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391 results for "9th chord" in 34 films

FilmTheme nameInstanceTags
All This, and Heaven Too (1940)Arriving 20:13:24 - Henriette walks to the front door9th chord | arriving | caretaker | deceptive resolution | gentle | leading lady | pleasant | secondary dominant | street | transition

All This, and Heaven Too (1940)

Fairy Godmother0:23:28 - Henriette reads a fairy tale9th chord | altered dominant | book | calm | child | delicate | establish character | fairy tale | foreign key modulation | governess | leading lady | magical | pleasant | room | storytelling

All This, and Heaven Too (1940)

RubatoNIF - not in film9th chord | added-note chord | advance plot | arguing | child | cut from film | deceptive resolution | duchess | governess | leading lady | room | tense

All This, and Heaven Too (1940)

Rubato (Carriage)NIF - not in film9th chord | advance plot | carriage | child | cut from film | deceptive resolution | duchess | governess | leading lady | leaving | parallelism | passionate | street

All This, and Heaven Too (1940)

Underscoring (Tense)0:30:19 - Henriette dresses Raynald9th chord | advance plot | arguing | caring | child | duke | governess | illness | leading lady | leading man | room | sequence | tense | underscoring

All This, and Heaven Too (1940)

Henriette (Andante)0:31:04 - The Duke apologizes to Henriette9th chord | 64 chord | advance plot | apologizing | child | conversing | duke | foreign key modulation | governess | illness | leading lady | leading man | romantic | room

All This, and Heaven Too (1940)

Raynald (Adagio)0:38:26 - The doctor takes Raynald's pulse9th chord | advance plot | caring | child | chromatic scale | conversing | doctor | duke | governess | governess | illness | leading lady | leading man | room | solemn

All This, and Heaven Too (1940)

Pleading (Extended)0:40:26 - The Abbe talks with the Duchess9th chord | angry | arguing | chromatic sequence | despair | duchess | fragmentation | leading lady | mad scene | oscillation | parallelism | priest | room

All This, and Heaven Too (1940)

Raynald (Andante)0:41:36 - Henriette and the Duke by Raynald's bedside9th chord | 64 chord | augmented sixth chord | child | chromatic sequence | conversing | duke | governess | hopeful | illness | illness scene | leading lady | leading man | parallelism | room | solemn | somber

All This, and Heaven Too (1940)

Henriette (Ethereal)0:42:36 - Henriette asks to open the window9th chord | bright | child | conversing | duke | foreign key modulation | governess | half-diminished 7th chord | hopeful | illness | illness scene | leading lady | leading man | room | sequence | timid

All This, and Heaven Too (1940)

Gossip0:55:36 - Scissors cut a newspaper clipping9th chord | advance plot | chromatic parallelism | cutting | dissonant bass | gossiper | gossiping | harsh | minor second | newspaper | room | scissors | tense

All This, and Heaven Too (1940)

Pleading (Extended)1:01:39 - The Duke responds to Henriette9th chord | arguing | chromatic sequence | conflict | dramatic | duke | governess | leading lady | leading man | room | trouble

All This, and Heaven Too (1940)

Henriette (Gentle)1:09:26 - Isabelle talks to Henriette9th chord | advance plot | child | chromatic parallelism | comforting | crying | gentle | governess | leading lady | Neapolitan | room | sweet

All This, and Heaven Too (1940)

Henriette (Rubato)1:11:14 - The Duke talks to Henriette9th chord | added-note chord | advance plot | calm | conversing | duke | governess | leading lady | leading man | mode mixture | peaceful | room

All This, and Heaven Too (1940)

Henriette (Sad Waltz)1:12:55 - Henriette watches the people dancing9th chord | 64 chord | advance plot | ballroom | crowd | dancing | dissolve | governess | leading lady | pedal tone | point-of-view shot | room | somber | watching

All This, and Heaven Too (1940)

Desperation (Dark)1:13:56 - Henriette watches the Duke leaving9th chord | advance plot | altered dominant | dark | dissonant bass | duke | leading man | leaving | parallelism | point-of-view shot | room | watching

All This, and Heaven Too (1940)

Henriette (Agitato)1:14:39 - The Duke paces anxiously9th chord | advance plot | agitated | conflicted | dissonant bass | duke | half-diminished 7th chord | leading man | pacing | pondering | room | turbulent

All This, and Heaven Too (1940)

The Duchess (The Letter)1:14:48 - A letter is pushed under the door9th chord | advance plot | agitated | chromatic parallelism | conflicted | deceptive resolution | duke | fragmentation | leading man | letter | pacing | pondering | room | turbulent

All This, and Heaven Too (1940)

Henriette (Tristan)1:18:13 - Henriette opens a gift9th chord | advance plot | fragmentation | gift | governess | happy | leading lady | opening | pump-up modulation | room | snow globe

All This, and Heaven Too (1940)

Pleading (Extended 2)1:19:43 - The Duchess pleads with the Duke9th chord | acceleration | arguing | chromatic sequence | conflict | desperate | duchess | duke | fragmentation | leading lady | leading man | parallelism | room

All This, and Heaven Too (1940)

Loti's Song1:24:31 - Apples roasting on a fire9th chord | child | chromatic mediant | chromatic parallelism | chromatic scale | cooking | create suspense | dissonant bass | forest | governess | leading lady | linear chromaticism | old man | pedal tone | scary | scored source music | singer | singing | split-third chord | spooky

All This, and Heaven Too (1940)

Grazioso1:27:26 - Madame Gauthier talks about the children9th chord | 64 chord | added-note chord | advance plot | cheerful | conversing | duke | governess | leading lady | leading man | room | servant

All This, and Heaven Too (1940)

Henriette (Very Romantic)1:29:07 - Henriette talks with the Duke9th chord | altered dominant | augmented triad | conversing | duke | falling in love scene | gentle | governess | leading lady | leading man | pedal tone | romantic | room | sweet

All This, and Heaven Too (1940)

Raynald (Mysterioso 3)1:30:51 - The children talk to Henriette9th chord | bright | child | chromatic parallelism | conversing | duke | governess | leading lady | leading man | palace | surprise | tense | transition

All This, and Heaven Too (1940)

Spring Time (Ominous)1:31:04 - The children enter the palace9th chord | 64 chord | augmented sixth chord | bright | cheerful | child | common-chord modulation | conversing | deceptive resolution | diminished third chord | duke | governess | leading lady | leading man | mode mixture | ominous | palace | surprise | transition

All This, and Heaven Too (1940)

Henriette (Ominous)1:31:15 - Henriette talks to the Duke9th chord | 64 chord | added-note chord | conversing | duke | foreign key modulation | governess | hopeful | leading lady | leading man | love scene | ominous | palace | reassuring

All This, and Heaven Too (1940)

Spring Time (Shimmery)1:35:12 - Henriette opens a gift9th chord | 64 chord | added-note chord | advance plot | cheerful | child | conversing | foreign key modulation | gift | governess | leading lady | light | opening | room

All This, and Heaven Too (1940)

Spring Time (Moderato)1:35:45 - Henriette opens a gift9th chord | 64 chord | advance plot | augmentation | calm | child | chromatic mediant | foreign key modulation | gift | governess | leading lady | locket | opening | parallelism | room | tender

All This, and Heaven Too (1940)

Henriette (Romantic)1:39:53 - The Duke reads the locket inscription9th chord | chromatic mediant | conversing | crying | crying gesture | duke | foreign key modulation | gentle | governess | leading lady | leading man | love scene | mode mixture | romantic | room | sigh gesture | tender

All This, and Heaven Too (1940)

Underscoring (Gentle)1:41:02 - Henriette talks with the children9th chord | child | conversing | farewell scene | gentle | governess | leading lady | parallelism | pedal tone | room | tender | underscoring

All This, and Heaven Too (1940)

Henriette (Appassionato 2)1:46:00 - Henriette descends the staircase9th chord | 11th chord | added-note chord | anxious | chromatic sequence | common-tone diminished 7th | descending | excited | foreign key modulation | hurrying | leading lady | not mickey-moused | room | stairs | transition | walking

All This, and Heaven Too (1940)

Henriette (Tristan)1:46:15 - Henriette greets the children9th chord | arriving | child | duke | fragmentation | grand | greeting | leading lady | leading man | pump-up modulation | reunion scene | romantic | room

All This, and Heaven Too (1940)

Gossip 21:47:20 - Henriette sees her landlady gossiping9th chord | chromatic parallelism | dissonant bass | duke | gossiper | gossiping | harsh | landlady | leading man | minor second | reunion scene | room | tense | watching

All This, and Heaven Too (1940)

Dolce2:05:51 - Henriette talks to Henry9th chord | 11th chord | advance plot | calm | common-chord modulation | conversing | gentle | leading lady | minister | pleasant | prison | prisoner | suspect

All This, and Heaven Too (1940)

Underscoring (Tense)2:10:17 - A carriage arrives at the palace9th chord | arriving | carriage | chromatic scale | leading lady | prisoner | soldier | street | suspect | tense | transition | traveling | underscoring

All This, and Heaven Too (1940)

Henriette (Moderato Maestoso)2:16:29 - A hand signing a release form9th chord | chromatic mediant | deceptive resolution | hopeful | leading lady | leaving | noble | prison | resolution | walking | writing

All This, and Heaven Too (1940)

Columbia Gem of the Ocean (Somber)2:18:19 - Children listening to Henriette9th chord | child | hopeful | leading lady | mode change | resolution | school | storytelling | student | teacher

All This, and Heaven Too (1940)

Henriette (Dolschissimo)2:21:00 - Henriette kisses a child on the cheek9th chord | 64 chord | child | chromatic mediant | conversing | foreign key modulation | gentle | leading lady | leaving | minister | mode mixture | resolution | school | student | sweet | teacher
The Amazing Dr. Clitterhouse (1938)Cauldron 20:00:27 - Cast list9th chord | beaker | bubbling | cast list | chromatic parallelism | dramatic | main title | ominous | opening title sequence | ostinato | title of film

The Amazing Dr. Clitterhouse (1938)

Night Watchman (Knocked Out)0:45:04 - Watchman knocked out on the floor9th chord | chromatic parallelism | crime | criminal | diminished 7th chord | gangster | guard | mysterious | robbery | stealing | store | thief

The Amazing Dr. Clitterhouse (1938)

Spiraling down0:47:38 - Doctor goes down the stairs9th chord | criminal | descending | diminished 7th chord | doctor | gangster | leading man | mickey-mousing | mysterious | robbery | spiraling | store | tense | thief | walking

The Amazing Dr. Clitterhouse (1938)

Underscoring (Tense)0:52:15 - Policemen report the alarm9th chord | operator | reporting | robbery | room | telephone | tense

The Amazing Dr. Clitterhouse (1938)

Jo (At the Phone)0:59:24 - Rocks takes the phone apart9th chord | advance plot | antagonist | combination of themes | dark | gangster | leading lady | ominous | plotting | room | tense

The Amazing Dr. Clitterhouse (1938)

The Amazing Doctor (Funebre)1:10:07 - Dr. Clitterhouse talks with Jo9th chord | chromatic parallelism | dark | death | doctor | gangster | leading lady | leading man | murder | murderer | murder scene | office | pleading | realizing | tense
Angels With Dirty Faces (1938)The Cartoon1:04:49 - Jerry looks at newspaper cartoon of Rocky9th chord | advance plot | cartoon | chromatic parallelism | comical | leading man | priest | reading | room

Angels With Dirty Faces (1938)

Headlines1:10:28 - A montage of newspaper headlines9th chord | 42 chord | 64 chord | dramatic | foreign key modulation | headline | mickey-mousing | montage | montage | newspaper | newspaper editor | newspaper office | spinning | zooming

Angels With Dirty Faces (1938)

Pleading1:11:08 - Laury pleads for Rocky9th chord | advance plot | appoggiatura | circle of fifths | common-chord modulation | crying | leading lady | leading man | love interest | pleading | priest | room | somber

Angels With Dirty Faces (1938)

Jerry1:11:35 - Jerry talks to Laury9th chord | advance plot | deceptive resolution | foreign key modulation | leading lady | leading man | love interest | memory | pleading | priest | room | tender

Angels With Dirty Faces (1938)

Pleading (Extended)1:21:00 - Jerry arrives on the scene9th chord | appoggiatura | arriving | chromatic sequence | circle of fifths | concerned | conflict | crowd | gun | gunshot | hurried | hurrying | leading lady | leading man | love interest | polychord | priest | pushing | street | yearning

Angels With Dirty Faces (1938)

The Gangster (Triste)1:23:57 - Rocky uses Jerry as a hostage9th chord | building | chromatic parallelism | conflict | coughing | dark | double-cross | foreign key modulation | fragmentation | gangster | hostage | leading man | linear chromaticism | major 7th chord | menacing | polychord | priest | smoke | somber | street | tear gas | walking
Are These Our Children? (1931)Makes You Forget Your Troubles (Alternate Version)NIF - not in film9th chord | AABA structure | cheerful | cut from film | dance hall

Are These Our Children? (1931)

Hey! Hey!0:50:14 - Eddie and Flo dance9th chord | AABA structure | altered dominant | augmented sixth chord | cheerful | dance hall | dance scene | dancing | friend | leading man | love interest | murderer | on-screen music | source music

Are These Our Children? (1931)

Dreams (Transition 9)NIF - not in film9th chord | altered dominant | cut from film | dark | mysterious | pc set | tragic | whole-tone | whole-tone chord

Are These Our Children? (1931)

Dreams (Transition 13) + Makes You Forget Your Troubles (Transition 13)NIF - not in film9th chord | added-note chord | chromatic sequence | common-tone diminished 7th | cut from film | dramatic | plagal cadence | somber
Arsenic and Old Lace (1944)Happy Land (Screwy Gavotte)0:00:39 - Cast list9th chord | 64 chord | added-note chord | cast list | happy | opening title sequence | ostinato | pedal tone | upbeat

Arsenic and Old Lace (1944)

Here Comes the Bride (Comical)0:05:05 - Goofy man turns around9th chord | comical | common-tone diminished 7th | establish character | familiar tune | leading lady | leading man | marriage | office | smiling | winking

Arsenic and Old Lace (1944)

Here Comes the Bride (Running)0:23:58 - Mortimer runs to the door9th chord | 13th chord | aunt | bride | child | chromatic scale | crazy person | dark | familiar tune | groom | Halloween | intervallic expansion | leading lady | leading man | murderer | room | running | rushing | source music | source to score | trick-or-treating | turning point

Arsenic and Old Lace (1944)

Underscoring (Dramatic)1:01:21 - They take Elaine into the cellar9th chord | aunt | bride | brother | chromatic scale | conflict | crazy person | darkness | diminished 7th chord | doctor | dramatic | fear | fighting | gagging | harmonic sequence | leading lady | leading man | metric dissonance | murderer | oscillation | room | running | self-borrowing | struggling | suspenseful | underscoring

Arsenic and Old Lace (1944)

Molto Agitato1:29:57 - Jonathan ties Mortimer to a chair9th chord | brother | captive | chromatic parallelism | conflict | crazy person | diminished 7th chord | doctor | dramatic | fear | gagging | leading man | mickey-mousing | murderer | room | stinger | tying | victim
The Big Sleep (1946)The Big Sleep0:00:13 - Starring actors and main title9th chord | ABA structure | cast list | chromatic mediant | chromatic sequence | dark | heavy | leading lady | leading man | Neapolitan | opening title sequence | silhouette | smoke | smoking | starring list

The Big Sleep (1946)

Sternwood0:02:31 - Carmen walks away9th chord | added-note chord | altered dominant | bluesy | daughter | establish character | femme fatale | leading man | Neapolitan | private eye | retardation | room | seductive | walking

The Big Sleep (1946)

Underscoring (Tense)0:02:45 - Marlowe goes to meet Sternwood9th chord | altered dominant | butler | chromatic scale | establish character | leading man | private eye | room | tense | underscoring | walking

The Big Sleep (1946)

Underscoring (Tense)0:18:57 - Geiger enters car9th chord | antagonist | car | departing | oscillation | rain | street | tense | transition | underscoring

The Big Sleep (1946)

Marlowe (Heroic)0:21:28 - Marlowe enters the house9th chord | action scene | breaking in | heroic | inversion | leading man | private eye | running | street

The Big Sleep (1946)

Marlowe (Taxi)0:39:05 - Marlowe talks to the lady cab driver9th chord | car | car | chromatic scale | driver | driving | following | investigation scene | leading man | mysterious | private eye | taxi | tense

The Big Sleep (1946)

Marlowe 2 (Waiting)0:47:11 - Marlowe waits in his car9th chord | car | driving | investigation scene | leading man | mysterious | private eye | tense | waiting

The Big Sleep (1946)

Sternwood (Extended)0:52:29 - Carmen asks for her picture back9th chord | altered dominant | blackmail | chromatic parallelism | conflict | diminished 7th chord | evidence | femme fatale | flirting | leading lady | leading man | mysterious | pc set | private eye | room | seductive | whole-tone chord

The Big Sleep (1946)

Vivian1:15:22 - Marlowe and Vivian talk9th chord | 13th chord | AABA structure | added-note chord | altered dominant | car | chromatic mediant | chromatic parallelism | common-tone dominant 7th | conversing | foreign key modulation | kissing | leading lady | leading man | love | love interest | love scene | Neapolitan | private eye | romantic | suspension

The Big Sleep (1946)

Marlowe (Not in Film)NIF - not in film9th chord | 11th chord | advance plot | conversing | cut from film | femme fatale | leading man | private eye | room

The Big Sleep (1946)

Drops hatNIF - not in film9th chord | advance plot | cut from film | dropping | femme fatale | hat | leading man | mickey-mousing | private eye | room

The Big Sleep (1946)

Wrong Address1:30:46 - Marlowe ends the phone call9th chord | altered dominant | chromatic parallelism | conversing | death | death scene | half-diminished 7th chord | leading man | phone call | private eye | room | somber | victim

The Big Sleep (1946)

Marlowe (Dramatic)1:33:37 - Marlowe looks at sign9th chord | altered dominant | car | dramatic | investigating | leading man | private eye | street | tense | traveling scene

The Big Sleep (1946)

Vivian1:40:03 - Marlowe and Vivian kiss9th chord | 13th chord | AABA structure | added-note chord | altered dominant | captive | chromatic mediant | chromatic parallelism | common-tone dominant 7th | foreign key modulation | freeing | kissing | leading lady | leading man | love interest | love scene | Neapolitan | private eye | romantic | room | suspension

The Big Sleep (1946)

Underscoring (Dramatic)1:41:36 - Marlowe runs to his car9th chord | action scene | criminal | diminution | dramatic | fragmentation | leading lady | leading man | linear chromaticism | love interest | outside | private eye | running | underscoring | whole-tone chord

The Big Sleep (1946)

Driving 2 + Vivian1:44:16 - Vivian tells Marlowe she loves him9th chord | 13th chord | car | chromatic parallelism | conversing | driving | leading lady | leading man | love | love interest | love scene | ostinato | private eye | romantic | suspension | tense

The Big Sleep (1946)

Driving 2 + Vivian1:45:21 - Marlowe tells Vivian he loves her9th chord | 13th chord | arriving | car | chromatic parallelism | conversing | driving | leading lady | leading man | love | love interest | love scene | ostinato | private eye | romantic | suspension | tense

The Big Sleep (1946)

Vivian1:52:48 - Marlowe talks to Vivian9th chord | 13th chord | chromatic parallelism | conversing | leading lady | leading man | love | love interest | Neapolitan | private eye | resolution | romantic | room

The Big Sleep (1946)

Vivian (Expressivo)1:53:20 - Marlowe pulls Vivian close9th chord | 13th chord | chromatic parallelism | conversing | foreign key modulation | leading lady | leading man | love | love interest | private eye | resolution | romantic | room | suspension
The Breaking Point (1950)The Breaking Point (Ethereal)1:34:41 - Harry recognizes Lucy9th chord | boat | climax | comforting | conversing | crying | ethereal | leading lady | leading man | mixed meter | mode mixture | sailor | sweet | wife

The Breaking Point (1950)

Leona1:36:26 - Leona watches9th chord | 11th chord | 13th chord | augmented sixth chord | child | chromatic parallelism | climax | crowd | crying | doctor | harbor | leading lady | leading man | sailor | somber | watching | wife

The Breaking Point (1950)

Sad Boy1:36:44 - Sad orphaned boy looks on9th chord | 11th chord | blue note | child | climax | crowd | crying | harbor | leaving | somber | spiritual | triumphant | watching
Caged (1950)PrisonNIF - not in film9th chord | augmented sixth chord | conversing | cut from film | dark | exiting | guard | leading lady | opening title sequence | police car | prison | prisoner | suspension | underscoring

Caged (1950)

Isolation Ward0:08:54 - Edna lying in a bed9th chord | conversing | dark | dissonant bass | establish character | illness | isolation | leading lady | mysterious | ominous | oscillation | prison | prisoner | rain | uneasy

Caged (1950)

Molto ExpressivoNIF - not in film9th chord | advance plot | arriving | cut from film | disbelief | foreign key modulation | guard | leading lady | pregnancy | prison | prisoner | realization | somber | stinger | tense | walking

Caged (1950)

Mrs. Benton (Not in Film)NIF - not in film9th chord | added-note chord | altered dominant | augmented sixth chord | comforting | common-tone modulation | crying | cut from film | disbelief | establish character | gentle | leading lady | mode mixture | office | pregnancy | prison | prisoner | realization | warden

Caged (1950)

LullabyNIF - not in film9th chord | added-note chord | conversing | cut from film | establish character | gentle | leading lady | office | pregnancy | prison | prisoner | sequential modulation | warden

Caged (1950)

Prison0:32:40 - Marie working in the prison laundry9th chord | double exposure | dramatic | leading lady | montage | montage | prison | prisoner | suspension | working

Caged (1950)

June and Marie (Very Slow)0:39:59 - Marie helps June9th chord | consoling | dark | despair | establish character | friend | guard | helping | leading lady | prison | prisoner | somber | whole-tone chord

Caged (1950)

Lullaby0:49:51 - Marie holds her new baby9th chord | added-note chord | advance plot | altered dominant | baby | conversing | gentle | leading lady | nurse | nursery | prison | prisoner | sequential modulation

Caged (1950)

Marie (Dramatic)0:52:43 - Marie pleads with her mother to take the baby9th chord | altered dominant | chromatic scale | chromatic wedge | despair | dramatic | leading lady | mother | nurse | pleading | prison | prisoner | tragic | turning point
His Greatest Gamble (1934)Russian Waltz0:30:05 - Philip arrives at Florence's home9th chord | arriving | calm | chromatic sequence | common-tone diminished 7th | establish setting | fugitive | leading man | mansion | mode mixture | on-screen music | piano | playing | pleasant | source music | waltz | wandering

His Greatest Gamble (1934)

Morning Glory Waltz (Radio)0:57:06 - Philip talks with Alice9th chord | advance plot | conversing | daughter | fugitive | gentle | leading lady | leading man | mansion | mode mixture | radio | score to source | sentimental | source music | transcribed by ear | walking
City for Conquest (1940)Tone Poem D (Main Title)0:01:00 - Credits over a city skyline9th chord | 64 chord | added-note chord | blue note | bluesy | cast list | city | countermelody | mode mixture | opening title sequence | sentimental | skyline

City for Conquest (1940)

Tone Poem B + Train0:01:19 - Sign for the Williamsburg Bridge9th chord | added-note chord | bridge | busy | chromatic parallelism | city | combination of themes | countermelody | hurried | Mixolydian mode | old man | police | train | transition | traveling

City for Conquest (1940)

Sidewalks of New York (Soliloquy)0:01:33 - A cop tells a man to keep moving9th chord | 13th chord | bridge | chromatic parallelism | city | conversing | establish place | establish setting | old man | police | soliloquy | uneasy

City for Conquest (1940)

Sidewalks of New York (City Struck)0:02:03 - Old-timer talks with cop9th chord | bridge | chromatic scale | city | conversing | establish setting | excited | old man | police | soliloquy

City for Conquest (1940)

Sidewalks of New York (Soliloquy)0:02:50 - Old-timer talks with cop9th chord | 13th chord | arguing | bluesy | bridge | chromatic parallelism | city | establish setting | old man | police | sentimental | soliloquy

City for Conquest (1940)

Sidewalks of New York (Cop Grabs Bum)0:03:06 - Cop pushes old-timer9th chord | arguing | bridge | chromatic parallelism | chromatic scale | city | comical | establish setting | mickey-mousing | old man | police | pushing | rushing | tense

City for Conquest (1940)

Sidewalks of New York (Soliloquy 2)0:05:44 - Old-timer talks to a stone carver9th chord | 13th chord | bluesy | child | chromatic parallelism | conversing | establish character | fragmentation | love | old man | romantic | sentimental | soliloquy | street | worker

City for Conquest (1940)

Sidewalks of New York (Waltz Grazioso)0:06:09 - Two children playing9th chord | child | conversing | establish character | foreign key modulation | love | Neapolitan | old man | romantic | sentimental | soliloquy | street | waltz

City for Conquest (1940)

Tone Poem A0:13:03 - Eddie plays the piano9th chord | 11th chord | 13th chord | brother | common-chord modulation | composer | conversing | deceptive resolution | establish character | leading man | musician | piano | playing | romantic | room | source music | transcribed by ear

City for Conquest (1940)

Tone Poem A0:27:59 - Eddie plays the piano9th chord | 13th chord | advance plot | brother | composer | composing | deceptive resolution | enharmonic respelling | leading man | musician | on-screen music | piano | playing | romantic | room | source music | transcribed by ear

City for Conquest (1940)

Tone Poem A (Dolce)0:30:28 - Peggy talks to Danny9th chord | 11th chord | arguing | chromatic parallelism | common-chord modulation | conversing | flirting | gentle | leading lady | leading man | love scene | playful | room | shaving

City for Conquest (1940)

Tone Poem A (Expressivo)0:31:00 - Peggy apologizes to Danny9th chord | added-note chord | appoggiatura | chromatic mediant | common-tone diminished 7th | conversing | foreign key modulation | kiss | kissing | leading lady | leading man | love scene | parallelism | romantic | room

City for Conquest (1940)

Tranquillo0:31:35 - Peggy and Danny on a boat9th chord | boat | conversing | delicate | gentle | leading lady | leading man | love scene

City for Conquest (1940)

Tone Poem A (Waltz)0:31:48 - Peggy and Danny talk about the future9th chord | 13th chord | added-note chord | boat | calm | common-chord modulation | conversing | deceptive resolution | foreign key modulation | leading lady | leading man | love scene | mode mixture | romantic

City for Conquest (1940)

I'm Just Wild About Harry (Foxtrot)0:33:35 - Peggy starts to leave9th chord | added-note chord | boat | calm | chromatic mediant | conversing | gentle | leading lady | leading man | love scene

City for Conquest (1940)

Tone Poem A (Dolcissimo)0:34:02 - Danny talks with Peggy9th chord | added-note chord | boat | common-tone diminished 7th | conversing | gentle | kissing | leading lady | leading man | love scene | romantic

City for Conquest (1940)

Tone Poem A (Headlines)0:38:25 - Sports news headlines9th chord | bold | fanfare | headline | montage | newspaper | transcribed by ear

City for Conquest (1940)

Tone Poem A (Resolution)0:39:10 - Montage of boxing scenes9th chord | added-note chord | boxing ring | chromatic mediant | double exposure | foreign key modulation | headline | montage | newspaper | resolution | transcribed by ear | triumphant

City for Conquest (1940)

Tone Poem A0:42:10 - Eddie plays the piano9th chord | 11th chord | 13th chord | advance plot | boxer | brother | common-chord modulation | composer | conversing | crowd | deceptive resolution | leading man | musician | on-screen music | party | piano | playing | romantic | source music | transcribed by ear

City for Conquest (1940)

Tone Poem A (Stride Piano)0:43:27 - Eddie plays the piano9th chord | 11th chord | 13th chord | added-note chord | advance plot | augmented sixth chord | boxer | brother | chord substitution | common-tone diminished 7th | composer | conversing | crowd | foreign key modulation | leading man | mode mixture | musician | on-screen music | parallelism | party | piano | playing | ragtime | source music | syncopation | upbeat

City for Conquest (1940)

Tone Poem A (Simplice)0:48:06 - Danny talks to Peggy9th chord | 13th chord | boxer | dancer | embracing | kissing | leading lady | leading man | love scene | romantic | street

City for Conquest (1940)

Tone Poem A (Molto Expressivo)0:48:44 - Danny talks with Peggy9th chord | 64 chord | appoggiatura | boxer | countermelody | dancer | embracing | kissing | leading lady | leading man | love scene | plagal cadence | romantic | sequence | street

City for Conquest (1940)

Tone Poem A (Farewell)0:55:31 - Peggy bids farewell to Danny9th chord | appoggiatura | augmented sixth chord | conversing | crying | embracing | enharmonic respelling | farewell scene | leading lady | leading man | leaving | mode mixture | plagal cadence | romantic | sentimental | street

City for Conquest (1940)

Tone Poem A (Ominous)1:14:02 - Googi talks with the boxing managers9th chord | arguing | car | car | criminal | dissonant bass | driving | fragmentation | gangster | manager | murder scene | ominous | tense

City for Conquest (1940)

Tone Poem A (The Song of the City)1:23:05 - Eddie plays the piano9th chord | 13th chord | advance plot | brother | common-chord modulation | composer | diminished 7th chord | leading man | listening | musician | on-screen music | playing | romantic | room | source music | transcribed by ear | victim

City for Conquest (1940)

Tone Poem A (Lento 2)1:28:11 - Peggy cries9th chord | advance plot | altered dominant | conversing | crying | foreign key modulation | friend | leading lady | room | sequence | somber

City for Conquest (1940)

Tone Poem D (Dolce)1:28:33 - Gladys talks to Peggy9th chord | 11th chord | advance plot | blue note | chromatic sequence | comforting | common-tone diminished 7th | conversing | crying | friend | gentle | leading lady | mode mixture | newspaper | parallel fifths | room | sweet

City for Conquest (1940)

Tone Poem Introduction1:32:01 - Orchestra playing in a concert hall9th chord | audience | bold | Carnegie Hall | chromatic parallelism | common-tone dominant 7th | concert | concert hall | concert scene | conducting | conductor | dissonant bass | dominant 7th chord | double exposure | Dutch angle | Gershwinesque | listening | musician | on-screen music | orchestra | playing | radio | score to source | source music | watching

City for Conquest (1940)

Tone Poem A1:32:32 - Violins playing9th chord | 11th chord | 13th chord | audience | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | deceptive resolution | dramatic | Gershwinesque | leading lady | listening | musician | on-screen music | orchestra | playing | romantic | sentimental | sequence | source music | watching | zoom in

City for Conquest (1940)

Tone Poem A (Tutti)1:33:02 - Peggy watches from the audience9th chord | 11th chord | 13th chord | audience | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | deceptive resolution | dramatic | fragmentation | Gershwinesque | leading lady | listening | musician | on-screen music | orchestra | playing | point-of-view shot | romantic | source music | watching | zoom in

City for Conquest (1940)

Tone Poem Transition 11:33:15 - The conductor9th chord | added-note chord | audience | Carnegie Hall | common-tone diminished 7th | concert | concert hall | concert scene | conducting | conductor | dissonant bass | Dutch angle | excited | fragmentation | listening | musician | on-screen music | orchestra | playing | source music | watching

City for Conquest (1940)

Tone Poem B1:33:32 - The wind section plays9th chord | added-note chord | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | excited | Mixolydian mode | musician | on-screen music | orchestra | ostinato | playing | pump-up modulation | source music

City for Conquest (1940)

Tone Poem Transition 21:33:48 - Orchestra playing9th chord | added-note chord | audience | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | dramatic | Gershwinesque | grand | listening | musician | on-screen music | orchestra | playing | source music | watching

City for Conquest (1940)

Tone Poem Introduction (Abbreviated)1:34:01 - Orchestra playing9th chord | audience | bold | Carnegie Hall | chromatic parallelism | concert | concert hall | concert scene | conducting | conductor | dissonant bass | double exposure | Dutch angle | Gershwinesque | listening | musician | on-screen music | orchestra | playing | radio | source music | watching

City for Conquest (1940)

Tone Poem CNIF - not in film9th chord | bluesy | concert scene | countermelody | cut from film | enharmonic modulation | enharmonic respelling | mode mixture | sus chord

City for Conquest (1940)

Tone Poem A (Very Broad)1:34:24 - Peggy reacts to the music9th chord | 13th chord | audience | bold | Carnegie Hall | chromatic parallelism | chromatic scale | chromatic sequence | concert | concert hall | concert scene | conducting | conductor | deceptive resolution | dissonant bass | dramatic | Gershwinesque | leading lady | leading man | listening | musician | newspaper | newspaper stand | on-screen music | orchestra | playing | radio | romantic | source music | street | watching | zoom out

City for Conquest (1940)

Tone Poem A (Lento)1:35:02 - Orchestra playing9th chord | audience | Carnegie Hall | chromatic parallelism | chromatic sequence | concert | concert hall | concert scene | conducting | conductor | crying | leading lady | linear chromaticism | listening | musician | on-screen music | orchestra | playing | polychord | romantic | somber | source music | tender | watching

City for Conquest (1940)

Tone Poem DNIF - not in film9th chord | AABA structure | added-note chord | altered dominant | blue note | bluesy | chromatic parallelism | chromatic sequence | concert scene | countermelody | cut from film | mode mixture | parallelism

City for Conquest (1940)

Tone Poem B1:35:43 - Danny listens to the radio9th chord | added-note chord | audience | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | excited | Gershwinesque | leading man | listening | Mixolydian mode | musician | newspaper | newspaper stand | on-screen music | orchestra | playing | pump-up modulation | radio | source music | street | watching

City for Conquest (1940)

Tone Poem A (Grandioso)1:36:11 - Audience enjoying the performance9th chord | 13th chord | altered dominant | audience | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | deceptive resolution | double exposure | dramatic | Gershwinesque | leading lady | leading man | listening | musician | on-screen music | orchestra | playing | romantic | sentimental | smiling | source music | watching

City for Conquest (1940)

Tone Poem A (Tutti 2)1:36:41 - Danny's figure appears in the concert hall9th chord | 13th chord | AABA structure | added-note chord | audience | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | crying | deceptive resolution | double exposure | dramatic | Gershwinesque | leading man | listening | mode mixture | musician | on-screen music | orchestra | playing | romantic | sentimental | smiling | source music | watching | zoom out

City for Conquest (1940)

Tone Poem A (Beoootiful)1:40:11 - Danny working at his newsstand9th chord | 11th chord | blur | conversing | dissonant bass | ethereal | gentle | into focus | leading lady | leading man | love scene | reunion | reuniting | shimmery | squinting | street | tone cluster | victim | whole-tone chord

City for Conquest (1940)

Tone Poem A (Chorus)1:41:14 - Danny talks with Peggy9th chord | 11th chord | 13th chord | chromatic sequence | conversing | crying | ethereal | foreign key modulation | gentle | leading lady | leading man | love interest | love scene | optimistic | reunion | reuniting | romantic | shimmery | street | suspension | victim
Crime School (1938)Transition0:00:08 - Starring and cast list9th chord | cast list | dissonant bass | dominant pedal | dramatic | main title | opening title sequence | parallelism | starring list | tense | title of film

Crime School (1938)

Underscoring (Tense)0:09:40 - Spike is captured by the cops9th chord | arresting | capturing | conflict | dramatic | police | street | teenager | tense

Crime School (1938)

Underscoring (Dramatic)0:28:01 - Frankie escapes from the warden's office9th chord | chromatic parallelism | dramatic | escape | escaping | half-diminished 7th chord | hiding | mickey-mousing | ostinato | reformatory | running | teenager | tense | throwing | tone cluster | warden | whole-tone scale

Crime School (1938)

Spots0:49:20 - Squirt has spots on his pajamas9th chord | chromatic parallelism | comedy | comical | conversing | gang | hero | leading man | mickey-mousing | paint | reformatory | spots | teenager | tense

Crime School (1938)

Underscoring (Dramatic)1:11:24 - Boys plot their escape9th chord | arguing | chromatic parallelism | chromatic scale | dramatic | escape | gang | plotting | reformatory | teenager | underscoring

Crime School (1938)

Sue (Allegretto)1:24:18 - Boys talk about Sue9th chord | chromatic parallelism | conversing | courthouse | fragmentation | gang | optimistic | resolution | sequence | teenager
They Made Me a Criminal (1939)Peggy0:00:25 - Director credit9th chord | 11th chord | 13th chord | bold | cast list | chromatic mediant | foreign key modulation | heroic | main title | opening title sequence | tritone substitution

They Made Me a Criminal (1939)

The Bicycle0:14:42 - Newspaper boy on bicycle9th chord | 13th chord | bicycle | cheerful | mickey-mousing | newspaper | newspaper boy | riding | street | throwing | transition

They Made Me a Criminal (1939)

Traveling0:22:25 - Johnnie becomes a fugitive9th chord | added-note chord | altered dominant | countryside | double exposure | dramatic | leading man | map | mickey-mousing | money | montage | montage | purchasing | street | traveling | walking

They Made Me a Criminal (1939)

The Fugitive (Triste)0:23:12 - Johnnie at a diner9th chord | advance plot | diner | leading man | money | somber | thinking | underscoring

They Made Me a Criminal (1939)

The Fugitive0:24:29 - Johnnie walks9th chord | advance plot | altered dominant | desert | foreign key modulation | leading man | Neapolitan | tired | traveling | walking | wandering

They Made Me a Criminal (1939)

The Fugitive (Looking Around)0:25:11 - The young man sees Johnnie9th chord | deceptive resolution | establish character | foreign key modulation | leading lady | leading man | ranch | teenager | tired | walking

They Made Me a Criminal (1939)

Date picking0:25:21 - Boys picking dates9th chord | establish character | light | ranch | sequence | step modulation | teenager | working

They Made Me a Criminal (1939)

The Fugitive (Arriving)0:25:42 - Johnnie arrives at the ranch9th chord | arriving | establish character | foreign key modulation | leading lady | leading man | ranch | teenager | tired

They Made Me a Criminal (1939)

The Fugitive (Fainting)0:26:32 - Johnnie stumbles and faints9th chord | dark | deceptive resolution | dissonant bass | establish character | fainting | falling | foreign key modulation | leading man | ranch | tired | tragic | walking

They Made Me a Criminal (1939)

Underscoring (Tender)0:26:58 - Peggy helps Johnnie9th chord | 64 chord | heroine | leading lady | leading man | lovers meet | mode mixture | nursing | room | tender | underscoring

They Made Me a Criminal (1939)

The Fugitive (Recovering)0:27:13 - Peggy takes care of Johnnie9th chord | foreign key modulation | heroine | leading lady | leading man | lovers meet | nursing | recovering | romance | room | sweet | waking

They Made Me a Criminal (1939)

Peggy (Dolce)0:28:20 - Peggy talks to Johnnie9th chord | 11th chord | 13th chord | deceptive resolution | foreign key modulation | heroine | kissing | leading lady | leading man | lovers meet | nursing | recovering | romance | room | sweet | tender

They Made Me a Criminal (1939)

The Fugitive (Apology)0:48:31 - Johnnie and Peggy talk9th chord | conversing | hero | leading lady | leading man | love scene | romantic | room | secondary dominant | tender

They Made Me a Criminal (1939)

Peggy (Delicatissimo)0:49:16 - Johnnie and Peggy kiss9th chord | 11th chord | 13th chord | hero | kissing | leading lady | leading man | love scene | romantic | room

They Made Me a Criminal (1939)

The Fugitive (Ashamed)1:03:55 - Johnnie tells them he can't fight9th chord | conflict | dark | foreign key modulation | harmonic sequence | leading lady | leading man | lying | room | somber | teenager

They Made Me a Criminal (1939)

On the Make (Heartbreak)1:06:05 - Johnny talks to Peggy9th chord | arguing | conflict | dissonant bass | dramatic | leading lady | leading man | room | slamming | somber | tense

They Made Me a Criminal (1939)

On the Make (Tenderly)1:07:57 - Tommy talks to Johnnie9th chord | ABAB structure | altered dominant | arguing | chromatic mediant | conversing | direct modulation | foreign key modulation | hero | leading man | room | tender | turning point

They Made Me a Criminal (1939)

The Fugitive (Religioso)1:09:41 - Johnnie looks at a picture9th chord | hero | leading man | Neapolitan | room | tender | thinking | turning point

They Made Me a Criminal (1939)

On the Make (Appassionato)1:25:51 - Peggy wants to go with Johnnie9th chord | altered dominant | climax | detective | embracing | kissing | leading lady | leading man | leaving | linear chromaticism | mode mixture | pedal tone | romantic | room | sentimental | sigh gesture | tender

They Made Me a Criminal (1939)

On the Make (End Cast)1:31:03 - End titles9th chord | added-note chord | closing credits | end title | linear chromaticism | mode mixture | not by Steiner | plagal cadence | upbeat
Dust Be My Destiny (1939)Dust Be My Destiny (Opening B)0:00:49 - Cast list9th chord | augmented sixth chord | blues | bluesy | cast list | dust | main title | mode mixture | opening title sequence

Dust Be My Destiny (1939)

Dust Be My Destiny (Opening A2)0:01:04 - Cast list9th chord | common-tone diminished 7th | dust | main title | mickey-mousing | opening title sequence | romantic

Dust Be My Destiny (1939)

Dust Be My Destiny (Injustice)0:02:29 - Joe reacts to the warden9th chord | 64 chord | agitated | chromatic parallelism | conversing | dramatic | establish character | injustice | leading man | prison | prisoner | warden

Dust Be My Destiny (1939)

Dust Be My Destiny (In Love)0:22:04 - Mabel and Joe talk9th chord | added-note chord | barn | common-tone diminished 7th | leading lady | leading man | love scene | mode mixture | romantic | secondary dominant

Dust Be My Destiny (1939)

Dust Be My Destiny (Expressivo)0:23:38 - Joe and Mabel talk9th chord | added-note chord | augmented sixth chord | barn | common-tone diminished 7th | leading lady | leading man | love scene | mode mixture | romantic | secondary dominant | sequence

Dust Be My Destiny (1939)

Running0:26:05 - Joe and Mabel run9th chord | barn | conflict | dramatic | leading lady | leading man | mickey-mousing | octatonic | running

Dust Be My Destiny (1939)

Arriving0:26:52 - Joe and Mabel settle into their new situation9th chord | arriving | calm | dramatic | freedom | leading lady | leading man | runaway | settling down | street | traveling | traveling scene | truck

Dust Be My Destiny (1939)

Dust Be My Destiny (In Love)0:27:22 - Joe and Mabel talk9th chord | added-note chord | advance plot | common-tone diminished 7th | freedom | gentle | leading lady | leading man | mode mixture | runaway | secondary dominant | street | walking

Dust Be My Destiny (1939)

Here Comes the Bride (Triple)0:30:31 - Man talks to Joe and Mabel9th chord | 64 chord | chromatic parallelism | courthouse | familiar tune | leading lady | leading man | love scene | marriage | producer | pump-up modulation | romantic | sequence | street

Dust Be My Destiny (1939)

Dust Be My Destiny (Injustice)0:35:25 - Joe and Mabel talk in the alley9th chord | alley | chromatic parallelism | escape | fearful | leading lady | leading man | runaway | street

Dust Be My Destiny (1939)

Underscoring (Dramatic)0:38:00 - Joe and Mabel argue9th chord | arguing | conflict | dissonant bass | dramatic | leading lady | leading man | runaway | street | underscoring

Dust Be My Destiny (1939)

Dust Be My Destiny (In Love)0:43:51 - Mabel and Nick talk9th chord | develop character | diner | friend | gentle | leading lady | leading man | shopkeeper

Dust Be My Destiny (1939)

My Wild Irish Rose (Goodbye)0:51:35 - Joe and Mabel say goodbye to Nick9th chord | escape | familiar tune | foreign key modulation | friend | leading lady | leading man | linear chromaticism | mode mixture | popular song | shopkeeper | tender | train station

Dust Be My Destiny (1939)

My Wild Irish Rose (Grandioso)0:52:06 - Joe and Mabel leave on a train9th chord | 64 chord | calm | escape | familiar tune | friend | leading lady | leading man | popular song | shopkeeper | sweet | tender | train station | triumphant

Dust Be My Destiny (1939)

Dust Be My Destiny (Not In Film)NIF - not in film9th chord | common-tone diminished 7th | conflict | cut from film | sequence

Dust Be My Destiny (1939)

Dust Be My Destiny (Sehr Ominous)0:56:14 - Joe walks towards the shop9th chord | chromatic parallelism | crime scene | criminal | leading man | mysterious | sequence | shop | shopkeeper | street | walking

Dust Be My Destiny (1939)

Cantor0:56:34 - Joe talks to a Jewish shopkeeper9th chord | crime scene | criminal | Gypsy minor scale | Jewish | kind | leading man | shop | shopkeeper

Dust Be My Destiny (1939)

Dust Be My Destiny (Reunited)0:58:04 - Joe embraces Mabel9th chord | 64 chord | added-note chord | embracing | foreign key modulation | leading lady | leading man | love scene | romantic | room | triumphant

Dust Be My Destiny (1939)

Dust Be My Destiny (Cornered)1:12:21 - Mabel and Joe decide what to do9th chord | conflict | hero | hospital | inversion | leading lady | leading man | pedal tone | tense
Each Dawn I Die (1939)Underscoring (Dramatic)0:05:24 - Frank is framed for drunk driving9th chord | attacking | car | conflict | diminished 7th chord | dramatic | gangster | hero | leading man | minor second | murder | pushing | reporter | setup | street | underscoring | violence

Each Dawn I Die (1939)

Hits with bottle0:05:26 - A bottle of alcohol is broken9th chord | bottle | breaking | conflict | dramatic | gangster | hero | leading man | mickey-mousing | reporter | street | violence

Each Dawn I Die (1939)

Underscoring (Dramatic)0:06:06 - Crowd accuses Frank of murder9th chord | accusing | car crash | conflict | crowd | dissonant bass | dramatic | hero | injury | leading man | linear chromaticism | police | reporter | sequence | shaking | street | underscoring | yelling

Each Dawn I Die (1939)

Headlines0:41:50 - Newspaper headline is shown9th chord | chromatic parallelism | dark | fanfare | headline | montage | montage | newspaper | pedal tone

Each Dawn I Die (1939)

Frank (Parole Denied)1:07:58 - Frank's parole is denied9th chord | common-tone diminished 7th | dark | despair | foreign key modulation | half-diminished 7th chord | hopeful | leading man | letter | prison | prisoner | reading | sigh gesture | solemn | turning point

Each Dawn I Die (1939)

Transition (Extended)1:28:35 - Newspaper headline is shown9th chord | dissonant bass | dramatic | headline | montage | montage | newspaper

Each Dawn I Die (1939)

Frank (Released)1:28:49 - Frank is released9th chord | altered dominant | artwork in score | conclusion | embracing | friend | gentle | goodbye | leading lady | leading man | Neapolitan | passionate | peaceful

Each Dawn I Die (1939)

On the Make1:31:02 - Closing credits9th chord | 11th chord | ABAB structure | added-note chord | altered dominant | closing credits | end title sequence | jaunty | linear chromaticism | self-borrowing
Flamingo Road (1949)Crime School0:00:08 - Starring list9th chord | dramatic | opening title sequence | parallelism | self-borrowing | starring list | tense

Flamingo Road (1949)

Underscoring (Lyrical)NIF - not in film9th chord | altered dominant | conversing | cut from film | cut from film | leading lady | leading man | lovers meet | police | room | underscoring

Flamingo Road (1949)

Lane (Sentimentale)NIF - not in film9th chord | chromatic parallelism | conversing | cut from film | cut from film | falling in love scene | leading lady | leading man | police

Flamingo Road (1949)

Lane (Not in Film 2)NIF - not in film9th chord | advance plot | chromatic parallelism | conversing | cut from film | cut from film | leading lady | newspaper editor | office | whole-tone chord

Flamingo Road (1949)

If I Could Be With You (Somber)0:40:31 - Field talks to Lane's co-worker9th chord | 11th chord | advance plot | café | common-tone diminished 7th | conversing | coworker | deceptive resolution | diminished 7th chord | leading man | linear chromaticism | politician | reverse picardy | sigh gesture | somber

Flamingo Road (1949)

Lane (Chromatic)0:50:24 - Lane ties Dan's tie9th chord | chromatic parallelism | conversing | dark | gentle | leading lady | leading man | love interest | lovers meet | politician | room

Flamingo Road (1949)

Flamingo Road (Bluesy)0:55:00 - Dan buys some cold drinks9th chord | altered dominant | bluesy | flirting | foreshadowing | leading lady | leading man | love interest | love scene | mode mixture | parallelism | politician | porch | self-borrowing

Flamingo Road (1949)

Flamingo Road (Agitato)1:18:50 - Dan gets upset with Lane9th chord | accusing | angry | augmented sixth chord | conflict | fragmentation | husband | leading lady | leading man | politician | quartal chord | room | self-borrowing | wife
Her Kind of Man (1946)It Had to Be You (Jazz Trumpet)0:00:44 - Music by Franz Waxman9th chord | bluesy | cast list | gambling | jazz | mode mixture | opening title sequence | roulette

Her Kind of Man (1946)

It Had to Be You (Somber)0:44:48 - Georgia leaves9th chord | arguing | conflict | departing | gambler | leading lady | leading man | love interest | room | somber | underscoring

Her Kind of Man (1946)

Underscoring (Dark [Steiner])1:12:32 - Candy reacts9th chord | advance plot | arguing | conversing | criminal | dark | gambler | half-diminished 7th chord | henchman | leading man | murderer | ominous | ostinato | underscoring | warehouse

Her Kind of Man (1946)

It Had to Be You (Tragic)1:17:10 - Georgia holds Steve9th chord | augmented triad | climax | comforting | conversing | corpse | cradling | criminal | crying | death | dying | familiar tune | gambler | henchman | leading lady | leading man | murderer | police | popular music | reporter | singer | street | tense | tragic | wife

Her Kind of Man (1946)

Water1:17:41 - Steve's corpse9th chord | corpse | criminal | death | flowing | gambler | henchman | leading lady | leading man | murderer | panning shot | police | reporter | resolution | singer | street | swirling | tense | tragic | voice-over | water | water effect | wife
I Was a Communist for the FBI (1951)Underscoring (Tense)0:01:02 - Brooklyn Bridge9th chord | airport | bridge | mysterious | pc set | street | tense | transition | underscoring

I Was a Communist for the FBI (1951)

Family (Molto Expressivo)0:26:15 - Matt writes a letter to his son9th chord | added-note chord | advance plot | baby | deceptive resolution | double exposure | flashback | foreign key modulation | gentle | leading man | letter | looking | love | memory | photograph | room | self-borrowing | sentimental | smiling | son | tender | thinking | undercover agent | voice-over | writing
In This Our Life (1942)Our Life0:00:17 - Title of the film9th chord | cast list | dissonant bass | dramatic | opening title sequence | sequence | title of film

In This Our Life (1942)

Stanley Introduction0:06:35 - A car arrives9th chord | arriving | car | chromatic scale | conversing | establish character | leading lady | leading man | love interest | stinger | tense

In This Our Life (1942)

Stanley0:06:56 - Stanley talks with Peter9th chord | appoggiatura | car | circle of fifths | conversing | establish character | leading lady | leading man | love interest | sultry

In This Our Life (1942)

Stanley0:07:23 - Stanley drives away9th chord | appoggiatura | car | circle of fifths | conversing | establish character | leading lady | leading man | love interest | sultry

In This Our Life (1942)

Roy (Triste)0:12:54 - Roy walks up the stairs9th chord | altered dominant | countermelody | establish character | foreign key modulation | gentle | leading lady | room | somber | walking

In This Our Life (1942)

Caring0:13:08 - Roy talks to Peter9th chord | advance plot | chromatic parallelism | conversing | leading lady | leading man | packing | parallelism | passionate | room | tender

In This Our Life (1942)

Stanley (Peter Lies)0:13:28 - Peter talks about his trip9th chord | advance plot | appoggiatura | conversing | leading lady | leading man | lying | musical clue | packing | room | serious | somber

In This Our Life (1942)

Discussion0:13:57 - Roy talks with Peter9th chord | advance plot | altered dominant | conversing | leading lady | leading man | passionate | reverse picardy | room | serious | somber

In This Our Life (1942)

Roy (Rubato)0:14:34 - Roy talks with Peter9th chord | advance plot | chromatic parallelism | conversing | dark | fragmentation | leading lady | leading man | major 7th chord | playful | room

In This Our Life (1942)

Stanley (Valse Triste)0:16:22 - Roy looks out the window9th chord | advance plot | altered dominant | appoggiatura | circle of fifths | dark | leading lady | leading man | leaving | room | somber | waltz | watching | window

In This Our Life (1942)

Stanley B (Valse Triste)0:16:33 - Craig arrives9th chord | advance plot | arriving | dark | dissonant bass | leading lady | leading man | somber | street | waltz | watching | window

In This Our Life (1942)

Stanley0:16:44 - Craig comes inside9th chord | advance plot | appoggiatura | circle of fifths | dark | father | leading lady | leading man | room | somber | waltz

In This Our Life (1942)

Stanley Introduction0:16:56 - Craig talks with Asa9th chord | advance plot | chromatic scale | conversing | father | fiancé | leading lady | room | tense | underscoring

In This Our Life (1942)

Stanley0:17:11 - Stanley comes down the stairs9th chord | advance plot | appoggiatura | circle of fifths | conversing | fiancé | kissing | leading lady | room | sultry

In This Our Life (1942)

Stanley (Packing)0:17:51 - Stanley packs her things9th chord | advance plot | agitated | appoggiatura | circle of fifths | leading lady | packing | room | tense

In This Our Life (1942)

Roy (Grazioso)0:23:08 - Roy looks in the mirror9th chord | conflict | conversing | countermelody | father | foreign key modulation | leading lady | mysterious | room

In This Our Life (1942)

Caring0:23:19 - Asa talks to Roy9th chord | chromatic parallelism | conflict | conversing | father | leading lady | room | sentimental | underscoring

In This Our Life (1942)

Stanley (Gloomy)0:28:32 - Roy walking in the park9th chord | advance plot | altered dominant | appoggiatura | chromatic parallelism | dark | depressed | leading lady | leading man | park | sigh gesture | sitting | tritone substitution

In This Our Life (1942)

Roy (Rubato)0:29:00 - Roy talks to Craig9th chord | advance plot | chromatic parallelism | conversing | fragmentation | leading lady | leading man | major 7th chord | park | uneasy

In This Our Life (1942)

Stanley (Morendo)0:29:32 - Craig talks with Roy9th chord | advance plot | appoggiatura | chromatic parallelism | conversing | harmonic sequence | leading lady | leading man | park | somber

In This Our Life (1942)

Roy (Encouragement)0:29:56 - Roy tries to cheer Craig up9th chord | advance plot | common-chord modulation | conversing | encouraging | leading lady | leading man | park | sequential modulation | uplifting

In This Our Life (1942)

Here Comes the Bride (A Little Shimmer)0:31:40 - A convertible9th chord | 11th chord | 64 chord | car | courthouse | deceptive resolution | happy | leading lady | leading man | leaving | pump-up modulation | sequential modulation | street | wedding | wedding

In This Our Life (1942)

Stanley (Stringy)0:32:14 - Stanley and Peter in the car9th chord | appoggiatura | car | circle of fifths | conversing | leading lady | leading man | sultry | wedding | wedding

In This Our Life (1942)

Stanley Introduction (Extended)0:36:41 - Peter goes home9th chord | arriving | car | chromatic scale | leading man | love scene | room | solemn | somber | tense

In This Our Life (1942)

Stanley (Cello Solo)0:37:11 - Peter sits on the couch9th chord | contemplating | enharmonic respelling | leading man | love scene | room | sigh gesture | somber

In This Our Life (1942)

Flirting0:37:31 - Peter goes to Stanley9th chord | 64 chord | conversing | flirting | happy | leading lady | leading man | love scene | mode mixture | room

In This Our Life (1942)

Stanley (Grazioso)0:37:56 - Stanley talks to Peter9th chord | added-note chord | appoggiatura | circle of fifths | conversing | flirting | happy | leading lady | leading man | love scene | pleasant | room | sultry

In This Our Life (1942)

Driving0:38:19 - Roy and Craig in a car9th chord | calm | car | conversing | driving | leading lady | leading man | love interest | love scene | oscillation

In This Our Life (1942)

Driving + Love Theme0:39:07 - Roy and Craig in a car9th chord | altered dominant | calm | car | combination of themes | conversing | driving | iii chord | leading lady | leading man | love interest | love scene | oscillation | pedal tone | romantic | suspension

In This Our Life (1942)

Love Theme0:40:44 - Roy and Craig sit on the ground9th chord | altered dominant | artwork in score | calm | conversing | fire | iii chord | leading lady | leading man | love interest | love scene | outdoors | romantic | suspension

In This Our Life (1942)

Blues in the Night (Transition)0:43:37 - Craig's office door9th chord | arriving | assistant | calm | friend | leading lady | love scene | office | pleasant | source to score

In This Our Life (1942)

Love Theme (Valse Sentimentale)0:44:06 - Roy and Craig embrace9th chord | altered dominant | calm | conversing | iii chord | leading lady | leading man | love scene | office | romantic | waltz

In This Our Life (1942)

Love Theme (Valse Sentimentale)0:46:31 - Roy talks with her uncle9th chord | altered dominant | conversing | iii chord | leading lady | leading man | love scene | pleasant | proposal | room | tender | uncle | waltz

In This Our Life (1942)

Underscoring (Somber)0:48:46 - Asa relates the bad news9th chord | bad news | conversing | deceptive resolution | father | leading lady | leading man | room | sigh gesture | somber | turning point | uncle | underscoring

In This Our Life (1942)

Caring0:51:39 - Roy greets Stanley9th chord | advance plot | arriving | chromatic parallelism | gentle | leading lady | room | sister | tender | widow

In This Our Life (1942)

Stanley (Peter Lies)0:51:55 - Roy at Stanley's bedside9th chord | advance plot | appoggiatura | conversing | gentle | leading lady | room | sister | widow

In This Our Life (1942)

Stanley B (Slowly)0:52:05 - Roy at Stanley's bedside9th chord | advance plot | agitated | chromatic scale | chromatic sequence | conversing | dissonant bass | leading lady | room | sister | widow

In This Our Life (1942)

Stanley (Packing)0:52:23 - Roy at Stanley's bedside9th chord | advance plot | appoggiatura | conversing | gentle | leading lady | room | sister | tense | widow

In This Our Life (1942)

Stanley (Valse Triste)0:52:42 - Stanley talks to Roy9th chord | advance plot | agitated | altered dominant | appoggiatura | circle of fifths | conversing | leading lady | room | sister | widow

In This Our Life (1942)

Stanley B (Valse Triste)0:52:48 - Stanley talks to Roy9th chord | advance plot | agitated | conversing | dissonant bass | leading lady | room | sister | widow

In This Our Life (1942)

Stanley0:52:56 - Stanley talks to Roy9th chord | advance plot | agitated | appoggiatura | circle of fifths | conversing | leading lady | room | sister | widow

In This Our Life (1942)

Discussion0:53:04 - Stanley talks to Roy9th chord | advance plot | agitated | altered dominant | conversing | leading lady | room | sister | whole-tone chord | widow

In This Our Life (1942)

Stanley B (Valse Triste)0:53:17 - Stanley cries9th chord | advance plot | agitated | chromatic scale | chromatic sequence | conversing | leading lady | room | sister | widow

In This Our Life (1942)

Stanley0:53:23 - Roy comforts Stanley9th chord | advance plot | appoggiatura | circle of fifths | comforting | crying | gentle | leading lady | room | sister | widow

In This Our Life (1942)

Stanley Introduction0:53:32 - Roy comforts Stanley9th chord | advance plot | chromatic scale | comforting | crying | leading lady | room | sister | tense | widow

In This Our Life (1942)

Stanley0:53:46 - Roy comforts Stanley9th chord | advance plot | appoggiatura | calm | circle of fifths | comforting | leading lady | room | sister | widow

In This Our Life (1942)

Stanley (Morendo)0:53:56 - Roy puts Stanley to bed9th chord | advance plot | calm | comforting | harmonic sequence | leading lady | room | sister | widow

In This Our Life (1942)

Stanley Introduction (Extended 2)1:05:31 - Stanley in Craig's office9th chord | advance plot | chromatic scale | conversing | lawyer | leading lady | leading man | office | reading | uneasy | whole-tone chord

In This Our Life (1942)

Stanley (Extended)1:05:53 - Stanley talks to Craig9th chord | advance plot | appoggiatura | circle of fifths | conversing | lawyer | leading lady | leading man | office | solemn | uneasy

In This Our Life (1942)

Stanley B (Slowly)1:06:13 - Stanley talks to Craig9th chord | advance plot | chromatic parallelism | chromatic scale | conversing | dissonant bass | lawyer | leading lady | leading man | office | uneasy

In This Our Life (1942)

Stanley (Triste)1:06:29 - Stanley talks to Craig9th chord | advance plot | appoggiatura | circle of fifths | conversing | lawyer | leading lady | leading man | office | uneasy

In This Our Life (1942)

Stanley Introduction1:07:01 - Stanley talks to Craig9th chord | advance plot | chromatic scale | lawyer | leading lady | leading man | manipulating | office | passionate

In This Our Life (1942)

Stanley1:07:11 - Stanley talks to Craig9th chord | advance plot | appoggiatura | circle of fifths | lawyer | leading lady | leading man | manipulating | office | uneasy

In This Our Life (1942)

Stanley (Dark)1:07:32 - Stanley leaves9th chord | advance plot | dark | lawyer | leading lady | leading man | manipulating | office | uneasy

In This Our Life (1942)

Stanley Introduction (Extended 3)1:12:42 - Stanley talks with Roy9th chord | advance plot | conversing | criminal | leading lady | lying | room | tense

In This Our Life (1942)

Minerva and Parry1:13:29 - Minerva talks with Roy9th chord | 11th chord | advance plot | blue note | calm | chromatic mediant | common-tone diminished 7th | conversing | foreign key modulation | leading lady | maid | mellow | mother | questioning | room | sentimental | solemn | spiritual

In This Our Life (1942)

Stanley (Packing)1:14:36 - Newspaper headline about the accident9th chord | appoggiatura | arriving | circle of fifths | conflict | conversing | headline | lawyer | leading lady | leading man | mysterious | newspaper | office

In This Our Life (1942)

Stanley (Slowly)1:16:07 - Craig reads a note9th chord | altered dominant | conflict | lawyer | leading man | note | office | sentimental | thinking | whole-tone chord

In This Our Life (1942)

Underscoring (Somber)1:21:07 - Parry in his jail cell9th chord | conflict | conversing | criminal | diminished 7th chord | lawyer | leading lady | leading man | prison | prisoner | sigh gesture | somber | suspect | underscoring | victim

In This Our Life (1942)

Minerva and Parry1:21:28 - Parry in his jail cell9th chord | 11th chord | blue note | chromatic mediant | common-tone diminished 7th | conflict | conversing | criminal | foreign key modulation | lawyer | leading lady | leading man | lying | prison | prisoner | somber | suspect | tender | testifying | victim

In This Our Life (1942)

Stanley Introduction (Extended 4)1:23:09 - Stanley and Craig leave the jail9th chord | car | conflict | criminal | lawyer | leading lady | leading man | leaving | street | tense

In This Our Life (1942)

London Bridge is Falling Down (Mysterious)1:23:45 - Craig and Stanley argue9th chord | car | children's song | conflict | conversing | criminal | familiar tune | lawyer | leading lady | leading man | lying | mysterious | ominous

In This Our Life (1942)

Stanley (Valse Triste)1:26:23 - Stanley confesses9th chord | altered dominant | appoggiatura | arguing | circle of fifths | climax | confessing | confession | criminal | crying | dramatic | father | lawyer | leading lady | leading man | mother | room | suspect | whole-tone chord

In This Our Life (1942)

Stanley B (Slowly Extended)1:26:39 - Stanley confesses9th chord | agitated | arguing | chromatic scale | chromatic sequence | climax | confessing | confession | criminal | crying | dissonant bass | father | lawyer | leading lady | leading man | lying | mother | room | suspect

In This Our Life (1942)

Big Sweep (Subtle)1:27:23 - Stanley reacts9th chord | climax | conversing | criminal | father | lawyer | leading lady | leading man | mother | pc set | plotting | room | suspect | tense | underscoring

In This Our Life (1942)

Stanley (Extended)1:27:33 - Stanley goes upstairs9th chord | appoggiatura | circle of fifths | climax | conversing | criminal | crying | father | lawyer | leading lady | leading man | mother | room | somber | suspect | uneasy

In This Our Life (1942)

Love Theme (Gentle)1:27:58 - Roy talks to Craig9th chord | accusing | altered dominant | climax | conversing | criminal | crying | embracing | gentle | iii chord | lawyer | leading lady | leading man | room | sneaking | tender

In This Our Life (1942)

Stanley (Triste)1:29:42 - Stanley enters the house9th chord | agitated | appoggiatura | circle of fifths | criminal | leading lady | room | running | sigh gesture | somber | tense | transition | uncle

In This Our Life (1942)

Stanley (Chase)1:32:59 - The police chase after Stanley9th chord | acceleration | chase scene | chasing | chromatic scale | climax | criminal | desperate | dramatic | driving | fleeing | fragmentation | leading lady | police | street | tense

In This Our Life (1942)

Stanley (Crying)1:33:37 - Stanley crying in her car9th chord | appoggiatura | chase scene | chasing | climax | criminal | crying | dark | dramatic | driving | fleeing | harmonic sequence | leading lady | police | somber | street | tense

In This Our Life (1942)

Stanley (Desperate)1:34:02 - The police in hot pursuit9th chord | chase scene | chasing | chromatic parallelism | climax | criminal | crying | desperate | dramatic | driving | fleeing | fragmentation | leading lady | police | street | tense

In This Our Life (1942)

Underscoring (Dramatic)1:34:09 - Stanley's eyes in the rear-view mirror9th chord | acceleration | chase scene | chasing | climax | criminal | crying | desperate | dissonant bass | dramatic | driving | fleeing | leading lady | pc set | police | street | tense | tone cluster | underscoring

In This Our Life (1942)

Car crash 21:34:17 - Stanley's car crashes9th chord | brash | car | car crash | chase scene | climax | crashing | criminal | dramatic | driving | dying | falling | fire | leading lady | mickey-mousing | police | street | tense

In This Our Life (1942)

Stanley (Tragic)1:34:28 - Police run to Stanley's car9th chord | added-note chord | appoggiatura | brash | car | car crash | chase scene | climax | criminal | dramatic | dying | fire | half-diminished 7th chord | helping | leading lady | mournful | police | reporting | rescuing | rushing | sigh gesture | somber | street | tragic

In This Our Life (1942)

StanleyNIF - not in film9th chord | appoggiatura | circle of fifths | cut from film | resolution
The Informer (1935)The Informer (Bridge)0:00:46 - Shadows move across the screen behind the cast list9th chord | cast list | informer | march | marching | mysterious | Neapolitan | opening title sequence | Scotch snap | searching | serious | shadow | soldier | street

The Informer (1935)

The Informer (Dublin)0:01:03 - Title card establishes the setting in Dublin, Ireland9th chord | 11th chord | establish setting | informer | marching | minor pentatonic | mysterious | nun | opening title sequence | religious symbolism | Scotch snap | searching | serious | shadow | street | title card | tritone substitution

The Informer (1935)

The Minstrel Boy0:25:32 - Man sings a folk tune at the street corner9th chord | AABA structure | advance plot | angelic | antagonist | calm | familiar tune | folk song | gentle | leading man | listening | mode mixture | mourner | mourning | on-screen music | playing | praying | singer | singing | street | violinist | watching

The Informer (1935)

Katie (Thinking)0:49:37 - Gypo looks at the money and the poster9th chord | advance plot | antagonist | leading man | money | pondering | sentimental | street

The Informer (1935)

Falling down the stairs1:06:19 - Gypo falls down the stairs9th chord | antagonist | chromatic scale | courtroom scene | down | dramatic | falling | headquarters | leading man | mickey-mousing | rebel | room | stairs | suspect

The Informer (1935)

The Informer (Confession)1:16:00 - Gypo confesses and cries9th chord | altered dominant | antagonist | confessing | confession | courtroom | courtroom scene | crying | deceptive resolution | diminished 7th chord | dissonant bass | guilt | half-diminished 7th chord | headquarters | leading man | pedal tone | pedal tone | remorseful | room | traitor

The Informer (1935)

Underscoring (Dramatic)1:20:24 - Rebels plan how to catch Gypo9th chord | 64 chord | advance plot | bold | fanfare | headquarters | hurrying | planning | rebel | room | tense
The Letter (1940)Leslie0:00:11 - The Letter9th chord | changing meter | main title | minor-major 7th chord | opening title sequence | oscillation | sequence | suspension | tense | title of film

The Letter (1940)

Leslie (Rubato)0:00:44 - Cast list9th chord | cast list | changing meter | main title | minor-major 7th chord | opening title sequence | oscillation | sequence | sequential modulation | suspension | tense

The Letter (1940)

Leslie (Tense)0:34:20 - Howard tells Leslie about the letter9th chord | altered dominant | chromatic parallelism | conversing | lawyer | leading lady | letter | pivotal scene | prison | sequence | suspenseful | tense

The Letter (1940)

Leslie (Plotting)0:39:32 - Howard and Leslie plot their next move9th chord | advance plot | buildup | changing meter | chromatic sequence | fragmentation | hospital | lawyer | leading lady | letter | minor-major 7th chord | ominous | oscillation | plotting | tense

The Letter (1940)

Law Office (The Plea)0:40:00 - Howard asks Leslie to be honest9th chord | advance plot | anxious | artwork in score | chromatic sequence | conversing | hospital | lawyer | leading lady | letter | refusing | tense

The Letter (1940)

Leslie (Wild)1:14:57 - Robert waits for a response9th chord | arguing | augmented major 7th chord | chromatic parallelism | conflict | distress | fragmentation | home | husband | lawyer | leading lady | lying | sequence | tense

The Letter (1940)

Distress1:15:08 - Robert confronts the lawyer9th chord | arguing | conflict | dissonant bass | distress | home | husband | lawyer | leading lady | tense

The Letter (1940)

Foxtrot No. 11:19:49 - Leslie getting ready for the party9th chord | advance plot | calm | dance music | foxtrot | home | leading lady | sitting | source music

The Letter (1940)

Foxtrot No. 21:22:12 - Leslie joins the party9th chord | AABA structure | altered dominant | conversing | dance music | dancing | foxtrot | friend | happy | husband | leading lady | party | party | pump-up modulation | secondary dominant | source music

The Letter (1940)

Foxtrot No. 31:23:25 - Robert talks to friends at the party9th chord | added-note chord | common-tone diminished 7th | contrasting period | conversing | dance music | drinking | foxtrot | friend | happy | husband | leading lady | party | party | source music
Mildred Pierce (1945)Transition0:00:10 - Starring list and wave effect9th chord | bold | chromatic scale | dissonant bass | fanfare | mickey-mousing | opening title sequence | tense | title of film | water | wave

Mildred Pierce (1945)

Mildred B0:00:52 - Cast list and wave effect9th chord | appoggiatura | cast list | chromatic mediant | deceptive resolution | enharmonic modulation | foreign key modulation | gentle | mickey-mousing | name on screen | opening title sequence | optimistic | romantic | sequential modulation | water | wave

Mildred Pierce (1945)

Underscoring (Dramatic)0:08:53 - Wally looks for Mildred9th chord | action scene | ascending | augmented triad | chromatic parallelism | chromatic scale | down | dramatic | falling | friend | half-diminished 7th chord | hurrying | knocking | mickey-mousing | room | searching | setup | suspenseful | underscoring | walking | whole-tone chord | whole-tone scale

Mildred Pierce (1945)

Wally goes upstairs0:09:28 - Wally ascends the spiral staircase9th chord | action scene | ascending | chromatic scale | dramatic | friend | mickey-mousing | room | spiral staircase | stairs | whole-tone chord

Mildred Pierce (1945)

Bert0:20:18 - Bert comes home9th chord | added-note chord | arriving | common-chord modulation | cooking | establish character | flashback | gentle | heroine | husband | leading lady | mode mixture | room | self-borrowing | street

Mildred Pierce (1945)

Mildred (Waltz Fantasy)0:32:38 - Veda fantasizes about her mother marrying Wally9th chord | advance plot | appoggiatura | child | chromatic parallelism | dreaming | fantasy | greed | heroine | leading lady | room | uneasy

Mildred Pierce (1945)

The Maid0:36:57 - Mildred's maid in the kitchen9th chord | advance plot | comical | conversing | cooking | heroine | kitchen | leading lady | maid | sequence | working

Mildred Pierce (1945)

Ballet Lesson0:37:25 - Kay dances9th chord | 11th chord | ballet | child | dancing | double exposure | graceful | heroine | leading lady | montage | pleasant | room | voice-over

Mildred Pierce (1945)

Work (Excited)0:42:35 - Mildred and Wally leave 9th chord | added-note chord | excited | excitement | friend | heroine | leading lady | leaving | room | self-borrowing | shadow | transition | work

Mildred Pierce (1945)

Beach House0:42:49 - Mildred and Wally drive up to the beach house9th chord | arriving | beach house | driving | friend | heroine | leading lady | ocean | peaceful | transition | water | wave

Mildred Pierce (1945)

Walking0:49:48 - Driving to the beach house9th chord | beach house | cheerful | driving | falling in love scene | friend | heroine | leading lady | parallelism | room | traveling | walking

Mildred Pierce (1945)

Opens closet0:49:57 - Mildred slides open a door9th chord | cheerful | falling in love scene | heroine | leading lady | love interest | mickey-mousing | opening | room | sliding

Mildred Pierce (1945)

Bathing Suit0:50:49 - Monte looks at Mildred in her bathing suit9th chord | attraction | beach house | cheerful | dissonant bass | falling in love scene | flirting | foreign key modulation | heroine | leading lady | love interest | mickey-mousing

Mildred Pierce (1945)

Mildred (Frolicking)0:51:01 - Mildred runs to the beach9th chord | beach | cheerful | falling in love scene | flirting | foreign key modulation | frolicking | heroine | jaunty | leading lady | love interest | running | tritone

Mildred Pierce (1945)

Frolicking in the Surf0:51:05 - Monte and Mildred run to the water9th chord | 64 chord | beach | falling in love scene | foreign key modulation | frolicking | heroine | jaunty | leading lady | love interest | mickey-mousing | playful | running | splashing | swimming | water | waves

Mildred Pierce (1945)

Pneumonia (Dying)0:55:24 - Kay passes away9th chord | child | chromatic parallelism | dark | death | death scene | doctor | dying | ex-husband | heroine | illness | leading lady | linear chromaticism | minor-major 7th chord | nurse | oscillation | patient | room | sick person | somber | tense | treating | turning point | waiting | watching

Mildred Pierce (1945)

Mildred (Mourning)0:56:07 - Mildred mourns Kay's death9th chord | augmented sixth chord | child | death | death scene | doctor | ex-husband | heroine | leading lady | mourning | nurse | patient | room | sick person | somber | turning point

Mildred Pierce (1945)

Work (Success)1:01:42 - People work in Mildred's restaurant9th chord | added-note chord | advance plot | busy | cook | foreign key modulation | restaurant | secondary dominant | self-borrowing | server | upbeat | working

Mildred Pierce (1945)

Bert (Regretful)1:04:43 - Bert tells Mildred about the divorce9th chord | advance plot | chromatic mediant | common-chord modulation | conversing | divorce | ex-husband | heroine | leading lady | love interest | regretting | restaurant | somber

Mildred Pierce (1945)

Underscoring (Tense)1:14:53 - Mildred and Monte argue9th chord | added-note chord | arguing | bitter | breakup | conflict | deceptive resolution | heroine | leading lady | love interest | room | tense | underscoring

Mildred Pierce (1945)

It Can't Be Wrong (Not in Film)NIF - not in film9th chord | cut from film | familiar tune | mickey-mousing | popular music | source to score

Mildred Pierce (1945)

Mildred (Angry)1:18:21 - Mildred walks out of an argument9th chord | aggressive | angry | arriving | chromatic parallelism | conflict | heroine | hurrying | leading lady | leaving | Neapolitan | room | walking

Mildred Pierce (1945)

Mildred (Waltz Fantasy)1:19:18 - Mildred talks to Veda9th chord | antagonist | appoggiatura | chromatic parallelism | comforting | conflict | daughter | dream-like | friend | heroine | leading lady | room | tense

Mildred Pierce (1945)

It Can't Be Wrong (Molto Misterioso)1:42:42 - Mildred learns that Monte has betrayed her 9th chord | bankruptcy | betrayal | dark | familiar tune | friend | heroine | leading lady | love theme | memory | mysterious | pc set | popular music | realizing | room | somber | turning point | whole-tone chord

Mildred Pierce (1945)

Mildred (Waltz Fantasy)1:44:53 - Mildred tells Veda not to confess9th chord | appoggiatura | chromatic parallelism | detective | harsh | heroine | interrogating | interrogation | leading lady | pleading | police station

Mildred Pierce (1945)

Mildred (Breakdown)1:47:11 - Mildred tries to start her car9th chord | climax | crying | dramatic | emotional | foreign key modulation | heroine | leading lady | leaving | street
The Life of Vergie Winters (1934)La Marseillaise0:28:48 - Montage of newspaper headlines9th chord | altered dominant | dark | headline | montage | newspaper | patriotic | patriotic tune

The Life of Vergie Winters (1934)

Underscoring (Gentle)0:51:06 - Joan talks with Vergie9th chord | advance plot | altered dominant | augmented sixth chord | child | chromatic parallelism | conversing | daughter | foreign key modulation | gentle | half-diminished 7th chord | leading lady | mother | reunion | secret | shop | timid

The Life of Vergie Winters (1934)

Lullaby (Delicato)0:51:39 - Joan talks with Vergie9th chord | advance plot | child | conversing | daughter | gentle | leading lady | mother | parallel 63s | reunion | secret | shop

The Life of Vergie Winters (1934)

Underscoring (Gentle)0:51:52 - Vergie gives Joan a fan9th chord | advance plot | child | conversing | daughter | gentle | leading lady | mother | reunion | secret | shop

The Life of Vergie Winters (1934)

Old Lavender1:00:07 - Joan and Ranny talk9th chord | added-note chord | altered dominant | common-chord modulation | conversing | daughter | direct modulation | harmonic sequence | light | love interest | love scene | optimistic | proposal | proposing | room | transcribed by ear

The Life of Vergie Winters (1934)

Old Lavender1:02:11 - Joan and Ranny enter9th chord | added-note chord | altered dominant | arguing | common-chord modulation | conflict | conversing | daughter | direct modulation | harmonic sequence | leading man | light | love interest | optimistic | room | surprise | wife

The Life of Vergie Winters (1934)

Lullaby (Dolcissimo)1:05:11 - Joan talks to Laura9th chord | conflict | daughter | leading man | love interest | peaceful | proposal | proposing | room | wife

The Life of Vergie Winters (1934)

Lullaby (Doloroso)1:05:58 - John talks with his wife Laura9th chord | arguing | conflict | dark | leading man | leaving | reverse picardy | room | tense | wife

The Life of Vergie Winters (1934)

Lullaby (Dolce)1:08:00 - Vergie talks with John9th chord | advance plot | common-chord modulation | conversing | leading lady | leading man | room | score to source | secret lover | tender

The Life of Vergie Winters (1934)

Lullaby (Passionate)1:09:39 - John and Vergie embrace9th chord | advance plot | embracing | leading lady | leading man | pedal tone | romantic | room | secret lover | tense
Out of the Fog (1941)Transition0:00:08 - Starring list9th chord | deceptive resolution | harbor | opening title sequence | starring list | tense | transition
Kid Galahad (1937)Kid Galahad (Introduction)0:00:00 - The WB shield9th chord | appoggiatura | fanfare | jaunty | main title | opening title sequence | starring list | WB shield

Kid Galahad (1937)

Kid Galahad0:00:09 - Title of the film9th chord | appoggiatura | cast list | common-tone diminished 7th | fanfare | jaunty | march-like | opening title sequence | parallel period

Kid Galahad (1937)

Kid Galahad (Tender)1:39:15 - Nick speaks his final words9th chord | 64 chord | added-note chord | appoggiatura | climax | death | dying | fanfare | foreign key modulation | leading lady | leading man | manager | mode mixture | pedal tone | room | sister | somber | stretto imitation

Kid Galahad (1937)

Kid Galahad (End Title)1:41:09 - End cast9th chord | added-note chord | common-tone diminished 7th | end title sequence | fanfare | jaunty | march-like | mode mixture | plagal cadence
The Unfaithful (1947)Chris0:01:26 - Chris arrives at home9th chord | arriving | Beverly Hills | calm | establish character | foreign key modulation | house | leading lady

The Unfaithful (1947)

Chris0:07:27 - Chris drives home9th chord | calm | car | driving | leading lady | street | transition

The Unfaithful (1947)

Chris 2 (Minor)0:07:37 - Chris arrives home9th chord | antagonist | car | cheerful | dark | driving | house | leading lady | sequential modulation | suspension | transition

The Unfaithful (1947)

Chris (Dark)0:07:46 - Chris continues driving9th chord | advance plot | antagonist | calm | danger | dissonant bass | foreign key modulation | house | leading lady | ominous | sequential modulation | shadow | tritone | tritone oscillation | walking

The Unfaithful (1947)

Unfaithful (Somber)0:22:24 - Bob comforts Chris9th chord | augmented sixth chord | comfort | comforting | common-chord modulation | husband | leading lady | love scene | mode mixture | ostinato | pedal tone | room | somber | victim

The Unfaithful (1947)

Chris0:43:45 - Chris pulls up in a cab9th chord | added-note chord | driving | foreign key modulation | law office | leading lady | office | peaceful | spinning | transition

The Unfaithful (1947)

Chris 20:43:56 - Chris goes to Larry's office9th chord | law office | leading lady | office | peaceful | pedal tone | sequential modulation | transition | walking

The Unfaithful (1947)

Unfaithful (Distressed)0:52:17 - The maid turns on a lamp9th chord | advance plot | arriving | foreign key modulation | forlorn | leading lady | maid | obsession | ostinato | pc set | room | tense

The Unfaithful (1947)

Unfaithful (Somber 2)1:00:01 - Chris thinks9th chord | advance plot | altered dominant | augmented sixth chord | chromatic mediant | common-chord modulation | conversing | foreign key modulation | husband | leading lady | mode mixture | ostinato | room | somber | tender

The Unfaithful (1947)

Unfaithful (Attack 2)1:13:06 - Bob attacks the art shop owner9th chord | angry | antagonist | attacking | chromatic scale | fighting | husband | pc set | pivotal scene | room | widow | zoom in

The Unfaithful (1947)

Unfaithful (Distressed)1:41:24 - Larry talks with Bob9th chord | conversing | foreign key modulation | husband | lawyer | ostinato | pc set | resolution | room | somber | wife

The Unfaithful (1947)

Unfaithful (Leaving)1:42:32 - Chris prepares to leave9th chord | conversing | husband | lawyer | mode mixture | ostinato | pedal tone | resolution | room | somber | wife
We Are Not Alone (1939)Boy runs downstairs0:03:07 - Gerald runs down the stairs9th chord | altered dominant | antagonist | boy | child | chromatic mediant | down | downstairs | establish character | foreign key modulation | gentle | home | mickey-mousing | mother | pedal tone | playful | running

We Are Not Alone (1939)

Surprise Symphony (Innocent)0:06:36 - Gerald runs inside9th chord | boy | child | classical music | comforting | common-tone diminished 7th | establish character | familiar tune | father | foreign key modulation | fragmentation | Haydn | hero | home | innocent | mode mixture | nagging | parallel fifths | playful | quotation | step modulation | tritone | Wagner

We Are Not Alone (1939)

Allergic Reaction0:09:04 - Tommy has an allergic reaction to the cat9th chord | 64 chord | allergies | boy | cat | doctor | dramatic | establish character | hero | office

We Are Not Alone (1939)

Tommy (Lyrical)0:09:34 - David gets some medicine for Tommy9th chord | boy | cat | doctor | establish character | gentle | hero | lyrical | Mozart | office | peaceful

We Are Not Alone (1939)

Jessica0:10:01 - Jessica enters the room 9th chord | antagonist | chromatic parallelism | chromatic scale | establish character | half-diminished 7th chord | office | sour | wife

We Are Not Alone (1939)

Surprise Symphony (Better)0:23:55 - David puts his son in bed9th chord | advance plot | boy | calm | child | classical music | conversing | dark | familiar tune | father | foreign key modulation | Haydn | hero | home | playing | quotation | warm

We Are Not Alone (1939)

Frohe Botschaft (Ethereal)0:25:12 - David tells his son about his patient, Leni9th chord | 64 chord | advance plot | boy | child | conversing | familiar tune | father | folk song | German | hero | home | mode mixture | pedal tone | quotation | sweet

We Are Not Alone (1939)

Surprise Symphony (Newspaper)0:31:52 - David sits and whistles9th chord | classical music | deceptive resolution | familiar tune | foreshadowing | happy | Haydn | hero | home | ominous | quotation | reveal | transition | whistling

We Are Not Alone (1939)

Frohe Botschaft (Somber)0:38:52 - Leni reacts9th chord | antagonist | common-chord modulation | conflict | conversing | evaded cadence | familiar tune | folk song | garden | German | heroine | mode mixture | quotation | sentimental | sigh gesture | somber

We Are Not Alone (1939)

Surprise Symphony (Dark)0:39:33 - Leni thinks to herself9th chord | antagonist | classical music | conflict | dark | familiar tune | garden | Haydn | heroine | quotation | suspension | thinking

We Are Not Alone (1939)

Barcarolle0:44:06 - Gerald talks about sailing9th chord | advance plot | barcarolle | boy | child | dissonant bass | heroine | home | hopeful | imagination | pedal tone | room | telling a story

We Are Not Alone (1939)

Jessica0:45:10 - Jessica enters the room9th chord | advance plot | antagonist | chromatic parallelism | chromatic scale | conversing | half-diminished 7th chord | home | mother | room | sour

We Are Not Alone (1939)

Frohe Botschaft (Crying)0:45:45 - Leni kisses Gerald9th chord | 64 chord | advance plot | antagonist | boy | child | crying | deceptive resolution | familiar tune | folk song | fragmentation | German | heroine | home | leaving | mode mixture | mother | quotation | room | sequence | somber | tritone

We Are Not Alone (1939)

Frohe Botschaft (Triste)0:51:10 - David talks to Leni9th chord | added-note chord | advance plot | conversing | deceptive resolution | familiar tune | folk song | foreign key modulation | fragmentation | German | hero | heroine | home | quotation | room | somber

We Are Not Alone (1939)

God Save the King (Angry)1:05:06 - British mobs in the street9th chord | angry | British | conflict | crowd | diminished 7th chord | familiar tune | mode mixture | patriotic | riot | rioting | street

We Are Not Alone (1939)

Underscoring (Tense)1:15:25 - David is taken away by the police9th chord | added-note chord | arresting | conflict | hero | heroine | pedal tone | police | tense | train station | underscoring

We Are Not Alone (1939)

In Love1:30:55 - David realizes he is in love with Leni 9th chord | courtroom | courtroom scene | hero | heroine | linear chromaticism | love scene | realization | realizing | romantic | suspension | testifying | tone cluster

We Are Not Alone (1939)

Surprise Symphony (Tense)1:31:42 - News bulletins about the trial9th chord | advance plot | announcing | classical music | dark | familiar tune | Haydn | main theme | quotation | shop | sign | street | tense | window

We Are Not Alone (1939)

Frohe Botschaft (Death Sentence)1:33:07 - The judge sentences David and Leni to death9th chord | common-chord modulation | conflict | courtroom | courtroom scene | crowd | dark | familiar tune | folk song | German | quotation | reverse picardy | sentencing | verdict

We Are Not Alone (1939)

Frohe Botschaft (Hopeful)1:38:41 - David comforts Leni9th chord | comforting | conversing | familiar tune | folk song | German | hero | heroine | love scene | mode mixture | pedal tone | plagal cadence | prison | quotation | somber

We Are Not Alone (1939)

Underscoring (Romantic)1:39:42 - David comforts Leni9th chord | 13th chord | comforting | conversing | hero | heroine | love scene | prison | romantic | underscoring

We Are Not Alone (1939)

Heart Break1:40:11 - David and Leni kiss9th chord | appoggiatura | dissonant bass | first kiss | hero | heroine | kissing | love | love scene | mode mixture | passionate | pedal tone | prison | suspension

We Are Not Alone (1939)

Underscoring (Subtle)1:40:57 - David helps Leni9th chord | advance plot | conversing | delicate | helping | hero | heroine | octatonic scale | prison | underscoring

We Are Not Alone (1939)

Frohe Botschaft (Restful)1:41:47 - David watches Leni sleep9th chord | advance plot | delicate | familiar tune | folk song | German | hero | heroine | mode mixture | plagal cadence | prison | quotation | watching

We Are Not Alone (1939)

Waiting1:46:39 - David asks about his execution9th chord | advance plot | hero | prison | somber | waiting

We Are Not Alone (1939)

Frohe Botschaft (Singing)1:50:32 - Gerald sings in the tub9th chord | 11th chord | boy | child | conclusion | death | familiar tune | folk song | German | home | peaceful | quotation | room

We Are Not Alone (1939)

Frohe Botschaft (The End)1:51:01 - The End9th chord | end title sequence | familiar tune | folk song | German | grand | home | mode mixture | quotation | room | suspension | The End
Is My Face Red? (1932)You Bunch of Fun (Introduction)0:00:15 - Title and cast list on placards9th chord | cheerful | main title | opening title sequence | parallelism | sequence | syncopation | transcribed by ear
Penguin Pool Murder (1932)Run Around1:01:51 - The End9th chord | altered dominant | end title sequence | mode mixture | self-borrowing | The End | transcribed by ear | upbeat
The Phantom of Crestwood (1932)Transgression0:18:54 - Ms. Wren descends the staircase9th chord | AABA structure | advance plot | arriving | common-chord modulation | conversing | party | radio | romantic | self-borrowing | transcribed by ear

The Phantom of Crestwood (1932)

Lady0:20:17 - People talk at a party9th chord | AAB structure | advance plot | common-chord modulation | conversing | dinner | party | peaceful | radio | sequence | transcribed by ear
Thirteen Women (1932)Ursula (Romance 2)0:33:10 - Burns kisses Ursula9th chord | advance plot | kissing | leading lady | love interest | Neapolitan | romantic | room | secondary dominant | transcribed by ear | waltz
Headline Shooter (1933)You Bunch of Fun (Introduction)0:00:15 - Title and starring list over camera lens montage9th chord | boat | camera lens | car | cast list | cheerful | chromatic parallelism | kaleidoscope effect | opening title sequence | plane | racing | reused recording | sequence | split screen | title of film | transcribed by ear
Sing and Like It (1934)King Kong March0:58:31 - Annie's name in lights9th chord | 11th chord | 13th chord | added-note chord | advance plot | arriving | binary form | boss | common-tone diminished 7th | critic | crowd | dressing room | fanfare | fanfare | gangster | leading lady | lobby | mode mixture | neon lights | parallelism | self-borrowing | singer | street | theater | worker
We're Only Human (1935)Old Lavender0:22:44 - Packaged-up food9th chord | added-note chord | advance plot | altered dominant | buying | common-chord modulation | detective | direct modulation | food | harmonic sequence | leading lady | leading man | light | love interest | optimistic | ordering | reporter | store | worker | working

We're Only Human (1935)

Game 71:05:48 - Pete runs up the stairs9th chord | climax | conflict | detective | dramatic | gangster | leading man | murderer | parallelism | pc set | pedal tone | room | running | rushing | tense | underscoring | whole-tone chord

We're Only Human (1935)

Isn't This a Night For Love (The End)1:08:36 - Pete kisses Sally9th chord | altered dominant | car | detective | end title sequence | kissing | leading lady | leading man | love interest | mode mixture | reporter | resolution | romantic | The End | transcribed by ear
Girl of the Rio (1932)Paso Doble0:00:00 - Title of the film9th chord | cast list | common-tone diminished 7th | opening title sequence | Spanish | starring list | title of film | upbeat
Caged (1950)Marie 2 (Molto Appassionato)NIF - not in film9th chord | cut from film | cut scene | foreign key modulation | passionate

Caged (1950)

Water Dripping + Caged (Tense)NIF - not in film9th chord | chromatic parallelism | chromatic sequence | combination of themes | cut from film | dark | dissonant bass | hysteria | isolation | leading lady | mad scene | melodic cell | mickey-mousing | mysterious | ostinato | prison | prisoner | sigh gesture | tense | uneasy | water effect

Caged (1950)

Water Dripping (Molto Expressivo)1:18:15 - Marie in solitary9th chord | crying | dissonant bass | dripping | hysteria | isolation | leading lady | mad scene | mickey-mousing | mickey-mousing | minor-major 7th chord | mysterious | prison | prisoner | tense | uneasy | water | water effect | wipe | yelling
All This, and Heaven Too (1940)Henriette (Resolution) + Falling Snow (Resolution)2:22:03 - Henry talks to Henriette9th chord | chromatic parallelism | combination of themes | conversing | diminished third chord | gentle | leading lady | minister | mode mixture | promising | resolution | school | snow | teacher

All This, and Heaven Too (1940)

Henriette (End Credits)2:22:42 - Closing credits9th chord | cast list | end title sequence | happy | upbeat