| The Breaking Point (1950) | La Adelita | 0:09:56 - A Mexican village at night | arriving | bar | bartender | conversing | establish setting | folk music | leading man | musician | on-screen music | performing | sailor | salesperson | selling | source music | street | upbeat | working |
The Breaking Point (1950) | Carmen, Carmela | 0:11:11 - Harry talks to Duncan in a bar | bar | conversing | criminal | establish setting | floozy | folk music | gambling | leading lady | leading man | musician | on-screen music | performing | pleasant | sailor | serenading | singing | source music |
The Breaking Point (1950) | La Golondrina | 0:12:21 - Harry sits down with Leona in the bar | advance plot | bar | calm | conversing | fisherman | flirting | floozy | folk music | leading lady | leading man | sailor | source music |
The Breaking Point (1950) | Mi Mariposa | 0:15:21 - Harry talks to the bartender | advance plot | arguing | art song | bar | bartender | calm | conversing | leading man | on-screen music | sailor | source music |
The Breaking Point (1950) | Eres Mujer | 0:15:56 - Harry talks to Duncan | advance plot | bar | calm | conversing | criminal | leading man | on-screen music | performing | sailor | source music | tango | whispering |
The Breaking Point (1950) | En Mi Canto de Amor | 0:21:43 - Harry talks to Duncan | advance plot | bar | conversing | criminal | leading man | planning | pleasant | sailor | source music |
The Breaking Point (1950) | Please Don’t Talk About Me When I’m Gone | 0:39:07 - Harry arrives at a bar | advance plot | bar | bartender | criminal | dancing | floozy | jukebox | leading lady | leading man | on-screen music | sailor | singing | source music | upbeat |
The Breaking Point (1950) | Ask Me No Questions | 0:40:46 - Harry talks to Duncan | advance plot | arguing | bar | bartender | conversing | criminal | floozy | jukebox | leading lady | leading man | mellow | sailor | source music |
The Breaking Point (1950) | On an Ordinary Morning | 0:43:33 - Leona and Harry sit together in a bar | advance plot | bar | conversing | floozy | jukebox | leading lady | leading man | mellow | sailor | source music | wife |
The Breaking Point (1950) | I Guess I’ll Have to Change My Plan | 1:00:26 - Harry in a restaurant | advance plot | bartender | conversing | floozy | leading lady | leading man | mellow | restaurant | sailor | source music |
| Crime School (1938) | Underscoring (Dramatic) | 0:29:09 - Frankie hides then runs | barbed wire fence | battle call | chromatic parallelism | chromatic scale | diminished 7th chord | dramatic | escape | escaping | gang | hiding | jumping | mickey-mousing | reformatory | running | teenager | tense |
Crime School (1938) | Sue (Barbed Wire) | 0:29:18 - Frankie gets caught on barbed wire | anguished | barbed wire fence | battle call | chromatic parallelism | chromatic scale | climbing | diminished 7th chord | dissonant bass | dramatic | escape | half-diminished 7th chord | pain | pc set | reformatory | struggling | teenager | tense |
Crime School (1938) | The Warden (The Guards) | 0:29:34 - Warden's guards run to catch Frankie | 64 chord | anguished | barbed wire fence | battle call | capturing | chromatic parallelism | chromatic scale | dragging | dramatic | escape | falling | pc set | police | reformatory | running | sequence | teenager | tense | warden |
| Deep Valley (1947) | Homestead (Dramatic) | 0:00:37 - A farmhouse | barnyard | calm | cast list | farmhouse | opening title sequence | tense |
Deep Valley (1947) | Homestead (Grazioso) | 0:01:02 - A rooster crowing | barnyard | calm | establish character | establish place | farmhouse |
Deep Valley (1947) | Homestead (Moderato) | 0:15:18 - Homestead in the distance | barnyard | dark | father | gentle | leading lady | mother | reading | room | transition |
Deep Valley (1947) | Barry (Tense 2) | 1:15:38 - Barry drops his gun | advance plot | barn | conversing | convict | fugitive | leading lady | leading man | love interest | tense |
Deep Valley (1947) | Barry (Tender) | 1:15:59 - Barry apologizes to Libby | advance plot | apologizing | barn | convict | embracing | fugitive | leading lady | leading man | love interest | tender |
Deep Valley (1947) | Deep Valley (Kiss) | 1:16:19 - Barry kisses Libby | advance plot | barn | convict | crying | embracing | fugitive | kissing | leading lady | leading man | love interest | tender |
Deep Valley (1947) | Deep Valley (Sostenuto) | 1:16:37 - Libby talks with Barry | advance plot | barn | calm | conversing | convict | fugitive | hopeful | leading lady | leading man | love interest |
Deep Valley (1947) | Underscoring (Tense) | 1:17:04 - Barry picks up the gun | advance plot | barn | conversing | convict | fugitive | leading lady | leading man | love interest | tense | underscoring |
Deep Valley (1947) | Deep Valley (Dolce) | 1:17:25 - Barry talks with Libby | advance plot | barn | conversing | convict | fugitive | gentle | leading lady | leading man | love interest | tender |
Deep Valley (1947) | Underscoring (Dramatic) | 1:17:55 - Barry hears a noise | advance plot | barn | convict | dramatic | fugitive | leading lady | leading man | love interest | sneaking | stinger | tense | walking |
Deep Valley (1947) | Deep Valley (Lonely) | 1:18:43 - Barry looks around | advance plot | barn | leading lady | leaving | lonely | yard |
Deep Valley (1947) | My Bonnie Lies Over the Ocean | 1:21:19 - Barry listens at the door | advance plot | barn | cheerful | convict | father | fugitive | leading man | love interest | singing |
Deep Valley (1947) | Deep Valley (Misterioso) | 1:23:23 - Barry looks at Libby | advance plot | barn | calm | convict | embracing | fugitive | kissing | leading lady | leading man | love interest | mysterious |
Deep Valley (1947) | Underscoring (Dramatic) | 1:23:43 - Barry hears a noise | advance plot | barn | convict | dramatic | fugitive | leading lady | leading man | love interest | rushing | tense | worrying |
Deep Valley (1947) | Joe (Running) | 1:23:58 - Barry talks to Libby | advance plot | barn | calm | conversing | convict | fugitive | leading lady | leading man | love interest |
Deep Valley (1947) | Underscoring (Tense) | 1:24:11 - Libby talks to Barry | advance plot | barn | convict | fugitive | leading lady | leading man | love interest | tense | worrying |
Deep Valley (1947) | Libby (Sneaking) | 1:24:14 - Libby talks to Barry | advance plot | barn | convict | fugitive | leading lady | leading man | love interest | tense | worrying | worrying effect |
Deep Valley (1947) | Deep Valley | 1:24:39 - Libby talks to Barry | advance plot | barn | calm | convict | fugitive | hopeful | hoping | leading lady | leading man | love interest |
Deep Valley (1947) | Barry (Misterioso) | 1:27:15 - Libby talks to Barry | agitated | barn | conflict | convict | dark | father | fugitive | leading lady | leading man | love interest | mysterious | searching | worrying |
Deep Valley (1947) | Underscoring (Tense) | 1:28:00 - Barry prepares to attack | barn | conflict | convict | dark | fugitive | leading lady | leading man | love interest | stinger | tense | waiting |
Deep Valley (1947) | Deep Valley (Slowly) | 1:28:11 - Libby climbs the ladder | barn | conflict | convict | descending | fugitive | leading lady | leading man | love interest | tense | uneasy |
Deep Valley (1947) | Libby 3 (Tense) | 1:28:28 - Libby comes down the ladder | barn | conflict | conversing | convict | father | fugitive | leading lady | leading man | love interest | tense | uneasy | walking |
Deep Valley (1947) | Running (Extended) | 1:29:26 - Libby runs to the barn | advance plot | barn | convict | father | fugitive | hesitating | leading lady | leading man | love interest | mickey-mousing | running | tense | uneasy | yard |
Deep Valley (1947) | Barry (Very Slowly) | 1:30:02 - Libby climbs the ladder | advance plot | arriving | barn | climbing | convict | fugitive | leading lady | leading man | love interest | somber | uneasy | walking |
Deep Valley (1947) | Libby (Somber) + Barry (Somber) | 1:30:26 - Libby talks to Barry | advance plot | barn | combination of themes | comforting | convict | fugitive | leading lady | leading man | love interest | somber |
Deep Valley (1947) | Deep Valley (Quasi Appassionato) | 1:30:51 - Barry looks at Libby | advance plot | barn | comforting | conflicted | convict | fugitive | hopeful | leading lady | leading man | love interest |
Deep Valley (1947) | Barry (Drunk) | 1:31:10 - Barry talks to Libby | advance plot | anxious | anxious effect | barn | conversing | convict | fugitive | leading lady | leading man | love interest | worried | worrying |
Deep Valley (1947) | Deep Valley (Delicato) | 1:31:30 - Barry embraces Libby | advance plot | barn | comforting | convict | fugitive | hopeful | leading lady | leading man | love interest | street | tense |
Deep Valley (1947) | Libby 2 (Molto Expressivo) | 1:33:40 - Ellie walks to the barn | advance plot | barn | convict | eavesdropping | fugitive | leading lady | leading man | love interest | mother | sneaking | tense | walking | yard |
Deep Valley (1947) | Libby 2 (Misterioso) | 1:34:15 - Ellie climbs the ladder | advance plot | barn | climbing | convict | eavesdropping | fugitive | leading lady | leading man | love interest | mother | mysterious | sneaking | tense |
Deep Valley (1947) | Rushing away | 1:36:01 - Libby rushes out of the barn | barn | climax | convict | descending | dramatic | fugitive | leading lady | leading man | love interest | mother | rushing | rushing effect | tense |
Deep Valley (1947) | Libby 2 (Frantic) | 1:36:05 - Ellie calls after Libby | barn | begging | climax | convict | frantic | fugitive | leading lady | leading man | love interest | mother | pleading | tense |
Deep Valley (1947) | Libby (Running) | 1:36:13 - Libby and Barry run out of the barn | barn | begging | climax | convict | father | frantic | fugitive | leading lady | leading man | love interest | mother | pleading | running | rushing | tense | yard |
Deep Valley (1947) | Libby (Stormy) | 1:36:26 - Cliff looks for Ellie | barn | climax | convict | crying | dark | father | fugitive | hiding | leading lady | leading man | love interest | mother | running | rushing | sneaking | tense | yard |
| Dust Be My Destiny (1939) | Comedy fall | 0:13:08 - Joe falls over while milking the cow | barn | chromatic parallelism | chromatic scale | comical | falling | leading lady | leading man | lovers meet | mickey-mousing | prisoner |
Dust Be My Destiny (1939) | Underscoring (Humorous) | 0:13:13 - Joe talks to the cow | barn | chromatic parallelism | comical | conversing | cow | diminished triad | dissonant bass | leading man | lovers meet | prisoner | underscoring |
Dust Be My Destiny (1939) | Dust Be My Destiny (Playful) | 0:13:38 - Mabel talks to Joe | barn | comical | common-tone diminished 7th | cow | laughing | leading lady | leading man | lovers meet | playful | prisoner | romantic |
Dust Be My Destiny (1939) | Joe fights cow | 0:13:56 - Joe fights cow (off-screen) | augmented triad | barn | chromatic parallelism | chromatic scale | comical | cow | diminished 7th chord | fighting | leading lady | leading man | lovers meet | mickey-mousing | prisoner |
Dust Be My Destiny (1939) | Dust Be My Destiny (Laughing) | 0:14:07 - Mabel laughs at Joe | barn | chromatic parallelism | comical | diminished 7th chord | laughing | leading lady | leading man | lovers meet | prisoner |
Dust Be My Destiny (1939) | Laughing | 0:14:10 - Mabel laughs at Joe | barn | chromatic parallelism | comical | diminished 7th chord | laughing | leading lady | leading man | lovers meet | mickey-mousing | prisoner |
Dust Be My Destiny (1939) | Dust Be My Destiny (Agitated) | 0:14:22 - Joe argues with Mabel | agitated | arguing | barn | fragmentation | leading lady | leading man | lovers meet | prisoner | sequence |
Dust Be My Destiny (1939) | Underscoring (Tense) | 0:14:40 - Charlie enters | barn | leading lady | leading man | lovers meet | prisoner | stinger | tense | underscoring | villain | warden |
Dust Be My Destiny (1939) | Dust Be My Destiny (Tense) | 0:14:53 - Joe talks to Charlie | barn | dark | dissonant | leading lady | leading man | lovers meet | prisoner | tense | tritone | villain | warden |
Dust Be My Destiny (1939) | Dust Be My Destiny (Dolceeessimo) | NIF - not in film | barn | cut from film | deceptive resolution | foreign key modulation | intervallic expansion | love scene | pedal tone | sequence | sweet |
Dust Be My Destiny (1939) | Underscoring (Romantic) | 0:21:46 - Mabel talks with Joe | barn | leading lady | leading man | love scene | pedal tone | romantic | underscoring |
Dust Be My Destiny (1939) | Dust Be My Destiny (In Love) | 0:22:04 - Mabel and Joe talk | 9th chord | added-note chord | barn | common-tone diminished 7th | leading lady | leading man | love scene | mode mixture | romantic | secondary dominant |
Dust Be My Destiny (1939) | Dust Be My Destiny (Pensive) | 0:23:08 - Joe tells Mabel about his dreams | 11th chord | barn | chromatic mediant | dreaming | foreign key modulation | leading lady | leading man | love scene | mode mixture | pensive |
Dust Be My Destiny (1939) | Dust Be My Destiny (Expressivo) | 0:23:38 - Joe and Mabel talk | 9th chord | added-note chord | augmented sixth chord | barn | common-tone diminished 7th | leading lady | leading man | love scene | mode mixture | romantic | secondary dominant | sequence |
Dust Be My Destiny (1939) | Dust Be My Destiny (Ethereal) | 0:24:50 - Joe tells Mabel he loves her | barn | common-tone diminished 7th | deceptive resolution | inversion | kissing | leading lady | leading man | love scene | romantic |
Dust Be My Destiny (1939) | Underscoring (Dark) | 0:25:03 - Charlie interrupts the lovers | barn | chromatic scale | conflict | dark | diminished 7th chord | hexatonic scale | leading lady | leading man | underscoring | villain | warden |
Dust Be My Destiny (1939) | Underscoring (Dramatic) | 0:25:23 - Charlie grabs Mabel's arm | barn | chromatic scale | conflict | diminished 7th chord | dramatic | leading lady | leading man | underscoring | villain | warden |
Dust Be My Destiny (1939) | Dust Be My Destiny (Fight) | 0:25:41 - Charlie and Joe fight | 42 chord | barn | chromatic parallelism | chromatic scale | chromatic wedge | conflict | dramatic | fighting | leading lady | leading man | linear chromaticism | mickey-mousing | octatonic scale | punching | villain | warden | whole-tone scale |
Dust Be My Destiny (1939) | Dust Be My Destiny (Running Away) | 0:25:55 - Joe and Mabel run | 64 chord | barn | conflict | diminution | dramatic | leading lady | leading man | running | sequence |
Dust Be My Destiny (1939) | Running | 0:26:05 - Joe and Mabel run | 9th chord | barn | conflict | dramatic | leading lady | leading man | mickey-mousing | octatonic | running |
Dust Be My Destiny (1939) | Dying | 0:26:09 - Charlie falls and dies | barn | death | death | dramatic | falling | mickey-mousing | villain | warden |
Dust Be My Destiny (1939) | Turning around | 0:26:13 - Joe and Mabel turn around | 64 chord | barn | death | dramatic | leading lady | leading man | mickey-mousing | prisoner | turning |
Dust Be My Destiny (1939) | Dust Be My Destiny (Fateful Decision) | 0:26:17 - Joe and Mabel decide to run away together | barn | confused | deceptive resolution | fragmentation | hopeful | leading lady | leading man | mode mixture | runaway | turning point |
Dust Be My Destiny (1939) | Underscoring (Dramatic) | 0:26:38 - Car drives towards Joe and Mabel | added-note chord | barn | conflict | dissonant bass | dramatic | headlights | passerby | stinger | tone cluster | underscoring |
Dust Be My Destiny (1939) | Running away | 0:26:45 - Joe and Mabel run away | barn | conflict | diminished 7th chord | dramatic | leading lady | leading man | mickey-mousing | pedal tone | runaway | running |
| Her Kind of Man (1946) | Night Clubs | 0:01:12 - Montage of night clubs | bar | bluesy | club | crowd | dancer | dancing | double exposure | eating | journalist | montage | montage | performer | performing | simulated source music | street | voice-over |
Her Kind of Man (1946) | Candy (Dark) | 1:12:58 - Candy leaves | bar | calling | conversing | criminal | dark | double-cross | gambler | henchman | husband | leading man | murderer | ominous | stinger | telephone | turning point | warehouse |
| Illegal (1955) | Drinking | 0:17:25 - Vic talks to reporter at the bar | bar | drinking | underscoring |
Illegal (1955) | Underscoring (Dark) | 0:20:03 - Newspaper headline about Clary's mother | bar | drunk | hero |
Illegal (1955) | Grabs newspaper | 0:20:03 - Man grabs the newpaper from Vic | bar | drunk | mickey-mousing | newspaper |
Illegal (1955) | Punches man | 0:20:38 - Vic punches the man | bar | drunk | mickey-mousing | punching | violence |
| In This Our Life (1942) | South American Way | 1:07:39 - Stanley in a bar | advance plot | bar | bartender | dancing | drinking | jukebox | leading lady | upbeat | waiting |
| The Informer (1935) | Blood Money (Whiskey) | 0:21:03 - Gypo takes his money out to pay the bartender | advance plot | antagonist | bartender | leading man | money | mysterious | paying | pub | tense |
The Informer (1935) | The Informer (Drinking) | 0:21:23 - Gypo takes a drink | advance plot | antagonist | bartender | drinking | leading man | mysterious | octatonic | pub | Scotch snap | tense | tritone | whole-tone | whole-tone chord |
The Informer (1935) | Blood Money (Four Coins) | 0:23:15 - Bartender puts four coins on the table | advance plot | antagonist | augmented triad | bartender | coin | counting | half-diminished 7th chord | leading lady | leading man | mickey-mousing | money | mysterious | placing | pub | tense |
The Informer (1935) | The Irish Washerwoman | 0:43:45 - People sing and dance in a pub | advance plot | antagonist | bar | familiar tune | folk song | happy | Irish | leading man | source music | whistling |
The Informer (1935) | Blood Money | 0:44:44 - Gypo tosses money to the pub-keeper | advance plot | antagonist | bar | bartender | excited | giving | leading man | money |
The Informer (1935) | The Irish Washerwoman (Pub) + Blood Money + The Wearin' o' the Green + The Informer | 0:44:52 - People celebrate in the pub | advance plot | antagonist | bar | chaotic | chromatic scale | close-up | combination of themes | crowd | dark | dissonant bass | excited | familiar tune | folk song | foreign key modulation | happy | heroic | Irish | layering | leading man | mob | mobbing | octatonic | parallelism | pedal tone | polytonality | rebel | serving | source to score | spying | tense | whole-tone | yelling | zoom in |
| The Life of Vergie Winters (1934) | Oh! You Beautiful Doll | 0:17:47 - People in a bar | advance plot | bar | business man | conversing | mode mixture | ragtime | source music | upbeat |
The Life of Vergie Winters (1934) | Ida (Sweet As Apple Cider) | 0:28:55 - People in a bar | advance plot | bar | business man | conversing | parallel double period | ragtime | source music | upbeat |
| Out of the Fog (1941) | Comparsa Negra No.1 | 0:35:38 - People dancing in a conga line | bartender | club | conversing | criminal | crowd | dancer | dance scene | dancing | eating | Latin music | leading lady | leading man | musician | on-screen music | playing | source music | upbeat |
Out of the Fog (1941) | No Digas | 0:37:46 - Cuban dancers and musicians | bartender | club | conversing | criminal | crowd | dancer | dance scene | dancing | Latin music | leading lady | leading man | musician | on-screen music | playing | source music | upbeat |
| Traveling Husbands (1931) | Bicycle Built for Two | 0:20:51 - Music is played in a bar room | AABC structure | advance plot | bar | calm | conversing | eating | leading lady | popular song | source music | transcribed by ear |
Traveling Husbands (1931) | Sidewalks of New York | 0:21:01 - Music is played in a bar room | advance plot | bar | calm | conversing | eating | leading lady | popular song | source music | transcribed by ear |
| We Are Not Alone (1939) | Barcarolle | 0:44:06 - Gerald talks about sailing | 9th chord | advance plot | barcarolle | boy | child | dissonant bass | heroine | home | hopeful | imagination | pedal tone | room | telling a story |
| Hell’s Highway (1932) | The Load is Heavy | 0:17:26 - Men singing in prison | advance plot | barbershop | cheerful | guard | on-screen music | prison | prisoner | singing | source music | transcribed by ear |
| Is My Face Red? (1932) | Press Club | 0:02:41 - Man serving beer in a bar | bar | bartender | establish setting | jazz | server | serving | transcribed by ear | upbeat |
| State’s Attorney (1932) | Beer Glasses | 0:53:26 - Tom tunes his beer glasses to A | advance plot | bar | drunk | drunk | lawyer | leading man | on-screen music | source music | tuning |
State’s Attorney (1932) | Wedding March | 0:53:50 - Tom plays the Wedding March | advance plot | bar | drunk | drunk | lawyer | leading man | on-screen music | playing | source music |
State’s Attorney (1932) | Beer Glasses | 0:54:08 - Tom strikes a beer glass | advance plot | bar | drunk | drunk | lawyer | leading man | on-screen music | playing | source music |
State’s Attorney (1932) | Beer Glasses | 0:54:32 - Tom strikes a beer glass | advance plot | bar | drunk | drunk | lawyer | leading man | on-screen music | playing | source music |
| Headline Shooter (1933) | Tell Me is It Love? | 0:21:50 - Bill and Jane at a bar | advance plot | bar | conversing | drunk | leading lady | leading man | parallel double period | pleasant | source music |
Headline Shooter (1933) | Isn't This a Night For Love | 0:22:10 - Bill and Jane talk at a bar | AABA structure | advance plot | bar | conversing | leading lady | leading man | romantic | source music |
| The Most Dangerous Game (1932) | The Iron Door (Waking) | 0:08:31 - Bob slowly wakes | barking | beach | establish setting | leading man | mysterious | rising | screaming | waking |
The Most Dangerous Game (1932) | Getting up | 0:08:51 - Bob rises to his feet | barking | beach | establish setting | leading man | looking | mickey-mousing | mysterious | rising | standing | tense |
The Most Dangerous Game (1932) | Russian Waltz (Whole Tone) + The Iron Door | 0:29:10 - Bob wakes up | barking | bed | castle | combination of themes | door | knocking | leading lady | leading man | mysterious | opening | sleeping | turning point | waking |
The Most Dangerous Game (1932) | Underscoring (Mysterious) | 0:29:31 - Bob gets up | barking | castle | leading lady | leading man | mysterious | rising | turning point | underscoring |
The Most Dangerous Game (1932) | The Chase + The Iron Door | 0:49:03 - A big door | barking | chase scene | chasing | combination of themes | dog | door | dramatic | jungle | opening | running | servant | tense |
The Most Dangerous Game (1932) | The Chase (Quasi Mysterioso) | 0:49:16 - Bob and Eve in the fog | barking | castle | chase scene | chasing | dog | dramatic | fog | jungle | leading lady | leading man | preparing | running | servant | tense | victim |
The Most Dangerous Game (1932) | The Chase (Tense) + The Iron Door (Horn Call) | 0:50:16 - Bob and Eve in the water | barking | chase scene | chasing | combination of themes | dog | dramatic | fog | jungle | leading lady | leading man | running | scored source music | servant | source music | stumbling | tense | victim |
The Most Dangerous Game (1932) | Zaroff (Chasing) | 0:50:39 - The dogs chase after Bob and Eve | barking | chase scene | chasing | count | dog | dramatic | jungle | running | servant | tense | villain |
The Most Dangerous Game (1932) | Zaroff (Rising) | 0:50:52 - The dogs running | barking | chase scene | chasing | dog | dramatic | jungle | running | servant | tense |
The Most Dangerous Game (1932) | The Chase + Russian Waltz (Augmented) | 0:52:02 - Dogs running through the swamp | agitated | barking | chase scene | chasing | combination of themes | count | dog | dramatic | jungle | leading lady | leading man | ominous | running | servant | victim | villain |
The Most Dangerous Game (1932) | The Chase (Furioso) | 0:52:13 - Eve runs towards a log | agitated | barking | chase scene | chasing | count | dark | dog | dramatic | falling | jungle | leading lady | leading man | log | mickey-mousing | running | servant | victim | villain |
The Most Dangerous Game (1932) | Emotions (Allegro) | 0:52:24 - Eve and Bob run over the log | agitated | barking | chase scene | chasing | dog | jungle | leading lady | leading man | log | running | tense | victim |
The Most Dangerous Game (1932) | Emotions 2 (Allegro) | 0:52:39 - Eve and Bob climb a tree | agitated | barking | chase scene | chasing | climbing | dog | jungle | leading lady | leading man | running | tense | tree | victim |
The Most Dangerous Game (1932) | Zaroff (Heavy) | 0:52:45 - The dogs bark up the tree | agitated | barking | chase scene | chasing | climbing | count | dark | dog | jungle | leading lady | leading man | running | servant | tense | tree | victim | villain |
The Most Dangerous Game (1932) | Russian Waltz (Dark) | 0:52:53 - Eve and Bob hiding in a tree | agitated | barking | chase scene | count | dark | dog | hiding | jungle | leading lady | leading man | servant | tense | tree | victim | villain |
The Most Dangerous Game (1932) | The Approach | 0:52:59 - Eve and Bob hiding in a tree | agitated | barking | chase scene | count | dark | dog | hiding | jungle | leading lady | leading man | servant | tense | tree | victim | villain |
The Most Dangerous Game (1932) | The Chase (Accelerando) + The Iron Door | 0:53:02 - The dogs bark up the tree | agitated | barking | chase scene | chasing | combination of themes | count | dark | dog | escaping | hiding | jumping | jungle | leading lady | leading man | lifting | log | mickey-mousing | running | servant | tense | tree | victim | villain | vine |
The Most Dangerous Game (1932) | Zaroff (Allegro con Fuoco) | 0:53:24 - Zaroff looks up at the tree | agitated | barking | chase scene | chasing | count | dark | dog | jungle | running | searching | servant | tense | tree | villain |
The Most Dangerous Game (1932) | The Approach (Risoluto) | 0:53:38 - Bob and Eve hide in the trees | barking | chase scene | cliff | climbing | cutting | dog | dramatic | hiding | jumping | jungle | leading lady | leading man | running | tense | victim |
The Most Dangerous Game (1932) | The Chase (Allegro Furioso) | 0:54:02 - A dog tries to climb the hill | barking | chase scene | chasing | cliff | climbing | dog | dramatic | jungle | tense |
The Most Dangerous Game (1932) | Underscoring (Dramatic) | 1:01:44 - Dogs barking | barking | boat | castle | count | death | dog | dramatic | dying | leading lady | leading man | tense | underscoring | victim | villain |
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