| Angels With Dirty Faces (1938) | Sanctus (Maestoso) | 1:36:06 - Jerry and the boys walk up the stairs | angelic | ascending | chromatic mediant | foreign key modulation | leading man | priest | resolution | room | stairs | teenager | The End | transcendence | triumphant | up |
Angels With Dirty Faces (1938) | Jerry (End Title) | 1:36:38 - End title | closing credits | diminished 7th chord | end title sequence | foreign key modulation | heroic | plagal cadence | triumphant |
| Are These Our Children? (1931) | Dreams (Marcia Maestoso) | 0:08:58 - Eddie dreams | applauding | common-chord modulation | double exposure | dreaming | dream sequence | fragmentation | leading man | meter change | montage | reciting | thematic transformation | transcribed by ear | triumphant |
| The Big Sleep (1946) | Marlowe (The End) | 1:53:36 - The end | bold | end title sequence | The End | triumphant |
| The Breaking Point (1950) | Sad Boy | 1:36:44 - Sad orphaned boy looks on | 9th chord | 11th chord | blue note | child | climax | crowd | crying | harbor | leaving | somber | spiritual | triumphant | watching |
| His Greatest Gamble (1934) | Morning Glory Waltz (The End) | 1:10:18 - Philip leaves | detective | end title sequence | fugitive | leading man | leaving | mode mixture | secondary dominant | transcribed by ear | triumphant | waltz |
His Greatest Gamble (1934) | Morning Glory Fanfare (The End) | 1:10:32 - The End | bold | end title sequence | fanfare | The End | transcribed by ear | triumphant |
| City for Conquest (1940) | Tone Poem A (Knock Out) | 0:38:33 - Montage of boxing scenes | boxing | boxing ring | common-chord modulation | double exposure | falling | march | mickey-mousing | mode mixture | montage | transcribed by ear | triumphant |
City for Conquest (1940) | Boxing Poster | 0:38:48 - Montage of boxing scenes | boxing | boxing ring | chromatic sequence | double exposure | fanfare | montage | poster | self-borrowing | triumphant |
City for Conquest (1940) | Tone Poem A (Main Event) | 0:39:01 - Montage of boxing scenes | boxing ring | double exposure | linear chromaticism | montage | poster | transcribed by ear | triumphant |
City for Conquest (1940) | Tone Poem A (Resolution) | 0:39:10 - Montage of boxing scenes | 9th chord | added-note chord | boxing ring | chromatic mediant | double exposure | foreign key modulation | headline | montage | newspaper | resolution | transcribed by ear | triumphant |
| Crime School (1938) | Sue (The End) | 1:24:27 - The End | added-note chord | resolution | The End | triumphant |
| They Made Me a Criminal (1939) | The Fugitive (Ending) | 1:30:23 - A train rushes away | detective | foreign key modulation | leading man | mode mixture | optimistic | passionate | plagal cadence | resolution | resolution | running | teenager | train station | triumphant |
They Made Me a Criminal (1939) | Running | 1:30:35 - Johnnie runs to Tommy | leading man | mickey-mousing | optimistic | passionate | resolution | resolution | running | teenager | train station | triumphant |
| Death of a Scoundrel (1956) | Clementi C (Celebratory) | 0:53:17 - Worker informs Clementi that they struck oil | fanfare | flashback | joyful | newspaper | triumphant |
Death of a Scoundrel (1956) | Stephanie (Triumph) | 1:24:20 - Stephanie leaves Clementi | flashback | triumphant |
| Deep Valley (1947) | Homestead (The End) | 1:45:25 - The End | end title sequence | The End | triumphant |
Deep Valley (1947) | Deep Valley (End Cast) | 1:45:35 - combines parts of Appassionato and Sostenuto variants | end cast | end title sequence | triumphant |
| Dust Be My Destiny (1939) | Dust Be My Destiny (Grandioso) | 0:50:50 - Joe and Mabel outside | 42 chord | 64 chord | deceptive resolution | escaping | friend | heroic | jail break | leading lady | leading man | pedal tone | shopkeeper | street | triumphant |
Dust Be My Destiny (1939) | My Wild Irish Rose (Grandioso) | 0:52:06 - Joe and Mabel leave on a train | 9th chord | 64 chord | calm | escape | familiar tune | friend | leading lady | leading man | popular song | shopkeeper | sweet | tender | train station | triumphant |
Dust Be My Destiny (1939) | Dust Be My Destiny (Transformation) | 0:57:38 - Joe comes back to the apartment | dissonant bass | foreign key modulation | leading lady | leading man | linear chromaticism | love scene | mysterious | room | triumphant |
Dust Be My Destiny (1939) | Dust Be My Destiny (Reunited) | 0:58:04 - Joe embraces Mabel | 9th chord | 64 chord | added-note chord | embracing | foreign key modulation | leading lady | leading man | love scene | romantic | room | triumphant |
Dust Be My Destiny (1939) | The Daily Journal | 1:00:10 - Sign for The Daily Journal | establish setting | fanfare | heroic | mode mixture | Neapolitan | newspaper | sign | street | triumphant |
| Flamingo Road (1949) | If I Could Be With You (Ecstatic) | 1:33:37 - Lane walks away | added-note chord | altered dominant | artwork in score | chromatic parallelism | friend | husband | joyous | leading lady | leading man | leaving | prison | resolution | reuniting | romance | secondary dominant | The End | thematic transference | triumphant | wife |
| Key Largo (1948) | McCloud (Maestoso) | 1:39:43 - McCloud steers the boat home | boat | hopeful | leading man | resolution | returning | sailing | triumphant |
| Lightning Strikes Twice (1951) | Rescue | 0:47:42 - Trev rescues Shelly | actor | cliff | climbing | countryside | dramatic | falling in love scene | helping | leading lady | leading man | love interest | rescue | rescuing | suspect | tense | triumphant |
| Mildred Pierce (1945) | Mildred | 0:00:23 - Main title, cast list, and wave effect | AABA structure | cast list | foreign key modulation | mickey-mousing | mode mixture | opening title sequence | optimistic | romantic | triumphant | water | wave |
Mildred Pierce (1945) | Mildred | 0:01:23 - Cast list and wave effect | cast list | mickey-mousing | opening title sequence | optimistic | pedal tone | romantic | triumphant | water | wave |
Mildred Pierce (1945) | Mildred (The End) | 1:50:07 - Mildred leaves with Bert | added-note chord | ex-husband | heroine | leading lady | leaving | pedal tone | police station | resolution | triumphant |
| The Life of Vergie Winters (1934) | Lullaby (Military Band) | 0:45:45 - Newspaper montage | 64 chord | fanfare | leading man | love interest | montage | pedal tone | politician | soldier | triumphant |
The Life of Vergie Winters (1934) | Over There (Military Band) | 0:45:52 - Newspaper montage | leading man | love interest | montage | patriotic tune | politician | soldier | triumphant |
The Life of Vergie Winters (1934) | Stars and Stripes Forever (Military Band) | 0:46:01 - Newspaper montage | leading man | love interest | montage | patriotic tune | politician | soldier | triumphant |
The Life of Vergie Winters (1934) | Lullaby (Resolution) | 1:21:03 - Joan talks about her mother | added-note chord | calm | conversing | crying | daughter | end title sequence | husband | peaceful | prison | redemption | resolution | The End | triumphant |
| The Unfaithful (1947) | Unfaithful (Dolce) | 1:46:08 - Bob talks with Chris | altered dominant | chromatic mediant | common-chord modulation | conversing | foreign key modulation | fragmentation | hopeful | husband | lawyer | mode mixture | ostinato | peaceful | pedal tone | plagal cadence | resolution | resolution | romantic | room | triumphant | wife |
| Three Who Loved (1931) | Love Dream | 1:03:22 - The End | appoggiatura | end title sequence | self-borrowing | The End | transcribed by ear | triumphant |
| Men of America (1932) | Lady with a Past Fox Trot | 0:56:42 - The End | end title sequence | mode mixture | self-borrowing | The End | transcribed by ear | triumphant |
| Before Dawn (1933) | Wedding March | 0:59:55 - Two lovers kissing and The End | detective | familiar tune | fanfare | kissing | leading lady | leading man | plagal cadence | resolution | romantic | secondary dominant | transcribed by ear | triumphant |
| Blind Adventure (1933) | Isn't This a Night For Love | 1:02:18 - The End | end title | romantic | The End | triumphant |
| Hat, Coat, and Glove (1934) | End Title | 1:04:02 - The End | end title sequence | The End | transcribed by ear | triumphant |
| Star of Midnight (1935) | Midnight in Manhattan (The End) | 1:29:03 - The End | augmented sixth chord | end title sequence | The End | transcribed by ear | triumphant |
| Key Largo (1948) | McCloud (Grandioso) | 1:40:06 - The End | end title sequence | fanfare | The End | triumphant |
| Mara Maru (1952) | On Deck | 1:18:55 - Gregory emerges from the water | action scene | antogonist | assisting | boat | captain | conversing | diver | diving suit | heroic | hopeful | leading lady | leading man | love interest | private eye | rain | ship | storm | treasure | triumphant | wind | worker | working | yelling |
Mara Maru (1952) | The End | 1:37:33 - Gregory gives the cross to Manuelo | catacomb | cave | corpse | cross | crying | death | deciding | departing | end title sequence | fade-out | leading lady | leading man | looking | love interest | map | martyr | reacting | redmption | religious | religious | resolution | The End | thinking | triumphant | tunnel | victim | worker |
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