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83 results for "club" — see also bar | building | hit | meet | night club | pub | stick

FilmTheme nameInstanceTags
Angels With Dirty Faces (1938)Roulette0:07:01 - Roulette wheel spinsclub | double exposure | establish character | frantic | gambling | gangster | leading man | mickey-mousing | montage | parallelism | pedal tone | sequence | spinning

Angels With Dirty Faces (1938)

Night Club Music0:07:05 - Rocky gambles in a nightclubaltered dominant | club | dancing | double exposure | drinking | establish character | frantic | gambling | gangster | leading man | mickey-mousing | montage | pouring

Angels With Dirty Faces (1938)

When a Prince of a Fella Meets a Cinderella0:16:49 - Rocky goes to a night club advance plot | cheerful | conversing | gambling | gangster | lawyer | leading man | night club | parallel double period | popular music | source music

Angels With Dirty Faces (1938)

Saving Myself For You (I’ve Been)1:02:30 - Rocky and Laury at a night clubAABA structure | advance plot | cheerful | club | drinking | gambling | gangster | lawyer | leading lady | leading man | on-screen music | source music
The Big Sleep (1946)I Guess I'll Have to Change My Plan1:00:50 - Vivian enters a restaurantarriving | club | conversing | falling in love scene | leading lady | leading man | love interest | pleasant | private eye | source music

The Big Sleep (1946)

The Blue Room1:02:15 - Vivan pays Marloweclub | conversing | falling in love scene | leading lady | leading man | love interest | pleasant | private eye | source music

The Big Sleep (1946)

You Go to My Head1:04:25 - Vivian and Marlowe talk in a restaurantclub | conversing | falling in love scene | leading lady | leading man | love interest | pleasant | private eye | source music

The Big Sleep (1946)

And Her Tears Flowed Like Wine1:05:55 - Marlowe arrives at Mars's placeadvance plot | arriving | club | leading lady | leading man | love interest | musician | on-screen music | playing | private eye | singer | singing | source music | upbeat

The Big Sleep (1946)

Wotta Life1:08:09 - Marlowe talks to Marsadvance plot | club | criminal | investigating | leading man | private eye | source music | suspect | upbeat

The Big Sleep (1946)

I'm in a Jam With Baby1:10:53 - Marlowe talks to people at the partyadvance plot | club | gambler | gambling | leading lady | leading man | love interest | private eye | source music | upbeat
City for Conquest (1940)42nd Street0:51:52 - People arriving at a danceadvance plot | club | crowd | dance band | dancer | dancing | musician | on-screen music | source music | upbeat

City for Conquest (1940)

Drum Roll0:52:51 - Peggy and Danny at the danceadvance plot | announcer | announcing | club | crowd | dance band | dramatic | on-screen music | source music

City for Conquest (1940)

Drum Roll0:53:08 - People applaud for Dannyadvance plot | announcer | announcing | club | crowd | dance band | dramatic | on-screen music | source music

City for Conquest (1940)

Corn Pickin’0:53:35 - People dancing the jitterbugadvance plot | boxer | club | crowd | dance band | dancer | dancing | leading lady | leading man | on-screen music | source music | upbeat

City for Conquest (1940)

Japanese Sandman0:54:33 - Danny and Peggy at the danceadvance plot | boxer | club | crowd | dance band | dancer | dancing | leading lady | leading man | on-screen music | source music | upbeat
Flamingo Road (1949)Lute Mae0:01:26 - Lute Mae's Roadhouse13th chord | added-note chord | altered dominant | bluesy | club | countermelody | dancing | eating | establish setting | musician | on-screen music | playing | self-borrowing | simulated source music | voice-over

Flamingo Road (1949)

South American Way0:22:08 - Field and Titus arrive at Lute Mae's Tavernadvance plot | club | dancer | dancing | gambling | leading man | musician | on-screen music | playing | police | politician | sheriff | source music | upbeat | waitress

Flamingo Road (1949)

It Had to Be You0:23:44 - Politicians gamble and talkABAC structure | advance plot | club | gambling | leading man | police | politician | sentimental | sheriff | source music | waitress

Flamingo Road (1949)

Somebody Loves Me0:25:19 - Politicians plotAABA structure | advance plot | club | leading man | plotting | police | politician | sentimental | sheriff | source music

Flamingo Road (1949)

If I Could Be With You0:26:58 - People gamble and danceadvance plot | club | dancer | dancing | fighting | gambling | leading lady | leading man | musician | on-screen music | playing | police | sentimental | sheriff | singer | singing | source music

Flamingo Road (1949)

Blue Room0:44:58 - Lane dresses for workAABA structure | advance plot | club | conversing | leading lady | politician | sheriff | source music | upbeat | waitress

Flamingo Road (1949)

Titus (Angry)0:45:24 - Titus sees Laneadvance plot | anger | angry | club | dark | leading lady | noticing | ominous | politician | retrograde | self-borrowing | sheriff | sinister | waitress

Flamingo Road (1949)

Agitato (Angry)0:45:50 - Dan argues with Titusadvance plot | anger | angry | arguing | chromatic parallelism | chromatic scale | chromatic wedge | club | leading lady | politician | polychord | self-borrowing | sheriff | smashing | stinger | waitress

Flamingo Road (1949)

Jalousie0:46:06 - Woman dancesadvance plot | club | conversing | dancing | employer | leading lady | on-screen music | playing | sheriff | source music | upbeat | waitress

Flamingo Road (1949)

Through a Thousand Dreams0:56:41 - The Olympic City hoteladvance plot | club | conversing | dancing | dining | leading lady | leading man | love interest | on-screen music | politician | sentimental | sheriff | source music | wife

Flamingo Road (1949)

Don’t Take Your Love From Me0:58:50 - Dan and Lane sit at a tableABAC structure | advance plot | club | conversing | leading lady | leading man | love interest | on-screen music | politician | sentimental | sheriff | source music | wife

Flamingo Road (1949)

If I Could Be With You0:59:52 - A woman sings with the dance bandadvance plot | club | conversing | dancing | dining | leading lady | leading man | love interest | on-screen music | politician | sentimental | sheriff | singer | singing | source music | wife

Flamingo Road (1949)

I Guess I’ll Have to Change My Plan1:01:40 - Lane and Dan talk at their tableadvance plot | club | conversing | leading lady | leading man | love interest | politician | sentimental | sheriff | source music | wife

Flamingo Road (1949)

The Girl With the Spanish Drawl1:29:10 - Lane arrives at Lute Mae'sarriving | climax | club | dancer | dancing | leady lady | musician | on-screen music | playing | source and scoring overlap | source music | upbeat

Flamingo Road (1949)

Titus (Fragmented) + Titus 2 (Fragmented)1:29:47 - Lane confronts Titusarguing | climax | club | combination of themes | dark | fragmentation | inversion | leading lady | motivic transformation | mysterious | ominous | retrograde | self-borrowing | sheriff

Flamingo Road (1949)

Titus (Rising Tension)1:30:09 - Lane confronts Titusarguing | climax | club | dark | half-diminished 7th chord | leading lady | ominous | self-borrowing | sequence | sheriff

Flamingo Road (1949)

Underscoring (Dramatic)1:30:24 - Lane pulls a gun on Titusarguing | climax | club | dark | demanding | dramatic | gun | leading lady | ominous | sheriff | stinger | threatening

Flamingo Road (1949)

Titus (Slowly)1:30:42 - Lane holds Titus at gunpointarguing | climax | club | dark | demanding | dramatic | gun | leading lady | ominous | self-borrowing | sheriff | telephone | threatening

Flamingo Road (1949)

Titus 2 (Ominous)1:30:55 - Titus pretends to make a phone callcalling | chromatic parallelism | climax | club | dark | deceiving | gun | leading lady | mysterious | self-borrowing | sheriff | telephone

Flamingo Road (1949)

Underscoring (Dramatic)1:31:15 - Titus attacks Laneattacking | breaking | chromatic parallelism | climax | club | dramatic | dropping | gun | leading lady | linear chromaticism | oscillation | sheriff | staggering | stinger | telephone | tense | throwing | underscoring

Flamingo Road (1949)

Breaking door1:31:19 - Titus throws the phone at Lanechromatic parallelism | climax | club | dramatic | gun | leading lady | mickey-mousing | sheriff | telephone | throwing

Flamingo Road (1949)

Lane staggers1:31:22 - Lane staggers after being hitclimax | club | dramatic | leading lady | mickey-mousing | oscillation | sheriff | staggering

Flamingo Road (1949)

Titus (Ostinato 3)1:31:25 - Titus holds a gun on Laneclimax | club | dramatic | fighting | gun | gunshot | leading lady | menacing | ostinato | self-borrowing | sequence | sheriff | struggling | tense | threatening

Flamingo Road (1949)

Titus (Climax)1:31:43 - Lane struggles with Tituschromatic parallelism | chromatic wedge | climax | club | dramatic | fighting | gun | gunshot | leading lady | major 7th chord | self-borrowing | sequence | sheriff | struggling | tense

Flamingo Road (1949)

Struggling1:31:47 - Close-up on the gunclimax | close up | club | dramatic | fighting | gun | gunshot | leading lady | major 7th chord | mickey-mousing | oscillation | sheriff | struggling | tense

Flamingo Road (1949)

Titus 2 (Sinks)1:31:50 - Titus collapses to the floorclimax | club | death | dying | falling | gun | gunshot | leading lady | self-borrowing | sequence | sheriff | sinking | tragic
Hell on Frisco Bay (1955)Hell on Frisco Bay0:21:37 - Marcia on a posterclub | conductor score | establish character | investigator | leading man | romantic | walking

Hell on Frisco Bay (1955)

The Very Thought of You0:21:51 - Marcia singing at a clubclub | conductor score | establish character | familiar tune | investigator | leading lady | leading man | on-screen music | pianist | popular music | romantic | singer | singing | source music

Hell on Frisco Bay (1955)

Hell on Frisco Bay0:23:26 - Marcia talks to Steveclub | conductor score | conversing | establish character | investigator | leading lady | leading man | on-screen music | pianist | playing | popular music | sentimental | source music | source score

Hell on Frisco Bay (1955)

Put 'Em in a Box, Tie 'Em with a Ribbon, and Throw 'Em in the Deep Blue Sea0:40:24 - A dance halladvance plot | club | conversing | dancer | dancing | investigator | jazz | jazz band | leading man | on screen music | source music | upbeat

Hell on Frisco Bay (1955)

How Many Hearts Have You Broken0:40:22 - A dance halladvance plot | club | conversing | drowning | fighting | gangster | interrogating | investigator | jazz | leading man | mellow | source music

Hell on Frisco Bay (1955)

It Had to Be You1:17:06 - Marcia sings at a clubadvance plot | calm | club | jazz | leading lady | leading man | on screen music | pianist | singer | singing | source music

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:17:47 - Marcia and Steve talkadvance plot | calm | club | conductor score | conversing | leading lady | leading man | on-screen music | popular music | source music | source score

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:18:13 - Marcia and Steve talkcalm | club | conductor score | conversing | leading lady | leading man | love scene | source to score

Hell on Frisco Bay (1955)

Underscoring (Dark)1:19:09 - Marcia and Steve talkclub | conductor score | conversing | dark | leading lady | leading man | love scene | ominous | underscoring

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:19:28 - Marcia talks to Steveclub | conductor score | conversing | gentle | grand | leading lady | leading man | love scene
Mildred Pierce (1945)How Sweet You Are1:08:28 - Veda dances at a clubadvance plot | club | conversing | dance music | dancing | heroine | leading lady | love interest | on-screen music | relaxed | source music

Mildred Pierce (1945)

Oceana Roll1:27:46 - Veda sings at a restaurantadvance plot | antagonist | cheerful | club | dancing | daughter | ex-husband | heroine | leading lady | on-screen music | playing | popular music | singing | source music

Mildred Pierce (1945)

Sweet Georgia Brown1:29:05 - Mildred confronts Wallyadvance plot | antagonist | club | conversing | daughter | heroine | jazz | leading lady | on-screen music | popular music | source music | upbeat

Mildred Pierce (1945)

It Had to Be You1:30:25 - Mildred and Veda talkadvance plot | antagonist | club | conversing | daughter | heroine | jazz | leading lady | on-screen music | popular music | source music | upbeat
The Life of Vergie Winters (1934)Darktown Strutters’ Ball0:40:06 - Sadie and Mike in a baradvance plot | business man | club | common-chord modulation | conversing | friend | love interest | plotting | ragtime | source music | upbeat
Rockabye (1932)Out of the Blue0:33:38 - People at a partyadvance plot | calm | club | conversing | friend | leading lady | on-screen music | pianist | playing | playwright | singer | singing | source music

Rockabye (1932)

Till the Real Thing Comes My Way0:33:55 - Judy at the partyadvance plot | club | conversing | dancing | friend | leading lady | love interest | on-screen music | pianist | playing | playwright | source music | upbeat

Rockabye (1932)

Improvisation (in Rockabye)0:35:35 - People at a partyadvance plot | club | conversing | drinking | friend | on-screen music | playing | source music | upbeat

Rockabye (1932)

Out of the Blue (Piano Improvisation)0:35:57 - Judy and Jacobs talkAABA structure | advance plot | calm | club | conversing | leading lady | love interest | on-screen music | playwright | score to source borrowing | source music

Rockabye (1932)

Till the Real Thing Comes My Way0:39:24 - Judy sings a songAABA structure | advance plot | club | dancing | leading lady | love interest | on-screen music | pianist | singing | source music | upbeat
Kid Galahad (1937)The Moon Is in Tears Tonight1:08:40 - Louise sings in a night clubleading lady | music scene | night club | on-screen music | playing music | sentimental | singing | source music | transcribed by ear

Kid Galahad (1937)

Sand In My Shoes1:10:15 - Ward, Marie, and Louise talk in the clubadvance plot | cheerful | conversing | dancing | leading lady | leading man | night club | on-screen music | sister | source music | transcribed by ear

Kid Galahad (1937)

Green Lady1:12:08 - Ward, Marie, and Louise talk in the clubadvance plot | arguing | cheerful | fighting | gangster | night club | source music | trainer | transcribed by ear
Traveling Husbands (1931)There’s a Sob in My Heart (Strings)0:23:03 - Music is played in a night clubAABA structure | advance plot | dancing | leading lady | night club | popular song | source music | transcribed by ear | upbeat

Traveling Husbands (1931)

Dance0:26:27 - Music is played in a night clubAB structure | advance plot | dancing | Latin-American | leading lady | night club | salesman | source music | tango | transcribed by ear | upbeat

Traveling Husbands (1931)

There’s a Sob in My Heart (Dixieland)0:34:27 - Music is played in a night clubbanjo | countermelody | dancing | Dixieland | double exposure | drums | improvisation | jazz | leading lady | montage | night club | popular song | salesman | source music | taxi | transcribed by ear | trombone | upbeat

Traveling Husbands (1931)

Hello Beautiful0:35:04 - Music is played in a taxiAABA structure | banjo | dancing | drums | leading lady | montage | night club | popular song | salesman | source music | taxi | transcribed by ear | trombone | upbeat

Traveling Husbands (1931)

Millie0:35:09 - Hot jazz is played in a night clubAABA structure | banjo | dancing | Dixieland | drums | jazz | leading lady | montage | night club | popular song | salesman | source music | taxi | transcribed by ear | trombone | upbeat
Transgression (1931)Dance0:08:10 - Elsie and Don Arturo at a clubAB structure | calm | club | conversing | establish character | leading lady | love interest | sophisticated | source music | tango

Transgression (1931)

Waltz0:18:26 - People at a partyadvance plot | calm | club | gambling | leading lady | linear chromaticism | love interest | parallel double period | sophisticated | source music | waltz

Transgression (1931)

Igualada0:23:20 - Elsie and Don Arturo talkingadvance plot | calm | club | conversing | dancing | leading lady | love interest | sophisticated | source music | tango

Transgression (1931)

Igualada0:24:58 - Elsie and Don Arturo dancingadvance plot | calm | club | conversing | dancing | leading lady | love interest | sophisticated | source music | tango

Transgression (1931)

There’s a Sob in My Heart (Ballroom)0:28:18 - Robert arrives at the partyAABA structure | advance plot | augmented sixth chord | calm | club | conversing | dancing | husband | leading lady | self-borrowing | sophisticated | source music
Hold ‘Em Jail (1932)There’s a Sob in My Heart0:05:14 - People dancing in a night clubAABA structure | business man | cheerful | club | conversing | dance scene | dancing | dining | reused recording | upbeat

Hold ‘Em Jail (1932)

Makes You Forget Your Troubles0:11:18 - Spider and Curley talk to SteeleAABA structure | advance plot | club | comic | dancer | dancing | planning | salesman | self-borrowing | source music | upbeat
Is My Face Red? (1932)Scenes Metropolitaine0:43:51 - Montage of activities in the cityABCA structure | augmented triad | boat | boxing | Chinatown | diminished 7th chord | excited | gambling | leading lady | leading man | metric dissonance | montage | New York | night club | parallelism | transcribed by ear | transition | whole-tone
State’s Attorney (1932)Na Moku Eha0:01:19 - Hula dancercheerful | club | conversing | dancer | dancing | drinking | establish character | gambling | Hawaiian | leading man | on-screen music | playing | politician | singing | source music

State’s Attorney (1932)

Blues (Piano)0:18:14 - People talking in a clubadvance plot | blue note | club | conversing | gangster | leading lady | leading man | mistress | score to source | source music | upbeat

State’s Attorney (1932)

Stack o’ Lee Blues0:43:17 - Jazz musicians playing in a clubadvance plot | club | Dixieland | musician | on-screen music | playing | singer | singing | source music | upbeat

State’s Attorney (1932)

Business in F0:43:46 - Jazz musicians playing in a clubadvance plot | club | conversing | dancing | daughter | jazz | lawyer | leading man | love interest | on-screen music | source music | upbeat
Hat, Coat, and Glove (1934)Wonderful0:39:29 - Robert tells Dorothea goodbye11th chord | ABAC structure | added-note chord | advance plot | calm | club | common-tone diminished 7th | conversing | lawyer | leading lady | leading man | meeting | self-borrowing | source music | transcribed by ear

Hat, Coat, and Glove (1934)

When You’re Far Away0:41:12 - Robert talks to JerryAABA structure | advance plot | club | conversing | lawyer | leading man | meeting | pleasant | source music | suspect