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96 results for "husband" — see also groom | spouse

FilmTheme nameInstanceTags
Flamingo Road (1949)Flamingo Road (Expressivo)1:02:07 - The gate to 32 Flamingo Road11th chord | added-note chord | arriving | gentle | husband | leading man | self-borrowing | sign | street | transition

Flamingo Road (1949)

Lute Mae (Tenderly)1:03:37 - Dan is grateful for Lane's gift to him13th chord | added-note chord | advance plot | comical | common-chord modulation | conversing | embracing | happy | husband | leading lady | leading man | maid | room | self-borrowing | tender | wife

Flamingo Road (1949)

Flamingo Road (Tenderly)1:03:58 - Dan and Lane have teaadvance plot | conversing | gentle | husband | leading lady | leading man | mode mixture | room | self-borrowing | serving | tea | wife

Flamingo Road (1949)

Lute Mae (Tenderly)1:07:55 - Dan kisses Lane13th chord | added-note chord | bluesy | husband | kissing | leading lady | leading man | love scene | room | self-borrowing | tender | wife

Flamingo Road (1949)

Titus (Ostinato)1:17:09 - Dan looks at some papersbrooding | conflict | dark | hopeful | husband | leading lady | leading man | ominous | politician | room | self-borrowing | wife

Flamingo Road (1949)

Lane (Tragic)1:18:10 - Lane talks to Dan about Titusangry | anxious | conflict | conversing | husband | leading lady | leading man | ostinato | politician | room | tragic | wife

Flamingo Road (1949)

If I Could Be With You (Tragic)1:18:35 - Lane tells Dan about Fieldconfessing | conflict | diminished 7th chord | husband | leading lady | leading man | love | politician | room | tragic | wife

Flamingo Road (1949)

Flamingo Road (Agitato)1:18:50 - Dan gets upset with Lane9th chord | accusing | angry | augmented sixth chord | conflict | fragmentation | husband | leading lady | leading man | politician | quartal chord | room | self-borrowing | wife

Flamingo Road (1949)

Appassionato1:19:10 - Dan argues with Lanearguing | chromatic parallelism | conflict | diminished 7th chord | harmonic sequence | husband | leading lady | leading man | passionate | politician | room | wife | yearning

Flamingo Road (1949)

Flamingo Road (Molto Expressivo)1:19:32 - Dan leavesconflict | husband | leading lady | leading man | leaving | politician | room | self-borrowing | tragic | wife

Flamingo Road (1949)

Flamingo Road (Triste)1:19:43 - Lane watches Dan leavealtered dominant | conflict | husband | leading lady | leading man | politician | room | self-borrowing | somber | waiting | wife

Flamingo Road (1949)

Somber Phone Call1:19:54 - Dan calls Lane from the stationcalling | conflict | half-diminished 7th chord | husband | leading lady | leading man | politician | somber | tone cluster | train station | wife

Flamingo Road (1949)

Titus (Triste 2)1:20:10 - Dan and Lane talk on the phonecalling | conflict | husband | leading lady | leading man | politician | room | somber | train station | wife

Flamingo Road (1949)

Flamingo Road (Appassionato)1:32:54 - Dan visits Lane in prisoncrying | embracing | foreign key modulation | husband | joyous | kissing | leading lady | leading man | pedal tone | prison | resolution | reuniting | self-borrowing | wife

Flamingo Road (1949)

Flamingo Road (Dolce)1:33:08 - Dan and Lane embracecrying | dark | embracing | husband | kissing | leading lady | leading man | mode mixture | peaceful | prison | resolution | reuniting | self-borrowing | wife

Flamingo Road (1949)

Lute Mae (Delicato)1:33:28 - Lane smiles as Dan13th chord | added-note chord | crying | delicate | husband | kissing | leading lady | leading man | prison | resolution | reuniting | romance | self-borrowing | sentimental | wife

Flamingo Road (1949)

If I Could Be With You (Ecstatic)1:33:37 - Lane walks awayadded-note chord | altered dominant | artwork in score | chromatic parallelism | friend | husband | joyous | leading lady | leading man | leaving | prison | resolution | reuniting | romance | secondary dominant | The End | thematic transference | triumphant | wife
The Letter (1940)Mr. Hammond Has Been Shot0:05:50 - Boy tells Robert that Mr. Hammond has been shotaction scene | dark | death | husband | ominous | reacting | servant | warehouse

The Letter (1940)

Underscoring (Dramatic)0:06:04 - Worker talks to Robertaction scene | conversing | death | dramatic | husband | murder | servant | underscoring | warehouse

The Letter (1940)

Hammond A (Distressed)0:06:11 - Robert arrives at the plantationbold | brassy | dark | driving | home | husband | oscillation | transition

The Letter (1940)

Underscoring (Tense)0:06:21 - Robert goes in the housearriving | home | husband | tense | transition | underscoring

The Letter (1940)

Letter 20:20:07 - Robert embraces Leslieembracing | home | husband | leading lady | love scene | pedal tone | romantic

The Letter (1940)

Kiss0:20:33 - Robert kisses Lesliehome | husband | kissing | leading lady | love scene | romantic | suspension

The Letter (1940)

Sociable0:48:42 - People having dinnercheerful | conversing | dinner | happy | home | husband | lacework | lawyer | leading lady | party

The Letter (1940)

Hammond A (Uneasy)0:49:41 - They discuss the trialdinner | home | husband | lawyer | leading lady | planning | tense | tone cluster | trial | whole-tone chord

The Letter (1940)

Sociable (Ending)0:49:58 - Pleasant conversationcheerful | conversing | dinner | happy | home | husband | lawyer | leading lady | reverse picardy

The Letter (1940)

Mrs. Hammond (Bitter)1:08:54 - Leslie sees Mrs. Hammond as they leave the courtroomantagonist | Chinese | Chinese | chromatic parallelism | confronting | courtroom | dark | husband | leading lady | trial

The Letter (1940)

Sociable1:09:09 - Leslie and Robert meet with friendscelebrating | dinner music | drinking | happy | home | husband | lawyer | leading lady | party | reverse picardy

The Letter (1940)

Hammond A (Restless)1:14:42 - Robert asks about the letterarguing | conflict | fragmentation | home | husband | lawyer | leading lady | lying | sequence | tense

The Letter (1940)

Hammond A (Wild)1:14:57 - Robert waits for a responsearguing | chromatic parallelism | conflict | distress | home | husband | lawyer | leading lady | lying | tense

The Letter (1940)

Distress1:15:08 - Robert confronts the lawyerarguing | conflict | distress | home | husband | lawyer | leading lady | tense

The Letter (1940)

Hammond A (Molto Agitato)1:15:28 - Robert argues with Lesliearguing | conflict | distress | home | husband | lawyer | leading lady | parallelism | pc set | tense

The Letter (1940)

Underscoring (Dramatic)1:15:45 - Robert asks to see the letterarguing | conflict | dramatic | home | husband | lawyer | leading lady | letter | tense | underscoring

The Letter (1940)

Letter 2 (Tragic)1:16:14 - Robert reads the letterconflict | home | husband | lawyer | leading lady | letter | reading | somber | tense

The Letter (1940)

Hammond A (Confession)1:16:36 - Leslie confesses to Robertconfessing | conflict | dark | home | husband | lawyer | leading lady | letter | ostinato | recounting | serious | tritone | tritone

The Letter (1940)

Mrs. Hammond (Confession)1:17:35 - Leslie confesses to RobertChinese | confessing | conflict | home | husband | lawyer | leading lady | letter | open fifth | parallelism | pentatonic | recounting | serious | somber

The Letter (1940)

Hammond A (Deception)1:17:52 - Leslie confesses to Robertaugmented triad | confessing | conflict | dramatic | home | husband | lawyer | leading lady | letter | parallelism | recounting | tense

The Letter (1940)

Hammond A (Tragic)1:17:59 - Leslie confesses to Robertconfessing | conflict | dramatic | home | husband | lawyer | leading lady | letter | murder | oscillation | recounting | sequence

The Letter (1940)

Hammond B (Ethereal)1:18:13 - Leslie confesses to Robertchromatic sequence | confessing | conflict | dramatic | home | husband | lawyer | leading lady | letter | murder | oscillation | recounting

The Letter (1940)

Hammond A (Dramatic)1:18:32 - Leslie confesses to Robertconfessing | conflict | crying | dramatic | home | husband | lawyer | leading lady | letter | murder | oscillation | recounting | sequence

The Letter (1940)

Letter 2 (Mournful)1:19:00 - Robert cries after hearing the confessionconflict | crying | home | husband | lawyer | leading lady | letter | mournful | murder | pedal tone | sad

The Letter (1940)

Foxtrot No.21:22:12 - Leslie dances at the partyconversing | dance music | dancing | foxtrot | friend | happy | husband | leading lady | party | party | source music

The Letter (1940)

Foxtrot No.31:23:25 - Robert talks to friends at the partyconversing | dance music | drinking | foxtrot | friend | happy | husband | leading lady | party | party | source music

The Letter (1940)

Underscoring (Mysterious)1:26:07 - Leslie talks to Robertclimax | conversing | home | husband | leading lady | mysterious | staring | underscoring

The Letter (1940)

Hammond A (Ethereal)1:26:36 - Leslie and Robert look at each otherclimax | home | husband | leading lady | oscillation | staring | tense

The Letter (1940)

Underscoring (Tense)1:26:52 - Leslie talks to Robertclimax | conversing | home | husband | leading lady | staring | tense | underscoring

The Letter (1940)

Letter 2 (Tense)1:27:06 - Leslie talks to Robertclimax | conversing | gentle | home | husband | leading lady | pedal tone | tender | tense

The Letter (1940)

Deception (Lohengreenish)1:28:04 - Robert asks for Leslie's love and devotionclimax | conversing | home | husband | kissing | leading lady | romantic | sequence | tense
Mildred Pierce (1945)Bert0:20:18 - Bert comes homearriving | cooking | establish character | flashback | gentle | heroine | husband | leading lady | room | self-borrowing | street

Mildred Pierce (1945)

Bert (Triste)0:24:26 - Bert and Mildred separatebreaking up | crying | establish character | heroine | husband | leading lady | leaving | room | somber

Mildred Pierce (1945)

Bert (Sentimentale)0:48:03 - Mildred watches her children leaveheroine | husband | leading lady | leaving | room | serious | somber | thinking | transition

Mildred Pierce (1945)

Kay and Veda (Misterioso)0:54:01 - Bert tells Mildred that Kay is sickbad news | conversing | dark | death scene | distress | ex-husband | heroine | leading lady | mysterious | ominous | stinger | street | turning point

Mildred Pierce (1945)

Bert (Dark)0:54:14 - Bert and Mildred rush off to see Kaybad news | conversing | dark | death scene | distress | ex-husband | heroine | leading lady | leaving | street | turning point

Mildred Pierce (1945)

Pneumonia0:54:25 - A doctor works on Kaychild | dark | death scene | doctor | dying | ex-husband | heroine | illness | leading lady | mickey-mousing | nurse | patient | room | sick person | somber | tense | treating | turning point | waiting | watching

Mildred Pierce (1945)

Kay and Veda (Dying)0:55:05 - Kay's family waits and watcheschild | dark | death scene | doctor | dying | ex-husband | heroine | illness | leading lady | nurse | patient | room | sick person | somber | tense | treating | turning point | waiting | watching

Mildred Pierce (1945)

Pneumonia (Dying)0:55:24 - Kay passes awaychild | dark | death | death scene | doctor | dying | ex-husband | heroine | illness | leading lady | nurse | patient | room | sick person | somber | tense | treating | turning point | waiting | watching

Mildred Pierce (1945)

Mildred (Mourning)0:56:07 - Mildred mourns Kay's deathchild | death | death scene | doctor | ex-husband | heroine | leading lady | mourning | nurse | patient | room | sick person | somber | turning point

Mildred Pierce (1945)

Kay and Veda (Tenderly)0:56:34 - Veda and Mildred mourn for Kaycalm | child | death | death scene | ex-husband | heroine | hopeful | leading lady | mourning | room | somber | turning point

Mildred Pierce (1945)

It Can’t Be Wrong (Romantic)1:04:11 - Monte kisses Mildredadvance plot | door | ex-husband | familiar tune | heroine | interrupting | kissing | leading lady | love interest | popular music | restaurant | romantic | slamming | source to score | stinger

Mildred Pierce (1945)

It Can’t Be Wrong (Troubled)1:04:30 - Bert interrupts Mildred and Monte's kissadvance plot | conversing | dark | ex-husband | familiar tune | heroine | leading lady | love interest | popular music | restaurant | source to score | tense | troubled

Mildred Pierce (1945)

Bert (Regretful)1:04:43 - Bert tells Mildred about the divorceadvance plot | conversing | divorce | ex-husband | heroine | leading lady | love interest | regretting | restaurant | somber

Mildred Pierce (1945)

Breaks glass1:05:35 - Bert slaps the glass out of Monte's handadvance plot | breaking | down | ex-husband | falling | glass | heroine | leading lady | love interest | mickey-mousing | restaurant | tense | throwing | violence

Mildred Pierce (1945)

It Can’t Be Wrong (Uneasy)1:05:36 - Bert stares angrily at Monteadvance plot | dark | ex-husband | familiar tune | glaring | heroine | leading lady | leaving | love interest | popular music | restaurant | source to score | tense | uneasy

Mildred Pierce (1945)

Oceana Roll1:27:46 - Veda sings at a restaurantadvance plot | antagonist | cheerful | club | dancing | daughter | ex-husband | heroine | leading lady | on-screen music | playing | popular music | singing | source music

Mildred Pierce (1945)

Work (Montage)1:34:44 - Montage of Mildred and Monte's marriagecheerful | ex-husband | glass | heroine | leading lady | love interest | mickey-mousing | montage | newspaper | shadow

Mildred Pierce (1945)

Bert (Somber)1:37:06 - Bert talks with Mildred in her new houseadvance plot | conversing | ex-husband | heroine | leading lady | room | somber

Mildred Pierce (1945)

Bert (Tenderly)1:39:33 - Mildred thanks Bertadvance plot | ex-husband | gentle | heroine | leading lady | mother | room | sweet | thanking

Mildred Pierce (1945)

Mildred (The End)1:50:07 - Mildred leaves with Bertex-husband | heroine | leading lady | leaving | police station | resolution | triumphant
The Life of Vergie Winters (1934)Lullaby (Allegro)1:18:34 - Newspaper headlinebold | conversing | daughter | dissonant bass | fragmentation | husband | montage | pedal tone | prison | waiting

The Life of Vergie Winters (1934)

Lullaby (Very Ethereal)1:19:04 - Vergie exits the prisondaughter | dissonant bass | husband | leading lady | pedal tone | prison | prisoner | resolution | somber | suspect | tense | walking

The Life of Vergie Winters (1934)

Lullaby (Resolution)1:21:03 - Joan talks about her motheradded-note chord | calm | conversing | crying | daughter | end title sequence | husband | peaceful | prison | redemption | resolution | The End | triumphant
The Unfaithful (1947)Unfaithful (Somber)0:22:24 - Bob comforts Chrisaugmented sixth chord | comfort | comforting | husband | leading lady | love scene | ostinato | room | somber | victim

The Unfaithful (1947)

Unfaithful (Tragic)0:24:34 - Mrs. Tanner walks away down the streetadvance plot | antagonist | husband | leading lady | newspaper | ostinato | panicked | panicking | police station | street | transition | trolley | victim | widow

The Unfaithful (1947)

Oh But I Do0:32:27 - Ladies talk at a restaurantadvance plot | calm | conversing | husband | lawyer | leading lady | on-screen music | restaurant | sister | source music | transition | victim

The Unfaithful (1947)

Deep Night0:35:15 - Larry answers a phone call and leavesadvance plot | calm | conversing | husband | lawyer | leading lady | on-screen music | restaurant | source music | transition | victim

The Unfaithful (1947)

Unfaithful (Somber 2)1:00:01 - Bob and Chris talkadvance plot | augmented sixth chord | conversing | husband | leading lady | ostinato | room | somber | tender

The Unfaithful (1947)

Walking1:09:50 - Bob walks to meet with the art dealerhusband | park | pedal tone | tense | transition | walking

The Unfaithful (1947)

Unfaithful (Ominous)1:10:22 - Bob walks through the parkantagonist | blackmail | husband | monophonic | ominous | park | transition | waiting

The Unfaithful (1947)

Unfaithful (Driving)1:10:31 - Bob rides in a carcar | driving | husband | minor-major 7th chord | ominous | street | transition | whole-tone

The Unfaithful (1947)

Tanner1:10:47 - Bob walks upstairs to meet with Mrs. Tanneraltered dominant | antagonist | arriving | foreshadowing | husband | quartal chord | street | syncopation | tense | transition | walking

The Unfaithful (1947)

Unfaithful (Menacing)1:12:25 - Bob meets with Mrs. Tannerantagonist | husband | menacing | monophonic | ostinato | pivotal scene | realizing | revealing | room | staring | statue | threatening | unveiling | widow

The Unfaithful (1947)

Unfaithful (Attack)1:13:06 - Bob attacks the art shop ownerangry | antagonist | attacking | fighting | husband | ostinato | pc set | pivotal scene | room | widow | zoom in

The Unfaithful (1947)

Unfaithful (Triste)1:13:36 - Bob slowly walks away from the apartmentdirge | heartbroken | hotel | husband | ostinato | polychord | sad | somber | transition | walking

The Unfaithful (1947)

Unfaithful (Risoluto)1:14:27 - Bob arrives homeangry | arriving | car | driving | house | husband | monophonic | transition

The Unfaithful (1947)

Unfaithful (Angry)1:15:00 - Bob walks around his homeangry | husband | intense | meandering | room | transition | walking

The Unfaithful (1947)

Unfaithful (Rising Anger)1:15:35 - Bob walks around his homeangry | half-diminished 7th chord | husband | intense | meandering | room | transition | walking

The Unfaithful (1947)

Unfaithful (Not in Film)NIF - not in filmarguing | climax | cut from film | husband | ostinato | room | sequential modulation | tense | wife

The Unfaithful (1947)

Ask Anyone Who Knows1:34:08 - Paula reads the paper in her apartmentcalm | conversing | friend | husband | radio | reading | resolution | room | source music

The Unfaithful (1947)

Would You Believe Me1:36:54 - Paula talks with Bobcalm | conversing | friend | husband | radio | reading | resolution | room | source music

The Unfaithful (1947)

Unfaithful (Distressed)1:41:24 - Bob talks with Larryconversing | husband | lawyer | minor-major 7th chord | ostinato | resolution | room | somber | wife

The Unfaithful (1947)

Unfaithful (Leaving)1:42:32 - Bob talks with Chrisconversing | husband | lawyer | ostinato | resolution | room | somber | wife

The Unfaithful (1947)

Unfaithful (Dolce)1:46:08 - Bob talks with Chrisconversing | hopeful | husband | lawyer | ostinato | peaceful | plagal cadence | resolution | resolution | resolution | romantic | room | triumphant | wife
We Are Not Alone (1939)Surprise Symphony (Turbulent)0:50:14 - Jessica reacts to David's departure11th chord | angry | antagonist | chromatic parallelism | classical music | conflict | crying | dark | familiar tune | Haydn | hero | home | husband | leaving | quotation | room | sad | tragic | wife
Transgression (1931)There’s a Sob in My Heart (Ballroom)0:28:18 - Robert arrives at the partyAABA structure | advance plot | augmented sixth chord | calm | club | conversing | dancing | husband | leading lady | self-borrowing | sophisticated | source music

Transgression (1931)

Main Title (Ending)1:09:15 - The Endembracing | end title sequence | gentle | happy | husband | leading lady | pleasant | The End | transcribed by ear
Thirteen Women (1932)Hazel murders husband0:12:36 - Hazel murders her husbanddouble exposure | dramatic | half-diminished 7th chord | headline | husband | knife | murder | murderer | murdering | murder scene | newspaper | room | stabbing | stinger | transcribed by ear | victim | violent