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142 results for "combination of themes" in 27 films — see also layering

FilmTheme nameInstanceTags
All This, and Heaven Too (1940)Henriette + Falling Snow1:12:16 - The Duke talks to Henrietteadvance plot | augmented triad | chromatic parallelism | combination of themes | conversing | duke | governess | leading lady | leading man | mickey-mousing | mode mixture | room | snow | snow globe | snowing | uneasy

All This, and Heaven Too (1940)

Henriette + Falling Snow1:18:26 - Snow swirling in a snow globeadvance plot | calm | chromatic parallelism | combination of themes | deceptive resolution | gift | governess | leading lady | room | snow | snow globe | snowing | swirling

All This, and Heaven Too (1940)

Henriette (Gossiping) + Spring Time (Gossiping)1:47:25 - Henriette's landlady talks to the Dukeawkward | child | combination of themes | common-tone diminished 7th | diminished 7th chord | duke | gossiper | gossiping | landlady | leading lady | leading man | mysterious | parallelism | pedal tone | reunion scene | room | somber | tense | watching

All This, and Heaven Too (1940)

Henriette + Falling Snow2:21:43 - Henriette sees the falling snowaugmented triad | chromatic parallelism | combination of themes | hearing voices | leading lady | minister | mode mixture | resolution | school | snow | teacher | tense
The Amazing Dr. Clitterhouse (1938)The Amazing Doctor + The Motor0:49:36 - Dr. Clitterhouse in safeanxious | combination of themes | criminal | doctor | double-cross | dramatic | gangster | gauge | leading man | machine | motor | murderer | murdering | ostinato | panicking | pedal tone | robbery | spinning | store | tense | thief | trapping | whirling

The Amazing Dr. Clitterhouse (1938)

The Amazing Doctor + The Motor0:50:11 - Butch comes backanxious | combination of themes | criminal | doctor | double-cross | dramatic | gangster | hurrying | leading man | motor | murderer | ostinato | robbery | store | temperature | tense | thief

The Amazing Dr. Clitterhouse (1938)

Rocks (Sneaking) + The Motor0:50:14 - Rocks sneaks around in the darkantagonist | anxious | combination of themes | criminal | diminished 7th chord | doctor | double-cross | dramatic | gangster | leading man | motor | murderer | ostinato | robbery | sneaking | store | temperature | tense | thief

The Amazing Dr. Clitterhouse (1938)

The Amazing Doctor + The Motor0:50:22 - Butch runs downstairsanxious | chromatic scale | combination of themes | criminal | double-cross | down | downstairs | dramatic | gangster | mickey-mousing | motor | ostinato | robbery | store | tense | thief | walking

The Amazing Dr. Clitterhouse (1938)

Butch goes downstairs0:50:22 - Butch runs downstairsanxious | chromatic scale | combination of themes | criminal | double-cross | down | downstairs | dramatic | gangster | mickey-mousing | robbery | store | tense | thief | walking

The Amazing Dr. Clitterhouse (1938)

The Amazing Doctor (Rocks) + Rocks (The Amazing Doctor)0:50:33 - Rocks goes out to the truckantagonist | anxious | combination of themes | criminal | dissonant bass | double-cross | dramatic | gangster | lying | murderer | pc set | robbery | street | tense | thief | tritone

The Amazing Dr. Clitterhouse (1938)

The Amazing Doctor (Brass) + The Motor0:51:00 - Dr. Clitterhouse in the safeanxious | chromatic parallelism | chromatic scale | combination of themes | criminal | dramatic | gangster | knocking | motor | ostinato | panicking | robbery | store | tense | thief

The Amazing Dr. Clitterhouse (1938)

Lighting the Torch + The Motor0:51:05 - Butch prepares the torchanxious | chromatic scale | combination of themes | criminal | dramatic | fire | flame | gangster | hero | lighting | ostinato | preparing | rescuing | robbery | sequence | store | tense | thief | torch | working

The Amazing Dr. Clitterhouse (1938)

The Torch (Off) + The Motor0:52:24 - Butch finishes opening safeanxious | burning | combination of themes | criminal | cutting | dissonant bass | dramatic | fire | flame | gangster | hero | motor | ostinato | pc set | rescuing | robbery | sparks | store | tense | thief | torch | turning off

The Amazing Dr. Clitterhouse (1938)

Jo (At the Phone)0:59:24 - Rocks takes the phone apart9th chord | advance plot | antagonist | combination of themes | dark | gangster | leading lady | ominous | plotting | room | tense

The Amazing Dr. Clitterhouse (1938)

The Printing Press + Cauldron 11:21:08 - Newspaper presses rollingcombination of themes | common-tone diminished 7th | headlines | layering | montage | newspaper | obsessive | ostinato | printing press | step modulation

The Amazing Dr. Clitterhouse (1938)

The Printing Press + Cauldron 1 (Not in Film) + The Amazing Doctor (Not in Film)NIF - not in filmcombination of themes | common-tone diminished 7th | cut from film | layering | ostinato | step modulation
Angels With Dirty Faces (1938)Jerry + Tear Gas1:21:14 - Rocky staggers through tear gas and Jerry arrivesagitated | arriving | building | chromatic parallelism | combination of themes | conflict | dissonant bass | dramatic | gangster | heroic | hurrying | leading man | mickey-mousing | priest | quartal chord | smoke | staggering | street | tear gas
Are These Our Children? (1931)Dreams (Minor) + Makes You Forget Your Troubles (Minor)1:15:51 - Newspaper headlinescombination of themes | conversing | double exposure | headline | minor-major 7th chord | montage | newspaper | police | preaching | priest | source to score | spinning | tense
Arsenic and Old Lace (1944)Home Sweet Home (Expressivo) + Scar0:41:42 - Abby talks to Jonathanaltered dominant | augmented triad | aunt | brother | combination of themes | conversing | convincing | crazy person | criminal | distortion | doctor | establish character | expressive | familiar tune | leading lady | leading man | murderer | mysterious | ominous | room
Beyond the Forest (1949)Sawmill + Steam Whistle0:02:15 - A sawmillcombination of themes | countryside | establish setting | harsh | industrious | machinery | machinery effect | sawmill | steam whistle | voice-over | whistle | whistle effect

Beyond the Forest (1949)

Train + Chicago0:03:20 - A departing trainaccompanied dialogue | combination of themes | departing | establish setting | familiar tune | mysterious | popular tune | tense | train | train effect | train station | voice-over

Beyond the Forest (1949)

Sawmill + Steam Whistle0:33:06 - Rosa on her porchadvance plot | combination of themes | factory | fire | harsh | industrious | leading lady | machinery effect | porch | sulking | watching | whistle effect

Beyond the Forest (1949)

Sawmill + Rosa0:33:25 - Rosa lies downadvance plot | combination of themes | factory | fire | leading lady | machinery effect | porch | sulking | upset | watching

Beyond the Forest (1949)

Train (Whistle) + Chicago0:44:23 - A speeding traincombination of themes | familiar tune | hurried | popular tune | train | train | train effect | transition | traveling

Beyond the Forest (1949)

Rosa (Violent) + Chicago1:09:01 - Rosa heads outsideanger | angry | combination of themes | contemplating | departing | familiar tune | harsh | leading lady | ominous | popular tune | reacting | room | turning point

Beyond the Forest (1949)

Sawmill + Steam Whistle1:23:17 - Rosa opens the windowagitated | combination of themes | fever | illness scene | leading lady | machinery effect | mickey-mousing | murderer | opening | raising | room | sickness | sweating | tense | waiting | whistle effect

Beyond the Forest (1949)

Sawmill + Fever1:23:26 - Rosa rubs her forehead agitated | combination of themes | fever | illness scene | leading lady | machinery effect | maid | murderer | room | sickness | sickness effect | sweating | tense | waiting

Beyond the Forest (1949)

Sawmill + Steam Whistle1:30:02 - The maid makes a phone callagitated | climax | collapsing | combination of themes | cut from film | falling | leading lady | machinery effect | madness | mad scene | maid | murderer | street | stumbling | tense | walking | whistle effect

Beyond the Forest (1949)

Sawmill + Rosa (Stumbling)1:30:10 - Rosa struggles to her feetclimax | combination of themes | dark | leading lady | machinery effect | madness | mad scene | murderer | ominous | standing | street | stumbling | walking

Beyond the Forest (1949)

Sawmill + Steam Whistle1:30:36 - Darknessagitated | climax | combination of themes | leading lady | madness | mad scene | murderer | stumbling | tense | train | train station | walking | whistle effect

Beyond the Forest (1949)

Train + Chicago (Shrill)1:30:54 - Rosa stumbles towards the trainagitated | climax | combination of themes | cut from film | familiar tune | leading lady | madness | mad scene | murderer | popular tune | shrill | stumbling | tense | train | train effect | train station | walking

Beyond the Forest (1949)

Train (Heating Up) + Chicago (Fragmented)1:31:05 - Rosa stumbles towards the trainagitated | climax | combination of themes | desperate | familiar tune | leading lady | madness | mad scene | murderer | popular tune | stumbling | tense | train | train effect | train station | walking
The Big Sleep (1946)Running out0:56:36 - Marlowe runs after the killerassassin | chase scene | chasing | chromatic scale | combination of themes | dramatic | gun | gunshot | leading man | mickey-mousing | murder | murderer | private eye | room | running | stairs | stinger

The Big Sleep (1946)

Vivian + Marlowe (Ear Business)NIF - not in filmadvance plot | altered dominant | combination of themes | conversing | cut from film | deleted scene | deleted scene | leading lady | leading man | love interest | mysterious | private eye | romantic | room | thinking | whole-tone
Caged (1950)Wailing + Train Whistle HallucinationNIF - not in filmagitated | bed | combination of themes | crazy person | crying | crying effect | cut from film | dramatic | glass | leading lady | mad scene | prison | prisoner | rushing | unlocking | wailing
City for Conquest (1940)Tone Poem B + Train0:01:19 - Sign for the Williamsburg Bridge9th chord | added-note chord | bridge | busy | chromatic parallelism | city | combination of themes | countermelody | hurried | Mixolydian mode | old man | police | train | transition | traveling

City for Conquest (1940)

Tone Poem A + Sidewalks of New York0:38:31 - Traveling montagecombination of themes | double exposure | gentle | montage | train | transcribed by ear | traveling
Deep Valley (1947)Breeze + Love Theme0:48:14 - Barry talks to Libbycombination of themes | conversing | convict | ethereal | falling in love scene | forest | fugitive | leading lady | leading man | listening | magical | wind | wind effect

Deep Valley (1947)

Libby (Somber) + Barry (Somber)1:30:26 - Libby talks to Barryadvance plot | barn | combination of themes | comforting | convict | fugitive | leading lady | leading man | love interest | somber

Deep Valley (1947)

Breeze + Love Theme1:43:32 - Libby embraces Barrycombination of themes | convict | crying | death | death scene | ethereal | forest | fugitive | leading lady | leading man | love interest | magical | resolution | wind effect

Deep Valley (1947)

Libby 3 + Law1:44:32 - Jeff talks to Libbycalm | combination of themes | conversing | dog | forest | leading lady | leading man | peaceful | resolution
The FBI Story (1959)Communists (Surveillance 2)2:13:36 - FBI agents follow communistcombination of themes | communist | flashback | tritone

The FBI Story (1959)

Symbol (Pursuit)2:22:26 - Car chase continuescombination of themes | FBI | flashback

The FBI Story (1959)

The Marines' Hymn (Con Moto)2:28:15 - Chip's family drives around Washington DCcar | combination of themes | driving | family | memorial | soldier | Washington DC
Flamingo Road (1949)Titus + Agitato (Extended)0:39:55 - Police take Lane awayarresting | combination of themes | conflict | driving | leading lady | police | self-borrowing | street | tense | turbulent

Flamingo Road (1949)

Train + Titus (Rising)0:42:43 - Field and Annabelle in a train carcombination of themes | dark | dramatic | fiancée | leading man | montage | montage | ostinato | self-borrowing | sequence | train | train | traveling

Flamingo Road (1949)

Flamingo Road (Tense)1:04:16 - Titus enters the roomadvance plot | combination of themes | conversing | leading lady | leading man | politician | room | self-borrowing | sheriff | tense | whole-tone scale

Flamingo Road (1949)

Flamingo Road (Misterioso)1:04:33 - Titus talks to Danadvance plot | combination of themes | conversing | distortion | fragmentation | leading lady | leading man | mysterious | politician | room | self-borrowing | sequence | sheriff

Flamingo Road (1949)

Titus + Titus 21:09:43 - Titus bullies Fieldadvance plot | bullying | chromatic parallelism | combination of themes | commanding | dark | leading man | ominous | ostinato | politician | self-borrowing | sheriff | street

Flamingo Road (1949)

Titus (Fragmented) + Titus 2 (Fragmented)1:29:47 - Lane confronts Titusarguing | climax | club | combination of themes | dark | fragmentation | inversion | leading lady | motivic transformation | mysterious | ominous | retrograde | self-borrowing | sheriff
I Was a Communist for the FBI (1951)Undercover Agent (Ominous) + Family0:38:46 - Matt leaves his apartmentadvance plot | combination of themes | communist | dark | discovery | leading lady | letter | ominous | polychord | reacting | reading | self-borrowing | spy | street | teacher | tense | tritone oscillation
In This Our Life (1942)Driving + Love Theme0:39:07 - Roy and Craig in a car9th chord | altered dominant | calm | car | combination of themes | conversing | driving | iii chord | leading lady | leading man | love interest | love scene | oscillation | pedal tone | romantic | suspension

In This Our Life (1942)

Fast Driving + Stanley1:08:53 - Stanley drivingcar | car | child | combination of themes | crime scene | criminal | driving | drunk | leading lady | mysterious | oscillation | street | tense | uneasy | victim | walking | whole-tone scale

In This Our Life (1942)

Stanley + Stanley B (Rising Tension)1:33:49 - The police in hot pursuitchase scene | chasing | chromatic scale | chromatic sequence | climax | combination of themes | criminal | desperate | dissonant bass | dramatic | driving | fleeing | half-diminished 7th chord | leading lady | police | street | tense
The Informer (1935)Blood Money + Blind Man0:20:27 - Gypo looks at Frankie's poster againadvance plot | antagonist | combination of themes | leading man | looking | mysterious | poster | street | tense | whole-tone

The Informer (1935)

Blind Man + Blood Money0:24:45 - Blind man wanders in and Gypo gives him moneyadvance plot | antagonist | augmented triad | blind man | combination of themes | giving | leading lady | leading man | money | mysterious | ominous | street | walking

The Informer (1935)

The Informer (Burning Poster) + Blood Money0:32:03 - Gypo in rebel headquartersadvance plot | antagonist | burning | combination of themes | diminished 7th chord | fire | headquarters | leading man | mickey-mousing | mysterious | octatonic | rebel | rising | room | Scotch snap | tense | tone cluster

The Informer (1935)

The Irish Washerwoman (Pub) + Blood Money + The Wearin' o' the Green + The Informer0:44:52 - People celebrate in the pubadvance plot | antagonist | bar | chaotic | chromatic scale | close-up | combination of themes | crowd | dark | dissonant bass | excited | familiar tune | folk song | foreign key modulation | happy | heroic | Irish | layering | leading man | mob | mobbing | octatonic | parallelism | pedal tone | polytonality | rebel | serving | source to score | spying | tense | whole-tone | yelling | zoom in

The Informer (1935)

Blood Money (The Trial) + Blind Man (The Trial)1:15:13 - The rebels ask Gypo where he got the moneyantagonist | axis of symmetry | blind man | combination of themes | courtroom | courtroom scene | fanfare | headquarters | interrogating | interrogation | leading man | mirroring | money | mysterious | questioning | room | suspect

The Informer (1935)

Blood Money (The Trial) + The Informer (The Trial)1:15:40 - Dan asks "Who was the informer?"antagonist | axis of symmetry | combination of themes | courtroom | courtroom scene | headquarters | interrogating | interrogation | inversion | leading man | mirroring | money | mysterious | questioning | room | suspect | whole-tone
Key Largo (1948)McCloud (Bugle Call) + Taps0:16:31 - Mr. Temple asks Frank about George's burial placeadvance plot | bugle call | combination of themes | death | father | heroic | hotel | leading lady | leading man | memory | noble | remembering | somber | storytelling | taps | war

Key Largo (1948)

Rocco 2 (Slowly) + McCloud (Tritone)0:32:57 - McCloud quotes FDRangry | boss | combination of themes | conflict | conversing | father | gangster | hostage | hotel | leading lady | leading man | mysterious | quoting | stinger

Key Largo (1948)

Rocco + Tension0:46:48 - Rocco's grinning faceboss | combination of themes | conflict | dangerous | father | gangster | gun | hostage | hotel | leading lady | leading man | moll | staring | tense | threatening | violence | violent

Key Largo (1948)

Rocco 3 + Tension + Laughing0:46:53 - Gangsters laugh at McCloudboss | combination of themes | conflict | dangerous | father | gangster | gun | hostage | hotel | laughing | leading lady | leading man | mocking | moll | tense | violence | violent
The Letter (1940)Leslie (Rising) + Deception0:13:28 - Leslie continues her storyadvance plot | augmented triad | chromatic parallelism | combination of themes | crying | dramatic | emotional | home | leading lady | oscillation | ostinato | passionate | pc set | recounting | sequence

The Letter (1940)

Andante Doloroso + Leslie0:15:53 - Men go to look at dead bodyadvance plot | combination of themes | dark | death | murder | parallelism | plantation | reveal | servant | sinister | walking

The Letter (1940)

Leslie (Rising) + Deception0:34:47 - Howard gives Leslie the letteraltered dominant | augmented triad | chromatic parallelism | combination of themes | deception | denying | lawyer | leading lady | letter | lying | oscillation | ostinato | pc set | pivotal scene | prison | reading | sequence | tense

The Letter (1940)

Leslie (Rising) + Deception0:40:57 - Leslie talks to Howardadvance plot | angry | augmented triad | chromatic parallelism | combination of themes | conversing | deception | hospital | lawyer | leading lady | letter | sequence | staring | tense

The Letter (1940)

Mrs. Hammond + Glass Curtains1:00:13 - Leslie faces Mrs. Hammondantagonist | Chinatown | Chinese | Chinese | chromatic scale | combination of themes | conflict | conversing | curtain | glass | lawyer | layering | leading lady | mirroring | mysterious | ostinato | parallelism | paying | pc set | pentatonic | polyrhythm | shop | staring | tense | tinkling | tone cluster | waiting | whole-tone | whole-tone chord

The Letter (1940)

Leslie + Glass Curtains1:01:27 - Leslie removes her shawlantagonist | Chinatown | Chinese | Chinese | chromatic scale | combination of themes | conflict | conversing | curtain | glass | lawyer | layering | leading lady | mirroring | mysterious | oscillation | ostinato | parallelism | pc set | polyrhythm | sequence | shop | staring | tense | tinkling | tone cluster | waiting | whole-tone | whole-tone chord

The Letter (1940)

Leslie B + Glass Curtains1:01:57 - Leslie approaches Mrs. Hammondantagonist | Chinatown | Chinese | chromatic scale | combination of themes | conflict | confronting | curtain | glass | lawyer | layering | leading lady | mirroring | mysterious | ostinato | parallelism | pc set | polyrhythm | sequence | shop | staring | tense | tinkling | tone cluster | walking | whole-tone | whole-tone chord

The Letter (1940)

Mrs. Hammond (Contempt) + Glass Curtains1:02:40 - Leslie stoops down to pick up the letterantagonist | Chinatown | Chinese | Chinese | chromatic scale | combination of themes | conflict | confronting | contempt | curtain | glass | lawyer | layering | leading lady | mirroring | mysterious | ostinato | parallelism | pc set | pentatonic | polyrhythm | shop | staring | stooping | tense | tinkling | tone cluster | whole-tone | whole-tone chord

The Letter (1940)

Leslie B (Dark) + Glass Curtains1:02:50 - Leslie looks at the letterantagonist | Chinatown | Chinese | chromatic scale | combination of themes | conflict | confronting | curtain | dark | glass | lawyer | layering | leading lady | mirroring | mysterious | ostinato | parallelism | pc set | polyrhythm | sequence | shop | staring | tense | tinkling | tone cluster | whole-tone | whole-tone chord

The Letter (1940)

Mrs. Hammond (Solemn) + Glass Curtains1:03:08 - Leslie and Howard leaveantagonist | Chinatown | Chinese | Chinese | chromatic scale | combination of themes | conflict | curtain | glass | lawyer | layering | leading lady | mirroring | mysterious | ostinato | parallelism | pc set | pentatonic | polyrhythm | shop | solemn | staring | tinkling | tone cluster | whole-tone | whole-tone chord

The Letter (1940)

Leslie (Rising) + Deception1:17:52 - Leslie confesses to Robertaugmented triad | chromatic parallelism | combination of themes | confessing | conflict | dramatic | home | husband | lawyer | leading lady | letter | oscillation | ostinato | recounting | sequence | tense

The Letter (1940)

Mrs. Hammond + Foxtrot No. 11:20:02 - Ong is seen in the mirroradvance plot | antagonist | calm | combination of themes | dagger | dance music | dropping | foxtrot | home | leading lady | mysterious | open fifth | parallel fifths | pentatonic | source music

The Letter (1940)

Leslie (Guilty) + Foxtrot No. 11:20:53 - Leslie looks at the full moonadvance plot | combination of themes | dagger | dramatic | home | leading lady | looking | moon | oscillation | polytonality | stinger | suspension

The Letter (1940)

Mrs. Hammond + Foxtrot No. 1 B1:21:15 - Leslie looks aroundadvance plot | Chinese | combination of themes | dagger | dance music | foxtrot | home | leading lady | looking | mysterious | open fifth | parallel fifths | pentatonic | polymeter | polytonality | source music | tense

The Letter (1940)

Leslie + Foxtrot No. 31:25:08 - Leslie looks out the windowadded-note chord | climax | combination of themes | common-chord modulation | dance music | foreign key modulation | foxtrot | home | lacework | leading lady | obsession | obsessive | oscillation | sequence | source music | tense | thinking

The Letter (1940)

Leslie (Fast) + Foxtrot No. 31:34:18 - Leslie's laceworkcalm | combination of themes | dance music | fragmentation | lacework | oscillation | plantation | pump-up modulation | resolution | sequence | source music
Lightning Strikes Twice (1951)Shelly (Traveling) + Shelly 20:10:13 - Shelly drives through desertactor | bright | car | cheerful | combination of themes | desert | double exposure | driving | leading lady | map | montage | motor effect | traveling | traveling scene | wheel | zoom in

Lightning Strikes Twice (1951)

Shelly (Traveling) + Shelly 2 (Allegretto)0:23:40 - Shelly travels to Tumblewood Ranchactor | arriving | bright | car | cheerful | combination of themes | countryside | cut from film | desert | driving | horse | leading lady | leading man | ranch | suspect | transition | traveling | walking

Lightning Strikes Twice (1951)

Shelly + Shelly 2 (Molto Misterioso)0:24:05 - Shelly looks around the ranchactor | arriving | calm | combination of themes | leading lady | mysterious | ranch | transition | walking

Lightning Strikes Twice (1951)

Shelly (Dolce) + Shelly 20:41:00 - Shelly gets off of her horseactor | arriving | calm | combination of themes | horse | leading lady | ranch | transition | walking | worker

Lightning Strikes Twice (1951)

Shelly (Gallop 2) + Shelly 20:42:19 - Shelly riding on a horseactor | arriving | calm | combination of themes | countryside | galloping | galloping effect | horse | leading lady | riding | transition | traveling | upbeat

Lightning Strikes Twice (1951)

Shelly (Legato) + Shelly 2 (Legato)0:42:32 - Shelly gets off of her horseactor | arriving | calm | combination of themes | countryside | hiking | horse | leading lady | leading man | love interest | suspect | transition | walking

Lightning Strikes Twice (1951)

Shelly (Expressivo) + Shelly 2 (Expressivo)0:43:13 - Shelly talks with Trevactor | calm | cliff | combination of themes | conversing | countryside | falling in love scene | leading lady | leading man | love interest | romance | suspect | tense

Lightning Strikes Twice (1951)

Shelly (Traveling) + Shelly 2 (Allegretto)0:51:09 - Shelly drives away from the Tumble Moon ranchactor | car | combination of themes | driving | leading lady | luggage | ranch | rancher | transition | traveling | upbeat

Lightning Strikes Twice (1951)

Shelly (Peaceful) + Shelly 2 (Peaceful)1:07:58 - Trev and Shelly embraceactor | calm | combination of themes | conversing | embracing | kissing | leading lady | leading man | love interest | love scene | mother | owner | ranch | romantic | room | suspect
Mildred Pierce (1945)Mazurka in B-Flat Major + MildredNIF - not in filmadded-note chord | classical music | combination of themes | cut from film | familiar tune | on-screen music | scored source music | source music | three-phrase period
The Life of Vergie Winters (1934)Lullaby + Funeral March0:02:32 - Vergie in her jail cellclassical music | combination of themes | funeral | funeral march | leading lady | plagal cadence | pondering | prison | prisoner | sequence | somber | source music | suspect | watching

The Life of Vergie Winters (1934)

Lullaby + Here Comes the Bride1:10:07 - Vergie imagines the weddingadded-note chord | bride | calm | chromatic mediant | combination of themes | common-chord modulation | daughter | double exposure | familiar tune | groom | leading lady | leading man | peaceful | secret lover | ternary form | transcribed by ear | walking | wedding | wedding | wedding music

The Life of Vergie Winters (1934)

Lullaby (Ending) + Funeral March (Ending)1:18:06 - Vergie in her jail cellclassical music | combination of themes | crying | funeral | funeral march | leading lady | prisoner | somber | suspect
We Are Not Alone (1939)Frohe Botschaft (Singing) + Surprise Symphony1:50:50 - Gerald sings in the tubaugmented triad | boy | child | classical music | combination of themes | conclusion | death | familiar tune | folk song | German | Haydn | home | mode mixture | on-screen music | peaceful | quotation | room | source music | whistling
White Heat (1949)Agents + Pursuit0:24:23 - Ernie chases the gangstersagent | car | chase scene | chasing | combination of themes | dramatic | frantic | motor effect | speeding | street | tense

White Heat (1949)

Agents + Pursuit0:24:37 - Ernie chases the gangstersagent | car | chase scene | chasing | combination of themes | dramatic | frantic | motor effect | speeding | street | tense

White Heat (1949)

Agents + Pursuit (Rising)0:24:58 - Ernie chases the gangstersagent | car | chase scene | chasing | combination of themes | dramatic | frantic | leading lady | leading man | moll | mother | murderer | speeding | street | tense

White Heat (1949)

Agents + Pursuit (Antenna)1:37:59 - agent | chase scene | combination of themes | conversing | cut from film | police station | radio | tense

White Heat (1949)

Agents + Pursuit (Montage)1:38:33 - Police car in pursuitagent | antenna | car | car | chase scene | combination of themes | double exposure | electronic effect | montage | mysterious | police station | pursuing | radio | radio effect | speeding | street | tense

White Heat (1949)

Agents + Pursuit1:41:42 - Agents map coordinates of the truckagent | car | car | chase scene | combination of themes | pursuing | speeding | tense

White Heat (1949)

Prison Fight + Agents1:48:17 - Gangsters run up the stairsaction scene | agent | ascending | combination of themes | dramatic | factory | fleeing | fugitive | gangster | gun | gunshot | leading man | murderer | police | raid | running | rushing | shootout | stairs | tense
The Woman in White (1948)The Carman’s Whistle (Arriving) + Ann0:06:22 - The woman in white appearsarriving | calm | combination of themes | establish character | garden | leading lady | leading man | mansion | sneaking | tense | tremolo | walking

The Woman in White (1948)

Ann (Accelerando) + Fosco (Dark)1:12:47 - Fosco leavesagitated | anger | antagonist | combination of themes | conflict | conversing | criminal | departing | doctor | husband | leading man | room | rushing | searching | tense | walking

The Woman in White (1948)

Asylum + Ann1:24:50 - Close-up on Count Foscoantagonist | asylum | combination of themes | criminal | dark | husband | hypnosis | hypnotist | hypnotizing | leading lady | leading man | lighting change | mad scene | murderer | mysterious | thematic transference | victim

The Woman in White (1948)

Asylum + Ann + Hypnosis1:25:26 - Laura looks at Sir Percivalantagonist | asylum | combination of themes | criminal | dark | husband | hypnosis | hypnotist | hypnotizing | leading lady | leading man | mad scene | murderer | mysterious | victim

The Woman in White (1948)

Asylum + Ann + Hypnosis1:26:10 - Count Fosco hypnotizes Lauraantagonist | asylum | combination of themes | criminal | dark | husband | hypnosis | hypnotist | hypnotizing | leading lady | leading man | mad scene | murderer | shrill | staring | victim

The Woman in White (1948)

Asylum + Ann + Hypnosis1:27:35 - Laura hears Count Fosco's voice in her headasylum | combination of themes | hearing voices | hypnosis | leading lady | mad scene | mysterious | sneaking | tense | victim

The Woman in White (1948)

Hypnosis + Fosco1:30:32 - Count Fosco leavesantagonist | carriage | combination of themes | criminal | dark | husband | hypnotist | leading man | leaving | murderer | ominous | plotting | spy | spying | street | tense | transition
Thirteen Women (1932)Ursula (Exotic) + The Train0:23:07 - Helen points the gun at herself and criesantagonist | combination of themes | crying | exotic | exoticism | gun | Gypsy major scale | hypnotic | murderer | murder scene | pedal tone | suicide | tense | train | train | transcribed by ear | traveling | victim
Another Face (1935)Russian Waltz (Meno) + The Iron Door0:02:11 - Gangsters talk with doctorchromatic scale | combination of themes | conversing | doctor | establish character | gangster | mysterious | nurse | office | pedal tone | tense

Another Face (1935)

Zaroff (Molto Moderato) + The Iron Door0:02:43 - The gangsters departchromatic scale | combination of themes | conversing | departing | doctor | establish character | gangster | half-diminished 7th chord | mysterious | nurse | office | tense
Without Honor (1949)Good Humor Truck + Underscoring (Tense)0:37:46 - Jane runs to the road | action scene | combination of themes | escaping | hiding | ice cream truck | leading lady | running | scored source music | source music | street | tense | underscoring
The Most Dangerous Game (1932)Russian Waltz (The Castle) + The Iron Door0:09:42 - Count Zaroff's castleapproaching | castle | combination of themes | establish setting | jungle | leading man | looking | ominous | walking

The Most Dangerous Game (1932)

Russian Waltz (Whole Tone) + The Iron Door0:29:10 - Bob wakes upbarking | bed | castle | combination of themes | door | knocking | leading lady | leading man | mysterious | opening | sleeping | turning point | waking

The Most Dangerous Game (1932)

Russian Waltz (Meno) + The Iron Door0:37:30 - Zaroff talks about the gameaction scene | castle | combination of themes | conversing | count | leading lady | leading man | mute | prisoner | servant | tense | villain

The Most Dangerous Game (1932)

Zaroff (Molto Moderato) + The Iron Door0:38:01 - Zaroff talks about the gameaction scene | castle | combination of themes | conversing | count | leading lady | leading man | mute | prisoner | servant | tense | villain

The Most Dangerous Game (1932)

Courage + The Iron Door0:38:17 - Bob and Eve leaveaction scene | agitated | castle | combination of themes | count | departing | leading lady | leading man | mute | prisoner | servant | tense | villain

The Most Dangerous Game (1932)

Zaroff (Slowly) + Russian Waltz + The Iron Door0:39:04 - Zaroff stares at Bob and Eveaction scene | combination of themes | count | jungle | ominous | smoking | staring | villain | watching

The Most Dangerous Game (1932)

Courage (Hiding)0:42:33 - Bob and Eve watch and waitaction scene | combination of themes | count | hiding | hunting | jungle | knife | leading lady | leading man | mysterious | sneaking | stalking | tense | trap | victim | villain | waiting | watching

The Most Dangerous Game (1932)

Zaroff (Hunting) + The Iron Door0:43:48 - Zaroff talks to Bobaction scene | combination of themes | count | dark | hiding | hunting | jungle | knife | leading lady | leading man | mysterious | sneaking | stalking | victim | villain | waiting | watching

The Most Dangerous Game (1932)

Russian Waltz (Fog Hollow) + The Iron Door0:45:46 - Bob and Eve see Fog Hollowaction scene | combination of themes | fog | jungle | leading lady | leading man | ominous | preparing | victim

The Most Dangerous Game (1932)

Zaroff (Hiding)0:46:48 - Bob and Eve hide from Zaroffaction scene | combination of themes | count | hiding | jungle | leading lady | leading man | preparing | sneaking | tense | trap | victim | villain

The Most Dangerous Game (1932)

The Chase + The Iron Door0:49:03 - A big doorbarking | chase scene | chasing | combination of themes | dog | door | dramatic | jungle | opening | running | servant | tense

The Most Dangerous Game (1932)

Courage + Russian Waltz + Iron Door0:49:23 - Bob and Eve running awaychase scene | combination of themes | dark | dramatic | fog | jungle | leading lady | leading man | ominous | preparing | running | victim

The Most Dangerous Game (1932)

The Chase (Tremolo) + The Iron Door (Horn Call)0:49:40 - The Count blows his hunting hornchase scene | chasing | combination of themes | count | dog | dramatic | fog | horn | jungle | leading lady | leading man | playing | running | scored source music | score to source | servant | source music | tense | victim | villain

The Most Dangerous Game (1932)

The Chase + Courage0:50:01 - Bob and Eve stumbling through the fogchase scene | combination of themes | dramatic | fog | jungle | leading lady | leading man | running | stumbling | tense | victim

The Most Dangerous Game (1932)

The Chase (Tense) + The Iron Door (Horn Call)0:50:16 - Bob and Eve in the waterbarking | chase scene | chasing | combination of themes | dog | dramatic | fog | jungle | leading lady | leading man | running | scored source music | servant | source music | stumbling | tense | victim

The Most Dangerous Game (1932)

The Crocodile + Courage0:51:36 - A crocodilechase scene | combination of themes | crocodile | dark | jungle | leading lady | leading man | running | stumbling | victim

The Most Dangerous Game (1932)

The Chase + Russian Waltz (Augmented)0:52:02 - Dogs running through the swampagitated | barking | chase scene | chasing | combination of themes | count | dog | dramatic | jungle | leading lady | leading man | ominous | running | servant | victim | villain

The Most Dangerous Game (1932)

The Chase (Accelerando) + The Iron Door0:53:02 - The dogs bark up the treeagitated | barking | chase scene | chasing | combination of themes | count | dark | dog | escaping | hiding | jumping | jungle | leading lady | leading man | lifting | log | mickey-mousing | running | servant | tense | tree | victim | villain | vine

The Most Dangerous Game (1932)

The Chase + The Iron Door0:53:33 - Bob and Eve run along a clifftopchase scene | cliff | combination of themes | dramatic | jungle | leading lady | leading man | running | tense | victim

The Most Dangerous Game (1932)

The Chase (Running) + The Iron Door0:54:08 - Bob runs through the junglechase scene | chasing | close-up | combination of themes | count | dramatic | jungle | leading lady | leading man | point-of-view shot | running | servant | tense | victim | villain

The Most Dangerous Game (1932)

Courage + Russian Waltz + Iron Door0:54:46 - Bob and Eve run towards the waterfallchase scene | chasing | combination of themes | dramatic | jungle | leading lady | leading man | preparing | river | tense | victim | waterfall

The Most Dangerous Game (1932)

The Chase (Tremolo) + The Iron Door (Horn Call)0:55:08 - Count Zaroff approaching the waterfallchase scene | chasing | combination of themes | count | dramatic | hiding | jungle | leading lady | leading man | river | servant | tense | victim | villain | waterfall

The Most Dangerous Game (1932)

Zaroff (Risolutissimo) + The Iron Door0:56:17 - Eve is capturedcapturing | climax | close-up | combination of themes | count | jungle | leading lady | ominous | river | servant | victim | villain | walking | waterfall

The Most Dangerous Game (1932)

Russian Waltz (Meno) + The Iron Door1:00:50 - The Count risescastle | combination of themes | dark | death | escaping | gun | knife | leading lady | leading man | rising | running | servant | victim
White Heat (1949)Agents + Gathering1:49:06 - Agents in actionaction scene | agent | chasing | combination of themes | dramatic | factory | fugitive | gangster | leading man | murderer | police | raid | running | rushing | tense

White Heat (1949)

Rushing + Agents1:49:44 - Police advanceaction scene | advancing | agent | combination of themes | factory | fugitive | gangster | hiding | leading man | murderer | police | raid | rushing | searching | tense
Caged (1950)Water Dripping + Caged (Tense)NIF - not in filmcombination of themes | cut from film | dark | hysteria | isolation | leading lady | mad scene | mickey-mousing | mysterious | prison | prisoner | tense | uneasy | water effect

Caged (1950)

Water Dripping + FoxtrotNIF - not in filmcombination of themes | cut from film | eerie | foxtrot | hysteria | isolation | mad scene | mickey-mousing | mysterious | prison | uneasy | water effect

Caged (1950)

Water Dripping + Marie 2NIF - not in filmcombination of themes | cut from film | hysteria | isolation | mad scene | mickey-mousing | mysterious | prison | tender | uneasy | water effect
All This, and Heaven Too (1940)Henriette (Resolution) + Falling Snow (Resolution)2:22:03 - Henry talks to Henriette9th chord | chromatic parallelism | combination of themes | conversing | diminished third chord | gentle | leading lady | minister | mode mixture | promising | resolution | school | snow | teacher