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38 results for "triumphant" — see also glorious | grand | joyful

FilmTheme nameInstanceTags
Angels With Dirty Faces (1938)Sanctus (Maestoso)1:36:06 - Jerry and the boys walk up the stairsangelic | ascending | chromatic mediant | foreign key modulation | leading man | priest | resolution | room | stairs | teenager | The End | transcendence | triumphant | up

Angels With Dirty Faces (1938)

Jerry (End Title)1:36:38 - End titleclosing credits | diminished 7th chord | end title sequence | foreign key modulation | heroic | plagal cadence | triumphant
Are These Our Children? (1931)Dreams (Marcia Maestoso)0:08:58 - Eddie dreamsapplauding | common-chord modulation | double exposure | dreaming | dream sequence | fragmentation | leading man | meter change | montage | reciting | thematic transformation | transcribed by ear | triumphant
The Big Sleep (1946)Marlowe (The End)1:53:36 - The endbold | end title sequence | The End | triumphant
His Greatest Gamble (1934)Morning Glory Waltz (The End)1:10:18 - Philip leavesdetective | end title sequence | fugitive | leading man | leaving | mode mixture | secondary dominant | transcribed by ear | triumphant | waltz

His Greatest Gamble (1934)

Morning Glory Fanfare (The End)1:10:32 - The Endbold | end title sequence | fanfare | The End | transcribed by ear | triumphant
City for Conquest (1940)Tone Poem A1 (Knock Out)0:38:33 - Montage of boxing scenesboxing | boxing ring | double exposure | falling | march | mickey-mousing | montage | triumphant

City for Conquest (1940)

Boxing Poster0:38:48 - Montage of boxing scenesboxing | boxing ring | double exposure | fanfare | montage | poster | self-borrowing | triumphant

City for Conquest (1940)

Tone Poem A1 (Main Event)0:39:01 - Montage of boxing scenesboxing ring | double exposure | montage | poster | triumphant

City for Conquest (1940)

Tone Poem A1 (Resolution)0:39:10 - Montage of boxing scenesboxing ring | double exposure | headline | montage | newspaper | resolution | triumphant
Crime School (1938)Sue (The End)1:24:27 - The Endadded-note chord | resolution | The End | triumphant
They Made Me a Criminal (1939)The Fugitive (Ending)1:30:23 - A train rushes awaydetective | foreign key modulation | leading man | mode mixture | optimistic | passionate | plagal cadence | resolution | resolution | running | teenager | train station | triumphant

They Made Me a Criminal (1939)

Running1:30:35 - Johnnie runs to Tommyleading man | mickey-mousing | optimistic | passionate | resolution | resolution | running | teenager | train station | triumphant
Death of a Scoundrel (1956)Clementi C (Celebratory)0:53:17 - Worker informs Clementi that they struck oilfanfare | flashback | joyful | newspaper | triumphant

Death of a Scoundrel (1956)

Stephanie (Triumph)1:24:20 - Stephanie leaves Clementiflashback | triumphant
Dust Be My Destiny (1939)Dust Be My Destiny (Grandioso)0:50:50 - Joe and Mabel outside42 chord | 64 chord | deceptive resolution | escaping | friend | heroic | jail break | leading lady | leading man | pedal tone | shopkeeper | street | triumphant

Dust Be My Destiny (1939)

My Wild Irish Rose (Grandioso)0:52:06 - Joe and Mabel leave on a train9th chord | 64 chord | calm | escape | familiar tune | friend | leading lady | leading man | popular song | shopkeeper | sweet | tender | train station | triumphant

Dust Be My Destiny (1939)

Dust Be My Destiny (Transformation)0:57:38 - Joe comes back to the apartmentdissonant bass | foreign key modulation | leading lady | leading man | linear chromaticism | love scene | mysterious | room | triumphant

Dust Be My Destiny (1939)

Dust Be My Destiny (Reunited)0:58:04 - Joe embraces Mabel9th chord | 64 chord | added-note chord | embracing | foreign key modulation | leading lady | leading man | love scene | romantic | room | triumphant

Dust Be My Destiny (1939)

The Daily Journal1:00:10 - Sign for The Daily Journalestablish setting | fanfare | heroic | mode mixture | Neapolitan | newspaper | sign | street | triumphant
Flamingo Road (1949)If I Could Be With You (Ecstatic)1:33:37 - Lane walks awayadded-note chord | altered dominant | artwork in score | chromatic parallelism | friend | husband | joyous | leading lady | leading man | leaving | prison | resolution | reuniting | romance | secondary dominant | The End | thematic transference | triumphant | wife
Key Largo (1948)McCloud (Maestoso)1:39:43 - McCloud steers the boat homeboat | hopeful | leading man | resolution | returning | sailing | triumphant

Key Largo (1948)

McCloud (Grandioso)1:40:06 - The Endend title sequence | fanfare | The End | triumphant
Mildred Pierce (1945)Mildred0:00:23 - Main title, cast list, and wave effectcast list | mickey-mousing | opening title sequence | optimistic | romantic | triumphant | water | wave

Mildred Pierce (1945)

Mildred0:01:23 - Cast list and wave effectcast list | mickey-mousing | opening title sequence | optimistic | romantic | triumphant | water | wave

Mildred Pierce (1945)

Mildred (The End)1:50:07 - Mildred leaves with Bertex-husband | heroine | leading lady | leaving | police station | resolution | triumphant
The Life of Vergie Winters (1934)Lullaby (Military Band)0:45:45 - Newspaper montage64 chord | fanfare | leading man | love interest | montage | pedal tone | politician | soldier | triumphant

The Life of Vergie Winters (1934)

Over There (Military Band)0:45:52 - Newspaper montageleading man | love interest | montage | patriotic tune | politician | soldier | triumphant

The Life of Vergie Winters (1934)

Stars and Stripes Forever (Military Band)0:46:01 - Newspaper montageleading man | love interest | montage | patriotic tune | politician | soldier | triumphant

The Life of Vergie Winters (1934)

Lullaby (Resolution)1:21:03 - Joan talks about her motheradded-note chord | calm | conversing | crying | daughter | end title sequence | husband | peaceful | prison | redemption | resolution | The End | triumphant
The Unfaithful (1947)Unfaithful (Dolce)1:46:08 - Bob talks with Chrisconversing | hopeful | husband | lawyer | ostinato | peaceful | plagal cadence | resolution | resolution | resolution | romantic | room | triumphant | wife
Three Who Loved (1931)Love Dream1:03:22 - The Endappoggiatura | end title sequence | self-borrowing | The End | transcribed by ear | triumphant
Men of America (1932)Lady with a Past Fox Trot0:56:42 - The Endend title sequence | mode mixture | self-borrowing | The End | transcribed by ear | triumphant
Before Dawn (1933)Wedding March0:59:55 - Two lovers kissing and The Enddetective | familiar tune | fanfare | kissing | leading lady | leading man | plagal cadence | resolution | romantic | secondary dominant | transcribed by ear | triumphant
Blind Adventure (1933)Isn’t This a Night For Love1:02:18 - The Endend title | romantic | The End | triumphant
Hat, Coat, and Glove (1934)End Title1:04:02 - The Endend title sequence | The End | transcribed by ear | triumphant
Star of Midnight (1935)Midnight in Manhattan (The End)1:29:03 - The Endaugmented sixth chord | end title sequence | The End | transcribed by ear | triumphant
The Breaking Point (1950)Sad Boy1:36:44 - Sad orphaned boy looks onchild | climax | crowd | crying | harbor | leaving | somber | spiritual-like | triumphant | watching