| All This, and Heaven Too (1940) | Rubato (Carriage) | NIF - not in film | 9th chord | advance plot | carriage | child | cut from film | deceptive resolution | duchess | governess | leading lady | leaving | parallelism | passionate | street |
All This, and Heaven Too (1940) | Henriette (Appassionato) | 0:44:08 - Raynald plays outside | 64 chord | added-note chord | advance plot | child | common-tone diminished 7th | conversing | courtyard | duke | foreign key modulation | governess | happy | leading lady | leading man | passionate | playing |
All This, and Heaven Too (1940) | Plainte de Cloris | 0:51:08 - They listen to the musical prologue | audience | calm | child | classical music | concert scene | conversing | duke | governess | leading lady | leading man | listening | passionate | source music | theater |
| They Made Me a Criminal (1939) | On the Make (Lohenblueish) | 1:09:07 - Johnnie decides that he will stay | added-note chord | augmentation | chromatic mediant | direct modulation | foreign key modulation | hero | hopeful | hopeless | leading man | linear chromaticism | passionate | room | thinking | turning point | zoom in |
They Made Me a Criminal (1939) | The Fugitive (Ending) | 1:30:23 - A train rushes away | detective | foreign key modulation | leading man | mode mixture | optimistic | passionate | plagal cadence | resolution | resolution | running | teenager | train station | triumphant |
They Made Me a Criminal (1939) | Running | 1:30:35 - Johnnie runs to Tommy | leading man | mickey-mousing | optimistic | passionate | resolution | resolution | running | teenager | train station | triumphant |
| Deep Valley (1947) | Barry (Appassionato) | 1:41:02 - Libby arrives at the cabin | cabin | calling | death scene | leading lady | passionate | resolution | searching |
Deep Valley (1947) | Molto Expressivo | 1:41:09 - Libby looks for Barry | calling | death scene | forest | leading lady | passionate | resolution | searching |
Deep Valley (1947) | Deep Valley (Appassionato) | 1:44:57 - Libby looks off into the distance | dog | forest | leading lady | leading man | passionate | resolution | watching |
Deep Valley (1947) | Deep Valley (Sostenuto) | 1:45:05 - Jeff and Libby on the cliffside | dog | forest | leading lady | leading man | passionate | resolution | walking |
| Dust Be My Destiny (1939) | Dust Be My Destiny (Appassionato) | 1:12:09 - Mabel and Joe hide from the reporters | conflict | countermelody | hero | hiding | hospital | leading lady | leading man | passionate | underscoring |
| Each Dawn I Die (1939) | Frank (Released) | 1:28:49 - Frank is released | 9th chord | altered dominant | artwork in score | conclusion | embracing | friend | gentle | goodbye | leading lady | leading man | Neapolitan | passionate | peaceful |
| Flamingo Road (1949) | Appassionato | 1:19:10 - Dan argues with Lane | arguing | chromatic parallelism | conflict | diminished 7th chord | harmonic sequence | husband | leading lady | leading man | passionate | politician | room | wife | yearning |
| Her Kind of Man (1946) | It Had to Be You (Passionate) | 0:47:50 - Georgia talks with Steve | arguing | conversing | dark | gambler | kissing | leading lady | leading man | love interest | love scene | passionate | romantic | room | sequence | source to score | turbulent |
| In This Our Life (1942) | Caring | 0:13:08 - Roy talks to Peter | 9th chord | advance plot | chromatic parallelism | conversing | leading lady | leading man | packing | parallelism | passionate | room | tender |
In This Our Life (1942) | Discussion | 0:13:57 - Roy talks with Peter | 9th chord | advance plot | altered dominant | conversing | leading lady | leading man | passionate | reverse picardy | room | serious | somber |
In This Our Life (1942) | Stanley Introduction | 1:07:01 - Stanley talks to Craig | 9th chord | advance plot | chromatic scale | lawyer | leading lady | leading man | manipulating | office | passionate |
| The Informer (1935) | Dan and Mary | 0:55:53 - Dan and Mary talk alone | ABA structure | chromatic parallelism | deceptive resolution | diminished 7th chord | dissonant bass | embracing | half-diminished 7th chord | hero | love interest | love scene | love theme | mode mixture | passionate | pedal tone | romantic | room |
| The Letter (1940) | Leslie (Rising) + Deception | 0:13:28 - Leslie continues her story | advance plot | augmented triad | chromatic parallelism | combination of themes | crying | dramatic | emotional | home | leading lady | oscillation | ostinato | passionate | pc set | recounting | sequence |
The Letter (1940) | Letter (Sarcastic) | 0:22:41 - Leslie and Howard leave | advance plot | chromatic sequence | dissonant bass | home | lawyer | leading lady | leaving | mysterious | passionate | sequence |
The Letter (1940) | Mrs. Hammond (Appassionato) | 0:24:12 - Mrs. Hammond looks at her husband | Aeolian mode | Chinese | Chinese | death | delicate | establish character | grieving | open fifth | parallel fifths | parallelism | passionate | pedal tone | pentatonic | plantation | widow |
The Letter (1940) | Leslie (Climactic) | 1:30:02 - Leslie sees that the knife is gone | climax | dagger | door | home | leading lady | looking | oscillation | passionate | sequence |
| The Life of Vergie Winters (1934) | Lullaby (Quasi Appassionato) | 0:54:24 - John expresses his love for Vergie | conversing | direct modulation | dissonant bass | fragmentation | half-diminished 7th chord | leading lady | leading man | love scene | outside | passionate | secret love | secret lover |
| Kid Galahad (1937) | Doublecross | 1:15:33 - Nick reads a newspaper headline | advance plot | driving | hotel | manager | newspaper | not by Steiner | passionate | reading | sequence | transcribed by ear |
| We Are Not Alone (1939) | Appassionato | 0:03:13 - Gerald is scolded by his mother | antagonist | boy | child | chromatic parallelism | chromatic scale | deceptive resolution | dominant 7th chord | establish character | fragmentation | harmonic sequence | hero | home | linear chromaticism | mother | passionate | scolding | sequence | telling a story | tense |
We Are Not Alone (1939) | Heart Break | 1:40:11 - David and Leni kiss | 9th chord | appoggiatura | dissonant bass | first kiss | hero | heroine | kissing | love | love scene | mode mixture | passionate | pedal tone | prison | suspension |
| The Woman in White (1948) | Pavan (Agitato 2) | 0:58:59 - Laura enters Marian's room | advance plot | conversing | cousin | greeting | leading lady | passionate | room | tense |
| Without Honor (1949) | Appassionato 2 (Agitato) | 0:07:57 - Jane tells Dennis she still loves him | adulterer | affair | arguing | breaking up | breakup | crying | death scene | kitchen | leading lady | leading man | love interest | passionate | somber |
Without Honor (1949) | Appassionato (Broad) | 0:08:11 - Jane cries | adulterer | affair | arguing | breaking up | breakup | crying | death scene | kitchen | leading lady | leading man | love interest | passionate | somber |
Without Honor (1949) | Appassionato (Molto Expressivo) | 0:08:35 - Jane cries | adulterer | affair | arguing | breaking up | breakup | crying | death scene | kitchen | leading lady | leading man | love interest | passionate | somber |
Without Honor (1949) | Appassionato 2 | 0:53:24 - Jane laughs | antagonist | brother | climax | confession | crying | husband | laughing | leading lady | leading man | passionate | room | wife |
| Caged (1950) | Marie 2 (Molto Appassionato) | NIF - not in film | 9th chord | cut from film | cut scene | foreign key modulation | passionate |
| Mara Maru (1952) | Appassionato | 0:13:27 - Stella argues with Gregory | arguing | conversing | establish character | leading lady | leading man | passionate | room |
Mara Maru (1952) | Appassionato | 0:39:32 - Benedict talks to Stella | | advance plot | antagonist | conversing | leading lady | passionate | room |
Mara Maru (1952) | Appassionato (Molto Expressivo) | 0:58:03 - Gregory takes Stella's arm | conversing | leading lady | leading man | love interest | love scene | passionate | sailing | ship | ship |
Mara Maru (1952) | Appassionato (Extended) | 1:08:25 - Stella talks with Gregory | arguing | captain | conversing | leading lady | leading man | love interest | love scene | passionate | sailing | ship | ship | warning |
Mara Maru (1952) | Appassionato (Molto Expressivo) | 1:11:48 - Crew on deck of the ship | action scene | antogonist | arguing | captain | conversing | diver | diving suit | leading lady | leading man | love interest | passionate | preparing | private eye | ship | ship | worker |
Mara Maru (1952) | Cross (Appassionato) | 1:28:12 - Manuelo runs away | action scene | church | cross | fleeing | hymn-like | jungle | passionate | searching | walking | worker |
Mara Maru (1952) | Cross (Religioso) | 1:28:41 - Manuelo sees the church | action scene | car | church | collapsing | cross | headlights | hiding | hymn-like | passionate | religious | scrambling | shadow | street | suspect | worker |
Mara Maru (1952) | Ortega is Shot | 1:34:42 - Ortega is shot | action scene | antagonist | blocking | bodyguard | catacomb | cave | climax | cross | death | dramatic | dying | falling | gun | gunshot | leading man | martyr | murder | murderer | passionate | sentimental | shooting | somber | tunnel | victim |
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