| Angels With Dirty Faces (1938) | Bootlegging | 0:06:46 - Bootlegging liquor | alcohol | boat | dock | establish character | gangster | leading man | mickey-mousing | montage | sneaking | sneaky |
| The Breaking Point (1950) | En Mi Canto de Amor | 0:08:57 - A dock at night | arriving | art song | boat | conversing | docking | establish setting | flirting | floozy | harbor | leading lady | leading man | not by Steiner | sailor | source music | upbeat | working |
| City for Conquest (1940) | Tone Poem A (Very Rough) | 1:15:00 - The car pulls to a stop | arriving | car | criminal | dark | dock | driving | gangster | manager | murderer | murder scene | threatening | tritone | whole-tone chord |
City for Conquest (1940) | Googi (Dead Man) | 1:15:09 - They pull out the dead man | car | chromatic scale | conversing | corpse | criminal | disposing | dock | gangster | manager | murderer | murder scene | ominous | ostinato | tense | whole-tone chord | working |
City for Conquest (1940) | Gun falls | 1:15:13 - A gun falls to the ground | car | corpse | criminal | dock | dropping | gangster | gun | manager | mickey-mousing | murderer | murder scene | ominous | tense |
City for Conquest (1940) | Googi (Molto Mysterioso e Screwyoso) | 1:15:19 - Cobb sees the gun | car | chromatic parallelism | conversing | corpse | criminal | disposing | dissonant bass | dock | fragmentation | gangster | half-diminished 7th chord | manager | murderer | murder scene | ominous | ostinato | tense | tritone oscillation | working |
City for Conquest (1940) | Kicks body | 1:15:22 - Googi kicks the body into the water | chromatic scale | corpse | criminal | dock | dropping | gangster | kicking | manager | mickey-mousing | murderer | murder scene | ominous | tense |
City for Conquest (1940) | Throws gun away | 1:15:30 - Googi throws a gun in the water | criminal | dock | gangster | gun | manager | mickey-mousing | murderer | murder scene | ominous | tense | throwing |
City for Conquest (1940) | Googi dies | 1:15:34 - Googi is shot | chromatic parallelism | criminal | dock | dying | falling | gangster | gun | gunshot | half-diminished 7th chord | manager | mickey-mousing | murderer | murdering | murder scene | ominous | shooting | slumping | tense |
City for Conquest (1940) | Tone Poem A (Death) | 1:15:39 - Googi dies | criminal | diminished 7th chord | dissonant bass | dock | dying | falling | gangster | gun | gunshot | manager | murderer | murdering | murder scene | ominous | shooting | slumping | tense |
| Hell on Frisco Bay (1955) | Menace | 0:04:31 - Steve gets off the bus | dark | dock | establish setting | friend | investigator | leading man | leaving | menacing | transcribed by ear |
Hell on Frisco Bay (1955) | Steve | 0:04:44 - Steve wanders the docks | conductor score | dock | establish setting | investigator | leading man | noble | transcribed by ear | wandering |
Hell on Frisco Bay (1955) | Menace | 0:05:06 - Steve sees some boats | conductor score | dark | dock | establish setting | fanfare | investigator | leading man | transcribed by ear | wandering |
Hell on Frisco Bay (1955) | Menace 2 | 0:05:12 - Steve looks at the boats | brash | conductor score | dock | establish setting | investigator | leading man | transcribed by ear | wandering |
Hell on Frisco Bay (1955) | Steve | 0:05:25 - Steve wanders the dock | conductor score | dock | entering | establish setting | investigator | leading man | noble | transcribed by ear |
Hell on Frisco Bay (1955) | Dead Man | 0:38:18 - Dead man on the rocks | advance plot | body | brash | conductor score | dark | death | discovering | dock | violence |
Hell on Frisco Bay (1955) | Headline | 0:38:23 - Newspaper headline | advance plot | body | brash | dock | headline | newspaper | not in score |
Hell on Frisco Bay (1955) | Steve | 1:33:17 - Marcia looks for Steve | action scene | dock | dramatic | leading lady | running | tense |
Hell on Frisco Bay (1955) | Amato | 1:33:23 - Amato takes Marcia hostage | action scene | dock | gangster | inspector | kidnapping | leading lady | leading man | ominous | tense |
Hell on Frisco Bay (1955) | Amato | 1:34:01 - Steve confronts Amato | action scene | dock | dramatic | gangster | inspector | kidnapping | leading lady | leading man | tense |
Hell on Frisco Bay (1955) | Amato | 1:34:08 - Steve confronts Amato | action scene | dock | dramatic | gangster | gun | gunshot | inspector | kidnapping | leading lady | leading man | shooting | tense |
Hell on Frisco Bay (1955) | Amato runs | 1:34:27 - Amato runs to his boat | action scene | agitated | boat | dock | dramatic | following | gangster | inspector | leading man | running | tense |
Hell on Frisco Bay (1955) | Boat Chase | 1:34:33 - Amato tries to escape in a boat | action scene | agitated | boat | dock | dramatic | following | gangster | inspector | leading man | running | tense |
Hell on Frisco Bay (1955) | Steve dives | 1:34:48 - Steve dives in the water | action scene | agitated | diving | dock | dramatic | gangster | inspector | jumping | leading man | mickey-mousing | splashing | tense | water |
Hell on Frisco Bay (1955) | Underscoring (Dramatic) | 1:34:53 - Steve climbs in the boat | action scene | boat | dock | dramatic | driving | gangster | inspector | leading man | tense | underscoring |
Hell on Frisco Bay (1955) | Menace | 1:34:57 - Steve and Amato fight | action scene | agitated | boat | dock | dramatic | fighting | gangster | inspector | leading man | tense |
Hell on Frisco Bay (1955) | Underscoring (Tense) | 1:35:05 - The police arrive | action scene | arriving | conversing | dock | leading lady | police | tense | underscoring |
Hell on Frisco Bay (1955) | Menace | 1:35:21 - Steve and Amato fight | action scene | agitated | boat | dock | dramatic | fighting | gangster | inspector | leading man | tense |
Hell on Frisco Bay (1955) | Police running | 1:35:32 - The policemen run | action scene | agitated | dock | down | dramatic | mickey-mousing | police | running | tense |
Hell on Frisco Bay (1955) | Underscoring (Dramatic) | 1:35:44 - The police boat leaves the dock | action scene | boat | departing | dock | dramatic | police | tense | underscoring |
Hell on Frisco Bay (1955) | Amato | 1:35:47 - Steve and Amato fight | action scene | agitated | boat | dock | dramatic | fighting | gangster | inspector | leading man | tense |
Hell on Frisco Bay (1955) | Amato | 1:35:56 - The police boat advances | action scene | agitated | boat | dock | dramatic | fighting | gangster | inspector | leading man | tense | underscoring |
Hell on Frisco Bay (1955) | Horn Call | 1:36:10 - The police boat advances | action scene | battle call | boat | departing | dock | police | tense |
Hell on Frisco Bay (1955) | Amato | 1:36:12 - Steve and Amato fight | action scene | agitated | boat | dock | dramatic | fighting | gangster | inspector | leading man | tense |
Hell on Frisco Bay (1955) | Amato falls | 1:36:20 - Amato falls in the water | action scene | boat | dock | dramatic | falling | fighting | gangster | inspector | leading man | mickey-mousing | punching | splashing | tense | water |
Hell on Frisco Bay (1955) | Underscoring (Tense) | 1:36:23 - The boat approaches a wall | action scene | boat | dock | driving | inspector | leading man | tense | underscoring |
Hell on Frisco Bay (1955) | Steve dives 2 | 1:36:27 - Steve dives in the water | action scene | boat | diving | dock | inspector | jumping | leading man | mickey-mousing | splashing | tense | water |
Hell on Frisco Bay (1955) | Steve | 1:36:31 - Steve surfaces | dock | gentle | heroic | inspector | leading man | resolution from here on? | swimming |
Hell on Frisco Bay (1955) | Steve Saves Amato | 1:36:42 - Steve and Amato swim to the police boat | boat | dock | gangster | inspector | leading man | mickey-mousing | swimming | tense | water |
Hell on Frisco Bay (1955) | Lifting up | 1:36:50 - Amato is brought onboard | boat | dock | dramatic | gangster | inspector | leading man | lifting | mickey-mousing | police | raising | tense | up | water |
Hell on Frisco Bay (1955) | Menace | 1:36:57 - The police boat leaves | agitated | arriving | boat | dock | gangster | inspector | leading man | police | tense |
Hell on Frisco Bay (1955) | Steve | 1:37:30 - Steve gets off the boat | arriving | boat | bold | dock | gangster | heroic | inspector | leading man | police |
Hell on Frisco Bay (1955) | Hell on Frisco Bay | 1:37:36 - Steve goes to his wife | arriving | dock | gentle | inspector | leading lady | leading man | romantic |
Hell on Frisco Bay (1955) | Hell on Frisco Bay | 1:37:52 - Steve and Marcia leave together | dock | gentle | inspector | leading lady | leading man | peaceful | romantic | walking |
| Key Largo (1948) | Nora | 0:17:32 - Nora and Frank walk to the boat | conversing | dock | falling in love scene | leading lady | leading man | romantic | triadic | wind |
Key Largo (1948) | Nora (Nervous) | 0:17:53 - Nora sees the gangsters | conversing | dock | falling in love scene | gangster | leading lady | leading man | nervous | wind |
Key Largo (1948) | Wind | 0:18:21 - Frank helps prepare for the storm | conversing | dock | falling in love scene | gangster | leading lady | leading man | storm | tense | wind |
Key Largo (1948) | Tosses rope | 0:18:32 - Frank tosses the rope to Nora | dock | falling in love scene | leading lady | leading man | mickey-mousing | rope | tense | throwing |
Key Largo (1948) | Nora (Con Moto) | 0:18:40 - Nora smiles at Frank | dock | falling in love scene | leading lady | leading man | romantic | smiling | watching |
Key Largo (1948) | Tosses rope 2 | 0:18:47 - Frank tosses the rope to Nora | dock | falling in love scene | leading lady | leading man | mickey-mousing | romantic | rope | throwing |
Key Largo (1948) | Seminoles | 0:19:11 - Seminole Indians arrive | advance plot | arriving | boat | conversing | dock | Indian | Indian | leading lady | leading man | rowing | serious |
Key Largo (1948) | Seminoles (Grandma) | 0:19:46 - Elderly Indian woman talks to Nora | advance plot | arriving | boat | conversing | dock | grandmother | Indian | Indian | leading lady | leading man | old woman | serious | smoking |
Key Largo (1948) | Seminoles (Brothers) | 0:20:29 - Nora talks with Seminole Indians | advance plot | arriving | boat | conversing | dock | Indian | Indian | leading lady | leading man | serious |
Key Largo (1948) | Rocco (Tense) | 1:15:03 - Rocco claims the Indians murdered Sawyer | angry | boss | conflict | dock | gangster | lying | murder | police | tense | violent |
Key Largo (1948) | Underscoring (Dramatic) | 1:15:32 - Sheriff runs to talk to the Indians | conflict | dock | dramatic | running | sheriff | underscoring |
Key Largo (1948) | Underscoring (Tense) | 1:15:37 - Sheriff approaches Indians | conflict | dock | Indian | searching | sheriff | tense | underscoring |
Key Largo (1948) | Rocco 2 (Setup) | 1:15:43 - Indians run from the sheriff | conflict | death | dock | fleeing | gun | gunshot | menacing | running | setup | sheriff | shooting | tense | violent |
Key Largo (1948) | Rocco (Tense) | 1:25:49 - Gangsters leave to board the boat | advance plot | boss | dock | father | gangster | hostage | leading lady | leading man | moll | tense | walking |
Key Largo (1948) | Hurrying | 1:26:02 - Gangsters walk to the boat | advance plot | boss | dock | father | gangster | hostage | hurrying | leading lady | leading man | mickey-mousing | moll | tense | walking |
Key Largo (1948) | Underscoring (Dramatic) | 1:26:10 - Gangsters board the boat with McCloud | advance plot | boarding | boss | dock | dramatic | gangster | hostage | leading lady | leading man | moll | storm | tense | underscoring | wind |
| Mildred Pierce (1945) | Mildred (Pier) | 0:02:15 - Santa Monica pier at night | chromatic parallelism | dock | establish character | fragmentation | heroine | leading lady | mickey-mousing | pedal tone | pondering | sequence | somber | walking | water | wave |
Mildred Pierce (1945) | Mildred (Tragic) | 0:02:42 - Mildred walks out onto the dock | altered dominant | dock | establish character | half-diminished 7th chord | heroine | leading lady | mickey-mousing | pondering | sequence | somber | suicide | tragic | water | wave |
Mildred Pierce (1945) | Waves rumbling | 0:03:15 - Policeman convinces Mildred not to jump | conversing | dock | establish character | heroine | leading lady | mickey-mousing | police | somber | suicide | water | wave |
| Out of the Fog (1941) | Concert in the Park | 0:01:57 - Goff walks along the dock | arriving | conversing | criminal | dock | establish character | gambling | leading man | popular music | restaurant | source and scoring overlap | source music | upbeat | worker |
Out of the Fog (1941) | Stella Runs | 0:11:35 - Stella runs out of the restaurant | boyfriend | criminal | departing | dock | emotional | establish character | evaded cadence | leading lady | leading man | restaurant | running | transcribed by ear | watching |
Out of the Fog (1941) | Stella and George | 0:11:54 - George talks to Stella | AABA structure | arguing | boyfriend | conversing | dock | establish character | leading lady | romantic | transcribed by ear |
Out of the Fog (1941) | Underscoring (Subtle) | 0:13:05 - A boy runs in | arguing | boyfriend | conversing | dock | establish character | leading lady | underscoring | uneasy |
Out of the Fog (1941) | Stella and George (Tender) | 0:13:24 - George talks to Stella | boyfriend | conversing | crying | departing | dock | establish character | evaded cadence | leading lady | tender | transcribed by ear |
Out of the Fog (1941) | Russian Barcarolle (Dark) | 0:19:34 - Goff walks | boat | chef | conflict | conversing | criminal | dark | dock | extortion | father | fisherman | friend | leading man | threatening | walking |
Out of the Fog (1941) | Underscoring (Dark) | 0:20:11 - Jonah reacts | arguing | boat | chef | conflict | conversing | criminal | dark | dock | extortion | father | fisherman | friend | leading man | stinger | tense | threatening | underscoring |
Out of the Fog (1941) | Russian Barcarolle (Threatening) | 0:20:40 - Goff threatens Jonah | arguing | boat | breaking | chef | conflict | conversing | criminal | dark | dock | extortion | father | fisherman | friend | leading man | tense | threatening | violence |
Out of the Fog (1941) | Russian Barcarolle (Fear) | 0:21:18 - Officer Magruder arrives | boat | chef | conflict | conversing | criminal | dock | extortion | father | fear | fisherman | friend | leading man | police | sandwich | solemn | somber |
Out of the Fog (1941) | Concert in the Park | 0:25:09 - Jonah and Olaf walk down the street | advance plot | arriving | conversing | dock | father | fisherman | friend | popular music | source music | upbeat | walking |
Out of the Fog (1941) | Underscoring (Dramatic) | 0:26:42 - Goff slaps Jonah | arguing | chef | conflict | criminal | dock | dramatic | extortion | falling | father | fisherman | friend | leading man | mickey-mousing | punching | slapping | stinger | underscoring | violence |
Out of the Fog (1941) | Underscoring (Gentle) | 0:26:51 - Jonah helps Olaf | chef | conflict | conversing | criminal | dock | extortion | father | fisherman | friend | gentle | helping | leading man | mickey-mousing | reacting | solemn | tender | threatening | underscoring |
Out of the Fog (1941) | Russian Barcarolle (Dark 2) | 0:27:12 - Jonah and Olaf react | arguing | chef | conflict | conversing | criminal | dark | dock | extortion | father | fisherman | friend | gun | leading man | stinger | tense | threatening |
Out of the Fog (1941) | Animato | 0:27:43 - Goff pulls out a gun | chef | conflict | conversing | criminal | dock | extortion | father | fisherman | foreign key modulation | friend | gun | leading man | tense | threatening |
Out of the Fog (1941) | Russian Barcarolle (Distorted) | 0:28:02 - Jonah and Olaf pay Goff | chef | conflict | conversing | criminal | dark | dock | extortion | father | fisherman | friend | leading man | money | threatening |
Out of the Fog (1941) | Underscoring (Tense) | 0:28:20 - Jonah and Olaf react | chef | conflict | conversing | criminal | dock | extortion | father | fisherman | friend | leading man | tense | threatening | underscoring |
Out of the Fog (1941) | Gangster | 0:39:07 - Stella and Goff at the harbor | AABA structure | blue note | bluesy | conversing | criminal | dock | leading lady | leading man | love scene | sultry |
Out of the Fog (1941) | Russian Barcarolle (Ominous) | 0:40:09 - Stella talks to Goff | conversing | criminal | dock | leading lady | leading man | love scene | ominous |
Out of the Fog (1941) | Underscoring (Dark) | 0:40:27 - Stella reacts | criminal | dark | dock | leading lady | leading man | love scene | reacting | stinger | walking |
Out of the Fog (1941) | Gangster | 0:40:37 - Goff calls after Stella | blue note | bluesy | conversing | criminal | dock | leading lady | leading man | love scene | sultry |
Out of the Fog (1941) | Russian Barcarolle (Tense) | 0:40:54 - Goff talks to Stella | conversing | criminal | dark | dock | leading lady | leading man | love scene |
Out of the Fog (1941) | Underscoring (Dramatic) | 0:41:03 - Stella slaps Goff | criminal | dock | dramatic | leading lady | leading man | love scene | reacting | slapping | stinger | underscoring |
Out of the Fog (1941) | Gangster (Tense) | 0:41:05 - Stella kisses Goff | bluesy | criminal | dock | embracing | kissing | leading lady | leading man | love scene | tense |
Out of the Fog (1941) | Whistle While You Work | 0:43:46 - Eddie sets the table | AABA structure | advance plot | arguing | boss | conversing | dock | popular music | restaurant | source music | upbeat | worker |
Out of the Fog (1941) | Underscoring (Dramatic) | 0:45:13 - Goff enters | arriving | conflict | conversing | criminal | dock | dramatic | father | fisherman | friend | leading man | tense |
Out of the Fog (1941) | Russian Barcarolle (Solemn) | 0:45:25 - Goff asks for money | arguing | conflict | conversing | criminal | dock | extortion | father | fisherman | foreign key modulation | friend | leading man | sequence | solemn |
Out of the Fog (1941) | Underscoring (Dramatic) | 0:46:00 - Jonah calls for the cop | arguing | conflict | criminal | dock | dramatic | extortion | father | fisherman | friend | leading man | underscoring | yelling |
Out of the Fog (1941) | Russian Barcarolle (Fragmented) | 0:46:14 - Jonah calls for the cop | arguing | conflict | criminal | dock | extortion | father | fisherman | fragmentation | friend | leading man | police | tense | yelling |
Out of the Fog (1941) | Underscoring (Tense) | 0:46:34 - Jonah accuses Goff | arguing | conflict | conversing | criminal | dock | extortion | father | fisherman | friend | leading man | police | tense | underscoring |
Out of the Fog (1941) | Russian Barcarolle (Fragmented) | 0:46:50 - Olaf accuses Goff | conflict | conversing | criminal | departing | dock | extortion | father | fisherman | fragmentation | friend | leading man | police | tense |
Out of the Fog (1941) | The Merry-Go-Round Broke Down | 0:49:00 - Olaf and Jonah walk to the restaurant | AABA structure | advance plot | conversing | crowd | dancing | dock | father | fisherman | friend | popular music | source music | upbeat |
Out of the Fog (1941) | Underscoring (Dramatic) | 1:06:59 - Goff hits George | boyfriend | conflict | criminal | dock | dramatic | falling | fighting | fisherman | friend | leading man | punching | violence |
Out of the Fog (1941) | Animato (Extended) | 1:07:04 - Jonah and Olaf help George | arguing | boyfriend | conflict | criminal | dock | fisherman | friend | leading man | tense | violence |
Out of the Fog (1941) | Russian Barcarolle (Ethereal) | 1:23:47 - Jonah talks to Stella | conversing | dock | ethereal | father | fisherman | leading lady | peaceful | resolution | walking |
Out of the Fog (1941) | Russian Barcarolle (Tango) | 1:24:07 - Stella and Jonah walk away | chromatic mediant | conversing | dock | exotic | father | fisherman | foreign key modulation | leading lady | peaceful | pedal tone | resolution | street | tango | walking |
Out of the Fog (1941) | Russian Barcarolle (The End) | 1:24:24 - The dock at night | conversing | dock | end title sequence | father | fisherman | grand | leading lady | peaceful | perfect authentic cadence | resolution | street | The End | walking |
| Mara Maru (1952) | Underscoring (Dramatic) | 0:46:32 - A boat on fire | arriving | crowd | death scene | dock | dousing | dramatic | fire | fire effect | hurrying | leading man | police | running | tense | underscoring |
Mara Maru (1952) | Underscoring (Somber) | 0:47:16 - Manuelo hold Perol in his arms | conversing | crying | death scene | dock | dying | leading man | pain | somber | struggling | worker |
Mara Maru (1952) | Manuelo (Molto Expressivo) | 0:47:44 - Perol talks to Gregory | conversing | crying | death scene | dock | dying | expressive | leading man | pain | struggling | tender | worker |
Mara Maru (1952) | Manuelo (Perol Dies) | 0:48:12 - Perol speaks his last words | angelic | conversing | crying | dark | death | death scene | dock | dying | expressive | leading man | pain | stinger | struggling | tender | worker |
Mara Maru (1952) | Manuelo (Molto Appassionato) | 0:48:42 - Manuelo mourns for his brother | cross | crying | dark | death | death scene | dock | embracing | evidence | leading man | mourning | somber | stinger | worker |
Mara Maru (1952) | Mara Maru | 0:53:22 - A boat in the harbor | antagonist | arriving | bodyguard | captain | conversing | dock | dramatic | harbor | leading man | panning shot | private eye | sailing | sailor | ship | tense | transition |
Mara Maru (1952) | Sailing | 0:53:34 - Men on the deck of the ship | bodyguard | captain | conversing | dock | leading man | preparing | private eye | sailing effect | sailor | ship | transition | uneasy |
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