| All This, and Heaven Too (1940) | Agitato 2 | 1:59:31 - Henriette is arrested | agitated | crowd | crying | double exposure | dramatic | fanfare | headline | leading lady | leaving | mob | montage | newspaper | soldier | street | suspect | yelling |
| The Amazing Dr. Clitterhouse (1938) | Locked in vault | 0:49:06 - Dr. Clitterhouse locked in safe | anxious | chromatic parallelism | chromatic scale | criminal | doctor | double-cross | dramatic | gangster | leading man | murderer | murdering | panicking | polychord | pounding | robbery | safe | store | tense | thief | trapping | vault | yelling |
The Amazing Dr. Clitterhouse (1938) | The Motor | 0:49:21 - Rocks starts the refrigeration motor | antagonist | anxious | criminal | diminished 7th chord | doctor | double-cross | dramatic | gangster | gauge | leading man | lowering | machine | mickey-mousing | motor | murderer | murdering | ostinato | panicking | pedal tone | pounding | robbery | spinning | store | temperature | tense | thief | trapping | whirling | yelling |
The Amazing Dr. Clitterhouse (1938) | The Motor (Getting Colder) | 0:49:43 - The vault gets colder | anxious | chromatic scale | criminal | dissonant bass | doctor | double-cross | dramatic | gangster | gauge | leading man | lowering | machine | motor | murderer | murdering | ostinato | panicking | pedal tone | pounding | robbery | spinning | store | temperature | tense | thief | trapping | whirling | yelling |
| Angels With Dirty Faces (1938) | Underscoring (Dramatic) | 1:23:10 - Jerry and Rocky confront one another | 42 chord | agitated | arguing | building | conflict | dramatic | entering | gangster | leading man | priest | underscoring | wedge | yelling |
| Arsenic and Old Lace (1944) | Take Me Out to the Ball Game | 0:01:20 - Fans yelling at a ball game | augmented sixth chord | baseball | baseball player | bass drum | cheering | crowd | enharmonic modulation | establish place | evaded cadence | falling | familiar tune | field | fighting | musician | parallel double period | pep band | playing | popular song | punching | rushed | saxophone | simulated source music | source music | sporting event | trombone | umpire | upbeat | yelling |
| Crime School (1938) | Gangster Blues (Explosion) | 0:56:04 - The boiler explodes | 13th chord | action scene | added-note chord | boiler room | collapsing | escaping | exploding | explosion | foreign key modulation | frantic | gang | mechanical | reformatory | running | sequence | teenager | tense | worker | yelling |
Crime School (1938) | Fireman | 0:56:46 - Boiler room worker orders kids back | action scene | fanfare | gang | heroic | parallelism | pedal tone | protecting | reformatory | rushing | teenager | worker | yelling |
| Dust Be My Destiny (1939) | Underscoring (Dramatic) | 0:46:42 - Mabel yells to Joe | chromatic scale | create suspense | diminished 7th chord | dissonant bass | dramatic | escaping | gun | gunshot | leading lady | leading man | police | room | runaway | running | street | underscoring | yelling |
| Each Dawn I Die (1939) | Confusion | 0:05:43 - Frank sits confused in car after crash | accusing | car | car crash | chromatic parallelism | chromatic scale | conflict | confused | crowd | dissonant bass | fire | glass | half-diminished 7th chord | hero | injury | leading man | reporter | running | street | yelling |
Each Dawn I Die (1939) | Underscoring (Dramatic) | 0:06:06 - Crowd accuses Frank of murder | 9th chord | accusing | car crash | conflict | crowd | dissonant bass | dramatic | hero | injury | leading man | linear chromaticism | police | reporter | sequence | shaking | street | underscoring | yelling |
| Hell on Frisco Bay (1955) | Menace | 0:19:43 - Amato talks to old man | antagonist | conductor score | dark | establish character | gangster | office | yelling |
Hell on Frisco Bay (1955) | Underscoring (Dramatic) | 0:51:36 - Amato yells at Steve | action scene | angry | arguing | conductor score | fighting | gangster | investigator | leading man | room | underscoring | violence | yelling |
Hell on Frisco Bay (1955) | Amato | 1:32:23 - Amato shoots Lye | action scene | brash | gangster | gun | gunshot | leading man | murder | murdering | room | shooting | tense | violence | yelling |
| In This Our Life (1942) | Anger | 1:04:56 - Stanley gets angry | angry | arguing | conflict | leading lady | leaving | room | running | tense | uncle | upset | widow | yelling |
In This Our Life (1942) | Anger (Agitato) | 1:31:34 - Stanley yells at her uncle | agitated | angry | arguing | conflict | criminal | distressed | leading lady | room | uncle | yelling |
In This Our Life (1942) | Maestoso | 1:31:51 - Stanley runs off crying | conflict | criminal | crying | departing | dramatic | leading lady | room | running | street | uncle | yelling |
| The Informer (1935) | The Irish Washerwoman (Pub) + Blood Money + The Wearin' o' the Green + The Informer | 0:44:52 - People celebrate in the pub | advance plot | antagonist | bar | chaotic | chromatic scale | close-up | combination of themes | crowd | dark | dissonant bass | excited | familiar tune | folk song | foreign key modulation | happy | heroic | Irish | layering | leading man | mob | mobbing | octatonic | parallelism | pedal tone | polytonality | rebel | serving | source to score | spying | tense | whole-tone | yelling | zoom in |
| Mildred Pierce (1945) | Mildred B (Angry) | 1:23:38 - Mildred tears up Veda's check | angry | antagonist | arguing | check | conflict | daughter | fighting | heroine | leading lady | room | slapping | tearing | tense | violence | yelling |
| Deep Valley (1947) | Barry | 0:22:35 - Barry threatens the guard | angry | arguing | boss | conflict | convict | dramatic | father | guard | leading lady | leading man | street | threatening | yelling |
Deep Valley (1947) | Barry (Drunk) | 1:36:39 - Barry steals a car | arguing | car | climax | convict | dark | fighting | fugitive | leading lady | leading man | love interest | running | rushing | street | tense | yelling |
Deep Valley (1947) | Barry | 1:36:57 - Jeff hits Barry | arguing | attacking | car | climax | convict | dark | fighting | fugitive | leading lady | leading man | love interest | punching | street | tense | yelling |
| Beyond the Forest (1949) | Courthouse (Agitato Quasi Rubato) | 0:31:12 - Rosa arrives home | advance plot | angry | arriving | leading lady | room | upset | yelling |
Beyond the Forest (1949) | Sawmill (Agitato) | 0:39:25 - Fire from the sawmill | advance plot | agitated | bedroom | factory | fire | leading lady | leading man | restlessness | wife | yelling |
Beyond the Forest (1949) | Lewis (Crescendo) | 1:13:15 - Rosa and Lewis at home | arriving | calm | conversing | dark | dramatic | husband | leading lady | leading man | murderer | room | transition | victim | yelling |
Beyond the Forest (1949) | Chicago (Echo Chambre) | 1:28:20 - Rosa prepares to leave | angry | arguing | climax | crazed | delirious | eerie | familiar tune | leading lady | mad | madness | mad scene | maid | murderer | popular tune | preparing | room | stumbling | unsettling | yelling |
| Out of the Fog (1941) | Underscoring (Dramatic) | 0:46:00 - Jonah calls for the cop | arguing | conflict | criminal | dock | dramatic | extortion | father | fisherman | friend | leading man | underscoring | yelling |
Out of the Fog (1941) | Russian Barcarolle (Fragmented) | 0:46:14 - Jonah calls for the cop | arguing | conflict | criminal | dock | extortion | father | fisherman | friend | leading man | police | tense | yelling |
| Her Kind of Man (1946) | Speeding | 1:14:21 - Policeman driving | car | climax | dramatic | driving | hurrying | leading lady | leading man | police | reporter | rushing | singer | tense | wife | yelling |
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