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19 results for "porch" — see also construction | structure

FilmTheme nameInstanceTags
Flamingo Road (1949)If I Could Be With You (Dolce)0:17:22 - Lane and Field talkconversing | falling in love scene | leading lady | leading man | love interest | pedal tone | police | porch | sentimental | source to score

Flamingo Road (1949)

Goodnight0:17:45 - Lane and Field talkblue note | conversing | falling in love scene | leading lady | leading man | love interest | peaceful | pedal tone | police | porch

Flamingo Road (1949)

Lane (Dolce)0:17:58 - Lane flirts with Fieldfalling in love scene | flirting | leading lady | leading man | love interest | pedal tone | playful | police | porch | sweet

Flamingo Road (1949)

If I Could Be With You (Ethereal)0:18:06 - Lane watches Field drive awaycommon-tone diminished 7th chord | falling in love scene | leading lady | leading man | leaving | love interest | pedal tone | police | porch | sentimental | source to score

Flamingo Road (1949)

Titus 20:18:16 - A newspaper headlinechromatic parallelism | dark | headline | newspaper | politician | porch | self-borrowing | sheriff | throwing | transition | tritone

Flamingo Road (1949)

Lane (Bell-like)0:54:43 - Lane gives Dan some changefragmentation | gentle | giving | leading lady | leading man | love interest | love scene | politician | porch | receiving | sweet

Flamingo Road (1949)

Flamingo Road (Bluesy)0:55:00 - Dan buys some cold drinks9th chord | altered dominant | bluesy | flirting | foreshadowing | leading lady | leading man | love interest | love scene | mode mixture | parallelism | politician | porch | self-borrowing

Flamingo Road (1949)

Flamingo Road (Romantic)0:55:41 - Dan kisses Laneembracing | foreign key modulation | foreshadowing | kissing | leading lady | leading man | love interest | love scene | mode mixture | parallelism | politician | porch | romantic | self-borrowing

Flamingo Road (1949)

Titus1:11:01 - Annabelle leaves Titusadvance plot | conversing | dark | ominous | porch | self-borrowing | sheriff | wife
Hell on Frisco Bay (1955)Steve0:11:11 - Steve knocks on dooradvance plot | arriving | conductor score | investigator | leading man | pleasant | porch | walking

Hell on Frisco Bay (1955)

Amato0:13:04 - Steve talks to manadvance plot | brash | conductor score | conversing | dark | investigator | leading man | ominous | porch
Deep Valley (1947)Joe0:01:29 - A dogcheerful | dog | establish character | friendly | leading lady | mother | opening | porch | room | running | upbeat | waking

Deep Valley (1947)

Homestead (Walking)1:23:47 - Cliff on the porchadvance plot | arriving | calm | convict | father | fugitive | leading lady | leading man | love interest | porch

Deep Valley (1947)

Underscoring (Tense)1:33:08 - The Sheriff talks with Ellieadvance plot | conversing | evidence | mother | ominous | porch | sheriff | stinger | tense

Deep Valley (1947)

Love Theme1:33:30 - A shot of the barnadvance plot | mellow | mother | porch | sheriff | uneasy | walking
Beyond the Forest (1949)Sawmill0:32:53 - The sawmilladvance plot | factory | fire | industrious | leading lady | machinery effect | porch | sulking | watching

Beyond the Forest (1949)

Sawmill + Steam Whistle0:33:06 - Rosa on her porchadvance plot | combination of themes | factory | fire | harsh | industrious | leading lady | machinery effect | porch | sulking | watching | whistle effect

Beyond the Forest (1949)

Sawmill + Rosa0:33:25 - Rosa lies downadvance plot | combination of themes | factory | fire | leading lady | machinery effect | porch | sulking | upset | watching

Beyond the Forest (1949)

Underscoring (Gentle)0:33:36 - A car pulls upadvance plot | gentle | leading lady | porch | sleeping | underscoring | waking