Tag Search

582 results for "mysterious" in 44 films — see also ominous | secret

Film	Theme name	Instance	Tags
All This, and Heaven Too (1940)	Henriette (Proud)	0:08:21 - Mr. Field encourages Henriette	added-note chord \| deceptive resolution \| establish character \| hopeful \| leading lady \| minister \| mode mixture \| mysterious \| pedal tone \| principal \| reassuring \| reverse picardy \| school \| student \| teacher
All This, and Heaven Too (1940)	Henriette (Lento)	0:10:20 - Henriette on a ship	boat \| dissonant bass \| flashback \| foreign key modulation \| hopeful \| leading lady \| mysterious \| pedal tone \| storytelling \| tense \| traveling
All This, and Heaven Too (1940)	Ascending	0:13:37 - Henriette meets the caretaker	altered dominant \| caretaker \| conversing \| half-diminished 7th chord \| leading lady \| mysterious \| street \| transition \| underscoring
All This, and Heaven Too (1940)	The Duke (Quasi Mysterioso)	0:14:49 - Henriette hears the Duke and Duchess arguing	arriving \| butler \| common-chord modulation \| deceptive resolution \| duchess \| duke \| establish setting \| interrupting \| leading lady \| leading man \| mysterious \| room \| tense
All This, and Heaven Too (1940)	Raynald (Mysterioso)	0:44:22 - Raynald talks with Henriette	advance plot \| child \| conversing \| courtyard \| deceptive resolution \| duke \| governess \| happy \| leading lady \| leading man \| mysterious
All This, and Heaven Too (1940)	Underscoring (Mysterious)	0:46:43 - The Duchess stares at Henriette	chromatic wedge \| conversing \| duchess \| governess \| leading lady \| linear chromaticism \| mysterious \| pc set \| room \| transition \| underscoring
All This, and Heaven Too (1940)	Henriette (Mysterioso)	0:56:02 - A newspaper clipping	advance plot \| gossiper \| gossiping \| half-diminished 7th chord \| mysterious \| newspaper \| room \| tense
All This, and Heaven Too (1940)	Underscoring (Mysterious)	0:56:57 - The Duchess enters	advance plot \| child \| conversing \| governess \| half-diminished 7th chord \| leading lady \| maid \| mysterious \| room \| tense \| trouble \| underscoring
All This, and Heaven Too (1940)	Henriette (Gossiping) + Spring Time (Gossiping)	1:47:25 - Henriette's landlady talks to the Duke	awkward \| child \| combination of themes \| common-tone diminished 7th \| diminished 7th chord \| duke \| gossiper \| gossiping \| landlady \| leading lady \| leading man \| mysterious \| parallelism \| pedal tone \| reunion scene \| room \| somber \| tense \| watching
All This, and Heaven Too (1940)	Desperation (Mysterioso)	2:17:47 - Henriette narrates her story	child \| fragmentation \| leading lady \| mysterious \| resolution \| school \| storytelling \| student \| teacher \| tense
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor	0:20:05 - Dr. Clitterhouse enters Hotel Sequin	42 chord \| advance plot \| chromatic parallelism \| dark \| dissonant bass \| doctor \| half-diminished 7th chord \| leading man \| lobby \| mysterious \| quartal chord \| sign \| thief \| walking
The Amazing Dr. Clitterhouse (1938)	How Dry I Am	0:20:16 - People in a hotel lobby	advance plot \| dark \| gangster \| lobby \| mysterious \| on-screen music \| scored source music \| whistling
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor (Meeting)	0:21:30 - Dr. Clitterhouse is taken upstairs	64 chord \| advance plot \| chromatic parallelism \| conversing \| doctor \| fragmentation \| gangster \| leading man \| lobby \| mysterious \| pedal tone \| sequence \| thief
The Amazing Dr. Clitterhouse (1938)	The Fur Store	0:44:20 - Truck arrives at the United Fur Co.	chromatic parallelism \| darkness \| half-diminished 7th chord \| mysterious \| pedal tone \| store \| street \| suspenseful \| transition \| truck
The Amazing Dr. Clitterhouse (1938)	Night Watchman	0:44:29 - Watchman arrives at the store	darkness \| dissonant bass \| flashlight \| guard \| half-diminished 7th chord \| keys \| mysterious \| opening \| robbery \| store \| suspenseful \| walking \| working
The Amazing Dr. Clitterhouse (1938)	Walking	0:44:39 - The watchman walks	augmented sixth chord \| darkness \| flashlight \| guard \| half-diminished 7th chord \| mickey-mousing \| mysterious \| robbery \| store \| suspenseful \| walking \| working
The Amazing Dr. Clitterhouse (1938)	Turning on light	0:44:51 - The watchman turns on a light	augmented sixth chord \| guard \| lamp \| light \| light \| mickey-mousing \| mysterious \| robbery \| store \| suspenseful \| turning on
The Amazing Dr. Clitterhouse (1938)	Night Watchman (Light and Shadow)	0:44:51 - The watchman goes about his work	augmented sixth chord \| criminal \| flashlight \| gangster \| guard \| mysterious \| robbery \| shadow \| store \| suspenseful \| walking \| working
The Amazing Dr. Clitterhouse (1938)	Night Watchman (Knocked Out)	0:45:04 - Watchman knocked out on the floor	9th chord \| chromatic parallelism \| crime \| criminal \| diminished 7th chord \| gangster \| guard \| mysterious \| robbery \| stealing \| store \| thief
The Amazing Dr. Clitterhouse (1938)	Underscoring (Mysterious)	0:45:26 - Criminals on the rooftop	42 chord \| carrying \| chromatic parallelism \| chromatic scale \| crime \| criminal \| dissonant bass \| gangster \| half-diminished 7th chord \| mysterious \| robbery \| rooftop \| sneaking \| sneaky \| stairs \| stealing \| thief \| tossing \| underscoring \| walking \| whole-tone
The Amazing Dr. Clitterhouse (1938)	Tossing bags	0:45:31 - Criminals toss bags of furs off of the roof	bag \| crime \| criminal \| gangster \| mickey-mousing \| mysterious \| robbery \| rooftop \| sneaky \| thief \| tossing
The Amazing Dr. Clitterhouse (1938)	Spiraling down	0:47:38 - Doctor goes down the stairs	9th chord \| criminal \| descending \| diminished 7th chord \| doctor \| gangster \| leading man \| mickey-mousing \| mysterious \| robbery \| spiraling \| store \| tense \| thief \| walking
The Amazing Dr. Clitterhouse (1938)	Underscoring (Mysterious)	0:57:58 - Dr. Clitterhouse talks with Jo	conversing \| doctor \| gangster \| leading lady \| leading man \| love scene \| mysterious \| room \| tense
The Amazing Dr. Clitterhouse (1938)	The Poison Victim	1:07:50 - Rocks is poisoned	dissonant \| doctor \| gangster \| leading lady \| leading man \| murder \| murderer \| murdering \| murder scene \| mysterious \| office \| parallel fifths \| poison \| poisoning \| quartal chord \| tense \| tone cluster \| tritone
Angels With Dirty Faces (1938)	The Gangster (Headlines)	0:07:21 - Newspaper headline	dark \| establish character \| headline \| main title \| montage \| mysterious \| newspaper \| octatonic scale \| pedal tone \| street
Angels With Dirty Faces (1938)	Underscoring (Mysterious)	0:07:26 - Rocky talks with his lawyer	advance plot \| conversing \| dark \| dissonant bass \| gangster \| lawyer \| leading man \| mysterious \| prison \| prisoner \| underscoring
Angels With Dirty Faces (1938)	Car slowing down	0:42:10 - Car slows down	advance plot \| arriving \| car \| gangster \| garage \| lawyer \| linear chromaticism \| mysterious \| sequence \| slowing \| stopping
Angels With Dirty Faces (1938)	Sanctus (Mysterioso)	1:05:33 - Jerry looks at note from Rocky	advance plot \| charity \| classical music \| common-chord modulation \| friendship \| leading man \| letter \| mode mixture \| money \| mysterious \| pedal tone \| priest \| room \| sacred \| source to score \| thinking
Angels With Dirty Faces (1938)	Underscoring (Mysterious)	1:05:58 - Jerry goes to meet Rocky	advance plot \| arriving \| gangster \| leading man \| mickey-mousing \| mysterious \| pedal tone \| priest \| room \| underscoring \| waiting
Angels With Dirty Faces (1938)	Underscoring (Mysterious)	1:09:33 - Jerry leaves	42 chord \| gangster \| leading man \| leaving \| money \| montage \| mysterious \| priest \| room \| turning point
Angels With Dirty Faces (1938)	Tossing money	1:09:33 - Jerry throws Rocky's money on the table	42 chord \| gangster \| leading man \| mickey-mousing \| money \| mysterious \| priest \| room \| tossing \| turning point
Angels With Dirty Faces (1938)	Jerry (Hostage)	1:25:07 - Rocky pushes Jerry	augmented sixth chord \| conflict \| double-cross \| gangster \| hostage \| leading man \| mysterious \| priest \| pushing \| street \| tense
Are These Our Children? (1931)	Dreams + Makes You Forget Your Troubles (Allegro)	NIF - not in film	cut from film \| mysterious \| octatonic \| somber \| whole-tone chord \| whole-tone scale
Are These Our Children? (1931)	Introduction	0:24:14 - Boys in the washroom	advance plot \| conversing \| dance hall \| friend \| leading man \| mysterious \| transcribed by ear
Are These Our Children? (1931)	Dreams (Risoluto)	0:48:55 - Newspaper headlines	double exposure \| fragmentation \| headline \| montage \| mysterious \| newspaper \| sequential modulation \| spinning \| tense \| thematic transformation
Are These Our Children? (1931)	Dreams (Transition 9)	NIF - not in film	9th chord \| altered dominant \| cut from film \| dark \| mysterious \| pc set \| tragic \| whole-tone \| whole-tone chord
Arsenic and Old Lace (1944)	Sidewalks of New York (Misterioso)	0:01:10 - New York City	64 chord \| added-note chord \| card \| city \| establish place \| familiar tune \| mysterious \| New York City \| opening title sequence \| tense
Arsenic and Old Lace (1944)	Happy Land (Lento)	0:12:31 - The aunts talk	advance plot \| aunt \| brother \| conversing \| crazy person \| familiar tune \| foreign key modulation \| gentle \| leading lady \| mysterious \| plotting \| room \| sequence \| tender \| whole-tone chord \| whole-tone scale
Arsenic and Old Lace (1944)	Wind blowing	0:13:48 - Wind blows the curtains at the window	advance plot \| aunt \| blowing \| chromatic parallelism \| leading lady \| looking \| mysterious \| room \| wind \| wind effect
Arsenic and Old Lace (1944)	Underscoring (Mysterious)	0:14:51 - Mortimer flirts with Elaine	bride \| cemetery \| conversing \| flirting \| groom \| leading lady \| leading man \| love \| love scene \| mysterious \| underscoring \| whole-tone chord
Arsenic and Old Lace (1944)	The Aunts (Frightened)	0:39:58 - The aunts see shadows at the door	augmentation \| aunt \| conversing \| crazy person \| dark \| establish character \| fear \| foreign key modulation \| fragmentation \| knocking \| leading lady \| murderer \| mysterious \| Neapolitan \| ominous \| parallel 63s \| pedal tone \| room \| shadow \| whispering
Arsenic and Old Lace (1944)	Scar (Misterioso)	0:41:31 - They see the food	brother \| conversing \| crazy person \| criminal \| doctor \| establish character \| leading man \| mysterious \| observing \| pc set \| polychord \| room
Arsenic and Old Lace (1944)	Home Sweet Home (Expressivo) + Scar	0:41:42 - Abby talks to Jonathan	altered dominant \| augmented triad \| aunt \| brother \| combination of themes \| conversing \| convincing \| crazy person \| criminal \| distortion \| doctor \| establish character \| expressive \| familiar tune \| leading lady \| leading man \| murderer \| mysterious \| ominous \| room
Arsenic and Old Lace (1944)	Underscoring (Tense)	0:42:08 - Jonathan talks to the aunts	aunt \| brother \| conversing \| crazy person \| criminal \| doctor \| establish character \| leading lady \| leading man \| murderer \| mysterious \| parallelism \| room \| tense \| underscoring
Arsenic and Old Lace (1944)	Scar (Face)	0:42:29 - Jonathan talks about his scar	augmented triad \| aunt \| brother \| chromatic parallelism \| conversing \| crazy person \| criminal \| doctor \| establish character \| fragmentation \| leading lady \| leading man \| murderer \| mysterious \| pc set \| polychord \| room \| scar \| tense
Arsenic and Old Lace (1944)	Mysterioso Pizzicato	0:42:41 - Martha talks about scary movies	aunt \| brother \| conversing \| crazy person \| criminal \| dissonant bass \| doctor \| establish character \| familiar tune \| leading lady \| leading man \| murderer \| mysterious \| room \| scar \| silent film music
Arsenic and Old Lace (1944)	The Aunts (Frightened)	0:44:00 - The aunts go into the kitchen	augmentation \| aunt \| brother \| conversing \| crazy person \| criminal \| doctor \| establish character \| fear \| foreign key modulation \| fragmentation \| leading lady \| leading man \| murderer \| mysterious \| Neapolitan \| ominous \| parallel 63s \| pedal tone \| room \| walking \| watching
Arsenic and Old Lace (1944)	The Aunts (Frightened)	0:45:22 - The aunts peek through the kitchen window	aunt \| brother \| conversing \| crazy person \| criminal \| doctor \| establish character \| face \| fear \| leading lady \| leading man \| murderer \| mysterious \| Neapolitan \| ominous \| parallel 63s \| pedal tone \| room \| snooping \| watching
Arsenic and Old Lace (1944)	Wind blowing 2	0:52:32 - The aunts walk to the window	advance plot \| aunt \| blowing \| chromatic parallelism \| crazy person \| half-diminished 7th chord \| leading lady \| looking \| murderer \| mysterious \| room \| wind \| wind effect \| window
Arsenic and Old Lace (1944)	Underscoring (Mysterious)	0:54:01 - Aunt Abby goes up the stairs	advance plot \| aunt \| brother \| crazy person \| darkness \| intimidating \| leading lady \| leading man \| murderer \| mysterious \| room \| silhouette \| staring \| underscoring
Arsenic and Old Lace (1944)	The Aunts (Molto Misterioso)	0:54:12 - Aunt Abby faces Jonathan	advance plot \| aunt \| brother \| crazy person \| darkness \| foreign key modulation \| fragmentation \| intimidating \| leading lady \| leading man \| murderer \| mysterious \| parallel 63s \| pedal tone \| room \| staring \| walking
Arsenic and Old Lace (1944)	Underscoring (Tense)	0:54:30 - Jonathan goes up the stairs	advance plot \| brother \| crazy person \| darkness \| leading man \| murderer \| mysterious \| room \| sneaking \| tense \| tone cluster \| underscoring \| walking
Arsenic and Old Lace (1944)	Happy Land (Dirge)	0:54:54 - Teddy looks for the body in the dark	advance plot \| brother \| corpse \| crazy person \| creaking \| darkness \| dirge \| familiar tune \| mysterious \| opening \| pc set \| room \| sneaking \| tense \| walking \| whole-tone chord
Arsenic and Old Lace (1944)	Jonathan 2 (Dark)	0:57:04 - Jonathan exits	advance plot \| brother \| chromatic scale \| chromatic wedge \| conversing \| crazy person \| dark \| darkness \| dissonant bass \| doctor \| falling \| leading man \| murderer \| mysterious \| pc set \| polychord \| room \| stinger
Arsenic and Old Lace (1944)	How Dry I Am (Mysterious)	1:32:25 - Einstein and Jonathan start to drink the wine	alcohol \| brother \| captive \| conflict \| crazy person \| doctor \| drinking \| familiar tune \| fear \| leading man \| murderer \| mysterious \| polychord \| room \| victim \| whole-tone chord
Arsenic and Old Lace (1944)	Underscoring (Tense)	1:32:35 - They toast to Mortimer	alcohol \| brother \| captive \| clinking \| conflict \| crazy person \| doctor \| fear \| glass effect \| leading man \| murderer \| mysterious \| pc set \| polychord \| room \| tense \| toasting \| underscoring \| victim
Beyond the Forest (1949)	Loyalton	0:01:49 - The town of Loyalton, Wisconsin	city \| establish setting \| mysterious \| street \| voice-over
Beyond the Forest (1949)	Train	0:03:12 - A departing train	departing \| establish setting \| mysterious \| tense \| train \| train effect \| train station \| voice-over
Beyond the Forest (1949)	Train + Chicago	0:03:20 - A departing train	accompanied dialogue \| combination of themes \| departing \| establish setting \| familiar tune \| mysterious \| popular tune \| tense \| train \| train effect \| train station \| voice-over
Beyond the Forest (1949)	Rosa (Molto Moderato Misterioso)	0:04:33 - People in a courthouse	courtroom \| crowd \| establish setting \| juror \| mysterious \| stinger \| trial \| voice-over \| waiting \| watching
Beyond the Forest (1949)	Underscoring (Mysterious)	0:05:09 - A fish in a stream	countryside \| doctor \| establish setting \| fish \| fishing \| flashback \| leading man \| mysterious \| underscoring \| voice-over
Beyond the Forest (1949)	Underscoring (Mysterious)	0:14:31 - Rosa grabs the key	advance plot \| cabin \| friend \| key \| leading lady \| mysterious \| underscoring \| walking \| wife
Beyond the Forest (1949)	Running	0:14:40 - Rosa runs to the lodge	advance plot \| leading lady \| mickey-mousing \| mysterious \| ominous \| outside \| running \| wife
Beyond the Forest (1949)	Underscoring (Mysterious)	0:30:40 - Rosa reacts to her mail	advance plot \| crumpling \| leading lady \| mail \| mysterious \| post office \| reading \| underscoring
Beyond the Forest (1949)	Rosa (Molto Misterioso)	0:41:50 - Rosa smokes in bed	advance plot \| bedroom \| contemplating \| leading lady \| leading man \| mysterious \| smoking \| wife
Beyond the Forest (1949)	Running (Quasi Misterioso)	0:42:06 - Rosa looks through the account book	advance plot \| leading lady \| mysterious \| ominous \| reading \| room \| wife \| writing
Beyond the Forest (1949)	Rosa (Telephone)	0:44:52 - Rosa makes a phone call	advance plot \| calling \| hotel \| leading lady \| mysterious \| telephone \| telephone effect
Beyond the Forest (1949)	Rosa (Misterioso)	1:09:23 - Rosa looks through the binoculars	anger \| binoculars \| forest \| friend \| hunting \| husband \| leading lady \| leading man \| looking \| murder scene \| mysterious \| ominous \| tense \| victim
Beyond the Forest (1949)	Underscoring (Mysterious)	1:16:20 - Rosa stares out the window	advance plot \| departing \| leading lady \| maid \| murderer \| mysterious \| plotting \| room \| street \| underscoring \| walking \| watching
Beyond the Forest (1949)	Running (A Little Heavier)	1:16:28 - Rosa heads downstairs	advance plot \| hurrying \| leading lady \| murderer \| mysterious \| plotting \| room \| tense
Beyond the Forest (1949)	Rosa (On the Run)	1:17:21 - Rosa approaches a bus	advance plot \| bus \| disguise \| doctor \| leading lady \| leading man \| murderer \| mysterious \| office \| patient \| runaway \| running away \| sneaking \| street \| watching
Beyond the Forest (1949)	Rosa (Sombre)	1:17:53 - Lewis talks to a patient	advance plot \| conversing \| doctor \| leading man \| mysterious \| office \| patient \| working
Beyond the Forest (1949)	Rosa (Cello Solo)	1:18:09 - Rosa sitting in a chair	advance plot \| disguise \| leading lady \| leading man \| murderer \| mysterious \| office \| sitting
The Big Sleep (1946)	Walking	0:01:26 - Carmen walks down the stairs	arriving \| daughter \| deceptive resolution \| descending \| establish character \| femme fatale \| leading man \| mysterious \| parallelism \| pedal tone \| private eye \| room \| walking
The Big Sleep (1946)	Marlowe (Sly)	0:02:12 - Marlowe and Carmen talk	daughter \| establish character \| femme fatale \| flirting \| leading man \| mysterious \| private eye \| room
The Big Sleep (1946)	Carmen	0:02:21 - Carmen in Marlowe's arms	daughter \| establish character \| femme fatale \| flirting \| half-diminished 7th chord \| leading man \| mysterious \| oscillation \| private eye \| room \| whole-tone chord
The Big Sleep (1946)	Walking	0:13:02 - Marlowe leaves the mansion	butler \| leading man \| mysterious \| parallelism \| pedal tone \| private eye \| room \| transition \| walking
The Big Sleep (1946)	Marlowe (Molto Misterioso)	0:13:20 - Marlowe goes to talk to librarian	advance plot \| leading man \| library \| mysterious \| pedal tone \| private eye \| researching \| writing
The Big Sleep (1946)	Marlowe (Grazioso)	0:13:46 - Marlowe puts on a disguise	added-note chord \| advance plot \| disguise \| disguising \| half-diminished 7th chord \| leading man \| mysterious \| private eye \| street
The Big Sleep (1946)	Waiting	0:18:15 - Marlowe talks to lady in bookstore	added-note chord \| altered dominant \| book shop \| chromatic scale \| conversing \| leading man \| love interest \| love scene \| mode mixture \| mysterious \| oscillation \| private eye \| romantic
The Big Sleep (1946)	Marlowe (Agitato)	0:19:05 - Marlowe gets in his car	added-note chord \| car \| following \| leading man \| mysterious \| private eye \| rain \| street \| tense \| transition
The Big Sleep (1946)	Car	0:19:13 - Car arrives at Geiger's house	car \| driving \| leading man \| mysterious \| private eye \| rain \| street \| tense \| transition
The Big Sleep (1946)	Hurrying	0:19:26 - Geiger enters his house	antagonist \| car \| chromatic sequence \| fragmentation \| mysterious \| parallelism \| rain \| street \| tense \| transition \| walking
The Big Sleep (1946)	Marlowe (Misterioso)	0:19:40 - Marlowe pulls up in his car	arriving \| car \| half-diminished 7th chord \| investigating \| leading man \| mysterious \| private eye \| rain \| street \| tense \| transition
The Big Sleep (1946)	Marlowe 2	0:19:47 - Marlowe spies on the house	car \| chromatic scale \| investigating \| investigation scene \| leading man \| mysterious \| private eye \| rain \| street \| tense \| waiting
The Big Sleep (1946)	Running	0:20:06 - Carmen runs to Geiger's house	chromatic parallelism \| dissonant bass \| femme fatale \| investigation scene \| mysterious \| rain \| running \| street \| tense
The Big Sleep (1946)	Marlowe (Molto Misterioso)	0:20:17 - Marlowe gets out to see the second car	car \| investigating \| investigation scene \| leading man \| mysterious \| pedal tone \| private eye \| rain \| street \| tense \| walking
The Big Sleep (1946)	Carmen	0:20:39 - Marlowe sees Carmen's name on the car registration	car \| half-diminished 7th chord \| investigating \| investigation scene \| leading man \| mysterious \| name on screen \| oscillation \| private eye \| rain \| street \| tense \| whole-tone chord
The Big Sleep (1946)	Underscoring (Mysterious)	0:23:44 - Marlowe investigates the crime scene	chromatic scale \| investigating \| investigation scene \| leading man \| mysterious \| private eye \| room \| underscoring
The Big Sleep (1946)	Marlowe (Augmented)	0:23:56 - Marlowe investigates the crime scene	altered dominant \| augmentation \| investigating \| investigation scene \| leading man \| mickey-mousing \| mysterious \| private eye \| room \| snapping \| thinking
The Big Sleep (1946)	Underscoring (Mysterious)	0:24:05 - Marlowe advances	chromatic scale \| investigating \| investigation scene \| leading man \| mickey-mousing \| mysterious \| private eye \| room \| searching \| whole-tone chord
The Big Sleep (1946)	Underscoring (Mysterious)	NIF - not in film	added-note chord \| alternation \| deleted scene \| deleted scene \| half-diminished 7th chord \| investigating \| investigation \| leading man \| mickey-mousing \| mysterious \| private eye \| room \| searching \| underscoring \| whole-tone chord
The Big Sleep (1946)	Turns light on	NIF - not in film	deleted scene \| deleted scene \| investigating \| investigation \| leading man \| light \| light switch \| mickey-mousing \| mysterious \| private eye \| room \| searching \| turning on \| whole-tone chord
The Big Sleep (1946)	Turns light on	NIF - not in film	deleted scene \| deleted scene \| investigating \| investigation \| leading man \| light \| light switch \| mickey-mousing \| mysterious \| private eye \| room \| searching \| turning on \| whole-tone chord
The Big Sleep (1946)	Water running	NIF - not in film	deleted scene \| deleted scene \| faucet \| flowing \| half-diminished 7th chord \| investigating \| investigation \| leading man \| mickey-mousing \| mysterious \| oscillation \| private eye \| room \| searching \| water
The Big Sleep (1946)	Walking	NIF - not in film	deleted scene \| deleted scene \| investigating \| investigation \| leading man \| mysterious \| parallelism \| pedal tone \| private eye \| room \| searching \| tense
The Big Sleep (1946)	Underscoring (Tense)	NIF - not in film	deleted scene \| deleted scene \| investigating \| investigation \| leading man \| mysterious \| private eye \| room \| searching \| tense
The Big Sleep (1946)	Carmen (Clues)	NIF - not in film	clue \| deleted scene \| deleted scene \| half-diminished 7th chord \| investigating \| investigation \| key \| leading man \| mysterious \| oscillation \| private eye \| room \| searching \| tense \| whole-tone chord
The Big Sleep (1946)	Walking (Extended)	NIF - not in film	deleted scene \| deleted scene \| foreign key modulation \| investigating \| investigation \| leading man \| mysterious \| parallelism \| pedal tone \| private eye \| room \| searching \| tense \| walking
The Big Sleep (1946)	Underscoring (Mysterious)	0:24:09 - Marlowe searches for clues	investigating \| investigation scene \| leading man \| mysterious \| pc set \| private eye \| room \| searching \| secret code \| whole-tone chord
The Big Sleep (1946)	Turning page	0:24:20 - Marlowe turns the page in the code book	chromatic scale \| clue \| investigating \| investigation scene \| leading man \| mysterious \| private eye \| room \| searching \| secret code \| turning \| whole-tone chord
The Big Sleep (1946)	Marlowe (Thinking)	0:24:26 - Marlowe tries to solve the mystery	added-note chord \| chromatic parallelism \| chromatic scale \| clue \| investigating \| investigation scene \| leading man \| mysterious \| private eye \| room \| secret code \| thinking
The Big Sleep (1946)	Carmen (Drugged)	NIF - not in film	deleted scene \| femme fatale \| helping \| investigation \| leading man \| mysterious \| oscillation \| ostinato \| private eye \| room \| tense \| tritone oscillation \| whole-tone chord
The Big Sleep (1946)	Turns light off	NIF - not in film	deleted scene \| femme fatale \| investigation \| leading man \| light \| light switch \| mysterious \| private eye \| room \| tense \| turning off \| whole-tone chord
The Big Sleep (1946)	Marlowe (Grazioso)	0:25:28 - Marlowe asks Vivian to help with Carmen	added-note chord \| advance plot \| butler \| conversing \| femme fatale \| half-diminished 7th chord \| inserted scene \| leading lady \| leading man \| mysterious \| not in score \| private eye \| reused recording \| room
The Big Sleep (1946)	Hurrying	0:27:25 - Marlowe goes back to Geiger's house	chromatic sequence \| half-diminished 7th chord \| investigating \| investigation scene \| leading man \| mysterious \| parallelism \| private eye \| street \| walking
The Big Sleep (1946)	Marlowe (Misterioso)	0:27:44 - Marlowe returns to the scene of the crime	arriving \| investigating \| investigation scene \| leading man \| mysterious \| private eye \| room
The Big Sleep (1946)	Marlowe (Sneaking)	0:28:16 - Marlowe investigates the crime scene	dark \| dissonant bass \| investigating \| investigation scene \| leading man \| mysterious \| private eye \| room \| sneaking \| tritone
The Big Sleep (1946)	Marlowe (Major)	0:28:47 - Marlowe's name on his apartment door	arriving \| leading man \| mode mixture \| mysterious \| name on screen \| noble \| private eye \| room \| sequential modulation \| transition
The Big Sleep (1946)	Marlowe (Grazioso)	0:32:29 - Marlowe talks with Vivian	advance plot \| conversing \| half-diminished 7th chord \| leading lady \| leading man \| mysterious \| private eye \| room
The Big Sleep (1946)	Hurrying	0:38:45 - Marlowe walks to a cab	car \| car \| driver \| hurrying \| investigation scene \| leading man \| mysterious \| private eye \| taxi \| tense \| walking
The Big Sleep (1946)	Marlowe (Taxi)	0:39:05 - Marlowe talks to the lady cab driver	9th chord \| car \| car \| chromatic scale \| driver \| driving \| following \| investigation scene \| leading man \| mysterious \| private eye \| taxi \| tense
The Big Sleep (1946)	Station Wagon	0:39:16 - Marlowe follows a station wagon	car \| car \| driver \| driving \| following \| investigation scene \| leading man \| mysterious \| private eye \| taxi \| tense
The Big Sleep (1946)	Walking 2	0:39:25 - Marlowe walks to the house	half-diminished 7th chord \| investigating \| investigation scene \| leading man \| mysterious \| pc set \| private eye \| street \| tense \| walking
The Big Sleep (1946)	Hurrying	0:39:41 - Marlowe walks back to the cab	fragmentation \| hurrying \| investigation scene \| leading man \| mysterious \| parallelism \| private eye \| sequence \| street \| tense \| walking
The Big Sleep (1946)	Marlowe (Ear Music)	0:46:52 - Marlowe thinks	advance plot \| chromatic scale \| fragmentation \| leading man \| mysterious \| private eye \| room \| tense \| thinking \| whole-tone chord
The Big Sleep (1946)	Marlowe 2 (Waiting)	0:47:11 - Marlowe waits in his car	9th chord \| car \| driving \| investigation scene \| leading man \| mysterious \| private eye \| tense \| waiting
The Big Sleep (1946)	Car	0:47:32 - Another car arrives	arriving \| driving \| investigation scene \| leading man \| mysterious \| ostinato \| private eye \| street \| tense \| waiting
The Big Sleep (1946)	Running	0:47:40 - Vivian enters the apartment building	chromatic parallelism \| dissonant bass \| hurrying \| investigating \| investigation scene \| leading lady \| leading man \| mysterious \| private eye \| street \| tense \| walking
The Big Sleep (1946)	Underscoring (Mysterious)	0:48:15 - Marlowe talks to Joe Brody	blackmailer \| chromatic parallelism \| conversing \| criminal \| gun \| investigation scene \| leading man \| mysterious \| private eye \| room \| suspect \| underscoring
The Big Sleep (1946)	Marlowe (Augmented)	0:48:55 - Joe pulls a gun on Marlowe	altered dominant \| augmentation \| blackmailer \| conversing \| criminal \| gun \| investigation scene \| leading man \| mysterious \| private eye \| room \| suspect
The Big Sleep (1946)	Underscoring (Tense)	0:51:31 - Joe reacts to the doorbell ringing	blackmailer \| chromatic parallelism \| conflict \| conversing \| criminal \| doorbell \| gun \| leading lady \| leading man \| mysterious \| pc set \| private eye \| room \| suspect \| tense \| tone cluster \| underscoring \| whole-tone chord
The Big Sleep (1946)	Carmen (Misterioso)	0:52:18 - Joe gives the picture to Marlowe	blackmail \| blackmailer \| conflict \| conversing \| criminal \| evidence \| femme fatale \| half-diminished 7th chord \| leading lady \| leading man \| mysterious \| private eye \| room \| suspect \| whole-tone chord
The Big Sleep (1946)	Sternwood (Extended)	0:52:29 - Carmen asks for her picture back	9th chord \| altered dominant \| blackmail \| chromatic parallelism \| conflict \| diminished 7th chord \| evidence \| femme fatale \| flirting \| leading lady \| leading man \| mysterious \| pc set \| private eye \| room \| seductive \| whole-tone chord
The Big Sleep (1946)	Carmen (Violent)	0:52:58 - Vivian and Carmen leave	blackmailer \| conflict \| criminal \| dissonant bass \| femme fatale \| leading lady \| leading man \| leaving \| mysterious \| private eye \| room \| suspect \| whole-tone \| whole-tone chord
The Big Sleep (1946)	Marlowe (Misterioso)	0:59:14 - Marlowe ties up Carol	assassin \| corpse \| dark \| half-diminished 7th chord \| investigating \| investigation scene \| leading man \| murderer \| mysterious \| pc set \| private eye \| room \| rope \| stinger \| tying up
The Big Sleep (1946)	Marlowe (Ear Business)	0:59:42 - Marlowe pulls on his ear	added-note chord \| corpse \| fragmentation \| investigating \| investigation scene \| leading man \| mysterious \| private eye \| room \| thinking
The Big Sleep (1946)	Marlowe 2 (Dialing)	0:59:47 - Marlowe walks to the phone	calling \| chromatic scale \| corpse \| dialing \| half-diminished 7th chord \| investigating \| investigation scene \| leading man \| mysterious \| private eye \| room \| spinning \| tense
The Big Sleep (1946)	Vivian + Marlowe (Ear Business)	NIF - not in film	advance plot \| altered dominant \| combination of themes \| conversing \| cut from film \| deleted scene \| deleted scene \| leading lady \| leading man \| love interest \| mysterious \| private eye \| romantic \| room \| thinking \| whole-tone
The Big Sleep (1946)	Carmen	NIF - not in film	advance plot \| burning \| calling \| cut from film \| deleted scene \| deleted scene \| half-diminished 7th chord \| leading man \| mysterious \| phone \| private eye \| room \| tense \| whole-tone chord
The Big Sleep (1946)	Carmen (Clues)	NIF - not in film	advance plot \| calling \| cut from film \| deleted scene \| deleted scene \| leading man \| mysterious \| phone \| private eye \| room \| tense \| whole-tone chord
The Big Sleep (1946)	Marlowe (Thinking)	1:20:49 - Marlowe sits in a diner	11th chord \| added-note chord \| advance plot \| café \| chromatic parallelism \| fragmentation \| leading man \| mysterious \| private eye \| tense \| thinking
The Big Sleep (1946)	Coin in phone	1:21:04 - Marlowe puts a coin in the phone	advance plot \| café \| coin \| diminished 7th chord \| dropping \| leading man \| mickey-mousing \| mysterious \| phone call \| private eye \| telephone
The Big Sleep (1946)	Phone dialing	1:21:07 - Marlowe dials a phone number	11th chord \| advance plot \| café \| dialing \| leading man \| mickey-mousing \| mysterious \| ostinato \| phone call \| private eye \| telephone \| tense
The Big Sleep (1946)	Underscoring (Mysterious)	1:21:19 - Marlowe speaks on the phone	advance plot \| café \| chromatic scale \| conversing \| leading man \| mysterious \| pc set \| phone call \| private eye \| tense \| underscoring
The Big Sleep (1946)	Marlowe (Mysterious Organ)	1:21:42 - Marlowe speaks to waitress	advance plot \| café \| conversing \| leading lady \| leading man \| love interest \| mysterious \| pc set \| phone call \| private eye \| tense
The Big Sleep (1946)	Underscoring (Mysterious)	1:21:57 - Marlowe speaks with Vivian on the phone	advance plot \| café \| chromatic parallelism \| conversing \| leading lady \| leading man \| linear chromaticism \| love interest \| mysterious \| phone call \| private eye \| stinger \| tense \| underscoring
The Big Sleep (1946)	Marlowe (Investigating)	1:22:38 - Marlowe looks at car registration	added-note chord \| investigating \| investigation scene \| leading man \| mysterious \| private eye \| punching \| sequence \| street \| tense
The Big Sleep (1946)	Jones	1:23:24 - Jones enters	advance plot \| chromatic parallelism \| leading man \| mysterious \| parallelism \| pedal tone \| private eye \| street \| tense \| walking
The Big Sleep (1946)	Recovering	1:24:06 - Jones helps Marlowe up	advance plot \| augmented triad \| conversing \| impressionism \| leading man \| mysterious \| pain \| private eye \| street \| whole-tone chord \| whole-tone scale
The Big Sleep (1946)	Jones (Eavesdropping)	1:27:22 - Marlowe hears Jones talking to someone	chromatic parallelism \| eavesdropping \| hallway \| investigation scene \| leading man \| mysterious \| parallelism \| pedal tone \| private eye \| sneaking \| tense
The Big Sleep (1946)	Glass drops	1:29:49 - Jones drops his glass	breaking \| death \| death scene \| dropping \| glass \| leading man \| mickey-mousing \| murder \| mysterious \| pc set \| poison \| private eye \| room \| victim \| violent
The Big Sleep (1946)	Jones falls	1:29:50 - Jones falls and dies	chromatic parallelism \| death \| death scene \| dying \| falling \| leading man \| major 7th chord \| mickey-mousing \| murder \| mysterious \| pc set \| poison \| private eye \| room \| victim \| violent
The Big Sleep (1946)	Marlowe (Molto Misterioso)	1:31:23 - Marlowe gets up to answer the phone	added-note chord \| conversing \| death scene \| informer \| leading man \| mysterious \| pedal tone \| phone call \| private eye \| room
The Big Sleep (1946)	Jones (Triste)	1:32:02 - Marlowe leaves the office	death scene \| informer \| leading man \| mourning \| mysterious \| parallelism \| pedal tone \| private eye \| room \| somber
The Big Sleep (1946)	Jones (Suspenseful)	1:35:47 - Marlowe talks to two thugs	conflict \| criminal \| dark \| diminution \| investigating \| leading man \| lying \| murderer \| mysterious \| parallelism \| pedal tone \| private eye \| shop \| suspenseful
The Big Sleep (1946)	Marlowe (Ear Music)	1:36:04 - Marlowe talks to two thugs	conflict \| criminal \| danger \| fragmentation \| investigating \| leading man \| lying \| murderer \| mysterious \| private eye \| shop \| tense \| whole-tone chord
The Big Sleep (1946)	Marlowe (Whole Tone)	1:39:25 - Marlowe talks to Vivian	captive \| conversing \| leading lady \| leading man \| love interest \| love scene \| mysterious \| private eye \| room \| tense \| whole-tone \| whole-tone chord \| whole-tone scale
The Big Sleep (1946)	Marlowe (Phone Call)	1:39:39 - Marlowe talks to Vivian	captive \| conversing \| leading lady \| leading man \| love interest \| love scene \| mysterious \| private eye \| room \| sequence \| tense \| whole-tone chord
The Big Sleep (1946)	Carmen	1:39:52 - Marlowe talks to Vivian	captive \| conversing \| half-diminished 7th chord \| leading lady \| leading man \| love interest \| love scene \| musical clue \| music reveals thoughts \| mysterious \| private eye \| room \| whole-tone chord
The Big Sleep (1946)	Marlowe (Misterioso)	1:41:01 - Marlowe plans his escape	action scene \| leading lady \| leading man \| love interest \| mysterious \| planning \| private eye \| room \| tense
The Big Sleep (1946)	Marlowe 2	1:41:18 - Marlowe goes outside	action scene \| chromatic scale \| escaping \| leading lady \| leading man \| love interest \| mysterious \| private eye \| room \| screaming \| tense
The Big Sleep (1946)	Marlowe (Hiding)	1:41:50 - Marlowe crouches behind a car	action scene \| criminal \| hiding \| leading man \| mysterious \| outside \| private eye
The Big Sleep (1946)	Marlowe (Escaping)	1:43:48 - Vivian takes off the handcuffs	action scene \| distortion \| escaping \| leading lady \| leading man \| love interest \| mysterious \| outside \| private eye \| tense
The Big Sleep (1946)	Hangs up phone	1:47:07 - Marlowe hangs up the phone	climax \| hanging up \| leading lady \| leading man \| love interest \| mickey-mousing \| mysterious \| private eye \| room
The Big Sleep (1946)	Marlowe (Misterioso)	1:47:26 - Marlowe drops a bullet	climax \| fear \| leading lady \| leading man \| love interest \| mysterious \| private eye \| room \| shaking \| tense
The Big Sleep (1946)	Marlowe 2	1:47:31 - Car pulls up outside	chromatic scale \| climax \| fear \| leading lady \| leading man \| love interest \| mysterious \| private eye \| room \| shaking \| tense \| tritone
The Big Sleep (1946)	Carmen (Drugged)	1:48:08 - Marlowe watches men outside	climax \| criminal \| fear \| leading lady \| leading man \| love interest \| mysterious \| ominous \| planning \| private eye \| room \| tense \| waiting
The Big Sleep (1946)	Marlowe (Danger)	1:48:32 - Men approach the house	climax \| fear \| hiding \| leading man \| mysterious \| ominous \| pc set \| planning \| private eye \| room \| tense \| tone cluster \| underscoring \| waiting
The Big Sleep (1946)	Marlowe (Misterioso)	1:48:55 - Marlowe sneaks up behind Mars	climax \| criminal \| fear \| hiding \| leading man \| mysterious \| private eye \| room \| sneaking \| tense
The Big Sleep (1946)	Marlowe 2	1:49:05 - Marlowe holds a gun on Mars	climax \| criminal \| fear \| leading man \| mysterious \| ominous \| private eye \| room \| sneaking \| tense
The Big Sleep (1946)	Mars Dies	1:51:43 - Mars falls dead to the ground	criminal \| death \| dying \| falling \| leading lady \| leading man \| love interest \| mysterious \| ominous \| private eye \| resolution \| room \| stinger \| tense \| underscoring
The Big Sleep (1946)	Marlowe (Risoluto)	1:52:01 - Marlowe walks to the phone	added-note chord \| bold \| death \| fragmentation \| leading lady \| leading man \| love interest \| mysterious \| plotting \| private eye \| resolution \| room \| tense
The Big Sleep (1946)	Carmen (Tense)	1:52:28 - Marlowe talks on the phone	conversing \| leading lady \| leading man \| love interest \| lying \| mysterious \| oscillation \| pedal tone \| phone call \| private eye \| resolution \| room \| tense \| uneasy \| whole-tone chord
Caged (1950)	Isolation Ward	0:08:54 - Edna lying in a bed	9th chord \| conversing \| dark \| dissonant bass \| establish character \| illness \| isolation \| leading lady \| mysterious \| ominous \| oscillation \| prison \| prisoner \| rain \| uneasy
City for Conquest (1940)	Shadow Waltz (Ethereal)	0:24:48 - Peggy peeks out of her door	added-note chord \| advance plot \| arriving \| chromatic parallelism \| chromatic wedge \| common-tone diminished 7th \| entering \| gentle \| leading lady \| mysterious \| parallelism \| room \| sneaking \| source to score
City for Conquest (1940)	Mysterioso	1:13:36 - Googi leaves	augmented triad \| chromatic parallelism \| criminal \| gangster \| leaving \| locker room \| manager \| murder scene \| mysterious \| parallelism \| whole-tone
Crime School (1938)	Underscoring (Mysterious)	0:09:53 - Frankie sneaks in the house	concern \| conversing \| dissonant bass \| establish character \| heroine \| leading lady \| mysterious \| pedal tone \| room \| sister \| sneaking \| sneaky \| teenager \| underscoring \| whole-tone chord \| whole-tone scale
Crime School (1938)	Sue (Policeman)	0:12:34 - Cop comes to the house	advance plot \| building \| mysterious \| police
Crime School (1938)	Policeman walks up stairs	0:12:47 - Cop walks up the stairs to Sue's flat	advance plot \| ascending \| building \| mickey-mousing \| mysterious \| police \| quartal chord \| up
Crime School (1938)	Underscoring (Mysterious)	0:24:12 - Gang settles into their room	advance plot \| conversing \| dissonant bass \| gang \| mysterious \| pedal tone \| reformatory \| teenager \| underscoring
Crime School (1938)	Underscoring (Tense)	1:06:17 - Spike talks to Frankie about his sister	advance plot \| anger \| arguing \| mysterious \| pc set \| reformatory \| teenager \| tense \| underscoring
Crime School (1938)	Sue (Mysterious)	1:07:09 - Spike talks to Frankie about his sister	advance plot \| arguing \| mysterious \| reformatory \| teenager \| thinking \| worrying
Crime School (1938)	Sue (Prison Moods)	1:08:48 - Boys talk to Frankie about his sister	advance plot \| chromatic parallelism \| dissonant \| dissonant bass \| distortion \| gang \| minor second \| mysterious \| plotting \| reformatory \| teenager \| tense \| tone cluster
Crime School (1938)	Underscoring (Tense)	1:09:46 - Boys talk to Frankie	advance plot \| chromatic parallelism \| gang \| gun \| keys \| mickey-mousing \| mysterious \| ominous \| pc set \| plotting \| reformatory \| teenager \| tense \| underscoring
Crime School (1938)	Keys	1:09:50 - Spike tosses keys on bed	advance plot \| dropping \| gang \| keys \| mickey-mousing \| mysterious \| pc set \| reformatory \| teenager \| tense \| tossing
Crime School (1938)	Gun toss	1:10:32 - Spike tosses gun on bed	advance plot \| dropping \| gang \| gun \| mickey-mousing \| mysterious \| pc set \| reformatory \| teenager \| tense \| tossing
Crime School (1938)	Window opening	1:11:57 - Boys open the window	diminished 7th chord \| escape \| escaping \| gang \| mickey-mousing \| mysterious \| opening \| reformatory \| teenager \| up \| window
Crime School (1938)	The Escape	1:12:03 - Boys escape	down \| escape \| escaping \| gang \| half-diminished 7th chord \| jumping \| mickey-mousing \| mysterious \| reformatory \| sneaking \| teenager \| whole-tone chord
Crime School (1938)	Jumping down	1:12:03 - Boys jump out of the window	diminished 7th chord \| down \| escape \| escaping \| gang \| half-diminished 7th chord \| jumping \| mickey-mousing \| mysterious \| reformatory \| sneaking \| teenager
Crime School (1938)	Peeking	1:12:11 - Cooper peeks out from the window	antagonist \| authority \| escape \| mickey-mousing \| mysterious \| peeking \| police \| reformatory \| whole-tone chord
Crime School (1938)	Underscoring (Mysterious)	1:12:35 - The boys walk through the city	escape \| gang \| mysterious \| pedal tone \| plotting \| sneaking \| street \| teenager \| tense
Crime School (1938)	Window opening 2	1:13:25 - Frankie opens the window	conflict \| mysterious \| opening \| room \| teenager \| up \| window
Crime School (1938)	Parting curtains	1:13:27 - Frankie parts the curtains	conflict \| curtain \| minor scale \| mysterious \| opening \| parting \| room \| teenager
They Made Me a Criminal (1939)	The Awakening	0:14:48 - Johnnie wakes up	advance plot \| chromatic scale \| confusion \| deceptive resolution \| leading man \| metric modulation \| mysterious \| octatonic chord \| octatonic scale \| pc set \| room \| waking \| whole-tone chord
They Made Me a Criminal (1939)	Underscoring (Mysterious)	0:23:21 - Men at the diner stand up	added-note chord \| advance plot \| diner \| dissonant bass \| fighting \| half-diminished 7th chord \| leading man \| linear chromaticism \| money \| mysterious \| sitting \| sneaking \| underscoring \| whole-tone chord
They Made Me a Criminal (1939)	Steps on money	0:23:30 - A man steps on Johnnie's money	advance plot \| diner \| half-diminished 7th chord \| leading man \| mickey-mousing \| money \| mysterious \| stepping
They Made Me a Criminal (1939)	Underscoring (Dramatic)	0:30:01 - Johnnie sneaks away	64 chord \| conflict \| dramatic \| leading man \| mysterious \| ranch \| sneaking
Deep Valley (1947)	Barry (Misterioso)	0:28:31 - Libby talks with Jeff	advance plot \| boss \| conversing \| dark \| leading lady \| leading man \| mysterious \| room \| somber
Deep Valley (1947)	Libby 2 (Misterioso)	0:37:32 - Cliff looks for Libby	advance plot \| calling \| father \| mysterious \| room \| searching \| tense
Deep Valley (1947)	Barry (Hiding)	0:40:45 - Barry hides	advance plot \| convict \| forest \| fugitive \| leading man \| mysterious \| rushing \| tense
Deep Valley (1947)	Woods (Misterioso)	0:41:27 - Barry goes to the cabin	advance plot \| convict \| forest \| fugitive \| leading man \| mysterious \| searching
Deep Valley (1947)	Barry (Dark)	0:41:38 - Barry explores the cabin	advance plot \| cabin \| convict \| fugitive \| leading man \| mysterious \| searching \| tense
Deep Valley (1947)	Barry (Tense)	0:55:38 - Barry unloads his gun	cabin \| convict \| destroying \| fugitive \| leading lady \| leading man \| love interest \| love scene \| mysterious \| tense
Deep Valley (1947)	Law (Molto Misterioso)	0:57:01 - Men hunting for Barry	forest \| manhunt \| mysterious \| police \| searching \| tense \| transition
Deep Valley (1947)	Libby (Molto Expressivo)	0:57:13 - Libby looks at the homestead	leading lady \| mother \| mysterious \| reconciliation scene \| returning \| room \| somber \| street
Deep Valley (1947)	Law (Misterioso)	1:02:41 - Libby looks out the window	advance plot \| father \| leading lady \| manhunt \| mysterious \| police \| room \| searching \| street \| tense
Deep Valley (1947)	Barry (Misterioso)	1:02:50 - Libby runs to the door	advance plot \| leading lady \| mother \| mysterious \| room \| rushing \| tense
Deep Valley (1947)	Barry (Misterioso)	1:03:09 - Ellie approaches	advance plot \| leading lady \| mother \| mysterious \| room \| sneaking
Deep Valley (1947)	Barry (Molto Misterioso) + Love Theme	1:06:04 - Sheriff drinks coffee	action scene \| convict \| drinking \| forest \| fugitive \| leading lady \| leading man \| love interest \| mysterious \| police \| room \| somber \| walking
Deep Valley (1947)	Deep Valley (Misterioso)	1:23:23 - Barry looks at Libby	advance plot \| barn \| calm \| convict \| embracing \| fugitive \| kissing \| leading lady \| leading man \| love interest \| mysterious
Deep Valley (1947)	Barry (Misterioso)	1:25:16 - Barry shaving	advance plot \| arriving \| convict \| fugitive \| leading lady \| leading man \| love interest \| mysterious \| street
Deep Valley (1947)	Barry (Misterioso)	1:27:15 - Libby talks to Barry	agitated \| barn \| conflict \| convict \| dark \| father \| fugitive \| leading lady \| leading man \| love interest \| mysterious \| searching \| worrying
Deep Valley (1947)	Libby 2 (Misterioso)	1:34:15 - Ellie climbs the ladder	advance plot \| barn \| climbing \| convict \| eavesdropping \| fugitive \| leading lady \| leading man \| love interest \| mother \| mysterious \| sneaking \| tense
Deep Valley (1947)	Barry (Dark 2)	1:39:35 - Barry hides	climax \| convict \| forest \| fugitive \| hiding \| injury \| leading man \| love interest \| mysterious \| police \| tense
Deep Valley (1947)	Underscoring (Dramatic)	1:40:00 - Barry hides	climax \| convict \| forest \| fugitive \| hiding \| injury \| leading man \| love interest \| mysterious \| police \| searching \| tense
Deep Valley (1947)	Law (Misterioso)	1:40:10 - Barry hides	climax \| convict \| forest \| fugitive \| hiding \| injury \| leading man \| love interest \| mysterious \| searching \| tense
Deep Valley (1947)	Sneaking (Molto Rubato)	1:40:51 - Libby runs to find Barry	death scene \| forest \| leading lady \| mysterious \| resolution \| running \| tense
Dust Be My Destiny (1939)	Mysterioso	0:02:00 - Warden talks to Joe	conversing \| drone \| establish character \| leading man \| mysterious \| parallelism \| polytonality \| prison \| prisoner \| warden
Dust Be My Destiny (1939)	Dust Be My Destiny (Sordini)	0:48:21 - Joe talks to the jailer	chromatic parallelism \| jail \| jail break \| leading man \| major triad \| mysterious \| pedal tone \| tense \| warden
Dust Be My Destiny (1939)	Dust Be My Destiny (Sehr Ominous)	0:56:14 - Joe walks towards the shop	9th chord \| chromatic parallelism \| crime scene \| criminal \| leading man \| mysterious \| sequence \| shop \| shopkeeper \| street \| walking
Dust Be My Destiny (1939)	Dust Be My Destiny (Transformation)	0:57:38 - Joe comes back to the apartment	dissonant bass \| foreign key modulation \| leading lady \| leading man \| linear chromaticism \| love scene \| mysterious \| room \| triumphant
Each Dawn I Die (1939)	Underscoring (Mysterious)	0:04:28 - Frank leaves the newspaper office	close-up \| conflict \| diminished 7th chord \| gangster \| hero \| leading man \| mysterious \| reading \| reporter \| street \| underscoring \| watching
Each Dawn I Die (1939)	Lights match	0:04:40 - Man lights a match on a lamp post	conflict \| gangster \| lighting \| match \| mickey-mousing \| mysterious \| street
Each Dawn I Die (1939)	Creeping	0:04:47 - Two men sneak up behind Frank	chromatic scale \| chromatic sequence \| conflict \| creeping \| gangster \| mickey-mousing \| mysterious \| pizzicato \| sneaking \| street \| walking
Each Dawn I Die (1939)	Walking	0:22:22 - Man paces back and forth in the prison yard	advance plot \| anxious \| crazed \| mickey-mousing \| mysterious \| pacing \| pc set \| prison \| prisoner \| walking
Each Dawn I Die (1939)	Calendar Pages	0:59:53 - Pages falling from a calendar	calendar \| chromatic parallelism \| diminished 7th chord \| falling \| leading man \| mickey-mousing \| montage \| montage \| mysterious \| prisoner \| sequence
The FBI Story (1959)	Underscoring (Mysterious)	0:09:11 - Agents question Jack's friend	FBI \| investigation \| mysterious \| tense \| underscoring
The FBI Story (1959)	Symbol (Misterioso)	0:44:53 - Chip asks who is the next of kin	FBI \| flashback \| mysterious \| undercover
The FBI Story (1959)	Underscoring (Mysterious)	1:49:23 - Gun boat and submarine on the ocean at night	flashback \| mysterious \| tense \| underscoring
The FBI Story (1959)	Communists (Mysterious)	2:10:14 - Chip looking at papers at his desk	communist \| dropping \| flashback \| mickey-mousing \| mysterious \| text painting \| tritone
The FBI Story (1959)	The Bureau (Surveillance)	2:10:25 - Communist works down a dark alley	communist \| FBI \| flashback \| mysterious \| sneaking
Flamingo Road (1949)	Vision of Salome	0:02:12 - Exotic dancers	announcing \| carnival \| carny \| dancer \| dancing \| establish setting \| exotic \| Gypsy minor scale \| leading lady \| mysterious \| on-screen music \| source music
Flamingo Road (1949)	Arabian Riff	0:02:36 - Exotic dancers	announcing \| carnival \| carny \| dancer \| dancing \| establish setting \| exotic \| leading lady \| mysterious \| on-screen music \| source music
Flamingo Road (1949)	Vision of Salome	0:03:12 - Two men argue	arguing \| carnival \| carny \| dancer \| establish setting \| exotic \| Gypsy minor scale \| leading lady \| mysterious \| on-screen music \| source music
Flamingo Road (1949)	Titus 2 (Extended)	0:30:27 - Field overhears people talking about Titus	advance plot \| chromatic sequence \| dark \| leading man \| mysterious \| newspaper \| parallelism \| reading \| self-borrowing \| street \| townsfolk
Flamingo Road (1949)	Titus 2	0:33:41 - Field sits down	breakup \| café \| conversing \| dark \| leading lady \| leading man \| mysterious \| self-borrowing \| waitress
Flamingo Road (1949)	Titus (Dark)	0:33:56 - Field talks to Lane	breaking up \| breakup \| café \| dark \| leading lady \| leading man \| mysterious \| self-borrowing \| waitress
Flamingo Road (1949)	Titus 2 (Triste)	0:34:10 - Field tells Lane he is getting married	breaking up \| breakup \| café \| chromatic sequence \| dark \| leading lady \| leading man \| major 7th chord \| mysterious \| self-borrowing \| somber \| waitress
Flamingo Road (1949)	Underscoring (Tense)	0:34:30 - Lane responds to Field	breaking up \| breakup \| café \| leading lady \| leading man \| mysterious \| tense \| underscoring \| waitress
Flamingo Road (1949)	Titus 2 (Pete Lies)	0:40:11 - Field asks why Lane was fired	advance plot \| café \| conversing \| employer \| leading man \| mysterious \| politician \| self-borrowing
Flamingo Road (1949)	Titus 2 (Agitato)	0:50:41 - Lane ties Dan's tie	chromatic parallelism \| conversing \| leading lady \| leading man \| love interest \| lovers meet \| mysterious \| politician \| room \| self-borrowing
Flamingo Road (1949)	Flamingo Road (Misterioso)	1:04:33 - Titus talks to Dan	advance plot \| combination of themes \| conversing \| distortion \| fragmentation \| leading lady \| leading man \| mysterious \| politician \| room \| self-borrowing \| sequence \| sheriff
Flamingo Road (1949)	Titus (Ominous)	1:11:44 - Titus argues with Field	arguing \| bullying \| conflict \| drinking \| leading man \| mysterious \| politician \| room \| self-borrowing \| sheriff \| tense
Flamingo Road (1949)	Lane (Ominous)	1:21:22 - A hand rings the doorbell	advance plot \| leading lady \| mysterious \| ominous \| pausing \| pedal tone \| ringing \| room
Flamingo Road (1949)	Lane (Descending the Staircase)	1:21:31 - Lane descends the stairs	advance plot \| delicate \| descending \| leading lady \| leading man \| love interest \| mickey-mousing \| mysterious \| parallelism \| room \| walking
Flamingo Road (1949)	Titus (Fragmented) + Titus 2 (Fragmented)	1:29:47 - Lane confronts Titus	arguing \| climax \| club \| combination of themes \| dark \| fragmentation \| inversion \| leading lady \| motivic transformation \| mysterious \| ominous \| retrograde \| self-borrowing \| sheriff
Flamingo Road (1949)	Titus 2 (Ominous)	1:30:55 - Titus pretends to make a phone call	calling \| chromatic parallelism \| climax \| club \| dark \| deceiving \| gun \| leading lady \| mysterious \| self-borrowing \| sheriff \| telephone
Hell on Frisco Bay (1955)	Underscoring (Mysterious)	0:15:33 - Amato talks to Lye	antagonist \| conductor score \| conversing \| establish character \| gangster \| mysterious \| office \| underscoring
Hell on Frisco Bay (1955)	Steve Arrives	0:54:56 - Steve arrives at an apartment	arriving \| conductor score \| investigator \| leading man \| mickey-mousing \| mysterious \| street \| tense \| transition \| walking
Hell on Frisco Bay (1955)	Menace	0:58:13 - Bessie prepares to leave	chase scene \| conductor score \| floozy \| mysterious \| preparing \| room \| tense \| thinking
Hell on Frisco Bay (1955)	Sneaking and following	0:58:30 - Bessie sneaks away	chase scene \| conductor score \| descending \| floozy \| following \| hiding \| investigator \| leading man \| mysterious \| sneaking \| street \| tense
Hell on Frisco Bay (1955)	Menace	0:58:48 - Bessie walks through the market	\| agitated \| chase scene \| conductor score \| dramatic \| floozy \| gangster \| hurrying \| investigator \| leading man \| mysterious \| street \| tense \| walking
Hell on Frisco Bay (1955)	Menace	1:04:15 - Steve answers the phone	advance plot \| conductor score \| dark \| investigator \| leading man \| mysterious \| room \| waiting
Hell on Frisco Bay (1955)	Underscoring (Mysterious)	1:24:05 - Amato calls detective	advance plot \| calling \| gangster \| leading man \| mysterious \| room \| statue \| tense \| underscoring
Hell on Frisco Bay (1955)	Anna	1:24:31 - Amato calls detective	advance plot \| conversing \| gangster \| leading man \| mysterious \| religious \| religious \| room
Hell on Frisco Bay (1955)	Menace	1:24:38 - Amato talks to detective	advance plot \| detective \| gangster \| leading man \| mysterious \| plotting \| police station \| tense
Hell on Frisco Bay (1955)	Anna	1:25:41 - Amato looks at the statue	advance plot \| gangster \| leading man \| looking \| mysterious \| religious \| room \| tense
Her Kind of Man (1946)	Flashback	0:53:57 - A man sweeping	conversing \| flashback \| flashback \| leading man \| mysterious \| reporter \| reporting \| room \| storytelling \| tense \| waiter \| witness
Her Kind of Man (1946)	Underscoring (Dramatic [Deutsch])	0:54:59 - Cop takes a witness	departing \| dramatic \| leading man \| letter \| mysterious \| police \| police station \| reporter \| signature \| tense \| turning point \| typing \| underscoring \| waiter \| witness
Her Kind of Man (1946)	Underscoring (Mysterious)	1:05:01 - A dark door	advance plot \| arriving \| conversing \| husband \| leading man \| mysterious \| reporter \| room \| underscoring \| widow
Her Kind of Man (1946)	It Had to Be You (Sneaky)	1:05:51 - Georgia hides Candy	advance plot \| criminal \| familiar tune \| henchman \| leading lady \| leading man \| mysterious \| popular music \| reporter \| room \| singer \| sneaking \| sneaky \| source to score \| wife
Her Kind of Man (1946)	It Had to Be You (Mysterious)	1:07:50 - Don leaves	advance plot \| arriving \| car \| car \| criminal \| driving \| familiar tune \| gambler \| henchman \| leading lady \| leading man \| murderer \| mysterious \| popular music \| signaling \| singer \| street \| warehouse \| wife
Her Kind of Man (1946)	It Had to Be You (Mysterious)	1:11:11 - Georgia leaves	advance plot \| departing \| familiar tune \| gambler \| leading lady \| leading man \| murderer \| mysterious \| popular music \| singer \| warehouse \| wife
I Was a Communist for the FBI (1951)	Underscoring (Tense)	0:01:02 - Brooklyn Bridge	9th chord \| airport \| bridge \| mysterious \| pc set \| street \| tense \| transition \| underscoring
I Was a Communist for the FBI (1951)	Undercover Agent (Marcia Misterioso)	0:01:17 - Agent walks to the phone	agent \| airport \| arriving \| calling \| conversing \| dialing \| establish setting \| march \| mysterious \| ostinato \| polychord \| sequence \| telephone \| tense \| tone cluster \| tritone oscillation \| typewriter \| typing \| walking
I Was a Communist for the FBI (1951)	Undercover Agent (Molto Misterioso)	0:02:57 - Mason gets his assignment	agent \| conversing \| establish setting \| map \| march \| mysterious \| office \| ostinato \| planning \| polychord \| sequence \| tense \| tone cluster \| tritone oscillation \| working
I Was a Communist for the FBI (1951)	Agitato Molto Misterioso	0:38:32 - Matt notices that he has lost his letter	advance plot \| chromatic parallelism \| leading man \| letter \| mysterious \| ostinato \| pc set \| polychord \| reacting \| room \| searching \| tense \| undercover agent \| whole-tone chord
I Was a Communist for the FBI (1951)	Undercover Agent (Misterioso)	0:59:50 - Agent watches	car \| communist \| driving \| escaping \| leading lady \| leading man \| mysterious \| polychord \| spy \| street \| teacher \| transition \| tritone oscillation \| undercover agent
I Was a Communist for the FBI (1951)	Undercover Agent (Risoluto)	1:09:39 - FBI agents walk away	agent \| interrogating \| interrogation \| leading man \| mysterious \| polychord \| questioning \| room \| shallow focus \| suspicion \| tense \| tritone oscillation \| undercover agent
I Was a Communist for the FBI (1951)	Agitato Molto Misterioso	1:10:18 - Communists interrogate Matt	chromatic parallelism \| chromatic scale \| communist \| interrogating \| interrogation \| leading man \| mysterious \| ostinato \| pc set \| questioning \| room \| shallow focus \| suspicion \| tense \| undercover agent \| whole-tone scale
I Was a Communist for the FBI (1951)	Undercover Agent	1:10:36 - Communists interrogate Matt	communist \| interrogating \| interrogation \| leading man \| mysterious \| polychord \| questioning \| room \| shallow focus \| suspicion \| tense \| threatening \| tritone oscillation \| undercover agent
Illegal (1955)	Underscoring (Mysterious)	1:02:18 - Ray empties his bottle of scotch down the drain	glass \| mysterious \| underscoring
Illegal (1955)	Underscoring (Mysterious)	1:03:04 - Ray goes to the bedroom and calls Mr. Garland	mysterious \| phone call \| underscoring
Illegal (1955)	Frank Garland (Waiting)	1:04:09 - Ray waits for a phone call	mysterious \| smoking \| underscoring \| waiting
Illegal (1955)	Police Car (Sleazy)	1:04:47 - Ray waits for a phone call	mysterious \| sleazy
Illegal (1955)	Underscoring (Mysterious)	1:13:16 - Vic talks to Frank in the back of his car	mysterious \| underscoring
In This Our Life (1942)	Stanley (Rubato)	0:11:58 - Stanley talks with Roy	conversing \| establish character \| leading lady \| mysterious \| pc set \| room \| sister \| stinger
In This Our Life (1942)	Roy (Grazioso)	0:23:08 - Roy looks in the mirror	9th chord \| conflict \| conversing \| countermelody \| father \| foreign key modulation \| leading lady \| mysterious \| room
In This Our Life (1942)	Phone Call	0:47:29 - Asa answers the phone	bad news \| conversing \| dark \| eerie \| father \| mysterious \| pc set \| phone call \| room \| telephone \| tense \| tone cluster \| turning point
In This Our Life (1942)	Stanley (Misterioso)	1:06:47 - Stanley hesitates at the door	advance plot \| fragmentation \| hesitating \| lawyer \| leading lady \| leading man \| mysterious \| office \| pc set
In This Our Life (1942)	Fast Driving + Stanley	1:08:53 - Stanley driving	car \| car \| child \| combination of themes \| crime scene \| criminal \| driving \| drunk \| leading lady \| mysterious \| oscillation \| street \| tense \| uneasy \| victim \| walking \| whole-tone scale
In This Our Life (1942)	Fast Driving	1:09:12 - Stanley drives away	accident \| car \| car \| car crash \| crime scene \| criminal \| driving \| drunk \| fleeing \| hit and run \| leading lady \| mysterious \| oscillation \| tense \| whole-tone scale
In This Our Life (1942)	Underscoring (Tense)	1:09:25 - Policemen approach the house	arriving \| chromatic parallelism \| conversing \| criminal \| investigation scene \| leading lady \| mysterious \| pedal tone \| police \| room \| tense \| walking \| watching
In This Our Life (1942)	Stanley (Descending Staircase)	1:09:49 - Policemen enter the house	arriving \| conversing \| criminal \| investigating \| investigation scene \| leading lady \| mysterious \| pc set \| police \| room \| sneaking \| tense \| walking \| watching
In This Our Life (1942)	Stanley (Packing)	1:14:36 - Newspaper headline about the accident	9th chord \| appoggiatura \| arriving \| circle of fifths \| conflict \| conversing \| headline \| lawyer \| leading lady \| leading man \| mysterious \| newspaper \| office
In This Our Life (1942)	London Bridge is Falling Down (Mysterious)	1:23:45 - Craig and Stanley argue	9th chord \| car \| children's song \| conflict \| conversing \| criminal \| familiar tune \| lawyer \| leading lady \| leading man \| lying \| mysterious \| ominous
In This Our Life (1942)	Underscoring (Tense) + South American Way	1:25:34 - Stanley reacts	accusing \| climax \| criminal \| father \| lawyer \| leading lady \| leading man \| lying \| mother \| mysterious \| ominous \| remembered source music \| remembering \| room \| source and scoring overlap \| source music \| suspect \| tense \| underscoring
In This Our Life (1942)	Stanley B (Very Agitated)	1:32:15 - Stanley hides from the police	agitated \| chromatic scale \| conflict \| criminal \| dissonant bass \| fragmentation \| hiding \| leading lady \| mysterious \| police \| room \| running \| rushing \| street
The Informer (1935)	The Informer	0:00:14 - Shadows move across the screen behind the cast list	cast list \| Dorian mode \| folk-like \| informer \| marching \| minor pentatonic \| mysterious \| opening title sequence \| Scotch snap \| searching \| serious \| shadow \| soldier \| street \| title of film
The Informer (1935)	The Informer (Bridge)	0:00:46 - Shadows move across the screen behind the cast list	9th chord \| cast list \| informer \| march \| marching \| mysterious \| Neapolitan \| opening title sequence \| Scotch snap \| searching \| serious \| shadow \| soldier \| street
The Informer (1935)	The Informer (Dublin)	0:01:03 - Title card establishes the setting in Dublin, Ireland	9th chord \| 11th chord \| establish setting \| informer \| marching \| minor pentatonic \| mysterious \| nun \| opening title sequence \| religious symbolism \| Scotch snap \| searching \| serious \| shadow \| street \| title card \| tritone substitution
The Informer (1935)	The Informer (Judas)	0:01:29 - Title card with quote about Judas	mysterious \| opening title sequence \| Scotch snap \| serious \| suspension \| title card
The Informer (1935)	The Informer (Walking)	0:01:44 - Gypo walks down the street	countermelody \| establish character \| leading man \| mickey-mousing \| mysterious \| poster \| Scotch snap \| street \| walking
The Informer (1935)	Poster	0:02:01 - Gypo looks at the reward poster for Frankie McPhillip	establish character \| leading man \| mickey-mousing \| mysterious \| poster \| stepping \| stinger \| street
The Informer (1935)	Underscoring (Tense)	0:02:23 - Gypo stares at the poster, thinking	64 chord \| establish character \| leading man \| muttering \| mysterious \| street \| thinking \| underscoring
The Informer (1935)	Poster blowing 1	0:03:05 - Torn poster blows down the street onto Gypo's leg	augmented sixth chord \| blowing \| establish character \| leading man \| mickey-mousing \| mysterious \| parallelism \| poster \| street \| wind
The Informer (1935)	Poster blowing 2	0:03:26 - Torn poster blows down the street onto Gypo's leg again	blowing \| clinging \| diminished 7th chord \| establish character \| leading man \| mickey-mousing \| mysterious \| parallelism \| poster \| street \| wind
The Informer (1935)	Underscoring (Subtle)	0:04:22 - Close-up on Katie	establish character \| leading lady \| linear chromaticism \| mysterious \| staring \| street \| underscoring
The Informer (1935)	Underscoring (Tense)	0:05:04 - Gypo sees the man and walks towards him	establish character \| leading lady \| leading man \| mysterious \| street \| tense \| underscoring \| walking \| whole-tone
The Informer (1935)	Blowing smoke	0:05:16 - Man blows smoke into Katie's face	blowing \| establish character \| leading lady \| mickey-mousing \| mysterious \| smoke \| street \| whole-tone
The Informer (1935)	Footsteps	0:07:16 - Close-up on walking feet	establish character \| footsteps \| leading man \| mickey-mousing \| mysterious \| street \| tritone \| walking
The Informer (1935)	The Wearin' o' the Green	0:07:32 - Frankie looks at reward poster with his picture on it	64 chord \| dark \| establish character \| folk song \| hero \| Irish \| marching \| mickey-mousing \| mysterious \| source music \| street \| thinking
The Informer (1935)	The Wearin' o' the Green (Mysterious)	0:08:57 - Frankie enters the Dunboy house to join the rebels	arriving \| diminished 7th chord \| dissonant bass \| establish character \| familiar tune \| folk song \| hero \| Irish \| leading man \| mysterious \| parallelism \| room \| street \| tense
The Informer (1935)	Yankee Doodle (Fateful Decision)	0:12:56 - Gypo has a vision of the wanted poster	American \| contemplating \| deciding \| familiar tune \| flashback \| leading man \| linear chromaticism \| montage \| mysterious \| patriotic tune \| pedal tone \| pivotal scene \| room \| street \| tense \| vision
The Informer (1935)	Katie (Fateful Decision)	0:13:48 - Gypo heads towards the British headquarters	American \| church bell \| contemplating \| deciding \| diminished 7th chord \| familiar tune \| leading man \| mickey-mousing \| mysterious \| parallelism \| patriotic tune \| pedal tone \| pivotal scene \| police station \| street \| tense
The Informer (1935)	Blood Money (Extended)	0:18:55 - British officer tosses money down on the table	antagonist \| augmented triad \| grabbing \| leading man \| money \| mysterious \| pivotal scene \| police \| police station \| tense \| tossing \| tritone \| whole-tone
The Informer (1935)	Blood Money (Counting Money)	0:19:21 - Gypo closes the door	advance plot \| antagonist \| counting \| leading man \| money \| mysterious \| street \| tense \| tritone
The Informer (1935)	Blind Man	0:19:29 - Gypo meets the blind man	64 chord \| advance plot \| antagonist \| blind man \| leading man \| mysterious \| street \| walking
The Informer (1935)	Blood Money + Blind Man	0:20:27 - Gypo looks at Frankie's poster again	advance plot \| antagonist \| combination of themes \| leading man \| looking \| mysterious \| poster \| street \| tense \| whole-tone
The Informer (1935)	The Informer (Whiskey)	0:20:46 - Gypo enters a pub	64 chord \| advance plot \| antagonist \| entering \| hurrying \| leading man \| mysterious \| pub \| Scotch snap
The Informer (1935)	Blood Money (Whiskey)	0:21:03 - Gypo takes his money out to pay the bartender	advance plot \| antagonist \| bartender \| leading man \| money \| mysterious \| paying \| pub \| tense
The Informer (1935)	The Informer (Drinking)	0:21:23 - Gypo takes a drink	advance plot \| antagonist \| bartender \| drinking \| leading man \| mysterious \| octatonic \| pub \| Scotch snap \| tense \| tritone \| whole-tone \| whole-tone chord
The Informer (1935)	Blood Money (Worrying)	0:21:57 - Gypo worries about what he has done	advance plot \| antagonist \| augmented triad \| drinking \| hearing voices \| leading man \| mysterious \| planning \| pub \| tense \| thinking \| tritone \| whole-tone \| worrying
The Informer (1935)	Blood Money (Four Coins)	0:23:15 - Bartender puts four coins on the table	advance plot \| antagonist \| augmented triad \| bartender \| coin \| counting \| half-diminished 7th chord \| leading lady \| leading man \| mickey-mousing \| money \| mysterious \| placing \| pub \| tense
The Informer (1935)	Blind Man + Blood Money	0:24:45 - Blind man wanders in and Gypo gives him money	advance plot \| antagonist \| augmented triad \| blind man \| combination of themes \| giving \| leading lady \| leading man \| money \| mysterious \| ominous \| street \| walking
The Informer (1935)	The Informer (Tense)	0:29:21 - Gypo defends himself	antagonist \| coin \| leading man \| money \| mourner \| mysterious \| pivotal scene \| room \| Scotch snap \| staring \| tense \| whole-tone \| whole-tone chord
The Informer (1935)	Fanfare	0:31:44 - Irish rebel headquarters	advance plot \| fanfare \| mysterious \| rebel \| room \| underscoring \| waiting
The Informer (1935)	The Informer (Burning Poster) + Blood Money	0:32:03 - Gypo in rebel headquarters	advance plot \| antagonist \| burning \| combination of themes \| diminished 7th chord \| fire \| headquarters \| leading man \| mickey-mousing \| mysterious \| octatonic \| rebel \| rising \| room \| Scotch snap \| tense \| tone cluster
The Informer (1935)	Blood money (Thinking)	0:48:58 - Gypo pulls out and counts his money	advance plot \| antagonist \| conversing \| leading man \| money \| mysterious \| ostinato \| pondering \| street
The Informer (1935)	The Informer (Dan Talking)	0:56:57 - Dan and Mary talk about an informer	conversing \| hero \| love interest \| love scene \| mysterious \| room \| walking bass
The Informer (1935)	The Informer (Pedal Tone)	0:57:34 - Dan and Mary talk about Gypo	conversing \| hero \| love interest \| love scene \| mysterious \| room
The Informer (1935)	Blood Money (Ostinato)	1:04:10 - The rebels overhear Gypo talking about the money	advance plot \| antagonist \| conversing \| drunk \| leading lady \| leading man \| money \| mysterious \| ostinato \| rebel \| street \| whole-tone chord
The Informer (1935)	Blood Money (The Trial) + Blind Man (The Trial)	1:15:13 - The rebels ask Gypo where he got the money	antagonist \| axis of symmetry \| blind man \| combination of themes \| courtroom \| courtroom scene \| fanfare \| headquarters \| interrogating \| interrogation \| leading man \| mirroring \| money \| mysterious \| questioning \| room \| suspect
The Informer (1935)	Katie (The Trial)	1:15:36 - The rebels ask Gypo about Katie	antagonist \| axis of symmetry \| courtroom \| courtroom scene \| headquarters \| interrogating \| interrogation \| leading man \| mirroring \| money \| mysterious \| questioning \| room \| suspect
The Informer (1935)	Blood Money (The Trial) + The Informer (The Trial)	1:15:40 - Dan asks "Who was the informer?"	antagonist \| axis of symmetry \| combination of themes \| courtroom \| courtroom scene \| headquarters \| interrogating \| interrogation \| inversion \| leading man \| mirroring \| money \| mysterious \| questioning \| room \| suspect \| whole-tone
The Informer (1935)	Blood Money (Ostinato)	1:17:10 - Gypo waits in his cell while the rebels draw straws	advance plot \| antagonist \| dripping \| escaping \| gun \| headquarters \| leading man \| mysterious \| ostinato \| prison \| rebel \| room \| shooting \| tense \| traitor \| whispering \| worrying
The Informer (1935)	The Informer (Adagio)	1:21:15 - Gypo imagines Frankie's poster	antagonist \| hallucinating \| hallucination \| leading man \| mysterious \| street \| suspension \| traitor \| transition
The Informer (1935)	Blood Money (Ostinato)	1:27:32 - Rebels come to capture Gypo	antagonist \| climax \| leading man \| mysterious \| ostinato \| rebel \| room \| sneaking \| tense \| traitor \| whispering
The Informer (1935)	Blood Money (Tuttissimo)	1:28:53 - Gypo stumbles into a church	antagonist \| church \| climax \| dirge \| dissonant bass \| dominant pedal \| dying \| half-diminished 7th chord \| leading man \| mysterious \| street \| stumbling \| tense \| traitor \| walking \| whole-tone \| whole-tone chord
Key Largo (1948)	Largo Hotel (Quasi Misterioso)	0:11:00 - Frank and Nora talk in the hotel	conversing \| establish character \| hotel \| leading lady \| leading man \| mysterious \| tense
Key Largo (1948)	Rocco 2 (Subito)	0:12:07 - Nora sees Curly	dangerous \| establish character \| gangster \| hotel \| leading lady \| mysterious \| watching
Key Largo (1948)	McCloud (Misterioso)	0:12:13 - Nora walks downstairs	establish character \| gangster \| hotel \| leading lady \| mysterious \| walking \| watching
Key Largo (1948)	Rocco 2 (Molto Misterioso)	0:12:22 - Curly walks down the hall	dangerous \| establish character \| gangster \| hotel \| mysterious \| walking \| watching
Key Largo (1948)	Rocco 3	0:25:37 - Curly pushes Nora	dangerous \| establish character \| gangster \| gun \| hotel \| leading man \| mysterious \| stinger \| threatening \| violence
Key Largo (1948)	Rocco 3 (Misterioso)	0:28:45 - Sawyer starts moaning in the other room	boss \| conflict \| gangster \| gun \| hostage \| hotel \| leading lady \| leading man \| menacing \| mysterious \| threatening
Key Largo (1948)	Tension	0:28:58 - Sawyer stands up	conflict \| gangster \| hostage \| hotel \| menacing \| mysterious \| police \| standing
Key Largo (1948)	Rocco 2 (Slowly) + McCloud (Tritone)	0:32:57 - McCloud quotes FDR	angry \| boss \| combination of themes \| conflict \| conversing \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| mysterious \| quoting \| stinger
Key Largo (1948)	Rocco 2	0:33:53 - Rocco talks to Nora	boss \| conflict \| dangerous \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| mysterious \| threatening
Key Largo (1948)	Rocco 3	0:39:45 - Rocco looks at Nora	boss \| conflict \| creepy \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| mysterious \| tense \| watching
Key Largo (1948)	Rocco Whispers	0:39:53 - Rocco whispers to Nora	boss \| conflict \| creepy \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| mickey-mousing \| mysterious \| tense \| whisper effect \| whispering
Key Largo (1948)	Rocco 3	0:40:06 - Rocco follows Nora	boss \| conflict \| creepy \| father \| following \| gangster \| hostage \| hotel \| leading lady \| leading man \| mysterious \| tense
Key Largo (1948)	Rocco Whispers	0:40:10 - Rocco whispers to Nora	boss \| conflict \| creepy \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| mickey-mousing \| mysterious \| tense \| whisper effect \| whispering
Key Largo (1948)	Rocco 2 (Counterfeit Money)	1:20:36 - Gangster examines the counterfeit money	advance plot \| boss \| gangster \| hotel \| money \| mysterious \| observing
Key Largo (1948)	Rocco 3 (Counterfeit Money)	1:20:45 - Gangster examines the counterfeit money	advance plot \| boss \| gangster \| hotel \| money \| mysterious \| observing
Key Largo (1948)	Rocco Whispers	1:24:08 - Rocco whispers in Nora's ear	advance plot \| boss \| gangster \| hotel \| leading lady \| mysterious \| tense \| whisper effect \| whispering
Key Largo (1948)	Underscoring (Tense)	1:24:37 - Gaye watches Rocco	advance plot \| boss \| gangster \| hotel \| leaving \| mysterious \| packing \| preparing \| tense \| underscoring
Key Largo (1948)	Climbing down	1:35:31 - McCloud climbs down	boat \| climbing \| conflict \| descending \| leading man \| mickey-mousing \| mysterious \| tense
The Letter (1940)	Native	0:01:21 - Men sleeping in hammocks	Dorian mode \| dripping \| establish location \| exoticism \| gamelan \| gunshot \| Indonesian music \| melodic cell \| mysterious \| native \| on-screen music \| panning shot \| pentatonic \| plantation \| playing music \| quintal chord \| setting \| Singapore \| sleeping
The Letter (1940)	Leslie (Shimmery)	0:02:57 - Leslie stands over the dead body	cloud \| death \| half-diminished 7th chord \| home \| leading lady \| moon \| murder \| murderer \| murder scene \| mysterious \| oscillation \| parallelism \| plantation \| sequence \| suspension \| watching
The Letter (1940)	Underscoring (Mysterious)	0:04:29 - Leslie leaves the room	Dorian mode \| home \| leaving \| murder scene \| mysterious \| servant \| underscoring
The Letter (1940)	Leslie (Mysterioissimo)	0:04:42 - A shadow appears	circle of fifths \| common-chord modulation \| foreign key modulation \| fragmentation \| home \| leading lady \| light \| looking \| murder scene \| mysterious \| oscillation \| parallel fifths \| servant \| turning on
The Letter (1940)	Leslie (Lacework)	0:04:55 - Worker picks up Leslie's lacework	changing meter \| crying \| foreign key modulation \| home \| leading lady \| murder scene \| mysterious \| oscillation \| sequence \| sequential modulation
The Letter (1940)	Letter (Sarcastic)	0:15:10 - Robert comforts Leslie	advance plot \| chromatic sequence \| conversing \| dissonant bass \| home \| leading lady \| mysterious \| sequence
The Letter (1940)	Murder	0:18:36 - Leslie reacts to the mention of murder	advance plot \| eating \| home \| leading lady \| major 7th chord \| murder \| mysterious \| oscillation \| stinger \| tense
The Letter (1940)	Leslie (Shimmery 2)	0:18:55 - Leslie stares at the full moon	changing meter \| home \| leading lady \| love scene \| moon \| mysterious \| oscillation \| sequence \| sequential modulation \| staring \| suspension
The Letter (1940)	Letter (Sarcastic)	0:19:45 - Robert looks at Leslie	chromatic sequence \| dissonant bass \| glance \| home \| leading lady \| longing \| love scene \| mysterious \| sequence \| staring
The Letter (1940)	Letter (Sarcastic)	0:22:41 - Leslie and Howard leave	advance plot \| chromatic sequence \| dissonant bass \| home \| lawyer \| leading lady \| leaving \| mysterious \| passionate \| sequence
The Letter (1940)	Leslie (Ominous)	0:22:58 - The site of the murder	advance plot \| augmentation \| call and response \| Chinese \| dramatic \| leading lady \| leaving \| mysterious \| plantation \| reveal \| shadow \| spying \| stinger \| tense \| watching \| widow
The Letter (1940)	Leslie (Mysterioso)	0:30:04 - Howard in his office	advance plot \| augmented major 7th chord \| lawyer \| mysterious \| office \| oscillation \| pc set \| quartal chord \| suspension \| tense \| thinking
The Letter (1940)	Leslie B (Screwyoso 2)	0:30:23 - Howard grabs the letter	advance plot \| lawyer \| letter \| mysterious \| office \| sequence \| tense \| thinking
The Letter (1940)	Mrs. Hammond (Lawyer)	0:30:45 - Ong speaks to Howard	advance plot \| Chinese \| lawyer \| leaving \| mysterious \| office \| pc set \| tritone
The Letter (1940)	Leslie (Walking)	0:30:58 - Leslie in jail	64 chord \| advance plot \| chromatic parallelism \| fragmentation \| leading lady \| mysterious \| oscillation \| prison \| walking
The Letter (1940)	Lento Mysterioso	0:50:37 - Leslie and Howard alone	advance plot \| altered dominant \| home \| lawyer \| leading lady \| mysterious \| planning \| sad \| upper pedal tone \| whole-tone chord
The Letter (1940)	Mrs. Hammond	0:51:49 - Howard and Leslie alone	advance plot \| Chinese \| home \| lawyer \| leading lady \| mysterious \| open fifth \| pacing \| parallel fifths \| pentatonic \| waiting
The Letter (1940)	Leslie (Lacework 2)	0:52:07 - Leslie does her lacework	advance plot \| changing meter \| conversing \| foreign key modulation \| home \| lacework \| lawyer \| leading lady \| mysterious \| oscillation \| sequence
The Letter (1940)	Leslie (Leaving)	0:53:20 - Howard and Leslie leave the house	added-note chord \| fragmentation \| lawyer \| leading lady \| leaving \| mysterious \| plantation \| sequence \| sequential modulation \| transition
The Letter (1940)	Mrs. Hammond (Grandioso)	0:53:54 - Leslie approaches the car	antagonist \| Chinese \| Chinese \| driving \| lawyer \| leading lady \| mysterious \| open fifth \| parallel fifths \| pedal tone \| pentatonic \| plantation \| transition
The Letter (1940)	Chinese Shop	0:55:30 - Howard and Leslie look around	antagonist \| Chinatown \| Chinese \| Chinese \| exotic \| exoticism \| lawyer \| layering \| leading lady \| Lydian mode \| mirroring \| mysterious \| open fifth \| parallel fifths \| parallelism \| polytonality \| quintal chord \| tense \| transition \| waiting \| walking
The Letter (1940)	Mrs. Hammond (Mysterioso)	0:56:29 - Howard and Leslie wait in the shop	antagonist \| Chinatown \| Chinese \| Chinese \| exotic \| lawyer \| leading lady \| mysterious \| open fifth \| parallel fifths \| parallelism \| pedal tone \| pentatonic \| shop \| tense \| transition \| waiting
The Letter (1940)	Mrs. Hammond (Dagger)	0:57:04 - Leslie looks at a Chinese dagger	antagonist \| Chinatown \| Chinese \| Chinese \| dagger \| exotic \| lawyer \| leading lady \| mysterious \| open fifth \| parallel fifths \| parallelism \| pedal tone \| pentatonic \| polytonality \| shop \| tense \| transition \| waiting
The Letter (1940)	Mrs. Hammond (Slowly)	0:57:27 - Howard and Leslie walk into the back room	antagonist \| Chinatown \| Chinese \| Chinese \| conflict \| lawyer \| leading lady \| mysterious \| pentatonic \| quintal chord \| shop \| walking
The Letter (1940)	Glass Curtains	0:59:08 - Mrs. Hammond enters through the glass curtain	antagonist \| Chinatown \| Chinese \| chromatic scale \| conflict \| curtain \| entering \| glass \| lawyer \| layering \| leading lady \| mirroring \| mysterious \| ostinato \| parallelism \| pc set \| polyrhythm \| shop \| staring \| tense \| tinkling \| tone cluster \| waiting \| whole-tone \| whole-tone chord
The Letter (1940)	Mrs. Hammond + Glass Curtains	1:00:13 - Leslie faces Mrs. Hammond	antagonist \| Chinatown \| Chinese \| Chinese \| chromatic scale \| combination of themes \| conflict \| conversing \| curtain \| glass \| lawyer \| layering \| leading lady \| mirroring \| mysterious \| ostinato \| parallelism \| paying \| pc set \| pentatonic \| polyrhythm \| shop \| staring \| tense \| tinkling \| tone cluster \| waiting \| whole-tone \| whole-tone chord
The Letter (1940)	Leslie + Glass Curtains	1:01:27 - Leslie removes her shawl	antagonist \| Chinatown \| Chinese \| Chinese \| chromatic scale \| combination of themes \| conflict \| conversing \| curtain \| glass \| lawyer \| layering \| leading lady \| mirroring \| mysterious \| oscillation \| ostinato \| parallelism \| pc set \| polyrhythm \| sequence \| shop \| staring \| tense \| tinkling \| tone cluster \| waiting \| whole-tone \| whole-tone chord
The Letter (1940)	Leslie B + Glass Curtains	1:01:57 - Leslie approaches Mrs. Hammond	antagonist \| Chinatown \| Chinese \| chromatic scale \| combination of themes \| conflict \| confronting \| curtain \| glass \| lawyer \| layering \| leading lady \| mirroring \| mysterious \| ostinato \| parallelism \| pc set \| polyrhythm \| sequence \| shop \| staring \| tense \| tinkling \| tone cluster \| walking \| whole-tone \| whole-tone chord
The Letter (1940)	Glass Curtains	1:02:21 - Leslie faces Mr. Hammond	antagonist \| Chinatown \| Chinese \| chromatic scale \| conflict \| confronting \| curtain \| glass \| lawyer \| layering \| leading lady \| mirroring \| mysterious \| ostinato \| parallelism \| pc set \| polyrhythm \| shop \| staring \| tense \| tinkling \| tone cluster \| whole-tone \| whole-tone chord
The Letter (1940)	Mrs. Hammond (Contempt) + Glass Curtains	1:02:40 - Leslie stoops down to pick up the letter	antagonist \| Chinatown \| Chinese \| Chinese \| chromatic scale \| combination of themes \| conflict \| confronting \| contempt \| curtain \| glass \| lawyer \| layering \| leading lady \| mirroring \| mysterious \| ostinato \| parallelism \| pc set \| pentatonic \| polyrhythm \| shop \| staring \| stooping \| tense \| tinkling \| tone cluster \| whole-tone \| whole-tone chord
The Letter (1940)	Leslie B (Dark) + Glass Curtains	1:02:50 - Leslie looks at the letter	antagonist \| Chinatown \| Chinese \| chromatic scale \| combination of themes \| conflict \| confronting \| curtain \| dark \| glass \| lawyer \| layering \| leading lady \| mirroring \| mysterious \| ostinato \| parallelism \| pc set \| polyrhythm \| sequence \| shop \| staring \| tense \| tinkling \| tone cluster \| whole-tone \| whole-tone chord
The Letter (1940)	Mrs. Hammond (Solemn) + Glass Curtains	1:03:08 - Leslie and Howard leave	antagonist \| Chinatown \| Chinese \| Chinese \| chromatic scale \| combination of themes \| conflict \| curtain \| glass \| lawyer \| layering \| leading lady \| mirroring \| mysterious \| ostinato \| parallelism \| pc set \| pentatonic \| polyrhythm \| shop \| solemn \| staring \| tinkling \| tone cluster \| whole-tone \| whole-tone chord
The Letter (1940)	Mrs. Hammond + Foxtrot No. 1	1:20:02 - Ong is seen in the mirror	advance plot \| antagonist \| calm \| combination of themes \| dagger \| dance music \| dropping \| foxtrot \| home \| leading lady \| mysterious \| open fifth \| parallel fifths \| pentatonic \| source music
The Letter (1940)	Mrs. Hammond + Foxtrot No. 1 B	1:21:15 - Leslie looks around	advance plot \| Chinese \| combination of themes \| dagger \| dance music \| foxtrot \| home \| leading lady \| looking \| mysterious \| open fifth \| parallel fifths \| pentatonic \| polymeter \| polytonality \| source music \| tense
The Letter (1940)	Underscoring (Mysterious)	1:26:07 - Leslie talks to Robert	climax \| conversing \| home \| husband \| leading lady \| mysterious \| open fifth \| oscillation \| pedal tone \| staring \| underscoring
The Letter (1940)	Mrs. Hammond (Missing Dagger)	1:29:49 - Leslie opens the door	Chinese \| climax \| dagger \| door \| gentle \| home \| leading lady \| mysterious \| open fifth \| opening \| parallel fifths \| parallelism \| pentatonic
The Letter (1940)	Shadow	1:30:30 - Leslie leaves the house	chromatic parallelism \| climax \| leading lady \| major triad \| mysterious \| plantation \| polychord \| shadow \| walking
The Letter (1940)	Native (Climactic)	1:30:42 - Leslie walks through her garden	climax \| crying \| Dorian mode \| exoticism \| gamelan \| Indonesian music \| leading lady \| mysterious \| panning shot \| parallelism \| plantation \| setting \| somber \| walking
The Letter (1940)	Deception (Appassionato)	1:31:18 - Close-up of Leslie	climax \| crying \| leading lady \| mysterious \| pc set \| Phrygian mode \| plantation \| somber \| walking
The Letter (1940)	Mrs. Hammond (Ambush)	1:31:55 - Leslie moves through the gate	Aeolian mode \| antagonist \| Chinese \| climax \| dark \| leading lady \| mysterious \| open fifth \| parallel fifths \| parallelism \| pentatonic \| plantation \| walking
Lightning Strikes Twice (1951)	Trev (Screwy)	0:18:19 - Trev hands a candle to Shelly	actor \| candle \| conversing \| establish character \| leading lady \| leading man \| mysterious \| room \| suspect \| tense \| uneasy
Lightning Strikes Twice (1951)	Blows out candle	0:19:35 - Shelly blows out a candle	actor \| blowing \| candle \| establish character \| leading lady \| light \| mickey-mousing \| mysterious \| room \| turning off
Lightning Strikes Twice (1951)	Shelly + Shelly 2 (Molto Misterioso)	0:24:05 - Shelly looks around the ranch	actor \| arriving \| calm \| combination of themes \| leading lady \| mysterious \| ranch \| transition \| walking
Lightning Strikes Twice (1951)	Father Paul (Carriage)	0:35:13 - Priest riding in a carriage	arriving \| carriage \| dog \| flashback \| galloping \| horse \| leading man \| mysterious \| priest \| ranch \| suspect \| traveling \| upbeat \| voice-over
Lightning Strikes Twice (1951)	Trev (Misterioso)	0:40:30 - Shelly and Liza talk	actor \| advance plot \| conversing \| glass \| leading lady \| mysterious \| rancher \| street \| underscoring \| uneasy \| walking
Lightning Strikes Twice (1951)	Menace (Molto Misterioso)	0:50:38 - Liza leaves the room	actor \| car \| leading lady \| leaving \| luggage \| mysterious \| packing \| ranch \| rancher \| somber \| tense \| transition
Lightning Strikes Twice (1951)	Shelly and Trev (Misterioso)	1:09:40 - Shelly and Myra talk	actor \| advance plot \| conversing \| leading lady \| mother \| mysterious \| owner \| room \| tense
Lightning Strikes Twice (1951)	Pulls doorknob	1:16:03 - Shelly pulls off the doorknob	actor \| danger \| doorknob \| husband \| leading lady \| leading man \| love scene \| mickey-mousing \| mysterious \| pulling \| room \| suspect \| suspicion \| tense
Lightning Strikes Twice (1951)	Menace (Misterioso)	1:19:48 - Trev calls Harvey	arguing \| conversing \| husband \| leading man \| mad scene \| mysterious \| room \| suspect \| suspense \| telephone
Mildred Pierce (1945)	Underscoring (Tense)	0:11:13 - Policemen investigate the scene	action scene \| altered dominant \| beach \| conversing \| dissonant bass \| friend \| mysterious \| police \| searching \| sequence \| tense \| underscoring \| victim
Mildred Pierce (1945)	Mildred sits	0:14:11 - Mildred sits down	advance plot \| heroine \| leading lady \| mickey-mousing \| mysterious \| police station \| sitting
Mildred Pierce (1945)	Kay and Veda (Misterioso)	0:54:01 - Bert tells Mildred that Kay is sick	bad news \| conversing \| dark \| death scene \| distress \| ex-husband \| heroine \| leading lady \| mysterious \| ominous \| stinger \| street \| turning point \| whole-tone scale
Mildred Pierce (1945)	It Can't Be Wrong (Molto Misterioso)	1:42:42 - Mildred learns that Monte has betrayed her	9th chord \| bankruptcy \| betrayal \| dark \| familiar tune \| friend \| heroine \| leading lady \| love theme \| memory \| mysterious \| pc set \| popular music \| realizing \| room \| somber \| turning point \| whole-tone chord
We Are Not Alone (1939)	Surprise Symphony (Fixing the Lights)	0:23:27 - David tries to fix the lights	11th chord \| advance plot \| boy \| child \| classical music \| familiar tune \| father \| foreign key modulation \| fragmentation \| Haydn \| helping \| hero \| home \| mysterious \| playful \| quotation \| working
We Are Not Alone (1939)	Surprise Symphony (Sneaky)	0:51:52 - David goes to bed	added-note chord \| advance plot \| antagonist \| classical music \| cook \| diminution \| familiar tune \| Haydn \| hero \| heroine \| home \| mickey-mousing \| mysterious \| quotation \| room \| sneaking \| somber
We Are Not Alone (1939)	Underscoring (Mysterious)	1:36:37 - David walks down a prison corridor	advance plot \| anticipation \| guard \| hero \| heroine \| mysterious \| prison \| underscoring \| walking
White Heat (1949)	Underscoring (Mysterious)	0:05:27 - Gangsters listen to the radio	announcer \| car \| establish character \| gangster \| listening \| mysterious \| radio \| street \| underscoring
White Heat (1949)	Plotting (Extended)	0:12:45 - Ma warns Cody that Zuckie may talk	dark \| death \| gangster \| leading lady \| leading man \| moll \| mother \| murderer \| murder scene \| mysterious \| plotting \| victim \| warning \| yard
White Heat (1949)	Plotting (Ugly)	0:13:06 - Cotton goes to kill Zuckie	dark \| death \| gangster \| gun \| leading lady \| leading man \| moll \| mother \| murderer \| murder scene \| mysterious \| victim \| walking \| yard
White Heat (1949)	Underscoring (Mysterious)	0:14:51 - The agents talk	agent \| clue \| dark \| investigating \| investigation scene \| morgue \| mysterious \| police \| underscoring
White Heat (1949)	Misterioso	0:16:34 - Aerial view of the city	city \| dark \| mysterious \| panning shot \| transition
White Heat (1949)	Agents	0:18:49 - Agent leaves a phone booth	agent \| car \| mysterious \| sneaking \| street \| telephone \| transition \| walking
White Heat (1949)	Agents (Planning)	0:19:32 - Agents talk on the car phone	advance plot \| agent \| car \| conversing \| dark \| following \| mysterious \| observing \| planning \| street \| telephone
White Heat (1949)	Plotting (Mysterious)	0:29:13 - Verna and Ma leave the police station	agent \| leading lady \| leading man \| moll \| mother \| mysterious \| police station \| transition \| walking
White Heat (1949)	Misterioso (Tense)	0:40:12 - Hank looks around	advance plot \| gangster \| leading man \| looking \| murderer \| mysterious \| photograph \| prison \| prisoner \| tense \| undercover agent \| underscoring
White Heat (1949)	Misterioso (Ominous)	0:40:51 - The prisoners talk	advance plot \| conversing \| gangster \| leading man \| murderer \| mysterious \| ominous \| prison \| prisoner \| tense \| undercover agent \| underscoring
White Heat (1949)	Thinking	0:41:34 - Prisoners talk about money	advance plot \| conversing \| gangster \| leading man \| murderer \| mysterious \| prison \| prisoner \| tense \| thinking \| undercover agent
White Heat (1949)	Underscoring (Mysterious)	0:44:42 - Parker sneaks	gangster \| leading man \| murderer \| murder scene \| mysterious \| prison \| prisoner \| sneaking \| undercover agent \| underscoring \| working
White Heat (1949)	Misterioso (Straitjacket)	1:04:07 - The warden talks with Cody	conversing \| doctor \| gangster \| guard \| leading man \| murderer \| mysterious \| prison \| prison break \| prisoner \| straitjacket \| tense \| underscoring \| warden
White Heat (1949)	Plotting (Tense)	1:04:33 - Tommy brings food to Cody	carrying \| doctor \| feeding \| food \| gangster \| guard \| leading man \| murderer \| mysterious \| prison \| prison break \| prisoner \| straitjacket \| tense \| warden
White Heat (1949)	Misterioso (Tense 2)	1:04:48 - Tommy loosens Cody's straitjacket	doctor \| gangster \| guard \| gun \| leading man \| loosening \| murderer \| mysterious \| prison \| prison break \| prisoner \| releasing \| straitjacket \| tense \| untying \| warden
White Heat (1949)	Cody (Pulls Gun)	1:05:05 - Cody stands up	doctor \| dramatic \| gangster \| guard \| gun \| leading man \| loosening \| murderer \| mysterious \| prison \| prison break \| prisoner \| releasing \| straitjacket \| tense \| untying \| warden
White Heat (1949)	Cody 2 (Molto Misterioso)	1:09:13 - Cody adjusts his hat in the mirror	dressing \| fugitive \| gangster \| hat \| leading man \| mirror \| murderer \| mysterious \| prison break \| room \| tense
White Heat (1949)	Plotting (Sneaking)	1:14:09 - Verna sneaks down the stairs	action scene \| descending \| leading lady \| mickey-mousing \| moll \| mysterious \| room \| sneaking \| stairs \| tense
White Heat (1949)	Underscoring (Mysterious)	1:16:51 - Cody and Verna climb through the window	gangster \| gun \| leading lady \| leading man \| moll \| murderer \| murder scene \| mysterious \| room \| sneaking \| sneaking effect \| tense \| underscoring \| window
White Heat (1949)	Underscoring (Mysterious)	1:26:39 - Hank sneaks out	action scene \| mysterious \| sneaking \| undercover agent \| underscoring \| yard
White Heat (1949)	T-Men (Misterioso)	1:27:39 - Hank talks to Cody	advance plot \| arguing \| conversing \| fugitive \| gangster \| leading man \| murderer \| mysterious \| stinger \| undercover agent \| yard
White Heat (1949)	Agents + Pursuit (Montage)	1:38:33 - Police car in pursuit	agent \| antenna \| car \| car \| chase scene \| combination of themes \| double exposure \| electronic effect \| montage \| mysterious \| police station \| pursuing \| radio \| radio effect \| speeding \| street \| tense
White Heat (1949)	Bo Creel (Misterioso)	1:43:26 - Bo Creel tells Cody that Hank is a cop	action scene \| discovering \| discovery \| factory \| fugitive \| gangster \| guard \| leading man \| looking \| murderer \| mysterious \| realizing \| undercover agent
The Woman in White (1948)	Appearing	0:02:54 - The woman in white appears	appearing \| establish character \| forest \| leading lady \| leading man \| magical \| magical effect \| mickey-mousing \| mysterious
The Woman in White (1948)	Ann	0:03:00 - The woman in white talks to Walter	calling \| conversing \| establish character \| forest \| leading lady \| leading man \| mysterious
The Woman in White (1948)	Ann (Quasi Misterioso)	0:03:36 - Walter talks to the woman in white	conversing \| establish character \| forest \| leading lady \| leading man \| mysterious
The Woman in White (1948)	The Carman's Whistle (Accompaniment)	0:04:26 - The woman in white talks to Walter	conversing \| establish character \| forest \| leading lady \| leading man \| mysterious
The Woman in White (1948)	Ann (Molto Misterioso)	0:05:30 - Closeup on Count Fosco	carriage \| conversing \| establish character \| forest \| leading man \| mysterious
The Woman in White (1948)	Ann	0:11:38 - Walter talks with Count Fosco	advance plot \| butler \| conversing \| leading man \| mansion \| mysterious
The Woman in White (1948)	Fosco (Molto Misterioso)	0:19:16 - Fosco walks outside	advance plot \| garden \| leading man \| mysterious \| room \| tense \| walking \| watching
The Woman in White (1948)	Ann (Poco Agitato)	0:22:39 - Laura talks about a mysterious woman	butler \| conversing \| establish character \| family \| leading lady \| leading man \| mysterious \| room \| tense \| walking
The Woman in White (1948)	Underscoring (Mysterious)	0:23:16 - Fosco gets up to leave	butler \| conversing \| establish character \| family \| leading lady \| leading man \| mysterious \| room \| walking
The Woman in White (1948)	Ann (Misterioso)	0:29:34 - Fosco sees Laura outside	advance plot \| conversing \| leading lady \| leading man \| mysterious \| room \| tense \| watching
The Woman in White (1948)	Fosco (Spying)	0:31:31 - Fosco spies on Laura and Walter	advance plot \| garden \| leading lady \| leading man \| mysterious \| point-of-view shot \| snooping \| spying \| watching
The Woman in White (1948)	Pavan (Garden)	0:33:09 - Marian talks to Fosco	arguing \| conversing \| cousin \| falling in love scene \| garden \| instrument effect \| leading lady \| leading man \| mysterious \| Renaissance music \| somber \| watching
The Woman in White (1948)	Underscoring (Mysterious)	0:36:22 - Laura greets Sir Percival	advance plot \| conversing \| fiancé \| leading lady \| mansion \| mysterious \| underscoring
The Woman in White (1948)	Underscoring (Mysterious)	0:38:37 - Marian talks to Walter	advance plot \| bad news \| conversing \| cousin \| dark \| garden \| leading lady \| leading man \| mysterious \| stinger \| underscoring
The Woman in White (1948)	Ann	0:40:45 - The woman in white talks to Walter	advance plot \| conversing \| garden \| leading lady \| leading man \| mysterious \| tense
The Woman in White (1948)	Ann (Quasi Misterioso)	0:41:28 - The woman in white talks to Walter	advance plot \| conversing \| garden \| leading lady \| leading man \| mysterious
The Woman in White (1948)	Ann (Molto Misterioso)	0:42:52 - Walter talks to the woman in white	advance plot \| agitated \| conversing \| garden \| leading lady \| leading man \| mysterious
The Woman in White (1948)	Ann	0:43:08 - The woman in white talks to Walter	advance plot \| agitated \| conversing \| garden \| leading lady \| leading man \| mysterious
The Woman in White (1948)	Appearing	0:43:56 - The woman in white runs from Fosco	advance plot \| garden \| leading lady \| leading man \| magical \| mysterious \| running
The Woman in White (1948)	Ann	0:43:58 - The woman in white runs away	advance plot \| garden \| leading lady \| leading man \| mysterious \| running
The Woman in White (1948)	Underscoring (Mysterious)	0:45:40 - Laura enters the mansion	butler \| conflict \| conversing \| cousin \| fiancé \| leading lady \| mansion \| mysterious \| tense \| underscoring
The Woman in White (1948)	Ann (Agitato Quasi Misterioso)	0:46:28 - Walter argues with Marian	arguing \| butler \| conflict \| cousin \| leading lady \| leading man \| mansion \| mysterious \| stinger
The Woman in White (1948)	Underscoring (Mysterious)	0:56:12 - Sir Percival and a monkey	advance plot \| antagonist \| butler \| cigarette \| conversing \| cousin \| husband \| leading lady \| mansion \| monkey \| mysterious \| servant \| smoking \| stinger \| underscoring
The Woman in White (1948)	Ann (Misterioso Rubato)	0:58:22 - The countess excuses herself	advance plot \| antagonist \| butler \| conversing \| cousin \| departing \| husband \| leading lady \| mansion \| mysterious \| servant \| somber
The Woman in White (1948)	Fosco (Spying)	0:58:37 - Marian writes in her journal	advance plot \| cousin \| journal \| leading lady \| mysterious \| room \| somber \| thinking \| voice-over \| writing
The Woman in White (1948)	Fosco (Misterioso Slowly)	1:04:48 - Count Fosco leaves the room	advance plot \| antagonist \| conversing \| cousin \| criminal \| eavesdropping \| father \| husband \| leading lady \| leading man \| lightning \| mysterious \| room \| sneaking \| storm \| tense
The Woman in White (1948)	Pavan (Basses)	1:05:32 - Marian gets dressed	advance plot \| antagonist \| cousin \| criminal \| dressing \| leading lady \| leading man \| mysterious \| room \| shadow \| somber \| stinger \| surprising
The Woman in White (1948)	Fosco (Misterioso Moderato)	1:08:24 - Fosco is startled by a noise	antagonist \| butler \| conflict \| conversing \| cousin \| criminal \| leading lady \| leading man \| mysterious \| room
The Woman in White (1948)	Fosco (Marcato)	1:08:44 - Fosco talks to the servant	antagonist \| arguing \| butler \| confining \| conflict \| conversing \| cousin \| criminal \| dark \| leading lady \| leading man \| mysterious \| prisoner \| room
The Woman in White (1948)	Appearing	1:10:28 - The woman in white disappears	advance plot \| antagonist \| criminal \| doctor \| hiding \| husband \| leading lady \| leading man \| magical \| mysterious \| room \| running \| superimposed shot \| victim
The Woman in White (1948)	Ann (Accelerando)	1:12:32 - Fosco looks in the closet	agitated \| anger \| antagonist \| conflict \| criminal \| leading man \| mysterious \| room \| rushing \| searching \| walking
The Woman in White (1948)	Fosco (Screwy)	1:13:05 - The countess enters quietly	advance plot \| arriving \| helping \| mysterious \| room \| sneaking \| tense \| time lapse \| victim \| wife
The Woman in White (1948)	Fosco (Sneaking)	1:13:18 - The countess sneaks into Laura's room	advance plot \| helping \| illness \| leading lady \| mysterious \| room \| servant \| sleeping \| sneaking \| tense \| victim \| wife
The Woman in White (1948)	Fosco (Sneaking)	1:13:48 - The maid leaves	advance plot \| departing \| helping \| illness \| leading lady \| mysterious \| room \| servant \| sleeping \| sneaking \| tense \| victim \| wife
The Woman in White (1948)	Underscoring (Mysterious)	1:13:57 - The countess looks around	advance plot \| helping \| illness \| leading lady \| mysterious \| room \| sleeping \| sneaking \| tense \| underscoring \| victim \| wife
The Woman in White (1948)	Hypnosis (Misterioso con moto)	1:16:57 - The countess talks to the woman in white	conversing \| death scene \| leading lady \| mysterious \| room \| tense \| victim \| wife
The Woman in White (1948)	Ann	1:17:56 - The woman in white talks to Laura	conversing \| death scene \| leading lady \| mysterious \| room \| victim \| wife
The Woman in White (1948)	Hypnosis	1:18:17 - The woman in white hears Fosco's voice	death scene \| hearing voices \| leading lady \| madness \| mysterious \| room \| tense \| victim \| wife
The Woman in White (1948)	Fosco (Misterioso)	1:18:29 - The woman in white hears Sir Percival's voice	antagonist \| arriving \| criminal \| death scene \| hearing voices \| husband \| leading lady \| madness \| mysterious \| room \| screaming \| shock \| surprise \| tense \| victim \| wife
The Woman in White (1948)	Ann (Misterioso)	1:21:57 - Marian talks to Walter	cemetery \| cousin \| crying \| funeral \| funeral \| leading lady \| leading man \| mysterious \| somber \| spying
The Woman in White (1948)	Asylum + Ann	1:24:50 - Close-up on Count Fosco	antagonist \| asylum \| combination of themes \| criminal \| dark \| husband \| hypnosis \| hypnotist \| hypnotizing \| leading lady \| leading man \| lighting change \| mad scene \| murderer \| mysterious \| thematic transference \| victim
The Woman in White (1948)	Asylum + Ann + Hypnosis	1:25:26 - Laura looks at Sir Percival	antagonist \| asylum \| combination of themes \| criminal \| dark \| husband \| hypnosis \| hypnotist \| hypnotizing \| leading lady \| leading man \| mad scene \| murderer \| mysterious \| victim
The Woman in White (1948)	Ann	1:26:55 - Laura speaks to Count Fosco	antagonist \| asylum \| criminal \| husband \| hypnosis \| hypnotist \| hypnotizing \| leading lady \| leading man \| mad scene \| murderer \| mysterious \| staring \| victim
The Woman in White (1948)	Asylum + Ann + Hypnosis	1:27:35 - Laura hears Count Fosco's voice in her head	asylum \| combination of themes \| hearing voices \| hypnosis \| leading lady \| mad scene \| mysterious \| sneaking \| tense \| victim
The Woman in White (1948)	Ann	1:28:02 - Laura exchanges the keys	asylum \| hypnosis \| key \| leading lady \| mad scene \| mysterious \| sneaking \| tense \| victim
The Woman in White (1948)	Ann (Sleeping)	1:34:27 - Laura in her bed in the asylum	asylum \| comedy \| dark \| key \| leading lady \| mysterious \| patient \| sleeping \| victim \| wife \| worker \| working
The Woman in White (1948)	Appearing	1:34:51 - Laura emerges from her room	asylum \| escape \| escaping \| hiding \| leading lady \| magical \| mickey-mousing \| mysterious \| patient \| sneaking \| victim \| wife
The Woman in White (1948)	Ann	1:34:57 - Laura sneaks down the hallway	asylum \| escape \| escaping \| hiding \| leading lady \| mysterious \| patient \| sneaking \| victim \| wife
The Woman in White (1948)	Appearing	1:35:26 - Laura takes a key	asylum \| escape \| escaping \| hiding \| key \| leading lady \| mickey-mousing \| mysterious \| patient \| sneaking \| victim \| wife
The Woman in White (1948)	Ann	1:35:32 - Laura heads for the exit	asylum \| escape \| escaping \| hiding \| key \| leading lady \| mysterious \| patient \| sneaking \| victim \| wife
The Woman in White (1948)	Appearing	1:35:44 - Laura appears outside	asylum \| escape \| escaping \| leading lady \| mickey-mousing \| mysterious \| patient \| sneaking \| street \| victim \| wife
The Woman in White (1948)	Ann	1:35:51 - Laura exits the asylum gate	asylum \| escape \| escaping \| leading lady \| mysterious \| patient \| sneaking \| street \| victim \| wife
The Woman in White (1948)	Ann (Not in Score)	1:44:24 - Count Fosco talks to the Countess	climax \| conversing \| criminal \| friend \| leading lady \| leading man \| love interest \| murderer \| mysterious \| necklace \| room \| transcribed by ear \| wife
The Woman in White (1948)	Fosco (Screwy)	1:44:42 - The Countess walks across the room	climax \| criminal \| friend \| leading lady \| leading man \| love interest \| murderer \| mysterious \| necklace \| room \| sneaking \| walking \| wife
The Woman in White (1948)	Fosco (Sneaking)	1:44:51 - The Countess walks across the room	climax \| criminal \| friend \| leading lady \| leading man \| love interest \| murderer \| mysterious \| necklace \| room \| sneaking \| walking \| wife
The Woman in White (1948)	Fosco (Soft)	1:45:18 - The Count talks to Marian	arriving \| climax \| conversing \| criminal \| friend \| leading lady \| leading man \| love interest \| murderer \| mysterious \| necklace \| room \| wife
The Public Defender (1931)	Mystery	0:00:45 - Cast list and balancing scales	augmented triad \| balancing \| cast list \| chromaticism \| main title \| mysterious \| mystery \| opening title sequence \| pc set \| transcribed by ear \| whole-tone chord
The Public Defender (1931)	Mystery (Bank Closed)	0:01:25 - Notice posted on the door	arguing \| chromaticism \| crowd \| mysterious \| mystery \| noise \| pc set \| street \| transcribed by ear \| transition
The Public Defender (1931)	Mystery (Sandwich)	0:15:25 - A mysterious hand puts a secret note in a sandwich	advance plot \| antagonist \| chromaticism \| hand \| mysterious \| mystery \| party \| pc set \| sneaking \| transcribed by ear
The Public Defender (1931)	Mystery (Note)	0:16:14 - Man discovers mysterious note in sandwich	advance plot \| augmented triad \| banker \| chromaticism \| discovery \| dramatic \| eating \| mysterious \| mystery \| party \| pc set \| sandwich \| source and scoring overlap \| transcribed by ear \| waiter
Is My Face Red? (1932)	Transition	0:01:22 - Speeding truck and a door	diminished 7th chord \| establish setting \| mysterious \| poster \| street \| transcribed by ear \| transition
Penguin Pool Murder (1932)	Penguin Pool Murder	0:00:23 - Main title, starring list, and cast list	cast list \| chromatic parallelism \| diminution \| diving \| double exposure \| dramatic \| hemiola \| linear chromaticism \| mysterious \| opening title sequence \| penguin \| pool \| starring list \| swimming \| tense \| thematic transformation \| through-composed \| title of film \| transcribed by ear \| whirlpool \| whole-tone \| whole-tone chord
Penguin Pool Murder (1932)	Sidewalks of New York (Aquarium)	0:01:00 - Outside of aquarium	calm \| establish setting \| foreign key modulation \| harbor \| mysterious \| setting \| transcribed by ear
Penguin Pool Murder (1932)	Sea Creatures	0:01:39 - A shark, an octopus, and a fish	establish setting \| fish \| mysterious \| octopus \| shark \| swimming \| tense \| transcribed by ear \| tritone \| underwater \| whole-tone
The Phantom of Crestwood (1932)	Misterioso No. 1	0:00:21 - A radio broadcast	announcer \| broadcast \| mysterious \| on-screen music \| opening title sequence \| orchestra \| playing \| radio \| source music \| transcribed by ear
The Phantom of Crestwood (1932)	Crestwood A	0:01:51 - Title over the image of a dark seascape	diminished 7th chord \| mickey-mousing \| mysterious \| opening title sequence \| title of film \| transcribed by ear
The Phantom of Crestwood (1932)	Crestwood B	0:02:08 - Title and Cast list	cast list \| diminished 7th chord \| mysterious \| opening title sequence \| sequence \| transcribed by ear
The Phantom of Crestwood (1932)	Crestwood C	0:02:18 - Cast list and the first scene	cast list \| Lydian mode \| mysterious \| opening title sequence \| parallelism \| transcribed by ear
Thirteen Women (1932)	Ursula (Horoscope)	0:08:56 - The swami talks to Ursula	antagonist \| conversing \| establish character \| fate \| fortune teller \| leading lady \| mysterious \| predicting \| quintal chord \| room \| somber \| swami \| transcribed by ear
Thirteen Women (1932)	Ursula (Fate)	0:09:11 - The swami predicts Ursula's fate	antagonist \| conversing \| dark \| establish character \| fate \| fortune teller \| half-diminished 7th chord \| leading lady \| mickey-mousing \| mysterious \| predicting \| room \| somber \| stinger \| swami \| train whistle \| transcribed by ear
Thirteen Women (1932)	The Swami (Rising Tension)	0:09:53 - The swami shrinks from Ursula's gaze	antagonist \| conversing \| establish character \| fate \| fortune teller \| leading lady \| mysterious \| parallelism \| room \| swami \| tense \| transcribed by ear
Thirteen Women (1932)	Ursula (Hypnotic)	0:10:05 - Ursula hypnotizes the swami	antagonist \| diminished 7th chord \| establish character \| fortune teller \| hypnotic \| hypnotizing \| leading lady \| mysterious \| room \| seductive \| sleeping \| swami \| transcribed by ear
Thirteen Women (1932)	The Swami (Sleeping)	0:10:46 - Ursula leaves the swami	antagonist \| establish character \| fortune teller \| leading lady \| mysterious \| room \| sleeping \| swami \| transcribed by ear \| whole-tone \| whole-tone chord
Thirteen Women (1932)	Ursula (Horoscope)	0:10:57 - Ursula looks at the horoscope	advance plot \| antagonist \| appoggiatura \| horoscope \| leading lady \| march-like \| mysterious \| reading \| room \| transcribed by ear
Thirteen Women (1932)	Ursula (Exotic)	0:11:45 - Ursula forges the swami's signature	advance plot \| antagonist \| dark \| exotic \| exoticism \| forging \| Gypsy major scale \| horoscope \| leading lady \| mysterious \| ostinato \| room \| signing \| transcribed by ear
Thirteen Women (1932)	Ursula (Exotic 2)	0:33:52 - Ursula talks to Burns	advance plot \| conversing \| dark \| exotic \| exoticism \| Gypsy major scale \| leading lady \| love interest \| mysterious \| ostinato \| room \| transcribed by ear
Thirteen Women (1932)	Ursula (Exotic)	0:34:06 - Ursula argues with Burns	advance plot \| arguing \| dark \| exotic \| exoticism \| Gypsy major scale \| leading lady \| love interest \| mysterious \| ostinato \| room \| transcribed by ear
Before Dawn (1933)	Before Dawn A	0:00:15 - Title over the image of hands grasping money	coin \| dark \| diminished 7th chord \| double exposure \| grabbing \| hand \| money \| mysterious \| opening title sequence \| self-borrowing \| title of film \| transcribed by ear
Before Dawn (1933)	Before Dawn B	0:00:32 - Title and Cast list over a skull	cast list \| diminished 7th chord \| double exposure \| mysterious \| opening title sequence \| self-borrowing \| sequence \| skull \| transcribed by ear
Before Dawn (1933)	Before Dawn C	0:00:44 - Cast list over walking feet	cast list \| double exposure \| Lydian mode \| mysterious \| opening title sequence \| parallelism \| self-borrowing \| transcribed by ear \| walking
Headline Shooter (1933)	Transition	0:01:23 - Video cast list	diminished 7th chord \| establish setting \| mysterious \| poster \| reused recording \| street \| transcribed by ear
Murder on the Blackboard (1934)	Blackboard Murder	0:00:31 - Title of the film and cast list	altered dominant \| blackboard \| dark \| mysterious \| opening title sequence \| ostinato \| transcribed by ear
Murder on the Blackboard (1934)	The Janitor	0:01:30 - A janitor gets out of bed	diminished 7th chord \| dressing \| establish character \| janitor \| mysterious \| parallelism \| school \| transcribed by ear \| waking \| walking
Murder on the Blackboard (1934)	Blackboard Murder (Mysterious)	0:01:52 - A janitor goes about his work	establish character \| janitor \| mysterious \| school \| transcribed by ear \| walking
Star of Midnight (1935)	Midnight in Manhattan	0:00:34 - Cast list	added-note chord \| altered dominant \| cast list \| chromatic scale \| mode mixture \| mysterious \| opening title sequence \| sentimental \| transcribed by ear
Don’t Turn ‘em Loose (1936)	Crestwood A	0:00:00 - RKO radio tower	dark \| diminished 7th chord \| mysterious \| opening title sequence \| radio tower \| title of film \| transcribed by ear
Don’t Turn ‘em Loose (1936)	Crestwood B	0:00:17 - Cast list	cast list \| diminished 7th chord \| mysterious \| opening title sequence \| sequence \| transcribed by ear
Don’t Turn ‘em Loose (1936)	Crestwood C	0:00:27 - Cast list	cast list \| guard \| Lydian mode \| mysterious \| opening title sequence \| parallelism \| prison \| prisoner \| transcribed by ear
Don’t Turn ‘em Loose (1936)	Suicide Transition	0:26:55 - Bob sits	augmented triad \| chromatic parallelism \| dissonant bass \| gangster \| guard \| gun \| gunshot \| imposter \| leading man \| mysterious \| parallelism \| plotting \| preparing \| reading \| robbery \| room \| sequence \| shooting \| store \| transcribed by ear \| whole-tone \| whole-tone chord
Don’t Turn ‘em Loose (1936)	Mystery	0:28:14 - Bob (Bat) steals a necklace	breaking \| chromaticism \| gangster \| imposter \| leading man \| mysterious \| necklace \| pc set \| robbery \| robbery \| room \| stealing \| transcribed by ear
Don’t Turn ‘em Loose (1936)	Suicide Transition 2	0:28:29 - Bob (Bat) bandanges his hand	bandaging \| chromatic scale \| gangster \| imposter \| leading man \| mysterious \| returning \| robbery \| room \| transcribed by ear \| whole-tone chord
We're Only Human (1935)	Crestwood A	0:00:13 - Title of the film	dark \| diminished 7th chord \| mysterious \| opening title sequence \| starring list \| title of film \| transcribed by ear
We're Only Human (1935)	Crestwood B	0:00:21 - Cast list	diminished 7th chord \| mysterious \| opening title sequence \| sequence \| transcribed by ear
We're Only Human (1935)	Crestwood C	0:00:31 - Cast list	Lydian mode \| mysterious \| opening title sequence \| parallelism \| transcribed by ear
We're Only Human (1935)	Blood Money (Four Coins)	0:27:37 - Pete and Danny hide	action scene \| bank \| detective \| gangster \| half-diminished 7th chord \| hiding \| leading man \| mysterious \| preparing \| sneaking \| tense
We're Only Human (1935)	Kong 2	0:28:34 - Pete handcuffs a criminal	action scene \| bank \| detective \| dramatic \| fighting \| gangster \| leading man \| mysterious \| tense \| whole-tone \| whole-tone chord
We're Only Human (1935)	Blood Money (Extended)	0:28:58 - Pete walks away with the criminal	action scene \| arguing \| augmented triad \| bank \| detective \| gangster \| leading man \| mysterious \| tense \| tritone \| whole-tone
We're Only Human (1935)	Game 3	1:02:23 - Approaching the house	chromatic parallelism \| chromatic parallelism \| climax \| conflict \| detective \| leading lady \| leading man \| mysterious \| pc set \| reporter \| sneaking \| tense \| victim \| yard
We're Only Human (1935)	Russian Waltz (Pizzicato)	1:02:55 - Spying on the house	climax \| conflict \| detective \| leading lady \| leading man \| mysterious \| reporter \| sneaking \| tense \| victim \| yard
We're Only Human (1935)	Saroff	1:03:07 - They argue	arguing \| chromatic scale \| climax \| conflict \| detective \| leading lady \| leading man \| mysterious \| reporter \| tense \| victim \| whole-tone \| whole-tone chord \| yard
We're Only Human (1935)	The Informer (Burning Poster) + Blood Money	1:03:25 - A man falls to the ground	climax \| conflict \| crawling \| detective \| diminished 7th chord \| dying \| gunshot \| leading lady \| leading man \| mysterious \| octatonic \| reporter \| Scotch snap \| shooting \| tense \| tone cluster \| victim \| yard
We're Only Human (1935)	The Informer (Tense)	1:04:11 - Pete prepares to enter the house	climax \| conflict \| detective \| leading man \| mysterious \| Scotch snap \| sneaking \| tense \| whole-tone \| whole-tone chord \| yard
We're Only Human (1935)	Blood Money (Counting Money)	1:05:25 - Pete looks at the fallen man	climax \| conflict \| detective \| gangster \| leading man \| murderer \| mysterious \| room \| sneaking \| tense \| tone cluster
Another Face (1935)	Success at any Price Transition	0:00:58 - Times Square in New York City	car \| conversing \| deceptive resolution \| driving \| establish setting \| foreign key modulation \| gangster \| laughing \| mysterious \| street \| sultry
Another Face (1935)	Lover's Quarrel	0:01:38 - Gangsters get out of a car	arriving \| establish setting \| gangster \| mysterious \| office \| sequence \| street \| walking
Another Face (1935)	Suicide Transition	0:01:57 - Gangsters arrive at doctor's office	arriving \| conversing \| doctor \| establish setting \| gangster \| mysterious \| office \| parallelism \| pedal tone
Another Face (1935)	Russian Waltz (Meno) + The Iron Door	0:02:11 - Gangsters talk with doctor	chromatic scale \| combination of themes \| conversing \| doctor \| establish character \| gangster \| mysterious \| nurse \| office \| pedal tone \| tense
Another Face (1935)	Zaroff (Molto Moderato) + The Iron Door	0:02:43 - The gangsters depart	chromatic scale \| combination of themes \| conversing \| departing \| doctor \| establish character \| gangster \| half-diminished 7th chord \| mysterious \| nurse \| office \| tense
Another Face (1935)	Ursula (Hypnotic)	0:03:21 - An operation	diminished 7th chord \| doctor \| gangster \| mysterious \| nurse \| operating \| operating room \| operation scene \| patient \| surgery
Another Face (1935)	The Swami (Sleeping)	0:03:42 - The nurse gets supplies	doctor \| gangster \| mysterious \| nurse \| operating \| operating room \| operation scene \| patient \| surgery \| whole-tone \| whole-tone chord
Another Face (1935)	Russian Waltz (Whole Tone)	0:03:55 - The operation continues	doctor \| gangster \| mysterious \| nurse \| operating \| operating room \| operation scene \| patient \| surgery \| whole-tone chord
Another Face (1935)	Courage (Tone Cluster)	0:04:26 - Gangster all bandaged up	conversing \| departing \| doctor \| gangster \| half-diminished 7th chord \| mysterious \| nurse \| operating room \| operation scene \| patient \| whole-tone chord
Without Honor (1949)	Molto Misterioso	0:05:03 - Jane walks to the door	adulterer \| affair \| conversing \| establish character \| leading lady \| leading man \| love interest \| mysterious \| room \| tense
Without Honor (1949)	Dog	0:05:12 - Jane finds the dog	adulterer \| affair \| conversing \| dog \| establish character \| leading lady \| leading man \| light \| love interest \| mysterious \| playful \| room
Without Honor (1949)	Twilight (Agitato)	0:08:54 - Jane talks to Dennis	adulterer \| affair \| arguing \| breaking up \| breakup \| crying \| death scene \| kitchen \| leading lady \| leading man \| love interest \| mysterious \| ominous \| tense
Without Honor (1949)	Fingers	0:10:54 - Jane's fingers start twitching	addicent \| adulterer \| corpse \| crazed \| death \| death scene \| hand \| kitchen \| knife \| leading lady \| leading man \| love interest \| mysterious \| reacting \| skewer \| tense \| thinking \| twitching
Without Honor (1949)	Here Comes the Bride (Misterioso)	0:12:40 - Jane's wedding picture	advance plot \| audible thoughts \| leading lady \| mysterious \| photograph \| room \| thinking
Without Honor (1949)	Girl Scouts (Mysterious)	0:16:31 - The girl scouts offer to help	advance plot \| child \| conversing \| leading lady \| mysterious \| room \| scout
Without Honor (1949)	Misterioso	0:22:17 - Jane reacts	antagonist \| brother \| conflict \| kitchen \| leading lady \| leading man \| mysterious \| taunting \| tense
The Most Dangerous Game (1932)	The Iron Door	0:00:14 - Large iron door	castle \| cast list \| door \| door knocker \| knocking \| mysterious \| opening \| opening title sequence \| statue \| tense \| title of film \| zoom in \| zoom out
The Most Dangerous Game (1932)	The Iron Door (Collapsing)	0:08:23 - Bob collapses on the beach	action scene \| beach \| calm \| collapsing \| falling \| foreshadowing \| leading man \| mysterious \| ship wreck
The Most Dangerous Game (1932)	The Iron Door (Waking)	0:08:31 - Bob slowly wakes	barking \| beach \| establish setting \| leading man \| mysterious \| rising \| screaming \| waking
The Most Dangerous Game (1932)	Getting up	0:08:51 - Bob rises to his feet	barking \| beach \| establish setting \| leading man \| looking \| mickey-mousing \| mysterious \| rising \| standing \| tense
The Most Dangerous Game (1932)	Sneaking	0:09:54 - Bob approaches the iron door	arriving \| castle \| door \| door knocker \| establish setting \| leading man \| mickey-mousing \| mysterious \| sneaking \| statue \| walking
The Most Dangerous Game (1932)	Russian Waltz (Upstairs)	0:26:51 - Eve goes up the stairs	advance plot \| ascending \| brother \| castle \| conversing \| count \| departing \| drunk \| leading lady \| leading man \| mickey-mousing \| mute \| mysterious \| servant \| source to score \| stairs \| tense \| walking
The Most Dangerous Game (1932)	Zaroff (Stinger)	0:27:05 - A closeup on Ivan	advance plot \| brother \| castle \| close-up \| conversing \| count \| drunk \| leading lady \| leading man \| mute \| mysterious \| servant \| stinger \| tense
The Most Dangerous Game (1932)	Russian Waltz (Whole Tone) + The Iron Door	0:29:10 - Bob wakes up	barking \| bed \| castle \| combination of themes \| door \| knocking \| leading lady \| leading man \| mysterious \| opening \| sleeping \| turning point \| waking
The Most Dangerous Game (1932)	Underscoring (Mysterious)	0:29:31 - Bob gets up	barking \| castle \| leading lady \| leading man \| mysterious \| rising \| turning point \| underscoring
The Most Dangerous Game (1932)	The Iron Door (Mysterioso)	0:30:12 - Bob talks with Eve	candle \| castle \| conversing \| foreshadowing \| leading lady \| leading man \| mysterious \| stinger \| turning point
The Most Dangerous Game (1932)	Russian Waltz (Sneaking)	0:30:29 - Bob and Eve sneak downstairs	candle \| castle \| descending \| leading lady \| leading man \| mysterious \| sneaking \| tense \| turning point \| walking
The Most Dangerous Game (1932)	The Approach (Sneaking)	0:30:39 - Bob and Eve sneak downstairs	candle \| castle \| descending \| leading lady \| leading man \| mysterious \| sneaking \| tense \| turning point \| walking
The Most Dangerous Game (1932)	Zaroff (Very Mysterious)	0:30:58 - Bob and Eve enter the trophy room	candle \| castle \| descending \| leading lady \| leading man \| mickey-mousing \| mysterious \| sneaking \| turning point \| walking
The Most Dangerous Game (1932)	Zaroff (Sneaking)	0:31:29 - Bob and Eve look around	candle \| castle \| descending \| leading lady \| leading man \| mysterious \| searching \| sneaking \| turning point \| walking
The Most Dangerous Game (1932)	Courage (Tone Cluster)	0:41:32 - Bob builds a trap	action scene \| jungle \| knife \| leading lady \| leading man \| mysterious \| preparing \| stinger \| tense \| trap \| victim
The Most Dangerous Game (1932)	Courage (Hiding)	0:42:33 - Bob and Eve watch and wait	action scene \| combination of themes \| count \| hiding \| hunting \| jungle \| knife \| leading lady \| leading man \| mysterious \| sneaking \| stalking \| tense \| trap \| victim \| villain \| waiting \| watching
The Most Dangerous Game (1932)	Zaroff (Hunting) + The Iron Door	0:43:48 - Zaroff talks to Bob	action scene \| combination of themes \| count \| dark \| hiding \| hunting \| jungle \| knife \| leading lady \| leading man \| mysterious \| sneaking \| stalking \| victim \| villain \| waiting \| watching
Caged (1950)	Isolation Ward (Dark)	1:17:27 - Shadows on Marie's face	dark \| departing \| dissonant bass \| guard \| isolation \| leading lady \| mad scene \| mysterious \| ominous \| oscillation \| polychord \| prison \| prisoner \| shadow \| solitary \| staring \| uneasy \| walking
Caged (1950)	Water Dripping	1:17:52 - Marie in solitary	audible thoughts \| dark \| dripping \| guard \| hysteria \| isolation \| leading lady \| mad scene \| melodic cell \| mickey-mousing \| mysterious \| pacing \| pc set \| prison \| prisoner \| tense \| thinking \| uneasy \| water \| water effect
Caged (1950)	Water Dripping + Caged (Tense)	NIF - not in film	9th chord \| chromatic parallelism \| chromatic sequence \| combination of themes \| cut from film \| dark \| dissonant bass \| hysteria \| isolation \| leading lady \| mad scene \| melodic cell \| mickey-mousing \| mysterious \| ostinato \| prison \| prisoner \| sigh gesture \| tense \| uneasy \| water effect
Caged (1950)	Water Dripping + Foxtrot	NIF - not in film	11th chord \| combination of themes \| cut from film \| deceptive resolution \| eerie \| foxtrot \| hysteria \| isolation \| mad scene \| mickey-mousing \| mysterious \| prison \| uneasy \| water effect
Caged (1950)	Water Dripping	NIF - not in film	cut from film \| dark \| hysteria \| isolation \| mad scene \| mickey-mousing \| mysterious \| prison \| tense \| uneasy \| water effect
Caged (1950)	Water Dripping + Marie 2	NIF - not in film	combination of themes \| cut from film \| hysteria \| isolation \| mad scene \| mickey-mousing \| mysterious \| prison \| tender \| uneasy \| water effect
Caged (1950)	Water Dripping (Frantic)	NIF - not in film	chromatic parallelism \| chromatic scale \| cut from film \| dark \| dissonant bass \| frantic \| hysteria \| isolation \| mad scene \| mickey-mousing \| mysterious \| parallel 63s \| pc set \| prison \| tense \| uneasy \| water effect
Caged (1950)	Water Dripping (Molto Expressivo)	1:18:15 - Marie in solitary	9th chord \| crying \| dissonant bass \| dripping \| hysteria \| isolation \| leading lady \| mad scene \| mickey-mousing \| mickey-mousing \| minor-major 7th chord \| mysterious \| prison \| prisoner \| tense \| uneasy \| water \| water effect \| wipe \| yelling
Mara Maru (1952)	Misterioso	0:12:16 - Gregory talks to Stella	arguing \| conversing \| establish character \| leading lady \| leading man \| mysterious \| room \| stinger \| tense
Mara Maru (1952)	Underscoring (Mysterious)	0:14:26 - Gregory walks down the street	leading man \| mysterious \| private eye \| spying \| street \| transition \| walking
Mara Maru (1952)	Sneaking away	0:14:35 - Two men sneak away	leading man \| mickey-mousing \| mysterious \| private eye \| sneaking \| spying \| street \| transition
Mara Maru (1952)	Gregory (Quasi Misterioso)	0:38:51 - Stella talks to Benedict	\| advance plot \| antagonist \| conversing \| leading lady \| mysterious \| room
Mara Maru (1952)	Ortega	0:40:26 - Gregory talks with Ortega	arguing \| brother \| conversing \| distrust \| establish character \| leading man \| mysterious \| room \| tense
Mara Maru (1952)	Ortega	0:41:50 - Gregory tosses Ortega's keys	arguing \| brother \| distrust \| establish character \| gun \| leading man \| mysterious \| room \| tense
Mara Maru (1952)	Ortega	0:58:27 - Gregory talks to Stella about Ortega	conversing \| cross \| leading lady \| leading man \| love interest \| love scene \| mysterious \| sailing \| ship \| ship \| tense
Mara Maru (1952)	Benedict (Sabotage)	1:02:14 - Ranier sneaks away	action scene \| antagonist \| bodyguard \| captain \| close-up \| diver \| diving \| leading lady \| leading man \| love interest \| mysterious \| ocean \| private eye \| radio \| sabotaging \| saboteur \| ship \| ship \| sneaking \| suspenseful \| swimming \| traitor \| underscoring \| underwater \| worker
Mara Maru (1952)	Benedict (Misterioso)	1:06:32 - Benedict talks with Stella	antagonist \| conversing \| leading lady \| love interest \| mysterious \| plotting \| reveal character \| ship \| ship \| tense \| turning point
Mara Maru (1952)	Benedict (Bored to Death)	1:07:34 - Benedict threatens to kill Gregory	antagonist \| conversing \| dark \| leading lady \| love interest \| mysterious \| ominous \| plotting \| reveal character \| ship \| ship \| stinger \| tense \| threat \| turning point
Mara Maru (1952)	Underwater (Slow)	1:13:16 - A close-up on Gregory's face	action scene \| captain \| diver \| diving \| diving suit \| exploring \| fish \| leading man \| mysterious \| ocean \| point-of-view shot \| ship \| swimming \| underwater \| walking \| water effect
Mara Maru (1952)	Underwater (Fish)	1:13:38 - A close-up on Gregory's face	action scene \| captain \| diver \| diving \| diving suit \| exploring \| fish \| leading man \| mysterious \| ocean \| seaweed \| ship \| swimming \| underwater \| walking \| water effect
Mara Maru (1952)	Underwater (Fish)	1:13:56 - Gregory moves toward the sunken boat	action scene \| captain \| close-up \| diver \| diving \| diving suit \| double exposure \| exploring \| fish \| leading man \| mysterious \| ocean \| ship \| swimming \| underwater \| walking \| water effect
Mara Maru (1952)	Underscoring (Mysterious)	1:16:15 - Gregory opens a door	action scene \| boat \| captain \| diver \| diving \| diving suit \| leading man \| mysterious \| ocean \| opening \| ship \| tense \| treasure \| underscoring \| underwater \| working
Mara Maru (1952)	Underwater (Fish)	1:18:09 - Fish swimming	action scene \| boat \| captain \| carrying \| close-up \| diver \| diving \| diving suit \| fish \| leading man \| mysterious \| ocean \| ship \| swimming \| treasure \| underwater
Mara Maru (1952)	Benedict	1:31:19 - Benedict arrives at the church	antagonist \| arriving \| bodyguard \| car \| departing \| driver \| leading lady \| love interest \| murderer \| mysterious \| spying \| street \| tense \| transition \| watching
Mara Maru (1952)	Molto Misterioso	1:31:38 - Gregory explores the catacombs	advance plot \| catacomb \| cave \| cross \| echo \| echo effect \| following \| leading man \| mysterious \| searching \| suspsect \| tunnel
Mara Maru (1952)	Underscoring (Dramatic)	1:31:56 - Ortega tries to escape	advance plot \| catacomb \| cave \| cross \| dramatic \| following \| leading man \| mysterious \| searching \| suspsect \| throwing \| tunnel \| underscoring
Mara Maru (1952)	Grabbing	1:32:13 - Gregory grabs Ortega	advance plot \| arguing \| catacomb \| cave \| cross \| dramatic \| grabbing \| interrogating \| leading man \| mickey-mousing \| mysterious \| suspsect \| tunnel
Mara Maru (1952)	Benedict (Agitato)	1:32:39 - Ortega accuses Benedict	advance plot \| agitated \| arguing \| catacomb \| cave \| cross \| interrogating \| leading man \| mysterious \| suspsect \| tunnel \| uneasy
Mara Maru (1952)	Mara Maru (Ethereal)	1:36:15 - Gregory meets Stella and Manuelo	arriving \| catacomb \| cave \| leading lady \| leading man \| love interest \| martyr \| mysterious \| reacting \| resolution \| solemn \| tunnel \| victim \| worker

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