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200 results for "friend" in 28 films — see also Friend | person

FilmTheme nameInstanceTags
Angels With Dirty Faces (1938)Sanctus (Mysterioso)1:05:33 - Jerry looks at note from Rockyadvance plot | charity | classical music | common-chord modulation | friendship | leading man | letter | mode mixture | money | mysterious | pedal tone | priest | room | sacred | source to score | thinking
Are These Our Children? (1931)Hold That Tiger0:13:15 - Young people dancingadvance plot | cheerful | conversing | dance hall | friend | leading man | on-screen music | source music

Are These Our Children? (1931)

Introduction0:24:14 - Boys in the washroomadvance plot | conversing | dance hall | friend | leading man | mysterious | transcribed by ear

Are These Our Children? (1931)

Dreams (Washroom Sequence)0:24:25 - Eddie talks with his friendsadvance plot | chromatic parallelism | common-tone diminished 7th | conversing | dance hall | friend | leading man | score to source | somber | source music | transcribed by ear

Are These Our Children? (1931)

Moonbeams (Dream Sequence)0:27:23 - Eddie takes Flo homeadded-note chord | advance plot | double exposure | dream sequence | entering | friend | hectic | kissing | leading man | mode mixture | romantic | source to score | street | transcribed by ear | waltz

Are These Our Children? (1931)

Makes You Forget Your Troubles (Eddie Sings)0:40:40 - The boys leave the scene of the crimefriend | leading man | murderer | murder scene | nervous | singing | source music | street | walking

Are These Our Children? (1931)

St. James Infirmary0:41:24 - Young people lounging aroundadvance plot | Dixieland | friend | lazy | leading man | lounging | love interest | murderer | radio | room | source music

Are These Our Children? (1931)

St. James Infirmary0:42:08 - Young people talkingadvance plot | conversing | Dixieland | friend | lazy | leading man | love interest | murderer | radio | room | source music

Are These Our Children? (1931)

Hey! Hey!0:50:14 - Eddie and Flo dance9th chord | AABA structure | altered dominant | augmented sixth chord | cheerful | dance hall | dance scene | dancing | friend | leading man | love interest | murderer | on-screen music | source music

Are These Our Children? (1931)

Makes You Forget Your Troubles0:50:55 - Young people dancingAABA structure | arguing | augmented sixth chord | cheerful | common-tone diminished 7th | dance hall | dance scene | dancing | friend | leading man | love interest | murderer | on-screen music | source music

Are These Our Children? (1931)

Stars and Stripes Forever0:52:14 - Young people cavorting in the streetadvance plot | cheerful | dancing | drunk | friend | leading man | love interest | murderer | on-screen music | singing | source music | street

Are These Our Children? (1931)

Makes You Forget Your Troubles0:53:07 - Drunken young peopleadvance plot | cheerful | dancing | drunk | friend | hallway | leading man | love interest | murderer | on-screen music | singing | source music

Are These Our Children? (1931)

Dreams (Risoluto 2)0:53:55 - Newspaper headlinesadvance plot | arresting | dark | detective | double exposure | fragmentation | friend | headline | leading man | love interest | murderer | newspaper | ominous | room | sequential modulation | spinning | thematic transformation | underscoring
Beyond the Forest (1949)Lewis (Moderato Expressivo)0:06:23 - Fishing in a streamcalm | canoe | doctor | establish character | friend | lake | leading lady | leading man | rowing | wife

Beyond the Forest (1949)

Lewis0:10:42 - The doctor in a canoecalm | canoe | departing | doctor | establish character | friend | lake | leading lady | leading man | noble | rowing | wife

Beyond the Forest (1949)

Moose0:11:22 - Moose enters the housecabin | conversing | establish character | exotic | friend | leading lady | liquor | wife | working

Beyond the Forest (1949)

Liquor0:11:52 - Moose finds some alcoholcabin | drunk | establish character | friend | liquor | pouring

Beyond the Forest (1949)

Drunk0:14:08 - Moose is drinkingadvance plot | cabin | collapsing | drinking | drunk | drunk effect | friend | leading lady | liquor | mickey-mousing | stumbling | wife

Beyond the Forest (1949)

Falling down0:14:27 - Moose falls on a bedadvance plot | cabin | collapsing | dramatic | falling | friend | leading lady | mickey-mousing | pushing | wife

Beyond the Forest (1949)

Underscoring (Mysterious)0:14:31 - Rosa grabs the keyadvance plot | cabin | friend | key | leading lady | mysterious | underscoring | walking | wife

Beyond the Forest (1949)

Varsovienne1:04:52 - Moose talks with Mr. Latimerconversing | dance scene | folk music | friend | friend | leading lady | leading man | love interest | on-screen music | party | plotting | proposal | room | sneaking | source music | square dance music | upbeat

Beyond the Forest (1949)

Underscoring (Dramatic)1:08:24 - Moose warns Rosaanger | dramatic | friend | harsh | leading lady | observing | room | stinger | turning point | underscoring | warning | warning

Beyond the Forest (1949)

Rosa (Misterioso)1:09:23 - Rosa looks through the binocularsanger | binoculars | forest | friend | hunting | husband | leading lady | leading man | looking | murder scene | mysterious | ominous | tense | victim

Beyond the Forest (1949)

Chicago (Ominous)1:10:01 - Rosa puts down the binocularsaiming | anger | dark | familiar tune | forest | friend | husband | leading lady | leading man | murder scene | ominous | popular tune | victim

Beyond the Forest (1949)

Rosa (Ominous)1:10:14 - Rosa aims her gunaiming | anger | dark | forest | friend | harsh | husband | leading lady | leading man | murder scene | ominous | stinger | victim
The Breaking Point (1950)Humming0:54:33 - Wesley and Harry work on the boatarriving | calm | criminal | friend | harbor | humming | leading man | on-screen music | sailor | source music | transition | walking | working
Caged (1950)Marie (Slowly)0:35:14 - Marie talks to Kittyadvance plot | conversing | friend | leading lady | prison | prisoner | sickness | solemn | uneasy

Caged (1950)

Underscoring (Subtle)0:36:52 - June gets dressed for her parole board hearingdressing | establish character | excited | friend | leading lady | prison | prisoner | tense | underscoring

Caged (1950)

June and Marie0:37:06 - June and Marie talkconversing | establish character | friend | hopeful | leading lady | noble | prison | prisoner

Caged (1950)

June0:37:27 - June and Marie talkconversing | establish character | friend | hopeful | leading lady | melancholy | prison | prisoner | somber

Caged (1950)

Underscoring (Dark)0:37:58 - June and Marie arguearguing | dark | establish character | friend | leading lady | prison | prisoner | underscoring

Caged (1950)

June (Triste)0:38:14 - June and Marie talkconversing | cut from film | establish character | friend | leading lady | melancholy | prison | prisoner | somber

Caged (1950)

June (Slowly)0:38:39 - Marie looks for Junearriving | conversing | establish character | friend | guard | leading lady | melancholy | prison | prisoner | somber

Caged (1950)

June (Adagio)0:39:34 - Inmates play cardscards | close-up | conversing | establish character | friend | leading lady | melancholy | playing | prison | prisoner | somber | underscoring | uneasy

Caged (1950)

June and Marie (Very Slow)0:39:59 - Marie helps Juneconsoling | dark | despair | establish character | friend | guard | helping | leading lady | prison | prisoner | somber

Caged (1950)

Harper0:40:20 - Harper walksdark | establish character | friend | guard | leading lady | mickey-mousing | prison | prisoner | tritone | walking

Caged (1950)

June (Dead)0:43:38 - Shot of June's hanging bodydark | death | death scene | friend | hanging | harsh | leading lady | prison | prisoner | suicide
City for Conquest (1940)The Continental0:19:53 - Peggy dances with MurrayAABA structure | boxer | conversing | crowd | dance band | dance hall | dancer | dance scene | dancing | friend | leading lady | leading man | on-screen music | phrase extension | playing | popular music | source music | upbeat

City for Conquest (1940)

Jalousie0:20:39 - Danny sitting at a tableABAC structure | boxer | crowd | dance band | dance hall | dancer | dance scene | dancing | friend | leading lady | leading man | on-screen music | popular music | source music | upbeat

City for Conquest (1940)

I'm Just Wild About Harry0:23:07 - Close-up of LilyABAC structure | award | boxer | conversing | crowd | dance band | dance hall | dancer | dance scene | friend | leading lady | leading man | on-screen music | popular music | source music | upbeat

City for Conquest (1940)

Tone Poem A (Lento 2)1:28:11 - Peggy cries9th chord | advance plot | altered dominant | conversing | crying | foreign key modulation | friend | leading lady | room | sequence | somber

City for Conquest (1940)

Tone Poem D (Dolce)1:28:33 - Gladys talks to Peggy9th chord | 11th chord | advance plot | blue note | chromatic sequence | comforting | common-tone diminished 7th | conversing | crying | friend | gentle | leading lady | mode mixture | newspaper | parallel fifths | room | sweet

City for Conquest (1940)

Tone Poem A (Maestoso)1:29:11 - Peggy looks upadvance plot | friend | hopeful | leading lady | mode mixture | newspaper | reading | room | suspension
Deep Valley (1947)Joe0:01:29 - A dogcheerful | dog | establish character | friendly | leading lady | mother | opening | porch | room | running | upbeat | waking
Dust Be My Destiny (1939)My Wild Irish Rose0:40:51 - Joe and Mabel in Nick's Dineraccompanied source music | altered dominant | common-chord modulation | diner | establish character | familiar tune | friend | happy | leading lady | leading man | mode mixture | parallel double period | popular song | radio | shopkeeper | singing | source music | ternary form

Dust Be My Destiny (1939)

Dust Be My Destiny (Irish Rose)0:42:25 - They go to work in the kitchendiner | establish character | friend | happy | leading lady | leading man | score to source | shopkeeper

Dust Be My Destiny (1939)

Dust Be My Destiny (Delicatessen)0:43:38 - Mabel and Nick talkcommon-tone diminished 7th | develop character | diner | friend | gentle | leading lady | leading man | secondary dominant | shopkeeper

Dust Be My Destiny (1939)

Dust Be My Destiny (In Love)0:43:51 - Mabel and Nick talk9th chord | develop character | diner | friend | gentle | leading lady | leading man | shopkeeper

Dust Be My Destiny (1939)

Dust Be My Destiny (Delicatessen)0:44:01 - Mabel and Nick talkcommon-tone diminished 7th | develop character | diner | friend | gentle | leading lady | leading man | secondary dominant | shopkeeper

Dust Be My Destiny (1939)

My Wild Irish Rose (Waltz)0:44:17 - Mabel and Nick talkdevelop character | diner | familiar tune | friend | gentle | leading lady | leading man | on-screen music | pedal tone | popular song | shopkeeper | singing | source music

Dust Be My Destiny (1939)

Dust Be My Destiny (Calm)0:44:32 - Mabel and Nick talkadded-note chord | altered dominant | develop character | diner | friend | gentle | leading lady | leading man | shopkeeper

Dust Be My Destiny (1939)

Underscoring (Dark)0:46:58 - Nick workingcreate suspense | dark | dissonant bass | friend | police | room | shopkeeper | street | underscoring

Dust Be My Destiny (1939)

Dust Be My Destiny (Hiding)0:47:35 - Nick talks with Joe42 chord | advance plot | anxious | diminished 7th chord | diner | fragmentation | friend | hiding | leading man | money | runaway | shopkeeper | suspense

Dust Be My Destiny (1939)

Underscoring (Tense)0:47:58 - Joe walks to the jail64 chord | friend | jail | jail break | leading man | runaway | shopkeeper | tense | underscoring | walking

Dust Be My Destiny (1939)

Dust Be My Destiny (Trickery)0:48:45 - Joe talks to the jailerdistortion | friend | half-diminished 7th chord | jail | jail break | leading man | parallelism | passerby | shopkeeper | tense | warden

Dust Be My Destiny (1939)

Dust Be My Destiny (The Escape)0:50:26 - Joe and Mabel leave the jail64 chord | chromatic parallelism | dark | escaping | foreign key modulation | friend | hopeful | jail | jail break | leading lady | leading man | shopkeeper

Dust Be My Destiny (1939)

Dust Be My Destiny (Grandioso)0:50:50 - Joe and Mabel outside42 chord | 64 chord | deceptive resolution | escaping | friend | heroic | jail break | leading lady | leading man | pedal tone | shopkeeper | street | triumphant

Dust Be My Destiny (1939)

Stinger0:51:01 - They see approaching headlights42 chord | danger | friend | jail break | leading lady | leading man | ominous | shopkeeper | siren | stinger | street

Dust Be My Destiny (1939)

Speeding car0:51:08 - The car speeds offcar | chromatic scale | diminished 7th chord | dramatic | escape | friend | leading lady | leading man | mickey-mousing | shopkeeper | street | traveling

Dust Be My Destiny (1939)

Dust Be My Destiny (Thankful)0:51:24 - Joe, Mabel, and Nick talk in the caraugmented sixth chord | escape | friend | leading lady | leading man | shopkeeper | thankful | train station

Dust Be My Destiny (1939)

My Wild Irish Rose (Goodbye)0:51:35 - Joe and Mabel say goodbye to Nick9th chord | escape | familiar tune | foreign key modulation | friend | leading lady | leading man | linear chromaticism | mode mixture | popular song | shopkeeper | tender | train station

Dust Be My Destiny (1939)

My Wild Irish Rose (Grandioso)0:52:06 - Joe and Mabel leave on a train9th chord | 64 chord | calm | escape | familiar tune | friend | leading lady | leading man | popular song | shopkeeper | sweet | tender | train station | triumphant
Each Dawn I Die (1939)Frank (Released)1:28:49 - Frank is released9th chord | altered dominant | artwork in score | conclusion | embracing | friend | gentle | goodbye | leading lady | leading man | Neapolitan | passionate | peaceful
Flamingo Road (1949)Mob1:28:20 - A mob forms outside of Lane's homeadvance plot | angry | anxious | augmented triad | chromatic parallelism | chromatic scale | friend | leading lady | minor-major 7th chord | mob | mobbing | ostinato | polyrhythm | room | tense | whole-tone chord

Flamingo Road (1949)

Titus1:28:52 - Lane says Titus's nameadvance plot | conversing | dark | friend | leading lady | mob | ominous | room | self-borrowing | zoom in

Flamingo Road (1949)

If I Could Be With You (Ecstatic)1:33:37 - Lane walks awayadded-note chord | altered dominant | artwork in score | chromatic parallelism | friend | husband | joyous | leading lady | leading man | leaving | prison | resolution | reuniting | romance | secondary dominant | The End | thematic transference | triumphant | wife
Hell on Frisco Bay (1955)Prison Gate0:01:25 - Steve exits the prison gateconductor score | establish character | friend | gate | leading lady | leading man | leaving | prison | serious | walking

Hell on Frisco Bay (1955)

Hell on Frisco Bay0:02:01 - Marcia embraces Steveconductor score | embracing | establish character | friend | gentle | leading lady | leading man | street

Hell on Frisco Bay (1955)

Underscoring (Dark)0:02:12 - Steve mentions a divorce and leavesconductor score | conversing | dark | establish character | friend | investigator | leading man | street | underscoring

Hell on Frisco Bay (1955)

Menace0:04:31 - Steve gets off the busdark | dock | establish setting | friend | investigator | leading man | leaving | menacing | transcribed by ear

Hell on Frisco Bay (1955)

Adoramus te Christe0:38:32 - A funeralchurch | conversing | friend | funeral | investigator | leading man | somber | source music

Hell on Frisco Bay (1955)

Underscoring (Tense)0:52:13 - Dan waits for Steveadvance plot | conductor score | friend | gangster | investigator | leading man | pacing | street | tense | underscoring | waiting

Hell on Frisco Bay (1955)

Steve0:52:23 - Steve arrivesadvance plot | conductor score | conversing | friend | gangster | investigator | leading man | neutral | street
In This Our Life (1942)Blues in the Night (Transition)0:43:37 - Craig's office doorarriving | assistant | calm | friend | leading lady | love scene | office | pleasant | source to score

In This Our Life (1942)

Roy (Expressivo)0:43:43 - Roy talks with Parryassistant | calm | conversing | friend | leading lady | love scene | office | pleasant

In This Our Life (1942)

Roy0:50:40 - Roy arrives at Stanley's apartmentadvance plot | arriving | friend | gentle | leading lady | room | sweet

In This Our Life (1942)

Underscoring (Gentle)0:50:58 - Roy talks with Bettyadvance plot | conversing | friend | gentle | leading lady | room | tender | underscoring

In This Our Life (1942)

Door opens0:51:37 - Betty opens the dooradvance plot | door | friend | gentle | leading lady | mickey-mousing | opening | room
The Informer (1935)The Informer (King Gypo)1:01:03 - Gypo's friend brags about himadvance plot | antagonist | bragging | cheerful | crowd | friend | leading man | party | proud

The Informer (1935)

The Informer (Quiet!)1:01:27 - The rebels enter and start an argument64 chord | advance plot | antagonist | arguing | bold | crowd | dark | friend | interrupting | leading man | matching speech | mickey-mousing | party | rebel
Key Largo (1948)Rocco (Tense)1:19:02 - Rocco welcomes new gangstersboss | conversing | friend | gangster | greeting | hotel | investigation scene | laughing | tense | underscoring
The Letter (1940)Foxtrot No.1 C1:21:36 - Leslie goes to the partyadded-note chord | altered dominant | calm | conversing | dance music | dancing | foreign key modulation | foxtrot | friend | leading lady | party | party | plagal cadence | source music

The Letter (1940)

Foxtrot No. 21:22:12 - Leslie joins the party9th chord | AABA structure | altered dominant | conversing | dance music | dancing | foxtrot | friend | happy | husband | leading lady | party | party | pump-up modulation | secondary dominant | source music

The Letter (1940)

Foxtrot No. 31:23:25 - Robert talks to friends at the party9th chord | added-note chord | common-tone diminished 7th | contrasting period | conversing | dance music | drinking | foxtrot | friend | happy | husband | leading lady | party | party | source music
Lightning Strikes Twice (1951)Shelly and Trev (Tenderly)0:41:54 - Pedro tells Shelly where Trev isactor | advance plot | conversing | friend | gentle | leading lady | ranch | tender | worker

Lightning Strikes Twice (1951)

Underneath a Western Sky0:56:48 - A chuckwagon dinneractor | advance plot | calm | campfire | chuckwagon | conversing | cowboy song | crowd | drinking | eating | father | flirting | food | friend | leading lady | love interest | mother | on-screen music | owner | playing | ranch | source music

Lightning Strikes Twice (1951)

Too Much Love0:59:02 - Shelly looks at Trev's portraitactor | advance plot | calm | conversing | flirting | friend | leading lady | love interest | party | popular music | portrait | ranch | source music

Lightning Strikes Twice (1951)

Mi Caballero1:00:08 - People dancing outsideactor | advance plot | crowd | dancing | friend | Latin American | leading lady | love interest | on-screen music | party | playing | ranch | source music | upbeat

Lightning Strikes Twice (1951)

Underscoring (Dark)1:02:38 - Harvey drivesactor | arriving | car | conflict | danger | dark | driving | friend | leading lady | love interest | ranch | stopping | tense | underscoring

Lightning Strikes Twice (1951)

Shelly (Worried)1:03:05 - Harvey gets out of the caractor | arriving | car | concerned | conflict | conversing | dark | friend | leading lady | love interest | ranch | tense | worried

Lightning Strikes Twice (1951)

Slipping1:03:21 - Shelly slipsactor | car | conflict | dark | friend | leading lady | love interest | mickey-mousing | ranch | slipping | stumbling

Lightning Strikes Twice (1951)

Shelly (Agitato)1:03:34 - Shelly runs awayactor | agitated | calm | conflict | embracing | escaping | friend | hurrying | leading lady | leading man | love interest | ranch | reuniting | suspect

Lightning Strikes Twice (1951)

El Pregon de Santiago1:11:53 - Johnny plays the guitar and singsactor | Cuban | friend | guitar | husband | leading lady | leading man | on-screen music | party | performer | room | serenading | singing | suspect | upbeat

Lightning Strikes Twice (1951)

La Paloma1:12:40 - Johnny sings brieflyactor | friend | guitar | husband | leading lady | leading man | Mexican | on-screen music | party | performer | room | serenading | singing | suspect | upbeat

Lightning Strikes Twice (1951)

Shelly (Attack)NIF - not in filmactor | arriving | attacking | attempted murder | conflict | cut from film | dark | frantic | friend | husband | leading lady | leading man | murderer | rancher | room | rushing | strangling

Lightning Strikes Twice (1951)

Shelly 2 (Attack)NIF - not in filmactor | arriving | attacking | attempted murder | conflict | cut from film | dark | frantic | friend | husband | leading lady | leading man | murderer | rancher | room | rushing | strangling

Lightning Strikes Twice (1951)

Shelly 3 (Attack)NIF - not in filmactor | arriving | attacking | attempted murder | conflict | cut from film | dark | frantic | friend | husband | leading lady | leading man | murderer | rancher | room | rushing | strangling

Lightning Strikes Twice (1951)

Trev (Realization)1:26:36 - Close-up on Trev's faceactor | anger | chasing | climax | close-up | dark | friend | husband | leading lady | leading man | menacing | murderer | rancher | realizing | room | zoom in

Lightning Strikes Twice (1951)

Underscoring (Dramatic)1:26:47 - Trev runs after Lizaactor | anger | chasing | climax | dramatic | friend | husband | leading lady | leading man | murderer | rancher | room | running | underscoring

Lightning Strikes Twice (1951)

Escape1:26:51 - Liza runs awayactor | brother | chasing | climax | dark | escaping | friend | husband | leading lady | leading man | murderer | ranch | rancher | room | tense

Lightning Strikes Twice (1951)

Escape (Getaway)1:27:08 - Trev runs back insideactor | brother | chasing | climax | dramatic | escaping | friend | husband | leading lady | leading man | murderer | ranch | rancher | room | tense
Mildred Pierce (1945)You Must Have Been a Beautiful Baby0:03:59 - Wally sees Mildred from the windowconversing | establish character | familiar tune | friend | heroine | jazz | leading lady | on-screen music | restaurant | source music | upbeat

Mildred Pierce (1945)

Underscoring (Dramatic)0:08:53 - Wally looks for Mildred9th chord | action scene | ascending | augmented triad | chromatic parallelism | chromatic scale | down | dramatic | falling | friend | half-diminished 7th chord | hurrying | knocking | mickey-mousing | room | searching | setup | suspenseful | underscoring | walking | whole-tone chord | whole-tone scale

Mildred Pierce (1945)

Wally tries to open door0:08:53 - Wally tries to open the dooraction scene | augmented triad | chromatic scale | door | frantic | friend | knocking | mickey-mousing | room | stinger

Mildred Pierce (1945)

Wally goes upstairs0:09:28 - Wally ascends the spiral staircase9th chord | action scene | ascending | chromatic scale | dramatic | friend | mickey-mousing | room | spiral staircase | stairs | whole-tone chord

Mildred Pierce (1945)

Wally knocks on the door0:09:59 - Wally knocks on a dooraction scene | door | dramatic | friend | knocking | mickey-mousing | room

Mildred Pierce (1945)

Lamp falls0:10:03 - Wally knocks over a lampaction scene | body | dramatic | falling | friend | lamp | mickey-mousing | reveal | room | whole-tone chord

Mildred Pierce (1945)

Murdered Man0:10:06 - Wally discovers the bodyaction scene | corpse | dark | death | dramatic | friend | linear chromaticism | looking | mickey-mousing | murder | room | split-7th chord | telephone | tense | victim

Mildred Pierce (1945)

Phone rings0:10:16 - Phone ringsaction scene | death | friend | mickey-mousing | murder | ringing | room | split-7th chord | telephone | tense | victim

Mildred Pierce (1945)

Underscoring (Dramatic)0:10:21 - Wally reacts to the situationaction scene | breaking | chromatic parallelism | chromatic scale | chromatic wedge | death | dramatic | escaping | friend | half-diminished 7th chord | hurrying | mickey-mousing | murder | room | running | smashing | sneaking | telephone | underscoring | victim | walking | whole-tone chord | worrying

Mildred Pierce (1945)

Wally stands up and walks0:10:21 - Wally stands up to go to the phoneaction scene | friend | mickey-mousing | rising | room | standing | tense | up | victim | walking

Mildred Pierce (1945)

Wally walks0:10:32 - Wally hurriedly walks awayaction scene | chromatic parallelism | dramatic | friend | half-diminished 7th chord | hurrying | mickey-mousing | room | victim | walking

Mildred Pierce (1945)

Wally sneaks0:10:37 - Wally sneaks down the hallaction scene | diminished 7th chord | friend | mickey-mousing | room | sneaking | tense | victim

Mildred Pierce (1945)

Breaks door with chair0:10:47 - Wally smashes a glass door with a chairaction scene | breaking | chair | door | dramatic | friend | glass | mickey-mousing | room | smashing | victim

Mildred Pierce (1945)

Glass falls0:10:49 - The glass door breaksaction scene | breaking | door | dramatic | falling | friend | glass | mickey-mousing | room | smashing | victim | whole-tone chord

Mildred Pierce (1945)

Wally runs0:11:01 - Wally runs out of the house action scene | beach | chromatic scale | chromatic wedge | dramatic | friend | gun | gunshot | mickey-mousing | running | shooting | victim

Mildred Pierce (1945)

Opens coat0:11:12 - Policeman opens Wally's coat to frisk himaction scene | beach | dramatic | friend | mickey-mousing | opening | police | searching | victim

Mildred Pierce (1945)

Underscoring (Tense)0:11:13 - Policemen investigate the sceneaction scene | altered dominant | beach | conversing | dissonant bass | friend | mysterious | police | searching | sequence | tense | underscoring | victim

Mildred Pierce (1945)

Work (Excited)0:42:35 - Mildred and Wally leave 9th chord | added-note chord | excited | excitement | friend | heroine | leading lady | leaving | room | self-borrowing | shadow | transition | work

Mildred Pierce (1945)

Beach House0:42:49 - Mildred and Wally drive up to the beach house9th chord | arriving | beach house | driving | friend | heroine | leading lady | ocean | peaceful | transition | water | wave

Mildred Pierce (1945)

Walking0:42:58 - Mildred and Wally walk to the houseadded-note chord | arriving | beach house | excited | friend | heroine | leading lady | mickey-mousing | ocean | parallelism | transition | walking

Mildred Pierce (1945)

Work (Molto Grazioso)0:48:16 - Mildred works at her restaurantcheerful | common-tone diminished 7th | friend | heroine | ladder | leading lady | legs | pedal tone | restaurant | self-borrowing | transition | working

Mildred Pierce (1945)

First Kiss0:49:40 - Monte steals a kiss from Mildredcheerful | common-tone diminished 7th | falling in love scene | friend | heroine | kissing | leading lady | restaurant | romance

Mildred Pierce (1945)

Walking0:49:48 - Driving to the beach house9th chord | beach house | cheerful | driving | falling in love scene | friend | heroine | leading lady | parallelism | room | traveling | walking

Mildred Pierce (1945)

T'Ain't No Good0:57:37 - Mildred at the opening of her restaurantadvance plot | antagonist | busy | conversing | daughter | dining | friend | guest | heroine | leading lady | popular music | restaurant | serving | source music | upbeat | working

Mildred Pierce (1945)

While You're Away0:59:47 - Monte arrives at the restaurantABAC structure | advance plot | antagonist | busy | conversing | daughter | dining | friend | guest | heroine | leading lady | love interest | parallel double period | popular music | restaurant | serving | source music | upbeat | working

Mildred Pierce (1945)

Please Think of Me1:01:54 - Monte dances with Vedaantagonist | celebrating | dance scene | dancing | daughter | friend | heroine | jukebox | leading lady | love interest | on-screen music | popular music | restaurant | singing | source music | upbeat

Mildred Pierce (1945)

Kay and Veda (Subtle)1:09:27 - bill; photograph; gunadvance plot | augmented sixth chord | conversing | friend | heroine | leading lady | mode mixture | room | subtle | voice-over

Mildred Pierce (1945)

You Must Have Been a Beautiful Baby1:16:01 - Wally and Veda in a restaurantadvance plot | antagonist | cheerful | conversing | daughter | drinking | friend | popular music | restaurant | source music | toasting

Mildred Pierce (1945)

Underscoring (Tense)1:18:34 - Veda tells her mother she is marriedantagonist | chromatic parallelism | chromatic wedge | conflict | conversing | daughter | diminished 7th chord | friend | heroine | leading lady | oscillation | reverse stinger | room | tense | underscoring

Mildred Pierce (1945)

Secret Revealed1:18:59 - Veda talks to her motherantagonist | chromatic parallelism | chromatic scale | chromatic wedge | conflict | conversing | daughter | fear | friend | heroine | leading lady | linear chromaticism | octatonic chord | room | surprise | tense

Mildred Pierce (1945)

Kay and Veda (Coy)1:19:11 - Veda talks to her motherantagonist | apologizing | chromatic parallelism | conflict | daughter | friend | heroine | leading lady | room | tense

Mildred Pierce (1945)

Mildred (Waltz Fantasy)1:19:18 - Mildred talks to Veda9th chord | antagonist | appoggiatura | chromatic parallelism | comforting | conflict | daughter | dream-like | friend | heroine | leading lady | room | tense

Mildred Pierce (1945)

Mildred (Tenderly)1:19:37 - Wally talks about a settlementantagonist | chromatic parallelism | conflict | conversing | daughter | fragmentation | friend | heroine | leading lady | pedal tone | room | tender

Mildred Pierce (1945)

It Can't Be Wrong (Molto Misterioso)1:42:42 - Mildred learns that Monte has betrayed her 9th chord | bankruptcy | betrayal | dark | familiar tune | friend | heroine | leading lady | love theme | memory | mysterious | pc set | popular music | realizing | room | somber | turning point | whole-tone chord
The Life of Vergie Winters (1934)Darktown Strutters' Ball0:40:06 - Sadie and Mike in a baradvance plot | business man | club | common-chord modulation | conversing | friend | love interest | plotting | ragtime | source music | upbeat
Rockabye (1932)Out of the Blue0:33:38 - People at a partyadvance plot | calm | club | conversing | friend | leading lady | on-screen music | pianist | playing | playwright | singer | singing | source music

Rockabye (1932)

Till the Real Thing Comes My Way0:33:55 - Judy at the partyadvance plot | club | conversing | dancing | friend | leading lady | love interest | on-screen music | pianist | playing | playwright | source music | upbeat

Rockabye (1932)

Improvisation (in Rockabye)0:35:35 - People at a partyadvance plot | club | conversing | drinking | friend | on-screen music | playing | source music | upbeat
Out of the Fog (1941)Fishing0:13:46 - Catching a fishadvance plot | boat | boat | chef | comical | conversing | fish | fishing | friend | mickey-mousing | transcribed by ear

Out of the Fog (1941)

Russian Barcarolle (Dark)0:19:34 - Goff walksboat | chef | conflict | conversing | criminal | dark | dock | extortion | father | fisherman | friend | leading man | threatening | walking

Out of the Fog (1941)

Underscoring (Dark)0:20:11 - Jonah reactsarguing | boat | chef | conflict | conversing | criminal | dark | dock | extortion | father | fisherman | friend | leading man | stinger | tense | threatening | underscoring

Out of the Fog (1941)

Russian Barcarolle (Threatening)0:20:40 - Goff threatens Jonaharguing | boat | breaking | chef | conflict | conversing | criminal | dark | dock | extortion | father | fisherman | friend | leading man | tense | threatening | violence

Out of the Fog (1941)

Russian Barcarolle (Fear)0:21:18 - Officer Magruder arrivesboat | chef | conflict | conversing | criminal | dock | extortion | father | fear | fisherman | friend | leading man | police | sandwich | solemn | somber

Out of the Fog (1941)

Concert in the Park0:25:09 - Jonah and Olaf walk down the streetadvance plot | arriving | conversing | dock | father | fisherman | friend | popular music | source music | upbeat | walking

Out of the Fog (1941)

Underscoring (Dramatic)0:26:42 - Goff slaps Jonaharguing | chef | conflict | criminal | dock | dramatic | extortion | falling | father | fisherman | friend | leading man | mickey-mousing | punching | slapping | stinger | underscoring | violence

Out of the Fog (1941)

Underscoring (Gentle)0:26:51 - Jonah helps Olafchef | conflict | conversing | criminal | dock | extortion | father | fisherman | friend | gentle | helping | leading man | mickey-mousing | reacting | solemn | tender | threatening | underscoring

Out of the Fog (1941)

Russian Barcarolle (Dark 2)0:27:12 - Jonah and Olaf reactarguing | chef | conflict | conversing | criminal | dark | dock | extortion | father | fisherman | friend | gun | leading man | stinger | tense | threatening

Out of the Fog (1941)

Animato0:27:43 - Goff pulls out a gunchef | conflict | conversing | criminal | dock | extortion | father | fisherman | foreign key modulation | friend | gun | leading man | tense | threatening

Out of the Fog (1941)

Russian Barcarolle (Distorted)0:28:02 - Jonah and Olaf pay Goffchef | conflict | conversing | criminal | dark | dock | extortion | father | fisherman | friend | leading man | money | threatening

Out of the Fog (1941)

Underscoring (Tense)0:28:20 - Jonah and Olaf reactchef | conflict | conversing | criminal | dock | extortion | father | fisherman | friend | leading man | tense | threatening | underscoring

Out of the Fog (1941)

Underscoring (Dramatic)0:45:13 - Goff entersarriving | conflict | conversing | criminal | dock | dramatic | father | fisherman | friend | leading man | tense

Out of the Fog (1941)

Russian Barcarolle (Solemn)0:45:25 - Goff asks for moneyarguing | conflict | conversing | criminal | dock | extortion | father | fisherman | foreign key modulation | friend | leading man | sequence | solemn

Out of the Fog (1941)

Underscoring (Dramatic)0:46:00 - Jonah calls for the coparguing | conflict | criminal | dock | dramatic | extortion | father | fisherman | friend | leading man | underscoring | yelling

Out of the Fog (1941)

Russian Barcarolle (Fragmented)0:46:14 - Jonah calls for the coparguing | conflict | criminal | dock | extortion | father | fisherman | fragmentation | friend | leading man | police | tense | yelling

Out of the Fog (1941)

Underscoring (Tense)0:46:34 - Jonah accuses Goffarguing | conflict | conversing | criminal | dock | extortion | father | fisherman | friend | leading man | police | tense | underscoring

Out of the Fog (1941)

Russian Barcarolle (Fragmented)0:46:50 - Olaf accuses Goffconflict | conversing | criminal | departing | dock | extortion | father | fisherman | fragmentation | friend | leading man | police | tense

Out of the Fog (1941)

The Merry-Go-Round Broke Down0:49:00 - Olaf and Jonah walk to the restaurantAABA structure | advance plot | conversing | crowd | dancing | dock | father | fisherman | friend | popular music | source music | upbeat

Out of the Fog (1941)

Russian Folk Song0:54:43 - Jonah enters a roomadvance plot | arriving | cheerful | father | fisherman | folk music | friend | on-screen music | room | singing | source music

Out of the Fog (1941)

Russian Barcarolle0:55:11 - Sam sings a Russian folk songadvance plot | cheerful | father | fisherman | folk music | friend | on-screen music | room | score to source | singing | source music

Out of the Fog (1941)

Underscoring (Dramatic)1:06:59 - Goff hits Georgeboyfriend | conflict | criminal | dock | dramatic | falling | fighting | fisherman | friend | leading man | punching | violence

Out of the Fog (1941)

Animato (Extended)1:07:04 - Jonah and Olaf help Georgearguing | boyfriend | conflict | criminal | dock | fisherman | friend | leading man | tense | violence

Out of the Fog (1941)

Russian Barcarolle (Fragmented 2)1:07:35 - A boat in the fogconflict | criminal | dark | fisherman | fragmentation | friend | leading man | menacing | ominous | sea | traveling

Out of the Fog (1941)

Russian Barcarolle (Menacing)1:09:32 - Goffs sees Olaf holding a lead pipearguing | attempted murder | climax | criminal | dark | fisherman | friend | leading man | menacing | ominous | sea | stinger

Out of the Fog (1941)

Underscoring (Dramatic)1:09:45 - Goff struggles with Jonah and Olafattempted murder | climax | criminal | dramatic | fighting | fisherman | friend | leading man | punching | sea | underscoring

Out of the Fog (1941)

Russian Barcarolle (Drowning)1:09:58 - Goff drownsattempted murder | climax | criminal | dark | death | drowning | fisherman | friend | leading man | ominous | sea

Out of the Fog (1941)

Speeding Car (Arriving)1:11:50 - A speeding caraction scene | car | dramatic | driving | fisherman | friend | rushed | rushing | street | tense

Out of the Fog (1941)

Underscoring (Dark)1:12:05 - Police ring the bellaction scene | arguing | conversing | dark | fisherman | friend | police | ringing | room | street | underscoring
The Unfaithful (1947)Tanner (Headlines)1:24:17 - Chris is suspected of murderaltered dominant | chromatic scale | climax | fragmentation | friend | hurrying | montage | newspaper | newspaper boy | panicked | police station | polychord | polytonality | quartal chord | radio | reporter | room | rushing | street | surprise | tritone oscillation | widow

The Unfaithful (1947)

Ask Anyone Who Knows1:34:08 - Paula reads the paperABA structure | calm | conversing | friend | husband | radio | reading | resolution | room | source music

The Unfaithful (1947)

Would You Believe Me1:36:54 - Paula talks with BobABAC structure | calm | conversing | friend | husband | radio | reading | resolution | room | source music
We Are Not Alone (1939)Tenderness0:13:40 - David talks to Leni64 chord | doctor | establish character | friendly | hero | heroine | mode mixture | room | sequence | tender
The Woman in White (1948)Pavan (Garden)1:31:13 - Walter talks with Marianconversing | criminal | friend | husband | leading lady | leading man | love scene | murderer | noble | room | spy | spying

The Woman in White (1948)

Underscoring (Dramatic)1:31:28 - Marian sees Sir Percival spying on themconversing | dramatic | friend | leading lady | leading man | love scene | lyrical | room | stinger | underscoring

The Woman in White (1948)

The Self Banished1:31:42 - Walter Kisses Marianconversing | embracing | friend | gentle | kissing | leading lady | leading man | leaving | love interest | love scene | romantic | room | thematic transference

The Woman in White (1948)

Fosco (Molto Moderato)1:38:43 - Fosco looks at Marianadvance plot | criminal | friend | leading lady | leading man | love interest | menacing | murderer | pacing | room | somber

The Woman in White (1948)

Underscoring (Tense)1:39:05 - The butler entersadvance plot | butler | conversing | criminal | friend | leading lady | leading man | love interest | murderer | room | tense | underscoring

The Woman in White (1948)

Fosco (Molto Moderato)1:39:33 - Fosco talks to Marianadvance plot | conversing | criminal | friend | leading lady | leading man | love interest | menacing | murderer | room | somber

The Woman in White (1948)

Underscoring (Tense)1:44:06 - The countess entersclimax | conversing | criminal | dark | friend | friend | leading lady | leading man | love interest | murderer | necklace | ominous | room | transcribed by ear | wife

The Woman in White (1948)

Ann (Not in Score)1:44:24 - Count Fosco talks to the Countessclimax | conversing | criminal | friend | friend | leading lady | leading man | love interest | murderer | mysterious | necklace | room | transcribed by ear | wife

The Woman in White (1948)

Fosco (Screwy)1:44:42 - The Countess walks across the roomclimax | criminal | friend | friend | leading lady | leading man | love interest | murderer | mysterious | necklace | room | sneaking | walking | wife

The Woman in White (1948)

Fosco (Sneaking)1:44:51 - The Countess walks across the roomclimax | criminal | friend | friend | leading lady | leading man | love interest | murderer | mysterious | necklace | room | sneaking | walking | wife

The Woman in White (1948)

Adagio1:45:00 - The Countess picks up a knifeclimax | conversing | criminal | friend | friend | knife | leading lady | leading man | love interest | murderer | necklace | room | somber | wife

The Woman in White (1948)

Fosco (Soft)1:45:18 - The Count talks to Marianarriving | climax | conversing | criminal | friend | friend | leading lady | leading man | love interest | murderer | mysterious | necklace | room | wife

The Woman in White (1948)

Stabbing1:45:23 - The Countess stabs Count Foscoclimax | criminal | dramatic | dropping | friend | friend | knife | leading lady | leading man | love interest | mickey-mousing | murder | murderer | murdering | necklace | revenge | room | stabbing | violent | wife

The Woman in White (1948)

Fosco (Dying)1:45:34 - The Countess picks up the necklacearriving | climax | criminal | death | dramatic | dying | falling | friend | friend | knife | leading lady | leading man | love interest | murder | murderer | necklace | revenge | rising | room | stinger | tense | victim | violent | wife

The Woman in White (1948)

Ann (Quasi Misterioso)1:46:05 - Various close-upsclimax | criminal | death | dying | friend | friend | knife | leading lady | leading man | love interest | murder | murderer | necklace | revenge | room | somber | victim | watching | wife

The Woman in White (1948)

Ann (Waltz 2)1:46:13 - A close-up on the Countesscriminal | death | embracing | friend | friend | leading lady | leading man | love interest | murder | murderer | necklace | reacting | resolution | revenge | room | tender | victim | waltz | wife

The Woman in White (1948)

Laura1:46:37 - Walter, Marian, and Laura togetherasylum | conversing | friend | happy | murderer | necklace | patient | resolution | time lapse | voice-over | waltz
High Stakes (1931)Close to Me0:01:09 - People at a partyconversing | establish character | friend | on-screen music | playing | source music | upbeat | waiting | wedding
Thirteen Women (1932)Serenade0:28:11 - Jo plays the pianoadvance plot | calm | common-tone diminished 7th | conversing | friend | gentle | on-screen music | piano | playing | room | secondary dominant | self-borrowing | sentence form | source music | transcribed by ear
Dangerous Corner (1934)Wedding March0:23:10 - A woman opens a cigarette casealternate timeline | cheerful | classical music | conversing | friend | music box | pivotal scene | room | source music | suspect

Dangerous Corner (1934)

Wedding March0:47:11 - A man opens a cigarette casealternate timeline | cheerful | classical music | conversing | friend | music box | pivotal scene | room | source music | suspect

Dangerous Corner (1934)

Chanson1:02:06 - A man turns on the radioalternate timeline | calm | classical music | conversing | friend | radio | resolution | room | source music | suspect

Dangerous Corner (1934)

Wedding March1:03:10 - A woman opens a cigarette casealternate timeline | cheerful | classical music | conversing | friend | music box | resolution | room | source music

Dangerous Corner (1934)

Won't You Believe1:03:30 - A man adjusts the radioAABA structure | alternate timeline | conversing | dancing | drinking | friend | popular music | radio | resolution | room | source music | upbeat

Dangerous Corner (1934)

The Trysting Place1:04:35 - Charles talks to Ann in the moonlightalternate timeline | balcony | conversing | friend | mode mixture | popular music | proposal | proposing | radio | resolution | romantic | sequence | source music | triadic transformation
Gridiron Flash (1934)Swing it Sister0:21:09 - Eddie at a partyconversing | friend | leading lady | leading man | party | popular music | room | upbeat

Gridiron Flash (1934)

Oh, Mama0:22:48 - Pudge singsathlete | awkward | crowd | friend | listening | party | room | singing | source music
The Most Dangerous Game (1932)A Moment In The Dark0:04:39 - A picture of a hunting tripboat | conversing | establish character | friend | hunter | leading man | radio | radio | source music | upbeat