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201 results for "husband" in 13 films — see also groom | spouse

FilmTheme nameInstanceTags
Beyond the Forest (1949)Rosa (Misterioso)1:09:23 - Rosa looks through the binocularsanger | binoculars | forest | friend | hunting | husband | leading lady | leading man | looking | murder scene | mysterious | ominous | tense | victim

Beyond the Forest (1949)

Chicago (Ominous)1:10:01 - Rosa puts down the binocularsaiming | anger | dark | familiar tune | forest | friend | husband | leading lady | leading man | murder scene | ominous | popular tune | victim

Beyond the Forest (1949)

Rosa (Ominous)1:10:14 - Rosa aims her gunaiming | anger | dark | forest | friend | harsh | husband | leading lady | leading man | murder scene | ominous | stinger | victim

Beyond the Forest (1949)

Chicago (Con Moto)1:11:06 - Rosa is relieved at the verdictcalm | conversing | courtroom | courtroom scene | expressive | familiar tune | hope | hopeful | husband | leading lady | leading man | love interest | murderer | popular tune | smiling | verdict

Beyond the Forest (1949)

Rosa (Sulking)1:12:32 - Rosa and Lewis at the funeralfuneral | graveyard | husband | leading lady | leading man | love interest | murderer | rain | solemn | sulking | victim | watching

Beyond the Forest (1949)

Rosa (Heavy)1:12:58 - Rosa and Lewis drive awayarriving | departing | dramatic | funeral | husband | leading lady | leading man | murderer | room | somber | transition | victim

Beyond the Forest (1949)

Lewis (Crescendo)1:13:15 - Rosa and Lewis at homearriving | calm | conversing | dark | dramatic | husband | leading lady | leading man | murderer | room | transition | victim | yelling

Beyond the Forest (1949)

Stinger1:31:51 - Rosa deadarriving | climax | dark | death | doctor | husband | leading lady | leading man | mad scene | murderer | solemn | stinger | train | train station | walking

Beyond the Forest (1949)

Rosa1:32:10 - Lewis arrivesarriving | checking | climax | dark | death | doctor | dramatic | husband | leading lady | leading man | mad scene | murderer | reacting | tender | train | train station
Flamingo Road (1949)Flamingo Road (Expressivo)1:02:07 - The gate to 32 Flamingo Road11th chord | added-note chord | arriving | gentle | husband | leading man | self-borrowing | sign | street | transition

Flamingo Road (1949)

Lute Mae (Tenderly)1:03:37 - Dan is grateful for Lane's gift to him13th chord | added-note chord | advance plot | comical | common-chord modulation | conversing | embracing | happy | husband | leading lady | leading man | maid | room | self-borrowing | tender | wife

Flamingo Road (1949)

Flamingo Road (Tenderly)1:03:58 - Dan and Lane have teaadvance plot | conversing | gentle | husband | leading lady | leading man | mode mixture | room | self-borrowing | serving | tea | wife

Flamingo Road (1949)

Lute Mae (Tenderly)1:07:55 - Dan kisses Lane13th chord | added-note chord | bluesy | husband | kissing | leading lady | leading man | love scene | room | self-borrowing | tender | wife

Flamingo Road (1949)

Titus (Ostinato)1:17:09 - Dan looks at some papersbrooding | conflict | dark | hopeful | husband | leading lady | leading man | ominous | politician | room | self-borrowing | wife

Flamingo Road (1949)

Lane (Tragic)1:18:10 - Lane talks to Dan about Titusangry | anxious | conflict | conversing | husband | leading lady | leading man | ostinato | politician | room | tragic | wife

Flamingo Road (1949)

If I Could Be With You (Tragic)1:18:35 - Lane tells Dan about Fieldconfessing | conflict | diminished 7th chord | husband | leading lady | leading man | love | politician | room | tragic | wife

Flamingo Road (1949)

Flamingo Road (Agitato)1:18:50 - Dan gets upset with Lane9th chord | accusing | angry | augmented sixth chord | conflict | fragmentation | husband | leading lady | leading man | politician | quartal chord | room | self-borrowing | wife

Flamingo Road (1949)

Appassionato1:19:10 - Dan argues with Lanearguing | chromatic parallelism | conflict | diminished 7th chord | harmonic sequence | husband | leading lady | leading man | passionate | politician | room | wife | yearning

Flamingo Road (1949)

Flamingo Road (Molto Expressivo)1:19:32 - Dan leavesconflict | husband | leading lady | leading man | leaving | politician | room | self-borrowing | tragic | wife

Flamingo Road (1949)

Flamingo Road (Triste)1:19:43 - Lane watches Dan leavealtered dominant | conflict | husband | leading lady | leading man | politician | room | self-borrowing | somber | waiting | wife

Flamingo Road (1949)

Somber Phone Call1:19:54 - Dan calls Lane from the stationcalling | conflict | half-diminished 7th chord | husband | leading lady | leading man | politician | somber | tone cluster | train station | wife

Flamingo Road (1949)

Titus (Triste 2)1:20:10 - Dan and Lane talk on the phonecalling | conflict | husband | leading lady | leading man | politician | room | somber | train station | wife

Flamingo Road (1949)

Flamingo Road (Appassionato)1:32:54 - Dan visits Lane in prisoncrying | embracing | foreign key modulation | husband | joyous | kissing | leading lady | leading man | pedal tone | prison | resolution | reuniting | self-borrowing | wife

Flamingo Road (1949)

Flamingo Road (Dolce)1:33:08 - Dan and Lane embracecrying | dark | embracing | husband | kissing | leading lady | leading man | mode mixture | peaceful | prison | resolution | reuniting | self-borrowing | wife

Flamingo Road (1949)

Lute Mae (Delicato)1:33:28 - Lane smiles as Dan13th chord | added-note chord | crying | delicate | husband | kissing | leading lady | leading man | prison | resolution | reuniting | romance | self-borrowing | sentimental | wife

Flamingo Road (1949)

If I Could Be With You (Ecstatic)1:33:37 - Lane walks awayadded-note chord | altered dominant | artwork in score | chromatic parallelism | friend | husband | joyous | leading lady | leading man | leaving | prison | resolution | reuniting | romance | secondary dominant | The End | thematic transference | triumphant | wife
Her Kind of Man (1946)Can't We Talk It Over0:45:42 - Georgia and Don in a photographadvance plot | club | conversing | crowd | dancing | husband | leading lady | newspaper | on-screen music | photograph | playing | source music | upbeat | waiter

Her Kind of Man (1946)

Love Is Sweeping the Country0:58:02 - The crowd applaudsadvance plot | club | conversing | criminal | crowd | gambler | henchman | husband | leading lady | leading man | on-screen music | owner | performing | reporter | singer | sister | source music | upbeat | wife

Her Kind of Man (1946)

Underscoring (Dramatic [Deutsch])1:03:37 - Steve shoots his sisteraction scene | club | crowd | dramatic | dying | gambler | husband | leading man | murderer | police | reacting | shooting | sister | underscoring | victim

Her Kind of Man (1946)

The Escape1:03:50 - Steve tries to escapeaction scene | car | chasing | club | crowd | dramatic | driving | escaping | gambler | husband | jumping | leading man | mickey-mousing | murderer | police | running | sister | street | victim

Her Kind of Man (1946)

Underscoring (Mysterious)1:05:01 - A dark dooradvance plot | arriving | conversing | husband | leading man | mysterious | reporter | room | underscoring | widow

Her Kind of Man (1946)

Candy (Dark)1:12:58 - Candy leavesbar | calling | conversing | criminal | dark | double-cross | gambler | henchman | husband | leading man | murderer | ominous | stinger | telephone | turning point | warehouse

Her Kind of Man (1946)

Candy (Molto Marcato)1:14:49 - Gun in a glove compartmentcar | climax | dark | double-cross | driving | gun | hurrying | husband | revenge | rushing | widow

Her Kind of Man (1946)

Underscoring (Tense [Steiner])1:15:00 - Candy in the alleyarriving | climax | criminal | double-cross | driving | gambler | henchman | hiding | husband | leading man | murderer | revenge | signaling | sneaking | street | tense | underscoring | warehouse | widow

Her Kind of Man (1946)

Candy (Tragic)1:15:28 - Candy in the shadowsclimax | conversing | criminal | double-cross | gambler | henchman | hiding | husband | leading man | murderer | revenge | street | tense | tragic | walking | widow

Her Kind of Man (1946)

Underscoring (Dramatic [Steiner])1:15:53 - Joe shoots at Steveclimax | criminal | double-cross | dramatic | dying | falling | gambler | gun | gunshot | henchman | husband | leading man | murder | murderer | revenge | shooting | street | widow
The Letter (1940)Mr. Hammond Has Been Shot0:05:45 - Worker runs in11th chord | action scene | altered dominant | dark | death | husband | ominous | reacting | servant | warehouse

The Letter (1940)

Underscoring (Dramatic)0:06:04 - Robert leavesaction scene | conversing | death | dramatic | husband | murder | servant | underscoring | warehouse

The Letter (1940)

Leslie (Maestoso)0:06:11 - Robert arrives at the plantationbold | brassy | changing meter | dark | driving | home | husband | oscillation | transition | tritone

The Letter (1940)

Underscoring (Tense)0:06:21 - Robert goes in the housearriving | chromatic scale | diminished 7th chord | home | husband | tense | transition | underscoring

The Letter (1940)

Robert and Leslie0:20:07 - Leslie looks in the drawerappoggiatura | embracing | home | husband | leading lady | love scene | love theme | pedal tone | romantic | sigh gesture | suspension

The Letter (1940)

Kiss0:20:33 - Robert kisses Lesliehome | husband | kissing | leading lady | love scene | romantic | suspension

The Letter (1940)

Sociable0:48:42 - People having dinnerABA structure | cheerful | conversing | deceptive resolution | dinner | Dorian mode | foreign key modulation | happy | home | husband | lacework | lawyer | leading lady | party | whole-tone chord

The Letter (1940)

Leslie (Uneasy)0:49:41 - They discuss the trialdinner | home | husband | lawyer | leading lady | oscillation | pc set | planning | tense | tone cluster | trial | whole-tone chord

The Letter (1940)

Sociable (Ending)0:49:58 - Pleasant conversationcheerful | conversing | dinner | foreign key modulation | happy | home | husband | lawyer | leading lady | reverse picardy

The Letter (1940)

Mrs. Hammond (Bitter)1:08:54 - Leslie sees Mrs. Hammond in the courtroom11th chord | antagonist | Chinese | Chinese | chromatic parallelism | confronting | courtroom | dark | husband | leading lady | trial

The Letter (1940)

Sociable1:09:09 - Leslie and Robert meet with friends64 chord | celebrating | dinner music | drinking | foreign key modulation | happy | home | husband | lawyer | leading lady | party | pump-up modulation | reverse picardy

The Letter (1940)

Leslie (Restless)1:14:42 - Robert asks about the letterarguing | conflict | fragmentation | home | husband | lawyer | leading lady | lying | major 7th chord | sequence | tense

The Letter (1940)

Leslie (Wild)1:14:57 - Robert waits for a response9th chord | arguing | augmented major 7th chord | chromatic parallelism | conflict | distress | fragmentation | home | husband | lawyer | leading lady | lying | sequence | tense

The Letter (1940)

Distress1:15:08 - Robert confronts the lawyer9th chord | arguing | conflict | dissonant bass | distress | home | husband | lawyer | leading lady | tense

The Letter (1940)

Leslie (Molto Agitato)1:15:28 - Robert argues with Lesliearguing | chromatic parallelism | conflict | distress | home | husband | lawyer | leading lady | oscillation | pc set | sequence | tense

The Letter (1940)

Underscoring (Dramatic)1:15:45 - Robert asks to see the letterarguing | augmented triad | conflict | diminished 7th chord | dramatic | home | husband | lawyer | leading lady | letter | pc set | sequence | tense | underscoring

The Letter (1940)

Robert and Leslie (Tragic)1:16:14 - Leslie tells Howard to give Robert the letterconflict | home | husband | lawyer | leading lady | letter | love theme | reading | somber | tense

The Letter (1940)

Leslie (Confession)1:16:36 - Leslie confesses to Robertconfessing | conflict | dark | half-diminished 7th chord | home | husband | lawyer | leading lady | letter | ostinato | recounting | sequence | serious | tritone | tritone oscillation

The Letter (1940)

Mrs. Hammond (Confession)1:17:35 - Leslie confesses to RobertChinese | confessing | conflict | home | husband | lawyer | leading lady | letter | open fifth | parallel fifths | parallelism | pentatonic | recounting | serious | somber | tritone oscillation

The Letter (1940)

Leslie (Rising) + Deception1:17:52 - Leslie confesses to Robertaugmented triad | chromatic parallelism | combination of themes | confessing | conflict | dramatic | home | husband | lawyer | leading lady | letter | oscillation | ostinato | recounting | sequence | tense

The Letter (1940)

Leslie (Tragic)1:17:59 - Leslie confesses to Robertchanging meter | confessing | conflict | dramatic | home | husband | lawyer | leading lady | letter | murder | oscillation | recounting | sequence | sequential modulation | suspension

The Letter (1940)

Leslie B (Ethereal)1:18:13 - Leslie confesses to Robertchromatic sequence | confessing | conflict | dramatic | home | husband | lawyer | leading lady | letter | murder | oscillation | recounting | sequence

The Letter (1940)

Leslie (Dramatic)1:18:32 - Leslie confesses to Robertconfessing | conflict | crying | dramatic | half-diminished 7th chord | home | husband | lawyer | leading lady | letter | murder | oscillation | recounting | sequence

The Letter (1940)

Robert and Leslie (Mournful)1:19:00 - Robert cries after hearing the confessionconflict | crying | crying gesture | home | husband | lawyer | leading lady | letter | love theme | mournful | murder | pedal tone | retardation | sad | suspension

The Letter (1940)

Foxtrot No. 21:22:12 - Leslie joins the party9th chord | AABA structure | altered dominant | conversing | dance music | dancing | foxtrot | friend | happy | husband | leading lady | party | party | pump-up modulation | secondary dominant | source music

The Letter (1940)

Foxtrot No. 31:23:25 - Robert talks to friends at the party9th chord | added-note chord | common-tone diminished 7th | contrasting period | conversing | dance music | drinking | foxtrot | friend | happy | husband | leading lady | party | party | source music

The Letter (1940)

Underscoring (Mysterious)1:26:07 - Leslie talks to Robertclimax | conversing | home | husband | leading lady | mysterious | open fifth | oscillation | pedal tone | staring | underscoring

The Letter (1940)

Leslie (Ethereal)1:26:36 - Leslie and Robert look at each otherclimax | home | husband | leading lady | oscillation | pc set | pedal tone | staring | tense

The Letter (1940)

Underscoring (Tense)1:26:52 - Leslie talks to Robertclimax | conversing | home | husband | leading lady | staring | tense | underscoring

The Letter (1940)

Robert and Leslie (Tense)1:27:06 - Leslie talks to Robertchromatic mediant | climax | conversing | gentle | home | husband | leading lady | love theme | Neapolitan | suspension | tender | tense

The Letter (1940)

Deception (Lohengreenish)1:28:01 - Leslie reacts to Robert's forgivenesschromatic mediant | climax | conversing | diminished 7th chord | dissonant bass | home | husband | kissing | leading lady | ostinato | retardation | romantic | sequence | suspension | tense
Lightning Strikes Twice (1951)El Pregon de Santiago1:11:53 - Johnny plays the guitar and singsactor | Cuban | friend | guitar | husband | leading lady | leading man | on-screen music | party | performer | room | serenading | singing | suspect | upbeat

Lightning Strikes Twice (1951)

La Paloma1:12:40 - Johnny sings brieflyactor | friend | guitar | husband | leading lady | leading man | Mexican | on-screen music | party | performer | room | serenading | singing | suspect | upbeat

Lightning Strikes Twice (1951)

Pulls doorknob1:16:03 - Shelly pulls off the doorknobactor | danger | doorknob | husband | leading lady | leading man | love scene | mickey-mousing | mysterious | pulling | room | suspect | suspicion | tense

Lightning Strikes Twice (1951)

Mournful (Quasi Misterioso)1:16:09 - Trev talks with Shellyactor | calm | conversing | fear | husband | leading lady | leading man | love scene | room | suspect | suspicion | worrying

Lightning Strikes Twice (1951)

Shelly and Trev (Dolce)1:16:52 - Trev embraces Shellyactor | calm | conversing | embracing | happy | husband | leading lady | leading man | love scene | relief | room | suspect

Lightning Strikes Twice (1951)

Shelly (Molto Grazioso) + Shelly 21:17:01 - Shelly smiles at Trevactor | calm | conversing | embracing | happy | husband | leading lady | leading man | love scene | room | suspect

Lightning Strikes Twice (1951)

Underscoring (Somber)1:17:15 - Trev stares at Shellyactor | dark | husband | leading lady | leading man | love scene | reacting | room | somber | suspect | underscoring

Lightning Strikes Twice (1951)

Shelly and Trev (Tenderly)1:17:31 - Trev and Shelly embraceactor | conversing | embracing | husband | kissing | leading lady | leading man | love scene | romantic | room | solemn | suspect

Lightning Strikes Twice (1951)

Shelly and Trev (Smile)1:17:51 - Shelly gets ready for bedactor | husband | leading lady | leading man | love scene | romantic | room | suspect | undressing

Lightning Strikes Twice (1951)

Spider1:18:41 - Trev hits a spideractor | bug effect | fear | hitting | husband | leading lady | leading man | mad scene | room | running | scurrying | spider | suspect | tense

Lightning Strikes Twice (1951)

Mournful (Scared)1:18:45 - Shelly is afraid of Trevactor | crying | fear | husband | leading lady | leading man | mad scene | room | somber | suspect | worrying

Lightning Strikes Twice (1951)

Afraid1:19:02 - Shelly leaves Trev in fearactor | crying | dramatic | escaping | fanfare | fear | husband | leading lady | leading man | mad scene | room | self-borrowing | stinger | suspect | worrying

Lightning Strikes Twice (1951)

Shelly (Escaping)1:19:17 - Shelly flees from Trevactor | dramatic | escaping | fear | fleeing | husband | leading lady | leading man | mad scene | room | running | suspect | unlocking

Lightning Strikes Twice (1951)

Shelly 2 (Fleeing)1:19:32 - Shelly runs to the caractor | chasing | dramatic | driving | fear | fleeing | husband | leading lady | leading man | mad scene | ranch | running | running effect | suspect

Lightning Strikes Twice (1951)

Shelly (Fleeing)1:19:41 - Trev sees Shelly drive awayactor | dramatic | driving | fear | fleeing | husband | leading lady | leading man | mad scene | ranch | running effect | suspect

Lightning Strikes Twice (1951)

Menace (Misterioso)1:19:48 - Trev calls Harveyarguing | conversing | husband | leading man | mad scene | mysterious | room | suspect | suspense | telephone

Lightning Strikes Twice (1951)

Shelly (Attack)NIF - not in filmactor | arriving | attacking | attempted murder | conflict | cut from film | dark | frantic | friend | husband | leading lady | leading man | murderer | rancher | room | rushing | strangling

Lightning Strikes Twice (1951)

Shelly 2 (Attack)NIF - not in filmactor | arriving | attacking | attempted murder | conflict | cut from film | dark | frantic | friend | husband | leading lady | leading man | murderer | rancher | room | rushing | strangling

Lightning Strikes Twice (1951)

Shelly 3 (Attack)NIF - not in filmactor | arriving | attacking | attempted murder | conflict | cut from film | dark | frantic | friend | husband | leading lady | leading man | murderer | rancher | room | rushing | strangling

Lightning Strikes Twice (1951)

Trev (Realization)1:26:36 - Close-up on Trev's faceactor | anger | chasing | climax | close-up | dark | friend | husband | leading lady | leading man | menacing | murderer | rancher | realizing | room | zoom in

Lightning Strikes Twice (1951)

Underscoring (Dramatic)1:26:47 - Trev runs after Lizaactor | anger | chasing | climax | dramatic | friend | husband | leading lady | leading man | murderer | rancher | room | running | underscoring

Lightning Strikes Twice (1951)

Escape1:26:51 - Liza runs awayactor | brother | chasing | climax | dark | escaping | friend | husband | leading lady | leading man | murderer | ranch | rancher | room | tense

Lightning Strikes Twice (1951)

Trev runs1:27:01 - Trev runs after Lizachasing | climax | dramatic | husband | leading man | mickey-mousing | murderer | ranch | rancher | running | tense

Lightning Strikes Twice (1951)

Escape (Getaway)1:27:08 - Trev runs back insideactor | brother | chasing | climax | dramatic | escaping | friend | husband | leading lady | leading man | murderer | ranch | rancher | room | tense
Mildred Pierce (1945)Bert0:20:18 - Bert comes home9th chord | added-note chord | arriving | common-chord modulation | cooking | establish character | flashback | gentle | heroine | husband | leading lady | mode mixture | room | self-borrowing | street

Mildred Pierce (1945)

Bert (Triste)0:24:26 - Bert and Mildred separateaugmented sixth chord | breaking up | crying | establish character | fragmentation | heroine | husband | leading lady | leaving | Neapolitan | pedal tone | room | somber

Mildred Pierce (1945)

Bert (Sentimentale)0:48:03 - Mildred watches her children leaveheroine | husband | leading lady | leaving | oscillation | room | serious | somber | thinking | transition | whole-tone chord

Mildred Pierce (1945)

Kay and Veda (Misterioso)0:54:01 - Bert tells Mildred that Kay is sickbad news | conversing | dark | death scene | distress | ex-husband | heroine | leading lady | mysterious | ominous | stinger | street | turning point | whole-tone scale

Mildred Pierce (1945)

Bert (Dark)0:54:14 - Bert and Mildred rush off to see Kaybad news | conversing | dark | death scene | distress | ex-husband | heroine | leading lady | leaving | street | turning point

Mildred Pierce (1945)

Pneumonia0:54:25 - A doctor works on Kaychild | chromatic scale | dark | death scene | doctor | dying | ex-husband | heroine | illness | leading lady | mickey-mousing | nurse | oscillation | patient | pc set | room | sick person | somber | tense | treating | turning point | waiting | watching

Mildred Pierce (1945)

Kay and Veda (Dying)0:55:05 - Kay's family waits and watches11th chord | child | dark | death scene | doctor | dying | ex-husband | heroine | illness | leading lady | nurse | patient | room | sick person | somber | tense | treating | turning point | waiting | watching

Mildred Pierce (1945)

Pneumonia (Dying)0:55:24 - Kay passes away9th chord | child | chromatic parallelism | dark | death | death scene | doctor | dying | ex-husband | heroine | illness | leading lady | linear chromaticism | minor-major 7th chord | nurse | oscillation | patient | room | sick person | somber | tense | treating | turning point | waiting | watching

Mildred Pierce (1945)

Mildred (Mourning)0:56:07 - Mildred mourns Kay's death9th chord | augmented sixth chord | child | death | death scene | doctor | ex-husband | heroine | leading lady | mourning | nurse | patient | room | sick person | somber | turning point

Mildred Pierce (1945)

Kay and Veda (Tenderly)0:56:34 - Veda and Mildred mourn for Kayadded-note chord | calm | child | death | death scene | ex-husband | heroine | hopeful | leading lady | mode mixture | mourning | plagal cadence | room | somber | turning point

Mildred Pierce (1945)

It Can't Be Wrong (Romantic)1:04:11 - Monte kisses Mildredadvance plot | chromatic mediant | door | ex-husband | familiar tune | foreign key modulation | heroine | interrupting | kissing | leading lady | love interest | mode mixture | popular music | restaurant | romantic | slamming | source to score | stinger

Mildred Pierce (1945)

It Can't Be Wrong (Troubled)1:04:30 - Bert interrupts Mildred and Monte's kissadvance plot | conversing | dark | ex-husband | familiar tune | heroine | leading lady | love interest | popular music | restaurant | source to score | suspension | tense | troubled

Mildred Pierce (1945)

Bert (Regretful)1:04:43 - Bert tells Mildred about the divorce9th chord | advance plot | chromatic mediant | common-chord modulation | conversing | divorce | ex-husband | heroine | leading lady | love interest | regretting | restaurant | somber

Mildred Pierce (1945)

Breaks glass1:05:35 - Bert slaps the glass out of Monte's handadvance plot | breaking | down | ex-husband | falling | glass | heroine | leading lady | love interest | mickey-mousing | restaurant | tense | throwing | violence

Mildred Pierce (1945)

It Can't Be Wrong (Uneasy)1:05:36 - Bert stares angrily at Monteadvance plot | dark | ex-husband | familiar tune | glaring | heroine | leading lady | leaving | love interest | pedal tone | popular music | restaurant | source to score | tense | uneasy

Mildred Pierce (1945)

Oceana Roll1:27:46 - Veda sings at a restaurantadvance plot | antagonist | cheerful | club | dancing | daughter | ex-husband | heroine | leading lady | on-screen music | playing | popular music | singing | source music

Mildred Pierce (1945)

Work (Montage)1:34:44 - Montage of Mildred and Monte's marriageadded-note chord | cheerful | deceptive resolution | ex-husband | glass | heroine | leading lady | love interest | mickey-mousing | mode mixture | montage | newspaper | self-borrowing | shadow

Mildred Pierce (1945)

Bert (Somber)1:37:06 - Bert talks with Mildred in her new houseadvance plot | augmented sixth chord | conversing | ex-husband | heroine | leading lady | pedal tone | room | somber

Mildred Pierce (1945)

Bert (Tenderly)1:39:33 - Mildred thanks Bertadvance plot | ex-husband | gentle | heroine | leading lady | mother | room | sweet | thanking

Mildred Pierce (1945)

Mildred (The End)1:50:07 - Mildred leaves with Bertadded-note chord | ex-husband | heroine | leading lady | leaving | pedal tone | police station | resolution | triumphant
The Life of Vergie Winters (1934)Lullaby (Allegro)1:18:34 - Newspaper headlinebold | conversing | daughter | dissonant bass | fragmentation | husband | montage | pedal tone | prison | waiting

The Life of Vergie Winters (1934)

Lullaby (Very Ethereal)1:19:04 - Vergie exits the prisondaughter | dissonant bass | husband | leading lady | pedal tone | prison | prisoner | resolution | somber | suspect | tense | walking

The Life of Vergie Winters (1934)

Lullaby (Resolution)1:21:03 - Joan talks about her motheradded-note chord | calm | conversing | crying | daughter | end title sequence | husband | peaceful | prison | redemption | resolution | The End | triumphant
The Unfaithful (1947)Unfaithful (Somber)0:22:24 - Bob comforts Chris9th chord | augmented sixth chord | comfort | comforting | common-chord modulation | husband | leading lady | love scene | mode mixture | ostinato | pedal tone | room | somber | victim

The Unfaithful (1947)

Unfaithful (Tragic)0:24:34 - Mrs. Tanner walks down the streetadvance plot | antagonist | husband | leading lady | newspaper | ostinato | panicked | panicking | pedal tone | police station | street | transition | trolley | victim | widow

The Unfaithful (1947)

Oh But I Do0:32:27 - Ladies talk at a restaurantAABA structure | advance plot | calm | conversing | husband | lawyer | leading lady | on-screen music | restaurant | sister | source music | transition | victim

The Unfaithful (1947)

Deep Night0:35:15 - Larry, Chris, and Bob at a restaurantAABA structure | advance plot | calm | conversing | husband | lawyer | leading lady | on-screen music | restaurant | source music | transition | victim

The Unfaithful (1947)

Unfaithful (Somber 2)1:00:01 - Chris thinks9th chord | advance plot | altered dominant | augmented sixth chord | chromatic mediant | common-chord modulation | conversing | foreign key modulation | husband | leading lady | mode mixture | ostinato | room | somber | tender

The Unfaithful (1947)

Walking1:09:50 - Bob goes for a walkhusband | park | pedal tone | tense | transition | walking

The Unfaithful (1947)

Unfaithful (Ominous)1:10:22 - Bob meets the art dealerantagonist | blackmail | husband | monophonic | ominous | park | transition | waiting

The Unfaithful (1947)

Unfaithful (Driving)1:10:31 - Bob rides in a carcar | driving | husband | minor-major 7th chord | ominous | street | transition | whole-tone

The Unfaithful (1947)

Tanner1:10:47 - Men get out of the caraltered dominant | antagonist | arriving | foreshadowing | fragmentation | husband | irregular meter | pc set | quartal chord | street | tense | transition | walking

The Unfaithful (1947)

Unfaithful (Menacing)1:12:25 - Bob sees the statueantagonist | husband | menacing | monophonic | ostinato | pivotal scene | realizing | revealing | room | sequence | staring | statue | threatening | unveiling | widow

The Unfaithful (1947)

Unfaithful (Attack 2)1:13:06 - Bob attacks the art shop owner9th chord | angry | antagonist | attacking | chromatic scale | fighting | husband | pc set | pivotal scene | room | widow | zoom in

The Unfaithful (1947)

Unfaithful (Triste)1:13:36 - Bob walks slowly awaydirge | heartbroken | hotel | husband | ostinato | pedal tone | polychord | sad | sequential modulation | somber | transition | walking

The Unfaithful (1947)

Unfaithful (Risoluto)1:14:27 - Bob arrives homeangry | arriving | car | driving | fragmentation | house | husband | monophonic | transition

The Unfaithful (1947)

Unfaithful (Angry)1:15:00 - Bob looks aroundangry | common-chord modulation | deceptive resolution | husband | intense | meandering | Neapolitan | ostinato | room | sequential modulation | transition | walking

The Unfaithful (1947)

Unfaithful (Rising Anger)1:15:35 - Bob walksangry | chromatic scale | fragmentation | half-diminished 7th chord | husband | intense | meandering | oscillation | ostinato | room | transition | walking

The Unfaithful (1947)

Unfaithful (Not in Film)NIF - not in filmacceleration | arguing | climax | cut from film | husband | Neapolitan | ostinato | room | sequential modulation | tense | wife

The Unfaithful (1947)

Ask Anyone Who Knows1:34:08 - Paula reads the paperABA structure | calm | conversing | friend | husband | radio | reading | resolution | room | source music

The Unfaithful (1947)

Would You Believe Me1:36:54 - Paula talks with BobABAC structure | calm | conversing | friend | husband | radio | reading | resolution | room | source music

The Unfaithful (1947)

Unfaithful (Distressed)1:41:24 - Larry talks with Bob9th chord | conversing | foreign key modulation | husband | lawyer | ostinato | pc set | resolution | room | somber | wife

The Unfaithful (1947)

Unfaithful (Leaving)1:42:32 - Chris prepares to leave9th chord | conversing | husband | lawyer | mode mixture | ostinato | pedal tone | resolution | room | somber | wife

The Unfaithful (1947)

Unfaithful (Dolce)1:46:08 - Bob talks with Chrisaltered dominant | chromatic mediant | common-chord modulation | conversing | foreign key modulation | fragmentation | hopeful | husband | lawyer | mode mixture | ostinato | peaceful | pedal tone | plagal cadence | resolution | resolution | romantic | room | triumphant | wife
We Are Not Alone (1939)Surprise Symphony (Turbulent)0:50:14 - Jessica reacts to David's departure11th chord | angry | antagonist | chromatic parallelism | classical music | conflict | crying | dark | familiar tune | Haydn | hero | home | husband | leaving | quotation | room | sad | tragic | wife
The Woman in White (1948)Laura0:55:43 - Sitting at the dining tableadvance plot | antagonist | butler | cigarette | conversing | cousin | eating | happy | husband | leading lady | light | mansion | monkey | servant | smoking | somber

The Woman in White (1948)

Underscoring (Mysterious)0:56:12 - Sir Percival and a monkeyadvance plot | antagonist | butler | cigarette | conversing | cousin | husband | leading lady | mansion | monkey | mysterious | servant | smoking | stinger | underscoring

The Woman in White (1948)

Ann (Misterioso Rubato)0:58:22 - The countess excuses herselfadvance plot | antagonist | butler | conversing | cousin | departing | husband | leading lady | mansion | mysterious | servant | somber

The Woman in White (1948)

Sneaking1:02:12 - Marian leaves wearing a cloakadvance plot | antagonist | conversing | cousin | criminal | eavesdropping | father | husband | leading lady | leading man | room | sneaking | somber | tense

The Woman in White (1948)

Fosco (Misterioso Slowly)1:04:48 - Count Fosco leaves the roomadvance plot | antagonist | conversing | cousin | criminal | eavesdropping | father | husband | leading lady | leading man | lightning | mysterious | room | sneaking | storm | tense

The Woman in White (1948)

Underscoring (Dramatic)1:09:11 - Marian is locked inantagonist | confining | conflict | conversing | cousin | criminal | dark | dramatic | husband | leading lady | leading man | prisoner | room | underscoring

The Woman in White (1948)

Asylum (Dark)1:09:26 - Fosco talks to Sir Percivalaching | antagonist | conflict | conversing | criminal | dark | headache | husband | illness | leading lady | leading man | pain | plotting | prisoner | room

The Woman in White (1948)

Appearing1:10:28 - The woman in white disappearsadvance plot | antagonist | criminal | doctor | hiding | husband | leading lady | leading man | magical | mysterious | room | running | superimposed shot | victim

The Woman in White (1948)

Ann (Poco Agitato)1:11:46 - Laura mentions the woman in whiteagitated | antagonist | conflict | conversing | criminal | doctor | headache | husband | illness | leading lady | leading man | pain | room | servant | victim

The Woman in White (1948)

Fosco1:12:05 - Fosco talks to the maidagitated | anger | antagonist | conflict | criminal | doctor | headache | husband | illness | leading lady | leading man | pain | room | searching | servant | tense | victim | walking

The Woman in White (1948)

Fosco (Molto Agitato)1:12:15 - Fosco walksagitated | anger | antagonist | conflict | criminal | dark | doctor | headache | husband | illness | leading lady | leading man | pain | room | rushing | searching | servant | tense | victim | walking

The Woman in White (1948)

Ann (Accelerando) + Fosco (Dark)1:12:47 - Fosco leavesagitated | anger | antagonist | combination of themes | conflict | conversing | criminal | departing | doctor | husband | leading man | room | rushing | searching | tense | walking

The Woman in White (1948)

Fosco (Misterioso)1:18:29 - The woman in white hears Sir Percival's voiceantagonist | arriving | criminal | death scene | hearing voices | husband | leading lady | madness | mysterious | room | screaming | shock | surprise | tense | victim | wife

The Woman in White (1948)

Appearing1:18:48 - The woman in white clutches her heartantagonist | criminal | death scene | dying | husband | leading lady | mickey-mousing | room | screaming | shock | surprise | tense | victim | wife

The Woman in White (1948)

Ann (Dead)1:18:55 - The woman in white lies deadantagonist | conversing | criminal | dark | death scene | dying | husband | leading lady | murderer | room | somber | victim | wife

The Woman in White (1948)

Ann (Slowly)1:19:46 - The countess entersangry | antagonist | criminal | dark | death scene | glaring | husband | leading lady | room | shaking | victim | wife

The Woman in White (1948)

Come, Sweet Death (Funeral)1:20:13 - Mourners at a funeralcemetery | church | cousin | crowd | funeral | funeral | husband | leading lady | leading man | mourning | priest | reading | somber | victim

The Woman in White (1948)

Asylum + Ann1:24:50 - Close-up on Count Foscoantagonist | asylum | combination of themes | criminal | dark | husband | hypnosis | hypnotist | hypnotizing | leading lady | leading man | lighting change | mad scene | murderer | mysterious | thematic transference | victim

The Woman in White (1948)

Asylum + Ann + Hypnosis1:25:26 - Laura looks at Sir Percivalantagonist | asylum | combination of themes | criminal | dark | husband | hypnosis | hypnotist | hypnotizing | leading lady | leading man | mad scene | murderer | mysterious | victim

The Woman in White (1948)

Pavan (Distressed)1:25:43 - Laura confronts Sir Percivalantagonist | arguing | asylum | criminal | dark | husband | hypnosis | hypnotist | leading lady | leading man | mad scene | murderer | victim

The Woman in White (1948)

Asylum + Ann + Hypnosis1:26:10 - Count Fosco hypnotizes Lauraantagonist | asylum | combination of themes | criminal | dark | husband | hypnosis | hypnotist | hypnotizing | leading lady | leading man | mad scene | murderer | shrill | staring | victim

The Woman in White (1948)

Ann1:26:55 - Laura speaks to Count Foscoantagonist | asylum | criminal | husband | hypnosis | hypnotist | hypnotizing | leading lady | leading man | mad scene | murderer | mysterious | staring | victim

The Woman in White (1948)

Ann (Waltz)1:27:14 - Laura dashes awayantagonist | asylum | conversing | criminal | husband | hypnosis | hypnotist | leading lady | leading man | leaving | mad scene | murderer | nurse | tender | victim

The Woman in White (1948)

Ann 21:28:39 - The nurse takes Laura to her roomantagonist | asylum | criminal | husband | hypnosis | hypnotist | leading lady | leading man | leaving | mad scene | murderer | nurse | tender | victim | walking

The Woman in White (1948)

Ann (Quasi Misterioso)1:29:00 - Count Fosco talks to Sir Percivalantagonist | asylum | conversing | criminal | husband | hypnotist | leading man | mad scene | murderer | ominous

The Woman in White (1948)

Hypnosis + Fosco1:30:32 - Count Fosco leavesantagonist | carriage | combination of themes | criminal | dark | husband | hypnotist | leading man | leaving | murderer | ominous | plotting | spy | spying | street | tense | transition

The Woman in White (1948)

Pavan (Garden)1:31:13 - Walter talks with Marianconversing | criminal | friend | husband | leading lady | leading man | love scene | murderer | noble | room | spy | spying

The Woman in White (1948)

The Carman’s Whistle (Bassoon)1:32:48 - A man spies on Waltercalm | comedy | criminal | following | husband | leading man | murderer | sneaking | spy | spying | street | walking

The Woman in White (1948)

Underscoring (Dramatic)1:36:15 - Laura screams when she sees Sir Percivalconflict | criminal | dramatic | hitting | husband | leading lady | leading man | murderer | patient | screaming | street | struggling | underscoring | victim | wife

The Woman in White (1948)

Fight1:36:33 - Walter fights the spyconflict | criminal | dramatic | fighting | husband | leading lady | leading man | murderer | patient | punching | spy | street | victim | wife

The Woman in White (1948)

Fosco (Dark)1:36:50 - Sir Percival on the groundconflict | criminal | dark | husband | leading lady | leading man | murderer | ominous | patient | spy | street | victim | walking | wife

The Woman in White (1948)

Laura (Harp Countermelody)1:46:55 - The camera pans from the asylumarriving | butler | child | conversing | father | happy | husband | leading man | mansion | resolution | voice-over | waltz

The Woman in White (1948)

Pavan (Major)1:47:33 - Walter with his daughter Annchild | conversing | father | greeting | husband | leading man | noble | resolution | voice-over | yard

The Woman in White (1948)

The Self Banished (The End)1:47:51 - Walter with the childrenbook | child | conversing | embracing | father | greeting | husband | kissing | leading lady | leading man | mother | resolution | tender | The End | voice-over | wife | yard
Transgression (1931)There's a Sob In My Heart (Ballroom)0:28:18 - Robert arrives at the partyAABA structure | augmented sixth chord | calm | club | conversing | dancing | husband | leading lady | party | self-borrowing | sophisticated | source music

Transgression (1931)

Main Title (Ending)1:09:15 - The Endembracing | end title sequence | gentle | happy | husband | leading lady | pleasant | The End | transcribed by ear
Thirteen Women (1932)Hazel murders husband0:12:36 - Hazel murders her husbanddouble exposure | dramatic | half-diminished 7th chord | headline | husband | knife | murder | murderer | murdering | murder scene | newspaper | room | stabbing | stinger | transcribed by ear | victim | violent
Without Honor (1949)Twilight (Rubato)0:39:03 - Jane stands in the roadaction scene | car | husband | leading lady | leading man | solemn | street | walking

Without Honor (1949)

Misterioso (Molto Rubato)0:43:10 - Bill talks with Fredantagonist | brother | conflict | conversing | husband | leading lady | leading man | reveal | room | secret | tense | warning

Without Honor (1949)

Valse Triste (Andante Doloroso)0:49:07 - Fred entersantagonist | brother | conflict | entering | husband | leading lady | leading man | reacting | reveal | room | secret | somber | thinking | wife

Without Honor (1949)

Underscoring (Tense)0:49:48 - Bill talks to Fredantagonist | brother | conflict | conversing | husband | leading lady | leading man | reveal | room | secret | tense | thinking | wife

Without Honor (1949)

Tension (Molto Misterioso)0:50:03 - Bill stares at Janeanger | antagonist | brother | conflict | conversing | demanding | dramatic | husband | leading lady | leading man | reveal | room | secret | slapping | tense | wife

Without Honor (1949)

Agitation (Appassionato)0:52:28 - Jane criesagitated | antagonist | brother | climax | confessing | confession | crying | demanding | husband | leading lady | leading man | room | tense | wife

Without Honor (1949)

Confession0:52:54 - Jane confessesagitated | antagonist | brother | climax | confessing | confession | crying | husband | leading lady | leading man | room | wife

Without Honor (1949)

Appassionato 20:53:24 - Jane laughsantagonist | brother | climax | confession | crying | husband | laughing | leading lady | leading man | passionate | room | wife

Without Honor (1949)

Underscoring (Dramatic)0:53:45 - Jane screamsantagonist | blood | brother | climax | confession | dramatic | handprint | husband | leading lady | leading man | room | screaming | tense | underscoring | wife

Without Honor (1949)

Desperation (The Scream)0:53:50 - They look at the bloody handprintantagonist | blood | brother | climax | confession | departing | dramatic | handprint | husband | investigating | leading lady | leading man | room | screaming | searching | tense | wife | yard

Without Honor (1949)

Twilight (Resolution)0:55:26 - Jane walks out of the orchardantagonist | brother | calm | child | conversing | husband | leading lady | leading man | orchard | resolution | scout | street

Without Honor (1949)

Doloroso0:57:10 - Mrs. Williams talks to Janeantagonist | apologizing | brother | climax | conversing | husband | leading lady | leading man | room | solemn | wife

Without Honor (1949)

Twilight (Somber)0:57:48 - Mrs. Williams forgives Janeantagonist | bathroom | brother | climax | forgiveness | husband | leading lady | leading man | razor blade | room | somber | thinking | wife

Without Honor (1949)

Tension (Extended)0:58:12 - Mrs. Williams talks to Fred and Billantagonist | bathroom | brother | climax | conversing | forgiveness | husband | leading lady | leading man | razor blade | room | tense | wife

Without Honor (1949)

Valse Triste (Suicide)0:58:33 - Jane stares in the mirrorantagonist | attempted suicide | bathroom | brother | climax | conversing | husband | knocking | leading lady | leading man | razor blade | room | somber | suicide | wife

Without Honor (1949)

Valse Triste (Molto Appassionato)0:58:58 - Jane stares downantagonist | attempted suicide | bathroom | brother | climax | conversing | dramatic | husband | knocking | leading lady | leading man | razor blade | room | suicide | wife

Without Honor (1949)

Appassionato 2 (Molto Expressivo)0:59:06 - Jane cuts her wristantagonist | attempted suicide | bathroom | breaking | brother | climax | committing suicide | conversing | cutting | dramatic | entering | grabbing | husband | knocking | leading lady | leading man | razor blade | room | running | suicide | wife | yelling

Without Honor (1949)

Twilight (Rubato)0:59:24 - Mrs. Williams helps Janeantagonist | attempted suicide | brother | climax | doctor | helping | husband | leading lady | leading man | razor blade | room | serious | somber | struggling | suicide | wife

Without Honor (1949)

Valse Triste (Tempo de Beguin)1:00:38 - Bill watches them leaveantagonist | brother | conversing | convincing | hopeful | husband | leading man | resolution | room | thinking

Without Honor (1949)

Valse Triste (Mexico)1:02:08 - Fred packs his thingsantagonist | brother | cheerful | conversing | convincing | husband | leading man | Mexican | resolution | room | thinking

Without Honor (1949)

Valse Triste (Tempo de Beguin)1:02:32 - Bill talks to Fredantagonist | brother | conversing | convincing | hopeful | husband | leading man | resolution | room | thinking

Without Honor (1949)

Valse Triste (Reeds)1:04:26 - Fred argues with Billantagonist | arguing | brother | husband | leading man | resolution | room | tense

Without Honor (1949)

Valse Triste (Triple Beguin)1:05:18 - Fred starts to leave for the hospitalantagonist | arguing | brother | fighting | husband | leading man | punching | resolution | tense | yard

Without Honor (1949)

Appassionato 2 (Broad)1:05:32 - Fred gets in his caranger | antagonist | brother | car | complaining | departing | dramatic | driving | husband | leading man | resolution | street | tense | yard

Without Honor (1949)

Valse Triste (Agitato)1:05:49 - Bill tries to stop Fredanger | antagonist | brother | car | chasing | complaining | departing | dramatic | driving | harsh | husband | leading man | resolution | running | street | tense | yelling
Lightning Strikes Twice (1951)Liza (Triste)1:29:20 - Father Paul climbs upactor | arriving | car crash | climbing | countryside | death | husband | leading lady | leading man | mother | owner | police | priest | resolution | somber

Lightning Strikes Twice (1951)

Shelly and Trev (Appassionato 2)1:29:33 - Trev and Shelly embraceactor | calm | comforting | countryside | departing | driving | embracing | husband | kissing | leading lady | leading man | mother | owner | peace | peaceful | police | priest | resolution | smiling

Lightning Strikes Twice (1951)

Shelly (The End) + Shelly 2 (The End)1:30:00 - Trev and Shelly drive away togetheractor | calm | comforting | countryside | driving | embracing | end title sequence | husband | leading lady | leading man | peace | peaceful | resolution | resolved | The End