| Illegal (1955) | Drinking | 0:17:25 - Vic talks to reporter at the bar | bar | drinking | underscoring |
Illegal (1955) | Underscoring (Dark) | 0:20:03 - Newspaper headline about Clary's mother | bar | drunk | hero |
Illegal (1955) | Grabs newspaper | 0:20:03 - Man grabs the newpaper from Vic | bar | drunk | mickey-mousing | newspaper |
Illegal (1955) | Punches man | 0:20:38 - Vic punches the man | bar | drunk | mickey-mousing | punching | violence |
| In This Our Life (1942) | South American Way | 1:07:39 - Stanley in a bar | advance plot | bar | bartender | dancing | drinking | jukebox | leading lady | upbeat | waiting |
| The Informer (1935) | The Irish Washerwoman | 0:43:45 - People sing and dance in a pub | advance plot | antagonist | bar | familiar tune | folk song | happy | Irish | leading man | source music | whistling |
The Informer (1935) | Blood Money | 0:44:44 - Gypo tosses money to the pub-keeper | advance plot | antagonist | bar | bartender | excited | giving | leading man | money |
The Informer (1935) | The Irish Washerwoman (Pub) + Blood Money + The Wearin’ o’ the Green + The Informer | 0:44:52 - People celebrate in the pub | advance plot | antagonist | bar | chaotic | chromatic scale | close-up | combination of themes | crowd | dark | dissonant bass | excited | familiar tune | folk song | foreign key modulation | happy | heroic | Irish | layering | leading man | mob | mobbing | octatonic | parallelism | pedal tone | polytonality | rebel | serving | source to score | spying | tense | whole-tone | yelling | zoom in |
| The Life of Vergie Winters (1934) | Oh! You Beautiful Doll | 0:17:47 - People in a bar | advance plot | bar | business man | conversing | mode mixture | ragtime | source music | upbeat |
The Life of Vergie Winters (1934) | Ida (Sweet As Apple Cider) | 0:28:55 - People in a bar | advance plot | bar | business man | conversing | parallel double period | ragtime | source music | upbeat |
| Traveling Husbands (1931) | Bicycle Built for Two | 0:20:51 - Music is played in a bar room | AABC structure | advance plot | bar | calm | conversing | eating | leading lady | popular song | source music | transcribed by ear |
Traveling Husbands (1931) | Sidewalks of New York | 0:21:01 - Music is played in a bar room | advance plot | bar | calm | conversing | eating | leading lady | popular song | source music | transcribed by ear |
| Is My Face Red? (1932) | Press Club | 0:02:41 - Man serving beer in a bar | bar | bartender | establish setting | jazz | server | serving | transcribed by ear | upbeat |
| State’s Attorney (1932) | Beer Glasses | 0:53:26 - Tom tunes his beer glasses to A | advance plot | bar | drunk | drunk | lawyer | leading man | on-screen music | source music | tuning |
State’s Attorney (1932) | Wedding March | 0:53:50 - Tom plays the Wedding March | advance plot | bar | drunk | drunk | lawyer | leading man | on-screen music | playing | source music |
State’s Attorney (1932) | Beer Glasses | 0:54:08 - Tom strikes a beer glass | advance plot | bar | drunk | drunk | lawyer | leading man | on-screen music | playing | source music |
State’s Attorney (1932) | Beer Glasses | 0:54:32 - Tom strikes a beer glass | advance plot | bar | drunk | drunk | lawyer | leading man | on-screen music | playing | source music |
| Headline Shooter (1933) | Tell Me is It Love? | 0:21:50 - Bill and Jane at a bar | advance plot | bar | conversing | drunk | leading lady | leading man | parallel double period | pleasant | source music |
Headline Shooter (1933) | Isn’t This a Night For Love | 0:22:10 - Bill and Jane talk at a bar | AABA structure | advance plot | bar | conversing | leading lady | leading man | romantic | source music |
| The Breaking Point (1950) | La Adelita | 0:09:56 - A Mexican village at night | arriving | bar | bartender | conversing | establish setting | folk music | leading man | musician | on-screen music | performing | sailor | salesperson | selling | source music | street | upbeat | working |
The Breaking Point (1950) | Carmen, Carmela | 0:11:11 - Harry talks to Duncan in a bar | bar | conversing | criminal | establish setting | floozy | folk music | gambling | leading lady | leading man | musician | on-screen music | performing | pleasant | sailor | serenading | singing | source music |
The Breaking Point (1950) | La Golondrina | 0:12:21 - Harry sits down with Leona in the bar | advance plot | bar | calm | conversing | fisherman | flirting | floozy | folk music | leading lady | leading man | sailor | source music |
The Breaking Point (1950) | Mi Mariposa | 0:15:21 - Harry talks to the bartender | advance plot | arguing | art song | bar | bartender | calm | conversing | leading man | on-screen music | sailor | source music |
The Breaking Point (1950) | Eres Mujer | 0:15:56 - Harry talks to Duncan | advance plot | bar | calm | conversing | criminal | leading man | on-screen music | performing | sailor | source music | tango | whispering |
The Breaking Point (1950) | En Mi Canto de Amor | 0:21:43 - Harry talks to Duncan | advance plot | bar | conversing | criminal | leading man | planning | pleasant | sailor | source music |
The Breaking Point (1950) | Please Don’t Talk About Me When I’m Gone | 0:39:07 - Harry arrives at a bar | advance plot | bar | bartender | criminal | dancing | floozy | jukebox | leading lady | leading man | on-screen music | sailor | singing | source music | upbeat |
The Breaking Point (1950) | Ask Me No Questions | 0:40:46 - Harry talks to Duncan | advance plot | arguing | bar | bartender | conversing | criminal | floozy | jukebox | leading lady | leading man | mellow | sailor | source music |
The Breaking Point (1950) | On an Ordinary Morning | 0:43:33 - Leona and Harry sit together in a bar | advance plot | bar | conversing | floozy | jukebox | leading lady | leading man | mellow | sailor | source music | wife |
