| Hell on Frisco Bay (1955) | How Many Hearts Have You Broken | 0:40:22 - A dance hall | advance plot | club | conversing | detective | drowning | fighting | gangster | interrogating | jazz | jazz band | leading man | mellow | on-screen music | source music |
| I Was a Communist for the FBI (1951) | Undercover Agent (Risoluto) | 1:09:39 - FBI agents walk away | agent | interrogating | interrogation | leading man | mysterious | polychord | questioning | room | shallow focus | suspicion | tense | tritone oscillation | undercover agent |
I Was a Communist for the FBI (1951) | Agitato Molto Misterioso | 1:10:18 - Communists interrogate Matt | chromatic parallelism | chromatic scale | communist | interrogating | interrogation | leading man | mysterious | ostinato | pc set | questioning | room | shallow focus | suspicion | tense | undercover agent | whole-tone scale |
I Was a Communist for the FBI (1951) | Undercover Agent | 1:10:36 - Communists interrogate Matt | communist | interrogating | interrogation | leading man | mysterious | polychord | questioning | room | shallow focus | suspicion | tense | threatening | tritone oscillation | undercover agent |
I Was a Communist for the FBI (1951) | Underscoring (Tense) | 1:10:41 - Communists interrogate Matt | chromatic scale | communist | dark | interrogating | interrogation | leading man | questioning | room | shallow focus | suspicion | tense | threatening | undercover agent | underscoring |
I Was a Communist for the FBI (1951) | Undercover Agent (Tuttissimo) | 1:10:54 - Communists interrogate Matt | anger | anxiety | communist | interrogating | interrogation | leading man | questioning | shallow focus | suspicion | suspicion | tense | threatening | tritone oscillation | undercover agent |
I Was a Communist for the FBI (1951) | Underscoring (Tense) | 1:11:00 - Communists interrogate Matt | anger | communist | interrogating | interrogation | leading man | questioning | shallow focus | suspicion | suspicion | tense | threatening | undercover agent | underscoring | whole-tone chord |
| The Informer (1935) | Blood Money (The Trial) + Blind Man (The Trial) | 1:15:13 - The rebels ask Gypo where he got the money | antagonist | axis of symmetry | blind man | combination of themes | courtroom | courtroom scene | fanfare | headquarters | interrogating | interrogation | leading man | mirroring | money | mysterious | questioning | room | suspect |
The Informer (1935) | Katie (The Trial) | 1:15:36 - The rebels ask Gypo about Katie | antagonist | axis of symmetry | courtroom | courtroom scene | headquarters | interrogating | interrogation | leading man | mirroring | money | mysterious | questioning | room | suspect |
The Informer (1935) | Blood Money (The Trial) + The Informer (The Trial) | 1:15:40 - Dan asks "Who was the informer?" | antagonist | axis of symmetry | combination of themes | courtroom | courtroom scene | headquarters | interrogating | interrogation | inversion | leading man | mirroring | money | mysterious | questioning | room | suspect | whole-tone |
| Mildred Pierce (1945) | Kay and Veda (Coy 2) | 1:44:37 - Veda is brought in by the police | antagonist | chromatic parallelism | daughter | deceiving | deception | detective | entering | interrogating | interrogation | parallelism | police station | questioning | tense |
Mildred Pierce (1945) | Mildred (Waltz Fantasy) | 1:44:53 - Mildred tells Veda not to confess | 9th chord | appoggiatura | chromatic parallelism | detective | harsh | heroine | interrogating | interrogation | leading lady | pleading | police station |
Mildred Pierce (1945) | Mildred (Dark) | 1:45:09 - Mildred realizes that she cannot save Veda | crime | heroine | interrogating | interrogation | police station | somber |
| Mara Maru (1952) | Grabbing | 1:32:13 - Gregory grabs Ortega | advance plot | arguing | catacomb | cave | cross | dramatic | grabbing | interrogating | leading man | mickey-mousing | mysterious | suspsect | tunnel |
Mara Maru (1952) | Underscoring (Tense) | 1:32:18 - Gregory interrogates Ortega | advance plot | arguing | catacomb | cave | cross | grabbing | interrogating | leading man | suspsect | tense | tunnel | underscoring |
Mara Maru (1952) | Cross (Fragment) | 1:32:29 - Ortega explains himself | advance plot | arguing | catacomb | cave | cross | dark | grabbing | interrogating | leading man | suspsect | tunnel |
Mara Maru (1952) | Benedict (Agitato) | 1:32:39 - Ortega accuses Benedict | advance plot | agitated | arguing | catacomb | cave | cross | interrogating | leading man | mysterious | suspsect | tunnel | uneasy |
Mara Maru (1952) | Grabbing 2 | 1:32:55 - Gregory grabs Ortega | advance plot | arguing | catacomb | cave | cross | dramatic | grabbing | interrogating | leading man | mickey-mousing | suspsect | tunnel |
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