| The Breaking Point (1950) | Fishermen | 0:07:40 - Ship leaving the harbor | boat | boat | boating | calm | common-tone diminished 7th | departing | fisherman | fishing | floozy | leading lady | leading man | montage | not by Steiner | sailor | tense | transcribed by ear | upbeat |
The Breaking Point (1950) | Flor de Lis | 0:08:17 - A ship sailing | art song | boat | boat | boating | conversing | establish setting | flirting | floozy | leading lady | leading man | not by Steiner | sailor | upbeat | working |
The Breaking Point (1950) | En Mi Canto de Amor | 0:08:57 - A dock at night | arriving | art song | boat | conversing | docking | establish setting | flirting | floozy | harbor | leading lady | leading man | not by Steiner | sailor | source music | upbeat | working |
The Breaking Point (1950) | La Adelita | 0:09:56 - A Mexican village at night | arriving | bar | bartender | conversing | establish setting | folk music | leading man | musician | on-screen music | performing | sailor | salesperson | selling | source music | street | upbeat | working |
The Breaking Point (1950) | Carmen, Carmela | 0:11:11 - Harry talks to Duncan in a bar | AABA structure | bar | conversing | criminal | establish setting | floozy | folk music | gambling | leading lady | leading man | musician | on-screen music | performing | pleasant | sailor | serenading | singing | source music |
The Breaking Point (1950) | La Golondrina | 0:12:21 - Harry sits down with Leona in the bar | advance plot | bar | calm | conversing | fisherman | flirting | floozy | folk music | leading lady | leading man | sailor | source music |
The Breaking Point (1950) | Mi Mariposa | 0:15:21 - Harry talks to the bartender | advance plot | arguing | art song | bar | bartender | calm | conversing | leading man | on-screen music | sailor | source music |
The Breaking Point (1950) | Eres Mujer | 0:15:56 - Harry talks to Duncan | AABA structure | advance plot | bar | calm | conversing | criminal | leading man | on-screen music | performing | sailor | source music | tango | whispering |
The Breaking Point (1950) | En Mi Canto de Amor | 0:21:43 - Harry talks to Duncan | advance plot | bar | conversing | criminal | leading man | planning | pleasant | sailor | source music |
The Breaking Point (1950) | Make Love With a Guitar | 0:33:28 - Harry arrives home | advance plot | arriving | calm | child | conversing | leading man | musician | neighbor | on-screen music | room | sailor | source music | street | wife | yard |
The Breaking Point (1950) | Please Don't Talk About Me When I'm Gone | 0:39:07 - Harry arrives at a bar | AABA structure | advance plot | bar | bartender | criminal | dancing | floozy | jukebox | leading lady | leading man | on-screen music | sailor | singing | source music | upbeat |
The Breaking Point (1950) | Ask Me No Questions | 0:40:46 - Harry talks to Duncan | advance plot | arguing | bar | bartender | conversing | criminal | floozy | jukebox | leading lady | leading man | mellow | sailor | source music |
The Breaking Point (1950) | On an Ordinary Morning | 0:43:33 - Leona and Harry sit together in a bar | advance plot | bar | conversing | floozy | jukebox | leading lady | leading man | mellow | sailor | source music | wife |
The Breaking Point (1950) | Make Love With a Guitar | 0:46:27 - A boy plays the accordion | advance plot | calm | child | conversing | drunk | leading lady | leading man | neighbor | on-screen music | sailor | source music | street | walking | wife |
The Breaking Point (1950) | Humming | 0:54:33 - Wesley and Harry work on the boat | arriving | calm | criminal | friend | harbor | humming | leading man | on-screen music | sailor | source music | transition | walking | working |
The Breaking Point (1950) | I Guess I'll Have to Change My Plan | 1:00:26 - Harry in a restaurant | ABACA structure | advance plot | bartender | conversing | floozy | leading lady | leading man | mellow | restaurant | sailor | source music |
The Breaking Point (1950) | You Missed the Boat | 1:02:56 - Duncan talks to Harry in the restaurant | advance plot | conversing | criminal | floozy | leading lady | leading man | mellow | restaurant | sailor | source music |
The Breaking Point (1950) | Don't Take Your Love From Me | 1:05:42 - Harry arrives at Leona's apartment | ABAC structure | advance plot | conversing | floozy | leading lady | leading man | mellow | room | sailor | source music |
The Breaking Point (1950) | The Breaking Point (Ethereal) | 1:34:41 - Harry recognizes Lucy | 9th chord | boat | climax | comforting | conversing | crying | ethereal | leading lady | leading man | mixed meter | mode mixture | sailor | sweet | wife |
The Breaking Point (1950) | The Breaking Point (Cellos) | 1:35:14 - Harry talks with Lucy | boat | climax | comforting | conversing | crying | ethereal | foreign key modulation | leading lady | leading man | mixed meter | sailor | sweet | wife |
The Breaking Point (1950) | Calm | 1:35:38 - Lucy leaves | augmented triad | boat | climax | comforting | conversing | crying | ethereal | leading lady | leading man | pedal tone | sailor | sweet | wife |
The Breaking Point (1950) | The Breaking Point (Triste) | 1:35:50 - Harry is carried out on a stretcher | carrying | child | climax | crowd | crying | deceptive resolution | doctor | harbor | leading lady | leading man | sailor | somber | watching | wife |
The Breaking Point (1950) | Leona | 1:36:26 - Leona watches | 9th chord | 11th chord | 13th chord | augmented sixth chord | child | chromatic parallelism | climax | crowd | crying | doctor | harbor | leading lady | leading man | sailor | somber | watching | wife |
| Is My Face Red? (1932) | Sailing 2 | 0:21:30 - Boat cuts through the waves | boat | parallelism | sailing | sailor | tense | transcribed by ear | transition | waves | whole-tone |
| Mara Maru (1952) | Gregory (Diving) | 0:00:40 - Cast list | boat | cast list | descending | diver | diving | diving suit | fanfare | leading man | ocean | opening title sequence | point-of-view shot | sailor | somber | underwater | uneasy | working |
Mara Maru (1952) | Baby Face | 0:07:12 - Gregory arrives at a bar | advance plot | arguing | bar | bartender | conversing | crowd | fighting | leading man | partner | sailor | server | source music | upbeat |
Mara Maru (1952) | Mara Maru | 0:53:22 - A boat in the harbor | antagonist | arriving | bodyguard | captain | conversing | dock | dramatic | harbor | leading man | panning shot | private eye | sailing | sailor | ship | tense | transition |
Mara Maru (1952) | Sailing | 0:53:34 - Men on the deck of the ship | bodyguard | captain | conversing | dock | leading man | preparing | private eye | sailing effect | sailor | ship | transition | uneasy |
Mara Maru (1952) | Sailor's Hornpipe (Con Spirito) | 0:55:41 - Gregory enters the boat | bodyguard | conversing | familiar tune | leading man | light | preparing | private eye | sailor | ship | ship | transition |
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