| Beyond the Forest (1949) | Rosa (Moderato) | 0:03:32 - Rosa's house | establish setting | house | maid | somber | voice-over | walking | yard |
Beyond the Forest (1949) | Rosa (Maestoso) | 0:03:57 - Rosa's maid | establish setting | house | maid | tense | voice-over | walking | yard |
| The Breaking Point (1950) | Make Love With a Guitar | 0:33:28 - Harry arrives home | advance plot | arriving | calm | child | conversing | leading man | musician | neighbor | on-screen music | room | sailor | source music | street | wife | yard |
| Deep Valley (1947) | Underscoring (Tense) | 1:10:50 - Libby looks out the window | convict | escape | fugitive | leading lady | leading man | looking | love interest | room | searching | tense | underscoring | yard |
Deep Valley (1947) | Deep Valley | 1:11:53 - Libby and Barry embrace | convict | escape | fugitive | joyous | leading lady | leading man | love interest | reuniting | yard |
Deep Valley (1947) | Wind | 1:12:11 - Libby listens carefully | afraid | convict | escape | fear | fugitive | leading lady | leading man | love interest | mickey-mousing | wind | wind effect | worrying | yard |
Deep Valley (1947) | Sneaking | 1:12:20 - Barry and Libby run to the shed | convict | escape | fugitive | leading lady | leading man | love interest | sneaking | sneaking effect | tense | yard |
Deep Valley (1947) | Drops gun | 1:18:35 - Libby drops the gun down a well | advance plot | dropping | gun | leading lady | mickey-mousing | tense | yard |
Deep Valley (1947) | Deep Valley (Lonely) | 1:18:43 - Barry looks around | advance plot | barn | leading lady | leaving | lonely | yard |
Deep Valley (1947) | Running (Extended) | 1:29:26 - Libby runs to the barn | advance plot | barn | convict | father | fugitive | hesitating | leading lady | leading man | love interest | mickey-mousing | running | tense | uneasy | yard |
Deep Valley (1947) | Libby 2 (Molto Expressivo) | 1:33:40 - Ellie walks to the barn | advance plot | barn | convict | eavesdropping | fugitive | leading lady | leading man | love interest | mother | sneaking | tense | walking | yard |
Deep Valley (1947) | Libby (Running) | 1:36:13 - Libby and Barry run out of the barn | barn | begging | climax | convict | father | frantic | fugitive | leading lady | leading man | love interest | mother | pleading | running | rushing | tense | yard |
Deep Valley (1947) | Libby (Stormy) | 1:36:26 - Cliff looks for Ellie | barn | climax | convict | crying | dark | father | fugitive | hiding | leading lady | leading man | love interest | mother | running | rushing | sneaking | tense | yard |
| The FBI Story (1959) | Egg Hunt | 1:26:06 - Kids hunt for Easter eggs | child | Easter | eggs | flashback | garden | hunting | yard |
| The Woman in White (1948) | Pavan (Major) | 1:47:33 - Walter with his daughter Ann | child | conversing | father | greeting | husband | leading man | noble | resolution | voice-over | yard |
The Woman in White (1948) | The Self Banished (The End) | 1:47:51 - Walter with the children | book | child | conversing | embracing | father | greeting | husband | kissing | leading lady | leading man | mother | resolution | tender | The End | voice-over | wife | yard |
| We're Only Human (1935) | Russian Waltz (Poco Agitato) | 1:02:12 - Getting out the car | car | chromatic scale | climax | conflict | dark | detective | leading lady | leading man | reporter | sneaking | tense | victim | yard |
We're Only Human (1935) | Game 3 | 1:02:23 - Approaching the house | chromatic parallelism | chromatic parallelism | climax | conflict | detective | leading lady | leading man | mysterious | pc set | reporter | sneaking | tense | victim | yard |
We're Only Human (1935) | Russian Waltz (Pizzicato) | 1:02:55 - Spying on the house | climax | conflict | detective | leading lady | leading man | mysterious | reporter | sneaking | tense | victim | yard |
We're Only Human (1935) | Saroff | 1:03:07 - They argue | arguing | chromatic scale | climax | conflict | detective | leading lady | leading man | mysterious | reporter | tense | victim | whole-tone | whole-tone chord | yard |
We're Only Human (1935) | Lost Patrol 1 | 1:03:12 - A man runs | climax | conflict | detective | dramatic | fleeing | frantic | gunshot | leading lady | leading man | reporter | running | shooting | victim | whole-tone | whole-tone chord | yard |
We're Only Human (1935) | The Informer (Burning Poster) + Blood Money | 1:03:25 - A man falls to the ground | climax | conflict | crawling | detective | diminished 7th chord | dying | gunshot | leading lady | leading man | mysterious | octatonic | reporter | Scotch snap | shooting | tense | tone cluster | victim | yard |
We're Only Human (1935) | The Wearin' o' the Green (Fighting) | 1:03:42 - Pete prepares to advance | chromatic parallelism | climax | conflict | detective | dramatic | fragmentation | gunshot | leading lady | leading man | reporter | running | sequence | shooting | tense | underscoring | victim | yard |
We're Only Human (1935) | The Informer (Tense) | 1:04:11 - Pete prepares to enter the house | climax | conflict | detective | leading man | mysterious | Scotch snap | sneaking | tense | whole-tone | whole-tone chord | yard |
| Without Honor (1949) | Underscoring (Tense) | 0:37:33 - Jane climbs out the window | action scene | escaping | hiding | leading lady | running | tense | underscoring | window | yard |
Without Honor (1949) | Jumping down | 0:37:38 - Jane jumps to the grould | action scene | descending | jumping | leading lady | mickey-mousing | tense | window | yard |
Without Honor (1949) | Desperation (The Scream) | 0:53:50 - They look at the bloody handprint | antagonist | blood | brother | climax | confession | departing | dramatic | handprint | husband | investigating | leading lady | leading man | room | screaming | searching | tense | wife | yard |
Without Honor (1949) | Appassionato 2 (Agitato) | 0:54:14 - Jane exits the house | climax | leading lady | searching | tense | wandering | yard |
Without Honor (1949) | Appassionato (Broad) | 0:54:27 - Bill talks on the phone | antagonist | brother | calling | climax | leading lady | leading man | room | searching | telephone | tense | wandering | yard |
Without Honor (1949) | Valse Triste (Triple Beguin) | 1:05:18 - Fred starts to leave for the hospital | antagonist | arguing | brother | fighting | husband | leading man | punching | resolution | tense | yard |
Without Honor (1949) | Appassionato 2 (Broad) | 1:05:32 - Fred gets in his car | anger | antagonist | brother | car | complaining | departing | dramatic | driving | husband | leading man | resolution | street | tense | yard |
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