| All This, and Heaven Too (1940) | Henriette + Falling Snow | 1:12:16 - The Duke talks to Henriette | advance plot | augmented triad | chromatic parallelism | combination of themes | conversing | duke | governess | leading lady | leading man | mickey-mousing | mode mixture | room | snow | snow globe | snowing | uneasy |
All This, and Heaven Too (1940) | Falling Snow | 1:12:39 - Henriette watches the falling snow | 64 chord | advance plot | chromatic parallelism | chromatic scale | chromatic sequence | conversing | dissonant bass | duke | governess | leading lady | leading man | mickey-mousing | pedal tone | point-of-view shot | room | snow | snow globe | snowing | uneasy |
All This, and Heaven Too (1940) | Henriette (Calm) | 1:46:38 - Henriette talks with the Duke | calm | child | conversing | duke | gentle | leading lady | leading man | reunion scene | room | uneasy |
All This, and Heaven Too (1940) | The Duke (Maestoso) | 2:10:50 - Henriette enters the Duke's palace | arriving | countermelody | dark | hearing voices | leading lady | mode change | palace | prisoner | soldier | spooky | suspect | transition | uneasy |
All This, and Heaven Too (1940) | Henriette (Ghostly) | 2:11:23 - Henriette hears voices | arriving | chromatic parallelism | dark | dissonant bass | hearing voices | leading lady | palace | prisoner | soldier | spooky | suspect | transition | uneasy |
| The Big Sleep (1946) | Carmen (Tense) | 1:52:28 - Marlowe talks on the phone | conversing | leading lady | leading man | love interest | lying | mysterious | oscillation | pedal tone | phone call | private eye | resolution | room | tense | uneasy | whole-tone chord |
| Caged (1950) | Isolation Ward | 0:08:54 - Edna lying in a bed | 9th chord | conversing | dark | dissonant bass | establish character | illness | isolation | leading lady | mysterious | ominous | oscillation | prison | prisoner | rain | uneasy |
Caged (1950) | Marie (Tragic) | NIF - not in film | advance plot | augmented sixth chord | cut from film | dissonant bass | foreign key modulation | guard | leading lady | pc set | prison | prisoner | standing | uneasy |
Caged (1950) | Marie (Slowly) | 0:35:14 - Marie talks to Kitty | advance plot | augmented sixth chord | chromatic mediant | conversing | foreign key modulation | friend | leading lady | oscillation | pc set | prison | prisoner | sickness | sigh gesture | solemn | uneasy |
Caged (1950) | June (Adagio) | 0:39:34 - Inmates play cards | cards | chromatic mediant | chromatic scale | close-up | conversing | establish character | foreign key modulation | friend | leading lady | melancholy | playing | prison | prisoner | somber | underscoring | uneasy |
Caged (1950) | Crying (Poco Agitato) | 0:44:27 - Mrs. Benton paces | baby | childbirth | conversing | crying | doctor | infirmary | leading lady | mickey-mousing | operation scene | oscillation | pacing | prison | prisoner | tense | triadic transformation | uneasy | walking | warden |
Caged (1950) | Marie (Tragic) | 0:44:36 - Mrs. Benton paces | baby | childbirth | doctor | foreign key modulation | infirmary | leading lady | operation scene | pacing | prison | prisoner | tense | uneasy | warden | worrying |
Caged (1950) | Caged (Main Title) | 0:49:00 - Mrs. Benton at her desk | advance plot | chromatic scale | dark | dissonant bass | nursery | oscillation | prison | sigh gesture | thinking | uneasy | warden | whole-tone chord |
| City for Conquest (1940) | Sidewalks of New York (Soliloquy) | 0:01:33 - A cop tells a man to keep moving | 9th chord | 13th chord | bridge | chromatic parallelism | city | conversing | establish place | establish setting | old man | police | soliloquy | uneasy |
| Deep Valley (1947) | Barry (Slowly) | 0:45:50 - Barry watches Libby | cabin | convict | dog | falling in love scene | fugitive | leading lady | leading man | uneasy | watching |
Deep Valley (1947) | Love Theme (Memory) | 0:46:53 - Barry and Libby by the lake | conversing | convict | falling in love scene | forest | fugitive | leading lady | leading man | memory | uneasy |
Deep Valley (1947) | Deep Valley (Slowly) | 1:28:11 - Libby climbs the ladder | barn | conflict | convict | descending | fugitive | leading lady | leading man | love interest | tense | uneasy |
Deep Valley (1947) | Libby 3 (Tense) | 1:28:28 - Libby comes down the ladder | barn | conflict | conversing | convict | father | fugitive | leading lady | leading man | love interest | tense | uneasy | walking |
Deep Valley (1947) | Running (Extended) | 1:29:26 - Libby runs to the barn | advance plot | barn | convict | father | fugitive | hesitating | leading lady | leading man | love interest | mickey-mousing | running | tense | uneasy | yard |
Deep Valley (1947) | Barry (Very Slowly) | 1:30:02 - Libby climbs the ladder | advance plot | arriving | barn | climbing | convict | fugitive | leading lady | leading man | love interest | somber | uneasy | walking |
Deep Valley (1947) | Love Theme | 1:33:30 - A shot of the barn | advance plot | mellow | mother | porch | sheriff | uneasy | walking |
| Flamingo Road (1949) | If I Could Be With You (Misterioso) | 0:51:15 - Lane asks Dan about Field | chromatic parallelism | conversing | diminished 7th chord | leading lady | leading man | love interest | lovers meet | politician | room | uneasy |
| Hell on Frisco Bay (1955) | Face twitching | 0:47:44 - Amato talks with Lye | advance plot | antagonist | conductor score | conversing | gangster | leading man | room | uneasy |
Hell on Frisco Bay (1955) | Lye | 1:09:00 - Amato calls Lye | advance plot | antagonist | calling | conductor score | conversing | gangster | leading man | stinger | street | uneasy |
Hell on Frisco Bay (1955) | Lye | 1:32:01 - Lye confronts Amato | action scene | conversing | gangster | gun | leading man | lying | room | uneasy |
| Her Kind of Man (1946) | Newspaper | 0:51:32 - A newspaper article | advance plot | leading man | newspaper | reporter | room | tense | uneasy | writing |
Her Kind of Man (1946) | It Had to Be You (Secret Rendezvous) | 1:09:09 - Georgia enters the warehouse | advance plot | arriving | conversing | embracing | familiar tune | gambler | kissing | leading lady | leading man | murderer | popular music | romantic | singer | source to score | uneasy | warehouse | wife |
| In This Our Life (1942) | Roy (Rubato) | 0:29:00 - Roy talks to Craig | 9th chord | advance plot | chromatic parallelism | conversing | fragmentation | leading lady | leading man | major 7th chord | park | uneasy |
In This Our Life (1942) | Pleadingly | 0:29:23 - Roy talks to Craig | advance plot | altered dominant | common-tone dominant 7th | conversing | leading lady | leading man | park | uneasy |
In This Our Life (1942) | Stanley Introduction (Extended 2) | 1:05:31 - Stanley in Craig's office | 9th chord | advance plot | chromatic scale | conversing | lawyer | leading lady | leading man | office | reading | uneasy | whole-tone chord |
In This Our Life (1942) | Stanley (Extended) | 1:05:53 - Stanley talks to Craig | 9th chord | advance plot | appoggiatura | circle of fifths | conversing | lawyer | leading lady | leading man | office | solemn | uneasy |
In This Our Life (1942) | Stanley B (Slowly) | 1:06:13 - Stanley talks to Craig | 9th chord | advance plot | chromatic parallelism | chromatic scale | conversing | dissonant bass | lawyer | leading lady | leading man | office | uneasy |
In This Our Life (1942) | Stanley (Triste) | 1:06:29 - Stanley talks to Craig | 9th chord | advance plot | appoggiatura | circle of fifths | conversing | lawyer | leading lady | leading man | office | uneasy |
In This Our Life (1942) | Stanley | 1:07:11 - Stanley talks to Craig | 9th chord | advance plot | appoggiatura | circle of fifths | lawyer | leading lady | leading man | manipulating | office | uneasy |
In This Our Life (1942) | Stanley (Dark) | 1:07:32 - Stanley leaves | 9th chord | advance plot | dark | lawyer | leading lady | leading man | manipulating | office | uneasy |
In This Our Life (1942) | Fast Driving + Stanley | 1:08:53 - Stanley driving | car | car | child | combination of themes | crime scene | criminal | driving | drunk | leading lady | mysterious | oscillation | street | tense | uneasy | victim | walking | whole-tone scale |
In This Our Life (1942) | Fast Driving (Tense) | 1:20:10 - Craig's car pulls up to the jail | arriving | car | car | conflict | conversing | criminal | lawyer | leading lady | leading man | oscillation | pc set | street | tense | underscoring | uneasy |
In This Our Life (1942) | Stanley (Extended) | 1:27:33 - Stanley goes upstairs | 9th chord | appoggiatura | circle of fifths | climax | conversing | criminal | crying | father | lawyer | leading lady | leading man | mother | room | somber | suspect | uneasy |
| Lightning Strikes Twice (1951) | Menace (Expressivo) | 0:03:24 - Newspaper editor on the phone | 9th chord | bus | conversing | dissonant bass | headline | newspaper | newspaper editor | office | telephone | transition | uneasy | worker |
Lightning Strikes Twice (1951) | Trev (Screwy) | 0:18:19 - Trev hands a candle to Shelly | actor | candle | chromatic scale | conversing | establish character | leading lady | leading man | mysterious | room | suspect | tense | uneasy | whole-tone chord |
Lightning Strikes Twice (1951) | Trev (Misterioso) | 0:40:30 - Shelly and Liza talk | actor | advance plot | conversing | glass | leading lady | mysterious | rancher | street | underscoring | uneasy | walking |
Lightning Strikes Twice (1951) | Trev (Ethereal) | 1:22:19 - Liza in a daze | disorientation | lost love | murderer | rancher | room | thinking | turning point | uneasy |
Lightning Strikes Twice (1951) | Menace (Tense) | 1:22:36 - Liza wanders through the house | headlights | murderer | rancher | room | tense | thinking | turning point | uneasy | wandering |
| Mildred Pierce (1945) | Kay and Veda (Coy) | 0:32:32 - Veda talks to her mother | advance plot | child | chromatic parallelism | conversing | heroine | leading lady | parallelism | room | sleeping | uneasy |
Mildred Pierce (1945) | Mildred (Waltz Fantasy) | 0:32:38 - Veda fantasizes about her mother marrying Wally | 9th chord | advance plot | appoggiatura | child | chromatic parallelism | dreaming | fantasy | greed | heroine | leading lady | room | uneasy |
Mildred Pierce (1945) | It Can't Be Wrong (Uneasy) | 1:05:36 - Bert stares angrily at Monte | advance plot | dark | ex-husband | familiar tune | glaring | heroine | leading lady | leaving | love interest | pedal tone | popular music | restaurant | source to score | tense | uneasy |
| Out of the Fog (1941) | Underscoring (Subtle) | 0:13:05 - A boy runs in | arguing | boyfriend | conversing | dock | establish character | leading lady | underscoring | uneasy |
Out of the Fog (1941) | Drab (Extended) | 0:51:50 - Stella talks with her father | advance plot | conversing | father | fisherman | foreign key modulation | leading lady | packing | room | sequence | somber | uneasy |
Out of the Fog (1941) | Drab | 0:53:05 - Stella talks with her father | advance plot | conversing | father | fisherman | leading lady | room | sequence | somber | uneasy |
| White Heat (1949) | Stirring the pot | 0:06:29 - Ma stirs food in a pot | cooking | establish character | gangster | leading man | mother | murderer | room | stirring | uneasy | victim |
White Heat (1949) | Ma | 0:06:34 - Ma cooks dinner | cooking | establish character | gangster | leading man | mother | murderer | room | uneasy | victim |
White Heat (1949) | Ma | 0:19:45 - Ma walks out of the market | agent | car | chase scene | mother | observing | street | uneasy | walking |
White Heat (1949) | Moll | 0:19:50 - Ma gets in her car | agent | car | chase scene | mother | observing | street | uneasy | walking |
White Heat (1949) | Pursuit | 0:19:58 - Agents pursue Ma in their cars | agent | car | chase scene | driving | following | mother | motor effect | pursuing | street | telephone | tense | uneasy |
White Heat (1949) | Getaway | 0:21:01 - Ma speeds away | agent | car | chase scene | driving | following | mother | pursuing | street | tense | uneasy |
White Heat (1949) | Pursuit (Tense) | 0:21:09 - Agents pursue Ma | agent | car | chase scene | driving | following | mother | motor effect | pursuing | street | telephone | tense | uneasy |
White Heat (1949) | T-Men (Expressivo) | 0:40:26 - Hank looks at the photograph | advance plot | conversing | gangster | leading man | murderer | photograph | prison | prisoner | undercover agent | uneasy |
White Heat (1949) | Jumping on bed | 0:40:41 - Hank jumps up on his bed | advance plot | ascending | gangster | jumping | leading man | mickey-mousing | murderer | prison | prisoner | undercover agent | uneasy |
White Heat (1949) | Whispering | 0:41:06 - The prisoner reads lips | advance plot | gangster | leading man | listening | murderer | prison | prisoner | spying | tense | undercover agent | uneasy | whisper effect | whispering |
White Heat (1949) | Moll (Arguing) | 0:43:06 - Verna argues with Big Ed | anger | arguing | gangster | leading lady | love interest | love scene | moll | porch | tense | uneasy |
White Heat (1949) | Cody (Recovering) | 0:51:52 - Cody's headache subsides | gangster | headache | leading man | mad scene | murderer | pain | prison | prisoner | tense | undercover agent | uneasy | waiting |
White Heat (1949) | Pursuit | 1:08:44 - The agents turn around | agent | car | driving | leading man | police | prison break | rushing | street | tense | uneasy |
White Heat (1949) | Ma (Molto Expressivo) | 1:28:38 - Cody talks about his mother | advance plot | character mention | conversing | fugitive | gangster | leading man | memory | murderer | tense | undercover agent | uneasy | yard |
White Heat (1949) | Plotting (Agitato) | 1:29:03 - Cody talks about his family | advance plot | conversing | fugitive | gangster | insanity | leading man | memory | murderer | tense | undercover agent | uneasy | yard |
White Heat (1949) | Cody (Climbing) | 1:29:15 - Cody talks about his past | advance plot | conversing | fugitive | gangster | leading man | memory | murderer | tense | undercover agent | uneasy | yard |
White Heat (1949) | Ma (Triste) | 1:29:29 - Cody talks about his mother | advance plot | character mention | conversing | fugitive | gangster | leading man | memory | murderer | tense | undercover agent | uneasy | yard |
White Heat (1949) | Verna (Gum) | 1:36:15 - Verna spits out her gum | advance plot | conversing | fugitive | gangster | gum | kissing | leading lady | leading man | moll | murderer | preparing | spitting | tense | undercover agent | uneasy | worker | yard |
| Without Honor (1949) | Expressivo | 0:03:57 - Jane talks with Dennis | adulterer | affair | conversing | establish character | leading lady | leading man | love interest | room | uneasy |
Without Honor (1949) | Appassionato 2 | 0:04:37 - Jane talks with Dennis | adulterer | affair | conversing | establish character | leading lady | leading man | love interest | room | uneasy |
Without Honor (1949) | Tension | 0:22:52 - Jane gives Bill a drink | antagonist | brother | conflict | kitchen | leading lady | leading man | memory | taunting | tense | underscoring | uneasy |
Without Honor (1949) | Valse Triste | 0:23:06 - Bill talks with Jane | antagonist | brother | conflict | kitchen | leading lady | leading man | memory | recounting | somber | uneasy | waltz |
| Caged (1950) | Isolation Ward (Dark) | 1:17:27 - Shadows on Marie's face | dark | departing | dissonant bass | guard | isolation | leading lady | mad scene | mysterious | ominous | oscillation | polychord | prison | prisoner | shadow | solitary | staring | uneasy | walking |
Caged (1950) | Water Dripping | 1:17:52 - Marie in solitary | audible thoughts | dark | dripping | guard | hysteria | isolation | leading lady | mad scene | melodic cell | mickey-mousing | mysterious | pacing | pc set | prison | prisoner | tense | thinking | uneasy | water | water effect |
Caged (1950) | Water Dripping + Caged (Tense) | NIF - not in film | 9th chord | chromatic parallelism | chromatic sequence | combination of themes | cut from film | dark | dissonant bass | hysteria | isolation | leading lady | mad scene | melodic cell | mickey-mousing | mysterious | ostinato | prison | prisoner | sigh gesture | tense | uneasy | water effect |
Caged (1950) | Water Dripping + Foxtrot | NIF - not in film | 11th chord | combination of themes | cut from film | deceptive resolution | eerie | foxtrot | hysteria | isolation | mad scene | mickey-mousing | mysterious | prison | uneasy | water effect |
Caged (1950) | Water Dripping | NIF - not in film | cut from film | dark | hysteria | isolation | mad scene | mickey-mousing | mysterious | prison | tense | uneasy | water effect |
Caged (1950) | Water Dripping + Marie 2 | NIF - not in film | combination of themes | cut from film | hysteria | isolation | mad scene | mickey-mousing | mysterious | prison | tender | uneasy | water effect |
Caged (1950) | Water Dripping (Frantic) | NIF - not in film | chromatic parallelism | chromatic scale | cut from film | dark | dissonant bass | frantic | hysteria | isolation | mad scene | mickey-mousing | mysterious | parallel 63s | pc set | prison | tense | uneasy | water effect |
Caged (1950) | Water Dripping (Molto Expressivo) | 1:18:15 - Marie in solitary | 9th chord | crying | dissonant bass | dripping | hysteria | isolation | leading lady | mad scene | mickey-mousing | mickey-mousing | minor-major 7th chord | mysterious | prison | prisoner | tense | uneasy | water | water effect | wipe | yelling |
Caged (1950) | Molto Expressivo (Con Moto) | 1:34:42 - Marie leaves Mrs. Benton's office | climax | dramatic | ex-convict | guard | leading lady | leaving | prison | prisoner | stinger | uneasy | warden |
Caged (1950) | Isolation Ward (The End) | NIF - not in film | chromatic parallelism | climax | cut from film | dramatic | pc set | uneasy |
| Mara Maru (1952) | Gregory (Diving) | 0:00:40 - Cast list | boat | cast list | descending | diver | diving | diving suit | fanfare | leading man | ocean | opening title sequence | point-of-view shot | sailor | somber | underwater | uneasy | working |
Mara Maru (1952) | Sailing | 0:53:34 - Men on the deck of the ship | bodyguard | captain | conversing | dock | leading man | preparing | private eye | sailing effect | sailor | ship | transition | uneasy |
Mara Maru (1952) | Sailing (Extended) | 0:59:29 - The churning sea | antagonist | conversing | leading lady | love interest | ocean | panning shot | sailing | ship | ship | transition | uneasy |
Mara Maru (1952) | Appassionato (Tenderly 2) | 1:07:51 - Stella approaches | arguing | captain | conversing | leading lady | leading man | love interest | love scene | rushing | sailing | ship | ship | uneasy | walking | warning |
Mara Maru (1952) | Benedict (Agitato) | 1:32:39 - Ortega accuses Benedict | advance plot | agitated | arguing | catacomb | cave | cross | interrogating | leading man | mysterious | suspsect | tunnel | uneasy |
Mara Maru (1952) | Cross (Fragment 2) | 1:33:52 - Gregory leaves with the cross | advance plot | catacomb | cave | cross | departing | leading man | leaving | suspsect | tunnel | uneasy |
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