| Beyond the Forest (1949) | Sawmill | 0:32:53 - The sawmill | advance plot | factory | fire | industrious | leading lady | machinery effect | porch | sulking | watching |
Beyond the Forest (1949) | Sawmill + Steam Whistle | 0:33:06 - Rosa on her porch | advance plot | combination of themes | factory | fire | harsh | industrious | leading lady | machinery effect | porch | sulking | watching | whistle effect |
Beyond the Forest (1949) | Sawmill + Rosa | 0:33:25 - Rosa lies down | advance plot | combination of themes | factory | fire | leading lady | machinery effect | porch | sulking | upset | watching |
Beyond the Forest (1949) | Underscoring (Gentle) | 0:33:36 - A car pulls up | advance plot | gentle | leading lady | porch | sleeping | underscoring | waking |
| Deep Valley (1947) | Joe | 0:01:29 - A dog | cheerful | dog | establish character | friendly | leading lady | mother | opening | porch | room | running | upbeat | waking |
Deep Valley (1947) | Homestead (Walking) | 1:23:47 - Cliff on the porch | advance plot | arriving | calm | convict | father | fugitive | leading lady | leading man | love interest | porch |
Deep Valley (1947) | Underscoring (Tense) | 1:33:08 - The Sheriff talks with Ellie | advance plot | conversing | evidence | mother | ominous | porch | sheriff | stinger | tense |
Deep Valley (1947) | Love Theme | 1:33:30 - A shot of the barn | advance plot | mellow | mother | porch | sheriff | uneasy | walking |
| Flamingo Road (1949) | If I Could Be With You (Dolce) | 0:17:22 - Lane and Field talk | conversing | falling in love scene | leading lady | leading man | love interest | pedal tone | police | porch | sentimental | source to score |
Flamingo Road (1949) | Goodnight | 0:17:45 - Lane and Field talk | blue note | conversing | falling in love scene | leading lady | leading man | love interest | peaceful | pedal tone | police | porch |
Flamingo Road (1949) | Lane (Dolce) | 0:17:58 - Lane flirts with Field | falling in love scene | flirting | leading lady | leading man | love interest | pedal tone | playful | police | porch | sweet |
Flamingo Road (1949) | If I Could Be With You (Ethereal) | 0:18:06 - Lane watches Field drive away | common-tone diminished 7th | falling in love scene | leading lady | leading man | leaving | love interest | pedal tone | police | porch | sentimental | source to score |
Flamingo Road (1949) | Titus 2 | 0:18:16 - A newspaper headline | chromatic parallelism | dark | headline | newspaper | politician | porch | self-borrowing | sheriff | throwing | transition | tritone |
Flamingo Road (1949) | Lane (Bell-like) | 0:54:43 - Lane gives Dan some change | fragmentation | gentle | giving | leading lady | leading man | love interest | love scene | politician | porch | receiving | sweet |
Flamingo Road (1949) | Flamingo Road (Bluesy) | 0:55:00 - Dan buys some cold drinks | 9th chord | altered dominant | bluesy | flirting | foreshadowing | leading lady | leading man | love interest | love scene | mode mixture | parallelism | politician | porch | self-borrowing |
Flamingo Road (1949) | Flamingo Road (Romantic) | 0:55:41 - Dan kisses Lane | embracing | foreign key modulation | foreshadowing | kissing | leading lady | leading man | love interest | love scene | mode mixture | parallelism | politician | porch | romantic | self-borrowing |
Flamingo Road (1949) | Titus | 1:11:01 - Annabelle leaves Titus | advance plot | conversing | dark | ominous | porch | self-borrowing | sheriff | wife |
| Hell on Frisco Bay (1955) | Steve | 0:11:11 - Steve knocks on door | advance plot | arriving | conductor score | investigator | leading man | pleasant | porch | walking |
Hell on Frisco Bay (1955) | Amato | 0:13:04 - Steve talks to man | advance plot | brash | conductor score | conversing | dark | investigator | leading man | ominous | porch |
| White Heat (1949) | Underscoring (Dramatic) | 0:42:52 - Big Ed talks to Verna | advance plot | anger | angry | arguing | dramatic | gangster | leading lady | love interest | moll | porch | underscoring |
White Heat (1949) | Moll (Arguing) | 0:43:06 - Verna argues with Big Ed | anger | arguing | gangster | leading lady | love interest | love scene | moll | porch | tense | uneasy |
White Heat (1949) | Verna (Slowly) | 0:43:41 - Verna kisses Big Ed | betrayal | bluesy | gangster | kissing | leading lady | love interest | love scene | moll | mother | porch | romantic | spying | sultry |
Tag Search Results