Key Largo (1948) | Largo Hotel | 0:02:34 - Frank arrives at the Largo hotel | bus | establish setting | hotel | mode change | peaceful | stopping | tense |
Key Largo (1948) | I Gotta Right to Sing the Blues | 0:04:21 - Frank speaks with people in the bar | conversing | establish character | gangster | hotel | jazz | leading man | moll | radio | sentimental | source music |
Key Largo (1948) | Largo Hotel (Quasi Misterioso) | 0:11:00 - Frank and Nora talk in the hotel | conversing | establish character | hotel | leading lady | leading man | mysterious | tense |
Key Largo (1948) | Rocco 2 | 0:11:30 - Frank and Nora talk about Rocco | conversing | establish character | harsh | hotel | leading lady | leading man |
Key Largo (1948) | McCloud | 0:11:41 - Nora talks about her husband George | conversing | establish character | heroic | hotel | leading lady | leading man | memorializing | noble |
Key Largo (1948) | Rocco 2 (Subito) | 0:12:07 - Nora sees Curly | dangerous | establish character | gangster | hotel | leading lady | mysterious | watching |
Key Largo (1948) | McCloud (Misterioso) | 0:12:13 - Nora walks downstairs | establish character | gangster | hotel | leading lady | mysterious | walking | watching |
Key Largo (1948) | Rocco 2 (Molto Misterioso) | 0:12:22 - Curly walks down the hall | dangerous | establish character | gangster | hotel | mysterious | walking | watching |
Key Largo (1948) | Underscoring (Somber) | 0:13:51 - Frank talks with Mr. Temple | advance plot | conversing | father | hotel | leading lady | leading man | prelude | somber | underscoring |
Key Largo (1948) | McCloud (Noble) | 0:14:28 - Frank talks about George and the war | advance plot | death | father | heroic | hotel | leading lady | leading man | memory | noble | remembering | storytelling | war |
Key Largo (1948) | McCloud (Tense) | 0:14:56 - Nora and Frank talk about George | advance plot | agitated | death | father | hotel | leading lady | leading man | memory | mode change | remembering | storytelling | tense | war |
Key Largo (1948) | McCloud (Molto Expressivo) | 0:15:36 - Frank and Mr. Temple talk about George | advance plot | death | father | hotel | leading lady | leading man | memory | remembering | somber | storytelling | tender | war |
Key Largo (1948) | Burial Place | 0:16:11 - Frank talks about George's burial place | advance plot | death | father | hotel | hymn | leading lady | leading man | memory | remembering | somber | storytelling | tender | war |
Key Largo (1948) | McCloud (Bugle Call) + Taps | 0:16:31 - Mr. Temple asks Frank about George's burial place | advance plot | bugle call | combination of themes | death | father | heroic | hotel | leading lady | leading man | memory | noble | remembering | somber | storytelling | taps | war |
Key Largo (1948) | McCloud (Broad) | 0:17:00 - Nora and Frank go outside | advance plot | bright | death | father | hotel | leading lady | leading man | memory | remembering | somber | storytelling | tender | walking | war |
Key Largo (1948) | McCloud (Noble) | 0:21:22 - Nora and Frank talk about her life | advance plot | heroic | hotel | leading lady | leading man | memory | noble | remembering | storytelling |
Key Largo (1948) | Rocco 3 | 0:25:37 - Curly pushes Nora | dangerous | establish character | gangster | gun | hotel | leading man | mysterious | stinger | threatening | violence |
Key Largo (1948) | Rocco | 0:25:46 - Rocco in the bathtub | bathing | boss | establish character | gangster | hotel | menacing | sinister | tremolo |
Key Largo (1948) | Rocco (Tense) | 0:26:13 - Curly talks with Rocco | boss | conversing | dressing | establish character | gangster | hotel | tense | tremolo |
Key Largo (1948) | Tension | 0:26:48 - Rocco slaps bleeding man | boss | establish character | gangster | hostage | hotel | menacing | police | sinister | slapping | violence |
Key Largo (1948) | Rocco 3 (Misterioso) | 0:28:45 - Sawyer starts moaning in the other room | boss | conflict | gangster | gun | hostage | hotel | leading lady | leading man | menacing | mysterious | threatening |
Key Largo (1948) | Tension | 0:28:58 - Sawyer stands up | conflict | gangster | hostage | hotel | menacing | mysterious | police | standing |
Key Largo (1948) | Rocco 3 (Heavily) | 0:29:04 - Sawyer enters the room | conflict | gangster | hostage | hotel | menacing | police | stumbling |
Key Largo (1948) | Rocco 3 (Agitato) | 0:29:15 - Toots trips Sawyer | conflict | falling | gangster | hostage | hotel | menacing | mickey-mousing | police | rolling | tripping |
Key Largo (1948) | Rocco (Cut From Film) | NIF - not in film | boss | conversing | cut from film | cut from film | father | gangster | hostage | hotel | leading lady | leading man |
Key Largo (1948) | Rocco 2 (Cut From Film) | NIF - not in film | boss | conversing | cut from film | cut from film | father | gangster | hostage | hotel | leading lady | leading man |
Key Largo (1948) | Rocco 3 (Cut from Film) | NIF - not in film | boss | conversing | cut from film | cut from film | father | gangster | hostage | hotel | leading lady | leading man |
Key Largo (1948) | Tension | NIF - not in film | boss | conversing | cut from film | cut from film | father | gangster | hostage | hotel | leading lady | leading man |
Key Largo (1948) | Rocco (Tense 2) | NIF - not in film | boss | conversing | cut from film | cut from film | father | gangster | hostage | hotel | leading lady | leading man |
Key Largo (1948) | Rocco 2 (Misterioso) | NIF - not in film | boss | conversing | cut from film | cut from film | father | gangster | hostage | hotel | leading lady | leading man |
Key Largo (1948) | Rocco 3 (Cut From Film 2) | NIF - not in film | boss | conversing | cut from film | cut from film | father | gangster | hostage | hotel | leading lady | leading man |
Key Largo (1948) | McCloud (Cut From Film) | NIF - not in film | boss | conversing | cut from film | cut from film | father | gangster | hostage | hotel | leading lady | leading man |
Key Largo (1948) | Rocco 2 (Slowly) + McCloud (Tritone) | 0:32:57 - McCloud quotes FDR | angry | boss | combination of themes | conflict | conversing | father | gangster | hostage | hotel | leading lady | leading man | mysterious | quoting | stinger |
Key Largo (1948) | Underscoring (Dramatic) | 0:33:17 - Mr. Temple rises to attack Rocco | angry | arguing | attacking | boss | conflict | dramatic | father | gangster | hostage | hotel | laughing | leading lady | leading man | tense | underscoring |
Key Largo (1948) | Falling | 0:33:38 - Mr. Temple falls to the ground | angry | boss | conflict | dramatic | falling | father | gangster | hostage | hotel | landing | leading lady | leading man | mickey-mousing | tense |
Key Largo (1948) | Underscoring (Dramatic) | 0:33:43 - Nora rises to attack Rocco | angry | attacking | boss | conflict | dramatic | father | gangster | hitting | horror | hostage | hotel | kissing | leading lady | leading man | tense | underscoring | violence |
Key Largo (1948) | Rocco 2 | 0:33:53 - Rocco talks to Nora | boss | conflict | dangerous | father | gangster | hostage | hotel | leading lady | leading man | mysterious | threatening |
Key Largo (1948) | McCloud (Tragic) | 0:34:05 - McCloud and Nora help Mr. Temple up | boss | conflict | father | gangster | helping | hostage | hotel | leading lady | leading man | mode change | solemn | somber |
Key Largo (1948) | Rocco 3 | 0:39:45 - Rocco looks at Nora | boss | conflict | creepy | father | gangster | hostage | hotel | leading lady | leading man | mysterious | tense | watching |
Key Largo (1948) | Rocco Whispers | 0:39:53 - Rocco whispers to Nora | boss | conflict | creepy | father | gangster | hostage | hotel | leading lady | leading man | mickey-mousing | mysterious | tense | whispering |
Key Largo (1948) | Rocco 3 | 0:40:06 - Rocco follows Nora | boss | conflict | creepy | father | following | gangster | hostage | hotel | leading lady | leading man | mysterious | tense |
Key Largo (1948) | Rocco Whispers | 0:40:10 - Rocco whispers to Nora | boss | conflict | creepy | father | gangster | hostage | hotel | leading lady | leading man | mickey-mousing | mysterious | tense | whispering |
Key Largo (1948) | Underscoring (Dramatic) | 0:40:21 - Nora spits in Rocco's face | angry | boss | conflict | father | gangster | hostage | hotel | leading lady | leading man | spitting | staring | stinger | underscoring |
Key Largo (1948) | McCloud (Dissonant) | 0:40:25 - McCloud walks over to Nora | angry | boss | conflict | dramatic | father | gangster | hostage | hotel | leading lady | leading man | protecting |
Key Largo (1948) | Rocco 3 (Angry) | 0:40:32 - Rocco gets angry | angry | boss | conflict | dramatic | father | gangster | hostage | hotel | leading lady | leading man | stinger | taunting |
Key Largo (1948) | Rocco 2 (Agitato) | 0:46:26 - Look of horror on Gaye's face | boss | conflict | father | fear | gangster | horror | hostage | hotel | leading lady | leading man | look of horror | moll | stinger | watching |
Key Largo (1948) | Underscoring (Tense) | 0:46:30 - Rocco tells McCloud to shoot him | boss | conflict | conversing | father | gangster | hostage | hotel | leading lady | leading man | moll | tense | underscoring |
Key Largo (1948) | Rocco 3 (Shrill) | 0:46:38 - Rocco mocks McCloud | boss | conflict | dangerous | father | gangster | gun | hostage | hotel | leading lady | leading man | moll | tense | threatening |
Key Largo (1948) | Tension (Violent) | 0:46:44 - McCloud decides whether to shoot | boss | conflict | dangerous | father | gangster | gun | hostage | hotel | leading lady | leading man | moll | tense | threatening | violence | violent |
Key Largo (1948) | Rocco + Tension | 0:46:48 - Rocco's grinning face | boss | combination of themes | conflict | dangerous | father | gangster | gun | hostage | hotel | leading lady | leading man | moll | staring | tense | threatening | violence | violent |
Key Largo (1948) | Rocco 3 + Tension + Laughing | 0:46:53 - Gangsters laugh at McCloud | boss | combination of themes | conflict | dangerous | father | gangster | gun | hostage | hotel | laughing | leading lady | leading man | mocking | moll | tense | violence | violent |
Key Largo (1948) | Tosses gun | 0:47:06 - McCloud tosses the gun onto a chair | boss | conflict | father | gangster | gun | hostage | hotel | leading lady | leading man | mickey-mousing | moll | tense | tossing | violence |
Key Largo (1948) | Rocco 3 (Extended) | 0:47:08 - Mr. Temple asks for the gun | boss | conflict | dangerous | father | gangster | gun | hostage | hotel | leading lady | leading man | moll | staring | tense | threatening | violence | violent |
Key Largo (1948) | McCloud (Triste) | 0:47:23 - Rocco mocks McCloud | boss | conflict | conversing | father | gangster | gun | hostage | hotel | leading lady | leading man | mode change | moll | serious | somber |
Key Largo (1948) | Scrambling | 0:47:31 - Deputy runs for the gun | boss | conflict | dangerous | father | gangster | gun | hostage | hotel | leading lady | leading man | mickey-mousing | moll | running | scrambling | tense | violent |
Key Largo (1948) | Rocco (Conflict) | 0:47:39 - Gaye looks terrified | boss | conflict | danger | father | fear | gangster | gun | horror | hostage | hotel | leading lady | leading man | look of horror | moll | staring | stinger | threatening | violence |
Key Largo (1948) | Underscoring (Dramatic) | 0:48:10 - Rocco shoots Deputy Sawyer | boss | conflict | death | dramatic | father | fear | gangster | gun | gunshot | horror | hostage | hotel | leading lady | leading man | look of horror | moll | shooting | stinger | tense |
Key Largo (1948) | Falling and dying | 0:48:19 - Deputy Sawyer falls dead off-screen | boss | conflict | death | dramatic | dying | falling | father | gangster | gun | gunshot | hostage | hotel | leading lady | leading man | mickey-mousing | moll | tense |
Key Largo (1948) | Ominous | 0:51:32 - Lights begin to go out in the hotel | boss | conversing | dark | develop character | father | gangster | hostage | hotel | leading lady | leading man | menacing | moll | ominous | preparing | storm | tense |
Key Largo (1948) | Gaye | 0:52:06 - Gaye awkwardly walks past Rocco | awkward | bluesy | boss | develop character | gangster | hotel | jazz | moll | sultry | walking |
Key Largo (1948) | Gaye Pours a Drink | 0:52:16 - Gaye pours herself a drink | alcohol | bluesy | boss | develop character | gangster | hotel | jazzy | moll | obsessive | pouring | shaking | sultry |
Key Largo (1948) | Alcohol Denial | 0:52:29 - Rocco tells Gaye she can't drink | alcohol | boss | denying | develop character | disappointed | gangster | hotel | moll |
Key Largo (1948) | Expressivo | 0:52:37 - Mr. Temple is helped down the stairs | advance plot | boss | father | gangster | gentle | helping | hostage | hotel | leading lady | leading man | noble | stairs |
Key Largo (1948) | Rocco 2 (Menacing) | 0:52:59 - Rocco stares at McCloud and Nora | advance plot | boss | dark | father | gangster | hostage | hotel | leading lady | leading man | menacing | staring |
Key Largo (1948) | Moanin’ Low | 0:56:55 - Gaye sings "Moanin' Low" | awkward | blues | bluesy | boss | develop character | father | gangster | hostage | hotel | leading lady | leading man | moll | nervous | on-screen music | singer | singing | source music |
Key Largo (1948) | Moanin’ Low (Quasi Appassionato) | 0:58:38 - McCloud gets a drink for Gaye | alcohol | bluesy | boss | crying | develop character | familiar tune | father | gangster | helping | hostage | hotel | leading lady | leading man | moll | somber | source to score |
Key Largo (1948) | Moanin’ Low (Tense) | 0:59:24 - Gaye takes a drink | alcohol | boss | develop character | drinking | familiar tune | father | gangster | hostage | hotel | leading lady | leading man | moll | slapping | tense | whole-tone |
Key Largo (1948) | Underscoring (Tense) | 0:59:37 - McCloud and Gaye exchange glances | boss | develop character | father | gangster | hostage | hotel | leading lady | leading man | moll | staring | tense | underscoring |
Key Largo (1948) | Rocco Pacing | 1:02:01 - Rocco paces back and forth | boss | develop character | father | gangster | hostage | hotel | leading lady | leading man | moll | nervous | ominous | pacing | sinister | walking |
Key Largo (1948) | Rocco 3 (Nervous) | 1:02:52 - Rocco yells at Gaye | arguing | boss | dark | develop character | father | gangster | hostage | hotel | leading lady | leading man | menacing | moll |
Key Largo (1948) | McCloud (Molto Expressivo) | 1:07:31 - McCloud wakes Nora after the storm | conversing | gentle | hotel | leading lady | leading man | love interest | love scene | resting | romance | waking | warm |
Key Largo (1948) | McCloud (Delicato) | 1:08:14 - McCloud talks with Nora | conversing | delicate | father | gentle | hotel | leading lady | leading man | love interest | love scene | warm |
Key Largo (1948) | Rocco (Agitato) | 1:08:53 - Gangsters see that their boat is missing | advance plot | angry | announcing | boss | danger | discovering | gangster | hotel | stinger | tense | violent |
Key Largo (1948) | Rocco 2 (Misterioso) | 1:13:37 - The sheriff leaves | boss | conflict | gangster | hotel | lying | menacing | police |
Key Largo (1948) | Sheriff Leaves | 1:13:51 - Rocco waits for the sheriff to leave | boss | conflict | deception | gangster | hotel | leaving | nervous | police | tense |
Key Largo (1948) | Rocco 2 (Dead Body) | 1:14:20 - Sheriff discovers the dead body | alarmed | conflict | corpse | discovering | horror | hotel | mickey-mousing | murder | police | rolling |
Key Largo (1948) | Underscoring (Dramatic) | 1:14:48 - Sheriff finds out that it is Sawyer | conflict | corpse | discovering | dramatic | hotel | murder | realizing | sheriff | tense | underscoring |
Key Largo (1948) | Underscoring (Tense) | 1:16:54 - Close-ups on McCloud and Rocco | boss | gangster | hotel | investigation scene | leading man | staring | tense | underscoring |
Key Largo (1948) | Rocco 3 | 1:17:07 - Sheriff questions Rocco | boss | gangster | hotel | investigation scene | menacing | police | questioning |
Key Largo (1948) | Rocco | 1:17:15 - Sheriff questions Rocco | boss | gangster | hotel | investigation scene | menacing | police | questioning | tense |
Key Largo (1948) | Rocco 3 | 1:17:30 - Sheriff questions Curly | gangster | hotel | investigation scene | menacing | police | questioning |
Key Largo (1948) | McCloud (Somber) | 1:17:43 - Sheriff questions McCloud | determined | hotel | investigation scene | leading man | police | questioning | somber |
Key Largo (1948) | Rocco 3 (Tense) | 1:17:52 - Sheriff questions gangster | gangster | hotel | investigation scene | police | questioning | tense |
Key Largo (1948) | Underscoring (Tense) | 1:18:21 - Sheriff leaves | boss | gangster | hotel | investigation scene | police | questioning | tense | underscoring |
Key Largo (1948) | Rocco 2 | 1:18:34 - The policemen takes Sawyer's body | boss | gangster | hotel | investigation scene | menacing | police | tense | violent | watching |
Key Largo (1948) | Underscoring (Tense) | 1:18:47 - They all walk to another room | boss | father | gangster | hostage | hotel | investigation scene | leading lady | leading man | moll | obeying | tense | underscoring |
Key Largo (1948) | Rocco (Tense) | 1:19:02 - Rocco welcomes new gangsters | boss | conversing | friend | gangster | greeting | hotel | investigation scene | laughing | tense | underscoring |
Key Largo (1948) | Underscoring (Tense) | 1:20:19 - Rocco speaks with Ziggy | advance plot | boss | gangster | giving | hotel | tense | underscoring |
Key Largo (1948) | Rocco 2 (Counterfeit Money) | 1:20:36 - Gangster examines the counterfeit money | advance plot | boss | gangster | hotel | money | mysterious | observing |
Key Largo (1948) | Rocco 3 (Counterfeit Money) | 1:20:45 - Gangster examines the counterfeit money | advance plot | boss | gangster | hotel | money | mysterious | observing |
Key Largo (1948) | Rocco (Heavily) | 1:21:28 - Gangsters handle the counterfeit money | advance plot | brash | gangster | hotel | money | observing | tense | villain |
Key Largo (1948) | Rocco 3 | 1:24:03 - Rocco approaches Nora | advance plot | boss | conversing | father | gangster | hotel | tense | violent |
Key Largo (1948) | Rocco Whispers | 1:24:08 - Rocco whispers in Nora's ear | advance plot | boss | gangster | hotel | leading lady | mysterious | tense | whispering |
Key Largo (1948) | McCloud (Slowly) | 1:24:14 - McCloud and Nora exchange glances | advance plot | hotel | leading lady | leading man | looking | love interest | somber |
Key Largo (1948) | Walking | 1:24:21 - Gangsters go down the stairs | advance plot | gangster | hotel | mickey-mousing | tense | walking |
Key Largo (1948) | Rocco (Packing Up) | 1:24:28 - Gangsters pack up their things | advance plot | boss | gangster | hotel | leaving | packing | preparing | tense |
Key Largo (1948) | Underscoring (Tense) | 1:24:37 - Gaye watches Rocco | advance plot | boss | gangster | hotel | leaving | mysterious | packing | preparing | tense | underscoring |
Key Largo (1948) | Moanin’ Low (Appassionato) | 1:25:01 - Gaye pleads for Rocco to take her along | advance plot | boss | deceiving | deception | desperate | desperation | familiar tune | gangster | hotel | moll | pleading | sentimental |
Key Largo (1948) | Moanin’ Low (Ominous) | 1:25:21 - Gaye hands Rocco's gun to McCloud | advance plot | boss | deceiving | deception | familiar tune | gangster | gun | hotel | moll | ominous | tense |
Key Largo (1948) | Rocco (Leaving) | 1:25:33 - Gangsters leave the hotel with McCloud | advance plot | boss | father | gangster | hostage | hotel | leading lady | leading man | leaving | moll | ominous | walking |
Key Largo (1948) | Underscoring (Somber) | 1:27:42 - Nora and Gaye enter the hotel | advance plot | conversing | hotel | leading lady | moll | somber | underscoring | walking |
Key Largo (1948) | McCloud (Tense) | 1:27:56 - Mr. Temple tries to make a phone call | advance plot | conversing | father | hotel | leading lady | moll | somber |
Key Largo (1948) | Moanin’ Low (Triste) | 1:38:30 - Gaye leaves | familiar tune | father | hotel | leading lady | moll | resolution | somber | thinking | waiting |
Key Largo (1948) | Relief | 1:38:40 - Nora answers the phone | answering | hopeful | hotel | leading lady | leading man | relieved | resolution | telephone |
Key Largo (1948) | McCloud (Tenderly) | 1:39:12 - Nora tells her father the good news | father | hopeful | hoping | hotel | leading lady | light | opening | relieved | resolution | sunlight | thinking | window |
Kid Galahad (1937) | Doublecross | 1:15:33 - Nick reads a newspaper headline | advance plot | driving | hotel | manager | newspaper | not by Steiner | passionate | reading | sequence | transcribed by ear |
Traveling Husbands (1931) | Someone | 0:16:31 - Music is played in a hotel ballroom | advance plot | cheerful | dancing | hotel | leading lady | popular song | salesman | source music | transcribed by ear |
The Unfaithful (1947) | Unfaithful (Triste) | 1:13:36 - Bob slowly walks away from the apartment | dirge | heartbroken | hotel | husband | ostinato | polychord | sad | somber | transition | walking |
Beyond the Forest (1949) | Chicago (City) | 0:44:28 - Downtown Chicago | arriving | bright | calling | calm | city | familiar tune | hotel | leading lady | phone book | popular tune | telephone | transition | traveling |
Beyond the Forest (1949) | Rosa (Telephone) | 0:44:52 - Rosa makes a phone call | advance plot | calling | hotel | leading lady | mysterious | telephone | telephone effect |
Beyond the Forest (1949) | Underscoring (Gentle) | 0:45:21 - Rosa sits down | advance plot | gentle | hotel | leading lady | underscoring | waiting |
Beyond the Forest (1949) | Rosa (Moderato 2) | 0:45:30 - Rosa in her hotel room | advance plot | calling | hotel | leading lady | somber | telephone | waiting | worrisome |