| All This, and Heaven Too (1940) | Raynald | 0:32:53 - Henriette helps Raynald | advance plot | caring | child | common-chord modulation | conversing | delicate | duke | gentle | governess | illness | leading lady | leading man | room | sweet |
All This, and Heaven Too (1940) | Henriette (Gentle) | 1:09:26 - Isabelle talks to Henriette | 9th chord | advance plot | child | chromatic parallelism | comforting | crying | gentle | governess | leading lady | Neapolitan | room | sweet |
All This, and Heaven Too (1940) | Henriette (All Hallows Eve) | 1:25:46 - The Duke talks with Henriette | 64 chord | advance plot | conversing | deceptive resolution | duke | forest | gentle | governess | leading lady | leading man | mode mixture | spooky | sweet | tender | whole-tone chord |
All This, and Heaven Too (1940) | Henriette (Very Romantic) | 1:29:07 - Henriette talks with the Duke | 9th chord | altered dominant | augmented triad | conversing | duke | falling in love scene | gentle | governess | leading lady | leading man | pedal tone | romantic | room | sweet |
All This, and Heaven Too (1940) | Henriette (Sehr Delicatessen) | 1:39:12 - Henriette talks with the Duke | calm | conversing | duke | gentle | governess | leading lady | leading man | love scene | room | sweet | tender |
All This, and Heaven Too (1940) | Henriette (Dolschissimo) | 2:21:00 - Henriette kisses a child on the cheek | 9th chord | 64 chord | child | chromatic mediant | conversing | foreign key modulation | gentle | leading lady | leaving | minister | mode mixture | resolution | school | student | sweet | teacher |
All This, and Heaven Too (1940) | Heaven Theme (Resolution) | 2:21:31 - Henriette reacts to Henry | gentle | leading lady | looking | minister | resolution | school | sweet | teacher |
| The Breaking Point (1950) | The Breaking Point (Ethereal) | 1:34:41 - Harry recognizes Lucy | 9th chord | boat | climax | comforting | conversing | crying | ethereal | leading lady | leading man | mixed meter | mode mixture | sailor | sweet | wife |
The Breaking Point (1950) | The Breaking Point (Cellos) | 1:35:14 - Harry talks with Lucy | boat | climax | comforting | conversing | crying | ethereal | foreign key modulation | leading lady | leading man | mixed meter | sailor | sweet | wife |
The Breaking Point (1950) | Calm | 1:35:38 - Lucy leaves | augmented triad | boat | climax | comforting | conversing | crying | ethereal | leading lady | leading man | pedal tone | sailor | sweet | wife |
| City for Conquest (1940) | Tone Poem D (Dolce) | 1:28:33 - Gladys talks to Peggy | 9th chord | 11th chord | advance plot | blue note | chromatic sequence | comforting | common-tone diminished 7th | conversing | crying | friend | gentle | leading lady | mode mixture | newspaper | parallel fifths | room | sweet |
| They Made Me a Criminal (1939) | The Fugitive (Recovering) | 0:27:13 - Peggy takes care of Johnnie | 9th chord | foreign key modulation | heroine | leading lady | leading man | lovers meet | nursing | recovering | romance | room | sweet | waking |
They Made Me a Criminal (1939) | Peggy (Dolce) | 0:28:20 - Peggy talks to Johnnie | 9th chord | 11th chord | 13th chord | deceptive resolution | foreign key modulation | heroine | kissing | leading lady | leading man | lovers meet | nursing | recovering | romance | room | sweet | tender |
| Death of a Scoundrel (1956) | Bridget (Sweetly) | 1:56:56 - Clementi speaks with Bridget on the phone | flashback | injury | phone call | sweet |
| Deep Valley (1947) | Barry (Dolce) | 0:51:17 - Barry talks to Libby | convict | falling in love scene | forest | fugitive | leading lady | leading man | story | storytelling | sweet |
Deep Valley (1947) | Homestead (Dolce) | 0:57:50 - Ellie comes downstairs | father | gentle | mother | reconciliation scene | reuniting | room | sweet | timid |
| Dust Be My Destiny (1939) | Dust Be My Destiny (Expectant) | 0:18:08 - Mabel leaves | advance plot | expectant | gentle | guard | hopeful | leading lady | leading man | pedal tone | prison | prisoner | sweet |
Dust Be My Destiny (1939) | Dust Be My Destiny (Denied) | 0:18:23 - Mabel talks to Joe | conflict | deceptive resolution | denial | expectant | gentle | guard | hopeful | leading lady | leading man | prison | prisoner | stinger | sweet |
Dust Be My Destiny (1939) | Dust Be My Destiny (Dolceeessimo) | NIF - not in film | barn | cut from film | deceptive resolution | foreign key modulation | intervallic expansion | love scene | pedal tone | sequence | sweet |
Dust Be My Destiny (1939) | My Wild Irish Rose (Grandioso) | 0:52:06 - Joe and Mabel leave on a train | 9th chord | 64 chord | calm | escape | familiar tune | friend | leading lady | leading man | popular song | shopkeeper | sweet | tender | train station | triumphant |
| The FBI Story (1959) | Lucy A (Introduction) | 0:56:55 - Chip comforts Lucy | flashback | love | sweet |
The FBI Story (1959) | Lucy A (Innocent) | 0:57:45 - Chip comforts Lucy | flashback | innocent | music box | sweet |
The FBI Story (1959) | Lucy B (Bright) | 0:58:16 - Chip comforts Lucy | flashback | innocent | music box | sweet |
The FBI Story (1959) | Lucy A (Peaceful) | 0:59:00 - Chip comforts Lucy | flashback | innocent | music box | sweet |
| Flamingo Road (1949) | Lane (Dolce) | 0:17:58 - Lane flirts with Field | falling in love scene | flirting | leading lady | leading man | love interest | pedal tone | playful | police | porch | sweet |
Flamingo Road (1949) | Lane (Bell-like) | 0:54:43 - Lane gives Dan some change | fragmentation | gentle | giving | leading lady | leading man | love interest | love scene | politician | porch | receiving | sweet |
| In This Our Life (1942) | Roy (Dolce) | 0:12:06 - Roy talks with Stanley | added-note chord | altered dominant | conversing | establish character | gentle | half-diminished 7th chord | leading lady | room | sequence | sister | sweet |
In This Our Life (1942) | Roy (Lento) | 0:14:59 - Roy talks about their future | 64 chord | advance plot | common-chord modulation | conversing | dark | deceptive resolution | dissonant bass | embracing | leading lady | leading man | room | sweet |
In This Our Life (1942) | Roy (Tender) | 0:30:21 - Craig talks to Roy | 64 chord | advance plot | conversing | deceptive resolution | gentle | leading lady | leading man | mode mixture | park | sweet |
In This Our Life (1942) | Roy (Delicate) | 0:50:40 - Roy arrives at Stanley's apartment | advance plot | arriving | deceptive resolution | foreign key modulation | friend | gentle | leading lady | room | sweet |
| Mildred Pierce (1945) | Kay and Veda (Dolce) | 0:32:13 - Mildred and Veda talk about Kay | added-note chord | advance plot | child | conversing | heroine | leading lady | mode mixture | room | sleeping | sweet |
Mildred Pierce (1945) | Bert (Tenderly) | 1:39:33 - Mildred thanks Bert | advance plot | ex-husband | gentle | heroine | leading lady | mother | room | sweet | thanking |
| The Life of Vergie Winters (1934) | Lullaby (Cello Solo) | 1:08:38 - Vergie talks with John | added-note chord | advance plot | common-chord modulation | confident | hopeful | hoping | leading lady | leading man | room | secret lover | sweet | warm |
| We Are Not Alone (1939) | Surprise Symphony (Imagination) | 0:03:55 - David talks to his son | boy | child | chromatic parallelism | establish character | father | gentle | hero | home | playful | sweet | telling a story |
We Are Not Alone (1939) | Surprise Symphony (Humbly) | 0:13:10 - David treats Leni's leg | classical music | common-tone diminished 7th | doctor | establish character | familiar tune | fragmentation | gentle | Haydn | hero | heroine | hymn-like | quotation | room | sweet |
We Are Not Alone (1939) | Surprise Symphony (Dolce) | 0:25:02 - Gerald asks to go with his father on a trip | advance plot | boy | child | classical music | conversing | familiar tune | father | Haydn | hero | home | mode mixture | quotation | sweet | warm |
We Are Not Alone (1939) | Frohe Botschaft (Ethereal) | 0:25:12 - David tells his son about his patient, Leni | 9th chord | 64 chord | advance plot | boy | child | conversing | familiar tune | father | folk song | German | hero | home | mode mixture | pedal tone | quotation | sweet |
We Are Not Alone (1939) | Surprise Symphony (Lullaby) | 0:25:36 - David asks his son to help Leni | advance plot | boy | child | classical music | conversing | familiar tune | father | Haydn | hero | home | pedal tone | quotation | sweet |
We Are Not Alone (1939) | Surprise Symphony (Expanded) | 0:45:36 - Leni hugs Gerald | advance plot | boy | child | chromatic parallelism | classical music | dissonant bass | familiar tune | Haydn | heroine | home | hugging | quotation | room | sweet |
We Are Not Alone (1939) | Surprise Symphony (Allegretto) | 1:14:16 - David helps Leni buy a ticket | advance plot | classical music | conversing | familiar tune | fragmentation | gentle | Haydn | hero | heroine | optimistic | pedal tone | quotation | sequence | sweet | train station |
We Are Not Alone (1939) | Frohe Botschaft (Drifting) | 1:14:30 - David gives Leni money for her travels | altered dominant | arrest | arresting | chromatic parallelism | conflict | conversing | dark | death | familiar tune | folk song | gentle | German | happy | hero | heroine | mode mixture | murder | police | quotation | sad | sweet | tense | train station | whole-tone chord |
We Are Not Alone (1939) | Surprise Symphony (Someday) | 1:39:55 - David is hopeful | 64 chord | classical music | comforting | conversing | deceptive resolution | dream-like | familiar tune | foreign key modulation | gentle | Haydn | hero | heroine | imagining | love scene | prison | quotation | sweet |
We Are Not Alone (1939) | Surprise Symphony (Acceptance) | 1:47:27 - David talks to the prison guards | advance plot | classical music | familiar tune | gentle | Haydn | hero | mode mixture | plagal cadence | prison | quotation | reverse picardy | sweet |
We Are Not Alone (1939) | Surprise Symphony (Whistling) | 1:48:34 - David whistles as he thinks | advance plot | augmentation | classical music | deceptive resolution | familiar tune | gentle | Haydn | hero | on-screen music | pedal tone | prison | quotation | score to source | source music | sweet | whistling |
| Roar of the Dragon (1932) | Little White Lies | 0:35:07 - | happy | hopeful | sweet |
Roar of the Dragon (1932) | An Old Adobe | 0:41:03 - | drunk | romantic | somber | sorrowful | sweet |
Roar of the Dragon (1932) | Always | 0:47:33 - | playful | sweet |
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