| Angels With Dirty Faces (1938) | In My Merry Oldsmobile | 0:12:55 - Rocky and Jerry singing | cheerful | church | gangster | hymn | laughing | leading man | music scene | on-screen music | popular music | priest | singing | source music |
Angels With Dirty Faces (1938) | When a Prince of a Fella Meets a Cinderella | 0:16:49 - Rocky goes to a night club | advance plot | cheerful | conversing | gambling | gangster | lawyer | leading man | night club | parallel double period | popular music | source music |
Angels With Dirty Faces (1938) | Monday Morning | 0:18:15 - Rocky talks to Frazier in his office | advance plot | cheerful | conversing | gangster | lawyer | leading man | popular music | room | source music |
Angels With Dirty Faces (1938) | So Help Me (If I Don't Love You) | 0:19:36 - Rocky leaves the nightclub | advance plot | conversing | gangster | lawyer | leading man | popular music | room | sentimental | source music |
| His Greatest Gamble (1934) | Blue Ridge Moon | 0:53:16 - Philip talks with Alice | advance plot | conversing | daughter | gentle | leading lady | love interest | mansion | popular music | radio | sentimental | source music | waltz |
| City for Conquest (1940) | Lullaby of Broadway | 0:17:00 - A sign for Rose Gardens Casino | boxer | conversing | crowd | dance band | dance hall | dancer | dance scene | dancing | leading lady | leading man | on-screen music | playing | popular music | source music | upbeat |
City for Conquest (1940) | Latin For Manhattan | 0:18:29 - Peggy and Danny sit down | AABA structure | blue note | boxer | conversing | crowd | dance band | dance hall | dancer | dance scene | dancing | leading lady | leading man | on-screen music | playing | popular music | source music | upbeat |
City for Conquest (1940) | The Continental | 0:19:53 - Peggy dances with Murray | AABA structure | boxer | conversing | crowd | dance band | dance hall | dancer | dance scene | dancing | friend | leading lady | leading man | on-screen music | phrase extension | playing | popular music | source music | upbeat |
City for Conquest (1940) | Jalousie | 0:20:39 - Danny sitting at a table | ABAC structure | boxer | crowd | dance band | dance hall | dancer | dance scene | dancing | friend | leading lady | leading man | on-screen music | popular music | source music | upbeat |
City for Conquest (1940) | I'm Just Wild About Harry | 0:21:28 - Peggy dances with Murray | ABAC structure | crowd | dance band | dance hall | dancer | dance scene | dancing | leading lady | on-screen music | popular music | source music | upbeat |
City for Conquest (1940) | Shadow Waltz | 0:21:46 - Peggy dances with Murray | ABAC structure | conversing | crowd | dance band | dance hall | dancer | dance scene | dancing | leading lady | on-screen music | playing | popular music | source music | upbeat |
City for Conquest (1940) | I'm Just Wild About Harry | 0:23:07 - Close-up of Lily | ABAC structure | award | boxer | conversing | crowd | dance band | dance hall | dancer | dance scene | friend | leading lady | leading man | on-screen music | popular music | source music | upbeat |
| They Made Me a Criminal (1939) | By a Waterfall | 0:55:35 - A shower sign | advance plot | cheerful | comical | hero | leading man | on-screen music | popular music | ranch | showering | singing | source music | teenager | whistling |
| The FBI Story (1959) | Jeepers Creepers | 2:01:12 - Man plays Jeeper Creepers on the piano at George's anniversary party | flashback | on-screen music | piano | popular music | source music | stride piano |
The FBI Story (1959) | Oh You Beautiful Doll | 2:01:41 - People at the party sing Oh You Beautiful Doll at the party | flashback | on-screen music | popular music | singing | source music |
The FBI Story (1959) | The Marines' Hymn (Religioso) | 2:06:21 - Chip and Lucy look at Michael's military picture | angelic | familiar tune | flashback | heaven | marine | military | mourning | patriotic tune | picture | popular music |
The FBI Story (1959) | Gaudeamus Igitur | 2:07:28 - View of a college campus | familiar tune | flashback | popular music | university |
The FBI Story (1959) | The Fountain in the Park | 2:10:45 - Communist strolls through the park one day | bitonality | comical | familiar tune | flashback | park | popular music | strolling | syrupy | walking |
| Flamingo Road (1949) | Put 'Em in a Box, Tie 'Em with a Ribbon, and Throw 'Em in the Deep Blue Sea | 0:12:05 - The Eagle Cafe | AABA structure | advance plot | conversing | leading lady | leading man | police | popular music | restaurant | source music | upbeat |
Flamingo Road (1949) | Can't We Be Friends | 0:13:38 - Lane and Field at the cafe | AABA structure | advance plot | conversing | leading lady | leading man | police | popular music | restaurant | sentimental | source music |
| Hell on Frisco Bay (1955) | The Very Thought of You | 0:21:51 - Marcia singing at a club | club | conductor score | establish character | familiar tune | investigator | leading lady | leading man | on-screen music | pianist | popular music | romantic | singer | singing | source music |
Hell on Frisco Bay (1955) | Hell on Frisco Bay | 0:23:26 - Marcia talks to Steve | club | conductor score | conversing | establish character | investigator | leading lady | leading man | on-screen music | pianist | playing | popular music | sentimental | source music | source score |
Hell on Frisco Bay (1955) | Hell on Frisco Bay | 1:17:47 - Marcia and Steve talk | advance plot | calm | club | conductor score | conversing | leading lady | leading man | on-screen music | popular music | source music | source score |
| Her Kind of Man (1946) | You Do Something to Me | 0:02:52 - A night club | AABA structure | celebrating | club | conversing | dancing | establish character | flashback | mickey-mousing | on-screen music | playing | popular music | ripple effect | source music | upbeat | working |
Her Kind of Man (1946) | Something to Remember You By | 0:06:59 - Floor show at a night club | club | dancer | dancing | music scene | popular music | source music | stage | upbeat |
Her Kind of Man (1946) | Sailor's Hornpipe | 0:07:02 - Dancing sailors | club | dancer | dancing | music scene | popular music | source music | stage | upbeat |
Her Kind of Man (1946) | Something to Remember You By | 0:07:16 - Georgia enters | AABA structure | club | dancer | dancing | leading lady | music scene | on-screen music | popular music | singer | singing | source music | stage | upbeat |
Her Kind of Man (1946) | Something to Remember You By | 0:08:02 - Georgia sings | AABA structure | club | dancer | dancing | leading lady | leading man | music scene | on-screen music | popular music | sentimental | singer | singing | source music | stage |
Her Kind of Man (1946) | Lady Play Your Mandolin | 0:11:03 - Audience applauding | AABA structure | applauding | applauding | club | crowd | dancing | leading man | music scene | popular music | source music | upbeat |
Her Kind of Man (1946) | April in Paris | 0:12:48 - Steve enters Georgia's dressing room | AABA structure | conversing | establish character | gambler | kissing | leading lady | leading man | love interest | love scene | popular music | room | sentimental | singer | source music |
Her Kind of Man (1946) | It Had to Be You (Sneaky) | 1:05:51 - Georgia hides Candy | advance plot | criminal | familiar tune | henchman | leading lady | leading man | mysterious | popular music | reporter | room | singer | sneaking | sneaky | source to score | wife |
Her Kind of Man (1946) | It Had to Be You (Mysterious) | 1:07:50 - Don leaves | advance plot | arriving | car | car | criminal | driving | familiar tune | gambler | henchman | leading lady | leading man | murderer | mysterious | popular music | signaling | singer | street | warehouse | wife |
Her Kind of Man (1946) | It Had to Be You | 1:09:05 - Georgia approaches the warehouse | advance plot | criminal | familiar tune | gambler | henchman | leading lady | leading man | murderer | neutral | popular music | score to source | singer | warehouse | whistling | wife |
Her Kind of Man (1946) | It Had to Be You (Secret Rendezvous) | 1:09:09 - Georgia enters the warehouse | advance plot | arriving | conversing | embracing | familiar tune | gambler | kissing | leading lady | leading man | murderer | popular music | romantic | singer | source to score | uneasy | warehouse | wife |
Her Kind of Man (1946) | It Had to Be You (Mysterious) | 1:11:11 - Georgia leaves | advance plot | departing | familiar tune | gambler | leading lady | leading man | murderer | mysterious | popular music | singer | warehouse | wife |
Her Kind of Man (1946) | It Had to Be You (Tense) | 1:11:43 - Steve talks to Candy | advance plot | conversing | criminal | familiar tune | gambler | henchman | leading man | murderer | popular music | tense | warehouse |
Her Kind of Man (1946) | It Had to Be You (Tempo di Foxtrot) | 1:11:50 - Steve talks to Candy | advance plot | common-tone diminished 7th | conversing | criminal | familiar tune | gambler | henchman | leading man | murderer | popular music | remembered source music | reminiscing | upbeat | warehouse |
Her Kind of Man (1946) | It Had to Be You (Tragic) | 1:17:10 - Georgia holds Steve | 9th chord | augmented triad | climax | comforting | conversing | corpse | cradling | criminal | crying | death | dying | familiar tune | gambler | henchman | leading lady | leading man | murderer | police | popular music | reporter | singer | street | tense | tragic | wife |
| In This Our Life (1942) | South American Way | 0:24:06 - A spinning record | AABA structure | advance plot | conversing | dancing | Latin-American | leading lady | leading man | love interest | popular music | record player | room | source music | upbeat |
In This Our Life (1942) | Java Jive | 0:32:41 - A dance hall | dance hall | dance scene | dancing | leading lady | leading man | on-screen music | popular music | source music | upbeat |
In This Our Life (1942) | This Time the Dream's on Me | 0:33:03 - Stanley and Peter sit at a table | AABA structure | conversing | dance hall | dance scene | dancing | leading lady | leading man | on-screen music | popular music | source music | upbeat |
In This Our Life (1942) | How Do I Know It's Sunday | 0:57:12 - Stanley starts a record playing | AABA structure | advance plot | conversing | crying | dancing | father | flirting | leading lady | leading man | popular music | record player | room | sister | source music | upbeat | widow |
In This Our Life (1942) | You're a Lucky Guy | 1:16:20 - Stanley dances | AABA structure | advance plot | arriving | conversing | criminal | dancing | drinking | leading lady | popular music | record player | room | source music | upbeat |
In This Our Life (1942) | Autumn Nocturne | 1:17:45 - Stanley puts on a record | AABA structure | accusing | arguing | conflict | criminal | defending | leading lady | lying | popular music | record player | room | sentimental | source music |
| Lightning Strikes Twice (1951) | Too Much Love | 0:59:02 - Shelly looks at Trev's portrait | actor | advance plot | calm | conversing | flirting | friend | leading lady | love interest | party | popular music | portrait | ranch | source music |
| Mildred Pierce (1945) | South American Way | 0:37:36 - Veda sings and plays while Kay dances | child | dancing | heroine | leading lady | music scene | on-screen music | playing | popular music | room | sequence | singing | source music | upbeat |
Mildred Pierce (1945) | It Can't Be Wrong | 0:51:16 - Monte plays a record for Mildred | AABA structure | conversing | heroine | kissing | leading lady | love interest | love scene | popular music | record | record player | romantic | room | score to source borrowing | source music |
Mildred Pierce (1945) | T'Ain't No Good | 0:57:37 - Mildred at the opening of her restaurant | advance plot | antagonist | busy | conversing | daughter | dining | friend | guest | heroine | leading lady | popular music | restaurant | serving | source music | upbeat | working |
Mildred Pierce (1945) | While You're Away | 0:59:47 - Monte arrives at the restaurant | ABAC structure | advance plot | antagonist | busy | conversing | daughter | dining | friend | guest | heroine | leading lady | love interest | parallel double period | popular music | restaurant | serving | source music | upbeat | working |
Mildred Pierce (1945) | Please Think of Me | 1:01:54 - Monte dances with Veda | antagonist | celebrating | dance scene | dancing | daughter | friend | heroine | jukebox | leading lady | love interest | on-screen music | popular music | restaurant | singing | source music | upbeat |
Mildred Pierce (1945) | It Can't Be Wrong (Romantic) | 1:04:11 - Monte kisses Mildred | advance plot | chromatic mediant | door | ex-husband | familiar tune | foreign key modulation | heroine | interrupting | kissing | leading lady | love interest | mode mixture | popular music | restaurant | romantic | slamming | source to score | stinger |
Mildred Pierce (1945) | It Can't Be Wrong (Troubled) | 1:04:30 - Bert interrupts Mildred and Monte's kiss | advance plot | conversing | dark | ex-husband | familiar tune | heroine | leading lady | love interest | popular music | restaurant | source to score | suspension | tense | troubled |
Mildred Pierce (1945) | It Can't Be Wrong (Uneasy) | 1:05:36 - Bert stares angrily at Monte | advance plot | dark | ex-husband | familiar tune | glaring | heroine | leading lady | leaving | love interest | pedal tone | popular music | restaurant | source to score | tense | uneasy |
Mildred Pierce (1945) | It Can't Be Wrong (Bitter) | 1:15:29 - Mildred writes Monte a check | arguing | bitter | breakup | conflict | dissonant bass | familiar tune | fragmentation | heroine | leading lady | love interest | mickey-mousing | popular music | room | source to score | tense |
Mildred Pierce (1945) | It Can't Be Wrong (Not in Film) | NIF - not in film | 9th chord | cut from film | familiar tune | mickey-mousing | popular music | source to score |
Mildred Pierce (1945) | You Must Have Been a Beautiful Baby | 1:16:01 - Wally and Veda in a restaurant | advance plot | antagonist | cheerful | conversing | daughter | drinking | friend | popular music | restaurant | source music | toasting |
Mildred Pierce (1945) | Oceana Roll | 1:27:46 - Veda sings at a restaurant | advance plot | antagonist | cheerful | club | dancing | daughter | ex-husband | heroine | leading lady | on-screen music | playing | popular music | singing | source music |
Mildred Pierce (1945) | Sweet Georgia Brown | 1:29:05 - Mildred confronts Wally | ABAC structure | advance plot | antagonist | club | conversing | daughter | heroine | jazz | leading lady | on-screen music | popular music | source music | upbeat |
Mildred Pierce (1945) | It Had to Be You | 1:30:25 - Mildred and Veda talk | ABAC structure | advance plot | antagonist | club | conversing | daughter | heroine | jazz | leading lady | on-screen music | popular music | source music | upbeat |
Mildred Pierce (1945) | It Can't Be Wrong (Molto Misterioso) | 1:42:42 - Mildred learns that Monte has betrayed her | 9th chord | bankruptcy | betrayal | dark | familiar tune | friend | heroine | leading lady | love theme | memory | mysterious | pc set | popular music | realizing | room | somber | turning point | whole-tone chord |
| Out of the Fog (1941) | Concert in the Park | 0:01:57 - Goff walks along the dock | arriving | conversing | criminal | dock | establish character | gambling | leading man | popular music | restaurant | source and scoring overlap | source music | upbeat | worker |
Out of the Fog (1941) | Concert in the Park | 0:25:09 - Jonah and Olaf walk down the street | advance plot | arriving | conversing | dock | father | fisherman | friend | popular music | source music | upbeat | walking |
Out of the Fog (1941) | Trade Winds | 0:28:40 - Stella enters a drugstore | AABA structure | advance plot | child | conversing | criminal | leading lady | leading man | popular music | shopping | source music | store | upbeat | worker |
Out of the Fog (1941) | South American Way | 0:30:00 - Stella listens to the radio | advance plot | conversing | leading lady | mother | popular music | radio | room | source music | upbeat |
Out of the Fog (1941) | Whistle While You Work | 0:43:46 - Eddie sets the table | AABA structure | advance plot | arguing | boss | conversing | dock | popular music | restaurant | source music | upbeat | worker |
Out of the Fog (1941) | The Merry-Go-Round Broke Down | 0:49:00 - Olaf and Jonah walk to the restaurant | AABA structure | advance plot | conversing | crowd | dancing | dock | father | fisherman | friend | popular music | source music | upbeat |
| White Heat (1949) | Five O'Clock Whistle | 1:11:01 - Verna watches Ed | advance plot | conversing | gangster | leading lady | love interest | moll | popular music | radio | room | source music | upbeat |
| Is My Face Red? (1932) | You Bunch of Fun | 0:10:42 - Backstage at a Broadway show | advance plot | Broadway | cheerful | dancer | dancing | leading man | popular music | singing | source music | stage | transcribed by ear |
Is My Face Red? (1932) | Burlesque | 0:13:10 - Backstage at a Broadway show | ABAC structure | advance plot | arguing | Broadway | burlesque | cheerful | common-chord modulation | dancer | leading man | pedal tone | plagal cadence | popular music | source music | stage | transcribed by ear |
Is My Face Red? (1932) | Close to Me | 0:13:53 - William and Peggy talk in a dressing room | advance plot | altered dominant | augmented sixth chord | Broadway | common-tone diminished 7th | conversing | dancer | Gypsy major scale | leading man | popular music | romantic | room | source music | transcribed by ear |
Is My Face Red? (1932) | Sidewalks of New York (Harbor) | 0:20:07 - New York City skyline | calm | countermelody | New York | parallelism | popular music | setting | transcribed by ear | transition | traveling |
Is My Face Red? (1932) | Sidewalks of New York (Lights) | 0:21:04 - New York City skyline | calm | diminished 7th chord | drinking | leading lady | leading man | New York | octatonic | popular music | setting | transcribed by ear | transition |
Is My Face Red? (1932) | You Bunch of Fun (Serious) | 1:05:05 - Cast of Characters / The End | calm | closing credits | end title sequence | popular music | The End | transcribed by ear |
| State’s Attorney (1932) | The Sidewalks of New York | 0:00:15 - Title and starring list | familiar tune | opening title sequence | popular music | starring list | title of film | transcribed by ear | upbeat |
| The Phantom of Crestwood (1932) | I'm Wrapped Up in You | 0:16:39 - People talk at a party | AABA structure | advance plot | conversing | dance music | jaunty | party | popular music | radio | source music | transcribed by ear |
| Blind Adventure (1933) | My Imaginary Sweetheart | 0:00:32 - Credits over a foggy background | AABA structure | cast list | cheerful | chromatic parallelism | mode mixture | opening title sequence | popular music | secondary dominant | transcribed by ear | video cast list |
| Dangerous Corner (1934) | Won't You Believe | 1:03:30 - A man adjusts the radio | AABA structure | alternate timeline | conversing | dancing | drinking | friend | popular music | radio | resolution | room | source music | upbeat |
Dangerous Corner (1934) | The Trysting Place | 1:04:35 - Charles talks to Ann in the moonlight | alternate timeline | balcony | conversing | friend | mode mixture | popular music | proposal | proposing | radio | resolution | romantic | sequence | source music | triadic transformation |
| Gridiron Flash (1934) | Swing it Sister | 0:21:09 - Eddie at a party | conversing | friend | leading lady | leading man | party | popular music | room | upbeat |
| Don’t Turn ‘em Loose (1936) | Makes You Forget Your Troubles | 0:39:42 - Grace turns on the radio | AABA structure | arriving | cheerful | common-tone diminished 7th | confronting | conversing | gangster | gun | leading man | moll | murderer | murder scene | popular music | room | source music | staring | threatening |
Don’t Turn ‘em Loose (1936) | Makes You Forget Your Troubles (Dream Sequence) | 0:39:59 - Bob (Bat) pulls a gun on Grace | augmented sixth chord | cheerful | confronting | fragmentation | frantic | gangster | gun | gunshot | half-diminished 7th chord | leading man | mirror shot | moll | murder | murderer | murder scene | popular music | reacting | room | screaming | sequence | shooting | simulated source music | source music | staring | tense | threatening | victim |
Don’t Turn ‘em Loose (1936) | Makes You Forget Your Troubles | 0:40:17 - Grace is shot | AABA structure | cheerful | common-tone diminished 7th | gangster | gun | leading man | mirror shot | moll | murder | murderer | murder scene | planning | popular music | room | source music | staring | victim |
| Without Honor (1949) | Unidentified dance tune | 0:19:04 - Bill turns on the radio | advance plot | antagonist | brother | conversing | leading lady | leading man | popular music | reacting | room | source music | upbeat |
Without Honor (1949) | Unidentified dance tune 2 | 0:27:06 - Bill turns on the radio | antagonist | brother | conflict | leading lady | leading man | popular music | radio | reacting | room | source music | taunting | upbeat |
Without Honor (1949) | Unidentified dance tune 3 | 0:28:30 - Bill tunes the radio | antagonist | brother | conflict | leading lady | leading man | popular music | radio | room | source music | taunting | upbeat |
Without Honor (1949) | Unidentified dance tune 4 | 0:34:19 - Bill tunes the radio | antagonist | brother | calling | conflict | conversing | dialing | leading lady | leading man | popular music | radio | room | source music | telephone | upbeat | wandering | wife |
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