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42 results for "embracing" — see also embrace

FilmTheme nameInstanceTags
Arsenic and Old Lace (1944)Here Comes the Bride (Appassionato)0:16:10 - Mortimer and Elaine kiss64 chord | bride | cemetery | embracing | familiar tune | groom | inversion | kissing | leading lady | leading man | love | love scene | romantic
City for Conquest (1940)Tone Poem A1 (Dolce)0:48:06 - Danny talks to Peggyboxer | dancer | embracing | kissing | leading lady | leading man | love scene | romantic | street

City for Conquest (1940)

Tone Poem A1 (Molto Expressivo)0:48:44 - Danny talks with Peggyboxer | dancer | embracing | kissing | leading lady | leading man | love scene | romantic | street

City for Conquest (1940)

Tone Poem A1 (Farewell) + Tone Poem A20:55:31 - Peggy bids farewell to Dannyconversing | crying | embracing | farewell scene | leading lady | leading man | leaving | romantic | sentimental | street
They Made Me a Criminal (1939)On the Make (Appassionato)1:25:51 - Peggy wants to go with Johnnie9th chord | altered dominant | climax | detective | embracing | kissing | leading lady | leading man | leaving | linear chromaticism | mode mixture | pedal tone | romantic | room | sentimental | sigh gesture | tender
Dust Be My Destiny (1939)Dust Be My Destiny (Reunited)0:58:04 - Joe embraces Mabel9th chord | 64 chord | added-note chord | embracing | foreign key modulation | leading lady | leading man | love scene | romantic | room | triumphant

Dust Be My Destiny (1939)

Dust Be My Destiny (Reunited)1:11:25 - Mabel embraces Joe after she meets him64 chord | advance plot | doctor | embracing | happy | hero | hospital | leading lady | leading man | nurse
Each Dawn I Die (1939)Frank0:08:23 - Frank and Joyce embraceappoggiatura | courtroom | courtroom scene | embracing | girlfriend | handcuffs | hero | leading man | mother | reporter | reverse picardy | tender

Each Dawn I Die (1939)

Frank (Released)1:28:49 - Frank is released9th chord | altered dominant | artwork in score | conclusion | embracing | friend | gentle | goodbye | leading lady | leading man | Neapolitan | passionate | peaceful
Flamingo Road (1949)Flamingo Road (Romantic)0:55:41 - Dan kisses Laneembracing | foreign key modulation | foreshadowing | kissing | leading lady | leading man | love interest | love scene | mode mixture | parallelism | politician | porch | romantic | self-borrowing

Flamingo Road (1949)

Lute Mae (Tenderly)1:03:37 - Dan is grateful for Lane's gift to him13th chord | added-note chord | advance plot | comical | common-chord modulation | conversing | embracing | happy | husband | leading lady | leading man | maid | room | self-borrowing | tender | wife

Flamingo Road (1949)

Flamingo Road (Appassionato)1:32:54 - Dan visits Lane in prisoncrying | embracing | foreign key modulation | husband | joyous | kissing | leading lady | leading man | pedal tone | prison | resolution | reuniting | self-borrowing | wife

Flamingo Road (1949)

Flamingo Road (Dolce)1:33:08 - Dan and Lane embracecrying | dark | embracing | husband | kissing | leading lady | leading man | mode mixture | peaceful | prison | resolution | reuniting | self-borrowing | wife
Hell on Frisco Bay (1955)Hell on Frisco Bay0:02:01 - Marcia embraces Steveconductor score | embracing | establish character | friend | gentle | leading lady | leading man | street

Hell on Frisco Bay (1955)

Georgie0:36:40 - George talks to his sonadvance plot | caring | child | conductor score | embracing | father | gentle | room | tender
In This Our Life (1942)Roy (Lento)0:14:59 - Roy talks about their futureadvance plot | conversing | dark | embracing | leading lady | leading man | room | sweet

In This Our Life (1942)

Roy (Morendo)0:15:43 - Roy responds to Peteradvance plot | conversing | embracing | leading lady | leading man | room | serious | somber

In This Our Life (1942)

Love Theme (Gentle)1:27:58 - Roy talks to Craigaccusing | climax | conversing | criminal | crying | embracing | gentle | lawyer | leading lady | leading man | room | sneaking | tender
The Informer (1935)Dan and Mary0:55:53 - Dan and Mary talk aloneABA structure | chromatic parallelism | deceptive resolution | diminished 7th chord | dissonant bass | embracing | half-diminished 7th chord | hero | love interest | love scene | love theme | mode mixture | passionate | pedal tone | romantic | room

The Informer (1935)

Dan and Mary (Dolce)0:57:51 - Dan tells Mary: "I'll come back for you"11th chord | common-tone diminished 7th | crying | dissonant bass | embracing | hero | love interest | love scene | love theme | mode mixture | romantic | room
The Letter (1940)Robert and Leslie0:20:07 - Leslie looks in the drawerappoggiatura | embracing | home | husband | leading lady | love scene | love theme | pedal tone | romantic | sigh gesture | suspension
Mildred Pierce (1945)Mildred (Happy Homecoming)1:38:50 - Mildred and her daughter embraceadvance plot | apologizing | daughter | embracing | forgiveness | happy | heroine | leading lady | loving | mother | returning | reuniting | room | warm
The Life of Vergie Winters (1934)Lullaby (Passionate)1:09:39 - John and Vergie embrace9th chord | advance plot | embracing | leading lady | leading man | pedal tone | romantic | room | secret lover | tense
Kid Galahad (1937)Heart's Affair (Trouble)1:15:53 - Ward talks to Marie at the farmadvance plot | deceptive resolution | embracing | farm | kissing | leading man | romantic | sister | transcribed by ear
Transgression (1931)Serenade0:44:16 - Elsie and Don Arturo talkingABAC structure | calm | conversing | embracing | kissing | leading lady | love interest | love scene | romantic | room | source music

Transgression (1931)

Main Title (Ending)1:09:15 - The Endembracing | end title sequence | gentle | happy | husband | leading lady | pleasant | The End | transcribed by ear
Is My Face Red? (1932)I Love Thee0:16:08 - Two people embraceadvance plot | boat | embrace | embracing | leading man | quotation | romantic | transcribed by ear
Thirteen Women (1932)Ursula (Romance)0:08:37 - The swami kisses Ursulaantagonist | embracing | establish character | fortune teller | kissing | leading lady | romantic | room | secondary dominant | swami | transcribed by ear | waltz
Another Face (1935)You're an Angel0:25:47 - A man knocks on a dooractress | advance plot | arguing | conversing | embracing | kissing | maid | manager | proposal | room | sentimental | source music

Another Face (1935)

Transient Love1:08:26 - Joe hugs Sheilaactress | embracing | end title sequence | fiancée | Film Title | manager | room | sentimental
Deep Valley (1947)Kiss0:51:58 - Barry kisses Libbyconvict | dog | embracing | exciting | falling in love scene | forest | fugitive | kissing | leading lady | leading man | love interest | mickey-mousing | staring

Deep Valley (1947)

Deep Valley0:52:10 - Barry kisses Libby againconvict | dog | embracing | falling in love scene | forest | fugitive | gentle | kissing | leading lady | leading man | love interest | romantic | staring

Deep Valley (1947)

Deep Valley (Appassionato)0:55:51 - Barry and Libby embracecabin | cheerful | convict | embracing | fugitive | kissing | leading lady | leading man | love interest | love scene | romantic

Deep Valley (1947)

Barry (Tender)1:15:59 - Barry apologizes to Libbyadvance plot | apologizing | barn | convict | embracing | fugitive | leading lady | leading man | love interest | tender

Deep Valley (1947)

Deep Valley (Kiss)1:16:19 - Barry kisses Libbyadvance plot | barn | convict | crying | embracing | fugitive | kissing | leading lady | leading man | love interest | tender

Deep Valley (1947)

Deep Valley (Misterioso)1:23:23 - Barry looks at Libbyadvance plot | barn | calm | convict | embracing | fugitive | kissing | leading lady | leading man | love interest | mysterious
The Woman in White (1948)The Self Banished0:34:22 - Walter apologizes to Lauraembracing | falling in love scene | garden | kissing | leading lady | leading man | romance | tender

The Woman in White (1948)

The Self Banished1:31:42 - Walter Kisses Marianconversing | embracing | friend | gentle | kissing | leading lady | leading man | leaving | love interest | love scene | romantic | room | thematic transference

The Woman in White (1948)

Ann (Waltz 2)1:46:13 - A close-up on the Countesscriminal | death | embracing | friend | friend | leading lady | leading man | love interest | murder | murderer | necklace | reacting | resolution | revenge | room | tender | victim | waltz | wife

The Woman in White (1948)

The Self Banished (The End)1:47:51 - Walter with the childrenbook | child | conversing | embracing | father | greeting | husband | kissing | leading lady | leading man | mother | resolution | tender | The End | voice-over | wife | yard
Out of the Fog (1941)Gangster (Tense)0:41:05 - Stella kisses Goffbluesy | criminal | dock | embracing | kissing | leading lady | leading man | love scene | tense
Her Kind of Man (1946)It Had to Be You (Secret Rendezvous)1:09:09 - Georgia enters the warehouseadvance plot | arriving | conversing | embracing | familiar tune | gambler | kissing | leading lady | leading man | murderer | popular music | romantic | singer | source to score | uneasy | warehouse | wife