| Beyond the Forest (1949) | Rosa (Molto Tranquillo 2) | 1:20:12 - Rosa in bed | advance plot | calm | leading lady | murderer | recovering | resting | room | sickness | sleeping | sultry | waking |
| Death of a Scoundrel (1956) | Bridget (Blues) | 0:43:01 - Bridget comes into Clementi's office | female | flashback | sultry |
Death of a Scoundrel (1956) | Bridget (Gershwin) | 0:44:08 - Clementi introduces the two women to each other | female | flashback | sultry |
Death of a Scoundrel (1956) | Bridget (Sultry) | 0:50:56 - Clementi tells Mr. Wilson that Bridget will be staying with him | female | flashback | sultry |
Death of a Scoundrel (1956) | Bridget (Surprised) | 1:07:22 - Bridget is surprised when Clementi says he might marry Stephanie | flashback | jazz | sultry |
Death of a Scoundrel (1956) | Bridget | 1:12:27 - Bridget talks to Edith | female | flashback | sultry |
Death of a Scoundrel (1956) | Bridget (Triste) | 1:26:01 - Bridget invites Clementi to dine with her | female | flashback | sultry |
| Flamingo Road (1949) | Lute Mae (Quasi Blues) | 0:51:46 - Dan flirts with Lane | 13th chord | added-note chord | conversing | countermelody | flirting | flirty | leading lady | leading man | love interest | lovers meet | politician | room | self-borrowing | sultry | thematic transference |
| I Was a Communist for the FBI (1951) | I'm in a Jam with Baby | 0:15:20 - Matt enters a bar | ABAB structure | advance plot | agent | arriving | bar | calling | conversing | customer | dialing | jazz | jukebox | leading man | source music | sultry | telephone | undercover agent | walking |
| In This Our Life (1942) | Stanley | 0:06:56 - Stanley talks with Peter | 9th chord | appoggiatura | car | circle of fifths | conversing | establish character | leading lady | leading man | love interest | sultry |
In This Our Life (1942) | Stanley B | 0:07:06 - Stanley talks with Peter | car | chromatic scale | chromatic sequence | conversing | dissonant bass | establish character | fragmentation | leading lady | leading man | love interest | sultry |
In This Our Life (1942) | Stanley | 0:07:23 - Stanley drives away | 9th chord | appoggiatura | car | circle of fifths | conversing | establish character | leading lady | leading man | love interest | sultry |
In This Our Life (1942) | Stanley | 0:17:11 - Stanley comes down the stairs | 9th chord | advance plot | appoggiatura | circle of fifths | conversing | fiancé | kissing | leading lady | room | sultry |
In This Our Life (1942) | Stanley B (Slowly) | 0:17:20 - Stanley talks with Craig | advance plot | conversing | dramatic | fiancé | half-diminished 7th chord | kissing | leading lady | lying | room | sultry |
In This Our Life (1942) | Stanley (Stringy) | 0:32:14 - Stanley and Peter in the car | 9th chord | appoggiatura | car | circle of fifths | conversing | leading lady | leading man | sultry | wedding | wedding |
In This Our Life (1942) | Stanley (Grazioso) | 0:37:56 - Stanley talks to Peter | 9th chord | added-note chord | appoggiatura | circle of fifths | conversing | flirting | happy | leading lady | leading man | love scene | pleasant | room | sultry |
| The Informer (1935) | Katie | 0:04:31 - Katie walks down the street | establish character | foreign key modulation | leading lady | parallelism | seductive | staring | street | sultry | walking |
The Informer (1935) | Katie (Triste) | 0:22:38 - Katie appears at the window | 64 chord | advance plot | antagonist | conversing | foreign key modulation | leading lady | leading man | parallelism | pub | sultry | watching |
| Key Largo (1948) | Gaye | 0:52:06 - Gaye awkwardly walks past Rocco | awkward | bluesy | boss | develop character | gangster | hotel | jazz | moll | sultry | walking |
Key Largo (1948) | Gaye Pours a Drink | 0:52:16 - Gaye pours herself a drink | alcohol | bluesy | boss | develop character | gangster | hotel | jazzy | moll | obsessive | pouring | shaking | sultry |
| Out of the Fog (1941) | Gangster | 0:39:07 - Stella and Goff at the harbor | AABA structure | blue note | bluesy | conversing | criminal | dock | leading lady | leading man | love scene | sultry |
Out of the Fog (1941) | Gangster | 0:40:37 - Goff calls after Stella | blue note | bluesy | conversing | criminal | dock | leading lady | leading man | love scene | sultry |
| White Heat (1949) | Verna (Slowly) | 0:43:41 - Verna kisses Big Ed | betrayal | bluesy | gangster | kissing | leading lady | love interest | love scene | moll | mother | porch | romantic | spying | sultry |
| Is My Face Red? (1932) | Cute! | 0:01:58 - Gossip column about a gambler | altered dominant | bluesy | conversing | establish setting | gossip | newspaper | parallelism | sultry | transcribed by ear | whole-tone |
| We're Only Human (1935) | Katie (Triste) | 0:28:47 - Pete talks to the criminal | action scene | arguing | bank | detective | foreign key modulation | gangster | leading man | parallelism | stinger | sultry |
| Another Face (1935) | Success at any Price Transition | 0:00:58 - Times Square in New York City | car | conversing | deceptive resolution | driving | establish setting | foreign key modulation | gangster | laughing | mysterious | street | sultry |
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