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49 results for "leaving" — see also departure | escaping | exiting | fleeing

FilmTheme nameInstanceTags
The Amazing Dr. Clitterhouse (1938)Doctor Leaves0:57:38 - Dr. Clitterhouse leavesadvance plot | doctor | door | exiting | gangster | hero | leading lady | leading man | leaving | opening | room | tense
Angels With Dirty Faces (1938)Underscoring (Mysterious)1:09:33 - Jerry throws Rocky's money on the tablegangster | leading man | leaving | money | montage | mysterious | priest | room | turning point
The Big Sleep (1946)Marlowe (Decisive)0:47:04 - Marlowe walks out the dooradvance plot | bold | decisive | leading man | leaving | private eye | room

The Big Sleep (1946)

Carmen (Violent)0:52:58 - Vivian and Carmen leaveblackmailer | conflict | criminal | femme fatale | leading lady | leading man | leaving | mysterious | private eye | room | suspect
Crime School (1938)Underscoring (Gentle)0:49:47 - Mark talks about making this room their homecomedy | gang | gentle | hero | leading man | leaving | reformatory | teasing | teenager | underscoring
Dust Be My Destiny (1939)Dust Be My Destiny0:38:38 - Joe and Mabel walk in opposite directionsconflict | hero | heroine | leaving | road | somber

Dust Be My Destiny (1939)

Dust Be My Destiny (Parting Ways)0:38:56 - Joe and Mabel partconflict | dark | hero | heroine | leaving | road | somber
The Informer (1935)Katie (Hurt)0:06:58 - Katie is upset with Gypo and walks away upsetagitated | chromatic scale | crying | establish character | leading lady | leading man | leaving | street | tritone | upset

The Informer (1935)

The Informer (Suspicion)0:29:47 - Gypo leaves the wakeantagonist | coin | crying | dropping | giving | leading man | leaving | mickey-mousing | money | mourner | pivotal scene | room | Scotch snap | sigh gesture | somber | staring

The Informer (1935)

The Informer (Tranquillo)1:16:35 - Gypo is taken awayantagonist | arresting | authentic cadence | climax | confessing | confession | courtroom | courtroom scene | crying | guilt | headquarters | hero | leading man | leaving | love interest | pleading | remorseful | room | traitor
The Letter (1940)Underscoring (Mysterious)0:04:29 - Leslie leaves the roomhome | leaving | murder scene | mysterious | servant | underscoring

The Letter (1940)

Letter (Sarcastic)0:22:41 - Leslie and Howard leaveadvance plot | chromatic sequence | home | lawyer | leading lady | leaving | mysterious | passionate

The Letter (1940)

Hammond A (Ominous)0:22:58 - Leslie leaves the house and Mrs. Hammond appearsadvance plot | augmentation | call and response | Chinese | dramatic | leading lady | leaving | mysterious | plantation | reveal | shadow | spying | stinger | tense | watching | widow

The Letter (1940)

Mrs. Hammond (Lawyer)0:30:45 - Howard speaks with his secretaryadvance plot | Chinese | lawyer | leaving | mysterious | office | pc set | tritone

The Letter (1940)

Hammond A (Leaving)0:53:20 - Howard and Leslie leave the housefragmentation | lawyer | leading lady | leaving | mysterious | plantation | transition

The Letter (1940)

Hammond A (Screwyoso)0:53:35 - Howard and Leslie walk awaycall and response | lawyer | leading lady | leaving | plantation | tense | transition
Lightning Strikes Twice (1951)Menace (Dark)0:50:38 - Shelly leaves the ranch house and goes to the carheroine | leaving
Mildred Pierce (1945)Mildred (Murder)0:01:59 - Bullet holes in the mirrordark | death | dying | leaving | murder | murder scene | room | somber

Mildred Pierce (1945)

Bert (Triste)0:24:26 - Bert and Mildred separatebreaking up | crying | establish character | heroine | husband | leading lady | leaving | room | somber

Mildred Pierce (1945)

Kay and Veda (Sentimental)0:25:37 - Veda and Kay see their father leavingchild | establish character | interrupting | leaving | packing | sentimental | somber | stopping | street

Mildred Pierce (1945)

Work (Excited)0:42:35 - Mildred and Wally leave excited | excitement | friend | heroine | leading lady | leaving | room | shadow | transition | work

Mildred Pierce (1945)

Bert (Sentimentale)0:48:03 - Mildred watches her children leaveheroine | husband | leading lady | leaving | room | serious | somber | thinking | transition

Mildred Pierce (1945)

Bert (Dark)0:54:14 - Bert and Mildred rush off to see Kaybad news | conversing | dark | death scene | distress | ex-husband | heroine | leading lady | leaving | street | turning point

Mildred Pierce (1945)

It Can’t Be Wrong (Uneasy)1:05:36 - Bert stares angrily at Monteadvance plot | dark | ex-husband | familiar tune | glaring | heroine | leading lady | leaving | love interest | popular music | restaurant | source to score | tense | uneasy

Mildred Pierce (1945)

Mildred (Angry)1:18:21 - Mildred walks out of an argumentaggressive | angry | arriving | conflict | heroine | hurrying | leading lady | leaving | room | walking

Mildred Pierce (1945)

Mildred (Tragic)1:24:04 - Veda watches her daughter leaveangry | ascending | conflict | heroine | leading lady | leaving | mickey-mousing | room | stern

Mildred Pierce (1945)

Mildred (Breakdown)1:47:11 - Mildred tries to start her carclimax | crying | dramatic | emotional | heroine | leading lady | leaving | street

Mildred Pierce (1945)

Kay and Veda (Triste)1:49:37 - Veda is led out by the policeantagonist | conversing | daughter | defeat | detective | heroine | leading lady | leaving | mother | murderer | police station | resigned | resolution | somber

Mildred Pierce (1945)

Mildred (The End)1:50:07 - Mildred leaves with Bertex-husband | heroine | leading lady | leaving | police station | resolution | triumphant
Kid Galahad (1937)Parting0:44:11 - Ward and Nick leave the farmadvance plot | car | driving | farm | leading man | leaving | manager | mother | not by Steiner | parting | sentimental | sister | transcribed by ear
We Are Not Alone (1939)Frohe Botschaft (Crying)0:45:45 - Leni leaves the room crying advance plot | antagonist | boy | child | crying | familiar tune | folk song | fragmentation | German | heroine | home | leaving | mother | quotation | room | sequence | somber | tritone

We Are Not Alone (1939)

Surprise Symphony (Turbulent)0:50:14 - Jessica and David rush off in angerangry | antagonist | classical music | conflict | crying | dark | familiar tune | Haydn | hero | home | husband | leaving | quotation | room | sad | tragic | wife
They Made Me a Criminal (1939)On the Make (Appassionato)1:25:51 - Johnnie says goodbye to Peggyappoggiatura | climax | detective | embracing | kissing | leading lady | leading man | leaving | romantic | room | sentimental | tender
Are These Our Children? (1931)Dreams0:02:11 - Eddie and Mary talkconductor score | establish character | gentle | leading lady | leading man | leaving | lovers | love scene | street | waiting

Are These Our Children? (1931)

Makes You Forget Your Troubles (Moderato)0:27:59 - Eddie walks outsidecheerful | leading man | leaving | source to score | street | transition
Hell on Frisco Bay (1955)Prison Gate0:01:25 - Steve exits the prison gateconductor score | establish character | friend | gate | leading lady | leading man | leaving | prison | serious | walking

Hell on Frisco Bay (1955)

Menace0:04:31 - Steve gets off the busdark | dock | establish setting | friend | investigator | leading man | leaving | menacing | transcribed by ear

Hell on Frisco Bay (1955)

Underscoring (Tense)0:28:03 - The gangsters leaveaction scene | conductor score | conversing | gangster | leading lady | leading man | leaving | room | tense | underscoring

Hell on Frisco Bay (1955)

Hell on Frisco Bay0:28:43 - Marcia talks to Steveaction scene | conductor score | conversing | leading lady | leading man | leaving | room | somber

Hell on Frisco Bay (1955)

Menace 20:28:55 - Marcia reacts to Steve's commentaction scene | conductor score | conversing | leading lady | leading man | leaving | room | upset

Hell on Frisco Bay (1955)

Disappointment0:36:18 - Steve leavesadvance plot | conductor score | dark | disappointed | investigator | leading man | leaving | somber | street

Hell on Frisco Bay (1955)

Kay1:28:35 - Steve leaves with Kaycomforting | gentle | investigator | leading man | leaving | love interest | room | turning point | witness

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:29:23 - Marcia calls the policeagitated | calling | investigator | leading lady | leading man | leaving | love interest | room | turning point | witness
Flamingo Road (1949)If I Could Be With You (Ethereal)0:18:06 - Lane watches Field drive awayfalling in love scene | leading lady | leading man | leaving | love interest | police | porch | sentimental | source to score

Flamingo Road (1949)

Cheatin’ on Me0:19:12 - Lane works at the caféadvance plot | café | leading lady | leading man | leaving | police | source music | upbeat | waitress | working

Flamingo Road (1949)

Titus1:06:35 - Titus leavesadvance plot | dark | leading man | leaving | ominous | politician | room | self-borrowing | sheriff

Flamingo Road (1949)

Agitato (Angry)1:09:25 - Titus leavesadvance plot | agitated | angry | leading man | leaving | politician | sheriff | street | tense | tone cluster

Flamingo Road (1949)

Flamingo Road (Molto Expressivo)1:19:32 - Dan leavesconflict | husband | leading lady | leading man | leaving | politician | room | self-borrowing | tragic | wife

Flamingo Road (1949)

If I Could Be With You (Ecstatic)1:33:37 - Lane walks awayartwork in score | friend | husband | joyous | leading lady | leading man | leaving | prison | resolution | reuniting | romance | The End | thematic transference | triumphant | wife