| The Amazing Dr. Clitterhouse (1938) | The Amazing Doctor (Rocks) + Rocks (The Amazing Doctor) | 0:50:33 - Rocks goes out to the truck | antagonist | anxious | combination of themes | criminal | double-cross | dramatic | gangster | lying | murderer | robbery | street | tense | thief |
The Amazing Dr. Clitterhouse (1938) | I Wanna Go Back to Bali | 0:53:48 - Gangsters meet in an apartment | advance plot | conversing | criminal | dance music | doctor | gangster | hero | leading man | lying | playful | radio | room | thief |
| The Big Sleep (1946) | Marlowe (Accusing) | 1:36:04 - Marlowe talks to two thugs | danger | hero | lying | tense |
| They Made Me a Criminal (1939) | The Fugitive (Excitedly) | 0:29:07 - Johnnie lies to the sheriff | anxiety | anxious | conflict | leading man | lying | room | sheriff |
They Made Me a Criminal (1939) | The Fugitive (Ashamed) | 1:03:55 - Johnnie tells them he can't fight | conflict | dark | leading lady | leading man | lying | room | somber | teenager |
They Made Me a Criminal (1939) | On the Make (Dolce) | 1:05:13 - Johnnie talks with Peggy | arguing | conflict | leading lady | leading man | lying | room | tender |
They Made Me a Criminal (1939) | Underscoring (Tense) | 1:05:52 - Johnnie explains why he is not fighting | conflict | dramatic | leading lady | leading man | lying | room | tense | underscoring |
They Made Me a Criminal (1939) | Peggy (Waiting) | 1:24:19 - Johnnie talks to Peggy | climax | dark | detective | dissonant | leading lady | leading man | lying | ominous | room | waiting |
They Made Me a Criminal (1939) | Lying | 1:25:16 - Johnnie lies to Peggy about where he's going | climax | detective | leading lady | leading man | lying | room | turbulent |
| The Informer (1935) | The Informer (Lying) | 0:23:40 - Gypo lies about where he got the money | advance plot | antagonist | chromatic sequence | conversing | diminished 7th chord | half-diminished 7th chord | leading lady | leading man | lying | octatonic | pub | Scotch snap | tense |
| Key Largo (1948) | Rocco (Uneasy) | 1:15:03 - Rocco deceives the sheriff into thinking the Indians murdered Sawyer | gangster | lying | villain |
| The Letter (1940) | Hammond A (The Story) | 0:13:14 - Leslie says she loves Robert | advance plot | home | leading lady | lying | recounting | tense | whole-tone |
The Letter (1940) | Hammond A (The Story) | 0:22:26 - Leslie speaks with Howard | advance plot | home | lawyer | leading lady | lying | oscillation | recounting | tense | whole-tone chord |
The Letter (1940) | Deception | 0:34:35 - Leslie lies about the letter | chromatic | deception | lawyer | leading lady | letter | lying | pc set | pivotal scene | prison | tense |
The Letter (1940) | Hammond A (Deception) | 0:34:47 - Leslie starts to worry about the letter | augmented triad | chromatic parallelism | combination of themes | deception | denying | lawyer | leading lady | letter | lying | pivotal scene | prison | reading | sequence | tense |
The Letter (1940) | Hammond A (Risoluto) | 0:35:11 - Leslie decides how to defend her having written the letter | arguing | augmented triad | deception | fragmentation | lawyer | leading lady | letter | lying | parallelism | pc set | pivotal scene | polychord | prison | tense |
The Letter (1940) | Denial | 0:35:39 - Leslie denies writing the letter | augmented triad | deception | lawyer | leading lady | letter | lying | pivotal scene | prison | tense |
The Letter (1940) | Letter (Agitato) | 0:36:08 - Leslie changes her mind and admits to having written the letter | deception | lawyer | leading lady | letter | lying | pc set | pivotal scene | prison | sequence | tense |
The Letter (1940) | Letter (Frantic) | 0:36:16 - Leslie defends her actions as having written the letter | chromatic sequence | deception | lawyer | leading lady | letter | lying | pivotal scene | prison | tense |
The Letter (1940) | Underscoring (Tense) | 0:36:22 - Leslie explains why she wrote the letter | deception | lawyer | leading lady | letter | lying | pivotal scene | prison | tense |
The Letter (1940) | Hammond A (The Story) | 0:36:42 - Leslie tells Howard more lies about the letter | deception | lawyer | leading lady | letter | lying | pivotal scene | prison | tense | whole-tone chord |
The Letter (1940) | Hammond A (Restless) | 1:14:42 - Robert asks about the letter | arguing | conflict | fragmentation | home | husband | lawyer | leading lady | lying | sequence | tense |
The Letter (1940) | Hammond A (Wild) | 1:14:57 - Robert waits for a response | arguing | chromatic parallelism | conflict | distress | home | husband | lawyer | leading lady | lying | tense |
| Mildred Pierce (1945) | Kay and Veda (Ominous) | 1:47:42 - Mildred rushes in to check on Veda | antagonist | confessing | dark | daughter | heroine | leading lady | lying | murder | murderer | murder scene | ominous | room |
Mildred Pierce (1945) | Mildred B (Angry) | 1:48:06 - Veda confesses to Mildred | angry | antagonist | confessing | confession | daughter | heroine | leading lady | lying | murderer | murder scene | room | tense |
| Crime School (1938) | Underscoring (Tense) | 1:14:26 - Mark talks to policeman | conflict | gun | hero | heroine | hiding | knocking | leading lady | leading man | lying | police | room | teenager | tense | underscoring |
| Hell on Frisco Bay (1955) | Lye | 1:32:01 - Lye confronts Amato | action scene | conversing | gangster | gun | leading man | lying | room | uneasy |
| Blind Adventure (1933) | When You're Far Away | 0:26:45 - Rose and Richard crash a party | advance plot | conversing | leading lady | leading man | lying | party | popular tune | romantic | source music |
Blind Adventure (1933) | Marcellene | 0:32:12 - Rose and Richard go downstairs | advance plot | calm | conversing | leading lady | leading man | lying | party | popular tune | source music |
