All This, and Heaven Too (1940) | Plainte de Cloris | 0:51:08 - They listen to the musical prologue | audience | calm | child | classical music | concert scene | conversing | duke | governess | leading lady | leading man | listening | passionate | source music | theater |
All This, and Heaven Too (1940) | Air pour La Jeunesse | 0:51:43 - A montage of people applauding | audience | child | classical music | concert scene | dramatic | duke | governess | leading lady | leading man | listening | source music | theater | watching |
All This, and Heaven Too (1940) | Invitation to the Dance | 1:04:19 - People waltzing | advance plot | ballroom | child | classical music | crowd | dancing | duchess | duke | leading lady | leading man | simulated source music | upbeat | waltz |
Angels With Dirty Faces (1938) | Sanctus (Mysterioso) | 1:05:33 - Jerry looks at note from Rocky | advance plot | charity | classical music | common-chord modulation | friendship | leading man | letter | mode mixture | money | mysterious | pedal tone | priest | room | sacred | source to score | thinking |
Are These Our Children? (1931) | Lascia ch'io pianga | NIF - not in film | ABA structure | classical music | common-chord modulation | cut from film | da capo | solemn | ternary form |
Arsenic and Old Lace (1944) | Rondo Alla Turca | 0:06:25 - Teddy plays the harpsichord | aunt | brother | classical music | conversing | crazy person | establish character | harpsichord | leading lady | old man | on-screen music | playing | room | source music | upbeat | victim |
They Made Me a Criminal (1939) | Marche Funebre | 1:02:45 - Boys look at poster of a boxer | 64 chord | advance plot | Chopin | classical music | conversing | dark | death | poster | room | teenager |
The FBI Story (1959) | Liebesträume | 0:21:33 - Chip and Lucy get married | church | classical music | familiar tune | flashback | organ | source music | wedding |
The FBI Story (1959) | Wedding March | 0:22:25 - Chip and Lucy leave the chapel, now married | church | classical music | familiar tune | flashback | organ | source music | wedding |
The FBI Story (1959) | Symphony No.5 | 2:07:16 - War surplus store | classical music | flashback | victory |
Her Kind of Man (1946) | Here Comes the Bride | 0:49:40 - Steve proposes to Georgia | classical music | criminal | familiar tune | gambler | henchman | leading lady | leading man | love interest | love scene | proposing | reporter | romantic | room | tense |
Mildred Pierce (1945) | Waltz Brillante | 0:26:39 - Veda plays the piano | advance plot | child | classical music | conversing | dancing | familiar tune | gentle | heroine | leading lady | on-screen music | parallel period | playing | room | source music | waltz |
Mildred Pierce (1945) | Waltz Brillante | 0:27:21 - Veda plays the piano | advance plot | child | classical music | conversing | familiar tune | gentle | heroine | leading lady | on-screen music | playing | room | source music | waltz |
Mildred Pierce (1945) | Mazurka in B-Flat Major (Tense) | 0:38:47 - Veda plays a Chopin Mazurka | arguing | child | classical music | common-tone diminished 7th | conflict | familiar tune | half-diminished 7th chord | heroine | leading lady | on-screen music | playing | quotation | room | scored source music | source music | tense | upbeat | waltz |
Mildred Pierce (1945) | Mazurka in B-Flat Major + Mildred | NIF - not in film | added-note chord | classical music | combination of themes | cut from film | familiar tune | on-screen music | scored source music | source music | three-phrase period |
The Life of Vergie Winters (1934) | Funeral March | 0:01:12 - A funeral march | altered dominant | brass band | classical music | crowd | establish place | funeral | funeral march | marching | mode change | on-screen music | parallel 63s | pedal tone | performer | secondary dominant | somber | source music | street | watching |
The Life of Vergie Winters (1934) | Lullaby + Funeral March | 0:02:32 - Vergie in her jail cell | classical music | combination of themes | funeral | funeral march | leading lady | plagal cadence | pondering | prison | prisoner | sequence | somber | source music | suspect | watching |
The Life of Vergie Winters (1934) | Funeral March | 1:17:18 - John's funeral procession | altered dominant | brass band | classical music | crowd | establish place | funeral | funeral march | marching | on-screen music | parallel 63s | somber | source music | street | watching |
The Life of Vergie Winters (1934) | Lullaby (Ending) + Funeral March (Ending) | 1:18:06 - Vergie in her jail cell | classical music | combination of themes | crying | funeral | funeral march | leading lady | prisoner | somber | suspect |
We Are Not Alone (1939) | Surprise Symphony (Foreboding) | 0:00:09 - Main title | classical music | dark | familiar tune | Haydn | main title | mode change | opening title sequence | quotation | title of film |
We Are Not Alone (1939) | Surprise Symphony (Glissando) | 0:02:20 - David rides his bike home | bicycle | classical music | establish character | familiar tune | fragmentation | glissando | Haydn | hero | playful | quotation | score to source | sequence | source music | street |
We Are Not Alone (1939) | Surprise Symphony (Theme and Variations) | 0:02:37 - David enters his home | augmented triad | classical music | deceptive resolution | establish character | familiar tune | Haydn | hero | home | playful | quotation | scored source music | source music | street | whistling |
We Are Not Alone (1939) | Surprise Symphony (Hushed) | 0:04:59 - David talks to his son | boy | child | classical music | establish character | familiar tune | father | half-diminished 7th chord | Haydn | hero | home | hushed | quotation | subtle |
We Are Not Alone (1939) | Surprise Symphony (Hug) | 0:05:14 - David hugs his son | boy | child | classical music | establish character | familiar tune | father | gentle | Haydn | hero | home | mode mixture | quotation |
We Are Not Alone (1939) | Surprise Symphony (Innocent) | 0:06:36 - Gerald runs inside | 9th chord | boy | child | classical music | comforting | common-tone diminished 7th | establish character | familiar tune | father | foreign key modulation | fragmentation | Haydn | hero | home | innocent | mode mixture | nagging | parallel fifths | playful | quotation | step modulation | tritone | Wagner |
We Are Not Alone (1939) | Surprise Symphony (Chromatic Shift) | 0:09:49 - David puts the cat outside | cat | classical music | establish character | familiar tune | foreign key modulation | Haydn | hero | office | playful | quotation | step modulation |
We Are Not Alone (1939) | Surprise Symphony (Imagination) | 0:10:16 - Jessica rushes David away | antagonist | chromatic parallelism | classical music | establish character | familiar tune | Haydn | hero | office | playful | quotation |
We Are Not Alone (1939) | Surprise Symphony (Not Afraid) | 0:11:24 - David sets Leni's wrist | chromatic scale | classical music | delicate | doctor | establish character | familiar tune | foreign key modulation | fragmentation | Haydn | hero | heroine | quotation | room | somber |
We Are Not Alone (1939) | Surprise Symphony (Calm) | 0:12:01 - David's treatment is successful | calm | classical music | countermelody | deceptive resolution | doctor | establish character | familiar tune | Haydn | hero | heroine | quotation | room |
We Are Not Alone (1939) | Surprise Symphony (Not in film) | NIF - not in film | classical music | cut from film | doctor | establish character | familiar tune | Haydn | hero | heroine | pedal tone | quotation | room |
We Are Not Alone (1939) | Surprise Symphony (Quasi Rubato) | 0:12:46 - David treats Leni's leg | classical music | doctor | establish character | familiar tune | fragmentation | gentle | Haydn | hero | heroine | parallelism | playful | quotation | room |
We Are Not Alone (1939) | Surprise Symphony (Humbly) | 0:13:10 - David treats Leni's leg | classical music | common-tone diminished 7th | doctor | establish character | familiar tune | fragmentation | gentle | Haydn | hero | heroine | hymn-like | quotation | room | sweet |
We Are Not Alone (1939) | Blue Danube | 0:14:52 - Leni says she is from Austria | classical music | doctor | establish character | familiar tune | hero | heroine | mode mixture | peaceful | quotation | room | Strauss |
We Are Not Alone (1939) | Surprise Symphony (Gute Nacht) | 0:15:00 - David says goodnight in German to Leni | classical music | doctor | establish character | familiar tune | Haydn | hero | heroine | peaceful | perfect authentic cadence | quotation | room |
We Are Not Alone (1939) | Surprise Symphony | 0:17:34 - David whistles while helping a patient | classical music | comical | diminution | doctor | establish character | familiar tune | Haydn | hero | heroine | office | on-screen music | quotation | source music | whistling |
We Are Not Alone (1939) | Surprise Symphony (Glissando) | 0:22:35 - David rides home on his bike | advance plot | bicycle | classical music | familiar tune | fragmentation | glissando | happy | Haydn | hero | home | peaceful | quotation | sequence | walking |
We Are Not Alone (1939) | Surprise Symphony (Worried) | 0:22:57 - David hears Gerald crying | advance plot | boy | child | classical music | dark | familiar tune | father | fragmentation | Haydn | hero | home | hurrying | mode mixture | quotation | tense |
We Are Not Alone (1939) | Surprise Symphony (Fixing the Lights) | 0:23:27 - David tries to fix the lights | 11th chord | advance plot | boy | child | classical music | familiar tune | father | foreign key modulation | fragmentation | Haydn | helping | hero | home | mysterious | playful | quotation | working |
We Are Not Alone (1939) | Surprise Symphony (Lighting the House) | 0:23:40 - David lights candles in the house | advance plot | boy | candle | child | chromatic sequence | classical music | dissonant bass | familiar tune | father | Haydn | helping | hero | home | lighting | positive | quotation | working |
We Are Not Alone (1939) | Surprise Symphony (Better) | 0:23:55 - David puts his son in bed | 9th chord | advance plot | boy | calm | child | classical music | conversing | dark | familiar tune | father | foreign key modulation | Haydn | hero | home | playing | quotation | warm |
We Are Not Alone (1939) | Surprise Symphony (Death Bed) | 0:24:11 - David discusses death with his son | advance plot | augmentation | boy | child | classical music | conversing | dark | death | familiar tune | father | Haydn | hero | home | quotation |
We Are Not Alone (1939) | Surprise Symphony (Dolce) | 0:25:02 - Gerald asks to go with his father on a trip | advance plot | boy | child | classical music | conversing | familiar tune | father | Haydn | hero | home | mode mixture | quotation | sweet | warm |
We Are Not Alone (1939) | Surprise Symphony (Lullaby) | 0:25:36 - David asks his son to help Leni | advance plot | boy | child | classical music | conversing | familiar tune | father | Haydn | hero | home | pedal tone | quotation | sweet |
We Are Not Alone (1939) | Surprise Symphony | 0:29:13 - David whistles | advance plot | cheerful | classical music | familiar tune | Haydn | hero | home | quotation | source music | whistling | wife |
We Are Not Alone (1939) | Surprise Symphony (Newspaper) | 0:31:52 - David sits and whistles | 9th chord | classical music | deceptive resolution | familiar tune | foreshadowing | happy | Haydn | hero | home | ominous | quotation | reveal | transition | whistling |
We Are Not Alone (1939) | Surprise Symphony (Galloping) | 0:32:07 - David arrives in a carriage | carriage | classical music | familiar tune | galloping | happy | Haydn | hero | horse | quotation | street | transition | traveling |
We Are Not Alone (1939) | Surprise Symphony (Dark) | 0:39:33 - Leni thinks to herself | 9th chord | antagonist | classical music | conflict | dark | familiar tune | garden | Haydn | heroine | quotation | suspension | thinking |
We Are Not Alone (1939) | Surprise Symphony (Expanded) | 0:45:36 - Leni hugs Gerald | advance plot | boy | child | chromatic parallelism | classical music | dissonant bass | familiar tune | Haydn | heroine | home | hugging | quotation | room | sweet |
We Are Not Alone (1939) | Surprise Symphony (Tragico) | 0:47:06 - Jessica gathers clothes for Gerald | advance plot | antagonist | boy | child | classical music | conversing | dark | familiar tune | Haydn | home | mother | quotation | room | sad | tragic |
We Are Not Alone (1939) | Surprise Symphony (Turbulent) | 0:50:14 - Jessica reacts to David's departure | 11th chord | angry | antagonist | chromatic parallelism | classical music | conflict | crying | dark | familiar tune | Haydn | hero | home | husband | leaving | quotation | room | sad | tragic | wife |
We Are Not Alone (1939) | Surprise Symphony (Sneaky) | 0:51:52 - David goes to bed | added-note chord | advance plot | antagonist | classical music | cook | diminution | familiar tune | Haydn | hero | heroine | home | mickey-mousing | mysterious | quotation | room | sneaking | somber |
We Are Not Alone (1939) | Eine kleine Nachtmusik | 0:52:05 - Program for the concert at the party | advance plot | classical music | concert | familiar tune | home | joyful | Mozart | room | source music |
We Are Not Alone (1939) | Die Krähe | 0:52:36 - Leni asks David about his work | advance plot | antagonist | calm | classical music | concert | conversing | cook | familiar tune | hero | heroine | home | room | Schubert | source music |
We Are Not Alone (1939) | Celebre Romance | 0:54:24 - Leni asks David for a reference | ABAC structure | advance plot | antagonist | calm | classical music | concert | conversing | cook | familiar tune | hero | heroine | home | room | Rubinstein | source music |
We Are Not Alone (1939) | Surprise Symphony | 0:56:18 - David whistles on his way to breakfast | advance plot | calm | classical music | familiar tune | Haydn | hero | home | quotation | room | whistling |
We Are Not Alone (1939) | Celebre Romance | 1:01:03 - David plays the violin | advance plot | antagonist | classical music | cook | familiar tune | hero | heroine | home | on-screen music | peaceful | playing | romantic | room | Rubinstein | sentence form | source music | source to score | violin |
We Are Not Alone (1939) | Celebre Romance (Agitato) | 1:01:40 - News of the war | chaotic | classical music | conflict | crowd | dramatic | familiar tune | riot | Rubinstein | running | street | whole-tone | whole-tone chord |
We Are Not Alone (1939) | Celebre Romance (Accompanied) | 1:01:56 - Gerald sneaks inside | boy | child | classical music | common-tone modulation | familiar tune | hero | heroine | home | mode mixture | on-screen music | peaceful | pivotal scene | playing | romantic | room | Rubinstein | secondary dominant | source music | violin |
We Are Not Alone (1939) | Agitato | 1:02:31 - Crowd presses forward | 11th chord | chaotic | classical music | conflict | conversing | crowd | dissonant bass | dissonant bass | dramatic | familiar tune | riot | Rubinstein | street |
We Are Not Alone (1939) | Celebre Romance (Accompanied B) | 1:02:47 - Gerald accidentally mixes up the contents of two bottles | boy | child | classical music | deceptive resolution | familiar tune | hero | heroine | home | linear chromaticism | mode mixture | on-screen music | peaceful | pivotal scene | playing | romantic | room | Rubinstein | source music | violin |
We Are Not Alone (1939) | Surprise Symphony (Window) | 1:05:40 - Susan sees Leni and David in the window | antagonist | classical music | conflict | familiar tune | Haydn | quotation | spying | street | tense | window |
We Are Not Alone (1939) | Surprise Symphony (Dolcissimo) | NIF - not in film | altered dominant | classical music | cut from film | familiar tune | foreign key modulation | Haydn | playful | quotation |
We Are Not Alone (1939) | Surprise Symphony (Allegretto) | 1:14:16 - David helps Leni buy a ticket | advance plot | classical music | conversing | familiar tune | fragmentation | gentle | Haydn | hero | heroine | optimistic | pedal tone | quotation | sequence | sweet | train station |
We Are Not Alone (1939) | Surprise Symphony (Tense) | 1:31:42 - News bulletins about the trial | 9th chord | advance plot | announcing | classical music | dark | familiar tune | Haydn | main theme | quotation | shop | sign | street | tense | window |
We Are Not Alone (1939) | Celebre Romance (Love) | 1:37:12 - David and Leni express their love for each other | classical music | conversing | familiar tune | fragmentation | guard | hero | heroine | love scene | prison | quotation | romantic | Rubinstein |
We Are Not Alone (1939) | Surprise Symphony (Someday) | 1:39:55 - David is hopeful | 64 chord | classical music | comforting | conversing | deceptive resolution | dream-like | familiar tune | foreign key modulation | gentle | Haydn | hero | heroine | imagining | love scene | prison | quotation | sweet |
We Are Not Alone (1939) | Surprise Symphony (Semplice) | 1:41:10 - Guards help Leni | advance plot | augmented triad | classical music | conversing | delicate | familiar tune | fragmentation | Haydn | helping | hero | heroine | lullaby | prison | quotation |
We Are Not Alone (1939) | Surprise Symphony (Acceptance) | 1:47:27 - David talks to the prison guards | advance plot | classical music | familiar tune | gentle | Haydn | hero | mode mixture | plagal cadence | prison | quotation | reverse picardy | sweet |
We Are Not Alone (1939) | Surprise Symphony (Whistling) | 1:48:34 - David whistles as he thinks | advance plot | augmentation | classical music | deceptive resolution | familiar tune | gentle | Haydn | hero | on-screen music | pedal tone | prison | quotation | score to source | source music | sweet | whistling |
We Are Not Alone (1939) | Surprise Symphony (Ghostly) | 1:49:48 - Gerald talks to Susan | antagonist | boy | child | classical music | conclusion | death | eerie | familiar tune | Haydn | home | ominous | on-screen music | quotation | remembered source music | room | source music | tone cluster | whistling |
We Are Not Alone (1939) | Frohe Botschaft (Singing) + Surprise Symphony | 1:50:50 - Gerald sings in the tub | augmented triad | boy | child | classical music | combination of themes | conclusion | death | familiar tune | folk song | German | Haydn | home | mode mixture | on-screen music | peaceful | quotation | room | source music | whistling |
We Are Not Alone (1939) | Surprise Symphony (The End) | 1:51:13 - Closing credits | bold | classical music | closing credits | end title sequence | familiar tune | Haydn | on-screen music | quotation | source music | transcribed by ear | whistling |
Dangerous Corner (1934) | Chanson | 0:22:05 - A man turns on the radio | alternate timeline | calm | classical music | conversing | pivotal scene | radio | room | source music |
Dangerous Corner (1934) | Wedding March | 0:23:10 - A woman opens a cigarette case | alternate timeline | cheerful | classical music | conversing | friend | music box | pivotal scene | room | source music | suspect |
Dangerous Corner (1934) | Wedding March | 0:47:11 - A man opens a cigarette case | alternate timeline | cheerful | classical music | conversing | friend | music box | pivotal scene | room | source music | suspect |
Dangerous Corner (1934) | Chanson | 1:02:06 - A man turns on the radio | alternate timeline | calm | classical music | conversing | friend | radio | resolution | room | source music | suspect |
Dangerous Corner (1934) | Wedding March | 1:03:10 - A woman opens a cigarette case | alternate timeline | cheerful | classical music | conversing | friend | music box | resolution | room | source music |
Dangerous Corner (1934) | Wedding March | 1:06:01 - Charles kisses Ann | balcony | cheerful | classical music | end title | The End |
Sing and Like It (1934) | Liebesträume | 0:34:46 - Ruby enters the room | advance plot | calm | classical music | conversing | gangster | leading lady | moll | musician | on-screen music | piano | playing | room | secondary dominant | source music |
Sing and Like It (1934) | Liebesträume | 0:35:31 - Toots plays the piano | advance plot | calm | classical music | conversing | gangster | leading lady | moll | musician | on-screen music | piano | playing | room | secondary dominant | source music |
Without Honor (1949) | Liszt Waltz | 0:29:28 - Bill talks to Jane | antagonist | arriving | brother | calm | classical music | conflict | conversing | leading lady | leading man | radio | room | source music | taunting | wife | zoom in |
Without Honor (1949) | Prelude in D-Flat Major, Op. 28, No. 15 "Raindrop" | 0:33:17 - Mrs. Williams talks to Jane | antagonist | brother | calm | classical music | conflict | conversing | leading lady | leading man | radio | room | source music | wife |