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143 results for "transition" — see also change | modulation | switch | transformation

FilmTheme nameInstanceTags
All This, and Heaven Too (1940)Desperation0:00:08 - Starring listdark | opening title sequence | serious | starring list | transition

All This, and Heaven Too (1940)

Henriette (Dolce)0:12:43 - Henriette talks to Henryboat | conversing | gentle | leading lady | leaving | minister | peaceful | transition

All This, and Heaven Too (1940)

La Parisienne0:12:55 - A shot of Parisestablish place | establish time | fanfare | noble | on-screen text | patriotic tune | street | transition

All This, and Heaven Too (1940)

Henriette (Carriage)0:13:05 - A carriage arrivescarriage | driver | leading lady | pleasant | street | transition | traveling | upbeat

All This, and Heaven Too (1940)

Arriving0:13:14 - Henriette gets out of the carriagearriving | carriage | driver | gentle | leading lady | pleasant | street | transition

All This, and Heaven Too (1940)

Arriving 20:13:24 - Henriette walks to the front doorarriving | caretaker | gentle | leading lady | pleasant | street | transition

All This, and Heaven Too (1940)

Underscoring (Mysterious)0:13:37 - Henriette meets the caretakercaretaker | conversing | leading lady | mysterious | street | transition | underscoring

All This, and Heaven Too (1940)

Pierre0:13:47 - Pierre introduces himselfcaretaker | conversing | introducing | leading lady | pleasant | street | tense | transition

All This, and Heaven Too (1940)

Underscoring (Mysterious)0:46:43 - The Duchess stares at Henrietteconversing | duchess | governess | leading lady | mysterious | room | transition | underscoring

All This, and Heaven Too (1940)

The Duke (Dignified)1:23:09 - A carriage arrives at the chateauarriving | child | dignified | driver | governess | leading lady | noble | on-screen text | palace | transition

All This, and Heaven Too (1940)

The Carousel1:26:22 - A spinning carouselamusement park | bright | carousel | child | fun | on-screen text | riding | spinning | transition | upbeat

All This, and Heaven Too (1940)

Spring Time1:30:22 - A carriage approaches the palacearriving | bright | carriage | chattering | cheerful | child | duke | governess | happy | leading lady | leading man | palace | riding | transition

All This, and Heaven Too (1940)

Raynald1:30:33 - The carriage arrivesarriving | bright | carriage | chattering | child | duke | governess | happy | leading lady | leading man | palace | riding | transition

All This, and Heaven Too (1940)

Spring Time1:30:41 - The children get out of the carriagebright | cheerful | child | conversing | duke | governess | happy | leading lady | leading man | palace | transition

All This, and Heaven Too (1940)

Raynald (Extended)1:30:51 - The children talk to Henriettebright | child | conversing | duke | governess | leading lady | leading man | palace | surprise | tense | transition

All This, and Heaven Too (1940)

Spring Time (Ominous)1:31:04 - The children enter the palacebright | cheerful | child | conversing | duke | governess | leading lady | leading man | ominous | palace | surprise | transition

All This, and Heaven Too (1940)

Henriette (Sweepingly)1:45:32 - Henriette reads a lettercheerful | leading lady | letter | pleasant | room | transition

All This, and Heaven Too (1940)

Henriette1:45:41 - A carriage arrivesarriving | carriage | child | duke | grand | leading man | pleasant | street | transition | traveling

All This, and Heaven Too (1940)

Henriette (Appassionato 2)1:46:00 - Henriette descends the staircaseanxious | descending | excited | hurrying | leading lady | not mickey-moused | room | stairs | transition | walking

All This, and Heaven Too (1940)

Henriette (Ostinato)2:10:09 - A carriage leavescarriage | crowd | dramatic | leading lady | mob | ominous | ostinato | prisoner | soldier | street | suspect | tense | transition | traveling

All This, and Heaven Too (1940)

Underscoring (Tense)2:10:17 - A carriage arrives at the palacearriving | carriage | leading lady | prisoner | soldier | street | suspect | tense | transition | traveling | underscoring

All This, and Heaven Too (1940)

The Duke (Maestoso)2:10:50 - Henriette enters the Duke's palacearriving | dark | hearing voices | leading lady | palace | prisoner | soldier | spooky | suspect | transition | uneasy

All This, and Heaven Too (1940)

Henriette (Ghostly)2:11:23 - Henriette hears voicesarriving | dark | hearing voices | leading lady | palace | prisoner | soldier | spooky | suspect | transition | uneasy

All This, and Heaven Too (1940)

Henriette (Serious)2:11:50 - Henriette arrives upstairsarriving | detective | hearing voices | leading lady | palace | prisoner | serious | soldier | solemn | somber | suspect | transition

All This, and Heaven Too (1940)

Crying2:12:15 - Pierre looks at Henriettecaretaker | crying | detective | devastated | leading lady | looking | palace | prisoner | soldier | somber | suspect | transition
The Amazing Dr. Clitterhouse (1938)Clitterhouse Onestep0:33:20 - Gangsters walk through music studioadded-note chord | common-tone diminished 7th | dancer | dancing | gangster | jaunty | on-screen music | parallel double period | pianist | playing | singing | studio | transition | walking | warming up

The Amazing Dr. Clitterhouse (1938)

The Fur Store0:44:20 - Truck arrives at the United Fur Co.chromatic parallelism | darkness | half-diminished 7th chord | mysterious | pedal tone | store | street | suspenseful | transition | truck
Angels With Dirty Faces (1938)Transition0:00:07 - Starring cast listbold | chromatic wedge | dark | half-diminished 7th chord | linear chromaticism | opening title sequence | starring list | transition

Angels With Dirty Faces (1938)

The Gangster (Maestoso)0:08:07 - Discharge papers from the penitentiarycommon-chord modulation | common-tone diminished 7th | ledger | main title | marching | mickey-mousing | montage | prison | prisoner | serious | solemn | transition | writing

Angels With Dirty Faces (1938)

I’ve Got a Heartfelt of Music0:08:31 - People in the streetABAC structure | cheerful | crowd | driving | headline | newspaper | radio | source music | street | transition | walking
Are These Our Children? (1931)Makes You Forget Your Troubles (Whistling)0:18:46 - Eddie whistles on his way homecheerful | leading man | on-screen music | source music | street | transcribed by ear | transition | walking | whistling

Are These Our Children? (1931)

Makes You Forget Your Troubles (Eddie Sings)0:19:13 - Eddie sings to himselfcheerful | leading man | on-screen music | singing | source music | street | transcribed by ear | transition | walking

Are These Our Children? (1931)

Makes You Forget Your Troubles (Moderato)0:27:59 - Eddie walks outsidecheerful | leading man | leaving | source to score | street | transition

Are These Our Children? (1931)

Makes You Forget Your Troubles (Whistling)0:28:36 - Eddie arrives homecheerful | leading man | on-screen music | source music | street | transition | walking | whistling
Arsenic and Old Lace (1944)Sidewalks of New York (Expressivo)0:01:53 - A ship sailing under a bridgeboat | bridge | calm | card | city | establish place | familiar tune | sailing | transition
The Big Sleep (1946)Transition0:00:08 - Shadows of the main characters bold | leading lady | leading man | opening title sequence | silhouette | smoke | smoking | starring list | transition

The Big Sleep (1946)

Walking0:13:02 - Marlowe leaves the mansionbutler | leading man | mysterious | private eye | room | transition | walking

The Big Sleep (1946)

The Library0:13:06 - Sign for the librarycalm | library | on-screen text | transition

The Big Sleep (1946)

Underscoring (Tense)0:18:57 - Geiger enters carantagonist | car | departing | rain | street | tense | transition | underscoring

The Big Sleep (1946)

Marlowe (Agitato)0:19:05 - Marlowe gets in his carcar | following | leading man | mysterious | private eye | rain | street | tense | transition

The Big Sleep (1946)

Car0:19:13 - Car arrives at Geiger's housecar | driving | leading man | mysterious | private eye | rain | street | tense | transition

The Big Sleep (1946)

Hurrying0:19:26 - Geiger enters his houseantagonist | car | mysterious | rain | street | tense | transition | walking

The Big Sleep (1946)

Marlowe (Misterioso)0:19:40 - Marlowe pulls up in his cararriving | car | investigating | leading man | mysterious | private eye | rain | street | tense | transition

The Big Sleep (1946)

Walking (The Car)NIF - not in filmcar | deleted scene | driving | femme fatale | leading man | private eye | room | tense | transition

The Big Sleep (1946)

CarmenNIF - not in filmarriving | butler | deleted scene | femme fatale | leading man | private eye | room | tense | transition

The Big Sleep (1946)

Marlowe (Molto Misterioso)0:25:05 - Marlowe takes Carmen out of the housearriving | butler | departing | femme fatale | inserted scene | leading man | not in score | private eye | reused recording | room | tense | transition

The Big Sleep (1946)

Marlowe (Major)0:28:47 - Marlowe's name on his apartment doorarriving | leading man | mysterious | name on screen | noble | private eye | room | transition

The Big Sleep (1946)

EnteringNIF - not in filmarriving | deleted scene | entering | gentle | leading man | not in score | private eye | room | transition | walking

The Big Sleep (1946)

Marlowe (Melancholy)NIF - not in filmarriving | deleted scene | leading man | melancholy | not in score | private eye | room | transition

The Big Sleep (1946)

Underscoring (Tense)0:28:58 - Marlowe tries to crack the codeleading man | private eye | researching | room | tense | threat | transition | tritone | writing

The Big Sleep (1946)

Marlowe (Bold)1:45:44 - Marlowe and Vivian get out of the carbold | heroic | leading lady | leading man | love interest | outside | private eye | transition | walking

The Big Sleep (1946)

Walking1:45:45 - Marlowe and Vivian walk up to houseleading lady | leading man | love interest | outside | private eye | tense | transition | walking
City for Conquest (1940)Train0:01:09 - An elevated train approachesbridge | busy | city | hurried | mickey-mousing | old man | police | train | transition | traveling

City for Conquest (1940)

Tone Poem B (Main Title)0:01:19 - Sign for the Williamsburg Bridgebridge | busy | city | hurried | old man | police | train | transition | traveling

City for Conquest (1940)

Sidewalks of New York (Street Organ)0:03:10 - A New York street cornerchild | conversing | crowd | dancing | old man | on-screen music | organ grinder | playing | pleasant | score to source | source music | street | street organ | thief | transition | upbeat | walking
They Made Me a Criminal (1939)The Street0:14:31 - Newspaper boy on street64 chord | chromatic sequence | dark | newspaper | newspaper boy | selling | street | tense | transition

They Made Me a Criminal (1939)

The Bicycle0:14:42 - Newspaper boy on bicycle9th chord | 13th chord | bicycle | cheerful | mickey-mousing | newspaper | newspaper boy | riding | street | throwing | transition
Death of a Scoundrel (1956)Detective Rises0:05:34 - Detective rises to question Bridgetrising | transition

Death of a Scoundrel (1956)

Underscoring (Mysterious)0:11:08 - Clementi walks away with the policemanflashback | transition
Dust Be My Destiny (1939)Transition0:00:09 - Starring listdissonant bass | dramatic | dust | main title | mickey-mousing | opening title sequence | transition
Each Dawn I Die (1939)Transition0:00:08 - Lead actorsbold | main title | opening title sequence | prison | starring list | transition
Flamingo Road (1949)Titus 20:18:16 - A newspaper headlinechromatic parallelism | dark | headline | newspaper | politician | porch | self-borrowing | sheriff | throwing | transition | tritone

Flamingo Road (1949)

Titus 2 (Agitato)0:37:11 - Lane goes to confront Titusagitated | angry | chromatic sequence | hurrying | leading lady | self-borrowing | street | transition | walking

Flamingo Road (1949)

Slide whistle0:53:00 - Dan surprises Lute Maecomical | employer | leading lady | leading man | love interest | mickey-mousing | politician | room | surprising | transition

Flamingo Road (1949)

Lute Mae (Driving)0:53:02 - Lane drives Dan to the construction site13th chord | added-note chord | arriving | car | car | comical | common-chord modulation | driving | leading lady | leading man | love interest | politician | rushed | self-borrowing | transition | traveling

Flamingo Road (1949)

Flamingo Road (Expressivo)1:02:07 - The gate to 32 Flamingo Road11th chord | added-note chord | arriving | gentle | husband | leading man | self-borrowing | sign | street | transition

Flamingo Road (1949)

Titus (Tutti)1:08:05 - Titus and Field arrive at the construction sitearriving | dark | dominant 7th chord | half-diminished 7th chord | leading man | ominous | politician | self-borrowing | sheriff | street | transition

Flamingo Road (1949)

Flamingo Road (Expressivo)NIF - not in filmaltered dominant | cut from film | cut from film | self-borrowing | transition

Flamingo Road (1949)

Underscoring (Mysterious)NIF - not in filmadded-note chord | cut from film | cut from film | transition | underscoring

Flamingo Road (1949)

Titus 2 (Buzzer)1:13:16 - Titus arrivesarriving | chromatic parallelism | dark | entering | leading lady | maid | ominous | politician | room | self-borrowing | sheriff | transition
Hell on Frisco Bay (1955)Steve Arrives0:54:56 - Steve arrives at an apartmentarriving | conductor score | investigator | leading man | mickey-mousing | mysterious | street | tense | transition | walking
Illegal (1955)Scott (Transition)0:28:50 - Scott working in his officehero | transition

Illegal (1955)

Underscoring (Tense)0:42:31 - Vic rides up the elevator to Garland's officetransition
In This Our Life (1942)Transition0:00:08 - Starring listgrand | opening title sequence | starring list | transition

In This Our Life (1942)

Driving1:29:17 - Stanley driving her carcriminal | driving | escaping | leading lady | street | tense | transition

In This Our Life (1942)

Stanley B (Agitato)1:29:27 - Stanley runs insideagitated | butler | criminal | leading lady | room | running | street | transition

In This Our Life (1942)

Stanley (Triste)1:29:42 - Stanley enters the houseagitated | criminal | leading lady | room | running | somber | tense | transition | uncle
The Informer (1935)The Informer (Gypo Hides)1:20:38 - Gypo sees British soldiers marchingantagonist | hiding | leading man | marching | running | street | tense | traitor | transition

The Informer (1935)

The Informer (Adagio)1:21:15 - Gypo imagines Frankie's posterantagonist | hallucinating | hallucination | leading man | mysterious | street | suspension | traitor | transition

The Informer (1935)

Gypo runs away1:21:26 - Gypo runs and hidesagitated | antagonist | chromatic parallelism | diminished 7th chord | hiding | leading man | mickey-mousing | running | sequence | street | tense | traitor | transition

The Informer (1935)

The Informer (Up the Stairs)1:21:35 - Gypo goes up the stairs64 chord | agitated | antagonist | chromatic sequence | fragmentation | hallway | hiding | leading man | mickey-mousing | running | sequence | stairs | tense | traitor | transition | up
Key Largo (1948)Transition0:00:08 - Starring listbold | opening title sequence | starring list | transition
The Letter (1940)Hammond A (Distressed)0:06:11 - Robert arrives at the plantationbold | brassy | dark | driving | home | husband | oscillation | transition

The Letter (1940)

Underscoring (Tense)0:06:21 - Robert goes in the housearriving | home | husband | tense | transition | underscoring

The Letter (1940)

Law Office0:24:33 - Sign for Mr. Joyce's law firmcity | justice | lawyer | noble | office | setting | sign | transition

The Letter (1940)

Hammond A (Leaving)0:53:20 - Howard and Leslie leave the housefragmentation | lawyer | leading lady | leaving | mysterious | plantation | transition

The Letter (1940)

Hammond A (Screwyoso)0:53:35 - Howard and Leslie walk awaycall and response | lawyer | leading lady | leaving | plantation | tense | transition

The Letter (1940)

Mrs. Hammond (Grandioso)0:53:54 - Howard and Leslie drive to meet with Mrs. Hammondantagonist | Chinese | Chinese | driving | lawyer | leading lady | mysterious | open fifth | parallel fifths | pentatonic | plantation | transition

The Letter (1940)

Chinese Quarter0:54:15 - Howard and Leslie enter the Chinese Quarterantagonist | Chinatown | Chinese | Chinese | driving | exotic | exoticism | lawyer | leading lady | parallelism | pentatonic | setting | transition

The Letter (1940)

Chinese Shop0:55:30 - Howard and Leslie enter a shop in the Chinese Quarterantagonist | Chinatown | Chinese | Chinese | exotic | exoticism | lawyer | layering | leading lady | Lydian mode | mysterious | open fifth | parallelism | polytonality | quintal chord | tense | transition | waiting | walking

The Letter (1940)

Mrs. Hammond (Mysterioso)0:56:29 - Howard and Leslie wait in the shopantagonist | Chinatown | Chinese | Chinese | exotic | lawyer | leading lady | mysterious | open fifth | parallelism | pentatonic | shop | tense | transition | waiting

The Letter (1940)

Mrs. Hammond (Dagger)0:57:04 - Leslie looks at a Chinese daggerantagonist | Chinatown | Chinese | Chinese | dagger | exotic | lawyer | leading lady | mysterious | open fifth | parallelism | pentatonic | polytonality | shop | tense | transition | waiting

The Letter (1940)

Hammond A (Guilty)1:19:41 - The full moon on a dark nightdramatic | moon | oscillation | panning shot | plantation | transition
Lightning Strikes Twice (1951)News Office0:03:08 - Newspaper headlines: one of Trevelyan innocent and the other of Trevelyan guiltynewspaper | transition
Mildred Pierce (1945)Work (Excited)0:42:35 - Mildred and Wally leave excited | excitement | friend | heroine | leading lady | leaving | room | shadow | transition | work

Mildred Pierce (1945)

Beach House0:42:49 - They drive up to the beach housearriving | beach house | driving | friend | heroine | leading lady | ocean | peaceful | transition | water | wave

Mildred Pierce (1945)

Walking0:42:58 - Mildred and Wally walk to the housearriving | beach house | excited | friend | heroine | leading lady | mickey-mousing | ocean | transition | walking

Mildred Pierce (1945)

Bert (Sentimentale)0:48:03 - Mildred watches her children leaveheroine | husband | leading lady | leaving | room | serious | somber | thinking | transition

Mildred Pierce (1945)

Work (Molto Grazioso)0:48:16 - Mildred works at her restaurantcheerful | friend | heroine | ladder | leading lady | legs | restaurant | transition | working

Mildred Pierce (1945)

Rushing train1:24:15 - A rushing traindouble exposure | excited | heroine | leading lady | mickey-mousing | train | train | transition | traveling

Mildred Pierce (1945)

Mildred (Revenge)1:43:57 - Mildred drives to the beach housecar | dark | dramatic | driving | flashback ends | gun | heroine | leading lady | street | transition
The Life of Vergie Winters (1934)Lullaby (Dark)1:17:11 - Newspaper headline about John's murderdark | leading lady | secret lover | serious | transition
Out of the Fog (1941)Transition0:00:08 - Lead actorsmain title | transition
The Unfaithful (1947)Chris0:07:27 - Chris drives homecalm | car | driving | leading lady | street | transition

The Unfaithful (1947)

Chris 2 (Minor)0:07:37 - Chris arrives homeantagonist | car | cheerful | dark | driving | house | leading lady | mode mixture | transition

The Unfaithful (1947)

Unfaithful (Tragic)0:24:34 - Mrs. Tanner walks away down the streetadvance plot | antagonist | husband | leading lady | newspaper | ostinato | panicked | panicking | police station | street | transition | trolley | victim | widow

The Unfaithful (1947)

Oh But I Do0:32:27 - Ladies talk at a restaurantadvance plot | calm | conversing | husband | lawyer | leading lady | on-screen music | restaurant | sister | source music | transition | victim

The Unfaithful (1947)

Deep Night0:35:15 - Larry answers a phone call and leavesadvance plot | calm | conversing | husband | lawyer | leading lady | on-screen music | restaurant | source music | transition | victim

The Unfaithful (1947)

Attorney0:42:51 - Close up of sign on the lawyer's doordeceptive resolution | door | glorious | heroic | law office | office | sign | transition

The Unfaithful (1947)

Unfaithful (Dramatic Underscoring)0:43:06 - Larry walks into his officedramatic | law office | lawyer | mirroring | office | ostinato | polytonality | transition | walking

The Unfaithful (1947)

Chris0:43:45 - Chris pulls up in a cabdriving | law office | leading lady | office | peaceful | spinning | transition

The Unfaithful (1947)

Chris 20:43:56 - Chris goes to visit Larry's officelaw office | leading lady | office | peaceful | transition | walking

The Unfaithful (1947)

Attorney1:09:14 - Larry drives to the art shopdeceptive resolution | driving | heroic | lawyer | street | transition

The Unfaithful (1947)

Unfaithful (Dramatic Underscoring)1:09:33 - The art shop is lockedlawyer | ostinato | shop | tense | transition | worrying

The Unfaithful (1947)

Walking1:09:50 - Bob walks to meet with the art dealerhusband | park | pedal tone | tense | transition | walking

The Unfaithful (1947)

Unfaithful (Ominous)1:10:22 - Bob walks through the parkantagonist | blackmail | husband | monophonic | ominous | park | transition | waiting

The Unfaithful (1947)

Unfaithful (Driving)1:10:31 - Bob rides in a carcar | driving | husband | minor-major 7th chord | ominous | street | transition | whole-tone

The Unfaithful (1947)

Tanner1:10:47 - Bob walks upstairs to meet with Mrs. Tanneraltered dominant | antagonist | arriving | foreshadowing | husband | quartal chord | street | syncopation | tense | transition | walking

The Unfaithful (1947)

Unfaithful (Triste)1:13:36 - Bob slowly walks away from the apartmentdirge | heartbroken | hotel | husband | ostinato | polychord | sad | somber | transition | walking

The Unfaithful (1947)

Unfaithful (Risoluto)1:14:27 - Bob arrives homeangry | arriving | car | driving | house | husband | monophonic | transition

The Unfaithful (1947)

Unfaithful (Angry)1:15:00 - Bob walks around his homeangry | husband | intense | meandering | room | transition | walking

The Unfaithful (1947)

Unfaithful (Rising Anger)1:15:35 - Bob walks around his homeangry | half-diminished 7th chord | husband | intense | meandering | room | transition | walking
We Are Not Alone (1939)Surprise Symphony (Newspaper)0:31:52 - David sits and whistles9th chord | classical music | deceptive resolution | familiar tune | foreshadowing | happy | Haydn | hero | home | ominous | quotation | reveal | transition | whistling

We Are Not Alone (1939)

Surprise Symphony (Galloping)0:32:07 - David arrives in a carriagecarriage | classical music | familiar tune | galloping | happy | Haydn | hero | horse | quotation | street | transition | traveling
White Heat (1949)Plotting (Con Moto)0:11:21 - Cody packs up money in suitcase and Verna talks to himmoney | transition

White Heat (1949)

Plotting (Triste)0:29:13 - Verna and Ma walk out of the police stationtransition | walking

White Heat (1949)

Walk0:41:34 - Inmates talk about Cody's share of his previous robberyprison | transition
The Public Defender (1931)Crowd thronging0:01:17 - A crowd pressing towards a guarded doorarguing | chromatic scale | crowd | hurried | noise | street | tense | transcribed by ear | transition

The Public Defender (1931)

Mystery (Bank Closed)0:01:25 - Notice posted on the doorarguing | chromaticism | crowd | mysterious | mystery | noise | pc set | street | transcribed by ear | transition
Three Who Loved (1931)St. Patrick’s Day0:18:32 - Organ grinder on streetcheerful | musician | on-screen music | organ grinder | playing | source music | street | transition
Is My Face Red? (1932)Transition0:01:22 - Speeding truck and a doordiminished 7th chord | establish setting | mysterious | poster | street | transcribed by ear | transition

Is My Face Red? (1932)

Keyhole0:01:29 - Newspaper reads "The Keyhole to the City"establish setting | jazz | keyhole | raucous | transcribed by ear | transition

Is My Face Red? (1932)

Steam whistle0:15:08 - A steam whistle blowsboat | chromatic scale | mickey-mousing | polychord | steam whistle | tense | transcribed by ear | transition

Is My Face Red? (1932)

Sailing0:19:56 - Boat moves through the waterboat | common-tone diminished 7th | crowd | excited | mode mixture | pedal tone | sailing | transcribed by ear | transition

Is My Face Red? (1932)

Sidewalks of New York (Harbor)0:20:07 - New York City skylinecalm | countermelody | New York | parallelism | popular music | setting | transcribed by ear | transition | traveling

Is My Face Red? (1932)

Sidewalks of New York (Lights)0:21:04 - New York City skylinecalm | diminished 7th chord | drinking | leading lady | leading man | New York | octatonic | popular music | setting | transcribed by ear | transition

Is My Face Red? (1932)

Sailing 20:21:30 - Boat cuts through the wavesboat | parallelism | sailing | sailor | tense | transcribed by ear | transition | waves | whole-tone

Is My Face Red? (1932)

Scenes Metropolitaine0:43:51 - Montage of activities in the cityABCA structure | augmented triad | boat | boxing | Chinatown | diminished 7th chord | excited | gambling | leading lady | leading man | metric dissonance | montage | New York | night club | parallelism | transcribed by ear | transition | whole-tone
Thirteen Women (1932)The Train0:01:33 - A rushing trainchromatic mediant | mickey-mousing | pedal tone | rushing | sorting | train | train | train whistle | transcribed by ear | transition | traveling | upbeat
Murder on the Blackboard (1934)Clock Tower0:02:12 - A clock tower calm | city | clock tower | source music | tolling | transition

Murder on the Blackboard (1934)

Clock Tower0:12:17 - A clock tower calm | city | clock tower | source music | tolling | transition
The Breaking Point (1950)Humming0:54:33 - Wesley and Harry work on the boatarriving | calm | criminal | friend | harbor | humming | leading man | on-screen music | sailor | source music | transition | walking | working

The Breaking Point (1950)

First Call1:15:04 - Sign for a horse racecrowd | horse | race track | source music | transition | upbeat