| All This, and Heaven Too (1940) | Valse | 1:03:32 - Montage of newspaper clippings | ballroom | cheerful | crowd | dancing | double exposure | duchess | duke | leading lady | leading man | montage | upbeat | waltz |
All This, and Heaven Too (1940) | Spring Time | 1:24:18 - The children laugh | cheerful | child | conversing | create suspense | forest | governess | leading lady | walking |
All This, and Heaven Too (1940) | Spring Time | 1:25:18 - The Duke talks with his children | advance plot | cheerful | child | duke | forest | governess | leading lady | leading man | recognizing | relief |
All This, and Heaven Too (1940) | Grazioso | 1:27:26 - Madame Gauthier talks about the children | advance plot | cheerful | conversing | duke | governess | leading lady | leading man | room | servant |
All This, and Heaven Too (1940) | Raynald | 1:27:35 - Madame Gauthier talks about Raynald | advance plot | cheerful | conversing | duke | governess | leading lady | leading man | room | servant |
All This, and Heaven Too (1940) | Spring Time | 1:30:22 - A carriage approaches the palace | arriving | bright | carriage | chattering | cheerful | child | duke | governess | happy | leading lady | leading man | palace | riding | transition |
All This, and Heaven Too (1940) | Spring Time | 1:30:41 - The children get out of the carriage | bright | cheerful | child | conversing | duke | governess | happy | leading lady | leading man | palace | transition |
All This, and Heaven Too (1940) | Spring Time (Ominous) | 1:31:04 - The children enter the palace | bright | cheerful | child | conversing | duke | governess | leading lady | leading man | ominous | palace | surprise | transition |
All This, and Heaven Too (1940) | Spring Time (Shimmery) | 1:35:12 - Henriette opens a gift | advance plot | cheerful | child | conversing | gift | governess | leading lady | light | opening | room |
All This, and Heaven Too (1940) | Spring Time (Harry Cohn Moto) | 1:35:26 - Henriette opens a gift | advance plot | cheerful | child | gift | governess | happy | leading lady | opening | room | tense | unwrapping |
All This, and Heaven Too (1940) | Henriette (Sweepingly) | 1:45:32 - Henriette reads a letter | cheerful | leading lady | letter | pleasant | room | transition |
All This, and Heaven Too (1940) | Spring Time (Flowers) | 1:47:09 - The children give flowers to Henriette | cheerful | child | conversing | leading lady | pleasant | reunion scene | room |
| Angels With Dirty Faces (1938) | Sidewalks of New York | 0:00:58 - Organ grinder on the streets of New York | cheerful | conversing | establish place | establish setting | source music | street | teenager | walking |
Angels With Dirty Faces (1938) | I’ve Got a Heartfelt of Music | 0:08:31 - People in the street | ABAC structure | cheerful | crowd | driving | headline | newspaper | radio | source music | street | transition | walking |
Angels With Dirty Faces (1938) | In My Merry Oldsmobile | 0:12:55 - Rocky and Jerry singing | cheerful | church | gangster | hymn | laughing | leading man | music scene | on-screen music | popular music | priest | singing | source music |
Angels With Dirty Faces (1938) | When a Prince of a Fella Meets a Cinderella | 0:16:49 - Rocky goes to a night club | advance plot | cheerful | conversing | gambling | gangster | lawyer | leading man | night club | parallel double period | popular music | source music |
Angels With Dirty Faces (1938) | Monday Morning | 0:18:15 - Rocky talks to Frazier in his office | advance plot | cheerful | conversing | gangster | lawyer | leading man | popular music | room | source music |
Angels With Dirty Faces (1938) | Whistling | 0:21:14 - Character whistles | advance plot | cheerful | gang | on-screen music | source music | street | teenager | walking | whistling |
Angels With Dirty Faces (1938) | Saving Myself For You (I’ve Been) | 1:02:30 - Rocky and Laury at a night club | AABA structure | advance plot | cheerful | club | drinking | gambling | gangster | lawyer | leading lady | leading man | on-screen music | source music |
| Are These Our Children? (1931) | Dreams (Whistling) | 0:03:29 - Eddie walks home | cheerful | establish character | gentle | leading man | love scene | on-screen music | score to source | source and scoring overlap | street | transcribed by ear | walking | whistling |
Are These Our Children? (1931) | Dreams (Whistling 2) | 0:03:59 - Eddie walks home | advance plot | cheerful | leading man | on-screen music | street | transcribed by ear | walking | whistling |
Are These Our Children? (1931) | Hold That Tiger | 0:13:15 - Young people dancing | advance plot | cheerful | conversing | dance hall | friend | leading man | on-screen music | source music |
Are These Our Children? (1931) | Makes You Forget Your Troubles (Flo Sings) | 0:17:20 - Flo sings | advance plot | cheerful | dance hall | love interest | on-screen music | singing | source music | transcribed by ear |
Are These Our Children? (1931) | Makes You Forget Your Troubles | 0:17:38 - Young people talking at a dance | advance plot | cheerful | conversing | dance hall | leading man | love interest | on-screen music | seductive | singing | source music |
Are These Our Children? (1931) | Makes You Forget Your Troubles (Alternate Version) | NIF - not in film | 9th chord | AABA structure | cheerful | cut from film | dance hall |
Are These Our Children? (1931) | Makes You Forget Your Troubles (Whistling) | 0:18:46 - Eddie whistles on his way home | cheerful | leading man | on-screen music | source music | street | transcribed by ear | transition | walking | whistling |
Are These Our Children? (1931) | Makes You Forget Your Troubles (Eddie Sings) | 0:19:13 - Eddie sings to himself | cheerful | leading man | on-screen music | singing | source music | street | transcribed by ear | transition | walking |
Are These Our Children? (1931) | Makes You Forget Your Troubles (Eddie Sings) | 0:19:30 - Eddie arrives home | advance plot | arriving | cheerful | leading man | on-screen music | room | singing | source music | transcribed by ear |
Are These Our Children? (1931) | Makes You Forget Your Troubles (Eddie Sings) | 0:20:44 - Eddie eats | advance plot | cheerful | eating | humming | leading man | on-screen music | room | source music | transcribed by ear |
Are These Our Children? (1931) | Makes You Forget Your Troubles (Dream Sequence) | 0:20:51 - Eddie dreams | advance plot | augmented sixth chord | cheerful | double exposure | dreaming | dream sequence | eating | fragmentation | half-diminished 7th chord | humming | leading man | room | scored source music | sequence | source music |
Are These Our Children? (1931) | Makes You Forget Your Troubles (Whistling) | 0:23:11 - Eddie walks away | advance plot | cheerful | leading man | on-screen music | source music | street | transcribed by ear | walking | whistling |
Are These Our Children? (1931) | Makes You Forget Your Troubles (Moderato) | 0:27:59 - Eddie walks outside | cheerful | leading man | leaving | source to score | street | transition |
Are These Our Children? (1931) | Makes You Forget Your Troubles (Whistling) | 0:28:36 - Eddie arrives home | cheerful | leading man | on-screen music | source music | street | transition | walking | whistling |
Are These Our Children? (1931) | Makes You Forget Your Troubles (Flo Sings) | 0:32:32 - Flo sings | advance plot | cheerful | leading man | love interest | singing | source music | train | train | traveling |
Are These Our Children? (1931) | Hey! Hey! | 0:50:14 - Eddie and Flo dance | 9th chord | AABA structure | altered dominant | augmented sixth chord | cheerful | dance hall | dance scene | dancing | friend | leading man | love interest | murderer | on-screen music | source music |
Are These Our Children? (1931) | Makes You Forget Your Troubles | 0:50:55 - Young people dancing | AABA structure | arguing | augmented sixth chord | cheerful | common-tone diminished 7th | dance hall | dance scene | dancing | friend | leading man | love interest | murderer | on-screen music | source music |
Are These Our Children? (1931) | Stars and Stripes Forever | 0:52:14 - Young people cavorting in the street | advance plot | cheerful | dancing | drunk | friend | leading man | love interest | murderer | on-screen music | singing | source music | street |
Are These Our Children? (1931) | Makes You Forget Your Troubles | 0:53:07 - Drunken young people | advance plot | cheerful | dancing | drunk | friend | hallway | leading man | love interest | murderer | on-screen music | singing | source music |
| Arsenic and Old Lace (1944) | The Aunts | 0:12:26 - Reverend leaves | advance plot | aunt | cheerful | conversing | crazy person | delicate | gentle | leading lady | street |
Arsenic and Old Lace (1944) | The Aunts (Grazioso Con Moto) | 0:13:16 - The aunts talk | advance plot | aunt | brother | cheerful | conversing | crazy person | delicate | gentle | leading lady | plotting | room |
Arsenic and Old Lace (1944) | The Aunts (Allegretto) | 0:13:52 - The aunts run to the window | advance plot | aunt | cheerful | leading lady | room | running |
Arsenic and Old Lace (1944) | Here Comes the Bride (Full) | 0:14:00 - Elaine appears in the window | aunt | bride | cheerful | conversing | crazy person | familiar tune | greeting | groom | leading lady | leading man | love | love scene | on-screen music | pleasant | room | score to source | source music | street | whistling |
Arsenic and Old Lace (1944) | Here Comes the Bride | 0:16:37 - Elaine whistles | bride | cheerful | familiar tune | groom | leading lady | leading man | love | love scene | on-screen music | source music | street | whistling |
Arsenic and Old Lace (1944) | Here Comes the Bride | 0:17:02 - Mortimer whistles | aunt | cheerful | familiar tune | groom | leading lady | leading man | love | love scene | on-screen music | room | source music | whistling |
Arsenic and Old Lace (1944) | Break the News to Mother | 0:18:44 - Teddy sings | advance plot | aunt | brother | cheerful | crazy person | familiar tune | groom | leading lady | leading man | on-screen music | room | singing | source music | war song |
Arsenic and Old Lace (1944) | Happy Land | 0:20:06 - Abby sings | advance plot | aunt | cheerful | familiar tune | groom | leading lady | leading man | on-screen music | room | score to source | singing | source music |
Arsenic and Old Lace (1944) | Here Comes the Bride (Elaine Whistles) | 0:23:44 - Elaine whistles out of her window | agitated | bride | cheerful | dark | familiar tune | groom | leading lady | leading man | on-screen music | room | scored source music | source music | turning point | whistling |
Arsenic and Old Lace (1944) | Happy Land | 0:24:16 - Abby, Martha, and Mortimer in the kitchen | advance plot | aunt | cheerful | child | crazy person | familiar tune | groom | leading lady | leading man | murderer | on-screen music | room | singing | source music |
Arsenic and Old Lace (1944) | Here Comes the Bride | 0:26:22 - Elaine whistles on the phone | advance plot | bride | cheerful | familiar tune | groom | leading lady | leading man | on-screen music | room | source music | telephone | whistling |
Arsenic and Old Lace (1944) | Break the News to Mother | 0:29:30 - Mortimer listens to Teddy sing | advance plot | brother | cheerful | crazy person | familiar tune | groom | leading man | on-screen music | room | singing | source music |
Arsenic and Old Lace (1944) | Here Comes the Bride | 0:31:04 - Elaine whistles in Mortimer's ear | advance plot | bride | cheerful | familiar tune | groom | leading lady | leading man | on-screen music | room | source music | whistling |
| City for Conquest (1940) | Adios Muchachos | 0:50:27 - Peggy arrives home | advance plot | arriving | cheerful | conversing | dancer | leading lady | record player | room | source music | tango |
City for Conquest (1940) | Adios Muchachos | 0:51:19 - Peggy talks with Murray | advance plot | arriving | cheerful | conversing | dancer | leading lady | record player | room | source music | tango |
| Crime School (1938) | Put on Your Old Grey Bonnet | 0:59:13 - The boys sing in the shoe repair shop | advance plot | cheerful | gang | hammering | on-screen music | reformatory | singing | source music | teenager | worker | working |
Crime School (1938) | Sue (Grazioso) | 1:13:10 - Sue and Mark talk in the kitchen | cheerful | conflict | conversing | cooking | happy | hero | heroine | kitchen | leading lady | leading man | mode mixture | secondary dominant |
Crime School (1938) | Sue (Grazioso Mysterioso) | 1:13:38 - Frankie confronts Sue and Mark | cheerful | common-tone diminished 7th | conflict | conversing | deceptive resolution | dining | gun | happy | hero | heroine | leading lady | leading man | room | stick up | stinger | teenager | tone cluster | whole-tone chord |
| They Made Me a Criminal (1939) | The Bicycle | 0:14:42 - Newspaper boy on bicycle | 9th chord | 13th chord | bicycle | cheerful | mickey-mousing | newspaper | newspaper boy | riding | street | throwing | transition |
They Made Me a Criminal (1939) | The Ladder | 0:30:11 - Tommy sitting on a ladder | cheerful | chromatic scale | common-tone diminished 7th | conflict | diminished 7th chord | dissonant bass | fun | ladder | pedal tone | ranch | teenager | working |
They Made Me a Criminal (1939) | On the Make | 0:49:40 - Johnnie and Peggy drive in a car | ABAB structure | added-note chord | altered dominant | car | car | cheerful | conversing | driving | hero | leading lady | leading man | linear chromaticism | love scene | mode mixture | phrase extension | romantic | traveling |
They Made Me a Criminal (1939) | On the Make (Extended) | 0:53:21 - Johnnie and Peggy drive in a car | ABAB structure | added-note chord | advance plot | altered dominant | car | car | cheerful | conversing | driving | hero | kissing | leading lady | leading man | linear chromaticism | mode mixture | phrase extension | romantic | traveling |
They Made Me a Criminal (1939) | By a Waterfall | 0:55:35 - A shower sign | advance plot | cheerful | comical | hero | leading man | on-screen music | popular music | ranch | showering | singing | source music | teenager | whistling |
They Made Me a Criminal (1939) | The Whip | 1:10:16 - People at the carnival | arena | boxer | cheerful | entering | excited | fighting | hero | leading man | march | sitting | source music | sport scene | teenager |
They Made Me a Criminal (1939) | World's Record | 1:13:45 - Boxers prepare for the fight | arena | boxer | cheerful | conversing | excited | hero | leading man | march | parallel double period | source music | sport scene |
They Made Me a Criminal (1939) | Spirit of Independence | 1:14:53 - Johnnie marches into the ring | arena | cheerful | excited | hero | leading lady | leading man | march | preparing | source music | sport scene | teenager |
| Dust Be My Destiny (1939) | Whistling | 0:45:44 - Joe whistles as he walks | 64 chord | cheerful | chromatic mediant | deceptive resolution | foreign key modulation | leading man | on-screen music | scored source music | source music | street | traveling scene | whistling |
Dust Be My Destiny (1939) | Whistling (Suspenseful) | 0:46:25 - Mabel looks out the window | anxious | cheerful | concerned | create suspense | harmonic sequence | leading lady | leading man | on-screen music | police | polytonality | room | scored source music | source music | whistling |
| Hell on Frisco Bay (1955) | Steve | 0:38:01 - Steve shakes Georgie's hand | advance plot | cheerful | child | conductor score | gentle | investigator | leading man | street | thanking |
| In This Our Life (1942) | Love Theme (End Title) | 1:36:17 - End title credits | cast list | cheerful | end title sequence | waltz |
| The Informer (1935) | Drinking Song | 0:02:15 - Gypo and Frankie sing at a pub | cheerful | drinking | establish character | flashback | leading man | on-screen music | pub | remembering | singing | somber | source music | street |
The Informer (1935) | My Man | 0:50:19 - Gypo talks with his friend | AB structure | advance plot | antagonist | cheerful | conversing | leading man | party | source music | street |
The Informer (1935) | Dardanella | 0:53:41 - Gypo buys drinks at a party | AB structure | advance plot | antagonist | celebrating | cheerful | crowd | drinking | leading man | on-screen music | party | partying | source music |
The Informer (1935) | Believe Me If All Those Endearing Young Charms | 0:55:32 - A woman prepares to sing a song at a party | advance plot | antagonist | cheerful | crowd | leading man | on-screen music | party | playing | source music |
The Informer (1935) | The Informer (King Gypo) | 1:01:03 - Gypo's friend brags about him | advance plot | antagonist | bragging | cheerful | crowd | friend | leading man | party | proud |
| The Letter (1940) | Sociable | 0:48:42 - People having dinner | cheerful | conversing | dinner | happy | home | husband | lacework | lawyer | leading lady | party |
The Letter (1940) | Sociable (Ending) | 0:49:58 - Pleasant conversation | cheerful | conversing | dinner | happy | home | husband | lawyer | leading lady | reverse picardy |
| Mildred Pierce (1945) | Work (Molto Grazioso) | 0:48:16 - Mildred works at her restaurant | cheerful | friend | heroine | ladder | leading lady | legs | restaurant | transition | working |
Mildred Pierce (1945) | First Kiss | 0:49:40 - Monte steals a kiss from Mildred | cheerful | falling in love scene | friend | heroine | kissing | leading lady | restaurant | romance |
Mildred Pierce (1945) | Walking | 0:49:48 - Driving to the beach house | beach house | cheerful | driving | falling in love scene | friend | heroine | leading lady | room | traveling | walking |
Mildred Pierce (1945) | Opens closet | 0:49:57 - Mildred slides open a door | cheerful | falling in love scene | heroine | leading lady | love interest | mickey-mousing | opening | room | sliding |
Mildred Pierce (1945) | Disrobes | 0:50:47 - Monte takes off Mildred's robe | beach house | cheerful | disrobing | falling | falling in love scene | flirting | heroine | leading lady | love interest | mickey-mousing | robe |
Mildred Pierce (1945) | Bathing Suit | 0:50:49 - Monte looks at Mildred in her bathing suit | attraction | beach house | cheerful | falling in love scene | flirting | heroine | leading lady | love interest | mickey-mousing |
Mildred Pierce (1945) | Mildred (Frolicking) | 0:51:01 - Mildred runs to the beach | beach | cheerful | falling in love scene | flirting | frolicking | heroine | jaunty | leading lady | love interest | running |
Mildred Pierce (1945) | You Must Have Been a Beautiful Baby | 1:16:01 - Wally and Veda in a restaurant | advance plot | antagonist | cheerful | conversing | daughter | drinking | friend | popular music | restaurant | source music | toasting |
Mildred Pierce (1945) | Oceana Roll | 1:27:46 - Veda sings at a restaurant | advance plot | antagonist | cheerful | club | dancing | daughter | ex-husband | heroine | leading lady | on-screen music | playing | popular music | singing | source music |
Mildred Pierce (1945) | Work (Montage) | 1:34:44 - Montage of Mildred and Monte's marriage | cheerful | ex-husband | glass | heroine | leading lady | love interest | mickey-mousing | montage | newspaper | shadow |
Mildred Pierce (1945) | Glasses clink | 1:35:44 - Mildred and Monte clink glasses together | cheerful | clinking | glass | heroine | leading lady | love interest | mickey-mousing | montage |
Mildred Pierce (1945) | Kay and Veda (Allegretto Grazioso) | 1:39:47 - Monte is happy to see Veda | advance plot | antagonist | cheerful | conversing | daughter | reuniting | room | welcoming |
| The Life of Vergie Winters (1934) | London Bridge is Falling Down | 0:03:31 - Children dancing in a circle | cheerful | child | children's song | dancing | establish setting | parallelism | park | pedal tone | playing |
The Life of Vergie Winters (1934) | Yankee Doodle | 0:03:37 - Children playing | 64 chord | cheerful | child | children's song | dancing | direct modulation | establish place | establish setting | flashback | park | playing | wipe |
The Life of Vergie Winters (1934) | Kuckuck, Kuckuck | 0:03:43 - An old car drives by | cheerful | child | children's song | common-chord modulation | dancing | establish setting | establish time | park | playing |
| Rockabye (1932) | You’ve Got What Gets Me | 0:53:27 - People at a party | ABAB structure | advance plot | cheerful | conversing | manager | mother | party | source music |
Rockabye (1932) | You’ve Got What Gets Me | 0:55:05 - Judy at a party | ABAB structure | advance plot | celebrating | cheerful | leading lady | maid | mother | party | source music |
Rockabye (1932) | Till the Real Thing Comes My Way | 1:01:37 - Judy sings at a party | advance plot | cheerful | leading lady | love interest | on-screen music | party | playwright | singing | source music |
| Kid Galahad (1937) | The Moon Is In Tears Tonight (The Kid) | 0:50:05 - Louise looks at her Kid Galahad scrapbook | advance plot | cheerful | countermelody | not by Steiner | organizing | parallelism | room | scrapbook | sister | transcribed by ear |
Kid Galahad (1937) | Heart’s Affair (Kiss) | 0:58:47 - Ward talks to Marie | AABA structure | altered dominant | cheerful | conversing | deceptive resolution | farm | happy | kissing | leading man | love scene | mode mixture | sister | transcribed by ear |
Kid Galahad (1937) | Sand In My Shoes | 1:10:15 - Ward, Marie, and Louise talk in the club | advance plot | cheerful | conversing | dancing | leading lady | leading man | night club | on-screen music | sister | source music | transcribed by ear |
Kid Galahad (1937) | Green Lady | 1:12:08 - Ward, Marie, and Louise talk in the club | advance plot | arguing | cheerful | fighting | gangster | night club | source music | trainer | transcribed by ear |
| Traveling Husbands (1931) | There’s a Sob in My Heart (Whistling) | 0:01:25 - A man whistles on a train | cheerful | establish character | on-screen music | popular song | salesman | source music | train | train | transcribed by ear | whistling |
Traveling Husbands (1931) | There’s a Sob in My Heart (Singing) | 0:01:44 - A man sings on a train | cheerful | establish character | on-screen music | popular song | salesman | singing | source music | train | train | transcribed by ear |
Traveling Husbands (1931) | Someone | 0:16:31 - Music is played in a hotel ballroom | advance plot | cheerful | dancing | hotel | leading lady | popular song | salesman | source music | transcribed by ear |
| The Unfaithful (1947) | Beverly Hills | 0:01:00 - Cars driving down road in Beverly Hills | Beverly Hills | cheerful | establish location | panning shot | sequential modulation | street | upbeat | voice-over |
The Unfaithful (1947) | Beverly Hills (Leggiero) | 0:01:10 - Focus on one car as it pulls into a driveway | Beverly Hills | car | cheerful | establish location | panning shot | sequential modulation | street | traveling | voice-over |
The Unfaithful (1947) | Chris 2 (Minor) | 0:07:37 - Chris arrives home | antagonist | car | cheerful | dark | driving | house | leading lady | mode mixture | transition |
| We Are Not Alone (1939) | Tommy (Recovering) | 0:09:17 - David tells Tommy he is allergic to cats | 11th chord | boy | cat | cheerful | doctor | establish character | fragmentation | hero | office | playful | sequence |
We Are Not Alone (1939) | Surprise Symphony | 0:29:13 - David whistles | advance plot | cheerful | classical music | familiar tune | Haydn | hero | home | quotation | source music | whistling | wife |
We Are Not Alone (1939) | Frohe Botschaft (At the Piano) | 0:34:49 - Leni plays and sings | boy | cheerful | child | establish character | familiar tune | father | folk song | foreign key modulation | German | hero | heroine | home | on-screen music | piano | playing | score to source | singing | source music | transcribed by ear |
| High Stakes (1931) | Impish Elves | 0:00:00 - Title of film and cast list | AABA structure | cast list | cheerful | jaunty | opening title sequence | starring list | title of film | transcribed by ear |
High Stakes (1931) | Wedding March | 0:05:16 - They get married | advance plot | bride | cheerful | crowd | groom | marrying | priest | source music | wedding |
| The Public Defender (1931) | Beautiful Thing | 0:05:58 - Dance music played at a dinner party | advance plot | banker | cheerful | conversing | crowd | dance music | on-screen music | party | police | source music | transcribed by ear |
The Public Defender (1931) | An Armchair With An Armful of You | 0:12:46 - Dance music played at a dinner party | ABAC structure | advance plot | arguing | banker | cheerful | conversing | crowd | dance music | party | source music | transcribed by ear | waiter |
The Public Defender (1931) | An Armchair With An Armful of You | 0:15:33 - Waiter takes sandwich to man | advance plot | banker | cheerful | dance music | party | serving | source and scoring overlap | source music | transcribed by ear | waiter |
The Public Defender (1931) | An Armchair With An Armful of You | 0:16:29 - Dance music played at a dinner party | advance plot | banker | cheerful | dance music | discovery | mystery | party | reacting | source and scoring overlap | source music | transcribed by ear | waiter |
The Public Defender (1931) | He Walked Right In, Turned Around and Walked Right Out Again | 0:30:49 - Man sings to himself as he walks away | advance plot | cheerful | leading man | on-screen music | room | singing | source music | transcribed by ear |
| Three Who Loved (1931) | Impromptu | 0:00:16 - Title of film, starring list, cast list | ABAC structure | cast list | cheerful | mode mixture | not by steiner | opening title sequence | pleasant | starring list | title of film | transcribed by ear |
Three Who Loved (1931) | Transition | 0:00:45 - Cast list | cast list | cheerful | linear chromaticism | opening title sequence | pedal tone | pleasant | starring list | title of film | transcribed by ear |
Three Who Loved (1931) | Typewriter | 0:01:02 - Person typing | cheerful | opening title sequence | pleasant | transcribed by ear | typewriter | typing |
Three Who Loved (1931) | My One Ambition is You | 0:14:21 - Phil turns on the radio | AB structure | advance plot | cheerful | conversing | dancing | pleasant | radio | room | source music | upbeat |
Three Who Loved (1931) | St. Patrick’s Day | 0:18:32 - Organ grinder on street | cheerful | musician | on-screen music | organ grinder | playing | source music | street | transition |
Three Who Loved (1931) | Toy Harmonica | 0:41:07 - Children at party | advance plot | cheerful | child | on-screen music | playing | room | source music | toy |
Three Who Loved (1931) | Toy Harmonica | 0:42:54 - Children at party | advance plot | cheerful | child | on-screen music | playing | room | source music | toy |
| Hell’s Highway (1932) | The Load is Heavy | 0:17:26 - Men singing in prison | advance plot | barbershop | cheerful | guard | on-screen music | prison | prisoner | singing | source music | transcribed by ear |
| Hold ‘Em Jail (1932) | The Prisoner’s Song | 0:00:15 - Title of film, starring list, cast list | altered dominant | cast list | cheerful | common-tone diminished 7th | establish place | opening title sequence | starring list | title of film | transcribed by ear | upbeat |
Hold ‘Em Jail (1932) | Bide-More Alma Mater | 0:00:46 - Cast list and prison sign | cast list | cheerful | common-chord modulation | common-tone diminished 7th | countermelody | establish place | opening title sequence | transcribed by ear | upbeat |
Hold ‘Em Jail (1932) | The Prisoner’s Song | 0:01:11 - Prisoners in a prison yard | altered dominant | augmented sixth chord | cheerful | establish place | establish setting | mode mixture | prison | somber | transcribed by ear | upbeat |
Hold ‘Em Jail (1932) | There’s a Sob in My Heart | 0:05:14 - People dancing in a night club | AABA structure | business man | cheerful | club | conversing | dance scene | dancing | dining | reused recording | upbeat |
| Is My Face Red? (1932) | You Bunch of Fun (Introduction) | 0:00:15 - Title and cast list on placards | 9th chord | cheerful | main title | opening title sequence | parallelism | sequence | syncopation | transcribed by ear |
Is My Face Red? (1932) | You Bunch of Fun | 0:00:43 - Title and cast list on placards | ABAC structure | cheerful | main title | opening title sequence | syncopation | transcribed by ear |
Is My Face Red? (1932) | You Bunch of Fun | 0:10:42 - Backstage at a Broadway show | advance plot | Broadway | cheerful | dancer | dancing | leading man | popular music | singing | source music | stage | transcribed by ear |
Is My Face Red? (1932) | Burlesque | 0:13:10 - Backstage at a Broadway show | ABAC structure | advance plot | arguing | Broadway | burlesque | cheerful | common-chord modulation | dancer | leading man | pedal tone | plagal cadence | popular music | source music | stage | transcribed by ear |
Is My Face Red? (1932) | Strolling the Deck (Argument) | 0:16:14 - Camera moves from one window to another | advance plot | boat | cheerful | eavesdropping | fragmentation | leading man | parallelism | searching | transcribed by ear |
Is My Face Red? (1932) | Strolling the Deck | 0:16:29 - Camera moves from one window to another | advance plot | boat | cheerful | common-tone diminished 7th | eavesdropping | leading man | mode mixture | searching | transcribed by ear |
| Men of America (1932) | Italian Folk Song | 0:32:52 - Tony sings a folk song | advance plot | cheerful | grapes | Italian | on-screen music | singing | source music | working |
| Secrets of the French Police (1932) | Valse Lente | 0:10:24 - A man and a flower girl talk in a cafe | AB structure | advance plot | cheerful | conversing | flower | leading lady | leading man | restaurant |
| State’s Attorney (1932) | Na Moku Eha | 0:01:19 - Hula dancer | cheerful | club | conversing | dancer | dancing | drinking | establish character | gambling | Hawaiian | leading man | on-screen music | playing | politician | singing | source music |
State’s Attorney (1932) | When I am Dead | 0:12:59 - Tom sings to himself | advance plot | cheerful | humming | lawyer | on-screen music | room | singing | source music |
State’s Attorney (1932) | Bibelot | 0:55:22 - Tom plays the piano | advance plot | cheerful | musician | on-screen music | playing | room | singing | source music |
| The Roadhouse Murder (1932) | Three Little Words | 0:04:41 - A woman undresses | advance plot | cheerful | floozy | on-screen music | room | singing | source music |
The Roadhouse Murder (1932) | Three Little Words | 0:05:23 - A woman in the bathtub | advance plot | cheerful | floozy | on-screen music | room | singing | source music |
The Roadhouse Murder (1932) | Lady With a Past Fox Trot | 0:35:34 - Chick and Mary talking | AABA structure | cheerful | conversing | dancing | diner | girlfriend | leading lady | leading man | love scene | on-screen music | reporter | romantic | self-borrowing | source music |
| Blind Adventure (1933) | My Imaginary Sweetheart | 0:00:32 - Credits over a foggy background | AABA structure | cast list | cheerful | chromatic parallelism | mode mixture | opening title sequence | popular music | secondary dominant | transcribed by ear | video cast list |
| Headline Shooter (1933) | You Bunch of Fun (Introduction) | 0:00:15 - Title and starring list over camera lens montage | 9th chord | boat | camera lens | car | cast list | cheerful | chromatic parallelism | kaleidoscope effect | opening title sequence | plane | racing | reused recording | sequence | split screen | title of film | transcribed by ear |
Headline Shooter (1933) | You Bunch of Fun | 0:00:44 - Cast list over racing vehicles | ABAA structure | added-note chord | cheerful | common-tone diminished 7th | opening title sequence | reused recording | split screen | transcribed by ear | video cast list |
| Murder on the Blackboard (1934) | Sidewalks of New York (Waltz) | 0:00:11 - Tugboats sailing under a bridge | boat | cheerful | city | establish place | establish setting | parallelism | popular song | sailing | transcribed by ear |
Murder on the Blackboard (1934) | Sidewalks of New York (Two-Step) | 0:00:17 - Buildings in New York City | cheerful | city | establish place | establish setting | linear chromaticism | popular song | transcribed by ear |
| Star of Midnight (1935) | Pop Goes the Weasel | 0:29:44 - Detective sits | advance plot | cheerful | conversing | detective | inspector | leading man | music box | room | source music |
Star of Midnight (1935) | Pop Goes the Weasel | 0:33:40 - Clay talks with Tim | advance plot | cheerful | conversing | detective | leading man | music box | room | source music | suspect |
