| All This, and Heaven Too (1940) | The Duchess (Expressivo con Schmalzo) | 0:39:24 - The Duchess writes a letter | angry | chromatic sequence | crying | despair | duchess | foreign key modulation | leading lady | mad scene | on-screen text | room | sequence | sequential modulation | writing |
All This, and Heaven Too (1940) | Desperation | 0:39:54 - The Duchess writes a letter | angry | chromatic scale | crying | despair | duchess | leading lady | mad scene | on-screen text | parallelism | room | writing |
All This, and Heaven Too (1940) | Rushing | 0:40:15 - The Duchess rushes to the Abbe | angry | arguing | augmented triad | despair | duchess | leading lady | mad scene | mickey-mousing | priest | room | turn figure |
All This, and Heaven Too (1940) | Pleading (Extended) | 0:40:26 - The Abbe talks with the Duchess | 9th chord | angry | arguing | chromatic sequence | despair | duchess | fragmentation | leading lady | mad scene | oscillation | parallelism | priest | room |
All This, and Heaven Too (1940) | Desperation (Very Emotional) | 0:41:00 - The Duchess pleads with the Abbe | angry | arguing | chromatic scale | chromatic sequence | crying | despair | dissonant bass | illness | leading lady | mad scene | priest | room |
| Beyond the Forest (1949) | Chicago (Agitato Molto Marcato) | 0:55:48 - Rosa runs through the streets | agitated | crazy person | crying | familiar tune | laughing | leading lady | mad scene | manic | popular tune | running | rushing | scaring | stranger | street | tense |
Beyond the Forest (1949) | Chicago (Echo Chambre) | 1:28:20 - Rosa prepares to leave | angry | arguing | climax | crazed | delirious | eerie | familiar tune | leading lady | mad | madness | mad scene | maid | murderer | popular tune | preparing | room | stumbling | unsettling | yelling |
Beyond the Forest (1949) | Chicago (She Walks Down) | 1:29:25 - Rosa walks down the stairs | climax | dark | descending | familiar tune | leading lady | madness | mad scene | maid | mickey-mousing | murderer | popular tune | room | solemn | stairs | stumbling |
Beyond the Forest (1949) | Sawmill | 1:29:51 - Rosa opens the door | agitated | climax | leading lady | machinery effect | madness | mad scene | maid | murderer | street | stumbling | tense | walking |
Beyond the Forest (1949) | Sawmill + Steam Whistle | 1:30:02 - The maid makes a phone call | agitated | climax | collapsing | combination of themes | cut from film | falling | leading lady | machinery effect | madness | mad scene | maid | murderer | street | stumbling | tense | walking | whistle effect |
Beyond the Forest (1949) | Sawmill + Rosa (Stumbling) | 1:30:10 - Rosa struggles to her feet | climax | combination of themes | dark | leading lady | machinery effect | madness | mad scene | murderer | ominous | standing | street | stumbling | walking |
Beyond the Forest (1949) | Rosa (Fever 2) | 1:30:23 - Rosa stumbles forward | climax | dark | leading lady | madness | mad scene | murderer | ominous | street | stumbling | walking |
Beyond the Forest (1949) | Sawmill + Steam Whistle | 1:30:36 - Darkness | agitated | climax | combination of themes | leading lady | madness | mad scene | murderer | stumbling | tense | train | train station | walking | whistle effect |
Beyond the Forest (1949) | Train | 1:30:52 - A locomotive | agitated | climax | cut from film | leading lady | madness | mad scene | murderer | stumbling | tense | train | train effect | train station | walking |
Beyond the Forest (1949) | Train + Chicago (Shrill) | 1:30:54 - Rosa stumbles towards the train | agitated | climax | combination of themes | cut from film | familiar tune | leading lady | madness | mad scene | murderer | popular tune | shrill | stumbling | tense | train | train effect | train station | walking |
Beyond the Forest (1949) | Train (Heating Up) + Chicago (Fragmented) | 1:31:05 - Rosa stumbles towards the train | agitated | climax | combination of themes | desperate | familiar tune | leading lady | madness | mad scene | murderer | popular tune | stumbling | tense | train | train effect | train station | walking |
Beyond the Forest (1949) | Chicago | 1:31:21 - Rosa stumbles towards the train | climax | desperate | familiar tune | leading lady | madness | mad scene | murderer | popular tune | stumbling | tense | train | train station | walking |
Beyond the Forest (1949) | Chicago | 1:31:26 - The train leaves the station | agitated | climax | departing | familiar tune | leading lady | madness | mad scene | murderer | obsessive | popular tune | shrill | tense | train | train station |
Beyond the Forest (1949) | Stinger | 1:31:51 - Rosa dead | arriving | climax | dark | death | doctor | husband | leading lady | leading man | mad scene | murderer | solemn | stinger | train | train station | walking |
Beyond the Forest (1949) | Rosa | 1:32:10 - Lewis arrives | arriving | checking | climax | dark | death | doctor | dramatic | husband | leading lady | leading man | mad scene | murderer | reacting | tender | train | train station |
| Caged (1950) | Underscoring (Tense) | NIF - not in film | bed | crazy person | crying | cut from film | leading lady | mad scene | oscillation | prison | prisoner | sleeping | tense | underscoring |
Caged (1950) | Madness | NIF - not in film | agitated | bed | chromatic scale | crazy person | crying | cut from film | leading lady | mad scene | ostinato | prison | prisoner | sleeping | standing |
Caged (1950) | Train Whistle Hallucination | NIF - not in film | acceleration | agitated | bed | breaking | chromatic parallelism | chromatic scale | crazy person | crying | cut from film | diminished 7th chord | dramatic | glass | hallucinating | leading lady | mad scene | ostinato | pedal tone | polychord | prison | prisoner | screaming | smashing |
Caged (1950) | Caged (Not in Film) | NIF - not in film | bed | crazy person | crying | cut from film | dark | glass | leading lady | mad scene | pc set | prison | prisoner |
Caged (1950) | Wailing | NIF - not in film | agitated | bed | crazy person | crying | crying effect | cut from film | glass | leading lady | mad scene | ostinato | pc set | prison | prisoner | wailing |
Caged (1950) | Wailing + Train Whistle Hallucination | NIF - not in film | acceleration | agitated | bed | chromatic parallelism | chromatic scale | combination of themes | crazy person | crying | crying effect | cut from film | diminished 7th chord | dramatic | glass | leading lady | mad scene | ostinato | pedal tone | polychord | prison | prisoner | rushing | unlocking | wailing |
Caged (1950) | Wailing (Ominous) | NIF - not in film | bed | bleeding | blood | crazy person | crying | cut from film | dark | leading lady | mad scene | ominous | ostinato | prison | prisoner | tritone | wailing | whole-tone chord |
Caged (1950) | Agitato | NIF - not in film | agitated | chromatic parallelism | chromatic scale | cut from film | fragmentation | mad scene | ostinato | pc set | prison | whole-tone chord |
| Crime School (1938) | Sue (Whispering) | 1:10:38 - Frankie hears voices | anxious | fragmentation | gun | hearing voices | insanity | mad scene | mental breakdown | ostinato | pc set | reformatory | sequence | sound mass | teenager | tone cluster | whispering | worrying |
| Lightning Strikes Twice (1951) | Menace (Expressivo) | 1:18:00 - Shelly is worried | actor | concern | danger | hearing voices | leading lady | mad scene | room | tense | worried | worrying |
Lightning Strikes Twice (1951) | Mournful | 1:18:16 - Shelly is worried | actor | concern | cut from film | danger | hearing voices | leading lady | mad scene | room | tense | worried | worrying |
Lightning Strikes Twice (1951) | Menace (Molto Misterioso) | 1:18:21 - Shelly panics | actor | concerned | crying | hearing voices | leading lady | mad scene | panicking | room | violence | worried | worrying |
Lightning Strikes Twice (1951) | Spider | 1:18:41 - Trev hits a spider | actor | bug effect | fear | hitting | husband | leading lady | leading man | mad scene | room | running | scurrying | spider | suspect | tense |
Lightning Strikes Twice (1951) | Mournful (Scared) | 1:18:45 - Shelly is afraid of Trev | actor | crying | fear | husband | leading lady | leading man | mad scene | room | somber | suspect | worrying |
Lightning Strikes Twice (1951) | Afraid | 1:19:02 - Shelly leaves Trev in fear | actor | crying | dramatic | escaping | fanfare | fear | husband | leading lady | leading man | mad scene | room | self-borrowing | stinger | suspect | worrying |
Lightning Strikes Twice (1951) | Shelly (Escaping) | 1:19:17 - Shelly flees from Trev | actor | dramatic | escaping | fear | fleeing | husband | leading lady | leading man | mad scene | room | running | suspect | unlocking |
Lightning Strikes Twice (1951) | Shelly 2 (Fleeing) | 1:19:32 - Shelly runs to the car | actor | chasing | dramatic | driving | fear | fleeing | husband | leading lady | leading man | mad scene | ranch | running | running effect | suspect |
Lightning Strikes Twice (1951) | Shelly (Fleeing) | 1:19:41 - Trev sees Shelly drive away | actor | dramatic | driving | fear | fleeing | husband | leading lady | leading man | mad scene | ranch | running effect | suspect |
Lightning Strikes Twice (1951) | Menace (Misterioso) | 1:19:48 - Trev calls Harvey | arguing | conversing | husband | leading man | mad scene | mysterious | room | suspect | suspense | telephone |
| White Heat (1949) | Ma (Restless) | 0:49:34 - Cody walks back to work | anxious | dramatic | gangster | leading man | mad scene | murderer | prison | prisoner | tense | thinking | threatening | working |
White Heat (1949) | Underscoring (Tense) | 0:49:56 - Cody threatens Parker | gangster | leading man | mad scene | murderer | prison | prisoner | tense | threatening | underscoring |
White Heat (1949) | Madness | 0:50:16 - Cody hears voices | agitated | blur | falling | gangster | hallucinating | hallucination | headache | headache effect | hearing voices | leading man | machine | mad scene | murderer | pain | prison | prisoner | self-borrowing | tense | unsettled |
White Heat (1949) | Headache | 0:50:31 - Heavy machinery | agitated | crawling | falling | gangster | headache | headache effect | leading man | machine | mad scene | murderer | pain | prison | prisoner | self-borrowing | tense | unsettled |
White Heat (1949) | Struggle | 0:50:50 - Cody crawls on the floor | agitated | crawling | falling | gangster | headache | headache effect | helping | leading man | machine | mad scene | murderer | pain | prison | prisoner | self-borrowing | tense | undercover agent | unsettled |
White Heat (1949) | Cody (Headache) | 0:51:15 - Hank helps Cody | crawling | gangster | headache | helping | leading man | mad scene | murderer | pain | prison | prisoner | tense | undercover agent |
White Heat (1949) | Underscoring (Tense) | 0:51:20 - Hank helps Cody | crawling | gangster | headache | helping | leading man | mad scene | massaging | murderer | pain | prison | prisoner | tense | undercover agent | underscoring |
White Heat (1949) | Cody rises | 0:51:40 - Hank helps Cody stand | gangster | headache | helping | leading man | mad scene | mickey-mousing | murderer | pain | prison | prisoner | rising | tense | undercover agent |
White Heat (1949) | Cody (Recovering) | 0:51:52 - Cody's headache subsides | gangster | headache | leading man | mad scene | murderer | pain | prison | prisoner | tense | undercover agent | uneasy | waiting |
| The Woman in White (1948) | Asylum + Ann | 1:24:50 - Close-up on Count Fosco | antagonist | asylum | combination of themes | criminal | dark | husband | hypnosis | hypnotist | hypnotizing | leading lady | leading man | lighting change | mad scene | murderer | mysterious | thematic transference | victim |
The Woman in White (1948) | Asylum + Ann + Hypnosis | 1:25:26 - Laura looks at Sir Percival | antagonist | asylum | combination of themes | criminal | dark | husband | hypnosis | hypnotist | hypnotizing | leading lady | leading man | mad scene | murderer | mysterious | victim |
The Woman in White (1948) | Pavan (Distressed) | 1:25:43 - Laura confronts Sir Percival | antagonist | arguing | asylum | criminal | dark | husband | hypnosis | hypnotist | leading lady | leading man | mad scene | murderer | victim |
The Woman in White (1948) | Asylum + Ann + Hypnosis | 1:26:10 - Count Fosco hypnotizes Laura | antagonist | asylum | combination of themes | criminal | dark | husband | hypnosis | hypnotist | hypnotizing | leading lady | leading man | mad scene | murderer | shrill | staring | victim |
The Woman in White (1948) | Ann | 1:26:55 - Laura speaks to Count Fosco | antagonist | asylum | criminal | husband | hypnosis | hypnotist | hypnotizing | leading lady | leading man | mad scene | murderer | mysterious | staring | victim |
The Woman in White (1948) | Ann (Waltz) | 1:27:14 - Laura dashes away | antagonist | asylum | conversing | criminal | husband | hypnosis | hypnotist | leading lady | leading man | leaving | mad scene | murderer | nurse | tender | victim |
The Woman in White (1948) | Asylum + Ann + Hypnosis | 1:27:35 - Laura hears Count Fosco's voice in her head | asylum | combination of themes | hearing voices | hypnosis | leading lady | mad scene | mysterious | sneaking | tense | victim |
The Woman in White (1948) | Ann | 1:28:02 - Laura exchanges the keys | asylum | hypnosis | key | leading lady | mad scene | mysterious | sneaking | tense | victim |
The Woman in White (1948) | Ann 2 | 1:28:39 - The nurse takes Laura to her room | antagonist | asylum | criminal | husband | hypnosis | hypnotist | leading lady | leading man | leaving | mad scene | murderer | nurse | tender | victim | walking |
The Woman in White (1948) | Ann (Quasi Misterioso) | 1:29:00 - Count Fosco talks to Sir Percival | antagonist | asylum | conversing | criminal | husband | hypnotist | leading man | mad scene | murderer | ominous |
| Caged (1950) | Prison Alarm (The Scream) | 1:00:42 - Marie covers her ears | alarm | alarm effect | anxiety | chromatic parallelism | chromatic scale | dramatic | fidgeting | guard | hysteria | leading lady | mad scene | prison | prisoner | screaming | tense | tone cluster | whole-tone chord |
Caged (1950) | Hysteria | 1:00:55 - Marie runs down the hall | alarm | anxiety | chromatic parallelism | chromatic scale | dissonant bass | dramatic | escaping | guard | hysteria | leading lady | mad scene | pc set | polychord | prison | prisoner | running | tense |
Caged (1950) | Falling | 1:01:18 - Marie falls to the ground | diminished 7th chord | dramatic | falling | guard | leading lady | mad scene | mickey-mousing | octatonic scale | prison | prisoner | throwing |
Caged (1950) | Marie 2 (Melancholy) | 1:01:25 - Marie returns to her cell | conversing | guard | leading lady | mad scene | melancholy | prison | prisoner | returning | solemn |
Caged (1950) | Marie (Misterioso) | 1:17:04 - Shadows on a staircase | augmented sixth chord | descending | guard | leading lady | mad scene | prison | prisoner | shadow | solemn | solitary | walking |
Caged (1950) | Isolation Ward (Dark) | 1:17:27 - Shadows on Marie's face | dark | departing | dissonant bass | guard | isolation | leading lady | mad scene | mysterious | ominous | oscillation | polychord | prison | prisoner | shadow | solitary | staring | uneasy | walking |
Caged (1950) | Water Dripping | 1:17:52 - Marie in solitary | audible thoughts | dark | dripping | guard | hysteria | isolation | leading lady | mad scene | melodic cell | mickey-mousing | mysterious | pacing | pc set | prison | prisoner | tense | thinking | uneasy | water | water effect |
Caged (1950) | Water Dripping + Caged (Tense) | NIF - not in film | 9th chord | chromatic parallelism | chromatic sequence | combination of themes | cut from film | dark | dissonant bass | hysteria | isolation | leading lady | mad scene | melodic cell | mickey-mousing | mysterious | ostinato | prison | prisoner | sigh gesture | tense | uneasy | water effect |
Caged (1950) | Water Dripping + Foxtrot | NIF - not in film | 11th chord | combination of themes | cut from film | deceptive resolution | eerie | foxtrot | hysteria | isolation | mad scene | mickey-mousing | mysterious | prison | uneasy | water effect |
Caged (1950) | Water Dripping | NIF - not in film | cut from film | dark | hysteria | isolation | mad scene | mickey-mousing | mysterious | prison | tense | uneasy | water effect |
Caged (1950) | Water Dripping + Marie 2 | NIF - not in film | combination of themes | cut from film | hysteria | isolation | mad scene | mickey-mousing | mysterious | prison | tender | uneasy | water effect |
Caged (1950) | Water Dripping (Frantic) | NIF - not in film | chromatic parallelism | chromatic scale | cut from film | dark | dissonant bass | frantic | hysteria | isolation | mad scene | mickey-mousing | mysterious | parallel 63s | pc set | prison | tense | uneasy | water effect |
Caged (1950) | Water Dripping (Molto Expressivo) | 1:18:15 - Marie in solitary | 9th chord | crying | dissonant bass | dripping | hysteria | isolation | leading lady | mad scene | mickey-mousing | mickey-mousing | minor-major 7th chord | mysterious | prison | prisoner | tense | uneasy | water | water effect | wipe | yelling |
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