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561 results for "mysterious" in 43 films — see also ominous | secret

FilmTheme nameInstanceTags
All This, and Heaven Too (1940)Henriette (Proud)0:08:21 - Mr. Field encourages Henrietteadded-note chord | deceptive arrival | establish character | hopeful | leading lady | minister | mode mixture | mysterious | pedal tone | principal | reassuring | reverse Picardy | school | student | teacher

All This, and Heaven Too (1940)

Henriette (Lento)0:10:20 - Henriette on a shipboat | dissonant bass | flashback | foreign key modulation | hopeful | leading lady | mysterious | pedal tone | storytelling | tense | traveling

All This, and Heaven Too (1940)

Ascending0:13:37 - Henriette meets the caretakeraltered dominant | caretaker | conversing | half-diminished 7th chord | leading lady | mysterious | street | transition | underscoring

All This, and Heaven Too (1940)

The Duke (Quasi Mysterioso)0:14:49 - Henriette hears the Duke and Duchess arguingarriving | butler | common-chord modulation | deceptive resolution | duchess | duke | establish setting | interrupting | leading lady | leading man | mysterious | room | tense

All This, and Heaven Too (1940)

Raynald (Mysterioso)0:44:22 - Raynald talks with Henrietteadvance plot | child | conversing | courtyard | deceptive resolution | duke | governess | happy | leading lady | leading man | mysterious

All This, and Heaven Too (1940)

Underscoring (Mysterious)0:46:43 - The Duchess stares at Henriettechromatic wedge | conversing | duchess | governess | leading lady | linear chromaticism | mysterious | pc set | room | transition | underscoring

All This, and Heaven Too (1940)

Henriette (Mysterioso)0:56:02 - A newspaper clippingadvance plot | gossiper | gossiping | mysterious | newspaper | room | tense

All This, and Heaven Too (1940)

Underscoring (Mysterious)0:56:57 - The Duchess entersadvance plot | child | conversing | governess | half-diminished 7th chord | leading lady | maid | mysterious | room | tense | trouble | underscoring

All This, and Heaven Too (1940)

Henriette (Gossiping) + Spring Time (Gossiping)1:47:25 - Henriette's landlady talks to the Dukeawkward | child | combination of themes | duke | gossiper | gossiping | landlady | leading lady | leading man | mysterious | reunion scene | room | somber | tense | watching

All This, and Heaven Too (1940)

Desperation (Mysterioso)2:17:47 - Henriette narrates her storychild | leading lady | mysterious | resolution | school | storytelling | student | teacher | tense
The Amazing Dr. Clitterhouse (1938)The Amazing Doctor0:20:05 - Dr. Clitterhouse enters Hotel Sequin42 chord | advance plot | chromatic parallelism | dark | dissonant bass | doctor | half-diminished 7th chord | leading man | lobby | mysterious | quartal chord | sign | thief | walking

The Amazing Dr. Clitterhouse (1938)

How Dry I Am0:20:16 - People in a hotel lobbyadvance plot | dark | gangster | lobby | mysterious | on-screen music | scored source music | whistling

The Amazing Dr. Clitterhouse (1938)

The Amazing Doctor (Meeting)0:21:30 - Dr. Clitterhouse is taken upstairs64 chord | advance plot | chromatic parallelism | conversing | doctor | fragmentation | gangster | leading man | lobby | mysterious | pedal tone | sequence | thief

The Amazing Dr. Clitterhouse (1938)

The Fur Store0:44:20 - Truck arrives at the United Fur Co.chromatic parallelism | darkness | half-diminished 7th chord | mysterious | pedal tone | store | street | suspenseful | transition | truck

The Amazing Dr. Clitterhouse (1938)

Night Watchman0:44:29 - Watchman arrives at the storedarkness | dissonant bass | flashlight | guard | half-diminished 7th chord | keys | mysterious | opening | robbery | store | suspenseful | walking | working

The Amazing Dr. Clitterhouse (1938)

Walking0:44:39 - The watchman walksaugmented sixth chord | darkness | flashlight | guard | half-diminished 7th chord | mickey-mousing | mysterious | robbery | store | suspenseful | walking | working

The Amazing Dr. Clitterhouse (1938)

Turning on light0:44:51 - The watchman turns on a lightaugmented sixth chord | guard | lamp | light | light | mickey-mousing | mysterious | robbery | store | suspenseful | turning on

The Amazing Dr. Clitterhouse (1938)

Night Watchman (Light and Shadow)0:44:51 - The watchman goes about his workaugmented sixth chord | criminal | flashlight | gangster | guard | mysterious | robbery | shadow | store | suspenseful | walking | working

The Amazing Dr. Clitterhouse (1938)

Night Watchman (Knocked Out)0:45:04 - Watchman knocked out on the floor9th chord | chromatic parallelism | crime | criminal | diminished 7th chord | gangster | guard | mysterious | robbery | stealing | store | thief

The Amazing Dr. Clitterhouse (1938)

Underscoring (Mysterious)0:45:26 - Criminals on the rooftop42 chord | carrying | chromatic parallelism | chromatic scale | crime | criminal | dissonant bass | gangster | half-diminished 7th chord | mysterious | robbery | rooftop | sneaking | sneaky | stairs | stealing | thief | tossing | underscoring | walking | whole-tone

The Amazing Dr. Clitterhouse (1938)

Tossing bags0:45:31 - Criminals toss bags of furs off of the roofbag | crime | criminal | gangster | mickey-mousing | mysterious | robbery | rooftop | sneaky | thief | tossing

The Amazing Dr. Clitterhouse (1938)

Spiraling down0:47:38 - Doctor goes down the stairs9th chord | criminal | descending | diminished 7th chord | doctor | gangster | leading man | mickey-mousing | mysterious | robbery | spiraling | store | tense | thief | walking

The Amazing Dr. Clitterhouse (1938)

Underscoring (Mysterious)0:57:58 - Dr. Clitterhouse talks with Joconversing | doctor | gangster | leading lady | leading man | love scene | mysterious | room | tense

The Amazing Dr. Clitterhouse (1938)

The Poison Victim1:07:50 - Rocks is poisoneddissonant | doctor | gangster | leading lady | leading man | murder | murderer | murdering | murder scene | mysterious | office | parallel fifths | poison | poisoning | quartal chord | tense | tone cluster | tritone
Angels With Dirty Faces (1938)The Gangster (Headlines)0:07:21 - Newspaper headlinedark | establish character | headline | main title | montage | mysterious | newspaper | octatonic scale | pedal tone | street

Angels With Dirty Faces (1938)

Underscoring (Mysterious)0:07:26 - Rocky talks with his lawyeradvance plot | conversing | dark | dissonant bass | gangster | lawyer | leading man | mysterious | prison | prisoner | underscoring

Angels With Dirty Faces (1938)

Car slowing down0:42:10 - Car slows downadvance plot | arriving | car | gangster | garage | lawyer | linear chromaticism | mysterious | sequence | slowing | stopping

Angels With Dirty Faces (1938)

Sanctus (Mysterioso)1:05:33 - Jerry looks at note from Rockyadvance plot | charity | classical music | common-chord modulation | friendship | leading man | letter | mode mixture | money | mysterious | pedal tone | priest | room | sacred | source to score | thinking

Angels With Dirty Faces (1938)

Underscoring (Mysterious)1:05:58 - Jerry goes to meet Rockyadvance plot | arriving | gangster | leading man | mickey-mousing | mysterious | pedal tone | priest | room | underscoring | waiting

Angels With Dirty Faces (1938)

Underscoring (Mysterious)1:09:33 - Jerry leaves42 chord | gangster | leading man | leaving | money | montage | mysterious | priest | room | turning point

Angels With Dirty Faces (1938)

Tossing money1:09:33 - Jerry throws Rocky's money on the table42 chord | gangster | leading man | mickey-mousing | money | mysterious | priest | room | tossing | turning point

Angels With Dirty Faces (1938)

Jerry (Hostage)1:25:07 - Rocky pushes Jerry augmented sixth chord | conflict | double-cross | gangster | hostage | leading man | mysterious | priest | pushing | street | tense
Are These Our Children? (1931)Dreams + Makes You Forget Your Troubles (Allegro)NIF - not in filmcut from film | mysterious | octatonic | somber | whole-tone chord | whole-tone scale

Are These Our Children? (1931)

Introduction0:24:14 - Boys in the washroomadvance plot | conversing | dance hall | friend | leading man | mysterious | transcribed by ear

Are These Our Children? (1931)

Dreams (Risoluto)0:48:55 - Newspaper headlinesdouble exposure | fragmentation | headline | montage | mysterious | newspaper | sequential modulation | spinning | tense | thematic transformation

Are These Our Children? (1931)

Dreams (Transition 9)NIF - not in film9th chord | altered dominant | cut from film | dark | mysterious | pc set | tragic | whole-tone | whole-tone chord
Arsenic and Old Lace (1944)Sidewalks of New York (Misterioso)0:01:10 - New York City64 chord | added-note chord | card | city | establish place | familiar tune | mysterious | New York City | opening title sequence | tense

Arsenic and Old Lace (1944)

Happy Land (Lento)0:12:31 - The aunts talkadvance plot | aunt | brother | conversing | crazy person | familiar tune | foreign key modulation | gentle | leading lady | mysterious | plotting | room | sequence | tender | whole-tone chord | whole-tone scale

Arsenic and Old Lace (1944)

Wind blowing0:13:48 - Wind blows the curtains at the windowadvance plot | aunt | blowing | chromatic parallelism | leading lady | looking | mysterious | room | wind | wind effect

Arsenic and Old Lace (1944)

Underscoring (Mysterious)0:14:51 - Mortimer flirts with Elainebride | cemetery | conversing | flirting | groom | leading lady | leading man | love | love scene | mysterious | underscoring | whole-tone chord

Arsenic and Old Lace (1944)

The Aunts (Frightened)0:39:58 - The aunts see shadows at the dooraugmentation | aunt | conversing | crazy person | dark | establish character | fear | foreign key modulation | fragmentation | knocking | leading lady | murderer | mysterious | Neapolitan | ominous | parallel 63s | pedal tone | room | shadow | whispering

Arsenic and Old Lace (1944)

Scar (Misterioso)0:41:31 - They see the foodbrother | conversing | crazy person | criminal | doctor | establish character | leading man | mysterious | observing | pc set | polychord | room

Arsenic and Old Lace (1944)

Home Sweet Home (Expressivo) + Scar0:41:42 - Abby talks to Jonathanaltered dominant | augmented triad | aunt | brother | combination of themes | conversing | convincing | crazy person | criminal | distortion | doctor | establish character | expressive | familiar tune | leading lady | leading man | murderer | mysterious | ominous | room

Arsenic and Old Lace (1944)

Underscoring (Tense)0:42:08 - Jonathan talks to the auntsaunt | brother | conversing | crazy person | criminal | doctor | establish character | leading lady | leading man | murderer | mysterious | parallelism | room | tense | underscoring

Arsenic and Old Lace (1944)

Scar (Face)0:42:29 - Jonathan talks about his scaraugmented triad | aunt | brother | chromatic parallelism | conversing | crazy person | criminal | doctor | establish character | fragmentation | leading lady | leading man | murderer | mysterious | pc set | polychord | room | scar | tense

Arsenic and Old Lace (1944)

Mysterioso Pizzicato0:42:41 - Martha talks about scary moviesaunt | brother | conversing | crazy person | criminal | dissonant bass | doctor | establish character | familiar tune | leading lady | leading man | murderer | mysterious | room | scar | silent film music

Arsenic and Old Lace (1944)

The Aunts (Frightened)0:44:00 - The aunts go into the kitchenaugmentation | aunt | brother | conversing | crazy person | criminal | doctor | establish character | fear | foreign key modulation | fragmentation | leading lady | leading man | murderer | mysterious | Neapolitan | ominous | parallel 63s | pedal tone | room | walking | watching

Arsenic and Old Lace (1944)

The Aunts (Frightened)0:45:22 - The aunts peek through the kitchen windowaunt | brother | conversing | crazy person | criminal | doctor | establish character | face | fear | leading lady | leading man | murderer | mysterious | Neapolitan | ominous | parallel 63s | pedal tone | room | snooping | watching

Arsenic and Old Lace (1944)

Wind blowing 20:52:32 - The aunts walk to the windowadvance plot | aunt | blowing | chromatic parallelism | crazy person | half-diminished 7th chord | leading lady | looking | murderer | mysterious | room | wind | wind effect | window

Arsenic and Old Lace (1944)

Underscoring (Mysterious)0:54:01 - Aunt Abby goes up the stairsadvance plot | aunt | brother | crazy person | darkness | intimidating | leading lady | leading man | murderer | mysterious | room | silhouette | staring | underscoring

Arsenic and Old Lace (1944)

The Aunts (Molto Misterioso)0:54:12 - Aunt Abby faces Jonathanadvance plot | aunt | brother | crazy person | darkness | foreign key modulation | fragmentation | intimidating | leading lady | leading man | murderer | mysterious | parallel 63s | pedal tone | room | staring | walking

Arsenic and Old Lace (1944)

Underscoring (Tense)0:54:30 - Jonathan goes up the stairsadvance plot | brother | crazy person | darkness | leading man | murderer | mysterious | room | sneaking | tense | tone cluster | underscoring | walking

Arsenic and Old Lace (1944)

Happy Land (Dirge)0:54:54 - Teddy looks for the body in the darkadvance plot | brother | corpse | crazy person | creaking | darkness | dirge | familiar tune | mysterious | opening | pc set | room | sneaking | tense | walking | whole-tone chord

Arsenic and Old Lace (1944)

Jonathan 2 (Dark)0:57:04 - Jonathan exitsadvance plot | brother | chromatic scale | chromatic wedge | conversing | crazy person | dark | darkness | dissonant bass | doctor | falling | leading man | murderer | mysterious | pc set | polychord | room | stinger

Arsenic and Old Lace (1944)

How Dry I Am (Mysterious)1:32:25 - Einstein and Jonathan start to drink the winealcohol | brother | captive | conflict | crazy person | doctor | drinking | familiar tune | fear | leading man | murderer | mysterious | polychord | room | victim | whole-tone chord

Arsenic and Old Lace (1944)

Underscoring (Tense)1:32:35 - They toast to Mortimeralcohol | brother | captive | clinking | conflict | crazy person | doctor | fear | glass effect | leading man | murderer | mysterious | pc set | polychord | room | tense | toasting | underscoring | victim
Beyond the Forest (1949)Loyalton0:01:49 - The town of Loyalton, Wisconsincity | establish setting | mysterious | street | voice-over

Beyond the Forest (1949)

Train0:03:12 - A departing traindeparting | establish setting | mysterious | tense | train | train effect | train station | voice-over

Beyond the Forest (1949)

Train + Chicago0:03:20 - A departing trainaccompanied dialogue | combination of themes | departing | establish setting | familiar tune | mysterious | popular tune | tense | train | train effect | train station | voice-over

Beyond the Forest (1949)

Rosa (Molto Moderato Misterioso)0:04:33 - People in a courthousecourtroom | crowd | establish setting | juror | mysterious | stinger | trial | voice-over | waiting | watching

Beyond the Forest (1949)

Underscoring (Mysterious)0:05:09 - A fish in a streamcountryside | doctor | establish setting | fish | fishing | flashback | leading man | mysterious | underscoring | voice-over

Beyond the Forest (1949)

Underscoring (Mysterious)0:14:31 - Rosa grabs the keyadvance plot | cabin | friend | key | leading lady | mysterious | underscoring | walking | wife

Beyond the Forest (1949)

Running0:14:40 - Rosa runs to the lodgeadvance plot | leading lady | mickey-mousing | mysterious | ominous | outside | running | wife

Beyond the Forest (1949)

Underscoring (Mysterious)0:30:40 - Rosa reacts to her mailadvance plot | crumpling | leading lady | mail | mysterious | post office | reading | underscoring

Beyond the Forest (1949)

Rosa (Molto Misterioso)0:41:50 - Rosa smokes in bedadvance plot | bedroom | contemplating | leading lady | leading man | mysterious | smoking | wife

Beyond the Forest (1949)

Running (Quasi Misterioso)0:42:06 - Rosa looks through the account bookadvance plot | leading lady | mysterious | ominous | reading | room | wife | writing

Beyond the Forest (1949)

Rosa (Telephone)0:44:52 - Rosa makes a phone calladvance plot | calling | hotel | leading lady | mysterious | telephone | telephone effect

Beyond the Forest (1949)

Rosa (Misterioso)1:09:23 - Rosa looks through the binocularsanger | binoculars | forest | friend | hunting | husband | leading lady | leading man | looking | murder scene | mysterious | ominous | tense | victim

Beyond the Forest (1949)

Underscoring (Mysterious)1:16:20 - Rosa stares out the windowadvance plot | departing | leading lady | maid | murderer | mysterious | plotting | room | street | underscoring | walking | watching

Beyond the Forest (1949)

Running (A Little Heavier)1:16:28 - Rosa heads downstairsadvance plot | hurrying | leading lady | murderer | mysterious | plotting | room | tense

Beyond the Forest (1949)

Rosa (On the Run)1:17:21 - Rosa approaches a busadvance plot | bus | disguise | doctor | leading lady | leading man | murderer | mysterious | office | patient | runaway | running away | sneaking | street | watching

Beyond the Forest (1949)

Rosa (Sombre)1:17:53 - Lewis talks to a patientadvance plot | conversing | doctor | leading man | mysterious | office | patient | working

Beyond the Forest (1949)

Rosa (Cello Solo)1:18:09 - Rosa sitting in a chairadvance plot | disguise | leading lady | leading man | murderer | mysterious | office | sitting
The Big Sleep (1946)Walking0:01:26 - Carmen walks down the stairsarriving | daughter | deceptive resolution | descending | establish character | femme fatale | leading man | mysterious | parallelism | pedal tone | private eye | room | walking

The Big Sleep (1946)

Marlowe (Sly)0:02:12 - Marlowe and Carmen talkdaughter | establish character | femme fatale | flirting | leading man | mysterious | private eye | room

The Big Sleep (1946)

Carmen0:02:21 - Carmen in Marlowe's armsdaughter | establish character | femme fatale | flirting | half-diminished 7th chord | leading man | mysterious | oscillation | private eye | room | whole-tone chord

The Big Sleep (1946)

Walking0:13:02 - Marlowe leaves the mansionbutler | leading man | mysterious | parallelism | pedal tone | private eye | room | transition | walking

The Big Sleep (1946)

Marlowe (Molto Misterioso)0:13:20 - Marlowe goes to talk to librarianadvance plot | leading man | library | mysterious | pedal tone | private eye | researching | writing

The Big Sleep (1946)

Marlowe (Grazioso)0:13:46 - Marlowe puts on a disguiseadded-note chord | advance plot | disguise | disguising | half-diminished 7th chord | leading man | mysterious | private eye | street

The Big Sleep (1946)

Waiting0:18:15 - Marlowe talks to lady in bookstoreadded-note chord | altered dominant | book shop | chromatic scale | conversing | leading man | love interest | love scene | mode mixture | mysterious | oscillation | private eye | romantic

The Big Sleep (1946)

Marlowe (Agitato)0:19:05 - Marlowe gets in his caradded-note chord | car | following | leading man | mysterious | private eye | rain | street | tense | transition

The Big Sleep (1946)

Car0:19:13 - Car arrives at Geiger's housecar | driving | leading man | mysterious | private eye | rain | street | tense | transition

The Big Sleep (1946)

Hurrying0:19:26 - Geiger enters his houseantagonist | car | chromatic sequence | fragmentation | mysterious | parallelism | rain | street | tense | transition | walking

The Big Sleep (1946)

Marlowe (Misterioso)0:19:40 - Marlowe pulls up in his cararriving | car | half-diminished 7th chord | investigating | leading man | mysterious | private eye | rain | street | tense | transition

The Big Sleep (1946)

Marlowe 20:19:47 - Marlowe spies on the housecar | chromatic scale | investigating | investigation scene | leading man | mysterious | private eye | rain | street | tense | waiting

The Big Sleep (1946)

Running0:20:06 - Carmen runs to Geiger's housechromatic parallelism | dissonant bass | femme fatale | investigation scene | mysterious | rain | running | street | tense

The Big Sleep (1946)

Marlowe (Molto Misterioso)0:20:17 - Marlowe gets out to see the second carcar | investigating | investigation scene | leading man | mysterious | pedal tone | private eye | rain | street | tense | walking

The Big Sleep (1946)

Carmen0:20:39 - Marlowe sees Carmen's name on the car registrationcar | half-diminished 7th chord | investigating | investigation scene | leading man | mysterious | name on screen | oscillation | private eye | rain | street | tense | whole-tone chord

The Big Sleep (1946)

Underscoring (Mysterious)0:23:44 - Marlowe investigates the crime scenechromatic scale | investigating | investigation scene | leading man | mysterious | private eye | room | underscoring

The Big Sleep (1946)

Marlowe (Augmented)0:23:56 - Marlowe investigates the crime scenealtered dominant | augmentation | investigating | investigation scene | leading man | mickey-mousing | mysterious | private eye | room | snapping | thinking

The Big Sleep (1946)

Underscoring (Mysterious)0:24:05 - Marlowe advanceschromatic scale | investigating | investigation scene | leading man | mickey-mousing | mysterious | private eye | room | searching | whole-tone chord

The Big Sleep (1946)

Underscoring (Mysterious)NIF - not in filmadded-note chord | alternation | deleted scene | deleted scene | half-diminished 7th chord | investigating | investigation | leading man | mickey-mousing | mysterious | private eye | room | searching | underscoring | whole-tone chord

The Big Sleep (1946)

Turns light onNIF - not in filmdeleted scene | deleted scene | investigating | investigation | leading man | light | light switch | mickey-mousing | mysterious | private eye | room | searching | turning on | whole-tone chord

The Big Sleep (1946)

Turns light onNIF - not in filmdeleted scene | deleted scene | investigating | investigation | leading man | light | light switch | mickey-mousing | mysterious | private eye | room | searching | turning on | whole-tone chord

The Big Sleep (1946)

Water runningNIF - not in filmdeleted scene | deleted scene | faucet | flowing | half-diminished 7th chord | investigating | investigation | leading man | mickey-mousing | mysterious | oscillation | private eye | room | searching | water

The Big Sleep (1946)

WalkingNIF - not in filmdeleted scene | deleted scene | investigating | investigation | leading man | mysterious | parallelism | pedal tone | private eye | room | searching | tense

The Big Sleep (1946)

Underscoring (Tense)NIF - not in filmdeleted scene | deleted scene | investigating | investigation | leading man | mysterious | private eye | room | searching | tense

The Big Sleep (1946)

Carmen (Clues)NIF - not in filmclue | deleted scene | deleted scene | half-diminished 7th chord | investigating | investigation | key | leading man | mysterious | oscillation | private eye | room | searching | tense | whole-tone chord

The Big Sleep (1946)

Walking (Extended)NIF - not in filmdeleted scene | deleted scene | foreign key modulation | investigating | investigation | leading man | mysterious | parallelism | pedal tone | private eye | room | searching | tense | walking

The Big Sleep (1946)

Underscoring (Mysterious)0:24:09 - Marlowe searches for cluesinvestigating | investigation scene | leading man | mysterious | pc set | private eye | room | searching | secret code | whole-tone chord

The Big Sleep (1946)

Turning page0:24:20 - Marlowe turns the page in the code bookchromatic scale | clue | investigating | investigation scene | leading man | mysterious | private eye | room | searching | secret code | turning | whole-tone chord

The Big Sleep (1946)

Marlowe (Thinking)0:24:26 - Marlowe tries to solve the mysteryadded-note chord | chromatic parallelism | chromatic scale | clue | investigating | investigation scene | leading man | mysterious | private eye | room | secret code | thinking

The Big Sleep (1946)

Carmen (Drugged)NIF - not in filmdeleted scene | femme fatale | helping | investigation | leading man | mysterious | oscillation | ostinato | private eye | room | tense | tritone oscillation | whole-tone chord

The Big Sleep (1946)

Turns light offNIF - not in filmdeleted scene | femme fatale | investigation | leading man | light | light switch | mysterious | private eye | room | tense | turning off | whole-tone chord

The Big Sleep (1946)

Marlowe (Grazioso)0:25:28 - Marlowe asks Vivian to help with Carmenadded-note chord | advance plot | butler | conversing | femme fatale | half-diminished 7th chord | inserted scene | leading lady | leading man | mysterious | not in score | private eye | reused recording | room

The Big Sleep (1946)

Hurrying0:27:25 - Marlowe goes back to Geiger's housechromatic sequence | half-diminished 7th chord | investigating | investigation scene | leading man | mysterious | parallelism | private eye | street | walking

The Big Sleep (1946)

Marlowe (Misterioso)0:27:44 - Marlowe returns to the scene of the crimearriving | investigating | investigation scene | leading man | mysterious | private eye | room

The Big Sleep (1946)

Marlowe (Sneaking)0:28:16 - Marlowe investigates the crime scenedark | dissonant bass | investigating | investigation scene | leading man | mysterious | private eye | room | sneaking | tritone

The Big Sleep (1946)

Marlowe (Major)0:28:47 - Marlowe's name on his apartment doorarriving | leading man | mode mixture | mysterious | name on screen | noble | private eye | room | sequential modulation | transition

The Big Sleep (1946)

Marlowe (Grazioso)0:32:29 - Marlowe talks with Vivianadvance plot | conversing | half-diminished 7th chord | leading lady | leading man | mysterious | private eye | room

The Big Sleep (1946)

Hurrying0:38:45 - Marlowe walks to a cabcar | car | driver | hurrying | investigation scene | leading man | mysterious | private eye | taxi | tense | walking

The Big Sleep (1946)

Marlowe (Taxi)0:39:05 - Marlowe talks to the lady cab driver9th chord | car | car | chromatic scale | driver | driving | following | investigation scene | leading man | mysterious | private eye | taxi | tense

The Big Sleep (1946)

Station Wagon0:39:16 - Marlowe follows a station wagoncar | car | driver | driving | following | investigation scene | leading man | mysterious | private eye | taxi | tense

The Big Sleep (1946)

Walking 20:39:25 - Marlowe walks to the househalf-diminished 7th chord | investigating | investigation scene | leading man | mysterious | pc set | private eye | street | tense | walking

The Big Sleep (1946)

Hurrying0:39:41 - Marlowe walks back to the cabfragmentation | hurrying | investigation scene | leading man | mysterious | parallelism | private eye | sequence | street | tense | walking

The Big Sleep (1946)

Marlowe (Ear Music)0:46:52 - Marlowe thinksadvance plot | chromatic scale | fragmentation | leading man | mysterious | private eye | room | tense | thinking | whole-tone chord

The Big Sleep (1946)

Marlowe 2 (Waiting)0:47:11 - Marlowe waits in his car9th chord | car | driving | investigation scene | leading man | mysterious | private eye | tense | waiting

The Big Sleep (1946)

Car0:47:32 - Another car arrivesarriving | driving | investigation scene | leading man | mysterious | ostinato | private eye | street | tense | waiting

The Big Sleep (1946)

Running0:47:40 - Vivian enters the apartment buildingchromatic parallelism | dissonant bass | hurrying | investigating | investigation scene | leading lady | leading man | mysterious | private eye | street | tense | walking

The Big Sleep (1946)

Underscoring (Mysterious)0:48:15 - Marlowe talks to Joe Brodyblackmailer | chromatic parallelism | conversing | criminal | gun | investigation scene | leading man | mysterious | private eye | room | suspect | underscoring

The Big Sleep (1946)

Marlowe (Augmented)0:48:55 - Joe pulls a gun on Marlowealtered dominant | augmentation | blackmailer | conversing | criminal | gun | investigation scene | leading man | mysterious | private eye | room | suspect

The Big Sleep (1946)

Underscoring (Tense)0:51:31 - Joe reacts to the doorbell ringingblackmailer | chromatic parallelism | conflict | conversing | criminal | doorbell | gun | leading lady | leading man | mysterious | pc set | private eye | room | suspect | tense | tone cluster | underscoring | whole-tone chord

The Big Sleep (1946)

Carmen (Misterioso)0:52:18 - Joe gives the picture to Marloweblackmail | blackmailer | conflict | conversing | criminal | evidence | femme fatale | half-diminished 7th chord | leading lady | leading man | mysterious | private eye | room | suspect | whole-tone chord

The Big Sleep (1946)

Sternwood (Extended)0:52:29 - Carmen asks for her picture back9th chord | altered dominant | blackmail | chromatic parallelism | conflict | diminished 7th chord | evidence | femme fatale | flirting | leading lady | leading man | mysterious | pc set | private eye | room | seductive | whole-tone chord

The Big Sleep (1946)

Carmen (Violent)0:52:58 - Vivian and Carmen leaveblackmailer | conflict | criminal | dissonant bass | femme fatale | leading lady | leading man | leaving | mysterious | private eye | room | suspect | whole-tone | whole-tone chord

The Big Sleep (1946)

Marlowe (Misterioso)0:59:14 - Marlowe ties up Carolassassin | corpse | dark | half-diminished 7th chord | investigating | investigation scene | leading man | murderer | mysterious | pc set | private eye | room | rope | stinger | tying up

The Big Sleep (1946)

Marlowe (Ear Business)0:59:42 - Marlowe pulls on his earadded-note chord | corpse | fragmentation | investigating | investigation scene | leading man | mysterious | private eye | room | thinking

The Big Sleep (1946)

Marlowe 2 (Dialing)0:59:47 - Marlowe walks to the phonecalling | chromatic scale | corpse | dialing | half-diminished 7th chord | investigating | investigation scene | leading man | mysterious | private eye | room | spinning | tense

The Big Sleep (1946)

Vivian + Marlowe (Ear Business)NIF - not in filmadvance plot | altered dominant | combination of themes | conversing | cut from film | deleted scene | deleted scene | leading lady | leading man | love interest | mysterious | private eye | romantic | room | thinking | whole-tone

The Big Sleep (1946)

CarmenNIF - not in filmadvance plot | burning | calling | cut from film | deleted scene | deleted scene | half-diminished 7th chord | leading man | mysterious | phone | private eye | room | tense | whole-tone chord

The Big Sleep (1946)

Carmen (Clues)NIF - not in filmadvance plot | calling | cut from film | deleted scene | deleted scene | leading man | mysterious | phone | private eye | room | tense | whole-tone chord

The Big Sleep (1946)

Marlowe (Thinking)1:20:49 - Marlowe sits in a diner11th chord | added-note chord | advance plot | café | chromatic parallelism | fragmentation | leading man | mysterious | private eye | tense | thinking

The Big Sleep (1946)

Coin in phone1:21:04 - Marlowe puts a coin in the phoneadvance plot | café | coin | diminished 7th chord | dropping | leading man | mickey-mousing | mysterious | phone call | private eye | telephone

The Big Sleep (1946)

Phone dialing1:21:07 - Marlowe dials a phone number11th chord | advance plot | café | dialing | leading man | mickey-mousing | mysterious | ostinato | phone call | private eye | telephone | tense

The Big Sleep (1946)

Underscoring (Mysterious)1:21:19 - Marlowe speaks on the phoneadvance plot | café | chromatic scale | conversing | leading man | mysterious | pc set | phone call | private eye | tense | underscoring

The Big Sleep (1946)

Marlowe (Mysterious Organ)1:21:42 - Marlowe speaks to waitressadvance plot | café | conversing | leading lady | leading man | love interest | mysterious | pc set | phone call | private eye | tense

The Big Sleep (1946)

Underscoring (Mysterious)1:21:57 - Marlowe speaks with Vivian on the phoneadvance plot | café | chromatic parallelism | conversing | leading lady | leading man | linear chromaticism | love interest | mysterious | phone call | private eye | stinger | tense | underscoring

The Big Sleep (1946)

Marlowe (Investigating)1:22:38 - Marlowe looks at car registrationadded-note chord | investigating | investigation scene | leading man | mysterious | private eye | punching | sequence | street | tense

The Big Sleep (1946)

Jones1:23:24 - Jones entersadvance plot | chromatic parallelism | leading man | mysterious | parallelism | pedal tone | private eye | street | tense | walking

The Big Sleep (1946)

Recovering1:24:06 - Jones helps Marlowe upadvance plot | augmented triad | conversing | impressionism | leading man | mysterious | pain | private eye | street | whole-tone chord | whole-tone scale

The Big Sleep (1946)

Jones (Eavesdropping)1:27:22 - Marlowe hears Jones talking to someonechromatic parallelism | eavesdropping | hallway | investigation scene | leading man | mysterious | parallelism | pedal tone | private eye | sneaking | tense

The Big Sleep (1946)

Glass drops1:29:49 - Jones drops his glassbreaking | death | death scene | dropping | glass | leading man | mickey-mousing | murder | mysterious | pc set | poison | private eye | room | victim | violent

The Big Sleep (1946)

Jones falls1:29:50 - Jones falls and dieschromatic parallelism | death | death scene | dying | falling | leading man | major 7th chord | mickey-mousing | murder | mysterious | pc set | poison | private eye | room | victim | violent

The Big Sleep (1946)

Marlowe (Molto Misterioso)1:31:23 - Marlowe gets up to answer the phoneadded-note chord | conversing | death scene | informer | leading man | mysterious | pedal tone | phone call | private eye | room

The Big Sleep (1946)

Jones (Triste)1:32:02 - Marlowe leaves the officedeath scene | informer | leading man | mourning | mysterious | parallelism | pedal tone | private eye | room | somber

The Big Sleep (1946)

Jones (Suspenseful)1:35:47 - Marlowe talks to two thugsconflict | criminal | dark | diminution | investigating | leading man | lying | murderer | mysterious | parallelism | pedal tone | private eye | shop | suspenseful

The Big Sleep (1946)

Marlowe (Ear Music)1:36:04 - Marlowe talks to two thugsconflict | criminal | danger | fragmentation | investigating | leading man | lying | murderer | mysterious | private eye | shop | tense | whole-tone chord

The Big Sleep (1946)

Marlowe (Whole Tone)1:39:25 - Marlowe talks to Viviancaptive | conversing | leading lady | leading man | love interest | love scene | mysterious | private eye | room | tense | whole-tone | whole-tone chord | whole-tone scale

The Big Sleep (1946)

Marlowe (Phone Call)1:39:39 - Marlowe talks to Viviancaptive | conversing | leading lady | leading man | love interest | love scene | mysterious | private eye | room | sequence | tense | whole-tone chord

The Big Sleep (1946)

Carmen1:39:52 - Marlowe talks to Viviancaptive | conversing | half-diminished 7th chord | leading lady | leading man | love interest | love scene | musical clue | music reveals thoughts | mysterious | private eye | room | whole-tone chord

The Big Sleep (1946)

Marlowe (Misterioso)1:41:01 - Marlowe plans his escapeaction scene | leading lady | leading man | love interest | mysterious | planning | private eye | room | tense

The Big Sleep (1946)

Marlowe 21:41:18 - Marlowe goes outsideaction scene | chromatic scale | escaping | leading lady | leading man | love interest | mysterious | private eye | room | screaming | tense

The Big Sleep (1946)

Marlowe (Hiding)1:41:50 - Marlowe crouches behind a caraction scene | criminal | hiding | leading man | mysterious | outside | private eye

The Big Sleep (1946)

Marlowe (Escaping)1:43:48 - Vivian takes off the handcuffsaction scene | distortion | escaping | leading lady | leading man | love interest | mysterious | outside | private eye | tense

The Big Sleep (1946)

Hangs up phone1:47:07 - Marlowe hangs up the phoneclimax | hanging up | leading lady | leading man | love interest | mickey-mousing | mysterious | private eye | room

The Big Sleep (1946)

Marlowe (Misterioso)1:47:26 - Marlowe drops a bulletclimax | fear | leading lady | leading man | love interest | mysterious | private eye | room | shaking | tense

The Big Sleep (1946)

Marlowe 21:47:31 - Car pulls up outsidechromatic scale | climax | fear | leading lady | leading man | love interest | mysterious | private eye | room | shaking | tense | tritone

The Big Sleep (1946)

Carmen (Drugged)1:48:08 - Marlowe watches men outsideclimax | criminal | fear | leading lady | leading man | love interest | mysterious | ominous | planning | private eye | room | tense | waiting

The Big Sleep (1946)

Marlowe (Danger)1:48:32 - Men approach the houseclimax | fear | hiding | leading man | mysterious | ominous | pc set | planning | private eye | room | tense | tone cluster | underscoring | waiting

The Big Sleep (1946)

Marlowe (Misterioso)1:48:55 - Marlowe sneaks up behind Marsclimax | criminal | fear | hiding | leading man | mysterious | private eye | room | sneaking | tense

The Big Sleep (1946)

Marlowe 21:49:05 - Marlowe holds a gun on Marsclimax | criminal | fear | leading man | mysterious | ominous | private eye | room | sneaking | tense

The Big Sleep (1946)

Mars Dies1:51:43 - Mars falls dead to the groundcriminal | death | dying | falling | leading lady | leading man | love interest | mysterious | ominous | private eye | resolution | room | stinger | tense | underscoring

The Big Sleep (1946)

Marlowe (Risoluto)1:52:01 - Marlowe walks to the phoneadded-note chord | bold | death | fragmentation | leading lady | leading man | love interest | mysterious | plotting | private eye | resolution | room | tense

The Big Sleep (1946)

Carmen (Tense)1:52:28 - Marlowe talks on the phoneconversing | leading lady | leading man | love interest | lying | mysterious | oscillation | pedal tone | phone call | private eye | resolution | room | tense | uneasy | whole-tone chord
Caged (1950)Isolation Ward0:08:54 - Edna lying in a bedconversing | dark | establish character | illness | isolation | leading lady | mysterious | ominous | prison | prisoner | rain | uneasy
City for Conquest (1940)Shadow Waltz (Ethereal)0:24:48 - Peggy peeks out of her dooradded-note chord | advance plot | arriving | chromatic parallelism | chromatic wedge | common-tone diminished 7th | entering | gentle | leading lady | mysterious | parallelism | room | sneaking | source to score

City for Conquest (1940)

Mysterioso1:13:36 - Googi leaves augmented triad | chromatic parallelism | criminal | gangster | leaving | locker room | manager | murder scene | mysterious | parallelism | whole-tone
Crime School (1938)Underscoring (Mysterious)0:09:53 - Frankie sneaks in the houseconcern | conversing | dissonant bass | establish character | heroine | leading lady | mysterious | pedal tone | room | sister | sneaking | sneaky | teenager | underscoring | whole-tone chord | whole-tone scale

Crime School (1938)

Sue (Policeman)0:12:34 - Cop comes to the houseadvance plot | building | mysterious | police

Crime School (1938)

Policeman walks up stairs0:12:47 - Cop walks up the stairs to Sue's flatadvance plot | ascending | building | mickey-mousing | mysterious | police | quartal chord | up

Crime School (1938)

Underscoring (Mysterious)0:24:12 - Gang settles into their roomadvance plot | conversing | dissonant bass | gang | mysterious | pedal tone | reformatory | teenager | underscoring

Crime School (1938)

Underscoring (Tense)1:06:17 - Spike talks to Frankie about his sisteradvance plot | anger | arguing | mysterious | pc set | reformatory | teenager | tense | underscoring

Crime School (1938)

Sue (Mysterious)1:07:09 - Spike talks to Frankie about his sisteradvance plot | arguing | mysterious | reformatory | teenager | thinking | worrying

Crime School (1938)

Sue (Prison Moods)1:08:48 - Boys talk to Frankie about his sisteradvance plot | chromatic parallelism | dissonant | dissonant bass | distortion | gang | minor second | mysterious | plotting | reformatory | teenager | tense | tone cluster

Crime School (1938)

Underscoring (Tense)1:09:46 - Boys talk to Frankieadvance plot | chromatic parallelism | gang | gun | keys | mickey-mousing | mysterious | ominous | pc set | plotting | reformatory | teenager | tense | underscoring

Crime School (1938)

Keys1:09:50 - Spike tosses keys on bedadvance plot | dropping | gang | keys | mickey-mousing | mysterious | pc set | reformatory | teenager | tense | tossing

Crime School (1938)

Gun toss1:10:32 - Spike tosses gun on bedadvance plot | dropping | gang | gun | mickey-mousing | mysterious | pc set | reformatory | teenager | tense | tossing

Crime School (1938)

Window opening1:11:57 - Boys open the windowdiminished 7th chord | escape | escaping | gang | mickey-mousing | mysterious | opening | reformatory | teenager | up | window

Crime School (1938)

The Escape1:12:03 - Boys escapedown | escape | escaping | gang | half-diminished 7th chord | jumping | mickey-mousing | mysterious | reformatory | sneaking | teenager | whole-tone chord

Crime School (1938)

Jumping down1:12:03 - Boys jump out of the windowdiminished 7th chord | down | escape | escaping | gang | half-diminished 7th chord | jumping | mickey-mousing | mysterious | reformatory | sneaking | teenager

Crime School (1938)

Peeking1:12:11 - Cooper peeks out from the window antagonist | authority | escape | mickey-mousing | mysterious | peeking | police | reformatory | whole-tone chord

Crime School (1938)

Underscoring (Mysterious)1:12:35 - The boys walk through the cityescape | gang | mysterious | pedal tone | plotting | sneaking | street | teenager | tense

Crime School (1938)

Window opening 21:13:25 - Frankie opens the windowconflict | mysterious | opening | room | teenager | up | window

Crime School (1938)

Parting curtains1:13:27 - Frankie parts the curtainsconflict | curtain | minor scale | mysterious | opening | parting | room | teenager
They Made Me a Criminal (1939)The Awakening0:14:48 - Johnnie wakes upadvance plot | chromatic scale | confusion | deceptive resolution | leading man | metric modulation | mysterious | octatonic chord | octatonic scale | pc set | room | waking | whole-tone chord

They Made Me a Criminal (1939)

Underscoring (Mysterious)0:23:21 - Men at the diner stand upadded-note chord | advance plot | diner | dissonant bass | fighting | half-diminished 7th chord | leading man | linear chromaticism | money | mysterious | sitting | sneaking | underscoring | whole-tone chord

They Made Me a Criminal (1939)

Steps on money0:23:30 - A man steps on Johnnie's moneyadvance plot | diner | half-diminished 7th chord | leading man | mickey-mousing | money | mysterious | stepping

They Made Me a Criminal (1939)

Underscoring (Dramatic)0:30:01 - Johnnie sneaks away64 chord | conflict | dramatic | leading man | mysterious | ranch | sneaking
Deep Valley (1947)Barry (Misterioso)0:28:31 - Libby talks with Jeffadvance plot | boss | conversing | dark | leading lady | leading man | mysterious | room | somber

Deep Valley (1947)

Libby 2 (Misterioso)0:37:32 - Cliff looks for Libbyadvance plot | calling | father | mysterious | room | searching | tense

Deep Valley (1947)

Barry (Hiding)0:40:45 - Barry hidesadvance plot | convict | forest | fugitive | leading man | mysterious | rushing | tense

Deep Valley (1947)

Woods (Misterioso)0:41:27 - Barry goes to the cabinadvance plot | convict | forest | fugitive | leading man | mysterious | searching

Deep Valley (1947)

Barry (Dark)0:41:38 - Barry explores the cabinadvance plot | cabin | convict | fugitive | leading man | mysterious | searching | tense

Deep Valley (1947)

Barry (Tense)0:55:38 - Barry unloads his guncabin | convict | destroying | fugitive | leading lady | leading man | love interest | love scene | mysterious | tense

Deep Valley (1947)

Law (Molto Misterioso)0:57:01 - Men hunting for Barryforest | manhunt | mysterious | police | searching | tense | transition

Deep Valley (1947)

Libby (Molto Expressivo)0:57:13 - Libby looks at the homesteadleading lady | mother | mysterious | reconciliation scene | returning | room | somber | street

Deep Valley (1947)

Law (Misterioso)1:02:41 - Libby looks out the windowadvance plot | father | leading lady | manhunt | mysterious | police | room | searching | street | tense

Deep Valley (1947)

Barry (Misterioso)1:02:50 - Libby runs to the dooradvance plot | leading lady | mother | mysterious | room | rushing | tense

Deep Valley (1947)

Barry (Misterioso)1:03:09 - Ellie approachesadvance plot | leading lady | mother | mysterious | room | sneaking

Deep Valley (1947)

Barry (Molto Misterioso) + Love Theme1:06:04 - Sheriff drinks coffeeaction scene | convict | drinking | forest | fugitive | leading lady | leading man | love interest | mysterious | police | room | somber | walking

Deep Valley (1947)

Deep Valley (Misterioso)1:23:23 - Barry looks at Libbyadvance plot | barn | calm | convict | embracing | fugitive | kissing | leading lady | leading man | love interest | mysterious

Deep Valley (1947)

Barry (Misterioso)1:25:16 - Barry shavingadvance plot | arriving | convict | fugitive | leading lady | leading man | love interest | mysterious | street

Deep Valley (1947)

Barry (Misterioso)1:27:15 - Libby talks to Barryagitated | barn | conflict | convict | dark | father | fugitive | leading lady | leading man | love interest | mysterious | searching | worrying

Deep Valley (1947)

Libby 2 (Misterioso)1:34:15 - Ellie climbs the ladderadvance plot | barn | climbing | convict | eavesdropping | fugitive | leading lady | leading man | love interest | mother | mysterious | sneaking | tense

Deep Valley (1947)

Barry (Dark 2)1:39:35 - Barry hidesclimax | convict | forest | fugitive | hiding | injury | leading man | love interest | mysterious | police | tense

Deep Valley (1947)

Underscoring (Dramatic)1:40:00 - Barry hidesclimax | convict | forest | fugitive | hiding | injury | leading man | love interest | mysterious | police | searching | tense

Deep Valley (1947)

Law (Misterioso)1:40:10 - Barry hidesclimax | convict | forest | fugitive | hiding | injury | leading man | love interest | mysterious | searching | tense

Deep Valley (1947)

Sneaking (Molto Rubato)1:40:51 - Libby runs to find Barrydeath scene | forest | leading lady | mysterious | resolution | running | tense
Dust Be My Destiny (1939)Mysterioso0:02:00 - Warden talks to Joeconversing | drone | establish character | leading man | mysterious | parallelism | polytonality | prison | prisoner | warden

Dust Be My Destiny (1939)

Dust Be My Destiny (Sordini)0:48:21 - Joe talks to the jailerchromatic parallelism | jail | jail break | leading man | major triad | mysterious | pedal tone | tense | warden

Dust Be My Destiny (1939)

Dust Be My Destiny (Sehr Ominous)0:56:14 - Joe walks towards the shop9th chord | chromatic parallelism | crime scene | criminal | leading man | mysterious | sequence | shop | shopkeeper | street | walking

Dust Be My Destiny (1939)

Dust Be My Destiny (Transformation)0:57:38 - Joe comes back to the apartmentdissonant bass | foreign key modulation | leading lady | leading man | linear chromaticism | love scene | mysterious | room | triumphant
Each Dawn I Die (1939)Underscoring (Mysterious)0:04:28 - Frank leaves the newspaper officeclose-up | conflict | diminished 7th chord | gangster | hero | leading man | mysterious | reading | reporter | street | underscoring | watching

Each Dawn I Die (1939)

Lights match0:04:40 - Man lights a match on a lamp postconflict | gangster | lighting | match | mickey-mousing | mysterious | street

Each Dawn I Die (1939)

Creeping0:04:47 - Two men sneak up behind Frankchromatic scale | chromatic sequence | conflict | creeping | gangster | mickey-mousing | mysterious | pizzicato | sneaking | street | walking

Each Dawn I Die (1939)

Walking0:22:22 - Man paces back and forth in the prison yardadvance plot | anxious | crazed | mickey-mousing | mysterious | pacing | pc set | prison | prisoner | walking

Each Dawn I Die (1939)

Calendar Pages0:59:53 - Pages falling from a calendarcalendar | chromatic parallelism | diminished 7th chord | falling | leading man | mickey-mousing | montage | montage | mysterious | prisoner | sequence
The FBI Story (1959)Underscoring (Mysterious)0:09:11 - Agents question Jack's friendFBI | investigation | mysterious | tense | underscoring

The FBI Story (1959)

Symbol (Misterioso)0:44:53 - Chip asks who is the next of kinFBI | flashback | mysterious | undercover

The FBI Story (1959)

Underscoring (Mysterious)1:49:23 - Gun boat and submarine on the ocean at nightflashback | mysterious | tense | underscoring

The FBI Story (1959)

Communists (Mysterious)2:10:14 - Chip looking at papers at his deskcommunist | dropping | flashback | mickey-mousing | mysterious | text painting | tritone

The FBI Story (1959)

The Bureau (Surveillance)2:10:25 - Communist works down a dark alleycommunist | FBI | flashback | mysterious | sneaking
Flamingo Road (1949)Vision of Salome0:02:12 - Exotic dancersannouncing | carnival | carny | dancer | dancing | establish setting | exotic | Gypsy minor scale | leading lady | mysterious | on-screen music | source music

Flamingo Road (1949)

Arabian Riff0:02:36 - Exotic dancersannouncing | carnival | carny | dancer | dancing | establish setting | exotic | leading lady | mysterious | on-screen music | source music

Flamingo Road (1949)

Vision of Salome0:03:12 - Two men arguearguing | carnival | carny | dancer | establish setting | exotic | Gypsy minor scale | leading lady | mysterious | on-screen music | source music

Flamingo Road (1949)

Titus 2 (Extended)0:30:27 - Field overhears people talking about Titusadvance plot | chromatic sequence | dark | leading man | mysterious | newspaper | parallelism | reading | self-borrowing | street | townsfolk

Flamingo Road (1949)

Titus 20:33:41 - Field sits downbreakup | café | conversing | dark | leading lady | leading man | mysterious | self-borrowing | waitress

Flamingo Road (1949)

Titus (Dark)0:33:56 - Field talks to Lanebreaking up | breakup | café | dark | leading lady | leading man | mysterious | self-borrowing | waitress

Flamingo Road (1949)

Titus 2 (Triste)0:34:10 - Field tells Lane he is getting marriedbreaking up | breakup | café | chromatic sequence | dark | leading lady | leading man | major 7th chord | mysterious | self-borrowing | somber | waitress

Flamingo Road (1949)

Underscoring (Tense)0:34:30 - Lane responds to Fieldbreaking up | breakup | café | leading lady | leading man | mysterious | tense | underscoring | waitress

Flamingo Road (1949)

Titus 2 (Pete Lies)0:40:11 - Field asks why Lane was firedadvance plot | café | conversing | employer | leading man | mysterious | politician | self-borrowing

Flamingo Road (1949)

Titus 2 (Agitato)0:50:41 - Lane ties Dan's tiechromatic parallelism | conversing | leading lady | leading man | love interest | lovers meet | mysterious | politician | room | self-borrowing

Flamingo Road (1949)

Flamingo Road (Misterioso) + Titus1:04:33 - Titus talks to Danadvance plot | combination of themes | conversing | distortion | fragmentation | leading lady | leading man | mysterious | politician | room | self-borrowing | sequence | sheriff

Flamingo Road (1949)

Titus (Ominous)1:11:44 - Titus argues with Fieldarguing | bullying | conflict | drinking | leading man | mysterious | politician | room | self-borrowing | sheriff | tense

Flamingo Road (1949)

Lane (Ominous)1:21:22 - A hand rings the doorbelladvance plot | leading lady | mysterious | ominous | pausing | pedal tone | ringing | room

Flamingo Road (1949)

Lane (Descending the Staircase)1:21:31 - Lane descends the stairsadvance plot | delicate | descending | leading lady | leading man | love interest | mickey-mousing | mysterious | parallelism | room | walking

Flamingo Road (1949)

Titus (Fragmented) + Titus 2 (Fragmented)1:29:47 - Lane confronts Titusarguing | climax | club | combination of themes | dark | fragmentation | inversion | leading lady | motivic transformation | mysterious | ominous | retrograde | self-borrowing | sheriff

Flamingo Road (1949)

Titus 2 (Ominous)1:30:55 - Titus pretends to make a phone callcalling | chromatic parallelism | climax | club | dark | deceiving | gun | leading lady | mysterious | self-borrowing | sheriff | telephone
Hell on Frisco Bay (1955)Underscoring (Mysterious)0:15:33 - Amato talks to Lyeantagonist | conductor score | conversing | establish character | gangster | mysterious | office | underscoring

Hell on Frisco Bay (1955)

Steve Arrives0:54:56 - Steve arrives at an apartmentarriving | conductor score | investigator | leading man | mickey-mousing | mysterious | street | tense | transition | walking

Hell on Frisco Bay (1955)

Menace0:58:13 - Bessie prepares to leavechase scene | conductor score | floozy | mysterious | preparing | room | tense | thinking

Hell on Frisco Bay (1955)

Sneaking and following0:58:30 - Bessie sneaks awaychase scene | conductor score | descending | floozy | following | hiding | investigator | leading man | mysterious | sneaking | street | tense

Hell on Frisco Bay (1955)

Menace0:58:48 - Bessie walks through the market | agitated | chase scene | conductor score | dramatic | floozy | gangster | hurrying | investigator | leading man | mysterious | street | tense | walking

Hell on Frisco Bay (1955)

Menace1:04:15 - Steve answers the phoneadvance plot | conductor score | dark | investigator | leading man | mysterious | room | waiting

Hell on Frisco Bay (1955)

Underscoring (Mysterious)1:24:05 - Amato calls detectiveadvance plot | calling | gangster | leading man | mysterious | room | statue | tense | underscoring

Hell on Frisco Bay (1955)

Anna1:24:31 - Amato calls detectiveadvance plot | conversing | gangster | leading man | mysterious | religious | religious | room

Hell on Frisco Bay (1955)

Menace1:24:38 - Amato talks to detectiveadvance plot | detective | gangster | leading man | mysterious | plotting | police station | tense

Hell on Frisco Bay (1955)

Anna1:25:41 - Amato looks at the statueadvance plot | gangster | leading man | looking | mysterious | religious | room | tense
Her Kind of Man (1946)Flashback0:53:57 - A man sweepingconversing | flashback | flashback | leading man | mysterious | reporter | reporting | room | storytelling | tense | waiter | witness

Her Kind of Man (1946)

Underscoring (Dramatic [Deutsch])0:54:59 - Cop takes a witnessdeparting | dramatic | leading man | letter | mysterious | police | police station | reporter | signature | tense | turning point | typing | underscoring | waiter | witness

Her Kind of Man (1946)

Underscoring (Mysterious)1:05:01 - A dark dooradvance plot | arriving | conversing | husband | leading man | mysterious | reporter | room | underscoring | widow

Her Kind of Man (1946)

It Had to Be You (Sneaky)1:05:51 - Georgia hides Candyadvance plot | criminal | familiar tune | henchman | leading lady | leading man | mysterious | popular music | reporter | room | singer | sneaking | sneaky | source to score | wife

Her Kind of Man (1946)

It Had to Be You (Mysterious)1:07:50 - Don leavesadvance plot | arriving | car | car | criminal | driving | familiar tune | gambler | henchman | leading lady | leading man | murderer | mysterious | popular music | signaling | singer | street | warehouse | wife

Her Kind of Man (1946)

It Had to Be You (Mysterious)1:11:11 - Georgia leavesadvance plot | departing | familiar tune | gambler | leading lady | leading man | murderer | mysterious | popular music | singer | warehouse | wife
I Was a Communist for the FBI (1951)Underscoring (Tense)0:01:02 - Brooklyn Bridgeairport | bridge | mysterious | street | tense | transition | underscoring

I Was a Communist for the FBI (1951)

Undercover Agent (Marcia Misterioso)0:01:17 - Agent walks to the phoneagent | airport | arriving | calling | conversing | dialing | establish setting | march | mysterious | telephone | tense | tritone | typewriter | typing | walking

I Was a Communist for the FBI (1951)

Undercover Agent (Molto Misterioso)0:02:57 - Mason gets his assignmentagent | conversing | establish setting | map | march | mysterious | office | planning | tense | working

I Was a Communist for the FBI (1951)

Agitato Molto Misterioso0:38:32 - Matt notices that he has lost his letteradvance plot | leading man | letter | mysterious | reacting | room | searching | tense | undercover agent

I Was a Communist for the FBI (1951)

Undercover Agent (Misterioso)0:59:50 - Agent watchescar | communist | driving | escaping | leading lady | leading man | mysterious | spy | street | teacher | transition | undercover agent

I Was a Communist for the FBI (1951)

Undercover Agent (Risoluto)1:09:39 - FBI agents walk awayagent | interrogating | interrogation | leading man | mysterious | questioning | room | shallow focus | suspicion | tense | undercover agent

I Was a Communist for the FBI (1951)

Agitato Molto Misterioso1:10:18 - Communists interrogate Mattcommunist | interrogating | interrogation | leading man | mysterious | questioning | room | shallow focus | suspicion | tense | undercover agent

I Was a Communist for the FBI (1951)

Undercover Agent1:10:36 - Communists interrogate Mattcommunist | interrogating | interrogation | leading man | mysterious | questioning | room | shallow focus | suspicion | tense | threatening | undercover agent
Illegal (1955)Underscoring (Mysterious)1:02:18 - Ray empties his bottle of scotch down the drainglass | mysterious | underscoring

Illegal (1955)

Underscoring (Mysterious)1:03:04 - Ray goes to the bedroom and calls Mr. Garlandmysterious | phone call | underscoring

Illegal (1955)

Frank Garland (Waiting)1:04:09 - Ray waits for a phone callmysterious | smoking | underscoring | waiting

Illegal (1955)

Police Car (Sleazy)1:04:47 - Ray waits for a phone callmysterious | sleazy

Illegal (1955)

Underscoring (Mysterious)1:13:16 - Vic talks to Frank in the back of his carmysterious | underscoring
In This Our Life (1942)Stanley (Rubato)0:11:58 - Stanley talks with Royconversing | establish character | leading lady | mysterious | room | sister | stinger

In This Our Life (1942)

Roy (Grazioso)0:23:08 - Roy looks at herself in the mirrorconflict | conversing | father | leading lady | mysterious | room

In This Our Life (1942)

Phone Call0:47:29 - Asa answers the phonebad news | conversing | dark | eerie | father | mysterious | phone call | room | telephone | tense | turning point

In This Our Life (1942)

Stanley (Misterioso)1:06:47 - Stanley hesitates at the dooradvance plot | hesitating | lawyer | leading lady | leading man | mysterious | office

In This Our Life (1942)

Driving + Stanley1:08:53 - Stanley drivingcar | car | child | combination of themes | crime scene | criminal | driving | drunk | leading lady | mysterious | street | tense | uneasy | victim | walking

In This Our Life (1942)

Driving1:09:12 - Stanley drives awayaccident | car | car | car crash | crime scene | criminal | driving | drunk | fleeing | hit and run | leading lady | mysterious | tense

In This Our Life (1942)

Underscoring (Tense)1:09:25 - Policemen approach the housearriving | conversing | criminal | investigation scene | leading lady | mysterious | police | room | tense | walking | watching

In This Our Life (1942)

Stanley1:09:49 - Policemen enter the housearriving | conversing | criminal | investigating | investigation scene | leading lady | mysterious | police | room | sneaking | tense | walking | watching

In This Our Life (1942)

Stanley (Packing)1:14:36 - Newspaper headline about the accidentarriving | conflict | conversing | headline | lawyer | leading lady | leading man | mysterious | newspaper | office

In This Our Life (1942)

London Bridge is Falling Down (Mysterious)1:23:45 - Craig and Stanley arguecar | children's song | conflict | conversing | criminal | familiar tune | lawyer | leading lady | leading man | lying | mysterious | ominous

In This Our Life (1942)

Underscoring (Tense) + South American Way1:25:34 - Stanley reactsaccusing | climax | criminal | father | lawyer | leading lady | leading man | lying | mother | mysterious | ominous | remembered source music | remembering | room | source and scoring overlap | source music | suspect | tense | underscoring

In This Our Life (1942)

Stanley B (Agitato Extended)1:32:15 - Stanley hides from the policeagitated | conflict | criminal | hiding | leading lady | mysterious | police | room | running | rushing | street
The Informer (1935)The Informer0:00:14 - Shadows move across the screen behind the cast listcast list | Dorian mode | folk-like | informer | marching | minor pentatonic | mysterious | opening title sequence | Scotch snap | searching | serious | shadow | soldier | street | title of film

The Informer (1935)

The Informer (Bridge)0:00:46 - Shadows move across the screen behind the cast list9th chord | cast list | informer | march | marching | mysterious | Neapolitan | opening title sequence | Scotch snap | searching | serious | shadow | soldier | street

The Informer (1935)

The Informer (Dublin)0:01:03 - Title card establishes the setting in Dublin, Ireland9th chord | 11th chord | establish setting | informer | marching | minor pentatonic | mysterious | nun | opening title sequence | religious symbolism | Scotch snap | searching | serious | shadow | street | title card | tritone substitution

The Informer (1935)

The Informer (Judas)0:01:29 - Title card with quote about Judasmysterious | opening title sequence | Scotch snap | serious | suspension | title card

The Informer (1935)

The Informer (Walking)0:01:44 - Gypo walks down the streetcountermelody | establish character | leading man | mickey-mousing | mysterious | poster | Scotch snap | street | walking

The Informer (1935)

Poster0:02:01 - Gypo looks at the reward poster for Frankie McPhillipestablish character | leading man | mickey-mousing | mysterious | poster | stepping | stinger | street

The Informer (1935)

Underscoring (Tense)0:02:23 - Gypo stares at the poster, thinking64 chord | establish character | leading man | muttering | mysterious | street | thinking | underscoring

The Informer (1935)

Poster blowing 10:03:05 - Torn poster blows down the street onto Gypo's legaugmented sixth chord | blowing | establish character | leading man | mickey-mousing | mysterious | parallelism | poster | street | wind

The Informer (1935)

Poster blowing 20:03:26 - Torn poster blows down the street onto Gypo's leg againblowing | clinging | diminished 7th chord | establish character | leading man | mickey-mousing | mysterious | parallelism | poster | street | wind

The Informer (1935)

Underscoring (Subtle)0:04:22 - Close-up on Katieestablish character | leading lady | linear chromaticism | mysterious | staring | street | underscoring

The Informer (1935)

Underscoring (Tense)0:05:04 - Gypo sees the man and walks towards himestablish character | leading lady | leading man | mysterious | street | tense | underscoring | walking | whole-tone

The Informer (1935)

Blowing smoke0:05:16 - Man blows smoke into Katie's faceblowing | establish character | leading lady | mickey-mousing | mysterious | smoke | street | whole-tone

The Informer (1935)

Footsteps0:07:16 - Close-up on walking feetestablish character | footsteps | leading man | mickey-mousing | mysterious | street | tritone | walking

The Informer (1935)

The Wearin' o' the Green0:07:32 - Frankie looks at reward poster with his picture on it64 chord | dark | establish character | folk song | hero | Irish | marching | mickey-mousing | mysterious | source music | street | thinking

The Informer (1935)

The Wearin' o' the Green (Mysterious)0:08:57 - Frankie enters the Dunboy house to join the rebelsarriving | diminished 7th chord | dissonant bass | establish character | familiar tune | folk song | hero | Irish | leading man | mysterious | parallelism | room | street | tense

The Informer (1935)

Yankee Doodle (Fateful Decision)0:12:56 - Gypo has a vision of the wanted posterAmerican | contemplating | deciding | familiar tune | flashback | leading man | linear chromaticism | montage | mysterious | patriotic tune | pedal tone | pivotal scene | room | street | tense | vision

The Informer (1935)

Katie (Fateful Decision)0:13:48 - Gypo heads towards the British headquartersAmerican | church bell | contemplating | deciding | diminished 7th chord | familiar tune | leading man | mickey-mousing | mysterious | parallelism | patriotic tune | pedal tone | pivotal scene | police station | street | tense

The Informer (1935)

Blood Money (Extended)0:18:55 - British officer tosses money down on the tableantagonist | augmented triad | grabbing | leading man | money | mysterious | pivotal scene | police | police station | tense | tossing | tritone | whole-tone

The Informer (1935)

Blood Money (Counting Money)0:19:21 - Gypo closes the dooradvance plot | antagonist | counting | leading man | money | mysterious | street | tense | tritone

The Informer (1935)

Blind Man0:19:29 - Gypo meets the blind man64 chord | advance plot | antagonist | blind man | leading man | mysterious | street | walking

The Informer (1935)

Blood Money + Blind Man0:20:27 - Gypo looks at Frankie's poster againadvance plot | antagonist | combination of themes | leading man | looking | mysterious | poster | street | tense | whole-tone

The Informer (1935)

The Informer (Whiskey)0:20:46 - Gypo enters a pub64 chord | advance plot | antagonist | entering | hurrying | leading man | mysterious | pub | Scotch snap

The Informer (1935)

Blood Money (Whiskey)0:21:03 - Gypo takes his money out to pay the bartenderadvance plot | antagonist | bartender | leading man | money | mysterious | paying | pub | tense

The Informer (1935)

The Informer (Drinking)0:21:23 - Gypo takes a drinkadvance plot | antagonist | bartender | drinking | leading man | mysterious | octatonic | pub | Scotch snap | tense | tritone | whole-tone | whole-tone chord

The Informer (1935)

Blood Money (Worrying)0:21:57 - Gypo worries about what he has doneadvance plot | antagonist | augmented triad | drinking | hearing voices | leading man | mysterious | planning | pub | tense | thinking | tritone | whole-tone | worrying

The Informer (1935)

Blood Money (Four Coins)0:23:15 - Bartender puts four coins on the tableadvance plot | antagonist | augmented triad | bartender | coin | counting | half-diminished 7th chord | leading lady | leading man | mickey-mousing | money | mysterious | placing | pub | tense

The Informer (1935)

Blind Man + Blood Money0:24:45 - Blind man wanders in and Gypo gives him moneyadvance plot | antagonist | augmented triad | blind man | combination of themes | giving | leading lady | leading man | money | mysterious | ominous | street | walking

The Informer (1935)

The Informer (Tense)0:29:21 - Gypo defends himselfantagonist | coin | leading man | money | mourner | mysterious | pivotal scene | room | Scotch snap | staring | tense | whole-tone | whole-tone chord

The Informer (1935)

Fanfare0:31:44 - Irish rebel headquartersadvance plot | fanfare | mysterious | rebel | room | underscoring | waiting

The Informer (1935)

The Informer (Burning Poster) + Blood Money0:32:03 - Gypo in rebel headquartersadvance plot | antagonist | burning | combination of themes | diminished 7th chord | fire | headquarters | leading man | mickey-mousing | mysterious | octatonic | rebel | rising | room | Scotch snap | tense | tone cluster

The Informer (1935)

Blood money (Thinking)0:48:58 - Gypo pulls out and counts his moneyadvance plot | antagonist | conversing | leading man | money | mysterious | ostinato | pondering | street

The Informer (1935)

The Informer (Dan Talking)0:56:57 - Dan and Mary talk about an informerconversing | hero | love interest | love scene | mysterious | room | walking bass

The Informer (1935)

The Informer (Pedal Tone)0:57:34 - Dan and Mary talk about Gypoconversing | hero | love interest | love scene | mysterious | room

The Informer (1935)

Blood Money (Ostinato)1:04:10 - The rebels overhear Gypo talking about the moneyadvance plot | antagonist | conversing | drunk | leading lady | leading man | money | mysterious | ostinato | rebel | street | whole-tone chord

The Informer (1935)

Blood Money (The Trial) + Blind Man (The Trial)1:15:13 - The rebels ask Gypo where he got the moneyantagonist | axis of symmetry | blind man | combination of themes | courtroom | courtroom scene | fanfare | headquarters | interrogating | interrogation | leading man | mirroring | money | mysterious | questioning | room | suspect

The Informer (1935)

Katie (The Trial)1:15:36 - The rebels ask Gypo about Katieantagonist | axis of symmetry | courtroom | courtroom scene | headquarters | interrogating | interrogation | leading man | mirroring | money | mysterious | questioning | room | suspect

The Informer (1935)

Blood Money (The Trial) + The Informer (The Trial)1:15:40 - Dan asks "Who was the informer?"antagonist | axis of symmetry | combination of themes | courtroom | courtroom scene | headquarters | interrogating | interrogation | inversion | leading man | mirroring | money | mysterious | questioning | room | suspect | whole-tone

The Informer (1935)

Blood Money (Ostinato)1:17:10 - Gypo waits in his cell while the rebels draw strawsadvance plot | antagonist | dripping | escaping | gun | headquarters | leading man | mysterious | ostinato | prison | rebel | room | shooting | tense | traitor | whispering | worrying

The Informer (1935)

The Informer (Adagio)1:21:15 - Gypo imagines Frankie's posterantagonist | hallucinating | hallucination | leading man | mysterious | street | suspension | traitor | transition

The Informer (1935)

Blood Money (Ostinato)1:27:32 - Rebels come to capture Gypoantagonist | climax | leading man | mysterious | ostinato | rebel | room | sneaking | tense | traitor | whispering

The Informer (1935)

Blood Money (Tuttissimo)1:28:53 - Gypo stumbles into a churchantagonist | church | climax | dirge | dissonant bass | dominant pedal | dying | half-diminished 7th chord | leading man | mysterious | street | stumbling | tense | traitor | walking | whole-tone | whole-tone chord
Key Largo (1948)Largo Hotel (Quasi Misterioso)0:11:00 - Frank and Nora talk in the hotelconversing | establish character | hotel | leading lady | leading man | mysterious | tense

Key Largo (1948)

Rocco 2 (Subito)0:12:07 - Nora sees Curlydangerous | establish character | gangster | hotel | leading lady | mysterious | watching

Key Largo (1948)

McCloud (Misterioso)0:12:13 - Nora walks downstairsestablish character | gangster | hotel | leading lady | mysterious | walking | watching

Key Largo (1948)

Rocco 2 (Molto Misterioso)0:12:22 - Curly walks down the halldangerous | establish character | gangster | hotel | mysterious | walking | watching

Key Largo (1948)

Rocco 30:25:37 - Curly pushes Noradangerous | establish character | gangster | gun | hotel | leading man | mysterious | stinger | threatening | violence

Key Largo (1948)

Rocco 3 (Misterioso)0:28:45 - Sawyer starts moaning in the other roomboss | conflict | gangster | gun | hostage | hotel | leading lady | leading man | menacing | mysterious | threatening

Key Largo (1948)

Tension0:28:58 - Sawyer stands upconflict | gangster | hostage | hotel | menacing | mysterious | police | standing

Key Largo (1948)

Rocco 2 (Slowly) + McCloud (Tritone)0:32:57 - McCloud quotes FDRangry | boss | combination of themes | conflict | conversing | father | gangster | hostage | hotel | leading lady | leading man | mysterious | quoting | stinger

Key Largo (1948)

Rocco 20:33:53 - Rocco talks to Noraboss | conflict | dangerous | father | gangster | hostage | hotel | leading lady | leading man | mysterious | threatening

Key Largo (1948)

Rocco 30:39:45 - Rocco looks at Noraboss | conflict | creepy | father | gangster | hostage | hotel | leading lady | leading man | mysterious | tense | watching

Key Largo (1948)

Rocco Whispers0:39:53 - Rocco whispers to Noraboss | conflict | creepy | father | gangster | hostage | hotel | leading lady | leading man | mickey-mousing | mysterious | tense | whispering

Key Largo (1948)

Rocco 30:40:06 - Rocco follows Noraboss | conflict | creepy | father | following | gangster | hostage | hotel | leading lady | leading man | mysterious | tense

Key Largo (1948)

Rocco Whispers0:40:10 - Rocco whispers to Noraboss | conflict | creepy | father | gangster | hostage | hotel | leading lady | leading man | mickey-mousing | mysterious | tense | whispering

Key Largo (1948)

Rocco 2 (Counterfeit Money)1:20:36 - Gangster examines the counterfeit moneyadvance plot | boss | gangster | hotel | money | mysterious | observing

Key Largo (1948)

Rocco 3 (Counterfeit Money)1:20:45 - Gangster examines the counterfeit moneyadvance plot | boss | gangster | hotel | money | mysterious | observing

Key Largo (1948)

Rocco Whispers1:24:08 - Rocco whispers in Nora's earadvance plot | boss | gangster | hotel | leading lady | mysterious | tense | whispering

Key Largo (1948)

Underscoring (Tense)1:24:37 - Gaye watches Roccoadvance plot | boss | gangster | hotel | leaving | mysterious | packing | preparing | tense | underscoring

Key Largo (1948)

Climbing down1:35:31 - McCloud climbs downboat | climbing | conflict | descending | leading man | mickey-mousing | mysterious | tense
The Letter (1940)Native0:01:21 - Men sleeping in hammocksDorian mode | dripping | establish location | exoticism | gamelan | gunshot | Indonesian music | melodic cell | mysterious | native | on-screen music | panning shot | pentatonic | plantation | playing music | quintal chord | setting | Singapore | sleeping

The Letter (1940)

Leslie (Shimmery)0:02:57 - Leslie stands over the dead bodycloud | death | half-diminished 7th chord | home | leading lady | moon | murder | murderer | murder scene | mysterious | oscillation | parallelism | plantation | sequence | suspension | watching

The Letter (1940)

Underscoring (Mysterious)0:04:29 - Leslie leaves the roomDorian mode | home | leaving | murder scene | mysterious | servant | underscoring

The Letter (1940)

Leslie (Mysterioissimo)0:04:42 - A shadow appearscircle of fifths | common-chord modulation | foreign key modulation | fragmentation | home | leading lady | light | looking | murder scene | mysterious | oscillation | parallel fifths | servant | turning on

The Letter (1940)

Leslie (Lacework)0:04:55 - Worker picks up Leslie's laceworkchanging meter | crying | foreign key modulation | home | leading lady | murder scene | mysterious | oscillation | sequence | sequential modulation

The Letter (1940)

Letter (Sarcastic)0:15:10 - Robert comforts Leslieadvance plot | chromatic sequence | conversing | dissonant bass | home | leading lady | mysterious | sequence

The Letter (1940)

Murder0:18:36 - Leslie reacts to the mention of murderadvance plot | eating | home | leading lady | major 7th chord | murder | mysterious | oscillation | stinger | tense

The Letter (1940)

Leslie (Shimmery 2)0:18:55 - Leslie stares at the full moonchanging meter | home | leading lady | love scene | moon | mysterious | oscillation | sequence | sequential modulation | staring | suspension

The Letter (1940)

Letter (Sarcastic)0:19:45 - Robert looks at Lesliechromatic sequence | dissonant bass | glance | home | leading lady | longing | love scene | mysterious | sequence | staring

The Letter (1940)

Letter (Sarcastic)0:22:41 - Leslie and Howard leaveadvance plot | chromatic sequence | dissonant bass | home | lawyer | leading lady | leaving | mysterious | passionate | sequence

The Letter (1940)

Leslie (Ominous)0:22:58 - The site of the murderadvance plot | augmentation | call and response | Chinese | dramatic | leading lady | leaving | mysterious | plantation | reveal | shadow | spying | stinger | tense | watching | widow

The Letter (1940)

Leslie (Mysterioso)0:30:04 - Howard in his officeadvance plot | augmented major 7th chord | lawyer | mysterious | office | oscillation | pc set | quartal chord | suspension | tense | thinking

The Letter (1940)

Leslie B (Screwyoso 2)0:30:23 - Howard grabs the letteradvance plot | lawyer | letter | mysterious | office | sequence | tense | thinking

The Letter (1940)

Mrs. Hammond (Lawyer)0:30:45 - Ong speaks to Howardadvance plot | Chinese | lawyer | leaving | mysterious | office | pc set | tritone

The Letter (1940)

Leslie (Walking)0:30:58 - Leslie in jail64 chord | advance plot | chromatic parallelism | fragmentation | leading lady | mysterious | oscillation | prison | walking

The Letter (1940)

Lento Mysterioso0:50:37 - Leslie and Howard aloneadvance plot | altered dominant | home | lawyer | leading lady | mysterious | planning | sad | upper pedal tone | whole-tone chord

The Letter (1940)

Mrs. Hammond0:51:49 - Howard and Leslie aloneadvance plot | Chinese | home | lawyer | leading lady | mysterious | open fifth | pacing | parallel fifths | pentatonic | waiting

The Letter (1940)

Leslie (Lacework 2)0:52:07 - Leslie does her laceworkadvance plot | changing meter | conversing | foreign key modulation | home | lacework | lawyer | leading lady | mysterious | oscillation | sequence

The Letter (1940)

Leslie (Leaving)0:53:20 - Howard and Leslie leave the houseadded-note chord | fragmentation | lawyer | leading lady | leaving | mysterious | plantation | sequence | sequential modulation | transition

The Letter (1940)

Mrs. Hammond (Grandioso)0:53:54 - Leslie approaches the carantagonist | Chinese | Chinese | driving | lawyer | leading lady | mysterious | open fifth | parallel fifths | pedal tone | pentatonic | plantation | transition

The Letter (1940)

Chinese Shop0:55:30 - Howard and Leslie look aroundantagonist | Chinatown | Chinese | Chinese | exotic | exoticism | lawyer | layering | leading lady | Lydian mode | mirroring | mysterious | open fifth | parallel fifths | parallelism | polytonality | quintal chord | tense | transition | waiting | walking

The Letter (1940)

Mrs. Hammond (Mysterioso)0:56:29 - Howard and Leslie wait in the shopantagonist | Chinatown | Chinese | Chinese | exotic | lawyer | leading lady | mysterious | open fifth | parallel fifths | parallelism | pedal tone | pentatonic | shop | tense | transition | waiting

The Letter (1940)

Mrs. Hammond (Dagger)0:57:04 - Leslie looks at a Chinese daggerantagonist | Chinatown | Chinese | Chinese | dagger | exotic | lawyer | leading lady | mysterious | open fifth | parallel fifths | parallelism | pedal tone | pentatonic | polytonality | shop | tense | transition | waiting

The Letter (1940)

Mrs. Hammond (Slowly)0:57:27 - Howard and Leslie walk into the back roomantagonist | Chinatown | Chinese | Chinese | conflict | lawyer | leading lady | mysterious | pentatonic | quintal chord | shop | walking

The Letter (1940)

Glass Curtains0:59:08 - Mrs. Hammond enters through the glass curtainantagonist | Chinatown | Chinese | chromatic scale | conflict | curtain | entering | glass | lawyer | layering | leading lady | mirroring | mysterious | ostinato | parallelism | pc set | polyrhythm | shop | staring | tense | tinkling | tone cluster | waiting | whole-tone | whole-tone chord

The Letter (1940)

Mrs. Hammond + Glass Curtains1:00:13 - Leslie faces Mrs. Hammondantagonist | Chinatown | Chinese | Chinese | chromatic scale | combination of themes | conflict | conversing | curtain | glass | lawyer | layering | leading lady | mirroring | mysterious | ostinato | parallelism | paying | pc set | pentatonic | polyrhythm | shop | staring | tense | tinkling | tone cluster | waiting | whole-tone | whole-tone chord

The Letter (1940)

Leslie + Glass Curtains1:01:27 - Leslie removes her shawlantagonist | Chinatown | Chinese | Chinese | chromatic scale | combination of themes | conflict | conversing | curtain | glass | lawyer | layering | leading lady | mirroring | mysterious | oscillation | ostinato | parallelism | pc set | polyrhythm | sequence | shop | staring | tense | tinkling | tone cluster | waiting | whole-tone | whole-tone chord

The Letter (1940)

Leslie B + Glass Curtains1:01:57 - Leslie approaches Mrs. Hammondantagonist | Chinatown | Chinese | chromatic scale | combination of themes | conflict | confronting | curtain | glass | lawyer | layering | leading lady | mirroring | mysterious | ostinato | parallelism | pc set | polyrhythm | sequence | shop | staring | tense | tinkling | tone cluster | walking | whole-tone | whole-tone chord

The Letter (1940)

Glass Curtains1:02:21 - Leslie faces Mr. Hammondantagonist | Chinatown | Chinese | chromatic scale | conflict | confronting | curtain | glass | lawyer | layering | leading lady | mirroring | mysterious | ostinato | parallelism | pc set | polyrhythm | shop | staring | tense | tinkling | tone cluster | whole-tone | whole-tone chord

The Letter (1940)

Mrs. Hammond (Contempt) + Glass Curtains1:02:40 - Leslie stoops down to pick up the letterantagonist | Chinatown | Chinese | Chinese | chromatic scale | combination of themes | conflict | confronting | contempt | curtain | glass | lawyer | layering | leading lady | mirroring | mysterious | ostinato | parallelism | pc set | pentatonic | polyrhythm | shop | staring | stooping | tense | tinkling | tone cluster | whole-tone | whole-tone chord

The Letter (1940)

Leslie B (Dark) + Glass Curtains1:02:50 - Leslie looks at the letterantagonist | Chinatown | Chinese | chromatic scale | combination of themes | conflict | confronting | curtain | dark | glass | lawyer | layering | leading lady | mirroring | mysterious | ostinato | parallelism | pc set | polyrhythm | sequence | shop | staring | tense | tinkling | tone cluster | whole-tone | whole-tone chord

The Letter (1940)

Mrs. Hammond (Solemn) + Glass Curtains1:03:08 - Leslie and Howard leaveantagonist | Chinatown | Chinese | Chinese | chromatic scale | combination of themes | conflict | curtain | glass | lawyer | layering | leading lady | mirroring | mysterious | ostinato | parallelism | pc set | pentatonic | polyrhythm | shop | solemn | staring | tinkling | tone cluster | whole-tone | whole-tone chord

The Letter (1940)

Mrs. Hammond + Foxtrot No. 11:20:02 - Ong is seen in the mirroradvance plot | antagonist | calm | combination of themes | dagger | dance music | dropping | foxtrot | home | leading lady | mysterious | open fifth | parallel fifths | pentatonic | source music

The Letter (1940)

Mrs. Hammond + Foxtrot No. 1 B1:21:15 - Leslie looks aroundadvance plot | Chinese | combination of themes | dagger | dance music | foxtrot | home | leading lady | looking | mysterious | open fifth | parallel fifths | pentatonic | polymeter | polytonality | source music | tense

The Letter (1940)

Underscoring (Mysterious)1:26:07 - Leslie talks to Robertclimax | conversing | home | husband | leading lady | mysterious | open fifth | oscillation | pedal tone | staring | underscoring

The Letter (1940)

Mrs. Hammond (Missing Dagger)1:29:49 - Leslie opens the doorChinese | climax | dagger | door | gentle | home | leading lady | mysterious | open fifth | opening | parallel fifths | parallelism | pentatonic

The Letter (1940)

Shadow1:30:30 - Leslie leaves the housechromatic parallelism | climax | leading lady | major triad | mysterious | plantation | polychord | shadow | walking

The Letter (1940)

Native (Climactic)1:30:42 - Leslie walks through her gardenclimax | crying | Dorian mode | exoticism | gamelan | Indonesian music | leading lady | mysterious | panning shot | parallelism | plantation | setting | somber | walking

The Letter (1940)

Deception (Appassionato)1:31:18 - Close-up of Leslieclimax | crying | leading lady | mysterious | pc set | Phrygian mode | plantation | somber | walking

The Letter (1940)

Mrs. Hammond (Ambush)1:31:55 - Leslie moves through the gateAeolian mode | antagonist | Chinese | climax | dark | leading lady | mysterious | open fifth | parallel fifths | parallelism | pentatonic | plantation | walking
Lightning Strikes Twice (1951)Trev (Screwy)0:18:19 - Trev hands a candle to Shellyactor | candle | conversing | establish character | leading lady | leading man | mysterious | room | suspect | tense | uneasy

Lightning Strikes Twice (1951)

Blows out candle0:19:35 - Shelly blows out a candleactor | blowing | candle | establish character | leading lady | light | mickey-mousing | mysterious | room | turning off

Lightning Strikes Twice (1951)

Shelly + Shelly 2 (Molto Misterioso)0:24:05 - Shelly looks around the ranchactor | arriving | calm | combination of themes | leading lady | mysterious | ranch | transition | walking

Lightning Strikes Twice (1951)

Father Paul (Carriage)0:35:13 - Priest riding in a carriagearriving | carriage | dog | flashback | galloping | horse | leading man | mysterious | priest | ranch | suspect | traveling | upbeat | voice-over

Lightning Strikes Twice (1951)

Trev (Misterioso)0:40:30 - Shelly and Liza talkactor | advance plot | conversing | glass | leading lady | mysterious | rancher | street | underscoring | uneasy | walking

Lightning Strikes Twice (1951)

Menace (Molto Misterioso)0:50:38 - Liza leaves the roomactor | car | leading lady | leaving | luggage | mysterious | packing | ranch | rancher | somber | tense | transition

Lightning Strikes Twice (1951)

Shelly and Trev (Misterioso)1:09:40 - Shelly and Myra talkactor | advance plot | conversing | leading lady | mother | mysterious | owner | room | tense

Lightning Strikes Twice (1951)

Pulls doorknob1:16:03 - Shelly pulls off the doorknobactor | danger | doorknob | husband | leading lady | leading man | love scene | mickey-mousing | mysterious | pulling | room | suspect | suspicion | tense

Lightning Strikes Twice (1951)

Menace (Misterioso)1:19:48 - Trev calls Harveyarguing | conversing | husband | leading man | mad scene | mysterious | room | suspect | suspense | telephone
Mildred Pierce (1945)Underscoring (Tense)0:11:13 - Policemen investigate the sceneaction scene | altered dominant | beach | conversing | dissonant bass | friend | mysterious | police | searching | sequence | tense | underscoring | victim

Mildred Pierce (1945)

Mildred sits0:14:11 - Mildred sits downadvance plot | heroine | leading lady | mickey-mousing | mysterious | police station | sitting

Mildred Pierce (1945)

Kay and Veda (Misterioso)0:54:01 - Bert tells Mildred that Kay is sickbad news | conversing | dark | death scene | distress | ex-husband | heroine | leading lady | mysterious | ominous | stinger | street | turning point | whole-tone scale

Mildred Pierce (1945)

It Can't Be Wrong (Molto Misterioso)1:42:42 - Mildred learns that Monte has betrayed her 9th chord | bankruptcy | betrayal | dark | familiar tune | friend | heroine | leading lady | love theme | memory | mysterious | pc set | popular music | realizing | room | somber | turning point | whole-tone chord
We Are Not Alone (1939)Surprise Symphony (Fixing the Lights)0:23:27 - David tries to fix the lights11th chord | advance plot | boy | child | classical music | familiar tune | father | foreign key modulation | fragmentation | Haydn | helping | hero | home | mysterious | playful | quotation | working

We Are Not Alone (1939)

Surprise Symphony (Sneaky)0:51:52 - David goes to bedadded-note chord | advance plot | antagonist | classical music | cook | diminution | familiar tune | Haydn | hero | heroine | home | mickey-mousing | mysterious | quotation | room | sneaking | somber

We Are Not Alone (1939)

Underscoring (Mysterious)1:36:37 - David walks down a prison corridoradvance plot | anticipation | guard | hero | heroine | mysterious | prison | underscoring | walking
White Heat (1949)Underscoring (Mysterious)0:05:27 - Gangsters listen to the radioannouncer | car | establish character | gangster | listening | mysterious | radio | street | underscoring

White Heat (1949)

Plotting (Extended)0:12:45 - Ma warns Cody that Zuckie may talkdark | death | gangster | leading lady | leading man | moll | mother | murderer | murder scene | mysterious | plotting | victim | warning | yard

White Heat (1949)

Plotting (Ugly)0:13:06 - Cotton goes to kill Zuckiedark | death | gangster | gun | leading lady | leading man | moll | mother | murderer | murder scene | mysterious | victim | walking | yard

White Heat (1949)

Underscoring (Mysterious)0:14:51 - The agents talkagent | clue | dark | investigating | investigation scene | morgue | mysterious | police | underscoring

White Heat (1949)

Misterioso0:16:34 - Aerial view of the citycity | dark | mysterious | panning shot | transition

White Heat (1949)

Agents0:18:49 - Agent leaves a phone boothagent | car | mysterious | sneaking | street | telephone | transition | walking

White Heat (1949)

Agents (Planning)0:19:32 - Agents talk on the car phoneadvance plot | agent | car | conversing | dark | following | mysterious | observing | planning | street | telephone

White Heat (1949)

Plotting (Mysterious)0:29:13 - Verna and Ma leave the police stationagent | leading lady | leading man | moll | mother | mysterious | police station | transition | walking

White Heat (1949)

Misterioso (Tense)0:40:12 - Hank looks aroundadvance plot | gangster | leading man | looking | murderer | mysterious | photograph | prison | prisoner | tense | undercover agent | underscoring

White Heat (1949)

Misterioso (Ominous)0:40:51 - The prisoners talkadvance plot | conversing | gangster | leading man | murderer | mysterious | ominous | prison | prisoner | tense | undercover agent | underscoring

White Heat (1949)

Thinking0:41:34 - Prisoners talk about moneyadvance plot | conversing | gangster | leading man | murderer | mysterious | prison | prisoner | tense | thinking | undercover agent

White Heat (1949)

Underscoring (Mysterious)0:44:42 - Parker sneaksgangster | leading man | murderer | murder scene | mysterious | prison | prisoner | sneaking | undercover agent | underscoring | working

White Heat (1949)

Misterioso (Straitjacket)1:04:07 - The warden talks with Codyconversing | doctor | gangster | guard | leading man | murderer | mysterious | prison | prison break | prisoner | straitjacket | tense | underscoring | warden

White Heat (1949)

Plotting (Tense)1:04:33 - Tommy brings food to Codycarrying | doctor | feeding | food | gangster | guard | leading man | murderer | mysterious | prison | prison break | prisoner | straitjacket | tense | warden

White Heat (1949)

Misterioso (Tense 2)1:04:48 - Tommy loosens Cody's straitjacketdoctor | gangster | guard | gun | leading man | loosening | murderer | mysterious | prison | prison break | prisoner | releasing | straitjacket | tense | untying | warden

White Heat (1949)

Cody (Pulls Gun)1:05:05 - Cody stands updoctor | dramatic | gangster | guard | gun | leading man | loosening | murderer | mysterious | prison | prison break | prisoner | releasing | straitjacket | tense | untying | warden

White Heat (1949)

Cody 2 (Molto Misterioso)1:09:13 - Cody adjusts his hat in the mirrordressing | fugitive | gangster | hat | leading man | mirror | murderer | mysterious | prison break | room | tense

White Heat (1949)

Plotting (Sneaking)1:14:09 - Verna sneaks down the stairsaction scene | descending | leading lady | mickey-mousing | moll | mysterious | room | sneaking | stairs | tense

White Heat (1949)

Underscoring (Mysterious)1:16:51 - Cody and Verna climb through the windowgangster | gun | leading lady | leading man | moll | murderer | murder scene | mysterious | room | sneaking | sneaking effect | tense | underscoring | window

White Heat (1949)

Underscoring (Mysterious)1:26:39 - Hank sneaks outaction scene | mysterious | sneaking | undercover agent | underscoring | yard

White Heat (1949)

T-Men (Misterioso)1:27:39 - Hank talks to Codyadvance plot | arguing | conversing | fugitive | gangster | leading man | murderer | mysterious | stinger | undercover agent | yard

White Heat (1949)

Agents + Pursuit (Montage)1:38:33 - Police car in pursuitagent | antenna | car | car | chase scene | combination of themes | double exposure | electronic effect | montage | mysterious | police station | pursuing | radio | radio effect | speeding | street | tense

White Heat (1949)

Bo Creel (Misterioso)1:43:26 - Bo Creel tells Cody that Hank is a copaction scene | discovering | discovery | factory | fugitive | gangster | guard | leading man | looking | murderer | mysterious | realizing | undercover agent
The Woman in White (1948)Appearing0:02:54 - The woman in white appearsappearing | establish character | forest | leading lady | leading man | magical | magical effect | mickey-mousing | mysterious

The Woman in White (1948)

Ann0:03:00 - The woman in white talks to Waltercalling | conversing | establish character | forest | leading lady | leading man | mysterious

The Woman in White (1948)

Ann (Quasi Misterioso)0:03:36 - Walter talks to the woman in whiteconversing | establish character | forest | leading lady | leading man | mysterious

The Woman in White (1948)

The Carman’s Whistle (Accompaniment)0:04:26 - The woman in white talks to Walterconversing | establish character | forest | leading lady | leading man | mysterious

The Woman in White (1948)

Ann (Molto Misterioso)0:05:30 - Closeup on Count Foscocarriage | conversing | establish character | forest | leading man | mysterious

The Woman in White (1948)

Ann0:11:38 - Walter talks with Count Foscoadvance plot | butler | conversing | leading man | mansion | mysterious

The Woman in White (1948)

Fosco (Molto Misterioso)0:19:16 - Fosco walks outsideadvance plot | garden | leading man | mysterious | room | tense | walking | watching

The Woman in White (1948)

Ann (Poco Agitato)0:22:39 - Laura talks about a mysterious womanbutler | conversing | establish character | family | leading lady | leading man | mysterious | room | tense | walking

The Woman in White (1948)

Underscoring (Mysterious)0:23:16 - Fosco gets up to leavebutler | conversing | establish character | family | leading lady | leading man | mysterious | room | walking

The Woman in White (1948)

Ann (Misterioso)0:29:34 - Fosco sees Laura outsideadvance plot | conversing | leading lady | leading man | mysterious | room | tense | watching

The Woman in White (1948)

Fosco (Spying)0:31:31 - Fosco spies on Laura and Walteradvance plot | garden | leading lady | leading man | mysterious | point-of-view shot | snooping | spying | watching

The Woman in White (1948)

Pavan (Garden)0:33:09 - Marian talks to Foscoarguing | conversing | cousin | falling in love scene | garden | instrument effect | leading lady | leading man | mysterious | Renaissance music | somber | watching

The Woman in White (1948)

Underscoring (Mysterious)0:36:22 - Laura greets Sir Percivaladvance plot | conversing | fiancé | leading lady | mansion | mysterious | underscoring

The Woman in White (1948)

Underscoring (Mysterious)0:38:37 - Marian talks to Walteradvance plot | bad news | conversing | cousin | dark | garden | leading lady | leading man | mysterious | stinger | underscoring

The Woman in White (1948)

Ann0:40:45 - The woman in white talks to Walteradvance plot | conversing | garden | leading lady | leading man | mysterious | tense

The Woman in White (1948)

Ann (Quasi Misterioso)0:41:28 - The woman in white talks to Walteradvance plot | conversing | garden | leading lady | leading man | mysterious

The Woman in White (1948)

Ann (Molto Misterioso)0:42:52 - Walter talks to the woman in whiteadvance plot | agitated | conversing | garden | leading lady | leading man | mysterious

The Woman in White (1948)

Ann0:43:08 - The woman in white talks to Walteradvance plot | agitated | conversing | garden | leading lady | leading man | mysterious

The Woman in White (1948)

Appearing0:43:56 - The woman in white runs from Foscoadvance plot | garden | leading lady | leading man | magical | mysterious | running

The Woman in White (1948)

Ann0:43:58 - The woman in white runs awayadvance plot | garden | leading lady | leading man | mysterious | running

The Woman in White (1948)

Underscoring (Mysterious)0:45:40 - Laura enters the mansionbutler | conflict | conversing | cousin | fiancé | leading lady | mansion | mysterious | tense | underscoring

The Woman in White (1948)

Ann (Agitato Quasi Misterioso)0:46:28 - Walter argues with Marianarguing | butler | conflict | cousin | leading lady | leading man | mansion | mysterious | stinger

The Woman in White (1948)

Underscoring (Mysterious)0:56:12 - Sir Percival and a monkeyadvance plot | antagonist | butler | cigarette | conversing | cousin | husband | leading lady | mansion | monkey | mysterious | servant | smoking | stinger | underscoring

The Woman in White (1948)

Ann (Misterioso Rubato)0:58:22 - The countess excuses herselfadvance plot | antagonist | butler | conversing | cousin | departing | husband | leading lady | mansion | mysterious | servant | somber

The Woman in White (1948)

Fosco (Spying)0:58:37 - Marian writes in her journaladvance plot | cousin | journal | leading lady | mysterious | room | somber | thinking | voice-over | writing

The Woman in White (1948)

Fosco (Misterioso Slowly)1:04:48 - Count Fosco leaves the roomadvance plot | antagonist | conversing | cousin | criminal | eavesdropping | father | husband | leading lady | leading man | lightning | mysterious | room | sneaking | storm | tense

The Woman in White (1948)

Pavan (Basses)1:05:32 - Marian gets dressedadvance plot | antagonist | cousin | criminal | dressing | leading lady | leading man | mysterious | room | shadow | somber | stinger | surprising

The Woman in White (1948)

Fosco (Misterioso Moderato)1:08:24 - Fosco is startled by a noiseantagonist | butler | conflict | conversing | cousin | criminal | leading lady | leading man | mysterious | room

The Woman in White (1948)

Fosco (Marcato)1:08:44 - Fosco talks to the servantantagonist | arguing | butler | confining | conflict | conversing | cousin | criminal | dark | leading lady | leading man | mysterious | prisoner | room

The Woman in White (1948)

Appearing1:10:28 - The woman in white disappearsadvance plot | antagonist | criminal | doctor | hiding | husband | leading lady | leading man | magical | mysterious | room | running | superimposed shot | victim

The Woman in White (1948)

Ann (Accelerando)1:12:32 - Fosco looks in the closetagitated | anger | antagonist | conflict | criminal | leading man | mysterious | room | rushing | searching | walking

The Woman in White (1948)

Fosco (Screwy)1:13:05 - The countess enters quietlyadvance plot | arriving | helping | mysterious | room | sneaking | tense | time lapse | victim | wife

The Woman in White (1948)

Fosco (Sneaking)1:13:18 - The countess sneaks into Laura's roomadvance plot | helping | illness | leading lady | mysterious | room | servant | sleeping | sneaking | tense | victim | wife

The Woman in White (1948)

Fosco (Sneaking)1:13:48 - The maid leavesadvance plot | departing | helping | illness | leading lady | mysterious | room | servant | sleeping | sneaking | tense | victim | wife

The Woman in White (1948)

Underscoring (Mysterious)1:13:57 - The countess looks aroundadvance plot | helping | illness | leading lady | mysterious | room | sleeping | sneaking | tense | underscoring | victim | wife

The Woman in White (1948)

Hypnosis (Misterioso con moto)1:16:57 - The countess talks to the woman in whiteconversing | death scene | leading lady | mysterious | room | tense | victim | wife

The Woman in White (1948)

Ann1:17:56 - The woman in white talks to Lauraconversing | death scene | leading lady | mysterious | room | victim | wife

The Woman in White (1948)

Hypnosis1:18:17 - The woman in white hears Fosco's voicedeath scene | hearing voices | leading lady | madness | mysterious | room | tense | victim | wife

The Woman in White (1948)

Fosco (Misterioso)1:18:29 - The woman in white hears Sir Percival's voiceantagonist | arriving | criminal | death scene | hearing voices | husband | leading lady | madness | mysterious | room | screaming | shock | surprise | tense | victim | wife

The Woman in White (1948)

Ann (Misterioso)1:21:57 - Marian talks to Waltercemetery | cousin | crying | funeral | funeral | leading lady | leading man | mysterious | somber | spying

The Woman in White (1948)

Asylum + Ann1:24:50 - Close-up on Count Foscoantagonist | asylum | combination of themes | criminal | dark | husband | hypnosis | hypnotist | hypnotizing | leading lady | leading man | lighting change | mad scene | murderer | mysterious | thematic transference | victim

The Woman in White (1948)

Asylum + Ann + Hypnosis1:25:26 - Laura looks at Sir Percivalantagonist | asylum | combination of themes | criminal | dark | husband | hypnosis | hypnotist | hypnotizing | leading lady | leading man | mad scene | murderer | mysterious | victim

The Woman in White (1948)

Ann1:26:55 - Laura speaks to Count Foscoantagonist | asylum | criminal | husband | hypnosis | hypnotist | hypnotizing | leading lady | leading man | mad scene | murderer | mysterious | staring | victim

The Woman in White (1948)

Asylum + Ann + Hypnosis1:27:35 - Laura hears Count Fosco's voice in her headasylum | combination of themes | hearing voices | hypnosis | leading lady | mad scene | mysterious | sneaking | tense | victim

The Woman in White (1948)

Ann1:28:02 - Laura exchanges the keysasylum | hypnosis | key | leading lady | mad scene | mysterious | sneaking | tense | victim

The Woman in White (1948)

Ann (Sleeping)1:34:27 - Laura in her bed in the asylumasylum | comedy | dark | key | leading lady | mysterious | patient | sleeping | victim | wife | worker | working

The Woman in White (1948)

Appearing1:34:51 - Laura emerges from her roomasylum | escape | escaping | hiding | leading lady | magical | mickey-mousing | mysterious | patient | sneaking | victim | wife

The Woman in White (1948)

Ann1:34:57 - Laura sneaks down the hallwayasylum | escape | escaping | hiding | leading lady | mysterious | patient | sneaking | victim | wife

The Woman in White (1948)

Appearing1:35:26 - Laura takes a keyasylum | escape | escaping | hiding | key | leading lady | mickey-mousing | mysterious | patient | sneaking | victim | wife

The Woman in White (1948)

Ann1:35:32 - Laura heads for the exitasylum | escape | escaping | hiding | key | leading lady | mysterious | patient | sneaking | victim | wife

The Woman in White (1948)

Appearing1:35:44 - Laura appears outsideasylum | escape | escaping | leading lady | mickey-mousing | mysterious | patient | sneaking | street | victim | wife

The Woman in White (1948)

Ann1:35:51 - Laura exits the asylum gateasylum | escape | escaping | leading lady | mysterious | patient | sneaking | street | victim | wife

The Woman in White (1948)

Ann (Not in Score)1:44:24 - Count Fosco talks to the Countessclimax | conversing | criminal | friend | friend | leading lady | leading man | love interest | murderer | mysterious | necklace | room | transcribed by ear | wife

The Woman in White (1948)

Fosco (Screwy)1:44:42 - The Countess walks across the roomclimax | criminal | friend | friend | leading lady | leading man | love interest | murderer | mysterious | necklace | room | sneaking | walking | wife

The Woman in White (1948)

Fosco (Sneaking)1:44:51 - The Countess walks across the roomclimax | criminal | friend | friend | leading lady | leading man | love interest | murderer | mysterious | necklace | room | sneaking | walking | wife

The Woman in White (1948)

Fosco (Soft)1:45:18 - The Count talks to Marianarriving | climax | conversing | criminal | friend | friend | leading lady | leading man | love interest | murderer | mysterious | necklace | room | wife
The Public Defender (1931)Mystery0:00:45 - Cast list and balancing scalesaugmented triad | balancing | cast list | chromaticism | main title | mysterious | mystery | opening title sequence | pc set | transcribed by ear | whole-tone chord

The Public Defender (1931)

Mystery (Bank Closed)0:01:25 - Notice posted on the doorarguing | chromaticism | crowd | mysterious | mystery | noise | pc set | street | transcribed by ear | transition

The Public Defender (1931)

Mystery (Sandwich)0:15:25 - A mysterious hand puts a secret note in a sandwich advance plot | antagonist | chromaticism | hand | mysterious | mystery | party | pc set | sneaking | transcribed by ear

The Public Defender (1931)

Mystery (Note)0:16:14 - Man discovers mysterious note in sandwichadvance plot | augmented triad | banker | chromaticism | discovery | dramatic | eating | mysterious | mystery | party | pc set | sandwich | source and scoring overlap | transcribed by ear | waiter
Is My Face Red? (1932)Transition0:01:22 - Speeding truck and a doordiminished 7th chord | establish setting | mysterious | poster | street | transcribed by ear | transition
Penguin Pool Murder (1932)Penguin Pool Murder0:00:23 - Main title, starring list, and cast listcast list | chromatic parallelism | diminution | diving | double exposure | dramatic | hemiola | linear chromaticism | mysterious | opening title sequence | penguin | pool | starring list | swimming | tense | thematic transformation | through-composed | title of film | transcribed by ear | whirlpool | whole-tone | whole-tone chord

Penguin Pool Murder (1932)

Sidewalks of New York (Aquarium)0:01:00 - Outside of aquariumcalm | establish setting | foreign key modulation | harbor | mysterious | setting | transcribed by ear

Penguin Pool Murder (1932)

Sea Creatures0:01:39 - A shark, an octopus, and a fishestablish setting | fish | mysterious | octopus | shark | swimming | tense | transcribed by ear | tritone | underwater | whole-tone
The Phantom of Crestwood (1932)Misterioso No. 10:00:21 - A radio broadcastannouncer | broadcast | mysterious | on-screen music | opening title sequence | orchestra | playing | radio | source music | transcribed by ear

The Phantom of Crestwood (1932)

Crestwood A0:01:51 - Title over the image of a dark seascapediminished 7th chord | mickey-mousing | mysterious | opening title sequence | title of film | transcribed by ear

The Phantom of Crestwood (1932)

Crestwood B0:02:08 - Title and Cast listcast list | diminished 7th chord | mysterious | opening title sequence | sequence | transcribed by ear

The Phantom of Crestwood (1932)

Crestwood C0:02:18 - Cast list and the first scenecast list | Lydian mode | mysterious | opening title sequence | parallelism | transcribed by ear
Thirteen Women (1932)Ursula (Horoscope)0:08:56 - The swami talks to Ursulaantagonist | conversing | establish character | fate | fortune teller | leading lady | mysterious | predicting | quintal chord | room | somber | swami | transcribed by ear

Thirteen Women (1932)

Ursula (Fate)0:09:11 - The swami predicts Ursula's fateantagonist | conversing | dark | establish character | fate | fortune teller | half-diminished 7th chord | leading lady | mickey-mousing | mysterious | predicting | room | somber | stinger | swami | train whistle | transcribed by ear

Thirteen Women (1932)

The Swami (Rising Tension)0:09:53 - The swami shrinks from Ursula's gazeantagonist | conversing | establish character | fate | fortune teller | leading lady | mysterious | parallelism | room | swami | tense | transcribed by ear

Thirteen Women (1932)

Ursula (Hypnotic)0:10:05 - Ursula hypnotizes the swamiantagonist | diminished 7th chord | establish character | fortune teller | hypnotic | hypnotizing | leading lady | mysterious | room | seductive | sleeping | swami | transcribed by ear

Thirteen Women (1932)

The Swami (Sleeping)0:10:46 - Ursula leaves the swamiantagonist | establish character | fortune teller | leading lady | mysterious | room | sleeping | swami | transcribed by ear | whole-tone | whole-tone chord

Thirteen Women (1932)

Ursula (Horoscope)0:10:57 - Ursula looks at the horoscopeadvance plot | antagonist | appoggiatura | horoscope | leading lady | march-like | mysterious | reading | room | transcribed by ear

Thirteen Women (1932)

Ursula (Exotic)0:11:45 - Ursula forges the swami's signatureadvance plot | antagonist | dark | exotic | exoticism | forging | Gypsy major scale | horoscope | leading lady | mysterious | ostinato | room | signing | transcribed by ear

Thirteen Women (1932)

Ursula (Exotic 2)0:33:52 - Ursula talks to Burnsadvance plot | conversing | dark | exotic | exoticism | Gypsy major scale | leading lady | love interest | mysterious | ostinato | room | transcribed by ear

Thirteen Women (1932)

Ursula (Exotic)0:34:06 - Ursula argues with Burnsadvance plot | arguing | dark | exotic | exoticism | Gypsy major scale | leading lady | love interest | mysterious | ostinato | room | transcribed by ear
Before Dawn (1933)Before Dawn A0:00:15 - Title over the image of hands grasping moneycoin | dark | diminished 7th chord | double exposure | grabbing | hand | money | mysterious | opening title sequence | self-borrowing | title of film | transcribed by ear

Before Dawn (1933)

Before Dawn B0:00:32 - Title and Cast list over a skullcast list | diminished 7th chord | double exposure | mysterious | opening title sequence | self-borrowing | sequence | skull | transcribed by ear

Before Dawn (1933)

Before Dawn C0:00:44 - Cast list over walking feetcast list | double exposure | Lydian mode | mysterious | opening title sequence | parallelism | self-borrowing | transcribed by ear | walking
Headline Shooter (1933)Transition0:01:23 - Video cast listdiminished 7th chord | establish setting | mysterious | poster | reused recording | street | transcribed by ear
Murder on the Blackboard (1934)Blackboard Murder0:00:31 - Title of the film and cast listaltered dominant | blackboard | dark | mysterious | opening title sequence | ostinato | transcribed by ear

Murder on the Blackboard (1934)

The Janitor0:01:30 - A janitor gets out of beddiminished 7th chord | dressing | establish character | janitor | mysterious | parallelism | school | transcribed by ear | waking | walking

Murder on the Blackboard (1934)

Blackboard Murder (Mysterious)0:01:52 - A janitor goes about his workestablish character | janitor | mysterious | school | transcribed by ear | walking
Star of Midnight (1935)Midnight in Manhattan0:00:34 - Cast listadded-note chord | altered dominant | cast list | chromatic scale | mode mixture | mysterious | opening title sequence | sentimental | transcribed by ear
Don’t Turn ‘em Loose (1936)Crestwood A0:00:00 - RKO radio towerdark | diminished 7th chord | mysterious | opening title sequence | radio tower | title of film | transcribed by ear

Don’t Turn ‘em Loose (1936)

Crestwood B0:00:17 - Cast listcast list | diminished 7th chord | mysterious | opening title sequence | sequence | transcribed by ear

Don’t Turn ‘em Loose (1936)

Crestwood C0:00:27 - Cast listcast list | guard | Lydian mode | mysterious | opening title sequence | parallelism | prison | prisoner | transcribed by ear

Don’t Turn ‘em Loose (1936)

Suicide Transition0:26:55 - Bob sitsaugmented triad | chromatic parallelism | dissonant bass | gangster | guard | gun | gunshot | imposter | leading man | mysterious | parallelism | plotting | preparing | reading | robbery | room | sequence | shooting | store | transcribed by ear | whole-tone | whole-tone chord

Don’t Turn ‘em Loose (1936)

Mystery0:28:14 - Bob (Bat) steals a necklacebreaking | chromaticism | gangster | imposter | leading man | mysterious | necklace | pc set | robbery | robbery | room | stealing | transcribed by ear

Don’t Turn ‘em Loose (1936)

Suicide Transition 20:28:29 - Bob (Bat) bandanges his handbandaging | chromatic scale | gangster | imposter | leading man | mysterious | returning | robbery | room | transcribed by ear | whole-tone chord
We're Only Human (1935)Crestwood A0:00:13 - Title of the filmdark | diminished 7th chord | mysterious | opening title sequence | starring list | title of film | transcribed by ear

We're Only Human (1935)

Crestwood B0:00:21 - Cast listdiminished 7th chord | mysterious | opening title sequence | sequence | transcribed by ear

We're Only Human (1935)

Crestwood C0:00:31 - Cast listLydian mode | mysterious | opening title sequence | parallelism | transcribed by ear

We're Only Human (1935)

Blood Money (Four Coins)0:27:37 - Pete and Danny hideaction scene | bank | detective | gangster | half-diminished 7th chord | hiding | leading man | mysterious | preparing | sneaking | tense

We're Only Human (1935)

Kong 20:28:34 - Pete handcuffs a criminalaction scene | bank | detective | dramatic | fighting | gangster | leading man | mysterious | tense | whole-tone | whole-tone chord

We're Only Human (1935)

Blood Money (Extended)0:28:58 - Pete walks away with the criminalaction scene | arguing | augmented triad | bank | detective | gangster | leading man | mysterious | tense | tritone | whole-tone

We're Only Human (1935)

Game 31:02:23 - Approaching the housechromatic parallelism | chromatic parallelism | climax | conflict | detective | leading lady | leading man | mysterious | pc set | reporter | sneaking | tense | victim | yard

We're Only Human (1935)

Russian Waltz (Pizzicato)1:02:55 - Spying on the houseclimax | conflict | detective | leading lady | leading man | mysterious | reporter | sneaking | tense | victim | yard

We're Only Human (1935)

Saroff1:03:07 - They arguearguing | chromatic scale | climax | conflict | detective | leading lady | leading man | mysterious | reporter | tense | victim | whole-tone | whole-tone chord | yard

We're Only Human (1935)

The Informer (Burning Poster) + Blood Money1:03:25 - A man falls to the groundclimax | conflict | crawling | detective | diminished 7th chord | dying | gunshot | leading lady | leading man | mysterious | octatonic | reporter | Scotch snap | shooting | tense | tone cluster | victim | yard

We're Only Human (1935)

The Informer (Tense)1:04:11 - Pete prepares to enter the houseclimax | conflict | detective | leading man | mysterious | Scotch snap | sneaking | tense | whole-tone | whole-tone chord | yard

We're Only Human (1935)

Blood Money (Counting Money)1:05:25 - Pete looks at the fallen manclimax | conflict | detective | gangster | leading man | murderer | mysterious | room | sneaking | tense | tone cluster
Another Face (1935)Success at any Price Transition0:00:58 - Times Square in New York Citycar | conversing | deceptive resolution | driving | establish setting | foreign key modulation | gangster | laughing | mysterious | street | sultry

Another Face (1935)

Lover's Quarrel0:01:38 - Gangsters get out of a cararriving | establish setting | gangster | mysterious | office | sequence | street | walking

Another Face (1935)

Suicide Transition0:01:57 - Gangsters arrive at doctor's officearriving | conversing | doctor | establish setting | gangster | mysterious | office | parallelism | pedal tone

Another Face (1935)

Russian Waltz (Meno) + The Iron Door0:02:11 - Gangsters talk with doctorchromatic scale | combination of themes | conversing | doctor | establish character | gangster | mysterious | nurse | office | pedal tone | tense

Another Face (1935)

Zaroff (Molto Moderato) + The Iron Door0:02:43 - The gangsters departchromatic scale | combination of themes | conversing | departing | doctor | establish character | gangster | half-diminished 7th chord | mysterious | nurse | office | tense

Another Face (1935)

Ursula (Hypnotic)0:03:21 - An operationdiminished 7th chord | doctor | gangster | mysterious | nurse | operating | operating room | operation scene | patient | surgery

Another Face (1935)

The Swami (Sleeping)0:03:42 - The nurse gets suppliesdoctor | gangster | mysterious | nurse | operating | operating room | operation scene | patient | surgery | whole-tone | whole-tone chord

Another Face (1935)

Russian Waltz (Whole Tone)0:03:55 - The operation continuesdoctor | gangster | mysterious | nurse | operating | operating room | operation scene | patient | surgery | whole-tone chord

Another Face (1935)

Courage (Tone Cluster)0:04:26 - Gangster all bandaged upconversing | departing | doctor | gangster | half-diminished 7th chord | mysterious | nurse | operating room | operation scene | patient | whole-tone chord
Without Honor (1949)Molto Misterioso0:05:03 - Jane walks to the dooradulterer | affair | conversing | establish character | leading lady | leading man | love interest | mysterious | room | tense

Without Honor (1949)

Dog0:05:12 - Jane finds the dogadulterer | affair | conversing | dog | establish character | leading lady | leading man | light | love interest | mysterious | playful | room

Without Honor (1949)

Twilight (Agitato)0:08:54 - Jane talks to Dennisadulterer | affair | arguing | breaking up | breakup | crying | death scene | kitchen | leading lady | leading man | love interest | mysterious | ominous | tense

Without Honor (1949)

Fingers0:10:54 - Jane's fingers start twitchingaddicent | adulterer | corpse | crazed | death | death scene | hand | kitchen | knife | leading lady | leading man | love interest | mysterious | reacting | skewer | tense | thinking | twitching

Without Honor (1949)

Here Comes the Bride (Misterioso)0:12:40 - Jane's wedding pictureadvance plot | audible thoughts | leading lady | mysterious | photograph | room | thinking

Without Honor (1949)

Girl Scouts (Mysterious)0:16:31 - The girl scouts offer to helpadvance plot | child | conversing | leading lady | mysterious | room | scout

Without Honor (1949)

Misterioso0:22:17 - Jane reactsantagonist | brother | conflict | kitchen | leading lady | leading man | mysterious | taunting | tense
The Most Dangerous Game (1932)The Iron Door0:00:14 - Large iron doorcastle | cast list | door | door knocker | knocking | mysterious | opening | opening title sequence | statue | tense | title of film | zoom in | zoom out

The Most Dangerous Game (1932)

The Iron Door (Collapsing)0:08:23 - Bob collapses on the beachaction scene | beach | calm | collapsing | falling | foreshadowing | leading man | mysterious | ship wreck

The Most Dangerous Game (1932)

The Iron Door (Waking)0:08:31 - Bob slowly wakesbarking | beach | establish setting | leading man | mysterious | rising | screaming | waking

The Most Dangerous Game (1932)

Getting up0:08:51 - Bob rises to his feetbarking | beach | establish setting | leading man | looking | mickey-mousing | mysterious | rising | standing | tense

The Most Dangerous Game (1932)

Sneaking0:09:54 - Bob approaches the iron doorarriving | castle | door | door knocker | establish setting | leading man | mickey-mousing | mysterious | sneaking | statue | walking

The Most Dangerous Game (1932)

Russian Waltz (Upstairs)0:26:51 - Eve goes up the stairsadvance plot | ascending | brother | castle | conversing | count | departing | drunk | leading lady | leading man | mickey-mousing | mute | mysterious | servant | source to score | stairs | tense | walking

The Most Dangerous Game (1932)

Zaroff (Stinger)0:27:05 - A closeup on Ivanadvance plot | brother | castle | close-up | conversing | count | drunk | leading lady | leading man | mute | mysterious | servant | stinger | tense

The Most Dangerous Game (1932)

Russian Waltz (Whole Tone) + The Iron Door0:29:10 - Bob wakes upbarking | bed | castle | combination of themes | door | knocking | leading lady | leading man | mysterious | opening | sleeping | turning point | waking

The Most Dangerous Game (1932)

Underscoring (Mysterious)0:29:31 - Bob gets upbarking | castle | leading lady | leading man | mysterious | rising | turning point | underscoring

The Most Dangerous Game (1932)

The Iron Door (Mysterioso)0:30:12 - Bob talks with Evecandle | castle | conversing | foreshadowing | leading lady | leading man | mysterious | stinger | turning point

The Most Dangerous Game (1932)

Russian Waltz (Sneaking)0:30:29 - Bob and Eve sneak downstairscandle | castle | descending | leading lady | leading man | mysterious | sneaking | tense | turning point | walking

The Most Dangerous Game (1932)

The Approach (Sneaking)0:30:39 - Bob and Eve sneak downstairscandle | castle | descending | leading lady | leading man | mysterious | sneaking | tense | turning point | walking

The Most Dangerous Game (1932)

Zaroff (Very Mysterious)0:30:58 - Bob and Eve enter the trophy roomcandle | castle | descending | leading lady | leading man | mickey-mousing | mysterious | sneaking | turning point | walking

The Most Dangerous Game (1932)

Zaroff (Sneaking)0:31:29 - Bob and Eve look aroundcandle | castle | descending | leading lady | leading man | mysterious | searching | sneaking | turning point | walking

The Most Dangerous Game (1932)

Courage (Tone Cluster)0:41:32 - Bob builds a trapaction scene | jungle | knife | leading lady | leading man | mysterious | preparing | stinger | tense | trap | victim

The Most Dangerous Game (1932)

Courage (Hiding)0:42:33 - Bob and Eve watch and waitaction scene | combination of themes | count | hiding | hunting | jungle | knife | leading lady | leading man | mysterious | sneaking | stalking | tense | trap | victim | villain | waiting | watching

The Most Dangerous Game (1932)

Zaroff (Hunting) + The Iron Door0:43:48 - Zaroff talks to Bobaction scene | combination of themes | count | dark | hiding | hunting | jungle | knife | leading lady | leading man | mysterious | sneaking | stalking | victim | villain | waiting | watching
Caged (1950)Isolation Ward (Dark)1:17:27 - Shadows on Marie's facedark | departing | guard | isolation | leading lady | mad scene | mysterious | ominous | prison | prisoner | shadow | solitary | staring | uneasy | walking

Caged (1950)

Water Dripping1:17:52 - Marie in solitaryaudible thoughts | dark | dripping | guard | hysteria | isolation | leading lady | mad scene | mickey-mousing | mysterious | pacing | prison | prisoner | tense | thinking | uneasy | water | water effect

Caged (1950)

Water Dripping + Caged (Tense)NIF - not in filmcombination of themes | cut from film | dark | hysteria | isolation | leading lady | mad scene | mickey-mousing | mysterious | prison | prisoner | tense | uneasy | water effect

Caged (1950)

Water Dripping + FoxtrotNIF - not in filmcombination of themes | cut from film | eerie | foxtrot | hysteria | isolation | mad scene | mickey-mousing | mysterious | prison | uneasy | water effect

Caged (1950)

Water DrippingNIF - not in filmcut from film | dark | hysteria | isolation | mad scene | mickey-mousing | mysterious | prison | tense | uneasy | water effect

Caged (1950)

Water Dripping + Marie 2NIF - not in filmcombination of themes | cut from film | hysteria | isolation | mad scene | mickey-mousing | mysterious | prison | tender | uneasy | water effect

Caged (1950)

Water Dripping (Frantic)NIF - not in filmcut from film | dark | frantic | hysteria | isolation | mad scene | mickey-mousing | mysterious | prison | tense | uneasy | water effect

Caged (1950)

Water Dripping (Molto Expressivo)1:18:15 - Marie in solitarycrying | dripping | hysteria | isolation | leading lady | mad scene | mickey-mousing | mickey-mousing | mysterious | prison | prisoner | tense | uneasy | water | water effect | wipe | yelling