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111 results for "work" in 27 films — see also business | create | form | run | set | sour | turn | work | working

FilmTheme nameInstanceTags
The Amazing Dr. Clitterhouse (1938)Night Watchman0:44:29 - Watchman arrives at the storedarkness | dissonant bass | flashlight | guard | half-diminished 7th chord | keys | mysterious | opening | robbery | store | suspenseful | walking | working

The Amazing Dr. Clitterhouse (1938)

Walking0:44:39 - The watchman walksaugmented sixth chord | darkness | flashlight | guard | half-diminished 7th chord | mickey-mousing | mysterious | robbery | store | suspenseful | walking | working

The Amazing Dr. Clitterhouse (1938)

Night Watchman (Light and Shadow)0:44:51 - The watchman goes about his workaugmented sixth chord | criminal | flashlight | gangster | guard | mysterious | robbery | shadow | store | suspenseful | walking | working

The Amazing Dr. Clitterhouse (1938)

Underscoring (Tense)0:47:04 - Doctor talks with the criminalsaugmented major 7th chord | chromatic parallelism | criminal | dissonant bass | doctor | examining | gangster | leading man | ostinato | pc set | robbery | rooftop | tense | thief | underscoring | walking | working

The Amazing Dr. Clitterhouse (1938)

Lighting the Torch + The Motor0:51:05 - Butch prepares the torchanxious | chromatic scale | combination of themes | criminal | dramatic | fire | flame | gangster | hero | lighting | ostinato | preparing | rescuing | robbery | sequence | store | tense | thief | torch | working
Angels With Dirty Faces (1938)The Gangster (Fingerprints)0:06:17 - Montage of juvenile detention and prison lifedigging | dramatic | establish character | fingerprints | foreign key modulation | headline | leading man | main title | marching | montage | mug shot | newspaper | prison | prisoner | reformatory | sequence | serious | working
Beyond the Forest (1949)Moose0:11:22 - Moose enters the housecabin | conversing | establish character | exotic | friend | leading lady | liquor | wife | working

Beyond the Forest (1949)

Rosa (Grazioso)0:15:01 - Rosa enters the lodgeadvance plot | arriving | cheerful | leading lady | room | wife | working

Beyond the Forest (1949)

Hurrying0:15:09 - Rosa lights a fireadvance plot | hurrying | leading lady | room | upbeat | wife | working

Beyond the Forest (1949)

Rosa (Grazioso)0:15:23 - Rosa gets a drinkadvance plot | hurrying | leading lady | room | upbeat | wife | working

Beyond the Forest (1949)

Hurrying0:15:35 - Rosa carries a drinkadvance plot | hurrying | leading lady | room | upbeat | wife | working

Beyond the Forest (1949)

Rosa (Sombre)1:17:53 - Lewis talks to a patientadvance plot | conversing | doctor | leading man | mysterious | office | patient | working
The Breaking Point (1950)Flor de Lis0:08:17 - A ship sailingart song | boat | boat | boating | conversing | establish setting | flirting | floozy | leading lady | leading man | not by Steiner | sailor | upbeat | working

The Breaking Point (1950)

En Mi Canto de Amor0:08:57 - A dock at nightarriving | art song | boat | conversing | docking | establish setting | flirting | floozy | harbor | leading lady | leading man | not by Steiner | sailor | source music | upbeat | working

The Breaking Point (1950)

La Adelita0:09:56 - A Mexican village at nightarriving | bar | bartender | conversing | establish setting | folk music | leading man | musician | on-screen music | performing | sailor | salesperson | selling | source music | street | upbeat | working

The Breaking Point (1950)

Humming0:54:33 - Wesley and Harry work on the boatarriving | calm | criminal | friend | harbor | humming | leading man | on-screen music | sailor | source music | transition | walking | working
Caged (1950)Marie (Expressivo)0:32:12 - The prison laundryalarm | bell | double exposure | dramatic | guard | leading lady | montage | montage | prison | prisoner | ringing | roll call | working

Caged (1950)

Prison0:32:40 - Marie working in the prison laundrydouble exposure | dramatic | leading lady | montage | montage | prison | prisoner | working

Caged (1950)

Underscoring (Dramatic)0:32:47 - Marie working in the prison laundryalarm | alarm effect | bell | double exposure | dramatic | leading lady | mickey-mousing | montage | montage | pain | prison | prisoner | quick cuts | underscoring | working

Caged (1950)

Marie (Dark)0:32:55 - Marie's medical reportdark | double exposure | infirmary | leading lady | medical report | montage | montage | pain | prison | prisoner | working
City for Conquest (1940)Sidewalks of New York (Soliloquy 2)0:05:44 - Old-timer talks to a stone carver9th chord | 13th chord | bluesy | child | chromatic parallelism | conversing | establish character | fragmentation | love | old man | romantic | sentimental | soliloquy | street | worker

City for Conquest (1940)

Googi (Dead Man)1:15:09 - They pull out the dead mancar | chromatic scale | conversing | corpse | criminal | disposing | dock | gangster | manager | murderer | murder scene | ominous | ostinato | tense | whole-tone chord | working

City for Conquest (1940)

Googi (Molto Mysterioso e Screwyoso)1:15:19 - Cobb sees the guncar | chromatic parallelism | conversing | corpse | criminal | disposing | dissonant bass | dock | fragmentation | gangster | half-diminished 7th chord | manager | murderer | murder scene | ominous | ostinato | tense | tritone oscillation | working
Crime School (1938)Gangster Blues (Painting)0:50:45 - The boys paint their room13th chord | added-note chord | altered dominant | comedy | comical | gang | painting | reformatory | setting | teenager | working

Crime School (1938)

The Boiler Room0:54:27 - Boys talk about stoking the boileraction scene | auctioning | boiler room | chromatic parallelism | chromatic scale | dissonant bass | fanfare | gang | heroic | reformatory | teenager | working

Crime School (1938)

Gangster Blues (Mechanical)0:54:46 - Boys get to work13th chord | action scene | added-note chord | altered dominant | boiler room | coal | danger | fire | fire | frantic | gang | gauge | heat | hurrying | mechanical | reformatory | sequence | shoveling | smoke | teenager | temperature | temperature | working

Crime School (1938)

Boiler Overheating0:55:31 - Danger as the boiler gets really hotaction scene | arguing | boiler room | danger | frantic | gang | gauge | heat | hurrying | linear chromaticism | mechanical | pc set | reformatory | shoveling | teenager | temperature | tense | tone cluster | worker | working

Crime School (1938)

Gangster Blues (Explosion)0:56:04 - The boiler explodes13th chord | action scene | added-note chord | boiler room | collapsing | escaping | exploding | explosion | foreign key modulation | frantic | gang | mechanical | reformatory | running | sequence | teenager | tense | worker | yelling

Crime School (1938)

Running around0:56:37 - Boys run out of the buildingaction scene | chromatic parallelism | gang | linear chromaticism | mickey-mousing | reformatory | running | rushing | teenager | tense | worker

Crime School (1938)

Fireman0:56:46 - Boiler room worker orders kids backaction scene | fanfare | gang | heroic | parallelism | pedal tone | protecting | reformatory | rushing | teenager | worker | yelling

Crime School (1938)

Put on Your Old Grey Bonnet0:59:13 - The boys sing in the shoe repair shopadvance plot | cheerful | gang | hammering | on-screen music | reformatory | singing | source music | teenager | worker | working
They Made Me a Criminal (1939)Cowboy From Brooklyn0:25:04 - A young man whistlesestablish character | jaunty | on-screen music | ranch | source music | teenager | whistling | working

They Made Me a Criminal (1939)

Date picking0:25:21 - Boys picking dates9th chord | establish character | light | ranch | sequence | step modulation | teenager | working

They Made Me a Criminal (1939)

The Ladder0:30:11 - Tommy sitting on a laddercheerful | chromatic scale | common-tone diminished 7th | conflict | diminished 7th chord | dissonant bass | fun | ladder | pedal tone | ranch | teenager | working
Deep Valley (1947)Explosion0:15:06 - An explosionconstruction site | dark | exploding | explosion | transition | worker

Deep Valley (1947)

Libby 2 (Stormy)0:35:27 - Waves hitting the shoreconflict | construction site | crew | dark | leading lady | leaving | mother | pleading | storm | tense | waves | working

Deep Valley (1947)

Love Theme (Full)0:46:30 - Barry and Libby by the lakecalm | conversing | convict | falling in love scene | forest | fugitive | laughing | leading lady | leading man | working

Deep Valley (1947)

Law (Working)1:44:28 - Libby looks at the worksitecalm | construction site | dog | leading lady | resolution | watching | worker | working
Dust Be My Destiny (1939)Buzzing1:01:05 - Men working in the dark room64 chord | action scene | added-note chord | buzzy | chromatic parallelism | dark room | enharmonic modulation | exciting | foreign key modulation | leading man | mode mixture | Neapolitan | newspaper | newspaper editor | parallelism | photographer | photography | pump-up modulation | Rimsky-Korsakov | working
The FBI Story (1959)The Bureau (Investigating)0:05:51 - Investigators doing research and interviewing various peopleFBI | investigation | office | pharmacist | working

The FBI Story (1959)

FBI March A (Marcia)1:30:44 - Agents working at FBI headquartersagent | FBI | flashback | office | working

The FBI Story (1959)

FBI March B1:31:19 - FBI agents working in a labagent | FBI | flashback | lab | working

The FBI Story (1959)

FBI March A (A la Marcia)1:31:36 - FBI agents working in a labagent | FBI | flashback | lab | working

The FBI Story (1959)

The Bureau (Working)1:32:13 - Chip working at FBI headquartersFBI | flashback | office | working

The FBI Story (1959)

Workers2:07:31 - Men leave a factoryfactory | flashback | worker | working

The FBI Story (1959)

The Bureau (Misterioso)2:08:47 - FBI agents working on the sceneagent | FBI | flashback | working

The FBI Story (1959)

Microfilm2:09:11 - FBI agents look at the codes on the microfilmagent | FBI | flashback | lab | microfilm | working

The FBI Story (1959)

The Bureau (Field Reports)2:09:51 - Agents working at FBI headquartersagent | FBI | flashback | working

The FBI Story (1959)

The Bureau (Warrants)2:11:25 - FBI agents work in an officeagent | FBI | flashback | working
Flamingo Road (1949)Boldon City0:01:13 - Boldon City signbusy | common-tone diminished 7th | dominant pedal | establish setting | light | pentatonic | street | townsfolk | voice-over | working

Flamingo Road (1949)

Cheatin' on Me0:19:12 - Lane works at the caféAABA structure | advance plot | café | leading lady | leading man | leaving | police | source music | upbeat | waitress | working

Flamingo Road (1949)

Titus (Inverted)0:33:27 - Field arrives at the caféarriving | breakup | café | inversion | leading man | ominous | self-borrowing | sheriff | telephone | worker

Flamingo Road (1949)

If I Could Be With You (Triste)0:34:51 - Lane goes to the kitchenbreakup | café | dark | diminished 7th chord | foreign key modulation | leading lady | pondering | somber | waitress | working
Her Kind of Man (1946)Scrapbook0:00:59 - A busy newsroombluesy | journalist | room | transition | voice-over | working

Her Kind of Man (1946)

You Do Something to Me0:02:52 - A night clubcelebrating | club | conversing | dancing | establish character | flashback | mickey-mousing | on-screen music | playing | popular music | ripple effect | source music | upbeat | working
In This Our Life (1942)Asa0:02:02 - The Timberlake crestestablish character | noble | street | worker | working

In This Our Life (1942)

Asa (Expressivo)0:02:33 - Asa walksconversing | establish character | gentle | noble | street | walking | worker
Lightning Strikes Twice (1951)Menace (Expressivo)0:03:24 - Newspaper editor on the phonebus | conversing | headline | newspaper | newspaper editor | office | telephone | transition | uneasy | worker

Lightning Strikes Twice (1951)

Trev (Triste)0:38:59 - Trev enters the storeactor | advance plot | arriving | leading lady | leading man | looking | somber | staring | store | suspect | watching | whispering | worker

Lightning Strikes Twice (1951)

Shelly (Dolce) + Shelly 20:41:00 - Shelly gets off of her horseactor | arriving | calm | combination of themes | horse | leading lady | ranch | transition | walking | worker

Lightning Strikes Twice (1951)

Shelly and Trev (Tenderly)0:41:54 - Pedro tells Shelly where Trev isactor | advance plot | conversing | friend | gentle | leading lady | ranch | tender | worker
Mildred Pierce (1945)Work0:36:12 - Mildred works as a waitress64 chord | added-note chord | altered dominant | chromatic mediant | chromatic sequence | common-chord modulation | foreign key modulation | hectic | heroine | leading lady | montage | restaurant | rushing | self-borrowing | sequential modulation | serving | upbeat | voice-over | waitress | working

Mildred Pierce (1945)

Mildred (Hopeful)0:36:42 - Mildred bakes some piescooking | heroine | hopeful | kitchen | leading lady | montage | optimistic | restaurant | success | voice-over | waitress | working

Mildred Pierce (1945)

The Maid0:36:57 - Mildred's maid in the kitchen9th chord | advance plot | comical | conversing | cooking | heroine | kitchen | leading lady | maid | sequence | working

Mildred Pierce (1945)

Work (Singing Lesson)0:37:17 - Veda singsadded-note chord | child | double exposure | heroine | leading lady | montage | on-screen music | room | scored source music | self-borrowing | singing | upbeat | voice-over | working

Mildred Pierce (1945)

Work (Excited)0:42:35 - Mildred and Wally leave 9th chord | added-note chord | excited | excitement | friend | heroine | leading lady | leaving | room | self-borrowing | shadow | transition | work

Mildred Pierce (1945)

Work (Molto Grazioso)0:48:16 - Mildred works at her restaurantcheerful | common-tone diminished 7th | friend | heroine | ladder | leading lady | legs | pedal tone | restaurant | self-borrowing | transition | working

Mildred Pierce (1945)

Work (Grand Opening)0:57:26 - View of Mildred's restaurantadded-note chord | advance plot | foreign key modulation | restaurant | self-borrowing | tritone | upbeat | voice-over | working

Mildred Pierce (1945)

T'Ain't No Good0:57:37 - Mildred at the opening of her restaurantadvance plot | antagonist | busy | conversing | daughter | dining | friend | guest | heroine | leading lady | popular music | restaurant | serving | source music | upbeat | working

Mildred Pierce (1945)

While You're Away0:59:47 - Monte arrives at the restaurantABAC structure | advance plot | antagonist | busy | conversing | daughter | dining | friend | guest | heroine | leading lady | love interest | parallel double period | popular music | restaurant | serving | source music | upbeat | working

Mildred Pierce (1945)

Work (Success)1:01:42 - People work in Mildred's restaurant9th chord | added-note chord | advance plot | busy | cook | foreign key modulation | restaurant | secondary dominant | self-borrowing | server | upbeat | working

Mildred Pierce (1945)

Work1:08:00 - Montage of restaurantsadded-note chord | altered dominant | common-chord modulation | guest | montage | restaurant | self-borrowing | upbeat | voice-over | working

Mildred Pierce (1945)

Mildred (Sweepingly)1:08:09 - Mildred greets customershappy | heroine | leading lady | montage | restaurant | smiling | voice-over | working
The Life of Vergie Winters (1934)Lullaby (Slowly)0:04:07 - Vergie working in a shop window64 chord | establish character | leading lady | peaceful | plagal cadence | shop | working
Out of the Fog (1941)Concert in the Park0:01:57 - Goff walks along the dockarriving | conversing | criminal | dock | establish character | gambling | leading man | popular music | restaurant | source and scoring overlap | source music | upbeat | worker

Out of the Fog (1941)

Trade Winds0:28:40 - Stella enters a drugstoreAABA structure | advance plot | child | conversing | criminal | leading lady | leading man | popular music | shopping | source music | store | upbeat | worker

Out of the Fog (1941)

Whistle While You Work0:43:46 - Eddie sets the tableAABA structure | advance plot | arguing | boss | conversing | dock | popular music | restaurant | source music | upbeat | worker
The Unfaithful (1947)Clocking out1:25:41 - Salesgirls with time cardsclimax | comical | mickey-mousing | montage | office | saleswoman | time card | working
We Are Not Alone (1939)Surprise Symphony (Fixing the Lights)0:23:27 - David tries to fix the lights11th chord | advance plot | boy | child | classical music | familiar tune | father | foreign key modulation | fragmentation | Haydn | helping | hero | home | mysterious | playful | quotation | working

We Are Not Alone (1939)

Surprise Symphony (Lighting the House)0:23:40 - David lights candles in the houseadvance plot | boy | candle | child | chromatic sequence | classical music | dissonant bass | familiar tune | father | Haydn | helping | hero | home | lighting | positive | quotation | working
White Heat (1949)Underscoring (Mysterious)0:44:42 - Parker sneaksgangster | leading man | murderer | murder scene | mysterious | prison | prisoner | sneaking | undercover agent | underscoring | working

White Heat (1949)

Ma (Restless)0:49:34 - Cody walks back to workanxious | dramatic | gangster | leading man | mad scene | murderer | prison | prisoner | tense | thinking | threatening | working

White Heat (1949)

Cody 3 (Molto Misterioso)1:31:42 - Hank works on the transmitteradvance plot | leading man | radio | tense | transmitter | undercover agent | working | yard

White Heat (1949)

Underscoring (Tense)1:33:58 - Hank talks to the gas station attendantadvance plot | conversing | fugitive | gangster | gas station | leading man | murderer | tense | truck | undercover agent | underscoring | worker | working

White Heat (1949)

Underscoring (Tense)1:34:25 - Attendant fixes the truckadvance plot | conversing | fugitive | gangster | gas station | leading man | murderer | tense | underscoring | waiting | worker | working

White Heat (1949)

Mirror1:34:34 - Gangster goes to check on Hankadvance plot | bathroom | dramatic | fanfare | fugitive | gangster | gas station | hurrying | leading man | message | mirror | murderer | tense | undercover agent | worker | writing

White Heat (1949)

Bo Creel1:35:51 - Bo Creel comes outsideadvance plot | conversing | dark | fugitive | gangster | leading man | murderer | ominous | preparing | stinger | tense | truck | undercover agent | worker | working | yard

White Heat (1949)

Verna (Gum)1:36:15 - Verna spits out her gumadvance plot | conversing | fugitive | gangster | gum | kissing | leading lady | leading man | moll | murderer | preparing | spitting | tense | undercover agent | uneasy | worker | yard

White Heat (1949)

Danger1:36:32 - The gangsters hide in the truckadvance plot | fugitive | gangster | hiding | leading man | murderer | preparing | tense | truck | truck | undercover agent | worker

White Heat (1949)

Truck1:36:45 - The truck engine startsadvance plot | driving | fugitive | gangster | leading man | mickey-mousing | murderer | starting | tense | truck | truck | undercover agent | worker

White Heat (1949)

Agents (Message)1:37:03 - Gas station attendant goes to washroomconversing | gas station | message | mirror | police | radio | tense | transition | worker

White Heat (1949)

Plotting (Faster)1:41:49 - Gangsters enter the buildingaction scene | anxious | arriving | factory | fugitive | gangster | guard | hurrying | leading man | murderer | tense | undercover agent | working

White Heat (1949)

Underscoring (Tense)1:42:42 - Hank looks out the windowaction scene | factory | fugitive | gangster | guard | leading man | murderer | tense | undercover agent | underscoring | working
The Woman in White (1948)The Spring is Coming0:01:37 - A train station cheerful | conversing | establish setting | folk music | leading man | light | train | train station | voice-over | waiting | worker

The Woman in White (1948)

The Carman’s Whistle0:02:16 - Walter asks for directionscalm | directions | establish place | establish setting | establish time | forest | gentle | leading man | Renaissance music | voice-over | walking | worker

The Woman in White (1948)

Balmy Porter1:33:09 - A man locks the gate of the asylumasylum | comedy | comical | key | shuffling | street | walking | worker | working

The Woman in White (1948)

One, Two, Buckle My Shoe1:33:39 - The porter takes keys off of the wallaccompanied source music | asylum | comedy | comical | key | nursery rhyme | on screen music | singing | worker | working

The Woman in White (1948)

Balmy Porter1:33:49 - The porter walks awayasylum | comedy | comical | key | maid | shuffling | walking | worker | working

The Woman in White (1948)

Underscoring (Dark)1:34:10 - A patient in the asylumasylum | comedy | key | ominous | patient | shuffling | underscoring | walking | worker | working

The Woman in White (1948)

One, Two, Buckle My Shoe (Shuffling Around)1:34:17 - The porter continues his workaccompanied source music | asylum | comedy | comical | key | nursery rhyme | on screen music | shuffling | walking | worker | working

The Woman in White (1948)

Ann (Sleeping)1:34:27 - Laura in her bed in the asylumasylum | comedy | dark | key | leading lady | mysterious | patient | sleeping | victim | wife | worker | working

The Woman in White (1948)

Balmy Porter (Minor)1:34:44 - The porter goes to the get the right keyasylum | comedy | comical | hurrying | key | shuffling | walking | worker

The Woman in White (1948)

Balmy Porter1:35:10 - The porter returns to lock the doorasylum | comical | escape | escaping | hiding | hurrying | key | locking | shuffling | sneaking | walking | worker
Hell’s Highway (1932)Hikin' Jerry0:00:14 - Main titles and newspaper headlinescall and response | establish setting | guard | headline | montage | newspaper | opening title sequence | prison | prisoner | singing | solemn | source music | transcribed by ear | working

Hell’s Highway (1932)

John Henry0:06:08 - Men working on a chain gangadvance plot | guard | on-screen music | pentatonic | prison | prisoner | singing | solemn | source music | transcribed by ear | working
Men of America (1932)Italian Folk Song0:32:52 - Tony sings a folk songadvance plot | cheerful | grapes | Italian | on-screen music | singing | source music | working
Sing and Like It (1934)King Kong March0:58:31 - Annie's name in lights9th chord | 11th chord | 13th chord | added-note chord | advance plot | arriving | binary form | boss | common-tone diminished 7th | critic | crowd | dressing room | fanfare | fanfare | gangster | leading lady | lobby | mode mixture | neon lights | parallelism | self-borrowing | singer | street | theater | worker
We're Only Human (1935)Old Lavender (Gentle)0:22:34 - A man scoops up some pasta64 chord | advance plot | altered dominant | buying | detective | food | leading lady | leading man | love interest | ordering | peaceful | pedal tone | reporter | store | worker | working

We're Only Human (1935)

Old Lavender0:22:44 - Packaged-up food9th chord | added-note chord | advance plot | altered dominant | buying | common-chord modulation | detective | direct modulation | food | harmonic sequence | leading lady | leading man | light | love interest | optimistic | ordering | reporter | store | worker | working

We're Only Human (1935)

Old Lavender (Celeste Solo)0:23:14 - Pete and Sally buying foodadvance plot | buying | detective | direct modulation | food | leading lady | leading man | love interest | ordering | peaceful | reporter | store | street | worker | working
The Most Dangerous Game (1932)The Approach (Quasi Mysterioso)0:46:16 - Bob jumps over the creviceaction scene | agitated | jungle | leading lady | leading man | plotting | preparing | tense | trap | victim | working