| Angels With Dirty Faces (1938) | Rocky and Laury | 0:41:37 - Laury pushes her way through the crowd | altered dominant | arriving | close-up | conflict | heartbroken | leading lady | love interest | rushing | sentimental | shop |
| Arsenic and Old Lace (1944) | Jonathan 2 | 0:40:30 - Jonathan enters the house | arriving | close-up | criminal | dark | establish character | leading man | observing | ominous | room | walking | wedge | zoom in |
Arsenic and Old Lace (1944) | Scar | 0:40:54 - The scar on Jonathan's face | close-up | criminal | dark | establish character | horn flare | leading man | observing | ominous | room | scar |
Arsenic and Old Lace (1944) | Scar (Tense) | 0:58:39 - Close-up on Dr. Einstein's face | advance plot | bride | brother | calling | close-up | crazy person | darkness | doctor | entering | fear | leading lady | leading man | murderer | room | sneaking | tense |
Arsenic and Old Lace (1944) | Knives | 1:31:05 - Mortimer looks at the knives | brother | captive | close-up | conflict | crazy person | doctor | fear | leading man | murderer | ominous | room | tense | torturing | victim |
| Each Dawn I Die (1939) | Underscoring (Mysterious) | 0:04:28 - Frank leaves the newspaper office | close-up | conflict | diminished 7th chord | gangster | hero | leading man | mysterious | reading | reporter | street | underscoring | watching |
| The Informer (1935) | The Irish Washerwoman (Pub) + Blood Money + The Wearin’ o’ the Green + The Informer | 0:44:52 - People celebrate in the pub | advance plot | antagonist | bar | chaotic | chromatic scale | close-up | combination of themes | crowd | dark | dissonant bass | excited | familiar tune | folk song | foreign key modulation | happy | heroic | Irish | layering | leading man | mob | mobbing | octatonic | parallelism | pedal tone | polytonality | rebel | serving | source to score | spying | tense | whole-tone | yelling | zoom in |
