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194 results for "romantic" in 40 films — see also love | passionate | romance | seductive | sentimental | syrupy | tender

FilmTheme nameInstanceTags
All This, and Heaven Too (1940)The Duchess0:00:15 - Title of filmcast list | common-tone diminished 7th | enharmonic modulation | foreign key modulation | hopeful | opening title sequence | romantic | sequential modulation | title of film

All This, and Heaven Too (1940)

Henriette0:00:28 - Cast list64 chord | added-note chord | cast list | chromatic mediant | countermelody | deceptive resolution | diminished third chord | foreign key modulation | mode mixture | opening title sequence | pedal tone | pleasant | romantic | sentence form | suspension

All This, and Heaven Too (1940)

Romance0:30:48 - Henriette talks with the Dukeadded-note chord | advance plot | arguing | child | duke | governess | illness | leading lady | leading man | romantic | room | sequence

All This, and Heaven Too (1940)

Henriette (Andante)0:31:04 - The Duke apologizes to Henriette9th chord | 64 chord | advance plot | apologizing | child | conversing | duke | foreign key modulation | governess | illness | leading lady | leading man | romantic | room

All This, and Heaven Too (1940)

Henriette (Very Emotional)0:49:01 - The Duke looks at Henrietteadvance plot | child | chromatic scale | common-chord modulation | common-tone diminished 7th | conversing | delicate | duke | gentle | governess | leading lady | leading man | looking | romance | romantic | room

All This, and Heaven Too (1940)

The Duchess (Broadly)0:55:55 - A newspaper clippingadvance plot | distressed | gossiper | newspaper | reading | romantic | room

All This, and Heaven Too (1940)

The Duchess (Arguing)1:00:32 - Henriette leavesadded-note chord | arguing | conflict | dramatic | duchess | duke | governess | leading lady | leading man | linear chromaticism | listening | romantic | room | serious | trouble

All This, and Heaven Too (1940)

Henriette (Emotional)1:02:28 - The Duke talks to Henriettechromatic sequence | conflict | conversing | duke | governess | leading lady | leading man | mode mixture | romance | romantic | room

All This, and Heaven Too (1940)

Henriette (Sweepingly)1:02:57 - Henriette with tears in her eyesadded-note chord | augmented sixth chord | chromatic mediant | conflict | conversing | deceptive resolution | duke | foreign key modulation | governess | leading lady | leading man | mode mixture | pedal tone | romance | romantic | room

All This, and Heaven Too (1940)

The Duchess (Tutti)1:04:02 - A concert programballroom | bold | carriage | duchess | duke | fanfare | leading lady | leading man | montage | riding | romantic | sequential modulation

All This, and Heaven Too (1940)

Henriette (Very Romantic)1:29:07 - Henriette talks with the Duke9th chord | altered dominant | augmented triad | conversing | duke | falling in love scene | gentle | governess | leading lady | leading man | pedal tone | romantic | room | sweet

All This, and Heaven Too (1940)

Henriette (Molto Expressivo)1:31:48 - The Duke talks to Henriettechromatic mediant | chromatic parallelism | conversing | duke | governess | leading lady | leading man | love scene | mode mixture | Neapolitan | palace | pedal tone | reassuring | romantic | sigh gesture | stinger | tender

All This, and Heaven Too (1940)

Expressivo1:38:15 - Henriette talks with the Dukechromatic mediant | conversing | desperate | duke | foreign key modulation | governess | leading lady | leading man | love scene | romantic | room | sequential modulation

All This, and Heaven Too (1940)

Henriette (Romantic)1:39:53 - The Duke reads the locket inscription9th chord | chromatic mediant | conversing | crying | crying gesture | duke | foreign key modulation | gentle | governess | leading lady | leading man | love scene | mode mixture | romantic | room | sigh gesture | tender

All This, and Heaven Too (1940)

The Duchess (Tutti)1:42:34 - Newspaper headlinebold | double exposure | headline | montage | newspaper | on-screen text | romantic | sequential modulation | street

All This, and Heaven Too (1940)

Henriette (Tristan)1:46:15 - Henriette greets the children9th chord | arriving | child | duke | fragmentation | grand | greeting | leading lady | leading man | pump-up modulation | reunion scene | romantic | room
Angels With Dirty Faces (1938)Underscoring (Romantic)1:01:43 - Rocky and Laury talkaltered dominant | conversing | dissonant bass | gangster | leading lady | leading man | linear chromaticism | love scene | romantic | room | underscoring

Angels With Dirty Faces (1938)

Rocky and Laury (Sentimental)1:01:59 - Rocky and Laury talkadded-note chord | altered dominant | conversing | gangster | leading lady | leading man | love scene | parallel period | romantic | room

Angels With Dirty Faces (1938)

Foxtrot1:02:20 - Rocky and Laury look out the windowadded-note chord | altered dominant | common-tone diminished 7th | dreaming | foxtrot | gangster | hoping | leading lady | leading man | looking | love scene | mode mixture | romantic | room
Are These Our Children? (1931)Moonbeams0:25:39 - Eddie dances with Floadded-note chord | altered dominant | common-tone diminished 7th | dance hall | dance scene | dancing | leading man | love interest | mode mixture | on-screen music | parallel double period | romantic | source music | waltz

Are These Our Children? (1931)

Moonbeams (Dream Sequence)0:27:23 - Eddie takes Flo homeadded-note chord | advance plot | double exposure | dream sequence | entering | friend | hectic | kissing | leading man | mode mixture | romantic | source to score | street | transcribed by ear | waltz
Arsenic and Old Lace (1944)Here Comes the Bride (Marriage License Bureau)0:01:59 - "Marriage License Bureau" sign64 chord | arriving | calm | conversing | crowd | direct modulation | establish character | familiar tune | marriage | office | parallelism | reporter | romantic | sequence | spouse

Arsenic and Old Lace (1944)

The Old Maid0:04:17 - Mortimer talks to Elaineadded-note chord | arguing | conversing | enharmonic modulation | establish character | kissing | leading lady | leading man | marriage | mode mixture | office | parallel period | pedal tone | romantic | self-borrowing

Arsenic and Old Lace (1944)

Here Comes the Bride (Appassionato)0:15:02 - The aunts peek out of the window64 chord | aunt | bride | cemetery | chromatic mediant | conversing | familiar tune | flirting | groom | inversion | kissing | leading lady | leading man | love | love scene | peeking | romantic

Arsenic and Old Lace (1944)

Here Comes the Bride (Church Bells)0:15:17 - Mortimer follows Elaine64 chord | bride | cemetery | chromatic mediant | conversing | familiar tune | flirting | foreign key modulation | groom | leading lady | leading man | love | love scene | parallelism | romantic

Arsenic and Old Lace (1944)

Here Comes the Bride (Appassionato)0:15:25 - Mortimer and Elaine kiss64 chord | bride | cemetery | conversing | familiar tune | groom | inversion | kissing | leading lady | leading man | love | love scene | romantic

Arsenic and Old Lace (1944)

Here Comes the Bride (Modulating)0:15:36 - Mortimer and Elaine talkadded-note chord | bride | cemetery | conversing | familiar tune | flirting | fragmentation | groom | hurried | leading lady | leading man | love | love scene | pump-up modulation | romantic | sequence

Arsenic and Old Lace (1944)

Here Comes the Bride (Appassionato)0:16:10 - Mortimer and Elaine kiss64 chord | bride | cemetery | embracing | familiar tune | groom | inversion | kissing | leading lady | leading man | love | love scene | romantic

Arsenic and Old Lace (1944)

Here Comes the Bride (Church Bells)0:16:22 - Mortimer and Elaine talk64 chord | bride | cemetery | chromatic mediant | conversing | familiar tune | flirting | foreign key modulation | groom | leading lady | leading man | love | love scene | parallelism | romantic
The Big Sleep (1946)Waiting0:18:15 - Marlowe talks to lady in bookstoreadded-note chord | altered dominant | book shop | chromatic scale | conversing | leading man | love interest | love scene | mode mixture | mysterious | oscillation | private eye | romantic

The Big Sleep (1946)

Vivian + Marlowe (Ear Business)NIF - not in filmadvance plot | altered dominant | combination of themes | conversing | cut from film | deleted scene | deleted scene | leading lady | leading man | love interest | mysterious | private eye | romantic | room | thinking | whole-tone

The Big Sleep (1946)

Vivian1:15:22 - Marlowe and Vivian talk9th chord | 13th chord | AABA structure | added-note chord | altered dominant | car | chromatic mediant | chromatic parallelism | common-tone dominant 7th | conversing | foreign key modulation | kissing | leading lady | leading man | love | love interest | love scene | Neapolitan | private eye | romantic | suspension

The Big Sleep (1946)

Vivian1:40:03 - Marlowe and Vivian kiss9th chord | 13th chord | AABA structure | added-note chord | altered dominant | captive | chromatic mediant | chromatic parallelism | common-tone dominant 7th | foreign key modulation | freeing | kissing | leading lady | leading man | love interest | love scene | Neapolitan | private eye | romantic | room | suspension

The Big Sleep (1946)

Driving 2 + Vivian1:44:16 - Vivian tells Marlowe she loves him9th chord | 13th chord | car | chromatic parallelism | conversing | driving | leading lady | leading man | love | love interest | love scene | ostinato | private eye | romantic | suspension | tense

The Big Sleep (1946)

Driving 2 + Vivian1:44:44 - Vivian and Marlowe talk in the carcar | conversing | driving | leading lady | leading man | love | love interest | love scene | ostinato | private eye | romantic | tense | whole-tone chord

The Big Sleep (1946)

Driving 2 + Vivian1:45:21 - Marlowe tells Vivian he loves her9th chord | 13th chord | arriving | car | chromatic parallelism | conversing | driving | leading lady | leading man | love | love interest | love scene | ostinato | private eye | romantic | suspension | tense

The Big Sleep (1946)

Vivian1:52:48 - Marlowe talks to Vivian9th chord | 13th chord | chromatic parallelism | conversing | leading lady | leading man | love | love interest | Neapolitan | private eye | resolution | romantic | room

The Big Sleep (1946)

Vivian (Expressivo)1:53:20 - Marlowe pulls Vivian close9th chord | 13th chord | chromatic parallelism | conversing | foreign key modulation | leading lady | leading man | love | love interest | private eye | resolution | romantic | room | suspension
City for Conquest (1940)Sidewalks of New York (Soliloquy 2)0:05:44 - Old-timer talks to a stone carver9th chord | 13th chord | bluesy | child | chromatic parallelism | conversing | establish character | fragmentation | love | old man | romantic | sentimental | soliloquy | street | worker

City for Conquest (1940)

Sidewalks of New York (Waltz Grazioso)0:06:09 - Two children playing9th chord | child | conversing | establish character | foreign key modulation | love | Neapolitan | old man | romantic | sentimental | soliloquy | street | waltz

City for Conquest (1940)

Tone Poem A0:10:50 - Eddie plays the pianobrother | composer | conversing | establish character | leading man | musician | piano | playing | romantic | room | score to source | source music | transcribed by ear

City for Conquest (1940)

Tone Poem A (Very Broad)0:12:16 - Eddie plays the piano13th chord | brother | chromatic parallelism | chromatic scale | composer | conversing | describing | dissonant bass | establish character | explaining | leading man | musician | name of film | pentatonic | piano | playing | romantic | room | source music | transcribed by ear

City for Conquest (1940)

Tone Poem A (Unattainable Stars)0:12:37 - Eddie plays the pianobrother | chromatic parallelism | composer | conversing | describing | establish character | explaining | leading man | musician | piano | playing | romantic | room | somber | source music | transcribed by ear

City for Conquest (1940)

Tone Poem A0:13:03 - Eddie plays the piano9th chord | 11th chord | 13th chord | brother | common-chord modulation | composer | conversing | deceptive resolution | establish character | leading man | musician | piano | playing | romantic | room | source music | transcribed by ear

City for Conquest (1940)

Tone Poem A0:27:25 - Eddie composes at the pianoadvance plot | brother | composer | composing | leading man | musician | on-screen music | parallelism | piano | playing | romantic | room | source music | transcribed by ear

City for Conquest (1940)

Tone Poem A0:27:40 - Eddie plays the piano13th chord | advance plot | brother | composer | composing | leading man | musician | on-screen music | piano | playing | romantic | room | source music | transcribed by ear

City for Conquest (1940)

Tone Poem A0:27:59 - Eddie plays the piano9th chord | 13th chord | advance plot | brother | composer | composing | deceptive resolution | enharmonic respelling | leading man | musician | on-screen music | piano | playing | romantic | room | source music | transcribed by ear

City for Conquest (1940)

Tone Poem A (Expressivo)0:31:00 - Peggy apologizes to Danny9th chord | added-note chord | appoggiatura | chromatic mediant | common-tone diminished 7th | conversing | foreign key modulation | kiss | kissing | leading lady | leading man | love scene | parallelism | romantic | room

City for Conquest (1940)

Tone Poem A (Waltz)0:31:48 - Peggy and Danny talk about the future9th chord | 13th chord | added-note chord | boat | calm | common-chord modulation | conversing | deceptive resolution | foreign key modulation | leading lady | leading man | love scene | mode mixture | romantic

City for Conquest (1940)

Tone Poem A (Dolcissimo)0:34:02 - Danny talks with Peggy9th chord | added-note chord | boat | common-tone diminished 7th | conversing | gentle | kissing | leading lady | leading man | love scene | romantic

City for Conquest (1940)

Tone Poem A0:42:10 - Eddie plays the piano9th chord | 11th chord | 13th chord | advance plot | boxer | brother | common-chord modulation | composer | conversing | crowd | deceptive resolution | leading man | musician | on-screen music | party | piano | playing | romantic | source music | transcribed by ear

City for Conquest (1940)

Tone Poem A (Simplice)0:48:06 - Danny talks to Peggy9th chord | 13th chord | boxer | dancer | embracing | kissing | leading lady | leading man | love scene | romantic | street

City for Conquest (1940)

Tone Poem A (Walking)0:48:32 - Danny and Peggy walk down the street11th chord | boxer | chromatic sequence | conversing | dancer | leading lady | leading man | love scene | romantic | street | walking

City for Conquest (1940)

Tone Poem A (Molto Expressivo)0:48:44 - Danny talks with Peggy9th chord | 64 chord | appoggiatura | boxer | countermelody | dancer | embracing | kissing | leading lady | leading man | love scene | plagal cadence | romantic | sequence | street

City for Conquest (1940)

Tone Poem A (Farewell)0:55:31 - Peggy bids farewell to Danny9th chord | appoggiatura | augmented sixth chord | conversing | crying | embracing | enharmonic respelling | farewell scene | leading lady | leading man | leaving | mode mixture | plagal cadence | romantic | sentimental | street

City for Conquest (1940)

Tone Poem A (The Song of the City)1:23:05 - Eddie plays the piano9th chord | 13th chord | advance plot | brother | common-chord modulation | composer | diminished 7th chord | leading man | listening | musician | on-screen music | playing | romantic | room | source music | transcribed by ear | victim

City for Conquest (1940)

Tone Poem A1:32:32 - Violins playing9th chord | 11th chord | 13th chord | audience | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | deceptive resolution | dramatic | Gershwinesque | leading lady | listening | musician | on-screen music | orchestra | playing | romantic | sentimental | sequence | source music | watching | zoom in

City for Conquest (1940)

Tone Poem A (Tutti)1:33:02 - Peggy watches from the audience9th chord | 11th chord | 13th chord | audience | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | deceptive resolution | dramatic | fragmentation | Gershwinesque | leading lady | listening | musician | on-screen music | orchestra | playing | point-of-view shot | romantic | source music | watching | zoom in

City for Conquest (1940)

Tone Poem A (Very Broad)1:34:24 - Peggy reacts to the music9th chord | 13th chord | audience | bold | Carnegie Hall | chromatic parallelism | chromatic scale | chromatic sequence | concert | concert hall | concert scene | conducting | conductor | deceptive resolution | dissonant bass | dramatic | Gershwinesque | leading lady | leading man | listening | musician | newspaper | newspaper stand | on-screen music | orchestra | playing | radio | romantic | source music | street | watching | zoom out

City for Conquest (1940)

Tone Poem A (Lento)1:35:02 - Orchestra playing9th chord | audience | Carnegie Hall | chromatic parallelism | chromatic sequence | concert | concert hall | concert scene | conducting | conductor | crying | leading lady | linear chromaticism | listening | musician | on-screen music | orchestra | playing | polychord | romantic | somber | source music | tender | watching

City for Conquest (1940)

Tone Poem A (Grandioso)1:36:11 - Audience enjoying the performance9th chord | 13th chord | altered dominant | audience | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | deceptive resolution | double exposure | dramatic | Gershwinesque | leading lady | leading man | listening | musician | on-screen music | orchestra | playing | romantic | sentimental | smiling | source music | watching

City for Conquest (1940)

Tone Poem A (Tutti 2)1:36:41 - Danny's figure appears in the concert hall9th chord | 13th chord | AABA structure | added-note chord | audience | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | crying | deceptive resolution | double exposure | dramatic | Gershwinesque | leading man | listening | mode mixture | musician | on-screen music | orchestra | playing | romantic | sentimental | smiling | source music | watching | zoom out

City for Conquest (1940)

Tone Poem A (Chorus)1:41:14 - Danny talks with Peggy9th chord | 11th chord | 13th chord | chromatic sequence | conversing | crying | ethereal | foreign key modulation | gentle | leading lady | leading man | love interest | love scene | optimistic | reunion | reuniting | romantic | shimmery | street | suspension | victim

City for Conquest (1940)

Sidewalks of New York (Snake)1:43:16 - Old timer talks to himself64 chord | conversing | gentle | old man | resolution | romantic | soliloquy
They Made Me a Criminal (1939)The Fugitive (Apology)0:48:31 - Johnnie and Peggy talk9th chord | conversing | hero | leading lady | leading man | love scene | romantic | room | secondary dominant | tender

They Made Me a Criminal (1939)

Peggy (Delicatissimo)0:49:16 - Johnnie and Peggy kiss9th chord | 11th chord | 13th chord | hero | kissing | leading lady | leading man | love scene | romantic | room

They Made Me a Criminal (1939)

On the Make0:49:40 - Johnnie and Peggy drive in a carABAB structure | added-note chord | altered dominant | car | car | cheerful | conversing | driving | hero | leading lady | leading man | linear chromaticism | love scene | mode mixture | phrase extension | romantic | traveling

They Made Me a Criminal (1939)

On the Make (Extended)0:53:21 - Johnnie and Peggy drive in a carABAB structure | added-note chord | advance plot | altered dominant | car | car | cheerful | conversing | driving | hero | kissing | leading lady | leading man | linear chromaticism | mode mixture | phrase extension | romantic | traveling

They Made Me a Criminal (1939)

On the Make (Appassionato)1:25:51 - Peggy wants to go with Johnnie9th chord | altered dominant | climax | detective | embracing | kissing | leading lady | leading man | leaving | linear chromaticism | mode mixture | pedal tone | romantic | room | sentimental | sigh gesture | tender
Deep Valley (1947)Love Theme0:20:35 - Libby meets Barryconvict | leading lady | leading man | lovers meet | meeting | romantic | street

Deep Valley (1947)

Deep Valley0:52:10 - Barry kisses Libby againconvict | dog | embracing | falling in love scene | forest | fugitive | gentle | kissing | leading lady | leading man | love interest | romantic | staring

Deep Valley (1947)

Deep Valley (Appassionato)0:55:51 - Barry and Libby embracecabin | cheerful | convict | embracing | fugitive | kissing | leading lady | leading man | love interest | love scene | romantic
Dust Be My Destiny (1939)Dust Be My Destiny (Opening A)0:00:21 - Main title64 chord | chromatic mediant | dissonant bass | dust | main title | mickey-mousing | opening title sequence | romantic | title of film

Dust Be My Destiny (1939)

Dust Be My Destiny (Opening A2)0:01:04 - Cast list9th chord | common-tone diminished 7th | dust | main title | mickey-mousing | opening title sequence | romantic

Dust Be My Destiny (1939)

Dust Be My Destiny (Opening B2)0:01:18 - Cast listcast list | main title | mode mixture | opening title sequence | romantic

Dust Be My Destiny (1939)

Dust Be My Destiny (Playful)0:13:38 - Mabel talks to Joebarn | comical | common-tone diminished 7th | cow | laughing | leading lady | leading man | lovers meet | playful | prisoner | romantic

Dust Be My Destiny (1939)

Underscoring (Romantic)0:21:46 - Mabel talks with Joebarn | leading lady | leading man | love scene | pedal tone | romantic | underscoring

Dust Be My Destiny (1939)

Dust Be My Destiny (In Love)0:22:04 - Mabel and Joe talk9th chord | added-note chord | barn | common-tone diminished 7th | leading lady | leading man | love scene | mode mixture | romantic | secondary dominant

Dust Be My Destiny (1939)

Dust Be My Destiny (Expressivo)0:23:38 - Joe and Mabel talk9th chord | added-note chord | augmented sixth chord | barn | common-tone diminished 7th | leading lady | leading man | love scene | mode mixture | romantic | secondary dominant | sequence

Dust Be My Destiny (1939)

Dust Be My Destiny (Ethereal)0:24:50 - Joe tells Mabel he loves herbarn | common-tone diminished 7th | deceptive resolution | inversion | kissing | leading lady | leading man | love scene | romantic

Dust Be My Destiny (1939)

Here Comes the Bride (Modulating)0:29:02 - Joe and Mabel run to the courthouseadded-note chord | deceptive resolution | excited | familiar tune | foreign key modulation | fragmentation | leading lady | leading man | love scene | marriage | pump-up modulation | romance | romantic | running | sequence | street

Dust Be My Destiny (1939)

Dust Be My Destiny (Waiting)0:29:38 - Joe and Mabel talk about getting marriedadded-note chord | augmented sixth chord | chromatic mediant | common-tone diminished 7th | foreign key modulation | leading lady | leading man | love scene | romantic | street | waiting

Dust Be My Destiny (1939)

Here Comes the Bride (Triple)0:30:31 - Man talks to Joe and Mabel9th chord | 64 chord | chromatic parallelism | courthouse | familiar tune | leading lady | leading man | love scene | marriage | producer | pump-up modulation | romantic | sequence | street

Dust Be My Destiny (1939)

Dust Be My Destiny (Got Each Other)0:30:49 - Mabel proclaims her love for Joecourthouse | leading lady | leading man | love scene | producer | romantic | street

Dust Be My Destiny (1939)

Fairy Music0:30:58 - Man takes their luggage64 chord | courthouse | happy | leading lady | leading man | love scene | producer | pump-up modulation | romantic | street

Dust Be My Destiny (1939)

Dust Be My Destiny (Reunited)0:58:04 - Joe embraces Mabel9th chord | 64 chord | added-note chord | embracing | foreign key modulation | leading lady | leading man | love scene | romantic | room | triumphant
Flamingo Road (1949)If I Could Be With You (Tenderly)0:29:32 - Lane and Field prepare to leave11th chord | 13th chord | altered dominant | common-tone diminished 7th | kissing | lake | leading lady | leading man | love interest | love scene | romance | romantic | secondary dominant | source to score

Flamingo Road (1949)

Lane (Ethereal)0:30:02 - Lane and Field kiss in the moonlightadded-note chord | augmentation | kissing | lake | leading lady | leading man | love interest | love scene | pedal tone | romance | romantic

Flamingo Road (1949)

Flamingo Road (Romantic)0:55:41 - Dan kisses Laneembracing | foreign key modulation | foreshadowing | kissing | leading lady | leading man | love interest | love scene | mode mixture | parallelism | politician | porch | romantic | self-borrowing
Hell on Frisco Bay (1955)Kay0:20:48 - Lye goes to see Kayantagonist | conductor score | conversing | establish character | gangster | kissing | love interest | lyrical | romantic | street

Hell on Frisco Bay (1955)

Hell on Frisco Bay0:21:37 - Marcia on a posterclub | conductor score | establish character | investigator | leading man | romantic | walking

Hell on Frisco Bay (1955)

The Very Thought of You0:21:51 - Marcia singing at a clubclub | conductor score | establish character | familiar tune | investigator | leading lady | leading man | on-screen music | pianist | popular music | romantic | singer | singing | source music

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:02:45 - Marcia talks to Steveconductor score | conversing | leading lady | leading man | love scene | romantic | room | tender

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:37:36 - Steve goes to his wifearriving | dock | gentle | inspector | leading lady | leading man | romantic

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:37:52 - Steve and Marcia leave togetherdock | gentle | inspector | leading lady | leading man | peaceful | romantic | walking
Her Kind of Man (1946)It Had to Be You (Main Title)0:00:16 - Main titlecards | cast list | dramatic | gambling | opening title sequence | poker | romantic | roulette | sequence | title of film

Her Kind of Man (1946)

Speak to Me of Love0:28:06 - City skyline at nightbalcony | conversing | leading lady | leading man | love interest | love scene | on-screen music | record player | reporter | romantic | singing | source music

Her Kind of Man (1946)

My Darling0:45:05 - Georgia and Don in a restaurantconversing | crowd | leading lady | leading man | love interest | love scene | photograph | photographer | reporter | restaurant | romantic | source music | waiter

Her Kind of Man (1946)

It Had to Be You (Passionate)0:47:50 - Georgia talks with Stevearguing | conversing | dark | gambler | kissing | leading lady | leading man | love interest | love scene | passionate | romantic | room | sequence | source to score | turbulent

Her Kind of Man (1946)

Here Comes the Bride0:49:40 - Steve proposes to Georgiaclassical music | criminal | familiar tune | gambler | henchman | leading lady | leading man | love interest | love scene | proposing | reporter | romantic | room | tense

Her Kind of Man (1946)

Body and Soul0:56:43 - Georgia sings in a night clubAABA structure | applauding | club | conductor | crowd | leading lady | musician | music scene | on-screen music | performing | performing | romantic | score to source | singer | singing | source music | watching | wife

Her Kind of Man (1946)

It Had to Be You (Secret Rendezvous)1:09:09 - Georgia enters the warehouseadvance plot | arriving | conversing | embracing | familiar tune | gambler | kissing | leading lady | leading man | murderer | popular music | romantic | singer | source to score | uneasy | warehouse | wife
In This Our Life (1942)Driving + Love Theme0:39:07 - Roy and Craig in a car9th chord | altered dominant | calm | car | combination of themes | conversing | driving | iii chord | leading lady | leading man | love interest | love scene | oscillation | pedal tone | romantic | suspension

In This Our Life (1942)

Love Theme0:40:44 - Roy and Craig sit on the ground9th chord | altered dominant | artwork in score | calm | conversing | fire | iii chord | leading lady | leading man | love interest | love scene | outdoors | romantic | suspension

In This Our Life (1942)

Love Theme (Valse Sentimentale)0:44:06 - Roy and Craig embrace9th chord | altered dominant | calm | conversing | iii chord | leading lady | leading man | love scene | office | romantic | waltz
The Informer (1935)Mary0:38:47 - Rebels talk about Frankie's sister Mary64 chord | advance plot | augmented sixth chord | conversing | deceptive resolution | headquarters | love | mode mixture | rebel | romantic | room | Scotch snap

The Informer (1935)

Here Comes the Bride0:49:55 - Dream sequence of a voyage to America64 chord | advance plot | antagonist | boat | double exposure | dreaming | familiar tune | leading lady | leading man | pedal tone | romantic | ship | street | vision | wedding

The Informer (1935)

Dan and Mary0:55:53 - Dan and Mary talk aloneABA structure | chromatic parallelism | deceptive resolution | diminished 7th chord | dissonant bass | embracing | half-diminished 7th chord | hero | love interest | love scene | love theme | mode mixture | passionate | pedal tone | romantic | room

The Informer (1935)

Dan and Mary (Dolce)0:57:51 - Dan tells Mary: "I'll come back for you"11th chord | common-tone diminished 7th | crying | dissonant bass | embracing | hero | love interest | love scene | love theme | mode mixture | romantic | room

The Informer (1935)

Dan and Mary (Descending)1:05:08 - Mary enters, looking for Danchromatic sequence | courtroom scene | dissonant bass | down | headquarters | hero | love interest | love theme | mickey-mousing | romantic | stairs | street | suspect | walking

The Informer (1935)

By the Fire1:22:36 - Gypo rests by the fireantagonist | half-diminished 7th chord | leading lady | leading man | love interest | love scene | romantic | room | suspension | traitor | yearning

The Informer (1935)

Katie (Dolcissimo)1:22:57 - Gypo talks to Katieantagonist | chromatic sequence | leading lady | leading man | love | love interest | love scene | romantic | room | traitor | yearning

The Informer (1935)

Dan and Mary (Adagio)1:23:36 - Dan and Mary talk11th chord | dissonant bass | love | love interest | love scene | rebel | romantic | room | yearning

The Informer (1935)

Dan and Mary1:24:05 - Dan and Mary talkconversing | love | love interest | love scene | rebel | romantic | room

The Informer (1935)

Ireland1:24:14 - Dan and Mary talk about the rebel movementconversing | folk-like | love | love interest | love scene | rebel | romantic | room

The Informer (1935)

Dan and Mary (In Love)1:24:19 - Dan and Mary talk about lovelove | love interest | love scene | rebel | romantic | room | yearning
Key Largo (1948)Nora0:17:32 - Nora and Frank walk to the boatconversing | dock | falling in love scene | leading lady | leading man | romantic | triadic | wind

Key Largo (1948)

Nora (Con Moto)0:18:40 - Nora smiles at Frankdock | falling in love scene | leading lady | leading man | romantic | smiling | watching

Key Largo (1948)

Tosses rope 20:18:47 - Frank tosses the rope to Noradock | falling in love scene | leading lady | leading man | mickey-mousing | romantic | rope | throwing
The Letter (1940)Leslie B0:00:25 - Cast listcast list | changing meter | chromatic scale | chromatic sequence | harmonic sequence | main title | opening title sequence | romantic

The Letter (1940)

Robert and Leslie0:20:07 - Leslie looks in the drawerappoggiatura | embracing | home | husband | leading lady | love scene | love theme | pedal tone | romantic | sigh gesture | suspension

The Letter (1940)

Kiss0:20:33 - Robert kisses Lesliehome | husband | kissing | leading lady | love scene | romantic | suspension

The Letter (1940)

Deception (Lohengreenish)1:28:01 - Leslie reacts to Robert's forgivenesschromatic mediant | climax | conversing | diminished 7th chord | dissonant bass | home | husband | kissing | leading lady | ostinato | retardation | romantic | sequence | suspension | tense
Lightning Strikes Twice (1951)Shelly 2 (Dolce)0:43:38 - Shelly talks with Trevactor | cliff | conversing | countryside | falling in love scene | leading lady | leading man | love interest | romance | romantic | suspect

Lightning Strikes Twice (1951)

Shelly 3 (Appassionato)0:43:47 - Shelly talks with Trevactor | cliff | conversing | countryside | falling in love scene | leading lady | leading man | love interest | romance | romantic | suspect

Lightning Strikes Twice (1951)

Shelly 2 (Dolcissimo)0:44:07 - Shelly looks at Trevactor | cliff | conversing | countryside | falling in love scene | gentle | leading lady | leading man | love interest | romance | romantic | suspect

Lightning Strikes Twice (1951)

Shelly 2 (Romantic)0:45:51 - Shelly talks with Trevactor | cliff | conversing | countryside | departing | falling in love scene | gentle | leading lady | leading man | love interest | romantic | suspect | underscoring

Lightning Strikes Twice (1951)

Trev (Triste 2)0:46:33 - Trev climbs to help Shellyactor | cliff | climbing | countryside | danger | falling in love scene | helping | heroic | leading lady | leading man | love interest | rescue | rescuing | romantic | somber | suspect | tense

Lightning Strikes Twice (1951)

Shelly and Trev (Appassionato)0:47:56 - Trev embraces Shellyactor | cliff | countryside | falling in love scene | hugging | kissing | leading lady | leading man | love interest | romantic | suspect

Lightning Strikes Twice (1951)

Trev (Tenderly)1:06:09 - Trev kisses Shellyactor | crying | embracing | gentle | kissing | leading lady | leading man | love interest | love scene | marriage | proposal | ranch | romantic | suspect

Lightning Strikes Twice (1951)

Shelly and Trev (Tenderly)1:06:50 - Trev and Shelly embraceactor | conversing | embracing | kissing | leading lady | leading man | love interest | love scene | marriage | proposal | ranch | romantic | suspect

Lightning Strikes Twice (1951)

Shelly and Trev (Ecstatic)1:07:09 - A car pulls up the ranchactor | arriving | driving | embracing | kissing | leading lady | leading man | love interest | love scene | ranch | romantic | suspect

Lightning Strikes Twice (1951)

Shelly and Trev (Molto Tranquillo)1:07:22 - Trev and Shelly get out of the caractor | calm | conversing | embracing | leading lady | leading man | love interest | love scene | ranch | romantic | suspect

Lightning Strikes Twice (1951)

Shelly (Peaceful) + Shelly 2 (Peaceful)1:07:58 - Trev and Shelly embraceactor | calm | combination of themes | conversing | embracing | kissing | leading lady | leading man | love interest | love scene | mother | owner | ranch | romantic | room | suspect

Lightning Strikes Twice (1951)

Shelly and Trev (Tenderly)1:17:31 - Trev and Shelly embraceactor | conversing | embracing | husband | kissing | leading lady | leading man | love scene | romantic | room | solemn | suspect

Lightning Strikes Twice (1951)

Shelly and Trev (Smile)1:17:51 - Shelly gets ready for bedactor | husband | leading lady | leading man | love scene | romantic | room | suspect | undressing

Lightning Strikes Twice (1951)

Liza (Dolce)1:22:09 - Liza in a dazedisorientation | lost love | murderer | rancher | romantic | room | tender | thinking | turning point
Mildred Pierce (1945)Mildred0:00:23 - Main title, cast list, and wave effectAABA structure | cast list | foreign key modulation | mickey-mousing | mode mixture | opening title sequence | optimistic | romantic | triumphant | water | wave

Mildred Pierce (1945)

Mildred B0:00:52 - Cast list and wave effect9th chord | appoggiatura | cast list | chromatic mediant | deceptive resolution | enharmonic modulation | foreign key modulation | gentle | mickey-mousing | name on screen | opening title sequence | optimistic | romantic | sequential modulation | water | wave

Mildred Pierce (1945)

Mildred0:01:23 - Cast list and wave effectcast list | mickey-mousing | opening title sequence | optimistic | pedal tone | romantic | triumphant | water | wave

Mildred Pierce (1945)

It Can't Be Wrong0:51:16 - Monte plays a record for MildredAABA structure | conversing | heroine | kissing | leading lady | love interest | love scene | popular music | record | record player | romantic | room | score to source borrowing | source music

Mildred Pierce (1945)

It Can't Be Wrong (Romantic)1:04:11 - Monte kisses Mildredadvance plot | chromatic mediant | door | ex-husband | familiar tune | foreign key modulation | heroine | interrupting | kissing | leading lady | love interest | mode mixture | popular music | restaurant | romantic | slamming | source to score | stinger
The Life of Vergie Winters (1934)Here Comes the Bride1:00:46 - Joan and Ranny talk about marriagecommon-chord modulation | conversing | daughter | familiar tune | gentle | love interest | love scene | peaceful | proposal | proposing | romantic | room | transcribed by ear

The Life of Vergie Winters (1934)

Lullaby (Passionate)1:09:39 - John and Vergie embrace9th chord | advance plot | embracing | leading lady | leading man | pedal tone | romantic | room | secret lover | tense
Out of the Fog (1941)Stella and George0:11:54 - George talks to StellaAABA structure | arguing | boyfriend | conversing | dock | establish character | leading lady | romantic | transcribed by ear
Kid Galahad (1937)Heart's Affair0:49:16 - Marie speaks with her motheradvance plot | altered dominant | conversing | harmonic sequence | home | mode mixture | mother | newspaper | romantic | sister | transcribed by ear | yearning

Kid Galahad (1937)

The Moon Is In Tears Tonight (Love's Sorrow)0:53:05 - Ward professes his love for Marieconversing | heartbroken | leading lady | leading man | love scene | newspaper | not by Steiner | romantic | room | transcribed by ear

Kid Galahad (1937)

The Split Up0:56:59 - Louise and Nick break upappoggiatura | conversing | heartbroken | leading lady | love scene | manager | not by Steiner | romantic | room | transcribed by ear

Kid Galahad (1937)

The Split Up0:57:45 - Louise says goodbye to Nickappoggiatura | conversing | heartbroken | leading lady | love scene | manager | not by Steiner | romantic | room | transcribed by ear

Kid Galahad (1937)

Heart's Affair (Trouble)1:15:53 - Ward talks to Marie at the farmadvance plot | deceptive resolution | embracing | farm | kissing | leading man | romantic | sister | transcribed by ear
Traveling Husbands (1931)There's a Sob in My Heart (Duet)0:28:54 - Two lovers sing in a hotel roomAABA structure | comedy | love | popular song | romantic | room | salesman | singing | source music | transcribed by ear

Traveling Husbands (1931)

There's a Sob in My Heart (Radio Waltz)0:32:02 - Music is played on the radiocomedy | listening | popular song | radio | romantic | room | salesman | source music | transcribed by ear

Traveling Husbands (1931)

There's a Sob in My Heart (Arabian)0:35:46 - Music is played on the radioAABA structure | advance plot | Arabian | dancing | exoticism | popular song | radio | romantic | room | salesman | source music | transcribed by ear

Traveling Husbands (1931)

There's a Sob in My Heart (Arabian)0:38:56 - Music is played on the radioadvance plot | Arabian | dancing | exoticism | leading lady | popular song | radio | romantic | room | salesman | source music | transcribed by ear
The Unfaithful (1947)Unfaithful (Dolce)1:46:08 - Bob talks with Chrisaltered dominant | chromatic mediant | common-chord modulation | conversing | foreign key modulation | fragmentation | hopeful | husband | lawyer | mode mixture | ostinato | peaceful | pedal tone | plagal cadence | resolution | resolution | romantic | room | triumphant | wife
We Are Not Alone (1939)Celebre Romance1:01:03 - David plays the violinadvance plot | antagonist | classical music | cook | familiar tune | hero | heroine | home | on-screen music | peaceful | playing | romantic | room | Rubinstein | sentence form | source music | source to score | violin

We Are Not Alone (1939)

Celebre Romance (Accompanied)1:01:56 - Gerald sneaks insideboy | child | classical music | common-tone modulation | familiar tune | hero | heroine | home | mode mixture | on-screen music | peaceful | pivotal scene | playing | romantic | room | Rubinstein | secondary dominant | source music | violin

We Are Not Alone (1939)

Celebre Romance (Accompanied B)1:02:47 - Gerald accidentally mixes up the contents of two bottlesboy | child | classical music | deceptive resolution | familiar tune | hero | heroine | home | linear chromaticism | mode mixture | on-screen music | peaceful | pivotal scene | playing | romantic | room | Rubinstein | source music | violin

We Are Not Alone (1939)

In Love1:30:55 - David realizes he is in love with Leni 9th chord | courtroom | courtroom scene | hero | heroine | linear chromaticism | love scene | realization | realizing | romantic | suspension | testifying | tone cluster

We Are Not Alone (1939)

Celebre Romance (Love)1:37:12 - David and Leni express their love for each otherclassical music | conversing | familiar tune | fragmentation | guard | hero | heroine | love scene | prison | quotation | romantic | Rubinstein

We Are Not Alone (1939)

Underscoring (Romantic)1:39:42 - David comforts Leni9th chord | 13th chord | comforting | conversing | hero | heroine | love scene | prison | romantic | underscoring
White Heat (1949)Verna (Slowly)0:43:41 - Verna kisses Big Edbetrayal | bluesy | gangster | kissing | leading lady | love interest | love scene | moll | mother | porch | romantic | spying | sultry
The Woman in White (1948)The Self Banished1:31:42 - Walter Kisses Marianconversing | embracing | friend | gentle | kissing | leading lady | leading man | leaving | love interest | love scene | romantic | room | thematic transference
The Public Defender (1931)Public Defender0:00:14 - Title and balancing scales (in motion)balancing | deceptive resolution | main title | opening title sequence | romantic | scale | sequence | starring list | transcribed by ear

The Public Defender (1931)

Mystery (End Title)1:08:56 - A kiss and The Endarguing | end title sequence | kissing | leading man | mode mixture | pedal tone | romantic | room | The End | transcribed by ear
Transgression (1931)Serenade0:44:16 - Elsie and Don Arturo talkingABAC structure | calm | conversing | embracing | kissing | leading lady | love interest | love scene | romantic | room | source music
Is My Face Red? (1932)Close to Me0:13:53 - William and Peggy talk in a dressing roomadvance plot | altered dominant | augmented sixth chord | Broadway | common-tone diminished 7th | conversing | dancer | Gypsy major scale | leading man | popular music | romantic | room | source music | transcribed by ear

Is My Face Red? (1932)

I Love Thee0:16:08 - Two people embraceadvance plot | boat | embrace | embracing | leading man | quotation | romantic | transcribed by ear
Secrets of the French Police (1932)Page turn0:00:44 - The page turns and the cast list is revealedcast list | mickey-mousing | newspaper | opening title sequence | page turn | romantic | self-borrowing | turning

Secrets of the French Police (1932)

Romance0:00:46 - Cast listcast list | dissonant bass | hemiola | newspaper | opening title sequence | page turn | romantic | self-borrowing
The Phantom of Crestwood (1932)Transgression0:18:54 - Ms. Wren descends the staircase9th chord | AABA structure | advance plot | arriving | common-chord modulation | conversing | party | radio | romantic | self-borrowing | transcribed by ear
The Roadhouse Murder (1932)Lady With a Past Fox Trot0:35:34 - Chick and Mary talkingAABA structure | cheerful | conversing | dancing | diner | girlfriend | leading lady | leading man | love scene | on-screen music | reporter | romantic | self-borrowing | source music
Thirteen Women (1932)Ursula (Romance)0:08:37 - The swami kisses Ursulaantagonist | embracing | establish character | fortune teller | kissing | leading lady | romantic | room | secondary dominant | swami | transcribed by ear | waltz

Thirteen Women (1932)

Ursula (Romance 2)0:33:10 - Burns kisses Ursula9th chord | advance plot | kissing | leading lady | love interest | Neapolitan | romantic | room | secondary dominant | transcribed by ear | waltz

Thirteen Women (1932)

Ursula (Mysterious Waltz)0:33:37 - Ursula talks to Burns64 chord | advance plot | chromatic parallelism | conversing | half-diminished 7th chord | leading lady | love interest | mode mixture | romantic | room | transcribed by ear | waltz
Before Dawn (1933)Wedding March0:59:55 - Two lovers kissing and The Enddetective | familiar tune | fanfare | kissing | leading lady | leading man | plagal cadence | resolution | romantic | secondary dominant | transcribed by ear | triumphant
Blind Adventure (1933)When You're Far Away0:26:45 - Rose and Richard crash a partyAABA structure | advance plot | conversing | leading lady | leading man | lying | party | popular song | romantic | source music

Blind Adventure (1933)

Isn't This a Night For Love1:02:18 - The Endend title | romantic | The End | triumphant
Headline Shooter (1933)Isn't This a Night For Love0:22:10 - Bill and Jane talk at a barAABA structure | advance plot | bar | conversing | leading lady | leading man | romantic | source music
Dangerous Corner (1934)Introduction0:00:05 - Beeping RKO radio toweropening title sequence | pedal tone | romantic | title of film | transcribed by ear

Dangerous Corner (1934)

Finishing School0:00:17 - Title of the filmaltered dominant | cast list | common-tone diminished 7th | mode mixture | opening title sequence | parallel double period | pedal tone | romantic | transcribed by ear

Dangerous Corner (1934)

Finishing School (Lilting)0:01:25 - On-screen text introducing the storymode mixture | on-screen text | opening title sequence | pedal tone | romantic | transcribed by ear

Dangerous Corner (1934)

The Trysting Place1:04:35 - Charles talks to Ann in the moonlightalternate timeline | balcony | conversing | friend | mode mixture | popular music | proposal | proposing | radio | resolution | romantic | sequence | source music | triadic transformation
We're Only Human (1935)Isn't This a Night For Love (Moonlight)0:23:59 - Pete and Sally having dinnerAABA structure | conversing | date | detective | dinner | leading lady | leading man | love interest | love scene | reporter | romantic | room | source music

We're Only Human (1935)

Isn't This a Night For Love (The End)1:08:36 - Pete kisses Sally9th chord | altered dominant | car | detective | end title sequence | kissing | leading lady | leading man | love interest | mode mixture | reporter | resolution | romantic | The End | transcribed by ear
Girl of the Rio (1932)Querida0:06:40 - Don Jose admires a womanABAC structure | arriving | celebrity | conversing | crowd | establish character | laughing | leading lady | leading man | night club | on-screen music | performing | romantic | singer | singing | source music | Spanish

Girl of the Rio (1932)

Yo Con tu Amor0:12:26 - Don Jose talks with Doloresadvance plot | celebrity | conversing | flirting | leading lady | leading man | night club | parallel double period | romantic | singer | source music | Spanish

Girl of the Rio (1932)

Was it Wrong?0:15:41 - Johnny rolls a pair of diceconversing | crowd | dancing | flirting | leading lady | leading man | love interest | lovers meet | night club | on-screen music | performing | romantic | singer | source music | syncopation | terrace | upbeat

Girl of the Rio (1932)

Querida0:38:14 - Dolores sings and plays the guitarABAC structure | advance plot | conversing | crowd | leading lady | night club | on-screen music | plotting | prison | romantic | singer | singing | source music | terrace | whistling

Girl of the Rio (1932)

Querida0:48:40 - Dolores sees JohnnyABAC structure | conversing | gentle | guard | leading lady | leading man | love interest | love scene | romantic | singer | terrace
Mara Maru (1952)Stella (Molto Expressivo)0:13:53 - Gregory grabs Stella's armconversing | embracing | establish character | leading lady | leading man | romantic | room | waltz

Mara Maru (1952)

Stella0:56:49 - Stella appears as a reflection in the windowconversing | leading lady | leading man | love interest | love scene | reflection shot | relfection | romantic | sailing | ship | ship

Mara Maru (1952)

Stella1:09:02 - Stella tells Gregory she loves himarguing | captain | embracing | leading lady | leading man | love interest | love scene | romantic | sailing | ship | ship

Mara Maru (1952)

Stella (Appassionato)1:22:28 - Gregory talks to Stellacaptain | conversing | leading lady | leading man | love interest | love scene | rain | romantic | ship | storm | wind