| Each Dawn I Die (1939) | Frank (Released) | 1:28:49 - Frank is released | artwork in score | conclusion | embracing | friend | gentle | goodbye | leading lady | leading man | passionate | peaceful |
| The Informer (1935) | The Informer (King Gypo) | 1:01:03 - Gypo's friend brags about him | advance plot | antagonist | bragging | cheerful | crowd | friend | leading man | party | proud |
The Informer (1935) | The Informer (Quiet!) | 1:01:27 - The rebels enter and start an argument | advance plot | antagonist | arguing | bold | crowd | dark | friend | interrupting | leading man | matching speech | mickey-mousing | party | rebel |
| The Letter (1940) | Foxtrot No.1 C | 1:21:36 - Leslie goes to the party | calm | conversing | dance music | dancing | foxtrot | friend | leading lady | party | party | source music |
The Letter (1940) | Foxtrot No.2 | 1:22:12 - Leslie dances at the party | conversing | dance music | dancing | foxtrot | friend | happy | husband | leading lady | party | party | source music |
The Letter (1940) | Foxtrot No.3 | 1:23:25 - Robert talks to friends at the party | conversing | dance music | drinking | foxtrot | friend | happy | husband | leading lady | party | party | source music |
| Mildred Pierce (1945) | You Must Have Been a Beautiful Baby | 0:03:59 - Wally sees Mildred from the window | conversing | establish character | familiar tune | friend | heroine | jazz | leading lady | on-screen music | restaurant | source music | upbeat |
Mildred Pierce (1945) | Underscoring (Dramatic) | 0:08:53 - Wally looks for Mildred | action scene | ascending | down | dramatic | falling | friend | hurrying | knocking | mickey-mousing | room | searching | setup | suspenseful | underscoring | walking |
Mildred Pierce (1945) | Wally tries to open door | 0:08:53 - Wally tries to open the door | action scene | door | frantic | friend | knocking | mickey-mousing | room | stinger |
Mildred Pierce (1945) | Wally goes upstairs | 0:09:28 - Wally ascends the spiral staircase | action scene | ascending | dramatic | friend | mickey-mousing | room | spiral staircase | stairs |
Mildred Pierce (1945) | Wally knocks on the door | 0:09:59 - Wally knocks on a door | action scene | door | dramatic | friend | knocking | mickey-mousing | room |
Mildred Pierce (1945) | Lamp falls | 0:10:03 - Wally knocks over a lamp | action scene | body | dramatic | falling | friend | lamp | mickey-mousing | reveal | room |
Mildred Pierce (1945) | Murdered Man | 0:10:06 - Wally discovers the body | action scene | corpse | dark | death | dramatic | friend | looking | mickey-mousing | murder | room | telephone | tense | victim |
Mildred Pierce (1945) | Phone rings | 0:10:16 - Phone rings | action scene | death | friend | mickey-mousing | murder | ringing | room | telephone | tense | victim |
Mildred Pierce (1945) | Underscoring (Dramatic) | 0:10:21 - Wally reacts to the situation | action scene | breaking | death | dramatic | escaping | friend | hurrying | mickey-mousing | murder | room | running | smashing | sneaking | telephone | underscoring | victim | walking | worrying |
Mildred Pierce (1945) | Wally stands up and walks | 0:10:21 - Wally stands up to go to the phone | action scene | friend | mickey-mousing | rising | room | standing | tense | up | victim | walking |
Mildred Pierce (1945) | Wally walks | 0:10:32 - Wally hurriedly walks away | action scene | dramatic | friend | hurrying | mickey-mousing | room | victim | walking |
Mildred Pierce (1945) | Wally sneaks | 0:10:37 - Wally sneaks down the hall | action scene | friend | mickey-mousing | room | sneaking | tense | victim |
Mildred Pierce (1945) | Breaks door with chair | 0:10:47 - Wally smashes a glass door with a chair | action scene | breaking | chair | door | dramatic | friend | glass | mickey-mousing | room | smashing | victim |
Mildred Pierce (1945) | Glass falls | 0:10:49 - The glass door breaks | action scene | breaking | door | dramatic | falling | friend | glass | mickey-mousing | room | smashing | victim |
Mildred Pierce (1945) | Wally runs | 0:11:01 - Wally runs out of the house | action scene | beach | dramatic | friend | gun | gunshot | mickey-mousing | running | shooting | victim |
Mildred Pierce (1945) | Opens coat | 0:11:12 - Policeman opens Wally's coat to frisk him | action scene | beach | dramatic | friend | mickey-mousing | opening | police | searching | victim |
Mildred Pierce (1945) | Underscoring (Tense) | 0:11:13 - Policemen investigate the scene | action scene | beach | conversing | friend | mysterious | police | searching | tense | underscoring | victim |
Mildred Pierce (1945) | Work (Excited) | 0:42:35 - Mildred and Wally leave | excited | excitement | friend | heroine | leading lady | leaving | room | shadow | transition | work |
Mildred Pierce (1945) | Beach House | 0:42:49 - They drive up to the beach house | arriving | beach house | driving | friend | heroine | leading lady | ocean | peaceful | transition | water | wave |
Mildred Pierce (1945) | Walking | 0:42:58 - Mildred and Wally walk to the house | arriving | beach house | excited | friend | heroine | leading lady | mickey-mousing | ocean | transition | walking |
Mildred Pierce (1945) | Work (Molto Grazioso) | 0:48:16 - Mildred works at her restaurant | cheerful | friend | heroine | ladder | leading lady | legs | restaurant | transition | working |
Mildred Pierce (1945) | First Kiss | 0:49:40 - Monte steals a kiss from Mildred | cheerful | falling in love scene | friend | heroine | kissing | leading lady | restaurant | romance |
Mildred Pierce (1945) | Walking | 0:49:48 - Driving to the beach house | beach house | cheerful | driving | falling in love scene | friend | heroine | leading lady | room | traveling | walking |
Mildred Pierce (1945) | T’Ain’t No Good | 0:57:37 - Mildred at the opening of her restaurant | advance plot | antagonist | busy | conversing | daughter | dining | friend | guest | heroine | leading lady | popular music | restaurant | serving | source music | upbeat | working |
Mildred Pierce (1945) | While You’re Away | 0:59:47 - Monte arrives at the restaurant | advance plot | antagonist | busy | conversing | daughter | dining | friend | guest | heroine | leading lady | love interest | popular music | restaurant | serving | source music | upbeat | working |
Mildred Pierce (1945) | Please Think of Me | 1:01:54 - Monte dances with Veda | advance plot | antagonist | celebrating | dancing | daughter | friend | heroine | jukebox | leading lady | love interest | on-screen music | popular music | restaurant | singing | source music | upbeat |
Mildred Pierce (1945) | Kay and Veda (Subtle) | 1:09:27 - Mildred looks at Monte's bills | advance plot | conversing | friend | heroine | leading lady | room | subtle | voice-over |
Mildred Pierce (1945) | You Must Have Been a Beautiful Baby | 1:16:01 - Wally and Veda in a restaurant | advance plot | antagonist | cheerful | conversing | daughter | drinking | friend | popular music | restaurant | source music | toasting |
Mildred Pierce (1945) | Underscoring (Tense) | 1:18:34 - Veda tells her mother she is married | antagonist | conflict | conversing | daughter | friend | heroine | leading lady | reverse stinger | room | tense | underscoring |
Mildred Pierce (1945) | Secret Revealed | 1:18:59 - Veda talks to her mother | antagonist | conflict | conversing | daughter | fear | friend | heroine | leading lady | room | surprised | tense |
Mildred Pierce (1945) | Kay and Veda (Coy) | 1:19:11 - Veda talks to her mother | antagonist | apologizing | conflict | daughter | friend | heroine | leading lady | room | tense |
Mildred Pierce (1945) | Mildred (Waltz Fantasy) | 1:19:18 - Mildred talks to Veda | antagonist | comforting | conflict | daughter | dream-like | friend | heroine | leading lady | room | tense |
Mildred Pierce (1945) | Mildred (Tenderly) | 1:19:37 - Wally talks about a settlement | antagonist | conflict | conversing | daughter | friend | heroine | leading lady | room | tender |
Mildred Pierce (1945) | It Can’t Be Wrong (Molto Misterioso) | 1:42:42 - Mildred learns that Monte has betrayed her | bankruptcy | betrayal | dark | familiar tune | friend | heroine | leading lady | love theme | memory | mysterious | popular music | realizing | room | somber | turning point |
| The Unfaithful (1947) | Tanner (Headlines) | 1:24:17 - Chris is suspected of murder | climax | friend | hurrying | montage | newspaper | newspaper boy | ostinato | panicked | police station | polytonality | radio | reporter | room | rushing | street | surprise | widow |
The Unfaithful (1947) | Ask Anyone Who Knows | 1:34:08 - Paula reads the paper in her apartment | calm | conversing | friend | husband | radio | reading | resolution | room | source music |
The Unfaithful (1947) | Would You Believe Me | 1:36:54 - Paula talks with Bob | calm | conversing | friend | husband | radio | reading | resolution | room | source music |
| Are These Our Children? (1931) | Hold That Tiger | 0:13:15 - Young people dancing | advance plot | cheerful | conversing | dance hall | friend | leading man | on-screen music | source music |
Are These Our Children? (1931) | Introduction | 0:24:14 - Boys in the washroom | advance plot | conversing | dance hall | friend | leading man | mysterious | transcribed by ear |
Are These Our Children? (1931) | Dreams (Washroom Sequence) | 0:24:25 - Eddie talks with his friends | advance plot | conversing | dance hall | friend | leading man | score to source | somber | source music | transcribed by ear |
Are These Our Children? (1931) | Moonbeams (Dream Sequence) | 0:27:23 - Eddie takes Flo home | advance plot | double exposure | dream sequence | entering | friend | hectic | kissing | leading man | romantic | source to score | street | transcribed by ear |
Are These Our Children? (1931) | Makes You Forget Your Troubles (Eddie Sings) | 0:40:40 - The boys leave the scene of the crime | friend | leading man | murderer | murder scene | nervous | singing | source music | street | walking |
Are These Our Children? (1931) | St. James Infirmary | 0:41:24 - Young people lounging around | advance plot | Dixieland | friend | lazy | leading man | lounging | love interest | murderer | radio | room | source music |
Are These Our Children? (1931) | St. James Infirmary | 0:42:08 - Young people talking | advance plot | conversing | Dixieland | friend | lazy | leading man | love interest | murderer | radio | room | source music |
Are These Our Children? (1931) | Hey! Hey! | 0:50:14 - Eddie and Flo dance | advance plot | cheerful | dance hall | dancing | friend | leading man | love interest | murderer | on-screen music | source music |
| Hell on Frisco Bay (1955) | Prison Gate | 0:01:25 - Steve exits the prison gate | conductor score | establish character | friend | gate | leading lady | leading man | leaving | prison | serious | walking |
Hell on Frisco Bay (1955) | Hell on Frisco Bay | 0:02:01 - Marcia embraces Steve | conductor score | embracing | establish character | friend | gentle | leading lady | leading man | street |
Hell on Frisco Bay (1955) | Underscoring (Dark) | 0:02:12 - Steve mentions a divorce and leaves | conductor score | conversing | dark | establish character | friend | investigator | leading man | street | underscoring |
Hell on Frisco Bay (1955) | Menace | 0:04:31 - Steve gets off the bus | dark | dock | establish setting | friend | investigator | leading man | leaving | menacing | transcribed by ear |
Hell on Frisco Bay (1955) | Adoramus te Christe | 0:38:32 - A funeral | church | conversing | friend | funeral | investigator | leading man | somber | source music |
Hell on Frisco Bay (1955) | Underscoring (Tense) | 0:52:13 - Dan waits for Steve | advance plot | conductor score | friend | gangster | investigator | leading man | pacing | street | tense | underscoring | waiting |
Hell on Frisco Bay (1955) | Steve | 0:52:23 - Steve arrives | advance plot | conductor score | conversing | friend | gangster | investigator | leading man | neutral | street |
| Thirteen Women (1932) | Serenade | 0:28:11 - Jo plays the piano | advance plot | calm | common-tone diminished 7th | conversing | friend | gentle | on-screen music | piano | playing | room | secondary dominant | self-borrowing | sentence form | source music | transcribed by ear |
| Flamingo Road (1949) | Mob | 1:28:20 - A mob forms outside of Lane's home | advance plot | angry | anxious | friend | leading lady | mob | mobbing | room | tense |
Flamingo Road (1949) | Titus | 1:28:52 - Lane says Titus's name | advance plot | conversing | dark | friend | leading lady | mob | ominous | room | self-borrowing | zoom in |
Flamingo Road (1949) | If I Could Be With You (Ecstatic) | 1:33:37 - Lane walks away | artwork in score | friend | husband | joyous | leading lady | leading man | leaving | prison | resolution | reuniting | romance | The End | thematic transference | triumphant | wife |
| Are These Our Children? (1931) | Makes You Forget Your Troubles | 0:50:55 - Young people dancing | advance plot | arguing | cheerful | dance hall | dancing | friend | leading man | love interest | murderer | on-screen music | source music |
Are These Our Children? (1931) | Stars and Stripes Forever | 0:52:14 - Young people cavorting in the street | advance plot | cheerful | dancing | drunk | friend | leading man | love interest | murderer | on-screen music | singing | source music | street |
Are These Our Children? (1931) | Makes You Forget Your Troubles | 0:53:07 - Drunken young people | advance plot | cheerful | dancing | drunk | friend | hallway | leading man | love interest | murderer | on-screen music | singing | source music |
Are These Our Children? (1931) | Dreams (Risoluto 2) | 0:53:55 - Newspaper headlines | advance plot | arresting | dark | detective | double exposure | friend | headline | leading man | love interest | murderer | newspaper | ominous | room | spinning | underscoring |
