Pierce (1945)

Underscoring (Tense)1:48:54 - Veda asks her mother not to turn her inantagonist | begging | daughter | foreign key modulation | heroine | leading lady | murderer | murder scene | room | tense | underscoring

Mildred Pierce (1945)

Kay and Veda (Returning Home 2)1:49:17 - Veda convinces her mother to not report herantagonist | crying | daughter | heroine | leading lady | loving | mode mixture | mother | murderer | murder scene | reverse picardy | room | sacrificing | tender | warm

Mildred Pierce (1945)

Kay and Veda (Triste)1:49:37 - Veda is led out by the policeantagonist | conversing | daughter | defeat | detective | heroine | leading lady | leaving | mother | murderer | police station | resigned | resolution | sigh gesture | somber
The Unfaithful (1947)Deep Night0:05:47 - Roger argues with PaulaAABA structure | antagonist | arguing | establish character | lawyer | leading lady | on-screen music | party | sister | somber | source music

The Unfaithful (1947)

Chris 2 (Minor)0:07:37 - Chris arrives home9th chord | antagonist | car | cheerful | dark | driving | house | leading lady | sequential modulation | suspension | transition

The Unfaithful (1947)

Chris (Dark)0:07:46 - Chris continues driving9th chord | advance plot | antagonist | calm | danger | dissonant bass | foreign key modulation | house | leading lady | ominous | sequential modulation | shadow | tritone | tritone oscillation | walking

The Unfaithful (1947)

Danger0:08:19 - A man in the shadowsadvance plot | antagonist | danger | fear | house | leading lady | monophonic | shadow | sinister | walking

The Unfaithful (1947)

Unfaithful (Attack)0:08:40 - The man attacks Chrisadvance plot | antagonist | attacking | chromatic scale | criminal | danger | fighting | house | leading lady | ostinato | pc set | sequence | shadow | sinister | victim | whole-tone

The Unfaithful (1947)

Chris screams0:08:53 - Chris screamsadvance plot | antagonist | criminal | danger | house | leading lady | mickey-mousing | pc set | screaming | shadow | sinister | victim

The Unfaithful (1947)

Tanner0:23:46 - Mrs. Tanner boards a trolleyadvance plot | altered dominant | antagonist | fragmentation | irregular meter | newspaper | pc set | quartal chord | reading | street | tense | traveling | trolley | widow

The Unfaithful (1947)

Tanner (Panic)0:24:21 - Mrs. Tanner sees her husband's name in the paperadvance plot | antagonist | newspaper | ostinato | panicked | panicking | street | trolley | widow

The Unfaithful (1947)

Unfaithful (Tragic)0:24:34 - Mrs. Tanner walks down the streetadvance plot | antagonist | husband | leading lady | newspaper | ostinato | panicked | panicking | pedal tone | police station | street | transition | trolley | victim | widow

The Unfaithful (1947)

Unfaithful (Plotting)0:42:32 - Larry storms out of the art collector's shopadvance plot | antagonist | dissonant bass | door | plotting | shop | sinister | slamming

The Unfaithful (1947)

Unfaithful (Ominous)1:10:22 - Bob meets the art dealerantagonist | blackmail | husband | monophonic | ominous | park | transition | waiting

The Unfaithful (1947)

Tanner1:10:47 - Men get out of the caraltered dominant | antagonist | arriving | foreshadowing | fragmentation | husband | irregular meter | pc set | quartal chord | street | tense | transition | walking

The Unfaithful (1947)

Unfaithful (Menacing)1:12:25 - Bob sees the statueantagonist | husband | menacing | monophonic | ostinato | pivotal scene | realizing | revealing | room | sequence | staring | statue | threatening | unveiling | widow

The Unfaithful (1947)

Unfaithful (Attack 2)1:13:06 - Bob attacks the art shop owner9th chord | angry | antagonist | attacking | chromatic scale | fighting | husband | pc set | pivotal scene | room | widow | zoom in
We Are Not Alone (1939)Boy runs downstairs0:03:07 - Gerald runs down the stairs9th chord | altered dominant | antagonist | boy | child | chromatic mediant | down | downstairs | establish character | foreign key modulation | gentle | home | mickey-mousing | mother | pedal tone | playful | running

We Are Not Alone (1939)

Appassionato0:03:13 - Gerald is scolded by his motherantagonist | boy | child | chromatic parallelism | chromatic scale | deceptive resolution | dominant 7th chord | establish character | fragmentation | harmonic sequence | hero | home | linear chromaticism | mother | passionate | scolding | sequence | telling a story | tense

We Are Not Alone (1939)

Jessica0:10:01 - Jessica enters the room 9th chord | antagonist | chromatic parallelism | chromatic scale | establish character | half-diminished 7th chord | office | sour | wife

We Are Not Alone (1939)

Surprise Symphony (Imagination)0:10:16 - Jessica rushes David awayantagonist | chromatic parallelism | classical music | establish character | familiar tune | Haydn | hero | office | playful | quotation

We Are Not Alone (1939)

Jessica (Upset)0:24:32 - Jessica enters and stops the conversationadvance plot | antagonist | chromatic scale | conversing | dark | home | parallelism | upset | wife

We Are Not Alone (1939)

Frolic0:33:45 - Leni and Gerald run through the parkadvance plot | antagonist | boy | child | chromatic mediant | diminished 7th chord | foreign key modulation | gossiping | heroine | joyful | park | pedal tone | playing | running

We Are Not Alone (1939)

Piano Banging0:37:12 - Gerald bangs on the piano antagonist | boy | chaotic | child | dissonant | establish character | heroine | home | mother | on-screen music | piano | playing | tone cluster

We Are Not Alone (1939)

Frohe Botschaft (Drifting)0:38:09 - Jessica tells Leni to leavealtered dominant | antagonist | chromatic parallelism | conflict | conversing | familiar tune | folk song | gentle | German | heroine | home | quotation | sinister | tense | whole-tone chord

We Are Not Alone (1939)

Frohe Botschaft (Somber)0:38:52 - Leni reacts9th chord | antagonist | common-chord modulation | conflict | conversing | evaded cadence | familiar tune | folk song | garden | German | heroine | mode mixture | quotation | sentimental | sigh gesture | somber

We Are Not Alone (1939)

Surprise Symphony (Dark)0:39:33 - Leni thinks to herself9th chord | antagonist | classical music | conflict | dark | familiar tune | garden | Haydn | heroine | quotation | suspension | thinking

We Are Not Alone (1939)

Jessica0:45:10 - Jessica enters the room9th chord | advance plot | antagonist | chromatic parallelism | chromatic scale | conversing | half-diminished 7th chord | home | mother | room | sour

We Are Not Alone (1939)

Frohe Botschaft (Crying)0:45:45 - Leni kisses Gerald9th chord | 64 chord | advance plot | antagonist | boy | child | crying | deceptive resolution | familiar tune | folk song | fragmentation | German | heroine | home | leaving | mode mixture | mother | quotation | room | sequence | somber | tritone

We Are Not Alone (1939)

Tragico0:46:40 - Gerald faces his motheradvance plot | antagonist | appoggiatura | boy | child | conversing | dark | home | mother | pedal tone | room | sad | stinger | tragic

We Are Not Alone (1939)

Surprise Symphony (Tragico)0:47:06 - Jessica gathers clothes for Gerald advance plot | antagonist | boy | child | classical music | conversing | dark | familiar tune | Haydn | home | mother | quotation | room | sad | tragic

We Are Not Alone (1939)

Surprise Symphony (Turbulent)0:50:14 - Jessica reacts to David's departure11th chord | angry | antagonist | chromatic parallelism | classical music | conflict | crying | dark | familiar tune | Haydn | hero | home | husband | leaving | quotation | room | sad | tragic | wife

We Are Not Alone (1939)

Surprise Symphony (Sneaky)0:51:52 - David goes to bedadded-note chord | advance plot | antagonist | classical music | cook | diminution | familiar tune | Haydn | hero | heroine | home | mickey-mousing | mysterious | quotation | room | sneaking | somber

We Are Not Alone (1939)

Die Krähe0:52:36 - Leni asks David about his workadvance plot | antagonist | calm | classical music | concert | conversing | cook | familiar tune | hero | heroine | home | room | Schubert | source music

We Are Not Alone (1939)

Celebre Romance0:54:24 - Leni asks David for a referenceABAC structure | advance plot | antagonist | calm | classical music | concert | conversing | cook | familiar tune | hero | heroine | home | room | Rubinstein | source music

We Are Not Alone (1939)

Tuning0:59:20 - David tunes his violinadvance plot | antagonist | calm | cook | hero | heroine | home | on-screen music | room | source music | tuning | violin

We Are Not Alone (1939)

Tuning1:00:57 - David tunes his violinadvance plot | antagonist | calm | cook | hero | heroine | home | on-screen music | room | source music | tuning | violin

We Are Not Alone (1939)

Celebre Romance1:01:03 - David plays the violinadvance plot | antagonist | classical music | cook | familiar tune | hero | heroine | home | on-screen music | peaceful | playing | romantic | room | Rubinstein | sentence form | source music | source to score | violin

We Are Not Alone (1939)

Underscoring (Dramatic)1:03:40 - Jessica takes Gerald outside 11th chord | antagonist | boy | child | conflict | dramatic | street | tense | underscoring | walking

We Are Not Alone (1939)

Rule, Britannia (Throwing Stones)1:05:14 - Susan throws a rock at the shop64 chord | angry | antagonist | conflict | mickey-mousing | rock | street | throwing

We Are Not Alone (1939)

Underscoring (Tense)1:05:17 - David scolds Susan64 chord | antagonist | chromatic scale | conflict | conversing | foreign key modulation | hero | street | tense | underscoring

We Are Not Alone (1939)

Surprise Symphony (Window)1:05:40 - Susan sees Leni and David in the windowantagonist | classical music | conflict | familiar tune | Haydn | quotation | spying | street | tense | window

We Are Not Alone (1939)

God Save the King1:09:06 - Mob sings "God Save the King" outsideadvance plot | antagonist | British | choral singing | familiar tune | home | mob | patriotic | singing | source music | source to score | street

We Are Not Alone (1939)

Frohe Botschaft (Ghostly)1:49:22 - Gerald talks to Susanantagonist | boy | child | conclusion | death | eerie | familiar tune | folk song | German | home | ominous | quotation | room | tone cluster

We Are Not Alone (1939)

Surprise Symphony (Ghostly)1:49:48 - Gerald talks to Susanantagonist | boy | child | classical music | conclusion | death | eerie | familiar tune | Haydn | home | ominous | on-screen music | quotation | remembered source music | room | source music | tone cluster | whistling

We Are Not Alone (1939)

Frohe Botschaft (Fading Away)1:50:19 - Susan looks surprisedantagonist | boy | child | conclusion | death | eerie | familiar tune | folk song | fragmentation | German | home | ominous | quotation | room | tone cluster
The Woman in White (1948)Ann (Molto Marcato)0:50:03 - Walter storms out of the roomangry | antagonist | butler | conflict | cousin | departing | fiancé | leading lady | leading man | mansion

The Woman in White (1948)

Laura0:55:43 - Sitting at the dining tableadvance plot | antagonist | butler | cigarette | conversing | cousin | eating | happy | husband | leading lady | light | mansion | monkey | servant | smoking | somber

The Woman in White (1948)

Underscoring (Mysterious)0:56:12 - Sir Percival and a monkeyadvance plot | antagonist | butler | cigarette | conversing | cousin | husband | leading lady | mansion | monkey | mysterious | servant | smoking | stinger | underscoring

The Woman in White (1948)

Ann (Misterioso Rubato)0:58:22 - The countess excuses herselfadvance plot | antagonist | butler | conversing | cousin | departing | husband | leading lady | mansion | mysterious | servant | somber

The Woman in White (1948)

Sneaking1:02:12 - Marian leaves wearing a cloakadvance plot | antagonist | conversing | cousin | criminal | eavesdropping | father | husband | leading lady | leading man | room | sneaking | somber | tense

The Woman in White (1948)

Fosco (Misterioso Slowly)1:04:48 - Count Fosco leaves the roomadvance plot | antagonist | conversing | cousin | criminal | eavesdropping | father | husband | leading lady | leading man | lightning | mysterious | room | sneaking | storm | tense

The Woman in White (1948)

Pavan (Basses)1:05:32 - Marian gets dressedadvance plot | antagonist | cousin | criminal | dressing | leading lady | leading man | mysterious | room | shadow | somber | stinger | surprising

The Woman in White (1948)

Fosco (Misterioso Moderato)1:08:24 - Fosco is startled by a noiseantagonist | butler | conflict | conversing | cousin | criminal | leading lady | leading man | mysterious | room

The Woman in White (1948)

Fosco (Marcato)1:08:44 - Fosco talks to the servantantagonist | arguing | butler | confining | conflict | conversing | cousin | criminal | dark | leading lady | leading man | mysterious | prisoner | room

The Woman in White (1948)

Underscoring (Dramatic)1:09:11 - Marian is locked inantagonist | confining | conflict | conversing | cousin | criminal | dark | dramatic | husband | leading lady | leading man | prisoner | room | underscoring

The Woman in White (1948)

Asylum (Dark)1:09:26 - Fosco talks to Sir Percivalaching | antagonist | conflict | conversing | criminal | dark | headache | husband | illness | leading lady | leading man | pain | plotting | prisoner | room

The Woman in White (1948)

Appearing1:10:28 - The woman in white disappearsadvance plot | antagonist | criminal | doctor | hiding | husband | leading lady | leading man | magical | mysterious | room | running | superimposed shot | victim

The Woman in White (1948)

Ann (Poco Agitato)1:11:46 - Laura mentions the woman in whiteagitated | antagonist | conflict | conversing | criminal | doctor | headache | husband | illness | leading lady | leading man | pain | room | servant | victim

The Woman in White (1948)

Fosco1:12:05 - Fosco talks to the maidagitated | anger | antagonist | conflict | criminal | doctor | headache | husband | illness | leading lady | leading man | pain | room | searching | servant | tense | victim | walking

The Woman in White (1948)

Fosco (Molto Agitato)1:12:15 - Fosco walksagitated | anger | antagonist | conflict | criminal | dark | doctor | headache | husband | illness | leading lady | leading man | pain | room | rushing | searching | servant | tense | victim | walking

The Woman in White (1948)

Ann (Accelerando)1:12:32 - Fosco looks in the closetagitated | anger | antagonist | conflict | criminal | leading man | mysterious | room | rushing | searching | walking

The Woman in White (1948)

Ann (Accelerando) + Fosco (Dark)1:12:47 - Fosco leavesagitated | anger | antagonist | combination of themes | conflict | conversing | criminal | departing | doctor | husband | leading man | room | rushing | searching | tense | walking

The Woman in White (1948)

Fosco (Misterioso)1:18:29 - The woman in white hears Sir Percival's voiceantagonist | arriving | criminal | death scene | hearing voices | husband | leading lady | madness | mysterious | room | screaming | shock | surprise | tense | victim | wife

The Woman in White (1948)

Appearing1:18:48 - The woman in white clutches her heartantagonist | criminal | death scene | dying | husband | leading lady | mickey-mousing | room | screaming | shock | surprise | tense | victim | wife

The Woman in White (1948)

Ann (Dead)1:18:55 - The woman in white lies deadantagonist | conversing | criminal | dark | death scene | dying | husband | leading lady | murderer | room | somber | victim | wife

The Woman in White (1948)

Ann (Slowly)1:19:46 - The countess entersangry | antagonist | criminal | dark | death scene | glaring | husband | leading lady | room | shaking | victim | wife

The Woman in White (1948)

Fosco (Con Moto)1:23:29 - Fosco arrives in his carriageantagonist | arriving | carriage | criminal | dark | leading man | murderer | serious | street | transition | traveling

The Woman in White (1948)

Asylum + Ann1:24:50 - Close-up on Count Foscoantagonist | asylum | combination of themes | criminal | dark | husband | hypnosis | hypnotist | hypnotizing | leading lady | leading man | lighting change | mad scene | murderer | mysterious | thematic transference | victim

The Woman in White (1948)

Asylum + Ann + Hypnosis1:25:26 - Laura looks at Sir Percivalantagonist | asylum | combination of themes | criminal | dark | husband | hypnosis | hypnotist | hypnotizing | leading lady | leading man | mad scene | murderer | mysterious | victim

The Woman in White (1948)

Pavan (Distressed)1:25:43 - Laura confronts Sir Percivalantagonist | arguing | asylum | criminal | dark | husband | hypnosis | hypnotist | leading lady | leading man | mad scene | murderer | victim

The Woman in White (1948)

Asylum + Ann + Hypnosis1:26:10 - Count Fosco hypnotizes Lauraantagonist | asylum | combination of themes | criminal | dark | husband | hypnosis | hypnotist | hypnotizing | leading lady | leading man | mad scene | murderer | shrill | staring | victim

The Woman in White (1948)

Ann1:26:55 - Laura speaks to Count Foscoantagonist | asylum | criminal | husband | hypnosis | hypnotist | hypnotizing | leading lady | leading man | mad scene | murderer | mysterious | staring | victim

The Woman in White (1948)

Ann (Waltz)1:27:14 - Laura dashes awayantagonist | asylum | conversing | criminal | husband | hypnosis | hypnotist | leading lady | leading man | leaving | mad scene | murderer | nurse | tender | victim

The Woman in White (1948)

Ann 21:28:39 - The nurse takes Laura to her roomantagonist | asylum | criminal | husband | hypnosis | hypnotist | leading lady | leading man | leaving | mad scene | murderer | nurse | tender | victim | walking

The Woman in White (1948)

Ann (Quasi Misterioso)1:29:00 - Count Fosco talks to Sir Percivalantagonist | asylum | conversing | criminal | husband | hypnotist | leading man | mad scene | murderer | ominous

The Woman in White (1948)

Hypnosis + Fosco1:30:32 - Count Fosco leavesantagonist | carriage | combination of themes | criminal | dark | husband | hypnotist | leading man | leaving | murderer | ominous | plotting | spy | spying | street | tense | transition
The Public Defender (1931)Mystery (Sandwich)0:15:25 - A mysterious hand puts a secret note in a sandwich advance plot | antagonist | chromaticism | hand | mysterious | mystery | party | pc set | sneaking | transcribed by ear
Thirteen Women (1932)The Swami0:07:16 - The swamiAeolian mode | antagonist | conversing | establish character | fortune | fortune teller | leading lady | parallelism | predicting | room | somber | swami | transcribed by ear

Thirteen Women (1932)

Thirteen Women (Destiny)0:07:52 - Ursula talks to the swamiantagonist | common-chord modulation | conversing | destiny | establish character | fortune teller | harmonic sequence | leading lady | predicting | relative key | room | somber | swami | transcribed by ear

Thirteen Women (1932)

The Swami (Past Life)0:08:18 - The swami talks to Ursulaantagonist | chromaticism | chromatic parallelism | conversing | establish character | fortune teller | leading lady | room | somber | swami | transcribed by ear

Thirteen Women (1932)

Ursula (Romance)0:08:37 - The swami kisses Ursulaantagonist | embracing | establish character | fortune teller | kissing | leading lady | romantic | room | secondary dominant | swami | transcribed by ear | waltz

Thirteen Women (1932)

Ursula (Horoscope)0:08:56 - The swami talks to Ursulaantagonist | conversing | establish character | fate | fortune teller | leading lady | mysterious | predicting | quintal chord | room | somber | swami | transcribed by ear

Thirteen Women (1932)

Ursula (Fate)0:09:11 - The swami predicts Ursula's fateantagonist | conversing | dark | establish character | fate | fortune teller | half-diminished 7th chord | leading lady | mickey-mousing | mysterious | predicting | room | somber | stinger | swami | train whistle | transcribed by ear

Thirteen Women (1932)

The Swami (Rising Tension)0:09:53 - The swami shrinks from Ursula's gazeantagonist | conversing | establish character | fate | fortune teller | leading lady | mysterious | parallelism | room | swami | tense | transcribed by ear

Thirteen Women (1932)

Ursula (Hypnotic)0:10:05 - Ursula hypnotizes the swamiantagonist | diminished 7th chord | establish character | fortune teller | hypnotic | hypnotizing | leading lady | mysterious | room | seductive | sleeping | swami | transcribed by ear

Thirteen Women (1932)

The Swami (Sleeping)0:10:46 - Ursula leaves the swamiantagonist | establish character | fortune teller | leading lady | mysterious | room | sleeping | swami | transcribed by ear | whole-tone | whole-tone chord

Thirteen Women (1932)

Ursula (Horoscope)0:10:57 - Ursula looks at the horoscopeadvance plot | antagonist | appoggiatura | horoscope | leading lady | march-like | mysterious | reading | room | transcribed by ear

Thirteen Women (1932)

Ursula (Agitato)0:11:16 - Ursula tears up the horoscopeaccented dissonance | advance plot | agitated | antagonist | destroying | horoscope | leading lady | room | tearing | tense | transcribed by ear

Thirteen Women (1932)

Ursula (Dark)0:11:28 - Ursula reads a horoscope64 chord | advance plot | antagonist | dark | funeral march | horoscope | leading lady | reading | room | transcribed by ear

Thirteen Women (1932)

Ursula (Exotic)0:11:45 - Ursula forges the swami's signatureadvance plot | antagonist | dark | exotic | exoticism | forging | Gypsy major scale | horoscope | leading lady | mysterious | ostinato | room | signing | transcribed by ear

Thirteen Women (1932)

Ursula (Exotic) + The Train0:23:07 - Helen points the gun at herself and criesantagonist | combination of themes | crying | exotic | exoticism | gun | Gypsy major scale | hypnotic | murderer | murder scene | pedal tone | suicide | tense | train | train | transcribed by ear | traveling | victim

Thirteen Women (1932)

Ursula (Suicide)0:24:18 - Helen commits suicideantagonist | chromaticism | committing suicide | dying | exotic | exoticism | gun | gunshot | hypnotic | murderer | murder scene | pc set | pedal tone | stinger | suicide | tense | train | train | transcribed by ear | traveling | victim
Without Honor (1949)Unidentified dance tune0:19:04 - Bill turns on the radioadvance plot | antagonist | brother | conversing | leading lady | leading man | popular music | reacting | room | source music | upbeat

Without Honor (1949)

Underscoring (Dramatic)0:21:29 - Bill heads towards the laundry roomantagonist | brother | conflict | corpse | door | dramatic | kitchen | leading lady | leading man | reacting | rushing | tense | underscoring

Without Honor (1949)

Twilight (Tense)0:21:51 - Jane cleans off Bill's sleeveantagonist | brother | cleaning | conflict | conversing | corpse | door | kitchen | leading lady | leading man | opening | tense

Without Honor (1949)

Cleaning0:21:57 - Jane cleans off Bill's sleeveantagonist | brother | cleaning | cleaning effect | conflict | conversing | corpse | door | kitchen | leading lady | leading man | mickey-mousing | tense

Without Honor (1949)

Underscoring (Tense)0:22:07 - Bill tosses the towelantagonist | brother | conflict | conversing | corpse | door | kitchen | leading lady | leading man | tense | tossing | underscoring

Without Honor (1949)

Misterioso0:22:17 - Jane reactsantagonist | brother | conflict | kitchen | leading lady | leading man | mysterious | taunting | tense

Without Honor (1949)

Rubato0:22:34 - Bill talks with Janeantagonist | brother | conflict | dramatic | kitchen | leading lady | leading man | memory | rushing | taunting | tense

Without Honor (1949)

Tension0:22:52 - Jane gives Bill a drinkantagonist | brother | conflict | kitchen | leading lady | leading man | memory | taunting | tense | underscoring | uneasy

Without Honor (1949)

Valse Triste0:23:06 - Bill talks with Janeantagonist | brother | conflict | kitchen | leading lady | leading man | memory | recounting | somber | uneasy | waltz

Without Honor (1949)

Valse Triste (Poco Appassionato)0:23:31 - Bill grabs Jane's armantagonist | brother | conflict | dramatic | grabbing | kitchen | leading lady | leading man | memory | reacting | recounting | tense | waltz

Without Honor (1949)

Jerks hand0:23:41 - Jane jerks her arm awayantagonist | brother | conflict | dramatic | escaping | kitchen | leading lady | leading man | mickey-mousing | reacting | stinger

Without Honor (1949)

Valse Triste (Misterioso)NIF - not in filmantagonist | brother | conflict | cut from film | kitchen | leading lady | leading man

Without Honor (1949)

Valse Triste (Ominous)0:24:46 - Bill looks at Janeantagonist | brother | conflict | leading lady | leading man | ominous | reacting | room | solemn | taunting

Without Honor (1949)

Grabs her0:25:40 - Bill grabs Jane and kisses herantagonist | brother | conflict | dramatic | grabbing | kissing | leading lady | leading man | room | slapping | turning

Without Honor (1949)

Tunes Radio0:26:26 - Bill turns on the radioantagonist | brother | conflict | conversing | leading lady | leading man | radio | room | source music | upbeat

Without Honor (1949)

Unidentified dance tune 20:27:06 - Bill turns on the radioantagonist | brother | conflict | leading lady | leading man | popular music | radio | reacting | room | source music | taunting | upbeat

Without Honor (1949)

First Call0:27:58 - Jane looks at Billantagonist | brother | bugle call | conflict | leading lady | leading man | radio | room | source music | taunting | upbeat

Without Honor (1949)

Unidentified dance tune 30:28:30 - Bill tunes the radioantagonist | brother | conflict | leading lady | leading man | popular music | radio | room | source music | taunting | upbeat

Without Honor (1949)

Liszt Waltz0:29:28 - Bill talks to Janeantagonist | arriving | brother | calm | classical music | conflict | conversing | leading lady | leading man | radio | room | source music | taunting | wife | zoom in

Without Honor (1949)

Prelude in D-Flat Major, Op. 28, No. 15 "Raindrop"0:33:17 - Mrs. Williams talks to Janeantagonist | brother | calm | classical music | conflict | conversing | leading lady | leading man | radio | room | source music | wife

Without Honor (1949)

Unidentified dance tune 40:34:19 - Bill tunes the radioantagonist | brother | calling | conflict | conversing | dialing | leading lady | leading man | popular music | radio | room | source music | telephone | upbeat | wandering | wife

Without Honor (1949)

Misterioso (Molto Rubato)0:43:10 - Bill talks with Fredantagonist | brother | conflict | conversing | husband | leading lady | leading man | reveal | room | secret | tense | warning

Without Honor (1949)

Valse Triste (Andante Doloroso)0:49:07 - Fred entersantagonist | brother | conflict | entering | husband | leading lady | leading man | reacting | reveal | room | secret | somber | thinking | wife

Without Honor (1949)

Underscoring (Tense)0:49:48 - Bill talks to Fredantagonist | brother | conflict | conversing | husband | leading lady | leading man | reveal | room | secret | tense | thinking | wife

Without Honor (1949)

Tension (Molto Misterioso)0:50:03 - Bill stares at Janeanger | antagonist | brother | conflict | conversing | demanding | dramatic | husband | leading lady | leading man | reveal | room | secret | slapping | tense | wife

Without Honor (1949)

Agitation (Appassionato)0:52:28 - Jane criesagitated | antagonist | brother | climax | confessing | confession | crying | demanding | husband | leading lady | leading man | room | tense | wife

Without Honor (1949)

Confession0:52:54 - Jane confessesagitated | antagonist | brother | climax | confessing | confession | crying | husband | leading lady | leading man | room | wife

Without Honor (1949)

Appassionato 20:53:24 - Jane laughsantagonist | brother | climax | confession | crying | husband | laughing | leading lady | leading man | passionate | room | wife

Without Honor (1949)

Underscoring (Dramatic)0:53:45 - Jane screamsantagonist | blood | brother | climax | confession | dramatic | handprint | husband | leading lady | leading man | room | screaming | tense | underscoring | wife

Without Honor (1949)

Desperation (The Scream)0:53:50 - They look at the bloody handprintantagonist | blood | brother | climax | confession | departing | dramatic | handprint | husband | investigating | leading lady | leading man | room | screaming | searching | tense | wife | yard

Without Honor (1949)

Appassionato (Broad)0:54:27 - Bill talks on the phoneantagonist | brother | calling | climax | leading lady | leading man | room | searching | telephone | tense | wandering | yard

Without Honor (1949)

Twilight (Resolution)0:55:26 - Jane walks out of the orchardantagonist | brother | calm | child | conversing | husband | leading lady | leading man | orchard | resolution | scout | street

Without Honor (1949)

Doloroso0:57:10 - Mrs. Williams talks to Janeantagonist | apologizing | brother | climax | conversing | husband | leading lady | leading man | room | solemn | wife

Without Honor (1949)

Twilight (Somber)0:57:48 - Mrs. Williams forgives Janeantagonist | bathroom | brother | climax | forgiveness | husband | leading lady | leading man | razor blade | room | somber | thinking | wife

Without Honor (1949)

Tension (Extended)0:58:12 - Mrs. Williams talks to Fred and Billantagonist | bathroom | brother | climax | conversing | forgiveness | husband | leading lady | leading man | razor blade | room | tense | wife

Without Honor (1949)

Valse Triste (Suicide)0:58:33 - Jane stares in the mirrorantagonist | attempted suicide | bathroom | brother | climax | conversing | husband | knocking | leading lady | leading man | razor blade | room | somber | suicide | wife

Without Honor (1949)

Valse Triste (Molto Appassionato)0:58:58 - Jane stares downantagonist | attempted suicide | bathroom | brother | climax | conversing | dramatic | husband | knocking | leading lady | leading man | razor blade | room | suicide | wife

Without Honor (1949)

Appassionato 2 (Molto Expressivo)0:59:06 - Jane cuts her wristantagonist | attempted suicide | bathroom | breaking | brother | climax | committing suicide | conversing | cutting | dramatic | entering | grabbing | husband | knocking | leading lady | leading man | razor blade | room | running | suicide | wife | yelling

Without Honor (1949)

Twilight (Rubato)0:59:24 - Mrs. Williams helps Janeantagonist | attempted suicide | brother | climax | doctor | helping | husband | leading lady | leading man | razor blade | room | serious | somber | struggling | suicide | wife

Without Honor (1949)

Valse Triste (Tempo de Beguin)1:00:38 - Bill watches them leaveantagonist | brother | conversing | convincing | hopeful | husband | leading man | resolution | room | thinking

Without Honor (1949)

Valse Triste (Mexico)1:02:08 - Fred packs his thingsantagonist | brother | cheerful | conversing | convincing | husband | leading man | Mexican | resolution | room | thinking

Without Honor (1949)

Valse Triste (Tempo de Beguin)1:02:32 - Bill talks to Fredantagonist | brother | conversing | convincing | hopeful | husband | leading man | resolution | room | thinking

Without Honor (1949)

Valse Triste (Reeds)1:04:26 - Fred argues with Billantagonist | arguing | brother | husband | leading man | resolution | room | tense

Without Honor (1949)

Valse Triste (Triple Beguin)1:05:18 - Fred starts to leave for the hospitalantagonist | arguing | brother | fighting | husband | leading man | punching | resolution | tense | yard

Without Honor (1949)

Appassionato 2 (Broad)1:05:32 - Fred gets in his caranger | antagonist | brother | car | complaining | departing | dramatic | driving | husband | leading man | resolution | street | tense | yard

Without Honor (1949)

Valse Triste (Agitato)1:05:49 - Bill tries to stop Fredanger | antagonist | brother | car | chasing | complaining | departing | dramatic | driving | harsh | husband | leading man | resolution | running | street | tense | yelling

Without Honor (1949)

The End1:06:25 - Bill in the middle of the roadanger | antagonist | brother | dramatic | leading man | looking | resolution | standing | street | The End