| The Big Sleep (1946) | Underscoring (Tense) | 0:18:57 - Geiger enters car | antagonist | car | departing | rain | street | tense | transition | underscoring |
The Big Sleep (1946) | Marlowe (Molto Misterioso) | 0:25:05 - Marlowe arrives at Carmen's house | arriving | butler | departing | femme fatale | inserted scene | leading man | not in score | private eye | reused recording | room | tense | transition |
| Hell on Frisco Bay (1955) | Underscoring (Dramatic) | 1:35:44 - The police boat leaves the dock | action scene | boat | departing | dock | dramatic | police | tense | underscoring |
Hell on Frisco Bay (1955) | Horn Call | 1:36:10 - The police boat advances | action scene | battle call | boat | departing | dock | police | tense |
| In This Our Life (1942) | Maestoso | 1:31:51 - Stanley runs off crying | conflict | criminal | crying | departing | dramatic | leading lady | room | running | street | uncle | yelling |
| Out of the Fog (1941) | Stella Runs | 0:11:35 - Stella runs out of the restaurant | boyfriend | criminal | departing | dock | emotional | establish character | leading lady | leading man | restaurant | running | watching |
Out of the Fog (1941) | Stella and George (Tender) | 0:13:24 - George talks to Stella | boyfriend | conversing | crying | departing | dock | establish character | leading lady | tender |
| The Breaking Point (1950) | Fishermen | 0:07:40 - Ship leaving the harbor | boat | boat | boating | calm | departing | fisherman | fishing | floozy | leading lady | leading man | montage | not by Steiner | sailor | tense | upbeat |
| Another Face (1935) | Saroff | 0:02:43 - The gangsters depart | chromatic scale | conversing | departing | doctor | establish character | gangster | half-diminished 7th chord | mysterious | nurse | office | tense |
Another Face (1935) | Approach | 0:04:26 - Gangster all bandaged up | conversing | departing | doctor | gangster | half-diminished 7th chord | mysterious | nurse | operating room | operation scene | patient | whole-tone chord |
| The Woman in White (1948) | Fosco | 0:05:43 - The carriage rolls away | carriage | departing | establish character | fanfare | forest | leading man | tense |
The Woman in White (1948) | Ann (Molto Marcato) | 0:50:03 - Walter storms out of the room | angry | antagonist | butler | conflict | cousin | departing | fiancé | leading lady | leading man | mansion |
The Woman in White (1948) | Ann (Misterioso Rubato) | 0:58:22 - The countess excuses herself | advance plot | antagonist | butler | conversing | cousin | departing | husband | leading lady | mansion | mysterious | servant | somber |
The Woman in White (1948) | Pavan (Slow) | 1:01:49 - Marian closes the door | advance plot | cousin | departing | leading lady | room | somber | victim |
The Woman in White (1948) | Ann (Accelerando) + Fosco (Dark) | 1:12:47 - Fosco leaves | agitated | anger | antagonist | combination of themes | conflict | conversing | criminal | departing | doctor | husband | leading man | room | rushing | searching | tense | walking |
The Woman in White (1948) | Fosco (Sneaking) | 1:13:48 - The maid leaves | advance plot | departing | helping | illness | leading lady | mysterious | room | servant | sleeping | sneaking | tense | victim | wife |
| Beyond the Forest (1949) | Train | 0:03:12 - A departing train | departing | establish setting | mysterious | tense | train | train effect | train station | voice-over |
Beyond the Forest (1949) | Train + Chicago | 0:03:20 - A departing train | accompanied dialogue | combination of themes | departing | establish setting | familiar tune | mysterious | popular tune | tense | train | train effect | train station | voice-over |
Beyond the Forest (1949) | Lewis | 0:10:42 - The doctor in a canoe | calm | canoe | departing | doctor | establish character | friend | lake | leading lady | leading man | noble | rowing | wife |
Beyond the Forest (1949) | Hurrying (Rather Slowly) | 0:30:48 - Rosa leaves the post office | advance plot | child | departing | leading lady | mother | neighbor | post office | upset |
Beyond the Forest (1949) | Rosa (Solemn) | 0:48:04 - Rosa leaves the office | dark | departing | leading lady | office | receptionist | somber | street | transition | walking |
Beyond the Forest (1949) | I’m in a Jam with Baby | 0:54:39 - Rosa walks down the street | advance plot | arriving | bouncer | club | crying | departing | jazz | leading lady | sentimental | sitting | source music | stranger |
Beyond the Forest (1949) | Rosa (Violent) + Chicago | 1:09:01 - Rosa heads outside | anger | angry | combination of themes | contemplating | departing | familiar tune | harsh | leading lady | ominous | popular tune | reacting | room | turning point |
Beyond the Forest (1949) | Rosa (Heavy) | 1:12:58 - Rosa and Lewis drive away | arriving | departing | dramatic | funeral | husband | leading lady | leading man | murderer | room | somber | transition | victim |
Beyond the Forest (1949) | Underscoring (Mysterious) | 1:16:20 - Rosa stares out the window | advance plot | departing | leading lady | maid | murderer | mysterious | plotting | room | street | underscoring | walking | watching |
Beyond the Forest (1949) | Chicago | 1:31:26 - The train leaves the station | agitated | climax | departing | familiar tune | leading lady | madness | mad scene | murderer | obsessive | popular tune | shrill | tense | train | train station |
| We're Only Human (1935) | Underscoring (Lyrical) | 0:23:23 - Pete exits the store | attempted murder | conflict | departing | detective | drive by shooting | food | gunshot | leading man | mode mixture | peaceful | pedal tone | shooting | street | underscoring | walking |
We're Only Human (1935) | Waiting | 0:47:49 - Sally leaves | advance plot | calm | conversing | departing | detective | leading lady | leading man | reporter | room |
We're Only Human (1935) | Kong 3 | 1:01:06 - Pete leaves | car | chromatic parallelism | climax | conflict | departing | detective | diminished 7th chord | dramatic | hurried | leading lady | leading man | pedal tone | reporter | rushing | sequence | street | victim |
| Out of the Fog (1941) | Russian Barcarolle (Fragmented) | 0:46:50 - Olaf accuses Goff | conflict | conversing | criminal | departing | dock | extortion | father | fisherman | friend | leading man | police | tense |
Out of the Fog (1941) | Father and Daughter | 0:54:23 - Stella and Jonah embrace | advance plot | conversing | departing | father | fisherman | leading lady | room | tender |
| Her Kind of Man (1946) | Bulletin Board | 0:32:45 - Don leaves | bluesy | conversing | crew | departing | gambler | leading man | reporter | room | source and scoring overlap | stage | transition | upbeat |
Her Kind of Man (1946) | Underscoring (Gentle) | 0:33:47 - Don leaves | crew | departing | gentle | leading man | manager | reporter | street | theater | transition | underscoring |
Her Kind of Man (1946) | Underscoring (Dramatic [Waxman]) | 0:42:19 - Approaching headlights | action scene | criminal | dark | departing | dramatic | driving | henchman | leading man | leaving | reporter | street | stumbling | underscoring |
Her Kind of Man (1946) | Underscoring (Somber) | 0:44:48 - Georgia leaves | arguing | conflict | departing | gambler | leading lady | leading man | love interest | room | somber | underscoring |
Her Kind of Man (1946) | Underscoring (Dramatic [Deutsch]) | 0:51:26 - Don shoves Candy | arguing | conflict | criminal | departing | dramatic | fighting | gambler | henchman | leading man | reporter | room | underscoring |
Her Kind of Man (1946) | Underscoring (Dramatic [Deutsch]) | 0:54:59 - Cop takes a witness | departing | dramatic | leading man | letter | mysterious | police | police station | reporter | signature | tense | turning point | typing | underscoring | waiter | witness |
Her Kind of Man (1946) | It Had to Be You (Mysterious) | 1:11:11 - Georgia leaves | advance plot | departing | familiar tune | gambler | leading lady | leading man | murderer | mysterious | popular music | singer | warehouse | wife |
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