All This, and Heaven Too (1940) | Henriette (Carriage) | 0:46:53 - Horses pulling a carriage | carriage | child | conversing | governess | horse | leading lady | mickey-mousing | pleasant | riding | street | traveling scene | trotting | upbeat |
The Breaking Point (1950) | First Call | 1:15:04 - Sign for a horse race | crowd | horse | race track | source music | transition | upbeat |
The FBI Story (1959) | Federales (Galloping) | 1:57:29 - South American federal police gallop to chase after the men | agent | flashback | galloping | horse | mickey-mousing | Spanish music |
Lightning Strikes Twice (1951) | Shelly (Gallop 1) | 0:40:52 - Shelly riding on a horse | galloping | heroine | horse |
Lightning Strikes Twice (1951) | Shelly (Gallop 2) | 0:42:19 - Shelly gallops out to where Trev is | galloping | heroine | horse |
The Life of Vergie Winters (1934) | Everybody's Doing It Now | 0:03:48 - Horses and buggies in a small town street | altered dominant | buggy | common-tone diminished 7th | deceptive resolution | driving | establish setting | establish time | horse | playful | popular song | riding | street |
We Are Not Alone (1939) | Surprise Symphony (Galloping) | 0:32:07 - David arrives in a carriage | carriage | classical music | familiar tune | galloping | happy | Haydn | hero | horse | quotation | street | transition | traveling |
Men of America (1932) | Cimarron C | 0:01:08 - Smokey Joe fights the Indians | ambush | common-chord modulation | cowboy | establish character | establish setting | fanfare | gun | gunshot | horse | Indian | leading man | noble | parallel double period | prairie | riding | self-borrowing | shooting | stagecoach | title card | transcribed by ear |
Men of America (1932) | Cimarron B (Transition) | 0:02:19 - Smokey Joe fights the Indians | ambush | chromatic mediant | cowboy | dramatic | establish character | establish setting | fragmentation | gun | gunshot | horse | Indian | leading man | prairie | riding | self-borrowing | shooting | stagecoach | tense | title card | transcribed by ear |