| Angels With Dirty Faces (1938) | Night Club Music | 0:07:05 - Rocky gambles in a nightclub | altered dominant | club | dancing | double exposure | drinking | establish character | frantic | gambling | gangster | leading man | mickey-mousing | montage | pouring |
Angels With Dirty Faces (1938) | Saving Myself For You (I've Been) | 1:02:30 - Rocky and Laury at a night club | AABA structure | advance plot | cheerful | club | drinking | gambling | gangster | lawyer | leading lady | leading man | on-screen music | source music |
| Are These Our Children? (1931) | Dreams (Montage) | 0:29:57 - Eddie drinks | angry | diminished 7th chord | double exposure | dreaming | dream sequence | drinking | fragmentation | gun | hectic | leading man | montage | pedal tone | room | sequence |
| Arsenic and Old Lace (1944) | How Dry I Am (Mysterious) | 1:32:25 - Einstein and Jonathan start to drink the wine | alcohol | brother | captive | conflict | crazy person | doctor | drinking | familiar tune | fear | leading man | murderer | mysterious | polychord | room | victim | whole-tone chord |
| Beyond the Forest (1949) | Drunk | 0:14:08 - Moose is drinking | advance plot | cabin | collapsing | drinking | drunk | drunk effect | friend | leading lady | liquor | mickey-mousing | stumbling | wife |
Beyond the Forest (1949) | Rosa (Fever) | 1:23:41 - The maid sweeping | bleak | drinking | fever | illness scene | leading lady | maid | murderer | oppressive | pounding | room | sickness | waiting |
| Crime School (1938) | The Drunken Doctor | 0:36:35 - Drunk doctor comes in | advance plot | alcohol | altered dominant | comical | doctor | drinking | drunk | drunk | hospital | parallel period | reformatory |
| They Made Me a Criminal (1939) | So Help Me (If I Don't Love You) | 0:05:54 - Johnnie and Goldie relaxing | drinking | floozy | jaunty | kissing | leading man | murder scene | popular song | radio | room | source music |
They Made Me a Criminal (1939) | When a Prince of a Fella Meets a Cinderella | 0:06:23 - Johnnie talks to his manager | dancing | drinking | floozy | jaunty | laughing | leading man | murder scene | parallel double period | partying | radio | room | source music |
They Made Me a Criminal (1939) | Saving Myself For You (I've Been) | 0:08:02 - Johnnie at a party | AABA structure | attacking | conversing | drinking | fighting | floozy | jaunty | leading man | murder | murdering | murder scene | partying | radio | room | source music | violence |
They Made Me a Criminal (1939) | They Say | 0:13:05 - Doc and Goldie in Johnnie's car | action scene | car | car | criminal | drinking | driving | floozy | happy | murderer | radio | source music |
| Deep Valley (1947) | Barry (Molto Misterioso) + Love Theme | 1:06:04 - Sheriff drinks coffee | action scene | convict | drinking | forest | fugitive | leading lady | leading man | love interest | mysterious | police | room | somber | walking |
| Flamingo Road (1949) | Drinking whiskey | 0:49:50 - Dan drinks | chromatic parallelism | comical | distressed | drinking | leading lady | leading man | love interest | lovers meet | mickey-mousing | politician | quintal chord | room |
Flamingo Road (1949) | Underscoring (Tense) | 1:11:26 - Field drinks | alcohol | arriving | bullying | conflict | dramatic | drinking | leading man | linear chromaticism | politician | room | sheriff | underscoring |
Flamingo Road (1949) | Titus (Ominous) | 1:11:44 - Titus argues with Field | arguing | bullying | conflict | drinking | leading man | mysterious | politician | room | self-borrowing | sheriff | tense |
Flamingo Road (1949) | Underscoring (Tense) | 1:11:51 - Titus argues with Field | arguing | bullying | conflict | drinking | leading man | politician | room | sheriff | tense | underscoring |
| Illegal (1955) | Scott (Rubato) | 0:17:04 - Vic talks to reporter at the bar | drinking | hero | reporter | restaurant |
Illegal (1955) | Drinking | 0:17:25 - Vic talks to reporter at the bar | bar | drinking | underscoring |
Illegal (1955) | Police Car (Walking) | 0:51:23 - Vic leaves the court room and talks to a reporter | courtroom | drinking fountain | walking |
| In This Our Life (1942) | South American Way | 1:07:39 - Stanley in a bar | advance plot | bar | bartender | dancing | drinking | jukebox | leading lady | upbeat | waiting |
In This Our Life (1942) | You're a Lucky Guy | 1:16:20 - Stanley dances | AABA structure | advance plot | arriving | conversing | criminal | dancing | drinking | leading lady | popular music | record player | room | source music | upbeat |
| The Informer (1935) | Drinking Song | 0:02:15 - Gypo and Frankie sing at a pub | cheerful | drinking | establish character | flashback | leading man | on-screen music | pub | remembering | singing | somber | source music | street |
The Informer (1935) | The Informer (Drinking) | 0:21:23 - Gypo takes a drink | advance plot | antagonist | bartender | drinking | leading man | mysterious | octatonic | pub | Scotch snap | tense | tritone | whole-tone | whole-tone chord |
The Informer (1935) | Blood Money (Worrying) | 0:21:57 - Gypo worries about what he has done | advance plot | antagonist | augmented triad | drinking | hearing voices | leading man | mysterious | planning | pub | tense | thinking | tritone | whole-tone | worrying |
The Informer (1935) | Dardanella | 0:53:41 - Gypo buys drinks at a party | AB structure | advance plot | antagonist | celebrating | cheerful | crowd | drinking | leading man | on-screen music | party | partying | source music |
| Key Largo (1948) | Moanin’ Low (Tense) | 0:59:24 - Gaye takes a drink | alcohol | boss | develop character | drinking | familiar tune | father | gangster | hostage | hotel | leading lady | leading man | moll | slapping | tense | whole-tone |
| The Letter (1940) | Sociable | 1:09:09 - Leslie and Robert meet with friends | 64 chord | celebrating | dinner music | drinking | foreign key modulation | happy | home | husband | lawyer | leading lady | party | pump-up modulation | reverse picardy |
The Letter (1940) | Foxtrot No. 3 | 1:23:25 - Robert talks to friends at the party | 9th chord | added-note chord | common-tone diminished 7th | contrasting period | conversing | dance music | drinking | foxtrot | friend | happy | husband | leading lady | party | party | source music |
| Lightning Strikes Twice (1951) | Underneath a Western Sky | 0:56:48 - A chuckwagon dinner | actor | advance plot | calm | campfire | chuckwagon | conversing | cowboy song | crowd | drinking | eating | father | flirting | food | friend | leading lady | love interest | mother | on-screen music | owner | playing | ranch | source music |
| Mildred Pierce (1945) | You Must Have Been a Beautiful Baby | 1:16:01 - Wally and Veda in a restaurant | advance plot | antagonist | cheerful | conversing | daughter | drinking | friend | popular music | restaurant | source music | toasting |
| Rockabye (1932) | Improvisation (in Rockabye) | 0:35:35 - People at a party | advance plot | club | conversing | drinking | friend | on-screen music | playing | source music | upbeat |
Rockabye (1932) | Rockin' Chair | 0:59:16 - Judy talks to her manager | AABA structure | advance plot | conversing | drinking | leading lady | manager | party | somber | source music |
| White Heat (1949) | Verna (Uneasy) | 1:18:05 - Big Ed kisses Verna | dark | drinking | embracing | gangster | gun | kissing | leading lady | leading man | love interest | moll | murderer | murder scene | room | somber | spying | waiting |
| Is My Face Red? (1932) | Mildred Waltz | 0:20:18 - Mildred has a drink with William | ABA structure | advance plot | altered dominant | augmented sixth chord | boat | calm | diminished 7th chord | drinking | leading lady | leading man | transcribed by ear |
Is My Face Red? (1932) | Sidewalks of New York (Lights) | 0:21:04 - New York City skyline | calm | diminished 7th chord | drinking | leading lady | leading man | New York | octatonic | popular music | setting | transcribed by ear | transition |
Is My Face Red? (1932) | Mildred Waltz (Tipsy) | 0:21:09 - Mildred is drunk | advance plot | altered dominant | augmented triad | boat | drinking | drunk | leading lady | leading man | transcribed by ear |
| State’s Attorney (1932) | Na Moku Eha | 0:01:19 - Hula dancer | cheerful | club | conversing | dancer | dancing | drinking | establish character | gambling | Hawaiian | leading man | on-screen music | playing | politician | singing | source music |
| The Phantom of Crestwood (1932) | Auld Lang Syne | 0:19:50 - A man sings to himself at the party | advance plot | drinking | familiar tune | on-screen music | party | peaceful | singing | source music | transcribed by ear |
| Dangerous Corner (1934) | Won't You Believe | 1:03:30 - A man adjusts the radio | AABA structure | alternate timeline | conversing | dancing | drinking | friend | popular music | radio | resolution | room | source music | upbeat |
| Sing and Like It (1934) | Makes You Forget Your Troubles | 1:08:27 - A man pours champagne | AABA structure | announcing | boss | celebrating | common-tone diminished 7th | conversing | crowd | drinking | gangster | leading lady | moll | party | party | room | singer | source music | upbeat |
| Mara Maru (1952) | Nassau | 0:27:20 - People in a club | club | conversing | crowd | drinking | establish character | exotic | gentle | leading man | private eye | waitress |
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