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47 results for "lying" — see also telling a story

FilmTheme nameInstanceTags
The Amazing Dr. Clitterhouse (1938)The Amazing Doctor (Rocks) + Rocks (The Amazing Doctor)0:50:33 - Rocks goes out to the truckantagonist | anxious | combination of themes | criminal | dissonant bass | double-cross | dramatic | gangster | lying | murderer | pc set | robbery | street | tense | thief | tritone

The Amazing Dr. Clitterhouse (1938)

I Wanna Go Back to Bali0:53:48 - Gangsters meet in an apartmentadvance plot | conversing | criminal | dance music | doctor | gangster | hero | leading man | lying | playful | radio | room | thief
The Big Sleep (1946)Underscoring (Tense)1:35:26 - Marlowe talks to two thugsconflict | criminal | investigating | leading man | lying | murderer | private eye | shop | tense | underscoring

The Big Sleep (1946)

Jones (Suspenseful)1:35:47 - Marlowe talks to two thugsconflict | criminal | dark | investigating | leading man | lying | murderer | mysterious | private eye | shop | suspenseful

The Big Sleep (1946)

Marlowe (Ear Music)1:36:04 - Marlowe talks to two thugsconflict | criminal | danger | investigating | leading man | lying | murderer | mysterious | private eye | shop | tense

The Big Sleep (1946)

Carmen (Tense)1:52:28 - Marlowe talks on the phoneconversing | leading lady | leading man | love interest | lying | mysterious | phone call | private eye | resolution | room | tense | uneasy
Crime School (1938)Underscoring (Tense)1:14:26 - Mark talks to policemanchromatic scale | conflict | deceptive resolution | gun | hero | heroine | hiding | knocking | leading lady | leading man | lying | mode mixture | pedal tone | police | room | teenager | tense | underscoring
They Made Me a Criminal (1939)The Fugitive (Excitedly)0:29:07 - Johnnie talks to the sheriff anxiety | anxious | conflict | leading man | linear chromaticism | lying | room | sheriff

They Made Me a Criminal (1939)

The Fugitive (Ashamed)1:03:55 - Johnnie tells them he can't fight9th chord | conflict | dark | foreign key modulation | harmonic sequence | leading lady | leading man | lying | room | somber | teenager

They Made Me a Criminal (1939)

On the Make (Dolce)1:05:13 - Peggy talks to Johnnieadded-note chord | altered dominant | arguing | conflict | leading lady | leading man | linear chromaticism | lying | room | tender

They Made Me a Criminal (1939)

Underscoring (Tense)1:05:52 - Johnny talks to Peggyconflict | dramatic | half-diminished 7th chord | harmonic sequence | leading lady | leading man | lying | room | tense | underscoring

They Made Me a Criminal (1939)

Peggy (Waiting)1:24:39 - The detective talks to Johnniechromatic scale | climax | dark | detective | diminished 7th chord | dissonant | dissonant bass | leading lady | leading man | lying | ominous | room | waiting

They Made Me a Criminal (1939)

Lying1:25:16 - Johnnie lies to Peggy about where he's goingadded-note chord | augmented sixth chord | climax | common-chord modulation | detective | dissonant bass | foreign key modulation | leading lady | leading man | lying | minor-major 7th chord | room | turbulent
Flamingo Road (1949)Titus (Ostinato)NIF - not in filmadvance plot | arguing | café | cut from film | cut from film | employer | leading lady | lying | ostinato | self-borrowing | waitress

Flamingo Road (1949)

Titus 2 (Slowly)1:06:43 - Dan talks to Lane about Titusadvance plot | chromatic parallelism | leading lady | leading man | lying | room | self-borrowing | tense
Hell on Frisco Bay (1955)Lye1:32:01 - Lye confronts Amatoaction scene | conversing | gangster | gun | leading man | lying | room | uneasy
In This Our Life (1942)Stanley (Peter Lies)0:13:28 - Peter talks about his tripadvance plot | conversing | leading lady | leading man | lying | musical clue | packing | room | serious | somber

In This Our Life (1942)

Stanley B (Slowly)0:17:20 - Stanley talks with Craigadvance plot | conversing | dramatic | fiancé | kissing | leading lady | lying | room | sultry

In This Our Life (1942)

Stanley Introduction (Extended 3)1:12:42 - Stanley talks with Royadvance plot | conversing | criminal | leading lady | lying | room | tense

In This Our Life (1942)

Stanley (Molto Expressivo)1:12:57 - Stanley talks with Royadvance plot | calm | conversing | criminal | leading lady | lying | room

In This Our Life (1942)

Autumn Nocturne1:17:45 - Stanley puts on a recordaccusing | arguing | conflict | criminal | defending | leading lady | lying | popular music | record player | room | sentimental | source music

In This Our Life (1942)

Minerva and Parry1:21:28 - Parry in his jail cellconflict | conversing | criminal | lawyer | leading lady | leading man | lying | prison | prisoner | somber | suspect | tender | testifying | victim

In This Our Life (1942)

Minerva and Parry (Triste)1:22:39 - Parry talks to Stanleyconflict | conversing | criminal | lawyer | leading lady | leading man | lying | prison | prisoner | solemn | somber | suspect | testifying | victim

In This Our Life (1942)

London Bridge is Falling Down (Mysterious)1:23:45 - Craig and Stanley arguecar | children’s song | conflict | conversing | criminal | familiar tune | lawyer | leading lady | leading man | lying | mysterious | ominous

In This Our Life (1942)

Underscoring (Tense) + South American Way1:25:34 - Stanley reactsaccusing | climax | criminal | father | lawyer | leading lady | leading man | lying | mother | mysterious | ominous | remembered source music | remembering | room | source and scoring overlap | source music | suspect | tense | underscoring

In This Our Life (1942)

Stanley B (Slowly Extended)1:26:39 - Stanley confessesagitated | arguing | climax | confessing | confession | criminal | crying | father | lawyer | leading lady | leading man | lying | mother | room | suspect
The Informer (1935)The Informer (Lying)0:23:40 - Gypo lies about where he got the moneyadvance plot | antagonist | chromatic sequence | conversing | diminished 7th chord | dissonant bass | half-diminished 7th chord | leading lady | leading man | lying | octatonic | pub | Scotch snap | tense
Key Largo (1948)Rocco 2 (Misterioso)1:13:37 - The sheriff leavesboss | conflict | gangster | hotel | lying | menacing | police

Key Largo (1948)

Rocco (Tense)1:15:03 - Rocco claims the Indians murdered Sawyerangry | boss | conflict | dock | gangster | lying | murder | police | tense | violent
The Letter (1940)Hammond A (The Story)0:13:14 - Leslie says she loves Robertadvance plot | home | leading lady | lying | recounting | tense | whole-tone

The Letter (1940)

Hammond A (The Story)0:22:26 - Leslie speaks with Howardadvance plot | home | lawyer | leading lady | lying | oscillation | recounting | tense | whole-tone chord

The Letter (1940)

Deception0:34:35 - Leslie lies about the letterchromatic | deception | lawyer | leading lady | letter | lying | pc set | pivotal scene | prison | tense

The Letter (1940)

Hammond A (Deception)0:34:47 - Leslie starts to worry about the letteraugmented triad | chromatic parallelism | combination of themes | deception | denying | lawyer | leading lady | letter | lying | pivotal scene | prison | reading | sequence | tense

The Letter (1940)

Hammond A (Risoluto)0:35:11 - Leslie decides how to defend her having written the letterarguing | augmented triad | deception | fragmentation | lawyer | leading lady | letter | lying | parallelism | pc set | pivotal scene | polychord | prison | tense

The Letter (1940)

Denial0:35:39 - Leslie denies writing the letteraugmented triad | deception | lawyer | leading lady | letter | lying | pivotal scene | prison | tense

The Letter (1940)

Letter (Agitato)0:36:08 - Leslie changes her mind and admits to having written the letterdeception | lawyer | leading lady | letter | lying | pc set | pivotal scene | prison | sequence | tense

The Letter (1940)

Letter (Frantic)0:36:16 - Leslie defends her actions as having written the letterchromatic sequence | deception | lawyer | leading lady | letter | lying | pivotal scene | prison | tense

The Letter (1940)

Underscoring (Tense)0:36:22 - Leslie explains why she wrote the letterdeception | lawyer | leading lady | letter | lying | pivotal scene | prison | tense

The Letter (1940)

Hammond A (The Story)0:36:42 - Leslie tells Howard more lies about the letterdeception | lawyer | leading lady | letter | lying | pivotal scene | prison | tense | whole-tone chord

The Letter (1940)

Hammond A (Restless)1:14:42 - Robert asks about the letterarguing | conflict | fragmentation | home | husband | lawyer | leading lady | lying | sequence | tense

The Letter (1940)

Hammond A (Wild)1:14:57 - Robert waits for a responsearguing | chromatic parallelism | conflict | distress | home | husband | lawyer | leading lady | lying | tense
Mildred Pierce (1945)Kay and Veda (Ominous)1:47:42 - Mildred rushes in to check on Vedaantagonist | confessing | dark | daughter | heroine | leading lady | lying | murder | murderer | murder scene | ominous | room

Mildred Pierce (1945)

Mildred B (Angry)1:48:06 - Veda confesses to Mildredangry | antagonist | confessing | confession | daughter | heroine | leading lady | lying | murderer | murder scene | room | tense
The Life of Vergie Winters (1934)Old Lavender (Celeste Solo)1:02:43 - John paces aroundconflict | daughter | direct modulation | hesitating | leading man | love interest | lying | peaceful | room | surprise | wife

The Life of Vergie Winters (1934)

Lullaby (Harp Solo)1:03:33 - John tells Joan about her parentsconflict | daughter | deceiving | deceptive resolution | leading man | love interest | lullaby | lying | revealing | room | secondary dominant | surprise | tender | wife
Blind Adventure (1933)When You’re Far Away0:26:45 - Rose and Richard crash a partyAABA structure | advance plot | conversing | leading lady | leading man | lying | party | popular song | romantic | source music

Blind Adventure (1933)

Marcellene0:32:12 - Rose and Richard go downstairsABAC structure | advance plot | calm | conversing | leading lady | leading man | lying | party | popular song | source music