Tag Search Results


Home | Tag Data


Loading...

201 results for "transition" in 38 films — see also change | modulation | passage | switch | transformation

FilmTheme nameInstanceTags
All This, and Heaven Too (1940)Desperation0:00:08 - Starring listdark | dissonant bass | opening title sequence | parallelism | serious | starring list | transition

All This, and Heaven Too (1940)

Henriette (Dolce)0:12:43 - Henriette talks to Henry64 chord | boat | chromatic mediant | conversing | deceptive resolution | gentle | leading lady | leaving | minister | peaceful | transition

All This, and Heaven Too (1940)

La Parisienne0:12:55 - A shot of Paris64 chord | augmented sixth chord | enharmonic modulation | establish place | establish time | fanfare | foreign key modulation | noble | on-screen text | patriotic tune | street | transition

All This, and Heaven Too (1940)

Henriette (Carriage)0:13:05 - A carriage arrives64 chord | carriage | driver | leading lady | pleasant | street | transition | traveling | upbeat

All This, and Heaven Too (1940)

Arriving0:13:14 - Henriette gets out of the carriagearriving | augmented sixth chord | carriage | driver | enharmonic modulation | foreign key modulation | gentle | leading lady | pleasant | street | transition

All This, and Heaven Too (1940)

Arriving 20:13:24 - Henriette walks to the front door9th chord | arriving | caretaker | deceptive resolution | gentle | leading lady | pleasant | secondary dominant | street | transition

All This, and Heaven Too (1940)

Ascending0:13:37 - Henriette meets the caretakeraltered dominant | caretaker | conversing | half-diminished 7th chord | leading lady | mysterious | street | transition | underscoring

All This, and Heaven Too (1940)

Pierre0:13:47 - Pierre introduces himselfadded-note chord | caretaker | conversing | deceptive resolution | introducing | leading lady | mode mixture | pedal tone | pleasant | street | tense | transition

All This, and Heaven Too (1940)

Underscoring (Mysterious)0:46:43 - The Duchess stares at Henriettechromatic wedge | conversing | duchess | governess | leading lady | linear chromaticism | mysterious | pc set | room | transition | underscoring

All This, and Heaven Too (1940)

The Duke (Dignified)1:23:09 - A carriage arrives at the chateauarriving | child | dignified | driver | governess | leading lady | noble | on-screen text | palace | transition

All This, and Heaven Too (1940)

The Carousel1:26:22 - A spinning carousel64 chord | amusement park | augmented sixth chord | bright | carousel | child | enharmonic modulation | foreign key modulation | fun | mode mixture | on-screen text | pedal tone | riding | spinning | transition | upbeat

All This, and Heaven Too (1940)

Spring Time1:30:22 - A carriage approaches the palace64 chord | arriving | bright | carriage | chattering | cheerful | child | duke | foreign key modulation | governess | happy | leading lady | leading man | Neapolitan | palace | pedal tone | riding | transition

All This, and Heaven Too (1940)

Raynald (Mysterioso 2)1:30:33 - The carriage arrivesarriving | bright | carriage | chattering | child | duke | governess | happy | leading lady | leading man | palace | riding | sequential modulation | transition

All This, and Heaven Too (1940)

Spring Time1:30:41 - The children get out of the carriage64 chord | bright | cheerful | child | chromatic sequence | conversing | duke | governess | happy | leading lady | leading man | Neapolitan | palace | pentatonic | transition

All This, and Heaven Too (1940)

Raynald (Mysterioso 3)1:30:51 - The children talk to Henriette9th chord | bright | child | chromatic parallelism | conversing | duke | governess | leading lady | leading man | palace | surprise | tense | transition

All This, and Heaven Too (1940)

Spring Time (Ominous)1:31:04 - The children enter the palace9th chord | 64 chord | augmented sixth chord | bright | cheerful | child | common-chord modulation | conversing | deceptive resolution | diminished third chord | duke | governess | leading lady | leading man | mode mixture | ominous | palace | surprise | transition

All This, and Heaven Too (1940)

Henriette (Sweepingly)1:45:32 - Henriette reads a lettercheerful | leading lady | letter | pleasant | room | transition

All This, and Heaven Too (1940)

Henriette1:45:41 - A carriage arrivesarriving | carriage | child | duke | grand | leading man | pleasant | street | transition | traveling

All This, and Heaven Too (1940)

Henriette (Appassionato 2)1:46:00 - Henriette descends the staircase9th chord | 11th chord | added-note chord | anxious | chromatic sequence | common-tone diminished 7th | descending | excited | foreign key modulation | hurrying | leading lady | not mickey-moused | room | stairs | transition | walking

All This, and Heaven Too (1940)

Henriette (Ostinato)2:10:09 - A carriage leavescarriage | crowd | dramatic | fragmentation | leading lady | mob | ominous | ostinato | prisoner | soldier | street | suspect | tense | transition | traveling

All This, and Heaven Too (1940)

Underscoring (Tense)2:10:17 - A carriage arrives at the palace9th chord | arriving | carriage | chromatic scale | leading lady | prisoner | soldier | street | suspect | tense | transition | traveling | underscoring

All This, and Heaven Too (1940)

The Duke (Maestoso)2:10:50 - Henriette enters the Duke's palacearriving | countermelody | dark | hearing voices | leading lady | mode change | palace | prisoner | soldier | spooky | suspect | transition | uneasy

All This, and Heaven Too (1940)

Henriette (Ghostly)2:11:23 - Henriette hears voicesarriving | chromatic parallelism | dark | dissonant bass | hearing voices | leading lady | palace | prisoner | soldier | spooky | suspect | transition | uneasy

All This, and Heaven Too (1940)

Henriette (Serious)2:11:50 - Henriette arrives upstairsarriving | detective | hearing voices | leading lady | palace | prisoner | serious | soldier | solemn | somber | suspect | transition | whole-tone chord

All This, and Heaven Too (1940)

Crying2:12:15 - Pierre looks at Henriette64 chord | caretaker | chromatic scale | crying | detective | devastated | leading lady | looking | palace | prisoner | soldier | somber | suspect | transition
The Amazing Dr. Clitterhouse (1938)Clitterhouse Onestep0:33:20 - Gangsters walk through music studioadded-note chord | common-tone diminished 7th | dancer | dancing | gangster | jaunty | on-screen music | parallel double period | pianist | playing | singing | studio | transition | walking | warming up

The Amazing Dr. Clitterhouse (1938)

The Fur Store0:44:20 - Truck arrives at the United Fur Co.chromatic parallelism | darkness | half-diminished 7th chord | mysterious | pedal tone | store | street | suspenseful | transition | truck
Angels With Dirty Faces (1938)Transition0:00:07 - Starring cast listbold | chromatic wedge | dark | half-diminished 7th chord | linear chromaticism | opening title sequence | starring list | transition

Angels With Dirty Faces (1938)

The Gangster (Maestoso)0:08:07 - Discharge papers from the penitentiarycommon-chord modulation | common-tone diminished 7th | ledger | main title | marching | mickey-mousing | montage | prison | prisoner | serious | solemn | transition | writing

Angels With Dirty Faces (1938)

I've Got a Heartfelt of Music0:08:31 - People in the streetABAC structure | cheerful | crowd | driving | headline | newspaper | radio | source music | street | transition | walking
Are These Our Children? (1931)Makes You Forget Your Troubles (Whistling)0:18:46 - Eddie whistles on his way homecheerful | leading man | on-screen music | source music | street | transcribed by ear | transition | walking | whistling

Are These Our Children? (1931)

Makes You Forget Your Troubles (Eddie Sings)0:19:13 - Eddie sings to himselfcheerful | leading man | on-screen music | singing | source music | street | transcribed by ear | transition | walking

Are These Our Children? (1931)

Makes You Forget Your Troubles (Moderato)0:27:59 - Eddie walks outsidecheerful | leading man | leaving | source to score | street | transition

Are These Our Children? (1931)

Makes You Forget Your Troubles (Whistling)0:28:36 - Eddie arrives homecheerful | leading man | on-screen music | source music | street | transition | walking | whistling
Arsenic and Old Lace (1944)Sidewalks of New York (Expressivo)0:01:53 - A ship sailing under a bridge64 chord | boat | bridge | calm | card | city | establish place | familiar tune | pedal tone | sailing | transition
Beyond the Forest (1949)Hurrying (Molto Agitato)0:44:13 - Rosa picks up the moneyfrantic | grabbing | hurried | leading lady | money | room | transition

Beyond the Forest (1949)

Train (Whistle) + Chicago0:44:23 - A speeding traincombination of themes | familiar tune | hurried | popular tune | train | train | train effect | transition | traveling

Beyond the Forest (1949)

Chicago (City)0:44:28 - Downtown Chicagoarriving | bright | calling | calm | city | familiar tune | hotel | leading lady | phone book | popular tune | telephone | transition | traveling

Beyond the Forest (1949)

Rosa (Solemn)0:48:04 - Rosa leaves the officedark | departing | leading lady | office | receptionist | somber | street | transition | walking

Beyond the Forest (1949)

Rosa (Heavy)1:12:58 - Rosa and Lewis drive awayarriving | departing | dramatic | funeral | husband | leading lady | leading man | murderer | room | somber | transition | victim

Beyond the Forest (1949)

Lewis (Crescendo)1:13:15 - Rosa and Lewis at homearriving | calm | conversing | dark | dramatic | husband | leading lady | leading man | murderer | room | transition | victim | yelling
The Big Sleep (1946)Transition0:00:08 - Shadows of the main characters bold | half-diminished 7th chord | leading lady | leading man | opening title sequence | silhouette | smoke | smoking | starring list | transition | voice-exchange

The Big Sleep (1946)

Walking0:13:02 - Marlowe leaves the mansionbutler | leading man | mysterious | parallelism | pedal tone | private eye | room | transition | walking

The Big Sleep (1946)

The Library0:13:06 - Sign for the librarycalm | deceptive resolution | foreign key modulation | library | on-screen text | transition

The Big Sleep (1946)

Underscoring (Tense)0:18:57 - Geiger enters car9th chord | antagonist | car | departing | oscillation | rain | street | tense | transition | underscoring

The Big Sleep (1946)

Marlowe (Agitato)0:19:05 - Marlowe gets in his caradded-note chord | car | following | leading man | mysterious | private eye | rain | street | tense | transition

The Big Sleep (1946)

Car0:19:13 - Car arrives at Geiger's housecar | driving | leading man | mysterious | private eye | rain | street | tense | transition

The Big Sleep (1946)

Hurrying0:19:26 - Geiger enters his houseantagonist | car | chromatic sequence | fragmentation | mysterious | parallelism | rain | street | tense | transition | walking

The Big Sleep (1946)

Marlowe (Misterioso)0:19:40 - Marlowe pulls up in his cararriving | car | half-diminished 7th chord | investigating | leading man | mysterious | private eye | rain | street | tense | transition

The Big Sleep (1946)

Walking (The Car)NIF - not in filmcar | deleted scene | driving | femme fatale | foreign key modulation | leading man | parallelism | pedal tone | private eye | room | sequential modulation | tense | transition

The Big Sleep (1946)

CarmenNIF - not in filmarriving | butler | chromatic mediant | deleted scene | femme fatale | leading man | private eye | room | tense | transition

The Big Sleep (1946)

Marlowe (Molto Misterioso)0:25:05 - Marlowe arrives at Carmen's housearriving | butler | departing | dissonant bass | femme fatale | inserted scene | leading man | not in score | private eye | reused recording | room | tense | transition

The Big Sleep (1946)

Marlowe (Major)0:28:47 - Marlowe's name on his apartment doorarriving | leading man | mode mixture | mysterious | name on screen | noble | private eye | room | sequential modulation | transition

The Big Sleep (1946)

EnteringNIF - not in filmarriving | augmented sixth chord | deleted scene | entering | gentle | leading man | not in score | parallel 63s | parallelism | private eye | room | transition | walking

The Big Sleep (1946)

Marlowe (Melancholy)NIF - not in filmadded-note chord | arriving | deleted scene | leading man | melancholy | not in score | private eye | room | transition

The Big Sleep (1946)

Underscoring (Tense)0:28:58 - Marlowe tries to crack the codeleading man | pc set | private eye | researching | room | tense | threat | transition | tritone | writing

The Big Sleep (1946)

Marlowe (Bold)1:45:44 - Marlowe and Vivian get out of the carbold | chromatic scale | heroic | leading lady | leading man | love interest | outside | private eye | transition | walking

The Big Sleep (1946)

Walking (Extended)1:45:45 - Marlowe and Vivian walk up to housefragmentation | leading lady | leading man | love interest | outside | parallelism | pedal tone | private eye | sequential modulation | tense | transition | walking
The Breaking Point (1950)Humming0:54:33 - Wesley and Harry work on the boatarriving | calm | criminal | friend | harbor | humming | leading man | on-screen music | sailor | source music | transition | walking | working

The Breaking Point (1950)

First Call1:15:04 - Sign for a horse racecrowd | horse | race track | source music | transition | upbeat
City for Conquest (1940)Train0:01:09 - An elevated train approachesadded-note chord | bridge | busy | city | hurried | mickey-mousing | old man | ostinato | police | pump-up modulation | train | transition | traveling

City for Conquest (1940)

Tone Poem B + Train0:01:19 - Sign for the Williamsburg Bridge9th chord | added-note chord | bridge | busy | chromatic parallelism | city | combination of themes | countermelody | hurried | Mixolydian mode | old man | police | train | transition | traveling

City for Conquest (1940)

Sidewalks of New York0:03:10 - A New York street cornerAABA structure | child | conversing | crowd | dancing | old man | on-screen music | organ grinder | playing | pleasant | score to source | source music | street | street organ | thief | transition | upbeat | walking
They Made Me a Criminal (1939)The Street0:14:31 - Newspaper boy on street64 chord | chromatic sequence | dark | newspaper | newspaper boy | selling | street | tense | transition

They Made Me a Criminal (1939)

The Bicycle0:14:42 - Newspaper boy on bicycle9th chord | 13th chord | bicycle | cheerful | mickey-mousing | newspaper | newspaper boy | riding | street | throwing | transition
Death of a Scoundrel (1956)Detective Rises0:05:34 - Detective rises to question Bridgetrising | transition

Death of a Scoundrel (1956)

Underscoring (Mysterious)0:11:08 - Clementi walks away with the policemanflashback | transition
Deep Valley (1947)Explosion0:15:06 - An explosionconstruction site | dark | exploding | explosion | transition | worker

Deep Valley (1947)

Homestead (Moderato)0:15:18 - Homestead in the distancebarnyard | dark | father | gentle | leading lady | mother | reading | room | transition

Deep Valley (1947)

Law (Molto Misterioso)0:57:01 - Men hunting for Barryforest | manhunt | mysterious | police | searching | tense | transition
Dust Be My Destiny (1939)Transition0:00:09 - Starring listdissonant bass | dramatic | dust | main title | mickey-mousing | opening title sequence | transition
Each Dawn I Die (1939)Transition0:00:08 - Lead actorsbold | main title | opening title sequence | prison | starring list | transition
Flamingo Road (1949)Titus 20:18:16 - A newspaper headlinechromatic parallelism | dark | headline | newspaper | politician | porch | self-borrowing | sheriff | throwing | transition | tritone

Flamingo Road (1949)

Titus 2 (Agitato)0:37:11 - Lane goes to confront Titusagitated | angry | chromatic sequence | hurrying | leading lady | self-borrowing | street | transition | walking

Flamingo Road (1949)

Slide whistle0:53:00 - Dan surprises Lute Maecomical | employer | leading lady | leading man | love interest | mickey-mousing | politician | room | surprising | transition

Flamingo Road (1949)

Lute Mae (Driving)0:53:02 - Lane drives Dan to the construction site13th chord | added-note chord | arriving | car | car | comical | common-chord modulation | driving | leading lady | leading man | love interest | politician | rushed | self-borrowing | transition | traveling

Flamingo Road (1949)

Flamingo Road (Expressivo)1:02:07 - The gate to 32 Flamingo Road11th chord | added-note chord | arriving | gentle | husband | leading man | self-borrowing | sign | street | transition

Flamingo Road (1949)

Titus (Tutti)1:08:05 - Titus and Field arrive at the construction sitearriving | dark | dominant 7th chord | half-diminished 7th chord | leading man | ominous | politician | self-borrowing | sheriff | street | transition

Flamingo Road (1949)

Flamingo Road (Expressivo)NIF - not in filmaltered dominant | cut from film | cut from film | self-borrowing | transition

Flamingo Road (1949)

Underscoring (Mysterious)NIF - not in filmadded-note chord | cut from film | cut from film | transition | underscoring

Flamingo Road (1949)

Titus 2 (Buzzer)1:13:16 - Titus arrivesarriving | chromatic parallelism | dark | entering | leading lady | maid | ominous | politician | room | self-borrowing | sheriff | transition
Hell on Frisco Bay (1955)Steve Arrives0:54:56 - Steve arrives at an apartmentarriving | conductor score | investigator | leading man | mickey-mousing | mysterious | street | tense | transition | walking
Her Kind of Man (1946)It Had to Be You (Transition)0:00:08 - Starring listbold | cards | dramatic | gambling | opening title sequence | poker | starring list | transition

Her Kind of Man (1946)

Scrapbook0:00:59 - A busy newsroombluesy | journalist | room | transition | voice-over | working

Her Kind of Man (1946)

Bulletin Board0:32:45 - Don leavesbluesy | conversing | crew | departing | gambler | leading man | reporter | room | source and scoring overlap | stage | transition | upbeat

Her Kind of Man (1946)

Underscoring (Gentle)0:33:47 - Don leavescrew | departing | gentle | leading man | manager | reporter | street | theater | transition | underscoring

Her Kind of Man (1946)

First Call0:33:53 - Horses before a racebugle call | crowd | excited | racetrack | transition | waiting

Her Kind of Man (1946)

Street Scene0:44:59 - Neon signs on Broadwaydramatic | street | transition | upbeat
I Was a Communist for the FBI (1951)Underscoring (Tense)0:01:02 - Brooklyn Bridgeairport | bridge | mysterious | street | tense | transition | underscoring

I Was a Communist for the FBI (1951)

Underscoring (Dramatic)0:24:58 - Matt reactsdeparting | dramatic | insult | leading man | neighbor | reacting | room | stinger | transition | undercover agent

I Was a Communist for the FBI (1951)

Strike0:43:53 - Newspaper headlinedramatic | headline | newspaper | stinger | strike | transition

I Was a Communist for the FBI (1951)

Undercover Agent (Misterioso)0:59:50 - Agent watchescar | communist | driving | escaping | leading lady | leading man | mysterious | spy | street | teacher | transition | undercover agent

I Was a Communist for the FBI (1951)

Undercover Agent (Newspaper)1:04:11 - FBI agents talkagent | conversing | dark | leading man | newspaper | ominous | planning | room | transition | undercover agent
Illegal (1955)Scott (Transition)0:28:50 - Scott working in his officehero | transition

Illegal (1955)

Underscoring (Tense)0:42:31 - Vic rides up the elevator to Garland's officetransition
In This Our Life (1942)Transition0:00:08 - Starring listgrand | opening title sequence | starring list | transition

In This Our Life (1942)

Driving1:29:17 - Stanley driving her carcriminal | driving | escaping | leading lady | street | tense | transition

In This Our Life (1942)

Stanley B (Agitato)1:29:27 - Stanley runs insideagitated | butler | criminal | leading lady | room | running | street | transition

In This Our Life (1942)

Stanley (Triste)1:29:42 - Stanley enters the houseagitated | criminal | leading lady | room | running | somber | tense | transition | uncle
The Informer (1935)The Informer (Gypo Hides)1:20:38 - Gypo sees British soldiers marchingantagonist | hiding | leading man | marching | running | street | tense | traitor | transition

The Informer (1935)

The Informer (Adagio)1:21:15 - Gypo imagines Frankie's posterantagonist | hallucinating | hallucination | leading man | mysterious | street | suspension | traitor | transition

The Informer (1935)

Gypo runs away1:21:26 - Gypo runs and hidesagitated | antagonist | chromatic parallelism | diminished 7th chord | hiding | leading man | mickey-mousing | running | sequence | street | tense | traitor | transition

The Informer (1935)

The Informer (Up the Stairs)1:21:35 - Gypo goes up the stairs64 chord | agitated | antagonist | chromatic sequence | fragmentation | hallway | hiding | leading man | mickey-mousing | running | sequence | stairs | tense | traitor | transition | up
Key Largo (1948)Transition0:00:08 - Starring listbold | opening title sequence | starring list | transition
The Letter (1940)Leslie (Maestoso)0:06:11 - Robert arrives at the plantationbold | brassy | changing meter | dark | driving | home | husband | oscillation | transition | tritone

The Letter (1940)

Underscoring (Tense)0:06:21 - Robert goes in the housearriving | chromatic scale | diminished 7th chord | home | husband | tense | transition | underscoring

The Letter (1940)

Law Office0:24:33 - Sign for a law firmcity | justice | lawyer | noble | office | setting | sign | transition

The Letter (1940)

Leslie (Leaving)0:53:20 - Howard and Leslie leave the houseadded-note chord | fragmentation | lawyer | leading lady | leaving | mysterious | plantation | sequence | sequential modulation | transition

The Letter (1940)

Leslie (Screwyoso)0:53:35 - Howard and Leslie walk awaylawyer | leading lady | leaving | oscillation | plantation | sequence | tense | transition

The Letter (1940)

Mrs. Hammond (Grandioso)0:53:54 - Leslie approaches the carantagonist | Chinese | Chinese | driving | lawyer | leading lady | mysterious | open fifth | parallel fifths | pedal tone | pentatonic | plantation | transition

The Letter (1940)

Chinese Quarter0:54:15 - The car enters the Chinese Quarterantagonist | Chinatown | Chinese | Chinese | driving | exotic | exoticism | lawyer | leading lady | open fifth | parallel fifths | parallelism | pentatonic | setting | transition

The Letter (1940)

Chinese Shop0:55:30 - Howard and Leslie look aroundantagonist | Chinatown | Chinese | Chinese | exotic | exoticism | lawyer | layering | leading lady | Lydian mode | mirroring | mysterious | open fifth | parallel fifths | parallelism | polytonality | quintal chord | tense | transition | waiting | walking

The Letter (1940)

Mrs. Hammond (Mysterioso)0:56:29 - Howard and Leslie wait in the shopantagonist | Chinatown | Chinese | Chinese | exotic | lawyer | leading lady | mysterious | open fifth | parallel fifths | parallelism | pedal tone | pentatonic | shop | tense | transition | waiting

The Letter (1940)

Mrs. Hammond (Dagger)0:57:04 - Leslie looks at a Chinese daggerantagonist | Chinatown | Chinese | Chinese | dagger | exotic | lawyer | leading lady | mysterious | open fifth | parallel fifths | parallelism | pedal tone | pentatonic | polytonality | shop | tense | transition | waiting

The Letter (1940)

Leslie (Guilty)1:19:41 - The full moon on a dark nightdramatic | moon | oscillation | panning shot | pedal tone | plantation | suspension | transition
Lightning Strikes Twice (1951)Transition0:00:07 - Starring list and lightning strikesdramatic | lightning | lightning effect | opening title sequence | prison | self-borrowing | starring list | transition

Lightning Strikes Twice (1951)

Lightning0:00:24 - Title card, cast list and prisoncast list | dramatic | lightning effect | opening title sequence | prison | self-borrowing | title of film | transition

Lightning Strikes Twice (1951)

News Office0:03:08 - Newspaper headlines about the trialconversing | frantic | headline | newspaper | newspaper editor | office | telephone | transition

Lightning Strikes Twice (1951)

Menace (Expressivo)0:03:24 - Newspaper editor on the phonebus | conversing | headline | newspaper | newspaper editor | office | telephone | transition | uneasy | worker

Lightning Strikes Twice (1951)

Shelly and Trev (Molto Expressivo)0:23:31 - Shelly makes a promiseactor | conversing | countryside | departing | horse | leading lady | leading man | promise | somber | suspect | transition

Lightning Strikes Twice (1951)

Shelly (Traveling) + Shelly 2 (Allegretto)0:23:40 - Shelly travels to Tumblewood Ranchactor | arriving | bright | car | cheerful | combination of themes | countryside | cut from film | desert | driving | horse | leading lady | leading man | ranch | suspect | transition | traveling | walking

Lightning Strikes Twice (1951)

Shelly + Shelly 2 (Molto Misterioso)0:24:05 - Shelly looks around the ranchactor | arriving | calm | combination of themes | leading lady | mysterious | ranch | transition | walking

Lightning Strikes Twice (1951)

Shelly 2 (Dolce)0:24:34 - Shelly walks around the ranchactor | arriving | brother | calm | conversing | leading lady | ranch | rancher | transition | walking

Lightning Strikes Twice (1951)

Shelly 3 (Dolce)0:24:43 - Shelly sees Lizaactor | arriving | brother | calm | conversing | feeding | goat | leading lady | ranch | rancher | transition | watching

Lightning Strikes Twice (1951)

Shelly (Gallop)0:40:52 - Shelly riding on a horseactor | arriving | countryside | galloping | galloping effect | horse | leading lady | riding | transition | upbeat

Lightning Strikes Twice (1951)

Shelly (Dolce) + Shelly 20:41:00 - Shelly gets off of her horseactor | arriving | calm | combination of themes | horse | leading lady | ranch | transition | walking | worker

Lightning Strikes Twice (1951)

Shelly (Gallop 2) + Shelly 20:42:19 - Shelly riding on a horseactor | arriving | calm | combination of themes | countryside | galloping | galloping effect | horse | leading lady | riding | transition | traveling | upbeat

Lightning Strikes Twice (1951)

Shelly (Legato) + Shelly 2 (Legato)0:42:32 - Shelly gets off of her horseactor | arriving | calm | combination of themes | countryside | hiking | horse | leading lady | leading man | love interest | suspect | transition | walking

Lightning Strikes Twice (1951)

Shelly (Molto Expressivo)0:48:29 - Shelly packs her bagsactor | gentle | leading lady | luggage | packing | ranch | transition

Lightning Strikes Twice (1951)

Menace (Molto Misterioso)0:50:38 - Liza leaves the roomactor | car | leading lady | leaving | luggage | mysterious | packing | ranch | rancher | somber | tense | transition

Lightning Strikes Twice (1951)

Shelly (Traveling) + Shelly 2 (Allegretto)0:51:09 - Shelly drives away from the Tumble Moon ranchactor | car | combination of themes | driving | leading lady | luggage | ranch | rancher | transition | traveling | upbeat

Lightning Strikes Twice (1951)

Shelly 2 (Dolce)0:51:36 - Shelly arrives at the Nolan ranchactor | arriving | calm | leading lady | ranch | transition | walking

Lightning Strikes Twice (1951)

Shelly 3 (Dolce)0:51:45 - Shelly walks to the ranch houseactor | arriving | butler | calm | conversing | leading lady | ranch | stinger | transition | waiting | walking

Lightning Strikes Twice (1951)

Shelly and Trev (Expressivo)0:52:14 - Shelly sees Trev's portraitactor | butler | leading lady | looking | portrait | ranch | solemn | transition | waiting
Mildred Pierce (1945)Work (Excited)0:42:35 - Mildred and Wally leave 9th chord | added-note chord | excited | excitement | friend | heroine | leading lady | leaving | room | self-borrowing | shadow | transition | work

Mildred Pierce (1945)

Beach House0:42:49 - Mildred and Wally drive up to the beach house9th chord | arriving | beach house | driving | friend | heroine | leading lady | ocean | peaceful | transition | water | wave

Mildred Pierce (1945)

Walking0:42:58 - Mildred and Wally walk to the houseadded-note chord | arriving | beach house | excited | friend | heroine | leading lady | mickey-mousing | ocean | parallelism | transition | walking

Mildred Pierce (1945)

Bert (Sentimentale)0:48:03 - Mildred watches her children leaveheroine | husband | leading lady | leaving | oscillation | room | serious | somber | thinking | transition | whole-tone chord

Mildred Pierce (1945)

Work (Molto Grazioso)0:48:16 - Mildred works at her restaurantcheerful | common-tone diminished 7th | friend | heroine | ladder | leading lady | legs | pedal tone | restaurant | self-borrowing | transition | working

Mildred Pierce (1945)

Rushing train1:24:15 - A rushing traindouble exposure | excited | heroine | leading lady | mickey-mousing | train | train | transition | traveling

Mildred Pierce (1945)

Mildred (Revenge)1:43:57 - Mildred drives to the beach housecar | chromatic scale | common-tone diminished 7th | dark | dissonant bass | dramatic | driving | flashback ends | gun | heroine | leading lady | pc set | street | transition
The Life of Vergie Winters (1934)Lullaby (Dark)1:17:11 - Newspaper headline about John's murderdark | leading lady | secret lover | serious | transition
Out of the Fog (1941)Transition0:00:08 - Starring list9th chord | deceptive resolution | harbor | opening title sequence | starring list | tense | transition
The Unfaithful (1947)Chris0:07:27 - Chris drives home9th chord | calm | car | driving | leading lady | street | transition

The Unfaithful (1947)

Chris 2 (Minor)0:07:37 - Chris arrives home9th chord | antagonist | car | cheerful | dark | driving | house | leading lady | sequential modulation | suspension | transition

The Unfaithful (1947)

Unfaithful (Tragic)0:24:34 - Mrs. Tanner walks down the streetadvance plot | antagonist | husband | leading lady | newspaper | ostinato | panicked | panicking | pedal tone | police station | street | transition | trolley | victim | widow

The Unfaithful (1947)

Oh But I Do0:32:27 - Ladies talk at a restaurantAABA structure | advance plot | calm | conversing | husband | lawyer | leading lady | on-screen music | restaurant | sister | source music | transition | victim

The Unfaithful (1947)

Deep Night0:35:15 - Larry, Chris, and Bob at a restaurantAABA structure | advance plot | calm | conversing | husband | lawyer | leading lady | on-screen music | restaurant | source music | transition | victim

The Unfaithful (1947)

Attorney0:42:51 - Close up of sign on the lawyer's door64 chord | altered dominant | deceptive resolution | door | glorious | heroic | law office | office | parallel 63s | sign | transition

The Unfaithful (1947)

Unfaithful (Rising)0:43:06 - Larry walks into his officechromatic parallelism | dramatic | law office | lawyer | office | ostinato | sequence | transition | walking

The Unfaithful (1947)

Chris0:43:45 - Chris pulls up in a cab9th chord | added-note chord | driving | foreign key modulation | law office | leading lady | office | peaceful | spinning | transition

The Unfaithful (1947)

Chris 20:43:56 - Chris goes to Larry's office9th chord | law office | leading lady | office | peaceful | pedal tone | sequential modulation | transition | walking

The Unfaithful (1947)

Attorney1:09:14 - Larry drives to the art shop64 chord | deceptive resolution | driving | heroic | lawyer | street | transition

The Unfaithful (1947)

Unfaithful (Rising)1:09:33 - The art shop is lockedlawyer | ostinato | parallelism | sequence | shop | tense | transition | worrying

The Unfaithful (1947)

Walking1:09:50 - Bob goes for a walkhusband | park | pedal tone | tense | transition | walking

The Unfaithful (1947)

Unfaithful (Ominous)1:10:22 - Bob meets the art dealerantagonist | blackmail | husband | monophonic | ominous | park | transition | waiting

The Unfaithful (1947)

Unfaithful (Driving)1:10:31 - Bob rides in a carcar | driving | husband | minor-major 7th chord | ominous | street | transition | whole-tone

The Unfaithful (1947)

Tanner1:10:47 - Men get out of the caraltered dominant | antagonist | arriving | foreshadowing | fragmentation | husband | irregular meter | pc set | quartal chord | street | tense | transition | walking

The Unfaithful (1947)

Unfaithful (Triste)1:13:36 - Bob walks slowly awaydirge | heartbroken | hotel | husband | ostinato | pedal tone | polychord | sad | sequential modulation | somber | transition | walking

The Unfaithful (1947)

Unfaithful (Risoluto)1:14:27 - Bob arrives homeangry | arriving | car | driving | fragmentation | house | husband | monophonic | transition

The Unfaithful (1947)

Unfaithful (Angry)1:15:00 - Bob looks aroundangry | common-chord modulation | deceptive resolution | husband | intense | meandering | Neapolitan | ostinato | room | sequential modulation | transition | walking

The Unfaithful (1947)

Unfaithful (Rising Anger)1:15:35 - Bob walksangry | chromatic scale | fragmentation | half-diminished 7th chord | husband | intense | meandering | oscillation | ostinato | room | transition | walking
We Are Not Alone (1939)Surprise Symphony (Newspaper)0:31:52 - David sits and whistles9th chord | classical music | deceptive resolution | familiar tune | foreshadowing | happy | Haydn | hero | home | ominous | quotation | reveal | transition | whistling

We Are Not Alone (1939)

Surprise Symphony (Galloping)0:32:07 - David arrives in a carriagecarriage | classical music | familiar tune | galloping | happy | Haydn | hero | horse | quotation | street | transition | traveling
White Heat (1949)Plotting0:11:21 - Cody packs up money in a suitcaseconversing | dark | gangster | leading lady | leading man | love scene | moll | money | murderer | packing | room | tense | transition

White Heat (1949)

Driving0:14:09 - The gangsters drive awaydark | departing | driving | gangster | leading lady | leading man | menacing | moll | mother | murderer | rushing | self-borrowing | street | transition

White Heat (1949)

Morgue0:14:17 - Tahoe County Morgue signconversing | corpse | dark | detective | investigation scene | menacing | morgue | mortician | police | self-borrowing | transition

White Heat (1949)

T-Men0:15:01 - Aerial view of the citycity | heroic | noble | panning shot | transition

White Heat (1949)

Misterioso0:16:34 - Aerial view of the citycity | dark | mysterious | panning shot | transition

White Heat (1949)

Speed0:16:46 - Sign for Milbanke Motelsarriving | car | dark | driving | gangster | leading man | murderer | self-borrowing | street | tense | transition

White Heat (1949)

Backing up0:17:00 - Cody backs uparriving | backing up | car | dark | driving | gangster | leading man | mickey-mousing | murderer | street | tense | transition

White Heat (1949)

Agents0:18:49 - Agent leaves a phone boothagent | car | mysterious | sneaking | street | telephone | transition | walking

White Heat (1949)

Plotting (Mysterious)0:29:13 - Verna and Ma leave the police stationagent | leading lady | leading man | moll | mother | mysterious | police station | transition | walking

White Heat (1949)

Cody 20:29:18 - Newspaper headlineagent | bold | dark | dramatic | headline | leading man | newspaper | police station | transition | typing

White Heat (1949)

Prison0:35:40 - The prison wallsconversing | dark | leading man | ominous | prison | prisoner | transition | undercover agent

White Heat (1949)

Prison1:04:01 - The prison wallsdramatic | ominous | prison | transition

White Heat (1949)

Panning1:19:32 - Camera pans to the groupbeans | dramatic | fugitive | gangster | leading lady | leading man | love interest | mickey-mousing | moll | murderer | panning shot | room | throwing | transition | undercover agent | waiting

White Heat (1949)

Agents (Message)1:37:03 - Gas station attendant goes to washroomconversing | gas station | message | mirror | police | radio | tense | transition | worker
The Woman in White (1948)Introduction0:00:00 - WB Shieldbold | book | grand | opening title sequence | transition | WB shield

The Woman in White (1948)

Fosco (Ominous)0:35:03 - Fosco's carriage approachesarriving | carriage | dark | garden | leading lady | leading man | ominous | transition

The Woman in White (1948)

Pavan B0:50:44 - A carriage arrivesarriving | carriage | conversing | cousin | grand | headline | leading lady | mansion | montage | montage | newspaper | Renaissance music | servant | transition

The Woman in White (1948)

Pavan (Misterioso)1:23:21 - Marian and Walter leavecousin | dark | forest | leading lady | leading man | leaving | serious | spy | spying | transition

The Woman in White (1948)

Fosco (Con Moto)1:23:29 - Fosco arrives in his carriageantagonist | arriving | carriage | criminal | dark | leading man | murderer | serious | street | transition | traveling

The Woman in White (1948)

Hypnosis + Fosco1:30:32 - Count Fosco leavesantagonist | carriage | combination of themes | criminal | dark | husband | hypnotist | leading man | leaving | murderer | ominous | plotting | spy | spying | street | tense | transition
The Public Defender (1931)Crowd thronging0:01:17 - A crowd pressing towards a guarded doorarguing | chromatic scale | crowd | hurried | noise | street | tense | transcribed by ear | transition

The Public Defender (1931)

Mystery (Bank Closed)0:01:25 - Notice posted on the doorarguing | chromaticism | crowd | mysterious | mystery | noise | pc set | street | transcribed by ear | transition
Three Who Loved (1931)St. Patrick's Day0:18:32 - Organ grinder on streetcheerful | musician | on-screen music | organ grinder | playing | source music | street | transition
Is My Face Red? (1932)Transition0:01:22 - Speeding truck and a doordiminished 7th chord | establish setting | mysterious | poster | street | transcribed by ear | transition

Is My Face Red? (1932)

Keyhole0:01:29 - Newspaper reads "The Keyhole to the City"establish setting | jazz | keyhole | raucous | transcribed by ear | transition

Is My Face Red? (1932)

Steam whistle0:15:08 - A steam whistle blowsboat | chromatic scale | mickey-mousing | polychord | steam whistle | tense | transcribed by ear | transition

Is My Face Red? (1932)

Sailing0:19:56 - Boat moves through the waterboat | common-tone diminished 7th | crowd | excited | mode mixture | pedal tone | sailing | transcribed by ear | transition

Is My Face Red? (1932)

Sidewalks of New York (Harbor)0:20:07 - New York City skylinecalm | countermelody | New York | parallelism | popular music | setting | transcribed by ear | transition | traveling

Is My Face Red? (1932)

Sidewalks of New York (Lights)0:21:04 - New York City skylinecalm | diminished 7th chord | drinking | leading lady | leading man | New York | octatonic | popular music | setting | transcribed by ear | transition

Is My Face Red? (1932)

Sailing 20:21:30 - Boat cuts through the wavesboat | parallelism | sailing | sailor | tense | transcribed by ear | transition | waves | whole-tone

Is My Face Red? (1932)

Scenes Metropolitaine0:43:51 - Montage of activities in the cityABCA structure | augmented triad | boat | boxing | Chinatown | diminished 7th chord | excited | gambling | leading lady | leading man | metric dissonance | montage | New York | night club | parallelism | transcribed by ear | transition | whole-tone
Thirteen Women (1932)The Train0:01:33 - A rushing trainchromatic mediant | mickey-mousing | pedal tone | rushing | sorting | train | train | train whistle | transcribed by ear | transition | traveling | upbeat
Murder on the Blackboard (1934)Clock Tower0:02:12 - A clock tower calm | city | clock tower | source music | tolling | transition

Murder on the Blackboard (1934)

Clock Tower0:12:17 - A clock tower calm | city | clock tower | source music | tolling | transition
Girl of the Rio (1932)Piano noise0:00:52 - A busy street in Mexicanacrowd | neutral | on-screen text | source music | street | transition | walking
The Most Dangerous Game (1932)The Open Sea0:01:20 - A buoy on the open seaboat | boat | calm | clock | gentle | ocean | sailing | transition

The Most Dangerous Game (1932)

Piano Improvisation0:56:39 - The Count plays the pianocalm | castle | count | listening | on-screen music | piano | playing | servant | source music | transition | villain