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296 results for "antagonist" in 13 films — see also person | villain

Film	Theme name	Instance	Tags
The Amazing Dr. Clitterhouse (1938)	Rocks (Double Cross)	0:48:56 - Rocks thinks of a double-cross	antagonist \| chromatic parallelism \| criminal \| diminished 7th chord \| doctor \| double-cross \| dramatic \| gangster \| leading man \| murderer \| murdering \| plotting \| robbery \| sinister \| store \| thief \| trapping
The Amazing Dr. Clitterhouse (1938)	The Motor	0:49:21 - Rocks starts the refrigeration motor	antagonist \| anxious \| criminal \| diminished 7th chord \| doctor \| double-cross \| dramatic \| gangster \| gauge \| leading man \| lowering \| machine \| mickey-mousing \| motor \| murderer \| murdering \| ostinato \| panicking \| pedal tone \| pounding \| robbery \| spinning \| store \| temperature \| tense \| thief \| trapping \| whirling \| yelling
The Amazing Dr. Clitterhouse (1938)	Rocks goes downstairs	0:50:05 - Rocks goes down the stairs	antagonist \| anxious \| criminal \| descending \| diminished 7th chord \| double-cross \| dramatic \| gangster \| mickey-mousing \| murderer \| robbery \| stairs \| store \| temperature \| tense \| thief \| walking
The Amazing Dr. Clitterhouse (1938)	Rocks (Sneaking) + The Motor	0:50:14 - Rocks sneaks around in the dark	antagonist \| anxious \| combination of themes \| criminal \| diminished 7th chord \| doctor \| double-cross \| dramatic \| gangster \| leading man \| motor \| murderer \| ostinato \| robbery \| sneaking \| store \| temperature \| tense \| thief
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor (Rocks) + Rocks (The Amazing Doctor)	0:50:33 - Rocks goes out to the truck	antagonist \| anxious \| combination of themes \| criminal \| dissonant bass \| double-cross \| dramatic \| gangster \| lying \| murderer \| pc set \| robbery \| street \| tense \| thief \| tritone
The Amazing Dr. Clitterhouse (1938)	Rocks	0:57:55 - Rocks has an idea	advance plot \| antagonist \| gangster \| plotting \| room \| tense
The Amazing Dr. Clitterhouse (1938)	Jo (At the Phone)	0:59:24 - Rocks takes the phone apart	9th chord \| advance plot \| antagonist \| combination of themes \| dark \| gangster \| leading lady \| ominous \| plotting \| room \| tense
The Amazing Dr. Clitterhouse (1938)	Underscoring (Tense)	1:00:10 - Jo and Rocks quarrel	advance plot \| antagonist \| arguing \| dissonant bass \| gangster \| half-diminished 7th chord \| leading lady \| quarreling \| room \| tense
The Big Sleep (1946)	Underscoring (Tense)	0:18:57 - Geiger enters car	antagonist \| car \| departing \| rain \| street \| tense \| transition \| underscoring
The Big Sleep (1946)	Hurrying	0:19:26 - Geiger enters his house	antagonist \| car \| mysterious \| rain \| street \| tense \| transition \| walking
The Big Sleep (1946)	Underscoring (Dramatic)	0:21:04 - Marlowe runs to the house	action scene \| antagonist \| dramatic \| hurrying \| leading man \| private eye \| running \| street \| tense \| underscoring
The Big Sleep (1946)	Running down	0:21:13 - Feet running down the stairs	action scene \| antagonist \| descending \| dramatic \| hurrying \| mickey-mousing \| running \| street \| tense
Crime School (1938)	The Warden	0:23:15 - Warden stands up to face the boys	antagonist \| arguing \| augmented triad \| authority \| chromatic parallelism \| establish character \| falling \| gang \| lightning \| ominous \| police \| reformatory \| slapping \| stinger \| teenager \| warden \| whole-tone chord
Crime School (1938)	Peeking	1:12:11 - Cooper peeks out from the window	antagonist \| authority \| escape \| mickey-mousing \| mysterious \| peeking \| police \| reformatory \| whole-tone chord
Crime School (1938)	Resolution	1:22:31 - Sue enters the room	42 chord \| antagonist \| calm \| chromatic parallelism \| chromatic scale \| comical \| conversing \| hero \| leading man \| reformatory \| resolution \| resolution \| tense \| tritone
Hell on Frisco Bay (1955)	Spring Song	0:14:56 - Amato talks to Mario	antagonist \| conductor score \| conversing \| dark \| establish character \| gangster \| menacing \| office \| tritone
Hell on Frisco Bay (1955)	Underscoring (Mysterious)	0:15:33 - Amato talks to Lye	antagonist \| conductor score \| conversing \| establish character \| gangster \| mysterious \| office \| underscoring
Hell on Frisco Bay (1955)	Amato	0:15:44 - Amato talks to Lye	antagonist \| conductor score \| conversing \| establish character \| gangster \| harsh \| office
Hell on Frisco Bay (1955)	Lye	0:16:52 - Amato talks to Lye	antagonist \| conductor score \| conversing \| establish character \| gangster \| gentle \| office
Hell on Frisco Bay (1955)	Face twitching	0:16:59 - Lye's face twitches	antagonist \| comical \| conductor score \| establish character \| gangster \| mickey-mousing \| office \| twitching
Hell on Frisco Bay (1955)	Menace	0:17:13 - Gangsters talk	antagonist \| conductor score \| conversing \| establish character \| gangster \| office \| ominous
Hell on Frisco Bay (1955)	Amato	0:17:47 - Gangsters talk	antagonist \| conductor score \| conversing \| establish character \| gangster \| harsh \| office
Hell on Frisco Bay (1955)	Underscoring (Dark)	0:19:33 - Amato slaps old man	antagonist \| conductor score \| conversing \| dark \| establish character \| gangster \| office \| slapping \| stinger \| underscoring
Hell on Frisco Bay (1955)	Menace	0:19:43 - Amato talks to old man	antagonist \| conductor score \| dark \| establish character \| gangster \| office \| yelling
Hell on Frisco Bay (1955)	Menace	0:20:30 - Amato talks to Lye	antagonist \| conductor score \| conversing \| dark \| establish character \| gangster \| office
Hell on Frisco Bay (1955)	Amato	0:20:40 - Amato leaves	antagonist \| conductor score \| conversing \| establish character \| gangster \| office \| ominous
Hell on Frisco Bay (1955)	Kay	0:20:48 - Lye goes to see Kay	antagonist \| conductor score \| conversing \| establish character \| gangster \| kissing \| love interest \| lyrical \| romantic \| street
Hell on Frisco Bay (1955)	Anna	0:46:05 - Anna talks with Amato	antagonist \| conductor score \| conversing \| establish character \| gangster \| gentle \| leading man \| room \| sentimental \| warning \| wife \| worrying
Hell on Frisco Bay (1955)	Amato	0:47:01 - Amato talks with Lye	advance plot \| antagonist \| brash \| conductor score \| conversing \| gangster \| harsh \| leading man \| room
Hell on Frisco Bay (1955)	Face twitching	0:47:44 - Amato talks with Lye	advance plot \| antagonist \| conductor score \| conversing \| gangster \| leading man \| room \| uneasy
Hell on Frisco Bay (1955)	Amato	0:48:03 - Amato teases Lye	advance plot \| agitated \| antagonist \| arguing \| conductor score \| gangster \| leading man \| room
Hell on Frisco Bay (1955)	Amato	0:48:11 - Amato threatens Lye	advance plot \| antagonist \| arguing \| brash \| conductor score \| dark \| gangster \| leading man \| room \| threatening
Hell on Frisco Bay (1955)	Anna	1:04:54 - Anna talks to Amato	advance plot \| antagonist \| conductor score \| conversing \| dark \| gangster \| gentle \| leading man \| room \| wife
Hell on Frisco Bay (1955)	Menace	1:08:27 - Amato threatens Brody	advance plot \| antagonist \| conductor score \| dark \| gangster \| leading man \| street \| threatening
Hell on Frisco Bay (1955)	Amato	1:08:39 - Amato arrives	advance plot \| antagonist \| arriving \| brash \| conductor score \| dark \| gangster \| leading man \| stinger \| street
Hell on Frisco Bay (1955)	Lye	1:09:00 - Amato calls Lye	advance plot \| antagonist \| calling \| conductor score \| conversing \| gangster \| leading man \| stinger \| street \| uneasy
Hell on Frisco Bay (1955)	It Can't Be Wrong	1:09:26 - Amato talks to Lye	advance plot \| antagonist \| calm \| conversing \| gangster \| leading man \| room \| source music
The Informer (1935)	Blood Money (Extended)	0:18:55 - British officer tosses money down on the table	antagonist \| augmented triad \| grabbing \| leading man \| money \| mysterious \| pivotal scene \| police \| police station \| tense \| tossing \| tritone \| whole-tone
The Informer (1935)	Blood Money (Counting Money)	0:19:21 - Gypo closes the door	advance plot \| antagonist \| counting \| leading man \| money \| mysterious \| street \| tense \| tritone
The Informer (1935)	Blind Man	0:19:29 - Gypo meets the blind man	64 chord \| advance plot \| antagonist \| blind man \| leading man \| mysterious \| street \| walking
The Informer (1935)	Blood Money + Blind Man	0:20:27 - Gypo looks at Frankie's poster again	advance plot \| antagonist \| combination of themes \| leading man \| looking \| mysterious \| poster \| street \| tense \| whole-tone
The Informer (1935)	The Informer (Whiskey)	0:20:46 - Gypo enters a pub	64 chord \| advance plot \| antagonist \| entering \| hurrying \| leading man \| mysterious \| pub \| Scotch snap
The Informer (1935)	Blood Money (Whiskey)	0:21:03 - Gypo takes his money out to pay the bartender	advance plot \| antagonist \| bartender \| leading man \| money \| mysterious \| paying \| pub \| tense
The Informer (1935)	The Informer (Drinking)	0:21:23 - Gypo takes a drink	advance plot \| antagonist \| bartender \| drinking \| leading man \| mysterious \| octatonic \| pub \| Scotch snap \| tense \| tritone \| whole-tone \| whole-tone chord
The Informer (1935)	Blood Money (Worrying)	0:21:57 - Gypo worries about what he has done	advance plot \| antagonist \| augmented triad \| drinking \| hearing voices \| leading man \| mysterious \| planning \| pub \| tense \| thinking \| tritone \| whole-tone \| worrying
The Informer (1935)	Katie (Triste)	0:22:38 - Katie appears at the window	64 chord \| advance plot \| antagonist \| conversing \| foreign key modulation \| leading lady \| leading man \| parallelism \| pub \| sultry \| watching
The Informer (1935)	Blood Money (Four Coins)	0:23:15 - Bartender puts four coins on the table	advance plot \| antagonist \| augmented triad \| bartender \| coin \| counting \| half-diminished 7th chord \| leading lady \| leading man \| mickey-mousing \| money \| mysterious \| placing \| pub \| tense
The Informer (1935)	The Informer (Lying)	0:23:40 - Gypo lies about where he got the money	advance plot \| antagonist \| chromatic sequence \| conversing \| diminished 7th chord \| dissonant bass \| half-diminished 7th chord \| leading lady \| leading man \| lying \| octatonic \| pub \| Scotch snap \| tense
The Informer (1935)	Blind Man + Blood Money	0:24:45 - Blind man wanders in and Gypo gives him money	advance plot \| antagonist \| augmented triad \| blind man \| combination of themes \| giving \| leading lady \| leading man \| money \| mysterious \| ominous \| street \| walking
The Informer (1935)	The Informer (Bold)	0:25:26 - Gypo storms off down the street	64 chord \| advance plot \| antagonist \| bold \| determined \| hurrying \| leading lady \| leading man \| Scotch snap \| street \| walking
The Informer (1935)	The Minstrel Boy	0:25:32 - Man sings a folk tune at the street corner	9th chord \| AABA structure \| advance plot \| angelic \| antagonist \| calm \| familiar tune \| folk song \| gentle \| leading man \| listening \| mode mixture \| mourner \| mourning \| on-screen music \| playing \| praying \| singer \| singing \| street \| violinist \| watching
The Informer (1935)	Blood Money (Delicato)	0:28:43 - Gypo drops four coins on the floor	antagonist \| augmented triad \| coin \| dropping \| leading man \| mickey-mousing \| money \| mourner \| pivotal scene \| room \| staring \| tense \| whole-tone
The Informer (1935)	The Informer (Tense)	0:29:21 - Gypo defends himself	antagonist \| coin \| leading man \| money \| mourner \| mysterious \| pivotal scene \| room \| Scotch snap \| staring \| tense \| whole-tone \| whole-tone chord
The Informer (1935)	The Informer (Suspicion)	0:29:47 - Gypo leaves the wake	64 chord \| antagonist \| coin \| crying \| dissonant bass \| dropping \| giving \| leading man \| leaving \| mickey-mousing \| money \| mourner \| pivotal scene \| room \| Scotch snap \| sigh gesture \| somber \| staring
The Informer (1935)	The Informer (Walking Fast)	0:30:13 - Gypo storms off down the street	64 chord \| advance plot \| antagonist \| chromatic parallelism \| diminished 7th chord \| hurrying \| leading man \| Scotch snap \| street \| tense \| walking
The Informer (1935)	The Informer (Burning Poster) + Blood Money	0:32:03 - Gypo in rebel headquarters	advance plot \| antagonist \| burning \| combination of themes \| diminished 7th chord \| fire \| headquarters \| leading man \| mickey-mousing \| mysterious \| octatonic \| rebel \| rising \| room \| Scotch snap \| tense \| tone cluster
The Informer (1935)	Drinking Song 2	0:40:12 - Gypo sings a drunken song	advance plot \| antagonist \| drunk \| leading man \| on-screen music \| singing \| source music \| street
The Informer (1935)	The Irish Washerwoman	0:43:45 - People sing and dance in a pub	advance plot \| antagonist \| bar \| familiar tune \| folk song \| happy \| Irish \| leading man \| source music \| whistling
The Informer (1935)	Blood Money	0:44:44 - Gypo tosses money to the pub-keeper	advance plot \| antagonist \| bar \| bartender \| excited \| giving \| leading man \| money
The Informer (1935)	The Irish Washerwoman (Pub) + Blood Money + The Wearin' o' the Green + The Informer	0:44:52 - People celebrate in the pub	advance plot \| antagonist \| bar \| chaotic \| chromatic scale \| close-up \| combination of themes \| crowd \| dark \| dissonant bass \| excited \| familiar tune \| folk song \| foreign key modulation \| happy \| heroic \| Irish \| layering \| leading man \| mob \| mobbing \| octatonic \| parallelism \| pedal tone \| polytonality \| rebel \| serving \| source to score \| spying \| tense \| whole-tone \| yelling \| zoom in
The Informer (1935)	Katie (Gypo is Drunk)	0:46:36 - Gypo tells the rebel about "somebody waiting for me"	advance plot \| antagonist \| augmented sixth chord \| breaking \| drunk \| leading man \| street \| transcribed by ear \| walking
The Informer (1935)	He Is Me Darling-O	0:47:03 - Gypo and another man sing drunkenly	advance plot \| Aeolian mode \| antagonist \| drunk \| familiar tune \| folk song \| Irish \| leading man \| street \| transcribed by ear \| walking
The Informer (1935)	Katie (Poster)	0:47:58 - Gypo looks at the America poster	advance plot \| antagonist \| leading man \| pondering \| poster \| sentimental \| street \| transcribed by ear
The Informer (1935)	Blood money (Thinking)	0:48:58 - Gypo pulls out and counts his money	advance plot \| antagonist \| conversing \| leading man \| money \| mysterious \| ostinato \| pondering \| street
The Informer (1935)	Katie (Thinking)	0:49:37 - Gypo looks at the money and the poster	9th chord \| advance plot \| antagonist \| leading man \| money \| pondering \| sentimental \| street
The Informer (1935)	Here Comes the Bride	0:49:55 - Dream sequence of a voyage to America	64 chord \| advance plot \| antagonist \| boat \| double exposure \| dreaming \| familiar tune \| leading lady \| leading man \| pedal tone \| romantic \| ship \| street \| vision \| wedding
The Informer (1935)	My Man	0:50:19 - Gypo talks with his friend	AB structure \| advance plot \| antagonist \| cheerful \| conversing \| leading man \| party \| source music \| street
The Informer (1935)	Katie (Mistaken Identity)	0:52:34 - Gypo thinks he sees Katie, but it's someone else	advance plot \| antagonist \| augmented sixth chord \| hallucinating \| hallucination \| leading lady \| leading man \| party \| sentimental \| transcribed by ear
The Informer (1935)	Dardanella	0:53:41 - Gypo buys drinks at a party	AB structure \| advance plot \| antagonist \| celebrating \| cheerful \| crowd \| drinking \| leading man \| on-screen music \| party \| partying \| source music
The Informer (1935)	Believe Me If All Those Endearing Young Charms	0:55:32 - A woman prepares to sing a song at a party	advance plot \| antagonist \| cheerful \| crowd \| leading man \| on-screen music \| party \| playing \| source music
The Informer (1935)	Believe Me If All Those Endearing Young Charms	0:58:23 - Singing continues (from the previous scene)	advance plot \| antagonist \| crowd \| crying \| familiar tune \| folk song \| leading man \| on-screen music \| party \| sentimental \| singing
The Informer (1935)	The Informer (King Gypo)	1:01:03 - Gypo's friend brags about him	advance plot \| antagonist \| bragging \| cheerful \| crowd \| friend \| leading man \| party \| proud
The Informer (1935)	The Informer (Quiet!)	1:01:27 - The rebels enter and start an argument	64 chord \| advance plot \| antagonist \| arguing \| bold \| crowd \| dark \| friend \| interrupting \| leading man \| matching speech \| mickey-mousing \| party \| rebel
The Informer (1935)	The Informer (Drunk)	1:03:23 - Gypo walks down the street drunk	advance plot \| antagonist \| drunk \| leading lady \| leading man \| marching \| rebel \| street
The Informer (1935)	The Informer (Molto Agitato)	1:03:45 - Katie worries for Gypo	advance plot \| antagonist \| chromatic parallelism \| conversing \| drunk \| half-diminished 7th chord \| leading lady \| leading man \| rebel \| street
The Informer (1935)	The Wearin' o' the Green (Fighting)	1:03:51 - Gypo struggles with the rebels	64 chord \| advance plot \| antagonist \| chromatic parallelism \| conversing \| dominant 7th chord \| drunk \| familiar tune \| fighting \| folk song \| fragmentation \| leading lady \| leading man \| reassuring \| rebel \| sequence \| street \| struggling \| syncopation
The Informer (1935)	Blood Money (Ostinato)	1:04:10 - The rebels overhear Gypo talking about the money	advance plot \| antagonist \| conversing \| drunk \| leading lady \| leading man \| money \| mysterious \| ostinato \| rebel \| street \| whole-tone chord
The Informer (1935)	Falling down the stairs	1:06:19 - Gypo falls down the stairs	9th chord \| antagonist \| chromatic scale \| courtroom scene \| down \| dramatic \| falling \| headquarters \| leading man \| mickey-mousing \| rebel \| room \| stairs \| suspect
The Informer (1935)	Dan and Mary (Legato)	1:07:46 - Gypo looks at Mary	antagonist \| courtroom \| courtroom scene \| delicate \| gentle \| headquarters \| leading man \| pedal tone \| room \| sister \| suspect \| watching
The Informer (1935)	Blind Man (Tribunal)	1:08:08 - Gypo looks at the blind man	64 chord \| accusing \| antagonist \| blind man \| chromatic scale \| courtroom \| courtroom scene \| headquarters \| leading man \| pedal tone \| room \| serious \| suspect \| watching
The Informer (1935)	The Informer (Laughing)	1:09:04 - Gypo laughs at Peter	accusing \| antagonist \| augmented sixth chord \| bold \| courtroom \| courtroom scene \| headquarters \| leading man \| octatonic \| room \| serious \| suspect
The Informer (1935)	Blood Money (The Trial) + Blind Man (The Trial)	1:15:13 - The rebels ask Gypo where he got the money	antagonist \| axis of symmetry \| blind man \| combination of themes \| courtroom \| courtroom scene \| fanfare \| headquarters \| interrogating \| interrogation \| leading man \| mirroring \| money \| mysterious \| questioning \| room \| suspect
The Informer (1935)	Katie (The Trial)	1:15:36 - The rebels ask Gypo about Katie	antagonist \| axis of symmetry \| courtroom \| courtroom scene \| headquarters \| interrogating \| interrogation \| leading man \| mirroring \| money \| mysterious \| questioning \| room \| suspect
The Informer (1935)	Blood Money (The Trial) + The Informer (The Trial)	1:15:40 - Dan asks "Who was the informer?"	antagonist \| axis of symmetry \| combination of themes \| courtroom \| courtroom scene \| headquarters \| interrogating \| interrogation \| inversion \| leading man \| mirroring \| money \| mysterious \| questioning \| room \| suspect \| whole-tone
The Informer (1935)	The Informer (Confession)	1:16:00 - Gypo confesses and cries	9th chord \| altered dominant \| antagonist \| confessing \| confession \| courtroom \| courtroom scene \| crying \| deceptive resolution \| diminished 7th chord \| dissonant bass \| guilt \| half-diminished 7th chord \| headquarters \| leading man \| pedal tone \| pedal tone \| remorseful \| room \| traitor
The Informer (1935)	Katie (Despair)	1:16:18 - Gypo confesses and cries	antagonist \| climax \| confessing \| confession \| courtroom \| courtroom scene \| crying \| dissonant bass \| guilt \| headquarters \| leading man \| remorseful \| room \| sequence \| traitor
The Informer (1935)	The Informer (Tranquillo)	1:16:35 - Gypo is taken away	antagonist \| arresting \| authentic cadence \| climax \| confessing \| confession \| courtroom \| courtroom scene \| crying \| guilt \| headquarters \| hero \| leading man \| leaving \| love interest \| pleading \| remorseful \| room \| traitor
The Informer (1935)	Blood Money (Ostinato)	1:17:10 - Gypo waits in his cell while the rebels draw straws	advance plot \| antagonist \| dripping \| escaping \| gun \| headquarters \| leading man \| mysterious \| ostinato \| prison \| rebel \| room \| shooting \| tense \| traitor \| whispering \| worrying
The Informer (1935)	The Escape	1:19:46 - Gypo escapes and a chase ensues	advance plot \| antagonist \| chromatic scale \| dramatic \| escaping \| headquarters \| hurrying \| leading man \| mickey-mousing \| prison \| rebel \| room \| running \| traitor \| whole-tone \| whole-tone chord
The Informer (1935)	The Informer (Gypo Hides)	1:20:38 - Gypo sees British soldiers marching	antagonist \| hiding \| leading man \| marching \| running \| street \| tense \| traitor \| transition
The Informer (1935)	The Informer (Adagio)	1:21:15 - Gypo imagines Frankie's poster	antagonist \| hallucinating \| hallucination \| leading man \| mysterious \| street \| suspension \| traitor \| transition
The Informer (1935)	Gypo runs away	1:21:26 - Gypo runs and hides	agitated \| antagonist \| chromatic parallelism \| diminished 7th chord \| hiding \| leading man \| mickey-mousing \| running \| sequence \| street \| tense \| traitor \| transition
The Informer (1935)	The Informer (Up the Stairs)	1:21:35 - Gypo goes up the stairs	64 chord \| agitated \| antagonist \| chromatic sequence \| fragmentation \| hallway \| hiding \| leading man \| mickey-mousing \| running \| sequence \| stairs \| tense \| traitor \| transition \| up
The Informer (1935)	Blood Money (Ostinato)	1:22:00 - Gypo confesses to Katie	antagonist \| confessing \| leading lady \| leading man \| love interest \| love scene \| money \| ostinato \| room \| tense \| traitor \| whole-tone
The Informer (1935)	Katie (Allegro Appassionato)	1:22:20 - Gypo talks to Katie	antagonist \| confessing \| leading lady \| leading man \| love interest \| love scene \| room \| sequence \| tense \| traitor
The Informer (1935)	By the Fire	1:22:36 - Gypo rests by the fire	antagonist \| half-diminished 7th chord \| leading lady \| leading man \| love interest \| love scene \| romantic \| room \| suspension \| traitor \| yearning
The Informer (1935)	Katie (Dolcissimo)	1:22:57 - Gypo talks to Katie	antagonist \| chromatic sequence \| leading lady \| leading man \| love \| love interest \| love scene \| romantic \| room \| traitor \| yearning
The Informer (1935)	Blood Money (Ostinato)	1:27:32 - Rebels come to capture Gypo	antagonist \| climax \| leading man \| mysterious \| ostinato \| rebel \| room \| sneaking \| tense \| traitor \| whispering
The Informer (1935)	The Escape (The Fight)	1:28:25 - Rebels shoot through the door	antagonist \| augmented triad \| chromatic parallelism \| chromatic scale \| climax \| down \| dramatic \| escaping \| falling \| fighting \| leading man \| linear chromaticism \| mickey-mousing \| rebel \| room \| running \| tense \| traitor \| whole-tone
The Informer (1935)	Blood Money (Tuttissimo)	1:28:53 - Gypo stumbles into a church	antagonist \| church \| climax \| dirge \| dissonant bass \| dominant pedal \| dying \| half-diminished 7th chord \| leading man \| mysterious \| street \| stumbling \| tense \| traitor \| walking \| whole-tone \| whole-tone chord
The Informer (1935)	The Informer (Pathetic)	1:29:48 - Gypo stumbles toward Frankie's mother	antagonist \| church \| climax \| diminished 7th chord \| dying \| gentle \| leading man \| main theme \| pedal tone \| somber \| stumbling \| traitor \| walking
The Informer (1935)	Sancta Maria	1:30:27 - Frankie's mother forgives Gypo	antagonist \| church \| climax \| confessing \| dying \| gentle \| leading man \| mother \| sacred \| somber \| suspension \| traitor
The Letter (1940)	Mrs. Hammond (Grandioso)	0:53:54 - Leslie approaches the car	antagonist \| Chinese \| Chinese \| driving \| lawyer \| leading lady \| mysterious \| open fifth \| parallel fifths \| pedal tone \| pentatonic \| plantation \| transition
The Letter (1940)	Chinese Quarter	0:54:15 - The car enters the Chinese Quarter	antagonist \| Chinatown \| Chinese \| Chinese \| driving \| exotic \| exoticism \| lawyer \| leading lady \| open fifth \| parallel fifths \| parallelism \| pentatonic \| setting \| transition
The Letter (1940)	Chinese Shop	0:55:30 - Howard and Leslie look around	antagonist \| Chinatown \| Chinese \| Chinese \| exotic \| exoticism \| lawyer \| layering \| leading lady \| Lydian mode \| mirroring \| mysterious \| open fifth \| parallel fifths \| parallelism \| polytonality \| quintal chord \| tense \| transition \| waiting \| walking
The Letter (1940)	Mrs. Hammond (Mysterioso)	0:56:29 - Howard and Leslie wait in the shop	antagonist \| Chinatown \| Chinese \| Chinese \| exotic \| lawyer \| leading lady \| mysterious \| open fifth \| parallel fifths \| parallelism \| pedal tone \| pentatonic \| shop \| tense \| transition \| waiting
The Letter (1940)	Mrs. Hammond (Dagger)	0:57:04 - Leslie looks at a Chinese dagger	antagonist \| Chinatown \| Chinese \| Chinese \| dagger \| exotic \| lawyer \| leading lady \| mysterious \| open fifth \| parallel fifths \| parallelism \| pedal tone \| pentatonic \| polytonality \| shop \| tense \| transition \| waiting
The Letter (1940)	Mrs. Hammond (Slowly)	0:57:27 - Howard and Leslie walk into the back room	antagonist \| Chinatown \| Chinese \| Chinese \| conflict \| lawyer \| leading lady \| mysterious \| pentatonic \| quintal chord \| shop \| walking
The Letter (1940)	Glass Curtains	0:59:08 - Mrs. Hammond enters through the glass curtain	antagonist \| Chinatown \| Chinese \| chromatic scale \| conflict \| curtain \| entering \| glass \| lawyer \| layering \| leading lady \| mirroring \| mysterious \| ostinato \| parallelism \| pc set \| polyrhythm \| shop \| staring \| tense \| tinkling \| tone cluster \| waiting \| whole-tone \| whole-tone chord
The Letter (1940)	Mrs. Hammond + Glass Curtains	1:00:13 - Leslie faces Mrs. Hammond	antagonist \| Chinatown \| Chinese \| Chinese \| chromatic scale \| combination of themes \| conflict \| conversing \| curtain \| glass \| lawyer \| layering \| leading lady \| mirroring \| mysterious \| ostinato \| parallelism \| paying \| pc set \| pentatonic \| polyrhythm \| shop \| staring \| tense \| tinkling \| tone cluster \| waiting \| whole-tone \| whole-tone chord
The Letter (1940)	Leslie + Glass Curtains	1:01:27 - Leslie removes her shawl	antagonist \| Chinatown \| Chinese \| Chinese \| chromatic scale \| combination of themes \| conflict \| conversing \| curtain \| glass \| lawyer \| layering \| leading lady \| mirroring \| mysterious \| oscillation \| ostinato \| parallelism \| pc set \| polyrhythm \| sequence \| shop \| staring \| tense \| tinkling \| tone cluster \| waiting \| whole-tone \| whole-tone chord
The Letter (1940)	Leslie B + Glass Curtains	1:01:57 - Leslie approaches Mrs. Hammond	antagonist \| Chinatown \| Chinese \| chromatic scale \| combination of themes \| conflict \| confronting \| curtain \| glass \| lawyer \| layering \| leading lady \| mirroring \| mysterious \| ostinato \| parallelism \| pc set \| polyrhythm \| sequence \| shop \| staring \| tense \| tinkling \| tone cluster \| walking \| whole-tone \| whole-tone chord
The Letter (1940)	Glass Curtains	1:02:21 - Leslie faces Mr. Hammond	antagonist \| Chinatown \| Chinese \| chromatic scale \| conflict \| confronting \| curtain \| glass \| lawyer \| layering \| leading lady \| mirroring \| mysterious \| ostinato \| parallelism \| pc set \| polyrhythm \| shop \| staring \| tense \| tinkling \| tone cluster \| whole-tone \| whole-tone chord
The Letter (1940)	Mrs. Hammond (Contempt) + Glass Curtains	1:02:40 - Leslie stoops down to pick up the letter	antagonist \| Chinatown \| Chinese \| Chinese \| chromatic scale \| combination of themes \| conflict \| confronting \| contempt \| curtain \| glass \| lawyer \| layering \| leading lady \| mirroring \| mysterious \| ostinato \| parallelism \| pc set \| pentatonic \| polyrhythm \| shop \| staring \| stooping \| tense \| tinkling \| tone cluster \| whole-tone \| whole-tone chord
The Letter (1940)	Leslie B (Dark) + Glass Curtains	1:02:50 - Leslie looks at the letter	antagonist \| Chinatown \| Chinese \| chromatic scale \| combination of themes \| conflict \| confronting \| curtain \| dark \| glass \| lawyer \| layering \| leading lady \| mirroring \| mysterious \| ostinato \| parallelism \| pc set \| polyrhythm \| sequence \| shop \| staring \| tense \| tinkling \| tone cluster \| whole-tone \| whole-tone chord
The Letter (1940)	Mrs. Hammond (Solemn) + Glass Curtains	1:03:08 - Leslie and Howard leave	antagonist \| Chinatown \| Chinese \| Chinese \| chromatic scale \| combination of themes \| conflict \| curtain \| glass \| lawyer \| layering \| leading lady \| mirroring \| mysterious \| ostinato \| parallelism \| pc set \| pentatonic \| polyrhythm \| shop \| solemn \| staring \| tinkling \| tone cluster \| whole-tone \| whole-tone chord
The Letter (1940)	Mrs. Hammond (Bitter)	1:08:54 - Leslie sees Mrs. Hammond in the courtroom	11th chord \| antagonist \| Chinese \| Chinese \| chromatic parallelism \| confronting \| courtroom \| dark \| husband \| leading lady \| trial
The Letter (1940)	Mrs. Hammond + Foxtrot No. 1	1:20:02 - Ong is seen in the mirror	advance plot \| antagonist \| calm \| combination of themes \| dagger \| dance music \| dropping \| foxtrot \| home \| leading lady \| mysterious \| open fifth \| parallel fifths \| pentatonic \| source music
The Letter (1940)	Mrs. Hammond (Ambush)	1:31:55 - Leslie moves through the gate	Aeolian mode \| antagonist \| Chinese \| climax \| dark \| leading lady \| mysterious \| open fifth \| parallel fifths \| parallelism \| pentatonic \| plantation \| walking
The Letter (1940)	Leslie (Deliberate)	1:32:48 - Mrs. Hammond approaches Leslie with a knife	antagonist \| changing meter \| Chinese \| climax \| dagger \| leading lady \| oscillation \| plantation \| somber \| walking
The Letter (1940)	Mrs. Hammond (Revenge)	1:33:01 - Mrs. Hammond stabs Leslie	64 chord \| antagonist \| Chinese \| Chinese \| climax \| dagger \| leading lady \| murder \| open fifth \| parallel fifths \| parallelism \| pentatonic \| plantation \| somber \| walking
The Letter (1940)	Policeman	1:33:31 - A policeman comes to investigate	antagonist \| Chinese \| climax \| investigating \| plantation \| policeman \| tense
The Letter (1940)	Leslie (Reckoning)	1:33:42 - Mrs. Hammond walks away	11th chord \| antagonist \| augmentation \| body \| changing meter \| Chinese \| climax \| death \| leading lady \| moon \| oscillation \| plantation \| policeman \| somber \| suspension
Mildred Pierce (1945)	T'Ain't No Good	0:57:37 - Mildred at the opening of her restaurant	advance plot \| antagonist \| busy \| conversing \| daughter \| dining \| friend \| guest \| heroine \| leading lady \| popular music \| restaurant \| serving \| source music \| upbeat \| working
Mildred Pierce (1945)	While You're Away	0:59:47 - Monte arrives at the restaurant	ABAC structure \| advance plot \| antagonist \| busy \| conversing \| daughter \| dining \| friend \| guest \| heroine \| leading lady \| love interest \| parallel double period \| popular music \| restaurant \| serving \| source music \| upbeat \| working
Mildred Pierce (1945)	Please Think of Me	1:01:54 - Monte dances with Veda	antagonist \| celebrating \| dance scene \| dancing \| daughter \| friend \| heroine \| jukebox \| leading lady \| love interest \| on-screen music \| popular music \| restaurant \| singing \| source music \| upbeat
Mildred Pierce (1945)	French One-Step	1:08:14 - Veda at a polo match	added-note chord \| antagonist \| cheering \| common-tone diminished 7th \| daughter \| field \| heroine \| leading lady \| love interest \| montage \| playing \| polo \| secondary dominant \| sports \| upbeat \| voice-over \| watching
Mildred Pierce (1945)	You Must Have Been a Beautiful Baby	1:16:01 - Wally and Veda in a restaurant	advance plot \| antagonist \| cheerful \| conversing \| daughter \| drinking \| friend \| popular music \| restaurant \| source music \| toasting
Mildred Pierce (1945)	Underscoring (Tense)	1:18:34 - Veda tells her mother she is married	antagonist \| chromatic parallelism \| chromatic wedge \| conflict \| conversing \| daughter \| diminished 7th chord \| friend \| heroine \| leading lady \| oscillation \| reverse stinger \| room \| tense \| underscoring
Mildred Pierce (1945)	Secret Revealed	1:18:59 - Veda talks to her mother	antagonist \| chromatic parallelism \| chromatic scale \| chromatic wedge \| conflict \| conversing \| daughter \| fear \| friend \| heroine \| leading lady \| linear chromaticism \| octatonic chord \| room \| surprise \| tense
Mildred Pierce (1945)	Kay and Veda (Coy)	1:19:11 - Veda talks to her mother	antagonist \| apologizing \| chromatic parallelism \| conflict \| daughter \| friend \| heroine \| leading lady \| room \| tense
Mildred Pierce (1945)	Mildred (Waltz Fantasy)	1:19:18 - Mildred talks to Veda	9th chord \| antagonist \| appoggiatura \| chromatic parallelism \| comforting \| conflict \| daughter \| dream-like \| friend \| heroine \| leading lady \| room \| tense
Mildred Pierce (1945)	Mildred (Tenderly)	1:19:37 - Wally talks about a settlement	antagonist \| chromatic parallelism \| conflict \| conversing \| daughter \| fragmentation \| friend \| heroine \| leading lady \| pedal tone \| room \| tender
Mildred Pierce (1945)	Kay and Veda (Troubled 2)	1:21:34 - Veda looks at the divorce settlement check	antagonist \| blackmail \| chromatic scale \| chromatic sequence \| conflict \| daughter \| fragmentation \| heroine \| laughing \| leading lady \| mickey-mousing \| mocking \| room \| troubled \| ugly \| whole-tone chord
Mildred Pierce (1945)	Kay and Veda (Agitato)	1:22:22 - Veda and her mother argue	agitated \| antagonist \| arguing \| augmented sixth chord \| blackmail \| chromatic sequence \| conflict \| daughter \| fragmentation \| heroine \| leading lady \| room \| tense
Mildred Pierce (1945)	Kay and Veda (Ominous)	1:22:43 - Veda argues with her mother	antagonist \| arguing \| conflict \| dark \| daughter \| heroine \| insulting \| leading lady \| ominous \| room \| ugly
Mildred Pierce (1945)	Mildred (Appassionato)	1:23:00 - Veda expresses her disgust with her mother	angry \| antagonist \| arguing \| chromatic scale \| conflict \| daughter \| foreign key modulation \| heroine \| insulting \| leading lady \| room \| tense
Mildred Pierce (1945)	Mildred B (Angry 2)	1:23:09 - Mildred gets angry at Veda	angry \| antagonist \| arguing \| conflict \| daughter \| fragmentation \| heroine \| insulting \| leading lady \| room \| tense
Mildred Pierce (1945)	Mildred (Vicious)	1:23:21 - Veda insults her mother	angry \| antagonist \| arguing \| chromatic parallelism \| chromatic wedge \| conflict \| daughter \| heroine \| insulting \| leading lady \| reverse stinger \| room \| tense \| whole-tone chord
Mildred Pierce (1945)	Mildred B (Angry)	1:23:38 - Mildred tears up Veda's check	angry \| antagonist \| arguing \| check \| conflict \| daughter \| fighting \| heroine \| leading lady \| pc set \| room \| slapping \| tearing \| tense \| violence \| yelling
Mildred Pierce (1945)	Stunned Reaction	1:23:44 - Mildred is stunned after Veda slaps her	angry \| antagonist \| conflict \| daughter \| dramatic \| heroine \| leading lady \| pc set \| room \| staring \| stunned \| violence
Mildred Pierce (1945)	Runs upstairs	1:24:04 - Veda runs up the stairs	angry \| antagonist \| ascending \| conflict \| daughter \| mickey-mousing \| octatonic scale \| room \| stern
Mildred Pierce (1945)	Oceana Roll	1:27:46 - Veda sings at a restaurant	advance plot \| antagonist \| cheerful \| club \| dancing \| daughter \| ex-husband \| heroine \| leading lady \| on-screen music \| playing \| popular music \| singing \| source music
Mildred Pierce (1945)	Sweet Georgia Brown	1:29:05 - Mildred confronts Wally	ABAC structure \| advance plot \| antagonist \| club \| conversing \| daughter \| heroine \| jazz \| leading lady \| on-screen music \| popular music \| source music \| upbeat
Mildred Pierce (1945)	It Had to Be You	1:30:25 - Mildred and Veda talk	ABAC structure \| advance plot \| antagonist \| club \| conversing \| daughter \| heroine \| jazz \| leading lady \| on-screen music \| popular music \| source music \| upbeat
Mildred Pierce (1945)	Kay and Veda (Allegretto Grazioso)	1:39:47 - Monte is happy to see Veda	added-note chord \| advance plot \| antagonist \| cheerful \| conversing \| daughter \| deceptive resolution \| reuniting \| room \| welcoming
Mildred Pierce (1945)	Kay and Veda (Coy 2)	1:44:37 - Veda is brought in by the police	antagonist \| chromatic parallelism \| daughter \| deceiving \| deception \| detective \| entering \| interrogating \| interrogation \| parallelism \| police station \| questioning \| tense
Mildred Pierce (1945)	Secret Revealed	1:45:37 - Mildred finds Veda and Monte together	antagonist \| chromatic parallelism \| chromatic scale \| chromatic wedge \| climax \| dark \| daughter \| discovering \| kissing \| linear chromaticism \| reveal \| room \| stinger \| tense
Mildred Pierce (1945)	Kay and Veda (Agitato)	1:46:05 - Veda reveals that she is in love with Monte	antagonist \| augmented sixth chord \| betrayal \| betraying \| chromatic scale \| chromatic sequence \| climax \| dark \| daughter \| fragmentation \| heroine \| leading lady \| revealing \| room \| tense
Mildred Pierce (1945)	Kay and Veda (Very Slow)	1:46:22 - Mildred reacts to Veda's betrayal	antagonist \| betrayal \| climax \| contemplating \| dark \| daughter \| gun \| heroine \| leading lady \| ominous \| parallel 63s \| room
Mildred Pierce (1945)	Mildred (Tragic)	1:46:43 - Mildred runs away	altered dominant \| antagonist \| arguing \| betrayal \| chromatic scale \| climax \| daughter \| dramatic \| emotional \| half-diminished 7th chord \| heroine \| leading lady \| room \| running \| sequence
Mildred Pierce (1945)	Monte is shot 2	1:47:28 - Monte is shot	antagonist \| chromatic parallelism \| collapsing \| death \| dying \| falling \| gun \| gunshot \| major 7th chord \| mickey-mousing \| murder \| murderer \| murder scene \| room \| staggering \| tragic
Mildred Pierce (1945)	Kay and Veda (Ominous)	1:47:42 - Mildred rushes in to check on Veda	antagonist \| confessing \| dark \| daughter \| heroine \| leading lady \| lying \| murder \| murderer \| murder scene \| ominous \| room
Mildred Pierce (1945)	Mildred B (Angry)	1:48:06 - Veda confesses to Mildred	angry \| antagonist \| confessing \| confession \| daughter \| diminished 7th chord \| fragmentation \| heroine \| leading lady \| lying \| murderer \| murder scene \| pc set \| room \| tense
Mildred Pierce (1945)	Kay and Veda (Troubled)	1:48:22 - Veda pleads for help to escape	antagonist \| begging \| chromatic scale \| confessing \| daughter \| distressed \| fragmentation \| frantic \| heroine \| leading lady \| murderer \| murder scene \| room \| sequence \| whole-tone chord
Mildred Pierce (1945)	Mildred (Ominous)	1:48:41 - Mildred calls the police	antagonist \| begging \| chromatic sequence \| daughter \| fragmentation \| heroine \| imitation \| leading lady \| murderer \| murder scene \| ominous \| room \| tense
Mildred Pierce (1945)	Underscoring (Tense)	1:48:54 - Veda asks her mother not to turn her in	antagonist \| begging \| daughter \| foreign key modulation \| heroine \| leading lady \| murderer \| murder scene \| room \| tense \| underscoring
Mildred Pierce (1945)	Kay and Veda (Returning Home 2)	1:49:17 - Veda convinces her mother to not report her	antagonist \| crying \| daughter \| heroine \| leading lady \| loving \| mode mixture \| mother \| murderer \| murder scene \| reverse picardy \| room \| sacrificing \| tender \| warm
Mildred Pierce (1945)	Kay and Veda (Triste)	1:49:37 - Veda is led out by the police	antagonist \| conversing \| daughter \| defeat \| detective \| heroine \| leading lady \| leaving \| mother \| murderer \| police station \| resigned \| resolution \| sigh gesture \| somber
The Unfaithful (1947)	Deep Night	0:05:47 - Roger arrives at party and argues with Paula	antagonist \| arguing \| establish character \| lawyer \| leading lady \| on-screen music \| party \| sister \| somber \| source music
The Unfaithful (1947)	Chris 2 (Minor)	0:07:37 - Chris arrives home	antagonist \| car \| cheerful \| dark \| driving \| house \| leading lady \| mode mixture \| transition
The Unfaithful (1947)	Chris (Dark)	0:07:46 - Chris walks from her car to her front door	advance plot \| antagonist \| calm \| danger \| house \| leading lady \| ominous \| shadow \| tritone \| tritone \| walking
The Unfaithful (1947)	Danger	0:08:19 - Man appears in the shadows and attacks Chris	advance plot \| antagonist \| danger \| fear \| house \| leading lady \| monophonic \| shadow \| sinister \| walking
The Unfaithful (1947)	Unfaithful (Attack)	0:08:40 - Man takes Chris inside her house and attacks her	advance plot \| antagonist \| attacking \| criminal \| danger \| fighting \| house \| leading lady \| ostinato \| pc set \| shadow \| sinister \| victim
The Unfaithful (1947)	Chris screams	0:08:53 - Chris screams	advance plot \| antagonist \| criminal \| danger \| house \| leading lady \| mickey-mousing \| pc set \| screaming \| shadow \| sinister \| victim
The Unfaithful (1947)	Tanner	0:23:46 - Mrs. Tanner boards a trolley	advance plot \| altered dominant \| antagonist \| newspaper \| quartal chord \| reading \| street \| syncopation \| tense \| traveling \| trolley \| widow
The Unfaithful (1947)	Tanner (Panic)	0:24:21 - Mrs. Tanner reads about her husband's name in the paper	advance plot \| antagonist \| newspaper \| ostinato \| panicked \| panicking \| street \| trolley \| widow
The Unfaithful (1947)	Unfaithful (Tragic)	0:24:34 - Mrs. Tanner walks away down the street	advance plot \| antagonist \| husband \| leading lady \| newspaper \| ostinato \| panicked \| panicking \| police station \| street \| transition \| trolley \| victim \| widow
The Unfaithful (1947)	Unfaithful (Plotting)	0:42:32 - Larry storms out of the art collector's shop	advance plot \| antagonist \| door \| plotting \| shop \| sinister \| slamming
The Unfaithful (1947)	Unfaithful (Ominous)	1:10:22 - Bob walks through the park	antagonist \| blackmail \| husband \| monophonic \| ominous \| park \| transition \| waiting
The Unfaithful (1947)	Tanner	1:10:47 - Bob walks upstairs to meet with Mrs. Tanner	altered dominant \| antagonist \| arriving \| foreshadowing \| husband \| quartal chord \| street \| syncopation \| tense \| transition \| walking
The Unfaithful (1947)	Unfaithful (Menacing)	1:12:25 - Bob meets with Mrs. Tanner	antagonist \| husband \| menacing \| monophonic \| ostinato \| pivotal scene \| realizing \| revealing \| room \| staring \| statue \| threatening \| unveiling \| widow
The Unfaithful (1947)	Unfaithful (Attack)	1:13:06 - Bob attacks the art shop owner	angry \| antagonist \| attacking \| fighting \| husband \| ostinato \| pc set \| pivotal scene \| room \| widow \| zoom in
We Are Not Alone (1939)	Boy runs downstairs	0:03:07 - Gerald runs down the stairs	9th chord \| altered dominant \| antagonist \| boy \| child \| chromatic mediant \| down \| downstairs \| establish character \| foreign key modulation \| gentle \| home \| mickey-mousing \| mother \| pedal tone \| playful \| running
We Are Not Alone (1939)	Appassionato	0:03:13 - Gerald is scolded by his mother	antagonist \| boy \| child \| chromatic parallelism \| chromatic scale \| deceptive resolution \| dominant 7th chord \| establish character \| fragmentation \| harmonic sequence \| hero \| home \| linear chromaticism \| mother \| passionate \| scolding \| sequence \| telling a story \| tense
We Are Not Alone (1939)	Jessica	0:10:01 - Jessica enters the room	9th chord \| antagonist \| chromatic parallelism \| chromatic scale \| establish character \| half-diminished 7th chord \| office \| sour \| wife
We Are Not Alone (1939)	Surprise Symphony (Imagination)	0:10:16 - Jessica rushes David away	antagonist \| chromatic parallelism \| classical music \| establish character \| familiar tune \| Haydn \| hero \| office \| playful \| quotation
We Are Not Alone (1939)	Jessica (Upset)	0:24:32 - Jessica enters and stops the conversation	advance plot \| antagonist \| chromatic scale \| conversing \| dark \| home \| parallelism \| upset \| wife
We Are Not Alone (1939)	Frolic	0:33:45 - Leni and Gerald run through the park	advance plot \| antagonist \| boy \| child \| chromatic mediant \| diminished 7th chord \| foreign key modulation \| gossiping \| heroine \| joyful \| park \| pedal tone \| playing \| running
We Are Not Alone (1939)	Piano Banging	0:37:12 - Gerald bangs on the piano	antagonist \| boy \| chaotic \| child \| dissonant \| establish character \| heroine \| home \| mother \| on-screen music \| piano \| playing \| tone cluster
We Are Not Alone (1939)	Frohe Botschaft (Drifting)	0:38:09 - Jessica tells Leni to leave	altered dominant \| antagonist \| chromatic parallelism \| conflict \| conversing \| familiar tune \| folk song \| gentle \| German \| heroine \| home \| quotation \| sinister \| tense \| whole-tone chord
We Are Not Alone (1939)	Frohe Botschaft (Somber)	0:38:52 - Leni reacts	9th chord \| antagonist \| common-chord modulation \| conflict \| conversing \| evaded cadence \| familiar tune \| folk song \| garden \| German \| heroine \| mode mixture \| quotation \| sentimental \| sigh gesture \| somber
We Are Not Alone (1939)	Surprise Symphony (Dark)	0:39:33 - Leni thinks to herself	9th chord \| antagonist \| classical music \| conflict \| dark \| familiar tune \| garden \| Haydn \| heroine \| quotation \| suspension \| thinking
We Are Not Alone (1939)	Jessica	0:45:10 - Jessica enters the room	9th chord \| advance plot \| antagonist \| chromatic parallelism \| chromatic scale \| conversing \| half-diminished 7th chord \| home \| mother \| room \| sour
We Are Not Alone (1939)	Frohe Botschaft (Crying)	0:45:45 - Leni kisses Gerald	9th chord \| 64 chord \| advance plot \| antagonist \| boy \| child \| crying \| deceptive resolution \| familiar tune \| folk song \| fragmentation \| German \| heroine \| home \| leaving \| mode mixture \| mother \| quotation \| room \| sequence \| somber \| tritone
We Are Not Alone (1939)	Tragico	0:46:40 - Gerald faces his mother	advance plot \| antagonist \| appoggiatura \| boy \| child \| conversing \| dark \| home \| mother \| pedal tone \| room \| sad \| stinger \| tragic
We Are Not Alone (1939)	Surprise Symphony (Tragico)	0:47:06 - Jessica gathers clothes for Gerald	advance plot \| antagonist \| boy \| child \| classical music \| conversing \| dark \| familiar tune \| Haydn \| home \| mother \| quotation \| room \| sad \| tragic
We Are Not Alone (1939)	Surprise Symphony (Turbulent)	0:50:14 - Jessica reacts to David's departure	11th chord \| angry \| antagonist \| chromatic parallelism \| classical music \| conflict \| crying \| dark \| familiar tune \| Haydn \| hero \| home \| husband \| leaving \| quotation \| room \| sad \| tragic \| wife
We Are Not Alone (1939)	Surprise Symphony (Sneaky)	0:51:52 - David goes to bed	added-note chord \| advance plot \| antagonist \| classical music \| cook \| diminution \| familiar tune \| Haydn \| hero \| heroine \| home \| mickey-mousing \| mysterious \| quotation \| room \| sneaking \| somber
We Are Not Alone (1939)	Die Krähe	0:52:36 - Leni asks David about his work	advance plot \| antagonist \| calm \| classical music \| concert \| conversing \| cook \| familiar tune \| hero \| heroine \| home \| room \| Schubert \| source music
We Are Not Alone (1939)	Celebre Romance	0:54:24 - Leni asks David for a reference	ABAC structure \| advance plot \| antagonist \| calm \| classical music \| concert \| conversing \| cook \| familiar tune \| hero \| heroine \| home \| room \| Rubinstein \| source music
We Are Not Alone (1939)	Tuning	0:59:20 - David tunes his violin	advance plot \| antagonist \| calm \| cook \| hero \| heroine \| home \| on-screen music \| room \| source music \| tuning \| violin
We Are Not Alone (1939)	Tuning	1:00:57 - David tunes his violin	advance plot \| antagonist \| calm \| cook \| hero \| heroine \| home \| on-screen music \| room \| source music \| tuning \| violin
We Are Not Alone (1939)	Celebre Romance	1:01:03 - David plays the violin	advance plot \| antagonist \| classical music \| cook \| familiar tune \| hero \| heroine \| home \| on-screen music \| peaceful \| playing \| romantic \| room \| Rubinstein \| sentence form \| source music \| source to score \| violin
We Are Not Alone (1939)	Underscoring (Dramatic)	1:03:40 - Jessica takes Gerald outside	11th chord \| antagonist \| boy \| child \| conflict \| dramatic \| street \| tense \| underscoring \| walking
We Are Not Alone (1939)	Rule, Britannia (Throwing Stones)	1:05:14 - Susan throws a rock at the shop	64 chord \| angry \| antagonist \| conflict \| mickey-mousing \| rock \| street \| throwing
We Are Not Alone (1939)	Underscoring (Tense)	1:05:17 - David scolds Susan	64 chord \| antagonist \| chromatic scale \| conflict \| conversing \| foreign key modulation \| hero \| street \| tense \| underscoring
We Are Not Alone (1939)	Surprise Symphony (Window)	1:05:40 - Susan sees Leni and David in the window	antagonist \| classical music \| conflict \| familiar tune \| Haydn \| quotation \| spying \| street \| tense \| window
We Are Not Alone (1939)	God Save the King	1:09:06 - Mob sings "God Save the King" outside	advance plot \| antagonist \| British \| choral singing \| familiar tune \| home \| mob \| patriotic \| singing \| source music \| source to score \| street
We Are Not Alone (1939)	Frohe Botschaft (Ghostly)	1:49:22 - Gerald talks to Susan	antagonist \| boy \| child \| conclusion \| death \| eerie \| familiar tune \| folk song \| German \| home \| ominous \| quotation \| room \| tone cluster
We Are Not Alone (1939)	Surprise Symphony (Ghostly)	1:49:48 - Gerald talks to Susan	antagonist \| boy \| child \| classical music \| conclusion \| death \| eerie \| familiar tune \| Haydn \| home \| ominous \| on-screen music \| quotation \| remembered source music \| room \| source music \| tone cluster \| whistling
We Are Not Alone (1939)	Frohe Botschaft (Fading Away)	1:50:19 - Susan looks surprised	antagonist \| boy \| child \| conclusion \| death \| eerie \| familiar tune \| folk song \| fragmentation \| German \| home \| ominous \| quotation \| room \| tone cluster
The Woman in White (1948)	Ann (Molto Marcato)	0:50:03 - Walter storms out of the room	angry \| antagonist \| butler \| conflict \| cousin \| departing \| fiancé \| leading lady \| leading man \| mansion
The Woman in White (1948)	Laura	0:55:43 - Sitting at the dining table	advance plot \| antagonist \| butler \| cigarette \| conversing \| cousin \| eating \| happy \| husband \| leading lady \| light \| mansion \| monkey \| servant \| smoking \| somber
The Woman in White (1948)	Underscoring (Mysterious)	0:56:12 - Sir Percival and a monkey	advance plot \| antagonist \| butler \| cigarette \| conversing \| cousin \| husband \| leading lady \| mansion \| monkey \| mysterious \| servant \| smoking \| stinger \| underscoring
The Woman in White (1948)	Ann (Misterioso Rubato)	0:58:22 - The countess excuses herself	advance plot \| antagonist \| butler \| conversing \| cousin \| departing \| husband \| leading lady \| mansion \| mysterious \| servant \| somber
The Woman in White (1948)	Sneaking	1:02:12 - Marian leaves wearing a cloak	advance plot \| antagonist \| conversing \| cousin \| criminal \| eavesdropping \| father \| husband \| leading lady \| leading man \| room \| sneaking \| somber \| tense
The Woman in White (1948)	Fosco (Misterioso Slowly)	1:04:48 - Count Fosco leaves the room	advance plot \| antagonist \| conversing \| cousin \| criminal \| eavesdropping \| father \| husband \| leading lady \| leading man \| lightning \| mysterious \| room \| sneaking \| storm \| tense
The Woman in White (1948)	Pavan (Basses)	1:05:32 - Marian gets dressed	advance plot \| antagonist \| cousin \| criminal \| dressing \| leading lady \| leading man \| mysterious \| room \| shadow \| somber \| stinger \| surprising
The Woman in White (1948)	Fosco (Misterioso Moderato)	1:08:24 - Fosco is startled by a noise	antagonist \| butler \| conflict \| conversing \| cousin \| criminal \| leading lady \| leading man \| mysterious \| room
The Woman in White (1948)	Fosco (Marcato)	1:08:44 - Fosco talks to the servant	antagonist \| arguing \| butler \| confining \| conflict \| conversing \| cousin \| criminal \| dark \| leading lady \| leading man \| mysterious \| prisoner \| room
The Woman in White (1948)	Underscoring (Dramatic)	1:09:11 - Marian is locked in	antagonist \| confining \| conflict \| conversing \| cousin \| criminal \| dark \| dramatic \| husband \| leading lady \| leading man \| prisoner \| room \| underscoring
The Woman in White (1948)	Asylum (Dark)	1:09:26 - Fosco talks to Sir Percival	aching \| antagonist \| conflict \| conversing \| criminal \| dark \| headache \| husband \| illness \| leading lady \| leading man \| pain \| plotting \| prisoner \| room
The Woman in White (1948)	Appearing	1:10:28 - The woman in white disappears	advance plot \| antagonist \| criminal \| doctor \| hiding \| husband \| leading lady \| leading man \| magical \| mysterious \| room \| running \| superimposed shot \| victim
The Woman in White (1948)	Ann (Poco Agitato)	1:11:46 - Laura mentions the woman in white	agitated \| antagonist \| conflict \| conversing \| criminal \| doctor \| headache \| husband \| illness \| leading lady \| leading man \| pain \| room \| servant \| victim
The Woman in White (1948)	Fosco	1:12:05 - Fosco talks to the maid	agitated \| anger \| antagonist \| conflict \| criminal \| doctor \| headache \| husband \| illness \| leading lady \| leading man \| pain \| room \| searching \| servant \| tense \| victim \| walking
The Woman in White (1948)	Fosco (Molto Agitato)	1:12:15 - Fosco walks	agitated \| anger \| antagonist \| conflict \| criminal \| dark \| doctor \| headache \| husband \| illness \| leading lady \| leading man \| pain \| room \| rushing \| searching \| servant \| tense \| victim \| walking
The Woman in White (1948)	Ann (Accelerando)	1:12:32 - Fosco looks in the closet	agitated \| anger \| antagonist \| conflict \| criminal \| leading man \| mysterious \| room \| rushing \| searching \| walking
The Woman in White (1948)	Ann (Accelerando) + Fosco (Dark)	1:12:47 - Fosco leaves	agitated \| anger \| antagonist \| combination of themes \| conflict \| conversing \| criminal \| departing \| doctor \| husband \| leading man \| room \| rushing \| searching \| tense \| walking
The Woman in White (1948)	Fosco (Misterioso)	1:18:29 - The woman in white hears Sir Percival's voice	antagonist \| arriving \| criminal \| death scene \| hearing voices \| husband \| leading lady \| madness \| mysterious \| room \| screaming \| shock \| surprise \| tense \| victim \| wife
The Woman in White (1948)	Appearing	1:18:48 - The woman in white clutches her heart	antagonist \| criminal \| death scene \| dying \| husband \| leading lady \| mickey-mousing \| room \| screaming \| shock \| surprise \| tense \| victim \| wife
The Woman in White (1948)	Ann (Dead)	1:18:55 - The woman in white lies dead	antagonist \| conversing \| criminal \| dark \| death scene \| dying \| husband \| leading lady \| murderer \| room \| somber \| victim \| wife
The Woman in White (1948)	Ann (Slowly)	1:19:46 - The countess enters	angry \| antagonist \| criminal \| dark \| death scene \| glaring \| husband \| leading lady \| room \| shaking \| victim \| wife
The Woman in White (1948)	Fosco (Con Moto)	1:23:29 - Fosco arrives in his carriage	antagonist \| arriving \| carriage \| criminal \| dark \| leading man \| murderer \| serious \| street \| transition \| traveling
The Woman in White (1948)	Asylum + Ann	1:24:50 - Close-up on Count Fosco	antagonist \| asylum \| combination of themes \| criminal \| dark \| husband \| hypnosis \| hypnotist \| hypnotizing \| leading lady \| leading man \| lighting change \| mad scene \| murderer \| mysterious \| thematic transference \| victim
The Woman in White (1948)	Asylum + Ann + Hypnosis	1:25:26 - Laura looks at Sir Percival	antagonist \| asylum \| combination of themes \| criminal \| dark \| husband \| hypnosis \| hypnotist \| hypnotizing \| leading lady \| leading man \| mad scene \| murderer \| mysterious \| victim
The Woman in White (1948)	Pavan (Distressed)	1:25:43 - Laura confronts Sir Percival	antagonist \| arguing \| asylum \| criminal \| dark \| husband \| hypnosis \| hypnotist \| leading lady \| leading man \| mad scene \| murderer \| victim
The Woman in White (1948)	Asylum + Ann + Hypnosis	1:26:10 - Count Fosco hypnotizes Laura	antagonist \| asylum \| combination of themes \| criminal \| dark \| husband \| hypnosis \| hypnotist \| hypnotizing \| leading lady \| leading man \| mad scene \| murderer \| shrill \| staring \| victim
The Woman in White (1948)	Ann	1:26:55 - Laura speaks to Count Fosco	antagonist \| asylum \| criminal \| husband \| hypnosis \| hypnotist \| hypnotizing \| leading lady \| leading man \| mad scene \| murderer \| mysterious \| staring \| victim
The Woman in White (1948)	Ann (Waltz)	1:27:14 - Laura dashes away	antagonist \| asylum \| conversing \| criminal \| husband \| hypnosis \| hypnotist \| leading lady \| leading man \| leaving \| mad scene \| murderer \| nurse \| tender \| victim
The Woman in White (1948)	Ann 2	1:28:39 - The nurse takes Laura to her room	antagonist \| asylum \| criminal \| husband \| hypnosis \| hypnotist \| leading lady \| leading man \| leaving \| mad scene \| murderer \| nurse \| tender \| victim \| walking
The Woman in White (1948)	Ann (Quasi Misterioso)	1:29:00 - Count Fosco talks to Sir Percival	antagonist \| asylum \| conversing \| criminal \| husband \| hypnotist \| leading man \| mad scene \| murderer \| ominous
The Woman in White (1948)	Hypnosis + Fosco	1:30:32 - Count Fosco leaves	antagonist \| carriage \| combination of themes \| criminal \| dark \| husband \| hypnotist \| leading man \| leaving \| murderer \| ominous \| plotting \| spy \| spying \| street \| tense \| transition
The Public Defender (1931)	Mystery (Sandwich)	0:15:25 - A mysterious hand puts a secret note in a sandwich	advance plot \| antagonist \| chromaticism \| hand \| mysterious \| mystery \| party \| pc set \| sneaking \| transcribed by ear
Thirteen Women (1932)	The Swami	0:07:16 - The swami	Aeolian mode \| antagonist \| conversing \| establish character \| fortune \| fortune teller \| leading lady \| parallelism \| predicting \| room \| somber \| swami \| transcribed by ear
Thirteen Women (1932)	Thirteen Women (Destiny)	0:07:52 - Ursula talks to the swami	antagonist \| common-chord modulation \| conversing \| destiny \| establish character \| fortune teller \| harmonic sequence \| leading lady \| predicting \| relative key \| room \| somber \| swami \| transcribed by ear
Thirteen Women (1932)	The Swami (Past Life)	0:08:18 - The swami talks to Ursula	antagonist \| chromaticism \| chromatic parallelism \| conversing \| establish character \| fortune teller \| leading lady \| room \| somber \| swami \| transcribed by ear
Thirteen Women (1932)	Ursula (Romance)	0:08:37 - The swami kisses Ursula	antagonist \| embracing \| establish character \| fortune teller \| kissing \| leading lady \| romantic \| room \| secondary dominant \| swami \| transcribed by ear \| waltz
Thirteen Women (1932)	Ursula (Horoscope)	0:08:56 - The swami talks to Ursula	antagonist \| conversing \| establish character \| fate \| fortune teller \| leading lady \| mysterious \| predicting \| quintal chord \| room \| somber \| swami \| transcribed by ear
Thirteen Women (1932)	Ursula (Fate)	0:09:11 - The swami predicts Ursula's fate	antagonist \| conversing \| dark \| establish character \| fate \| fortune teller \| half-diminished 7th chord \| leading lady \| mickey-mousing \| mysterious \| predicting \| room \| somber \| stinger \| swami \| train whistle \| transcribed by ear
Thirteen Women (1932)	The Swami (Rising Tension)	0:09:53 - The swami shrinks from Ursula's gaze	antagonist \| conversing \| establish character \| fate \| fortune teller \| leading lady \| mysterious \| parallelism \| room \| swami \| tense \| transcribed by ear
Thirteen Women (1932)	Ursula (Hypnotic)	0:10:05 - Ursula hypnotizes the swami	antagonist \| diminished 7th chord \| establish character \| fortune teller \| hypnotic \| hypnotizing \| leading lady \| mysterious \| room \| seductive \| sleeping \| swami \| transcribed by ear
Thirteen Women (1932)	The Swami (Sleeping)	0:10:46 - Ursula leaves the swami	antagonist \| establish character \| fortune teller \| leading lady \| mysterious \| room \| sleeping \| swami \| transcribed by ear \| whole-tone \| whole-tone chord
Thirteen Women (1932)	Ursula (Horoscope)	0:10:57 - Ursula looks at the horoscope	advance plot \| antagonist \| appoggiatura \| horoscope \| leading lady \| march-like \| mysterious \| reading \| room \| transcribed by ear
Thirteen Women (1932)	Ursula (Agitato)	0:11:16 - Ursula tears up the horoscope	accented dissonance \| advance plot \| agitated \| antagonist \| destroying \| horoscope \| leading lady \| room \| tearing \| tense \| transcribed by ear
Thirteen Women (1932)	Ursula (Dark)	0:11:28 - Ursula reads a horoscope	64 chord \| advance plot \| antagonist \| dark \| funeral march \| horoscope \| leading lady \| reading \| room \| transcribed by ear
Thirteen Women (1932)	Ursula (Exotic)	0:11:45 - Ursula forges the swami's signature	advance plot \| antagonist \| dark \| exotic \| exoticism \| forging \| Gypsy major scale \| horoscope \| leading lady \| mysterious \| ostinato \| room \| signing \| transcribed by ear
Thirteen Women (1932)	Ursula (Exotic) + The Train	0:23:07 - Helen points the gun at herself and cries	antagonist \| combination of themes \| crying \| exotic \| exoticism \| gun \| Gypsy major scale \| hypnotic \| murderer \| murder scene \| pedal tone \| suicide \| tense \| train \| train \| transcribed by ear \| traveling \| victim
Thirteen Women (1932)	Ursula (Suicide)	0:24:18 - Helen commits suicide	antagonist \| chromaticism \| committing suicide \| dying \| exotic \| exoticism \| gun \| gunshot \| hypnotic \| murderer \| murder scene \| pc set \| pedal tone \| stinger \| suicide \| tense \| train \| train \| transcribed by ear \| traveling \| victim
Without Honor (1949)	Unidentified dance tune	0:19:04 - Bill turns on the radio	advance plot \| antagonist \| brother \| conversing \| leading lady \| leading man \| popular music \| reacting \| room \| source music \| upbeat
Without Honor (1949)	Underscoring (Dramatic)	0:21:29 - Bill heads towards the laundry room	antagonist \| brother \| conflict \| corpse \| door \| dramatic \| kitchen \| leading lady \| leading man \| reacting \| rushing \| tense \| underscoring
Without Honor (1949)	Twilight (Tense)	0:21:51 - Jane cleans off Bill's sleeve	antagonist \| brother \| cleaning \| conflict \| conversing \| corpse \| door \| kitchen \| leading lady \| leading man \| opening \| tense
Without Honor (1949)	Cleaning	0:21:57 - Jane cleans off Bill's sleeve	antagonist \| brother \| cleaning \| cleaning effect \| conflict \| conversing \| corpse \| door \| kitchen \| leading lady \| leading man \| mickey-mousing \| tense
Without Honor (1949)	Underscoring (Tense)	0:22:07 - Bill tosses the towel	antagonist \| brother \| conflict \| conversing \| corpse \| door \| kitchen \| leading lady \| leading man \| tense \| tossing \| underscoring
Without Honor (1949)	Misterioso	0:22:17 - Jane reacts	antagonist \| brother \| conflict \| kitchen \| leading lady \| leading man \| mysterious \| taunting \| tense
Without Honor (1949)	Rubato	0:22:34 - Bill talks with Jane	antagonist \| brother \| conflict \| dramatic \| kitchen \| leading lady \| leading man \| memory \| rushing \| taunting \| tense
Without Honor (1949)	Tension	0:22:52 - Jane gives Bill a drink	antagonist \| brother \| conflict \| kitchen \| leading lady \| leading man \| memory \| taunting \| tense \| underscoring \| uneasy
Without Honor (1949)	Valse Triste	0:23:06 - Bill talks with Jane	antagonist \| brother \| conflict \| kitchen \| leading lady \| leading man \| memory \| recounting \| somber \| uneasy \| waltz
Without Honor (1949)	Valse Triste (Poco Appassionato)	0:23:31 - Bill grabs Jane's arm	antagonist \| brother \| conflict \| dramatic \| grabbing \| kitchen \| leading lady \| leading man \| memory \| reacting \| recounting \| tense \| waltz
Without Honor (1949)	Jerks hand	0:23:41 - Jane jerks her arm away	antagonist \| brother \| conflict \| dramatic \| escaping \| kitchen \| leading lady \| leading man \| mickey-mousing \| reacting \| stinger
Without Honor (1949)	Valse Triste (Misterioso)	NIF - not in film	antagonist \| brother \| conflict \| cut from film \| kitchen \| leading lady \| leading man
Without Honor (1949)	Valse Triste (Ominous)	0:24:46 - Bill looks at Jane	antagonist \| brother \| conflict \| leading lady \| leading man \| ominous \| reacting \| room \| solemn \| taunting
Without Honor (1949)	Grabs her	0:25:40 - Bill grabs Jane and kisses her	antagonist \| brother \| conflict \| dramatic \| grabbing \| kissing \| leading lady \| leading man \| room \| slapping \| turning
Without Honor (1949)	Tunes Radio	0:26:26 - Bill turns on the radio	antagonist \| brother \| conflict \| conversing \| leading lady \| leading man \| radio \| room \| source music \| upbeat
Without Honor (1949)	Unidentified dance tune 2	0:27:06 - Bill turns on the radio	antagonist \| brother \| conflict \| leading lady \| leading man \| popular music \| radio \| reacting \| room \| source music \| taunting \| upbeat
Without Honor (1949)	First Call	0:27:58 - Jane looks at Bill	antagonist \| brother \| bugle call \| conflict \| leading lady \| leading man \| radio \| room \| source music \| taunting \| upbeat
Without Honor (1949)	Unidentified dance tune 3	0:28:30 - Bill tunes the radio	antagonist \| brother \| conflict \| leading lady \| leading man \| popular music \| radio \| room \| source music \| taunting \| upbeat
Without Honor (1949)	Liszt Waltz	0:29:28 - Bill talks to Jane	antagonist \| arriving \| brother \| calm \| classical music \| conflict \| conversing \| leading lady \| leading man \| radio \| room \| source music \| taunting \| wife \| zoom in
Without Honor (1949)	Prelude in D-Flat Major, Op. 28, No. 15 "Raindrop"	0:33:17 - Mrs. Williams talks to Jane	antagonist \| brother \| calm \| classical music \| conflict \| conversing \| leading lady \| leading man \| radio \| room \| source music \| wife
Without Honor (1949)	Unidentified dance tune 4	0:34:19 - Bill tunes the radio	antagonist \| brother \| calling \| conflict \| conversing \| dialing \| leading lady \| leading man \| popular music \| radio \| room \| source music \| telephone \| upbeat \| wandering \| wife
Without Honor (1949)	Misterioso (Molto Rubato)	0:43:10 - Bill talks with Fred	antagonist \| brother \| conflict \| conversing \| husband \| leading lady \| leading man \| reveal \| room \| secret \| tense \| warning
Without Honor (1949)	Valse Triste (Andante Doloroso)	0:49:07 - Fred enters	antagonist \| brother \| conflict \| entering \| husband \| leading lady \| leading man \| reacting \| reveal \| room \| secret \| somber \| thinking \| wife
Without Honor (1949)	Underscoring (Tense)	0:49:48 - Bill talks to Fred	antagonist \| brother \| conflict \| conversing \| husband \| leading lady \| leading man \| reveal \| room \| secret \| tense \| thinking \| wife
Without Honor (1949)	Tension (Molto Misterioso)	0:50:03 - Bill stares at Jane	anger \| antagonist \| brother \| conflict \| conversing \| demanding \| dramatic \| husband \| leading lady \| leading man \| reveal \| room \| secret \| slapping \| tense \| wife
Without Honor (1949)	Agitation (Appassionato)	0:52:28 - Jane cries	agitated \| antagonist \| brother \| climax \| confessing \| confession \| crying \| demanding \| husband \| leading lady \| leading man \| room \| tense \| wife
Without Honor (1949)	Confession	0:52:54 - Jane confesses	agitated \| antagonist \| brother \| climax \| confessing \| confession \| crying \| husband \| leading lady \| leading man \| room \| wife
Without Honor (1949)	Appassionato 2	0:53:24 - Jane laughs	antagonist \| brother \| climax \| confession \| crying \| husband \| laughing \| leading lady \| leading man \| passionate \| room \| wife
Without Honor (1949)	Underscoring (Dramatic)	0:53:45 - Jane screams	antagonist \| blood \| brother \| climax \| confession \| dramatic \| handprint \| husband \| leading lady \| leading man \| room \| screaming \| tense \| underscoring \| wife
Without Honor (1949)	Desperation (The Scream)	0:53:50 - They look at the bloody handprint	antagonist \| blood \| brother \| climax \| confession \| departing \| dramatic \| handprint \| husband \| investigating \| leading lady \| leading man \| room \| screaming \| searching \| tense \| wife \| yard
Without Honor (1949)	Appassionato (Broad)	0:54:27 - Bill talks on the phone	antagonist \| brother \| calling \| climax \| leading lady \| leading man \| room \| searching \| telephone \| tense \| wandering \| yard
Without Honor (1949)	Twilight (Resolution)	0:55:26 - Jane walks out of the orchard	antagonist \| brother \| calm \| child \| conversing \| husband \| leading lady \| leading man \| orchard \| resolution \| scout \| street
Without Honor (1949)	Doloroso	0:57:10 - Mrs. Williams talks to Jane	antagonist \| apologizing \| brother \| climax \| conversing \| husband \| leading lady \| leading man \| room \| solemn \| wife
Without Honor (1949)	Twilight (Somber)	0:57:48 - Mrs. Williams forgives Jane	antagonist \| bathroom \| brother \| climax \| forgiveness \| husband \| leading lady \| leading man \| razor blade \| room \| somber \| thinking \| wife
Without Honor (1949)	Tension (Extended)	0:58:12 - Mrs. Williams talks to Fred and Bill	antagonist \| bathroom \| brother \| climax \| conversing \| forgiveness \| husband \| leading lady \| leading man \| razor blade \| room \| tense \| wife
Without Honor (1949)	Valse Triste (Suicide)	0:58:33 - Jane stares in the mirror	antagonist \| attempted suicide \| bathroom \| brother \| climax \| conversing \| husband \| knocking \| leading lady \| leading man \| razor blade \| room \| somber \| suicide \| wife
Without Honor (1949)	Valse Triste (Molto Appassionato)	0:58:58 - Jane stares down	antagonist \| attempted suicide \| bathroom \| brother \| climax \| conversing \| dramatic \| husband \| knocking \| leading lady \| leading man \| razor blade \| room \| suicide \| wife
Without Honor (1949)	Appassionato 2 (Molto Expressivo)	0:59:06 - Jane cuts her wrist	antagonist \| attempted suicide \| bathroom \| breaking \| brother \| climax \| committing suicide \| conversing \| cutting \| dramatic \| entering \| grabbing \| husband \| knocking \| leading lady \| leading man \| razor blade \| room \| running \| suicide \| wife \| yelling
Without Honor (1949)	Twilight (Rubato)	0:59:24 - Mrs. Williams helps Jane	antagonist \| attempted suicide \| brother \| climax \| doctor \| helping \| husband \| leading lady \| leading man \| razor blade \| room \| serious \| somber \| struggling \| suicide \| wife
Without Honor (1949)	Valse Triste (Tempo de Beguin)	1:00:38 - Bill watches them leave	antagonist \| brother \| conversing \| convincing \| hopeful \| husband \| leading man \| resolution \| room \| thinking
Without Honor (1949)	Valse Triste (Mexico)	1:02:08 - Fred packs his things	antagonist \| brother \| cheerful \| conversing \| convincing \| husband \| leading man \| Mexican \| resolution \| room \| thinking
Without Honor (1949)	Valse Triste (Tempo de Beguin)	1:02:32 - Bill talks to Fred	antagonist \| brother \| conversing \| convincing \| hopeful \| husband \| leading man \| resolution \| room \| thinking
Without Honor (1949)	Valse Triste (Reeds)	1:04:26 - Fred argues with Bill	antagonist \| arguing \| brother \| husband \| leading man \| resolution \| room \| tense
Without Honor (1949)	Valse Triste (Triple Beguin)	1:05:18 - Fred starts to leave for the hospital	antagonist \| arguing \| brother \| fighting \| husband \| leading man \| punching \| resolution \| tense \| yard
Without Honor (1949)	Appassionato 2 (Broad)	1:05:32 - Fred gets in his car	anger \| antagonist \| brother \| car \| complaining \| departing \| dramatic \| driving \| husband \| leading man \| resolution \| street \| tense \| yard
Without Honor (1949)	Valse Triste (Agitato)	1:05:49 - Bill tries to stop Fred	anger \| antagonist \| brother \| car \| chasing \| complaining \| departing \| dramatic \| driving \| harsh \| husband \| leading man \| resolution \| running \| street \| tense \| yelling
Without Honor (1949)	The End	1:06:25 - Bill in the middle of the road	anger \| antagonist \| brother \| dramatic \| leading man \| looking \| resolution \| standing \| street \| The End

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