All This, and Heaven Too (1940) | Desperation (Subito) | 1:52:22 - Soldiers climb the stairs | 64 chord | ascending | conflict | landlady | leading lady | not mickey-moused | room | soldier | suspect | tense |
All This, and Heaven Too (1940) | The Duchess (Dramatic) | 1:52:48 - Soldiers confront Henriette | accusing | arresting | augmented sixth chord | conflict | landlady | leading lady | ominous | realizing | room | soldier | suspect | tense |
All This, and Heaven Too (1940) | Henriette (Dark) | 1:52:57 - A police wagon approaches | arresting | carriage | chromatic sequence | conflict | crowd | dark | landlady | leading lady | soldier | street | suspect |
All This, and Heaven Too (1940) | Henriette (Grandioso) + Desperation (Grandioso) | 1:53:13 - The police wagon leaves | arresting | bold | carriage | conflict | conversing | crowd | crying | dark | dissonant bass | fragmentation | landlady | leading lady | ominous | soldier | street | suspect | tense | testifying |
All This, and Heaven Too (1940) | Agitato 2 | 1:59:31 - Henriette is arrested | agitated | crowd | crying | diminished 7th chord | dissonant bass | double exposure | dramatic | fanfare | headline | leading lady | leaving | mob | montage | newspaper | soldier | street | suspect | yelling |
All This, and Heaven Too (1940) | Henriette (Ostinato) | 2:10:09 - A carriage leaves | carriage | crowd | dramatic | fragmentation | leading lady | mob | ominous | ostinato | prisoner | soldier | street | suspect | tense | transition | traveling |
All This, and Heaven Too (1940) | Underscoring (Tense) | 2:10:17 - A carriage arrives at the palace | 9th chord | arriving | carriage | chromatic scale | leading lady | prisoner | soldier | street | suspect | tense | transition | traveling | underscoring |
All This, and Heaven Too (1940) | The Duke (Maestoso) | 2:10:50 - Henriette enters the Duke's palace | arriving | countermelody | dark | hearing voices | leading lady | mode change | palace | prisoner | soldier | spooky | suspect | transition | uneasy |
All This, and Heaven Too (1940) | Henriette (Ghostly) | 2:11:23 - Henriette hears voices | arriving | chromatic parallelism | dark | dissonant bass | hearing voices | leading lady | palace | prisoner | soldier | spooky | suspect | transition | uneasy |
All This, and Heaven Too (1940) | Henriette (Serious) | 2:11:50 - Henriette arrives upstairs | arriving | detective | hearing voices | leading lady | palace | prisoner | serious | soldier | solemn | somber | suspect | transition | whole-tone chord |
All This, and Heaven Too (1940) | Crying | 2:12:15 - Pierre looks at Henriette | 64 chord | caretaker | chromatic scale | crying | detective | devastated | leading lady | looking | palace | prisoner | soldier | somber | suspect | transition |
All This, and Heaven Too (1940) | Henriette (Noble) | 2:13:19 - Henriette comes into the Duke's room | arriving | dark | death scene | detective | duke | dying | hopeful | leading lady | leading man | mode mixture | noble | prisoner | room | soldier | suspect |
All This, and Heaven Too (1940) | Dying | 2:13:46 - The Duke in his death bed | chromatic scale | conversing | death bed | death scene | detective | dissonant bass | duke | dying | leading lady | leading man | prisoner | questioning | room | sad | soldier | suspect |
All This, and Heaven Too (1940) | Henriette (Duet) | 2:14:06 - A close-up on Henriette | appoggiatura | chromatic parallelism | conversing | death bed | death scene | deceptive resolution | detective | duke | dying | leading lady | leading man | mode mixture | prisoner | questioning | room | sad | soldier | suspect | tender |
All This, and Heaven Too (1940) | Henriette (Funereal) | 2:14:27 - Henriette leaves the Duke | conversing | death bed | death scene | detective | duke | dying | funeral march | leading lady | leading man | Neapolitan | parallelism | pedal tone | prisoner | questioning | room | sad | sigh gesture | soldier | suspect |
The FBI Story (1959) | The Marines' Hymn (Con Moto) | 2:28:15 - Chip's family drives around Washington DC | car | combination of themes | driving | family | memorial | soldier | Washington DC |
The Informer (1935) | The Informer | 0:00:14 - Shadows move across the screen behind the cast list | cast list | Dorian mode | folk-like | informer | marching | minor pentatonic | mysterious | opening title sequence | Scotch snap | searching | serious | shadow | soldier | street | title of film |
The Informer (1935) | The Informer (Bridge) | 0:00:46 - Shadows move across the screen behind the cast list | 9th chord | cast list | informer | march | marching | mysterious | Neapolitan | opening title sequence | Scotch snap | searching | serious | shadow | soldier | street |
The Informer (1935) | Running and hiding | 0:07:54 - Frankie runs and hides in the shadows | chromatic scale | establish character | familiar tune | folk song | hero | hiding | mickey-mousing | running | soldier | street | tense |
The Life of Vergie Winters (1934) | Lullaby (Military Band) | 0:45:45 - Newspaper montage | 64 chord | fanfare | leading man | love interest | montage | pedal tone | politician | soldier | triumphant |
The Life of Vergie Winters (1934) | Over There (Military Band) | 0:45:52 - Newspaper montage | leading man | love interest | montage | patriotic tune | politician | soldier | triumphant |
The Life of Vergie Winters (1934) | Stars and Stripes Forever (Military Band) | 0:46:01 - Newspaper montage | leading man | love interest | montage | patriotic tune | politician | soldier | triumphant |
The Life of Vergie Winters (1934) | Stars and Stripes Forever (Allegro) | 0:46:04 - Newspaper montage | 64 chord | added-note chord | gentle | leading lady | leading man | love interest | montage | patriotic tune | pedal tone | politician | soldier |
Half Shot at Sunrise (1930) | Whistling the Blues Away [verse] | 0:21:03 - Tommy and Annette sing to each other | car | leading lady | leading man | love interest | on-screen music | playful | singing | soldier | song and dance scene | source music | street | whistling |
Half Shot at Sunrise (1930) | Whistling the Blues Away | 0:21:44 - Tommy and Annette sing to each other | AABA structure | car | dancing | leading lady | leading man | love interest | on-screen music | playful | singing | soldier | song and dance scene | source music | street | whistling |
Half Shot at Sunrise (1930) | Whistling the Blues Away | 0:24:56 - A scene in the park | AABA structure | car | driving | leading lady | leading man | love interest | park | playful | soldier | source to score | transition |
Half Shot at Sunrise (1930) | Whistling the Blues Away | 0:26:14 - Tommy sings to Annette | AABA structure | car | comical | leading lady | leading man | love interest | on-screen music | park | playful | score to source | singing | soldier | song and dance scene | source music |
Half Shot at Sunrise (1930) | Whistling the Blues Away (Waltz) | 0:27:06 - Tommy, Annette, and Gilbert dance | car | countermelody | dancing | dramatic | leading lady | leading man | love interest | park | soldier | song and dance scene | source to score | waltz |