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123 results for "bar" in 19 films — see also BAR | cake | club | night club | pub | room

FilmTheme nameInstanceTags
The Big Sleep (1946)Wotta Life1:08:09 - Marlowe talks to Mars12-bar blues | advance plot | club | criminal | investigating | leading man | private eye | source music | suspect | upbeat
The Breaking Point (1950)La Adelita0:09:56 - A Mexican village at nightarriving | bar | bartender | conversing | establish setting | folk music | leading man | musician | on-screen music | performing | sailor | salesperson | selling | source music | street | upbeat | working

The Breaking Point (1950)

Carmen, Carmela0:11:11 - Harry talks to Duncan in a barbar | conversing | criminal | establish setting | floozy | folk music | gambling | leading lady | leading man | musician | on-screen music | performing | pleasant | sailor | serenading | singing | source music

The Breaking Point (1950)

La Golondrina0:12:21 - Harry sits down with Leona in the baradvance plot | bar | calm | conversing | fisherman | flirting | floozy | folk music | leading lady | leading man | sailor | source music

The Breaking Point (1950)

Mi Mariposa0:15:21 - Harry talks to the bartenderadvance plot | arguing | art song | bar | bartender | calm | conversing | leading man | on-screen music | sailor | source music

The Breaking Point (1950)

Eres Mujer0:15:56 - Harry talks to Duncanadvance plot | bar | calm | conversing | criminal | leading man | on-screen music | performing | sailor | source music | tango | whispering

The Breaking Point (1950)

En Mi Canto de Amor0:21:43 - Harry talks to Duncanadvance plot | bar | conversing | criminal | leading man | planning | pleasant | sailor | source music

The Breaking Point (1950)

Please Don’t Talk About Me When I’m Gone0:39:07 - Harry arrives at a baradvance plot | bar | bartender | criminal | dancing | floozy | jukebox | leading lady | leading man | on-screen music | sailor | singing | source music | upbeat

The Breaking Point (1950)

Ask Me No Questions0:40:46 - Harry talks to Duncanadvance plot | arguing | bar | bartender | conversing | criminal | floozy | jukebox | leading lady | leading man | mellow | sailor | source music

The Breaking Point (1950)

On an Ordinary Morning0:43:33 - Leona and Harry sit together in a baradvance plot | bar | conversing | floozy | jukebox | leading lady | leading man | mellow | sailor | source music | wife

The Breaking Point (1950)

I Guess I’ll Have to Change My Plan1:00:26 - Harry in a restaurantadvance plot | bartender | conversing | floozy | leading lady | leading man | mellow | restaurant | sailor | source music
Crime School (1938)Underscoring (Dramatic)0:29:09 - Frankie hides then runsbarbed wire fence | battle call | chromatic parallelism | chromatic scale | diminished 7th chord | dramatic | escape | escaping | gang | hiding | jumping | mickey-mousing | reformatory | running | teenager | tense

Crime School (1938)

Sue (Barbed Wire)0:29:18 - Frankie gets caught on barbed wireanguished | barbed wire fence | battle call | chromatic parallelism | chromatic scale | climbing | diminished 7th chord | dissonant bass | dramatic | escape | half-diminished 7th chord | pain | pc set | reformatory | struggling | teenager | tense

Crime School (1938)

The Warden (The Guards)0:29:34 - Warden's guards run to catch Frankie64 chord | anguished | barbed wire fence | battle call | capturing | chromatic parallelism | chromatic scale | dragging | dramatic | escape | falling | pc set | police | reformatory | running | sequence | teenager | tense | warden
Deep Valley (1947)Homestead (Dramatic)0:00:37 - A farmhousebarnyard | calm | cast list | farmhouse | opening title sequence | tense

Deep Valley (1947)

Homestead (Grazioso)0:01:02 - A rooster crowingbarnyard | calm | establish character | establish place | farmhouse

Deep Valley (1947)

Homestead (Moderato)0:15:18 - Homestead in the distancebarnyard | dark | father | gentle | leading lady | mother | reading | room | transition

Deep Valley (1947)

Barry (Tense 2)1:15:38 - Barry drops his gunadvance plot | barn | conversing | convict | fugitive | leading lady | leading man | love interest | tense

Deep Valley (1947)

Barry (Tender)1:15:59 - Barry apologizes to Libbyadvance plot | apologizing | barn | convict | embracing | fugitive | leading lady | leading man | love interest | tender

Deep Valley (1947)

Deep Valley (Kiss)1:16:19 - Barry kisses Libbyadvance plot | barn | convict | crying | embracing | fugitive | kissing | leading lady | leading man | love interest | tender

Deep Valley (1947)

Deep Valley (Sostenuto)1:16:37 - Libby talks with Barryadvance plot | barn | calm | conversing | convict | fugitive | hopeful | leading lady | leading man | love interest

Deep Valley (1947)

Underscoring (Tense)1:17:04 - Barry picks up the gunadvance plot | barn | conversing | convict | fugitive | leading lady | leading man | love interest | tense | underscoring

Deep Valley (1947)

Deep Valley (Dolce)1:17:25 - Barry talks with Libbyadvance plot | barn | conversing | convict | fugitive | gentle | leading lady | leading man | love interest | tender

Deep Valley (1947)

Underscoring (Dramatic)1:17:55 - Barry hears a noiseadvance plot | barn | convict | dramatic | fugitive | leading lady | leading man | love interest | sneaking | stinger | tense | walking

Deep Valley (1947)

Deep Valley (Lonely)1:18:43 - Barry looks aroundadvance plot | barn | leading lady | leaving | lonely | yard

Deep Valley (1947)

My Bonnie Lies Over the Ocean1:21:19 - Barry listens at the dooradvance plot | barn | cheerful | convict | father | fugitive | leading man | love interest | singing

Deep Valley (1947)

Deep Valley (Misterioso)1:23:23 - Barry looks at Libbyadvance plot | barn | calm | convict | embracing | fugitive | kissing | leading lady | leading man | love interest | mysterious

Deep Valley (1947)

Underscoring (Dramatic)1:23:43 - Barry hears a noiseadvance plot | barn | convict | dramatic | fugitive | leading lady | leading man | love interest | rushing | tense | worrying

Deep Valley (1947)

Joe (Running)1:23:58 - Barry talks to Libbyadvance plot | barn | calm | conversing | convict | fugitive | leading lady | leading man | love interest

Deep Valley (1947)

Underscoring (Tense)1:24:11 - Libby talks to Barryadvance plot | barn | convict | fugitive | leading lady | leading man | love interest | tense | worrying

Deep Valley (1947)

Libby (Sneaking)1:24:14 - Libby talks to Barryadvance plot | barn | convict | fugitive | leading lady | leading man | love interest | tense | worrying | worrying effect

Deep Valley (1947)

Deep Valley1:24:39 - Libby talks to Barryadvance plot | barn | calm | convict | fugitive | hopeful | hoping | leading lady | leading man | love interest

Deep Valley (1947)

Barry (Misterioso)1:27:15 - Libby talks to Barryagitated | barn | conflict | convict | dark | father | fugitive | leading lady | leading man | love interest | mysterious | searching | worrying

Deep Valley (1947)

Underscoring (Tense)1:28:00 - Barry prepares to attackbarn | conflict | convict | dark | fugitive | leading lady | leading man | love interest | stinger | tense | waiting

Deep Valley (1947)

Deep Valley (Slowly)1:28:11 - Libby climbs the ladderbarn | conflict | convict | descending | fugitive | leading lady | leading man | love interest | tense | uneasy

Deep Valley (1947)

Libby 3 (Tense)1:28:28 - Libby comes down the ladderbarn | conflict | conversing | convict | father | fugitive | leading lady | leading man | love interest | tense | uneasy | walking

Deep Valley (1947)

Running (Extended)1:29:26 - Libby runs to the barnadvance plot | barn | convict | father | fugitive | hesitating | leading lady | leading man | love interest | mickey-mousing | running | tense | uneasy | yard

Deep Valley (1947)

Barry (Very Slowly)1:30:02 - Libby climbs the ladderadvance plot | arriving | barn | climbing | convict | fugitive | leading lady | leading man | love interest | somber | uneasy | walking

Deep Valley (1947)

Libby (Somber) + Barry (Somber)1:30:26 - Libby talks to Barryadvance plot | barn | combination of themes | comforting | convict | fugitive | leading lady | leading man | love interest | somber

Deep Valley (1947)

Deep Valley (Quasi Appassionato)1:30:51 - Barry looks at Libbyadvance plot | barn | comforting | conflicted | convict | fugitive | hopeful | leading lady | leading man | love interest

Deep Valley (1947)

Barry (Drunk)1:31:10 - Barry talks to Libbyadvance plot | anxious | anxious effect | barn | conversing | convict | fugitive | leading lady | leading man | love interest | worried | worrying

Deep Valley (1947)

Deep Valley (Delicato)1:31:30 - Barry embraces Libbyadvance plot | barn | comforting | convict | fugitive | hopeful | leading lady | leading man | love interest | street | tense

Deep Valley (1947)

Libby 2 (Molto Expressivo)1:33:40 - Ellie walks to the barnadvance plot | barn | convict | eavesdropping | fugitive | leading lady | leading man | love interest | mother | sneaking | tense | walking | yard

Deep Valley (1947)

Libby 2 (Misterioso)1:34:15 - Ellie climbs the ladderadvance plot | barn | climbing | convict | eavesdropping | fugitive | leading lady | leading man | love interest | mother | mysterious | sneaking | tense

Deep Valley (1947)

Rushing away1:36:01 - Libby rushes out of the barnbarn | climax | convict | descending | dramatic | fugitive | leading lady | leading man | love interest | mother | rushing | rushing effect | tense

Deep Valley (1947)

Libby 2 (Frantic)1:36:05 - Ellie calls after Libbybarn | begging | climax | convict | frantic | fugitive | leading lady | leading man | love interest | mother | pleading | tense

Deep Valley (1947)

Libby (Running)1:36:13 - Libby and Barry run out of the barnbarn | begging | climax | convict | father | frantic | fugitive | leading lady | leading man | love interest | mother | pleading | running | rushing | tense | yard

Deep Valley (1947)

Libby (Stormy)1:36:26 - Cliff looks for Elliebarn | climax | convict | crying | dark | father | fugitive | hiding | leading lady | leading man | love interest | mother | running | rushing | sneaking | tense | yard
Dust Be My Destiny (1939)Comedy fall0:13:08 - Joe falls over while milking the cowbarn | chromatic parallelism | chromatic scale | comical | falling | leading lady | leading man | lovers meet | mickey-mousing | prisoner

Dust Be My Destiny (1939)

Underscoring (Humorous)0:13:13 - Joe talks to the cowbarn | chromatic parallelism | comical | conversing | cow | diminished triad | dissonant bass | leading man | lovers meet | prisoner | underscoring

Dust Be My Destiny (1939)

Dust Be My Destiny (Playful)0:13:38 - Mabel talks to Joebarn | comical | common-tone diminished 7th | cow | laughing | leading lady | leading man | lovers meet | playful | prisoner | romantic

Dust Be My Destiny (1939)

Joe fights cow0:13:56 - Joe fights cow (off-screen)augmented triad | barn | chromatic parallelism | chromatic scale | comical | cow | diminished 7th chord | fighting | leading lady | leading man | lovers meet | mickey-mousing | prisoner

Dust Be My Destiny (1939)

Dust Be My Destiny (Laughing)0:14:07 - Mabel laughs at Joebarn | chromatic parallelism | comical | diminished 7th chord | laughing | leading lady | leading man | lovers meet | prisoner

Dust Be My Destiny (1939)

Laughing0:14:10 - Mabel laughs at Joebarn | chromatic parallelism | comical | diminished 7th chord | laughing | leading lady | leading man | lovers meet | mickey-mousing | prisoner

Dust Be My Destiny (1939)

Dust Be My Destiny (Agitated)0:14:22 - Joe argues with Mabelagitated | arguing | barn | fragmentation | leading lady | leading man | lovers meet | prisoner | sequence

Dust Be My Destiny (1939)

Underscoring (Tense)0:14:40 - Charlie entersbarn | leading lady | leading man | lovers meet | prisoner | stinger | tense | underscoring | villain | warden

Dust Be My Destiny (1939)

Dust Be My Destiny (Tense)0:14:53 - Joe talks to Charliebarn | dark | dissonant | leading lady | leading man | lovers meet | prisoner | tense | tritone | villain | warden

Dust Be My Destiny (1939)

Dust Be My Destiny (Dolceeessimo)NIF - not in filmbarn | cut from film | deceptive resolution | foreign key modulation | intervallic expansion | love scene | pedal tone | sequence | sweet

Dust Be My Destiny (1939)

Underscoring (Romantic)0:21:46 - Mabel talks with Joebarn | leading lady | leading man | love scene | pedal tone | romantic | underscoring

Dust Be My Destiny (1939)

Dust Be My Destiny (In Love)0:22:04 - Mabel and Joe talk9th chord | added-note chord | barn | common-tone diminished 7th | leading lady | leading man | love scene | mode mixture | romantic | secondary dominant

Dust Be My Destiny (1939)

Dust Be My Destiny (Pensive)0:23:08 - Joe tells Mabel about his dreams11th chord | barn | chromatic mediant | dreaming | foreign key modulation | leading lady | leading man | love scene | mode mixture | pensive

Dust Be My Destiny (1939)

Dust Be My Destiny (Expressivo)0:23:38 - Joe and Mabel talk9th chord | added-note chord | augmented sixth chord | barn | common-tone diminished 7th | leading lady | leading man | love scene | mode mixture | romantic | secondary dominant | sequence

Dust Be My Destiny (1939)

Dust Be My Destiny (Ethereal)0:24:50 - Joe tells Mabel he loves herbarn | common-tone diminished 7th | deceptive resolution | inversion | kissing | leading lady | leading man | love scene | romantic

Dust Be My Destiny (1939)

Underscoring (Dark)0:25:03 - Charlie interrupts the loversbarn | chromatic scale | conflict | dark | diminished 7th chord | hexatonic scale | leading lady | leading man | underscoring | villain | warden

Dust Be My Destiny (1939)

Underscoring (Dramatic)0:25:23 - Charlie grabs Mabel's armbarn | chromatic scale | conflict | diminished 7th chord | dramatic | leading lady | leading man | underscoring | villain | warden

Dust Be My Destiny (1939)

Dust Be My Destiny (Fight)0:25:41 - Charlie and Joe fight42 chord | barn | chromatic parallelism | chromatic scale | chromatic wedge | conflict | dramatic | fighting | leading lady | leading man | linear chromaticism | mickey-mousing | octatonic scale | punching | villain | warden | whole-tone scale

Dust Be My Destiny (1939)

Dust Be My Destiny (Running Away)0:25:55 - Joe and Mabel run64 chord | barn | conflict | diminution | dramatic | leading lady | leading man | running | sequence

Dust Be My Destiny (1939)

Running0:26:05 - Joe and Mabel run9th chord | barn | conflict | dramatic | leading lady | leading man | mickey-mousing | octatonic | running

Dust Be My Destiny (1939)

Dying0:26:09 - Charlie falls and diesbarn | death | death | dramatic | falling | mickey-mousing | villain | warden

Dust Be My Destiny (1939)

Turning around0:26:13 - Joe and Mabel turn around64 chord | barn | death | dramatic | leading lady | leading man | mickey-mousing | prisoner | turning

Dust Be My Destiny (1939)

Dust Be My Destiny (Fateful Decision)0:26:17 - Joe and Mabel decide to run away togetherbarn | confused | deceptive resolution | fragmentation | hopeful | leading lady | leading man | mode mixture | runaway | turning point

Dust Be My Destiny (1939)

Underscoring (Dramatic)0:26:38 - Car drives towards Joe and Mabeladded-note chord | barn | conflict | dissonant bass | dramatic | headlights | passerby | stinger | tone cluster | underscoring

Dust Be My Destiny (1939)

Running away0:26:45 - Joe and Mabel run awaybarn | conflict | diminished 7th chord | dramatic | leading lady | leading man | mickey-mousing | pedal tone | runaway | running
Her Kind of Man (1946)Night Clubs0:01:12 - Montage of night clubsbar | bluesy | club | crowd | dancer | dancing | double exposure | eating | journalist | montage | montage | performer | performing | simulated source music | street | voice-over

Her Kind of Man (1946)

Candy (Dark)1:12:58 - Candy leavesbar | calling | conversing | criminal | dark | double-cross | gambler | henchman | husband | leading man | murderer | ominous | stinger | telephone | turning point | warehouse
I Was a Communist for the FBI (1951)I'm in a Jam with Baby0:15:20 - Matt enters a baradvance plot | agent | arriving | bar | calling | conversing | customer | dialing | jazz | jukebox | leading man | source music | sultry | telephone | undercover agent | walking
Illegal (1955)Drinking0:17:25 - Vic talks to reporter at the barbar | drinking | underscoring

Illegal (1955)

Underscoring (Dark)0:20:03 - Newspaper headline about Clary's motherbar | drunk | hero

Illegal (1955)

Grabs newspaper0:20:03 - Man grabs the newpaper from Vicbar | drunk | mickey-mousing | newspaper

Illegal (1955)

Punches man0:20:38 - Vic punches the man bar | drunk | mickey-mousing | punching | violence
In This Our Life (1942)South American Way1:07:39 - Stanley in a baradvance plot | bar | bartender | dancing | drinking | jukebox | leading lady | upbeat | waiting
The Informer (1935)Blood Money (Whiskey)0:21:03 - Gypo takes his money out to pay the bartenderadvance plot | antagonist | bartender | leading man | money | mysterious | paying | pub | tense

The Informer (1935)

The Informer (Drinking)0:21:23 - Gypo takes a drinkadvance plot | antagonist | bartender | drinking | leading man | mysterious | octatonic | pub | Scotch snap | tense | tritone | whole-tone | whole-tone chord

The Informer (1935)

Blood Money (Four Coins)0:23:15 - Bartender puts four coins on the tableadvance plot | antagonist | augmented triad | bartender | coin | counting | half-diminished 7th chord | leading lady | leading man | mickey-mousing | money | mysterious | placing | pub | tense

The Informer (1935)

The Irish Washerwoman0:43:45 - People sing and dance in a pubadvance plot | antagonist | bar | familiar tune | folk song | happy | Irish | leading man | source music | whistling

The Informer (1935)

Blood Money0:44:44 - Gypo tosses money to the pub-keeperadvance plot | antagonist | bar | bartender | excited | giving | leading man | money

The Informer (1935)

The Irish Washerwoman (Pub) + Blood Money + The Wearin' o' the Green + The Informer0:44:52 - People celebrate in the pubadvance plot | antagonist | bar | chaotic | chromatic scale | close-up | combination of themes | crowd | dark | dissonant bass | excited | familiar tune | folk song | foreign key modulation | happy | heroic | Irish | layering | leading man | mob | mobbing | octatonic | parallelism | pedal tone | polytonality | rebel | serving | source to score | spying | tense | whole-tone | yelling | zoom in
The Life of Vergie Winters (1934)Oh! You Beautiful Doll0:17:47 - People in a baradvance plot | bar | business man | conversing | mode mixture | ragtime | source music | upbeat

The Life of Vergie Winters (1934)

Ida (Sweet As Apple Cider)0:28:55 - People in a baradvance plot | bar | business man | conversing | parallel double period | ragtime | source music | upbeat
Out of the Fog (1941)Comparsa Negra No.10:35:38 - People dancing in a conga lineABAC structure | bartender | club | conversing | criminal | crowd | dancer | dance scene | dancing | eating | Latin music | leading lady | leading man | musician | on-screen music | parallel double period | playing | source music | upbeat

Out of the Fog (1941)

No Digas0:37:46 - Cuban dancers and musiciansAABA structure | bartender | club | conversing | criminal | crowd | dancer | dance scene | dancing | Latin music | leading lady | leading man | musician | on-screen music | playing | source music | upbeat
Traveling Husbands (1931)Bicycle Built for Two0:20:51 - Music is played in a bar roomAABC structure | advance plot | bar | calm | conversing | eating | leading lady | popular song | source music | transcribed by ear

Traveling Husbands (1931)

Sidewalks of New York0:21:01 - Music is played in a bar roomadvance plot | bar | calm | conversing | eating | leading lady | popular song | source music | transcribed by ear
We Are Not Alone (1939)Barcarolle0:44:06 - Gerald talks about sailing9th chord | advance plot | barcarolle | boy | child | dissonant bass | heroine | home | hopeful | imagination | pedal tone | room | telling a story
Hell’s Highway (1932)The Load is Heavy0:17:26 - Men singing in prisonadvance plot | barbershop | cheerful | guard | on-screen music | prison | prisoner | singing | source music | transcribed by ear
Is My Face Red? (1932)Press Club0:02:41 - Man serving beer in a barbar | bartender | establish setting | jazz | server | serving | transcribed by ear | upbeat
State’s Attorney (1932)Beer Glasses0:53:26 - Tom tunes his beer glasses to Aadvance plot | bar | drunk | drunk | lawyer | leading man | on-screen music | source music | tuning

State’s Attorney (1932)

Wedding March0:53:50 - Tom plays the Wedding Marchadvance plot | bar | drunk | drunk | lawyer | leading man | on-screen music | playing | source music

State’s Attorney (1932)

Beer Glasses0:54:08 - Tom strikes a beer glassadvance plot | bar | drunk | drunk | lawyer | leading man | on-screen music | playing | source music

State’s Attorney (1932)

Beer Glasses0:54:32 - Tom strikes a beer glassadvance plot | bar | drunk | drunk | lawyer | leading man | on-screen music | playing | source music
Headline Shooter (1933)Tell Me is It Love?0:21:50 - Bill and Jane at a baradvance plot | bar | conversing | drunk | leading lady | leading man | parallel double period | pleasant | source music

Headline Shooter (1933)

Isn't This a Night For Love0:22:10 - Bill and Jane talk at a barAABA structure | advance plot | bar | conversing | leading lady | leading man | romantic | source music
The Most Dangerous Game (1932)The Iron Door (Waking)0:08:31 - Bob slowly wakesbarking | beach | establish setting | leading man | mysterious | rising | screaming | waking

The Most Dangerous Game (1932)

Getting up0:08:51 - Bob rises to his feetbarking | beach | establish setting | leading man | looking | mickey-mousing | mysterious | rising | standing | tense

The Most Dangerous Game (1932)

Russian Waltz (Whole Tone) + The Iron Door0:29:10 - Bob wakes upbarking | bed | castle | combination of themes | door | knocking | leading lady | leading man | mysterious | opening | sleeping | turning point | waking

The Most Dangerous Game (1932)

Underscoring (Mysterious)0:29:31 - Bob gets upbarking | castle | leading lady | leading man | mysterious | rising | turning point | underscoring

The Most Dangerous Game (1932)

The Chase + The Iron Door0:49:03 - A big doorbarking | chase scene | chasing | combination of themes | dog | door | dramatic | jungle | opening | running | servant | tense

The Most Dangerous Game (1932)

The Chase (Quasi Mysterioso)0:49:16 - Bob and Eve in the fogbarking | castle | chase scene | chasing | dog | dramatic | fog | jungle | leading lady | leading man | preparing | running | servant | tense | victim

The Most Dangerous Game (1932)

The Chase (Tense) + The Iron Door (Horn Call)0:50:16 - Bob and Eve in the waterbarking | chase scene | chasing | combination of themes | dog | dramatic | fog | jungle | leading lady | leading man | running | scored source music | servant | source music | stumbling | tense | victim

The Most Dangerous Game (1932)

Zaroff (Chasing)0:50:39 - The dogs chase after Bob and Evebarking | chase scene | chasing | count | dog | dramatic | jungle | running | servant | tense | villain

The Most Dangerous Game (1932)

Zaroff (Rising)0:50:52 - The dogs runningbarking | chase scene | chasing | dog | dramatic | jungle | running | servant | tense

The Most Dangerous Game (1932)

The Chase + Russian Waltz (Augmented)0:52:02 - Dogs running through the swampagitated | barking | chase scene | chasing | combination of themes | count | dog | dramatic | jungle | leading lady | leading man | ominous | running | servant | victim | villain

The Most Dangerous Game (1932)

The Chase (Furioso)0:52:13 - Eve runs towards a logagitated | barking | chase scene | chasing | count | dark | dog | dramatic | falling | jungle | leading lady | leading man | log | mickey-mousing | running | servant | victim | villain

The Most Dangerous Game (1932)

Emotions (Allegro)0:52:24 - Eve and Bob run over the logagitated | barking | chase scene | chasing | dog | jungle | leading lady | leading man | log | running | tense | victim

The Most Dangerous Game (1932)

Emotions 2 (Allegro)0:52:39 - Eve and Bob climb a treeagitated | barking | chase scene | chasing | climbing | dog | jungle | leading lady | leading man | running | tense | tree | victim

The Most Dangerous Game (1932)

Zaroff (Heavy)0:52:45 - The dogs bark up the treeagitated | barking | chase scene | chasing | climbing | count | dark | dog | jungle | leading lady | leading man | running | servant | tense | tree | victim | villain

The Most Dangerous Game (1932)

Russian Waltz (Dark)0:52:53 - Eve and Bob hiding in a treeagitated | barking | chase scene | count | dark | dog | hiding | jungle | leading lady | leading man | servant | tense | tree | victim | villain

The Most Dangerous Game (1932)

The Approach0:52:59 - Eve and Bob hiding in a treeagitated | barking | chase scene | count | dark | dog | hiding | jungle | leading lady | leading man | servant | tense | tree | victim | villain

The Most Dangerous Game (1932)

The Chase (Accelerando) + The Iron Door0:53:02 - The dogs bark up the treeagitated | barking | chase scene | chasing | combination of themes | count | dark | dog | escaping | hiding | jumping | jungle | leading lady | leading man | lifting | log | mickey-mousing | running | servant | tense | tree | victim | villain | vine

The Most Dangerous Game (1932)

Zaroff (Allegro con Fuoco)0:53:24 - Zaroff looks up at the treeagitated | barking | chase scene | chasing | count | dark | dog | jungle | running | searching | servant | tense | tree | villain

The Most Dangerous Game (1932)

The Approach (Risoluto)0:53:38 - Bob and Eve hide in the treesbarking | chase scene | cliff | climbing | cutting | dog | dramatic | hiding | jumping | jungle | leading lady | leading man | running | tense | victim

The Most Dangerous Game (1932)

The Chase (Allegro Furioso)0:54:02 - A dog tries to climb the hillbarking | chase scene | chasing | cliff | climbing | dog | dramatic | jungle | tense

The Most Dangerous Game (1932)

Underscoring (Dramatic)1:01:44 - Dogs barkingbarking | boat | castle | count | death | dog | dramatic | dying | leading lady | leading man | tense | underscoring | victim | villain