| Caged (1950) | Marie | 0:08:04 - Marie poses for mug shot | heroine | prison |
Caged (1950) | Marie (Montage) | 0:32:12 - Montage of Marie in prison | dramatic | heroine | montage | prison |
Caged (1950) | Marie (Dark) | 0:32:55 - Close up on medical report and Marie in infirmary | dramatic | heroine | montage | prison |
Caged (1950) | Marie (Lento) | 0:35:14 - Marie gets sick | heroine | prison |
Caged (1950) | Nursery | 0:49:23 - Marie goes to see her newborn baby | baby | heroine | newborn | prison |
Caged (1950) | Lullaby | 0:49:51 - Marie holds her new baby | baby | heroine | newborn | prison |
Caged (1950) | Marie (Happy) | 0:50:22 - Marie holds her new baby | baby | heroine | newborn | prison |
Caged (1950) | Marie (Tragic) | 0:52:43 - Marie pleads with her mother to take the baby | despair | heroine | pleading | prison |
Caged (1950) | Caged (Waiting) | 0:56:52 - Marie waits outside of the parole office while an inmate runs out excited that she made parole | heroine | parole | prison | shadow |
Caged (1950) | Alarm 2 | 1:00:42 - Marie hears the alarm and gets hysterical | alarm | heroine | hysteria | mickey-mousing | prison | screaming |
Caged (1950) | Prison | 1:00:51 - Marie runs from the parole office | alarm | heroine | hysteria | prison |
Caged (1950) | Marie (Melancholy) | 1:01:25 - Marie returns to her cell | heroine | melancholy | prison |
Caged (1950) | Marie (Solemn) | 1:17:04 - Marie in solitary | heroine | prison | solitary |
Caged (1950) | Isolation Ward | 1:17:19 - Kitty leaves solitary | heroine | prison | solitary |
Caged (1950) | Water Dripping | 1:17:52 - Dripping water in solitary | dripping | heroine | hysteria | mickey-mousing | prison | water |
Caged (1950) | Water Dripping (Frantic) | 1:18:15 - Marie cries to her in solitary | dripping | heroine | hysteria | mickey-mousing | prison | water |
Caged (1950) | Underscoring (Dramatic) | 1:32:09 - Marie leaves the parole office | heroine | justice | parole | prison |
Caged (1950) | Pacing (Impatient) | 1:32:26 - Marie receives a $30.12 check for the 502 days that she worked in the prison | heroine | pacing | prison | walking |
Caged (1950) | Marie (Checking Out) | 1:32:59 - Marie enters the warden's office | heroine | prison |
Caged (1950) | Marie (Blues) | 1:35:01 - Marie leaves prison | freedom | heroine | jazzy | prison |
Caged (1950) | Marie (Jazzy) | 1:35:37 - Marie gets into a car | heroine | jazzy | prison |
| Crime School (1938) | Underscoring (Mysterious) | 0:09:53 - Frankie sneaks in the house | concern | conversing | establish character | heroine | leading lady | mysterious | room | sister | sneaking | sneaky | teenager | underscoring |
Crime School (1938) | Sue (Quasi Blues) | 0:11:08 - Sue talks to Frankie | bluesy | conversing | crying | establish character | Gershwinesque | heroine | leading lady | room | somber |
Crime School (1938) | Sue (Minor) | 0:20:38 - Judge sentences boys to the reformatory | courthouse | crying | gang | heroine | judge | leading lady | leading man | sister | somber | stinger | teenager | trial |
| They Made Me a Criminal (1939) | Underscoring (Dramatic) | 0:26:48 - Peggy rushes to help Johnnie | dramatic | establish character | heroine | leading lady | mickey-mousing | ranch | running | rushing | underscoring |
They Made Me a Criminal (1939) | Peggy Helps Johnnie | 0:26:58 - Peggy helps Johnnie | heroine | leading lady | leading man | lovers meet | nursing | room | tender | underscoring |
They Made Me a Criminal (1939) | The Fugitive (Recovering) | 0:27:13 - Johnnie talks to Peggy after he wakes up | heroine | leading lady | leading man | lovers meet | nursing | recovering | romance | room | sweet | waking |
They Made Me a Criminal (1939) | Peggy (Dolce) | 0:28:20 - Johnnie talks to Peggy after he wakes up | heroine | kissing | leading lady | leading man | lovers meet | nursing | recovering | romance | room | sweet | tender |
| Dust Be My Destiny (1939) | Comedy fall | 0:13:08 - Joe falls over while milking the cow | barn | comical | falling | hero | heroine | lovers meet | mickey-mousing | parallelism |
Dust Be My Destiny (1939) | Dust Be My Destiny (Playful) | 0:13:38 - Mabel talks to Joe for the first time | barn | comical | cow | hero | heroine | laughing | lovers meet | playful | romantic |
Dust Be My Destiny (1939) | Dust Be My Destiny (Laughing) | 0:14:07 - Mabel laughs at Joe | barn | comical | hero | heroine | laughing | lovers meet | parallelism |
Dust Be My Destiny (1939) | Laughing | 0:14:10 - Mabel laughs at Joe | barn | comical | hero | heroine | laughing | lovers meet | mickey-mousing | parallelism |
Dust Be My Destiny (1939) | Dust Be My Destiny (Agitated) | 0:14:22 - Joe argues with Mabel | agitated | arguing | barn | fragmentation | hero | heroine | lovers meet |
Dust Be My Destiny (1939) | Dust Be My Destiny (Tense) | 0:14:53 - Joe talks to Charlie | barn | dark | dissonant | hero | heroine | lovers meet | tense | villain |
Dust Be My Destiny (1939) | Dust Be My Destiny (Pleading) | 0:17:41 - Mabel pleads for Joe's case | advance plot | heroine | intervallic expansion | pleading | prison | sincere | warden |
Dust Be My Destiny (1939) | Dust Be My Destiny (Expectant) | 0:18:08 - Mabel leaves | advance plot | expectant | gentle | heroine | hopeful | pedal tone | prison | sweet |
Dust Be My Destiny (1939) | Dust Be My Destiny (Denied) | 0:18:23 - Mabel talks to Joe briefly | conflict | deceptive resolution | denial | expectant | gentle | hero | heroine | hopeful | prison | stinger | sweet |
Dust Be My Destiny (1939) | Dust Be My Destiny (Somber) | 0:18:36 - Mabel thinks | conflict | heroine | inversion | prison | somber |
Dust Be My Destiny (1939) | Underscoring (Romantic) | 0:21:46 - Mabel talks with Joe | barn | hero | heroine | love scene | romantic | underscoring |
Dust Be My Destiny (1939) | Dust Be My Destiny (In Love) | 0:22:04 - Mabel and Joe talking; she asks him to tell her that he loves her | barn | hero | heroine | love scene | romantic |
Dust Be My Destiny (1939) | Dust Be My Destiny (Expressivo) | 0:23:38 - Joe and Mabel continue talking | barn | hero | heroine | love scene | romantic |
Dust Be My Destiny (1939) | Dust Be My Destiny (Ethereal) | 0:24:50 - Joe tells Mabel he loves her and they kiss | barn | hero | heroine | kissing | love scene | romantic |
Dust Be My Destiny (1939) | Underscoring (Dark) | 0:25:03 - Charlie interrupts the lovers | barn | conflict | dark | heroine | underscoring | villain |
Dust Be My Destiny (1939) | Dust Be My Destiny (Running Away) | 0:25:55 - Joe and Mabel run | barn | conflict | dramatic | hero | heroine | running |
Dust Be My Destiny (1939) | Running | 0:26:05 - Joe and Mabel run | barn | conflict | dramatic | hero | heroine | mickey-mousing | octatonic | running |
Dust Be My Destiny (1939) | Turning around | 0:26:13 - Joe and Mabel turn around to look at Charlie | barn | death | dramatic | hero | heroine | mickey-mousing | turning |
Dust Be My Destiny (1939) | Dust Be My Destiny (Fateful Decision) | 0:26:17 - Joe and Mabel decide to run away together | barn | confused | hero | heroine | hopeful | turning point |
Dust Be My Destiny (1939) | Underscoring (Dramatic) | 0:26:38 - Car drives towards Joe and Mabel | barn | conflict | dramatic | headlights | hero | heroine | stinger | underscoring |
Dust Be My Destiny (1939) | Running away | 0:26:45 - Joe and Mabel run away | barn | conflict | dramatic | hero | heroine | mickey-mousing | running |
Dust Be My Destiny (1939) | Arriving | 0:26:52 - Joe and Mabel settle into their new situation | arriving | calm | city | dramatic | hero | heroine | settling down | traveling | traveling | truck |
Dust Be My Destiny (1939) | Dust Be My Destiny (In Love) | 0:27:22 - Joe and Mabel talk | advance plot | city | gentle | hero | heroine | walking |
Dust Be My Destiny (1939) | Dust Be My Destiny (Milkman) | 0:27:38 - Joe and Mabel talk to the milk man | advance plot | city | comical | glass | hero | heroine | milk | milkman | pizzicato |
Dust Be My Destiny (1939) | Dust Be My Destiny (A Hotel) | 0:28:47 - Joe mentions going to a hotel and getting married | advance plot | city | concerned | hero | heroine |
Dust Be My Destiny (1939) | Here Comes the Bride (Modulating) | 0:29:02 - Joe and Mabel run to the courthouse | city | excited | familiar tune | fragmentation | hero | heroine | love scene | marriage | romance | romantic | running | sequence |
Dust Be My Destiny (1939) | Dust Be My Destiny (Waiting) | 0:29:38 - Joe and Mabel talk about getting married | city | hero | heroine | love scene | romantic | waiting |
Dust Be My Destiny (1939) | Dust Be My Destiny (Running Up and Down) | 0:30:12 - Man runs up and down the courthouse steps | city | courthouse | down | frantic | hero | heroine | love scene | mickey-mousing | running | stairs | up |
Dust Be My Destiny (1939) | Here Comes the Bride (Triple) | 0:30:35 - Man talks to Joe and Mabel on the courthouse steps | 9th chord | city | courthouse | familiar tune | hero | heroine | love scene | marriage | parallelism | romantic |
Dust Be My Destiny (1939) | Dust Be My Destiny (Got Each Other) | 0:30:49 - Mabel proclaims her love for Joe on the courthouse steps | city | courthouse | hero | heroine | love scene | romantic |
Dust Be My Destiny (1939) | Fairy Music | 0:30:58 - Man picks up their luggage and convinces them to follow | city | courthouse | happy | hero | heroine | love scene | romantic |
Dust Be My Destiny (1939) | Here Comes the Bride (Advertisement) | 0:31:07 - Outside of a theatre advertising "Marriage on Stage Tonite" | city | familiar tune | happy | hero | heroine | love scene | marriage | theater |
Dust Be My Destiny (1939) | Here Comes the Bride | 0:31:17 - Crowd singing and clapping to Here Comes the Bride for a live wedding | happy | hero | heroine | marriage | on-screen music | theater | wedding |
Dust Be My Destiny (1939) | Here Comes the Bride | 0:32:48 - Pianist keeps playing in the background as Joe and Mabel talk | happy | hero | heroine | marriage | on-screen music | theater | wedding |
Dust Be My Destiny (1939) | In a Moment of Weakness | 0:33:37 - Joe and Mabel talk and listen to the radio | develop character | happy | hero | heroine | radio | source music | theater |
Dust Be My Destiny (1939) | Radio Fanfare | 0:34:19 - Fanfare plays on the radio, announcing the news | develop character | happy | hero | heroine | radio | source music | theater |
Dust Be My Destiny (1939) | Fleeing | 0:34:56 - Joe and Mabel flee | alley | city | danger | down | escape | fearful | fleeing | hero | heroine | mickey-mousing | running | suspenseful |
Dust Be My Destiny (1939) | Agitato Risoluto | 0:35:11 - Joe and Mabel hide under the stairs | agitated | alley | city | concerned | danger | escape | hero | heroine | hiding | parallelism | pedal tone |
Dust Be My Destiny (1939) | Dust Be My Destiny (Injustice) | 0:35:25 - Joe and Mabel talk in the alley | alley | city | escape | fearful | hero | heroine |
Dust Be My Destiny (1939) | Dust Be My Destiny (Fear and Devotion) | 0:35:50 - Joe and Mabel decide to stay together no matter what | alley | city | devotion | dramatic | escape | fear | hero | heroine | love | obsessive |
Dust Be My Destiny (1939) | Dust Be My Destiny (Travel Montage) | 0:36:28 - Joe and Mabel run away and catch rides on a train | frantic | hero | heroine | hitch-hiking | map | montage | sign | train | train | train whistle | traveling | traveling | truck | walking |
Dust Be My Destiny (1939) | Dust Be My Destiny (Wandering) | 0:37:16 - Joe and Mabel walk by the side of the road | car | car horn | hero | heroine | montage | road | tired | traveling | walking |
Dust Be My Destiny (1939) | Dust Be My Destiny (Weary) | 0:37:38 - Joe and Mabel rest by the side of the road | conflict | hero | heroine | resting | road | tired |
Dust Be My Destiny (1939) | Underscoring (Dramatic) | 0:38:00 - Joe and Mabel argue | arguing | conflict | dramatic | hero | heroine | road | underscoring |
Dust Be My Destiny (1939) | Dust Be My Destiny | 0:38:38 - Joe and Mabel walk in opposite directions | conflict | hero | heroine | leaving | road | somber |
Dust Be My Destiny (1939) | Dust Be My Destiny (Parting Ways) | 0:38:56 - Joe and Mabel part | conflict | dark | hero | heroine | leaving | road | somber |
Dust Be My Destiny (1939) | Dust Be My Destiny (Running) | 0:39:33 - Mabel runs across the street to hitch a ride | conflict | heroine | mickey-mousing | road | running | somber | truck |
Dust Be My Destiny (1939) | Dust Be My Destiny (Reunited) | 0:40:03 - Joe looks back to see Mabel still there and runs to her | hero | heroine | joyful | mickey-mousing | resolution | road | running |
Dust Be My Destiny (1939) | The Poster | 0:40:39 - Joe and Mabel look at a sign for a train | comedy | comical | hero | heroine | laughing | road | sign |
Dust Be My Destiny (1939) | My Wild Irish Rose | 0:40:51 - Joe and Mabel in Nick's Diner | diner | establish character | familiar tune | happy | hero | heroine | popular song | radio | shopkeeper | singing | source music |
Dust Be My Destiny (1939) | Dust Be My Destiny (Irish Rose) | 0:42:25 - Joe and Mabel go to work in the kitchen | diner | establish character | happy | hero | heroine | shopkeeper |
Dust Be My Destiny (1939) | Dust Be My Destiny (Delicatessen) | 0:43:38 - Mabel and Nick talk | develop character | diner | gentle | hero | heroine | shopkeeper |
Dust Be My Destiny (1939) | Dust Be My Destiny (In Love) | 0:43:51 - Mabel and Nick talk | develop character | diner | gentle | hero | heroine | shopkeeper |
Dust Be My Destiny (1939) | Dust Be My Destiny (Delicatessen) | 0:44:01 - Mabel and Nick talk | develop character | diner | gentle | hero | heroine | shopkeeper |
Dust Be My Destiny (1939) | Dust Be My Destiny (Wild Irish Rose) | 0:44:12 - Mabel and Nick talk | develop character | diner | familiar tune | gentle | hero | heroine | on-screen music | popular song | shopkeeper | singing | source music |
Dust Be My Destiny (1939) | Dust Be My Destiny (Calm) | 0:44:32 - Mabel and Nick talk | develop character | diner | gentle | hero | heroine | shopkeeper |
Dust Be My Destiny (1939) | Dust Be My Destiny (Worried) | 0:46:02 - Mabel talks to the police | create suspense | heroine | room | somber |
Dust Be My Destiny (1939) | Whistling (Suspenseful) | 0:46:25 - Mabel talks to the police as Joe gets closer to the house | anxious | cheerful | concerned | create suspense | hero | heroine | linear chromaticism | on-screen music | polytonality | room | shopkeeper | source music | whistling |
Dust Be My Destiny (1939) | Underscoring (Dramatic) | 0:46:42 - Mabel yells out the window to warn Joe; the police shoot at Joe as he runs away | city | create suspense | dramatic | escaping | gun | gunshot | hero | heroine | home | running | shopkeeper | underscoring | yelling |
Dust Be My Destiny (1939) | Underscoring (Dark) | 0:46:58 - Nick and Joe in the cafe | city | create suspense | dark | hero | heroine | home | shopkeeper | underscoring |
Dust Be My Destiny (1939) | Dust Be My Destiny (Jail Break) | 0:49:16 - Mabel looks up and sees Joe coming in the jail | hero | heroine | jail | jail break | jailer | tense |
Dust Be My Destiny (1939) | Dust Be My Destiny (Stick Up) | 0:50:12 - Joe pulls out a gun | hero | heroine | jail | jail break | jailer | tense |
Dust Be My Destiny (1939) | Dust Be My Destiny (The Escape) | 0:50:26 - Joe and Mabel leave the jail | dark | escaping | hero | heroine | hopeful | jail | jail break |
Dust Be My Destiny (1939) | Dust Be My Destiny (Grandioso) | 0:50:50 - Joe and Mabel are almost free | city | escaping | hero | heroic | heroine | jail break | street | triumphant |
Dust Be My Destiny (1939) | Stinger | 0:51:01 - Joe and Mabel get in the car with Nick | city | danger | hero | heroine | jail break | ominous | siren | stinger | street |
Dust Be My Destiny (1939) | Speeding car | 0:51:08 - The car speeds off | car | city | dramatic | escape | hero | heroine | mickey-mousing | traveling |
Dust Be My Destiny (1939) | Dust Be My Destiny (Thankful) | 0:51:24 - Joe, Mabel, and Nick talk in the car | escape | hero | heroine | shopkeeper | thankful | train station |
Dust Be My Destiny (1939) | My Wild Irish Rose (Goodbye) | 0:51:35 - Joe and Mabel say goodbye to Nick | escape | familiar tune | hero | heroine | popular song | shopkeeper | tender | train station |
Dust Be My Destiny (1939) | My Wild Irish Rose (Grandioso) | 0:52:06 - Joe and Mabel leave on a train | calm | escape | familiar tune | hero | heroine | popular song | shopkeeper | sweet | tender | train station | triumphant |
Dust Be My Destiny (1939) | Dust Be My Destiny (Radio) | 0:52:28 - Joe comes home and talks to Mabel in their apartment | conflict | hero | heroine | popular tune | radio | room | somber | source music |
Dust Be My Destiny (1939) | Dust Be My Destiny (Arguing) | 0:55:00 - Joe tries to leave with a gun and Mabel tries to stop him | agitated | arguing | conflict | dark | hero | heroine | parallelism | pc set | pleading | room |
Dust Be My Destiny (1939) | Dust Be My Destiny (Reunited) | 0:58:04 - Joe embraces Mabel | embracing | hero | heroine | love scene | romantic | room | triumphant |
Dust Be My Destiny (1939) | Dust Be My Destiny (Dolceeessimo) | 1:08:53 - Joe and Mabel talk | advance plot | hero | heroine | hopeful | peaceful | room |
Dust Be My Destiny (1939) | Dust Be My Destiny (Emergency Room) | 1:11:01 - Mabel enters the hospital looking for Joe | advance plot | concern | cop | heroine | hospital | reporter |
Dust Be My Destiny (1939) | Dust Be My Destiny (Reunited) | 1:11:25 - Mabel embraces Joe after she meets him | advance plot | embracing | happy | hero | heroine | hospital |
Dust Be My Destiny (1939) | Dust Be My Destiny (Simply) | 1:11:50 - Mabel and Joe talk | advance plot | hero | heroine | hospital | peaceful |
Dust Be My Destiny (1939) | Dust Be My Destiny (Leaving Hospital) | 1:11:57 - Mabel and Joe start to leave | advance plot | hero | heroine | hospital | peaceful |
Dust Be My Destiny (1939) | Underscoring (Tense) | 1:12:09 - Mabel and Joe hide from the reporters | conflict | hero | heroine | hiding | hospital | tense | underscoring |
Dust Be My Destiny (1939) | Dust Be My Destiny (Cornered) | 1:12:21 - Mabel and Joe decide what to do | conflict | hero | heroine | hospital | inversion | tense |
Dust Be My Destiny (1939) | Dust Be My Destiny (Hiding) | 1:12:42 - Mabel tries to convince Joe that they should stop | conflict | hero | heroine | hospital | tense |
Dust Be My Destiny (1939) | Dust Be My Destiny (Disagreement) | 1:12:59 - Mabel and Joe argue | bright | conflict | dark | hero | heroine | hospital |
Dust Be My Destiny (1939) | Dust Be My Destiny (Appassionatissimo) | 1:13:14 - Joe makes a run for it | climax | conflict | escaping | hero | heroine | hospital | parallelism | tense |
Dust Be My Destiny (1939) | Dust Be My Destiny (Tragico) | 1:13:35 - Mabel turns Joe in to the police | confession | conflict | dark | hero | heroine | hospital | parallelism | tragic |
Dust Be My Destiny (1939) | Dust Be My Destiny (Delicate) | 1:22:18 - Mabel rises to testify for Joe | courtroom | delicate | heroine | somber | trial |
Dust Be My Destiny (1939) | Dust Be My Destiny (Religioso) | 1:22:41 - Mabel testifies for Joe | courtroom | gentle | heroine | loving | sincere | tender | trial |
Dust Be My Destiny (1939) | Dust Be My Destiny (Travel Montage) | 1:26:04 - Train approaches the screen | happy | hero | heroine | resolution | train | train | traveling |
Dust Be My Destiny (1939) | Dust Be My Destiny (Train) | 1:26:17 - Joe and Mabel on the train | happy | hero | heroine | resolution | train | train | traveling |
Dust Be My Destiny (1939) | Dust Be My Destiny (Hanging Hats) | 1:26:31 - Joe and Mabel toss their hats onto the hooks on the train | happy | hat | hero | heroine | hook | mickey-mousing | resolution | train | traveling |
Dust Be My Destiny (1939) | Dust Be My Destiny (The End) | 1:26:45 - "The End" | end credits | end title sequence | happy | hero | heroine | train | traveling |
| The FBI Story (1959) | Lucy A (Romantic) | 0:32:05 - Lucy tells Chip he can stay in the FBI | flashback | heroine | romance |
The FBI Story (1959) | Lucy A (Walking) | 0:37:12 - Lucy walks down the street with her children | child | flashback | heroine | mother | street |
The FBI Story (1959) | Lucy A (Tender) | 0:49:14 - Chip and Lucy talk at home | embrace | flashback | heroine | kissing | romance |
The FBI Story (1959) | Lucy A (Dark) | 1:07:29 - Lucy says that she thinks FBI agents carrying guns is a bad thing | Christmas | dark | flashback | heroine |
The FBI Story (1959) | Lucy A (Family) | 1:25:22 - Lucy talks with her mother while hiding Easter eggs | Easter | eggs | flashback | heroine | spring |
The FBI Story (1959) | Lucy A (Con Moto) | 1:27:53 - Lucy and the kids drive to meet with Chip | flashback | heroine | sentimental |
The FBI Story (1959) | Lucy A (Peaceful) | 1:29:21 - Lucy reads a love letter from Chip | flashback | heroine | letter | sentimental |
The FBI Story (1959) | Lucy sits | 1:30:40 - Lucy defiantly puts her feet up on the couch | comical | couch | feet | flashback | heroine | mickey-mousing | sitting |
The FBI Story (1959) | Lucy A (Tragico) | 2:06:03 - Chip and Lucy mourn together | crying | flashback | heroine | mourning | weeping |
The FBI Story (1959) | Lucy A (Waltz) | 2:27:29 - Chip meets his family and they go for a drive | heroine | joyful | playful |
| Illegal (1955) | Ellen | 0:06:21 - Vic and Ellen talk about the case and marriage | hero | heroine | lunch | marriage | restaurant |
Illegal (1955) | Ellen 2 | 0:19:05 - Vic talks to Ellen | drunk | hero | heroine |
Illegal (1955) | Ellen (Tenderly) | 0:19:29 - Vic tells Ellen to marry Ray | drunk | hero | heroine |
Illegal (1955) | Ellen (Sentimental) | 0:25:06 - Ray proposes marriage to Ellen | heroine | marriage | proposal | restaurant |
Illegal (1955) | Ellen (Chromatic) | 0:28:04 - Ellen disingenuously tells Vic that she and Ray are getting married | heroine | marriage |
Illegal (1955) | Ellen (Triste) | 0:28:26 - Ellen and Ray leave Vic in the courtroom | heroine |
Illegal (1955) | Ellen (Worried) | 0:51:06 - Close up of Ellen's face after she talked to Vic | heroine | love |
Illegal (1955) | Ellen (Tragic) | 0:57:22 - Ellen confronts Vic about how he changed | hero | heroine |
Illegal (1955) | Ellen B | 0:57:58 - Ellen confronts Vic about how he changed | hero | heroine |
Illegal (1955) | Ellen (Very Slow) | 0:58:19 - Ellen confronts Vic about how he changed | hero | heroine |
Illegal (1955) | Ellen (Disturbed) | 0:58:26 - Ellen leaves Vic's office | hero | heroine |
Illegal (1955) | Underscoring (Dramatic) | 1:07:30 - Ray and Ellen struggle at the window | gun | gunshot | heroine |
Illegal (1955) | Ellen Falls | 1:07:35 - Ray pushes Ellen down | falling | heroine | mickey-mousing |
Illegal (1955) | Ellen raises gun | 1:07:42 - Ellen raises gun to defend herself | gun | heroine | mickey-mousing | tense |
Illegal (1955) | Ellen (Dark) | 1:07:50 - Ellen in jail | dark | heroine | prison | sad |
Illegal (1955) | Ellen (Triste) | 1:10:23 - Ellen is overcome with emotion | crying | emotional | heroine |
Illegal (1955) | Ellen (Lonely) | 1:17:33 - Ellen and Vic talk during court recess | courtroom | hero | heroine | trial |
Illegal (1955) | Ellen (The End) | 1:26:30 - The case is dimissed and there is a happy ending | courtroom | hero | heroine |
| Key Largo (1948) | McCloud | 0:11:41 - Nora talks to Frank about her husband who died in the war | heroic | heroine | noble |
Key Largo (1948) | McCloud (Misterioso) | 0:12:07 - Nora walks downstairs as Curly Hoff menacingly steps out of a room | heroine | mysterious |
Key Largo (1948) | McCloud (Broad) | 0:17:00 - Nora and Frank go outside | hero | heroine | romance | somber |
Key Largo (1948) | Nora | 0:17:32 - Nora and Frank walk to the boat | heroine | love | triadic |
Key Largo (1948) | Nora (Con Moto) | 0:18:40 - Nora smiles at Frank | hero | heroine | love |
Key Largo (1948) | McCloud | 0:21:22 - Nora and Frank talk about her background | hero | heroine |
Key Largo (1948) | McCloud (Minor) | 1:24:14 - McCloud and Nora exchange glances | hero | heroine |
Key Largo (1948) | Moanin' Low (Desperate) | 1:25:01 - Gaye pleads for Rocco to take her along and secretly takes his gun | deception | familiar tune | heroine | pleading |
Key Largo (1948) | Underscoring (Somber) | 1:27:42 - Nora and Gaye enter the hotel | heroine | somber | underscoring |
Key Largo (1948) | McCloud (Remembrance) | 1:27:56 - Mr. Temple tries to make a phone call but the lines are dead | hero | heroine | somber |
Key Largo (1948) | Moanin' Low (Triste) | 1:38:30 - Gaye leaves to identify Ziggy | familiar tune | heroine | somber |
Key Largo (1948) | Phone | 1:38:40 - Nora picks up the phone | heroine | hopeful | telephone |
Key Largo (1948) | Hope 2 | 1:38:54 - Nora speaks with McCloud on the phone | hero | heroine | hopeful |
Key Largo (1948) | McCloud (Tenderly) | 1:39:12 - Nora tells the group the good news | hero | heroine | hopeful |
| Lightning Strikes Twice (1951) | Shelly | 0:07:42 - Shelly wakes up | heroine | mickey-mousing | waking up |
Lightning Strikes Twice (1951) | Shelly (Traveling 1) | 0:10:13 - Shelly drives through desert | bright | car | desert | driving | heroine | map | mickey-mousing | montage | sunny | traveling | wheel |
Lightning Strikes Twice (1951) | Shelly (Concerned) | 0:18:30 - Shelly goes to a room to sleep | concerned | heroine | tense |
Lightning Strikes Twice (1951) | Shelly (Lonely) | 0:18:41 - Shelly gets ready for bed | concerned | heroine | worry |
Lightning Strikes Twice (1951) | Shelly 2 | 0:18:48 - Shelly gets ready for bed | concerned | heroine | worry |
Lightning Strikes Twice (1951) | Shelly (Misterioso) | 0:19:14 - Shelly gets ready for bed | concerned | heroine | thoughtful | worry |
Lightning Strikes Twice (1951) | Shelly 2 (Dolce) | 0:24:34 - Shelly walks around Tumblewood Ranch | calm | freedom | heroine | ranch |
Lightning Strikes Twice (1951) | Trev + Shelly | 0:39:51 - Shelly watches as Trev leaves the store | combination of themes | hero | heroine | store |
Lightning Strikes Twice (1951) | Shelly (Running) | 0:39:58 - Shelly looks for Trev then walks off with Liza | agitated | heroine | searching | walking |
Lightning Strikes Twice (1951) | Trev (Ethereal) | 0:40:26 - Shelly and Liza look in the glass shop windows | glass | heroine | mysterious | underscoring |
Lightning Strikes Twice (1951) | Shelly (Gallop 1) | 0:40:52 - Shelly riding on a horse | galloping | heroine | horse |
Lightning Strikes Twice (1951) | Shelly (Dolce) | 0:41:00 - Shelly walks over to meet with Pedro | calm | heroine | ranch |
Lightning Strikes Twice (1951) | Shelly 3 (Tenderly) | 0:41:54 - Pedro learns Shelly is friends with Trev and helps her find him | heroine |
Lightning Strikes Twice (1951) | Shelly (Gallop 2) | 0:42:19 - Shelly gallops out to where Trev is | galloping | heroine | horse |
Lightning Strikes Twice (1951) | Shelly (Western) | 0:42:32 - Shelly dismounts her horse and goes to find Trev | heroine |
Lightning Strikes Twice (1951) | Shelly (Courageous) | 0:43:13 - Shelly speaks with Trev | heroine | romance |
Lightning Strikes Twice (1951) | Shelly 2 (Helpful) | 0:43:44 - Shelly speaks with Trev | hero | heroine |
Lightning Strikes Twice (1951) | Shelly (Aspiring) | 0:44:07 - Shelly tells Trev she believes he is innocent | hero | heroine | romance |
Lightning Strikes Twice (1951) | Underscoring (Tense) | 0:44:51 - Trev questions Shelly about her belief in him | hero | heroine | suspense | tense | underscoring |
Lightning Strikes Twice (1951) | Shelly 3 (Taken Aback) | 0:45:08 - Trev wants his case kept closed | hero | heroine |
Lightning Strikes Twice (1951) | Shelly (Menacing) | 0:45:23 - Trev alludes that he could kill Shelly | hero | heroine | menacing |
Lightning Strikes Twice (1951) | Shelly (Romantic) | 0:45:51 - Shelly says that she can prove Trev didn't kill his wife | hero | heroine | romance | underscoring |
Lightning Strikes Twice (1951) | Trev (Stumbling) | 0:46:03 - Shelly starts back along path | cliff | heroine | stumbling |
Lightning Strikes Twice (1951) | Underscoring (Tense) | 0:46:12 - Shelly is scared and can't move | cliff | fear | heights | heroine |
Lightning Strikes Twice (1951) | Trev + Shelly | 0:47:16 - Trev helps Shelly climb to safety | cliff | combination of themes | danger | hero | heroine | resue | romance |
Lightning Strikes Twice (1951) | Shelly (Tense) | 0:47:28 - Trev helps Shelly climb to safety | cliff | danger | hero | heroine |
Lightning Strikes Twice (1951) | Rescue | 0:47:42 - Trev helps Shelly climb to safety | hero | heroine | rescue |
Lightning Strikes Twice (1951) | Shelly 3 (Love) | 0:47:56 - Trev and Shelly kiss, then she continues on alone | hero | heroine | hugging | kissing | romance |
Lightning Strikes Twice (1951) | Shelly (Packing Up) | 0:48:29 - Shelly packs her bags | gentle | heroine | luggage | packing |
Lightning Strikes Twice (1951) | Menace (Dark) | 0:50:38 - Shelly leaves the ranch house and goes to the car | heroine | leaving |
Lightning Strikes Twice (1951) | Shelly (Traveling 2) | 0:51:09 - Shelly drives away from the Tumble Moon ranch | driving | heroine | traveling |
Lightning Strikes Twice (1951) | Shelly 2 (Dolce) | 0:51:36 - Shelly arrives at the Nolan ranch | heroine | ranch |
Lightning Strikes Twice (1951) | Shelly 3 (Somber) | 0:52:14 - Shelly sees Trev's portrait on the wall | heroine | portrait |
Lightning Strikes Twice (1951) | Underneath a Western Sky | 0:56:48 - Shelly and Myra talk at an outdoor dinner | accordion | campfire | heroine | on-screen music |
Lightning Strikes Twice (1951) | Too Much Love | 0:59:02 - Shelly looks at Trev's portrait | heroine | party | portrait | source music |
Lightning Strikes Twice (1951) | Shelly (Worried) | 1:03:05 - Shelly gets out of the car | car | concerned | heroine |
Lightning Strikes Twice (1951) | Shelly (Anxious) | 1:03:34 - Shelly runs away and into Trev | hero | heroine |
Lightning Strikes Twice (1951) | Emotion | 1:05:10 - Shelly cries | crying | hero | heroine |
Lightning Strikes Twice (1951) | Prison | 1:05:38 - Trev tells Shelly of a recurring dream | hero | heroine |
Lightning Strikes Twice (1951) | Menace (Prison) | 1:05:54 - Trev tells Shelly of how she brought him peace | hero | heroine |
Lightning Strikes Twice (1951) | Trev (Love) | 1:06:09 - Trev tells Shelly that he is in love with her | hero | heroine | love | romance |
Lightning Strikes Twice (1951) | Shelly 3 (Tenderly) | 1:06:50 - Trev and Shelly embrace and kiss | hero | heroine | hugging | kissing | love | romance |
Lightning Strikes Twice (1951) | Shelly 3 (Excited) | 1:07:09 - Trev and Shelly kiss in the car then get out to | hero | heroine | kissing | love | romance |
Lightning Strikes Twice (1951) | Shelly 3 (Tranquillo) | 1:07:22 - Trev and Shelly talk outside the ranch | hero | heroine | love | romance |
Lightning Strikes Twice (1951) | Shelly (Expressivo) | 1:07:58 - Trev and Shelly kiss | hero | heroine | love | romance |
Lightning Strikes Twice (1951) | Shelly 3 (Tense) | 1:09:40 - Shelly and Myra talk | heroine |
Lightning Strikes Twice (1951) | Concern | 1:10:03 - Shelly learns that Liza loves Trev | concerned | heroine |
Lightning Strikes Twice (1951) | Shelly 3 (Meno) | 1:16:52 - Shelly's concerns are alleviated | happy | heroine | peace |
Lightning Strikes Twice (1951) | Shelly (Grazioso) | 1:17:01 - Shelly talks about her acting history and mentions that she got tired of getting murdered every night | happy | heroine | peace |
Lightning Strikes Twice (1951) | Shelly 3 (Tenderly) | 1:17:31 - Trev says that they are going to have to forget their past | hero | heroine | romance |
Lightning Strikes Twice (1951) | Shelly 3 | 1:17:51 - Shelly gets ready for bed | heroine | romance | undressing |
Lightning Strikes Twice (1951) | Menace (Brooding) | 1:18:00 - Shelly begins to remember things people have said about Trev | concerned | danger | heroine | worry |
Lightning Strikes Twice (1951) | Mournful | 1:18:16 - Shelly worries for her life | concerned | danger | heroine | worry |
Lightning Strikes Twice (1951) | Menace (Sinister) | 1:18:21 - It looks like Trev is going to attack Shelly | concerned | danger | heroine | worry |
Lightning Strikes Twice (1951) | Mournful (Scared) | 1:18:41 - Spider crawls across the bed while Trev tries to kill it; Trev tries to calm Shelly | concerned | danger | heroine | worry |
Lightning Strikes Twice (1951) | Shelly (Afraid) | 1:18:52 - Shelly says she is afraid of Trev | concerned | danger | heroine | worry |
Lightning Strikes Twice (1951) | Fear | 1:19:02 - Shelly flees from Trev in fear | concerned | danger | heroine | stinger | worry |
Lightning Strikes Twice (1951) | Shelly (Fleeing) | 1:19:17 - Shelly flees from Trev as he tries to open the door | concerned | danger | heroine | worry |
Lightning Strikes Twice (1951) | Shelly (Escaping) | 1:19:32 - Shelly runs to the car and drives away | concerned | danger | driving | heroine | running | worry |
Lightning Strikes Twice (1951) | Shelly 3 (Triumph) | 1:29:33 - Trev and Shelly drive away together | hero | heroine | peace |
Lightning Strikes Twice (1951) | Shelly (The End) | 1:30:00 - Trev and Shelly drive away together | hero | heroine | peace |
| Mildred Pierce (1945) | Mildred (Pier) | 0:02:15 - Santa Monica pier at night | dock | establish character | heroine | leading lady | mickey-mousing | pondering | somber | walking | water | wave |
Mildred Pierce (1945) | Mildred (Tragic) | 0:02:42 - Mildred walks out onto the dock | dock | establish character | heroine | leading lady | mickey-mousing | pondering | somber | suicide | tragic | water | wave |
Mildred Pierce (1945) | Waves rumbling | 0:03:15 - Policeman convinces Mildred not to jump | conversing | dock | establish character | heroine | leading lady | mickey-mousing | police | somber | suicide | water | wave |
Mildred Pierce (1945) | You Must Have Been a Beautiful Baby | 0:03:59 - Wally sees Mildred from the window | conversing | establish character | familiar tune | friend | heroine | jazz | leading lady | on-screen music | restaurant | source music | upbeat |
Mildred Pierce (1945) | Mildred (Sehr Dramatic) | 0:12:06 - Mildred arrives home | advance plot | arriving | dark | daughter | dramatic | heroine | leading lady | street | tense | worrying |
Mildred Pierce (1945) | Mildred (Ominous) | 0:12:43 - The detectives talk to Mildred | advance plot | conversing | dark | detective | heroine | leading lady | ominous | room |
Mildred Pierce (1945) | Underscoring (Tense) | 0:13:03 - Mildred leaves with the detectives | advance plot | conversing | detective | heroine | leading lady | murder | street | tense | underscoring |
Mildred Pierce (1945) | Hall of Justice | 0:13:35 - The Los Angeles Hall of Justice | advance plot | arriving | bold | detective | entering | heroine | justice | leading lady | police | police station | walking |
Mildred Pierce (1945) | Mildred sits | 0:14:11 - Mildred sits down | advance plot | heroine | leading lady | mickey-mousing | mysterious | police station | sitting |
Mildred Pierce (1945) | Drink to Me Only With Thine Eyes | 0:16:07 - Cop whistles to himself | advance plot | detective | familiar tune | heroine | leading lady | on-screen music | police | police station | source music | tense | ticking | whistling |
Mildred Pierce (1945) | Flashback starts | 0:20:16 - Flashback to the past | double exposure | establish character | flashback | gentle | heroine | leading lady | mickey-mousing | street |
Mildred Pierce (1945) | Bert | 0:20:18 - Bert comes home | arriving | cooking | establish character | flashback | gentle | heroine | husband | leading lady | room | self-borrowing | street |
Mildred Pierce (1945) | Bert (Triste) | 0:24:26 - Bert and Mildred separate | breaking up | crying | establish character | heroine | husband | leading lady | leaving | room | somber |
Mildred Pierce (1945) | Waltz Brillante | 0:26:39 - Veda plays the piano | advance plot | child | classical music | conversing | dancing | familiar tune | gentle | heroine | leading lady | on-screen music | playing | room | source music | waltz |
Mildred Pierce (1945) | Waltz Brillante | 0:27:21 - Veda plays the piano | advance plot | child | classical music | conversing | familiar tune | gentle | heroine | leading lady | on-screen music | playing | room | source music | waltz |
Mildred Pierce (1945) | Kay and Veda (Ashamed) | 0:28:13 - Mildred overhears Veda complaining about her new dress | advance plot | child | heroine | leading lady | room | somber | watching |
Mildred Pierce (1945) | Mildred (Lonely) | 0:28:20 - Mildred looks through her desk | advance plot | bills | flashback | gun | heroine | leading lady | lonely | photographs | room | somber | voice-over | writing |
Mildred Pierce (1945) | Mildred (Tense) | 0:28:43 - Mildred goes to open the door | advance plot | heroine | leading lady | room | tense | walking |
Mildred Pierce (1945) | Mildred (Delicate) | 0:32:04 - Mildred walks up the stairs | advance plot | gentle | heroine | leading lady | room | up | walking |
Mildred Pierce (1945) | Kay and Veda (Dolce) | 0:32:13 - Mildred and Veda talk about Kay | advance plot | child | conversing | heroine | leading lady | room | sleeping | sweet |
Mildred Pierce (1945) | Kay and Veda (Coy) | 0:32:32 - Veda talks to her mother | advance plot | child | conversing | heroine | leading lady | room | sleeping | uneasy |
Mildred Pierce (1945) | Mildred (Waltz Fantasy) | 0:32:38 - Veda fantasizes about her mother marrying Wally | advance plot | child | dreaming | fantasy | greed | heroine | leading lady | room | uneasy |
Mildred Pierce (1945) | Mildred (Dark) | 0:32:58 - Mildred scolds Veda | advance plot | child | dark | heroine | leading lady | room | scolding |
Mildred Pierce (1945) | Kay and Veda (Deception) | 0:33:08 - Veda lies to her mother | advance plot | child | deceiving | deception | heroine | leading lady | parallelism | room | selfish | unstable |
Mildred Pierce (1945) | Mildred (Risoluto) | 0:33:23 - Mildred resolves to give her daughter nice things | advance plot | child | determined | heroic | heroine | leading lady | noble | promising | resolved | room |
Mildred Pierce (1945) | Kay and Veda (Dolce Foxtrot) | 0:33:37 - Mildred puts Veda to bed | advance plot | child | dark | heroine | leading lady | optimistic | promising | room | tragic |
Mildred Pierce (1945) | Mildred (Desperate) | 0:34:05 - Mildred looks for a job | applying | depressed | heroine | leading lady | montage | searching | street | voice-over | walking |
Mildred Pierce (1945) | Work | 0:36:12 - Mildred works as a waitress | hectic | heroine | leading lady | montage | restaurant | rushing | serving | upbeat | voice-over | waitress | working |
Mildred Pierce (1945) | Mildred (Hopeful) | 0:36:42 - Mildred bakes some pies | cooking | heroine | hopeful | kitchen | leading lady | montage | optimistic | restaurant | success | voice-over | waitress | working |
Mildred Pierce (1945) | The Maid | 0:36:57 - Mildred's maid in the kitchen | advance plot | comical | conversing | cooking | heroine | kitchen | leading lady | maid | working |
Mildred Pierce (1945) | Work (Singing Lesson) | 0:37:17 - Veda sings | child | double exposure | heroine | leading lady | montage | on-screen music | room | scored source music | singing | upbeat | voice-over | working |
Mildred Pierce (1945) | Ballet Lesson | 0:37:25 - Kay dances | ballet | child | dancing | double exposure | graceful | heroine | leading lady | montage | pleasant | room | voice-over |
Mildred Pierce (1945) | South American Way | 0:37:36 - Veda sings and plays while Kay dances | child | dancing | heroine | leading lady | music scene | on-screen music | playing | popular music | room | singing | source music | upbeat |
Mildred Pierce (1945) | Mazurka in B-Flat Major (Tense) | 0:38:47 - Veda plays a Chopin Mazurka | arguing | child | classical music | conflict | familiar tune | heroine | leading lady | on-screen music | playing | quotation | room | scored source music | source music | tense | upbeat | waltz |
Mildred Pierce (1945) | Secret Revealed | 0:39:10 - Mildred argues with Veda | angry | arguing | child | conflict | harsh | heroine | leading lady | room | tense |
Mildred Pierce (1945) | Mildred (Appassionato) | 0:39:22 - Mildred argues with Veda | angry | arguing | child | conflict | heroine | leading lady | raising | room | standing | tense |
Mildred Pierce (1945) | Mildred raises Veda | 0:39:22 - Mildred lifts her daughter up by the arm | angry | arguing | child | conflict | heroine | leading lady | mickey-mousing | raising | room | standing | tense |
Mildred Pierce (1945) | Mildred B (Angry) | 0:39:30 - Mildred argues with Veda | angry | arguing | child | conflict | heroine | leading lady | room | slapping | tense |
Mildred Pierce (1945) | Mildred (Regretful) | 0:39:37 - Mildred regrets slapping Veda | apologizing | child | conflict | heroine | hopeful | leading lady | regretting | room | somber |
Mildred Pierce (1945) | Kay and Veda (Hopeful) | 0:40:09 - Veda asks if they are going to be rich | child | conflict | greed | heroine | hopeful | leading lady | room |
Mildred Pierce (1945) | Work (Excited) | 0:42:35 - Mildred and Wally leave | excited | excitement | friend | heroine | leading lady | leaving | room | shadow | transition | work |
Mildred Pierce (1945) | Beach House | 0:42:49 - They drive up to the beach house | arriving | beach house | driving | friend | heroine | leading lady | ocean | peaceful | transition | water | wave |
Mildred Pierce (1945) | Walking | 0:42:58 - Mildred and Wally walk to the house | arriving | beach house | excited | friend | heroine | leading lady | mickey-mousing | ocean | transition | walking |
Mildred Pierce (1945) | Bert (Sentimentale) | 0:48:03 - Mildred watches her children leave | heroine | husband | leading lady | leaving | room | serious | somber | thinking | transition |
Mildred Pierce (1945) | Work (Molto Grazioso) | 0:48:16 - Mildred works at her restaurant | cheerful | friend | heroine | ladder | leading lady | legs | restaurant | transition | working |
Mildred Pierce (1945) | First Kiss | 0:49:40 - Monte steals a kiss from Mildred | cheerful | falling in love scene | friend | heroine | kissing | leading lady | restaurant | romance |
Mildred Pierce (1945) | Walking | 0:49:48 - Driving to the beach house | beach house | cheerful | driving | falling in love scene | friend | heroine | leading lady | room | traveling | walking |
Mildred Pierce (1945) | Opens closet | 0:49:57 - Mildred slides open a door | cheerful | falling in love scene | heroine | leading lady | love interest | mickey-mousing | opening | room | sliding |
Mildred Pierce (1945) | Disrobes | 0:50:47 - Monte takes off Mildred's robe | beach house | cheerful | disrobing | falling | falling in love scene | flirting | heroine | leading lady | love interest | mickey-mousing | robe |
Mildred Pierce (1945) | Bathing Suit | 0:50:49 - Monte looks at Mildred in her bathing suit | attraction | beach house | cheerful | falling in love scene | flirting | heroine | leading lady | love interest | mickey-mousing |
Mildred Pierce (1945) | Mildred (Frolicking) | 0:51:01 - Mildred runs to the beach | beach | cheerful | falling in love scene | flirting | frolicking | heroine | jaunty | leading lady | love interest | running |
Mildred Pierce (1945) | Frolicking in the Surf | 0:51:05 - Monte and Mildred run to the water | beach | falling in love scene | frolicking | heroine | jaunty | leading lady | love interest | mickey-mousing | playful | running | splashing | swimming | water | waves |
Mildred Pierce (1945) | Waves | 0:51:11 - Waves crash onto the beach | beach | calm | falling in love scene | heroine | leading lady | love interest | mickey-mousing | rolling | splashing | waves |
Mildred Pierce (1945) | It Can’t Be Wrong | 0:51:16 - Monte plays a record for Mildred | conversing | heroine | kissing | leading lady | love interest | love scene | popular music | record | record player | romantic | room | source music |
Mildred Pierce (1945) | Kay and Veda (Misterioso) | 0:54:01 - Bert tells Mildred that Kay is sick | bad news | conversing | dark | death scene | distress | ex-husband | heroine | leading lady | mysterious | ominous | stinger | street | turning point |
Mildred Pierce (1945) | Bert (Dark) | 0:54:14 - Bert and Mildred rush off to see Kay | bad news | conversing | dark | death scene | distress | ex-husband | heroine | leading lady | leaving | street | turning point |
Mildred Pierce (1945) | Pneumonia | 0:54:25 - A doctor works on Kay | child | dark | death scene | doctor | dying | ex-husband | heroine | illness | leading lady | mickey-mousing | nurse | patient | room | sick person | somber | tense | treating | turning point | waiting | watching |
Mildred Pierce (1945) | Kay and Veda (Dying) | 0:55:05 - Kay's family waits and watches | child | dark | death scene | doctor | dying | ex-husband | heroine | illness | leading lady | nurse | patient | room | sick person | somber | tense | treating | turning point | waiting | watching |
Mildred Pierce (1945) | Pneumonia (Dying) | 0:55:24 - Kay passes away | child | dark | death | death scene | doctor | dying | ex-husband | heroine | illness | leading lady | nurse | patient | room | sick person | somber | tense | treating | turning point | waiting | watching |
Mildred Pierce (1945) | Mildred (Mourning) | 0:56:07 - Mildred mourns Kay's death | child | death | death scene | doctor | ex-husband | heroine | leading lady | mourning | nurse | patient | room | sick person | somber | turning point |
Mildred Pierce (1945) | Kay and Veda (Tenderly) | 0:56:34 - Veda and Mildred mourn for Kay | calm | child | death | death scene | ex-husband | heroine | hopeful | leading lady | mourning | room | somber | turning point |
Mildred Pierce (1945) | T’Ain’t No Good | 0:57:37 - Mildred at the opening of her restaurant | advance plot | antagonist | busy | conversing | daughter | dining | friend | guest | heroine | leading lady | popular music | restaurant | serving | source music | upbeat | working |
Mildred Pierce (1945) | While You’re Away | 0:59:47 - Monte arrives at the restaurant | advance plot | antagonist | busy | conversing | daughter | dining | friend | guest | heroine | leading lady | love interest | popular music | restaurant | serving | source music | upbeat | working |
Mildred Pierce (1945) | Please Think of Me | 1:01:54 - Monte dances with Veda | advance plot | antagonist | celebrating | dancing | daughter | friend | heroine | jukebox | leading lady | love interest | on-screen music | popular music | restaurant | singing | source music | upbeat |
Mildred Pierce (1945) | Mildred (Sorrow) | 1:03:41 - Monte asks about Kay | advance plot | conversing | heroine | leading lady | love interest | restaurant | somber |
Mildred Pierce (1945) | It Can’t Be Wrong (Romantic) | 1:04:11 - Monte kisses Mildred | advance plot | door | ex-husband | familiar tune | heroine | interrupting | kissing | leading lady | love interest | popular music | restaurant | romantic | slamming | source to score | stinger |
Mildred Pierce (1945) | It Can’t Be Wrong (Troubled) | 1:04:30 - Bert interrupts Mildred and Monte's kiss | advance plot | conversing | dark | ex-husband | familiar tune | heroine | leading lady | love interest | popular music | restaurant | source to score | tense | troubled |
Mildred Pierce (1945) | Bert (Regretful) | 1:04:43 - Bert tells Mildred about the divorce | advance plot | conversing | divorce | ex-husband | heroine | leading lady | love interest | regretting | restaurant | somber |
Mildred Pierce (1945) | Breaks glass | 1:05:35 - Bert slaps the glass out of Monte's hand | advance plot | breaking | down | ex-husband | falling | glass | heroine | leading lady | love interest | mickey-mousing | restaurant | tense | throwing | violence |
Mildred Pierce (1945) | It Can’t Be Wrong (Uneasy) | 1:05:36 - Bert stares angrily at Monte | advance plot | dark | ex-husband | familiar tune | glaring | heroine | leading lady | leaving | love interest | popular music | restaurant | source to score | tense | uneasy |
Mildred Pierce (1945) | Flashback ends | 1:05:49 - Screen wipe back to the present day | advance plot | flashback | heroine | leading lady | mickey-mousing | police station | wipe |
Mildred Pierce (1945) | Mildred (Sweepingly) | 1:08:09 - Mildred greets customers | happy | heroine | leading lady | montage | restaurant | smiling | voice-over | working |
Mildred Pierce (1945) | Polo | 1:08:14 - Veda at a polo match | antagonist | cheering | daughter | field | heroine | leading lady | love interest | montage | playing | polo | sports | upbeat | voice-over | watching |
Mildred Pierce (1945) | How Sweet You Are | 1:08:28 - Veda dances at a club | advance plot | club | conversing | dance music | dancing | heroine | leading lady | love interest | on-screen music | relaxed | source music |
Mildred Pierce (1945) | Kay and Veda (Subtle) | 1:09:27 - Mildred looks at Monte's bills | advance plot | conversing | friend | heroine | leading lady | room | subtle | voice-over |
Mildred Pierce (1945) | Kay and Veda (Excited) | 1:13:21 - Veda drives away in her new car | advance plot | car | child | driving | excited | happy | heroine | kissing | leading lady | love interest | room | running |
Mildred Pierce (1945) | Kay and Veda (Sly) | 1:13:55 - Mildred tells Monte to not see Veda | arguing | breakup | conflict | disagreement | heroine | leading lady | love interest | ominous | room | sinister | tense |
Mildred Pierce (1945) | Kay and Veda (Troubled) | 1:14:06 - Mildred and Monte argue | arguing | breakup | conflict | disagreement | heroine | leading lady | love interest | ominous | room | sinister | tense |
Mildred Pierce (1945) | Mildred (Agitato) | 1:14:37 - Mildred and Monte argue | agitated | arguing | breakup | conflict | heroine | leading lady | love interest | room | tense |
Mildred Pierce (1945) | Underscoring (Tense) | 1:14:53 - Mildred and Monte argue | arguing | bitter | breakup | conflict | heroine | leading lady | love interest | room | tense | underscoring |
Mildred Pierce (1945) | It Can’t Be Wrong (Bitter) | 1:15:29 - Mildred writes Monte a check | arguing | bitter | breakup | conflict | familiar tune | heroine | leading lady | love interest | mickey-mousing | popular music | room | source to score | tense |
Mildred Pierce (1945) | Closes blinds | 1:15:59 - Mildred closes the blinds | blinds | breakup | closing | conflict | down | heroine | leading lady | mickey-mousing | room | somber | window |
Mildred Pierce (1945) | Mildred (Angry) | 1:18:21 - Mildred walks out of an argument | aggressive | angry | arriving | conflict | heroine | hurrying | leading lady | leaving | room | walking |
Mildred Pierce (1945) | Underscoring (Tense) | 1:18:34 - Veda tells her mother she is married | antagonist | conflict | conversing | daughter | friend | heroine | leading lady | reverse stinger | room | tense | underscoring |
Mildred Pierce (1945) | Secret Revealed | 1:18:59 - Veda talks to her mother | antagonist | conflict | conversing | daughter | fear | friend | heroine | leading lady | room | surprised | tense |
Mildred Pierce (1945) | Kay and Veda (Coy) | 1:19:11 - Veda talks to her mother | antagonist | apologizing | conflict | daughter | friend | heroine | leading lady | room | tense |
Mildred Pierce (1945) | Mildred (Waltz Fantasy) | 1:19:18 - Mildred talks to Veda | antagonist | comforting | conflict | daughter | dream-like | friend | heroine | leading lady | room | tense |
Mildred Pierce (1945) | Mildred (Tenderly) | 1:19:37 - Wally talks about a settlement | antagonist | conflict | conversing | daughter | friend | heroine | leading lady | room | tender |
Mildred Pierce (1945) | Kay and Veda (Troubled 2) | 1:21:34 - Veda looks at the divorce settlement check | antagonist | blackmail | conflict | daughter | heroine | laughing | leading lady | mickey-mousing | mocking | room | troubled | ugly |
Mildred Pierce (1945) | Kay and Veda (Agitato) | 1:22:22 - Veda and her mother argue | agitated | antagonist | arguing | blackmail | conflict | daughter | heroine | leading lady | room | tense |
Mildred Pierce (1945) | Kay and Veda (Ominous) | 1:22:43 - Veda argues with her mother | antagonist | arguing | conflict | dark | daughter | heroine | insulting | leading lady | ominous | room | ugly |
Mildred Pierce (1945) | Mildred (Appassionato) | 1:23:00 - Veda expresses her disgust with her mother | angry | antagonist | arguing | conflict | daughter | heroine | insulting | leading lady | room | tense |
Mildred Pierce (1945) | Mildred B (Angry 2) | 1:23:09 - Mildred gets angry at Veda | angry | antagonist | arguing | conflict | daughter | heroine | insulting | leading lady | room | tense |
Mildred Pierce (1945) | Mildred (Vicious) | 1:23:21 - Veda insults her mother | angry | antagonist | arguing | conflict | daughter | heroine | insulting | leading lady | reverse stinger | room | tense |
Mildred Pierce (1945) | Mildred B (Angry) | 1:23:38 - Mildred tears up Veda's check | angry | antagonist | arguing | check | conflict | daughter | fighting | heroine | leading lady | room | slapping | tearing | tense | violence | yelling |
Mildred Pierce (1945) | Stunned Reaction | 1:23:44 - Mildred is stunned after Veda slaps her | angry | antagonist | conflict | daughter | dramatic | heroine | leading lady | room | staring | stunned | violence |
Mildred Pierce (1945) | Mildred (Tragic) | 1:24:04 - Veda watches her daughter leave | angry | ascending | conflict | heroine | leading lady | leaving | mickey-mousing | room | stern |
Mildred Pierce (1945) | Rushing train | 1:24:15 - A rushing train | double exposure | excited | heroine | leading lady | mickey-mousing | train | train | transition | traveling |
Mildred Pierce (1945) | Oceana Roll | 1:27:46 - Veda sings at a restaurant | advance plot | antagonist | cheerful | club | dancing | daughter | ex-husband | heroine | leading lady | on-screen music | playing | popular music | singing | source music |
Mildred Pierce (1945) | Sweet Georgia Brown | 1:29:05 - Mildred confronts Wally | advance plot | antagonist | club | conversing | daughter | heroine | jazz | leading lady | on-screen music | popular music | source music | upbeat |
Mildred Pierce (1945) | It Had to Be You | 1:30:25 - Mildred and Veda talk | advance plot | antagonist | club | conversing | daughter | heroine | jazz | leading lady | on-screen music | popular music | source music | upbeat |
Mildred Pierce (1945) | Work (Montage) | 1:34:44 - Montage of Mildred and Monte's marriage | cheerful | ex-husband | glass | heroine | leading lady | love interest | mickey-mousing | montage | newspaper | shadow |
Mildred Pierce (1945) | Glasses clink | 1:35:44 - Mildred and Monte clink glasses together | cheerful | clinking | glass | heroine | leading lady | love interest | mickey-mousing | montage |
Mildred Pierce (1945) | Bert (Somber) | 1:37:06 - Bert talks with Mildred in her new house | advance plot | conversing | ex-husband | heroine | leading lady | room | somber |
Mildred Pierce (1945) | Mildred stands and walks to window | 1:38:02 - Mildred stands up and goes to the window | advance plot | delicate | graceful | heroine | leading lady | mickey-mousing | peaceful | rising | room | standing | up | walking |
Mildred Pierce (1945) | Kay and Veda (Returning Home) | 1:38:10 - Mildred looks at Veda through the window | advance plot | conversing | daughter | emotional | happy | heroine | leading lady | loving | mother | room | warm | watching |
Mildred Pierce (1945) | Mildred (Happy Homecoming) | 1:38:50 - Mildred and her daughter embrace | advance plot | apologizing | daughter | embracing | forgiveness | happy | heroine | leading lady | loving | mother | returning | reuniting | room | warm |
Mildred Pierce (1945) | Bert (Tenderly) | 1:39:33 - Mildred thanks Bert | advance plot | ex-husband | gentle | heroine | leading lady | mother | room | sweet | thanking |
Mildred Pierce (1945) | It Can’t Be Wrong (Molto Misterioso) | 1:42:42 - Mildred learns that Monte has betrayed her | bankruptcy | betrayal | dark | familiar tune | friend | heroine | leading lady | love theme | memory | mysterious | popular music | realizing | room | somber | turning point |
Mildred Pierce (1945) | Mildred (Mad) | 1:43:19 - Mildred makes a phone call | anger | angry | calling | heroine | leading lady | room | tense | turbulent | turning point | walking |
Mildred Pierce (1945) | Hopes Crushed | 1:43:38 - Mildred realizes Monte has left her | dark | heroine | leading lady | lost hope | mickey-mousing | realizing | room | tritone | turning point |
Mildred Pierce (1945) | Mildred (Revenge) | 1:43:57 - Mildred drives to the beach house | car | dark | dramatic | driving | flashback ends | gun | heroine | leading lady | street | transition |
Mildred Pierce (1945) | Mildred (Waltz Fantasy) | 1:44:53 - Mildred tells Veda not to confess | detective | harsh | heroine | interrogating | interrogation | leading lady | pleading | police station |
Mildred Pierce (1945) | Mildred (Dark) | 1:45:09 - Mildred realizes that she cannot save Veda | crime | heroine | interrogating | interrogation | police station | somber |
Mildred Pierce (1945) | Mildred B (Twist) | 1:45:20 - Mildred walks into the beach house | arriving | climax | dark | flashback | heroine | leading lady | room |
Mildred Pierce (1945) | Mildred (Ominous) | 1:45:25 - Mildred walks downstairs | arriving | climax | dark | heroine | leading lady | ominous | room |
Mildred Pierce (1945) | Kay and Veda (Agitato) | 1:46:05 - Veda reveals that she is in love with Monte | antagonist | betrayal | betraying | climax | dark | daughter | heroine | leading lady | revealing | room | tense |
Mildred Pierce (1945) | Kay and Veda (Very Slow) | 1:46:22 - Mildred reacts to Veda's betrayal | antagonist | betrayal | climax | contemplating | dark | daughter | gun | heroine | leading lady | ominous | room |
Mildred Pierce (1945) | Mildred (Tragic) | 1:46:43 - Mildred runs away | antagonist | arguing | betrayal | climax | daughter | dramatic | emotional | heroine | leading lady | room | running |
Mildred Pierce (1945) | Mildred (Breakdown) | 1:47:11 - Mildred tries to start her car | climax | crying | dramatic | emotional | heroine | leading lady | leaving | street |
Mildred Pierce (1945) | Kay and Veda (Ominous) | 1:47:42 - Mildred rushes in to check on Veda | antagonist | confessing | dark | daughter | heroine | leading lady | lying | murder | murderer | murder scene | ominous | room |
Mildred Pierce (1945) | Mildred B (Angry) | 1:48:06 - Veda confesses to Mildred | angry | antagonist | confessing | confession | daughter | heroine | leading lady | lying | murderer | murder scene | room | tense |
Mildred Pierce (1945) | Kay and Veda (Troubled) | 1:48:22 - Veda pleads for help to escape | antagonist | begging | confessing | daughter | distressed | frantic | heroine | leading lady | murderer | murder scene | room |
Mildred Pierce (1945) | Mildred (Ominous) | 1:48:41 - Mildred calls the police | antagonist | begging | daughter | heroine | leading lady | murderer | murder scene | ominous | room | tense |
Mildred Pierce (1945) | Underscoring (Tense) | 1:48:54 - Veda asks her mother not to turn her in | antagonist | begging | daughter | heroine | leading lady | murderer | murder scene | room | tense | underscoring |
Mildred Pierce (1945) | Kay and Veda (Returning Home 2) | 1:49:17 - Veda convinces her mother to not report her | antagonist | crying | daughter | heroine | leading lady | loving | mother | murderer | murder scene | room | sacrificing | tender | warm |
Mildred Pierce (1945) | Kay and Veda (Triste) | 1:49:37 - Veda is led out by the police | antagonist | conversing | daughter | defeat | detective | heroine | leading lady | leaving | mother | murderer | police station | resigned | resolution | somber |
Mildred Pierce (1945) | Mildred (The End) | 1:50:07 - Mildred leaves with Bert | ex-husband | heroine | leading lady | leaving | police station | resolution | triumphant |
| We Are Not Alone (1939) | I Do Like to Be Beside the Seaside | 0:10:56 - David visits an injured Leni | doctor | establish character | familiar tune | gentle | hero | heroine | quotation | room |
We Are Not Alone (1939) | Surprise Symphony (Not Afraid) | 0:11:24 - David sets Leni's wrist | classical music | delicate | doctor | establish character | familiar tune | Haydn | hero | heroine | quotation | room | somber |
We Are Not Alone (1939) | Surprise Symphony (Calm) | 0:12:01 - David's treatment is successful | calm | classical music | doctor | establish character | familiar tune | Haydn | hero | heroine | quotation | room |
We Are Not Alone (1939) | Surprise Symphony (Not in film) | NIF - not in film | classical music | cut from film | doctor | establish character | familiar tune | Haydn | hero | heroine | quotation | room |
We Are Not Alone (1939) | I Do Like to Be Beside the Seaside (Peaceful) | 0:12:13 - David's treatment is successful | calm | doctor | establish character | familiar tune | hero | heroine | quotation | room |
We Are Not Alone (1939) | Surprise Symphony (Quasi Rubato) | 0:12:46 - David treats Leni's leg | classical music | doctor | establish character | familiar tune | gentle | Haydn | hero | heroine | playful | quotation | room |
We Are Not Alone (1939) | Surprise Symphony (Humbly) | 0:13:10 - David treats Leni's leg | classical music | doctor | establish character | familiar tune | gentle | Haydn | hero | heroine | hymn-like | quotation | room | sweet |
We Are Not Alone (1939) | Tenderness | 0:13:40 - Leni and David get to know one another | doctor | establish character | friendly | hero | heroine | room | tender |
We Are Not Alone (1939) | I Do Like to Be Beside the Seaside (Tragico) | 0:14:05 - Leni realizes that she can't dance anymore | doctor | establish character | familiar tune | hero | heroine | quotation | room | tragic |
We Are Not Alone (1939) | Frohe Botschaft (Tenderly) | 0:14:22 - Leni takes off her wig and Doctor asks if she is German | doctor | establish character | familiar tune | folk song | German | hero | heroine | quotation | room | tender |
We Are Not Alone (1939) | Blue Danube | 0:14:52 - Leni says she is from Austria | classical music | doctor | establish character | familiar tune | hero | heroine | peaceful | quotation | room | Strauss |
We Are Not Alone (1939) | Surprise Symphony (Gute Nacht) | 0:15:00 - David says goodnight in German to Leni | classical music | doctor | establish character | familiar tune | Haydn | hero | heroine | peaceful | quotation | room |
We Are Not Alone (1939) | Surprise Symphony | 0:17:34 - David whistles while helping a patient | classical music | comical | doctor | establish character | familiar tune | Haydn | hero | heroine | office | on-screen music | quotation | source music | whistling |
We Are Not Alone (1939) | I Do Like to Be Beside the Seaside | 0:17:49 - Leni has tried to commit suicide | conflict | doctor | familiar tune | helping | hero | heroine | source music | street | tense |
We Are Not Alone (1939) | As You Walk Down the Strand | 0:19:59 - David helps Leni | advance plot | calm | doctor | familiar tune | hero | heroine | source music | street |
We Are Not Alone (1939) | Poor Old Adam Was My Father | 0:20:32 - David talks to Leni by the seaside | advance plot | calm | doctor | familiar tune | hero | heroine | source music | street |
We Are Not Alone (1939) | It’s Easy to Be a Lady if You Try | 0:25:50 - Gerald and Leni ride a carousel | advance plot | amusement park | boy | carnival | carousel | child | conversing | familiar tune | father | hero | heroine | playing | source music |
We Are Not Alone (1939) | Frohe Botschaft (Viennese) | 0:32:51 - Gerald rushes in to see Leni | advance plot | boy | child | familiar tune | folk song | German | greeting | heroine | home | hugging | joyful | lifting | mickey-mousing | quotation |
We Are Not Alone (1939) | Frolic | 0:33:45 - Leni and Gerald run through the park | advance plot | antagonist | boy | child | gossiping | heroine | joyful | park | playing | running |
We Are Not Alone (1939) | Frohe Botschaft | 0:34:49 - Leni plays and sings Frohe Botschaft | boy | child | establish character | familiar tune | father | folk song | German | hero | heroine | home | on-screen music | piano | playing | singing | source music |
We Are Not Alone (1939) | Frohe Botschaft | 0:36:41 - Leni plays Frohe Botschaft on the piano | boy | child | establish character | familiar tune | folk song | German | heroine | home | on-screen music | piano | playing | source music |
We Are Not Alone (1939) | Piano Banging | 0:37:12 - Gerald bangs on the piano | antagonist | boy | child | dissonant | establish character | heroine | home | mother | on-screen music | piano | playing | tone cluster |
We Are Not Alone (1939) | Frohe Botschaft (Drifting) | 0:38:09 - Jessica tells Leni she needs to leave | antagonist | conflict | conversing | familiar tune | folk song | gentle | German | heroine | home | linear chromaticism | quotation | sinister | tense |
We Are Not Alone (1939) | Frohe Botschaft (Somber) | 0:38:52 - Leni says she doesn't need to be paid | antagonist | conflict | conversing | familiar tune | folk song | garden | German | heroine | quotation | sentimental | somber |
We Are Not Alone (1939) | Surprise Symphony (Dark) | 0:39:33 - Leni looks around after Jessica leaves | antagonist | classical music | conflict | dark | familiar tune | garden | Haydn | heroine | quotation | thinking |
We Are Not Alone (1939) | Captain Gerald | 0:43:23 - Leni listens to Gerald's story | advance plot | boy | child | exoticism | heroine | home | imagination | room | somber | telling a story |
We Are Not Alone (1939) | Barcarolle | 0:44:06 - Gerald talks about sailing | advance plot | barcarolle | boy | child | heroine | home | hopeful | imagination | room | telling a story |
We Are Not Alone (1939) | Frohe Botschaft (Like a Sigh) | 0:44:30 - Leni tells Gerald to not be afraid | advance plot | conversing | heroine | home | kindness | promise | room | sad | sigh gesture |
We Are Not Alone (1939) | Surprise Symphony (Expanded) | 0:45:36 - Leni hugs Gerald and tells him goodnight | advance plot | boy | child | classical music | familiar tune | Haydn | heroine | home | hugging | quotation | room | sweet |
We Are Not Alone (1939) | Frohe Botschaft (Crying) | 0:45:45 - Leni leaves the room crying | advance plot | antagonist | boy | child | crying | familiar tune | folk song | fragmentation | German | heroine | home | leaving | mother | quotation | room | sequence | somber | tritone |
We Are Not Alone (1939) | Triste | 0:50:45 - David and Leni talk about Gerald | advance plot | conversing | gentle | hero | heroine | home | room | sad |
We Are Not Alone (1939) | Frohe Botschaft (Triste) | 0:51:10 - David and Leni talk about what to do | advance plot | conversing | familiar tune | folk song | German | hero | heroine | home | quotation | room | somber |
We Are Not Alone (1939) | Surprise Symphony (Sneaky) | 0:51:52 - David goes to bed while the cook sneaks away | advance plot | antagonist | classical music | cook | familiar tune | Haydn | hero | heroine | home | mickey-mousing | mysterious | quotation | room | sneaking | somber |
We Are Not Alone (1939) | Die Krähe | 0:52:36 - Leni asks David about his work | advance plot | antagonist | calm | classical music | concert | conversing | cook | familiar tune | hero | heroine | home | room | Schubert | source music |
We Are Not Alone (1939) | Celebre Romance | 0:54:24 - Leni asks David for a reference | advance plot | antagonist | calm | classical music | concert | conversing | cook | familiar tune | hero | heroine | home | room | Rubinstein | source music |
We Are Not Alone (1939) | Tuning | 0:59:20 - David tunes his violin on screen | advance plot | antagonist | calm | cook | hero | heroine | home | on-screen music | room | source music | tuning | violin |
We Are Not Alone (1939) | Tuning | 1:00:57 - David tunes his violin on screen | advance plot | antagonist | calm | cook | hero | heroine | home | on-screen music | room | source music | tuning | violin |
We Are Not Alone (1939) | Celebre Romance | 1:01:03 - David plays the violin | advance plot | antagonist | classical music | cook | familiar tune | hero | heroine | home | on-screen music | peaceful | playing | romantic | room | Rubinstein | source music | violin |
We Are Not Alone (1939) | Celebre Romance (Accompanied) | 1:01:56 - Gerald gets into the medicine cabinet | boy | child | classical music | familiar tune | hero | heroine | home | on-screen music | peaceful | pivotal scene | playing | romantic | room | Rubinstein | source music | violin |
We Are Not Alone (1939) | Celebre Romance (Accompanied B) | 1:02:47 - Gerald accidentally mixes up the contents of two bottles | boy | child | classical music | familiar tune | hero | heroine | home | on-screen music | peaceful | pivotal scene | playing | romantic | room | Rubinstein | source music | violin |
We Are Not Alone (1939) | Surprise Symphony (Allegretto) | 1:14:16 - David helps Leni buy a ticket | advance plot | classical music | conversing | familiar tune | gentle | Haydn | hero | heroine | optimistic | quotation | sweet | train station |
We Are Not Alone (1939) | Frohe Botschaft (Drifting) | 1:14:30 - David gives Leni money for her travels | arrest | arresting | conflict | conversing | dark | death | familiar tune | folk song | gentle | German | happy | hero | heroine | murder | police | quotation | sad | sweet | tense | train station |
We Are Not Alone (1939) | Underscoring (Tense) | 1:15:25 - David is taken away by the police | arresting | conflict | hero | heroine | police | tense | train station | underscoring |
We Are Not Alone (1939) | In Love | 1:30:55 - David realizes that he is in love with Leni | courtroom | courtroom scene | hero | heroine | love scene | realization | realizing | romantic | testifying | tone cluster |
We Are Not Alone (1939) | Underscoring (Mysterious) | 1:36:37 - David walks down the prison corridor to see Leni | advance plot | anticipation | guard | hero | heroine | mysterious | prison | underscoring | walking |
We Are Not Alone (1939) | Celebre Romance (Love) | 1:37:12 - David and Leni express their love for each other | classical music | conversing | familiar tune | guard | hero | heroine | love scene | prison | quotation | romantic | Rubinstein |
We Are Not Alone (1939) | Underscoring (Somber) | 1:37:44 - David and Leni realize that neither of them killed Jessica | conversing | hero | heroine | love scene | prison | somber | underscoring |
We Are Not Alone (1939) | Execution | 1:38:10 - Leni is sad that they are going to be executed | comforting | conversing | execution | hero | heroine | love scene | name of film | prison | somber |
We Are Not Alone (1939) | Frohe Botschaft (Hopeful) | 1:38:41 - David comforts Leni | comforting | conversing | familiar tune | folk song | German | hero | heroine | love scene | prison | quotation | somber |
We Are Not Alone (1939) | Underscoring (Romantic) | 1:39:42 - David comforts Leni | comforting | conversing | hero | heroine | love scene | prison | romantic | transition | underscoring |
We Are Not Alone (1939) | Surprise Symphony (Someday) | 1:39:55 - David is hopeful | classical music | comforting | conversing | dream-like | familiar tune | gentle | Haydn | hero | heroine | imagining | love scene | prison | quotation | sweet |
We Are Not Alone (1939) | Heart Break | 1:40:11 - David and Leni kiss | first kiss | hero | heroine | kissing | love | love scene | passionate | prison |
We Are Not Alone (1939) | Fainting | 1:40:41 - Leni faints and falls to the ground | fainting | falling | hero | heroine | love scene | mickey-mousing | prison | tense |
We Are Not Alone (1939) | Underscoring (Subtle) | 1:40:57 - Guards come in to check on Leni | advance plot | conversing | delicate | helping | hero | heroine | prison | underscoring |
We Are Not Alone (1939) | Surprise Symphony (Semplice) | 1:41:10 - Guards help Leni | advance plot | classical music | conversing | delicate | familiar tune | Haydn | helping | hero | heroine | lullaby | prison | quotation |
We Are Not Alone (1939) | Frohe Botschaft (Restful) | 1:41:47 - David watches Leni sleep | advance plot | delicate | familiar tune | folk song | German | hero | heroine | prison | quotation | watching |
| Crime School (1938) | Sue (Grazioso) | 1:13:10 - Sue and Mark talk in the kitchen | cheerful | conflict | conversing | cooking | happy | hero | heroine | kitchen | leading lady | leading man |
Crime School (1938) | Sue (Grazioso Mysterioso) | 1:13:38 - Frankie confronts Sue and Mark | cheerful | conflict | conversing | dining | gun | happy | hero | heroine | leading lady | leading man | room | stick up | stinger | teenager |
Crime School (1938) | Underscoring (Tense) | 1:14:26 - Mark talks to policeman | conflict | gun | hero | heroine | hiding | knocking | leading lady | leading man | lying | police | room | teenager | tense | underscoring |
Crime School (1938) | Lights on | 1:15:26 - Sue turns the lights on | conflict | hero | heroine | leading lady | leading man | light | mickey-mousing | room | tense | turning on |
