| Caged (1950) | Marie | 0:08:04 - Marie poses for mugshot | augmented sixth chord | camera | dissonant bass | establish character | guard | leading lady | mug shot | photographer | photographing | prison | prisoner | sigh gesture | somber |
| They Made Me a Criminal (1939) | Underscoring (Dramatic) | 0:56:17 - Johnnie sees his picture in the paper | angry | arguing | chromatic parallelism | dissonant bass | dramatic | fighting | half-diminished 7th chord | hero | leading man | mickey-mousing | photograph | ranch | teenager | tense | turning point | underscoring |
| Dust Be My Destiny (1939) | Underscoring (Dramatic) | 0:59:15 - A bank alarm sounds | 42 chord | 64 chord | action scene | bank | chromatic parallelism | chromatic scale | chromatic wedge | crowd | dramatic | leading man | photographer | robbery | shopkeeper | street | tone cluster | underscoring |
Dust Be My Destiny (1939) | Alarm | 0:59:15 - Alarm sounds | action scene | alarm | bank | crowd | dramatic | leading man | mickey-mousing | photographer | robbery | shopkeeper | street |
Dust Be My Destiny (1939) | Dust Be My Destiny (Heroic) | 0:59:42 - Joe takes pictures of the robbery | 42 chord | action scene | bank | chromatic scale | criminal | crowd | dramatic | fragmentation | gangster | leading man | photographer | retrograde | shopkeeper | street |
Dust Be My Destiny (1939) | Buzzing | 1:01:05 - Men working in the dark room | 64 chord | action scene | added-note chord | buzzy | chromatic parallelism | dark room | enharmonic modulation | exciting | foreign key modulation | leading man | mode mixture | Neapolitan | newspaper | newspaper editor | parallelism | photographer | photography | pump-up modulation | Rimsky-Korsakov | working |
Dust Be My Destiny (1939) | Dust Be My Destiny (Leaving Hospital) | 1:11:57 - Mabel and Joe start to leave | 11th chord | advance plot | hero | hospital | leading lady | leading man | peaceful | pedal tone | photographer | reporter |
| Her Kind of Man (1946) | My Darling | 0:45:05 - Georgia and Don in a restaurant | conversing | crowd | leading lady | leading man | love interest | love scene | photograph | photographer | reporter | restaurant | romantic | source music | waiter |
Her Kind of Man (1946) | Can't We Talk It Over | 0:45:42 - Georgia and Don in a photograph | advance plot | club | conversing | crowd | dancing | husband | leading lady | newspaper | on-screen music | photograph | playing | source music | upbeat | waiter |
| I Was a Communist for the FBI (1951) | Family | 0:25:26 - Matt looks at a photo album | advance plot | baby | common-tone modulation | deceptive resolution | double exposure | flashback | foreign key modulation | gentle | leading man | letter | looking | love | memory | mode mixture | photograph | room | self-borrowing | sentimental | smiling | son | tender | thinking | undercover agent | voice-over | writing |
I Was a Communist for the FBI (1951) | Family (Molto Expressivo) | 0:26:15 - Matt writes a letter to his son | 9th chord | added-note chord | advance plot | baby | deceptive resolution | double exposure | flashback | foreign key modulation | gentle | leading man | letter | looking | love | memory | photograph | room | self-borrowing | sentimental | smiling | son | tender | thinking | undercover agent | voice-over | writing |
| Mildred Pierce (1945) | Mildred (Lonely) | 0:28:20 - Mildred looks through her desk | advance plot | bill | flashback | foreign key modulation | gun | heroine | leading lady | lonely | mode mixture | photograph | room | somber | voice-over | writing |
| White Heat (1949) | Misterioso (Tense) | 0:40:12 - Hank looks around | advance plot | gangster | leading man | looking | murderer | mysterious | photograph | prison | prisoner | tense | undercover agent | underscoring |
White Heat (1949) | T-Men (Expressivo) | 0:40:26 - Hank looks at the photograph | advance plot | conversing | gangster | leading man | murderer | photograph | prison | prisoner | undercover agent | uneasy |
| Headline Shooter (1933) | He's Not the Marrying Kind | 0:02:32 - Radio announcer talking | announcing | beauty contestant | conversing | establish character | filming | film staff | leading man | modeling | on-screen music | pageant | parallel period | photographer | pleasant | radio announcer | source music |
Headline Shooter (1933) | You Can Depend on Me | 0:05:21 - Bathing beauties walk past | AABA structure | announcing | beauty contestant | conversing | drunk | establish character | filming | film staff | leading lady | leading man | modeling | on-screen music | pageant | photographer | pleasant | radio announcer | source music |
| Without Honor (1949) | Here Comes the Bride (Misterioso) | 0:12:40 - Jane's wedding picture | advance plot | audible thoughts | leading lady | mysterious | photograph | room | thinking |
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