| Flamingo Road (1949) | If I Could Be With You (Dead) | 1:24:41 - Lane sees Field has committed suicide | augmentation | death scene | discovering | gunshot | leading lady | leading man | love interest | reacting | room | suicide | surprise | tragic | violent |
| The Letter (1940) | Mr. Hammond Has Been Shot | 0:05:45 - Worker runs in | 11th chord | action scene | altered dominant | dark | death | husband | ominous | reacting | servant | warehouse |
| The Public Defender (1931) | An Armchair With An Armful of You | 0:16:29 - Dance music played at a dinner party | advance plot | banker | cheerful | dance music | discovery | mystery | party | reacting | source and scoring overlap | source music | transcribed by ear | waiter |
| Another Face (1935) | Emotions | 0:02:53 - Close up on the nurse | dramatic | establish character | gangster | headline | laughing | newspaper | nurse | office | reacting | reading | stinger | tense |
| Deep Valley (1947) | Libby (Triste) | 1:10:09 - Libby reacts to the news | escape | leading lady | leading man | reacting | room | somber |
| The Woman in White (1948) | Ann (Waltz 2) | 1:46:13 - A close-up on the Countess | criminal | death | embracing | friend | friend | leading lady | leading man | love interest | murder | murderer | necklace | reacting | resolution | revenge | room | tender | victim | waltz | wife |
| Beyond the Forest (1949) | Chicago (Harmonics) | 1:08:31 - Rosa reacts to Moose's warning | anger | angry | contemplating | familiar tune | harsh | leading lady | ominous | popular tune | reacting | room | turning point |
Beyond the Forest (1949) | Underscoring (Dramatic) | 1:08:36 - Rosa hits the table | anger | angry | contemplating | dramatic | harsh | hitting | leading lady | pounding | reacting | room | turning point | underscoring |
Beyond the Forest (1949) | Rosa (Violent) | 1:08:54 - Rosa slowly turns | anger | angry | contemplating | harsh | leading lady | ominous | reacting | room | turning point |
Beyond the Forest (1949) | Rosa (Violent) + Chicago | 1:09:01 - Rosa heads outside | anger | angry | combination of themes | contemplating | departing | familiar tune | harsh | leading lady | ominous | popular tune | reacting | room | turning point |
Beyond the Forest (1949) | Rosa | 1:32:10 - Lewis arrives | arriving | checking | climax | dark | death | doctor | dramatic | husband | leading lady | leading man | mad scene | murderer | reacting | tender | train | train station |
| We're Only Human (1935) | Lullaby (Adagio) | 0:23:36 - Peter watches the car drive away | conflict | conversing | detective | diminished 7th chord | direct modulation | dissonant bass | food | leading lady | leading man | love interest | reacting | reporter | street | tense |
| Don’t Turn ‘em Loose (1936) | Makes You Forget Your Troubles (Dream Sequence) | 0:39:59 - Bob (Bat) pulls a gun on Letty | augmented sixth chord | cheerful | confronting | fragmentation | frantic | gangster | gun | gunshot | half-diminished 7th chord | leading man | mirror shot | moll | murder | murderer | murder scene | popular music | reacting | room | screaming | sequence | shooting | simulated source music | source music | staring | tense | threatening | victim |
| Out of the Fog (1941) | Underscoring (Gentle) | 0:26:51 - Jonah helps Olaf | chef | conflict | conversing | criminal | dock | extortion | father | fisherman | friend | gentle | helping | leading man | mickey-mousing | reacting | solemn | tender | threatening | underscoring |
Out of the Fog (1941) | Underscoring (Dark) | 0:40:27 - Stella reacts | criminal | dark | dock | leading lady | leading man | love scene | reacting | stinger | walking |
Out of the Fog (1941) | Underscoring (Dramatic) | 0:41:03 - Stella slaps Goff | criminal | dock | dramatic | leading lady | leading man | love scene | reacting | slapping | stinger | underscoring |
| Her Kind of Man (1946) | Underscoring (Dramatic [Deutsch]) | 1:03:37 - Steve shoots his sister | action scene | club | crowd | dramatic | dying | gambler | husband | leading man | murderer | police | reacting | shooting | sister | underscoring | victim |
| We're Only Human (1935) | Lost Patrol 1 | 1:06:52 - Pete looks at Berger | climax | conflict | death | detective | gangster | hostage | leading man | murderer | reacting | room | solemn |
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